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1
00:00:00,968 --> 00:00:02,436
(SHIP GUNS FIRING)
2
00:00:02,469 --> 00:00:05,072
\hNarrator: TWO NATIONS
ARE IN A CATACLYSMIC WAR
3
00:00:05,105 --> 00:00:06,773
ACROSS THE PACIFIC OCEAN.
4
00:00:08,175 --> 00:00:10,744
RIGHT BETWEEN THEM,
A DOT OF AN ISLAND.
5
00:00:12,779 --> 00:00:16,049
THE BATTLE OF MIDWAY
WILL TURN THE TIDE.
6
00:00:18,519 --> 00:00:20,654
GET ABOARD THE CARRIERS.
7
00:00:20,687 --> 00:00:23,156
Orr: THEY WERE PUSHING
\h\h\hTHEIR EQUIPMENT
8
00:00:23,190 --> 00:00:25,526
AND THEMSELVES TO THE LIMIT.
9
00:00:25,559 --> 00:00:27,928
\h\h\h\hNarrator: GET
INSIDE THE AIRPLANES.
10
00:00:29,930 --> 00:00:31,765
Toll: EVERYONE HAD TO
\h\hLIFT THEIR GAME.
11
00:00:31,798 --> 00:00:33,933
THEY HAD TO LEARN HOW
TO FIGHT BY FIGHTING.
12
00:00:35,269 --> 00:00:37,304
Narrator: AND MEET
A PILOT FROM KANSAS
13
00:00:37,337 --> 00:00:39,039
\hWHO POURS EIGHT
YEARS OF TRAINING
14
00:00:39,072 --> 00:00:42,142
INTO A FEW TERRIFYING SECONDS.
15
00:00:43,677 --> 00:00:46,547
L. Orr: DUSTY KLEISS IS THE
\h\h\hMOST IMPORTANT PILOT
16
00:00:46,580 --> 00:00:48,649
\hINVOLVED IN THE
BATTLE OF MIDWAY.
17
00:00:53,587 --> 00:00:56,590
(THOUGHTFUL MUSIC)
18
00:00:57,658 --> 00:00:59,927
Narrator: JUNE 4TH, 1942.
19
00:01:01,495 --> 00:01:03,931
THE AIR IS QUIET, BUT TENSE.
20
00:01:05,799 --> 00:01:08,735
\hALONE IN THE MIDDLE
OF THE PACIFIC OCEAN,
21
00:01:08,769 --> 00:01:11,772
AMERICANS ON MIDWAY
ISLAND SCAN THE SKY.
22
00:01:13,707 --> 00:01:16,243
UNTIL THE SKY EXPLODES.
23
00:01:19,112 --> 00:01:20,280
(DRAMATIC MUSIC)
24
00:01:20,314 --> 00:01:22,950
\h\hJAPANESE PLANES FROM
NEARBY AIRCRAFT CARRIERS
25
00:01:22,983 --> 00:01:27,988
KNIFE INTO THE U.S. MILITARY
\hBASE, AND IT BLEEDS FIRE.
26
00:01:31,925 --> 00:01:34,161
MIDWAY’S DEFENSES ARE CRUMBLING.
27
00:01:35,929 --> 00:01:39,166
\hHISTORY WILL PIVOT
IN THE NEXT 24 HOURS.
28
00:01:41,468 --> 00:01:43,804
IF JAPAN TAKES THE ISLAND,
29
00:01:43,837 --> 00:01:47,207
AMERICA COULD BE KNOCKED
OUT OF THE PACIFIC WAR.
30
00:01:50,143 --> 00:01:54,614
\h\hNEARBY, MORE THAN A HUNDRED
AMERICAN PILOTS ARE IN THE AIR,
31
00:01:54,648 --> 00:01:58,085
SEARCHING FOR THE ATTACKING
JAPANESE AIRCRAFT CARRIERS.
32
00:01:59,486 --> 00:02:02,622
\h\hONE OF THEM IS
JACK DUSTY KLEISS.
33
00:02:02,656 --> 00:02:07,661
MIDWAY WILL GIVE HIS ORDINARY
LIFE AN EXTRAORDINARY CHAPTER.
34
00:02:07,861 --> 00:02:12,199
Orr: DUSTY KLEISS IS THE
INDISPENSABLE UNSUNG HERO
35
00:02:12,232 --> 00:02:13,433
OF THE BATTLE OF MIDWAY.
36
00:02:16,236 --> 00:02:20,440
EVEN IN A BIG WAR THAT INVOLVES
MILLIONS OF COMBATANTS,
37
00:02:20,474 --> 00:02:23,277
\hONE PERSON’S LIFE CAN
MAKE ALL THE DIFFERENCE.
38
00:02:26,113 --> 00:02:28,215
Narrator: DUSTY STARTED
WEARING A SAILOR OUTFIT
39
00:02:28,248 --> 00:02:29,416
WHEN HE WAS SIX.
40
00:02:30,884 --> 00:02:33,653
BY AGE EIGHTEEN, HE WAS
\hIN THE NAVAL ACADEMY.
41
00:02:35,522 --> 00:02:36,523
Kleiss: AS A TEENAGER,
42
00:02:36,556 --> 00:02:38,458
\hI WAS SEEKING A
PLACE IN SOCIETY.
43
00:02:39,660 --> 00:02:41,929
\hI WANTED TO SERVE
IN THE ARMED FORCES.
44
00:02:41,962 --> 00:02:44,832
AND IT TOOK BRAVERY TO
BE A PILOT, I THOUGHT.
45
00:02:46,433 --> 00:02:50,003
\h\h\hNarrator: BY 1941, HE’S
TRAINING IN PENSACOLA FLORIDA,
46
00:02:51,104 --> 00:02:54,808
\h\hGROUND ZERO FOR THE NEXT
GENERATION OF NAVAL AVIATORS.
47
00:02:56,043 --> 00:02:57,945
Kleiss: I LIKED
AVIATION FINE,
48
00:02:57,978 --> 00:03:00,948
AND APPARENTLY IT LIKED ME.
49
00:03:00,981 --> 00:03:03,417
I LOGGED 149 HOURS IN THE AIR
50
00:03:03,450 --> 00:03:06,553
\hWITHOUT A SINGLE CRASH
OR PROBLEMATIC INCIDENT.
51
00:03:08,021 --> 00:03:10,824
\h\h\hNarrator: FOR NOW,
DUSTY TRAINS IN BIPLANES.
52
00:03:12,659 --> 00:03:14,828
\hBUT THEY WON’T BE
AROUND MUCH LONGER.
53
00:03:17,364 --> 00:03:21,435
JAPAN IS ABOUT TO SHOW AMERICA
\hWHAT THE FUTURE LOOKS LIKE.
54
00:03:22,335 --> 00:03:23,336
\h\hGoodspeed: THE
AIRCRAFT BEHIND ME
55
00:03:23,370 --> 00:03:25,939
IS A JAPANESE A6M
\h"ZERO" FIGHTER,
56
00:03:25,972 --> 00:03:27,807
WHICH IN 1941 WAS ONE OF THE
57
00:03:27,841 --> 00:03:29,910
\h\h\hPREMIERE FIGHTER
AIRCRAFT IN THE WORLD.
58
00:03:32,546 --> 00:03:34,715
\hNarrator: THE ZERO
IS AHEAD OF ITS TIME.
59
00:03:35,716 --> 00:03:38,986
IT RULES THE SKIES WITH
\hITS VERSATILE DESIGN.
60
00:03:41,588 --> 00:03:42,722
Goodspeed: IT WAS AN AIRCRAFT
61
00:03:42,756 --> 00:03:45,058
THAT WAS DESIGNED TO
\hHAVE GREAT RANGE,
62
00:03:45,092 --> 00:03:47,528
AND BECAUSE OF THAT IT
\hWAS VERY LIGHTWEIGHT
63
00:03:47,561 --> 00:03:50,697
AND COMBINED WITH THE EXTENDED
\h\h\hLENGTH OF THE WINGSPAN,
64
00:03:50,731 --> 00:03:53,734
\h\hTHAT GAVE THE AIRCRAFT
INCREDIBLE MANEUVERABILITY.
65
00:03:56,069 --> 00:03:58,138
IT ALSO PACKED A
TREMENDOUS PUNCH.
66
00:03:58,171 --> 00:04:01,107
IT HAD A 20-MILLIMETER
\hCANNON FOR EXAMPLE,
67
00:04:01,141 --> 00:04:03,577
THAT COULD REALLY DELIVER
\h\hTREMENDOUS FIREPOWER.
68
00:04:04,745 --> 00:04:08,449
Narrator: THE JAPANESE DON’T
OUTFIT THE ZERO FOR DEFENSE,
69
00:04:08,482 --> 00:04:11,819
THIS PURSUIT PLANE IS
\hDESIGNED TO STRIKE.
70
00:04:11,852 --> 00:04:15,055
Goodspeed: BY 1941 THEY WERE
ABLE TO DEVELOP THE TACTICS,
71
00:04:15,088 --> 00:04:18,558
\h\hAND DISCOVER WHAT
WORKED AND DIDN’T WORK
72
00:04:18,592 --> 00:04:21,195
\hWHEN IT CAME TO FLYING
THAT AIRCRAFT IN COMBAT.
73
00:04:23,730 --> 00:04:25,131
Narrator: THE ZERO SYMBOLIZES
74
00:04:25,165 --> 00:04:27,968
THE POWER OF THE
JAPANESE EMPIRE,
75
00:04:28,001 --> 00:04:31,505
\hAND IT’S ABOUT TO COME
CRASHING DOWN ON HAWAII.
76
00:04:32,706 --> 00:04:36,043
(OMINOUS MUSIC)
77
00:04:36,076 --> 00:04:37,711
DECEMBER 7TH, 1941.
78
00:04:41,081 --> 00:04:42,683
ADMIRAL CHUICHI NAGUMO
79
00:04:42,716 --> 00:04:46,553
\h\h\hIS IN COMMAND OF SIX
JAPANESE AIRCRAFT CARRIERS
80
00:04:46,586 --> 00:04:49,589
UNLEASHING MORE THAN 350 PLANES.
81
00:04:52,425 --> 00:04:55,895
AT 7:48 A.M., THE
BUZZ OF PROPELLERS
82
00:04:55,929 --> 00:04:58,131
FADES IN OVER PEARL HARBOR.
83
00:04:59,432 --> 00:05:03,269
Orr: THE JAPANESE PLANES
\h\hFLY OVER THE CLIFFS
84
00:05:03,303 --> 00:05:05,138
AND THEN REACH PEARL HARBOR,
85
00:05:05,172 --> 00:05:08,876
THAT IS JUST FULL TO THE
BRIM WITH AMERICAN SHIPS,
86
00:05:08,909 --> 00:05:12,880
\hAND THERE IS NO COMBAT AIR
PATROL ABOVE TO THWART THEM.
87
00:05:14,981 --> 00:05:18,017
(BOMBS EXPLODING)
88
00:05:18,051 --> 00:05:20,687
Toll: THE ATTACK DESCENDED
\h\hUPON THEM SO SUDDENLY
89
00:05:20,720 --> 00:05:22,655
WITH SUCH OVERWHELMING POWER.
90
00:05:24,191 --> 00:05:27,027
(DRAMATIC MUSIC)
91
00:05:32,332 --> 00:05:34,568
THE JAPANESE AERIAL TORPEDOES
\h\h\h\hRIPPED INTO THE HULLS
92
00:05:34,601 --> 00:05:37,404
OF THE BATTLESHIPS
ON BATTLESHIP ROW.
93
00:05:38,572 --> 00:05:40,207
YOU HAD HUNDREDS OF SAILORS
94
00:05:40,240 --> 00:05:42,609
WHO WERE JUST ROASTED
\h\h\hIN THESE FIRES.
95
00:05:46,746 --> 00:05:49,415
\hNarrator: THE CARNAGE
IS SUDDEN AND SHOCKING.
96
00:05:50,483 --> 00:05:53,886
BUT JAPAN NEVER FINDS
ITS PRIMARY TARGETS.
97
00:05:55,422 --> 00:05:58,058
Orr: THEY EXPECTED TO FIND
THE THREE AMERICAN CARRIERS
98
00:05:58,091 --> 00:06:00,927
\h\h\hASSIGNED TO THE PACIFIC
FLEET THERE AND DESTROY THEM.
99
00:06:03,630 --> 00:06:06,833
Narrator: BY CHANCE, THE
CARRIERS ARE OUT TO SEA.
100
00:06:08,935 --> 00:06:11,037
PILOTS ON THE USS ENTERPRISE
101
00:06:11,071 --> 00:06:13,373
SCRAMBLE TO FOLLOW
\hCHAOTIC REPORTS
102
00:06:13,406 --> 00:06:15,141
OF WHERE THE JAPANESE ARE.
103
00:06:17,611 --> 00:06:20,314
DUSTY KLEISS IS ONE OF THEM.
104
00:06:20,347 --> 00:06:23,650
Kleiss: THIS FLIGHT WAS A
\h\h\h\hNEAR CATASTROPHE.
105
00:06:23,683 --> 00:06:26,352
\hMY COCKPIT LIGHTS AND
NAVIGATIONAL INSTRUMENTS
106
00:06:26,386 --> 00:06:27,654
DID NOT WORK.
107
00:06:29,122 --> 00:06:32,092
Narrator: HE NOT ONLY
CAN’T FIND THE ENEMY,
108
00:06:32,125 --> 00:06:34,928
HE CAN BARELY FIND HIS WAY
\hBACK TO THE ENTERPRISE.
109
00:06:36,563 --> 00:06:39,366
\h\h\hWHEN HE DOES, HIS
TRIGGER-HAPPY SHIPMATES
110
00:06:39,399 --> 00:06:40,700
AIM THEIR GUNS AT HIM.
111
00:06:41,835 --> 00:06:43,603
Kleiss: THEY WERE
\hSHOOTING AT ME!
112
00:06:43,637 --> 00:06:46,840
THEY THOUGHT I WAS A JAPANESE
\hDIVE BOMBER ATTACKING THEM.
113
00:06:49,542 --> 00:06:53,513
Narrator: HE MAKES
\hIT BACK. BARELY.
114
00:06:57,050 --> 00:07:00,287
DUSTY’S WAR IS OFF
TO A ROUGH START.
115
00:07:00,320 --> 00:07:03,089
(OMINOUS MUSIC)
116
00:07:05,325 --> 00:07:07,460
\hPEARL HARBOR IS
ONLY THE BEGINNING
117
00:07:07,494 --> 00:07:09,997
OF A JAPANESE BLITZ
\h\hIN THE PACIFIC.
118
00:07:11,231 --> 00:07:14,735
AMERICAN OUTPOSTS ARE
\hTHE FIRST TO FALL.
119
00:07:14,768 --> 00:07:18,105
Orr: THE AMERICAN FORCES IN THE
PHILIPPINES WERE SURROUNDED.
120
00:07:19,506 --> 00:07:21,675
GUAM HAD SURRENDERED
\h\h\h\hBLOODLESSLY.
121
00:07:23,143 --> 00:07:24,911
\h\hNarrator: TANKS
ANNOUNCE THE ARRIVAL
122
00:07:24,945 --> 00:07:27,347
OF THE JAPANESE EMPIRE.
123
00:07:27,380 --> 00:07:29,515
IT APPEARS UNSTOPPABLE.
124
00:07:33,753 --> 00:07:36,522
IN CHARGE OF AMERICA’S
\h\h\h\hPACIFIC FLEET
125
00:07:36,556 --> 00:07:38,291
IS ADMIRAL CHESTER NIMITZ.
126
00:07:40,694 --> 00:07:42,229
HE’S OLD SCHOOL NAVY,
127
00:07:43,196 --> 00:07:45,565
COMING UP WHEN AIRPLANES
\hWERE AN AFTERTHOUGHT.
128
00:07:47,400 --> 00:07:49,636
L. Orr: AT THE BEGINNING
\h\h\h\hOF WORLD WAR II,
129
00:07:49,669 --> 00:07:52,639
\hAVIATION WAS KIND
OF AN UNTESTED ASSET
130
00:07:54,107 --> 00:07:58,745
\hAND A LOT OF THE ADMIRALS
DIDN’T BELIEVE IN AVIATION,
131
00:07:58,778 --> 00:08:03,783
\h\h\hDIDN’T BELIEVE THAT
PLANES COULD WIN THE WAR.
132
00:08:05,952 --> 00:08:07,587
\hNarrator: THEY’VE BEEN
FIDDLING WITH THE CONCEPT
133
00:08:07,620 --> 00:08:08,654
FOR DECADES.
134
00:08:09,556 --> 00:08:11,958
Orr: THE FIRST SHIPS THAT ARE
\h\hUSED AS AIRCRAFT CARRIERS
135
00:08:11,992 --> 00:08:14,361
AREN’T EVEN ORIGINALLY
\h\hAIRCRAFT CARRIERS.
136
00:08:15,228 --> 00:08:18,832
Narrator: THE EXPERIMENT:
RETROFIT A ROOF ON A SHIP,
137
00:08:18,865 --> 00:08:21,301
\hAND SEE IF PLANES
CAN GET IN THE AIR.
138
00:08:24,137 --> 00:08:25,472
SOMETIMES, THEY CAN’T.
139
00:08:30,310 --> 00:08:32,979
\h\h\hEVEN TRICKIER,
STICKING THE LANDING.
140
00:08:36,649 --> 00:08:38,851
Orr: AND SO THESE ARE IN
\h\hMANY WAYS BABY STEPS
141
00:08:38,885 --> 00:08:40,553
FOR US NAVAL AVIATION.
142
00:08:40,587 --> 00:08:43,490
(SHIP GUNS FIRING)
143
00:08:44,591 --> 00:08:46,593
Narrator: MEANWHILE,
THE NAVY’S BIG BOYS
144
00:08:46,626 --> 00:08:49,062
\hHAVE ALWAYS BEEN
THEIR BATTLESHIPS.
145
00:08:51,131 --> 00:08:54,468
Toll: THE AMERICANS WERE KIND
OF A BATTLESHIP-LOVING NAVY.
146
00:08:55,602 --> 00:08:57,104
THEY BELIEVE IN THE BIG GUNS
147
00:08:57,137 --> 00:09:00,273
\hAND THEY HELD THEIR CARRIERS
BACK AS KIND OF A SUPPORT SHIP.
148
00:09:01,274 --> 00:09:03,676
\h\h\h\h\h\h\hNarrator: BUT A
BATTLESHIP HAS LIMITED REACH.
149
00:09:04,677 --> 00:09:08,014
Toll: THE BATTLESHIP MIGHT
BE ABLE TO HIT THE TARGET
150
00:09:08,048 --> 00:09:10,551
FROM A RANGE OF ABOUT 20 MILES.
151
00:09:10,583 --> 00:09:12,718
THAT WILL BE A REALLY GOOD SHOT.
152
00:09:12,752 --> 00:09:14,988
Narrator: YET AIRCRAFT
\hCARRIERS CAN PROJECT
153
00:09:15,021 --> 00:09:18,057
DEADLY POWER ACROSS
THOUSANDS OF MILES.
154
00:09:19,426 --> 00:09:21,228
THE GREAT BREADTH OF THE PACIFIC
155
00:09:21,261 --> 00:09:24,364
DEMANDS A SEA CHANGE
\hIN NAVY STRATEGY.
156
00:09:25,365 --> 00:09:28,268
\h\hOrr: WHEN YOU ADD
CARRIERS TO THE FLEET,
157
00:09:28,301 --> 00:09:31,404
\h\h\hTHEY WILL BECOME THE NEW
QUEEN OF THE NAVY’S CHESS SET.
158
00:09:31,438 --> 00:09:33,340
(DRAMATIC MUSIC)
159
00:09:33,373 --> 00:09:34,741
Narrator: AMERICA RAMPS UP
160
00:09:34,774 --> 00:09:37,010
TO MEET THE DEMANDS
\h\hOF A NEW NAVY.
161
00:09:39,579 --> 00:09:43,383
FACTORIES THAT USED TO MAKE
\hWIDGETS NOW MAKE WEAPONS.
162
00:09:46,386 --> 00:09:48,855
\hNEW AIRCRAFT POUR
OUT OF THE FACTORIES
163
00:09:48,888 --> 00:09:50,289
WITH INCREASING SPEED.
164
00:09:51,391 --> 00:09:52,759
Orr: THE JAPANESE KNOW VERY WELL
165
00:09:52,792 --> 00:09:56,562
THE AMERICANS HAVE AN INCREDIBLE
INDUSTRIAL CAPABILITY.
166
00:09:58,098 --> 00:10:00,701
\h\h\hNarrator: SO THEY
LOOK FOR A KNOCKOUT BLOW
167
00:10:00,733 --> 00:10:03,402
\hBEFORE AMERICA CAN
RISE TO THE OCCASION.
168
00:10:04,537 --> 00:10:07,306
\hToll: AND IT JUST SO HAPPENED
THAT THIS IDEA TO ATTACK MIDWAY
169
00:10:07,340 --> 00:10:08,875
HAD BEEN ON THE DRAWING BOARD.
170
00:10:10,243 --> 00:10:12,846
Narrator: JAPAN PREPARES
\h\hTHE AUDACIOUS PLAN.
171
00:10:14,080 --> 00:10:15,515
SEND A SMALL FORCE
172
00:10:15,548 --> 00:10:18,985
TO NEUTRALIZE AMERICAN BASES
\h\hIN THE ALEUTIAN ISLANDS.
173
00:10:19,986 --> 00:10:24,057
THEN SEND A HUGE FORCE
TO ATTACK TINY MIDWAY,
174
00:10:24,090 --> 00:10:27,026
LANDING THOUSANDS
TO TAKE IT OVER.
175
00:10:27,060 --> 00:10:30,430
THEIR ULTIMATE GOAL; LURE
\h\hTHE AMERICAN CARRIERS
176
00:10:30,463 --> 00:10:33,733
\h\hOUT FROM PEARL
HARBOR. AND POUNCE.
177
00:10:36,002 --> 00:10:38,071
WITHOUT AIRCRAFT CARRIERS,
178
00:10:38,104 --> 00:10:40,573
\h\h\h\hAMERICA WOULD BE
POWERLESS IN THE PACIFIC.
179
00:10:42,775 --> 00:10:46,612
\h\hAND WITH MIDWAY IN HAND,
JAPAN COULD THREATEN HAWAII.
180
00:10:47,847 --> 00:10:48,981
Orr: AND IF THEY DO THIS,
181
00:10:49,015 --> 00:10:51,651
IF HAWAII IS TAKEN,
\hTHE GAME IS OVER.
182
00:10:51,684 --> 00:10:54,587
\h\h\h\hTHE US HAS NO CHANCE OF
WINNING THE WAR IN THE PACIFIC.
183
00:10:56,856 --> 00:10:58,725
Narrator: MIDWAY IS THE KEY.
184
00:10:59,792 --> 00:11:02,795
FOR BOTH SIDES, IT’S
\h\hWORTH DYING FOR.
185
00:11:06,166 --> 00:11:09,536
(SUSPENSEFUL MUSIC)
186
00:11:09,569 --> 00:11:14,574
IN JANUARY OF 1942, THE USS
\hENTERPRISE DEPARTS HAWAII
187
00:11:14,908 --> 00:11:17,911
FOR ITS FIRST DEPLOYMENT
\hDEEP INTO THE PACIFIC.
188
00:11:19,679 --> 00:11:21,581
THE WAR IS ONLY A MONTH OLD.
189
00:11:24,017 --> 00:11:27,087
BUT THEY’RE STEAMING INTO IT
WITH THE MACHINES THEY HAVE,
190
00:11:28,588 --> 00:11:33,593
\h\hINCLUDING 82 AIRCRAFT,
AND 750 TONS OF MUNITIONS.
191
00:11:35,395 --> 00:11:38,131
Orr: THEY KNEW THEY WERE ON THE
CUTTING EDGE OF TECHNOLOGY
192
00:11:38,164 --> 00:11:39,465
THAT HAD YET TO BE TESTED.
193
00:11:41,234 --> 00:11:42,969
\h\hNarrator: MORE
THAN 2,000 SAILORS
194
00:11:43,002 --> 00:11:45,271
\h\h\hHEAD INTO THE
UNCERTAINTY OF WAR,
195
00:11:46,673 --> 00:11:50,177
INCLUDING TWO OLD FRIENDS
\hFROM THE NAVAL ACADEMY.
196
00:11:52,178 --> 00:11:54,747
\hDUSTY KLEISS IS ON
BOARD THE ENTERPRISE
197
00:11:54,781 --> 00:11:58,218
\h\h\h\hWITH HIS BEST
FRIEND, TOM EVERSOLE.
198
00:11:58,251 --> 00:12:00,386
\h\h\hKleiss: WE DID
EVERYTHING TOGETHER.
199
00:12:00,420 --> 00:12:02,622
\hTWO CLOSER CHUMS
COULD NOT BE FOUND.
200
00:12:04,057 --> 00:12:06,293
\h\hWE BOTH GRADUATED
FROM THE NAVAL ACADEMY
201
00:12:06,326 --> 00:12:08,061
AND FLIGHT TRAINING TOGETHER.
202
00:12:09,362 --> 00:12:10,663
\hNarrator: THEY’RE
LUCKY TO BE ASSIGNED
203
00:12:10,697 --> 00:12:12,666
TO THE SAME CARRIER,
204
00:12:12,699 --> 00:12:15,135
\h\hEVEN THOUGH THEY’RE
FLYING DIFFERENT PLANES.
205
00:12:17,870 --> 00:12:19,939
DUSTY IS IN A DIVE BOMBER.
206
00:12:21,274 --> 00:12:23,443
TOM IS IN A TORPEDO BOMBER.
207
00:12:24,510 --> 00:12:26,612
L. Orr: AND THEIR
\h\hFATES BECOME
208
00:12:26,646 --> 00:12:29,482
\hVERY DIFFERENT
BECAUSE OF THAT.
209
00:12:31,884 --> 00:12:34,887
\h\h\hNarrator: IN 1942,
THE DAUNTLESS DIVE BOMBER
210
00:12:34,921 --> 00:12:39,926
IS A NEWCOMER TO THE NAVY,
LARGELY UNTESTED IN BATTLE.
211
00:12:41,027 --> 00:12:44,097
\hITS BIG MOMENT IS
COMING SOON ENOUGH.
212
00:12:45,331 --> 00:12:47,934
Goodspeed: THIS SBD 2
DAUNTLESS IS SPECIAL.
213
00:12:49,302 --> 00:12:51,371
IT IS THE ONLY KNOWN
\hSURVIVING AIRCRAFT
214
00:12:51,404 --> 00:12:52,505
FROM THE BATTLE OF MIDWAY,
215
00:12:52,538 --> 00:12:54,373
AND IT HAS BATTLE
SCARS TO PROVE IT.
216
00:12:55,275 --> 00:12:57,577
EACH ONE OF THESE
METAL PATCHES HERE
217
00:12:57,610 --> 00:13:00,079
COVERS THE NEARLY
200 BULLET HOLES
218
00:13:00,113 --> 00:13:01,281
THAT WERE PUT IN THIS AIRPLANE
219
00:13:01,314 --> 00:13:02,982
WHEN IT ATTACKED
JAPANESE CARRIERS
220
00:13:03,016 --> 00:13:06,386
ON THE MORNING OF
\hJUNE 4TH, 1942.
221
00:13:06,419 --> 00:13:08,721
\h\h\h\hNarrator: REAR
GUNNERS FACE BACKWARDS,
222
00:13:08,755 --> 00:13:10,857
\h\h\hHANDLING THIRTY
-CALIBER MACHINE GUNS
223
00:13:10,890 --> 00:13:12,825
TO FEND OFF ENEMY ATTACKS.
224
00:13:13,893 --> 00:13:18,131
IN FRONT, PILOTS CONTROL A
PLANE NOT KNOWN FOR SPEED,
225
00:13:18,164 --> 00:13:19,432
BUT FOR PRECISION.
226
00:13:21,167 --> 00:13:25,438
ITS 1,000 POUND BOMBS AREN’T
JUST DROPPED, THEY’RE AIMED.
227
00:13:27,273 --> 00:13:28,941
IT’S CALLED "DIVE BOMBING".
228
00:13:29,976 --> 00:13:32,212
\h\h\hGoodspeed: THE TACTIC OF
DIVE-BOMBING WAS VERY IMPORTANT
229
00:13:32,245 --> 00:13:33,646
\hIN NAVAL AVIATION
DURING WORLD WAR II,
230
00:13:33,680 --> 00:13:35,749
\h\h\h\h\hAND THE SBD
DAUNTLESS DIVE BOMBER
231
00:13:35,782 --> 00:13:38,051
\h\h\hWAS THE PRIME
INSTRUMENT OF THAT.
232
00:13:38,084 --> 00:13:41,754
AND THE THEORY WAS, WITH A SHIP
MANEUVERING ON THE SURFACE,
233
00:13:41,788 --> 00:13:45,358
YOU REALLY COULDN’T DROP A
BOMB FROM A HIGH ALTITUDE.
234
00:13:47,427 --> 00:13:49,129
Narrator: FROM 20,000 FEET,
235
00:13:49,162 --> 00:13:51,665
\h\hA CARRIER IS A
SPECK ON THE OCEAN.
236
00:13:52,632 --> 00:13:56,202
HITTING IT WITH A FREE-FALLING
\hBOMB IS NEXT TO IMPOSSIBLE.
237
00:13:57,904 --> 00:14:01,441
\hBUT IN A DIVE, PILOTS CAN
ADJUST THEIR AIM ON THE FLY,
238
00:14:01,474 --> 00:14:06,312
\hAND RELEASE THEIR BOMBS AT
1,500 FEET FOR A BETTER SHOT.
239
00:14:08,681 --> 00:14:12,685
IT’S A TACTIC THAT TAKES ICY
NERVES, AND AN IRON STOMACH.
240
00:14:14,320 --> 00:14:19,325
\hL. Orr: DIVE BOMBING WAS A
DEATH-DEFYING RIDE OF TERROR.
241
00:14:19,625 --> 00:14:23,062
(OMINOUS MUSIC)
242
00:14:23,096 --> 00:14:25,932
IT’S BASICALLY LIKE
\hA GAME OF CHICKEN
243
00:14:25,965 --> 00:14:28,801
THAT A PILOT IS PLAYING
WITH THE OCEAN ITSELF.
244
00:14:30,136 --> 00:14:32,905
\hYOU START AT ABOUT
TWENTY THOUSAND FEET,
245
00:14:32,939 --> 00:14:35,074
\hWHICH IS ABOUT FOUR
MILES ABOVE THE OCEAN.
246
00:14:41,814 --> 00:14:43,983
A HUGE SHIP IS GONNA APPEAR
247
00:14:44,016 --> 00:14:47,186
\h\h\h\hABOUT THE SIZE OF A
LADYBUG ON A TIP OF A SHOE,
248
00:14:47,220 --> 00:14:48,188
SO IT’S TINY.
249
00:14:49,422 --> 00:14:51,758
Narrator: THEY PRACTICE
\h\hOVER LAND TARGETS,
250
00:14:53,359 --> 00:14:56,128
PLUNGING INTO A 70-DEGREE DIVE.
251
00:14:57,163 --> 00:15:02,235
\hOrr: IT IS A JARRING,
NOISY, CHAOTIC DESCENT.
252
00:15:02,268 --> 00:15:05,171
L. Orr: THEY ARE DIVING
\hAT 275 MILES AN HOUR
253
00:15:05,204 --> 00:15:07,239
TOWARD THEIR TARGET,
254
00:15:07,273 --> 00:15:08,641
KEEPING AN EYE ON
THEIR BOMB SCOPE,
255
00:15:08,674 --> 00:15:10,342
THEY’RE WATCHING
THEIR ALTIMETER.
256
00:15:12,245 --> 00:15:15,048
Orr: AND AT THE LAST MINUTE, YOU
GRIP THE BOMB RELEASE LEVER
257
00:15:15,081 --> 00:15:17,784
\h\h\hON THE LEFT SIDE OF THE
COCKPIT, AND YOU JERK IT BACK.
258
00:15:19,152 --> 00:15:20,620
YOU PULL BACK ON THE STICK,
259
00:15:21,988 --> 00:15:24,390
\h\h\h\hAND IF YOU’RE NOT
CAREFUL YOU CAN BLACK OUT
260
00:15:24,424 --> 00:15:27,027
BECAUSE ALL THE BLOOD WILL
BE SUCKED FROM YOUR HEAD,
261
00:15:27,059 --> 00:15:28,160
YOU GET TUNNEL VISION.
262
00:15:30,930 --> 00:15:33,366
\h\h\hNarrator: COMPARED
TO DUSTY’S DIVE BOMBING,
263
00:15:33,399 --> 00:15:38,404
TOM EVERSOLE’S TORPEDO BOMBING
\h\hPRACTICE IS LOW AND SLOW.
264
00:15:38,704 --> 00:15:43,209
Orr: DURING TORPEDO DROPS IT HAD
TO FLY VERY LOW TO THE WATER
265
00:15:43,242 --> 00:15:45,778
\hAND VERY SLOW JUST
ABOVE STALLING SPEED
266
00:15:46,913 --> 00:15:48,915
AND THEREFORE MADE
IT AN EASY TARGET
267
00:15:48,948 --> 00:15:51,150
FOR ENEMY FIGHTER PLANES.
268
00:15:53,052 --> 00:15:55,521
\hNarrator: SO TORPEDO
BOMBERS TYPICALLY GO IN
269
00:15:55,555 --> 00:15:56,856
WITH FIGHTER COVER.
270
00:16:00,193 --> 00:16:01,695
EVEN SMOKE SCREENS.
271
00:16:03,129 --> 00:16:08,001
BECAUSE JUST ONE TORPEDO
\h\h\hCOULD SINK A SHIP.
272
00:16:08,034 --> 00:16:09,702
Toll: IT WAS CLEAR
THAT THE AIRPLANE
273
00:16:09,735 --> 00:16:12,438
HAD BECOME MUCH MORE
POWERFUL AS A WEAPON.
274
00:16:12,472 --> 00:16:13,740
BUT THE QUESTION,
275
00:16:13,773 --> 00:16:17,710
"COULD AIRPLANES SINK SHIPS
\h\hAT SEA CONSISTENTLY?",
276
00:16:17,743 --> 00:16:20,579
WAS ONE THAT HAD TO
BE SETTLED BY WAR.
277
00:16:22,582 --> 00:16:26,086
\hNarrator: WITH THEIR FIRST
COMBAT PROMISED WITHIN DAYS,
278
00:16:26,118 --> 00:16:28,988
TRAINING ON THE ENTERPRISE
\h\h\hHITS A FEVER PITCH.
279
00:16:30,389 --> 00:16:34,126
BATTLE CHOREOGRAPHY IS HAMMERED
HOME, DRILL AFTER DRILL.
280
00:16:38,264 --> 00:16:41,300
\hGUNNERS PRACTICE THEIR
AIM BY SHOOTING AT KITES.
281
00:16:45,338 --> 00:16:48,441
PILOTS PRACTICE LANDING
\h\hON A POSTAGE STAMP,
282
00:16:49,642 --> 00:16:51,277
AND STOPPING ON A DIME.
283
00:16:52,378 --> 00:16:55,214
Orr: WHENEVER LANDINGS
\h\h\hWERE PRACTICED,
284
00:16:55,248 --> 00:16:57,617
THERE WAS ALWAYS A
FILM CREW AVAILABLE
285
00:16:57,650 --> 00:17:00,820
\h\hTO FILM EACH AND EVERY
DISASTROUS LANDING ATTEMPT
286
00:17:02,188 --> 00:17:04,557
TO UNDERSTAND WHAT
CRASHES LOOK LIKE
287
00:17:04,590 --> 00:17:07,359
\h\hAND TEACH A FUTURE
GENERATION OF AVIATORS.
288
00:17:19,438 --> 00:17:23,075
\h\hNarrator: THE LESSON IS
THIS; MISTAKES CAN BE FATAL.
289
00:17:27,246 --> 00:17:31,083
L. Orr: AVIATION TRAINING IS NOT
FOR THE FAINT OF HEART,
290
00:17:31,117 --> 00:17:33,286
\hAND DUSTY LEARNS
THAT VERY QUICKLY.
291
00:17:35,688 --> 00:17:38,658
Narrator: ONE OF DUSTY’S
FELLOW PILOTS, BILL WEST,
292
00:17:38,691 --> 00:17:41,494
\hENDS UP IN THE DRINK
AFTER A FAILED TAKEOFF.
293
00:17:42,695 --> 00:17:45,198
Kleiss: THE SHIP’S MAN
\h\h\hOVERBOARD KLAXON
294
00:17:45,231 --> 00:17:48,034
SOUNDED, AND I RAN
\hTO THE RAILING.
295
00:17:48,067 --> 00:17:50,403
\h\hI WITNESSED THE
HEARTRENDING DRAMA.
296
00:17:53,139 --> 00:17:56,609
\h\hNarrator: DUSTY SEES BILL
STANDING ON THE SINKING PLANE,
297
00:17:56,642 --> 00:17:57,943
ABOUT TO BE RESCUED.
298
00:17:59,011 --> 00:18:03,249
L. Orr: BUT BILL WEST’S FOOT
GET STUCK ON AN ANTENNA WIRE.
299
00:18:03,282 --> 00:18:05,117
\h\hAND HE WAS TAKEN
DOWN WITH THE PLANE.
300
00:18:07,987 --> 00:18:10,823
Kleiss: IN JUST A FEW
SECONDS, HE WAS GONE.
301
00:18:11,691 --> 00:18:14,761
WATCHING A GOOD FRIEND
DIE IN A FREAK ACCIDENT
302
00:18:14,794 --> 00:18:16,663
PRACTICALLY KILLED MY SOUL.
303
00:18:18,664 --> 00:18:22,134
\h\h\hNarrator: MANY WONDER IF
THEY’RE TRULY READY FOR COMBAT.
304
00:18:27,073 --> 00:18:32,078
THEY LOOK SHARP IN UNIFORM,
\h\h\h\hMEN READY TO FIGHT.
305
00:18:33,913 --> 00:18:36,716
AT EASE, THEY LOOK LIKE BOYS.
306
00:18:37,817 --> 00:18:39,352
Toll: IF YOU LOOK AT A
\h\hHIGH SCHOOL CLASS
307
00:18:39,385 --> 00:18:41,087
SAY OF JUNIORS AND SENIORS,
308
00:18:41,120 --> 00:18:43,122
THAT’S THE GROUP OF
PEOPLE ESSENTIALLY
309
00:18:43,155 --> 00:18:46,458
WHO WERE MANNING THE FLEET.
310
00:18:46,492 --> 00:18:49,495
\hNarrator: DUSTY IS IN
HIS MID 20S, AN OLD MAN
311
00:18:49,528 --> 00:18:52,364
COMPARED TO THE TEENAGERS
\h\hIN THE WARTIME NAVY.
312
00:18:53,366 --> 00:18:56,703
\h\h\hToll: THIS WAS THE VERY
BEGINNING OF THEIR ADULT LIVES
313
00:18:56,736 --> 00:18:59,239
AND THEY HAD THE KIND
\hOF TEACH THEMSELVES
314
00:18:59,271 --> 00:19:01,039
HOW TO BE AT WAR, HOW TO FIGHT.
315
00:19:01,073 --> 00:19:03,208
THEY HAD TO LEARN HOW
TO FIGHT BY FIGHTING.
316
00:19:05,811 --> 00:19:08,614
\h\h\hNarrator: ON
FEBRUARY 1ST, 1942,
317
00:19:08,648 --> 00:19:11,551
\h\hTHE USS ENTERPRISE
SNEAKS INTO THE WATERS
318
00:19:11,584 --> 00:19:12,985
OF THE JAPANESE EMPIRE,
319
00:19:13,019 --> 00:19:16,289
\h\hAPPROACHING THE MARSHALL
ISLANDS IN THE SOUTH PACIFIC.
320
00:19:17,590 --> 00:19:18,691
Kleiss: I WANTED
\hAN OPPORTUNITY
321
00:19:18,724 --> 00:19:21,160
\h\h\h\hTO FIGHT BACK
AGAINST THE JAPANESE.
322
00:19:21,193 --> 00:19:25,164
\h\h\h\hWE FELT OUTNUMBERED,
CORNERED BY A GARGANTUAN FOE.
323
00:19:25,197 --> 00:19:26,365
BUT I WAS EAGER.
324
00:19:26,399 --> 00:19:29,002
IT WAS THE TIME TO FIGHT
AND I FELT READY FOR IT.
325
00:19:29,869 --> 00:19:32,105
Orr: AND ALL OF THESE
\h\hRAIDS ARE AGAINST
326
00:19:32,138 --> 00:19:34,707
JAPANESE LAND-BASED PLANES,
327
00:19:34,740 --> 00:19:37,309
AGAINST THEIR AIRSTRIPS
\hAND THEIR GARRISONS.
328
00:19:39,945 --> 00:19:42,781
(DRAMATIC MUSIC)
329
00:19:49,355 --> 00:19:52,225
Narrator: DUSTY FENDS
OFF ANTI-AIRCRAFT FIRE
330
00:19:52,258 --> 00:19:54,093
TO OBLITERATE A PARKED PLANE
331
00:19:55,261 --> 00:19:57,730
AND SCORE A HIT ON
A CRUISER IN PORT.
332
00:19:59,899 --> 00:20:02,602
HIS DIVE BOMBING SKILLS
\h\hARE PROVING DEADLY.
333
00:20:04,336 --> 00:20:07,039
\h\h\h\hDUSTY KLEISS IS
BEGINNING TO STAND OUT.
334
00:20:11,243 --> 00:20:13,746
WEEKS LATER, HE STANDS TALL.
335
00:20:15,014 --> 00:20:18,251
\hCOMING TO FACE HIM IS
ADMIRAL NIMITZ HIMSELF.
336
00:20:19,218 --> 00:20:20,519
Orr: THE MEDAL THAT
\h\hHE IS RECEIVING
337
00:20:20,553 --> 00:20:22,288
IS THE DISTINGUISHED
\h\h\hFLYING CROSS,
338
00:20:22,321 --> 00:20:25,157
WHICH IS ONE OF THE HIGHEST
AWARDS AN AVIATOR CAN GET.
339
00:20:26,358 --> 00:20:28,660
L. Orr: AND ALL HE COULD
\hTHINK AT THAT TIME WAS
340
00:20:28,694 --> 00:20:31,463
"WHY ME? I DON’T DESERVE IT."
341
00:20:31,497 --> 00:20:32,398
Kleiss: I HAD
\h\hJUST LOST
342
00:20:32,431 --> 00:20:34,166
ONE OF MY BEST FRIENDS,
343
00:20:34,200 --> 00:20:37,136
AND HERE I WAS ABOUT
TO RECEIVE AN AWARD.
344
00:20:38,170 --> 00:20:42,508
\h\h\hNarrator: BUT WHEN NIMITZ
GETS TO DUSTY, THEIR EYES LOCK.
345
00:20:42,541 --> 00:20:44,109
Kleiss: HIS STARE
\h\h\h\hJOLTED ME
346
00:20:44,143 --> 00:20:48,614
LIKE A SHOT OF WHISKEY, HIS
EYES PENETRATING AND HONEST.
347
00:20:48,647 --> 00:20:51,316
A LEADER HAD PUT THE
\hFIGHT BACK IN ME.
348
00:20:53,119 --> 00:20:54,220
Narrator: AT THIS MOMENT,
349
00:20:54,253 --> 00:20:57,056
NIMITZ KNOWS SOMETHING
\h\h\h\hDUSTY DOESN’T.
350
00:21:01,227 --> 00:21:03,262
\hFOR MONTHS, CODE
BREAKERS HAVE BEEN
351
00:21:03,295 --> 00:21:06,365
PORING OVER INTERCEPTED
\h\hJAPANESE MESSAGES.
352
00:21:08,367 --> 00:21:13,372
\hBY MAY OF 1942, THEY HAVE A
BLURRY GLIMPSE OF ENEMY PLANS.
353
00:21:13,606 --> 00:21:17,043
Toll: THEY COULD BREAK JUST
\hENOUGH OF THESE MESSAGES,
354
00:21:17,076 --> 00:21:18,611
THAT THEY COULD FILL IN THE REST
355
00:21:18,644 --> 00:21:20,312
WITH INFERENCE AND DEDUCTION.
356
00:21:21,280 --> 00:21:25,217
\h\h\hNarrator: THEY DEDUCE THE
JAPANESE PLAN TO ATTACK MIDWAY,
357
00:21:25,251 --> 00:21:29,489
\h\hDEAD CENTER OF THE PACIFIC,
AND CENTRAL TO WINNING THE WAR.
358
00:21:30,790 --> 00:21:33,026
\h\hADMIRAL NIMITZ
WEIGHS HIS OPTIONS.
359
00:21:34,460 --> 00:21:38,731
HE HAS FEWER AIRCRAFT CARRIERS,
AND LESS EXPERIENCED MEN.
360
00:21:40,266 --> 00:21:42,235
BUT HE ROLLS THE DICE
361
00:21:42,268 --> 00:21:45,805
AND BETS THEM ALL IN
\hONE DARING GAMBLE.
362
00:21:45,838 --> 00:21:49,075
(DRAMATIC MUSIC)
363
00:21:49,108 --> 00:21:53,012
JAPAN SENDS FOUR BATTLE-TESTED
\h\h\hCARRIERS TOWARD MIDWAY.
364
00:21:55,047 --> 00:21:59,251
\hOrr: THE JAPANESE ARE GOING
INTO MIDWAY FAIRLY CONFIDENT.
365
00:22:00,252 --> 00:22:05,224
\hTHEY BELIEVE THE AMERICAN
CARRIERS ARE STILL IN PORT.
366
00:22:05,257 --> 00:22:06,859
\hNarrator: THREE
AMERICAN CARRIERS
367
00:22:06,892 --> 00:22:11,897
\hSECRETLY SAIL TO MEET THEM,
INCLUDING THE USS ENTERPRISE.
368
00:22:13,833 --> 00:22:17,170
\h\hIN THE CAT AND MOUSE
GAME OF CARRIER WARFARE,
369
00:22:17,203 --> 00:22:18,671
SURPRISE MATTERS.
370
00:22:19,839 --> 00:22:21,741
IT PAYS TO BE THE CAT.
371
00:22:23,142 --> 00:22:25,277
Kleiss: THE PRESENCE OF OUR
\h\h\h\hCARRIER TASK FORCE
372
00:22:25,311 --> 00:22:26,746
HAD TO REMAIN A SECRET.
373
00:22:28,280 --> 00:22:31,817
THIS MIGHT BE THE SHOWDOWN
\hFOR THE CENTRAL PACIFIC.
374
00:22:37,489 --> 00:22:39,291
Narrator: ALASKA’S
\hALEUTIAN ISLANDS
375
00:22:39,325 --> 00:22:42,461
ARE COLD, WINDSWEPT, AND BARREN.
376
00:22:44,930 --> 00:22:48,967
IN 1942 THE AMERICAN BASES
\h\hHERE AREN’T MUCH MORE
377
00:22:49,001 --> 00:22:52,338
\hTHAN CREAKY CLAPBOARD,
AND ICE-BOUND EQUIPMENT.
378
00:22:54,173 --> 00:22:57,576
BUT THEY’RE A KEY PIECE
OF THE PACIFIC PUZZLE.
379
00:23:00,446 --> 00:23:03,249
FROM THIS PERCH, THEY
\hCOMBINE WITH MIDWAY
380
00:23:03,282 --> 00:23:06,018
TO CONTROL NORTH PACIFIC WATERS,
381
00:23:06,051 --> 00:23:10,122
AND KEEP JAPAN FROM THREATENING
AMERICA’S WEST COAST.
382
00:23:10,155 --> 00:23:12,724
THAT’S WHY JAPAN WANTS THEM ALL.
383
00:23:13,893 --> 00:23:17,130
Orr: THE NEXT BIG JAPANESE
OPERATION IS TWO-PRONGED,
384
00:23:17,162 --> 00:23:19,831
\hONE SPEAR AIMED
AT THE ALEUTIANS,
385
00:23:19,865 --> 00:23:23,936
AND THEN BIGGER MORE POTENT
SPEAR AIMED AT MIDWAY ATOLL.
386
00:23:26,071 --> 00:23:27,172
Narrator: ON JUNE 3RD,
387
00:23:27,206 --> 00:23:30,142
JAPAN BEGINS ATTACKING
\h\h\h\hAMERICAN BASES
388
00:23:30,175 --> 00:23:31,376
IN THE ALEUTIAN ISLANDS.
389
00:23:35,781 --> 00:23:38,517
THEIR MASTER PLAN IS UNDERWAY.
390
00:23:43,789 --> 00:23:46,025
MORE THAN A THOUSAND MILES AWAY,
391
00:23:46,058 --> 00:23:50,095
THE AMERICAN ARMADA DOES NOTHING
TO SAVE THE TINY ALEUTIANS.
392
00:23:52,097 --> 00:23:53,498
THEY’RE LYING IN WAIT
393
00:23:53,532 --> 00:23:55,901
FOR THE FOUR POWERFUL
\h\hJAPANESE CARRIERS
394
00:23:55,935 --> 00:23:59,205
EXPECTED TO ATTACK
MIDWAY ON JUNE 4TH.
395
00:24:01,807 --> 00:24:05,611
\h\hON JUNE 3RD, COMMANDERS
TELL EVERYONE TO WRITE HOME,
396
00:24:05,644 --> 00:24:07,779
IN CASE THEY DON’T RETURN.
397
00:24:08,714 --> 00:24:12,084
Toll: THERE WAS A REMARKABLE
\h\hKIND OF SENSE BEFOREHAND
398
00:24:12,117 --> 00:24:13,785
THAT THIS WAS GOING
\hTO BE ONE OF THE
399
00:24:13,819 --> 00:24:15,721
\h\hGREATEST NAVAL
BATTLES IN HISTORY
400
00:24:15,754 --> 00:24:19,658
THAT IT MIGHT DECIDE THE
ENTIRE COURSE OF THE WAR.
401
00:24:21,293 --> 00:24:24,163
THEY WOULD HAVE TO TAKE ON
402
00:24:24,196 --> 00:24:27,466
\h\hTHE VERY BEST OF THE
JAPANESE NAVAL AVIATORS,
403
00:24:29,969 --> 00:24:32,305
\hAND THAT A LOT OF THEM
WOULDN’T BE COMING HOME.
404
00:24:36,942 --> 00:24:38,343
Narrator: JACK "DUSTY" KLEISS
405
00:24:38,377 --> 00:24:40,479
WRITES A LETTER TO HIS LOVE,
406
00:24:40,512 --> 00:24:42,514
THINKING IT MIGHT BE HIS LAST.
407
00:24:45,084 --> 00:24:47,186
Kleiss: WOULD I
\hDIE TOMORROW?
408
00:24:47,219 --> 00:24:50,823
\hI HAD TO MAKE IT CLEAR
THAT I LOVED HER DEEPLY.
409
00:24:52,424 --> 00:24:54,593
\hL. Orr: HE JUST
WANTS HER TO KNOW
410
00:24:54,626 --> 00:24:56,962
WHAT HE FEELS FOR
HER AT THIS POINT
411
00:24:56,996 --> 00:25:00,099
IN CASE SHE NEVER SEES HIM
\hOR HEARS FROM HIM AGAIN
412
00:25:00,132 --> 00:25:01,634
AFTER THIS BATTLE IS OVER.
413
00:25:06,538 --> 00:25:09,775
(OMINOUS MUSIC)
414
00:25:09,808 --> 00:25:12,077
Narrator: JUNE 4TH, 1942.
415
00:25:13,045 --> 00:25:15,814
THE AMERICAN BASE AT
MIDWAY IS ON ALERT.
416
00:25:16,949 --> 00:25:20,586
REINFORCEMENTS ARE ON THE RUNWAY
FROM EVERY SERVICE BRANCH.
417
00:25:22,755 --> 00:25:25,458
GROUND FORCES INCLUDE
\h\hMARINE BATTALIONS
418
00:25:25,491 --> 00:25:27,693
READY TO FIGHT OFF
\hA LAND INVASION.
419
00:25:29,762 --> 00:25:33,299
BUT THE FIRST INVASION
\hCOMES FROM THE SKY.
420
00:25:33,332 --> 00:25:36,168
(DRAMATIC MUSIC)
421
00:25:38,871 --> 00:25:43,876
FOUR JAPANESE CARRIERS LAUNCH
108 PLANES IN JUST 15 MINUTES.
422
00:25:50,783 --> 00:25:55,154
THEY EXPERTLY COALESCE INTO A
SINGLE ROARING ATTACK FORCE.
423
00:25:58,157 --> 00:26:00,459
WHEN MIDWAY’S RADAR
\h\hPICKS THEM UP,
424
00:26:00,492 --> 00:26:03,428
\hCOMMANDERS ORDER ALL
PLANES OFF THE GROUND.
425
00:26:07,566 --> 00:26:10,636
\hBOMBERS LIKE THE B
-17 AND THE DAUNTLESS
426
00:26:10,669 --> 00:26:13,839
\h\hSET OFF TO FIND
THE ENEMY CARRIERS.
427
00:26:13,872 --> 00:26:16,208
FIGHTERS LIKE THE WILDCAT RISE
428
00:26:16,241 --> 00:26:18,543
TO ENGAGE WITH THE
\hINCOMING PLANES.
429
00:26:20,646 --> 00:26:22,715
THE BATTLE OF MIDWAY IS ON.
430
00:26:24,149 --> 00:26:25,450
Toll: THE ISLAND WAS READY.
431
00:26:27,119 --> 00:26:30,889
\h\hYET, THE FIGHTER
SQUADRONS OVER MIDWAY
432
00:26:30,923 --> 00:26:32,892
WERE NOT ABLE TO COMPETE AT ALL
433
00:26:32,925 --> 00:26:35,428
\hWITH THE JAPANESE
ZEROS THAT CAME IN.
434
00:26:36,829 --> 00:26:38,631
\h\hNarrator: ZEROS
SHOOT DOWN VIRTUALLY
435
00:26:38,664 --> 00:26:43,335
\h\hEVERY AMERICAN FIGHTER
PLANE SENT UP TO STOP THEM.
436
00:26:43,368 --> 00:26:46,338
THEN, JAPANESE BOMBERS
\h\hHAVE A FIELD DAY.
437
00:26:50,209 --> 00:26:51,310
Orr: THIS PHASE OF THE ACTION
438
00:26:51,343 --> 00:26:53,412
\hGOES VERY BADLY
FOR THE AMERICANS.
439
00:26:55,380 --> 00:27:00,352
THE JAPANESE CUT THROUGH THE
AMERICAN DEFENSES WITH EASE.
440
00:27:03,489 --> 00:27:06,625
Narrator: THE TINY ISLAND
TAKES PUNCH AFTER PUNCH.
441
00:27:09,495 --> 00:27:11,030
BARRACKS.
442
00:27:11,063 --> 00:27:12,932
AIRPLANE HANGARS.
443
00:27:12,965 --> 00:27:14,800
OIL TANKS.
444
00:27:14,833 --> 00:27:16,568
THE AMERICAN BASE ON MIDWAY
445
00:27:16,602 --> 00:27:19,371
\h\hIS GOING UP IN
THICK BLACK SMOKE.
446
00:27:24,042 --> 00:27:25,877
THE BOMBERS THAT GOT OFF MIDWAY
447
00:27:25,911 --> 00:27:29,014
FIND THE JAPANESE CARRIERS
\h\hFOR A COUNTER ATTACK.
448
00:27:36,221 --> 00:27:40,158
Orr: 51 PLANES GO INTO ACTION
\h\h\hAND THEY GET ZERO HITS.
449
00:27:41,059 --> 00:27:44,095
THE JAPANESE FLEET GETS
AWAY UNSCATHED, NO HITS.
450
00:27:46,565 --> 00:27:47,733
AND FURTHER SOME OF THESE
451
00:27:47,766 --> 00:27:50,402
MIDWAY-BASED SQUADRONS
\h\hSUFFERED TERRIBLY.
452
00:27:52,171 --> 00:27:54,607
Narrator: MIDWAY’S AIR
SQUADRONS ARE SHREDDED,
453
00:27:56,041 --> 00:27:58,210
AND THE ISLAND IS STILL ABLAZE.
454
00:28:00,112 --> 00:28:04,083
BUT RETURNING JAPANESE PILOTS
\hRECOMMEND MORE AIR STRIKES
455
00:28:04,116 --> 00:28:05,884
BEFORE A LAND INVASION.
456
00:28:09,788 --> 00:28:12,491
THE DECISION FALLS
TO ADMIRAL NAGUMO.
457
00:28:13,692 --> 00:28:17,129
Toll: ADMIRAL NAGUMO HAD LED
\hTHE CARRIER STRIKING FORCE
458
00:28:17,162 --> 00:28:18,830
AGAINST PEARL HARBOR.
459
00:28:18,864 --> 00:28:21,700
\h\hHE WAS STILL IN THE SAME
JOB AT THE BATTLE OF MIDWAY.
460
00:28:23,602 --> 00:28:26,338
Narrator: HE’S BEEN HOLDING
BACK TORPEDO-LOADED PLANES
461
00:28:26,371 --> 00:28:29,941
TO FACE ANY AMERICAN
SHIPS THAT SHOW UP.
462
00:28:29,975 --> 00:28:33,645
\h\h\hBUT NONE HAVE, AND HE
DOESN’T EXPECT ANY FOR DAYS.
463
00:28:35,080 --> 00:28:39,051
\h\h\hSO HE ORDERS HIS ATTACK
PLANES TO SWITCH TO LAND BOMBS
464
00:28:39,084 --> 00:28:40,919
FOR A SECOND ATTACK ON MIDWAY.
465
00:28:42,421 --> 00:28:44,890
CARRIER CREWS HUSTLE
TO MAKE THE CHANGE.
466
00:28:47,426 --> 00:28:49,728
Orr: BUT WHILE THAT REARMAMENT
\h\h\h\h\h\hTHAT IS GOING ON,
467
00:28:49,761 --> 00:28:52,364
\h\h\hTHAT IS WHEN HE
FINALLY GETS AN UPDATE
468
00:28:52,397 --> 00:28:54,532
FROM ONE OF HIS SCOUT PLANES
469
00:28:54,566 --> 00:28:57,402
THAT THERE ARE AMERICAN
\h\hSHIPS IN THE AREA.
470
00:28:58,470 --> 00:29:01,139
\h\h\h\hNarrator: WITH HIS
FLIGHT DECKS IN TRANSITION,
471
00:29:01,173 --> 00:29:05,644
NAGUMO GETS WORD OF A MYSTERIOUS
FLEET ON HIS LEFT FLANK.
472
00:29:05,677 --> 00:29:07,345
Toll: THE FIRST REPORTS
\h\h\h\hDIDN’T MENTION
473
00:29:07,379 --> 00:29:09,615
THE PRESENCE OF CARRIERS AT ALL.
474
00:29:09,648 --> 00:29:12,351
\hAND SO HIS INITIAL
INSTINCT WAS TO WAIT
475
00:29:12,384 --> 00:29:15,387
AND TO RECEIVE MORE CLARITY
476
00:29:15,420 --> 00:29:17,656
ON PRECISELY WHAT
\hTHIS FLEET WAS.
477
00:29:18,757 --> 00:29:21,093
\h\hNarrator: HE PUTS
THE RE-ARMING ON HOLD,
478
00:29:21,126 --> 00:29:22,861
LEAVING HIS OPTIONS OPEN.
479
00:29:23,829 --> 00:29:26,398
WITH FOUR CARRIERS
\hAT HIS COMMAND,
480
00:29:26,431 --> 00:29:29,134
HE’S GOT FIREPOWER TO SPARE.
481
00:29:32,437 --> 00:29:36,408
NEWS OF JAPAN’S ATTACK ON MIDWAY
REACHES THE AMERICAN FLEET.
482
00:29:39,378 --> 00:29:42,514
THEY COME TO LIFE FOR THE
\hSURPRISE COUNTERATTACK.
483
00:29:46,218 --> 00:29:48,854
ADMIRAL NIMITZ’S BIG
\hGAMBLE NOW DEPENDS
484
00:29:48,887 --> 00:29:51,356
\hON A HANDFUL OF
PILOTS AND PLANES,
485
00:29:53,859 --> 00:29:56,528
INCLUDING THE TORPEDO BOMBERS.
486
00:30:01,900 --> 00:30:02,934
\h\hGoodspeed: THE
AIRCRAFT BEHIND ME
487
00:30:02,968 --> 00:30:05,404
IS A TBF AVENGER
TORPEDO BOMBER,
488
00:30:05,437 --> 00:30:08,373
WHICH WAS INTRODUCED TO COMBAT
\hDURING THE BATTLE OF MIDWAY.
489
00:30:09,808 --> 00:30:12,411
\h\hNarrator: THE AVENGER,
ALONG WITH THE DEVASTATOR,
490
00:30:12,444 --> 00:30:14,713
ARE THE TWO TYPES
OF TORPEDO BOMBERS
491
00:30:14,746 --> 00:30:16,815
\h\h\hIN BATTLE THE
MORNING OF JUNE 4TH.
492
00:30:17,849 --> 00:30:19,551
Goodspeed: THESE TORPEDO
\hBOMBERS WERE DESIGNED
493
00:30:19,584 --> 00:30:23,488
TO DELIVER A TORPEDO ATTACK
BY FLYING LOW TO THE WATER
494
00:30:23,522 --> 00:30:26,458
\h\hAND DROPPING THEIR ORDNANCE
THAT WOULD RUN STRAIGHT AND TRUE
495
00:30:26,491 --> 00:30:28,760
INTO THE SIDES OF AN ENEMY SHIP.
496
00:30:28,794 --> 00:30:30,496
\h\h\hNarrator: BUT THE
TORPEDOES THEY’RE USING
497
00:30:30,529 --> 00:30:32,731
ARE KNOWN TO BE FAULTY.
498
00:30:32,764 --> 00:30:36,134
\h\hSOME GO IN CIRCLES,
OTHERS FAIL TO EXPLODE.
499
00:30:37,135 --> 00:30:39,471
\h\h\h\hEACH CREW KNOWS
THEY’RE ENTERING COMBAT
500
00:30:39,504 --> 00:30:41,740
WITH A BOMB THAT MIGHT NOT WORK.
501
00:30:43,542 --> 00:30:46,478
\hAND DELIVERING THAT
BOMB IS RISKY ENOUGH.
502
00:30:46,511 --> 00:30:48,646
\hGoodspeed: THE TORPEDO BOMBERS
THEMSELVES WERE VERY VULNERABLE.
503
00:30:48,680 --> 00:30:50,415
\hTHEY HAD TO GO TO
RELATIVELY LOW SPEED
504
00:30:50,449 --> 00:30:52,751
AND CERTAINLY DROP
FROM LOW ALTITUDE.
505
00:30:52,784 --> 00:30:55,453
SO WHAT THE TORPEDO
BOMBERS RELIED UPON
506
00:30:55,487 --> 00:30:57,189
WAS A COORDINATED ATTACK.
507
00:30:58,523 --> 00:31:02,827
Narrator: IN AN IDEAL ATTACK,
TORPEDO BOMBERS GO IN LOW,
508
00:31:02,861 --> 00:31:04,696
WITH COVER FROM WILDCATS.
509
00:31:06,365 --> 00:31:10,069
THEN DAUNTLESS DIVE BOMBERS
\h\h\hCOME IN OVER THE TOP,
510
00:31:10,102 --> 00:31:11,604
OVERWHELMING THE ENEMY.
511
00:31:13,004 --> 00:31:15,273
THIS IS THE IDEAL SCENARIO.
512
00:31:16,775 --> 00:31:17,843
Goodspeed: BUT AT THE
\h\hBATTLE OF MIDWAY,
513
00:31:17,876 --> 00:31:20,178
NOTHING WAS NORMAL OR IDEAL.
514
00:31:20,212 --> 00:31:23,449
(OMINOUS MUSIC)
515
00:31:23,482 --> 00:31:26,318
Narrator: ON THE ENTERPRISE,
\h\hCOMMANDERS BRIEF PILOTS
516
00:31:26,351 --> 00:31:29,354
\h\h\h\hON THE MOST IMPORTANT
MISSION OF THEIR YOUNG LIVES.
517
00:31:30,989 --> 00:31:34,125
\hTWO BEST FRIENDS GET
THEIR MARCHING ORDERS.
518
00:31:34,159 --> 00:31:37,095
L. Orr: DUSTY RUNS INTO
\hTOM, HIS BEST FRIEND
519
00:31:37,129 --> 00:31:39,164
ON THE FLIGHT DECK
\h\hOF ENTERPRISE.
520
00:31:39,998 --> 00:31:41,433
THEY STOP AND TALK TO EACH OTHER
521
00:31:41,466 --> 00:31:43,835
FOR JUST A COUPLE OF MINUTES,
522
00:31:43,869 --> 00:31:47,740
\h\h\hAND THEY TAKE A
MOMENT TO SAY GOODBYE.
523
00:31:47,773 --> 00:31:50,542
(SUSPENSEFUL MUSIC)
524
00:31:50,575 --> 00:31:53,578
\h\h\h\h\hNarrator: EVERY DRILL
THEY’VE DONE IS FOR THIS MOMENT.
525
00:31:54,546 --> 00:31:56,214
EVERYONE UNDERSTANDS THE RISK.
526
00:31:57,716 --> 00:31:59,718
BUT THEY FACE IT WITH A ROAR.
527
00:32:01,253 --> 00:32:04,623
Orr: YOU HAVE THE SQUADRONS ALL
LINED UP ON THE FLIGHT DECK
528
00:32:04,656 --> 00:32:06,224
AND ALL THE ENGINES ARE RUNNING
529
00:32:08,460 --> 00:32:10,996
AND IT HAS JUST AN INCREDIBLE
\h\h\h\hEAR SPLITTING NOISE.
530
00:32:11,029 --> 00:32:12,497
YOU CAN’T HEAR ANYTHING.
531
00:32:15,634 --> 00:32:18,203
Narrator: AMERICANS
HAVE AN ATTACK PLAN,
532
00:32:18,236 --> 00:32:20,638
\h\hSIMILAR TO WHAT
THE JAPANESE CAN DO
533
00:32:20,672 --> 00:32:22,474
WITH THEIR CARRIER FORCES.
534
00:32:23,742 --> 00:32:28,614
\h\hOrr: THEY ATTEMPT TO PUT ALL
THEIR PLANES INTO ONE BIG SWARM.
535
00:32:29,681 --> 00:32:31,349
AND THIS IS SOMETHING THAT
\hWORKED FOR THE JAPANESE
536
00:32:31,383 --> 00:32:34,786
\hAT PEARL HARBOR BUT IT
IS A VERY AMBITIOUS THING
537
00:32:34,820 --> 00:32:37,256
AND VERY DIFFICULT TO EXECUTE.
538
00:32:38,557 --> 00:32:40,959
Narrator: THEY STRUGGLE
TO SYNC UP THE AIRCRAFT
539
00:32:40,992 --> 00:32:44,362
OF THREE CARRIERS INTO A
SINGLE COORDINATED RAID.
540
00:32:46,231 --> 00:32:48,066
LAUNCHES ARE DELAYED.
541
00:32:48,099 --> 00:32:50,168
FORMATIONS COME APART.
542
00:32:50,202 --> 00:32:54,139
\hAND THERE’S ONLY A VAGUE
IDEA OF WHERE THE ENEMY IS.
543
00:32:54,172 --> 00:32:56,307
Toll: ON EACH CARRIER
\h\h\hAND EVEN WITHIN
544
00:32:56,341 --> 00:32:58,743
\h\h\h\hTHE DIFFERENT AIR
SQUADRONS ON EACH CARRIER,
545
00:32:58,777 --> 00:33:01,947
THERE WERE DIFFERENT IDEAS
\hABOUT WHAT ROUTE TO FLY.
546
00:33:01,980 --> 00:33:04,249
\h\hAND SO YOU HAD
DIFFERENT SQUADRONS
547
00:33:04,282 --> 00:33:08,019
\h\hESSENTIALLY FOLLOWING THEIR
OWN NOSE TO THE JAPANESE FLEET,
548
00:33:08,053 --> 00:33:09,588
FLYING IN DIFFERENT DIRECTIONS.
549
00:33:12,190 --> 00:33:15,827
\h\h\hNarrator: AS AMERICANS
FUMBLE THEIR WAY INTO COMBAT,
550
00:33:15,861 --> 00:33:19,598
JAPAN’S MIDWAY STRIKE FORCE
RETURNS TO THEIR CARRIERS.
551
00:33:20,765 --> 00:33:22,433
THEY’RE BACK AT FULL STRENGTH.
552
00:33:24,669 --> 00:33:28,640
NAGUMO NEEDS ABOUT 45 MINUTES
\hTO RE-ARM HIS ATTACK FORCE.
553
00:33:29,875 --> 00:33:33,145
HE DOESN’T KNOW AMERICA’S
\h\hCARRIERS ARE NEARBY,
554
00:33:34,579 --> 00:33:39,017
\hWITH THEIR PLANES IN THE
AIR, HOWEVER DISORGANIZED.
555
00:33:41,786 --> 00:33:45,156
FINALLY, A LONE SQUADRON
\h\hFROM THE USS HORNET
556
00:33:45,190 --> 00:33:47,125
FINDS THE JAPANESE FLEET.
557
00:33:48,293 --> 00:33:52,097
IT’S A TORPEDO SQUADRON,
\hWITH NO FIGHTER COVER,
558
00:33:52,130 --> 00:33:53,765
AND NO SMOKE SCREENS.
559
00:33:56,501 --> 00:33:57,902
BUT THEY POINT THEIR NOSES
560
00:33:57,936 --> 00:34:01,807
\hINTO THE HEART OF THE
JAPANESE IMPERIAL NAVY.
561
00:34:07,212 --> 00:34:10,215
\hTHE BATTLE OF MIDWAY
HAS BEEN A ROUT SO FAR.
562
00:34:11,583 --> 00:34:15,020
JAPAN HAS CRUSHED THE ISLAND
THEY WANT AS THEIR NEW BASE
563
00:34:15,053 --> 00:34:16,488
IN THE CENTRAL PACIFIC.
564
00:34:17,689 --> 00:34:19,724
Orr: BUT THE OTHER ASPECT
\h\h\h\hOF THIS CAMPAIGN
565
00:34:19,758 --> 00:34:21,693
AND THE ONE THAT IS
FAR MORE IMPORTANT
566
00:34:21,726 --> 00:34:23,928
TO THEIR LONG-TERM
GOALS IS THE HOPE
567
00:34:23,962 --> 00:34:27,165
THAT THE ATTACK ON MIDWAY
\h\hIS GOING TO BE A LURE
568
00:34:27,198 --> 00:34:29,434
\hTHAT WILL BRING THE
AMERICAN CARRIERS OUT
569
00:34:29,467 --> 00:34:31,836
FROM THEIR PORT IN PEARL HARBOR.
570
00:34:33,872 --> 00:34:35,440
\h\h\hNarrator: NAGUMO
THINKS HE’LL HAVE DAYS
571
00:34:35,473 --> 00:34:38,309
TO PREPARE HIS AMBUSH
ON AMERICAN CARRIERS.
572
00:34:39,377 --> 00:34:42,013
\h\h\hHE DOESN’T KNOW
THEY’RE ALREADY HERE.
573
00:34:45,250 --> 00:34:49,788
A SQUADRON OF TORPEDO BOMBERS
\hAPPROACHES NAGUMO’S FLEET,
574
00:34:49,821 --> 00:34:53,091
\hFLYING IN LOW AND
SLOW, AND ALL ALONE.
575
00:34:54,926 --> 00:34:56,828
Orr: THEY HAD BEEN
INSTRUCTED TO FLY
576
00:34:56,861 --> 00:35:01,866
AT JUST ABOVE STALLING SPEED
JUST 50 FEET ABOVE THE WAVES
577
00:35:02,067 --> 00:35:05,003
AND THEY ARE TO CLOSE
\h\hWITHIN 500 YARDS
578
00:35:05,036 --> 00:35:08,706
OF THE JAPANESE TARGETS BEFORE
THEY RELEASE THEIR TORPEDOES.
579
00:35:08,740 --> 00:35:11,743
AND TO DO THIS IS BASICALLY
\h\hTANTAMOUNT TO SUICIDE.
580
00:35:14,312 --> 00:35:15,747
Narrator: WITHOUT
\hFIGHTER COVER,
581
00:35:15,780 --> 00:35:17,382
THE LUMBERING TORPEDO PLANES
582
00:35:17,415 --> 00:35:20,418
\h\hARE NO MATCH FOR A
SWARM OF NIMBLE ZEROS.
583
00:35:24,189 --> 00:35:26,158
Toll: YOU HAD ONE SQUADRON
\hAFTER ANOTHER COMING IN
584
00:35:26,191 --> 00:35:27,392
AND GETTING MASSACRED.
585
00:35:28,960 --> 00:35:31,963
\h\h\h\hNarrator: MOST ARE SHOT
DOWN BEFORE DROPPING A TORPEDO.
586
00:35:35,767 --> 00:35:39,271
IF THEY GET ONE OFF, THE FAULTY
WEAPON EITHER GOES ASTRAY
587
00:35:39,304 --> 00:35:40,539
OR FAILS TO EXPLODE.
588
00:35:42,674 --> 00:35:45,877
\h\hOrr: THEY SEND THESE POOR
TORPEDO BOMBERS INTO THE FRAY
589
00:35:45,910 --> 00:35:48,446
KNOWING THAT THEIR PRIMARY
\h\hWEAPON DOES NOT WORK.
590
00:35:49,781 --> 00:35:53,118
84% OF THOSE TORPEDO CREWMEN
591
00:35:53,151 --> 00:35:54,919
\h\hTHAT WENT INTO
ACTION ARE KILLED.
592
00:35:56,821 --> 00:36:00,291
\h\h\h\hNarrator: SO FAR, THESE
ATTACKS HAVE YET TO MAKE A DENT.
593
00:36:02,327 --> 00:36:04,396
BUT THEY ARE MAKING
\h\h\hA DIFFERENCE.
594
00:36:05,263 --> 00:36:06,765
Toll: THESE CONSTANT
ATTACKS ARE KIND OF
595
00:36:06,798 --> 00:36:09,267
\h\hPUTTING THE JAPANESE
FLEET ON THEIR BACK FOOT
596
00:36:09,300 --> 00:36:11,702
\hAND FORCING THEM
TO REACT TO EVENTS
597
00:36:11,736 --> 00:36:13,538
RATHER THAN TO SEIZE
\h\hTHE INITIATIVE.
598
00:36:16,307 --> 00:36:19,477
\h\hNarrator: NAGUMO IS
FORCED TO PLAY DEFENSE.
599
00:36:19,511 --> 00:36:22,647
HE CAN’T LAUNCH ANOTHER
\h\h\hATTACK ON MIDWAY.
600
00:36:22,681 --> 00:36:26,418
\hTHE OTHER SIDE’S OFFENSE
IS LARGER THAN HE THOUGHT.
601
00:36:26,451 --> 00:36:29,821
Orr: AT THIS POINT, ADMIRAL
\hNAGUMO IS PROBABLY TRYING
602
00:36:29,854 --> 00:36:32,390
\h\hTO WRAP HIS HEAD
AROUND THE SITUATION.
603
00:36:32,424 --> 00:36:34,960
HE HAS BEEN ATTACKED BY
TORPEDO BOMBER SQUADRONS
604
00:36:34,993 --> 00:36:38,230
THAT ARE CLEARLY CARRIER-BASED
\h\hAND HE’S PROBABLY STARTING
605
00:36:38,263 --> 00:36:41,700
\h\h\hTO REALIZE THAT HIS
ASSUMPTION THAT THERE ARE
606
00:36:41,733 --> 00:36:46,004
NO AMERICAN CARRIERS PRESENT
\h\h\hIS BADLY MISINFORMED.
607
00:36:46,905 --> 00:36:49,741
\h\h\h\hNarrator: A SCOUT
PLANE CONFIRMS HIS HUNCH.
608
00:36:49,774 --> 00:36:52,277
\hTHE PILOT REPORTS
ONE AIRCRAFT CARRIER
609
00:36:52,310 --> 00:36:54,145
AMID THE MYSTERY FLEET.
610
00:36:55,547 --> 00:36:57,849
\h\hTHEY DON’T YET
SEE THE OTHER TWO.
611
00:36:59,951 --> 00:37:02,754
NAGUMO CHANGES HIS PLAN, AGAIN.
612
00:37:04,122 --> 00:37:07,726
NEVER MIND RE-ARMING PLANES
FOR ANOTHER ATTACK ON MIDWAY.
613
00:37:08,626 --> 00:37:12,396
CHANGE BACK TO TORPEDOES
\h\hAND ANTI-SHIP BOMBS.
614
00:37:16,434 --> 00:37:18,703
MEANWHILE, DAUNTLESS
\h\h\h\hDIVE BOMBERS
615
00:37:18,737 --> 00:37:20,939
\h\hARE LOOKING FOR
THE JAPANESE FLEET.
616
00:37:22,073 --> 00:37:25,109
INSIDE ONE COCKPIT
\hIS DUSTY KLEISS.
617
00:37:25,977 --> 00:37:28,613
\h\h\h\hKleiss: OUR SEARCH
SEEMED TO CONTINUE FOREVER.
618
00:37:28,646 --> 00:37:31,415
AFTER FLYING ABOUT 165 MILES,
619
00:37:31,449 --> 00:37:34,152
WE EXPECTED TO FIND
\hTHE ENEMY FLEET.
620
00:37:34,185 --> 00:37:35,553
WE FOUND NOTHING.
621
00:37:36,921 --> 00:37:38,289
Narrator: MOST
OF DUSTY’S UNIT
622
00:37:38,323 --> 00:37:40,625
IS BELOW THE HALFWAY
\h\h\hMARK ON FUEL.
623
00:37:41,493 --> 00:37:45,263
THEIR COMMANDER, WADE MCCLUSKY,
MAKES A DESPERATE CHOICE.
624
00:37:46,297 --> 00:37:48,766
Orr: MCCLUSKY DECIDES
\h\h\hTO KEEP FLYING
625
00:37:48,800 --> 00:37:53,271
EVEN THOUGH IT MEANS THAT HIS
\hPILOTS MIGHT NOT COME BACK
626
00:37:53,304 --> 00:37:56,307
BECAUSE THEY WILL CRASH
FROM EMPTY FUEL TANKS.
627
00:37:56,341 --> 00:37:58,009
L. Orr: EVERY SINGLE
PLANE IN THE SQUADRON
628
00:37:58,042 --> 00:38:00,478
HAS THAT SAME PROBLEM,
629
00:38:00,512 --> 00:38:02,981
BUT NONE OF THOSE PILOTS DECIDE
630
00:38:03,014 --> 00:38:05,083
THEY’RE GOING TO BREAK
FORMATION AND GO HOME.
631
00:38:05,116 --> 00:38:06,651
THAT’S NOT THEIR JOB.
632
00:38:06,684 --> 00:38:09,487
THEIR JOB IS TO FIND
\hTHE JAPANESE FLEET
633
00:38:09,521 --> 00:38:11,890
AND INFLICT AS MUCH
DAMAGE AS POSSIBLE
634
00:38:11,923 --> 00:38:13,591
\hAND THAT’S WHAT
THEY DECIDE TO DO.
635
00:38:15,093 --> 00:38:16,761
Narrator: FINALLY,
\hAMERICANS CATCH
636
00:38:16,795 --> 00:38:18,864
\h\hTHE FIRST LUCKY
BREAK OF THE BATTLE.
637
00:38:19,764 --> 00:38:23,935
MCCLUSKY SPIES A LONE JAPANESE
\h\hDESTROYER, HEADING NORTH.
638
00:38:23,968 --> 00:38:26,671
Orr: HE ASSUMES THAT JAPANESE
\h\h\h\hDESTROYER IS POINTING
639
00:38:26,704 --> 00:38:31,342
\h\hIN THE DIRECTION OF THE
JAPANESE CARRIER TASK FORCE.
640
00:38:31,376 --> 00:38:32,210
SO HE SIGNALS TO HIS SQUADRON
641
00:38:32,243 --> 00:38:33,778
AND THEY ARE GOING TO FOLLOW IT.
642
00:38:36,447 --> 00:38:38,849
\h\h\hNarrator: NAGUMO IS
STILL RE-ARMING HIS PLANES
643
00:38:38,883 --> 00:38:41,619
TO ATTACK THE ONE AMERICAN
\hCARRIER THEY’VE SIGHTED.
644
00:38:42,921 --> 00:38:46,091
\hTHE DAYS HE THOUGHT HE’D
HAVE TO PREPARE HIS AMBUSH
645
00:38:46,124 --> 00:38:48,026
ARE DISSOLVING INTO MINUTES.
646
00:38:49,093 --> 00:38:50,595
Toll: EACH OF HIS
\hCARRIER FLIGHT DECKS,
647
00:38:50,628 --> 00:38:52,864
\h\hHE HAS FOUR OF THEM,
THEY’RE ALL BOTTLENECKS.
648
00:38:53,898 --> 00:38:57,101
\hOrr: MOST OF THE JAPANESE
ORDNANCE MEN HAVE SCATTERED
649
00:38:57,135 --> 00:38:59,704
ALL OF THE BOMBS ABOUT
\h\h\hTHE HANGAR DECK
650
00:38:59,737 --> 00:39:01,572
IN A CARELESS MANNER,
651
00:39:01,606 --> 00:39:04,576
\hAND THIS BASICALLY
TURNS THESE CARRIERS
652
00:39:04,609 --> 00:39:05,944
INTO POTENTIAL BOMBS.
653
00:39:07,812 --> 00:39:09,047
\h\hNarrator: AT
THIS VERY MOMENT,
654
00:39:09,080 --> 00:39:12,183
DUSTY’S SQUADRON FINDS
\hTHE JAPANESE FLEET.
655
00:39:13,484 --> 00:39:14,618
Kleiss: THERE IT WAS,
656
00:39:14,652 --> 00:39:16,754
THE WHOLE JAPANESE
\h\hCARRIER FORCE,
657
00:39:16,788 --> 00:39:18,423
ARRAYED ACROSS THE HORIZON.
658
00:39:19,524 --> 00:39:21,359
\h\h\h\h\hNarrator: OTHER
SQUADRONS HAPPEN TO ARRIVE
659
00:39:21,392 --> 00:39:25,563
AT THE SAME TIME, TORPEDO
\h\h\hAND FIGHTER PLANES.
660
00:39:26,564 --> 00:39:30,435
BY SHEER LUCK, THE IDEAL
ATTACK BEGINS TO UNFOLD.
661
00:39:33,238 --> 00:39:34,906
AMERICAN WILDCAT FIGHTERS
662
00:39:34,939 --> 00:39:38,042
FINALLY MATCH UP
AGAINST THE ZERO.
663
00:39:38,243 --> 00:39:41,480
Toll: FOR THE FIRST TIME YOU
START TO SEE JAPANESE ZEROES
664
00:39:41,512 --> 00:39:43,547
GOING DOWN IN FLAMES
\h\h\hIN THE BATTLE.
665
00:39:45,149 --> 00:39:48,219
THAT GIVES TORPEDO BOMBERS A
BETTER CRACK AT THE CARRIERS
666
00:39:49,821 --> 00:39:53,158
AND DISTRACTS THE JAPANESE
\h\hFROM WHAT’S COMING IN
667
00:39:53,191 --> 00:39:54,959
FROM 20,000 FEET.
668
00:39:58,596 --> 00:40:02,500
DUSTY’S SQUADRON BANKS INTO
A DIVE LIKE BIRDS OF PREY,
669
00:40:02,533 --> 00:40:06,237
AND TAKES AIM AT THE JAPANESE
\h\hCARRIER CALLED THE KAGA.
670
00:40:09,741 --> 00:40:11,610
\h\h\h\h\h\hKleiss: THE
RISING SUN ON KAGA’S BOW
671
00:40:11,643 --> 00:40:15,046
\h\hMADE AN INVITING
TARGET, A BULL’S EYE.
672
00:40:16,447 --> 00:40:18,582
(BOMBS EXPLODING)
673
00:40:18,616 --> 00:40:20,451
Narrator: A CHAIN
REACTION BEGINS.
674
00:40:21,586 --> 00:40:25,790
Toll: THE BOMBS, THE TORPEDOES,
THE FUEL ON THE CARRIER ITSELF
675
00:40:25,823 --> 00:40:28,559
EXPLODES AND TURNS THE WHOLE
\h\hTHING INTO A TINDERBOX.
676
00:40:29,560 --> 00:40:31,929
\h\hNarrator: AS DUSTY
PULLS OUT OF HIS DIVE,
677
00:40:31,963 --> 00:40:33,398
THE ATTACKS CONTINUE.
678
00:40:37,568 --> 00:40:39,804
DOGFIGHTS RAGE ALL AROUND.
679
00:40:41,439 --> 00:40:44,042
\h\hMORE DAUNTLESSES
SCREAM INTO THE FRAY,
680
00:40:50,114 --> 00:40:53,117
AND IN JUST FOUR MINUTES
681
00:40:53,151 --> 00:40:55,387
AMERICANS DELIVER MORTAL BLOWS
682
00:40:55,420 --> 00:40:58,189
TO THREE OF THE FOUR
\hJAPANESE CARRIERS.
683
00:41:02,026 --> 00:41:06,964
THE DIVE BOMBERS HEAD BACK,
CONFIDENT IN THEIR STRIKE.
684
00:41:06,998 --> 00:41:09,734
\hBUT NOT CONFIDENT
IN THEIR FUEL LEVEL.
685
00:41:10,601 --> 00:41:12,636
L. Orr: DUSTY IS CONCERNED.
686
00:41:12,670 --> 00:41:15,339
HE DOESN’T THINK HE HAS
ENOUGH FUEL TO MAKE IT.
687
00:41:15,373 --> 00:41:18,843
HE SLOWS DOWN TRYING
\h\hTO USE LESS FUEL
688
00:41:18,876 --> 00:41:21,479
BUT HE’S VERY WORRIED
THAT HE’S GONNA END UP
689
00:41:21,512 --> 00:41:23,147
HAVING TO DITCH AT SEA.
690
00:41:23,181 --> 00:41:26,351
THIS HAPPENS TO A LOT OF PILOTS
ON THE MORNING OF JUNE 4TH.
691
00:41:28,453 --> 00:41:30,288
Narrator: PLANES
BEGIN TO SPUTTER.
692
00:41:31,389 --> 00:41:32,690
SOME HAVE TO DITCH.
693
00:41:37,395 --> 00:41:40,899
\hBUT FLYING ON FUMES,
DUSTY SPOTS HIS FLEET.
694
00:41:47,505 --> 00:41:49,474
\h\h\hL. Orr: HE ENDS UP
LANDING ABOARD ENTERPRISE
695
00:41:49,507 --> 00:41:51,943
\h\hWITH JUST THREE
GALLONS OF FUEL LEFT
696
00:41:51,976 --> 00:41:54,779
\h\hWHICH IS MAYBE FIVE
MINUTES OF FLYING TIME.
697
00:41:58,683 --> 00:42:01,252
\h\h\h\h\hNarrator: THE
SQUADRONS ARE DECIMATED.
698
00:42:03,855 --> 00:42:05,523
PLANES RETURN CRIPPLED.
699
00:42:08,459 --> 00:42:10,061
MEN RETURN BLOODY,
700
00:42:12,263 --> 00:42:14,432
AND MANY DON’T RETURN AT ALL.
701
00:42:15,299 --> 00:42:18,736
THE ENTERPRISE LOSES ALMOST
\h\hHALF OF ITS FLYING MEN,
702
00:42:20,038 --> 00:42:22,908
INCLUDING DUSTY’S BEST
FRIEND, TOM EVERSOLE.
703
00:42:24,242 --> 00:42:26,611
\h\h\h\h\hKleiss: THE NEWS
HIT ME LIKE A THUNDERCLAP.
704
00:42:26,644 --> 00:42:28,813
I HELD ON TO A DISTANT HOPE THAT
705
00:42:28,846 --> 00:42:30,748
MAYBE HE WAS FLOATING
\h\hIN HIS LIFE RAFT.
706
00:42:30,782 --> 00:42:33,985
BUT DEEP DOWN, I
KNEW HE WAS GONE.
707
00:42:37,088 --> 00:42:39,657
Narrator: THE DAY
IS ONLY HALF OVER,
708
00:42:42,960 --> 00:42:46,964
AND SOON, THE JAPANESE
\h\h\hWILL FIND THEM.
709
00:42:48,299 --> 00:42:50,401
(OMINOUS MUSIC)
710
00:42:50,435 --> 00:42:52,270
ON THE AFTERNOON OF JUNE 4TH,
711
00:42:52,303 --> 00:42:56,507
\h\h\hTHE JAPANESE FLEET AT
MIDWAY IS DOWN, BUT NOT OUT.
712
00:42:57,341 --> 00:43:00,978
ONE CARRIER, THE HIRYU,
\h\hREMAINS UNSCATHED.
713
00:43:02,180 --> 00:43:05,183
IT FIRES OFF A COUNTERATTACK.
714
00:43:05,216 --> 00:43:07,485
Toll: AND THEY ALL GANGED
\h\h\hUP ON THE YORKTOWN.
715
00:43:10,621 --> 00:43:12,456
Narrator: JAPANESE
\hPLANES SCREAM IN
716
00:43:12,490 --> 00:43:15,893
AT ONE AMERICAN CARRIER,
\h\h\hTHE USS YORKTOWN.
717
00:43:21,666 --> 00:43:25,236
JAPAN IS STILL FIGHTING FOR
ITS PLAN TO INVADE MIDWAY,
718
00:43:26,104 --> 00:43:29,107
\hIF THEY CAN KNOCK OUT
SOME AMERICAN CARRIERS.
719
00:43:31,309 --> 00:43:34,979
THROUGH THE MAELSTROM, THREE
\h\hBOMBS HIT THE YORKTOWN.
720
00:43:36,180 --> 00:43:38,749
Orr: THE DAMAGE IS NOT ENOUGH
\h\h\h\hTO SINK THE YORKTOWN,
721
00:43:38,783 --> 00:43:40,652
THOUGH IT DEVELOPS
\hA LIST, THAT IS,
722
00:43:40,685 --> 00:43:43,955
\hA TILT OF ABOUT 30
DEGREES TO ONE SIDE.
723
00:43:46,124 --> 00:43:47,659
BUT THE OTHER TWO CARRIERS,
724
00:43:47,692 --> 00:43:50,428
USS HORNET AND USS ENTERPRISE
725
00:43:50,461 --> 00:43:53,030
\h\hARE STILL PERFECTLY
CAPABLE OF RETALIATING.
726
00:43:56,601 --> 00:43:58,736
\hNarrator: THEY COBBLE
TOGETHER AN ATTACK FORCE
727
00:43:58,769 --> 00:44:01,639
\hFROM PILOTS AND PLANES
WHO SURVIVED THE MORNING,
728
00:44:03,007 --> 00:44:04,242
INCLUDING DUSTY.
729
00:44:05,443 --> 00:44:07,111
\h\h\hKleiss: EVERYONE
WAS CHAMPING AT THE BIT
730
00:44:07,145 --> 00:44:08,313
TO GET AIRBORNE AGAIN.
731
00:44:09,747 --> 00:44:11,415
Orr: THE TORPEDO BOMBERS
\h\h\h\hCAN’T GO AT ALL
732
00:44:11,449 --> 00:44:13,217
\h\hBECAUSE THEY’VE
ALL BEEN SHOT DOWN.
733
00:44:14,752 --> 00:44:17,355
THEY’RE GONNA GO WITH
ONLY THE DIVE BOMBERS.
734
00:44:20,424 --> 00:44:23,060
Narrator: EACH FLEET NOW
KNOWS WHERE THE OTHER IS.
735
00:44:24,562 --> 00:44:26,998
\hTHEY’RE BATTLING
IN BROAD DAYLIGHT.
736
00:44:28,833 --> 00:44:30,601
BUT THE DAUNTLESS DIVE BOMBERS
737
00:44:30,635 --> 00:44:33,204
USE DAYLIGHT TO THEIR ADVANTAGE.
738
00:44:33,237 --> 00:44:35,172
L. Orr: THEY ARE FLYING
\h\h\h\hOUT OF THE SUN,
739
00:44:35,206 --> 00:44:37,675
\hSO WHEN YOU’RE LOOKING
UP FROM A JAPANESE SHIP,
740
00:44:37,708 --> 00:44:41,245
YOU CAN’T SEE THE PLANES
\hCOMING OUT OF THE SUN.
741
00:44:41,279 --> 00:44:42,680
IT’S A PERFECT POSITION.
742
00:44:44,949 --> 00:44:49,520
THEY START TO DIVE ON THE
HIRYU AND AT THAT MOMENT,
743
00:44:49,554 --> 00:44:53,024
\h\h\h\hTHE HIRYU MAKES A
RADICAL TURN TO THE LEFT.
744
00:44:54,192 --> 00:44:56,327
Narrator: TWO BOMBERS
DIVING AHEAD OF DUSTY
745
00:44:56,360 --> 00:44:59,496
MISS THE RAPIDLY
TURNING CARRIER.
746
00:44:59,530 --> 00:45:03,167
\hBUT DUSTY RE-CALIBRATES
HIS DAUNTLESS ON THE FLY.
747
00:45:04,135 --> 00:45:05,703
Kleiss: AS I PLUNGED
\h\h\h\h\hTOWARD THE SEA
748
00:45:05,736 --> 00:45:07,471
I AIMED FOR WHERE
THE SHIP WAS GOING
749
00:45:07,505 --> 00:45:10,308
TO BE AS IT CONTINUED THAT TURN.
750
00:45:10,341 --> 00:45:14,245
\hNarrator: AT 1,500 FEET, HE
YANKS THE BOMB RELEASE LEVER.
751
00:45:15,813 --> 00:45:18,582
(BOMB EXPLODING)
752
00:45:20,484 --> 00:45:23,721
L. Orr: HE’S AN INCREDIBLE PILOT
TO BE ABLE TO KIND OF
753
00:45:23,754 --> 00:45:27,591
\hMANEUVER HIMSELF WHILE
HE’S DIVING TO BE ABLE TO
754
00:45:27,625 --> 00:45:30,328
\h\hHIT THAT SHIP AND GAIN
HIS SECOND HIT OF THE DAY.
755
00:45:31,662 --> 00:45:34,431
\h\h\h\hNarrator: AMERICANS
WRECK FOUR JAPANESE CARRIERS
756
00:45:34,465 --> 00:45:36,233
IN A SINGLE DAY.
757
00:45:36,267 --> 00:45:39,570
\hTHEY TURN JAPAN’S
AMBUSH ON ITS HEAD.
758
00:45:39,604 --> 00:45:42,407
(THOUGHTFUL MUSIC)
759
00:45:42,440 --> 00:45:47,445
DUSTY KLEISS RETURNS TRIUMPHANT,
BUT WITH A HEAVY HEART.
760
00:45:50,448 --> 00:45:51,983
L. Orr: ON THE EVENING
\h\h\h\h\hOF JUNE 4TH
761
00:45:52,016 --> 00:45:54,952
\h\h\h\hAFTER DUSTY HAD
RETURNED TO ENTERPRISE,
762
00:45:54,986 --> 00:45:58,022
HE TAKES SOME TIME TO
WRITE IN HIS LOGBOOK.
763
00:46:00,858 --> 00:46:03,094
AND WHAT HE WRITES
\h\hIN HIS LOGBOOK
764
00:46:03,127 --> 00:46:05,796
\hIS A REMEMBRANCE
OF HIS FRIEND, TOM.
765
00:46:08,432 --> 00:46:13,404
\hHE WRITES, "BREATHE A PRAYER
FOR OUR SUICIDE TBD SQUADRONS."
766
00:46:13,971 --> 00:46:16,540
THOSE MEN, THEY GAVE THEIR LIVES
767
00:46:16,574 --> 00:46:18,643
\h\hSO THAT THE DIVE
BOMBERS COULD ATTACK
768
00:46:18,676 --> 00:46:20,077
ON THE MORNING OF JUNE 4TH.
769
00:46:27,018 --> 00:46:29,888
Narrator: THE NEXT DAY,
AMERICANS KEEP SWINGING
770
00:46:29,920 --> 00:46:31,722
AT AN ENEMY ON THE ROPES.
771
00:46:33,524 --> 00:46:36,861
\h\hJAPANESE SUPPORT SHIPS
COME UNDER WITHERING FIRE.
772
00:46:40,564 --> 00:46:44,968
DUSTY KLEISS DIVES ON
A CRUISER, THE MIKUMA.
773
00:46:45,002 --> 00:46:47,137
Kleiss: ANTI-AIRCRAFT
\h\hFIRE WHIZZED IN.
774
00:46:47,171 --> 00:46:50,174
\h\h\hTHE JAPANESE STILL HAD
PLENTY OF FIGHT LEFT IN THEM.
775
00:46:50,207 --> 00:46:54,044
\hFOR THE THIRD TIME, I KNEW I
WAS GOING TO HIT SOMETHING BIG.
776
00:46:56,714 --> 00:46:59,517
(BOMB EXPLODING)
777
00:46:59,550 --> 00:47:02,353
\h\h\hNarrator: WITH THIS
HIT, DUSTY MAKES HISTORY.
778
00:47:03,621 --> 00:47:05,056
L. Orr: HE’S THE ONLY
\h\h\hAMERICAN PILOT
779
00:47:05,089 --> 00:47:06,891
\hTO HIT THREE
JAPANESE SHIPS
780
00:47:06,924 --> 00:47:08,459
DURING THE BATTLE OF MIDWAY.
781
00:47:11,796 --> 00:47:14,732
\h\hNarrator: THE JAPANESE
GIVE UP ON INVADING MIDWAY.
782
00:47:16,100 --> 00:47:17,902
BUT THEY DO NOT GIVE IN.
783
00:47:19,203 --> 00:47:22,139
\hAS THE USS YORKTOWN
LIMPS BACK TO HAWAII,
784
00:47:23,007 --> 00:47:26,577
\h\hA JAPANESE SUBMARINE
SNEAKS THROUGH DEFENSES,
785
00:47:26,610 --> 00:47:28,712
AND LAUNCHES FOUR TORPEDOES.
786
00:47:30,414 --> 00:47:33,284
ONE STRIKES THE USS HAMMANN,
787
00:47:33,317 --> 00:47:36,554
THROWING A HUNDRED SAILORS
OFF THE SHIP IN AN INSTANT.
788
00:47:37,555 --> 00:47:40,458
IT SINKS IN JUST FOUR MINUTES.
789
00:47:43,994 --> 00:47:46,296
TWO TORPEDOES HIT THE YORKTOWN.
790
00:47:47,498 --> 00:47:50,935
THE MIGHTY CARRIER GROANS
AND TWISTS FOR HOURS.
791
00:47:52,603 --> 00:47:56,574
\h\hTHE NEXT MORNING, IT SINKS
THREE MILES TO THE OCEAN FLOOR.
792
00:47:58,142 --> 00:48:01,045
\hIT PUNCTUATES THE END
OF THE BATTLE OF MIDWAY.
793
00:48:03,013 --> 00:48:06,850
OVER THREE DAYS, THE
\hUS LOSES 307 MEN.
794
00:48:08,452 --> 00:48:11,755
Toll: WE REVERE THESE PEOPLE AS
HEROES, THEY WERE HEROES.
795
00:48:13,524 --> 00:48:15,559
THEY DIDN’T THINK OF
THEMSELVES THAT WAY.
796
00:48:18,028 --> 00:48:19,830
\h\hNarrator: SOME
ARE BURIED AT SEA,
797
00:48:21,699 --> 00:48:23,467
OTHERS ARE NEVER RECOVERED.
798
00:48:25,770 --> 00:48:28,640
(MELANCHOLY MUSIC)
799
00:48:28,672 --> 00:48:32,643
\h\h\hA WAVE OF TELEGRAMS WILL
ARRIVE AT HOMES ACROSS AMERICA,
800
00:48:34,145 --> 00:48:36,247
INCLUDING TOM EVERSOLE’S HOUSE.
801
00:48:38,149 --> 00:48:39,717
MOTHERS ARE SHATTERED,
802
00:48:40,718 --> 00:48:43,788
BUT THE WAR PIVOTS
ON THEIR SACRIFICE.
803
00:48:44,789 --> 00:48:46,024
(DRAMATIC MUSIC)
804
00:48:46,056 --> 00:48:48,825
AFTER SIX MONTHS OF
JAPANESE DOMINANCE,
805
00:48:48,859 --> 00:48:51,929
\hAMERICA SCORES ITS
FIRST CLEAR VICTORY.
806
00:48:52,897 --> 00:48:56,367
\hTHE UNDERDOG GAMBLE OF
ADMIRAL NIMITZ PAYS OFF.
807
00:48:57,535 --> 00:49:00,071
Toll: YOU HAVE THIS FIST
FROM THE SKY COMING DOWN
808
00:49:00,104 --> 00:49:02,907
AND IN FIVE MINUTES
ESSENTIALLY KIND OF
809
00:49:02,940 --> 00:49:05,876
BLUNTING THE TIP OF
THE JAPANESE SPEAR.
810
00:49:07,344 --> 00:49:10,314
Narrator: JAPAN’S PACIFIC
\h\hPOWER IS EVISCERATED.
811
00:49:11,449 --> 00:49:13,818
\hFOUR OF ITS SIX
CARRIERS ARE SUNK.
812
00:49:15,319 --> 00:49:20,224
MORE THAN 2,200 OF ITS BEST
SAILORS AND PILOTS ARE DEAD.
813
00:49:20,257 --> 00:49:23,260
Orr: FOR JAPAN, THIS WAS
JUST A SHOCKING DEFEAT.
814
00:49:26,397 --> 00:49:28,799
\h\h\hNarrator: AMERICAN
SHIPS RETURN TRIUMPHANT,
815
00:49:30,901 --> 00:49:32,736
CARRYING DUSTY KLEISS HOME.
816
00:49:36,173 --> 00:49:37,307
Kleiss: ADMIRAL
\h\hNIMITZ SENT
817
00:49:37,341 --> 00:49:39,710
ALL OF THE SENIOR PILOTS
\h\h\hBACK TO THE STATES
818
00:49:39,743 --> 00:49:42,479
\h\h\h\h\hTO TRAIN THE NEXT
GENERATION OF DIVE BOMBERS.
819
00:49:44,381 --> 00:49:47,251
Narrator: HE GREETS A NATION
FEELING MOMENTUM IN THE WAR
820
00:49:47,284 --> 00:49:48,485
FOR THE FIRST TIME.
821
00:49:51,522 --> 00:49:54,892
THEN HE CLIMBS BACK INTO HIS
\hOLD FRIEND THE DAUNTLESS,
822
00:49:55,759 --> 00:49:58,762
AS A TEACHER, NOT A WARRIOR.
823
00:49:58,796 --> 00:50:00,231
Kleiss: EVERY MONTH,
824
00:50:00,264 --> 00:50:03,834
A NEW BATCH OF TRAINEES ARRIVED,
EAGER TO TEST THEIR METTLE.
825
00:50:05,069 --> 00:50:08,139
\hIT WAS THE LAST STOP
FOR ANY NEW NAVY PILOT
826
00:50:08,172 --> 00:50:09,840
BEFORE HEADING INTO COMBAT.
827
00:50:14,211 --> 00:50:16,714
\h\h\h\hNarrator: AND THERE
WILL BE PLENTY MORE COMBAT.
828
00:50:24,722 --> 00:50:28,893
\h\hAMERICA’S GROWING MILITARY
MIGHT WILL CREATE GIANT ARMADAS
829
00:50:28,926 --> 00:50:31,328
UNLIKE ANYTHING THE
WORLD HAS EVER SEEN.
830
00:50:34,298 --> 00:50:38,502
THEY WILL STEADILY PUSH JAPAN
\h\hBACK ACROSS THE PACIFIC,
831
00:50:38,536 --> 00:50:40,571
AND INTO THE JAWS OF DEFEAT,
832
00:50:41,605 --> 00:50:46,343
A THREE YEAR BLOODSTAINED MARCH
ACROSS ISLAND AFTER ISLAND.
833
00:50:50,481 --> 00:50:53,417
BUT THE BATTLE OVER
\h\hONE TINY ISLAND
834
00:50:53,450 --> 00:50:56,320
IS THE TURNING POINT TO VICTORY.
835
00:50:56,353 --> 00:50:57,287
MIDWAY.
836
00:50:57,287 --> 00:50:59,287
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