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These are the user uploaded subtitles that are being translated: 1 00:00:11,040 --> 00:00:12,370 Andy: PREVIOUSLY ON NYPD BLUE... 2 00:00:12,400 --> 00:00:13,840 I THOUGHT YOU SHOULD KNOW 3 00:00:13,870 --> 00:00:15,570 ABOUT SOME DEVELOPMENTS AT THAT TAILFEATHERS CLUB. 4 00:00:15,600 --> 00:00:17,140 YOU GOT AN EAR IN THE PLACE? 5 00:00:17,170 --> 00:00:18,240 A STRIPPER THERE ‐‐ KRISTEN MOORE. 6 00:00:18,270 --> 00:00:19,540 THE GIRL WE WIRED UP. 7 00:00:19,570 --> 00:00:21,840 SHE SAID THE OWNERS WANTED A WORD WITH ME. 8 00:00:21,870 --> 00:00:23,140 IT TURNS OUT IT WAS 9 00:00:23,170 --> 00:00:24,670 TO RUN THEIR BARTENDER THROUGH BCI. 10 00:00:24,700 --> 00:00:26,400 I THINK THEY’RE TRYING TO TURN ME OUT. 11 00:00:26,440 --> 00:00:27,940 DID YOU SAY YOU’D DO IT? 12 00:00:27,970 --> 00:00:29,570 I SAID I’D THINK ABOUT IT. 13 00:00:29,600 --> 00:00:31,000 GO AHEAD AND RUN THE BARTENDER 14 00:00:31,040 --> 00:00:32,270 AND FOLLOW THROUGH WITH THE OWNERS, 15 00:00:32,300 --> 00:00:33,870 BUT KEEP IT QUIET TILL YOU GET THE GREEN LIGHT. 16 00:00:33,900 --> 00:00:37,300 I’LL KEEP IT ENTIRELY TO MYSELF, ANDY INCLUDED. 17 00:00:37,340 --> 00:00:38,740 WHAT’S WITH THIS KID? 18 00:00:38,770 --> 00:00:40,870 IS HE TRYING TO GIVE ME AN ULCER HERE OR WHAT? 19 00:00:40,900 --> 00:00:42,340 DO YOU WANT ME TO PAGE HIM AGAIN? 20 00:00:42,370 --> 00:00:44,370 YOU PAGED HIM FIVE MINUTES AGO. 21 00:00:44,400 --> 00:00:45,600 SO HE’S AN HOUR LATE. 22 00:00:45,640 --> 00:00:47,000 I DON’T CARE ABOUT HIM BEING LATE. 23 00:00:47,040 --> 00:00:48,370 I CARE ABOUT HIM NOT CALLING TO TELL US. 24 00:00:48,400 --> 00:00:50,300 WHAT’S GOING ON? 25 00:00:50,340 --> 00:00:53,870 DANNY’S, UH, WE DON’T KNOW WHERE HE IS. 26 00:00:53,900 --> 00:00:57,740 AND THAT DANCER KRISTEN MOORE WHO WORE A WIRE FOR US ‐‐ 27 00:00:57,770 --> 00:01:00,570 SHE’S D.O.A. AT SORENSON’S APARTMENT. 28 00:01:00,600 --> 00:01:02,500 SO NOW WHAT? WE FILE A MISSING PERSONS REPORT? 29 00:01:02,540 --> 00:01:03,670 YEAH. 30 00:01:03,700 --> 00:01:06,440 ALL RIGHT, TOMORROW WE PICK UP AND KEEP GOING. 31 00:01:06,470 --> 00:01:08,840 WE WON’T STOP LOOKING, AND WE HOPE FOR THE BEST, 32 00:01:08,870 --> 00:01:10,570 BUT WE GOT TO KEEP GOING. 33 00:01:16,740 --> 00:01:18,240 [ SCREAMING ] 34 00:01:28,770 --> 00:01:32,070 [ SOBBING ] 35 00:01:32,100 --> 00:01:33,170 FOUR? 36 00:01:33,200 --> 00:01:34,770 YEAH, ALL GIRLS. 37 00:01:34,800 --> 00:01:36,670 THE OLDEST IS 18, THE YOUNGEST IS 12. 38 00:01:36,700 --> 00:01:38,340 Baldwin: GREG’S UP THERE. ANYTHING? 39 00:01:38,370 --> 00:01:39,600 NO ONE’S COME FORWARD, 40 00:01:39,640 --> 00:01:41,870 BUT WE HAVEN’T STARTED A CANVASS YET. 41 00:01:41,900 --> 00:01:42,940 WHO CALLED IT IN? 42 00:01:42,970 --> 00:01:44,240 THE MOM. WORKS GRAVEYARD. 43 00:01:44,270 --> 00:01:46,100 ANYTHING FROM HER? 44 00:01:46,140 --> 00:01:48,540 SHE’S HYSTERICAL. YOU TALK TO HER AT ALL? 45 00:01:48,570 --> 00:01:50,140 I WAS WAITING FOR HER TO CALM DOWN. 46 00:01:50,170 --> 00:01:51,540 YOU KEEP WAITING, 47 00:01:51,570 --> 00:01:53,100 THEY’LL HAVE HER SEDATED, YOU WON’T GET NOTHING. 48 00:01:59,870 --> 00:02:01,140 [ SOBBING ] 49 00:02:01,170 --> 00:02:02,500 WOULD YOU LET ME HELP HER? 50 00:02:12,340 --> 00:02:14,600 THESE TWO WERE FACING THE SHOOTER. 51 00:02:14,640 --> 00:02:16,670 THIRD ONE GOT IT IN THE BACK. 52 00:02:16,700 --> 00:02:19,340 THE YOUNGEST GOT IT HIDING IN THE BEDROOM CLOSET. 53 00:02:19,370 --> 00:02:21,300 WHOLE PLACE WAS RANSACKED TOP TO BOTTOM. 54 00:02:21,340 --> 00:02:23,000 NO ONE HEARD ANYTHING? 55 00:02:23,040 --> 00:02:26,140 NEIGHBOR SAID THE STEREO WAS UP LOUD LAST NIGHT. THAT’S IT. 56 00:02:26,170 --> 00:02:27,170 ANY MEN LIVE HERE? 57 00:02:27,200 --> 00:02:28,570 NOTHING PERMANENT. 58 00:02:28,600 --> 00:02:30,500 WHY DON’T YOU START A CANVASS? 59 00:02:30,540 --> 00:02:31,670 SURE. 60 00:02:35,270 --> 00:02:37,470 START LOOKING INTO BOYFRIENDS? 61 00:02:37,500 --> 00:02:39,370 BEEHIVES. 62 00:02:39,400 --> 00:02:41,600 THAT’S WHAT MY FIRST PARTNER CALLED THE PROJECTS: 63 00:02:41,640 --> 00:02:43,040 BEEHIVES. 64 00:02:50,940 --> 00:02:52,400 THAT PHONE DUMP COME IN YET? 65 00:02:52,440 --> 00:02:53,700 I TOLD THE LIEUTENANT. 66 00:02:53,740 --> 00:02:56,400 JOHN, DID WE HEAR FROM TARO YET OR NOT? 67 00:02:56,440 --> 00:02:58,540 THE LIEUTENANT’S BEEN ANSWERING THE PHONES, 68 00:02:58,570 --> 00:03:00,170 DETECTIVE, SO I DON’T KNOW. 69 00:03:00,200 --> 00:03:02,600 REMEMBER TO RUN THE MOM THROUGH BCI. 70 00:03:02,640 --> 00:03:03,770 I’LL, UH, 71 00:03:03,800 --> 00:03:05,500 I’LL CHECK WITH CRIME SCENE ABOUT PRINTS. 72 00:03:05,540 --> 00:03:07,270 Tony: BALDWIN, YOU AND GREG ‐‐ 73 00:03:07,300 --> 00:03:09,800 GUNSHOT VICTIM AT BELLEVUE. PHONE DUMP CAME BACK. 74 00:03:09,840 --> 00:03:13,070 LAST CALL IN WAS 11:00 P.M. FROM A MARIA FELICIANO ‐‐ 75 00:03:13,100 --> 00:03:15,200 HER CELL PHONE. HERE’S HER ADDRESS. 76 00:03:15,240 --> 00:03:16,770 GREG, YOU AND BALDWIN WRAP THIS UP. 77 00:03:16,800 --> 00:03:18,570 OTHERWISE, I’M GOING TO NEED HELP FROM THE BOROUGH. 78 00:03:18,600 --> 00:03:20,470 PERSONAL ITEMS FROM THE D. O. A.’s APARTMENT. 79 00:03:20,500 --> 00:03:21,670 I’LL GO THROUGH THEM. 80 00:03:21,700 --> 00:03:23,700 WHAT IS THIS, A BROOM CLOSET NOW? 81 00:03:23,740 --> 00:03:24,800 ANDY, GIVE ME A BREAK. 82 00:03:24,840 --> 00:03:26,800 MEDAVOY, KEEP YOUR CRAP ON YOUR DESK. 83 00:03:28,570 --> 00:03:30,370 I’M GOING TO HIT THE HEAD, 84 00:03:30,400 --> 00:03:32,570 THEN WE’LL GO PICK THIS MARIA UP. 85 00:03:33,800 --> 00:03:37,370 ALL RIGHT, WE GOT FOUR GIRLS DEAD. LET’S GO. 86 00:03:48,700 --> 00:03:50,800 ALL RIGHT, ENOUGH OF THIS ALREADY. 87 00:03:50,840 --> 00:03:51,840 ENOUGH OF WHAT? 88 00:03:51,870 --> 00:03:53,440 THIS WHOLE DEPARTMENT’S BEEN THROUGH HELL 89 00:03:53,470 --> 00:03:54,840 WITH THE WORLD TRADE CENTER ATTACKS, 90 00:03:54,870 --> 00:03:57,200 AND WE’RE ALL TRYING TO DEAL WITH IT IN OUR OWN WAY, 91 00:03:57,240 --> 00:03:58,470 BUT JUST ’CAUSE WE’RE NOT WALKING AROUND 92 00:03:58,500 --> 00:03:59,800 PUNCHING HOLES IN WALLS ‐‐ 93 00:03:59,840 --> 00:04:01,840 I NEED TO TAKE A PISS HERE, IF YOU DON’T MIND. 94 00:04:01,870 --> 00:04:05,770 WE LOST 300 FIREFIGHTERS. WE LOST DOZENS OF COPS. 95 00:04:05,800 --> 00:04:07,740 WE ARE STILL LOOKING FOR DANNY. 96 00:04:07,770 --> 00:04:10,140 YOU DON’T HAVE A CORNER ON PERSONAL GRIEF, 97 00:04:10,170 --> 00:04:11,540 AND IT’S AN INSULT, ANDY, 98 00:04:11,570 --> 00:04:12,600 YOU TREATING US LIKE 99 00:04:12,640 --> 00:04:14,240 WE DON’T CARE AS MUCH AS YOU. 100 00:04:14,270 --> 00:04:16,070 WE’RE STILL HURTING, TOO. 101 00:04:16,100 --> 00:04:18,240 CAN I PISS NOW? 102 00:05:49,840 --> 00:05:51,440 [ WOLF WHISTLES ] 103 00:05:51,470 --> 00:05:54,670 AREN’T YOU GUYS IN ENOUGH TROUBLE? 104 00:05:54,700 --> 00:05:55,800 HEY. 105 00:06:01,600 --> 00:06:04,370 CLARK, NARCOTICS. THAT’S MARIA FELICIANO, RIGHT? 106 00:06:04,400 --> 00:06:06,370 YEAH, WHY? WHAT ARE YOU BRINGING HER IN FOR? 107 00:06:06,400 --> 00:06:07,600 WHY DO YOU WANT TO KNOW? 108 00:06:07,640 --> 00:06:09,540 WE GOT AN "A" BUY INTO HER BOYFRIEND TINO, 109 00:06:09,570 --> 00:06:11,400 THIS SCUMBAG CLUB PROMOTER WHO’S BEEN MOVING INTO SALES, 110 00:06:11,440 --> 00:06:13,170 AND I’M JUST MAKING SURE, THAT, YOU KNOW, 111 00:06:13,200 --> 00:06:14,440 WE’RE NOT GETTING OUR WIRES CROSSED. 112 00:06:14,470 --> 00:06:16,740 WE’RE NOT. HEY. 113 00:06:16,770 --> 00:06:17,700 IT’D BE A REAL HELP 114 00:06:17,740 --> 00:06:19,470 KNOWING WHAT YOU’RE BRINGING HER IN FOR. 115 00:06:19,500 --> 00:06:21,670 WE’RE WORKING A HOMICIDE INVESTIGATION. 116 00:06:21,700 --> 00:06:22,840 IS THAT OKAY WITH YOU? 117 00:06:22,870 --> 00:06:24,500 IT’S ALL YOURS. 118 00:06:38,940 --> 00:06:40,500 HE GOT SHOT LAST NIGHT. 119 00:06:40,540 --> 00:06:43,140 SAID HE DIDN’T COME IN RIGHT AWAY 120 00:06:43,170 --> 00:06:44,870 ’CAUSE OF NO INSURANCE. 121 00:06:44,900 --> 00:06:45,970 FRED ROBERTS. 122 00:06:46,000 --> 00:06:46,940 THANK YOU. 123 00:06:46,970 --> 00:06:48,040 YEP. 124 00:06:50,470 --> 00:06:52,240 OH, MAN. 125 00:06:52,270 --> 00:06:54,070 WHY IS THIS TURNING INTO A DEAL? 126 00:06:54,100 --> 00:06:56,100 WELL, YOU SHOW UP WITH A GUNSHOT WOUND, 127 00:06:56,140 --> 00:06:57,440 WE GOT TO LOOK INTO IT. 128 00:06:57,470 --> 00:06:59,200 YEAH, WELL, IT’S A WASTED TRIP, 129 00:06:59,240 --> 00:07:00,300 ’CAUSE LIKE I BEEN TELLING PEOPLE, 130 00:07:00,340 --> 00:07:02,100 THIS THING CAME OUT OF NOWHERE. 131 00:07:02,140 --> 00:07:03,040 WHAT’S YOUR NAME? 132 00:07:03,070 --> 00:07:04,340 FRED ROBERTS. 133 00:07:04,370 --> 00:07:06,040 I JUST WANT TO GET THIS PATCHED UP 134 00:07:06,070 --> 00:07:07,370 SO I CAN GET OUT OF HERE. 135 00:07:07,400 --> 00:07:08,700 HOW’D YOU GET SHOT? 136 00:07:08,740 --> 00:07:10,440 I WAS WALKING DOWN EAST 19th NEAR PARK, 137 00:07:10,470 --> 00:07:12,740 NEAR WHERE I LIVE, AND I GOT SHOT. 138 00:07:12,770 --> 00:07:14,100 DIDN’T SEE A DAMN THING. 139 00:07:14,140 --> 00:07:16,100 ANY IDEA WHO’D WANT TO SHOOT YOU? 140 00:07:16,140 --> 00:07:17,570 NONE. NOBODY. 141 00:07:17,600 --> 00:07:19,270 YOU GOT ANY WARRANTS OUT, WHICH MIGHT EXPLAIN WHY 142 00:07:19,300 --> 00:07:20,440 YOU’RE LESS THAN THRILLED TO SEE US? 143 00:07:20,470 --> 00:07:21,700 HEY, I GOT A RIGHT TO GET SHOT 144 00:07:21,740 --> 00:07:23,170 AND NOT KNOW ANYTHING ABOUT IT. 145 00:07:23,200 --> 00:07:25,300 OH, YOU’RE RIGHT, YOU DO. GOOD. 146 00:07:25,340 --> 00:07:28,470 AND MORE IMPORTANTLY, WE GOT BETTER THINGS TO BE DOING. 147 00:07:28,500 --> 00:07:30,440 THEN GO, MAN. I AIN’T HOLDING YOU BACK. 148 00:07:30,470 --> 00:07:32,500 SHUT UP. NOW, LISTEN, GET STRAIGHT WITH US RIGHT NOW, 149 00:07:32,540 --> 00:07:35,170 WE GO OUR SEPARATE WAYS, GOT IT? 150 00:07:35,200 --> 00:07:38,100 YEAH, OKAY. 151 00:07:38,140 --> 00:07:40,100 WHAT’S YOUR NAME? 152 00:07:40,140 --> 00:07:43,100 MIKE GRAF ‐‐ ONE "F." 153 00:07:43,140 --> 00:07:44,340 GOT ANY WARRANTS? 154 00:07:44,370 --> 00:07:45,740 ONE ‐‐ POSSESSION. 155 00:07:45,770 --> 00:07:49,170 MY LAME‐ASS ATTORNEY GAVE ME THE WRONG COURT DATE. 156 00:07:49,200 --> 00:07:50,800 WITH INTENT TO SELL? 157 00:07:50,840 --> 00:07:53,170 NO. I GOT PINCHED TRYING TO BUY AN 8‐BALL. 158 00:07:53,200 --> 00:07:54,940 ALL RIGHT, WE’LL CHECK THAT OUT, 159 00:07:54,970 --> 00:07:58,270 AND IF THAT’S ALL ‐‐ THAT’S ALL, SWEAR TO GOD. GO CHECK. 160 00:08:08,940 --> 00:08:11,200 SO, WHAT’S UP? 161 00:08:11,240 --> 00:08:14,600 THE REASON WE WAITED TILL HERE TO TELL YOU 162 00:08:14,640 --> 00:08:16,440 WAS, UH, WELL, 163 00:08:16,470 --> 00:08:18,340 WE’VE GOT SOME BAD NEWS AND DIDN’T WANT TO LAY IT ON YOU 164 00:08:18,370 --> 00:08:19,840 IN FRONT OF YOUR FAMILY. 165 00:08:19,870 --> 00:08:21,200 WHAT HAPPENED? 166 00:08:21,240 --> 00:08:23,870 TERESA CONSECO WAS FOUND MURDERED THIS MORNING, 167 00:08:23,900 --> 00:08:25,240 ALONG WITH HER THREE SISTERS. 168 00:08:25,270 --> 00:08:26,840 MY GOD. WHO DID IT? 169 00:08:26,870 --> 00:08:30,270 WE DON’T KNOW. THAT’S WHAT WE WANTED TO ASK YOU ABOUT. 170 00:08:30,300 --> 00:08:31,740 HOW WOULD I KNOW ANYTHING? 171 00:08:31,770 --> 00:08:32,940 YOU WERE FRIENDS, RIGHT? 172 00:08:32,970 --> 00:08:35,640 YES, BUT I CAN’T BELIEVE THEY’RE DEAD. 173 00:08:35,670 --> 00:08:38,040 DO YOU KNOW ANYBODY IN HER LIFE WHO WOULD DO THIS? 174 00:08:38,070 --> 00:08:39,640 NO. 175 00:08:39,670 --> 00:08:41,170 BOYFRIENDS? ANYBODY LIKE THAT? NO. 176 00:08:41,200 --> 00:08:42,800 WHEN WAS THE LAST TIME YOU TALKED TO HER? 177 00:08:42,840 --> 00:08:45,100 I DON’T KNOW. A COUPLE DAYS AGO, I GUESS. 178 00:08:45,140 --> 00:08:48,370 THERE WAS A CALL IN TO THEIR APARTMENT LAST NIGHT, 11:00, 179 00:08:48,400 --> 00:08:50,270 FROM YOUR CELL PHONE. 180 00:08:50,300 --> 00:08:53,200 THAT’S RIGHT. I’M SORRY. I FORGOT. 181 00:08:53,240 --> 00:08:56,370 I’M JUST REALLY TRIPPING OUT RIGHT NOW. 182 00:08:56,400 --> 00:08:57,870 WELL, WHAT, UH, WHAT’D YOU TALK ABOUT? 183 00:08:57,900 --> 00:09:00,340 JUST SAYING WHAT’S UP, 184 00:09:00,370 --> 00:09:01,800 BUT WAIT A MINUTE. 185 00:09:01,840 --> 00:09:05,100 IF YOU KNEW THAT I CALLED HER LAST NIGHT, 186 00:09:05,140 --> 00:09:06,970 WHY DID YOU JUST ASK ME? 187 00:09:07,000 --> 00:09:08,640 BECAUSE WE GOT FOUR PEOPLE KILLED. 188 00:09:08,670 --> 00:09:10,400 I DIDN’T HAVE ANYTHING TO DO WITH IT. 189 00:09:10,440 --> 00:09:12,740 WHAT ELSE DID YOU TALK ABOUT BESIDES, UH, WHAT’S UP? 190 00:09:12,770 --> 00:09:14,900 THAT REALLY PISSES ME OFF THAT YOU JUST DID THAT. 191 00:09:14,940 --> 00:09:16,270 MARIA, RELAX. 192 00:09:16,300 --> 00:09:18,070 YOU RELAX. YOURS WAS THE LAST CALL IN 193 00:09:18,100 --> 00:09:19,500 TO THE APARTMENT BEFORE THE MURDERS. 194 00:09:19,540 --> 00:09:22,100 SO? AND NOW YOU JUST LIED ABOUT MAKING THE CALL. 195 00:09:22,140 --> 00:09:24,500 LOOK, I’M JUST REALLY FREAKING OUT, OKAY? 196 00:09:24,540 --> 00:09:25,370 OKAY. 197 00:09:25,400 --> 00:09:26,900 SO NONE OF HER FRIENDS 198 00:09:26,940 --> 00:09:29,100 THAT YOU CAN THINK OF WOULD BE INVOLVED IN THIS? 199 00:09:29,140 --> 00:09:30,670 NO. ANY OF YOUR FRIENDS? 200 00:09:30,700 --> 00:09:32,340 NO. 201 00:09:32,370 --> 00:09:34,570 ANY FRIENDS OF YOUR BOYFRIEND TINO? 202 00:09:35,770 --> 00:09:36,870 [ GRUNTS SOFTLY ] 203 00:09:36,900 --> 00:09:39,240 SEE, NO, I DON’T LIKE THIS, OKAY? 204 00:09:39,270 --> 00:09:40,840 I DON’T LIKE TALKING TO YOU GUYS. 205 00:09:40,870 --> 00:09:43,270 YOU DON’T NEED TO. JUST ANSWER THE QUESTIONS. 206 00:09:43,300 --> 00:09:45,800 WELL, I DON’T KNOW WHO DID IT. 207 00:09:45,840 --> 00:09:47,200 CAN I LEAVE NOW? 208 00:09:47,240 --> 00:09:50,400 YEAH. YEAH, WE’LL BE IN TOUCH IF THERE’S ANYTHING ELSE. 209 00:09:55,600 --> 00:09:57,470 WHO’S TINO? 210 00:09:57,500 --> 00:09:59,170 IT’S HER DEALER BOYFRIEND. 211 00:09:59,200 --> 00:10:00,970 I GOT A TIP FROM NARCOTICS. 212 00:10:01,000 --> 00:10:02,570 GO SNATCH HIM UP. 213 00:10:02,600 --> 00:10:04,540 YEAH. 214 00:10:08,070 --> 00:10:09,100 AND? 215 00:10:09,140 --> 00:10:10,270 LET ME PUT IT THIS WAY: 216 00:10:10,300 --> 00:10:11,770 HOW MANY PUERTO RICAN GIRLS DO YOU KNOW 217 00:10:11,800 --> 00:10:13,770 WHEN HEARING THEIR FRIEND GOT MURDERED 218 00:10:13,800 --> 00:10:16,240 WOULD JUST SIT THERE SAYING, "OH, MY GOD, I CAN’T BELIEVE IT"? 219 00:10:16,270 --> 00:10:17,400 DO WE LIKE HER OR NOT? 220 00:10:17,440 --> 00:10:18,670 SHE’S IN THE LOOP. 221 00:10:18,700 --> 00:10:19,700 ANY PRINTS BACK YET? 222 00:10:19,740 --> 00:10:21,600 NOTHING. SO WHAT NOW? 223 00:10:21,640 --> 00:10:23,470 UH, THIS MARIA’S GOT A DEALER BOYFRIEND 224 00:10:23,500 --> 00:10:25,040 WE’RE GOING TO TAKE A SHOT AT. 225 00:10:25,070 --> 00:10:26,340 ALL RIGHT, TAKE A RADIO. 226 00:10:26,370 --> 00:10:28,600 I GOT EVERY WHITE SHIRT IN THE CITY UP MY ASS, 227 00:10:28,640 --> 00:10:30,670 AND I NEED TO BE KEPT UP TO SPEED. 228 00:10:30,700 --> 00:10:31,900 A JOHN CLARK FROM NARCOTICS 229 00:10:31,940 --> 00:10:34,240 SAID TO STOP BY DOWNSTAIRS WHEN YOU’RE DONE. 230 00:10:34,270 --> 00:10:38,670 THIS GUY’S ALL WORRIED ABOUT US SPEARIN’ HIS DAMN DRUG COLLARS. 231 00:10:46,570 --> 00:10:48,470 DON’T WORRY. SHE DIDN’T SAY NOTHING 232 00:10:48,500 --> 00:10:50,400 ABOUT HER BOYFRIEND QUITTING THE DRUG TRADE 233 00:10:50,440 --> 00:10:52,140 AND JOINING THE NAVY ANY TIME SOON. 234 00:10:52,170 --> 00:10:55,070 A STOOL OF MINE TOLD ME THAT TINO GOT RIPPED OFF LAST NIGHT 235 00:10:55,100 --> 00:10:56,800 FOR 50 GRAND OUT OF HIS APARTMENT. 236 00:10:56,840 --> 00:10:58,170 THOUGHT YOU SHOULD KNOW. 237 00:10:58,200 --> 00:11:00,600 WHEN DID YOU HEAR THIS? THIS MORNING. 238 00:11:00,640 --> 00:11:03,340 WHY DIDN’T YOU TELL ME WHEN I WAS DOWN HERE EARLIER? 239 00:11:03,370 --> 00:11:05,900 I WAS GONNA, BUT YOU WERE BEING A DICK AND WALKED AWAY. 240 00:11:05,940 --> 00:11:08,400 ACTUALLY, THAT WAS MORE ME BEING IN A SLIGHT HURRY 241 00:11:08,440 --> 00:11:10,540 TO FIND OUT WHO KILLED FOUR GIRLS LAST NIGHT, 242 00:11:10,570 --> 00:11:12,540 BUT IF YOU WANT TO SEE ME BE A DICK, 243 00:11:12,570 --> 00:11:14,270 I CAN PROBABLY THROW SOMETHING TOGETHER. 244 00:11:14,300 --> 00:11:15,440 ALL RIGHT, ALL RIGHT. 245 00:11:15,470 --> 00:11:17,040 OKAY, WELL, I’M TELLING YOU NOW ‐‐ 246 00:11:17,070 --> 00:11:18,370 TINO GOT RIPPED OFF LAST NIGHT. 247 00:11:18,400 --> 00:11:19,970 YOU KNOW WHERE TO FIND HIM? 248 00:11:20,000 --> 00:11:21,340 I CAN GIVE YOU SOME PLACES, SURE. 249 00:11:21,370 --> 00:11:23,600 YOU’RE SHOWING US. TELL YOUR BOSS. 250 00:11:23,640 --> 00:11:25,100 YEAH. 251 00:11:25,140 --> 00:11:27,700 HEY, EDDIE, TELL THE SERGEANT I GOT TO TAKE CARE OF SOMETHING. 252 00:11:27,740 --> 00:11:29,400 WE GOT SIX MORE ARRESTS TO PROCESS. 253 00:11:29,440 --> 00:11:31,700 ALL RIGHT, THEN LEAVE THREE FOR ME UNTIL I GET BACK. 254 00:11:31,740 --> 00:11:34,400 THERE’S A JOHN CLARK WORKS HOMICIDE UP IN THE BRONX. 255 00:11:34,440 --> 00:11:36,440 YEAH, THAT’S MY DAD ‐‐ JOHN CLARK SR. 256 00:11:36,470 --> 00:11:38,870 [ SIGHS ] 257 00:11:38,900 --> 00:11:40,740 LET’S GO, JUNIOR. 258 00:11:44,200 --> 00:11:45,740 CONNIE McDOWELL. 259 00:11:45,770 --> 00:11:47,100 WHO’S HE? 260 00:11:47,140 --> 00:11:48,670 SIPOWICZ. 261 00:12:00,940 --> 00:12:03,280 Tony: WHAT WAS THAT ALL ABOUT AT BELLEVUE? 262 00:12:03,300 --> 00:12:06,100 AH, SOME DOUCHE BAG GOT SHOT DOING WHO KNOWS WHAT, 263 00:12:06,140 --> 00:12:07,880 BUT HE AIN’T TALKING. 264 00:12:07,900 --> 00:12:09,570 HE HAD A FAILURE TO APPEAR OUT, 265 00:12:09,600 --> 00:12:11,500 BUT WE FIGURED YOU’D WANT US BACK HERE. 266 00:12:11,540 --> 00:12:13,340 THIS GUY GOT SHOT IN THE LEFT SHOULDER? 267 00:12:13,370 --> 00:12:14,470 YEAH. 268 00:12:14,500 --> 00:12:16,270 HE GOT RED HAIR, SCRAWNY? YEAH. YEAH, WHY? 269 00:12:16,300 --> 00:12:18,230 CONNIE AND ANDY ARE LOOKING INTO A DEAL 270 00:12:18,270 --> 00:12:20,070 THAT MIGHT HAVE A CONNECTION ON THIS QUADRUPLE. 271 00:12:20,100 --> 00:12:22,030 TIP WAS HE GOT RIPPED OFF LAST NIGHT 272 00:12:22,070 --> 00:12:25,370 OUT OF HIS APARTMENT ON 2nd AND B FOR 50 GRAND. 273 00:12:25,400 --> 00:12:26,930 I RAN THE ADDRESS. 274 00:12:26,970 --> 00:12:29,300 THERE WAS A SHOTS‐FIRED 911 CALL NEXT DOOR. 275 00:12:29,340 --> 00:12:31,980 BODEGA OWNER RAN OUT, SAW A GUY SHOT IN THE ARM 276 00:12:32,000 --> 00:12:33,500 FITTING THE DESCRIPTION I JUST TOLD YOU. 277 00:12:33,540 --> 00:12:35,810 THE GUY BOOKED WHEN THE OWNER WENT TO MAKE THE CALL. 278 00:12:35,840 --> 00:12:37,710 WE GOT A COP SITTING ON THIS IDIOT. 279 00:12:37,740 --> 00:12:40,640 MIKE GRAF. CALL DOWN THERE, MAKE SURE HE STAYS WITH HIM. 280 00:12:40,670 --> 00:12:42,500 IS MIKE GRAF THE COP OR THE IDIOT? 281 00:12:42,540 --> 00:12:43,780 THE IDIOT. 282 00:12:49,440 --> 00:12:50,480 SHH! 283 00:12:54,400 --> 00:12:55,900 THIS ONE? 284 00:12:55,940 --> 00:12:57,480 YEAH, RIGHT THERE. 285 00:12:58,700 --> 00:13:01,200 WHO ELSE IS IN THERE? A COUPLE GUYS. 286 00:13:01,240 --> 00:13:02,910 COME ON, MAN. I DID MY PART. 287 00:13:02,940 --> 00:13:05,110 YOU KNOW WHAT I’M GONNA DO TO YOU IF THIS IS A HAND JOB. HERE. 288 00:13:05,140 --> 00:13:07,280 MAN, I’M INSULTED YOU’D EVEN THINK THAT. 289 00:13:08,400 --> 00:13:10,300 SAY YOU’RE A FRIEND OF YODA’S. 290 00:13:10,340 --> 00:13:12,040 I GOT IT HANDLED. 291 00:13:14,200 --> 00:13:15,470 Man: YEAH? 292 00:13:15,500 --> 00:13:18,430 YEAH, I’M A FRIEND OF YODA’S, MAN. 293 00:13:18,470 --> 00:13:19,770 [ DOOR UNLOCKS ] 294 00:13:20,900 --> 00:13:22,730 WHERE’S TINO? 295 00:13:22,770 --> 00:13:24,030 BATHROOM. 296 00:13:27,870 --> 00:13:29,470 GET UP, TINO. 297 00:13:30,670 --> 00:13:31,830 WHAT’S GOING ON? 298 00:13:31,870 --> 00:13:34,030 AH, WE HEARD YOU GOT RIPPED OFF LAST NIGHT. 299 00:13:34,070 --> 00:13:36,400 WE CAME BY TO HELP, AND LOOK WHAT WE WALKED IN ON. 300 00:13:36,440 --> 00:13:38,110 JUST A LITTLE RECREATIONAL DRUG USE PARTY. 301 00:13:38,140 --> 00:13:39,340 WHAT ARE YOU, ATTEMPTING TO LIFT OFF HERE? 302 00:13:39,370 --> 00:13:40,870 THOSE? I DIDN’T TAKE ANY OF THOSE. 303 00:13:40,900 --> 00:13:42,330 ALL RIGHT, COME ON, 304 00:13:42,370 --> 00:13:44,270 LET’S SEE IF WE CAN FIND OUT WHO RIPPED YOU OFF LAST NIGHT. 305 00:13:44,300 --> 00:13:46,130 I’M OVER THAT. WATER UNDER THE BRIDGE, MAN. 306 00:13:46,170 --> 00:13:47,830 OH, YOU GOT A BIG HEART, TINO. 307 00:13:47,870 --> 00:13:49,100 WE GOTTA LOOK INTO IT. 308 00:13:49,140 --> 00:13:51,340 HEY, TWO MORE COLLARS FOR YOU TODAY, HUH, JUNIOR? 309 00:13:51,370 --> 00:13:53,570 PUT YOURSELF IN FOR A COMMENDATION. 310 00:13:53,600 --> 00:13:55,000 YOU’RE WELCOME. 311 00:14:05,870 --> 00:14:06,830 HEY, DOC. 312 00:14:06,870 --> 00:14:08,430 DETECTIVE. 313 00:14:08,470 --> 00:14:11,830 HEY, WHAT’S GOING ON? WHY CAN’T I GET OUT OF HERE? 314 00:14:11,870 --> 00:14:14,530 HOW LONG HAVE YOU LIVED IN NEW YORK, MIKE? 315 00:14:14,570 --> 00:14:15,970 SINCE I’M BORN. 316 00:14:16,000 --> 00:14:17,930 YEAH? SO HOW COULD YOU CONFUSE PARK AVENUE, 317 00:14:17,970 --> 00:14:20,130 WHERE YOU TOLD US YOU GOT SHOT, 318 00:14:20,170 --> 00:14:22,700 WITH 2nd AND B, WHERE YOU DID GET SHOT? 319 00:14:22,740 --> 00:14:23,980 WHAT? 320 00:14:24,000 --> 00:14:26,100 A WITNESS AT THE SCENE IDENTIFIED YOU. 321 00:14:26,140 --> 00:14:28,110 OKAY. WHAT DIFFERENCE DOES IT MAKE? 322 00:14:28,140 --> 00:14:29,880 I STILL DON’T KNOW WHO SHOT ME. 323 00:14:29,900 --> 00:14:33,370 PROBABLY THE GUY WHOSE APARTMENT YOU RIPPED OFF, DON’T YOU THINK? 324 00:14:33,400 --> 00:14:35,500 OKAY, NOW, THAT’S OUTRAGEOUS. I DIDN’T RIP OFF NOBODY. 325 00:14:35,540 --> 00:14:37,910 WE SAY YOU DID, AND THAT’S ALL THAT MATTERS. 326 00:14:37,940 --> 00:14:39,940 LOOK, I WAS WALKING DOWN THE STREET. 327 00:14:39,970 --> 00:14:41,830 TWO GUYS COME BUSTING OUT OF A BUILDING 328 00:14:41,870 --> 00:14:43,270 AND START RUNNING UP 2nd. 329 00:14:43,300 --> 00:14:45,000 RIGHT AFTER THEM COMES THIS OTHER DUDE, 330 00:14:45,040 --> 00:14:47,180 AND HE SQUEEZES OFF A ROUND AT HIM. 331 00:14:47,200 --> 00:14:50,100 ONE OF THE GUYS RUNNING FIRES BACK. THAT’S WHO HIT ME. 332 00:14:50,140 --> 00:14:53,010 IF THAT WAS THE TRUTH, YOU WOULD HAVE TOLD US THAT EARLIER. 333 00:14:53,040 --> 00:14:54,580 I DIDN’T TELL YOU BECAU‐‐ 334 00:14:54,600 --> 00:14:57,200 BECAUSE I RECOGNIZED THE GUY WHO SHOT ME BY MISTAKE, 335 00:14:57,240 --> 00:14:59,040 AND I DON’T WANT TO GET INVOLVED, 336 00:14:59,070 --> 00:15:00,530 WHICH I GOT A RIGHT TO DO. 337 00:15:00,570 --> 00:15:02,630 NOW, THAT’S THE TRUTH. YOU GOTTA BELIEVE ME. 338 00:15:02,670 --> 00:15:04,530 BE COOL, ALL RIGHT? BE COOL. 339 00:15:04,570 --> 00:15:06,730 I DON’T BELIEVE A WORD YOU SAY, YOU LITTLE PRICK, OKAY? 340 00:15:06,770 --> 00:15:08,100 NOW, THERE’S NO MORE NEGOTIATIONS. 341 00:15:08,140 --> 00:15:10,480 YOU TELL US WHO SHOT YOU, OR YOU GET CHARGED 342 00:15:10,500 --> 00:15:12,670 WITH ARMED ROBBERY AND THAT POSSESSION COLLAR 343 00:15:12,700 --> 00:15:15,270 WE LET YOU SLIDE ON EARLIER BACK WHEN WE HAD A SENSE OF HUMOR. 344 00:15:15,300 --> 00:15:17,130 YEAH, YOU DON’T HAVE TO GET INVOLVED. 345 00:15:17,170 --> 00:15:20,300 JUST TELL US WHO DID IT, AND THAT’LL BE THE END OF IT. 346 00:15:20,340 --> 00:15:22,110 JULIAN PISANO. 347 00:15:22,140 --> 00:15:23,710 THAT’S WHO SHOT ME. 348 00:15:23,740 --> 00:15:24,810 WHAT ABOUT THE OTHER GUYS? 349 00:15:24,840 --> 00:15:26,040 DON’T KNOW THEM. 350 00:15:32,540 --> 00:15:34,840 WORD WE GOT ON YOU, TINO, IS YOUR THING 351 00:15:34,870 --> 00:15:37,070 IS A LITTLE BLOW HERE AND THERE. 352 00:15:37,100 --> 00:15:38,970 YEAH, I PARTY A LITTLE BIT. 353 00:15:39,000 --> 00:15:41,670 SO WHY’D YOU GET SO MESSED UP TODAY? 354 00:15:41,700 --> 00:15:43,470 YOU GOT SOMETHING WEIGHING ON YOUR MIND? 355 00:15:43,500 --> 00:15:44,500 JUST A LITTLE PARTYING. 356 00:15:44,540 --> 00:15:46,240 Connie: DO YOU KNOW A TERESA CONSECO? 357 00:15:46,270 --> 00:15:48,670 NO. DO YOU KNOW A MARIA FELICIANO? 358 00:15:48,700 --> 00:15:50,670 HEARD OF HER. 359 00:15:50,700 --> 00:15:52,130 YOU HEARD OF YOUR GIRLFRIEND? 360 00:15:52,170 --> 00:15:54,300 I THINK I NEED TO LAY DOWN. 361 00:15:54,340 --> 00:15:56,340 TOUGH. 362 00:15:56,370 --> 00:15:59,270 WHY ARE YOU LYING ABOUT THINGS YOU DON’T NEED TO LIE ABOUT, TINO? 363 00:15:59,300 --> 00:16:01,000 I’M OLD‐FASHIONED, YOU KNOW? 364 00:16:01,040 --> 00:16:03,180 KEEP THE WOMEN OUT OF IT. 365 00:16:03,200 --> 00:16:04,630 [ SIGHS ] 366 00:16:04,670 --> 00:16:06,330 WHAT’S THIS? WHAT? 367 00:16:06,370 --> 00:16:08,000 THESE SPOTS ON YOUR JACKET. 368 00:16:08,040 --> 00:16:09,940 I DON’T KNOW. IT’S AN OLD JACKET. 369 00:16:09,970 --> 00:16:11,500 OH, DOESN’T LOOK OLD. 370 00:16:11,540 --> 00:16:12,510 TAKE IT OFF. 371 00:16:12,540 --> 00:16:13,940 WHY? 372 00:16:13,970 --> 00:16:15,470 ALL RIGHT, ALL RIGHT. 373 00:16:15,500 --> 00:16:18,900 THAT’S DRIED BLOOD. 374 00:16:18,940 --> 00:16:21,040 HOW’D YOU GET BLOOD ON YOUR JACKET, TINO? 375 00:16:21,070 --> 00:16:23,030 WE’RE GONNA DO TESTS ON THIS BLOOD, TINO. 376 00:16:23,070 --> 00:16:25,000 AND WE’RE GONNA START BY MATCHING AGAINST TERESA 377 00:16:25,040 --> 00:16:26,740 AND HER SISTER’S BLOOD FROM THEIR APARTMENT 378 00:16:26,770 --> 00:16:30,230 WHERE THEY GOT KILLED LAST NIGHT. SIT DOWN! 379 00:16:30,270 --> 00:16:31,830 RICKY. 380 00:16:31,870 --> 00:16:33,430 WHO’S RICKY? TALK TO RICKY. 381 00:16:33,470 --> 00:16:36,200 SIT YOUR ASS BACK DOWN. 382 00:16:36,240 --> 00:16:37,940 OH, MAN. 383 00:16:39,740 --> 00:16:42,640 [ GROANING ] 384 00:16:42,670 --> 00:16:44,430 ALL RIGHT, GET E. M. S. ON THE RADIO. THIS GUY’S IN TROUBLE. 385 00:16:44,470 --> 00:16:46,170 DON’T PUT YOUR FINGERS IN HIS MOUTH. 386 00:16:46,200 --> 00:16:48,530 USE SOMETHING ELSE TO CLEAR IT. 387 00:16:48,570 --> 00:16:50,030 CALL E. M. S.! 388 00:16:50,070 --> 00:16:51,530 ALL RIGHT, COME ON, TINO. 389 00:16:51,570 --> 00:16:53,970 OPEN UP, OPEN UP. 390 00:17:08,600 --> 00:17:12,230 YOU DON’T SEEM THAT SURPRISED TO SEE US, JULIAN. 391 00:17:12,270 --> 00:17:15,370 WHAT ARE YOU GUYS, MIND READERS NOW? 392 00:17:15,400 --> 00:17:16,470 WHAT’S UP? 393 00:17:16,500 --> 00:17:17,500 WHERE WERE YOU LAST NIGHT? 394 00:17:17,540 --> 00:17:18,680 ALL OVER. 395 00:17:18,700 --> 00:17:20,570 WHAT? 396 00:17:20,600 --> 00:17:23,630 JULIAN, YOU CAN’T GO FIRING OFF SHOTS IN THE STREET. 397 00:17:23,670 --> 00:17:25,200 I MEAN, COME ON. 398 00:17:25,240 --> 00:17:27,180 YOU KNOW HOW MANY PEOPLE WE GOT SAW WHAT HAPPENED? 399 00:17:27,200 --> 00:17:29,270 THE GOOD NEWS IS, THE GUY YOU SHOT 400 00:17:29,300 --> 00:17:31,530 AFTER YOU ROBBED TINO’S PLACE ‐‐ HE MADE IT, 401 00:17:31,570 --> 00:17:33,900 SO WE’RE NOT BOXING YOU IN FOR A MURDER HERE. 402 00:17:33,940 --> 00:17:35,710 NO, BUT WE GOT YOU FOR EVERYTHING ELSE, 403 00:17:35,740 --> 00:17:37,540 SO TREAT US WITH SOME RESPECT, 404 00:17:37,570 --> 00:17:39,730 AND WE’LL TREAT YOU WITH RESPECT RIGHT BACK. 405 00:17:39,770 --> 00:17:41,030 I GOT MONTH‐OLD TWINS. 406 00:17:41,070 --> 00:17:42,530 THAT’S OUR PROBLEM? 407 00:17:42,570 --> 00:17:45,570 THEY’RE THE REASON I AGREED TO GO IN ON THIS SCORE. 408 00:17:45,600 --> 00:17:48,170 I GOT MOUTHS TO FEED. WE DON’T NEED TO HEAR THIS. 409 00:17:48,200 --> 00:17:49,830 WHAT I’M SAYING IS I CAN’T GO BACK TO THE JOINT. 410 00:17:49,870 --> 00:17:51,400 I GOT A FAMILY NOW, 411 00:17:51,440 --> 00:17:53,780 SO ‐‐ SO WHAT CAN I DO? 412 00:17:53,800 --> 00:17:54,970 YOU TELL US. 413 00:17:55,000 --> 00:17:56,570 WELL, THE ‐‐ THE OTHER GUY, 414 00:17:56,600 --> 00:17:58,100 I MEAN, IT WAS HIS PLAN. 415 00:17:58,140 --> 00:17:59,910 HE BROUGHT ME IN AS BACKUP. 416 00:17:59,940 --> 00:18:01,640 YOU GOT HIM IN, HUH? 417 00:18:01,670 --> 00:18:02,670 WHAT’S HIS NAME? 418 00:18:02,700 --> 00:18:03,900 IT’S GONNA HELP ME? 419 00:18:03,940 --> 00:18:05,580 WHAT’S HIS NAME? 420 00:18:05,600 --> 00:18:08,270 JIMMY GIGLIO. 421 00:18:08,300 --> 00:18:10,930 OKAY, OKAY, OKAY, WHAT DOES THAT DO FOR ME NOW, HMM? 422 00:18:10,970 --> 00:18:13,100 IT HELPS, BUT DOES IT WASH AWAY 423 00:18:13,140 --> 00:18:16,140 ARMED ROBBERY AND SHOOTING SOME GUY ON THE STREET? 424 00:18:16,170 --> 00:18:19,470 WE’LL GET BACK TO YOU AFTER WE FIND THIS JIMMY. 425 00:18:21,670 --> 00:18:23,730 GET IN THE CAGE, JULIAN. 426 00:18:23,770 --> 00:18:25,500 I KNOW WHERE A BODY’S BURIED. 427 00:18:28,670 --> 00:18:29,700 WHOSE BODY? 428 00:18:29,740 --> 00:18:31,710 I DON’T KNOW. LISTEN... 429 00:18:31,740 --> 00:18:34,180 THIS IS BIG, 430 00:18:34,200 --> 00:18:35,930 WHAT I’M TELLING YOU, 431 00:18:35,970 --> 00:18:38,230 SO I GOTTA KNOW ‐‐ I NEED IT WRITTEN DOWN 432 00:18:38,270 --> 00:18:40,070 THAT I GETTA WALK IF I GIVE ALL THIS UP. 433 00:18:40,100 --> 00:18:41,630 NOTHING IS HAPPENING, VERBAL OR WRITTEN, 434 00:18:41,670 --> 00:18:43,270 TILL YOU TELL US WHAT YOU GOT. 435 00:18:43,300 --> 00:18:44,500 ALL RIGHT. OKAY. 436 00:18:44,540 --> 00:18:47,840 ABOUT FIVE MONTHS AGO, A GUY I USED TO RUN WITH, 437 00:18:47,870 --> 00:18:50,600 HE CALLS ME UP ABOUT 4:00 IN THE MORNING. 438 00:18:50,640 --> 00:18:52,940 HE TELLS ME TO BRING MY VAN DOWN 439 00:18:52,970 --> 00:18:55,100 AND SOME COKE, IF I GOT ANY. 440 00:18:55,140 --> 00:18:57,510 ME AND HIM ‐‐ IT WAS A ROLLED‐UP RUG, 441 00:18:57,540 --> 00:18:59,780 BUT OBVIOUSLY THERE MUST HAVE BEEN SOMEONE IN IT. 442 00:18:59,800 --> 00:19:02,000 WE THROW IT IN THE TRUCK, 443 00:19:02,040 --> 00:19:04,340 WE GO DOWN TO BROOKLYN, 444 00:19:04,370 --> 00:19:05,870 AND WE BURY IT. 445 00:19:05,900 --> 00:19:08,100 GAVE ME $500. THAT’S IT. 446 00:19:08,140 --> 00:19:09,810 WHO’S THIS GUY YOU HELPED? 447 00:19:09,840 --> 00:19:13,780 SEE, NOW, THAT’S THE PART THAT’S GONNA MESS ME UP, OKAY? 448 00:19:13,800 --> 00:19:15,730 ’CAUSE THIS GUY’S CONNECTED. 449 00:19:15,770 --> 00:19:18,830 WHAT’S HIS NAME? 450 00:19:28,000 --> 00:19:29,100 YOU NEEDED ME? 451 00:19:29,140 --> 00:19:31,240 YEAH. WHO’S RICKY? 452 00:19:31,270 --> 00:19:32,670 I DON’T KNOW. WHO’S RICKY? 453 00:19:32,700 --> 00:19:35,830 RICKY. TINO KEPT SAYING, "TALK TO RICKY, TALK TO RICKY," 454 00:19:35,870 --> 00:19:37,630 BEFORE HIS EYES ROLLED BACK IN HIS HEAD. 455 00:19:37,670 --> 00:19:39,670 THAT’S RICKY VARGAS. THAT’S TINO’S CLUB PARTNER. 456 00:19:39,700 --> 00:19:41,700 YOU KNOW WHERE TO FIND HIM? 457 00:19:41,740 --> 00:19:43,310 YEAH, NO PROBLEM? HE GONNA LIVE? 458 00:19:43,340 --> 00:19:45,340 HE’LL MAKE IT. LISTEN, GO GRAB THIS GUY UP. 459 00:19:45,370 --> 00:19:46,600 COME ON. 460 00:19:46,640 --> 00:19:48,510 ANDY, YOU NEED TO HEAR THIS. 461 00:19:48,540 --> 00:19:50,580 WE’RE WORKING THE QUADRUPLE HERE, MEDAVOY. 462 00:19:50,600 --> 00:19:51,830 WHAT’S IT ABOUT? 463 00:19:51,870 --> 00:19:53,100 DANNY. 464 00:20:03,200 --> 00:20:04,900 TELL HIM WHAT YOU TOLD US. 465 00:20:04,940 --> 00:20:06,940 HE’S HERE TO WORK OUT MY DEAL? 466 00:20:06,970 --> 00:20:09,270 ONCE YOU TELL HIM WHAT HAPPENED, YEAH. 467 00:20:09,300 --> 00:20:11,470 ALL RIGHT, LIKE I TOLD THESE TWO, 468 00:20:11,500 --> 00:20:14,230 THIS GUY I HELPED OUT IS VERY CONNECTED, 469 00:20:14,270 --> 00:20:17,630 BIG TIME, SO, I WANT RELOCATION FOR ME 470 00:20:17,670 --> 00:20:19,700 AND MY FAMILY IF I COOPERATE. 471 00:20:19,740 --> 00:20:21,910 LOOK, TELL HIM, OR YOU’RE GOING TO PISS ME OFF! 472 00:20:21,940 --> 00:20:24,280 RIGHT. ABOUT FIVE MONTHS AGO, 473 00:20:24,300 --> 00:20:27,730 A GUY NAMED MAX LEGAZI HIRED ME TO BURY A RUG, 474 00:20:27,770 --> 00:20:29,100 IF YOU KNOW WHAT I MEAN. 475 00:20:29,140 --> 00:20:31,080 AND WHERE’D YOU PICK MAX AND THIS RUG UP AT? 476 00:20:31,100 --> 00:20:34,370 TAILFEATHERS. IT’S A STRIP CLUB. 477 00:21:06,300 --> 00:21:08,100 TAKE A WALK. 478 00:21:12,000 --> 00:21:13,500 WHERE ARE THEY GOING? 479 00:21:15,040 --> 00:21:17,610 YOU GET A LOOK AT THE BODY IN THE RUG? 480 00:21:17,640 --> 00:21:19,380 Julian: NO. 481 00:21:19,400 --> 00:21:22,000 THIS, UH, LEGAZI DIDN’T TELL YOU ANYTHING 482 00:21:22,040 --> 00:21:23,540 WHO IT MIGHT BE? 483 00:21:23,570 --> 00:21:25,830 NO, WHEN WE WERE ON OUR WAY TO BURY IT, 484 00:21:25,870 --> 00:21:27,800 HE WAS SNORTING UP A STORM. 485 00:21:27,840 --> 00:21:29,980 HE WAS SCREAMING, CURSING. HE’S KICKING THE DASHBOARD. NO. 486 00:21:30,000 --> 00:21:31,630 AND WHERE’D YOU BURY THE RUG? 487 00:21:31,670 --> 00:21:32,970 YEAH, NICE TRY. 488 00:21:33,000 --> 00:21:35,230 I’M NOT GIVING THAT UP UNTIL I GET A DEAL. 489 00:21:42,800 --> 00:21:44,830 WHERE’D YOU BURY THE RUG? 490 00:21:44,870 --> 00:21:47,300 YOU KNOW WHAT? I’M DONE TALKING, OKAY? 491 00:21:47,340 --> 00:21:50,510 BECAUSE I GAVE YOU A SAMPLE, OBVIOUSLY YOU LIKE THE TASTE, 492 00:21:50,540 --> 00:21:53,580 AND NOW IT’S TIME FOR MY DEAL, OKAY? 493 00:21:53,600 --> 00:21:55,030 END OF CONVERSATION. 494 00:21:55,070 --> 00:21:57,330 WRONG, AND THE NEXT THING OUT OF YOUR MOUTH 495 00:21:57,370 --> 00:21:59,470 BETTER BE WHERE YOU BURIED THAT RUG. 496 00:21:59,500 --> 00:22:01,370 ARE YOU WITH THE D. A.’s OFFICE? 497 00:22:01,400 --> 00:22:02,570 I MEAN, WHO ARE YOU? 498 00:22:02,600 --> 00:22:05,230 YOU GET SOMEONE IN HERE WHO CAN WORK ME OUT A DEAL. 499 00:22:09,200 --> 00:22:11,870 YOUR DEAL IS THAT I DON’T BUST YOUR SKULL OPEN. 500 00:22:11,900 --> 00:22:13,770 NOW, WHERE DID YOU BURY THE RUG? 501 00:22:13,800 --> 00:22:16,670 GET YOUR HANDS OFF ME, OR I’LL GET AMNESIA QUICK. 502 00:22:16,700 --> 00:22:18,970 OHH! 503 00:22:20,400 --> 00:22:21,930 THAT BODY YOU BURIED, 504 00:22:21,970 --> 00:22:23,930 THERE’S A GOOD CHANCE THAT WAS MY PARTNER. 505 00:22:23,970 --> 00:22:26,270 NOW, I’LL LEAVE YOU DEAD ON THIS FLOOR 506 00:22:26,300 --> 00:22:28,170 IF YOU DON’T TELL ME WHERE YOU BURIED HIM! 507 00:22:28,200 --> 00:22:29,730 OKAY, OKAY, I’LL TELL YOU! 508 00:22:29,770 --> 00:22:31,270 WHERE?! WHERE?! 509 00:22:31,300 --> 00:22:33,530 IT’S A VACANT LOT DOWN ON THE BROOKLYN WATERFRONT. 510 00:22:33,570 --> 00:22:34,930 OHH. 511 00:22:48,340 --> 00:22:51,040 JOHN, NOTIFY THE M. E.’s OFFICE. I WANT THEM DOWN THERE. 512 00:22:51,070 --> 00:22:53,470 I GOT TO TAKE CARE OF THIS FIRST. GO. I GOT IT. 513 00:22:53,500 --> 00:22:55,830 I’LL HAVE MY RADIO. ALL RIGHT, LISTEN UP. 514 00:22:55,870 --> 00:22:57,230 U.C.I.’s BRINGING THE VIDEO. E. S. U.’s BRINGING THE EQUIPMENT. 515 00:22:57,270 --> 00:23:00,200 ALL RIGHT, EVERYBODY SHUT UP. 516 00:23:01,800 --> 00:23:05,270 ALL RIGHT, ANDY AND I ARE GOING TO GO DOWN TO BROOKLYN. 517 00:23:05,300 --> 00:23:08,070 YOU KNOW WHERE TO FIND THIS RICKY? YEAH, I GOT SOME PLACES ‐‐ 518 00:23:08,100 --> 00:23:09,900 FINE. YOU AND CONNIE GO GRAB HIM UP. 519 00:23:09,940 --> 00:23:11,410 GREG AND BALDWIN, WHY DON’T YOU GO LOOK 520 00:23:11,440 --> 00:23:13,580 FOR THIS OTHER GUY JULIAN DID THE ROBBERY WITH LAST NIGHT? 521 00:23:13,600 --> 00:23:16,470 THAT TURNS INTO A DEAD END, GET IN CONTACT WITH CONNIE. 522 00:23:16,500 --> 00:23:19,200 EVERYBODY MONITOR THEIR RADIOS AND KEEP ME POSTED. 523 00:23:19,240 --> 00:23:21,540 THAT’S IT. LET’S GO. 524 00:23:23,670 --> 00:23:25,000 HI. I’M SORRY TO KEEP... 525 00:23:33,770 --> 00:23:36,070 RICKY! WHAT’S UP? 526 00:23:36,100 --> 00:23:37,400 NOTHING. WHAT’S UP WITH YOU? 527 00:23:37,440 --> 00:23:39,010 YOU DOING SOME LAUNDRY? 528 00:23:39,040 --> 00:23:40,440 YEAH, GOTTA DO IT. 529 00:23:40,470 --> 00:23:42,030 RICKY, WE NEED YOUR HELP WITH AN I. D. 530 00:23:42,070 --> 00:23:44,530 WE HEARD THIS GUY MIGHT HAVE WORKED AT ONE OF YOUR CLUBS. 531 00:23:47,070 --> 00:23:48,870 MOVE! OUT OF THE WAY! 532 00:24:03,800 --> 00:24:05,100 FREEZE! 533 00:24:31,170 --> 00:24:32,300 GET DOWN OFF THE FENCE! 534 00:24:40,740 --> 00:24:41,980 THIS IS A WHOLE LOT OF TROUBLE 535 00:24:42,000 --> 00:24:43,800 OVER US WANTING TO ASK YOU A COUPLE QUESTIONS. 536 00:24:43,840 --> 00:24:44,780 I WANT A LAWYER. 537 00:24:44,800 --> 00:24:46,230 OH, YEAH? 538 00:24:51,000 --> 00:24:52,900 WHAT WERE YOU RUNNING FOR, RICKY? 539 00:24:52,940 --> 00:24:54,880 MAN, DIDN’T YOU HEAR ME? I WANT A LAWYER. 540 00:24:54,900 --> 00:24:56,100 YEAH, YOU’LL GET YOUR DAMN LAWYER. 541 00:24:56,140 --> 00:24:57,340 YEAH, WE’RE GOING TO GO SEE 542 00:24:57,370 --> 00:24:59,130 WHAT YOUR PARTNER TINO HAS TO SAY. 543 00:24:59,170 --> 00:25:00,870 ANOTHER UNIT JUST GRABBED HIM UP, 544 00:25:00,900 --> 00:25:02,730 FOUND HIM SMOKING ROCK IN SOME APARTMENT. 545 00:25:02,770 --> 00:25:03,930 WORD IS HE’S NERVOUS AND TALKATIVE. 546 00:25:03,970 --> 00:25:05,430 YOU’RE BETTING YOUR LIFE 547 00:25:05,470 --> 00:25:06,930 THAT TINO’S GONNA KEEP HIS MOUTH SHUT. 548 00:25:06,970 --> 00:25:08,730 SAY WHAT YOU WANT, BUT I AIN’T SAYING DICK, 549 00:25:08,770 --> 00:25:09,830 AND I WANT A LAWYER. 550 00:25:09,870 --> 00:25:10,930 KEEP IN MIND, RICKY, 551 00:25:10,970 --> 00:25:12,200 THAT YOUR HALF‐ASSED LEGAL AID ATTORNEY 552 00:25:12,240 --> 00:25:13,740 AIN’T GONNA BE DOING YOUR TIME FOR YOU. 553 00:25:13,770 --> 00:25:14,930 NEITHER WILL YOU. 554 00:25:14,970 --> 00:25:16,470 HELL WITH HIM. 555 00:25:23,740 --> 00:25:25,410 OH, YOU GUYS STILL INK PEOPLE? 556 00:25:25,440 --> 00:25:27,680 THOUGHT THEY HAD THAT ALL ON COMPUTERS NOW. 557 00:25:27,700 --> 00:25:29,100 SIT DOWN. 558 00:25:31,440 --> 00:25:32,340 AHH... 559 00:25:32,370 --> 00:25:33,930 WHERE WERE YOU LAST NIGHT, JIMMY? 560 00:25:33,970 --> 00:25:35,630 YOU DON’T EVEN WANT TO KNOW. 561 00:25:35,670 --> 00:25:36,830 ANSWER THE QUESTION. 562 00:25:36,870 --> 00:25:38,770 I GOT A HOLD OF SOME BAD CLAMS. 563 00:25:38,800 --> 00:25:40,000 EVER HAD BAD CLAMS? 564 00:25:40,040 --> 00:25:41,580 I WAS LIKE A VOLCANO LAST NIGHT. 565 00:25:41,600 --> 00:25:44,030 YOU KNOW THEY COULD HAVE SACRIFICED A VIRGIN ON MY ASS? 566 00:25:44,070 --> 00:25:45,970 WE GOT PEOPLE SAW YOU ON 2nd AND AVENUE B. 567 00:25:46,000 --> 00:25:47,400 I WISH. I TELL YOU, 568 00:25:47,440 --> 00:25:50,710 I DIDN’T STRAY 3 FEET FROM THE JOHN ALL NIGHT. 569 00:25:50,740 --> 00:25:52,980 SO, WHAT ELSE? 570 00:25:53,000 --> 00:25:55,630 YOU KNOW, WE DEAL WITH KNUCKLEHEADS LIKE YOU 571 00:25:55,670 --> 00:25:57,230 EVERY DAY. 572 00:25:57,270 --> 00:25:59,170 KNUCKLEHEADS PULLING OFF KNUCKLEHEADED ROBBERIES 573 00:25:59,200 --> 00:26:00,770 AGAINST OTHER KNUCKLEHEADS. 574 00:26:00,800 --> 00:26:03,500 WE GET PAID TO DO IT, AND MOST DAYS IT’S NOT A PROBLEM. 575 00:26:03,540 --> 00:26:07,280 TODAY, IT’S A PROBLEM, 576 00:26:07,300 --> 00:26:09,770 AND WE HAVE NO PATIENCE RIGHT NOW, 577 00:26:09,800 --> 00:26:12,730 ’CAUSE YOU’RE TAKING TIME AWAY FROM OTHER THINGS, 578 00:26:12,770 --> 00:26:14,370 OTHER PEOPLE. 579 00:26:14,400 --> 00:26:17,030 SO THIS IS WHAT’S GONNA HAPPEN, JIMMY. 580 00:26:17,070 --> 00:26:19,470 FIRST YOU BETTER LOSE THAT SMIRK. 581 00:26:19,500 --> 00:26:21,230 Lose the smirk. 582 00:26:21,270 --> 00:26:23,470 SECOND, YOU’RE EITHER GOING TO TELL US ABOUT ROBBING TINO, 583 00:26:23,500 --> 00:26:26,070 OR DON’T, IN WHICH CASE WE TOSS YOU IN THE SYSTEM 584 00:26:26,100 --> 00:26:28,270 AND GO WITH JULIAN’S VERSION HOW IT WAS YOU 585 00:26:28,300 --> 00:26:30,600 WHO OPENED UP ON THE STREET AND SHOT THAT PEDESTRIAN, 586 00:26:30,640 --> 00:26:33,410 WHO’S CURRENTLY CLINGING TO LIFE AT BELLEVUE, BY THE WAY. 587 00:26:33,440 --> 00:26:34,510 Greg: THAT’S RIGHT. 588 00:26:34,540 --> 00:26:36,880 JULIAN FLIPPED ON YOU. 589 00:26:36,900 --> 00:26:39,100 THIRD THING... IT’S GONNA HAPPEN NOW, 590 00:26:39,140 --> 00:26:40,980 AND THERE’S A LOT RIDING FOR BOTH OF US 591 00:26:41,000 --> 00:26:42,370 ON YOUR DECISION, JIMMY, 592 00:26:42,400 --> 00:26:44,500 ’CAUSE IF YOU WASTE ONE MORE SECOND OF MY TIME, 593 00:26:44,540 --> 00:26:45,880 I’M GONNA BE OUT OF A JOB, 594 00:26:45,900 --> 00:26:47,530 AND YOU’RE GONNA BE OUT ABOUT EIGHT TEETH, 595 00:26:47,570 --> 00:26:49,270 SO THINK IT OVER 596 00:26:49,300 --> 00:26:50,630 VERY CAREFULLY 597 00:26:50,670 --> 00:26:52,030 BEFORE YOU SPEAK. 598 00:26:58,200 --> 00:26:59,300 GO AHEAD. 599 00:27:01,600 --> 00:27:04,030 LOOK, I DIDN’T SHOOT NOBODY, ALL RIGHT? 600 00:27:04,070 --> 00:27:06,170 IT WAS JULIAN THAT SHOT THAT GUY. 601 00:27:06,200 --> 00:27:08,170 HOW DO YOU KNOW TINO? I DON’T. 602 00:27:08,200 --> 00:27:10,030 THEN HOW DID YOU KNOW THERE WAS 50 GRAND 603 00:27:10,070 --> 00:27:12,270 STASHED IN HIS APARTMENT? 604 00:27:12,300 --> 00:27:14,830 LOOK, HIS GIRLFRIEND MARIA, ALL RIGHT? 605 00:27:14,870 --> 00:27:17,070 MET HER IN A CLUB. BEEN BANGING HER. 606 00:27:17,100 --> 00:27:18,730 TO KEEP ME INTERESTED, 607 00:27:18,770 --> 00:27:20,430 SHE GETS TO HOW HER LIMP‐DICK BOYFRIEND 608 00:27:20,470 --> 00:27:22,830 ALWAYS HAS A COUPLE OF GRAND STASHED IN THE BEDROOM. 609 00:27:22,870 --> 00:27:24,400 WE WORK IT OUT. I SHOW UP AT 10:00, 610 00:27:24,440 --> 00:27:26,540 MARIA’S GONNA ANSWER THE DOOR, AND WE PUSH IN. 611 00:27:26,570 --> 00:27:28,630 BUT SHE SAYS NOT TO WORRY ’CAUSE TINO’S SOFT. 612 00:27:28,670 --> 00:27:31,130 HE’LL GIVE IT UP NO PROBLEM. BUT ON THE WAY OUT, 613 00:27:31,170 --> 00:27:33,800 THAT CRAZY PRICK COMES CHASING AFTER US, 614 00:27:33,840 --> 00:27:35,740 OUT ON THE STREET, FIRING HIS GUN. 615 00:27:35,770 --> 00:27:38,730 BUT LISTEN, IT WAS JULIAN THAT FIRED BACK, ALL RIGHT? 616 00:27:38,770 --> 00:27:40,170 NOT ME. 617 00:27:40,200 --> 00:27:43,200 NOW HE CAN KISS MY ASS, ROLL‐OVER RAT PRICK. 618 00:27:43,240 --> 00:27:45,510 MARIA SAID TINO KEPT A COUPLE GRAND AROUND, BUT THERE WAS 50? 619 00:27:45,540 --> 00:27:47,880 YEAH, I GUESS MAYBE THAT’S WHAT HAD HIM RUNNING OUT 620 00:27:47,900 --> 00:27:49,770 IN THE STREET, THROWING SHOTS IN HIS UNDERWEAR. 621 00:27:49,800 --> 00:27:51,300 WHERE’S THE MONEY NOW? 622 00:27:51,340 --> 00:27:52,880 ’CAUSE WE COULD VOUCHER IT IN YOUR NAME, 623 00:27:52,900 --> 00:27:53,870 AND YOU NEVER KNOW. 624 00:27:53,900 --> 00:27:54,970 YOU MIGHT GET IT BACK. 625 00:27:59,000 --> 00:28:00,400 IT’S IN MY APARTMENT. 626 00:28:02,800 --> 00:28:04,830 WRITE THE ADDRESS. 627 00:28:15,370 --> 00:28:17,430 SO, WHAT’S YOUR HISTORY WITH THIS LEGAZI? 628 00:28:17,470 --> 00:28:19,630 WHEN IT STARTED OUT, I THOUGHT WE WERE FRIENDS, 629 00:28:19,670 --> 00:28:22,200 BUT HE MOSTLY WANTED ME TO SCORE DRUGS FOR HIM. 630 00:28:22,240 --> 00:28:24,680 HE’S MADE, SO IT’S LIKE BENEATH HIM OR SOMETHING 631 00:28:24,700 --> 00:28:25,870 TO GET HIS HANDS DIRTY. 632 00:28:25,900 --> 00:28:27,000 YOU STILL TALK TO HIM? 633 00:28:27,040 --> 00:28:29,010 WELL, NO, NOT LIKE BEFORE. 634 00:28:29,040 --> 00:28:31,510 I BUMP INTO HIM ONCE IN A WHILE. 635 00:28:31,540 --> 00:28:34,140 LISTEN, UM, WE’RE GOING TO NEED YOU 636 00:28:34,170 --> 00:28:36,530 TO RE‐ESTABLISH CONTACT WITH HIM. 637 00:28:36,570 --> 00:28:37,970 HEY, WHAT DO YOU MEAN? 638 00:28:38,000 --> 00:28:39,430 WELL, TO WEAR A WIRE 639 00:28:39,470 --> 00:28:41,570 AND GET HIM TO TALK ABOUT THAT NIGHT. 640 00:28:41,600 --> 00:28:43,870 NO. NO. THAT’S NOT PART OF THE DEAL. 641 00:28:43,900 --> 00:28:45,870 I SAID I’D TESTIFY, THAT’S ALL. 642 00:28:45,900 --> 00:28:47,400 THERE’S NO DEAL YET, JULIAN. 643 00:28:47,440 --> 00:28:49,180 ALL WE GOT IS MAYBE A DEAD BODY, 644 00:28:49,200 --> 00:28:51,200 AND YOU’RE THE ONLY ONE WHO KNOWS IT WAS HERE. 645 00:28:51,240 --> 00:28:52,710 SO YOU’RE GOING TO WEAR THAT WIRE 646 00:28:52,740 --> 00:28:55,240 TO PROVE YOU DIDN’T DO THIS MURDER ON YOUR OWN. 647 00:28:55,270 --> 00:28:57,670 I SHOULD’VE NEVER DONE THIS. I DON’T TRUST YOU GUYS AT ALL. 648 00:28:57,700 --> 00:28:59,070 YOU CAN TRUST US. NOW SHUT UP. 649 00:28:59,100 --> 00:29:00,970 HOW AM I SUPPOSED TO GET HIM TO TALK? 650 00:29:01,000 --> 00:29:02,730 WHAT, I TAKE HIM OUT FOR ICE CREAM? 651 00:29:02,770 --> 00:29:05,230 YOU’RE GOING TO CALL AND YOU’RE GOING TO TELL THIS ASSHOLE 652 00:29:05,270 --> 00:29:07,030 THAT YOU CAME INTO SOME COKE. 653 00:29:07,070 --> 00:29:08,630 WE WILL COACH YOU ON THE REST. 654 00:29:08,670 --> 00:29:09,870 WHAT IF HE QUIT USING? 655 00:29:09,900 --> 00:29:12,400 DO WE NEED HIM AROUND HERE ANYMORE? 656 00:29:13,840 --> 00:29:15,380 PUT HIM IN THE CAR. 657 00:29:15,400 --> 00:29:17,370 I SHOULD HAVE NEVER DONE THIS. 658 00:29:17,400 --> 00:29:20,870 I SHOULD HAVE NEVER DONE THIS! 659 00:29:20,900 --> 00:29:21,930 WE GOT SOMETHING. 660 00:30:38,620 --> 00:30:40,620 RIGHT. I’LL GET BACK TO HELP WITH THE PAPERWORK 661 00:30:40,660 --> 00:30:42,100 AS SOON AS I CAN. 662 00:30:42,120 --> 00:30:44,390 DO WHAT YOU GOT TO DO. I GOT THIS. THANKS, PARTNER. 663 00:30:44,420 --> 00:30:46,150 LAST CHANCE TO HELP YOURSELF OUT, RICKY. 664 00:30:46,190 --> 00:30:48,120 YEAH, LIKE TALKING TO YOU IS GONNA DO ME WONDERS. 665 00:30:48,160 --> 00:30:51,300 STICK HIM IN A CELL. LET’S GO TALK TO TINO. 666 00:30:58,260 --> 00:30:59,230 ANY WORD? 667 00:31:03,960 --> 00:31:06,800 THEY, UH, FOUND DANNY’S BODY. 668 00:31:06,820 --> 00:31:10,190 OKAY. 669 00:31:10,220 --> 00:31:12,350 WELL, UH, 670 00:31:12,390 --> 00:31:14,950 WE GOT RICKY, BUT HE LAWYERED UP, 671 00:31:14,990 --> 00:31:17,890 SO NOW I GOT TO FIGURE OUT WHAT THE NEXT MOVE IS. 672 00:31:17,920 --> 00:31:19,990 UH, IS TINO OUT OF I. C. U. YET? 673 00:31:20,020 --> 00:31:21,050 NO. 674 00:31:21,090 --> 00:31:22,790 THE GUY BEHIND THE ROBBERY 675 00:31:22,820 --> 00:31:24,750 AT TINO’S PLACE LAST NIGHT ‐‐ 676 00:31:24,790 --> 00:31:26,290 NAME’S JIMMY GIGLIO. 677 00:31:26,320 --> 00:31:29,620 HE WAS BANGING TINO’S GIRLFRIEND MARIA. 678 00:31:29,660 --> 00:31:31,200 SHE SET IT UP. 679 00:31:31,220 --> 00:31:33,120 OKAY. I’LL, UH, I’LL GO BACK AT HER. 680 00:31:33,160 --> 00:31:35,300 YEAH, I MEAN, I’M SURE 681 00:31:35,320 --> 00:31:37,920 SHE’S STILL AT HER PARENTS’, SO THAT’S WHAT I’LL DO. 682 00:31:37,960 --> 00:31:39,130 I’LL ‐‐ I’LL GO TALK TO HER. 683 00:31:43,960 --> 00:31:45,160 KEEP HIM COMPANY. 684 00:31:45,190 --> 00:31:47,150 YOU GET IN TOUCH WITH AGENT BOYD YET? 685 00:31:47,190 --> 00:31:48,790 HE SHOULD BE HERE ANY MINUTE. 686 00:31:48,820 --> 00:31:50,150 HE’S GONNA COME HERE, 687 00:31:50,190 --> 00:31:52,290 HE’S GONNA LOCK US DOWN WITH A BUNCH OF B. S. 688 00:31:52,320 --> 00:31:54,550 ABOUT INDICTMENTS AND PROTOCOL AND TESTAMENTS. 689 00:31:54,590 --> 00:31:56,420 SO WHAT DO YOU WANT TO DO, ANDY ‐‐ 690 00:31:56,460 --> 00:31:59,500 GO ROGUE AND DO IT OURSELVES BEFORE ANYBODY NOTICES, HUH? 691 00:31:59,520 --> 00:32:01,650 I GOT 15 OTHER PEOPLE TO UPDATE. DETECTIVE? 692 00:32:01,690 --> 00:32:03,790 WHAT? THEO’S SITTER CALLED. 693 00:32:03,820 --> 00:32:05,850 [ SIGHS ] 694 00:32:05,890 --> 00:32:08,190 WHAT’S GOING ON WITH RICKY? 695 00:32:08,220 --> 00:32:09,820 HE LAWYERED UP, 696 00:32:09,860 --> 00:32:14,130 BUT WE GOT SOME INFO TO GO BACK AT THAT GIRL MARIA. YOU’RE ON TOP OF IT? 697 00:32:14,160 --> 00:32:16,430 YEAH. WE GOT IT. ALL RIGHT, YOU AND GREG GO. 698 00:32:16,460 --> 00:32:18,500 KATIE, IT’S ME. THEO’S AT HIS SITTER’S. 699 00:32:18,520 --> 00:32:20,220 I NEED YOU TO GO GET HIM 700 00:32:20,260 --> 00:32:23,100 AND HAVE HIM STAY AT YOUR PLACE FOR A COUPLE DAYS. 701 00:32:23,120 --> 00:32:25,450 KATIE, LOOK, YOU GOT TO DO THIS FOR ME. 702 00:32:25,490 --> 00:32:28,050 SOMETHING CAME UP WITH ‐‐ WITH DANNY, 703 00:32:28,090 --> 00:32:30,520 AND, UH, I CAN’T DO IT RIGHT NOW. 704 00:32:30,560 --> 00:32:33,200 PLEASE. 705 00:32:39,720 --> 00:32:41,420 COME ON. 706 00:32:50,190 --> 00:32:51,950 WE FOUND THE BODY OF OUR GUY. 707 00:32:51,990 --> 00:32:52,950 DETECTIVE SORENSON? 708 00:32:52,990 --> 00:32:54,050 YEAH. WHERE? 709 00:32:54,090 --> 00:32:55,790 BROOKLYN. AND WE GOT THE GUY 710 00:32:55,820 --> 00:32:57,750 WHO DROVE THE MAN AND HELPED BURY THE BODY. 711 00:32:57,790 --> 00:32:59,650 HE GOT THE CALL FROM A MAX LEGAZI 712 00:32:59,690 --> 00:33:00,790 AT TAILFEATHERS. 713 00:33:00,820 --> 00:33:02,050 LEGAZI’S OUR GUY. 714 00:33:02,090 --> 00:33:04,120 YOU KNOW MAX IS THE SON OF A COP THOUGH, RIGHT? 715 00:33:04,160 --> 00:33:06,930 I DON’T CARE WHO HE IS. WE HAVE A SHOT WITH HIS ACCOMPLICE 716 00:33:06,960 --> 00:33:09,430 TO MAKE CONTACT TO SEE IF WE CAN GET LEGAZI TO TALK. 717 00:33:09,460 --> 00:33:11,230 SO YOUR GUY’S READY TO COOPERATE FULLY? 718 00:33:11,260 --> 00:33:14,330 TODAY HE IS. TOMORROW, WHO KNOWS? 719 00:33:14,360 --> 00:33:15,430 WHAT ARE YOU ASKING ME HERE? 720 00:33:15,460 --> 00:33:17,000 WE’RE GONNA HAVE OUR GUY WEAR A WIRE 721 00:33:17,020 --> 00:33:19,020 AGAINST LEGAZI TOMORROW AT TAILFEATHERS. 722 00:33:19,060 --> 00:33:20,360 WE NEED YOU TO OKAY IT. 723 00:33:20,390 --> 00:33:21,690 WHOA, THAT’S BIG. 724 00:33:24,320 --> 00:33:26,520 YOU WRITE IT UP, AND I’LL RUN IT FOR MY SUPERIORS. 725 00:33:26,560 --> 00:33:28,500 DID I TELL YOU? 726 00:33:28,520 --> 00:33:30,920 I’M CONFIDENT YOU’RE CAPABLE OF SIGNING OFF ON THIS 727 00:33:30,960 --> 00:33:33,200 AND REPORTING TO YOUR SUPERIORS THAT YOU DID SO 728 00:33:33,220 --> 00:33:35,350 BECAUSE TIME WAS OF THE ESSENCE, WHICH IT IS. 729 00:33:35,390 --> 00:33:37,190 THE INDICTMENTS YOU WERE WAITING ON 730 00:33:37,220 --> 00:33:39,350 WHEN SORENSON AND YOUR AGENT WENT MISSING, 731 00:33:39,390 --> 00:33:41,990 THE INDICTMENTS FOR YOUR SUPERIORS THAT HANDCUFFED US, 732 00:33:42,020 --> 00:33:43,790 WHAT DID YOU END UP GETTING OUT OF THOSE? 733 00:33:43,820 --> 00:33:44,990 NOT A HELL OF A LOT. 734 00:33:45,020 --> 00:33:48,020 LEGAZI IS THE GUY WHO KILLED SORENSON 735 00:33:48,060 --> 00:33:49,860 AND MOST LIKELY KILLED YOUR AGENT 736 00:33:49,890 --> 00:33:51,790 THAT YOU HAD UNDERCOVER AT THAT CLUB. 737 00:33:51,820 --> 00:33:53,390 THAT AGENT WAS YOUR FRIEND, RIGHT? 738 00:33:56,120 --> 00:33:57,950 ALL RIGHT. 739 00:33:57,990 --> 00:34:00,420 PERSONNEL, SURVEILLANCE. 740 00:34:00,460 --> 00:34:02,700 LET ME KNOW WHAT YOU NEED. 741 00:34:07,190 --> 00:34:09,820 IT SMELLS LIKE PUKE IN HERE. 742 00:34:09,860 --> 00:34:11,830 RECOGNIZE IT? 743 00:34:11,860 --> 00:34:13,700 WHAT, THE PUKE? YEAH. IT’S TINO’S. 744 00:34:13,720 --> 00:34:14,990 BAD CASE OF THE NERVES 745 00:34:15,020 --> 00:34:17,220 OFF WHAT HAPPENED LAST NIGHT, I GUESS, 746 00:34:17,260 --> 00:34:20,460 PLUS FINDING OUT HIS GIRLFRIEND SET HIM UP FOR A ROBBERY 747 00:34:20,490 --> 00:34:23,320 WITH THE GUY SHE WAS BANGING BEHIND HIS BACK. 748 00:34:23,360 --> 00:34:25,930 THAT’S ENOUGH TO MAKE ANY GUY TOSS THEM UP. 749 00:34:25,960 --> 00:34:27,330 WHERE’S TINO AT NOW? 750 00:34:27,360 --> 00:34:29,700 DOWNSTAIRS TALKING TO DETECTIVES. 751 00:34:29,720 --> 00:34:31,020 SO IS RICKY. 752 00:34:31,060 --> 00:34:33,100 AND YOU SHOULD KNOW, MARIA, 753 00:34:33,120 --> 00:34:35,120 THEY’RE BOTH PISSED OFF AT YOU, 754 00:34:35,160 --> 00:34:37,900 SAYING THINGS ABOUT YOUR INVOLVEMENT LAST NIGHT, 755 00:34:37,920 --> 00:34:39,950 AND I’M TRYING TO FIGURE OUT IF IT’S TRUE 756 00:34:39,990 --> 00:34:42,390 OR IF THEY’RE JUST MAKING THINGS UP TO GET BACK AT YOU. 757 00:34:42,420 --> 00:34:44,820 WHAT ARE THEY SAYING? WHAT’S RICKY SAYING? 758 00:34:44,860 --> 00:34:46,860 BECAUSE IF ANYBODY SHOULDN’T BE TALKING 759 00:34:46,890 --> 00:34:48,790 ABOUT WHAT THEY DID LAST NIGHT, IT’S RICKY. 760 00:34:48,820 --> 00:34:50,290 I SEE IT ALL THE TIME, MARIA. 761 00:34:50,320 --> 00:34:52,290 THE ONE PERSON WHO KEEPS THEIR MOUTH SHUT, 762 00:34:52,320 --> 00:34:54,190 THINKING THE OTHERS ARE DOING THE SAME, 763 00:34:54,220 --> 00:34:55,850 THEY’RE THE ONE WHO GETS SCREWED. 764 00:34:55,890 --> 00:34:57,120 WHAT’S RICKY SAYING? 765 00:34:57,160 --> 00:34:58,830 I WANT YOUR VERSION OF WHAT HAPPENED, 766 00:34:58,860 --> 00:35:00,100 BUT I NEED IT NOW 767 00:35:00,120 --> 00:35:01,820 BEFORE RICKY AND TINO GET THERE FIRST. 768 00:35:01,860 --> 00:35:03,530 LOOK, I DIDN’T WANT TO GO OVER THERE, 769 00:35:03,560 --> 00:35:04,700 AND IT WAS NOT MY IDEA. 770 00:35:04,720 --> 00:35:05,890 OVER TO TERESA’S. 771 00:35:05,920 --> 00:35:07,920 YEAH. THEY WERE ALL UP IN MY FACE, 772 00:35:07,960 --> 00:35:09,900 SCREAMING, "DID YOU OPEN YOUR MOUTH TO TERESA?" 773 00:35:09,920 --> 00:35:11,450 AND I’M LIKE, "I DON’T KNOW. MAYBE." 774 00:35:11,490 --> 00:35:13,690 I SAID IT JUST SO I COULD BREATHE FOR A SECOND. 775 00:35:13,720 --> 00:35:15,150 OPEN YOUR MOUTH ABOUT WHAT? 776 00:35:15,190 --> 00:35:17,350 ABOUT TINO KEEPING MONEY IN HIS CLOSET. 777 00:35:17,390 --> 00:35:18,920 HE USUALLY KEPT ONLY A COUPLE GRAND, 778 00:35:18,960 --> 00:35:21,760 BUT THERE WAS 50 LAST NIGHT. 779 00:35:21,790 --> 00:35:23,350 AND HALF OF THAT WAS RICKY’S MONEY 780 00:35:23,390 --> 00:35:25,750 THAT TINO WAS SUPPOSED TO GIVE HIM LATER. 781 00:35:25,790 --> 00:35:27,020 BUT WHEN I FOUND OUT 782 00:35:27,060 --> 00:35:29,060 THAT RICKY’S MONEY WAS STOLEN, TOO, 783 00:35:29,090 --> 00:35:31,520 I KNEW I’D REALLY SCREWED UP, 784 00:35:31,560 --> 00:35:35,230 ’CAUSE RICKY’S... 785 00:35:35,260 --> 00:35:36,960 HE’S CRAZY. 786 00:35:36,990 --> 00:35:40,150 SO YOU TOLD THEM YOU MAY HAVE MENTIONED IT TO TERESA? 787 00:35:40,190 --> 00:35:42,720 JUST TO GET THEM OUT OF MY FACE. 788 00:35:42,760 --> 00:35:43,960 AND YOU CALLED HER ON YOUR CELL PHONE 789 00:35:43,990 --> 00:35:46,350 TO MAKE SURE SHE WAS HOME. THEY MADE ME CALL HER. 790 00:35:46,390 --> 00:35:47,320 SO YOU WENT OVER THERE. 791 00:35:50,360 --> 00:35:52,930 I DID NOT WANT THIS TO HAPPEN. 792 00:35:52,960 --> 00:35:55,230 I SWEAR TO GOD. 793 00:35:55,260 --> 00:35:57,530 BUT TERESA GETS ALL UP IN RICKY’S FACE, 794 00:35:57,560 --> 00:35:59,200 SCREAMING AT HIM TO GET OUT 795 00:35:59,220 --> 00:36:00,350 AND SWEARING AT HIM, 796 00:36:00,390 --> 00:36:02,420 AND I’M TELLING HER TO CALM DOWN. 797 00:36:02,460 --> 00:36:07,860 AND THEN RICKY JUST... 798 00:36:07,890 --> 00:36:10,290 HE KILL ALL FOUR GIRLS? 799 00:36:14,390 --> 00:36:15,890 TERESA, IRMA, LORENA, 800 00:36:15,920 --> 00:36:17,920 AND THEN HE PUTS THE GUN TO TINO’S HEAD 801 00:36:17,960 --> 00:36:20,900 AND TELLS HIM THAT HE GOTTA SHOOT DINA 802 00:36:20,920 --> 00:36:23,350 SO THAT TINO BE IN ON IT, TOO. 803 00:36:23,390 --> 00:36:26,090 AND THEN THEY WALKED BACK IN THE BEDROOM, 804 00:36:26,120 --> 00:36:28,250 AND I GUESS THAT’S WHAT TINO DID, 805 00:36:28,290 --> 00:36:30,020 ’CAUSE THE LOOK ON HIS FACE... 806 00:36:30,060 --> 00:36:34,260 AND THEN RICKY PUTS THE GUN TO MY HEAD, 807 00:36:34,290 --> 00:36:38,020 AND TINO’S BEGGING HIM NOT TO. 808 00:36:38,060 --> 00:36:40,630 AND I’M ON MY KNEES, 809 00:36:40,660 --> 00:36:43,300 AND I SEE TERESA ON THE FLOOR. 810 00:36:45,460 --> 00:36:47,960 AND YOU KNOW WHAT? 811 00:36:47,990 --> 00:36:51,420 I DIDN’T CARE IF HE PULLED THE TRIGGER. 812 00:36:54,790 --> 00:36:57,750 I WISH HE DID. 813 00:36:59,820 --> 00:37:00,820 CAN’T DO IT. 814 00:37:00,860 --> 00:37:02,100 YEAH, YOU CAN. 815 00:37:02,120 --> 00:37:03,620 THIS GUY’S A KILLER, MAN. I ‐‐ 816 00:37:03,660 --> 00:37:05,300 JULIAN, YOU’RE GONNA DO THIS. 817 00:37:05,320 --> 00:37:06,950 YOU’RE GONNA PICK UP THAT PHONE, 818 00:37:06,990 --> 00:37:08,820 AND YOU’RE GONNA KEEP IT SIMPLE, LIKE WE REHEARSED, 819 00:37:08,860 --> 00:37:10,230 OR YOU’RE GONNA GO UP FOR MURDER. 820 00:37:10,260 --> 00:37:12,530 OKAY. I’LL KEEP IT SIMPLE. 821 00:37:12,560 --> 00:37:13,700 RIGHT. 822 00:37:23,220 --> 00:37:25,890 THERE’S NO ANSWER. DO I HANG ‐‐ YO, MAX. 823 00:37:25,920 --> 00:37:27,450 IT’S JULIAN. 824 00:37:27,490 --> 00:37:29,790 WHAT’S UP, MAN? 825 00:37:29,820 --> 00:37:31,820 YEAH, NOTHING. I’M JUST CHECKING IN. 826 00:37:31,860 --> 00:37:33,060 YEAH, LISTEN, YOU KNOW, 827 00:37:33,090 --> 00:37:34,950 I THOUGHT I’D PUT IT OUT THERE TO YOU, 828 00:37:34,990 --> 00:37:38,090 I CAME INTO SOME WICKED SCHNIGHT, IF YOU KNOW WHAT I MEAN, 829 00:37:38,120 --> 00:37:41,390 SO I PUT IT OUT THERE TO YOU, AND ‐‐ 830 00:37:41,420 --> 00:37:44,150 OKAY. COOL. 831 00:37:44,190 --> 00:37:45,420 HOW MUCH? 832 00:37:45,460 --> 00:37:47,830 OKAY. 833 00:37:47,860 --> 00:37:49,960 OH, YEAH, SURE, I’LL BE THERE. 834 00:37:49,990 --> 00:37:51,950 SO, THEN, UH, HOW ARE THINGS OTHERW‐‐ 835 00:37:55,360 --> 00:38:00,060 T‐TOMORROW AT TAILFEATHERS, WHEN THEY OPEN AT 10:00. 836 00:38:00,090 --> 00:38:01,850 Tony: SEE, ONE EASY STEP AT A TIME, 837 00:38:01,890 --> 00:38:03,890 WITH US RIGHT BEHIND YOU. THAT’S ALL IT IS. 838 00:38:03,920 --> 00:38:05,490 OKAY, SO WHAT? 839 00:38:05,520 --> 00:38:06,550 THEN I JUST ‐‐ 840 00:38:06,590 --> 00:38:08,950 I WALK IN THERE TOMORROW AND WHAT? 841 00:38:08,990 --> 00:38:10,390 Tony: WE’LL WORK THAT ALL OUT. 842 00:38:10,420 --> 00:38:12,350 WHAT WE’RE GOING TO DO NOW IS PUT YOU UP IN A HOTEL 843 00:38:12,390 --> 00:38:13,550 AND GET SET UP HERE IN THE MORNING. 844 00:38:13,590 --> 00:38:15,050 WHEN DO I GET MY DEAL? 845 00:38:15,090 --> 00:38:17,090 DON’T ASK THAT QUESTION AGAIN. I SWEAR TO GOD. 846 00:38:17,120 --> 00:38:18,550 ALL RIGHT, WHO’S GOING IN WITH ME 847 00:38:18,590 --> 00:38:20,150 WHEN I GO SEE MAX? 848 00:38:20,190 --> 00:38:21,950 YOU’LL GO BY YOURSELF. WE’LL BE SET UP RIGHT OUTSIDE. 849 00:38:21,990 --> 00:38:23,850 NO! NO WAY! FORGET IT. 850 00:38:23,890 --> 00:38:25,650 I WANT SOMEBODY IN THERE WITH A GUN 851 00:38:25,690 --> 00:38:26,920 WHO’S WATCHING MY BACK! 852 00:38:26,960 --> 00:38:28,230 WE’LL GET YOU SOMEBODY. NOW COME ON. 853 00:38:28,260 --> 00:38:29,860 I WANT TO CALL MY GIRLFRIEND. LATER. LET’S GO. 854 00:38:29,890 --> 00:38:32,120 I WANT TO CALL HER NOW, OKAY?! CHILL OUT! 855 00:38:32,160 --> 00:38:34,100 I’M PUTTING MY LIFE ON THE LINE HERE! 856 00:38:34,120 --> 00:38:35,320 I DON’T KNOW WHAT’S GOING TO HAPPEN TO ME! 857 00:38:35,360 --> 00:38:37,660 I WANT TO TALK TO HER. I WANT TO HAVE HER 858 00:38:37,690 --> 00:38:39,750 KISS MY CHILDREN FOR ME. 859 00:38:39,790 --> 00:38:41,450 ALL RIGHT, CALL YOUR GIRLFRIEND, 860 00:38:41,490 --> 00:38:43,350 BUT YOU DON’T MENTION ANYTHING ABOUT WHAT YOU’RE DOING, 861 00:38:43,390 --> 00:38:44,220 AND CHILL OUT. 862 00:38:55,290 --> 00:38:58,190 MARIA’S SAYING SHE DIDN’T KNOW THEY’D KILL ANYBODY. 863 00:38:58,220 --> 00:39:00,190 THEN WHY’D SHE GIVE UP HER FRIEND? 864 00:39:00,220 --> 00:39:01,220 SHE WAS SCARED. 865 00:39:01,260 --> 00:39:02,460 BECAUSE SHE THOUGHT THEY’D HURT HER. 866 00:39:02,490 --> 00:39:03,950 I GUESS. 867 00:39:03,990 --> 00:39:05,550 IF SHE THOUGHT THEY WERE GOING TO HURT HER, 868 00:39:05,590 --> 00:39:07,450 THEN SHE KNEW THEY WERE LIKELY TO HURT TERESA. 869 00:39:07,490 --> 00:39:09,490 YEAH. OKAY, UM... 870 00:39:09,520 --> 00:39:11,150 I SEE WHERE YOU’RE GOING, AND THAT’S FINE, 871 00:39:11,190 --> 00:39:13,920 BECAUSE I’M ‐‐ I’M NOT INVESTED IN THIS GIRL EITHER WAY. 872 00:39:13,960 --> 00:39:15,430 SHE’S A PRINCIPAL MURDER ONE, 873 00:39:15,460 --> 00:39:17,460 BUT USE THAT TO GET HER TO TESTIFY AGAINST THE OTHERS, 874 00:39:17,490 --> 00:39:20,690 ’CAUSE, WELL, WE WANT THEM MORE, RIGHT? 875 00:39:20,720 --> 00:39:22,750 YEAH. 876 00:39:22,790 --> 00:39:25,290 HOW’S ANDY TAKING IT? 877 00:39:25,320 --> 00:39:26,890 I DON’T KNOW. 878 00:39:30,520 --> 00:39:32,790 THANKS FOR COMING. SURE. 879 00:39:32,820 --> 00:39:34,350 YOU GOT TO TALK TO THIS IDIOT. 880 00:39:34,390 --> 00:39:36,550 HE WON’T DO THIS UNLESS HE GETS THE WITNESS PROGRAM. 881 00:39:36,590 --> 00:39:37,950 THAT’S FEDERAL. 882 00:39:37,990 --> 00:39:41,020 I KNOW, BUT YOU JUST WALK IN THERE AND SHOW HIM YOUR I. D., 883 00:39:41,060 --> 00:39:42,660 STROKE HIM. HE WON’T SHUT UP. 884 00:39:42,690 --> 00:39:44,050 COFFEE ROOM? 885 00:39:44,090 --> 00:39:46,290 HE’S IN THERE WITH GREG AND BALDWIN. 886 00:39:47,660 --> 00:39:48,830 Tony: I’M GOING TO STRANGLE HIM. 887 00:39:48,860 --> 00:39:51,700 HE ACTING UP? 888 00:39:51,720 --> 00:39:53,320 HE’S JUST, UH... 889 00:39:53,360 --> 00:39:56,500 WE SHOULD MEET HERE AT 7:00 INSTEAD OF 8:00. 890 00:39:56,520 --> 00:39:58,490 WE GOT TO COACH HIM MORE. HE’S TOO SHAKY. 891 00:39:58,520 --> 00:40:00,720 THE MORE WE COACH HIM, THE MORE CONFUSED HE GETS. 892 00:40:00,760 --> 00:40:01,930 LET’S JUST GO WITH WHAT WE GOT. 893 00:40:05,890 --> 00:40:07,790 LIEUTENANT, YOU ASKED FOR ME? 894 00:40:07,820 --> 00:40:09,190 YEAH, WE NEED YOU TOMORROW. 895 00:40:09,220 --> 00:40:10,050 YOU GOT IT. 896 00:40:10,090 --> 00:40:11,650 WE NEED YOU TO BACK UP A WITNESS 897 00:40:11,690 --> 00:40:12,990 WHO’S GOING TO BE WEARING A WIRE, OKAY? 898 00:40:13,020 --> 00:40:14,950 YOU’LL POSE AS HIS FRIEND. KEEP AN EYE ON HIM, 899 00:40:14,990 --> 00:40:17,150 BUT YOU WON’T HAVE TO BE PART OF THE CONVERSATION. 900 00:40:17,190 --> 00:40:19,350 YOU HAVE ANY PROBLEMS WITH WHAT I JUST LAID OUT? NONE. 901 00:40:19,390 --> 00:40:21,420 OKAY, WE’LL MEET HERE TOMORROW AT 8:00 A. M. 902 00:40:21,460 --> 00:40:22,860 YOU GOT THIS. 903 00:40:22,890 --> 00:40:24,050 YEAH. SEE YOU TOMORROW. 904 00:40:24,090 --> 00:40:26,290 OKAY, WELL, I’LL BE HERE. 905 00:40:26,320 --> 00:40:28,520 ALL RIGHT. 906 00:40:28,560 --> 00:40:30,330 SORRY TO HEAR ABOUT YOUR GUY. 907 00:40:30,360 --> 00:40:32,300 THANKS. 908 00:40:50,390 --> 00:40:51,720 HEY, ANDY. 909 00:40:51,760 --> 00:40:53,530 CLUB SODA WITH LIME? 910 00:40:53,560 --> 00:40:55,860 YEAH. 911 00:40:55,890 --> 00:40:57,590 HOW’S IT GOING? 912 00:40:57,620 --> 00:40:58,650 ALL RIGHT. 913 00:40:58,690 --> 00:41:00,990 GETTING COOL OUT THERE, HUH? 914 00:41:01,020 --> 00:41:02,190 YEP. 915 00:41:02,220 --> 00:41:04,090 FIRST I’VE SEEN YOU IN HERE BY YOURSELF. 916 00:41:04,120 --> 00:41:05,190 YEAH. 917 00:41:05,220 --> 00:41:06,950 I MISSED ALL THOSE RIVETING CONVERSATIONS 918 00:41:06,990 --> 00:41:08,490 I HAD WITH BARTENDERS. 919 00:41:08,520 --> 00:41:09,590 HERE HE GOES AGAIN. 920 00:41:09,620 --> 00:41:12,690 HE’LL BE HERE ALL WEEK, LADIES AND GENTLEMEN. 921 00:41:14,560 --> 00:41:16,400 MIKE DWYER GOT SOBER. 922 00:41:16,420 --> 00:41:17,350 DID HE? 923 00:41:17,390 --> 00:41:18,450 YEAH. 924 00:41:18,490 --> 00:41:20,320 CAN’T EVEN COME BY TO SAY HI. 925 00:41:27,590 --> 00:41:30,550 SO THESE TWO LESBOS WALK INTO A HARDWARE STORE... 926 00:41:30,590 --> 00:41:33,090 TELL YOU WHAT, UH... 927 00:41:33,120 --> 00:41:36,250 JUST POUR ME A SHOT OF WHISKEY THERE 928 00:41:36,290 --> 00:41:37,820 SO I CAN SMELL IT. 929 00:41:37,860 --> 00:41:39,500 YOU SURE ABOUT THIS, ANDY? 930 00:41:39,520 --> 00:41:40,790 WHAT IS THIS, A CHURCH? 931 00:41:40,820 --> 00:41:42,720 YOU SELL BOOZE HERE OR NOT? 932 00:41:42,760 --> 00:41:44,700 YEAH, WE SELL BOOZE. 933 00:41:44,720 --> 00:41:46,150 THEN POUR IT 934 00:41:46,190 --> 00:41:48,220 AND GO BREATHE DOWN SOMEBODY ELSE’S NECK. 935 00:42:14,790 --> 00:42:18,650 DIANE SAID I MIGHT FIND YOU HERE. 936 00:42:18,690 --> 00:42:20,050 I GOT ENOUGH ON MY MIND 937 00:42:20,090 --> 00:42:23,220 WITHOUT HAVING TO WORRY ABOUT YOU DRINKING. 938 00:42:23,260 --> 00:42:26,230 YEAH, WELL, I GOT A COUPLE THINGS ON MY MIND, TOO. 939 00:42:33,260 --> 00:42:36,560 WHAT ELSE CAN YOU DO RIGHT NOW, 940 00:42:36,590 --> 00:42:40,820 OTHER THAN DRINK? 941 00:42:40,860 --> 00:42:42,130 I’M THINKING. 942 00:42:47,720 --> 00:42:49,750 YOU CAN DRINK IF YOU WANT. 943 00:42:52,360 --> 00:42:53,930 NO. 944 00:43:05,390 --> 00:43:06,450 WHY DON’T YOU GO HOME? 945 00:43:09,220 --> 00:43:11,250 I’M NOT LETTING YOU DRINK. 946 00:43:11,290 --> 00:43:12,920 GO HOME. 947 00:43:12,960 --> 00:43:14,960 THEN COME HOME WITH ME. 948 00:43:14,990 --> 00:43:17,290 DON’T DRINK TONIGHT. 949 00:43:23,560 --> 00:43:25,830 COME ON. 950 00:43:25,860 --> 00:43:29,230 LET’S GET OUT OF HERE. 951 00:44:02,160 --> 00:44:04,030 ♪ ♪ 69288

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