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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,213 --> 00:00:05,223 (man) ALL RIGHT, GANG, LET'S GET DRESSED FOR ACTION. 2 00:00:05,216 --> 00:00:07,216 TAKE A T-SHIRT. UNH-UNH, NO, NO, NO. 3 00:00:07,218 --> 00:00:10,258 JUST THE BLACK ONES. AND EVERYBODY GRAB A SKI MASK. 4 00:00:10,261 --> 00:00:12,431 OH, NO, NO, NO, NO, NO, I CANNOT WEAR WOOL. 5 00:00:12,433 --> 00:00:14,443 MY SKIN IS TOO SENSITIVE. 6 00:00:16,267 --> 00:00:18,897 OKAY, WHICH ONE OF YOU HE-NIUSES 7 00:00:18,899 --> 00:00:20,899 THOUGHT IT WAS A GOOD IDEA 8 00:00:20,901 --> 00:00:24,741 FOR ME TO ROB MICK JAGGER IN THIS OUTFIT? 9 00:00:24,735 --> 00:00:25,735 I'M CHANGING. 10 00:00:25,736 --> 00:00:27,196 OH, NO, NO, NO, BABY. 11 00:00:27,198 --> 00:00:30,528 'CAUSE SEE, RIGHT NOW YOU AERODYNAMICALLY SOUND. 12 00:00:32,413 --> 00:00:34,793 OKAY, LET'S DO IT. NOW GUYS, GATHER ROUND. COME ON, GET IN A CIRCLE. 13 00:00:34,785 --> 00:00:36,865 COME ON, COME ON. 14 00:00:36,867 --> 00:00:39,037 DEAR LORD... 15 00:00:39,039 --> 00:00:42,329 OUR WHOLE LIVES WE'VE UNCLOGGED TOILETS... 16 00:00:42,333 --> 00:00:44,263 WAITED TABLES... 17 00:00:44,255 --> 00:00:45,835 DRIVEN CABS... 18 00:00:45,836 --> 00:00:48,466 GUARDED JEWISH SUPPLY WAREHOUSES, 19 00:00:48,469 --> 00:00:50,589 AND, UH, LOUIS HAS DONE STUFF, TOO. 20 00:00:50,591 --> 00:00:53,261 WE WANT OUR SLICE 21 00:00:53,264 --> 00:00:54,814 OF THE AMERICAN DREAM. 22 00:00:54,805 --> 00:00:56,805 AND SO TONIGHT, LORD, WE ASK YOU 23 00:00:56,807 --> 00:00:59,847 TO HELP US SUCCESSFULLY ROB MICK JAGGER. 24 00:00:59,850 --> 00:01:02,810 CERTAINLY, HE WILL NOT MISS A FEW CRUMBS 25 00:01:02,813 --> 00:01:05,323 FROM HIS TABLE OF MUCH PLENTIFULNESS. 26 00:01:05,316 --> 00:01:06,686 AMEN. (man) WHAT HE SAID. 27 00:01:06,687 --> 00:01:09,357 (woman) AMEN. IT'S SHOWTIME. LET'S GO. 28 00:01:21,252 --> 00:01:22,412 (tires squeal) 29 00:01:31,512 --> 00:01:34,352 LOUIS, STAY WITH THE CAR. 30 00:01:34,345 --> 00:01:37,095 YOU'RE LOOKOUT, ALL RIGHT? IF THE COPS COME, GIVE A SIGNAL. 31 00:01:37,097 --> 00:01:39,217 GIVE A SIGNAL. SIGNAL? WHAT SIGNAL? 32 00:01:39,220 --> 00:01:40,980 WAIT, GUYS. I DON'T KNOW 33 00:01:40,981 --> 00:01:43,721 HOW TO DO THE WHISTLE WITH THE FINGERS IN MY MOUTH! 34 00:01:43,724 --> 00:01:45,734 (man) THIS LEADS TO THE COURTYARD. 35 00:01:45,726 --> 00:01:47,726 I SAW IT WHEN WE STOLE THE KEY. 36 00:01:47,728 --> 00:01:50,148 DAMN IT! OKAY. 37 00:01:52,443 --> 00:01:55,243 (grunting) 38 00:01:55,236 --> 00:01:57,076 (laughs) 39 00:01:57,077 --> 00:01:58,327 YES! 40 00:01:58,329 --> 00:02:00,079 (panting) 41 00:02:00,080 --> 00:02:02,160 UH, WELL, MOST OF MY ATHLETICISM 42 00:02:02,163 --> 00:02:04,303 IS OF A HORIZONTAL NATURE. 43 00:02:06,297 --> 00:02:07,917 (siren wails) 44 00:02:10,211 --> 00:02:12,211 ♪ THIS LITTLE LIGHT OF MINE ♪ 45 00:02:12,213 --> 00:02:14,223 ♪ I'M GONNA LET IT SHINE... ♪ 46 00:02:14,215 --> 00:02:16,215 WHOEVER HAD "NOT GAY" IN THE OFFICE POOL 47 00:02:16,217 --> 00:02:18,217 ISN'T LOOKING TOO GOOD RIGHT NOW. 48 00:02:18,219 --> 00:02:19,849 THAT'S HIS SIGNAL! 49 00:02:19,850 --> 00:02:22,430 ♪ THIS LITTLE LIGHT OF MINE, I'M GONNA LET IT SHINE... ♪ 50 00:02:22,433 --> 00:02:24,613 LET'S GET IN QUICK. 51 00:02:24,605 --> 00:02:26,565 (Louis) ♪ LET IT SHINE, LET IT SHINE ♪ 52 00:02:32,152 --> 00:02:33,652 LET'S GO. 53 00:02:35,826 --> 00:02:38,446 FLEXIBILITY COULD COME IN HANDY... 54 00:02:38,449 --> 00:02:40,409 FOR ROBBING MICK JAGGER. 55 00:03:03,934 --> 00:03:06,484 (woman) NO, NO! 56 00:03:06,477 --> 00:03:08,807 WE NEED A CODE TO GET IN. 57 00:03:08,809 --> 00:03:10,979 WHAT WOULD MICK JAGGER'S CODE BE? 58 00:03:10,981 --> 00:03:12,441 "ROLLING STONE." 59 00:03:12,443 --> 00:03:14,993 NO, IT'S TOO OBVIOUS. HOLD ON, LET ME TRY SOMETHING. 60 00:03:14,985 --> 00:03:19,405 S-I-N-G-E-R. 61 00:03:19,410 --> 00:03:20,990 "SINGER." 62 00:03:20,991 --> 00:03:24,881 TRY "I CAN'T GET NO SATISFACTION." 63 00:03:24,875 --> 00:03:26,375 THAT'S LIKE 25 LETTERS! 64 00:03:26,377 --> 00:03:28,377 NO, NO, NO, BECAUSE "I CAN'T GET NO" 65 00:03:28,379 --> 00:03:30,289 IS IN PARENTHESES. 66 00:03:30,291 --> 00:03:32,671 (man) SHH! WE AIN'T ALONE. 67 00:03:32,673 --> 00:03:35,723 (man) COME ON, LET'S GET OUT OF HERE! 68 00:03:35,716 --> 00:03:38,296 ONE MORE TRY. I THINK I KNOW IT. 69 00:03:38,299 --> 00:03:40,299 "M"... 70 00:03:40,301 --> 00:03:41,891 "I"... 71 00:03:41,892 --> 00:03:43,302 "C"... 72 00:03:43,304 --> 00:03:44,654 "K"... "MICK." 73 00:03:44,645 --> 00:03:46,685 (alarm blaring) (shrieks) 74 00:03:46,687 --> 00:03:49,607 YOU EXPECTING ANYONE? 75 00:03:49,610 --> 00:03:53,440 (whimpering) 76 00:03:56,907 --> 00:03:58,907 AAH, WHAT A CRAZY PLACE THIS IS! 77 00:03:58,909 --> 00:04:01,359 YOU ORDER FOOD, AND THEN YOU SHOOT DELIVERY MAN?! HOW'D YOU GET IN HERE? 78 00:04:01,362 --> 00:04:04,462 DOOR OPEN, DOOR OPEN. I SWEAR TO GOD, DOOR OPEN. 79 00:04:04,455 --> 00:04:07,285 I SWEAR TO LORD JESUS, I SWEAR. I COME KNOCK. NO ONE ANSWER. 80 00:04:07,288 --> 00:04:09,288 I TOUCH SCREEN, AND BANG, BANG, BANG, 81 00:04:09,290 --> 00:04:11,370 YOU WANT TO SHOOT ME LIKE A SQUIRREL! YOU GUYS CAN HANDLE THIS. 82 00:04:11,372 --> 00:04:15,182 WOULD YOU LIKE SOME FREE TANDOORI CHICKEN? (man) JUST GET OUT OF HERE. 83 00:04:15,175 --> 00:04:17,135 GOD BLESS. GOD BLESS YOU. GOD BLESS AMERICA. 84 00:04:17,137 --> 00:04:18,587 GOD BLESS YOU AND AMERICA. 85 00:04:18,589 --> 00:04:20,799 LET'S GO, LADIES. 86 00:04:20,801 --> 00:04:23,431 WHAT THE HELL HAPPENED? I'M GONNA HIT YOU SO HARD, 87 00:04:23,434 --> 00:04:25,444 YOU'RE GONNA CRAP CURRY FOR A WEEK! 88 00:04:25,436 --> 00:04:27,436 IT'S LIKE FORT KNOX UP THERE. 89 00:04:27,438 --> 00:04:29,438 THEY HAVE ANOTHER DOOR WITH A THUMBPRINT SENSOR. 90 00:04:29,440 --> 00:04:30,600 OH, AND THERE'S ARMED SECURITY GUARDS. WELL, GO! 91 00:04:30,601 --> 00:04:32,441 YO, DIG THIS. 92 00:04:32,443 --> 00:04:35,903 ♪ EUGENE GURKIN WAS A JANITOR ♪ 93 00:04:35,896 --> 00:04:38,896 ♪ CLEANING TOILETS FOR THE MAN ♪ 94 00:04:38,899 --> 00:04:40,819 (woman) ♪ SCRUBBIN' AND FLUSHIN' ♪ 95 00:04:40,821 --> 00:04:44,241 ♪ TILL HE DECIDED THAT HE HAD ENOUGH ♪ 96 00:04:44,244 --> 00:04:46,464 ♪ GOT A CREW AND MADE A PLAN ♪ 97 00:04:46,457 --> 00:04:49,077 ♪ NOW THEY'RE THE... ♪ ♪ KNIGHTS OF PROSPERITY ♪ 98 00:04:49,079 --> 00:04:51,669 ♪ ROBBIN' FROM THE RICH TO GIVE TO THEMSELVES ♪ 99 00:04:51,672 --> 00:04:53,792 ♪ KNIGHTS OF PROSPERITY ♪ 100 00:04:53,794 --> 00:04:55,554 WE THE KNIGHTS, BABY. 101 00:05:03,303 --> 00:05:06,893 YOU KNOW, MICK JAGGER'S APARTMENT CANNOT BE ROBBED. 102 00:05:06,887 --> 00:05:09,517 HE'S GOT NUMBER CODES, THUMBPRINT LOCKS, 103 00:05:09,520 --> 00:05:11,310 ARMED SECURITY GUARDS. 104 00:05:11,311 --> 00:05:14,311 FOR ALL WE KNOW, HE'S GOT A MOAT IN THERE WITH CROCODILES. (groans) 105 00:05:14,314 --> 00:05:16,284 DAMN IT, LAST NIGHT WE SPENT TWO HOURS 106 00:05:16,276 --> 00:05:18,236 TRYING TO GET A TANGERINE OUT OF THIS TOILET, 107 00:05:18,238 --> 00:05:20,238 AND WE'RE BACK AT IT AGAIN. 108 00:05:20,240 --> 00:05:22,240 WE'RE JANITORS. WHAT DO YOU WANT? 109 00:05:22,242 --> 00:05:25,082 I WANNA BE THE GUY THAT PUTS THE TANGERINE IN THE TOILET, 110 00:05:25,075 --> 00:05:27,405 NOT THE GUY WHO'S GOTTA TAKE IT OUT. 111 00:05:27,408 --> 00:05:29,408 YEAH, WHAT DO THE OTHERS THINK? 112 00:05:29,410 --> 00:05:31,290 LET'S ROB FRAN DRESCHER. 113 00:05:31,291 --> 00:05:33,211 SHE GOT THAT "NANNY" MONEY. 114 00:05:33,213 --> 00:05:34,673 GARY, PLEASE, PLEASE. 115 00:05:34,665 --> 00:05:36,665 NOW YOU SAID THE NAME OF THE SECURITY COMPANY 116 00:05:36,667 --> 00:05:38,667 WAS BURTON, RIGHT? 117 00:05:38,669 --> 00:05:40,259 WELL, I GOT THE NUMBER. 118 00:05:40,260 --> 00:05:42,260 QUESTION-- HOW MUCH DID YOU PAY 119 00:05:42,262 --> 00:05:44,262 FOR THAT LARGE PHOTO OF MICK JAGGER? 120 00:05:44,264 --> 00:05:46,104 32 BUCKS. OH! 121 00:05:46,096 --> 00:05:49,306 WHY DO WE NEED THIS? YOU COULD'VE GOT HALF THE SIZE, AND WE SIT HERE. 122 00:05:49,309 --> 00:05:52,429 IT WOULD LOOK THE SAME, BUT IT WOULD ONLY COST $16! 123 00:05:52,433 --> 00:05:54,273 AND... $8. 124 00:05:54,274 --> 00:05:56,244 AND... $4! 125 00:05:56,236 --> 00:05:58,026 WHAT ABOUT WALLET SIZE? 126 00:05:58,028 --> 00:06:00,028 WE ARE ROBBING MICK JAGGER, OKAY? 127 00:06:00,030 --> 00:06:02,240 YOU GET A LARGE PHOTO OF MICK JAGGER! 128 00:06:02,242 --> 00:06:05,292 THAT'S HOW IT'S DONE, PEOPLE! OKAY, WELL, CAN WE MOVE IT ALONG? 129 00:06:05,285 --> 00:06:07,285 BECAUSE I GOTTA GET UP EARLY FOR T-BALL PRACTICE. 130 00:06:07,287 --> 00:06:09,327 7:00 A.M. PLEASE. OKAY, FIRST THINGS FIRST. 131 00:06:09,329 --> 00:06:11,329 IT'S SIMPLE. WE GOTTA CALL BURTON SECURITY, 132 00:06:11,331 --> 00:06:13,951 WE GOTTA GET THE ACCESS CODE, WE GOTTA PRETEND WE'RE MICK. 133 00:06:13,954 --> 00:06:16,094 NOW DOES ANYONE HERE DO A GOOD IMPRESSION OF MICK JAGGER? 134 00:06:16,086 --> 00:06:18,046 (normal voice) HELLO, I AM MICK JAGGER! 135 00:06:18,048 --> 00:06:19,298 HUH? 136 00:06:19,299 --> 00:06:22,129 THAT'S GREAT. IF SHOULD ROB GANDHI, WE'LL LET YOU KNOW. 137 00:06:22,132 --> 00:06:24,342 (normal voice) I AM MICK YAGGER. 138 00:06:24,344 --> 00:06:26,974 WOW. OH, YEAH. YEAH, YEAH, YEAH. 139 00:06:26,967 --> 00:06:29,927 (Gary) VERY GOOD. I THOUGHT HE WAS RIGHT HERE. DO IT AGAIN, DO IT AGAIN. 140 00:06:29,930 --> 00:06:32,350 ROCKEFELLER, YOU, UH, YOU GOT SOMETHING? 141 00:06:32,352 --> 00:06:35,732 (normal voice) HELLO, MADAME, TICKLE YOUR ASS WITH A FEATHER? 142 00:06:35,726 --> 00:06:37,726 CLOSE, CLOSE, BUT WITH ALL DUE RESPECT, 143 00:06:37,728 --> 00:06:41,358 I THINK I SHALL HANDLE THIS ONE MYSELF. 144 00:06:41,361 --> 00:06:43,361 (dial tone) 145 00:06:46,787 --> 00:06:47,787 (clears throat) 146 00:06:47,788 --> 00:06:49,118 (phone rings) 147 00:06:49,119 --> 00:06:51,409 (woman) Burton Security. May I help you? 148 00:06:51,411 --> 00:06:53,911 (British accent) OH, HELLO. HELLO, MICK JAGGER HERE. 149 00:06:53,914 --> 00:06:56,344 AH, AHEM, THE NUMBER CODE TO ME APARTMENT 150 00:06:56,336 --> 00:06:57,956 HAS SLIPPED ME MIND. 151 00:06:57,958 --> 00:06:59,958 PROBABLY ALL THE SONG LYRICS IN ME HEAD. 152 00:06:59,960 --> 00:07:01,840 Just a moment, please. (ring) 153 00:07:01,842 --> 00:07:03,502 (man) This is Simone Cashwell's office. 154 00:07:03,504 --> 00:07:05,514 Mr. Jagger, I'm calling Miss Cashwell for you. 155 00:07:05,506 --> 00:07:07,136 WELL, 'URRY UP, PLEASE. 156 00:07:07,137 --> 00:07:09,807 I'M STANDING IN ME HALLWAY IN ME BATHROBE, 157 00:07:09,810 --> 00:07:11,430 DRIPPIN' ON THE FLOOR, 158 00:07:11,431 --> 00:07:14,221 AND I NEED ME'S ACCESS CODE IMMEDIATELY, PLEASE! (babbles) 159 00:07:14,224 --> 00:07:16,774 HE'S STARTIN' TO VEER OFF INTO POPEYE. 160 00:07:16,767 --> 00:07:19,767 I'm sorry, Mr. Jagger. She's not picking up her cell. 161 00:07:19,770 --> 00:07:21,400 She'll be home any minute 162 00:07:21,401 --> 00:07:23,441 and can get your code off her computer there. 163 00:07:23,443 --> 00:07:26,913 Is there a number we can call back? (normal voice) A NUMBER YOU CAN CALL ME BACK? I MEAN... 164 00:07:26,907 --> 00:07:29,327 (British accent) UH, NO! THANK YOU. NICE DAY. GOOD-BYE! 165 00:07:29,329 --> 00:07:30,949 (normal voice) BOOYAH! HOME RUN! 166 00:07:30,951 --> 00:07:33,491 THAT WAS A HOME RUN? YES, BECAUSE WE JUST DISCOVERED 167 00:07:33,494 --> 00:07:35,504 THAT THERE'S A YOUNG LADY NAMED SIMONE CASHWELL 168 00:07:35,496 --> 00:07:38,336 WHO HAS MICK'S CODE ON HER HOME COMPUTER. 169 00:07:38,338 --> 00:07:40,338 SHE PROBABLY HAS ALL OF MICK'S SECURITY INFORMATION. 170 00:07:40,340 --> 00:07:43,250 ALL WE HAVE TO DO IS GET INTO HER APARTMENT AND THEN GET 171 00:07:43,253 --> 00:07:46,643 INTO HER COMPUTER, AND THEN WE GET EVERYTHING WE NEED. WELL, HOW DO WE GET INTO HER APARTMENT? 172 00:07:46,637 --> 00:07:50,177 THROUGH THE ART OF SEDUCTION, MY FRIEND. 173 00:07:50,180 --> 00:07:52,640 COUNT ME OUT. MY WIFE BENCH-PRESSES 160. 174 00:07:52,643 --> 00:07:55,363 YEAH, UH, I'M OUT, TOO. 175 00:07:55,355 --> 00:07:57,225 YOU WERE NEVER IN. 176 00:08:00,400 --> 00:08:02,310 UH, SIMONE? SIMONE? 177 00:08:02,312 --> 00:08:04,662 HI. EXCUSE ME. HELLO. HI. 178 00:08:04,655 --> 00:08:06,485 WHO ARE YOU? 179 00:08:06,486 --> 00:08:08,776 I AM LARRY... UH... Mc--UH... 180 00:08:08,779 --> 00:08:11,699 UH... LARRY. 181 00:08:11,702 --> 00:08:15,212 PRINCE ASHID el FAZHAD MUCHASHANOOZY THE FOURTH. 182 00:08:15,205 --> 00:08:18,205 MY FRIENDS CALL ME "THE FONZ." 183 00:08:18,208 --> 00:08:20,708 (imitates Fonzi) AYY. 184 00:08:20,711 --> 00:08:22,711 I RULED MY PEOPLE WITH A KIND AND GENEROUS HAND. 185 00:08:22,713 --> 00:08:25,303 SOMEONE MIGHT SAY, "OH, PRINCE, COULD YOU GIVE ME A CAT?" 186 00:08:25,295 --> 00:08:27,385 AND THEN I WOULD! I WOULD JUST GET THEM A CAT. 187 00:08:27,387 --> 00:08:31,387 NO QUESTIONS ASKED. I ONCE WENT OVER NIAGARA FALLS IN A BARREL. 188 00:08:31,391 --> 00:08:33,011 I'M WHAT YOU MIGHT CONSIDER 189 00:08:33,013 --> 00:08:34,813 AN ENTREPRENEURIAL MERGERS AND ACQUISITIONS, 190 00:08:34,805 --> 00:08:38,095 BUY LOW, SELL HIGH, FINANCIER TYPE OF GENTLEMAN. 191 00:08:38,098 --> 00:08:40,098 BUT AS YOU AND I KNOW, 192 00:08:40,100 --> 00:08:42,230 IT ALWAYS COMES DOWN TO REAGANOMICS, YOU KNOW? 193 00:08:42,232 --> 00:08:43,442 THAT'S RIGHT. 194 00:08:43,443 --> 00:08:45,453 I PACKED MYSELF IN THE DAMN BARREL, 195 00:08:45,445 --> 00:08:47,445 WENT RIGHT OVER THE FALLS. 196 00:08:49,279 --> 00:08:51,319 WASN'T SO BAD. 197 00:08:51,321 --> 00:08:53,911 I SNEAK OFF TO AMERICA TO FIND A WOMAN WHO LIKES ME FOR ME, 198 00:08:53,914 --> 00:08:56,424 AND NOT BECAUSE I'M A PRINCE WORTH MILLIONS OF DOLLARS. 199 00:08:56,416 --> 00:08:59,366 SO THEN WHY'D YOU TELL ME YOU WERE A PRINCE? SOMETIMES IT JUST SLIPS OUT. 200 00:08:59,369 --> 00:09:02,249 YOU LIKE VIDEO GAMES? 201 00:09:02,252 --> 00:09:04,332 I LIKE PAC-MAN. 202 00:09:04,334 --> 00:09:07,094 MS. PAC-MAN. 203 00:09:07,087 --> 00:09:09,927 WOULD YOU CARE TO CONTINUE THIS REPARTEE 204 00:09:09,930 --> 00:09:11,300 OVER LIBATIONS, MILADY? 205 00:09:14,224 --> 00:09:15,314 NOW WHAT? 206 00:09:15,305 --> 00:09:16,935 EVERYBODY STRUCK OUT. 207 00:09:16,937 --> 00:09:18,347 NOT EVERYBODY. 208 00:09:18,348 --> 00:09:21,308 ORANGE, WHITE, ORANGE, WHITE, ORANGE, WHITE, ORANGE, WHITE. 209 00:09:21,311 --> 00:09:22,311 PERFECT! 210 00:09:22,312 --> 00:09:24,312 HUH? 211 00:09:36,657 --> 00:09:38,997 UH, LOUIS, CAN I BE FRANK WITH YOU? 212 00:09:38,999 --> 00:09:40,999 THE SUCCESS OF THIS ENTIRE OPERATION 213 00:09:41,001 --> 00:09:43,751 RESTS SQUARELY UPON YOUR BIRDLIKE SHOULDERS. 214 00:09:43,754 --> 00:09:46,094 WE NEED YOU TO SEDUCE THIS SIMONE BROAD, 215 00:09:46,086 --> 00:09:48,086 AND SHE'S GOTTA TAKE YOU BACK TO HER APARTMENT, 216 00:09:48,088 --> 00:09:50,088 YOU LOG ON TO HER COMPUTER, 217 00:09:50,090 --> 00:09:52,210 AND YOU GET THE ACCESS CODE TO MICK'S PLACE. 218 00:09:52,212 --> 00:09:54,932 PERMISSION TO SPEAK FREELY? GRANTED. 219 00:09:54,925 --> 00:09:58,885 I DON'T HAVE MUCH EXPERIENCE WITH... BROADS. 220 00:09:58,889 --> 00:10:02,479 I KNEW HE WAS GAY! (Eugene) HEY, HEY, WHOA, WHOA. IT'S OKAY, LITTLE MAN, OKAY? 221 00:10:02,482 --> 00:10:05,072 I MEAN, THE KNIGHTS OF PROSPERITY 222 00:10:05,065 --> 00:10:07,065 IS AN EQUAL OPPORTUNITY CRIMINAL ORGANIZATION. 223 00:10:07,067 --> 00:10:08,647 AND, HEY, IT IS THE '90s ANYWAY, RIGHT? 224 00:10:08,649 --> 00:10:11,399 NO, MR. GURKIN, IT ISN'T, AND I AM NOT GAY! 225 00:10:11,401 --> 00:10:13,611 OH, PLEASE, YOU MAKE FREDDIE MERCURY LOOK STRAIGHT. 226 00:10:13,613 --> 00:10:16,453 EXCUSE ME, FREDDIE MERCURY WAS STRAIGHT. WHAT?! 227 00:10:16,446 --> 00:10:17,786 WHY DO YOU THINK THEY CALLED IT QUEEN? 228 00:10:17,788 --> 00:10:20,118 BECAUSE THEY WERE ENGLISH. IT WAS A TRIBUTE TO HER MAJESTY! 229 00:10:20,120 --> 00:10:22,580 HE WAS GAY! GUYS, GUYS, GUYS, PLEASE. 230 00:10:22,582 --> 00:10:25,012 LOUIS, I DON'T, UH, I DON'T GET IT. 231 00:10:25,005 --> 00:10:27,665 IF YOU'RE NOT GAY, WHAT'S THE PROBLEM? ESPERANZA, 232 00:10:27,668 --> 00:10:30,088 WOULD YOU MIND STEPPING OUT OF THE ROOM FOR A MOMENT? 233 00:10:30,090 --> 00:10:33,460 WHY, SO YOU CAN TELL THEM THAT YOU'RE A WEER-GIN? 234 00:10:35,555 --> 00:10:36,635 SHE'S RIGHT. 235 00:10:36,636 --> 00:10:39,886 I HAVEN'T EVEN ASKED A GIRL OUT. IT TERRIFIES ME. 236 00:10:39,890 --> 00:10:41,890 I WENT TO PROM WITH ONE OF THE TEMPS 237 00:10:41,892 --> 00:10:43,892 FROM MY DAD'S OFFICE, AND SHE HAD TO GO 238 00:10:43,894 --> 00:10:46,574 BECAUSE MY DAD CAUGHT HER WITH A LIE ON HER RéSUMé. 239 00:10:46,566 --> 00:10:49,896 SHE DIDN'T KNOW CRAP ABOUT EXCEL. WHAT THE HELL ARE WE SUPPOSED TO DO WITH A GAY VIRGIN? 240 00:10:49,900 --> 00:10:51,770 HEY, IT'S OKAY, LOUIS, 241 00:10:51,772 --> 00:10:53,772 BECAUSE THE REST OF THE PLAYAS IN THIS ROOM 242 00:10:53,774 --> 00:10:56,994 ARE GONNA TEACH YOU ALL THE GAME YOU NEED TO KNOW. 243 00:10:56,987 --> 00:10:58,487 (chuckles) 244 00:10:58,488 --> 00:11:01,738 (Bell Biv DeVoe's "Do Me!" playing) 245 00:11:01,742 --> 00:11:03,742 OKAY, PAL, FIRST WE GOTTA GET YOU OVER 246 00:11:03,744 --> 00:11:05,134 YOUR FEAR OF REJECTION, OKAY? 247 00:11:05,125 --> 00:11:08,205 SO YOU'RE GONNA GO UP TO THE FIRST WOMAN YOU SEE, 248 00:11:08,208 --> 00:11:11,088 AND YOU'RE GONNA ASK HER OUT. WHAT? I CAN'T DO THAT. 249 00:11:11,091 --> 00:11:13,551 GO. 250 00:11:13,553 --> 00:11:16,973 ♪ TAKE A LOOK AT ME... ♪ 251 00:11:16,967 --> 00:11:18,967 UH, HELLO, MY NAME IS LOUIS PLUNK, 252 00:11:18,969 --> 00:11:21,969 AND I WOULD LIKE TO TAKE YOU TO DINNER TONIGHT. 253 00:11:21,972 --> 00:11:23,562 I DON'T THINK SO, HONEY. 254 00:11:23,563 --> 00:11:24,603 OKEYDOKE. 255 00:11:26,016 --> 00:11:29,146 OH! (laughs) MY HEART IS POUNDING. 256 00:11:29,149 --> 00:11:31,519 THAT WAS TERRIFYING. OH. 257 00:11:31,521 --> 00:11:33,481 BUT YOU KNOW WHAT? I SURVIVED. 258 00:11:33,483 --> 00:11:35,873 SO THANK YOU, MR. GURKIN. I'VE LEARNED A VALUABLE LESSON. 259 00:11:35,866 --> 00:11:37,866 IT AIN'T OVER YET, PRINCE CHARMIN'. 260 00:11:37,868 --> 00:11:40,528 MM, YOU GOT 99 MORE TO GO. COME ON. 261 00:11:40,530 --> 00:11:41,700 (speaking Asian language) 262 00:11:41,701 --> 00:11:43,701 EXCUSE ME, WOULD EITHER ONE OF YOU LADIES 263 00:11:43,703 --> 00:11:46,593 LIKE TO JOIN ME FOR, UH, TAPAS? 264 00:11:46,586 --> 00:11:47,586 TAPAS! 265 00:11:47,587 --> 00:11:49,537 SPANISH HORS D'OEUVRES! 266 00:11:49,539 --> 00:11:51,459 HEY... 267 00:11:51,461 --> 00:11:53,751 YOU WANNA MAKE SOME MORE OF THOSE? (chuckles) 268 00:11:53,754 --> 00:11:56,184 ♪ DO YOU THINK YOU CAN? ♪ 269 00:11:56,176 --> 00:11:58,006 OH, WOW. UH, HI. 270 00:11:58,008 --> 00:12:00,718 UH, YOU'RE--YOU'RE SALLY JESSY RAPHAEL, RIGHT? 271 00:12:00,720 --> 00:12:01,720 HELLO. 272 00:12:01,721 --> 00:12:02,971 OH, UM... 273 00:12:02,973 --> 00:12:05,773 CAN I--CAN I HOLLA AT YA? 274 00:12:05,766 --> 00:12:07,766 HE'S A DISASTER. 275 00:12:07,768 --> 00:12:09,188 WE'RE JUST GETTING STARTED. 276 00:12:09,189 --> 00:12:13,269 IN MY LIFETIME, I'VE MADE LOVE TO 73 WOMEN. 277 00:12:13,273 --> 00:12:14,653 ALL WERE LEFT SATISFIED. 278 00:12:14,654 --> 00:12:17,574 MANY WERE LEFT PREGNANT. 279 00:12:17,567 --> 00:12:19,567 SEX IS LIKE DRIVING A TAXICAB-- 280 00:12:19,569 --> 00:12:21,949 YOU CAN NEITHER GO TOO FAST NOR TOO SLOW. 281 00:12:21,952 --> 00:12:23,662 AND THE CONDOM 282 00:12:23,663 --> 00:12:26,873 IS LIKE A BEADED SEAT COVER FOR YOUR DANDA. 283 00:12:26,867 --> 00:12:29,867 RHYTHM IS EVERYTHING. 284 00:12:29,870 --> 00:12:31,870 GYRATE YOUR PELVIS TO THE BEAT. 285 00:12:31,872 --> 00:12:34,632 (Peter Gabriel) ♪ DARLING, PLEASE... ♪ 286 00:12:34,634 --> 00:12:36,434 COME ON, FEEL IT. 287 00:12:36,426 --> 00:12:37,426 ♪ MONKEY ♪ 288 00:12:37,427 --> 00:12:38,427 COME ON. 289 00:12:38,428 --> 00:12:39,428 ♪ MONKEY ♪ 290 00:12:39,429 --> 00:12:40,429 COME ON. 291 00:12:40,430 --> 00:12:42,300 ♪ MONKEY ♪ WITH ME. 292 00:12:42,302 --> 00:12:44,302 ♪ DON'T YOU KNOW YOU'RE GOING TO... ♪ 293 00:12:44,304 --> 00:12:45,604 ♪ SHOCK THE MONKEY ♪ 294 00:12:45,595 --> 00:12:46,595 ♪ AH, AH ♪ 295 00:12:46,596 --> 00:12:48,726 ♪ THE MONKEY ♪ 296 00:12:48,728 --> 00:12:50,228 ♪ SHOCK THE MONKEY ♪ 297 00:12:50,230 --> 00:12:52,230 ♪ MONKEY, MONKEY, MONKEY, SHOCK YOUR MONKEY, MONKEY ♪ 298 00:12:52,232 --> 00:12:54,232 ♪ AH, AH ♪ FEEL IT! ♪ MONKEY, MONKEY ♪ 299 00:12:54,234 --> 00:12:56,614 ♪ SHOCK MY, SHOCK YOUR MONKEY ♪ I'M GOOD AT THIS! 300 00:12:56,606 --> 00:12:58,696 THAT'S RIGHT! GOOD! 301 00:12:58,698 --> 00:13:00,158 LADIES AND GENTLEMEN, 302 00:13:00,160 --> 00:13:02,450 I WOULD LIKE TO PRESENT THE FIRST-EVER RECIPIENT 303 00:13:02,452 --> 00:13:04,872 OF THE EUGENE GURKIN EXTREME MAKEOVER-- 304 00:13:04,865 --> 00:13:08,165 MR. LOUIS PLUNK! 305 00:13:08,168 --> 00:13:09,708 HUH, HUH? 306 00:13:09,709 --> 00:13:11,249 THAT'S THE MAKEOVER? 307 00:13:11,251 --> 00:13:14,581 I THOUGHT THERE WOULD BE PLASTIC SURGERY OR... 308 00:13:14,584 --> 00:13:15,974 COME ON, I DRESSED HIM 309 00:13:15,966 --> 00:13:17,966 EXACTLY LIKE BILLY BALDWIN IN THE MOVIE "SLIVER." 310 00:13:17,968 --> 00:13:20,628 HE LOOK LIKE THE BOWZER FROM THE SHA NA NA. 311 00:13:20,630 --> 00:13:22,630 THIS IS NEVER GONNA WORK. 312 00:13:22,632 --> 00:13:25,142 SIMONE CASHWELL'S JUST GONNA LAUGH AT ME. 313 00:13:25,135 --> 00:13:27,885 HEY, HEY, THAT IS NOT TRUE. 314 00:13:27,888 --> 00:13:31,558 A LIFETIME OF EXPERIENCE TELLS ME IT IS. WELL, A LIFETIME OF EXPERIENCE TOLD ME 315 00:13:31,561 --> 00:13:33,561 I'D BE NOTHING MORE THAN A JANITOR. 316 00:13:33,563 --> 00:13:34,943 AND LOOK AT ME, HUH? 317 00:13:34,935 --> 00:13:37,105 I'M THE LEADER OF A WORLD-CLASS CRIMINAL ORGANIZATION. 318 00:13:37,107 --> 00:13:39,067 WE CAN DO THINGS AROUND HERE 319 00:13:39,069 --> 00:13:41,359 THAT WE NEVER THOUGHT WERE POSSIBLE. 320 00:13:41,361 --> 00:13:43,491 THAT'S WHAT THE KNIGHTS OF PROSPERITY ARE ALL ABOUT. 321 00:13:43,493 --> 00:13:45,953 I THOUGHT IT WAS ABOUT ROBBING MICK JAGGER. 322 00:13:45,946 --> 00:13:47,576 WELL, AND THAT, TOO. 323 00:13:47,577 --> 00:13:49,577 COME ON, LET'S GO FIND THAT SIMONE CHICK, HUH? HUH? 324 00:13:49,579 --> 00:13:50,949 WANT TO, HUH? 325 00:13:50,951 --> 00:13:54,251 I WANT YOU TO SPREAD THEM WINGS, AND I WANT YOU TO FLY! 326 00:13:54,254 --> 00:13:55,344 HOLD UP. 327 00:13:55,335 --> 00:13:57,295 THE KID AIN'T READY YET. 328 00:13:57,297 --> 00:13:58,667 ANGELS OF THE STREET, 329 00:13:58,668 --> 00:14:01,668 PRESENT THYSELVES. 330 00:14:01,671 --> 00:14:02,671 NOW FIRST, 331 00:14:02,672 --> 00:14:04,762 JUANITA WILL TAKE YOUR VIRGINITY. 332 00:14:06,386 --> 00:14:07,386 THEN SYREETA 333 00:14:07,387 --> 00:14:10,427 WILL TAKE IT AGAIN. 334 00:14:10,430 --> 00:14:11,560 WHAT? 335 00:14:11,561 --> 00:14:13,561 FROM A TACTICAL STANDPOINT, IT MAKES PERFECT SENSE 336 00:14:13,563 --> 00:14:15,573 FOR LOUIS TO GET SOME SEXUAL EXPERIENCE 337 00:14:15,565 --> 00:14:17,565 BEFORE GOING OUT INTO THE FIELD. 338 00:14:17,567 --> 00:14:19,567 HOW IS THAT WRONG? WHAT AM I MISSING? 339 00:14:19,569 --> 00:14:22,569 SCHOOL A BROTHER! 340 00:14:22,572 --> 00:14:24,242 (sighs) 341 00:14:24,244 --> 00:14:26,624 SORRY I WASTED Y'ALL BITCHES' TIME. 342 00:14:38,168 --> 00:14:40,338 ARE YOU SURE YOU'RE OKAY? 343 00:14:40,340 --> 00:14:42,380 YOU'RE KIND OF KNOCKING 'EM BACK. 344 00:14:42,382 --> 00:14:44,382 LOOK, I HAD A REALLY LOUSY DAY AT WORK. 345 00:14:44,384 --> 00:14:46,394 SO WHY DON'T YOU JUST LEAVE ME ALONE? 346 00:14:46,386 --> 00:14:49,176 FINE. 347 00:14:49,179 --> 00:14:51,559 HMM, FINE. 348 00:14:51,561 --> 00:14:53,181 YO, BABY GIRL. 349 00:14:53,183 --> 00:14:55,193 (chuckles) YOU AGAIN. 350 00:14:55,185 --> 00:14:56,145 SERIOUSLY? 351 00:14:56,146 --> 00:14:59,566 QUESTION--DO FRIES GO WITH THAT SHAKE? 352 00:14:59,569 --> 00:15:01,149 WHAT SHAKE? I'M SITTING DOWN. 353 00:15:01,151 --> 00:15:02,981 BUT SUPPOSE YOU WERE SHAKING... 354 00:15:02,983 --> 00:15:05,123 WOULD FRIES GO WITH IT? 355 00:15:05,115 --> 00:15:06,945 I'M-A BET THEY WOULD. 356 00:15:06,947 --> 00:15:08,947 EXCUSE ME, IS THIS AFRICAN-AMERICAN GENTLEMEN 357 00:15:08,949 --> 00:15:10,119 BOTHERING YOU? 358 00:15:10,120 --> 00:15:11,330 YEAH, ACTUALLY. 359 00:15:11,331 --> 00:15:13,331 STEP OFF, MAN, BEFORE I START 360 00:15:13,333 --> 00:15:16,213 HANDING OUT BEAT-DOWNS LIKE FROZEN YOGURT SAMPLES. 361 00:15:16,206 --> 00:15:17,836 A'IGHT, I'M STEPPIN'. 362 00:15:17,837 --> 00:15:20,127 THAT'S RIGHT, CHUMP. RECOGNIZE. 363 00:15:22,592 --> 00:15:25,052 HOLA. CAN I BUY YOU A DRINK? 364 00:15:25,045 --> 00:15:26,635 (chuckles) YOU KNOW WHAT? 365 00:15:26,636 --> 00:15:28,636 YOU'RE A--YOU'RE A CUTE KID, SERIOUSLY, BUT, UH, 366 00:15:28,638 --> 00:15:30,638 YOU'RE ABOUT AN INCH AND A HALF TOO TALL 367 00:15:30,640 --> 00:15:32,260 FOR MY PARTICULAR TASTE. 368 00:15:32,262 --> 00:15:34,352 SO, UH, I WOULDN'T WANT TO LEAD YOU ON. 369 00:15:34,354 --> 00:15:36,864 BUT I CAN TAKE MY HEELS OFF. 370 00:15:36,856 --> 00:15:39,516 JUST GO. 371 00:15:43,233 --> 00:15:44,563 WHO THE HELL ARE YOU? 372 00:15:44,564 --> 00:15:47,534 LIKE, THE SON OF SOME GREEK SHIPPING MAGNATE? 373 00:15:47,527 --> 00:15:49,527 I'LL TELL YOU WHO I'M THE SON OF. 374 00:15:49,529 --> 00:15:52,529 I'M THE SON OF "LET'S GO BACK TO YOUR PLACE 375 00:15:52,532 --> 00:15:55,962 AND DESTROY A PERFECTLY GOOD FUTON." 376 00:15:55,955 --> 00:15:58,955 AND HE'S ALL UP IN MY GRILL, RIGHT? 377 00:15:58,958 --> 00:16:00,458 SO I'M LIKE, "SAJAK... HOMES... 378 00:16:00,460 --> 00:16:03,460 EITHER TAKE IT DOWN A NOTCH, OR GET YOUR BLOW-DRIED ASS 379 00:16:03,463 --> 00:16:06,263 OFF OF MY YACHT, PLAYA!" DUDE. 380 00:16:06,256 --> 00:16:08,216 PAOLO. MY NAME IS PAOLO. 381 00:16:08,218 --> 00:16:10,638 I DON'T CARE. 382 00:16:10,640 --> 00:16:12,680 I HAD A REALLY BAD DAY, 383 00:16:12,682 --> 00:16:15,562 AND YOU WERE IN THE RIGHT PLACE AT THE RIGHT TIME. 384 00:16:15,555 --> 00:16:19,645 SO JUST DROP THE ACT AND THANK YOUR LUCKY STARS. 385 00:16:19,649 --> 00:16:22,189 MY NAME REALLY IS PAOLO. 386 00:16:22,192 --> 00:16:24,482 SHUT UP. 387 00:16:24,484 --> 00:16:26,204 THE BED'S THAT WAY. 388 00:16:26,196 --> 00:16:28,236 YEAH, ALL RIGHT, UM... 389 00:16:28,238 --> 00:16:30,868 BUT FIRST I HAVE TO USE THE MEN'S ROOM, 390 00:16:30,870 --> 00:16:34,070 BECAUSE I HAVE A SMALLISH BLADDER. 391 00:16:34,074 --> 00:16:35,794 THEN GO... 392 00:16:35,785 --> 00:16:36,995 BUT HURRY. 393 00:16:36,996 --> 00:16:39,576 YEAH! (laughs) 394 00:16:45,295 --> 00:16:48,385 GUYS, GUYS, UH, I'M STARTING HER COMPUTER. 395 00:16:48,388 --> 00:16:51,218 FANTASTIC, FANTASTIC. WAY TO GO, LOUIS. 396 00:16:51,221 --> 00:16:52,391 THAT'S AMAZING. 397 00:16:52,392 --> 00:16:54,552 (computer startup music plays) 398 00:16:54,554 --> 00:16:56,564 (Simone) WHAT ARE YOU DOING OUT THERE? 399 00:16:56,556 --> 00:16:59,476 UH, JUST SINGING WITH EXCITEMENT. 400 00:16:59,479 --> 00:17:00,809 ♪ AH ♪ 401 00:17:00,810 --> 00:17:04,480 ♪ I LOVE SEX ♪ 402 00:17:04,484 --> 00:17:05,994 (chuckles) Guys, 403 00:17:05,985 --> 00:17:07,905 HER--HER DESKTOP'S UP. 404 00:17:07,907 --> 00:17:10,357 (Eugene) Attaboy! 405 00:17:10,360 --> 00:17:13,150 WHAT THE HELL ARE YOU DOING ON MY COMPUTER? 406 00:17:13,153 --> 00:17:15,543 CHECKING E-MAIL. NOW? 407 00:17:15,535 --> 00:17:18,535 YEAH, I HAVE A, UM, AN AUCTION ENDING IN, LIKE, THREE MINUTES. 408 00:17:18,538 --> 00:17:20,578 I COLLECT THIMBLES. 409 00:17:20,580 --> 00:17:22,210 GET IN THERE NOW, 410 00:17:22,212 --> 00:17:25,802 OR I WILL GO BACK OUT AND REPLACE YOU. 411 00:17:25,795 --> 00:17:27,625 GUYS... 412 00:17:27,627 --> 00:17:29,127 SHE'S TOTALLY ON MY JOCK. 413 00:17:29,129 --> 00:17:32,669 UM, I DON'T HAVE TIME TO GET THE CODE. OVER. Okay, okay, change of plan-- 414 00:17:32,672 --> 00:17:34,672 GO GET BUSY WITH THE LITTLE LADY, 415 00:17:34,674 --> 00:17:36,064 BUT MAKE IT LAST. 416 00:17:36,055 --> 00:17:38,595 BUT BEFORE YOU DO, GO PROP OPEN THE APARTMENT DOOR. 417 00:17:38,598 --> 00:17:40,938 We're coming in. 418 00:17:40,940 --> 00:17:43,100 COME ON, PEOPLE LET'S MOVE, LET'S MOVE! 419 00:17:43,103 --> 00:17:45,153 UH, QUESTION-- UM, ARE WE REALLY 420 00:17:45,145 --> 00:17:48,235 ABOUT TO, UH... YOU KNOW? 421 00:17:50,069 --> 00:17:53,239 UM... (laughs nervously) 422 00:17:53,243 --> 00:17:55,253 UH, JUST-- JUST BE CAREFUL WITH IT. 423 00:17:55,245 --> 00:17:56,905 IT'S, UM, TODAY'S MAN. 424 00:18:00,750 --> 00:18:01,750 (Eugene) SHH! 425 00:18:01,751 --> 00:18:03,751 DO WE ALL HAVE TO BE UP HERE? 426 00:18:03,753 --> 00:18:05,763 YEAH, FIVE HEADS ARE BETTER THAN ONE. 427 00:18:05,755 --> 00:18:08,755 LOOK, THERE'S THE COMPUTER. COME ON. LET'S GO, LET'S GO. 428 00:18:11,881 --> 00:18:14,211 (chuckles) WHAT DO WE DO? WHAT DO WE DO? 429 00:18:14,214 --> 00:18:18,274 ASK JEEVES. MAYBE JEEVES WILL KNOW. 430 00:18:18,268 --> 00:18:19,638 OH, MY! OH, OKAY! 431 00:18:19,639 --> 00:18:21,679 WAIT, WAIT, WAIT, WAIT, WAIT, WAIT. WHAT? 432 00:18:21,681 --> 00:18:23,681 UH, SIMONE, UM, I-I KNOW THAT I COME OFF 433 00:18:23,683 --> 00:18:27,233 AS A, UH, SIR SEX-A-LOT OR WHATEVER BUT, UM... 434 00:18:27,227 --> 00:18:29,647 THE TRUTH IS THAT I AM A... 435 00:18:29,649 --> 00:18:31,819 UM... 436 00:18:31,821 --> 00:18:34,321 I'VE NEVER REALLY DONE THIS BEFORE. 437 00:18:34,324 --> 00:18:36,414 YOU'RE A VIRGIN? BIG TIME. 438 00:18:36,406 --> 00:18:38,446 OH, GOD. BUT I LIKE YOU! 439 00:18:38,448 --> 00:18:41,078 UH, AND I WANT TO DO THIS. REALLY, I-I DO. 440 00:18:41,080 --> 00:18:43,080 IT'S JUST, UM, I-I BARELY KNOW YOU. 441 00:18:43,082 --> 00:18:45,082 I MEAN, LIKE, WHAT ARE YOUR VIEWS 442 00:18:45,084 --> 00:18:48,594 ON THE DEATH PENALTY OR CLONING? 443 00:18:48,588 --> 00:18:50,588 BUT I CAN'T GET NOTHING FROM THIS COMPUTER. 444 00:18:50,590 --> 00:18:53,590 IT'S GOT, LIKE, THE Y2K BUG OR SOMETHING. BUT WAIT, LOOK. 445 00:18:53,593 --> 00:18:56,263 LOOK AT THAT FOLDER. IT SAYS "CLIENTS." DOUBLE-CLICK THE FOLDER! 446 00:18:56,256 --> 00:18:58,216 OKAY, OKAY, I GOT IT. 447 00:18:58,218 --> 00:19:00,308 OH, WHOA, LOOK, GUYS, IT SAYS "M.J." 448 00:19:00,310 --> 00:19:01,720 DOUBLE-CLICK THE SUBFOLDER! 449 00:19:01,721 --> 00:19:03,721 I GUESS I JUST ALWAYS THOUGHT 450 00:19:03,723 --> 00:19:06,113 THAT MY FIRST TIME WOULD BE WITH SOMEONE I LOVE. 451 00:19:06,105 --> 00:19:08,105 NOT THAT I COULDN'T LOVE YOU, 452 00:19:08,107 --> 00:19:10,107 BECAUSE I THINK THAT I COULD WITH TIME. 453 00:19:10,109 --> 00:19:13,939 UH, I JUST DON'T YET. THAT'S ENOUGH. WE'RE DONE. 454 00:19:13,943 --> 00:19:14,983 UH... 455 00:19:14,984 --> 00:19:16,744 ♪ THIS LITTLE LIGHT OF MINE ♪ 456 00:19:16,736 --> 00:19:18,866 ♪ I'M GONNA LET IT SHINE ♪ 457 00:19:18,868 --> 00:19:20,868 ♪ THIS LITTLE LIGHT OF MINE ♪ 458 00:19:20,870 --> 00:19:23,200 THAT WAS QUICK. LET'S GO. COME ON! 459 00:19:23,203 --> 00:19:25,043 (typing on keyboard) 460 00:19:25,044 --> 00:19:27,674 SIMONE, WAIT, UH, HERE'S A THOUGHT-- 461 00:19:27,667 --> 00:19:30,497 WHAT IF WE WERE BOTH TO PLEDGE MUTUAL ABSTINENCE? 462 00:19:30,500 --> 00:19:33,050 (Eugene) WAIT A SECOND. THERE'S THE KEY CODE. 463 00:19:33,052 --> 00:19:34,422 LOOK... 3-1-5-4-6. 464 00:19:34,424 --> 00:19:36,144 (Esperanza) OKAY, WRITE IT DOWN! 465 00:19:36,135 --> 00:19:39,095 I JUST HOPE WE COULD, UH, DO TH-- 466 00:19:39,098 --> 00:19:41,258 WAIT! 467 00:19:41,261 --> 00:19:43,221 WHAT? 468 00:19:45,184 --> 00:19:47,654 NOTHING. 469 00:19:47,647 --> 00:19:51,067 I'M SORRY I WASTED Y'ALL BITCH'S TIME. 470 00:19:54,904 --> 00:19:57,164 LADIES AND GENTLEMEN, THE KNIGHTS OF PROSPERITY 471 00:19:57,156 --> 00:19:59,486 HAVE ONCE AGAIN SLAIN THE DRAGONS OF ADVERSITY. 472 00:19:59,489 --> 00:20:01,739 AND WE HAVE IN OUR POSSESSION 473 00:20:01,741 --> 00:20:03,121 THE ACCESS CODE 474 00:20:03,122 --> 00:20:05,832 TO ONE MICK JAGGER'S NUMERICAL KEYPAD! 475 00:20:05,825 --> 00:20:07,825 YEAH, YEAH! WHOO, WHOO, WHOO, WHOO! 476 00:20:07,827 --> 00:20:09,707 ROCKEFELLER, DISTRIBUTE THE 40s! 477 00:20:09,709 --> 00:20:11,749 (chanting) 40s, 40s, 40s! 478 00:20:11,751 --> 00:20:14,291 UH-OH, IT'S THE MAN OF THE HOUR, 479 00:20:14,294 --> 00:20:16,184 PROFESSOR BOO-TAY HIMSELF-- 480 00:20:16,175 --> 00:20:17,675 MR. LOUIS PLUNK! 481 00:20:17,677 --> 00:20:19,757 (cheering) 482 00:20:19,759 --> 00:20:21,549 (Eugene) YEAH! 483 00:20:21,551 --> 00:20:24,051 SIT DOWN RIGHT HERE. (Esperanza) WHOO! 484 00:20:24,053 --> 00:20:26,063 (Eugene) YEAH! SO, SO, SO? 485 00:20:26,055 --> 00:20:28,765 HOW WAS SHE? HOW WAS SHE? TELL ME EVERYTHING. HUH? 486 00:20:28,768 --> 00:20:31,268 UH, SHE--SHE WAS A HELLCAT. 487 00:20:31,271 --> 00:20:32,441 YEAH! 488 00:20:32,442 --> 00:20:34,062 I TOLD YA! THAT'S MY BOY! ALL RIGHT! 489 00:20:34,063 --> 00:20:36,283 YEAH, YEAH, YEAH! 490 00:20:36,276 --> 00:20:37,116 GUYS, UM... 491 00:20:37,116 --> 00:20:39,116 JOINING A-- JOINING A CRIME GANG 492 00:20:39,118 --> 00:20:42,118 WAS NEVER REALLY SOMETHING I HAD IN MIND FOR MYSELF. 493 00:20:42,121 --> 00:20:43,741 I ALWAYS THOUGHT THAT 494 00:20:43,743 --> 00:20:45,753 I WOULD LEVERAGE MY COMMUNICATIONS DEGREE 495 00:20:45,745 --> 00:20:47,915 INTO A CAREER AS A NETWORK TELEVISION CENSOR. 496 00:20:47,917 --> 00:20:50,747 BUT, UH, YOU GUYS JUST MAKE ME FEEL 497 00:20:50,750 --> 00:20:52,580 LIKE I REALLY BELONG. 498 00:20:52,582 --> 00:20:55,932 UM, AND THAT'S NOT SOMETHING I'VE REALLY FELT BEFORE. 499 00:20:55,925 --> 00:20:59,965 SO... THANKS, EVERYBODY. UH... 500 00:20:59,969 --> 00:21:03,259 THANKS FOR DEFLOWERING ME! 501 00:21:03,262 --> 00:21:06,022 WELL, I GUESS HE'S NOT GAY AFTER ALL. 502 00:21:06,015 --> 00:21:07,555 (all laughing) 503 00:21:07,557 --> 00:21:10,437 I BET HE AT LEAST BI-CURIOUS. 504 00:21:10,440 --> 00:21:12,270 (man) ♪ KNIGHTS OF PROSPERITY ♪ 505 00:21:12,271 --> 00:21:14,481 ♪ "KNIGHTS" WITH "K," NOT WITH AN "N" ♪ 506 00:21:14,484 --> 00:21:16,074 ♪ KNIGHTS OF PROSPERITY ♪ 507 00:21:16,065 --> 00:21:18,485 ♪ THOSE T-SHIRTS AIN'T NO COTTON-POLY BLEND ♪ 508 00:21:18,488 --> 00:21:20,068 ♪ KNIGHTS OF PROSPERITY ♪ 509 00:21:20,069 --> 00:21:22,489 ♪ RESPECT THE ORANGE AND WHITE, MY FRIEND ♪ 510 00:21:22,492 --> 00:21:25,242 ♪ KNIGHTS OF PROSPERITY ♪ 511 00:21:25,244 --> 00:21:27,874 (man) WE THE KNIGHTS, BABY. 37198

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