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These are the user uploaded subtitles that are being translated: 1 00:00:00,968 --> 00:00:02,436 (SHIP GUNS FIRING) 2 00:00:02,469 --> 00:00:05,072 \hNarrator: TWO NATIONS ARE IN A CATACLYSMIC WAR 3 00:00:05,105 --> 00:00:06,773 ACROSS THE PACIFIC OCEAN. 4 00:00:08,175 --> 00:00:10,744 RIGHT BETWEEN THEM, A DOT OF AN ISLAND. 5 00:00:12,779 --> 00:00:16,049 THE BATTLE OF MIDWAY WILL TURN THE TIDE. 6 00:00:18,519 --> 00:00:20,654 GET ABOARD THE CARRIERS. 7 00:00:20,687 --> 00:00:23,156 Orr: THEY WERE PUSHING \h\h\hTHEIR EQUIPMENT 8 00:00:23,190 --> 00:00:25,526 AND THEMSELVES TO THE LIMIT. 9 00:00:25,559 --> 00:00:27,928 \h\h\h\hNarrator: GET INSIDE THE AIRPLANES. 10 00:00:29,930 --> 00:00:31,765 Toll: EVERYONE HAD TO \h\hLIFT THEIR GAME. 11 00:00:31,798 --> 00:00:33,933 THEY HAD TO LEARN HOW TO FIGHT BY FIGHTING. 12 00:00:35,269 --> 00:00:37,304 Narrator: AND MEET A PILOT FROM KANSAS 13 00:00:37,337 --> 00:00:39,039 \hWHO POURS EIGHT YEARS OF TRAINING 14 00:00:39,072 --> 00:00:42,142 INTO A FEW TERRIFYING SECONDS. 15 00:00:43,677 --> 00:00:46,547 L. Orr: DUSTY KLEISS IS THE \h\h\hMOST IMPORTANT PILOT 16 00:00:46,580 --> 00:00:48,649 \hINVOLVED IN THE BATTLE OF MIDWAY. 17 00:00:53,587 --> 00:00:56,590 (THOUGHTFUL MUSIC) 18 00:00:57,658 --> 00:00:59,927 Narrator: JUNE 4TH, 1942. 19 00:01:01,495 --> 00:01:03,931 THE AIR IS QUIET, BUT TENSE. 20 00:01:05,799 --> 00:01:08,735 \hALONE IN THE MIDDLE OF THE PACIFIC OCEAN, 21 00:01:08,769 --> 00:01:11,772 AMERICANS ON MIDWAY ISLAND SCAN THE SKY. 22 00:01:13,707 --> 00:01:16,243 UNTIL THE SKY EXPLODES. 23 00:01:19,112 --> 00:01:20,280 (DRAMATIC MUSIC) 24 00:01:20,314 --> 00:01:22,950 \h\hJAPANESE PLANES FROM NEARBY AIRCRAFT CARRIERS 25 00:01:22,983 --> 00:01:27,988 KNIFE INTO THE U.S. MILITARY \hBASE, AND IT BLEEDS FIRE. 26 00:01:31,925 --> 00:01:34,161 MIDWAY’S DEFENSES ARE CRUMBLING. 27 00:01:35,929 --> 00:01:39,166 \hHISTORY WILL PIVOT IN THE NEXT 24 HOURS. 28 00:01:41,468 --> 00:01:43,804 IF JAPAN TAKES THE ISLAND, 29 00:01:43,837 --> 00:01:47,207 AMERICA COULD BE KNOCKED OUT OF THE PACIFIC WAR. 30 00:01:50,143 --> 00:01:54,614 \h\hNEARBY, MORE THAN A HUNDRED AMERICAN PILOTS ARE IN THE AIR, 31 00:01:54,648 --> 00:01:58,085 SEARCHING FOR THE ATTACKING JAPANESE AIRCRAFT CARRIERS. 32 00:01:59,486 --> 00:02:02,622 \h\hONE OF THEM IS JACK DUSTY KLEISS. 33 00:02:02,656 --> 00:02:07,661 MIDWAY WILL GIVE HIS ORDINARY LIFE AN EXTRAORDINARY CHAPTER. 34 00:02:07,861 --> 00:02:12,199 Orr: DUSTY KLEISS IS THE INDISPENSABLE UNSUNG HERO 35 00:02:12,232 --> 00:02:13,433 OF THE BATTLE OF MIDWAY. 36 00:02:16,236 --> 00:02:20,440 EVEN IN A BIG WAR THAT INVOLVES MILLIONS OF COMBATANTS, 37 00:02:20,474 --> 00:02:23,277 \hONE PERSON’S LIFE CAN MAKE ALL THE DIFFERENCE. 38 00:02:26,113 --> 00:02:28,215 Narrator: DUSTY STARTED WEARING A SAILOR OUTFIT 39 00:02:28,248 --> 00:02:29,416 WHEN HE WAS SIX. 40 00:02:30,884 --> 00:02:33,653 BY AGE EIGHTEEN, HE WAS \hIN THE NAVAL ACADEMY. 41 00:02:35,522 --> 00:02:36,523 Kleiss: AS A TEENAGER, 42 00:02:36,556 --> 00:02:38,458 \hI WAS SEEKING A PLACE IN SOCIETY. 43 00:02:39,660 --> 00:02:41,929 \hI WANTED TO SERVE IN THE ARMED FORCES. 44 00:02:41,962 --> 00:02:44,832 AND IT TOOK BRAVERY TO BE A PILOT, I THOUGHT. 45 00:02:46,433 --> 00:02:50,003 \h\h\hNarrator: BY 1941, HE’S TRAINING IN PENSACOLA FLORIDA, 46 00:02:51,104 --> 00:02:54,808 \h\hGROUND ZERO FOR THE NEXT GENERATION OF NAVAL AVIATORS. 47 00:02:56,043 --> 00:02:57,945 Kleiss: I LIKED AVIATION FINE, 48 00:02:57,978 --> 00:03:00,948 AND APPARENTLY IT LIKED ME. 49 00:03:00,981 --> 00:03:03,417 I LOGGED 149 HOURS IN THE AIR 50 00:03:03,450 --> 00:03:06,553 \hWITHOUT A SINGLE CRASH OR PROBLEMATIC INCIDENT. 51 00:03:08,021 --> 00:03:10,824 \h\h\hNarrator: FOR NOW, DUSTY TRAINS IN BIPLANES. 52 00:03:12,659 --> 00:03:14,828 \hBUT THEY WON’T BE AROUND MUCH LONGER. 53 00:03:17,364 --> 00:03:21,435 JAPAN IS ABOUT TO SHOW AMERICA \hWHAT THE FUTURE LOOKS LIKE. 54 00:03:22,335 --> 00:03:23,336 \h\hGoodspeed: THE AIRCRAFT BEHIND ME 55 00:03:23,370 --> 00:03:25,939 IS A JAPANESE A6M \h"ZERO" FIGHTER, 56 00:03:25,972 --> 00:03:27,807 WHICH IN 1941 WAS ONE OF THE 57 00:03:27,841 --> 00:03:29,910 \h\h\hPREMIERE FIGHTER AIRCRAFT IN THE WORLD. 58 00:03:32,546 --> 00:03:34,715 \hNarrator: THE ZERO IS AHEAD OF ITS TIME. 59 00:03:35,716 --> 00:03:38,986 IT RULES THE SKIES WITH \hITS VERSATILE DESIGN. 60 00:03:41,588 --> 00:03:42,722 Goodspeed: IT WAS AN AIRCRAFT 61 00:03:42,756 --> 00:03:45,058 THAT WAS DESIGNED TO \hHAVE GREAT RANGE, 62 00:03:45,092 --> 00:03:47,528 AND BECAUSE OF THAT IT \hWAS VERY LIGHTWEIGHT 63 00:03:47,561 --> 00:03:50,697 AND COMBINED WITH THE EXTENDED \h\h\hLENGTH OF THE WINGSPAN, 64 00:03:50,731 --> 00:03:53,734 \h\hTHAT GAVE THE AIRCRAFT INCREDIBLE MANEUVERABILITY. 65 00:03:56,069 --> 00:03:58,138 IT ALSO PACKED A TREMENDOUS PUNCH. 66 00:03:58,171 --> 00:04:01,107 IT HAD A 20-MILLIMETER \hCANNON FOR EXAMPLE, 67 00:04:01,141 --> 00:04:03,577 THAT COULD REALLY DELIVER \h\hTREMENDOUS FIREPOWER. 68 00:04:04,745 --> 00:04:08,449 Narrator: THE JAPANESE DON’T OUTFIT THE ZERO FOR DEFENSE, 69 00:04:08,482 --> 00:04:11,819 THIS PURSUIT PLANE IS \hDESIGNED TO STRIKE. 70 00:04:11,852 --> 00:04:15,055 Goodspeed: BY 1941 THEY WERE ABLE TO DEVELOP THE TACTICS, 71 00:04:15,088 --> 00:04:18,558 \h\hAND DISCOVER WHAT WORKED AND DIDN’T WORK 72 00:04:18,592 --> 00:04:21,195 \hWHEN IT CAME TO FLYING THAT AIRCRAFT IN COMBAT. 73 00:04:23,730 --> 00:04:25,131 Narrator: THE ZERO SYMBOLIZES 74 00:04:25,165 --> 00:04:27,968 THE POWER OF THE JAPANESE EMPIRE, 75 00:04:28,001 --> 00:04:31,505 \hAND IT’S ABOUT TO COME CRASHING DOWN ON HAWAII. 76 00:04:32,706 --> 00:04:36,043 (OMINOUS MUSIC) 77 00:04:36,076 --> 00:04:37,711 DECEMBER 7TH, 1941. 78 00:04:41,081 --> 00:04:42,683 ADMIRAL CHUICHI NAGUMO 79 00:04:42,716 --> 00:04:46,553 \h\h\hIS IN COMMAND OF SIX JAPANESE AIRCRAFT CARRIERS 80 00:04:46,586 --> 00:04:49,589 UNLEASHING MORE THAN 350 PLANES. 81 00:04:52,425 --> 00:04:55,895 AT 7:48 A.M., THE BUZZ OF PROPELLERS 82 00:04:55,929 --> 00:04:58,131 FADES IN OVER PEARL HARBOR. 83 00:04:59,432 --> 00:05:03,269 Orr: THE JAPANESE PLANES \h\hFLY OVER THE CLIFFS 84 00:05:03,303 --> 00:05:05,138 AND THEN REACH PEARL HARBOR, 85 00:05:05,172 --> 00:05:08,876 THAT IS JUST FULL TO THE BRIM WITH AMERICAN SHIPS, 86 00:05:08,909 --> 00:05:12,880 \hAND THERE IS NO COMBAT AIR PATROL ABOVE TO THWART THEM. 87 00:05:14,981 --> 00:05:18,017 (BOMBS EXPLODING) 88 00:05:18,051 --> 00:05:20,687 Toll: THE ATTACK DESCENDED \h\hUPON THEM SO SUDDENLY 89 00:05:20,720 --> 00:05:22,655 WITH SUCH OVERWHELMING POWER. 90 00:05:24,191 --> 00:05:27,027 (DRAMATIC MUSIC) 91 00:05:32,332 --> 00:05:34,568 THE JAPANESE AERIAL TORPEDOES \h\h\h\hRIPPED INTO THE HULLS 92 00:05:34,601 --> 00:05:37,404 OF THE BATTLESHIPS ON BATTLESHIP ROW. 93 00:05:38,572 --> 00:05:40,207 YOU HAD HUNDREDS OF SAILORS 94 00:05:40,240 --> 00:05:42,609 WHO WERE JUST ROASTED \h\h\hIN THESE FIRES. 95 00:05:46,746 --> 00:05:49,415 \hNarrator: THE CARNAGE IS SUDDEN AND SHOCKING. 96 00:05:50,483 --> 00:05:53,886 BUT JAPAN NEVER FINDS ITS PRIMARY TARGETS. 97 00:05:55,422 --> 00:05:58,058 Orr: THEY EXPECTED TO FIND THE THREE AMERICAN CARRIERS 98 00:05:58,091 --> 00:06:00,927 \h\h\hASSIGNED TO THE PACIFIC FLEET THERE AND DESTROY THEM. 99 00:06:03,630 --> 00:06:06,833 Narrator: BY CHANCE, THE CARRIERS ARE OUT TO SEA. 100 00:06:08,935 --> 00:06:11,037 PILOTS ON THE USS ENTERPRISE 101 00:06:11,071 --> 00:06:13,373 SCRAMBLE TO FOLLOW \hCHAOTIC REPORTS 102 00:06:13,406 --> 00:06:15,141 OF WHERE THE JAPANESE ARE. 103 00:06:17,611 --> 00:06:20,314 DUSTY KLEISS IS ONE OF THEM. 104 00:06:20,347 --> 00:06:23,650 Kleiss: THIS FLIGHT WAS A \h\h\h\hNEAR CATASTROPHE. 105 00:06:23,683 --> 00:06:26,352 \hMY COCKPIT LIGHTS AND NAVIGATIONAL INSTRUMENTS 106 00:06:26,386 --> 00:06:27,654 DID NOT WORK. 107 00:06:29,122 --> 00:06:32,092 Narrator: HE NOT ONLY CAN’T FIND THE ENEMY, 108 00:06:32,125 --> 00:06:34,928 HE CAN BARELY FIND HIS WAY \hBACK TO THE ENTERPRISE. 109 00:06:36,563 --> 00:06:39,366 \h\h\hWHEN HE DOES, HIS TRIGGER-HAPPY SHIPMATES 110 00:06:39,399 --> 00:06:40,700 AIM THEIR GUNS AT HIM. 111 00:06:41,835 --> 00:06:43,603 Kleiss: THEY WERE \hSHOOTING AT ME! 112 00:06:43,637 --> 00:06:46,840 THEY THOUGHT I WAS A JAPANESE \hDIVE BOMBER ATTACKING THEM. 113 00:06:49,542 --> 00:06:53,513 Narrator: HE MAKES \hIT BACK. BARELY. 114 00:06:57,050 --> 00:07:00,287 DUSTY’S WAR IS OFF TO A ROUGH START. 115 00:07:00,320 --> 00:07:03,089 (OMINOUS MUSIC) 116 00:07:05,325 --> 00:07:07,460 \hPEARL HARBOR IS ONLY THE BEGINNING 117 00:07:07,494 --> 00:07:09,997 OF A JAPANESE BLITZ \h\hIN THE PACIFIC. 118 00:07:11,231 --> 00:07:14,735 AMERICAN OUTPOSTS ARE \hTHE FIRST TO FALL. 119 00:07:14,768 --> 00:07:18,105 Orr: THE AMERICAN FORCES IN THE PHILIPPINES WERE SURROUNDED. 120 00:07:19,506 --> 00:07:21,675 GUAM HAD SURRENDERED \h\h\h\hBLOODLESSLY. 121 00:07:23,143 --> 00:07:24,911 \h\hNarrator: TANKS ANNOUNCE THE ARRIVAL 122 00:07:24,945 --> 00:07:27,347 OF THE JAPANESE EMPIRE. 123 00:07:27,380 --> 00:07:29,515 IT APPEARS UNSTOPPABLE. 124 00:07:33,753 --> 00:07:36,522 IN CHARGE OF AMERICA’S \h\h\h\hPACIFIC FLEET 125 00:07:36,556 --> 00:07:38,291 IS ADMIRAL CHESTER NIMITZ. 126 00:07:40,694 --> 00:07:42,229 HE’S OLD SCHOOL NAVY, 127 00:07:43,196 --> 00:07:45,565 COMING UP WHEN AIRPLANES \hWERE AN AFTERTHOUGHT. 128 00:07:47,400 --> 00:07:49,636 L. Orr: AT THE BEGINNING \h\h\h\hOF WORLD WAR II, 129 00:07:49,669 --> 00:07:52,639 \hAVIATION WAS KIND OF AN UNTESTED ASSET 130 00:07:54,107 --> 00:07:58,745 \hAND A LOT OF THE ADMIRALS DIDN’T BELIEVE IN AVIATION, 131 00:07:58,778 --> 00:08:03,783 \h\h\hDIDN’T BELIEVE THAT PLANES COULD WIN THE WAR. 132 00:08:05,952 --> 00:08:07,587 \hNarrator: THEY’VE BEEN FIDDLING WITH THE CONCEPT 133 00:08:07,620 --> 00:08:08,654 FOR DECADES. 134 00:08:09,556 --> 00:08:11,958 Orr: THE FIRST SHIPS THAT ARE \h\hUSED AS AIRCRAFT CARRIERS 135 00:08:11,992 --> 00:08:14,361 AREN’T EVEN ORIGINALLY \h\hAIRCRAFT CARRIERS. 136 00:08:15,228 --> 00:08:18,832 Narrator: THE EXPERIMENT: RETROFIT A ROOF ON A SHIP, 137 00:08:18,865 --> 00:08:21,301 \hAND SEE IF PLANES CAN GET IN THE AIR. 138 00:08:24,137 --> 00:08:25,472 SOMETIMES, THEY CAN’T. 139 00:08:30,310 --> 00:08:32,979 \h\h\hEVEN TRICKIER, STICKING THE LANDING. 140 00:08:36,649 --> 00:08:38,851 Orr: AND SO THESE ARE IN \h\hMANY WAYS BABY STEPS 141 00:08:38,885 --> 00:08:40,553 FOR US NAVAL AVIATION. 142 00:08:40,587 --> 00:08:43,490 (SHIP GUNS FIRING) 143 00:08:44,591 --> 00:08:46,593 Narrator: MEANWHILE, THE NAVY’S BIG BOYS 144 00:08:46,626 --> 00:08:49,062 \hHAVE ALWAYS BEEN THEIR BATTLESHIPS. 145 00:08:51,131 --> 00:08:54,468 Toll: THE AMERICANS WERE KIND OF A BATTLESHIP-LOVING NAVY. 146 00:08:55,602 --> 00:08:57,104 THEY BELIEVE IN THE BIG GUNS 147 00:08:57,137 --> 00:09:00,273 \hAND THEY HELD THEIR CARRIERS BACK AS KIND OF A SUPPORT SHIP. 148 00:09:01,274 --> 00:09:03,676 \h\h\h\h\h\h\hNarrator: BUT A BATTLESHIP HAS LIMITED REACH. 149 00:09:04,677 --> 00:09:08,014 Toll: THE BATTLESHIP MIGHT BE ABLE TO HIT THE TARGET 150 00:09:08,048 --> 00:09:10,551 FROM A RANGE OF ABOUT 20 MILES. 151 00:09:10,583 --> 00:09:12,718 THAT WILL BE A REALLY GOOD SHOT. 152 00:09:12,752 --> 00:09:14,988 Narrator: YET AIRCRAFT \hCARRIERS CAN PROJECT 153 00:09:15,021 --> 00:09:18,057 DEADLY POWER ACROSS THOUSANDS OF MILES. 154 00:09:19,426 --> 00:09:21,228 THE GREAT BREADTH OF THE PACIFIC 155 00:09:21,261 --> 00:09:24,364 DEMANDS A SEA CHANGE \hIN NAVY STRATEGY. 156 00:09:25,365 --> 00:09:28,268 \h\hOrr: WHEN YOU ADD CARRIERS TO THE FLEET, 157 00:09:28,301 --> 00:09:31,404 \h\h\hTHEY WILL BECOME THE NEW QUEEN OF THE NAVY’S CHESS SET. 158 00:09:31,438 --> 00:09:33,340 (DRAMATIC MUSIC) 159 00:09:33,373 --> 00:09:34,741 Narrator: AMERICA RAMPS UP 160 00:09:34,774 --> 00:09:37,010 TO MEET THE DEMANDS \h\hOF A NEW NAVY. 161 00:09:39,579 --> 00:09:43,383 FACTORIES THAT USED TO MAKE \hWIDGETS NOW MAKE WEAPONS. 162 00:09:46,386 --> 00:09:48,855 \hNEW AIRCRAFT POUR OUT OF THE FACTORIES 163 00:09:48,888 --> 00:09:50,289 WITH INCREASING SPEED. 164 00:09:51,391 --> 00:09:52,759 Orr: THE JAPANESE KNOW VERY WELL 165 00:09:52,792 --> 00:09:56,562 THE AMERICANS HAVE AN INCREDIBLE INDUSTRIAL CAPABILITY. 166 00:09:58,098 --> 00:10:00,701 \h\h\hNarrator: SO THEY LOOK FOR A KNOCKOUT BLOW 167 00:10:00,733 --> 00:10:03,402 \hBEFORE AMERICA CAN RISE TO THE OCCASION. 168 00:10:04,537 --> 00:10:07,306 \hToll: AND IT JUST SO HAPPENED THAT THIS IDEA TO ATTACK MIDWAY 169 00:10:07,340 --> 00:10:08,875 HAD BEEN ON THE DRAWING BOARD. 170 00:10:10,243 --> 00:10:12,846 Narrator: JAPAN PREPARES \h\hTHE AUDACIOUS PLAN. 171 00:10:14,080 --> 00:10:15,515 SEND A SMALL FORCE 172 00:10:15,548 --> 00:10:18,985 TO NEUTRALIZE AMERICAN BASES \h\hIN THE ALEUTIAN ISLANDS. 173 00:10:19,986 --> 00:10:24,057 THEN SEND A HUGE FORCE TO ATTACK TINY MIDWAY, 174 00:10:24,090 --> 00:10:27,026 LANDING THOUSANDS TO TAKE IT OVER. 175 00:10:27,060 --> 00:10:30,430 THEIR ULTIMATE GOAL; LURE \h\hTHE AMERICAN CARRIERS 176 00:10:30,463 --> 00:10:33,733 \h\hOUT FROM PEARL HARBOR. AND POUNCE. 177 00:10:36,002 --> 00:10:38,071 WITHOUT AIRCRAFT CARRIERS, 178 00:10:38,104 --> 00:10:40,573 \h\h\h\hAMERICA WOULD BE POWERLESS IN THE PACIFIC. 179 00:10:42,775 --> 00:10:46,612 \h\hAND WITH MIDWAY IN HAND, JAPAN COULD THREATEN HAWAII. 180 00:10:47,847 --> 00:10:48,981 Orr: AND IF THEY DO THIS, 181 00:10:49,015 --> 00:10:51,651 IF HAWAII IS TAKEN, \hTHE GAME IS OVER. 182 00:10:51,684 --> 00:10:54,587 \h\h\h\hTHE US HAS NO CHANCE OF WINNING THE WAR IN THE PACIFIC. 183 00:10:56,856 --> 00:10:58,725 Narrator: MIDWAY IS THE KEY. 184 00:10:59,792 --> 00:11:02,795 FOR BOTH SIDES, IT’S \h\hWORTH DYING FOR. 185 00:11:06,166 --> 00:11:09,536 (SUSPENSEFUL MUSIC) 186 00:11:09,569 --> 00:11:14,574 IN JANUARY OF 1942, THE USS \hENTERPRISE DEPARTS HAWAII 187 00:11:14,908 --> 00:11:17,911 FOR ITS FIRST DEPLOYMENT \hDEEP INTO THE PACIFIC. 188 00:11:19,679 --> 00:11:21,581 THE WAR IS ONLY A MONTH OLD. 189 00:11:24,017 --> 00:11:27,087 BUT THEY’RE STEAMING INTO IT WITH THE MACHINES THEY HAVE, 190 00:11:28,588 --> 00:11:33,593 \h\hINCLUDING 82 AIRCRAFT, AND 750 TONS OF MUNITIONS. 191 00:11:35,395 --> 00:11:38,131 Orr: THEY KNEW THEY WERE ON THE CUTTING EDGE OF TECHNOLOGY 192 00:11:38,164 --> 00:11:39,465 THAT HAD YET TO BE TESTED. 193 00:11:41,234 --> 00:11:42,969 \h\hNarrator: MORE THAN 2,000 SAILORS 194 00:11:43,002 --> 00:11:45,271 \h\h\hHEAD INTO THE UNCERTAINTY OF WAR, 195 00:11:46,673 --> 00:11:50,177 INCLUDING TWO OLD FRIENDS \hFROM THE NAVAL ACADEMY. 196 00:11:52,178 --> 00:11:54,747 \hDUSTY KLEISS IS ON BOARD THE ENTERPRISE 197 00:11:54,781 --> 00:11:58,218 \h\h\h\hWITH HIS BEST FRIEND, TOM EVERSOLE. 198 00:11:58,251 --> 00:12:00,386 \h\h\hKleiss: WE DID EVERYTHING TOGETHER. 199 00:12:00,420 --> 00:12:02,622 \hTWO CLOSER CHUMS COULD NOT BE FOUND. 200 00:12:04,057 --> 00:12:06,293 \h\hWE BOTH GRADUATED FROM THE NAVAL ACADEMY 201 00:12:06,326 --> 00:12:08,061 AND FLIGHT TRAINING TOGETHER. 202 00:12:09,362 --> 00:12:10,663 \hNarrator: THEY’RE LUCKY TO BE ASSIGNED 203 00:12:10,697 --> 00:12:12,666 TO THE SAME CARRIER, 204 00:12:12,699 --> 00:12:15,135 \h\hEVEN THOUGH THEY’RE FLYING DIFFERENT PLANES. 205 00:12:17,870 --> 00:12:19,939 DUSTY IS IN A DIVE BOMBER. 206 00:12:21,274 --> 00:12:23,443 TOM IS IN A TORPEDO BOMBER. 207 00:12:24,510 --> 00:12:26,612 L. Orr: AND THEIR \h\hFATES BECOME 208 00:12:26,646 --> 00:12:29,482 \hVERY DIFFERENT BECAUSE OF THAT. 209 00:12:31,884 --> 00:12:34,887 \h\h\hNarrator: IN 1942, THE DAUNTLESS DIVE BOMBER 210 00:12:34,921 --> 00:12:39,926 IS A NEWCOMER TO THE NAVY, LARGELY UNTESTED IN BATTLE. 211 00:12:41,027 --> 00:12:44,097 \hITS BIG MOMENT IS COMING SOON ENOUGH. 212 00:12:45,331 --> 00:12:47,934 Goodspeed: THIS SBD 2 DAUNTLESS IS SPECIAL. 213 00:12:49,302 --> 00:12:51,371 IT IS THE ONLY KNOWN \hSURVIVING AIRCRAFT 214 00:12:51,404 --> 00:12:52,505 FROM THE BATTLE OF MIDWAY, 215 00:12:52,538 --> 00:12:54,373 AND IT HAS BATTLE SCARS TO PROVE IT. 216 00:12:55,275 --> 00:12:57,577 EACH ONE OF THESE METAL PATCHES HERE 217 00:12:57,610 --> 00:13:00,079 COVERS THE NEARLY 200 BULLET HOLES 218 00:13:00,113 --> 00:13:01,281 THAT WERE PUT IN THIS AIRPLANE 219 00:13:01,314 --> 00:13:02,982 WHEN IT ATTACKED JAPANESE CARRIERS 220 00:13:03,016 --> 00:13:06,386 ON THE MORNING OF \hJUNE 4TH, 1942. 221 00:13:06,419 --> 00:13:08,721 \h\h\h\hNarrator: REAR GUNNERS FACE BACKWARDS, 222 00:13:08,755 --> 00:13:10,857 \h\h\hHANDLING THIRTY -CALIBER MACHINE GUNS 223 00:13:10,890 --> 00:13:12,825 TO FEND OFF ENEMY ATTACKS. 224 00:13:13,893 --> 00:13:18,131 IN FRONT, PILOTS CONTROL A PLANE NOT KNOWN FOR SPEED, 225 00:13:18,164 --> 00:13:19,432 BUT FOR PRECISION. 226 00:13:21,167 --> 00:13:25,438 ITS 1,000 POUND BOMBS AREN’T JUST DROPPED, THEY’RE AIMED. 227 00:13:27,273 --> 00:13:28,941 IT’S CALLED "DIVE BOMBING". 228 00:13:29,976 --> 00:13:32,212 \h\h\hGoodspeed: THE TACTIC OF DIVE-BOMBING WAS VERY IMPORTANT 229 00:13:32,245 --> 00:13:33,646 \hIN NAVAL AVIATION DURING WORLD WAR II, 230 00:13:33,680 --> 00:13:35,749 \h\h\h\h\hAND THE SBD DAUNTLESS DIVE BOMBER 231 00:13:35,782 --> 00:13:38,051 \h\h\hWAS THE PRIME INSTRUMENT OF THAT. 232 00:13:38,084 --> 00:13:41,754 AND THE THEORY WAS, WITH A SHIP MANEUVERING ON THE SURFACE, 233 00:13:41,788 --> 00:13:45,358 YOU REALLY COULDN’T DROP A BOMB FROM A HIGH ALTITUDE. 234 00:13:47,427 --> 00:13:49,129 Narrator: FROM 20,000 FEET, 235 00:13:49,162 --> 00:13:51,665 \h\hA CARRIER IS A SPECK ON THE OCEAN. 236 00:13:52,632 --> 00:13:56,202 HITTING IT WITH A FREE-FALLING \hBOMB IS NEXT TO IMPOSSIBLE. 237 00:13:57,904 --> 00:14:01,441 \hBUT IN A DIVE, PILOTS CAN ADJUST THEIR AIM ON THE FLY, 238 00:14:01,474 --> 00:14:06,312 \hAND RELEASE THEIR BOMBS AT 1,500 FEET FOR A BETTER SHOT. 239 00:14:08,681 --> 00:14:12,685 IT’S A TACTIC THAT TAKES ICY NERVES, AND AN IRON STOMACH. 240 00:14:14,320 --> 00:14:19,325 \hL. Orr: DIVE BOMBING WAS A DEATH-DEFYING RIDE OF TERROR. 241 00:14:19,625 --> 00:14:23,062 (OMINOUS MUSIC) 242 00:14:23,096 --> 00:14:25,932 IT’S BASICALLY LIKE \hA GAME OF CHICKEN 243 00:14:25,965 --> 00:14:28,801 THAT A PILOT IS PLAYING WITH THE OCEAN ITSELF. 244 00:14:30,136 --> 00:14:32,905 \hYOU START AT ABOUT TWENTY THOUSAND FEET, 245 00:14:32,939 --> 00:14:35,074 \hWHICH IS ABOUT FOUR MILES ABOVE THE OCEAN. 246 00:14:41,814 --> 00:14:43,983 A HUGE SHIP IS GONNA APPEAR 247 00:14:44,016 --> 00:14:47,186 \h\h\h\hABOUT THE SIZE OF A LADYBUG ON A TIP OF A SHOE, 248 00:14:47,220 --> 00:14:48,188 SO IT’S TINY. 249 00:14:49,422 --> 00:14:51,758 Narrator: THEY PRACTICE \h\hOVER LAND TARGETS, 250 00:14:53,359 --> 00:14:56,128 PLUNGING INTO A 70-DEGREE DIVE. 251 00:14:57,163 --> 00:15:02,235 \hOrr: IT IS A JARRING, NOISY, CHAOTIC DESCENT. 252 00:15:02,268 --> 00:15:05,171 L. Orr: THEY ARE DIVING \hAT 275 MILES AN HOUR 253 00:15:05,204 --> 00:15:07,239 TOWARD THEIR TARGET, 254 00:15:07,273 --> 00:15:08,641 KEEPING AN EYE ON THEIR BOMB SCOPE, 255 00:15:08,674 --> 00:15:10,342 THEY’RE WATCHING THEIR ALTIMETER. 256 00:15:12,245 --> 00:15:15,048 Orr: AND AT THE LAST MINUTE, YOU GRIP THE BOMB RELEASE LEVER 257 00:15:15,081 --> 00:15:17,784 \h\h\hON THE LEFT SIDE OF THE COCKPIT, AND YOU JERK IT BACK. 258 00:15:19,152 --> 00:15:20,620 YOU PULL BACK ON THE STICK, 259 00:15:21,988 --> 00:15:24,390 \h\h\h\hAND IF YOU’RE NOT CAREFUL YOU CAN BLACK OUT 260 00:15:24,424 --> 00:15:27,027 BECAUSE ALL THE BLOOD WILL BE SUCKED FROM YOUR HEAD, 261 00:15:27,059 --> 00:15:28,160 YOU GET TUNNEL VISION. 262 00:15:30,930 --> 00:15:33,366 \h\h\hNarrator: COMPARED TO DUSTY’S DIVE BOMBING, 263 00:15:33,399 --> 00:15:38,404 TOM EVERSOLE’S TORPEDO BOMBING \h\hPRACTICE IS LOW AND SLOW. 264 00:15:38,704 --> 00:15:43,209 Orr: DURING TORPEDO DROPS IT HAD TO FLY VERY LOW TO THE WATER 265 00:15:43,242 --> 00:15:45,778 \hAND VERY SLOW JUST ABOVE STALLING SPEED 266 00:15:46,913 --> 00:15:48,915 AND THEREFORE MADE IT AN EASY TARGET 267 00:15:48,948 --> 00:15:51,150 FOR ENEMY FIGHTER PLANES. 268 00:15:53,052 --> 00:15:55,521 \hNarrator: SO TORPEDO BOMBERS TYPICALLY GO IN 269 00:15:55,555 --> 00:15:56,856 WITH FIGHTER COVER. 270 00:16:00,193 --> 00:16:01,695 EVEN SMOKE SCREENS. 271 00:16:03,129 --> 00:16:08,001 BECAUSE JUST ONE TORPEDO \h\h\hCOULD SINK A SHIP. 272 00:16:08,034 --> 00:16:09,702 Toll: IT WAS CLEAR THAT THE AIRPLANE 273 00:16:09,735 --> 00:16:12,438 HAD BECOME MUCH MORE POWERFUL AS A WEAPON. 274 00:16:12,472 --> 00:16:13,740 BUT THE QUESTION, 275 00:16:13,773 --> 00:16:17,710 "COULD AIRPLANES SINK SHIPS \h\hAT SEA CONSISTENTLY?", 276 00:16:17,743 --> 00:16:20,579 WAS ONE THAT HAD TO BE SETTLED BY WAR. 277 00:16:22,582 --> 00:16:26,086 \hNarrator: WITH THEIR FIRST COMBAT PROMISED WITHIN DAYS, 278 00:16:26,118 --> 00:16:28,988 TRAINING ON THE ENTERPRISE \h\h\hHITS A FEVER PITCH. 279 00:16:30,389 --> 00:16:34,126 BATTLE CHOREOGRAPHY IS HAMMERED HOME, DRILL AFTER DRILL. 280 00:16:38,264 --> 00:16:41,300 \hGUNNERS PRACTICE THEIR AIM BY SHOOTING AT KITES. 281 00:16:45,338 --> 00:16:48,441 PILOTS PRACTICE LANDING \h\hON A POSTAGE STAMP, 282 00:16:49,642 --> 00:16:51,277 AND STOPPING ON A DIME. 283 00:16:52,378 --> 00:16:55,214 Orr: WHENEVER LANDINGS \h\h\hWERE PRACTICED, 284 00:16:55,248 --> 00:16:57,617 THERE WAS ALWAYS A FILM CREW AVAILABLE 285 00:16:57,650 --> 00:17:00,820 \h\hTO FILM EACH AND EVERY DISASTROUS LANDING ATTEMPT 286 00:17:02,188 --> 00:17:04,557 TO UNDERSTAND WHAT CRASHES LOOK LIKE 287 00:17:04,590 --> 00:17:07,359 \h\hAND TEACH A FUTURE GENERATION OF AVIATORS. 288 00:17:19,438 --> 00:17:23,075 \h\hNarrator: THE LESSON IS THIS; MISTAKES CAN BE FATAL. 289 00:17:27,246 --> 00:17:31,083 L. Orr: AVIATION TRAINING IS NOT FOR THE FAINT OF HEART, 290 00:17:31,117 --> 00:17:33,286 \hAND DUSTY LEARNS THAT VERY QUICKLY. 291 00:17:35,688 --> 00:17:38,658 Narrator: ONE OF DUSTY’S FELLOW PILOTS, BILL WEST, 292 00:17:38,691 --> 00:17:41,494 \hENDS UP IN THE DRINK AFTER A FAILED TAKEOFF. 293 00:17:42,695 --> 00:17:45,198 Kleiss: THE SHIP’S MAN \h\h\hOVERBOARD KLAXON 294 00:17:45,231 --> 00:17:48,034 SOUNDED, AND I RAN \hTO THE RAILING. 295 00:17:48,067 --> 00:17:50,403 \h\hI WITNESSED THE HEARTRENDING DRAMA. 296 00:17:53,139 --> 00:17:56,609 \h\hNarrator: DUSTY SEES BILL STANDING ON THE SINKING PLANE, 297 00:17:56,642 --> 00:17:57,943 ABOUT TO BE RESCUED. 298 00:17:59,011 --> 00:18:03,249 L. Orr: BUT BILL WEST’S FOOT GET STUCK ON AN ANTENNA WIRE. 299 00:18:03,282 --> 00:18:05,117 \h\hAND HE WAS TAKEN DOWN WITH THE PLANE. 300 00:18:07,987 --> 00:18:10,823 Kleiss: IN JUST A FEW SECONDS, HE WAS GONE. 301 00:18:11,691 --> 00:18:14,761 WATCHING A GOOD FRIEND DIE IN A FREAK ACCIDENT 302 00:18:14,794 --> 00:18:16,663 PRACTICALLY KILLED MY SOUL. 303 00:18:18,664 --> 00:18:22,134 \h\h\hNarrator: MANY WONDER IF THEY’RE TRULY READY FOR COMBAT. 304 00:18:27,073 --> 00:18:32,078 THEY LOOK SHARP IN UNIFORM, \h\h\h\hMEN READY TO FIGHT. 305 00:18:33,913 --> 00:18:36,716 AT EASE, THEY LOOK LIKE BOYS. 306 00:18:37,817 --> 00:18:39,352 Toll: IF YOU LOOK AT A \h\hHIGH SCHOOL CLASS 307 00:18:39,385 --> 00:18:41,087 SAY OF JUNIORS AND SENIORS, 308 00:18:41,120 --> 00:18:43,122 THAT’S THE GROUP OF PEOPLE ESSENTIALLY 309 00:18:43,155 --> 00:18:46,458 WHO WERE MANNING THE FLEET. 310 00:18:46,492 --> 00:18:49,495 \hNarrator: DUSTY IS IN HIS MID 20S, AN OLD MAN 311 00:18:49,528 --> 00:18:52,364 COMPARED TO THE TEENAGERS \h\hIN THE WARTIME NAVY. 312 00:18:53,366 --> 00:18:56,703 \h\h\hToll: THIS WAS THE VERY BEGINNING OF THEIR ADULT LIVES 313 00:18:56,736 --> 00:18:59,239 AND THEY HAD THE KIND \hOF TEACH THEMSELVES 314 00:18:59,271 --> 00:19:01,039 HOW TO BE AT WAR, HOW TO FIGHT. 315 00:19:01,073 --> 00:19:03,208 THEY HAD TO LEARN HOW TO FIGHT BY FIGHTING. 316 00:19:05,811 --> 00:19:08,614 \h\h\hNarrator: ON FEBRUARY 1ST, 1942, 317 00:19:08,648 --> 00:19:11,551 \h\hTHE USS ENTERPRISE SNEAKS INTO THE WATERS 318 00:19:11,584 --> 00:19:12,985 OF THE JAPANESE EMPIRE, 319 00:19:13,019 --> 00:19:16,289 \h\hAPPROACHING THE MARSHALL ISLANDS IN THE SOUTH PACIFIC. 320 00:19:17,590 --> 00:19:18,691 Kleiss: I WANTED \hAN OPPORTUNITY 321 00:19:18,724 --> 00:19:21,160 \h\h\h\hTO FIGHT BACK AGAINST THE JAPANESE. 322 00:19:21,193 --> 00:19:25,164 \h\h\h\hWE FELT OUTNUMBERED, CORNERED BY A GARGANTUAN FOE. 323 00:19:25,197 --> 00:19:26,365 BUT I WAS EAGER. 324 00:19:26,399 --> 00:19:29,002 IT WAS THE TIME TO FIGHT AND I FELT READY FOR IT. 325 00:19:29,869 --> 00:19:32,105 Orr: AND ALL OF THESE \h\hRAIDS ARE AGAINST 326 00:19:32,138 --> 00:19:34,707 JAPANESE LAND-BASED PLANES, 327 00:19:34,740 --> 00:19:37,309 AGAINST THEIR AIRSTRIPS \hAND THEIR GARRISONS. 328 00:19:39,945 --> 00:19:42,781 (DRAMATIC MUSIC) 329 00:19:49,355 --> 00:19:52,225 Narrator: DUSTY FENDS OFF ANTI-AIRCRAFT FIRE 330 00:19:52,258 --> 00:19:54,093 TO OBLITERATE A PARKED PLANE 331 00:19:55,261 --> 00:19:57,730 AND SCORE A HIT ON A CRUISER IN PORT. 332 00:19:59,899 --> 00:20:02,602 HIS DIVE BOMBING SKILLS \h\hARE PROVING DEADLY. 333 00:20:04,336 --> 00:20:07,039 \h\h\h\hDUSTY KLEISS IS BEGINNING TO STAND OUT. 334 00:20:11,243 --> 00:20:13,746 WEEKS LATER, HE STANDS TALL. 335 00:20:15,014 --> 00:20:18,251 \hCOMING TO FACE HIM IS ADMIRAL NIMITZ HIMSELF. 336 00:20:19,218 --> 00:20:20,519 Orr: THE MEDAL THAT \h\hHE IS RECEIVING 337 00:20:20,553 --> 00:20:22,288 IS THE DISTINGUISHED \h\h\hFLYING CROSS, 338 00:20:22,321 --> 00:20:25,157 WHICH IS ONE OF THE HIGHEST AWARDS AN AVIATOR CAN GET. 339 00:20:26,358 --> 00:20:28,660 L. Orr: AND ALL HE COULD \hTHINK AT THAT TIME WAS 340 00:20:28,694 --> 00:20:31,463 "WHY ME? I DON’T DESERVE IT." 341 00:20:31,497 --> 00:20:32,398 Kleiss: I HAD \h\hJUST LOST 342 00:20:32,431 --> 00:20:34,166 ONE OF MY BEST FRIENDS, 343 00:20:34,200 --> 00:20:37,136 AND HERE I WAS ABOUT TO RECEIVE AN AWARD. 344 00:20:38,170 --> 00:20:42,508 \h\h\hNarrator: BUT WHEN NIMITZ GETS TO DUSTY, THEIR EYES LOCK. 345 00:20:42,541 --> 00:20:44,109 Kleiss: HIS STARE \h\h\h\hJOLTED ME 346 00:20:44,143 --> 00:20:48,614 LIKE A SHOT OF WHISKEY, HIS EYES PENETRATING AND HONEST. 347 00:20:48,647 --> 00:20:51,316 A LEADER HAD PUT THE \hFIGHT BACK IN ME. 348 00:20:53,119 --> 00:20:54,220 Narrator: AT THIS MOMENT, 349 00:20:54,253 --> 00:20:57,056 NIMITZ KNOWS SOMETHING \h\h\h\hDUSTY DOESN’T. 350 00:21:01,227 --> 00:21:03,262 \hFOR MONTHS, CODE BREAKERS HAVE BEEN 351 00:21:03,295 --> 00:21:06,365 PORING OVER INTERCEPTED \h\hJAPANESE MESSAGES. 352 00:21:08,367 --> 00:21:13,372 \hBY MAY OF 1942, THEY HAVE A BLURRY GLIMPSE OF ENEMY PLANS. 353 00:21:13,606 --> 00:21:17,043 Toll: THEY COULD BREAK JUST \hENOUGH OF THESE MESSAGES, 354 00:21:17,076 --> 00:21:18,611 THAT THEY COULD FILL IN THE REST 355 00:21:18,644 --> 00:21:20,312 WITH INFERENCE AND DEDUCTION. 356 00:21:21,280 --> 00:21:25,217 \h\h\hNarrator: THEY DEDUCE THE JAPANESE PLAN TO ATTACK MIDWAY, 357 00:21:25,251 --> 00:21:29,489 \h\hDEAD CENTER OF THE PACIFIC, AND CENTRAL TO WINNING THE WAR. 358 00:21:30,790 --> 00:21:33,026 \h\hADMIRAL NIMITZ WEIGHS HIS OPTIONS. 359 00:21:34,460 --> 00:21:38,731 HE HAS FEWER AIRCRAFT CARRIERS, AND LESS EXPERIENCED MEN. 360 00:21:40,266 --> 00:21:42,235 BUT HE ROLLS THE DICE 361 00:21:42,268 --> 00:21:45,805 AND BETS THEM ALL IN \hONE DARING GAMBLE. 362 00:21:45,838 --> 00:21:49,075 (DRAMATIC MUSIC) 363 00:21:49,108 --> 00:21:53,012 JAPAN SENDS FOUR BATTLE-TESTED \h\h\hCARRIERS TOWARD MIDWAY. 364 00:21:55,047 --> 00:21:59,251 \hOrr: THE JAPANESE ARE GOING INTO MIDWAY FAIRLY CONFIDENT. 365 00:22:00,252 --> 00:22:05,224 \hTHEY BELIEVE THE AMERICAN CARRIERS ARE STILL IN PORT. 366 00:22:05,257 --> 00:22:06,859 \hNarrator: THREE AMERICAN CARRIERS 367 00:22:06,892 --> 00:22:11,897 \hSECRETLY SAIL TO MEET THEM, INCLUDING THE USS ENTERPRISE. 368 00:22:13,833 --> 00:22:17,170 \h\hIN THE CAT AND MOUSE GAME OF CARRIER WARFARE, 369 00:22:17,203 --> 00:22:18,671 SURPRISE MATTERS. 370 00:22:19,839 --> 00:22:21,741 IT PAYS TO BE THE CAT. 371 00:22:23,142 --> 00:22:25,277 Kleiss: THE PRESENCE OF OUR \h\h\h\hCARRIER TASK FORCE 372 00:22:25,311 --> 00:22:26,746 HAD TO REMAIN A SECRET. 373 00:22:28,280 --> 00:22:31,817 THIS MIGHT BE THE SHOWDOWN \hFOR THE CENTRAL PACIFIC. 374 00:22:37,489 --> 00:22:39,291 Narrator: ALASKA’S \hALEUTIAN ISLANDS 375 00:22:39,325 --> 00:22:42,461 ARE COLD, WINDSWEPT, AND BARREN. 376 00:22:44,930 --> 00:22:48,967 IN 1942 THE AMERICAN BASES \h\hHERE AREN’T MUCH MORE 377 00:22:49,001 --> 00:22:52,338 \hTHAN CREAKY CLAPBOARD, AND ICE-BOUND EQUIPMENT. 378 00:22:54,173 --> 00:22:57,576 BUT THEY’RE A KEY PIECE OF THE PACIFIC PUZZLE. 379 00:23:00,446 --> 00:23:03,249 FROM THIS PERCH, THEY \hCOMBINE WITH MIDWAY 380 00:23:03,282 --> 00:23:06,018 TO CONTROL NORTH PACIFIC WATERS, 381 00:23:06,051 --> 00:23:10,122 AND KEEP JAPAN FROM THREATENING AMERICA’S WEST COAST. 382 00:23:10,155 --> 00:23:12,724 THAT’S WHY JAPAN WANTS THEM ALL. 383 00:23:13,893 --> 00:23:17,130 Orr: THE NEXT BIG JAPANESE OPERATION IS TWO-PRONGED, 384 00:23:17,162 --> 00:23:19,831 \hONE SPEAR AIMED AT THE ALEUTIANS, 385 00:23:19,865 --> 00:23:23,936 AND THEN BIGGER MORE POTENT SPEAR AIMED AT MIDWAY ATOLL. 386 00:23:26,071 --> 00:23:27,172 Narrator: ON JUNE 3RD, 387 00:23:27,206 --> 00:23:30,142 JAPAN BEGINS ATTACKING \h\h\h\hAMERICAN BASES 388 00:23:30,175 --> 00:23:31,376 IN THE ALEUTIAN ISLANDS. 389 00:23:35,781 --> 00:23:38,517 THEIR MASTER PLAN IS UNDERWAY. 390 00:23:43,789 --> 00:23:46,025 MORE THAN A THOUSAND MILES AWAY, 391 00:23:46,058 --> 00:23:50,095 THE AMERICAN ARMADA DOES NOTHING TO SAVE THE TINY ALEUTIANS. 392 00:23:52,097 --> 00:23:53,498 THEY’RE LYING IN WAIT 393 00:23:53,532 --> 00:23:55,901 FOR THE FOUR POWERFUL \h\hJAPANESE CARRIERS 394 00:23:55,935 --> 00:23:59,205 EXPECTED TO ATTACK MIDWAY ON JUNE 4TH. 395 00:24:01,807 --> 00:24:05,611 \h\hON JUNE 3RD, COMMANDERS TELL EVERYONE TO WRITE HOME, 396 00:24:05,644 --> 00:24:07,779 IN CASE THEY DON’T RETURN. 397 00:24:08,714 --> 00:24:12,084 Toll: THERE WAS A REMARKABLE \h\hKIND OF SENSE BEFOREHAND 398 00:24:12,117 --> 00:24:13,785 THAT THIS WAS GOING \hTO BE ONE OF THE 399 00:24:13,819 --> 00:24:15,721 \h\hGREATEST NAVAL BATTLES IN HISTORY 400 00:24:15,754 --> 00:24:19,658 THAT IT MIGHT DECIDE THE ENTIRE COURSE OF THE WAR. 401 00:24:21,293 --> 00:24:24,163 THEY WOULD HAVE TO TAKE ON 402 00:24:24,196 --> 00:24:27,466 \h\hTHE VERY BEST OF THE JAPANESE NAVAL AVIATORS, 403 00:24:29,969 --> 00:24:32,305 \hAND THAT A LOT OF THEM WOULDN’T BE COMING HOME. 404 00:24:36,942 --> 00:24:38,343 Narrator: JACK "DUSTY" KLEISS 405 00:24:38,377 --> 00:24:40,479 WRITES A LETTER TO HIS LOVE, 406 00:24:40,512 --> 00:24:42,514 THINKING IT MIGHT BE HIS LAST. 407 00:24:45,084 --> 00:24:47,186 Kleiss: WOULD I \hDIE TOMORROW? 408 00:24:47,219 --> 00:24:50,823 \hI HAD TO MAKE IT CLEAR THAT I LOVED HER DEEPLY. 409 00:24:52,424 --> 00:24:54,593 \hL. Orr: HE JUST WANTS HER TO KNOW 410 00:24:54,626 --> 00:24:56,962 WHAT HE FEELS FOR HER AT THIS POINT 411 00:24:56,996 --> 00:25:00,099 IN CASE SHE NEVER SEES HIM \hOR HEARS FROM HIM AGAIN 412 00:25:00,132 --> 00:25:01,634 AFTER THIS BATTLE IS OVER. 413 00:25:06,538 --> 00:25:09,775 (OMINOUS MUSIC) 414 00:25:09,808 --> 00:25:12,077 Narrator: JUNE 4TH, 1942. 415 00:25:13,045 --> 00:25:15,814 THE AMERICAN BASE AT MIDWAY IS ON ALERT. 416 00:25:16,949 --> 00:25:20,586 REINFORCEMENTS ARE ON THE RUNWAY FROM EVERY SERVICE BRANCH. 417 00:25:22,755 --> 00:25:25,458 GROUND FORCES INCLUDE \h\hMARINE BATTALIONS 418 00:25:25,491 --> 00:25:27,693 READY TO FIGHT OFF \hA LAND INVASION. 419 00:25:29,762 --> 00:25:33,299 BUT THE FIRST INVASION \hCOMES FROM THE SKY. 420 00:25:33,332 --> 00:25:36,168 (DRAMATIC MUSIC) 421 00:25:38,871 --> 00:25:43,876 FOUR JAPANESE CARRIERS LAUNCH 108 PLANES IN JUST 15 MINUTES. 422 00:25:50,783 --> 00:25:55,154 THEY EXPERTLY COALESCE INTO A SINGLE ROARING ATTACK FORCE. 423 00:25:58,157 --> 00:26:00,459 WHEN MIDWAY’S RADAR \h\hPICKS THEM UP, 424 00:26:00,492 --> 00:26:03,428 \hCOMMANDERS ORDER ALL PLANES OFF THE GROUND. 425 00:26:07,566 --> 00:26:10,636 \hBOMBERS LIKE THE B -17 AND THE DAUNTLESS 426 00:26:10,669 --> 00:26:13,839 \h\hSET OFF TO FIND THE ENEMY CARRIERS. 427 00:26:13,872 --> 00:26:16,208 FIGHTERS LIKE THE WILDCAT RISE 428 00:26:16,241 --> 00:26:18,543 TO ENGAGE WITH THE \hINCOMING PLANES. 429 00:26:20,646 --> 00:26:22,715 THE BATTLE OF MIDWAY IS ON. 430 00:26:24,149 --> 00:26:25,450 Toll: THE ISLAND WAS READY. 431 00:26:27,119 --> 00:26:30,889 \h\hYET, THE FIGHTER SQUADRONS OVER MIDWAY 432 00:26:30,923 --> 00:26:32,892 WERE NOT ABLE TO COMPETE AT ALL 433 00:26:32,925 --> 00:26:35,428 \hWITH THE JAPANESE ZEROS THAT CAME IN. 434 00:26:36,829 --> 00:26:38,631 \h\hNarrator: ZEROS SHOOT DOWN VIRTUALLY 435 00:26:38,664 --> 00:26:43,335 \h\hEVERY AMERICAN FIGHTER PLANE SENT UP TO STOP THEM. 436 00:26:43,368 --> 00:26:46,338 THEN, JAPANESE BOMBERS \h\hHAVE A FIELD DAY. 437 00:26:50,209 --> 00:26:51,310 Orr: THIS PHASE OF THE ACTION 438 00:26:51,343 --> 00:26:53,412 \hGOES VERY BADLY FOR THE AMERICANS. 439 00:26:55,380 --> 00:27:00,352 THE JAPANESE CUT THROUGH THE AMERICAN DEFENSES WITH EASE. 440 00:27:03,489 --> 00:27:06,625 Narrator: THE TINY ISLAND TAKES PUNCH AFTER PUNCH. 441 00:27:09,495 --> 00:27:11,030 BARRACKS. 442 00:27:11,063 --> 00:27:12,932 AIRPLANE HANGARS. 443 00:27:12,965 --> 00:27:14,800 OIL TANKS. 444 00:27:14,833 --> 00:27:16,568 THE AMERICAN BASE ON MIDWAY 445 00:27:16,602 --> 00:27:19,371 \h\hIS GOING UP IN THICK BLACK SMOKE. 446 00:27:24,042 --> 00:27:25,877 THE BOMBERS THAT GOT OFF MIDWAY 447 00:27:25,911 --> 00:27:29,014 FIND THE JAPANESE CARRIERS \h\hFOR A COUNTER ATTACK. 448 00:27:36,221 --> 00:27:40,158 Orr: 51 PLANES GO INTO ACTION \h\h\hAND THEY GET ZERO HITS. 449 00:27:41,059 --> 00:27:44,095 THE JAPANESE FLEET GETS AWAY UNSCATHED, NO HITS. 450 00:27:46,565 --> 00:27:47,733 AND FURTHER SOME OF THESE 451 00:27:47,766 --> 00:27:50,402 MIDWAY-BASED SQUADRONS \h\hSUFFERED TERRIBLY. 452 00:27:52,171 --> 00:27:54,607 Narrator: MIDWAY’S AIR SQUADRONS ARE SHREDDED, 453 00:27:56,041 --> 00:27:58,210 AND THE ISLAND IS STILL ABLAZE. 454 00:28:00,112 --> 00:28:04,083 BUT RETURNING JAPANESE PILOTS \hRECOMMEND MORE AIR STRIKES 455 00:28:04,116 --> 00:28:05,884 BEFORE A LAND INVASION. 456 00:28:09,788 --> 00:28:12,491 THE DECISION FALLS TO ADMIRAL NAGUMO. 457 00:28:13,692 --> 00:28:17,129 Toll: ADMIRAL NAGUMO HAD LED \hTHE CARRIER STRIKING FORCE 458 00:28:17,162 --> 00:28:18,830 AGAINST PEARL HARBOR. 459 00:28:18,864 --> 00:28:21,700 \h\hHE WAS STILL IN THE SAME JOB AT THE BATTLE OF MIDWAY. 460 00:28:23,602 --> 00:28:26,338 Narrator: HE’S BEEN HOLDING BACK TORPEDO-LOADED PLANES 461 00:28:26,371 --> 00:28:29,941 TO FACE ANY AMERICAN SHIPS THAT SHOW UP. 462 00:28:29,975 --> 00:28:33,645 \h\h\hBUT NONE HAVE, AND HE DOESN’T EXPECT ANY FOR DAYS. 463 00:28:35,080 --> 00:28:39,051 \h\h\hSO HE ORDERS HIS ATTACK PLANES TO SWITCH TO LAND BOMBS 464 00:28:39,084 --> 00:28:40,919 FOR A SECOND ATTACK ON MIDWAY. 465 00:28:42,421 --> 00:28:44,890 CARRIER CREWS HUSTLE TO MAKE THE CHANGE. 466 00:28:47,426 --> 00:28:49,728 Orr: BUT WHILE THAT REARMAMENT \h\h\h\h\h\hTHAT IS GOING ON, 467 00:28:49,761 --> 00:28:52,364 \h\h\hTHAT IS WHEN HE FINALLY GETS AN UPDATE 468 00:28:52,397 --> 00:28:54,532 FROM ONE OF HIS SCOUT PLANES 469 00:28:54,566 --> 00:28:57,402 THAT THERE ARE AMERICAN \h\hSHIPS IN THE AREA. 470 00:28:58,470 --> 00:29:01,139 \h\h\h\hNarrator: WITH HIS FLIGHT DECKS IN TRANSITION, 471 00:29:01,173 --> 00:29:05,644 NAGUMO GETS WORD OF A MYSTERIOUS FLEET ON HIS LEFT FLANK. 472 00:29:05,677 --> 00:29:07,345 Toll: THE FIRST REPORTS \h\h\h\hDIDN’T MENTION 473 00:29:07,379 --> 00:29:09,615 THE PRESENCE OF CARRIERS AT ALL. 474 00:29:09,648 --> 00:29:12,351 \hAND SO HIS INITIAL INSTINCT WAS TO WAIT 475 00:29:12,384 --> 00:29:15,387 AND TO RECEIVE MORE CLARITY 476 00:29:15,420 --> 00:29:17,656 ON PRECISELY WHAT \hTHIS FLEET WAS. 477 00:29:18,757 --> 00:29:21,093 \h\hNarrator: HE PUTS THE RE-ARMING ON HOLD, 478 00:29:21,126 --> 00:29:22,861 LEAVING HIS OPTIONS OPEN. 479 00:29:23,829 --> 00:29:26,398 WITH FOUR CARRIERS \hAT HIS COMMAND, 480 00:29:26,431 --> 00:29:29,134 HE’S GOT FIREPOWER TO SPARE. 481 00:29:32,437 --> 00:29:36,408 NEWS OF JAPAN’S ATTACK ON MIDWAY REACHES THE AMERICAN FLEET. 482 00:29:39,378 --> 00:29:42,514 THEY COME TO LIFE FOR THE \hSURPRISE COUNTERATTACK. 483 00:29:46,218 --> 00:29:48,854 ADMIRAL NIMITZ’S BIG \hGAMBLE NOW DEPENDS 484 00:29:48,887 --> 00:29:51,356 \hON A HANDFUL OF PILOTS AND PLANES, 485 00:29:53,859 --> 00:29:56,528 INCLUDING THE TORPEDO BOMBERS. 486 00:30:01,900 --> 00:30:02,934 \h\hGoodspeed: THE AIRCRAFT BEHIND ME 487 00:30:02,968 --> 00:30:05,404 IS A TBF AVENGER TORPEDO BOMBER, 488 00:30:05,437 --> 00:30:08,373 WHICH WAS INTRODUCED TO COMBAT \hDURING THE BATTLE OF MIDWAY. 489 00:30:09,808 --> 00:30:12,411 \h\hNarrator: THE AVENGER, ALONG WITH THE DEVASTATOR, 490 00:30:12,444 --> 00:30:14,713 ARE THE TWO TYPES OF TORPEDO BOMBERS 491 00:30:14,746 --> 00:30:16,815 \h\h\hIN BATTLE THE MORNING OF JUNE 4TH. 492 00:30:17,849 --> 00:30:19,551 Goodspeed: THESE TORPEDO \hBOMBERS WERE DESIGNED 493 00:30:19,584 --> 00:30:23,488 TO DELIVER A TORPEDO ATTACK BY FLYING LOW TO THE WATER 494 00:30:23,522 --> 00:30:26,458 \h\hAND DROPPING THEIR ORDNANCE THAT WOULD RUN STRAIGHT AND TRUE 495 00:30:26,491 --> 00:30:28,760 INTO THE SIDES OF AN ENEMY SHIP. 496 00:30:28,794 --> 00:30:30,496 \h\h\hNarrator: BUT THE TORPEDOES THEY’RE USING 497 00:30:30,529 --> 00:30:32,731 ARE KNOWN TO BE FAULTY. 498 00:30:32,764 --> 00:30:36,134 \h\hSOME GO IN CIRCLES, OTHERS FAIL TO EXPLODE. 499 00:30:37,135 --> 00:30:39,471 \h\h\h\hEACH CREW KNOWS THEY’RE ENTERING COMBAT 500 00:30:39,504 --> 00:30:41,740 WITH A BOMB THAT MIGHT NOT WORK. 501 00:30:43,542 --> 00:30:46,478 \hAND DELIVERING THAT BOMB IS RISKY ENOUGH. 502 00:30:46,511 --> 00:30:48,646 \hGoodspeed: THE TORPEDO BOMBERS THEMSELVES WERE VERY VULNERABLE. 503 00:30:48,680 --> 00:30:50,415 \hTHEY HAD TO GO TO RELATIVELY LOW SPEED 504 00:30:50,449 --> 00:30:52,751 AND CERTAINLY DROP FROM LOW ALTITUDE. 505 00:30:52,784 --> 00:30:55,453 SO WHAT THE TORPEDO BOMBERS RELIED UPON 506 00:30:55,487 --> 00:30:57,189 WAS A COORDINATED ATTACK. 507 00:30:58,523 --> 00:31:02,827 Narrator: IN AN IDEAL ATTACK, TORPEDO BOMBERS GO IN LOW, 508 00:31:02,861 --> 00:31:04,696 WITH COVER FROM WILDCATS. 509 00:31:06,365 --> 00:31:10,069 THEN DAUNTLESS DIVE BOMBERS \h\h\hCOME IN OVER THE TOP, 510 00:31:10,102 --> 00:31:11,604 OVERWHELMING THE ENEMY. 511 00:31:13,004 --> 00:31:15,273 THIS IS THE IDEAL SCENARIO. 512 00:31:16,775 --> 00:31:17,843 Goodspeed: BUT AT THE \h\hBATTLE OF MIDWAY, 513 00:31:17,876 --> 00:31:20,178 NOTHING WAS NORMAL OR IDEAL. 514 00:31:20,212 --> 00:31:23,449 (OMINOUS MUSIC) 515 00:31:23,482 --> 00:31:26,318 Narrator: ON THE ENTERPRISE, \h\hCOMMANDERS BRIEF PILOTS 516 00:31:26,351 --> 00:31:29,354 \h\h\h\hON THE MOST IMPORTANT MISSION OF THEIR YOUNG LIVES. 517 00:31:30,989 --> 00:31:34,125 \hTWO BEST FRIENDS GET THEIR MARCHING ORDERS. 518 00:31:34,159 --> 00:31:37,095 L. Orr: DUSTY RUNS INTO \hTOM, HIS BEST FRIEND 519 00:31:37,129 --> 00:31:39,164 ON THE FLIGHT DECK \h\hOF ENTERPRISE. 520 00:31:39,998 --> 00:31:41,433 THEY STOP AND TALK TO EACH OTHER 521 00:31:41,466 --> 00:31:43,835 FOR JUST A COUPLE OF MINUTES, 522 00:31:43,869 --> 00:31:47,740 \h\h\hAND THEY TAKE A MOMENT TO SAY GOODBYE. 523 00:31:47,773 --> 00:31:50,542 (SUSPENSEFUL MUSIC) 524 00:31:50,575 --> 00:31:53,578 \h\h\h\h\hNarrator: EVERY DRILL THEY’VE DONE IS FOR THIS MOMENT. 525 00:31:54,546 --> 00:31:56,214 EVERYONE UNDERSTANDS THE RISK. 526 00:31:57,716 --> 00:31:59,718 BUT THEY FACE IT WITH A ROAR. 527 00:32:01,253 --> 00:32:04,623 Orr: YOU HAVE THE SQUADRONS ALL LINED UP ON THE FLIGHT DECK 528 00:32:04,656 --> 00:32:06,224 AND ALL THE ENGINES ARE RUNNING 529 00:32:08,460 --> 00:32:10,996 AND IT HAS JUST AN INCREDIBLE \h\h\h\hEAR SPLITTING NOISE. 530 00:32:11,029 --> 00:32:12,497 YOU CAN’T HEAR ANYTHING. 531 00:32:15,634 --> 00:32:18,203 Narrator: AMERICANS HAVE AN ATTACK PLAN, 532 00:32:18,236 --> 00:32:20,638 \h\hSIMILAR TO WHAT THE JAPANESE CAN DO 533 00:32:20,672 --> 00:32:22,474 WITH THEIR CARRIER FORCES. 534 00:32:23,742 --> 00:32:28,614 \h\hOrr: THEY ATTEMPT TO PUT ALL THEIR PLANES INTO ONE BIG SWARM. 535 00:32:29,681 --> 00:32:31,349 AND THIS IS SOMETHING THAT \hWORKED FOR THE JAPANESE 536 00:32:31,383 --> 00:32:34,786 \hAT PEARL HARBOR BUT IT IS A VERY AMBITIOUS THING 537 00:32:34,820 --> 00:32:37,256 AND VERY DIFFICULT TO EXECUTE. 538 00:32:38,557 --> 00:32:40,959 Narrator: THEY STRUGGLE TO SYNC UP THE AIRCRAFT 539 00:32:40,992 --> 00:32:44,362 OF THREE CARRIERS INTO A SINGLE COORDINATED RAID. 540 00:32:46,231 --> 00:32:48,066 LAUNCHES ARE DELAYED. 541 00:32:48,099 --> 00:32:50,168 FORMATIONS COME APART. 542 00:32:50,202 --> 00:32:54,139 \hAND THERE’S ONLY A VAGUE IDEA OF WHERE THE ENEMY IS. 543 00:32:54,172 --> 00:32:56,307 Toll: ON EACH CARRIER \h\h\hAND EVEN WITHIN 544 00:32:56,341 --> 00:32:58,743 \h\h\h\hTHE DIFFERENT AIR SQUADRONS ON EACH CARRIER, 545 00:32:58,777 --> 00:33:01,947 THERE WERE DIFFERENT IDEAS \hABOUT WHAT ROUTE TO FLY. 546 00:33:01,980 --> 00:33:04,249 \h\hAND SO YOU HAD DIFFERENT SQUADRONS 547 00:33:04,282 --> 00:33:08,019 \h\hESSENTIALLY FOLLOWING THEIR OWN NOSE TO THE JAPANESE FLEET, 548 00:33:08,053 --> 00:33:09,588 FLYING IN DIFFERENT DIRECTIONS. 549 00:33:12,190 --> 00:33:15,827 \h\h\hNarrator: AS AMERICANS FUMBLE THEIR WAY INTO COMBAT, 550 00:33:15,861 --> 00:33:19,598 JAPAN’S MIDWAY STRIKE FORCE RETURNS TO THEIR CARRIERS. 551 00:33:20,765 --> 00:33:22,433 THEY’RE BACK AT FULL STRENGTH. 552 00:33:24,669 --> 00:33:28,640 NAGUMO NEEDS ABOUT 45 MINUTES \hTO RE-ARM HIS ATTACK FORCE. 553 00:33:29,875 --> 00:33:33,145 HE DOESN’T KNOW AMERICA’S \h\hCARRIERS ARE NEARBY, 554 00:33:34,579 --> 00:33:39,017 \hWITH THEIR PLANES IN THE AIR, HOWEVER DISORGANIZED. 555 00:33:41,786 --> 00:33:45,156 FINALLY, A LONE SQUADRON \h\hFROM THE USS HORNET 556 00:33:45,190 --> 00:33:47,125 FINDS THE JAPANESE FLEET. 557 00:33:48,293 --> 00:33:52,097 IT’S A TORPEDO SQUADRON, \hWITH NO FIGHTER COVER, 558 00:33:52,130 --> 00:33:53,765 AND NO SMOKE SCREENS. 559 00:33:56,501 --> 00:33:57,902 BUT THEY POINT THEIR NOSES 560 00:33:57,936 --> 00:34:01,807 \hINTO THE HEART OF THE JAPANESE IMPERIAL NAVY. 561 00:34:07,212 --> 00:34:10,215 \hTHE BATTLE OF MIDWAY HAS BEEN A ROUT SO FAR. 562 00:34:11,583 --> 00:34:15,020 JAPAN HAS CRUSHED THE ISLAND THEY WANT AS THEIR NEW BASE 563 00:34:15,053 --> 00:34:16,488 IN THE CENTRAL PACIFIC. 564 00:34:17,689 --> 00:34:19,724 Orr: BUT THE OTHER ASPECT \h\h\h\hOF THIS CAMPAIGN 565 00:34:19,758 --> 00:34:21,693 AND THE ONE THAT IS FAR MORE IMPORTANT 566 00:34:21,726 --> 00:34:23,928 TO THEIR LONG-TERM GOALS IS THE HOPE 567 00:34:23,962 --> 00:34:27,165 THAT THE ATTACK ON MIDWAY \h\hIS GOING TO BE A LURE 568 00:34:27,198 --> 00:34:29,434 \hTHAT WILL BRING THE AMERICAN CARRIERS OUT 569 00:34:29,467 --> 00:34:31,836 FROM THEIR PORT IN PEARL HARBOR. 570 00:34:33,872 --> 00:34:35,440 \h\h\hNarrator: NAGUMO THINKS HE’LL HAVE DAYS 571 00:34:35,473 --> 00:34:38,309 TO PREPARE HIS AMBUSH ON AMERICAN CARRIERS. 572 00:34:39,377 --> 00:34:42,013 \h\h\hHE DOESN’T KNOW THEY’RE ALREADY HERE. 573 00:34:45,250 --> 00:34:49,788 A SQUADRON OF TORPEDO BOMBERS \hAPPROACHES NAGUMO’S FLEET, 574 00:34:49,821 --> 00:34:53,091 \hFLYING IN LOW AND SLOW, AND ALL ALONE. 575 00:34:54,926 --> 00:34:56,828 Orr: THEY HAD BEEN INSTRUCTED TO FLY 576 00:34:56,861 --> 00:35:01,866 AT JUST ABOVE STALLING SPEED JUST 50 FEET ABOVE THE WAVES 577 00:35:02,067 --> 00:35:05,003 AND THEY ARE TO CLOSE \h\hWITHIN 500 YARDS 578 00:35:05,036 --> 00:35:08,706 OF THE JAPANESE TARGETS BEFORE THEY RELEASE THEIR TORPEDOES. 579 00:35:08,740 --> 00:35:11,743 AND TO DO THIS IS BASICALLY \h\hTANTAMOUNT TO SUICIDE. 580 00:35:14,312 --> 00:35:15,747 Narrator: WITHOUT \hFIGHTER COVER, 581 00:35:15,780 --> 00:35:17,382 THE LUMBERING TORPEDO PLANES 582 00:35:17,415 --> 00:35:20,418 \h\hARE NO MATCH FOR A SWARM OF NIMBLE ZEROS. 583 00:35:24,189 --> 00:35:26,158 Toll: YOU HAD ONE SQUADRON \hAFTER ANOTHER COMING IN 584 00:35:26,191 --> 00:35:27,392 AND GETTING MASSACRED. 585 00:35:28,960 --> 00:35:31,963 \h\h\h\hNarrator: MOST ARE SHOT DOWN BEFORE DROPPING A TORPEDO. 586 00:35:35,767 --> 00:35:39,271 IF THEY GET ONE OFF, THE FAULTY WEAPON EITHER GOES ASTRAY 587 00:35:39,304 --> 00:35:40,539 OR FAILS TO EXPLODE. 588 00:35:42,674 --> 00:35:45,877 \h\hOrr: THEY SEND THESE POOR TORPEDO BOMBERS INTO THE FRAY 589 00:35:45,910 --> 00:35:48,446 KNOWING THAT THEIR PRIMARY \h\hWEAPON DOES NOT WORK. 590 00:35:49,781 --> 00:35:53,118 84% OF THOSE TORPEDO CREWMEN 591 00:35:53,151 --> 00:35:54,919 \h\hTHAT WENT INTO ACTION ARE KILLED. 592 00:35:56,821 --> 00:36:00,291 \h\h\h\hNarrator: SO FAR, THESE ATTACKS HAVE YET TO MAKE A DENT. 593 00:36:02,327 --> 00:36:04,396 BUT THEY ARE MAKING \h\h\hA DIFFERENCE. 594 00:36:05,263 --> 00:36:06,765 Toll: THESE CONSTANT ATTACKS ARE KIND OF 595 00:36:06,798 --> 00:36:09,267 \h\hPUTTING THE JAPANESE FLEET ON THEIR BACK FOOT 596 00:36:09,300 --> 00:36:11,702 \hAND FORCING THEM TO REACT TO EVENTS 597 00:36:11,736 --> 00:36:13,538 RATHER THAN TO SEIZE \h\hTHE INITIATIVE. 598 00:36:16,307 --> 00:36:19,477 \h\hNarrator: NAGUMO IS FORCED TO PLAY DEFENSE. 599 00:36:19,511 --> 00:36:22,647 HE CAN’T LAUNCH ANOTHER \h\h\hATTACK ON MIDWAY. 600 00:36:22,681 --> 00:36:26,418 \hTHE OTHER SIDE’S OFFENSE IS LARGER THAN HE THOUGHT. 601 00:36:26,451 --> 00:36:29,821 Orr: AT THIS POINT, ADMIRAL \hNAGUMO IS PROBABLY TRYING 602 00:36:29,854 --> 00:36:32,390 \h\hTO WRAP HIS HEAD AROUND THE SITUATION. 603 00:36:32,424 --> 00:36:34,960 HE HAS BEEN ATTACKED BY TORPEDO BOMBER SQUADRONS 604 00:36:34,993 --> 00:36:38,230 THAT ARE CLEARLY CARRIER-BASED \h\hAND HE’S PROBABLY STARTING 605 00:36:38,263 --> 00:36:41,700 \h\h\hTO REALIZE THAT HIS ASSUMPTION THAT THERE ARE 606 00:36:41,733 --> 00:36:46,004 NO AMERICAN CARRIERS PRESENT \h\h\hIS BADLY MISINFORMED. 607 00:36:46,905 --> 00:36:49,741 \h\h\h\hNarrator: A SCOUT PLANE CONFIRMS HIS HUNCH. 608 00:36:49,774 --> 00:36:52,277 \hTHE PILOT REPORTS ONE AIRCRAFT CARRIER 609 00:36:52,310 --> 00:36:54,145 AMID THE MYSTERY FLEET. 610 00:36:55,547 --> 00:36:57,849 \h\hTHEY DON’T YET SEE THE OTHER TWO. 611 00:36:59,951 --> 00:37:02,754 NAGUMO CHANGES HIS PLAN, AGAIN. 612 00:37:04,122 --> 00:37:07,726 NEVER MIND RE-ARMING PLANES FOR ANOTHER ATTACK ON MIDWAY. 613 00:37:08,626 --> 00:37:12,396 CHANGE BACK TO TORPEDOES \h\hAND ANTI-SHIP BOMBS. 614 00:37:16,434 --> 00:37:18,703 MEANWHILE, DAUNTLESS \h\h\h\hDIVE BOMBERS 615 00:37:18,737 --> 00:37:20,939 \h\hARE LOOKING FOR THE JAPANESE FLEET. 616 00:37:22,073 --> 00:37:25,109 INSIDE ONE COCKPIT \hIS DUSTY KLEISS. 617 00:37:25,977 --> 00:37:28,613 \h\h\h\hKleiss: OUR SEARCH SEEMED TO CONTINUE FOREVER. 618 00:37:28,646 --> 00:37:31,415 AFTER FLYING ABOUT 165 MILES, 619 00:37:31,449 --> 00:37:34,152 WE EXPECTED TO FIND \hTHE ENEMY FLEET. 620 00:37:34,185 --> 00:37:35,553 WE FOUND NOTHING. 621 00:37:36,921 --> 00:37:38,289 Narrator: MOST OF DUSTY’S UNIT 622 00:37:38,323 --> 00:37:40,625 IS BELOW THE HALFWAY \h\h\hMARK ON FUEL. 623 00:37:41,493 --> 00:37:45,263 THEIR COMMANDER, WADE MCCLUSKY, MAKES A DESPERATE CHOICE. 624 00:37:46,297 --> 00:37:48,766 Orr: MCCLUSKY DECIDES \h\h\hTO KEEP FLYING 625 00:37:48,800 --> 00:37:53,271 EVEN THOUGH IT MEANS THAT HIS \hPILOTS MIGHT NOT COME BACK 626 00:37:53,304 --> 00:37:56,307 BECAUSE THEY WILL CRASH FROM EMPTY FUEL TANKS. 627 00:37:56,341 --> 00:37:58,009 L. Orr: EVERY SINGLE PLANE IN THE SQUADRON 628 00:37:58,042 --> 00:38:00,478 HAS THAT SAME PROBLEM, 629 00:38:00,512 --> 00:38:02,981 BUT NONE OF THOSE PILOTS DECIDE 630 00:38:03,014 --> 00:38:05,083 THEY’RE GOING TO BREAK FORMATION AND GO HOME. 631 00:38:05,116 --> 00:38:06,651 THAT’S NOT THEIR JOB. 632 00:38:06,684 --> 00:38:09,487 THEIR JOB IS TO FIND \hTHE JAPANESE FLEET 633 00:38:09,521 --> 00:38:11,890 AND INFLICT AS MUCH DAMAGE AS POSSIBLE 634 00:38:11,923 --> 00:38:13,591 \hAND THAT’S WHAT THEY DECIDE TO DO. 635 00:38:15,093 --> 00:38:16,761 Narrator: FINALLY, \hAMERICANS CATCH 636 00:38:16,795 --> 00:38:18,864 \h\hTHE FIRST LUCKY BREAK OF THE BATTLE. 637 00:38:19,764 --> 00:38:23,935 MCCLUSKY SPIES A LONE JAPANESE \h\hDESTROYER, HEADING NORTH. 638 00:38:23,968 --> 00:38:26,671 Orr: HE ASSUMES THAT JAPANESE \h\h\h\hDESTROYER IS POINTING 639 00:38:26,704 --> 00:38:31,342 \h\hIN THE DIRECTION OF THE JAPANESE CARRIER TASK FORCE. 640 00:38:31,376 --> 00:38:32,210 SO HE SIGNALS TO HIS SQUADRON 641 00:38:32,243 --> 00:38:33,778 AND THEY ARE GOING TO FOLLOW IT. 642 00:38:36,447 --> 00:38:38,849 \h\h\hNarrator: NAGUMO IS STILL RE-ARMING HIS PLANES 643 00:38:38,883 --> 00:38:41,619 TO ATTACK THE ONE AMERICAN \hCARRIER THEY’VE SIGHTED. 644 00:38:42,921 --> 00:38:46,091 \hTHE DAYS HE THOUGHT HE’D HAVE TO PREPARE HIS AMBUSH 645 00:38:46,124 --> 00:38:48,026 ARE DISSOLVING INTO MINUTES. 646 00:38:49,093 --> 00:38:50,595 Toll: EACH OF HIS \hCARRIER FLIGHT DECKS, 647 00:38:50,628 --> 00:38:52,864 \h\hHE HAS FOUR OF THEM, THEY’RE ALL BOTTLENECKS. 648 00:38:53,898 --> 00:38:57,101 \hOrr: MOST OF THE JAPANESE ORDNANCE MEN HAVE SCATTERED 649 00:38:57,135 --> 00:38:59,704 ALL OF THE BOMBS ABOUT \h\h\hTHE HANGAR DECK 650 00:38:59,737 --> 00:39:01,572 IN A CARELESS MANNER, 651 00:39:01,606 --> 00:39:04,576 \hAND THIS BASICALLY TURNS THESE CARRIERS 652 00:39:04,609 --> 00:39:05,944 INTO POTENTIAL BOMBS. 653 00:39:07,812 --> 00:39:09,047 \h\hNarrator: AT THIS VERY MOMENT, 654 00:39:09,080 --> 00:39:12,183 DUSTY’S SQUADRON FINDS \hTHE JAPANESE FLEET. 655 00:39:13,484 --> 00:39:14,618 Kleiss: THERE IT WAS, 656 00:39:14,652 --> 00:39:16,754 THE WHOLE JAPANESE \h\hCARRIER FORCE, 657 00:39:16,788 --> 00:39:18,423 ARRAYED ACROSS THE HORIZON. 658 00:39:19,524 --> 00:39:21,359 \h\h\h\h\hNarrator: OTHER SQUADRONS HAPPEN TO ARRIVE 659 00:39:21,392 --> 00:39:25,563 AT THE SAME TIME, TORPEDO \h\h\hAND FIGHTER PLANES. 660 00:39:26,564 --> 00:39:30,435 BY SHEER LUCK, THE IDEAL ATTACK BEGINS TO UNFOLD. 661 00:39:33,238 --> 00:39:34,906 AMERICAN WILDCAT FIGHTERS 662 00:39:34,939 --> 00:39:38,042 FINALLY MATCH UP AGAINST THE ZERO. 663 00:39:38,243 --> 00:39:41,480 Toll: FOR THE FIRST TIME YOU START TO SEE JAPANESE ZEROES 664 00:39:41,512 --> 00:39:43,547 GOING DOWN IN FLAMES \h\h\hIN THE BATTLE. 665 00:39:45,149 --> 00:39:48,219 THAT GIVES TORPEDO BOMBERS A BETTER CRACK AT THE CARRIERS 666 00:39:49,821 --> 00:39:53,158 AND DISTRACTS THE JAPANESE \h\hFROM WHAT’S COMING IN 667 00:39:53,191 --> 00:39:54,959 FROM 20,000 FEET. 668 00:39:58,596 --> 00:40:02,500 DUSTY’S SQUADRON BANKS INTO A DIVE LIKE BIRDS OF PREY, 669 00:40:02,533 --> 00:40:06,237 AND TAKES AIM AT THE JAPANESE \h\hCARRIER CALLED THE KAGA. 670 00:40:09,741 --> 00:40:11,610 \h\h\h\h\h\hKleiss: THE RISING SUN ON KAGA’S BOW 671 00:40:11,643 --> 00:40:15,046 \h\hMADE AN INVITING TARGET, A BULL’S EYE. 672 00:40:16,447 --> 00:40:18,582 (BOMBS EXPLODING) 673 00:40:18,616 --> 00:40:20,451 Narrator: A CHAIN REACTION BEGINS. 674 00:40:21,586 --> 00:40:25,790 Toll: THE BOMBS, THE TORPEDOES, THE FUEL ON THE CARRIER ITSELF 675 00:40:25,823 --> 00:40:28,559 EXPLODES AND TURNS THE WHOLE \h\hTHING INTO A TINDERBOX. 676 00:40:29,560 --> 00:40:31,929 \h\hNarrator: AS DUSTY PULLS OUT OF HIS DIVE, 677 00:40:31,963 --> 00:40:33,398 THE ATTACKS CONTINUE. 678 00:40:37,568 --> 00:40:39,804 DOGFIGHTS RAGE ALL AROUND. 679 00:40:41,439 --> 00:40:44,042 \h\hMORE DAUNTLESSES SCREAM INTO THE FRAY, 680 00:40:50,114 --> 00:40:53,117 AND IN JUST FOUR MINUTES 681 00:40:53,151 --> 00:40:55,387 AMERICANS DELIVER MORTAL BLOWS 682 00:40:55,420 --> 00:40:58,189 TO THREE OF THE FOUR \hJAPANESE CARRIERS. 683 00:41:02,026 --> 00:41:06,964 THE DIVE BOMBERS HEAD BACK, CONFIDENT IN THEIR STRIKE. 684 00:41:06,998 --> 00:41:09,734 \hBUT NOT CONFIDENT IN THEIR FUEL LEVEL. 685 00:41:10,601 --> 00:41:12,636 L. Orr: DUSTY IS CONCERNED. 686 00:41:12,670 --> 00:41:15,339 HE DOESN’T THINK HE HAS ENOUGH FUEL TO MAKE IT. 687 00:41:15,373 --> 00:41:18,843 HE SLOWS DOWN TRYING \h\hTO USE LESS FUEL 688 00:41:18,876 --> 00:41:21,479 BUT HE’S VERY WORRIED THAT HE’S GONNA END UP 689 00:41:21,512 --> 00:41:23,147 HAVING TO DITCH AT SEA. 690 00:41:23,181 --> 00:41:26,351 THIS HAPPENS TO A LOT OF PILOTS ON THE MORNING OF JUNE 4TH. 691 00:41:28,453 --> 00:41:30,288 Narrator: PLANES BEGIN TO SPUTTER. 692 00:41:31,389 --> 00:41:32,690 SOME HAVE TO DITCH. 693 00:41:37,395 --> 00:41:40,899 \hBUT FLYING ON FUMES, DUSTY SPOTS HIS FLEET. 694 00:41:47,505 --> 00:41:49,474 \h\h\hL. Orr: HE ENDS UP LANDING ABOARD ENTERPRISE 695 00:41:49,507 --> 00:41:51,943 \h\hWITH JUST THREE GALLONS OF FUEL LEFT 696 00:41:51,976 --> 00:41:54,779 \h\hWHICH IS MAYBE FIVE MINUTES OF FLYING TIME. 697 00:41:58,683 --> 00:42:01,252 \h\h\h\h\hNarrator: THE SQUADRONS ARE DECIMATED. 698 00:42:03,855 --> 00:42:05,523 PLANES RETURN CRIPPLED. 699 00:42:08,459 --> 00:42:10,061 MEN RETURN BLOODY, 700 00:42:12,263 --> 00:42:14,432 AND MANY DON’T RETURN AT ALL. 701 00:42:15,299 --> 00:42:18,736 THE ENTERPRISE LOSES ALMOST \h\hHALF OF ITS FLYING MEN, 702 00:42:20,038 --> 00:42:22,908 INCLUDING DUSTY’S BEST FRIEND, TOM EVERSOLE. 703 00:42:24,242 --> 00:42:26,611 \h\h\h\h\hKleiss: THE NEWS HIT ME LIKE A THUNDERCLAP. 704 00:42:26,644 --> 00:42:28,813 I HELD ON TO A DISTANT HOPE THAT 705 00:42:28,846 --> 00:42:30,748 MAYBE HE WAS FLOATING \h\hIN HIS LIFE RAFT. 706 00:42:30,782 --> 00:42:33,985 BUT DEEP DOWN, I KNEW HE WAS GONE. 707 00:42:37,088 --> 00:42:39,657 Narrator: THE DAY IS ONLY HALF OVER, 708 00:42:42,960 --> 00:42:46,964 AND SOON, THE JAPANESE \h\h\hWILL FIND THEM. 709 00:42:48,299 --> 00:42:50,401 (OMINOUS MUSIC) 710 00:42:50,435 --> 00:42:52,270 ON THE AFTERNOON OF JUNE 4TH, 711 00:42:52,303 --> 00:42:56,507 \h\h\hTHE JAPANESE FLEET AT MIDWAY IS DOWN, BUT NOT OUT. 712 00:42:57,341 --> 00:43:00,978 ONE CARRIER, THE HIRYU, \h\hREMAINS UNSCATHED. 713 00:43:02,180 --> 00:43:05,183 IT FIRES OFF A COUNTERATTACK. 714 00:43:05,216 --> 00:43:07,485 Toll: AND THEY ALL GANGED \h\h\hUP ON THE YORKTOWN. 715 00:43:10,621 --> 00:43:12,456 Narrator: JAPANESE \hPLANES SCREAM IN 716 00:43:12,490 --> 00:43:15,893 AT ONE AMERICAN CARRIER, \h\h\hTHE USS YORKTOWN. 717 00:43:21,666 --> 00:43:25,236 JAPAN IS STILL FIGHTING FOR ITS PLAN TO INVADE MIDWAY, 718 00:43:26,104 --> 00:43:29,107 \hIF THEY CAN KNOCK OUT SOME AMERICAN CARRIERS. 719 00:43:31,309 --> 00:43:34,979 THROUGH THE MAELSTROM, THREE \h\hBOMBS HIT THE YORKTOWN. 720 00:43:36,180 --> 00:43:38,749 Orr: THE DAMAGE IS NOT ENOUGH \h\h\h\hTO SINK THE YORKTOWN, 721 00:43:38,783 --> 00:43:40,652 THOUGH IT DEVELOPS \hA LIST, THAT IS, 722 00:43:40,685 --> 00:43:43,955 \hA TILT OF ABOUT 30 DEGREES TO ONE SIDE. 723 00:43:46,124 --> 00:43:47,659 BUT THE OTHER TWO CARRIERS, 724 00:43:47,692 --> 00:43:50,428 USS HORNET AND USS ENTERPRISE 725 00:43:50,461 --> 00:43:53,030 \h\hARE STILL PERFECTLY CAPABLE OF RETALIATING. 726 00:43:56,601 --> 00:43:58,736 \hNarrator: THEY COBBLE TOGETHER AN ATTACK FORCE 727 00:43:58,769 --> 00:44:01,639 \hFROM PILOTS AND PLANES WHO SURVIVED THE MORNING, 728 00:44:03,007 --> 00:44:04,242 INCLUDING DUSTY. 729 00:44:05,443 --> 00:44:07,111 \h\h\hKleiss: EVERYONE WAS CHAMPING AT THE BIT 730 00:44:07,145 --> 00:44:08,313 TO GET AIRBORNE AGAIN. 731 00:44:09,747 --> 00:44:11,415 Orr: THE TORPEDO BOMBERS \h\h\h\hCAN’T GO AT ALL 732 00:44:11,449 --> 00:44:13,217 \h\hBECAUSE THEY’VE ALL BEEN SHOT DOWN. 733 00:44:14,752 --> 00:44:17,355 THEY’RE GONNA GO WITH ONLY THE DIVE BOMBERS. 734 00:44:20,424 --> 00:44:23,060 Narrator: EACH FLEET NOW KNOWS WHERE THE OTHER IS. 735 00:44:24,562 --> 00:44:26,998 \hTHEY’RE BATTLING IN BROAD DAYLIGHT. 736 00:44:28,833 --> 00:44:30,601 BUT THE DAUNTLESS DIVE BOMBERS 737 00:44:30,635 --> 00:44:33,204 USE DAYLIGHT TO THEIR ADVANTAGE. 738 00:44:33,237 --> 00:44:35,172 L. Orr: THEY ARE FLYING \h\h\h\hOUT OF THE SUN, 739 00:44:35,206 --> 00:44:37,675 \hSO WHEN YOU’RE LOOKING UP FROM A JAPANESE SHIP, 740 00:44:37,708 --> 00:44:41,245 YOU CAN’T SEE THE PLANES \hCOMING OUT OF THE SUN. 741 00:44:41,279 --> 00:44:42,680 IT’S A PERFECT POSITION. 742 00:44:44,949 --> 00:44:49,520 THEY START TO DIVE ON THE HIRYU AND AT THAT MOMENT, 743 00:44:49,554 --> 00:44:53,024 \h\h\h\hTHE HIRYU MAKES A RADICAL TURN TO THE LEFT. 744 00:44:54,192 --> 00:44:56,327 Narrator: TWO BOMBERS DIVING AHEAD OF DUSTY 745 00:44:56,360 --> 00:44:59,496 MISS THE RAPIDLY TURNING CARRIER. 746 00:44:59,530 --> 00:45:03,167 \hBUT DUSTY RE-CALIBRATES HIS DAUNTLESS ON THE FLY. 747 00:45:04,135 --> 00:45:05,703 Kleiss: AS I PLUNGED \h\h\h\h\hTOWARD THE SEA 748 00:45:05,736 --> 00:45:07,471 I AIMED FOR WHERE THE SHIP WAS GOING 749 00:45:07,505 --> 00:45:10,308 TO BE AS IT CONTINUED THAT TURN. 750 00:45:10,341 --> 00:45:14,245 \hNarrator: AT 1,500 FEET, HE YANKS THE BOMB RELEASE LEVER. 751 00:45:15,813 --> 00:45:18,582 (BOMB EXPLODING) 752 00:45:20,484 --> 00:45:23,721 L. Orr: HE’S AN INCREDIBLE PILOT TO BE ABLE TO KIND OF 753 00:45:23,754 --> 00:45:27,591 \hMANEUVER HIMSELF WHILE HE’S DIVING TO BE ABLE TO 754 00:45:27,625 --> 00:45:30,328 \h\hHIT THAT SHIP AND GAIN HIS SECOND HIT OF THE DAY. 755 00:45:31,662 --> 00:45:34,431 \h\h\h\hNarrator: AMERICANS WRECK FOUR JAPANESE CARRIERS 756 00:45:34,465 --> 00:45:36,233 IN A SINGLE DAY. 757 00:45:36,267 --> 00:45:39,570 \hTHEY TURN JAPAN’S AMBUSH ON ITS HEAD. 758 00:45:39,604 --> 00:45:42,407 (THOUGHTFUL MUSIC) 759 00:45:42,440 --> 00:45:47,445 DUSTY KLEISS RETURNS TRIUMPHANT, BUT WITH A HEAVY HEART. 760 00:45:50,448 --> 00:45:51,983 L. Orr: ON THE EVENING \h\h\h\h\hOF JUNE 4TH 761 00:45:52,016 --> 00:45:54,952 \h\h\h\hAFTER DUSTY HAD RETURNED TO ENTERPRISE, 762 00:45:54,986 --> 00:45:58,022 HE TAKES SOME TIME TO WRITE IN HIS LOGBOOK. 763 00:46:00,858 --> 00:46:03,094 AND WHAT HE WRITES \h\hIN HIS LOGBOOK 764 00:46:03,127 --> 00:46:05,796 \hIS A REMEMBRANCE OF HIS FRIEND, TOM. 765 00:46:08,432 --> 00:46:13,404 \hHE WRITES, "BREATHE A PRAYER FOR OUR SUICIDE TBD SQUADRONS." 766 00:46:13,971 --> 00:46:16,540 THOSE MEN, THEY GAVE THEIR LIVES 767 00:46:16,574 --> 00:46:18,643 \h\hSO THAT THE DIVE BOMBERS COULD ATTACK 768 00:46:18,676 --> 00:46:20,077 ON THE MORNING OF JUNE 4TH. 769 00:46:27,018 --> 00:46:29,888 Narrator: THE NEXT DAY, AMERICANS KEEP SWINGING 770 00:46:29,920 --> 00:46:31,722 AT AN ENEMY ON THE ROPES. 771 00:46:33,524 --> 00:46:36,861 \h\hJAPANESE SUPPORT SHIPS COME UNDER WITHERING FIRE. 772 00:46:40,564 --> 00:46:44,968 DUSTY KLEISS DIVES ON A CRUISER, THE MIKUMA. 773 00:46:45,002 --> 00:46:47,137 Kleiss: ANTI-AIRCRAFT \h\hFIRE WHIZZED IN. 774 00:46:47,171 --> 00:46:50,174 \h\h\hTHE JAPANESE STILL HAD PLENTY OF FIGHT LEFT IN THEM. 775 00:46:50,207 --> 00:46:54,044 \hFOR THE THIRD TIME, I KNEW I WAS GOING TO HIT SOMETHING BIG. 776 00:46:56,714 --> 00:46:59,517 (BOMB EXPLODING) 777 00:46:59,550 --> 00:47:02,353 \h\h\hNarrator: WITH THIS HIT, DUSTY MAKES HISTORY. 778 00:47:03,621 --> 00:47:05,056 L. Orr: HE’S THE ONLY \h\h\hAMERICAN PILOT 779 00:47:05,089 --> 00:47:06,891 \hTO HIT THREE JAPANESE SHIPS 780 00:47:06,924 --> 00:47:08,459 DURING THE BATTLE OF MIDWAY. 781 00:47:11,796 --> 00:47:14,732 \h\hNarrator: THE JAPANESE GIVE UP ON INVADING MIDWAY. 782 00:47:16,100 --> 00:47:17,902 BUT THEY DO NOT GIVE IN. 783 00:47:19,203 --> 00:47:22,139 \hAS THE USS YORKTOWN LIMPS BACK TO HAWAII, 784 00:47:23,007 --> 00:47:26,577 \h\hA JAPANESE SUBMARINE SNEAKS THROUGH DEFENSES, 785 00:47:26,610 --> 00:47:28,712 AND LAUNCHES FOUR TORPEDOES. 786 00:47:30,414 --> 00:47:33,284 ONE STRIKES THE USS HAMMANN, 787 00:47:33,317 --> 00:47:36,554 THROWING A HUNDRED SAILORS OFF THE SHIP IN AN INSTANT. 788 00:47:37,555 --> 00:47:40,458 IT SINKS IN JUST FOUR MINUTES. 789 00:47:43,994 --> 00:47:46,296 TWO TORPEDOES HIT THE YORKTOWN. 790 00:47:47,498 --> 00:47:50,935 THE MIGHTY CARRIER GROANS AND TWISTS FOR HOURS. 791 00:47:52,603 --> 00:47:56,574 \h\hTHE NEXT MORNING, IT SINKS THREE MILES TO THE OCEAN FLOOR. 792 00:47:58,142 --> 00:48:01,045 \hIT PUNCTUATES THE END OF THE BATTLE OF MIDWAY. 793 00:48:03,013 --> 00:48:06,850 OVER THREE DAYS, THE \hUS LOSES 307 MEN. 794 00:48:08,452 --> 00:48:11,755 Toll: WE REVERE THESE PEOPLE AS HEROES, THEY WERE HEROES. 795 00:48:13,524 --> 00:48:15,559 THEY DIDN’T THINK OF THEMSELVES THAT WAY. 796 00:48:18,028 --> 00:48:19,830 \h\hNarrator: SOME ARE BURIED AT SEA, 797 00:48:21,699 --> 00:48:23,467 OTHERS ARE NEVER RECOVERED. 798 00:48:25,770 --> 00:48:28,640 (MELANCHOLY MUSIC) 799 00:48:28,672 --> 00:48:32,643 \h\h\hA WAVE OF TELEGRAMS WILL ARRIVE AT HOMES ACROSS AMERICA, 800 00:48:34,145 --> 00:48:36,247 INCLUDING TOM EVERSOLE’S HOUSE. 801 00:48:38,149 --> 00:48:39,717 MOTHERS ARE SHATTERED, 802 00:48:40,718 --> 00:48:43,788 BUT THE WAR PIVOTS ON THEIR SACRIFICE. 803 00:48:44,789 --> 00:48:46,024 (DRAMATIC MUSIC) 804 00:48:46,056 --> 00:48:48,825 AFTER SIX MONTHS OF JAPANESE DOMINANCE, 805 00:48:48,859 --> 00:48:51,929 \hAMERICA SCORES ITS FIRST CLEAR VICTORY. 806 00:48:52,897 --> 00:48:56,367 \hTHE UNDERDOG GAMBLE OF ADMIRAL NIMITZ PAYS OFF. 807 00:48:57,535 --> 00:49:00,071 Toll: YOU HAVE THIS FIST FROM THE SKY COMING DOWN 808 00:49:00,104 --> 00:49:02,907 AND IN FIVE MINUTES ESSENTIALLY KIND OF 809 00:49:02,940 --> 00:49:05,876 BLUNTING THE TIP OF THE JAPANESE SPEAR. 810 00:49:07,344 --> 00:49:10,314 Narrator: JAPAN’S PACIFIC \h\hPOWER IS EVISCERATED. 811 00:49:11,449 --> 00:49:13,818 \hFOUR OF ITS SIX CARRIERS ARE SUNK. 812 00:49:15,319 --> 00:49:20,224 MORE THAN 2,200 OF ITS BEST SAILORS AND PILOTS ARE DEAD. 813 00:49:20,257 --> 00:49:23,260 Orr: FOR JAPAN, THIS WAS JUST A SHOCKING DEFEAT. 814 00:49:26,397 --> 00:49:28,799 \h\h\hNarrator: AMERICAN SHIPS RETURN TRIUMPHANT, 815 00:49:30,901 --> 00:49:32,736 CARRYING DUSTY KLEISS HOME. 816 00:49:36,173 --> 00:49:37,307 Kleiss: ADMIRAL \h\hNIMITZ SENT 817 00:49:37,341 --> 00:49:39,710 ALL OF THE SENIOR PILOTS \h\h\hBACK TO THE STATES 818 00:49:39,743 --> 00:49:42,479 \h\h\h\h\hTO TRAIN THE NEXT GENERATION OF DIVE BOMBERS. 819 00:49:44,381 --> 00:49:47,251 Narrator: HE GREETS A NATION FEELING MOMENTUM IN THE WAR 820 00:49:47,284 --> 00:49:48,485 FOR THE FIRST TIME. 821 00:49:51,522 --> 00:49:54,892 THEN HE CLIMBS BACK INTO HIS \hOLD FRIEND THE DAUNTLESS, 822 00:49:55,759 --> 00:49:58,762 AS A TEACHER, NOT A WARRIOR. 823 00:49:58,796 --> 00:50:00,231 Kleiss: EVERY MONTH, 824 00:50:00,264 --> 00:50:03,834 A NEW BATCH OF TRAINEES ARRIVED, EAGER TO TEST THEIR METTLE. 825 00:50:05,069 --> 00:50:08,139 \hIT WAS THE LAST STOP FOR ANY NEW NAVY PILOT 826 00:50:08,172 --> 00:50:09,840 BEFORE HEADING INTO COMBAT. 827 00:50:14,211 --> 00:50:16,714 \h\h\h\hNarrator: AND THERE WILL BE PLENTY MORE COMBAT. 828 00:50:24,722 --> 00:50:28,893 \h\hAMERICA’S GROWING MILITARY MIGHT WILL CREATE GIANT ARMADAS 829 00:50:28,926 --> 00:50:31,328 UNLIKE ANYTHING THE WORLD HAS EVER SEEN. 830 00:50:34,298 --> 00:50:38,502 THEY WILL STEADILY PUSH JAPAN \h\hBACK ACROSS THE PACIFIC, 831 00:50:38,536 --> 00:50:40,571 AND INTO THE JAWS OF DEFEAT, 832 00:50:41,605 --> 00:50:46,343 A THREE YEAR BLOODSTAINED MARCH ACROSS ISLAND AFTER ISLAND. 833 00:50:50,481 --> 00:50:53,417 BUT THE BATTLE OVER \h\hONE TINY ISLAND 834 00:50:53,450 --> 00:50:56,320 IS THE TURNING POINT TO VICTORY. 835 00:50:56,353 --> 00:50:57,287 MIDWAY. 836 00:50:57,287 --> 00:50:59,287 ��moovlmvhd 68241

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