All language subtitles for 435016-19 - Jasper Lisergic Interview - Projection Mapping for beginners using MadMapper (updated).en

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These are the user uploaded subtitles that are being translated: 1 00:00:00,000 --> 00:00:01,540 Welcome to today's session. 2 00:00:01,540 --> 00:00:04,860 We're going to do things a little bit differently for the next couple of sessions. 3 00:00:04,860 --> 00:00:09,870 I'm going to interview some projection mappers from around the world about how they got 4 00:00:09,870 --> 00:00:15,180 into projection map in what kind of work they make and any advice they can give you guys 5 00:00:15,180 --> 00:00:17,490 during your projection mapping journey. 6 00:00:17,490 --> 00:00:19,550 Today we're talking to just ballistic. 7 00:00:19,550 --> 00:00:21,890 Jasper is based in Amsterdam, 8 00:00:21,890 --> 00:00:24,280 and he's a projection map for a musician. 9 00:00:24,280 --> 00:00:25,940 Let's have a listen to the interview. 10 00:00:25,940 --> 00:00:26,730 I'm, 11 00:00:26,730 --> 00:00:27,340 ah, 12 00:00:27,340 --> 00:00:30,040 live in Amsterdam or near Amsterdam. 13 00:00:30,040 --> 00:00:30,330 Yeah, 14 00:00:30,330 --> 00:00:30,850 well, 15 00:00:30,850 --> 00:00:33,030 so what time is it? 16 00:00:33,030 --> 00:00:37,970 Where you are is a 8 p.m. Let me check it. 17 00:00:37,970 --> 00:00:39,190 Snow 10. 18 00:00:39,190 --> 00:00:43,180 One hour in front of medium. 19 00:00:43,180 --> 00:00:44,190 Yeah. 20 00:00:44,190 --> 00:00:45,300 You're in England. 21 00:00:45,300 --> 00:00:45,620 Stand, 22 00:00:45,620 --> 00:00:46,190 I guess. 23 00:00:46,190 --> 00:00:46,740 Yes. 24 00:00:46,740 --> 00:00:47,070 Yes. 25 00:00:47,070 --> 00:00:47,350 I mean, 26 00:00:47,350 --> 00:00:48,780 I mean the UK. 27 00:00:48,780 --> 00:00:53,580 So whereabouts in the UK I'm in Yorkshire. 28 00:00:53,580 --> 00:00:55,350 So just outside of Leeds. 29 00:00:55,350 --> 00:00:56,370 Oh, 30 00:00:56,370 --> 00:00:56,970 yeah. 31 00:00:56,970 --> 00:00:57,750 Awesome. 32 00:00:57,750 --> 00:00:58,820 Yeah. 33 00:00:58,820 --> 00:01:01,810 So that's a pretty pretty lift yourself. 34 00:01:01,810 --> 00:01:02,810 You've got behind you. 35 00:01:02,810 --> 00:01:04,940 Yeah, 36 00:01:04,940 --> 00:01:05,290 it's, 37 00:01:05,290 --> 00:01:05,900 uh, 38 00:01:05,900 --> 00:01:07,300 my modular system. 39 00:01:07,300 --> 00:01:09,570 I uses a lot as well for ah, 40 00:01:09,570 --> 00:01:10,370 for visuals, 41 00:01:10,370 --> 00:01:11,720 but also for ah, 42 00:01:11,720 --> 00:01:14,280 music composition and sure, 43 00:01:14,280 --> 00:01:17,760 my quarantine project basically Okay. 44 00:01:17,760 --> 00:01:18,210 Okay. 45 00:01:18,210 --> 00:01:18,890 Pretty dapper, 46 00:01:18,890 --> 00:01:19,100 rev. 47 00:01:19,100 --> 00:01:20,850 It'll sure, 48 00:01:20,850 --> 00:01:21,100 Sure. 49 00:01:21,100 --> 00:01:21,220 Well, 50 00:01:21,220 --> 00:01:21,970 let's dive in there. 51 00:01:21,970 --> 00:01:26,580 So just what Can you tell me a little bit about who you are then and what you do? 52 00:01:26,580 --> 00:01:27,440 Yeah, 53 00:01:27,440 --> 00:01:27,970 sure. 54 00:01:27,970 --> 00:01:29,100 Um, 55 00:01:29,100 --> 00:01:29,850 so, 56 00:01:29,850 --> 00:01:30,040 yeah, 57 00:01:30,040 --> 00:01:31,190 obviously my name is Jess, 58 00:01:31,190 --> 00:01:33,750 for I grew up in the in the Netherlands. 59 00:01:33,750 --> 00:01:36,950 I started working around Ah, 60 00:01:36,950 --> 00:01:39,650 or studies around 12 years ago. 61 00:01:39,650 --> 00:01:40,300 Ah, 62 00:01:40,300 --> 00:01:49,450 sounding audio engineering in Amsterdam on started volunteering in a variety of clubs in 63 00:01:49,450 --> 00:01:55,240 his area and already back then there was this Ah, 64 00:01:55,240 --> 00:01:57,780 or at least the owners of the club's wanted. 65 00:01:57,780 --> 00:02:01,950 If you were interested that you would do both sounds and light, 66 00:02:01,950 --> 00:02:04,020 which back then I was like, 67 00:02:04,020 --> 00:02:04,680 Sure, 68 00:02:04,680 --> 00:02:05,610 I can do both. 69 00:02:05,610 --> 00:02:06,160 Um, 70 00:02:06,160 --> 00:02:08,510 I ended up not being able to do both, 71 00:02:08,510 --> 00:02:08,830 but, 72 00:02:08,830 --> 00:02:09,850 uh, 73 00:02:09,850 --> 00:02:13,440 but then I got more and more into ah ah, 74 00:02:13,440 --> 00:02:16,800 the visual aspect self of parties, 75 00:02:16,800 --> 00:02:20,410 but also the creative aspect off creating visuals, 76 00:02:20,410 --> 00:02:21,050 um, 77 00:02:21,050 --> 00:02:23,350 and working with projectors. 78 00:02:23,350 --> 00:02:27,180 I spent four years then in Frank, 79 00:02:27,180 --> 00:02:31,360 overworking for Clark's media audiovisual big company. 80 00:02:31,360 --> 00:02:31,650 Ah, 81 00:02:31,650 --> 00:02:34,560 in Canada on, 82 00:02:34,560 --> 00:02:36,060 we would do ah, 83 00:02:36,060 --> 00:02:43,910 lot of projection met things on ah buildings in the public space that was very focused 84 00:02:43,910 --> 00:02:45,610 towards either, 85 00:02:45,610 --> 00:02:46,270 uh, 86 00:02:46,270 --> 00:02:49,170 corporate interests and and, 87 00:02:49,170 --> 00:02:51,850 um needs and and ah, 88 00:02:51,850 --> 00:02:53,350 marketing purposes. 89 00:02:53,350 --> 00:02:54,750 Andi, 90 00:02:54,750 --> 00:02:57,080 Um, 91 00:02:57,080 --> 00:02:58,970 when I came back to to Amsterdam, 92 00:02:58,970 --> 00:03:01,530 I kind of continued doing this. 93 00:03:01,530 --> 00:03:04,110 This projection mapping is in the public space. 94 00:03:04,110 --> 00:03:09,510 Only more towards the creative sites creates ah, 95 00:03:09,510 --> 00:03:12,050 political awareness around certain subjects. 96 00:03:12,050 --> 00:03:12,650 Ah, 97 00:03:12,650 --> 00:03:13,280 Grilli. 98 00:03:13,280 --> 00:03:14,930 A style going with, 99 00:03:14,930 --> 00:03:15,590 ah, 100 00:03:15,590 --> 00:03:16,860 generator and ah, 101 00:03:16,860 --> 00:03:21,850 big projector to whatever building I could find in the city and just project on it. 102 00:03:21,850 --> 00:03:22,790 Sure. 103 00:03:22,790 --> 00:03:23,270 So, 104 00:03:23,270 --> 00:03:23,790 uh, 105 00:03:23,790 --> 00:03:26,350 I've been doing this for the last, 106 00:03:26,350 --> 00:03:26,820 ah, 107 00:03:26,820 --> 00:03:27,960 couple of years. 108 00:03:27,960 --> 00:03:28,800 Ah, 109 00:03:28,800 --> 00:03:32,090 with a group of friends in in and around Amsterdam. 110 00:03:32,090 --> 00:03:32,510 And, 111 00:03:32,510 --> 00:03:33,440 um, 112 00:03:33,440 --> 00:03:35,310 obviously I'm really into music. 113 00:03:35,310 --> 00:03:38,000 So I was for last few years, 114 00:03:38,000 --> 00:03:39,950 been trying to find ah, 115 00:03:39,950 --> 00:03:42,150 1 to 1, 116 00:03:42,150 --> 00:03:46,600 a combination between sounds and visuals. 117 00:03:46,600 --> 00:03:49,100 Because whenever I was doing visuals in a club, 118 00:03:49,100 --> 00:03:51,680 I was most of the times one step behind, 119 00:03:51,680 --> 00:03:56,350 or I wanted to have something happening every time there was a snare hit or whatever. 120 00:03:56,350 --> 00:04:00,750 And with a modular system and connecting this shortly sending media outputs, 121 00:04:00,750 --> 00:04:05,460 I can do it once a one and there is no Layton. 122 00:04:05,460 --> 00:04:05,750 See, 123 00:04:05,750 --> 00:04:09,350 So that's what I'm learning and discovering now. 124 00:04:09,350 --> 00:04:10,690 Um, 125 00:04:10,690 --> 00:04:13,570 but work dried up here while everywhere. 126 00:04:13,570 --> 00:04:14,160 Actually, 127 00:04:14,160 --> 00:04:17,170 eso I'm reinventing myself. 128 00:04:17,170 --> 00:04:17,600 Ah, 129 00:04:17,600 --> 00:04:23,070 little bits and I know do a lot of projection MEP ings for the retail business, 130 00:04:23,070 --> 00:04:23,770 right? 131 00:04:23,770 --> 00:04:29,350 So from from restaurants just projecting their their menus whenever they launch a new menu 132 00:04:29,350 --> 00:04:29,350 . 133 00:04:29,350 --> 00:04:33,520 But also in the shopping streets I project on ah, 134 00:04:33,520 --> 00:04:38,500 dresses or new clothes or guards when they're released stuff like this. 135 00:04:38,500 --> 00:04:40,210 And it's not particularly my interest, 136 00:04:40,210 --> 00:04:41,210 but yeah, 137 00:04:41,210 --> 00:04:42,280 I need to make ends meet. 138 00:04:42,280 --> 00:04:43,430 So sure, 139 00:04:43,430 --> 00:04:46,160 and I think project from happens. 140 00:04:46,160 --> 00:04:51,970 One of those really interesting kind of hybrid art forms where you can you can have can 141 00:04:51,970 --> 00:04:52,910 high art. 142 00:04:52,910 --> 00:04:54,750 But also you can commercialize that. 143 00:04:54,750 --> 00:04:56,270 Make money from it as well. 144 00:04:56,270 --> 00:04:56,630 Yeah, 145 00:04:56,630 --> 00:04:57,260 yeah, 146 00:04:57,260 --> 00:04:58,220 Andi, 147 00:04:58,220 --> 00:05:04,840 I think it's a logical results off growing up in kind of a digital age. 148 00:05:04,840 --> 00:05:09,510 We have way more tools at our disposal to be creative. 149 00:05:09,510 --> 00:05:13,450 People do spend a lot of time in the virtual space on their computers, 150 00:05:13,450 --> 00:05:18,690 and there's a lot of tools for us to be creative on on a computer. 151 00:05:18,690 --> 00:05:19,670 And maybe, 152 00:05:19,670 --> 00:05:21,650 like 5 to 10 years ago, 153 00:05:21,650 --> 00:05:22,810 a lot of people, 154 00:05:22,810 --> 00:05:23,620 for example, 155 00:05:23,620 --> 00:05:25,640 my parents would look down on this and say, 156 00:05:25,640 --> 00:05:25,870 like, 157 00:05:25,870 --> 00:05:26,220 Yeah, 158 00:05:26,220 --> 00:05:30,660 you shouldn't spend so much time on their just go outside play or make a drawing or 159 00:05:30,660 --> 00:05:31,140 whatever. 160 00:05:31,140 --> 00:05:31,590 Yeah, 161 00:05:31,590 --> 00:05:34,410 I was already doing that inside of a computer. 162 00:05:34,410 --> 00:05:35,400 And yeah, 163 00:05:35,400 --> 00:05:37,130 now it's getting warm or accept it. 164 00:05:37,130 --> 00:05:37,790 And also, 165 00:05:37,790 --> 00:05:38,220 uh, 166 00:05:38,220 --> 00:05:38,450 yeah, 167 00:05:38,450 --> 00:05:39,590 you can make a living from it, 168 00:05:39,590 --> 00:05:39,980 which, 169 00:05:39,980 --> 00:05:41,090 which is really interesting. 170 00:05:41,090 --> 00:05:41,350 Yeah, 171 00:05:41,350 --> 00:05:41,820 yeah. 172 00:05:41,820 --> 00:05:42,030 No, 173 00:05:42,030 --> 00:05:42,230 no, 174 00:05:42,230 --> 00:05:43,040 absolutely. 175 00:05:43,040 --> 00:05:43,790 Eso. 176 00:05:43,790 --> 00:05:46,660 So what software do you use when you're mapping, 177 00:05:46,660 --> 00:05:46,950 then, 178 00:05:46,950 --> 00:05:49,170 um, 179 00:05:49,170 --> 00:05:49,830 yeah, 180 00:05:49,830 --> 00:05:52,580 I started off using Ah, 181 00:05:52,580 --> 00:05:53,080 for example, 182 00:05:53,080 --> 00:05:55,340 Blender Andi Cinema 14. 183 00:05:55,340 --> 00:05:57,460 Because I was ah, 184 00:05:57,460 --> 00:06:01,320 complete Novaes That would recreate everything by the centimeter, 185 00:06:01,320 --> 00:06:03,250 what's in the physical space? 186 00:06:03,250 --> 00:06:07,850 And then I didn't understand anything from cameras and focal legs. 187 00:06:07,850 --> 00:06:11,620 So I would just position a camera where my actual Beamer was. 188 00:06:11,620 --> 00:06:12,520 But yeah, 189 00:06:12,520 --> 00:06:14,950 and I ended up using resolute to, 190 00:06:14,950 --> 00:06:16,360 um, 191 00:06:16,360 --> 00:06:19,350 project everything and to do the final touches. 192 00:06:19,350 --> 00:06:21,050 Um, 193 00:06:21,050 --> 00:06:22,490 And nowadays, 194 00:06:22,490 --> 00:06:26,340 I'm primarily using Resolute in combination with Dutch designer. 195 00:06:26,340 --> 00:06:27,060 Yeah, 196 00:06:27,060 --> 00:06:30,600 I'm discovering s moats at the moment. 197 00:06:30,600 --> 00:06:32,050 That's what I'm getting into. 198 00:06:32,050 --> 00:06:32,260 Ah, 199 00:06:32,260 --> 00:06:33,050 a little bit now. 200 00:06:33,050 --> 00:06:33,370 Yeah, 201 00:06:33,370 --> 00:06:34,190 yeah. 202 00:06:34,190 --> 00:06:34,440 No. 203 00:06:34,440 --> 00:06:34,790 Sure, 204 00:06:34,790 --> 00:06:35,390 sure. 205 00:06:35,390 --> 00:06:38,330 So I I am I've played with Resolute on. 206 00:06:38,330 --> 00:06:40,120 I've not quite got my head around it yet, 207 00:06:40,120 --> 00:06:41,470 so I'm using Madame Mata. 208 00:06:41,470 --> 00:06:43,550 Um yeah, 209 00:06:43,550 --> 00:06:45,350 and I want my bucket list. 210 00:06:45,350 --> 00:06:45,930 Yeah, 211 00:06:45,930 --> 00:06:46,170 well, 212 00:06:46,170 --> 00:06:47,950 mad napper was the reason I use it. 213 00:06:47,950 --> 00:06:54,310 It was a friend of mine who I learned projection mapping from initially used it. 214 00:06:54,310 --> 00:06:59,590 So is one of those wonderful things of the first person I encountered using projection 215 00:06:59,590 --> 00:07:03,830 mapping used this software so I can have immediate was drawn to learn that software really 216 00:07:03,830 --> 00:07:10,150 know it's on my bucket list and I've experimented with them Software court heavy em as well 217 00:07:10,150 --> 00:07:10,150 , 218 00:07:10,150 --> 00:07:13,490 which is really interesting because, 219 00:07:13,490 --> 00:07:13,700 you know, 220 00:07:13,700 --> 00:07:15,630 it's really intuitive and it's really simple, 221 00:07:15,630 --> 00:07:18,310 and you get really interesting results quite quickly. 222 00:07:18,310 --> 00:07:20,550 But it's also very limiting. 223 00:07:20,550 --> 00:07:28,220 I also like this that there is no more and more of a variety off. 224 00:07:28,220 --> 00:07:29,160 So for software, 225 00:07:29,160 --> 00:07:33,350 which you can create stuff and not only for projection mapping, 226 00:07:33,350 --> 00:07:33,650 but, 227 00:07:33,650 --> 00:07:35,050 um, 228 00:07:35,050 --> 00:07:36,820 I think it becomes, 229 00:07:36,820 --> 00:07:37,560 at least for me, 230 00:07:37,560 --> 00:07:46,130 becomes interesting when you try to ah either combine or because every piece of suffer, 231 00:07:46,130 --> 00:07:47,910 more or less has its, 232 00:07:47,910 --> 00:07:48,670 um, 233 00:07:48,670 --> 00:07:52,050 pros and cons basically on, 234 00:07:52,050 --> 00:07:53,100 for example, 235 00:07:53,100 --> 00:07:55,210 touch designers really abstracts, 236 00:07:55,210 --> 00:08:02,690 and it's it's hard to get anything that resembles any thing we actually know from the real 237 00:08:02,690 --> 00:08:03,320 world. 238 00:08:03,320 --> 00:08:05,890 But if you combine that into two, 239 00:08:05,890 --> 00:08:06,950 resolute for example, 240 00:08:06,950 --> 00:08:08,150 is where is what I do? 241 00:08:08,150 --> 00:08:10,150 It's easier to gets. 242 00:08:10,150 --> 00:08:12,150 Very lush images. 243 00:08:12,150 --> 00:08:13,000 Which Yeah, 244 00:08:13,000 --> 00:08:13,350 yeah, 245 00:08:13,350 --> 00:08:14,520 yeah. 246 00:08:14,520 --> 00:08:16,100 With Matt map. 247 00:08:16,100 --> 00:08:16,970 Really as well. 248 00:08:16,970 --> 00:08:18,500 It's Ah, 249 00:08:18,500 --> 00:08:20,070 mapping three D objects. 250 00:08:20,070 --> 00:08:21,410 Becomes way, 251 00:08:21,410 --> 00:08:22,290 way easier than, 252 00:08:22,290 --> 00:08:22,810 for example, 253 00:08:22,810 --> 00:08:24,430 with with that's designer. 254 00:08:24,430 --> 00:08:25,370 Yeah, 255 00:08:25,370 --> 00:08:26,500 I've started learning, 256 00:08:26,500 --> 00:08:27,610 touched his honor this year, 257 00:08:27,610 --> 00:08:31,560 and I've just got my head around the know based system. 258 00:08:31,560 --> 00:08:33,910 So I'm I I started. 259 00:08:33,910 --> 00:08:35,900 My career is is a filmmaker, 260 00:08:35,900 --> 00:08:40,700 so I still make lots of film on bond. 261 00:08:40,700 --> 00:08:44,610 I switched from Adobe to Divinity Resolve this year, 262 00:08:44,610 --> 00:08:46,190 which is no based on. 263 00:08:46,190 --> 00:08:46,590 Actually, 264 00:08:46,590 --> 00:08:50,630 I gave me really good grounding to start linen touches on because I instantly understood 265 00:08:50,630 --> 00:08:51,550 the interface. 266 00:08:51,550 --> 00:08:52,540 Yeah, 267 00:08:52,540 --> 00:08:54,780 when I was previously trying to learn it last year, 268 00:08:54,780 --> 00:08:58,520 it just kind of I was really struggling with can of Green from a linear based edit, 269 00:08:58,520 --> 00:09:00,790 insistent to a note based design. 270 00:09:00,790 --> 00:09:05,410 Susan And but I think it's definitely worth people. 271 00:09:05,410 --> 00:09:08,670 Kind of learning more than one one propriety software. 272 00:09:08,670 --> 00:09:09,250 Really? 273 00:09:09,250 --> 00:09:10,950 He just makes it adaptable, 274 00:09:10,950 --> 00:09:11,450 doesn't it? 275 00:09:11,450 --> 00:09:14,540 Yeah, 276 00:09:14,540 --> 00:09:14,780 I did. 277 00:09:14,780 --> 00:09:16,400 The other side is as well. 278 00:09:16,400 --> 00:09:17,110 Um, 279 00:09:17,110 --> 00:09:19,280 if if you know a little bit of a lots, 280 00:09:19,280 --> 00:09:22,660 then still you don't know quite quite much. 281 00:09:22,660 --> 00:09:28,790 So it's good to just spend your time with one piece of software and really seeing where the 282 00:09:28,790 --> 00:09:30,030 limits and boundaries are. 283 00:09:30,030 --> 00:09:31,860 And from that you'll figure out like, 284 00:09:31,860 --> 00:09:32,120 Okay, 285 00:09:32,120 --> 00:09:33,010 this is what I'm missing. 286 00:09:33,010 --> 00:09:33,880 This is what I need. 287 00:09:33,880 --> 00:09:37,150 And then you'll progress into two different pieces. 288 00:09:37,150 --> 00:09:38,180 So where that by, 289 00:09:38,180 --> 00:09:38,700 uh, 290 00:09:38,700 --> 00:09:39,670 complimented. 291 00:09:39,670 --> 00:09:40,620 Yeah, 292 00:09:40,620 --> 00:09:40,950 I know. 293 00:09:40,950 --> 00:09:41,590 And he, 294 00:09:41,590 --> 00:09:44,320 uh I check if I have his hair. 295 00:09:44,320 --> 00:09:45,650 Should have books. 296 00:09:45,650 --> 00:09:50,670 A friend of mine dropped off this Ah, 297 00:09:50,670 --> 00:09:52,050 piece of gear. 298 00:09:52,050 --> 00:09:53,600 Um, 299 00:09:53,600 --> 00:09:54,870 that was kickstart. 300 00:09:54,870 --> 00:09:57,360 It's a year ago to see if we could sell it. 301 00:09:57,360 --> 00:10:17,650 Let me forgetting the name but eso we were seeing how we could this place just like form. 302 00:10:17,650 --> 00:10:18,590 Yeah, 303 00:10:18,590 --> 00:10:21,160 this is like for Yeah, 304 00:10:21,160 --> 00:10:22,300 I haven't Okay. 305 00:10:22,300 --> 00:10:23,150 Yeah. 306 00:10:23,150 --> 00:10:26,700 So I've been playing around tweeted for for two days now, 307 00:10:26,700 --> 00:10:30,220 and I am deeply disappointed, 308 00:10:30,220 --> 00:10:32,040 but also pleasantly surprised, 309 00:10:32,040 --> 00:10:37,040 but And you have some some creative skills with ah with, 310 00:10:37,040 --> 00:10:37,670 for example, 311 00:10:37,670 --> 00:10:38,770 with the after effects, 312 00:10:38,770 --> 00:10:39,090 then, 313 00:10:39,090 --> 00:10:39,220 yeah, 314 00:10:39,220 --> 00:10:41,730 you can really make awesome things in it. 315 00:10:41,730 --> 00:10:44,750 And especially for retail core businesses. 316 00:10:44,750 --> 00:10:46,150 This room that's this. 317 00:10:46,150 --> 00:10:49,790 Why did you absolutely summed up my experience with it as well? 318 00:10:49,790 --> 00:10:55,040 I was so excited when I saw the Kickstarter on I immediately kind of But I got the second 319 00:10:55,040 --> 00:10:55,220 wave, 320 00:10:55,220 --> 00:10:56,110 not the first wave, 321 00:10:56,110 --> 00:10:58,090 and it came in crazy. 322 00:10:58,090 --> 00:11:00,370 It came maybe six months ago. 323 00:11:00,370 --> 00:11:02,900 I was so excited Was like Christmas. 324 00:11:02,900 --> 00:11:04,220 And then I kind of opened it. 325 00:11:04,220 --> 00:11:06,520 Play with it within Canada cult of hours. 326 00:11:06,520 --> 00:11:07,120 I was going. 327 00:11:07,120 --> 00:11:07,960 Oh, 328 00:11:07,960 --> 00:11:10,650 it's not what I thought he waas Uh, 329 00:11:10,650 --> 00:11:11,620 yes. 330 00:11:11,620 --> 00:11:12,090 Interesting. 331 00:11:12,090 --> 00:11:12,330 I mean, 332 00:11:12,330 --> 00:11:15,650 it feels like almost like a how to kit for me. 333 00:11:15,650 --> 00:11:17,020 Yeah, 334 00:11:17,020 --> 00:11:17,490 yeah, 335 00:11:17,490 --> 00:11:18,680 in that same definitely. 336 00:11:18,680 --> 00:11:23,920 So if what advice would you give to anybody that wanted to kind of get into projection 337 00:11:23,920 --> 00:11:24,450 mapping? 338 00:11:24,450 --> 00:11:27,700 Um oh, 339 00:11:27,700 --> 00:11:28,550 that's ah, 340 00:11:28,550 --> 00:11:31,190 tough question, 341 00:11:31,190 --> 00:11:32,560 because for me, 342 00:11:32,560 --> 00:11:38,800 I have experienced a lot of people that that are into either VJ ing or projection mapping 343 00:11:38,800 --> 00:11:41,280 with with a variety of reasons. 344 00:11:41,280 --> 00:11:42,550 Um, 345 00:11:42,550 --> 00:11:48,060 and it depends if you want to do it artistically or you're really looking to make money. 346 00:11:48,060 --> 00:11:48,880 Um, 347 00:11:48,880 --> 00:11:53,550 and I think both or the combination are is actually very feasible. 348 00:11:53,550 --> 00:11:54,750 Um, 349 00:11:54,750 --> 00:11:57,750 Andi, 350 00:11:57,750 --> 00:11:59,960 Um, 351 00:11:59,960 --> 00:12:02,390 I would say less is more, 352 00:12:02,390 --> 00:12:04,140 especially in the beginning. 353 00:12:04,140 --> 00:12:07,580 Don't try to if you have, 354 00:12:07,580 --> 00:12:08,150 for example, 355 00:12:08,150 --> 00:12:09,470 a Beemer on the building. 356 00:12:09,470 --> 00:12:11,510 Don't try to fill in the whole building. 357 00:12:11,510 --> 00:12:14,480 Try toe accentuates what is already there. 358 00:12:14,480 --> 00:12:15,010 Yeah. 359 00:12:15,010 --> 00:12:18,100 Um and slowly go from there. 360 00:12:18,100 --> 00:12:18,800 Sure, 361 00:12:18,800 --> 00:12:24,550 because you're at least I I'm never trying to re create a new world. 362 00:12:24,550 --> 00:12:27,050 I'm always trying to make What, 363 00:12:27,050 --> 00:12:29,420 is there a little bit more interesting? 364 00:12:29,420 --> 00:12:30,750 Um, 365 00:12:30,750 --> 00:12:33,320 but if yeah, 366 00:12:33,320 --> 00:12:36,460 I I've seen people doing It's here in the form. 367 00:12:36,460 --> 00:12:38,540 Off protests and demonstration, 368 00:12:38,540 --> 00:12:39,290 for example, 369 00:12:39,290 --> 00:12:40,380 Randall black lives, 370 00:12:40,380 --> 00:12:40,940 matter, 371 00:12:40,940 --> 00:12:42,100 protesters, 372 00:12:42,100 --> 00:12:48,750 people that go with their projectors and shine on police buildings or projecting police 373 00:12:48,750 --> 00:12:49,250 buildings. 374 00:12:49,250 --> 00:12:50,620 Andi, 375 00:12:50,620 --> 00:12:52,950 it gains a lot of attention. 376 00:12:52,950 --> 00:12:56,040 So I think it's good to Teoh. 377 00:12:56,040 --> 00:13:01,740 See what's what's happening in the world around you and whatever interest you and take that 378 00:13:01,740 --> 00:13:01,940 as, 379 00:13:01,940 --> 00:13:02,250 ah, 380 00:13:02,250 --> 00:13:04,650 as a source of inspiration. 381 00:13:04,650 --> 00:13:05,680 Yeah. 382 00:13:05,680 --> 00:13:06,160 Yeah. 383 00:13:06,160 --> 00:13:06,510 And, 384 00:13:06,510 --> 00:13:07,800 yeah. 385 00:13:07,800 --> 00:13:14,780 Used to public space to do make people aware what projection mapping is Because most people 386 00:13:14,780 --> 00:13:18,750 are still clueless about this because you find it in clubs and yeah, 387 00:13:18,750 --> 00:13:21,250 maybe at some art shows or galleries. 388 00:13:21,250 --> 00:13:22,250 Yeah, 389 00:13:22,250 --> 00:13:23,570 um, 390 00:13:23,570 --> 00:13:27,880 on dear isn't Ah, 391 00:13:27,880 --> 00:13:28,640 a lot of, 392 00:13:28,640 --> 00:13:29,920 um Well, 393 00:13:29,920 --> 00:13:30,700 there's YouTube, 394 00:13:30,700 --> 00:13:31,260 of course, 395 00:13:31,260 --> 00:13:37,350 but the source of injury information is still pretty scarce. 396 00:13:37,350 --> 00:13:42,150 And I think it's on what I did. 397 00:13:42,150 --> 00:13:43,080 For example, 398 00:13:43,080 --> 00:13:45,030 like learning cinema for D. 399 00:13:45,030 --> 00:13:45,450 I. 400 00:13:45,450 --> 00:13:53,130 I was watching videos on the Internet and just redoing every step I was seeing and wasn't 401 00:13:53,130 --> 00:13:54,210 particularly my interest, 402 00:13:54,210 --> 00:13:57,850 But it did end up giving me a lot of knowledge that I right, 403 00:13:57,850 --> 00:13:58,780 you know, 404 00:13:58,780 --> 00:14:00,310 you school later on. 405 00:14:00,310 --> 00:14:00,590 Yeah, 406 00:14:00,590 --> 00:14:00,860 yeah, 407 00:14:00,860 --> 00:14:01,050 yeah, 408 00:14:01,050 --> 00:14:01,630 sure. 409 00:14:01,630 --> 00:14:02,660 And actually doing that. 410 00:14:02,660 --> 00:14:05,810 That's why I've done this beginners guy to match up the course. 411 00:14:05,810 --> 00:14:06,080 Really? 412 00:14:06,080 --> 00:14:07,850 Because when I was learning, 413 00:14:07,850 --> 00:14:08,320 like, 414 00:14:08,320 --> 00:14:09,250 the videos, 415 00:14:09,250 --> 00:14:11,420 that they're so bad and they're so robotic. 416 00:14:11,420 --> 00:14:12,260 Yeah, 417 00:14:12,260 --> 00:14:15,440 that you just kind of go like this is driving me insane. 418 00:14:15,440 --> 00:14:18,740 I just need somebody kind of in plain language just to say to me, 419 00:14:18,740 --> 00:14:19,150 Oh, 420 00:14:19,150 --> 00:14:20,280 that's what an asset is. 421 00:14:20,280 --> 00:14:20,480 Oh, 422 00:14:20,480 --> 00:14:21,540 that's what Quite iso. 423 00:14:21,540 --> 00:14:25,080 That's how that's how I connect that to the beats per minute. 424 00:14:25,080 --> 00:14:25,580 No, 425 00:14:25,580 --> 00:14:26,910 Andi, 426 00:14:26,910 --> 00:14:27,280 Yeah, 427 00:14:27,280 --> 00:14:30,240 that's amazing that they're doing this and it's really necessary. 428 00:14:30,240 --> 00:14:32,800 It's a It's a bit like how we used to learn, 429 00:14:32,800 --> 00:14:33,440 for example, 430 00:14:33,440 --> 00:14:38,460 carpentry and decades ago you would go with somebody and he would tell you step by step 431 00:14:38,460 --> 00:14:41,060 like I'm doing this for this reason on, 432 00:14:41,060 --> 00:14:42,750 now you can have it in the virtual space, 433 00:14:42,750 --> 00:14:43,300 but it yeah, 434 00:14:43,300 --> 00:14:46,150 it's basically the same thing that that you need and, 435 00:14:46,150 --> 00:14:47,370 you know, 436 00:14:47,370 --> 00:14:47,900 Yeah, 437 00:14:47,900 --> 00:14:48,550 absolutely. 438 00:14:48,550 --> 00:14:51,150 And so I guess I just have one final question. 439 00:14:51,150 --> 00:14:54,840 Just really eso kind of What projects are you most proud of them? 440 00:14:54,840 --> 00:14:55,250 Why? 441 00:14:55,250 --> 00:14:56,670 Who? 442 00:14:56,670 --> 00:14:58,050 Um, 443 00:14:58,050 --> 00:15:01,640 that's also a tough one. 444 00:15:01,640 --> 00:15:03,350 Um, 445 00:15:03,350 --> 00:15:05,550 because, 446 00:15:05,550 --> 00:15:07,550 um, 447 00:15:07,550 --> 00:15:09,840 I think it's to fault. 448 00:15:09,840 --> 00:15:11,130 Um, 449 00:15:11,130 --> 00:15:17,660 I think my proudest moment was a few weeks ago when I finally got my mother system working 450 00:15:17,660 --> 00:15:22,250 with Dutch designer wants one because that that's what I've been looking for. 451 00:15:22,250 --> 00:15:26,080 We're so long and then it works and it happens. 452 00:15:26,080 --> 00:15:26,640 And then I'm like, 453 00:15:26,640 --> 00:15:26,850 Ah, 454 00:15:26,850 --> 00:15:27,230 fuck, 455 00:15:27,230 --> 00:15:28,690 this is magic. 456 00:15:28,690 --> 00:15:29,470 And, 457 00:15:29,470 --> 00:15:32,300 um but that's just ah, 458 00:15:32,300 --> 00:15:34,100 personal goal. 459 00:15:34,100 --> 00:15:35,010 And I think, 460 00:15:35,010 --> 00:15:35,950 um, 461 00:15:35,950 --> 00:15:40,110 the one of my best moments, 462 00:15:40,110 --> 00:15:45,150 I guess waas um around one. 463 00:15:45,150 --> 00:15:47,450 Ah, 464 00:15:47,450 --> 00:15:48,190 yeah, 465 00:15:48,190 --> 00:15:49,070 one year ago, 466 00:15:49,070 --> 00:15:54,430 when we were doing ah projection on the ah, 467 00:15:54,430 --> 00:16:02,530 the central station in Amsterdam on we were flashing or showing videos off. 468 00:16:02,530 --> 00:16:03,550 Um, 469 00:16:03,550 --> 00:16:09,410 there was this demonstration in the north off the US regarding ah, 470 00:16:09,410 --> 00:16:15,190 pipeline that was being made and we were projecting basically what was going on there and a 471 00:16:15,190 --> 00:16:17,150 little bit of the history of ah, 472 00:16:17,150 --> 00:16:21,340 the Donald Trump in the US and ah, 473 00:16:21,340 --> 00:16:22,510 the some. 474 00:16:22,510 --> 00:16:23,810 Some comes with Children, 475 00:16:23,810 --> 00:16:24,280 etcetera, 476 00:16:24,280 --> 00:16:25,850 and I won't get too political, 477 00:16:25,850 --> 00:16:29,310 but we we were projecting this the police. 478 00:16:29,310 --> 00:16:30,670 Ah, 479 00:16:30,670 --> 00:16:33,010 you asked us to stop doing this. 480 00:16:33,010 --> 00:16:34,660 And the public sets like no way. 481 00:16:34,660 --> 00:16:39,710 We we want to watch and we ended up having a few 100 people watching it. 482 00:16:39,710 --> 00:16:42,890 And in this way we created awareness. 483 00:16:42,890 --> 00:16:47,640 And I think this is showed me how powerful of a tool. 484 00:16:47,640 --> 00:16:49,010 Ah, 485 00:16:49,010 --> 00:16:49,660 it can be. 486 00:16:49,660 --> 00:16:50,460 And yeah, 487 00:16:50,460 --> 00:16:52,060 it's It's also useful for that. 488 00:16:52,060 --> 00:16:52,460 Yeah, 489 00:16:52,460 --> 00:16:53,230 yeah, 490 00:16:53,230 --> 00:16:57,290 and I think that's also one of the amazing things for me about projection mapping is there 491 00:16:57,290 --> 00:16:59,220 isn't just one way to do it now. 492 00:16:59,220 --> 00:16:59,530 It's about, 493 00:16:59,530 --> 00:17:00,330 like you said earlier, 494 00:17:00,330 --> 00:17:02,780 finding your interest kind of discipline, 495 00:17:02,780 --> 00:17:03,970 that and it might be political. 496 00:17:03,970 --> 00:17:04,830 It might be for the art, 497 00:17:04,830 --> 00:17:06,450 or it might even just be commercial. 498 00:17:06,450 --> 00:17:07,580 Actually, 499 00:17:07,580 --> 00:17:12,870 it's using kind of this this projection at beneath us to kind of t relate on a thing that's 500 00:17:12,870 --> 00:17:15,210 really great with painting. 501 00:17:15,210 --> 00:17:18,660 You're limited to the canvas you haven't with projection mapping. 502 00:17:18,660 --> 00:17:21,680 You're limited to the objects in the world around you, 503 00:17:21,680 --> 00:17:22,500 which Yeah, 504 00:17:22,500 --> 00:17:22,740 there, 505 00:17:22,740 --> 00:17:22,980 there, 506 00:17:22,980 --> 00:17:24,920 so many untouched things. 507 00:17:24,920 --> 00:17:27,430 It's like a harm harmless form off. 508 00:17:27,430 --> 00:17:27,850 Uh, 509 00:17:27,850 --> 00:17:29,170 graffiti. 510 00:17:29,170 --> 00:17:30,200 Yeah, 511 00:17:30,200 --> 00:17:30,770 I get it. 512 00:17:30,770 --> 00:17:32,010 And then finally how Canada, 513 00:17:32,010 --> 00:17:33,690 Where can people check out your workout? 514 00:17:33,690 --> 00:17:34,850 Welcome people connect with you. 515 00:17:34,850 --> 00:17:36,170 Well, 516 00:17:36,170 --> 00:17:37,830 I'm mostly from my music. 517 00:17:37,830 --> 00:17:39,050 I'm on some clothes. 518 00:17:39,050 --> 00:17:39,310 Yeah, 519 00:17:39,310 --> 00:17:42,900 and we're launching a new ah page for, 520 00:17:42,900 --> 00:17:43,970 um, 521 00:17:43,970 --> 00:17:48,850 are commercial side of things which is called Glitter for products. 522 00:17:48,850 --> 00:17:49,830 Ah, 523 00:17:49,830 --> 00:17:53,310 but that's really focused on businesses. 524 00:17:53,310 --> 00:17:54,870 So that might, 525 00:17:54,870 --> 00:17:57,660 for a creative person be not that interesting. 526 00:17:57,660 --> 00:17:59,170 Um, 527 00:17:59,170 --> 00:18:03,820 And for in regard to combining mother with Dutch designer, 528 00:18:03,820 --> 00:18:07,110 I'm still figuring it out. 529 00:18:07,110 --> 00:18:09,560 Not going to publish anything yet. 530 00:18:09,560 --> 00:18:10,240 Oh, 531 00:18:10,240 --> 00:18:12,830 on DWI met on social media, 532 00:18:12,830 --> 00:18:15,780 and we found the projection map in Ramadi. 533 00:18:15,780 --> 00:18:17,660 I'm also quite active. 534 00:18:17,660 --> 00:18:20,070 There s So I'm anything happens? 535 00:18:20,070 --> 00:18:20,930 Yeah. 536 00:18:20,930 --> 00:18:24,760 So people could kind of request to join that and have conversations with you and so on. 537 00:18:24,760 --> 00:18:25,550 Of course. 538 00:18:25,550 --> 00:18:26,130 Yeah. 539 00:18:26,130 --> 00:18:26,710 Perfect. 540 00:18:26,710 --> 00:18:28,530 Just thank you so much for your time. 541 00:18:28,530 --> 00:18:29,580 I really appreciate it. 542 00:18:29,580 --> 00:18:30,270 My pleasure. 543 00:18:30,270 --> 00:18:32,190 Here's I Thank you. 544 00:18:32,190 --> 00:18:33,140 What you're doing. 545 00:18:33,140 --> 00:18:33,390 Oh, 546 00:18:33,390 --> 00:18:34,130 thank you. 547 00:18:34,130 --> 00:18:34,660 Thank you. 548 00:18:34,660 --> 00:18:36,550 And I'm sure I'll speak to you very soon. 549 00:18:36,550 --> 00:18:39,020 Here's taking evening. 550 00:18:39,020 --> 00:18:39,660 You too. 33916

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