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[Narrator] On the 17th of June, 2015,
Charleston in South Carolina saw one
of the worst racially motivated killings
in recent American history.
Nine black worshipers were shot dead
during a prayer meeting at this downtown church.
The killer was identified as 21 year old white supremacist
Dylann Roof.
He confessed to committing the massacre
in the hope of igniting a race war.
All of America was shocked but in the southern state,
where race has been an issue for centuries,
the shooting also triggered a passionate argument
about the past.
Much of it focused on the Confederate battle flag.
For many, the very symbol of racism and hate
but what is it about the past that stokes the flames
of racism here?
That's the question that interests me
because it seems that the bedrock
of the southern states of America,
the old, confederate, deep south is,
deep down, more than a little Scottish.
He lifted the blazing emblem.
The fiery cross of old Scotland's hill.
It would become the most identifiable symbols
of race hatred, of the Ku Klux Klan.
I think that white southerners
do think of themselves as Celts.
It is absolutely a core idea for a lot
of these white supremacist groups
including the original Klan which of course
was thinking of Scottish clans with a C
when they called themselves the Ku Klux Klan with a K.
I've spent a lot of time celebrating
the legacy of Scots who left home
and helped lay the foundations
of the United States of America.
When they arrived here, they had the chance
to create something new, something perfect.
A new world.
A (mumbling) of the signatories
of the Declaration of Independence were Scots.
The pursuit of happiness, the most famous part
of the declaration is arguably a Scottish idea
but the new world is not perfect
and I want to find out why.
If the Scots had a significant hand
in conjuring the American dream,
to what extent were they also responsible
for the nightmare?
That ugliest of stains.
The bloody, violent history of race hatred
that blights America to this day.
I'm traveling over 2,000 miles
of the southern states of America.
It's somewhere I've never been before
and I'm going to explore how early Scottish immigration
evolved and see whether it's had
an enduring impact on race relations here.
This seems like a natural place to start
as I'm told it's living evidence
of the Scots that originally settled here.
(bagpipe music)
I'm in Greenville in South Carolina
on the eve of an annual gathering
for the highland games.
I can hear the pipes.
Must be Scottish people here.
Come on people, let's hear you!
We're Scottish American.
Okay, you do the Scottish parts?
We do tonight, yes, absolutely.
You claim Scottish descent?
Yes.
If you were to score yourself out of 10
as a Scot, what numbers would you give yourself?
Today, a 10.
I have a four year old.
If I could get him out here, he's still scared
of bagpipes, but as soon as I can get him over that
it'll be fantastic.
He's scared of bagpipes.
That's a worrying, oh, there we go.
The next day at the games proper
I asked yet more (mumbling) Scots
what they thought of the effect
of Scottish migration to the states.
They influenced everything.
The first governor of South Carolina
was a boy from Oxfordshire and he very quickly
wanted state laws that reflected
the way things were back in Scotland.
(cheering)
Some historians will tell you
to look at the Confederate flag from the civil war,
very similar to St. Andrews in terms of design
and they see a connection there
because it was a lot of Scottish heritage
in those early days.
Coming from a place where you weren't allowed
to have your own land and you felt
you were kept down by the landlords.
The first thing you do when you get here is buy slaves.
There's a kind of disjuncture there isn't there?
(downbeat music)
Greenville's not unique.
All over the south I'm finding people
who keep to describe themselves
or their ancestors as Scottish.
How and why did the Scots arrive here
and what does that tell us about the nature
of the south today?
I found one man who has written extensively
on trans-Atlantic immigration.
Barry Vann has studied the subject
in the United States and the UK.
He brought me to one of the peaks
of the Blue Ridge Mountains in Virginia
to look down on the great Appalachian Valley
that most of the early Scottish settlers
would have passed through during the 18th century.
- They were going to the frontier, looking for cheap land.
Ran into those mountains.
They couldn't go north because that land
was already occupied and they couldn't
go over the mountains because it was too difficult
to get over them and they were probably
hostile natives over there so they came
down the valleys this way.
It's such a massive undertaking for these people.
What's driving it?
One was economic because they were coming
from a place where the lands that they had farmed
for generations were no longer available to them
'cause they weren't able to afford
the money rent that was required to stay on those lands
but here they could acquire lands
and become their own lords.
In lot of respects, they were trying
to recreate the imagined Scotland
that they had back there but they wanted it here
because they had more resources.
Look at those beautiful trees, water was plentiful.
Nice longer growing seasons.
This was a bountiful place.
This was the Scotland that they had imagined.
Scotland 2.0.
That's right.
It's the upgrade.
The upgrade, absolutely.
[Host] But it wasn't just the prospect of a better future
that drew Scots to what they called the back country.
They were tempted here because of the reputation
as fighting folk.
Recruited to help defend the coastal areas
already settled by the English
from native Americans and the French.
They wanted them to go to the back country,
to this part of the state or colony at that time
and to be a buffer zone against potential invasion.
(gentle music)
This is probably the oldest part of the cemetery right here
and these are some of the founding families,
second generation.
Down in the valley lies the resting place
of many of those early frontiers people.
Yeah, look at that, Scott, Kirkpatrick, Bell.
They came from Scotland and from Alston
and they quickly exceeded the number
of English settlers in the south.
Next to the graveyard, we can see
what united these newcomers.
This church is built on the site
of one of the earliest Presbyterian places
of worship in the area.
Were they a happy lot, do you think,
or were they coming in with lots
of emotional and religious baggage
on account of the old country they had left behind?
When they got here, they were interested
in acquiring land and they also knew
that they were gonna be facing potential hostiles
and so they were not necessarily coming here
with an open hand saying we wanna be friends.
They came here for the most part
interested in farming if they could
and they wanted to live in strategically important places.
That's why we call them today hillbillies
and hilltoppers because they wanted
to live up in the hills where they could see
the enemy coming.
For those Presbyterians, who were the enemy?
Who was it they thought was gonna come
and attack them on their hills?
Anybody who wasn't them.
It could be the English because they
had a history of conflict with the English.
They had a history of conflict with the Catholics.
They had a history of conflict
with almost anybody who was not dissenting if you will.
Some of those settlers, confident
about who they were and just as importantly
who they weren't strode out into the untamed back country
moving further south and west with each generation.
But at the end of the 18th century,
the settlers simply way of life
was transformed by something that changed the course
of this part of America forever.
It was the arrival of cotton.
To the frontier farmers, the economics were simple.
Cotton was a cash crop that brought relatively easy money.
It also offered an easy life as long
as those picking the cotton were slaves.
As the cotton industry grew, so did slavery.
By 1810, the number of slaves in the US
rose to 1.2 million, almost double
what it was 20 years earlier.
Now, the descendants of many oppressed
and downtrodden refugee Scots took the path
of racism to become oppressors themselves
and their simple farmhouses became
increasingly grand plantation houses.
Like this one, built in 1851 just outside Charleston
by William Wallace McCleod.
He owned one of the largest plantations in South Carolina
but like many, he never forgot his roots.
He called the grand house Inverness.
The impression planters wanted to give
was one of affluence and the most striking display
of wealth at that time was measured
by the number of slave cabins
that lined the drive to the house.
Here there were 23.
I asked Heather Williams to show me around.
Not only is she an expert in slavery
in the south but she's known this place for some time.
When I first came to this place,
for me it was a really powerful sense of the past.
The cabins, it seemed as though slavery
has just ended one day and everybody
had packed up and left and that I had been,
in a sense, transported back to that time period,
the late 1860's.
In order for a society to survive
you need the top people who think
and then you have the people who do the work.
This is what James Henry Hammond said.
He was a senator from South Carolina,
governor and so on.
You need a mud seal, he said, in the society
and we have found them in these Africans
who are so well-suited to do the work
that we don't want to do.
(downbeat music)
They were legally owned.
They could be sold, they could be traded,
they could be given away, they could be mortgaged.
People could transfer them.
There was this perpetual sense
that they would be punished if they didn't adhere
to the rules of the place.
So would this be about as good as it gets
for enslaved people?
Yeah, I think, I've seen cabins made of brick
which might have kept people a little bit warmer
in the winter.
I would think that there would be
at least six, seven people in here.
William Wallace McCleod enslaved up
to a hundred people on his plantation
while he lived the life of undoubted privilege.
Being here in a place where slavery actually happened,
I have to admit I'm filled for the first time
with feelings of disbelief at the surreal nature
of the life that those elite whites chose for themselves.
How you get to the point where you can enjoy a life
that is composed of people who are your captives
who are around you in great numbers
every minute of the day, doing things against their will
for no pay, they cook your food,
they work in the fields, they fix up the house.
If it's a cold night, you would order one
of them to lie across your feet on your bed
so that you are warm.
At what point does living like that
feel in any sense normal?
And it was another Scot who provided the bomb
that made all this seem legitimate.
By the mid 1800's, almost every house
like this would have contained some
of the many romantic novels of Sir Walter Scott.
Scott's stories of gallant knights
and brave highlanders set in a golden,
mythical past were wildly popular
but according to the American writer Mark Twain
they merely fed this fantasy lifestyle.
Twain felt the planters were modeling their lives
on Scott's romantic vision of the old country,
imagining themselves as lairds of their own clan.
He wrote that the civilization of the south
in the 19th century is curiously confused
and co-mingled with the Walter Scott
middle age sham civilization.
The inflated speech and the Georgian romanticism
of an upset past that is dead and like a charity,
ought to be buried.
I think that for many people it felt
as though it was something they were entitled to
and I think that sense of entitlement
then passed from generation to generation.
This sense that you are supposed
to have more than other people
and that some people are supposed to serve
and you are to be served.
Twain also thought that Scott's heroic romanticism
was partly responsible for the terrible war that followed.
The northern states had wanted
to limit the expansion of slavery
just as the worldwide demand for cotton was booming.
Southern state planters like William McCleod
saw their whole lifestyle threatened
and were willing to fight for it.
In 1861, the 11 slave states with cotton based economies
left the union and a horrific four year war began.
(guns firing)
Now, 150 years later, people flock
to see the Civil War as entertainment
and living history groups meet regularly
to replay the battles again and again.
This one is at Fort Hollingsworth in Georgia
where reenactors from all
over the southern states take part.
What is it important to remember
by taking part in and watching a reenactment like this?
It's important to make sure that the people understand
that what the history is all about.
It's important that they remember that this
is something that their ancestors fought for
and something that's actually a part of them.
This is something that they were born ingrained with
and they should remember that.
What does define the ancestors?
They didn't leave any of their culture behind.
They just brought it here and used that culture
and created something completely new.
Even from the way we talk.
Even down to the patterns in their clothes.
When the Scots came here they brought with them the tartans.
Our way of life is probably closer
to those in Scotland that are now
in this part of the country.
We held on to a lot of their ways, I think we did.
I think we did.
[Host] What was lost when the war was lost?
The way we lived, actually.
They had plantations, a lot of folks had plantations
and a lot of wealth and a lot of that was lost in the south.
They had to go back and start life over.
America's Civil War was immensely destructive.
Well over half a million soldiers died
and much of the south's infrastructure was ruined.
For many whites, the greatest fear
of all had just come true.
The enslaved were now free.
Not only that, but black men could also vote
just as the vengeful north took away the right to vote
for those that supported the Confederacy.
Like the Jacobites in Scotland a hundred years earlier,
the southern whites had lost everything
but now they too had a lost cause to believe in.
That lost cause found its footing here
in the neat streets of Pulaski in Tennessee.
This is where things first started to turn ugly.
I've come to meet local historian Bob Wamble
to find out what happened in the town
after the end of the Civil War.
Bob, when the war was over and the soldiers came back
what did they find here in Pulaski?
Right here in town where we are,
they found a courthouse and that was pretty much it.
This entire side of the square was burned to the ground.
It was done by Union soldiers that were stationed here.
There were all these Confederate soldiers
that came home and had nothing.
If they had owned a business before the war
it was gone, it was burnt to the ground.
They had no government, they had no law really.
Anybody that had supported the Confederacy couldn't vote.
Any law that was here, they didn't have a part of it.
- [Host] So they were effectively aliens in their own town.
[Bob] Yes, this was their home
but it wasn't their government.
The destruction here was typical
of many towns in the south but this town
has a claim to fame that it would rather forget.
One group of former Confederate officers
bold and fearful of the future
now that black man had the vote,
set up a secret fraternal society.
They drew on ancient Greek
and their Scottish heritage for the name.
They called it the Ku Klux Klan.
This is the spot where the Klan was formed.
The Ku Klux Klan was six young men,
met right here in this office
and decided that they wanted to form an organization.
This is a plaque showing this to people of Pulaski
and they were proud of the Ku Klux Klan.
The plaque is turned backwards.
About probably 20, 25 years ago...
[Host] Oh, it's got its face to the wall now.
It's face is to the wall.
The man that owned this building turned it around like that.
So what's on the other side of the plaque?
Well it lists the names of the young men
that formed the Ku Klux Klan.
I have a copy of it right here.
[Host] These are the key players.
Alvin Jones, John B. Kennedy.
Frank O. McCord, John C. Lester,
Richard R. Reed and James R. Crowe.
They were all Confederate soldiers
that had just come home just really
didn't have anything better to do
than to form an organization just for amusement.
They played their musical instruments
and sang songs and went out and serenaded the girls.
They were out hunting all the pretty girls of Pulaski.
[Host] Is that really all it was in its first form?
Its very first stages, that's all it was.
This photograph, discovered by Bob,
is thought to show Frank McCord
and the rest of the original Klan.
It was John B. Kennedy who apparently suggested
that they should call themselves a clan
as they were all of Scotch Irish descent.
Some of them were educated obviously
because the drawing on Greek, kuklos is a circle
and a clan is a family group
that shares some kind of blood or a name, a surname.
I think there's an intention there
to declare yourself as a group
that will stand shoulder to shoulder against outsiders.
Pulaski has another revelation.
Tucked behind this store front
is a small scale opera house.
A good place, it seems, to understand
how the Klan moved from make believe to reality
according to author and academic Elaine Frantz Parsons.
Amazing, look at that.
[Elaine] For a town this size, it is impressive.
[Host] Created in 1867, almost exactly the same time
as the Klan, this theater gives us a fascinating insight
into what might have influenced them.
They're trying to figure out who they are
and they're really interested particularly in culture.
They don't have power anymore.
They don't have politics but maybe
they can keep culture or they can create a culture
that means something.
Particularly pretending they were in a different time
and place pretending they were in the world
of Sir Walter Scott I think was very attractive.
Just a couple of years after the war,
they embark on this and it's all
about theatrical and make believe.
Was that in forming the Klan as well?
Was it about the costumes and pretend?
Yeah, I think that's a really good way
to think about it actually,
that the world, the real world, wasn't something
that they necessarily wanted to spend a lot of time in.
I think that part of what happened
is that they realized that this play
that they were doing could be brought to bare
on this competition, this problem
that they were having with black claims to rights.
If you were in the 19th century
and you're going to the theater,
a lot of the time you were going to a minstrel show
and the minstrel show wasn't all
about making fun of black people
but that was an important part of the minstrel show
and so part of what the Klan wanted to do
was to force black people into situations
where they looked ludicrous or ridiculous
and what better way to do that
than pretend like you're a monster
and attack them and then tell everybody
how scared they were by this monster.
What flicks the switch from it being make believe,
harmless, costumes, music, what flicks the switch
and turns it into something sinister?
We know that Frank McCord was trying
to get up a mob during the time
that the Klan seemed to have nothing to do with it,
he is also interested in racial violence.
The Klan soon moved on from theatricalities
and threats, it became more violent
and better organized.
At the nearby state museum in Nashville,
they have one of the few remaining documents
from that time.
What is in effect the Klan's constitution.
It's a tiny little sliver of a thing.
So this is one of the few remaining copies
of what was the constitution of the Ku Klux Klan
and you'll see at the front this is the constitution
which they called the prescript.
The prescript of the star, star, star
which is what they used to stand for Ku Klux Klan.
Then you have some Shakespearean verse
and then down here we have Burns
so you can see the Scottish influence here.
And then the Burns is about a certain ghoul,
a certain ghost is around and drinking.
We'll send him linking to your black pit
but faith he'll turn a corner jinking
and cheat you yet.
So both are about things macabre.
Yes, but they're also high culture.
They're saying we aren't just a bunch of hayseeds.
It makes you wonder what Robert Burns himself
would have thought had he known
that some of his verse was gonna be included
in such a document.
You know the man that rights a man's a man for all that
to then find one of his verses
publicizing the aspirations of a society
like the Ku Klux Klan.
The Klan now had rules and roles.
It had become a serious organization,
an invisible army dedicated to reestablishing
the status of the southern whites
and this is what the Klan looked like.
This is an exact replica of one
of the original outfits they wore in Pulaski.
You can see how frightening that would be
if somebody appeared out of the dark
dressed like that.
Absolutely terrifying.
It's important to note these were not uniforms.
These were costumes.
These are expressing a cultural thing.
They're not expressing that they're,
it's not an army-like uniform.
This is a very chaotic mask.
Maybe this colorful thread up here,
this red thread used to put this black eyebrow on,
that seems like it's deliberate, right,
you're meant to see how sloppily made this was.
Imagine if you opened your front door
and that character was standing there
brandishing a weapon or whatever.
Yeah, no, it's very terrifying.
In Pulaski, the Klan became increasingly popular
with the white population.
News spread, especially as Frank McCord's brother
ran the local newspaper, The Pulaski Citizen.
The stories printed in the Citizen
helped publicize the Klan
and reassured the white population
that something was being done
to keep the former slaves in their place.
Many potential black voters received crude
and menacing messages like this letter
from a Ku Klux ghost ordering them which way to vote.
Other copycat Klans were soon formed
by more bored and better southerners
in nearby states only now,
the theatricalities had turned very ugly indeed.
Groups of white men would come out
in the evening to a home, a cabin,
and find the man of the house there,
take him from his home, and then
they would either whip them to try
to tell them to change their behavior,
to punish them for something that they had apparently done,
or they would kill that person.
Kill them either by shooting them
or by hanging them.
What happened when the Klan spread
was that existing white on black violence
which was pervasive throughout the south already,
that that comes to be called Klan violence
and when it comes to be called Klan violence
it gets worse.
People have an additional impetus,
they feel like they're part of a collective project.
They're doing something for the south.
They're not just some guy attacking their black neighbor
who's competing with them for property rights.
They are now a Klans or a Ku Klux.
By the late 1860's, a reign of terror
existed throughout much of the former Confederacy.
By the time the federal government
had brought in legislation against the Klan,
much of the groups work had already been done.
Violence had successfully kept most blacks from the polls
and the few that had taken up any civic office
had already been brutally beaten or hung.
With the black population now successfully terrorized,
white state government brought in laws
that segregated the races.
They were mockingly known as Jim Crow laws
after a black character in a minstrel show.
Now, living separate lives, the white population
of the southern states relaxed,
less fearful of those who were not them
except the fear never really went away.
This is Atlanta, now the bustling modern business hub
of the deep south.
In the early 1900's, it was also the place
where the Klan was reborn.
We might never have heard from the Klan again
but for the efforts of one man, Thomas Dixon.
He wrote this book.
It published in 1905 and in it,
he transformed the members of the Klan
from villains into heroes.
Dixon was born in North Carolina.
The son of a Scotch minister and plantation owner.
He went on to become a southern Baptist minister,
lawyer, and author.
His novel was called The Clansman and it was a big seller.
It was subtitled An Historical Romance of the Ku Klux Klan
and it imagined a future where the racial divide is reverse
and it is the white man that is in chains.
Now I'm sure if you were to take the time
to weave through this tome, you would agree
that it's pretty dreadful.
I offer you part of one chapter
in which Dixon imagines a future for America
in which the black man is in charge.
As he passed inside the doors of the house
of representatives, the rush of foul air staggered him.
The hall was packed with negroes
smoking, chewing, jabbering, pushing, perspiring.
The doctor surveyed the hall in dismay.
At first, not a white member was visible.
The galleries were packed with negroes.
The speaker presiding was a negro.
The clerk, a negro.
The doorkeepers, negroes.
The little pages all coal black negroes.
The remains of aryan civilization
were represented by 23 white men
from the Scotch Irish hill counties.
When the book was published,
it caused a literary explosion
and when it transferred to the stage as a play
it provoked riots, not just in this city
but all across America.
When the play premiered at the Grand Opera House
here in Atlanta in October of 1905,
the segregated audience went wild.
Tom Rice has studied what happened.
The reports stressed that the house lights
were kept on, that the sell of soda bottles
was prohibited because they were worried
they were gonna get hurled around the theater.
Absolutely had tapped into this culture
of fear, these anxieties about racial integration
and race relations that were really prevalent
in Atlanta and across the south at this moment.
[Host] Dixon took his Scottish heritage
and paraded it in his work.
Inside the front cover of his novel,
the dedication reads to the memory
of a Scotch Irish leader of the south,
my uncle, Colonel Leroy McAfee,
grand titan of the invisible empire, Ku Klux Klan
and it's not the only reference to a Scottish past.
Clearly the title The Clansman
does make a connection with the Scottish roots here.
We can see it even in the title
of the main family here, the Cameron's.
It was settled by the Scotch folk
who came from the north of Ireland,
the great migrations which gave America 300,000 people
of covenants and martyr blood,
the largest and most important addition
to our population.
He's really thinking about the makeup
of the American south and of this area
but internal so of the Klan,
of what would create the Ku Klux Klan here.
High above his head in the darkness of the cave,
he lifted the blazing emblem.
The fiery cross of old Scotland's hill.
I quench its flames in the sweetest blood
that ever stained the sands of time.
And here we've got the fiery cross.
This is not a feature of the original Klan.
It's created here by Dixon.
It would become one of the most identifiable symbols
of race hatred, of the Ku Klux Klan
and it's still today widely identified
with the Klan and here he's saying,
this is the fiery cross of old Scotland's hills.
It's creating a history and a heritage for this here.
The full impact of Dixon's novel
was felt much more widely when 10 years
after its publication it was released as a film
touted then and still lauded now
as an epic of its time.
The Birth of a Nation directed
by Hollywood superstar D.W. Griffith
let Dixon's work reach a much bigger audience
and it was a massive hit.
The budget was huge and the direction
was groundbreaking but the story
was as racist as Dixon's book.
Charlene Regester is a film academic
and remembers her first reaction.
I saw Birth of a Nation when I was a graduate student.
Of course some of the scenes that we saw
were very inflammatory.
They showed us alleged rape scene.
The scene where Gus is chasing the woman
who jumps off the cliff onto the ground
and so it was very offensive then
and it's probably still equally offensive today.
It was a racially incisive story
and it was about black male predators,
black male racists, it was about miscegenation
and it was about the Ku Klux Klan
rescuing the south and white supremacy
and I think all of the variables together
is what made it so volatile.
Did the film work as a PR exercising for the Klan?
It certainly made them almost appear
as though they're heroic and also
at the end of the film they have one
of the white characters who unveils as a Klan member.
They're making them look like they're the saviors
of the day, they saved the south,
and certainly coincided with the rise of the Ku Klux Klan.
I think it glamorized the Klan
and made it a desirable organization to belong to
as a way of restoring order and I guess
of instituting white supremacy nationwide.
[Host] Just outside Atlanta, soaring out of the landscape
is a curious monolith called Stone Mountain.
Carved on its side is a vast memorial
to the Confederate leaders of the Civil War.
[Tour Host] Alright everybody.
Now the mountaintop would be about 350 million years old.
Only a very small portion
of the mountain's actually visible.
But long before the carving was completed,
people came here to pay homage
to something that happened directly
as a result of Griffith's film.
It turns out that that film was a revelation
for at least one cinema goer.
It was a Methodist preacher and his name
was William Joseph Simmons and he took all
he'd seen and heard and he brought it here
to this mountaintop.
He was accompanied that day,
the eve of Thanksgiving in 1915
with 15 like minded souls and they had come
for a bizarre ceremony.
What they wanted to do first of all
was to build an altar.
Once it was built, Simmons placed three things
on that altar.
An American flag, a bible, and a sword unsheathed.
Then, he set fire to a crudely made wooden cross.
At that moment, he declared himself to be,
get this, the imperial wizard of the invisible empire
of the Knights of the Ku Klux Klan.
The KKK was back but this time the Klan would be different.
It would be political, it would be obsessed with power,
and most significantly of all, it would be big.
Very, very big.
And with changing immigration,
the Klan now had a whole new range of targets
they thought threatened the lives of southern people.
The new Klan's focus wasn't just on black people.
Jews, Catholics, and Mexicans also
became targets of the organization.
To get an insight into this second Klan,
I've come to the small estate of author William Rawlings
just outside the town of Sandersville in Georgia.
The Klan's mantra at this time,
its recruiting mantra can be summed up
as being 100% Americanism.
Support of the constitution, just laws,
anti-immigration.
People that joined the Klan during the early 1920's
joined not because they had some agenda
but because the message of the Klan was one
we want to do the good thing for America.
We want to perhaps keep this immigrants out,
these Chinese in California, these Mexicans
on the border states.
[Host] But the new Klan was as oppressive as the first.
Say you live in a town and the Klan is in the town
and you don't know who the members are
but they may be your best friends and they may not be.
You don't know if the policeman on the corner's
a member of the Klan or perhaps
your minister's a member of the Klan
and they liked it that way.
They could go to a merchant for example and say
you know, we're the Klan, we can tell people
not to trade with you and the merchant
would say gee, I better support the Klan.
You never knew how many people were members of the Klan
and once they developed the reputation
for not only intimidation but action
then frequently all they had to do
was simply say we're watching you
and that was all that was needed.
[Host] Clan violence directly
effected William Rawling's family.
Although they had owned a slave plantation
everyone was a potential target.
My family had an unfortunate experience with the Klan.
Uncle Charlie was a bit of a philanderer.
I guess that's the best way to say it.
Not only did he have his girlfriends,
his interest also crossed racial lines
and he sired a number of mixed race children
which was not exactly the socially acceptable thing
of the day to do.
He was allegedly, according to family history,
warned by the Klan and when he ignored them
because he was a very wealthy and powerful man,
when he ignored them they simply waylaid him
on a country road.
He had his own chauffeur.
Guy named Hal Hooks, a black man.
They put a tree across the road.
When Hal Hooks went out to move the tree
all of a sudden Klansmen emerged from the forest,
they told Hooks to stand to one side
and they castrated Uncle Charlie.
Castrated him?
They castrated him
and he lived the remainder of his life
without part of his anatomy.
* Well nothing is going right this morning
* Oh I guess it's the chains that bind me
* I can't shake them loose
How big did it get, what was the high point?
For a very brief period of time, 1924 and 1925,
they were one of the most powerful social
and political organizations in the United States.
Around five million members at its peak in 1925.
You know it's a tremendous number of people
that joined the Klan.
Perhaps the high point of the Klan
was the march in August of 1925
where an estimated as many as 150,000 robed Klansmen
marched down Pennsylvania Avenue.
It's a terribly frightening image
to see Pennsylvania Avenue with the capitol dome
in the background and an endless stream
of white robed Klansmen marching down the street.
Is this what America has become?
The Klan of the 1920's failed eventually
because people figured them out.
People began to say you know, these people
are not really what I want America to be.
These people are beating and flogging,
these people are judge, jury, and executioner
rolled into one.
This is not the American way.
We should reject the Klan.
The Klan may have been rejected
but racial hatred and discrimination remained.
Here is one of the many places in the south
where the law itself was used to discriminate.
This is the former railway terminal building
in Macon, Georgia.
Fantastically impressive building.
Big stone frontage.
Now that's the main entrance down there
with the eagles above it and the pillars.
Off to one side though is a separate entrance
and if you look above the door look what it says.
Colored waiting room.
This is a relic, an artifact of the Jim Crow laws
which were touted as keeping the white people
and the black people of America separate but equal.
The Jim Crow laws reflected the mindset
of those that wanted the races to be separate forever.
They not only mandated the segregation
of colored transport but public schools,
public places, and the segregation of restrooms,
restaurants, and even drinking fountains.
Black and white lived separate but rarely equal lives.
It took until the 1950's for the federal court
to declare that segregation in state schools
was unconstitutional.
The black population celebrated
but the southern states were having none of it.
I'm finishing my journey in America's deep south
here in Alabama, the heart of the fight
against civil rights.
Montgomery, the state capital, became the epicenter
and these steps the backdrop to much of the rhetoric.
Before the seed of tyranny, and I say segregation now,
segregation tomorrow, and segregation forever.
(cheering)
[Host] Governor George Wallace spoke
with the mindset of those that elected him.
The Klan, too, raised its costumed head again
and when around 3,000 people attended another rally
at Stone Mountain, it was clear
that the Klan was back in force
for the third time and the tactics, again,
would be violent.
The fight for the soul of the south
came to its ugliest point in the 1960's
in the battle between the civil rights movement
and the Klansmen.
The Klans brazen violence and murders
eventually pushed President Johnson's federal government
to make a full scale assault on the Ku Klux Klan.
Their loyalty is not to the United States of America
but instead to a hooded society of bigots
so if Klansmen hear my voice today
let it be both an appeal and a warning
to get out of the Ku Klux Klan now.
Leading members of the Klan were prosecuted by the FBI
and once again, America's most feared hate group
appeared to be defeated.
But despite the success of the civil rights movement,
that southern mindset didn't go away.
It's still with us today.
In the last 50 years, there's been an explosion
of hate groups in America.
In 2015, it was estimated that there were 892 hate groups
in the US including anti-government militias,
neo-nazis, neo-confederates,
and 190 separate Ku Klux Klan groups.
The League of the South is one
that's often described as a hate group.
It advocates rolling back time,
creating a separate southern society
run by Anglo-Celts.
So I've got an email from Dr. Michael Hill,
leader of the League of the South
and he's suggesting meeting at the post office parking lot
in Killen at nine a.m.
I think we have our man.
Dr. Hill, hello, I'm Neal.
Nice to meet you, sir.
Nice to meet you too, sir.
Good to be here.
Is it okay if we put a microphone on you?
Sure.
I think that's one thing about southerners.
We're known for our hospitality
but we're also very suspicious of outsiders.
Now I'm not suspicious of you folks
because I know where you come from
and I know that basically you and I
come from the same people so it's different
but people come around here from other places
and southerners are not so hospitable
until they get to know you.
If you're a nationalist, what's your nation?
My nation is my people.
[Host] It's not America?
No, America is not my nation.
If your nation is family, what is your family?
You mean literally people who are blood.
Yes, exactly, blood, blood kin.
That is what a nation is.
But you know as well as I do that the Scots
have always been big on fictive kinship.
You're sort of in the clan, in the family.
My family is southern people
and people who are related to us by genetics
back in the old country.
America is not a nation.
America is a multi-cultural empire.
I want nothing to do with it.
It has nothing for me.
[Host] Is the church shooting at Charleston
an inevitable consequence of that kind of grievance?
[Michael] I think you just had a disturbed young man.
He doesn't come from nowhere, though.
He's from a context.
Sure he's from a context.
The minute I saw that he had a Confederate flag,
I said oh they will take this and use it.
If the left wants to use Dylann Roof
as the archetype of everybody that thinks like I do
then we're gonna have to have fair play on the other side.
Every time a black person kills a white person
we're gonna have to just examine that
inside and out, why it happened,
the circumstances, the hatred behind it,
but it doesn't get done.
How likely is it that you're way
of thinking will come to pass?
I'm a realist about this.
If you look out in the world right now
you see that the other side looks like they're winning.
My side will win mainly because
it is the natural way that human beings
have always lived.
This is an anomaly period that we're living in
and I can see the end of it
and the pendulum will swing back
to a more normal type human existence.
So yeah, I think I'm on the right side
of not only history but human nature.
It seems so pessimistic and depressing
to me to think that people, given the opportunity
to create a new world, and that was the expression
that was in use at the time.
They came out full of ideas like the pursuit
of happiness and equality and religious freedom
and all of that.
They were part of a world that became a misery
for millions, I find that just sad.
I know, but what does it tell you.
It tells you that there can be no utopias
because man is a fallen creature
and he's always gonna behave like a fallen creature.
He's always going to fuck it up.
I said was there someone who has
perhaps a naive hope in the brotherhood of mankind,
if he's right then I just feel
we're never gonna get anywhere.
If there was ever an indication that history's alive
then it's here, a set of events
unfolded here 200 and odd years ago
and the consequences of them, the reality
of the world which created then
are still 100% here.
He feels as if we're not going anywhere.
It's so dispiriting to hear someone
using my Scottish ancestry in support
of views that could give rise to hatred.
I'm heading back to the state capital
to get a second opinion on Michael Hill's thinking.
Mark Potok keeps tabs on hate groups
at the Southern Poverty Law Center
and he has monitored the development
of the League of the South for some time.
I've heard mention of the potential
for a race war, is that just meaningless hyperbole?
Well look, I mean, a race war is the wet dream
of all of these groups.
They all expect a race war and many
of them fervently hope for it.
That's absolutely common in the Klan
and in neo-nazi groups and so on.
What's been surprising is to see the evolution
of a group like the League of the South.
Mike Hill wrote a few months ago
an incredible essay in which he said essentially
if black people think they wanna have a race war
let me just warn them right now,
they're not gonna win that war.
Hill has also talked to his people
not merely about how the south is an Anglo-Celtic wonderland
and all this kind of things and we need
to protect our culture but about the need
to buy AK-47's and tools to derail trains.
Will this ever really come to a race war?
No, I very much doubt it.
Are there people out there who desperately
would like to see it happen?
Absolutely.
In the aftermath of the June 2015 Charleston massacre
by Dylann Roof, there was an enormous backlash
against the Confederate battle flag
because Roof, of course, before carrying out
this mass murder, had taken many pictures
of himself displaying the Confederate battle flag
and as a result of that, the flag came under attack.
The governor of South Carolina
ordered the Confederate battle flag
off the grounds of the state capital
and then there was this incredible,
very widespread reaction.
We counted actually, in the six months
immediately following the Charleston massacre,
364 pro-Confederate battle flag rallies.
Does that rhetoric inform people like Dylann Roof?
I don't think Dylann Roof probably even knew
what the League of the South was
but did he connect with the kinds of ideas
that are at the center of the League of the South?
Absolutely.
One of the greatest writers of the south,
William Faulkner, wrote something
that seems very apt.
The past isn't dead and buried.
It's not even past and that's the point.
All the people of the south are living with history,
coping with the consequences of immigration,
greed, fear, and a sequence of events
that have turned this place upside down more than once.
I come to the end of my journey
at the church where this story began.
How on Earth do the people who suffered the attacks here
cope with the horror of the racism
that has stopped the south since the settlers
first arrived here.
Just with the thought of this interview itself,
I'm teary eyed to think that this
is what brought us together
but yet I'm grateful because it gives me
an opportunity to say to my brothers
and sisters around the world, thank you for caring.
Thank you for praying for us, remembering us,
and not forgetting about it.
Is there anything that ought to be forgotten?
Are there any ideas that need to be put in the past
and not taken into the future?
I think that each of us, we are sum total
of our past, our present, and our hope for the future
and so no, I wouldn't want to disregard the past.
I'd wanna learn from it.
I'd wanna grow as a result of it
and we must embrace our individuality
and celebrate it and not be negative
as a result of it.
I believe that from this can lead a path
of race relations that's positive.
A path that will lead us to a place of reconciliation,
of healing, and a place of a healthier society.
Oh hey, come on.
(downbeat music)
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