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1
00:00:11,040 --> 00:00:12,370
Andy: PREVIOUSLY
ON NYPD BLUE...
2
00:00:12,400 --> 00:00:13,840
I THOUGHT YOU SHOULD KNOW
3
00:00:13,870 --> 00:00:15,570
ABOUT SOME DEVELOPMENTS
AT THAT TAILFEATHERS CLUB.
4
00:00:15,600 --> 00:00:17,140
YOU GOT AN EAR
IN THE PLACE?
5
00:00:17,170 --> 00:00:18,240
A STRIPPER THERE ‐‐
KRISTEN MOORE.
6
00:00:18,270 --> 00:00:19,540
THE GIRL WE WIRED UP.
7
00:00:19,570 --> 00:00:21,840
SHE SAID THE OWNERS
WANTED A WORD WITH ME.
8
00:00:21,870 --> 00:00:23,140
IT TURNS OUT IT WAS
9
00:00:23,170 --> 00:00:24,670
TO RUN THEIR BARTENDER
THROUGH BCI.
10
00:00:24,700 --> 00:00:26,400
I THINK THEY’RE
TRYING TO TURN ME OUT.
11
00:00:26,440 --> 00:00:27,940
DID YOU SAY YOU’D DO IT?
12
00:00:27,970 --> 00:00:29,570
I SAID I’D THINK
ABOUT IT.
13
00:00:29,600 --> 00:00:31,000
GO AHEAD AND RUN
THE BARTENDER
14
00:00:31,040 --> 00:00:32,270
AND FOLLOW THROUGH
WITH THE OWNERS,
15
00:00:32,300 --> 00:00:33,870
BUT KEEP IT QUIET TILL
YOU GET THE GREEN LIGHT.
16
00:00:33,900 --> 00:00:37,300
I’LL KEEP IT ENTIRELY
TO MYSELF, ANDY INCLUDED.
17
00:00:37,340 --> 00:00:38,740
WHAT’S WITH THIS KID?
18
00:00:38,770 --> 00:00:40,870
IS HE TRYING TO GIVE ME
AN ULCER HERE OR WHAT?
19
00:00:40,900 --> 00:00:42,340
DO YOU WANT ME
TO PAGE HIM AGAIN?
20
00:00:42,370 --> 00:00:44,370
YOU PAGED HIM
FIVE MINUTES AGO.
21
00:00:44,400 --> 00:00:45,600
SO HE’S AN HOUR LATE.
22
00:00:45,640 --> 00:00:47,000
I DON’T CARE ABOUT HIM
BEING LATE.
23
00:00:47,040 --> 00:00:48,370
I CARE ABOUT HIM
NOT CALLING TO TELL US.
24
00:00:48,400 --> 00:00:50,300
WHAT’S GOING ON?
25
00:00:50,340 --> 00:00:53,870
DANNY’S, UH,
WE DON’T KNOW WHERE HE IS.
26
00:00:53,900 --> 00:00:57,740
AND THAT DANCER KRISTEN MOORE
WHO WORE A WIRE FOR US ‐‐
27
00:00:57,770 --> 00:01:00,570
SHE’S D.O.A.
AT SORENSON’S APARTMENT.
28
00:01:00,600 --> 00:01:02,500
SO NOW WHAT? WE FILE
A MISSING PERSONS REPORT?
29
00:01:02,540 --> 00:01:03,670
YEAH.
30
00:01:03,700 --> 00:01:06,440
ALL RIGHT, TOMORROW WE PICK UP
AND KEEP GOING.
31
00:01:06,470 --> 00:01:08,840
WE WON’T STOP LOOKING,
AND WE HOPE FOR THE BEST,
32
00:01:08,870 --> 00:01:10,570
BUT WE GOT TO KEEP GOING.
33
00:01:16,740 --> 00:01:18,240
[ SCREAMING ]
34
00:01:28,770 --> 00:01:32,070
[ SOBBING ]
35
00:01:32,100 --> 00:01:33,170
FOUR?
36
00:01:33,200 --> 00:01:34,770
YEAH, ALL GIRLS.
37
00:01:34,800 --> 00:01:36,670
THE OLDEST IS 18,
THE YOUNGEST IS 12.
38
00:01:36,700 --> 00:01:38,340
Baldwin: GREG’S UP THERE.
ANYTHING?
39
00:01:38,370 --> 00:01:39,600
NO ONE’S COME FORWARD,
40
00:01:39,640 --> 00:01:41,870
BUT WE HAVEN’T STARTED
A CANVASS YET.
41
00:01:41,900 --> 00:01:42,940
WHO CALLED IT IN?
42
00:01:42,970 --> 00:01:44,240
THE MOM. WORKS GRAVEYARD.
43
00:01:44,270 --> 00:01:46,100
ANYTHING FROM HER?
44
00:01:46,140 --> 00:01:48,540
SHE’S HYSTERICAL.
YOU TALK TO HER AT ALL?
45
00:01:48,570 --> 00:01:50,140
I WAS WAITING FOR HER
TO CALM DOWN.
46
00:01:50,170 --> 00:01:51,540
YOU KEEP WAITING,
47
00:01:51,570 --> 00:01:53,100
THEY’LL HAVE HER SEDATED,
YOU WON’T GET NOTHING.
48
00:01:59,870 --> 00:02:01,140
[ SOBBING ]
49
00:02:01,170 --> 00:02:02,500
WOULD YOU LET ME
HELP HER?
50
00:02:12,340 --> 00:02:14,600
THESE TWO WERE FACING
THE SHOOTER.
51
00:02:14,640 --> 00:02:16,670
THIRD ONE GOT IT
IN THE BACK.
52
00:02:16,700 --> 00:02:19,340
THE YOUNGEST GOT IT HIDING
IN THE BEDROOM CLOSET.
53
00:02:19,370 --> 00:02:21,300
WHOLE PLACE WAS RANSACKED
TOP TO BOTTOM.
54
00:02:21,340 --> 00:02:23,000
NO ONE HEARD ANYTHING?
55
00:02:23,040 --> 00:02:26,140
NEIGHBOR SAID THE STEREO WAS UP
LOUD LAST NIGHT. THAT’S IT.
56
00:02:26,170 --> 00:02:27,170
ANY MEN LIVE HERE?
57
00:02:27,200 --> 00:02:28,570
NOTHING PERMANENT.
58
00:02:28,600 --> 00:02:30,500
WHY DON’T YOU START
A CANVASS?
59
00:02:30,540 --> 00:02:31,670
SURE.
60
00:02:35,270 --> 00:02:37,470
START LOOKING
INTO BOYFRIENDS?
61
00:02:37,500 --> 00:02:39,370
BEEHIVES.
62
00:02:39,400 --> 00:02:41,600
THAT’S WHAT MY FIRST
PARTNER CALLED THE PROJECTS:
63
00:02:41,640 --> 00:02:43,040
BEEHIVES.
64
00:02:50,940 --> 00:02:52,400
THAT PHONE DUMP
COME IN YET?
65
00:02:52,440 --> 00:02:53,700
I TOLD THE LIEUTENANT.
66
00:02:53,740 --> 00:02:56,400
JOHN, DID WE HEAR
FROM TARO YET OR NOT?
67
00:02:56,440 --> 00:02:58,540
THE LIEUTENANT’S BEEN
ANSWERING THE PHONES,
68
00:02:58,570 --> 00:03:00,170
DETECTIVE, SO I DON’T KNOW.
69
00:03:00,200 --> 00:03:02,600
REMEMBER TO RUN THE MOM
THROUGH BCI.
70
00:03:02,640 --> 00:03:03,770
I’LL, UH,
71
00:03:03,800 --> 00:03:05,500
I’LL CHECK WITH CRIME SCENE
ABOUT PRINTS.
72
00:03:05,540 --> 00:03:07,270
Tony: BALDWIN,
YOU AND GREG ‐‐
73
00:03:07,300 --> 00:03:09,800
GUNSHOT VICTIM AT BELLEVUE.
PHONE DUMP CAME BACK.
74
00:03:09,840 --> 00:03:13,070
LAST CALL IN WAS 11:00 P.M.
FROM A MARIA FELICIANO ‐‐
75
00:03:13,100 --> 00:03:15,200
HER CELL PHONE.
HERE’S HER ADDRESS.
76
00:03:15,240 --> 00:03:16,770
GREG, YOU AND BALDWIN
WRAP THIS UP.
77
00:03:16,800 --> 00:03:18,570
OTHERWISE, I’M GOING TO NEED
HELP FROM THE BOROUGH.
78
00:03:18,600 --> 00:03:20,470
PERSONAL ITEMS
FROM THE D. O. A.’s APARTMENT.
79
00:03:20,500 --> 00:03:21,670
I’LL GO THROUGH THEM.
80
00:03:21,700 --> 00:03:23,700
WHAT IS THIS,
A BROOM CLOSET NOW?
81
00:03:23,740 --> 00:03:24,800
ANDY, GIVE ME A BREAK.
82
00:03:24,840 --> 00:03:26,800
MEDAVOY, KEEP YOUR CRAP
ON YOUR DESK.
83
00:03:28,570 --> 00:03:30,370
I’M GOING TO HIT THE HEAD,
84
00:03:30,400 --> 00:03:32,570
THEN WE’LL GO PICK
THIS MARIA UP.
85
00:03:33,800 --> 00:03:37,370
ALL RIGHT, WE GOT
FOUR GIRLS DEAD.
LET’S GO.
86
00:03:48,700 --> 00:03:50,800
ALL RIGHT, ENOUGH
OF THIS ALREADY.
87
00:03:50,840 --> 00:03:51,840
ENOUGH OF WHAT?
88
00:03:51,870 --> 00:03:53,440
THIS WHOLE DEPARTMENT’S
BEEN THROUGH HELL
89
00:03:53,470 --> 00:03:54,840
WITH THE WORLD TRADE CENTER
ATTACKS,
90
00:03:54,870 --> 00:03:57,200
AND WE’RE ALL TRYING TO
DEAL WITH IT IN OUR OWN WAY,
91
00:03:57,240 --> 00:03:58,470
BUT JUST ’CAUSE WE’RE
NOT WALKING AROUND
92
00:03:58,500 --> 00:03:59,800
PUNCHING HOLES IN WALLS ‐‐
93
00:03:59,840 --> 00:04:01,840
I NEED TO TAKE A PISS HERE,
IF YOU DON’T MIND.
94
00:04:01,870 --> 00:04:05,770
WE LOST 300 FIREFIGHTERS.
WE LOST DOZENS OF COPS.
95
00:04:05,800 --> 00:04:07,740
WE ARE STILL LOOKING
FOR DANNY.
96
00:04:07,770 --> 00:04:10,140
YOU DON’T HAVE A CORNER
ON PERSONAL GRIEF,
97
00:04:10,170 --> 00:04:11,540
AND IT’S AN INSULT, ANDY,
98
00:04:11,570 --> 00:04:12,600
YOU TREATING US LIKE
99
00:04:12,640 --> 00:04:14,240
WE DON’T CARE AS MUCH
AS YOU.
100
00:04:14,270 --> 00:04:16,070
WE’RE STILL HURTING, TOO.
101
00:04:16,100 --> 00:04:18,240
CAN I PISS NOW?
102
00:05:49,840 --> 00:05:51,440
[ WOLF WHISTLES ]
103
00:05:51,470 --> 00:05:54,670
AREN’T YOU GUYS
IN ENOUGH TROUBLE?
104
00:05:54,700 --> 00:05:55,800
HEY.
105
00:06:01,600 --> 00:06:04,370
CLARK, NARCOTICS. THAT’S
MARIA FELICIANO, RIGHT?
106
00:06:04,400 --> 00:06:06,370
YEAH, WHY?
WHAT ARE YOU
BRINGING HER IN FOR?
107
00:06:06,400 --> 00:06:07,600
WHY DO YOU WANT TO KNOW?
108
00:06:07,640 --> 00:06:09,540
WE GOT AN "A" BUY
INTO HER BOYFRIEND TINO,
109
00:06:09,570 --> 00:06:11,400
THIS SCUMBAG CLUB PROMOTER
WHO’S BEEN MOVING INTO SALES,
110
00:06:11,440 --> 00:06:13,170
AND I’M JUST MAKING SURE,
THAT, YOU KNOW,
111
00:06:13,200 --> 00:06:14,440
WE’RE NOT GETTING
OUR WIRES CROSSED.
112
00:06:14,470 --> 00:06:16,740
WE’RE NOT.
HEY.
113
00:06:16,770 --> 00:06:17,700
IT’D BE A REAL HELP
114
00:06:17,740 --> 00:06:19,470
KNOWING WHAT YOU’RE
BRINGING HER IN FOR.
115
00:06:19,500 --> 00:06:21,670
WE’RE WORKING
A HOMICIDE INVESTIGATION.
116
00:06:21,700 --> 00:06:22,840
IS THAT OKAY WITH YOU?
117
00:06:22,870 --> 00:06:24,500
IT’S ALL YOURS.
118
00:06:38,940 --> 00:06:40,500
HE GOT SHOT LAST NIGHT.
119
00:06:40,540 --> 00:06:43,140
SAID HE DIDN’T COME IN
RIGHT AWAY
120
00:06:43,170 --> 00:06:44,870
’CAUSE OF NO INSURANCE.
121
00:06:44,900 --> 00:06:45,970
FRED ROBERTS.
122
00:06:46,000 --> 00:06:46,940
THANK YOU.
123
00:06:46,970 --> 00:06:48,040
YEP.
124
00:06:50,470 --> 00:06:52,240
OH, MAN.
125
00:06:52,270 --> 00:06:54,070
WHY IS THIS TURNING
INTO A DEAL?
126
00:06:54,100 --> 00:06:56,100
WELL, YOU SHOW UP
WITH A GUNSHOT WOUND,
127
00:06:56,140 --> 00:06:57,440
WE GOT TO LOOK INTO IT.
128
00:06:57,470 --> 00:06:59,200
YEAH, WELL,
IT’S A WASTED TRIP,
129
00:06:59,240 --> 00:07:00,300
’CAUSE LIKE I BEEN
TELLING PEOPLE,
130
00:07:00,340 --> 00:07:02,100
THIS THING
CAME OUT OF NOWHERE.
131
00:07:02,140 --> 00:07:03,040
WHAT’S YOUR NAME?
132
00:07:03,070 --> 00:07:04,340
FRED ROBERTS.
133
00:07:04,370 --> 00:07:06,040
I JUST WANT TO GET
THIS PATCHED UP
134
00:07:06,070 --> 00:07:07,370
SO I CAN GET OUT OF HERE.
135
00:07:07,400 --> 00:07:08,700
HOW’D YOU GET SHOT?
136
00:07:08,740 --> 00:07:10,440
I WAS WALKING
DOWN EAST 19th NEAR PARK,
137
00:07:10,470 --> 00:07:12,740
NEAR WHERE I LIVE,
AND I GOT SHOT.
138
00:07:12,770 --> 00:07:14,100
DIDN’T SEE A DAMN THING.
139
00:07:14,140 --> 00:07:16,100
ANY IDEA WHO’D WANT
TO SHOOT YOU?
140
00:07:16,140 --> 00:07:17,570
NONE. NOBODY.
141
00:07:17,600 --> 00:07:19,270
YOU GOT ANY WARRANTS OUT,
WHICH MIGHT EXPLAIN WHY
142
00:07:19,300 --> 00:07:20,440
YOU’RE LESS THAN THRILLED
TO SEE US?
143
00:07:20,470 --> 00:07:21,700
HEY, I GOT A RIGHT
TO GET SHOT
144
00:07:21,740 --> 00:07:23,170
AND NOT KNOW ANYTHING
ABOUT IT.
145
00:07:23,200 --> 00:07:25,300
OH, YOU’RE RIGHT, YOU DO.
GOOD.
146
00:07:25,340 --> 00:07:28,470
AND MORE IMPORTANTLY, WE GOT
BETTER THINGS TO BE DOING.
147
00:07:28,500 --> 00:07:30,440
THEN GO, MAN.
I AIN’T HOLDING YOU BACK.
148
00:07:30,470 --> 00:07:32,500
SHUT UP. NOW, LISTEN,
GET STRAIGHT WITH US RIGHT NOW,
149
00:07:32,540 --> 00:07:35,170
WE GO OUR SEPARATE WAYS,
GOT IT?
150
00:07:35,200 --> 00:07:38,100
YEAH, OKAY.
151
00:07:38,140 --> 00:07:40,100
WHAT’S YOUR NAME?
152
00:07:40,140 --> 00:07:43,100
MIKE GRAF ‐‐ ONE "F."
153
00:07:43,140 --> 00:07:44,340
GOT ANY WARRANTS?
154
00:07:44,370 --> 00:07:45,740
ONE ‐‐ POSSESSION.
155
00:07:45,770 --> 00:07:49,170
MY LAME‐ASS ATTORNEY GAVE ME
THE WRONG COURT DATE.
156
00:07:49,200 --> 00:07:50,800
WITH INTENT TO SELL?
157
00:07:50,840 --> 00:07:53,170
NO. I GOT PINCHED
TRYING TO BUY AN 8‐BALL.
158
00:07:53,200 --> 00:07:54,940
ALL RIGHT,
WE’LL CHECK THAT OUT,
159
00:07:54,970 --> 00:07:58,270
AND IF THAT’S ALL ‐‐
THAT’S ALL,
SWEAR TO GOD. GO CHECK.
160
00:08:08,940 --> 00:08:11,200
SO, WHAT’S UP?
161
00:08:11,240 --> 00:08:14,600
THE REASON WE WAITED
TILL HERE TO TELL YOU
162
00:08:14,640 --> 00:08:16,440
WAS, UH, WELL,
163
00:08:16,470 --> 00:08:18,340
WE’VE GOT SOME BAD NEWS
AND DIDN’T WANT TO LAY IT ON YOU
164
00:08:18,370 --> 00:08:19,840
IN FRONT OF YOUR FAMILY.
165
00:08:19,870 --> 00:08:21,200
WHAT HAPPENED?
166
00:08:21,240 --> 00:08:23,870
TERESA CONSECO WAS FOUND
MURDERED THIS MORNING,
167
00:08:23,900 --> 00:08:25,240
ALONG WITH HER
THREE SISTERS.
168
00:08:25,270 --> 00:08:26,840
MY GOD. WHO DID IT?
169
00:08:26,870 --> 00:08:30,270
WE DON’T KNOW. THAT’S WHAT
WE WANTED TO ASK YOU ABOUT.
170
00:08:30,300 --> 00:08:31,740
HOW WOULD I KNOW ANYTHING?
171
00:08:31,770 --> 00:08:32,940
YOU WERE FRIENDS, RIGHT?
172
00:08:32,970 --> 00:08:35,640
YES, BUT I CAN’T BELIEVE
THEY’RE DEAD.
173
00:08:35,670 --> 00:08:38,040
DO YOU KNOW ANYBODY IN HER LIFE
WHO WOULD DO THIS?
174
00:08:38,070 --> 00:08:39,640
NO.
175
00:08:39,670 --> 00:08:41,170
BOYFRIENDS?
ANYBODY LIKE THAT?
NO.
176
00:08:41,200 --> 00:08:42,800
WHEN WAS THE LAST TIME
YOU TALKED TO HER?
177
00:08:42,840 --> 00:08:45,100
I DON’T KNOW.
A COUPLE DAYS AGO, I GUESS.
178
00:08:45,140 --> 00:08:48,370
THERE WAS A CALL IN TO THEIR
APARTMENT LAST NIGHT, 11:00,
179
00:08:48,400 --> 00:08:50,270
FROM YOUR CELL PHONE.
180
00:08:50,300 --> 00:08:53,200
THAT’S RIGHT.
I’M SORRY. I FORGOT.
181
00:08:53,240 --> 00:08:56,370
I’M JUST REALLY
TRIPPING OUT RIGHT NOW.
182
00:08:56,400 --> 00:08:57,870
WELL, WHAT, UH,
WHAT’D YOU TALK ABOUT?
183
00:08:57,900 --> 00:09:00,340
JUST SAYING WHAT’S UP,
184
00:09:00,370 --> 00:09:01,800
BUT WAIT A MINUTE.
185
00:09:01,840 --> 00:09:05,100
IF YOU KNEW
THAT I CALLED HER LAST NIGHT,
186
00:09:05,140 --> 00:09:06,970
WHY DID YOU JUST ASK ME?
187
00:09:07,000 --> 00:09:08,640
BECAUSE WE GOT
FOUR PEOPLE KILLED.
188
00:09:08,670 --> 00:09:10,400
I DIDN’T HAVE ANYTHING
TO DO WITH IT.
189
00:09:10,440 --> 00:09:12,740
WHAT ELSE DID YOU TALK ABOUT
BESIDES, UH, WHAT’S UP?
190
00:09:12,770 --> 00:09:14,900
THAT REALLY PISSES ME OFF
THAT YOU JUST DID THAT.
191
00:09:14,940 --> 00:09:16,270
MARIA, RELAX.
192
00:09:16,300 --> 00:09:18,070
YOU RELAX.
YOURS WAS THE LAST CALL IN
193
00:09:18,100 --> 00:09:19,500
TO THE APARTMENT
BEFORE THE MURDERS.
194
00:09:19,540 --> 00:09:22,100
SO?
AND NOW YOU JUST LIED
ABOUT MAKING THE CALL.
195
00:09:22,140 --> 00:09:24,500
LOOK, I’M JUST REALLY
FREAKING OUT, OKAY?
196
00:09:24,540 --> 00:09:25,370
OKAY.
197
00:09:25,400 --> 00:09:26,900
SO NONE OF HER FRIENDS
198
00:09:26,940 --> 00:09:29,100
THAT YOU CAN THINK OF
WOULD BE INVOLVED IN THIS?
199
00:09:29,140 --> 00:09:30,670
NO.
ANY OF YOUR FRIENDS?
200
00:09:30,700 --> 00:09:32,340
NO.
201
00:09:32,370 --> 00:09:34,570
ANY FRIENDS
OF YOUR BOYFRIEND TINO?
202
00:09:35,770 --> 00:09:36,870
[ GRUNTS SOFTLY ]
203
00:09:36,900 --> 00:09:39,240
SEE, NO,
I DON’T LIKE THIS, OKAY?
204
00:09:39,270 --> 00:09:40,840
I DON’T LIKE TALKING
TO YOU GUYS.
205
00:09:40,870 --> 00:09:43,270
YOU DON’T NEED TO.
JUST ANSWER THE QUESTIONS.
206
00:09:43,300 --> 00:09:45,800
WELL, I DON’T KNOW
WHO DID IT.
207
00:09:45,840 --> 00:09:47,200
CAN I LEAVE NOW?
208
00:09:47,240 --> 00:09:50,400
YEAH. YEAH, WE’LL BE IN TOUCH
IF THERE’S ANYTHING ELSE.
209
00:09:55,600 --> 00:09:57,470
WHO’S TINO?
210
00:09:57,500 --> 00:09:59,170
IT’S HER DEALER BOYFRIEND.
211
00:09:59,200 --> 00:10:00,970
I GOT A TIP FROM NARCOTICS.
212
00:10:01,000 --> 00:10:02,570
GO SNATCH HIM UP.
213
00:10:02,600 --> 00:10:04,540
YEAH.
214
00:10:08,070 --> 00:10:09,100
AND?
215
00:10:09,140 --> 00:10:10,270
LET ME PUT IT THIS WAY:
216
00:10:10,300 --> 00:10:11,770
HOW MANY PUERTO RICAN
GIRLS DO YOU KNOW
217
00:10:11,800 --> 00:10:13,770
WHEN HEARING THEIR FRIEND
GOT MURDERED
218
00:10:13,800 --> 00:10:16,240
WOULD JUST SIT THERE
SAYING, "OH, MY GOD,
I CAN’T BELIEVE IT"?
219
00:10:16,270 --> 00:10:17,400
DO WE LIKE HER OR NOT?
220
00:10:17,440 --> 00:10:18,670
SHE’S IN THE LOOP.
221
00:10:18,700 --> 00:10:19,700
ANY PRINTS BACK YET?
222
00:10:19,740 --> 00:10:21,600
NOTHING. SO WHAT NOW?
223
00:10:21,640 --> 00:10:23,470
UH, THIS MARIA’S GOT
A DEALER BOYFRIEND
224
00:10:23,500 --> 00:10:25,040
WE’RE GOING TO
TAKE A SHOT AT.
225
00:10:25,070 --> 00:10:26,340
ALL RIGHT, TAKE A RADIO.
226
00:10:26,370 --> 00:10:28,600
I GOT EVERY WHITE SHIRT
IN THE CITY UP MY ASS,
227
00:10:28,640 --> 00:10:30,670
AND I NEED TO BE KEPT
UP TO SPEED.
228
00:10:30,700 --> 00:10:31,900
A JOHN CLARK FROM NARCOTICS
229
00:10:31,940 --> 00:10:34,240
SAID TO STOP BY DOWNSTAIRS
WHEN YOU’RE DONE.
230
00:10:34,270 --> 00:10:38,670
THIS GUY’S ALL WORRIED ABOUT US
SPEARIN’ HIS DAMN DRUG COLLARS.
231
00:10:46,570 --> 00:10:48,470
DON’T WORRY.
SHE DIDN’T SAY NOTHING
232
00:10:48,500 --> 00:10:50,400
ABOUT HER BOYFRIEND
QUITTING THE DRUG TRADE
233
00:10:50,440 --> 00:10:52,140
AND JOINING THE NAVY
ANY TIME SOON.
234
00:10:52,170 --> 00:10:55,070
A STOOL OF MINE TOLD ME THAT
TINO GOT RIPPED OFF LAST NIGHT
235
00:10:55,100 --> 00:10:56,800
FOR 50 GRAND
OUT OF HIS APARTMENT.
236
00:10:56,840 --> 00:10:58,170
THOUGHT YOU SHOULD KNOW.
237
00:10:58,200 --> 00:11:00,600
WHEN DID YOU HEAR THIS?
THIS MORNING.
238
00:11:00,640 --> 00:11:03,340
WHY DIDN’T YOU TELL ME
WHEN I WAS DOWN HERE EARLIER?
239
00:11:03,370 --> 00:11:05,900
I WAS GONNA, BUT YOU WERE
BEING A DICK AND WALKED AWAY.
240
00:11:05,940 --> 00:11:08,400
ACTUALLY, THAT WAS MORE ME
BEING IN A SLIGHT HURRY
241
00:11:08,440 --> 00:11:10,540
TO FIND OUT WHO KILLED
FOUR GIRLS LAST NIGHT,
242
00:11:10,570 --> 00:11:12,540
BUT IF YOU WANT TO SEE ME
BE A DICK,
243
00:11:12,570 --> 00:11:14,270
I CAN PROBABLY
THROW SOMETHING TOGETHER.
244
00:11:14,300 --> 00:11:15,440
ALL RIGHT, ALL RIGHT.
245
00:11:15,470 --> 00:11:17,040
OKAY, WELL,
I’M TELLING YOU NOW ‐‐
246
00:11:17,070 --> 00:11:18,370
TINO GOT RIPPED OFF
LAST NIGHT.
247
00:11:18,400 --> 00:11:19,970
YOU KNOW WHERE TO FIND HIM?
248
00:11:20,000 --> 00:11:21,340
I CAN GIVE YOU
SOME PLACES, SURE.
249
00:11:21,370 --> 00:11:23,600
YOU’RE SHOWING US.
TELL YOUR BOSS.
250
00:11:23,640 --> 00:11:25,100
YEAH.
251
00:11:25,140 --> 00:11:27,700
HEY, EDDIE, TELL THE SERGEANT
I GOT TO TAKE CARE OF SOMETHING.
252
00:11:27,740 --> 00:11:29,400
WE GOT SIX MORE ARRESTS
TO PROCESS.
253
00:11:29,440 --> 00:11:31,700
ALL RIGHT, THEN LEAVE THREE
FOR ME UNTIL I GET BACK.
254
00:11:31,740 --> 00:11:34,400
THERE’S A JOHN CLARK WORKS
HOMICIDE UP IN THE BRONX.
255
00:11:34,440 --> 00:11:36,440
YEAH, THAT’S MY DAD ‐‐
JOHN CLARK SR.
256
00:11:36,470 --> 00:11:38,870
[ SIGHS ]
257
00:11:38,900 --> 00:11:40,740
LET’S GO, JUNIOR.
258
00:11:44,200 --> 00:11:45,740
CONNIE McDOWELL.
259
00:11:45,770 --> 00:11:47,100
WHO’S HE?
260
00:11:47,140 --> 00:11:48,670
SIPOWICZ.
261
00:12:00,940 --> 00:12:03,280
Tony: WHAT WAS THAT
ALL ABOUT AT BELLEVUE?
262
00:12:03,300 --> 00:12:06,100
AH, SOME DOUCHE BAG GOT SHOT
DOING WHO KNOWS WHAT,
263
00:12:06,140 --> 00:12:07,880
BUT HE AIN’T TALKING.
264
00:12:07,900 --> 00:12:09,570
HE HAD A FAILURE
TO APPEAR OUT,
265
00:12:09,600 --> 00:12:11,500
BUT WE FIGURED
YOU’D WANT US BACK HERE.
266
00:12:11,540 --> 00:12:13,340
THIS GUY GOT SHOT
IN THE LEFT SHOULDER?
267
00:12:13,370 --> 00:12:14,470
YEAH.
268
00:12:14,500 --> 00:12:16,270
HE GOT RED HAIR,
SCRAWNY?
YEAH. YEAH, WHY?
269
00:12:16,300 --> 00:12:18,230
CONNIE AND ANDY ARE LOOKING
INTO A DEAL
270
00:12:18,270 --> 00:12:20,070
THAT MIGHT HAVE A CONNECTION
ON THIS QUADRUPLE.
271
00:12:20,100 --> 00:12:22,030
TIP WAS HE GOT RIPPED OFF
LAST NIGHT
272
00:12:22,070 --> 00:12:25,370
OUT OF HIS APARTMENT
ON 2nd AND B FOR 50 GRAND.
273
00:12:25,400 --> 00:12:26,930
I RAN THE ADDRESS.
274
00:12:26,970 --> 00:12:29,300
THERE WAS A SHOTS‐FIRED
911 CALL NEXT DOOR.
275
00:12:29,340 --> 00:12:31,980
BODEGA OWNER RAN OUT,
SAW A GUY SHOT IN THE ARM
276
00:12:32,000 --> 00:12:33,500
FITTING THE DESCRIPTION
I JUST TOLD YOU.
277
00:12:33,540 --> 00:12:35,810
THE GUY BOOKED WHEN THE OWNER
WENT TO MAKE THE CALL.
278
00:12:35,840 --> 00:12:37,710
WE GOT A COP SITTING
ON THIS IDIOT.
279
00:12:37,740 --> 00:12:40,640
MIKE GRAF. CALL DOWN THERE,
MAKE SURE HE STAYS WITH HIM.
280
00:12:40,670 --> 00:12:42,500
IS MIKE GRAF THE COP
OR THE IDIOT?
281
00:12:42,540 --> 00:12:43,780
THE IDIOT.
282
00:12:49,440 --> 00:12:50,480
SHH!
283
00:12:54,400 --> 00:12:55,900
THIS ONE?
284
00:12:55,940 --> 00:12:57,480
YEAH, RIGHT THERE.
285
00:12:58,700 --> 00:13:01,200
WHO ELSE IS IN THERE?
A COUPLE GUYS.
286
00:13:01,240 --> 00:13:02,910
COME ON, MAN.
I DID MY PART.
287
00:13:02,940 --> 00:13:05,110
YOU KNOW WHAT I’M GONNA
DO TO YOU IF THIS
IS A HAND JOB. HERE.
288
00:13:05,140 --> 00:13:07,280
MAN, I’M INSULTED
YOU’D EVEN THINK THAT.
289
00:13:08,400 --> 00:13:10,300
SAY YOU’RE A FRIEND
OF YODA’S.
290
00:13:10,340 --> 00:13:12,040
I GOT IT HANDLED.
291
00:13:14,200 --> 00:13:15,470
Man: YEAH?
292
00:13:15,500 --> 00:13:18,430
YEAH, I’M A FRIEND
OF YODA’S, MAN.
293
00:13:18,470 --> 00:13:19,770
[ DOOR UNLOCKS ]
294
00:13:20,900 --> 00:13:22,730
WHERE’S TINO?
295
00:13:22,770 --> 00:13:24,030
BATHROOM.
296
00:13:27,870 --> 00:13:29,470
GET UP, TINO.
297
00:13:30,670 --> 00:13:31,830
WHAT’S GOING ON?
298
00:13:31,870 --> 00:13:34,030
AH, WE HEARD YOU GOT
RIPPED OFF LAST NIGHT.
299
00:13:34,070 --> 00:13:36,400
WE CAME BY TO HELP,
AND LOOK WHAT WE WALKED IN ON.
300
00:13:36,440 --> 00:13:38,110
JUST A LITTLE RECREATIONAL
DRUG USE PARTY.
301
00:13:38,140 --> 00:13:39,340
WHAT ARE YOU,
ATTEMPTING TO LIFT OFF HERE?
302
00:13:39,370 --> 00:13:40,870
THOSE? I DIDN’T TAKE
ANY OF THOSE.
303
00:13:40,900 --> 00:13:42,330
ALL RIGHT, COME ON,
304
00:13:42,370 --> 00:13:44,270
LET’S SEE IF WE CAN FIND OUT
WHO RIPPED YOU OFF LAST NIGHT.
305
00:13:44,300 --> 00:13:46,130
I’M OVER THAT.
WATER UNDER THE BRIDGE, MAN.
306
00:13:46,170 --> 00:13:47,830
OH, YOU GOT
A BIG HEART, TINO.
307
00:13:47,870 --> 00:13:49,100
WE GOTTA LOOK INTO IT.
308
00:13:49,140 --> 00:13:51,340
HEY, TWO MORE COLLARS
FOR YOU TODAY, HUH, JUNIOR?
309
00:13:51,370 --> 00:13:53,570
PUT YOURSELF IN
FOR A COMMENDATION.
310
00:13:53,600 --> 00:13:55,000
YOU’RE WELCOME.
311
00:14:05,870 --> 00:14:06,830
HEY, DOC.
312
00:14:06,870 --> 00:14:08,430
DETECTIVE.
313
00:14:08,470 --> 00:14:11,830
HEY, WHAT’S GOING ON?
WHY CAN’T I GET OUT OF HERE?
314
00:14:11,870 --> 00:14:14,530
HOW LONG HAVE YOU LIVED
IN NEW YORK, MIKE?
315
00:14:14,570 --> 00:14:15,970
SINCE I’M BORN.
316
00:14:16,000 --> 00:14:17,930
YEAH? SO HOW COULD YOU
CONFUSE PARK AVENUE,
317
00:14:17,970 --> 00:14:20,130
WHERE YOU TOLD US
YOU GOT SHOT,
318
00:14:20,170 --> 00:14:22,700
WITH 2nd AND B,
WHERE YOU DID GET SHOT?
319
00:14:22,740 --> 00:14:23,980
WHAT?
320
00:14:24,000 --> 00:14:26,100
A WITNESS AT THE SCENE
IDENTIFIED YOU.
321
00:14:26,140 --> 00:14:28,110
OKAY. WHAT DIFFERENCE
DOES IT MAKE?
322
00:14:28,140 --> 00:14:29,880
I STILL DON’T KNOW
WHO SHOT ME.
323
00:14:29,900 --> 00:14:33,370
PROBABLY THE GUY WHOSE APARTMENT
YOU RIPPED OFF, DON’T YOU THINK?
324
00:14:33,400 --> 00:14:35,500
OKAY, NOW, THAT’S OUTRAGEOUS.
I DIDN’T RIP OFF NOBODY.
325
00:14:35,540 --> 00:14:37,910
WE SAY YOU DID,
AND THAT’S ALL THAT MATTERS.
326
00:14:37,940 --> 00:14:39,940
LOOK, I WAS WALKING
DOWN THE STREET.
327
00:14:39,970 --> 00:14:41,830
TWO GUYS COME BUSTING
OUT OF A BUILDING
328
00:14:41,870 --> 00:14:43,270
AND START RUNNING UP 2nd.
329
00:14:43,300 --> 00:14:45,000
RIGHT AFTER THEM
COMES THIS OTHER DUDE,
330
00:14:45,040 --> 00:14:47,180
AND HE SQUEEZES OFF A ROUND
AT HIM.
331
00:14:47,200 --> 00:14:50,100
ONE OF THE GUYS RUNNING
FIRES BACK. THAT’S WHO HIT ME.
332
00:14:50,140 --> 00:14:53,010
IF THAT WAS THE TRUTH, YOU
WOULD HAVE TOLD US THAT EARLIER.
333
00:14:53,040 --> 00:14:54,580
I DIDN’T TELL YOU BECAU‐‐
334
00:14:54,600 --> 00:14:57,200
BECAUSE I RECOGNIZED THE GUY
WHO SHOT ME BY MISTAKE,
335
00:14:57,240 --> 00:14:59,040
AND I DON’T WANT
TO GET INVOLVED,
336
00:14:59,070 --> 00:15:00,530
WHICH I GOT A RIGHT TO DO.
337
00:15:00,570 --> 00:15:02,630
NOW, THAT’S THE TRUTH.
YOU GOTTA BELIEVE ME.
338
00:15:02,670 --> 00:15:04,530
BE COOL, ALL RIGHT?
BE COOL.
339
00:15:04,570 --> 00:15:06,730
I DON’T BELIEVE A WORD YOU SAY,
YOU LITTLE PRICK, OKAY?
340
00:15:06,770 --> 00:15:08,100
NOW, THERE’S NO MORE
NEGOTIATIONS.
341
00:15:08,140 --> 00:15:10,480
YOU TELL US WHO SHOT YOU,
OR YOU GET CHARGED
342
00:15:10,500 --> 00:15:12,670
WITH ARMED ROBBERY
AND THAT POSSESSION COLLAR
343
00:15:12,700 --> 00:15:15,270
WE LET YOU SLIDE ON EARLIER BACK
WHEN WE HAD A SENSE OF HUMOR.
344
00:15:15,300 --> 00:15:17,130
YEAH, YOU DON’T
HAVE TO GET INVOLVED.
345
00:15:17,170 --> 00:15:20,300
JUST TELL US WHO DID IT,
AND THAT’LL BE THE END OF IT.
346
00:15:20,340 --> 00:15:22,110
JULIAN PISANO.
347
00:15:22,140 --> 00:15:23,710
THAT’S WHO SHOT ME.
348
00:15:23,740 --> 00:15:24,810
WHAT ABOUT THE OTHER GUYS?
349
00:15:24,840 --> 00:15:26,040
DON’T KNOW THEM.
350
00:15:32,540 --> 00:15:34,840
WORD WE GOT ON YOU, TINO,
IS YOUR THING
351
00:15:34,870 --> 00:15:37,070
IS A LITTLE BLOW
HERE AND THERE.
352
00:15:37,100 --> 00:15:38,970
YEAH, I PARTY A LITTLE BIT.
353
00:15:39,000 --> 00:15:41,670
SO WHY’D YOU GET
SO MESSED UP TODAY?
354
00:15:41,700 --> 00:15:43,470
YOU GOT SOMETHING WEIGHING
ON YOUR MIND?
355
00:15:43,500 --> 00:15:44,500
JUST A LITTLE PARTYING.
356
00:15:44,540 --> 00:15:46,240
Connie: DO YOU KNOW
A TERESA CONSECO?
357
00:15:46,270 --> 00:15:48,670
NO.
DO YOU KNOW
A MARIA FELICIANO?
358
00:15:48,700 --> 00:15:50,670
HEARD OF HER.
359
00:15:50,700 --> 00:15:52,130
YOU HEARD
OF YOUR GIRLFRIEND?
360
00:15:52,170 --> 00:15:54,300
I THINK I NEED
TO LAY DOWN.
361
00:15:54,340 --> 00:15:56,340
TOUGH.
362
00:15:56,370 --> 00:15:59,270
WHY ARE YOU LYING
ABOUT THINGS YOU DON’T
NEED TO LIE ABOUT, TINO?
363
00:15:59,300 --> 00:16:01,000
I’M OLD‐FASHIONED,
YOU KNOW?
364
00:16:01,040 --> 00:16:03,180
KEEP THE WOMEN OUT OF IT.
365
00:16:03,200 --> 00:16:04,630
[ SIGHS ]
366
00:16:04,670 --> 00:16:06,330
WHAT’S THIS?
WHAT?
367
00:16:06,370 --> 00:16:08,000
THESE SPOTS
ON YOUR JACKET.
368
00:16:08,040 --> 00:16:09,940
I DON’T KNOW.
IT’S AN OLD JACKET.
369
00:16:09,970 --> 00:16:11,500
OH, DOESN’T LOOK OLD.
370
00:16:11,540 --> 00:16:12,510
TAKE IT OFF.
371
00:16:12,540 --> 00:16:13,940
WHY?
372
00:16:13,970 --> 00:16:15,470
ALL RIGHT, ALL RIGHT.
373
00:16:15,500 --> 00:16:18,900
THAT’S DRIED BLOOD.
374
00:16:18,940 --> 00:16:21,040
HOW’D YOU GET BLOOD
ON YOUR JACKET, TINO?
375
00:16:21,070 --> 00:16:23,030
WE’RE GONNA DO TESTS
ON THIS BLOOD, TINO.
376
00:16:23,070 --> 00:16:25,000
AND WE’RE GONNA START
BY MATCHING AGAINST TERESA
377
00:16:25,040 --> 00:16:26,740
AND HER SISTER’S BLOOD
FROM THEIR APARTMENT
378
00:16:26,770 --> 00:16:30,230
WHERE THEY GOT KILLED
LAST NIGHT. SIT DOWN!
379
00:16:30,270 --> 00:16:31,830
RICKY.
380
00:16:31,870 --> 00:16:33,430
WHO’S RICKY?
TALK TO RICKY.
381
00:16:33,470 --> 00:16:36,200
SIT YOUR ASS BACK DOWN.
382
00:16:36,240 --> 00:16:37,940
OH, MAN.
383
00:16:39,740 --> 00:16:42,640
[ GROANING ]
384
00:16:42,670 --> 00:16:44,430
ALL RIGHT, GET
E. M. S. ON THE RADIO.
THIS GUY’S IN TROUBLE.
385
00:16:44,470 --> 00:16:46,170
DON’T PUT YOUR FINGERS
IN HIS MOUTH.
386
00:16:46,200 --> 00:16:48,530
USE SOMETHING ELSE
TO CLEAR IT.
387
00:16:48,570 --> 00:16:50,030
CALL E. M. S.!
388
00:16:50,070 --> 00:16:51,530
ALL RIGHT, COME ON, TINO.
389
00:16:51,570 --> 00:16:53,970
OPEN UP, OPEN UP.
390
00:17:08,600 --> 00:17:12,230
YOU DON’T SEEM THAT SURPRISED
TO SEE US, JULIAN.
391
00:17:12,270 --> 00:17:15,370
WHAT ARE YOU GUYS,
MIND READERS NOW?
392
00:17:15,400 --> 00:17:16,470
WHAT’S UP?
393
00:17:16,500 --> 00:17:17,500
WHERE WERE YOU LAST NIGHT?
394
00:17:17,540 --> 00:17:18,680
ALL OVER.
395
00:17:18,700 --> 00:17:20,570
WHAT?
396
00:17:20,600 --> 00:17:23,630
JULIAN, YOU CAN’T GO
FIRING OFF SHOTS IN THE STREET.
397
00:17:23,670 --> 00:17:25,200
I MEAN, COME ON.
398
00:17:25,240 --> 00:17:27,180
YOU KNOW HOW MANY PEOPLE
WE GOT SAW WHAT HAPPENED?
399
00:17:27,200 --> 00:17:29,270
THE GOOD NEWS IS,
THE GUY YOU SHOT
400
00:17:29,300 --> 00:17:31,530
AFTER YOU ROBBED
TINO’S PLACE ‐‐ HE MADE IT,
401
00:17:31,570 --> 00:17:33,900
SO WE’RE NOT BOXING YOU IN
FOR A MURDER HERE.
402
00:17:33,940 --> 00:17:35,710
NO, BUT WE GOT YOU
FOR EVERYTHING ELSE,
403
00:17:35,740 --> 00:17:37,540
SO TREAT US
WITH SOME RESPECT,
404
00:17:37,570 --> 00:17:39,730
AND WE’LL TREAT YOU
WITH RESPECT RIGHT BACK.
405
00:17:39,770 --> 00:17:41,030
I GOT MONTH‐OLD TWINS.
406
00:17:41,070 --> 00:17:42,530
THAT’S OUR PROBLEM?
407
00:17:42,570 --> 00:17:45,570
THEY’RE THE REASON I AGREED
TO GO IN ON THIS SCORE.
408
00:17:45,600 --> 00:17:48,170
I GOT MOUTHS TO FEED.
WE DON’T NEED TO HEAR THIS.
409
00:17:48,200 --> 00:17:49,830
WHAT I’M SAYING IS I CAN’T
GO BACK TO THE JOINT.
410
00:17:49,870 --> 00:17:51,400
I GOT A FAMILY NOW,
411
00:17:51,440 --> 00:17:53,780
SO ‐‐ SO WHAT CAN I DO?
412
00:17:53,800 --> 00:17:54,970
YOU TELL US.
413
00:17:55,000 --> 00:17:56,570
WELL, THE ‐‐
THE OTHER GUY,
414
00:17:56,600 --> 00:17:58,100
I MEAN, IT WAS HIS PLAN.
415
00:17:58,140 --> 00:17:59,910
HE BROUGHT ME IN
AS BACKUP.
416
00:17:59,940 --> 00:18:01,640
YOU GOT HIM IN, HUH?
417
00:18:01,670 --> 00:18:02,670
WHAT’S HIS NAME?
418
00:18:02,700 --> 00:18:03,900
IT’S GONNA HELP ME?
419
00:18:03,940 --> 00:18:05,580
WHAT’S HIS NAME?
420
00:18:05,600 --> 00:18:08,270
JIMMY GIGLIO.
421
00:18:08,300 --> 00:18:10,930
OKAY, OKAY, OKAY,
WHAT DOES THAT DO
FOR ME NOW, HMM?
422
00:18:10,970 --> 00:18:13,100
IT HELPS,
BUT DOES IT WASH AWAY
423
00:18:13,140 --> 00:18:16,140
ARMED ROBBERY AND SHOOTING
SOME GUY ON THE STREET?
424
00:18:16,170 --> 00:18:19,470
WE’LL GET BACK TO YOU
AFTER WE FIND THIS JIMMY.
425
00:18:21,670 --> 00:18:23,730
GET IN THE CAGE, JULIAN.
426
00:18:23,770 --> 00:18:25,500
I KNOW WHERE
A BODY’S BURIED.
427
00:18:28,670 --> 00:18:29,700
WHOSE BODY?
428
00:18:29,740 --> 00:18:31,710
I DON’T KNOW.
LISTEN...
429
00:18:31,740 --> 00:18:34,180
THIS IS BIG,
430
00:18:34,200 --> 00:18:35,930
WHAT I’M TELLING YOU,
431
00:18:35,970 --> 00:18:38,230
SO I GOTTA KNOW ‐‐
I NEED IT WRITTEN DOWN
432
00:18:38,270 --> 00:18:40,070
THAT I GETTA WALK
IF I GIVE ALL THIS UP.
433
00:18:40,100 --> 00:18:41,630
NOTHING IS HAPPENING,
VERBAL OR WRITTEN,
434
00:18:41,670 --> 00:18:43,270
TILL YOU TELL US
WHAT YOU GOT.
435
00:18:43,300 --> 00:18:44,500
ALL RIGHT. OKAY.
436
00:18:44,540 --> 00:18:47,840
ABOUT FIVE MONTHS AGO,
A GUY I USED TO RUN WITH,
437
00:18:47,870 --> 00:18:50,600
HE CALLS ME UP
ABOUT 4:00 IN THE MORNING.
438
00:18:50,640 --> 00:18:52,940
HE TELLS ME
TO BRING MY VAN DOWN
439
00:18:52,970 --> 00:18:55,100
AND SOME COKE,
IF I GOT ANY.
440
00:18:55,140 --> 00:18:57,510
ME AND HIM ‐‐
IT WAS A ROLLED‐UP RUG,
441
00:18:57,540 --> 00:18:59,780
BUT OBVIOUSLY THERE MUST HAVE
BEEN SOMEONE IN IT.
442
00:18:59,800 --> 00:19:02,000
WE THROW IT IN THE TRUCK,
443
00:19:02,040 --> 00:19:04,340
WE GO DOWN TO BROOKLYN,
444
00:19:04,370 --> 00:19:05,870
AND WE BURY IT.
445
00:19:05,900 --> 00:19:08,100
GAVE ME $500. THAT’S IT.
446
00:19:08,140 --> 00:19:09,810
WHO’S THIS GUY YOU HELPED?
447
00:19:09,840 --> 00:19:13,780
SEE, NOW, THAT’S THE PART
THAT’S GONNA MESS ME UP, OKAY?
448
00:19:13,800 --> 00:19:15,730
’CAUSE THIS GUY’S CONNECTED.
449
00:19:15,770 --> 00:19:18,830
WHAT’S HIS NAME?
450
00:19:28,000 --> 00:19:29,100
YOU NEEDED ME?
451
00:19:29,140 --> 00:19:31,240
YEAH. WHO’S RICKY?
452
00:19:31,270 --> 00:19:32,670
I DON’T KNOW. WHO’S RICKY?
453
00:19:32,700 --> 00:19:35,830
RICKY. TINO KEPT SAYING,
"TALK TO RICKY, TALK TO RICKY,"
454
00:19:35,870 --> 00:19:37,630
BEFORE HIS EYES
ROLLED BACK IN HIS HEAD.
455
00:19:37,670 --> 00:19:39,670
THAT’S RICKY VARGAS.
THAT’S TINO’S CLUB PARTNER.
456
00:19:39,700 --> 00:19:41,700
YOU KNOW WHERE TO FIND HIM?
457
00:19:41,740 --> 00:19:43,310
YEAH, NO PROBLEM?
HE GONNA LIVE?
458
00:19:43,340 --> 00:19:45,340
HE’LL MAKE IT.
LISTEN, GO GRAB THIS GUY UP.
459
00:19:45,370 --> 00:19:46,600
COME ON.
460
00:19:46,640 --> 00:19:48,510
ANDY, YOU NEED
TO HEAR THIS.
461
00:19:48,540 --> 00:19:50,580
WE’RE WORKING THE QUADRUPLE
HERE, MEDAVOY.
462
00:19:50,600 --> 00:19:51,830
WHAT’S IT ABOUT?
463
00:19:51,870 --> 00:19:53,100
DANNY.
464
00:20:03,200 --> 00:20:04,900
TELL HIM WHAT YOU TOLD US.
465
00:20:04,940 --> 00:20:06,940
HE’S HERE
TO WORK OUT MY DEAL?
466
00:20:06,970 --> 00:20:09,270
ONCE YOU TELL HIM
WHAT HAPPENED, YEAH.
467
00:20:09,300 --> 00:20:11,470
ALL RIGHT,
LIKE I TOLD THESE TWO,
468
00:20:11,500 --> 00:20:14,230
THIS GUY I HELPED OUT
IS VERY CONNECTED,
469
00:20:14,270 --> 00:20:17,630
BIG TIME, SO,
I WANT RELOCATION FOR ME
470
00:20:17,670 --> 00:20:19,700
AND MY FAMILY
IF I COOPERATE.
471
00:20:19,740 --> 00:20:21,910
LOOK, TELL HIM, OR YOU’RE
GOING TO PISS ME OFF!
472
00:20:21,940 --> 00:20:24,280
RIGHT.
ABOUT FIVE MONTHS AGO,
473
00:20:24,300 --> 00:20:27,730
A GUY NAMED MAX LEGAZI
HIRED ME TO BURY A RUG,
474
00:20:27,770 --> 00:20:29,100
IF YOU KNOW WHAT I MEAN.
475
00:20:29,140 --> 00:20:31,080
AND WHERE’D YOU PICK MAX
AND THIS RUG UP AT?
476
00:20:31,100 --> 00:20:34,370
TAILFEATHERS.
IT’S A STRIP CLUB.
477
00:21:06,300 --> 00:21:08,100
TAKE A WALK.
478
00:21:12,000 --> 00:21:13,500
WHERE ARE THEY GOING?
479
00:21:15,040 --> 00:21:17,610
YOU GET A LOOK
AT THE BODY IN THE RUG?
480
00:21:17,640 --> 00:21:19,380
Julian: NO.
481
00:21:19,400 --> 00:21:22,000
THIS, UH, LEGAZI
DIDN’T TELL YOU ANYTHING
482
00:21:22,040 --> 00:21:23,540
WHO IT MIGHT BE?
483
00:21:23,570 --> 00:21:25,830
NO, WHEN WE WERE ON OUR WAY
TO BURY IT,
484
00:21:25,870 --> 00:21:27,800
HE WAS SNORTING UP A STORM.
485
00:21:27,840 --> 00:21:29,980
HE WAS SCREAMING, CURSING.
HE’S KICKING THE DASHBOARD. NO.
486
00:21:30,000 --> 00:21:31,630
AND WHERE’D YOU BURY
THE RUG?
487
00:21:31,670 --> 00:21:32,970
YEAH, NICE TRY.
488
00:21:33,000 --> 00:21:35,230
I’M NOT GIVING THAT UP
UNTIL I GET A DEAL.
489
00:21:42,800 --> 00:21:44,830
WHERE’D YOU BURY THE RUG?
490
00:21:44,870 --> 00:21:47,300
YOU KNOW WHAT?
I’M DONE TALKING, OKAY?
491
00:21:47,340 --> 00:21:50,510
BECAUSE I GAVE YOU A SAMPLE,
OBVIOUSLY YOU LIKE THE TASTE,
492
00:21:50,540 --> 00:21:53,580
AND NOW IT’S TIME
FOR MY DEAL, OKAY?
493
00:21:53,600 --> 00:21:55,030
END OF CONVERSATION.
494
00:21:55,070 --> 00:21:57,330
WRONG, AND THE NEXT THING
OUT OF YOUR MOUTH
495
00:21:57,370 --> 00:21:59,470
BETTER BE
WHERE YOU BURIED THAT RUG.
496
00:21:59,500 --> 00:22:01,370
ARE YOU WITH
THE D. A.’s OFFICE?
497
00:22:01,400 --> 00:22:02,570
I MEAN, WHO ARE YOU?
498
00:22:02,600 --> 00:22:05,230
YOU GET SOMEONE IN HERE
WHO CAN WORK ME OUT A DEAL.
499
00:22:09,200 --> 00:22:11,870
YOUR DEAL IS THAT I DON’T
BUST YOUR SKULL OPEN.
500
00:22:11,900 --> 00:22:13,770
NOW, WHERE DID YOU BURY
THE RUG?
501
00:22:13,800 --> 00:22:16,670
GET YOUR HANDS OFF ME,
OR I’LL GET AMNESIA QUICK.
502
00:22:16,700 --> 00:22:18,970
OHH!
503
00:22:20,400 --> 00:22:21,930
THAT BODY YOU BURIED,
504
00:22:21,970 --> 00:22:23,930
THERE’S A GOOD CHANCE
THAT WAS MY PARTNER.
505
00:22:23,970 --> 00:22:26,270
NOW, I’LL LEAVE YOU DEAD
ON THIS FLOOR
506
00:22:26,300 --> 00:22:28,170
IF YOU DON’T TELL ME
WHERE YOU BURIED HIM!
507
00:22:28,200 --> 00:22:29,730
OKAY, OKAY,
I’LL TELL YOU!
508
00:22:29,770 --> 00:22:31,270
WHERE?! WHERE?!
509
00:22:31,300 --> 00:22:33,530
IT’S A VACANT LOT DOWN
ON THE BROOKLYN WATERFRONT.
510
00:22:33,570 --> 00:22:34,930
OHH.
511
00:22:48,340 --> 00:22:51,040
JOHN, NOTIFY THE M. E.’s OFFICE.
I WANT THEM DOWN THERE.
512
00:22:51,070 --> 00:22:53,470
I GOT TO TAKE CARE
OF THIS FIRST.
GO. I GOT IT.
513
00:22:53,500 --> 00:22:55,830
I’LL HAVE MY RADIO.
ALL RIGHT, LISTEN UP.
514
00:22:55,870 --> 00:22:57,230
U.C.I.’s BRINGING THE VIDEO.
E. S. U.’s BRINGING
THE EQUIPMENT.
515
00:22:57,270 --> 00:23:00,200
ALL RIGHT,
EVERYBODY SHUT UP.
516
00:23:01,800 --> 00:23:05,270
ALL RIGHT, ANDY AND I ARE
GOING TO GO DOWN TO BROOKLYN.
517
00:23:05,300 --> 00:23:08,070
YOU KNOW WHERE TO FIND
THIS RICKY?
YEAH, I GOT SOME PLACES ‐‐
518
00:23:08,100 --> 00:23:09,900
FINE. YOU AND CONNIE
GO GRAB HIM UP.
519
00:23:09,940 --> 00:23:11,410
GREG AND BALDWIN,
WHY DON’T YOU GO LOOK
520
00:23:11,440 --> 00:23:13,580
FOR THIS OTHER GUY JULIAN DID
THE ROBBERY WITH LAST NIGHT?
521
00:23:13,600 --> 00:23:16,470
THAT TURNS INTO A DEAD END,
GET IN CONTACT WITH CONNIE.
522
00:23:16,500 --> 00:23:19,200
EVERYBODY MONITOR THEIR RADIOS
AND KEEP ME POSTED.
523
00:23:19,240 --> 00:23:21,540
THAT’S IT. LET’S GO.
524
00:23:23,670 --> 00:23:25,000
HI. I’M SORRY TO KEEP...
525
00:23:33,770 --> 00:23:36,070
RICKY! WHAT’S UP?
526
00:23:36,100 --> 00:23:37,400
NOTHING.
WHAT’S UP WITH YOU?
527
00:23:37,440 --> 00:23:39,010
YOU DOING SOME LAUNDRY?
528
00:23:39,040 --> 00:23:40,440
YEAH, GOTTA DO IT.
529
00:23:40,470 --> 00:23:42,030
RICKY, WE NEED YOUR HELP
WITH AN I. D.
530
00:23:42,070 --> 00:23:44,530
WE HEARD THIS GUY MIGHT HAVE
WORKED AT ONE OF YOUR CLUBS.
531
00:23:47,070 --> 00:23:48,870
MOVE! OUT OF THE WAY!
532
00:24:03,800 --> 00:24:05,100
FREEZE!
533
00:24:31,170 --> 00:24:32,300
GET DOWN OFF THE FENCE!
534
00:24:40,740 --> 00:24:41,980
THIS IS A WHOLE LOT OF TROUBLE
535
00:24:42,000 --> 00:24:43,800
OVER US WANTING TO ASK YOU
A COUPLE QUESTIONS.
536
00:24:43,840 --> 00:24:44,780
I WANT A LAWYER.
537
00:24:44,800 --> 00:24:46,230
OH, YEAH?
538
00:24:51,000 --> 00:24:52,900
WHAT WERE YOU RUNNING FOR,
RICKY?
539
00:24:52,940 --> 00:24:54,880
MAN, DIDN’T YOU HEAR ME?
I WANT A LAWYER.
540
00:24:54,900 --> 00:24:56,100
YEAH, YOU’LL GET
YOUR DAMN LAWYER.
541
00:24:56,140 --> 00:24:57,340
YEAH, WE’RE GOING TO GO SEE
542
00:24:57,370 --> 00:24:59,130
WHAT YOUR PARTNER TINO
HAS TO SAY.
543
00:24:59,170 --> 00:25:00,870
ANOTHER UNIT
JUST GRABBED HIM UP,
544
00:25:00,900 --> 00:25:02,730
FOUND HIM SMOKING ROCK
IN SOME APARTMENT.
545
00:25:02,770 --> 00:25:03,930
WORD IS HE’S NERVOUS
AND TALKATIVE.
546
00:25:03,970 --> 00:25:05,430
YOU’RE BETTING YOUR LIFE
547
00:25:05,470 --> 00:25:06,930
THAT TINO’S GONNA
KEEP HIS MOUTH SHUT.
548
00:25:06,970 --> 00:25:08,730
SAY WHAT YOU WANT,
BUT I AIN’T SAYING DICK,
549
00:25:08,770 --> 00:25:09,830
AND I WANT A LAWYER.
550
00:25:09,870 --> 00:25:10,930
KEEP IN MIND,
RICKY,
551
00:25:10,970 --> 00:25:12,200
THAT YOUR HALF‐ASSED
LEGAL AID ATTORNEY
552
00:25:12,240 --> 00:25:13,740
AIN’T GONNA BE DOING
YOUR TIME FOR YOU.
553
00:25:13,770 --> 00:25:14,930
NEITHER WILL YOU.
554
00:25:14,970 --> 00:25:16,470
HELL WITH HIM.
555
00:25:23,740 --> 00:25:25,410
OH, YOU GUYS
STILL INK PEOPLE?
556
00:25:25,440 --> 00:25:27,680
THOUGHT THEY HAD THAT
ALL ON COMPUTERS NOW.
557
00:25:27,700 --> 00:25:29,100
SIT DOWN.
558
00:25:31,440 --> 00:25:32,340
AHH...
559
00:25:32,370 --> 00:25:33,930
WHERE WERE YOU LAST NIGHT,
JIMMY?
560
00:25:33,970 --> 00:25:35,630
YOU DON’T EVEN WANT TO KNOW.
561
00:25:35,670 --> 00:25:36,830
ANSWER THE QUESTION.
562
00:25:36,870 --> 00:25:38,770
I GOT A HOLD
OF SOME BAD CLAMS.
563
00:25:38,800 --> 00:25:40,000
EVER HAD BAD CLAMS?
564
00:25:40,040 --> 00:25:41,580
I WAS LIKE A VOLCANO
LAST NIGHT.
565
00:25:41,600 --> 00:25:44,030
YOU KNOW THEY COULD HAVE
SACRIFICED A VIRGIN ON MY ASS?
566
00:25:44,070 --> 00:25:45,970
WE GOT PEOPLE SAW YOU
ON 2nd AND AVENUE B.
567
00:25:46,000 --> 00:25:47,400
I WISH. I TELL YOU,
568
00:25:47,440 --> 00:25:50,710
I DIDN’T STRAY 3 FEET
FROM THE JOHN ALL NIGHT.
569
00:25:50,740 --> 00:25:52,980
SO, WHAT ELSE?
570
00:25:53,000 --> 00:25:55,630
YOU KNOW, WE DEAL
WITH KNUCKLEHEADS LIKE YOU
571
00:25:55,670 --> 00:25:57,230
EVERY DAY.
572
00:25:57,270 --> 00:25:59,170
KNUCKLEHEADS PULLING OFF
KNUCKLEHEADED ROBBERIES
573
00:25:59,200 --> 00:26:00,770
AGAINST OTHER KNUCKLEHEADS.
574
00:26:00,800 --> 00:26:03,500
WE GET PAID TO DO IT, AND MOST
DAYS IT’S NOT A PROBLEM.
575
00:26:03,540 --> 00:26:07,280
TODAY, IT’S A PROBLEM,
576
00:26:07,300 --> 00:26:09,770
AND WE HAVE NO PATIENCE
RIGHT NOW,
577
00:26:09,800 --> 00:26:12,730
’CAUSE YOU’RE TAKING TIME
AWAY FROM OTHER THINGS,
578
00:26:12,770 --> 00:26:14,370
OTHER PEOPLE.
579
00:26:14,400 --> 00:26:17,030
SO THIS IS WHAT’S
GONNA HAPPEN, JIMMY.
580
00:26:17,070 --> 00:26:19,470
FIRST YOU BETTER LOSE
THAT SMIRK.
581
00:26:19,500 --> 00:26:21,230
Lose the smirk.
582
00:26:21,270 --> 00:26:23,470
SECOND, YOU’RE EITHER GOING TO
TELL US ABOUT ROBBING TINO,
583
00:26:23,500 --> 00:26:26,070
OR DON’T, IN WHICH CASE
WE TOSS YOU IN THE SYSTEM
584
00:26:26,100 --> 00:26:28,270
AND GO WITH JULIAN’S VERSION
HOW IT WAS YOU
585
00:26:28,300 --> 00:26:30,600
WHO OPENED UP ON THE STREET
AND SHOT THAT PEDESTRIAN,
586
00:26:30,640 --> 00:26:33,410
WHO’S CURRENTLY CLINGING TO LIFE
AT BELLEVUE, BY THE WAY.
587
00:26:33,440 --> 00:26:34,510
Greg: THAT’S RIGHT.
588
00:26:34,540 --> 00:26:36,880
JULIAN FLIPPED ON YOU.
589
00:26:36,900 --> 00:26:39,100
THIRD THING...
IT’S GONNA HAPPEN NOW,
590
00:26:39,140 --> 00:26:40,980
AND THERE’S A LOT RIDING
FOR BOTH OF US
591
00:26:41,000 --> 00:26:42,370
ON YOUR DECISION, JIMMY,
592
00:26:42,400 --> 00:26:44,500
’CAUSE IF YOU WASTE
ONE MORE SECOND OF MY TIME,
593
00:26:44,540 --> 00:26:45,880
I’M GONNA BE OUT OF A JOB,
594
00:26:45,900 --> 00:26:47,530
AND YOU’RE GONNA BE OUT
ABOUT EIGHT TEETH,
595
00:26:47,570 --> 00:26:49,270
SO THINK IT OVER
596
00:26:49,300 --> 00:26:50,630
VERY CAREFULLY
597
00:26:50,670 --> 00:26:52,030
BEFORE YOU SPEAK.
598
00:26:58,200 --> 00:26:59,300
GO AHEAD.
599
00:27:01,600 --> 00:27:04,030
LOOK, I DIDN’T SHOOT NOBODY,
ALL RIGHT?
600
00:27:04,070 --> 00:27:06,170
IT WAS JULIAN
THAT SHOT THAT GUY.
601
00:27:06,200 --> 00:27:08,170
HOW DO YOU KNOW TINO?
I DON’T.
602
00:27:08,200 --> 00:27:10,030
THEN HOW DID YOU KNOW
THERE WAS 50 GRAND
603
00:27:10,070 --> 00:27:12,270
STASHED IN HIS APARTMENT?
604
00:27:12,300 --> 00:27:14,830
LOOK, HIS GIRLFRIEND MARIA,
ALL RIGHT?
605
00:27:14,870 --> 00:27:17,070
MET HER IN A CLUB.
BEEN BANGING HER.
606
00:27:17,100 --> 00:27:18,730
TO KEEP ME INTERESTED,
607
00:27:18,770 --> 00:27:20,430
SHE GETS TO HOW
HER LIMP‐DICK BOYFRIEND
608
00:27:20,470 --> 00:27:22,830
ALWAYS HAS A COUPLE OF GRAND
STASHED IN THE BEDROOM.
609
00:27:22,870 --> 00:27:24,400
WE WORK IT OUT.
I SHOW UP AT 10:00,
610
00:27:24,440 --> 00:27:26,540
MARIA’S GONNA ANSWER THE DOOR,
AND WE PUSH IN.
611
00:27:26,570 --> 00:27:28,630
BUT SHE SAYS NOT TO WORRY
’CAUSE TINO’S SOFT.
612
00:27:28,670 --> 00:27:31,130
HE’LL GIVE IT UP NO PROBLEM.
BUT ON THE WAY OUT,
613
00:27:31,170 --> 00:27:33,800
THAT CRAZY PRICK
COMES CHASING AFTER US,
614
00:27:33,840 --> 00:27:35,740
OUT ON THE STREET,
FIRING HIS GUN.
615
00:27:35,770 --> 00:27:38,730
BUT LISTEN, IT WAS JULIAN
THAT FIRED BACK, ALL RIGHT?
616
00:27:38,770 --> 00:27:40,170
NOT ME.
617
00:27:40,200 --> 00:27:43,200
NOW HE CAN KISS MY ASS,
ROLL‐OVER RAT PRICK.
618
00:27:43,240 --> 00:27:45,510
MARIA SAID TINO KEPT A COUPLE
GRAND AROUND, BUT THERE WAS 50?
619
00:27:45,540 --> 00:27:47,880
YEAH, I GUESS MAYBE THAT’S
WHAT HAD HIM RUNNING OUT
620
00:27:47,900 --> 00:27:49,770
IN THE STREET, THROWING SHOTS
IN HIS UNDERWEAR.
621
00:27:49,800 --> 00:27:51,300
WHERE’S THE MONEY NOW?
622
00:27:51,340 --> 00:27:52,880
’CAUSE WE COULD VOUCHER IT
IN YOUR NAME,
623
00:27:52,900 --> 00:27:53,870
AND YOU NEVER KNOW.
624
00:27:53,900 --> 00:27:54,970
YOU MIGHT GET IT BACK.
625
00:27:59,000 --> 00:28:00,400
IT’S IN MY APARTMENT.
626
00:28:02,800 --> 00:28:04,830
WRITE THE ADDRESS.
627
00:28:15,370 --> 00:28:17,430
SO, WHAT’S YOUR HISTORY
WITH THIS LEGAZI?
628
00:28:17,470 --> 00:28:19,630
WHEN IT STARTED OUT,
I THOUGHT WE WERE FRIENDS,
629
00:28:19,670 --> 00:28:22,200
BUT HE MOSTLY WANTED ME
TO SCORE DRUGS FOR HIM.
630
00:28:22,240 --> 00:28:24,680
HE’S MADE, SO IT’S LIKE
BENEATH HIM OR SOMETHING
631
00:28:24,700 --> 00:28:25,870
TO GET HIS HANDS DIRTY.
632
00:28:25,900 --> 00:28:27,000
YOU STILL TALK TO HIM?
633
00:28:27,040 --> 00:28:29,010
WELL, NO,
NOT LIKE BEFORE.
634
00:28:29,040 --> 00:28:31,510
I BUMP INTO HIM
ONCE IN A WHILE.
635
00:28:31,540 --> 00:28:34,140
LISTEN, UM,
WE’RE GOING TO NEED YOU
636
00:28:34,170 --> 00:28:36,530
TO RE‐ESTABLISH CONTACT
WITH HIM.
637
00:28:36,570 --> 00:28:37,970
HEY, WHAT DO YOU MEAN?
638
00:28:38,000 --> 00:28:39,430
WELL, TO WEAR A WIRE
639
00:28:39,470 --> 00:28:41,570
AND GET HIM TO TALK
ABOUT THAT NIGHT.
640
00:28:41,600 --> 00:28:43,870
NO. NO. THAT’S NOT
PART OF THE DEAL.
641
00:28:43,900 --> 00:28:45,870
I SAID I’D TESTIFY,
THAT’S ALL.
642
00:28:45,900 --> 00:28:47,400
THERE’S NO DEAL YET,
JULIAN.
643
00:28:47,440 --> 00:28:49,180
ALL WE GOT
IS MAYBE A DEAD BODY,
644
00:28:49,200 --> 00:28:51,200
AND YOU’RE THE ONLY ONE
WHO KNOWS IT WAS HERE.
645
00:28:51,240 --> 00:28:52,710
SO YOU’RE GOING TO WEAR
THAT WIRE
646
00:28:52,740 --> 00:28:55,240
TO PROVE YOU DIDN’T
DO THIS MURDER ON YOUR OWN.
647
00:28:55,270 --> 00:28:57,670
I SHOULD’VE NEVER DONE THIS.
I DON’T TRUST YOU GUYS AT ALL.
648
00:28:57,700 --> 00:28:59,070
YOU CAN TRUST US.
NOW SHUT UP.
649
00:28:59,100 --> 00:29:00,970
HOW AM I SUPPOSED TO
GET HIM TO TALK?
650
00:29:01,000 --> 00:29:02,730
WHAT, I TAKE HIM OUT
FOR ICE CREAM?
651
00:29:02,770 --> 00:29:05,230
YOU’RE GOING TO CALL AND YOU’RE
GOING TO TELL THIS ASSHOLE
652
00:29:05,270 --> 00:29:07,030
THAT YOU CAME INTO SOME COKE.
653
00:29:07,070 --> 00:29:08,630
WE WILL COACH YOU
ON THE REST.
654
00:29:08,670 --> 00:29:09,870
WHAT IF HE QUIT USING?
655
00:29:09,900 --> 00:29:12,400
DO WE NEED HIM
AROUND HERE ANYMORE?
656
00:29:13,840 --> 00:29:15,380
PUT HIM IN THE CAR.
657
00:29:15,400 --> 00:29:17,370
I SHOULD HAVE
NEVER DONE THIS.
658
00:29:17,400 --> 00:29:20,870
I SHOULD HAVE
NEVER DONE THIS!
659
00:29:20,900 --> 00:29:21,930
WE GOT SOMETHING.
660
00:30:38,620 --> 00:30:40,620
RIGHT. I’LL GET BACK
TO HELP WITH THE PAPERWORK
661
00:30:40,660 --> 00:30:42,100
AS SOON AS I CAN.
662
00:30:42,120 --> 00:30:44,390
DO WHAT YOU GOT TO DO.
I GOT THIS.
THANKS, PARTNER.
663
00:30:44,420 --> 00:30:46,150
LAST CHANCE
TO HELP YOURSELF OUT, RICKY.
664
00:30:46,190 --> 00:30:48,120
YEAH, LIKE TALKING TO YOU
IS GONNA DO ME WONDERS.
665
00:30:48,160 --> 00:30:51,300
STICK HIM IN A CELL.
LET’S GO TALK TO TINO.
666
00:30:58,260 --> 00:30:59,230
ANY WORD?
667
00:31:03,960 --> 00:31:06,800
THEY, UH,
FOUND DANNY’S BODY.
668
00:31:06,820 --> 00:31:10,190
OKAY.
669
00:31:10,220 --> 00:31:12,350
WELL, UH,
670
00:31:12,390 --> 00:31:14,950
WE GOT RICKY,
BUT HE LAWYERED UP,
671
00:31:14,990 --> 00:31:17,890
SO NOW I GOT TO FIGURE OUT
WHAT THE NEXT MOVE IS.
672
00:31:17,920 --> 00:31:19,990
UH, IS TINO
OUT OF I. C. U. YET?
673
00:31:20,020 --> 00:31:21,050
NO.
674
00:31:21,090 --> 00:31:22,790
THE GUY BEHIND THE ROBBERY
675
00:31:22,820 --> 00:31:24,750
AT TINO’S PLACE LAST NIGHT ‐‐
676
00:31:24,790 --> 00:31:26,290
NAME’S JIMMY GIGLIO.
677
00:31:26,320 --> 00:31:29,620
HE WAS BANGING
TINO’S GIRLFRIEND MARIA.
678
00:31:29,660 --> 00:31:31,200
SHE SET IT UP.
679
00:31:31,220 --> 00:31:33,120
OKAY. I’LL, UH,
I’LL GO BACK AT HER.
680
00:31:33,160 --> 00:31:35,300
YEAH, I MEAN, I’M SURE
681
00:31:35,320 --> 00:31:37,920
SHE’S STILL AT HER PARENTS’,
SO THAT’S WHAT I’LL DO.
682
00:31:37,960 --> 00:31:39,130
I’LL ‐‐
I’LL GO TALK TO HER.
683
00:31:43,960 --> 00:31:45,160
KEEP HIM COMPANY.
684
00:31:45,190 --> 00:31:47,150
YOU GET IN TOUCH
WITH AGENT BOYD YET?
685
00:31:47,190 --> 00:31:48,790
HE SHOULD BE HERE
ANY MINUTE.
686
00:31:48,820 --> 00:31:50,150
HE’S GONNA COME HERE,
687
00:31:50,190 --> 00:31:52,290
HE’S GONNA LOCK US DOWN
WITH A BUNCH OF B. S.
688
00:31:52,320 --> 00:31:54,550
ABOUT INDICTMENTS
AND PROTOCOL AND TESTAMENTS.
689
00:31:54,590 --> 00:31:56,420
SO WHAT DO YOU WANT
TO DO, ANDY ‐‐
690
00:31:56,460 --> 00:31:59,500
GO ROGUE AND DO IT OURSELVES
BEFORE ANYBODY NOTICES, HUH?
691
00:31:59,520 --> 00:32:01,650
I GOT 15 OTHER PEOPLE
TO UPDATE.
DETECTIVE?
692
00:32:01,690 --> 00:32:03,790
WHAT?
THEO’S SITTER CALLED.
693
00:32:03,820 --> 00:32:05,850
[ SIGHS ]
694
00:32:05,890 --> 00:32:08,190
WHAT’S GOING ON WITH RICKY?
695
00:32:08,220 --> 00:32:09,820
HE LAWYERED UP,
696
00:32:09,860 --> 00:32:14,130
BUT WE GOT SOME INFO
TO GO BACK AT THAT GIRL MARIA.
YOU’RE ON TOP OF IT?
697
00:32:14,160 --> 00:32:16,430
YEAH. WE GOT IT.
ALL RIGHT, YOU AND GREG GO.
698
00:32:16,460 --> 00:32:18,500
KATIE, IT’S ME.
THEO’S AT HIS SITTER’S.
699
00:32:18,520 --> 00:32:20,220
I NEED YOU TO GO GET HIM
700
00:32:20,260 --> 00:32:23,100
AND HAVE HIM STAY AT YOUR PLACE
FOR A COUPLE DAYS.
701
00:32:23,120 --> 00:32:25,450
KATIE, LOOK,
YOU GOT TO DO THIS FOR ME.
702
00:32:25,490 --> 00:32:28,050
SOMETHING CAME UP WITH ‐‐
WITH DANNY,
703
00:32:28,090 --> 00:32:30,520
AND, UH,
I CAN’T DO IT RIGHT NOW.
704
00:32:30,560 --> 00:32:33,200
PLEASE.
705
00:32:39,720 --> 00:32:41,420
COME ON.
706
00:32:50,190 --> 00:32:51,950
WE FOUND THE BODY
OF OUR GUY.
707
00:32:51,990 --> 00:32:52,950
DETECTIVE SORENSON?
708
00:32:52,990 --> 00:32:54,050
YEAH.
WHERE?
709
00:32:54,090 --> 00:32:55,790
BROOKLYN.
AND WE GOT THE GUY
710
00:32:55,820 --> 00:32:57,750
WHO DROVE THE MAN
AND HELPED BURY THE BODY.
711
00:32:57,790 --> 00:32:59,650
HE GOT THE CALL
FROM A MAX LEGAZI
712
00:32:59,690 --> 00:33:00,790
AT TAILFEATHERS.
713
00:33:00,820 --> 00:33:02,050
LEGAZI’S OUR GUY.
714
00:33:02,090 --> 00:33:04,120
YOU KNOW MAX IS THE SON
OF A COP THOUGH, RIGHT?
715
00:33:04,160 --> 00:33:06,930
I DON’T CARE WHO HE IS. WE
HAVE A SHOT WITH HIS ACCOMPLICE
716
00:33:06,960 --> 00:33:09,430
TO MAKE CONTACT TO SEE IF WE
CAN GET LEGAZI TO TALK.
717
00:33:09,460 --> 00:33:11,230
SO YOUR GUY’S READY
TO COOPERATE FULLY?
718
00:33:11,260 --> 00:33:14,330
TODAY HE IS.
TOMORROW, WHO KNOWS?
719
00:33:14,360 --> 00:33:15,430
WHAT ARE YOU ASKING ME HERE?
720
00:33:15,460 --> 00:33:17,000
WE’RE GONNA HAVE OUR GUY
WEAR A WIRE
721
00:33:17,020 --> 00:33:19,020
AGAINST LEGAZI TOMORROW
AT TAILFEATHERS.
722
00:33:19,060 --> 00:33:20,360
WE NEED YOU TO OKAY IT.
723
00:33:20,390 --> 00:33:21,690
WHOA, THAT’S BIG.
724
00:33:24,320 --> 00:33:26,520
YOU WRITE IT UP, AND I’LL
RUN IT FOR MY SUPERIORS.
725
00:33:26,560 --> 00:33:28,500
DID I TELL YOU?
726
00:33:28,520 --> 00:33:30,920
I’M CONFIDENT YOU’RE CAPABLE
OF SIGNING OFF ON THIS
727
00:33:30,960 --> 00:33:33,200
AND REPORTING TO YOUR SUPERIORS
THAT YOU DID SO
728
00:33:33,220 --> 00:33:35,350
BECAUSE TIME WAS
OF THE ESSENCE, WHICH IT IS.
729
00:33:35,390 --> 00:33:37,190
THE INDICTMENTS
YOU WERE WAITING ON
730
00:33:37,220 --> 00:33:39,350
WHEN SORENSON AND YOUR AGENT
WENT MISSING,
731
00:33:39,390 --> 00:33:41,990
THE INDICTMENTS FOR YOUR
SUPERIORS THAT HANDCUFFED US,
732
00:33:42,020 --> 00:33:43,790
WHAT DID YOU END UP
GETTING OUT OF THOSE?
733
00:33:43,820 --> 00:33:44,990
NOT A HELL OF A LOT.
734
00:33:45,020 --> 00:33:48,020
LEGAZI IS THE GUY
WHO KILLED SORENSON
735
00:33:48,060 --> 00:33:49,860
AND MOST LIKELY
KILLED YOUR AGENT
736
00:33:49,890 --> 00:33:51,790
THAT YOU HAD UNDERCOVER
AT THAT CLUB.
737
00:33:51,820 --> 00:33:53,390
THAT AGENT WAS YOUR FRIEND,
RIGHT?
738
00:33:56,120 --> 00:33:57,950
ALL RIGHT.
739
00:33:57,990 --> 00:34:00,420
PERSONNEL, SURVEILLANCE.
740
00:34:00,460 --> 00:34:02,700
LET ME KNOW WHAT YOU NEED.
741
00:34:07,190 --> 00:34:09,820
IT SMELLS LIKE PUKE
IN HERE.
742
00:34:09,860 --> 00:34:11,830
RECOGNIZE IT?
743
00:34:11,860 --> 00:34:13,700
WHAT, THE PUKE?
YEAH. IT’S TINO’S.
744
00:34:13,720 --> 00:34:14,990
BAD CASE OF THE NERVES
745
00:34:15,020 --> 00:34:17,220
OFF WHAT HAPPENED
LAST NIGHT, I GUESS,
746
00:34:17,260 --> 00:34:20,460
PLUS FINDING OUT HIS GIRLFRIEND
SET HIM UP FOR A ROBBERY
747
00:34:20,490 --> 00:34:23,320
WITH THE GUY SHE WAS BANGING
BEHIND HIS BACK.
748
00:34:23,360 --> 00:34:25,930
THAT’S ENOUGH TO MAKE ANY GUY
TOSS THEM UP.
749
00:34:25,960 --> 00:34:27,330
WHERE’S TINO AT NOW?
750
00:34:27,360 --> 00:34:29,700
DOWNSTAIRS
TALKING TO DETECTIVES.
751
00:34:29,720 --> 00:34:31,020
SO IS RICKY.
752
00:34:31,060 --> 00:34:33,100
AND YOU SHOULD KNOW,
MARIA,
753
00:34:33,120 --> 00:34:35,120
THEY’RE BOTH PISSED OFF
AT YOU,
754
00:34:35,160 --> 00:34:37,900
SAYING THINGS ABOUT YOUR
INVOLVEMENT LAST NIGHT,
755
00:34:37,920 --> 00:34:39,950
AND I’M TRYING
TO FIGURE OUT IF IT’S TRUE
756
00:34:39,990 --> 00:34:42,390
OR IF THEY’RE JUST MAKING
THINGS UP TO GET BACK AT YOU.
757
00:34:42,420 --> 00:34:44,820
WHAT ARE THEY SAYING?
WHAT’S RICKY SAYING?
758
00:34:44,860 --> 00:34:46,860
BECAUSE IF ANYBODY
SHOULDN’T BE TALKING
759
00:34:46,890 --> 00:34:48,790
ABOUT WHAT THEY DID
LAST NIGHT, IT’S RICKY.
760
00:34:48,820 --> 00:34:50,290
I SEE IT
ALL THE TIME, MARIA.
761
00:34:50,320 --> 00:34:52,290
THE ONE PERSON
WHO KEEPS THEIR MOUTH SHUT,
762
00:34:52,320 --> 00:34:54,190
THINKING THE OTHERS
ARE DOING THE SAME,
763
00:34:54,220 --> 00:34:55,850
THEY’RE THE ONE
WHO GETS SCREWED.
764
00:34:55,890 --> 00:34:57,120
WHAT’S RICKY SAYING?
765
00:34:57,160 --> 00:34:58,830
I WANT YOUR VERSION
OF WHAT HAPPENED,
766
00:34:58,860 --> 00:35:00,100
BUT I NEED IT NOW
767
00:35:00,120 --> 00:35:01,820
BEFORE RICKY AND TINO
GET THERE FIRST.
768
00:35:01,860 --> 00:35:03,530
LOOK, I DIDN’T WANT
TO GO OVER THERE,
769
00:35:03,560 --> 00:35:04,700
AND IT WAS NOT MY IDEA.
770
00:35:04,720 --> 00:35:05,890
OVER TO TERESA’S.
771
00:35:05,920 --> 00:35:07,920
YEAH. THEY WERE ALL
UP IN MY FACE,
772
00:35:07,960 --> 00:35:09,900
SCREAMING, "DID YOU
OPEN YOUR MOUTH TO TERESA?"
773
00:35:09,920 --> 00:35:11,450
AND I’M LIKE,
"I DON’T KNOW. MAYBE."
774
00:35:11,490 --> 00:35:13,690
I SAID IT JUST SO I COULD
BREATHE FOR A SECOND.
775
00:35:13,720 --> 00:35:15,150
OPEN YOUR MOUTH ABOUT WHAT?
776
00:35:15,190 --> 00:35:17,350
ABOUT TINO KEEPING MONEY
IN HIS CLOSET.
777
00:35:17,390 --> 00:35:18,920
HE USUALLY KEPT
ONLY A COUPLE GRAND,
778
00:35:18,960 --> 00:35:21,760
BUT THERE WAS 50 LAST NIGHT.
779
00:35:21,790 --> 00:35:23,350
AND HALF OF THAT
WAS RICKY’S MONEY
780
00:35:23,390 --> 00:35:25,750
THAT TINO WAS SUPPOSED TO
GIVE HIM LATER.
781
00:35:25,790 --> 00:35:27,020
BUT WHEN I FOUND OUT
782
00:35:27,060 --> 00:35:29,060
THAT RICKY’S MONEY
WAS STOLEN, TOO,
783
00:35:29,090 --> 00:35:31,520
I KNEW
I’D REALLY SCREWED UP,
784
00:35:31,560 --> 00:35:35,230
’CAUSE RICKY’S...
785
00:35:35,260 --> 00:35:36,960
HE’S CRAZY.
786
00:35:36,990 --> 00:35:40,150
SO YOU TOLD THEM YOU MAY HAVE
MENTIONED IT TO TERESA?
787
00:35:40,190 --> 00:35:42,720
JUST TO GET THEM
OUT OF MY FACE.
788
00:35:42,760 --> 00:35:43,960
AND YOU CALLED HER
ON YOUR CELL PHONE
789
00:35:43,990 --> 00:35:46,350
TO MAKE SURE SHE WAS HOME.
THEY MADE ME CALL HER.
790
00:35:46,390 --> 00:35:47,320
SO YOU WENT OVER THERE.
791
00:35:50,360 --> 00:35:52,930
I DID NOT WANT THIS
TO HAPPEN.
792
00:35:52,960 --> 00:35:55,230
I SWEAR TO GOD.
793
00:35:55,260 --> 00:35:57,530
BUT TERESA GETS ALL
UP IN RICKY’S FACE,
794
00:35:57,560 --> 00:35:59,200
SCREAMING AT HIM
TO GET OUT
795
00:35:59,220 --> 00:36:00,350
AND SWEARING AT HIM,
796
00:36:00,390 --> 00:36:02,420
AND I’M TELLING HER
TO CALM DOWN.
797
00:36:02,460 --> 00:36:07,860
AND THEN RICKY JUST...
798
00:36:07,890 --> 00:36:10,290
HE KILL ALL FOUR GIRLS?
799
00:36:14,390 --> 00:36:15,890
TERESA, IRMA, LORENA,
800
00:36:15,920 --> 00:36:17,920
AND THEN HE PUTS THE GUN
TO TINO’S HEAD
801
00:36:17,960 --> 00:36:20,900
AND TELLS HIM
THAT HE GOTTA SHOOT DINA
802
00:36:20,920 --> 00:36:23,350
SO THAT TINO BE
IN ON IT, TOO.
803
00:36:23,390 --> 00:36:26,090
AND THEN THEY WALKED
BACK IN THE BEDROOM,
804
00:36:26,120 --> 00:36:28,250
AND I GUESS
THAT’S WHAT TINO DID,
805
00:36:28,290 --> 00:36:30,020
’CAUSE THE LOOK
ON HIS FACE...
806
00:36:30,060 --> 00:36:34,260
AND THEN RICKY
PUTS THE GUN TO MY HEAD,
807
00:36:34,290 --> 00:36:38,020
AND TINO’S BEGGING HIM
NOT TO.
808
00:36:38,060 --> 00:36:40,630
AND I’M ON MY KNEES,
809
00:36:40,660 --> 00:36:43,300
AND I SEE TERESA
ON THE FLOOR.
810
00:36:45,460 --> 00:36:47,960
AND YOU KNOW WHAT?
811
00:36:47,990 --> 00:36:51,420
I DIDN’T CARE IF HE
PULLED THE TRIGGER.
812
00:36:54,790 --> 00:36:57,750
I WISH HE DID.
813
00:36:59,820 --> 00:37:00,820
CAN’T DO IT.
814
00:37:00,860 --> 00:37:02,100
YEAH, YOU CAN.
815
00:37:02,120 --> 00:37:03,620
THIS GUY’S A KILLER,
MAN. I ‐‐
816
00:37:03,660 --> 00:37:05,300
JULIAN, YOU’RE GONNA DO THIS.
817
00:37:05,320 --> 00:37:06,950
YOU’RE GONNA
PICK UP THAT PHONE,
818
00:37:06,990 --> 00:37:08,820
AND YOU’RE GONNA KEEP IT
SIMPLE, LIKE WE REHEARSED,
819
00:37:08,860 --> 00:37:10,230
OR YOU’RE GONNA
GO UP FOR MURDER.
820
00:37:10,260 --> 00:37:12,530
OKAY.
I’LL KEEP IT SIMPLE.
821
00:37:12,560 --> 00:37:13,700
RIGHT.
822
00:37:23,220 --> 00:37:25,890
THERE’S NO ANSWER.
DO I HANG ‐‐ YO, MAX.
823
00:37:25,920 --> 00:37:27,450
IT’S JULIAN.
824
00:37:27,490 --> 00:37:29,790
WHAT’S UP, MAN?
825
00:37:29,820 --> 00:37:31,820
YEAH, NOTHING.
I’M JUST CHECKING IN.
826
00:37:31,860 --> 00:37:33,060
YEAH, LISTEN, YOU KNOW,
827
00:37:33,090 --> 00:37:34,950
I THOUGHT I’D PUT IT
OUT THERE TO YOU,
828
00:37:34,990 --> 00:37:38,090
I CAME INTO SOME WICKED
SCHNIGHT, IF YOU KNOW
WHAT I MEAN,
829
00:37:38,120 --> 00:37:41,390
SO I PUT IT
OUT THERE TO YOU, AND ‐‐
830
00:37:41,420 --> 00:37:44,150
OKAY. COOL.
831
00:37:44,190 --> 00:37:45,420
HOW MUCH?
832
00:37:45,460 --> 00:37:47,830
OKAY.
833
00:37:47,860 --> 00:37:49,960
OH, YEAH, SURE,
I’LL BE THERE.
834
00:37:49,990 --> 00:37:51,950
SO, THEN, UH,
HOW ARE THINGS OTHERW‐‐
835
00:37:55,360 --> 00:38:00,060
T‐TOMORROW AT TAILFEATHERS,
WHEN THEY OPEN AT 10:00.
836
00:38:00,090 --> 00:38:01,850
Tony: SEE,
ONE EASY STEP AT A TIME,
837
00:38:01,890 --> 00:38:03,890
WITH US RIGHT BEHIND YOU.
THAT’S ALL IT IS.
838
00:38:03,920 --> 00:38:05,490
OKAY, SO WHAT?
839
00:38:05,520 --> 00:38:06,550
THEN I JUST ‐‐
840
00:38:06,590 --> 00:38:08,950
I WALK IN THERE TOMORROW
AND WHAT?
841
00:38:08,990 --> 00:38:10,390
Tony: WE’LL
WORK THAT ALL OUT.
842
00:38:10,420 --> 00:38:12,350
WHAT WE’RE GOING TO DO NOW
IS PUT YOU UP IN A HOTEL
843
00:38:12,390 --> 00:38:13,550
AND GET SET UP HERE
IN THE MORNING.
844
00:38:13,590 --> 00:38:15,050
WHEN DO I GET MY DEAL?
845
00:38:15,090 --> 00:38:17,090
DON’T ASK THAT QUESTION AGAIN.
I SWEAR TO GOD.
846
00:38:17,120 --> 00:38:18,550
ALL RIGHT,
WHO’S GOING IN WITH ME
847
00:38:18,590 --> 00:38:20,150
WHEN I GO SEE MAX?
848
00:38:20,190 --> 00:38:21,950
YOU’LL GO BY YOURSELF.
WE’LL BE SET UP RIGHT OUTSIDE.
849
00:38:21,990 --> 00:38:23,850
NO! NO WAY!
FORGET IT.
850
00:38:23,890 --> 00:38:25,650
I WANT SOMEBODY
IN THERE WITH A GUN
851
00:38:25,690 --> 00:38:26,920
WHO’S WATCHING MY BACK!
852
00:38:26,960 --> 00:38:28,230
WE’LL GET YOU
SOMEBODY. NOW COME ON.
853
00:38:28,260 --> 00:38:29,860
I WANT TO CALL MY GIRLFRIEND.
LATER. LET’S GO.
854
00:38:29,890 --> 00:38:32,120
I WANT TO CALL HER
NOW, OKAY?!
CHILL OUT!
855
00:38:32,160 --> 00:38:34,100
I’M PUTTING MY LIFE
ON THE LINE HERE!
856
00:38:34,120 --> 00:38:35,320
I DON’T KNOW WHAT’S GOING
TO HAPPEN TO ME!
857
00:38:35,360 --> 00:38:37,660
I WANT TO TALK TO HER.
I WANT TO HAVE HER
858
00:38:37,690 --> 00:38:39,750
KISS MY CHILDREN FOR ME.
859
00:38:39,790 --> 00:38:41,450
ALL RIGHT,
CALL YOUR GIRLFRIEND,
860
00:38:41,490 --> 00:38:43,350
BUT YOU DON’T MENTION ANYTHING
ABOUT WHAT YOU’RE DOING,
861
00:38:43,390 --> 00:38:44,220
AND CHILL OUT.
862
00:38:55,290 --> 00:38:58,190
MARIA’S SAYING SHE DIDN’T
KNOW THEY’D KILL ANYBODY.
863
00:38:58,220 --> 00:39:00,190
THEN WHY’D SHE GIVE UP
HER FRIEND?
864
00:39:00,220 --> 00:39:01,220
SHE WAS SCARED.
865
00:39:01,260 --> 00:39:02,460
BECAUSE SHE THOUGHT
THEY’D HURT HER.
866
00:39:02,490 --> 00:39:03,950
I GUESS.
867
00:39:03,990 --> 00:39:05,550
IF SHE THOUGHT THEY WERE
GOING TO HURT HER,
868
00:39:05,590 --> 00:39:07,450
THEN SHE KNEW THEY WERE
LIKELY TO HURT TERESA.
869
00:39:07,490 --> 00:39:09,490
YEAH. OKAY, UM...
870
00:39:09,520 --> 00:39:11,150
I SEE WHERE YOU’RE GOING,
AND THAT’S FINE,
871
00:39:11,190 --> 00:39:13,920
BECAUSE I’M ‐‐ I’M NOT INVESTED
IN THIS GIRL EITHER WAY.
872
00:39:13,960 --> 00:39:15,430
SHE’S A PRINCIPAL
MURDER ONE,
873
00:39:15,460 --> 00:39:17,460
BUT USE THAT TO GET HER
TO TESTIFY AGAINST THE OTHERS,
874
00:39:17,490 --> 00:39:20,690
’CAUSE, WELL,
WE WANT THEM MORE, RIGHT?
875
00:39:20,720 --> 00:39:22,750
YEAH.
876
00:39:22,790 --> 00:39:25,290
HOW’S ANDY TAKING IT?
877
00:39:25,320 --> 00:39:26,890
I DON’T KNOW.
878
00:39:30,520 --> 00:39:32,790
THANKS FOR COMING.
SURE.
879
00:39:32,820 --> 00:39:34,350
YOU GOT TO TALK
TO THIS IDIOT.
880
00:39:34,390 --> 00:39:36,550
HE WON’T DO THIS UNLESS
HE GETS THE WITNESS PROGRAM.
881
00:39:36,590 --> 00:39:37,950
THAT’S FEDERAL.
882
00:39:37,990 --> 00:39:41,020
I KNOW, BUT YOU JUST WALK IN
THERE AND SHOW HIM YOUR I. D.,
883
00:39:41,060 --> 00:39:42,660
STROKE HIM.
HE WON’T SHUT UP.
884
00:39:42,690 --> 00:39:44,050
COFFEE ROOM?
885
00:39:44,090 --> 00:39:46,290
HE’S IN THERE
WITH GREG AND BALDWIN.
886
00:39:47,660 --> 00:39:48,830
Tony: I’M GOING
TO STRANGLE HIM.
887
00:39:48,860 --> 00:39:51,700
HE ACTING UP?
888
00:39:51,720 --> 00:39:53,320
HE’S JUST, UH...
889
00:39:53,360 --> 00:39:56,500
WE SHOULD MEET HERE AT 7:00
INSTEAD OF 8:00.
890
00:39:56,520 --> 00:39:58,490
WE GOT TO COACH HIM MORE.
HE’S TOO SHAKY.
891
00:39:58,520 --> 00:40:00,720
THE MORE WE COACH HIM,
THE MORE CONFUSED HE GETS.
892
00:40:00,760 --> 00:40:01,930
LET’S JUST GO
WITH WHAT WE GOT.
893
00:40:05,890 --> 00:40:07,790
LIEUTENANT,
YOU ASKED FOR ME?
894
00:40:07,820 --> 00:40:09,190
YEAH, WE NEED YOU TOMORROW.
895
00:40:09,220 --> 00:40:10,050
YOU GOT IT.
896
00:40:10,090 --> 00:40:11,650
WE NEED YOU
TO BACK UP A WITNESS
897
00:40:11,690 --> 00:40:12,990
WHO’S GOING
TO BE WEARING A WIRE, OKAY?
898
00:40:13,020 --> 00:40:14,950
YOU’LL POSE AS HIS FRIEND.
KEEP AN EYE ON HIM,
899
00:40:14,990 --> 00:40:17,150
BUT YOU WON’T HAVE TO
BE PART OF THE CONVERSATION.
900
00:40:17,190 --> 00:40:19,350
YOU HAVE ANY PROBLEMS
WITH WHAT I JUST LAID OUT?
NONE.
901
00:40:19,390 --> 00:40:21,420
OKAY, WE’LL MEET HERE
TOMORROW AT 8:00 A. M.
902
00:40:21,460 --> 00:40:22,860
YOU GOT THIS.
903
00:40:22,890 --> 00:40:24,050
YEAH. SEE YOU TOMORROW.
904
00:40:24,090 --> 00:40:26,290
OKAY, WELL,
I’LL BE HERE.
905
00:40:26,320 --> 00:40:28,520
ALL RIGHT.
906
00:40:28,560 --> 00:40:30,330
SORRY TO HEAR
ABOUT YOUR GUY.
907
00:40:30,360 --> 00:40:32,300
THANKS.
908
00:40:50,390 --> 00:40:51,720
HEY, ANDY.
909
00:40:51,760 --> 00:40:53,530
CLUB SODA WITH LIME?
910
00:40:53,560 --> 00:40:55,860
YEAH.
911
00:40:55,890 --> 00:40:57,590
HOW’S IT GOING?
912
00:40:57,620 --> 00:40:58,650
ALL RIGHT.
913
00:40:58,690 --> 00:41:00,990
GETTING COOL OUT THERE,
HUH?
914
00:41:01,020 --> 00:41:02,190
YEP.
915
00:41:02,220 --> 00:41:04,090
FIRST I’VE SEEN YOU IN HERE
BY YOURSELF.
916
00:41:04,120 --> 00:41:05,190
YEAH.
917
00:41:05,220 --> 00:41:06,950
I MISSED ALL THOSE
RIVETING CONVERSATIONS
918
00:41:06,990 --> 00:41:08,490
I HAD WITH BARTENDERS.
919
00:41:08,520 --> 00:41:09,590
HERE HE GOES AGAIN.
920
00:41:09,620 --> 00:41:12,690
HE’LL BE HERE ALL WEEK,
LADIES AND GENTLEMEN.
921
00:41:14,560 --> 00:41:16,400
MIKE DWYER GOT SOBER.
922
00:41:16,420 --> 00:41:17,350
DID HE?
923
00:41:17,390 --> 00:41:18,450
YEAH.
924
00:41:18,490 --> 00:41:20,320
CAN’T EVEN COME BY TO SAY HI.
925
00:41:27,590 --> 00:41:30,550
SO THESE TWO LESBOS
WALK INTO A HARDWARE STORE...
926
00:41:30,590 --> 00:41:33,090
TELL YOU WHAT, UH...
927
00:41:33,120 --> 00:41:36,250
JUST POUR ME A SHOT
OF WHISKEY THERE
928
00:41:36,290 --> 00:41:37,820
SO I CAN SMELL IT.
929
00:41:37,860 --> 00:41:39,500
YOU SURE
ABOUT THIS, ANDY?
930
00:41:39,520 --> 00:41:40,790
WHAT IS THIS,
A CHURCH?
931
00:41:40,820 --> 00:41:42,720
YOU SELL BOOZE HERE
OR NOT?
932
00:41:42,760 --> 00:41:44,700
YEAH, WE SELL BOOZE.
933
00:41:44,720 --> 00:41:46,150
THEN POUR IT
934
00:41:46,190 --> 00:41:48,220
AND GO BREATHE
DOWN SOMEBODY ELSE’S NECK.
935
00:42:14,790 --> 00:42:18,650
DIANE SAID
I MIGHT FIND YOU HERE.
936
00:42:18,690 --> 00:42:20,050
I GOT ENOUGH ON MY MIND
937
00:42:20,090 --> 00:42:23,220
WITHOUT HAVING TO WORRY
ABOUT YOU DRINKING.
938
00:42:23,260 --> 00:42:26,230
YEAH, WELL, I GOT A COUPLE
THINGS ON MY MIND, TOO.
939
00:42:33,260 --> 00:42:36,560
WHAT ELSE CAN YOU DO
RIGHT NOW,
940
00:42:36,590 --> 00:42:40,820
OTHER THAN DRINK?
941
00:42:40,860 --> 00:42:42,130
I’M THINKING.
942
00:42:47,720 --> 00:42:49,750
YOU CAN DRINK
IF YOU WANT.
943
00:42:52,360 --> 00:42:53,930
NO.
944
00:43:05,390 --> 00:43:06,450
WHY DON’T YOU GO HOME?
945
00:43:09,220 --> 00:43:11,250
I’M NOT LETTING YOU DRINK.
946
00:43:11,290 --> 00:43:12,920
GO HOME.
947
00:43:12,960 --> 00:43:14,960
THEN COME HOME WITH ME.
948
00:43:14,990 --> 00:43:17,290
DON’T DRINK TONIGHT.
949
00:43:23,560 --> 00:43:25,830
COME ON.
950
00:43:25,860 --> 00:43:29,230
LET’S GET OUT OF HERE.
951
00:44:02,160 --> 00:44:04,030
♪ ♪
69288
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