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These are the user uploaded subtitles that are being translated: 1 00:00:01,001 --> 00:00:02,331 (siren wails) 2 00:00:02,333 --> 00:00:04,513 (Boston) ♪ I LOOKED OUT THIS MORNING ♪ 3 00:00:04,505 --> 00:00:07,215 ♪ AND THE SUN WAS GONE ♪ 4 00:00:07,218 --> 00:00:10,758 ♪ TURNED ON SOME MUSIC TO START MY DAY ♪ 5 00:00:10,761 --> 00:00:15,351 ♪ I LOST MYSELF IN A FAMILIAR SONG ♪ 6 00:00:15,346 --> 00:00:22,686 ♪ I CLOSED MY EYES, AND I SLIPPED AWAY ♪ 7 00:00:22,693 --> 00:00:27,113 ♪♪♪ 8 00:00:31,532 --> 00:00:34,122 HEY, SQUATCH, YOU KNOW WHAT TODAY IS? 9 00:00:34,115 --> 00:00:35,285 (Squatch) WHAT? 10 00:00:35,286 --> 00:00:38,116 IT'S MY 20th ANNIVERSARY OF DOING THIS CRAPPY JOB. 11 00:00:38,119 --> 00:00:41,119 OH, YEAH, I'LL GET YOU A GOLD URINAL CAKE. 12 00:00:41,122 --> 00:00:43,792 I MEAN, COME ON, 20 YEARS. 13 00:00:43,794 --> 00:00:46,974 THINKING ABOUT IT MAKES MY HEAD SPIN. 14 00:00:46,967 --> 00:00:48,717 JONESY, YOU'VE BEEN DOING THIS--WHAT, 40, 50? 15 00:00:48,719 --> 00:00:51,049 COME ON, SHINE SOME WISDOM ON US, BROTHER. 16 00:00:51,051 --> 00:00:53,631 WISDOM? WHO YOU THINK I AM, MORGAN FREEMAN? 17 00:00:53,634 --> 00:00:55,944 I'VE BEEN DRUNK SINCE THE BICENTENNIAL. 18 00:00:55,936 --> 00:00:59,056 YEAH, BUT YOU ALWAYS SAID THAT A MAN WHO... 19 00:00:59,059 --> 00:01:00,389 (breathing heavily) 20 00:01:00,391 --> 00:01:02,771 JONESY, YOU OKAY? 21 00:01:02,773 --> 00:01:06,453 IT'S JUST MY ALLERGIES. 22 00:01:06,447 --> 00:01:08,237 (bell tolls) 23 00:01:08,239 --> 00:01:11,069 THE MAN DIED MOPPING ON THE NIGHT SHIFT. 24 00:01:11,071 --> 00:01:13,111 WHAT KIND OF LIFE IS THAT, HUH? 25 00:01:13,114 --> 00:01:15,254 BELOW AVERAGE. 26 00:01:15,246 --> 00:01:17,116 SQUATCH... 27 00:01:17,118 --> 00:01:20,908 IT'S TIME FOR EUGENE GURKIN TO MAKE HIS MOVE. 28 00:01:20,911 --> 00:01:23,911 ♪♪♪ 29 00:01:28,469 --> 00:01:31,339 SO... WHAT BRINGS YOU HERE, MR. GURKIN? 30 00:01:31,342 --> 00:01:33,342 WELL, AT THE RISK OF SOUNDING GRANDIOSE, SIR, 31 00:01:33,344 --> 00:01:35,984 I AM HERE FOR MY DESTINY. 32 00:01:35,976 --> 00:01:38,976 OKAY, SO HOW CAN I HELP YOU? WELL, IT'S ALWAYS BEEN MY DREAM 33 00:01:38,979 --> 00:01:40,979 TO OPEN A BAR RIGHT HERE IN QUEENS. 34 00:01:40,981 --> 00:01:43,981 AN OASIS OF CHEER IN THE URBAN WASTELAND. 35 00:01:43,984 --> 00:01:46,944 DO YOU HAVE ANY EXPERIENCE RUNNING YOUR OWN BUSINESS? 36 00:01:46,937 --> 00:01:49,937 NO, BUT I MORE THAN MAKE UP FOR MY LACK OF EXPERIENCE 37 00:01:49,940 --> 00:01:51,940 WITH PASSION, DRIVE AND VISION. 38 00:01:51,942 --> 00:01:54,452 DID YOU GRADUATE COLLEGE? 39 00:01:54,445 --> 00:01:55,785 HIGH SCHOOL? 40 00:01:55,786 --> 00:01:58,116 SADLY, BOOK SMARTS ARE NOT MY STRONG SUIT, 41 00:01:58,118 --> 00:02:00,998 BUT I AM A STUDENT OF LIFE. 42 00:02:01,001 --> 00:02:02,951 HAVE YOU SAVED ANY MONEY? 43 00:02:02,953 --> 00:02:07,133 $89, AND I HAVE A $100 BOND I CAN'T TOUCH TILL I'M 55. 44 00:02:07,127 --> 00:02:10,127 LISTEN, MR. GURKIN, I'M SORRY-- LOOK, I KNOW I'M NOT THE IDEAL CANDIDATE FOR A LOAN, 45 00:02:10,130 --> 00:02:12,130 BUT YOU'VE GOTTA HELP ME MAKE THIS THING HAPPEN. 46 00:02:12,132 --> 00:02:14,562 I WILL DO ANYTHING. 47 00:02:14,555 --> 00:02:17,555 JUST, PLEASE, JUST POINT ME IN THE RIGHT DIRECTION. I'M SORRY TO SAY THIS, BUT NOBODY'S GONNA LEND YOU 48 00:02:17,558 --> 00:02:19,808 THE KIND OF MONEY IT TAKES TO OPEN A BAR. 49 00:02:19,810 --> 00:02:24,140 SIR, YOU DON'T UNDERSTAND. I'VE GOT TO MAKE A CHANGE. MR. GURKIN, WE'VE ALL GOT OUR DESTINIES. 50 00:02:24,144 --> 00:02:26,154 MINE'S TO SIT AT THIS DESK ALL DAY, 51 00:02:26,146 --> 00:02:28,066 DRINKING BAD COFFEE AND HEARING SOB STORIES. 52 00:02:28,068 --> 00:02:30,688 MAYBE YOURS IS TO BE A JANITOR. 53 00:02:31,982 --> 00:02:34,912 (television show theme music playing) 54 00:02:34,905 --> 00:02:37,155 (woman) WE TOOK OUR CAMERAS TO NEW YORK CITY 55 00:02:37,157 --> 00:02:39,157 TO BRING YOU AN E! NEWS EXCLUSIVE-- 56 00:02:39,159 --> 00:02:41,829 A RARE PEEK INTO MICK JAGGER'S $52 MILLION APARTMENT 57 00:02:41,832 --> 00:02:43,832 ON CENTRAL PARK WEST. 58 00:02:43,834 --> 00:02:45,174 HI! 59 00:02:45,165 --> 00:02:47,995 I'M MICK. WELCOME TO MY APARTMENT. 60 00:02:47,998 --> 00:02:49,708 YOU KNOW, IT'S SO NICE IN HERE, 61 00:02:49,710 --> 00:02:52,170 I NEVER REALLY EVER WANT TO GO OUT. WELL, HARDLY. 62 00:02:52,172 --> 00:02:54,002 BUT YOU'RE REAL WELCOME. COME AND HAVE A DRINK. 63 00:02:54,004 --> 00:02:56,064 THAT PLACE IS BIGGER THAN THE WHOLE OFFICE BUILDING. 64 00:02:56,056 --> 00:02:58,716 SO THIS IS THE MEDIA ROOM. 65 00:02:58,719 --> 00:03:01,179 I LIKE TO LOUNGE ABOUT AND WATCH A MOVIE. 66 00:03:01,181 --> 00:03:04,061 HAVE SOME POPCORN. WANT SOME BUTTER ON IT? NOT A PROBLEM. 67 00:03:04,064 --> 00:03:06,774 DELICIOUS! HERE. 68 00:03:06,767 --> 00:03:10,687 (chuckles) THIS IS THE BATHROOM. THIS IS MY HOUSEMAN, NATH PRAN. 69 00:03:10,691 --> 00:03:13,191 HE'S JUST MAKING ME A NICE, WARM YOGURT BATH. 70 00:03:13,193 --> 00:03:16,033 IT'S REALLY GOOD FOR YOU, YOU KNOW. 71 00:03:16,026 --> 00:03:18,196 IT'S GOOD FOR YOUR SKIN. IT'S FANTASTIC. ALMOST READY? 72 00:03:18,198 --> 00:03:19,368 I'LL BE BACK IN TEN MINUTES. 73 00:03:19,370 --> 00:03:21,370 I'VE GOT A LOT MORE TO SHOW YOU. 74 00:03:21,372 --> 00:03:23,952 SO THIS IS MY HAT ROOM. YOU KNOW, I LOVE HATS. 75 00:03:23,954 --> 00:03:26,464 YOU KNOW, IT'S A BIT OF AN OBSESSION OF MINE, 76 00:03:26,457 --> 00:03:28,457 AND I KEEP 'EM AT 62 DEGREES. 77 00:03:28,459 --> 00:03:30,089 YOU KNOW, ABOUT 10% HUMIDITY. 78 00:03:30,090 --> 00:03:31,460 IT'S ABOUT THE RIGHT TEMPERATURE 79 00:03:31,462 --> 00:03:33,092 TO KEEP A REALLY GOOD HAT, 80 00:03:33,093 --> 00:03:34,723 JUST TO KEEP THEM REALLY FRESH. 81 00:03:34,715 --> 00:03:36,255 I'VE SPENT HOURS IN HERE. 82 00:03:36,257 --> 00:03:38,387 YOU KNOW, YOU'RE NEVER ALONE WITH A HAT. (phone rings) 83 00:03:38,389 --> 00:03:40,219 HEY, SQUATCH, IT'S EUGENE. 84 00:03:40,220 --> 00:03:43,720 I'VE GOT AN IDEA THAT CAN CHANGE BOTH OUR LIVES FOREVER. 85 00:03:43,724 --> 00:03:45,154 I'M PUTTING TOGETHER A CREW, 86 00:03:45,145 --> 00:03:47,895 THE FINEST SPECIMENS OF MANHOOD THIS CITY HAS TO OFFER. 87 00:03:47,898 --> 00:03:50,478 WARRIORS, DRAGON SLAYERS, LION KINGS. 88 00:03:50,481 --> 00:03:52,901 I'M OFFERING YOU THE CHANCE TO CHANGE YOUR LIFE FOREVER, 89 00:03:52,903 --> 00:03:55,783 TO BE THE MAN YOU DESERVE TO BE. 90 00:03:55,776 --> 00:03:58,566 WE MEET TONIGHT. MIDNIGHT. MY PLACE. BE THERE. 91 00:03:58,569 --> 00:04:01,409 WILL THERE BE SNACKS? SURE. WHAT DO YOU WANT? 92 00:04:01,412 --> 00:04:03,412 COOKIES. 93 00:04:03,414 --> 00:04:06,424 ♪♪♪ 94 00:04:07,998 --> 00:04:10,418 WHERE THE HELL IS EUGENE? 95 00:04:10,421 --> 00:04:12,421 RELAX, CHIEF, HE'S IN THE BATHROOM. 96 00:04:12,423 --> 00:04:15,013 WHY COULD HE NOT URINATE BEFORE WE ARRIVE? 97 00:04:15,005 --> 00:04:17,005 HE AIN'T TAKING A LEAK. 98 00:04:17,007 --> 00:04:20,087 HE WANTS TO MAKE SOME KIND OF A GRAND ENTRANCE. 99 00:04:20,090 --> 00:04:21,260 GENTLEMEN, WELCOME! 100 00:04:21,261 --> 00:04:24,091 WERE YOU BORN WITH A SILVER SPOON IN YOUR MOUTH? 101 00:04:24,094 --> 00:04:25,274 ME, NEITHER. 102 00:04:25,265 --> 00:04:27,595 I WAS BORN WITH A PLASTIC SPORK IN MY ASS, 103 00:04:27,598 --> 00:04:29,598 JUST LIKE THE REST OF YOU. 104 00:04:29,600 --> 00:04:33,600 SO WHAT IF WE'RE NOT "CONVENTIONALLY HANDSOME"? 105 00:04:33,604 --> 00:04:36,034 OR "EDUCATED"? 106 00:04:36,026 --> 00:04:37,276 OR "SOBER"? 107 00:04:37,277 --> 00:04:40,197 WE HAVE DREAMS, TOO, DON'T WE? 108 00:04:40,200 --> 00:04:44,110 AND I HAVE A PLAN THAT'S GONNA MAKE ALL OUR DREAMS COME TRUE. 109 00:04:46,166 --> 00:04:48,666 LET'S ROB MICK JAGGER. 110 00:04:48,669 --> 00:04:50,119 HUH? 111 00:04:53,043 --> 00:04:55,473 (man) YOU GOTTA BE KIDDING. (man) RIDICULOUS. 112 00:04:55,466 --> 00:04:58,876 GUYS... YOU DIDN'T EVEN HEAR MY... (man) WHO'S MICK JAGGER? 113 00:04:58,879 --> 00:05:00,969 (man) THANKS FOR THE CHEESE BALLS. JIM? YOU... 114 00:05:00,971 --> 00:05:03,511 BIG LARRY, YOU, TOO? GUYS? (man) YOU GOTTA BE INSANE. 115 00:05:03,514 --> 00:05:06,194 CARLOS? 116 00:05:09,059 --> 00:05:12,849 ALL RIGHT, YOU KNOW WHAT? I'M GLAD THEY'RE GONE. I DON'T GET IT. WHY MICK JAGGER? 117 00:05:12,853 --> 00:05:14,493 WHY NOT SOME OTHER CELEBRITY 118 00:05:14,485 --> 00:05:16,485 LIKE ALEX TREBEK OR WILLEM DAFOE 119 00:05:16,487 --> 00:05:19,197 OR JAMES VAN DER BEEK OR JEFF CONAWAY? 120 00:05:19,199 --> 00:05:21,319 WHO? KENICKIE. 121 00:05:21,321 --> 00:05:25,041 LOOK, WE COULD ARGUE FOR TEN YEARS ABOUT WHO TO ROB. HOW ABOUT THE NEXT TEN MINUTES? 122 00:05:25,035 --> 00:05:27,325 GOURISHANKAR, I'VE BEEN TALKING MY WHOLE LIFE, MAN. 123 00:05:27,327 --> 00:05:30,037 WHOA, WHOA, "GOURI--" WHAT DID YOU JUST CALL HIM? GOURISHANKAR. 124 00:05:30,040 --> 00:05:33,080 YEAH, I'M GONNA CALL YOU "GARY." DO NOT CALL ME GARY. 125 00:05:33,083 --> 00:05:34,673 (Squatch) GARY. (Gourishankar) NO. 126 00:05:34,665 --> 00:05:37,165 YOU GOT ANY MORE LADYFINGERS? 127 00:05:37,167 --> 00:05:40,547 (Eugene) COME ON, GUYS. THIS IS OUR ONE CHANCE AT GREATNESS. I DON'T KNOW. 128 00:05:40,551 --> 00:05:42,881 YOU KNOW, I-I NEVER DID ANYTHING LIKE THIS BEFORE. 129 00:05:42,883 --> 00:05:46,563 YOU KNOW, I'M A LOT OF THINGS, BUT, UH, I AIN'T NO CRIMINAL. 130 00:05:46,557 --> 00:05:49,517 ALL RIGHT. I HEAR YA, ALL RIGHT? BUT THIS IS LIKE ROBIN HOOD. 131 00:05:49,520 --> 00:05:52,020 WE'RE STEALING FROM THE RICH TO GIVE TO THE POOR--US. 132 00:05:52,022 --> 00:05:54,232 YOU WERE A SUPERSTAR LAWYER BACK AT HOME, 133 00:05:54,234 --> 00:05:56,194 AND NOW YOU'RE DRIVING OLD LADIES TO MATINEES. 134 00:05:56,186 --> 00:05:59,186 IS THAT WHAT YOU WANT? AND--AND, ROCKEFELLER, 135 00:05:59,189 --> 00:06:02,029 YOU WANNA GO TO FRANCE TO GET YOUR GIRLFRIEND BACK, DON'T YA? 136 00:06:02,032 --> 00:06:04,192 BITCH BROKE MY HEART. 137 00:06:04,194 --> 00:06:06,544 SQUATCH, DON'T YOU WANT MORE OUT OF YOUR LIFE? 138 00:06:06,537 --> 00:06:09,537 YEAH, I WANT A WHOLE LOT BETTER FOR MY WIFE AND KIDS, 139 00:06:09,540 --> 00:06:11,790 AND IF COMMERCIAL SPACE FLIGHT SHOULD EVER BECOME AVAILABLE, 140 00:06:11,792 --> 00:06:14,802 I WOULD VERY MUCH LIKE TO VIEW THE EARTH FROM ORBIT. 141 00:06:14,795 --> 00:06:18,625 SCREW IT. I'M IN. YEAH! I COULD COUNT ON YOU. I KNEW IT! ROCKEFELLER? 142 00:06:18,629 --> 00:06:20,879 I'M IN. ALL RIGHT! GARY? 143 00:06:20,881 --> 00:06:23,881 DO NOT CALL ME GARY. LOOKS LIKE IT'S STICKIN'. 144 00:06:23,884 --> 00:06:24,974 I'M IN. 145 00:06:24,965 --> 00:06:27,385 ALL RIGHT! ALL RIGHT, GUYS. WHOO! 146 00:06:27,387 --> 00:06:31,807 GENTLEMEN, WE HAVE OURSELVES A CRIMINAL ORGANIZATION. 147 00:06:31,812 --> 00:06:34,732 (laughs) MAY WE HENCEFORTH BE KNOWN AS... 148 00:06:34,725 --> 00:06:37,065 THE KNIGHTS OF PROSPERITY. 149 00:06:37,067 --> 00:06:40,107 OKAY, ISSUE ONE-- THAT NAME SUCKS. ISSUE TWO--GET OFF MY CAB. 150 00:06:40,110 --> 00:06:42,400 OH, SORRY. OKAY, SQUATCH, YOU GOT A BETTER IDEA? 151 00:06:42,402 --> 00:06:44,402 YEAH. QUEENS MAFIA. 152 00:06:44,404 --> 00:06:47,414 A MOB REFERENCE. WHAT A CLICHé. THE FIRST THING YOU THINK OF. 153 00:06:47,407 --> 00:06:49,407 YOU GOT A BETTER IDEA, DR. BOMBAY? 154 00:06:49,409 --> 00:06:52,079 YES, I DO-- THE JEDI COUNCIL. 155 00:06:52,082 --> 00:06:53,622 THAT'S NOT BAD. 156 00:06:53,624 --> 00:06:56,594 ANY OTHER IDEAS, ROCKEFELLER? 157 00:06:56,587 --> 00:06:57,957 BATMAN? 158 00:06:57,958 --> 00:07:00,998 GOOD, GOOD, BUT MAYBE WE COULD GO WITH SOMETHING PLURAL. 159 00:07:01,001 --> 00:07:04,641 (mouths word) COME ON, GUYS, WHAT ABOUT THE KNIGHTS OF PROSPERITY, HUH? 160 00:07:04,635 --> 00:07:06,635 I ALREADY MADE UP THE T-SHIRTS. 161 00:07:06,637 --> 00:07:09,257 I DON'T CARE. IT'S BETTER THAN BATMAN. 162 00:07:09,259 --> 00:07:13,259 ♪♪♪ 163 00:07:28,198 --> 00:07:29,778 (siren wails) 164 00:07:29,780 --> 00:07:33,160 ♪♪♪ 165 00:07:33,163 --> 00:07:34,633 THE USUAL? 166 00:07:34,625 --> 00:07:36,205 OH, HI. HI, ESPERANZA. 167 00:07:36,206 --> 00:07:38,336 YEAH. YEAH, I'LL HAVE THE USUAL, 168 00:07:38,338 --> 00:07:40,708 ALTHOUGH TODAY IS NOT A USUAL DAY IN ANY WAY. (laughs) 169 00:07:40,711 --> 00:07:43,131 LET'S JUST SAY I'VE GOT SOME STUFF GOING ON 170 00:07:43,133 --> 00:07:45,643 THAT I'M NOT REALLY AT LIBERTY TO TALK ABOUT NOW. 171 00:07:45,636 --> 00:07:48,176 (imitates Dana Carvey as George Bush) "WOULDN'T BE PRUDENT." 172 00:07:48,178 --> 00:07:51,178 (laughs) REMEMBER THAT GUY? HE TOTALLY ROCKED. OKAY, I'M GONNA GO PUT YOUR ORDER IN NOW, OKAY? 173 00:07:51,181 --> 00:07:53,471 I'M ROBBING MICK JAGGER. WHAT? 174 00:07:53,473 --> 00:07:55,483 I GOT A WHOLE CREW TOGETHER. 175 00:07:55,475 --> 00:07:57,475 ONE OF THE GUYS-- HE'S A SECURITY GUARD 176 00:07:57,477 --> 00:07:59,477 AT--AT THIS WAREHOUSE DOWN ON WEST STREET, 177 00:07:59,479 --> 00:08:02,689 AND WE USE IT LIKE A SECRET HIDEAWAY. IT'S FANTASTIC. YOU'RE A CRIMINAL? 178 00:08:02,693 --> 00:08:04,993 (chuckles) I DON'T KNOW IF I'M A CRIMINAL CRIMINAL, YOU KNOW. 179 00:08:04,985 --> 00:08:06,985 MAYBE IT'S KIND OF LIKE A ONETIME THING 180 00:08:06,987 --> 00:08:08,987 SO I CAN FINANCE MY BAR, 181 00:08:08,989 --> 00:08:11,029 BUT, UH, WE CALL OURSELVES THE KNIGHTS OF PROSPERITY, 182 00:08:11,031 --> 00:08:13,161 AND, YOU KNOW, I'M KIND OF IN CHARGE. 183 00:08:13,163 --> 00:08:15,383 SO YOU'RE THE BOSS? 184 00:08:15,375 --> 00:08:17,375 (chuckles) I DON'T KNOW IF I'M THE BOSS BOSS, BUT-- 185 00:08:17,377 --> 00:08:19,377 I MEAN, EVERY GROUP HAS TO HAVE 186 00:08:19,379 --> 00:08:21,379 ITS FOOT SOLDIERS AND ITS LIEUTENANTS, 187 00:08:21,381 --> 00:08:23,501 BUT THERE'S ALWAYS JUST ONE GENERAL, YOU KNOW? 188 00:08:23,503 --> 00:08:25,723 (woman) EXCUSE ME, WAITRESS! 189 00:08:28,508 --> 00:08:30,508 BUT I AM THE BOSS! 190 00:08:30,510 --> 00:08:33,340 JUST TO, UH, MAKE THAT PERFECTLY CLEAR. 191 00:08:33,343 --> 00:08:36,023 (Eugene) GENTLEMEN, WELCOME TO THE FIRST-EVER MEETING 192 00:08:36,016 --> 00:08:37,346 OF THE KNIGHTS OF PROSPERITY. 193 00:08:37,347 --> 00:08:39,767 GROUND RULES-- THE KNIGHTS OF PROSPERITY EXISTS 194 00:08:39,770 --> 00:08:41,190 ONLY TO FINANCE OUR DREAMS. 195 00:08:41,191 --> 00:08:42,941 ANYTHING ABOVE AND BEYOND THAT 196 00:08:42,943 --> 00:08:44,953 WE DONATE TO OUR FAVORITE CHARITIES. 197 00:08:44,945 --> 00:08:47,195 LIKE CELEBRITY POKER. PRECISELY. 198 00:08:47,197 --> 00:08:49,777 I, MYSELF, WILL BE DONATING TO BIG BROTHERS BIG SISTERS. 199 00:08:49,780 --> 00:08:53,240 SQUATCH? I DON'T KNOW. UH... THE--THE JERRY LEWIS ONE. 200 00:08:53,243 --> 00:08:55,753 OKAY. GARY? MEALS ON WHEELS. 201 00:08:55,746 --> 00:08:58,706 OKAY. ROCKEFELLER? FELINE A.I.D.S. 202 00:08:58,709 --> 00:09:00,869 OKAY. (man) UH, AM I LATE? 203 00:09:00,871 --> 00:09:03,541 I AM SO SORRY. I--THE 7 TRAIN WAS HELD AT THE STATION 204 00:09:03,543 --> 00:09:06,383 FOR, LIKE, 20 MINUTES. EXCUSE--EXCUSE ME, WHO--WHO ARE YOU? 205 00:09:06,376 --> 00:09:08,046 UH, LOUIS PLUNK. 206 00:09:08,048 --> 00:09:10,718 HERE IS YOUR, UH, CHICKEN CAESAR WRAP, MR. SUBRAMANIAM. 207 00:09:10,721 --> 00:09:13,431 LOUIS IS OUR NEW INTERN. WHAT?! 208 00:09:13,433 --> 00:09:17,103 I'M OUT DRIVING TODAY. I PICK UP LOUIS. HE IS CRYING. 209 00:09:17,097 --> 00:09:19,097 I SAY, "WHY YOU CRY, LITTLE MAN?" 210 00:09:19,099 --> 00:09:22,099 HE TELL ME HE A COMMUNICATION MAJOR AT S.U.N.Y. NEW PALTZ. 211 00:09:22,102 --> 00:09:24,062 HE JUST GET REJECTED FOR INTERNSHIP 212 00:09:24,064 --> 00:09:26,654 FROM "MONTEL WILLIAMS SHOW." HIS MOTHER GOING TO KILL HIM! 213 00:09:26,647 --> 00:09:28,987 SO I OFFER HIM INTERNSHIP WITH US... FOR COLLEGE CREDIT. 214 00:09:28,989 --> 00:09:31,989 DOES--DOES HE KNOW WHAT WE'RE DOING HERE? 215 00:09:31,992 --> 00:09:35,002 UH, WE'RE MAKING THE SEQUEL TO THE MOVIE "TAXI," 216 00:09:34,995 --> 00:09:36,995 STARRING JIMMY FALLON AND QUEEN LATIFAH. 217 00:09:36,997 --> 00:09:39,117 IT'S CALLED "TAXI 2: STEP ON IT!" 218 00:09:39,119 --> 00:09:42,579 GARY, CAN I--CAN I TALK TO YOU FOR A SECOND? 219 00:09:44,915 --> 00:09:47,755 I DON'T KNOW ABOUT THIS. DON'T WORRY. 220 00:09:47,758 --> 00:09:50,628 WE MAKE HIM WEAR YOUR HEADPHONES WITH MUSIC BLASTING LOUD. 221 00:09:50,631 --> 00:09:52,011 HE NEVER HEAR NOTHING. 222 00:09:52,012 --> 00:09:54,012 HE DO EVERYTHING WE WANT FOR FREE. 223 00:09:54,014 --> 00:09:55,644 IT IS LIKE WHITE SLAVERY. 224 00:09:55,636 --> 00:09:57,846 (Meredith Brooks) ♪ I'M A BITCH, I'M A LOVER ♪ 225 00:09:57,848 --> 00:09:59,928 ♪ I'M A CHILD, I'M A MOTHER... ♪ 226 00:09:59,930 --> 00:10:01,930 AHEM, GENTLEMEN, WE HAVE DECIDED TO ROB MICK JAGGER. 227 00:10:01,932 --> 00:10:03,142 NOW... 228 00:10:03,143 --> 00:10:05,153 HOW WE GONNA ROB MICK JAGGER? 229 00:10:05,145 --> 00:10:07,105 WE SHOOT HIM IN THE ASS WITH A TRANQUILIZER DART-- 230 00:10:07,107 --> 00:10:09,987 THE KIND THEY USE ON BEARS. HE GOES DOWN LIKE LEON SPINKS. 231 00:10:09,990 --> 00:10:12,990 THE REST IS SELF-EXPLANATORY. THAT IS THE STUPIDEST PLAN I'VE EVER HEARD OF. 232 00:10:12,993 --> 00:10:17,003 WHAT WE HAVE TO DO FIRST IS WE HAVE TO CASE THE JOINT. BOO-YAH, THAT'S IT! 233 00:10:16,997 --> 00:10:18,997 THAT'S IT, SQUATCH. THAT'S THINKING, BABY. CASE THE JOINT. 234 00:10:18,999 --> 00:10:21,999 HE GETS CREDIT FOR THAT?! IT IS SO OBVIOUS! WELL, WHY DIDN'T YOU SAY IT, POCAHONTAS? 235 00:10:22,002 --> 00:10:25,512 BECAUSE IT GOES WITHOUT SAYING, YOU RUNDI KA BACHA! GUYS, GUYS! FOCUS, ALL RIGHT? 236 00:10:25,505 --> 00:10:28,125 TOMORROW MORNING WE SPLIT INTO TEAMS. GARY--YOU AND LOUIS, 237 00:10:28,128 --> 00:10:30,838 I WANT YOU WATCHING THE FRONT OF THE BUILDING. 238 00:10:30,841 --> 00:10:32,841 KEEP AN EYE ON WHO'S COMING IN AND OUT. 239 00:10:32,843 --> 00:10:35,643 SQUATCH, ROCKEFELLER-- TAKE PICTURES OF THE LOBBY. 240 00:10:35,635 --> 00:10:38,015 I, MYSELF, AM GONNA SUCK INFORMATION OUT OF THE DOORMAN 241 00:10:38,018 --> 00:10:40,968 FASTER THAN A 2-BIT DRUNK CAN DRAIN A FREE BEER. (laughs) 242 00:10:40,971 --> 00:10:44,061 (shouting) WHO TAKES SUGAR? 243 00:10:44,064 --> 00:10:47,034 SO THIS IS MY DINING ROOM. IT'S A BEAUTIFUL ROOM. 244 00:10:47,027 --> 00:10:49,567 WE LOVE THIS ROOM. IT'S GOT A DOUBLE PURPOSE. 245 00:10:49,569 --> 00:10:53,069 YOU KNOW, I USE IT FOR A BIT OF PENALTY PRACTICE. 246 00:10:54,404 --> 00:10:57,664 YOU'RE NOT EVEN TRYING, NATH PRAN! 247 00:10:57,657 --> 00:11:00,657 NOT BAD, NATH PRAN. YOU'RE IMPROVING. 248 00:11:00,660 --> 00:11:02,490 ♪♪♪ 249 00:11:08,548 --> 00:11:11,548 ♪♪♪ 250 00:11:17,177 --> 00:11:20,507 (British accent) WELL, HELLO, OLD BOY! 251 00:11:20,510 --> 00:11:23,350 CRANSTON SCOTT MARSHALL WILLIAMS IV. 252 00:11:23,353 --> 00:11:25,733 YOU CAN'T BE HERE. I WORK DOWN THE BLOCK. 253 00:11:25,726 --> 00:11:27,726 FRAN DRESCHER LIVES IN MY BUILDING. 254 00:11:27,728 --> 00:11:30,518 DO YOU HAVE ANY CELEBRITIES WHO LIVE IN THIS BUILDING? 255 00:11:30,520 --> 00:11:33,440 AND IF SO, WHAT ARE THEIR APARTMENT NUMBERS? I'M GOING ON BREAK. 256 00:11:33,443 --> 00:11:36,453 YOU REALLY DON'T WANNA BE HERE WHEN I GET BACK. 257 00:11:36,446 --> 00:11:39,526 OH, OKAY, UM, REMEMBER, IN ENGLAND WE DRIVE ON THE LEFT. 258 00:11:39,529 --> 00:11:41,699 (laughs) OKAY, GOOD DAY, SIR. YES, GOOD DAY. 259 00:11:45,746 --> 00:11:48,126 (shouting) HERE'S YOUR PIZZA, MR. SUBRAMANIAM. 260 00:11:48,128 --> 00:11:50,958 ♪ I'M A BITCH, I'M A TEASE, I'M A GODDESS ON MY KNEES ♪ 261 00:11:50,961 --> 00:11:52,591 WHERE'S THE CRAZY BREAD? 262 00:11:52,592 --> 00:11:54,592 DO NOT TELL ME YOU FORGOT MY CRAZY BREAD. 263 00:11:54,594 --> 00:11:56,644 I CARE MORE ABOUT THE CRAZY BREAD THAN THE PIZZA! 264 00:11:56,636 --> 00:11:59,096 THE PIZZA IS ACTUALLY JUST AN EXCUSE 265 00:11:59,099 --> 00:12:02,759 TO GET THE CRAZY BREAD! I-I DIDN'T KNOW I HAD TO ASK. I-I THOUGHT IT CAME WITH IT. 266 00:12:02,763 --> 00:12:06,273 TAKE OFF THOSE HEADPHONES! YOU'RE USELESS LIKE THAT TO ME! 267 00:12:06,266 --> 00:12:09,976 LISTEN, WE'RE NOT DOING A MOVIE. WE'RE ROBBING MICK JAGGER. 268 00:12:09,980 --> 00:12:11,770 MUCH BETTER FOR YOU. 269 00:12:11,772 --> 00:12:14,152 YOU GET COLLEGE CREDIT AND YOU GET RICH. 270 00:12:21,491 --> 00:12:23,571 (shutter clicking) 271 00:12:23,573 --> 00:12:25,173 WHOA, WHOA, WHERE YOU GOING? 272 00:12:25,165 --> 00:12:27,575 I GOT A FLOWER DELIVERY. 273 00:12:27,577 --> 00:12:29,577 (shutter clicking) 274 00:12:29,579 --> 00:12:32,669 WHAT'S THE MATTER WITH YOU? 275 00:12:32,672 --> 00:12:36,142 BIRD FLU. 276 00:12:37,757 --> 00:12:40,637 ♪♪♪ 277 00:12:45,265 --> 00:12:50,095 ♪♪♪ 278 00:12:53,273 --> 00:12:59,203 ♪♪♪ 279 00:12:59,199 --> 00:13:02,949 YOU GOT A LADY FRIEND? 280 00:13:02,953 --> 00:13:04,663 WHAT? 281 00:13:04,664 --> 00:13:06,834 YOU KNOW, A GIRL. KISSY-KISSY? 282 00:13:06,827 --> 00:13:10,117 UH, NAH. NOT RIGHT NOW. 283 00:13:10,120 --> 00:13:12,040 I'VE BEEN DIVORCED FOUR TIMES. 284 00:13:12,042 --> 00:13:15,472 YOU KNOW WHY? I LOVE THE WOMEN TOO MUCH. 285 00:13:15,465 --> 00:13:17,625 THEY ARE LIFE'S MOST BEAUTIFUL MYSTERY. 286 00:13:17,627 --> 00:13:21,007 YOU KNOW WHAT IS MY FAVORITE PART OF A WOMAN? 287 00:13:21,011 --> 00:13:23,301 HER LEGS? NO. 288 00:13:23,303 --> 00:13:25,313 BREASTS? NO. 289 00:13:25,305 --> 00:13:28,305 OH. (chuckles) HER MIND. 290 00:13:28,308 --> 00:13:30,478 THE VAGINA. I LOVE IT! 291 00:13:33,313 --> 00:13:35,073 (sighs) 292 00:13:35,065 --> 00:13:37,065 ♪♪♪ 293 00:13:37,067 --> 00:13:39,857 OKAY, GENTLEMEN, WHAT HAVE WE LEARNED? 294 00:13:39,860 --> 00:13:42,860 THAT THE BUILDING IS TIGHTER THAN GARY'S TURBAN. I'M NOT WEARING A TURBAN! 295 00:13:42,863 --> 00:13:44,873 RELAX, RIKKI-TIKKI-TAVI. IT'S AN EXPRESSION. 296 00:13:44,865 --> 00:13:46,995 YOU WANNA DANCE? LET'S DANCE! 297 00:13:46,997 --> 00:13:49,207 GUYS, STOP, PLEASE! HUH? 298 00:13:49,209 --> 00:13:51,159 (pounding on door) 299 00:13:51,161 --> 00:13:54,331 OH, GOD. UH, WHO THE HELL IS THAT? 300 00:13:54,334 --> 00:13:57,884 UH, IF IT'S THE COPS, WHAT DO WE TELL 'EM? UH, WE'RE A... 301 00:13:57,878 --> 00:13:59,718 WE'RE A BOOK CLUB! GOOD! YEAH, YEAH. 302 00:13:59,719 --> 00:14:01,919 UH, WHAT BOOK ARE WE DISCUSSING? COME ON, COME ON! UH... 303 00:14:01,922 --> 00:14:03,422 "BRIDGES OF MADISON COUNTY"? (Eugene) PERFECT! 304 00:14:03,423 --> 00:14:06,683 (Squatch) THAT WAS A MOVIE. (Louis) BUT I HAVEN'T READ IT. 305 00:14:08,348 --> 00:14:10,348 ESPERANZA? 306 00:14:10,350 --> 00:14:12,850 ARE YOU CRAZY?! WHAT ARE YOU DOING HERE? 307 00:14:12,852 --> 00:14:15,242 HEY, YOU CAN'T-- HOW'D YOU FIND THIS PLACE? 308 00:14:15,235 --> 00:14:17,735 I ALSO WANT TO ROB MICK JAGGER. WHAT?! 309 00:14:17,737 --> 00:14:19,737 IN COLOMBIA, I HAD A VERY GOOD LIFE. 310 00:14:19,739 --> 00:14:21,859 I HAD EVERYTHING I WANTED. HERE, I HAVE NOTHING. 311 00:14:21,861 --> 00:14:23,441 YOU'RE FROM COLOMBIA? 312 00:14:23,443 --> 00:14:27,703 (laughs) I THOUGHT YOU WERE PUERTO RICAN. 313 00:14:27,697 --> 00:14:31,247 BACK HOME, I WAS THE GIRLFRIEND OF A VERY DANGEROUS MAN. 314 00:14:31,251 --> 00:14:32,871 HIS NAME WAS ENRICO. 315 00:14:32,872 --> 00:14:35,382 THREE YEARS AGO, HE ASKED ME TO GET MARRIED, 316 00:14:35,375 --> 00:14:36,875 SO I FLED TO AMERICA. 317 00:14:36,876 --> 00:14:39,706 WHY DIDN'T YOU JUST SAY "NO"? 318 00:14:39,709 --> 00:14:42,049 YOU'RE NAIVE. 319 00:14:42,052 --> 00:14:44,052 NO ONE SAYS "NO" TO ENRICO. 320 00:14:44,054 --> 00:14:46,974 COME, INTRODUCE ME. OH, WHOA, WHOA, WHOA, WHOA, OKAY, HOLD ON A SECOND, 321 00:14:46,967 --> 00:14:50,217 THE KNIGHTS OF PROSPERITY IS A PRETTY TIGHT-KNIT GROUP, OKAY? 322 00:14:50,220 --> 00:14:52,770 AND I DON'T KNOW IF THEY'RE GONNA BE REALLY COOL WITH 323 00:14:52,772 --> 00:14:54,982 A WOMAN IN THE GANG, SO LET ME HELP SMOOTH THINGS OVER. 324 00:14:54,975 --> 00:14:55,975 COME ON. 325 00:14:55,976 --> 00:14:57,606 I REALLY LIKED THE BRIDGES, 326 00:14:57,607 --> 00:14:59,937 AND I THOUGHT THAT MADISON WAS AN EXCELLENT COUNTY. 327 00:14:59,940 --> 00:15:01,820 (door opens) 328 00:15:01,821 --> 00:15:04,731 (Eugene) AHEM. UH, GUYS... 329 00:15:04,734 --> 00:15:07,584 GUYS, PLEASE. AHEM. 330 00:15:07,577 --> 00:15:09,577 GENTLEMEN, IF WE CAN SETTLE, PLEASE. 331 00:15:09,579 --> 00:15:10,739 SETTLE. 332 00:15:10,740 --> 00:15:13,450 I HAVE A POINT OF BUSINESS THAT-- 333 00:15:13,453 --> 00:15:15,303 MY NAME IS ESPERANZA VILLALOBOS, 334 00:15:15,295 --> 00:15:18,415 AND I WOULD LIKE TO JOIN THE KNIGHTS OF PROSPERITY. 335 00:15:18,418 --> 00:15:20,088 YES. 336 00:15:20,090 --> 00:15:21,750 YES, I-- (clears throat) 337 00:15:21,751 --> 00:15:23,751 GOOD. YOU REALLY WANT TO DO THIS? OKAY. 338 00:15:23,753 --> 00:15:25,763 IT'S FINE. MI CASA, SU CASA, BABY. 339 00:15:25,755 --> 00:15:26,635 WELCOME. WELCOME. 340 00:15:26,636 --> 00:15:29,846 YEAH, YOU IN. YOU IN! 341 00:15:29,849 --> 00:15:31,849 DEFINITELY. AW, YOU IN. 342 00:15:31,851 --> 00:15:35,021 ♪♪♪ 343 00:15:40,610 --> 00:15:44,610 SO THIS IS MY SWIMMING POOL. IT'S A GREAT POOL, SO I'M TOLD. 344 00:15:44,614 --> 00:15:47,034 ACTUALLY, I HATE GETTING WET MYSELF, 345 00:15:47,027 --> 00:15:49,277 BUT THE DOGS LOVE IT. 346 00:15:50,780 --> 00:15:53,450 (dogs barking) 347 00:15:53,453 --> 00:15:57,293 COME ON, CHARLIE. COME ON! COME ON, RONNIE! 348 00:15:57,287 --> 00:15:58,957 YEAH, WE'RE HAVING FUN NOW! 349 00:15:58,958 --> 00:15:59,958 (theme music playing) 350 00:16:05,965 --> 00:16:08,215 (Eugene) OKAY, PHASE ONE OF ROBBING MICK JAGGER. 351 00:16:08,218 --> 00:16:10,968 TODAY WE JUST STEAL THE KEY TO HIS APARTMENT. 352 00:16:10,970 --> 00:16:13,800 LET'S SYNCHRONIZE OUR WATCHES. 353 00:16:13,803 --> 00:16:15,693 I'VE GOT 9:47. 354 00:16:15,685 --> 00:16:19,355 (talking over each other) 355 00:16:19,359 --> 00:16:23,149 WAIT, THERE GOES 15 SECONDS. NO, THAT'S THE TIMER. THAT'S YOUR ALARM. 356 00:16:23,153 --> 00:16:25,533 (talking over each other) 357 00:16:25,525 --> 00:16:28,155 OH, OKAY, CLOSE ENOUGH! OKAY. 358 00:16:28,158 --> 00:16:31,528 LET'S COMMENCE "OPERATION: STEAL MICK JAGGER'S KEY." 359 00:16:31,531 --> 00:16:32,911 EUGENE. YEAH? 360 00:16:32,912 --> 00:16:36,582 OH. OH, GOOD, YEAH. GOTCHA. ALL RIGHT, THANKS. 361 00:16:36,576 --> 00:16:38,826 (clank) WHAT'S THIS? 362 00:16:38,828 --> 00:16:41,538 GUNS. TO SHOOT OUR ENEMY. OH, WHOA! 363 00:16:41,541 --> 00:16:43,581 NO, NO, NO, NO, NO, NO. WE'RE NOT USING GUNS. 364 00:16:43,583 --> 00:16:46,263 WHAT ARE YOU, CRIMINALS OR CHILDREN? 365 00:16:46,256 --> 00:16:47,836 I GOT NO TROUBLE PACKIN'. 366 00:16:47,837 --> 00:16:50,507 I DON'T THINK I CAN DO THIS. 367 00:16:50,510 --> 00:16:52,510 LOOK, ALL I WANTED WAS A COMMUNICATIONS INTERNSHIP. 368 00:16:52,512 --> 00:16:57,232 SQUATCH, GARY, TELL THE KID IT'S GONNA BE OKAY. 369 00:16:57,227 --> 00:17:01,517 YOU, TOO? COME ON, GUYS, WE CAN DO THIS! 370 00:17:01,521 --> 00:17:03,901 HUH? IT'S SIMPLE-- WE GO IN THERE, 371 00:17:03,903 --> 00:17:06,453 WE FIND OUT WHAT MICK JAGGER'S APARTMENT NUMBER IS, 372 00:17:06,446 --> 00:17:08,696 WE TAKE THE KEY, WE COPY THE KEY, WE PUT THE KEY BACK. 373 00:17:08,698 --> 00:17:10,448 NOBODY'S THE WISER! 374 00:17:10,450 --> 00:17:12,860 WE'RE--WE'RE LIKE OCEAN'S ELEVEN. MORE LIKE OCEAN'S IDIOTS. 375 00:17:12,862 --> 00:17:16,872 WE'RE NOT IDIOTS. WE DESERVE THIS AS MUCH AS ANYBODY. 376 00:17:16,866 --> 00:17:20,036 YOU, SQUATCH, WITH YOUR... GUTS... 377 00:17:20,039 --> 00:17:23,869 AND... AND, GARY, WITH--WITH YOUR BRAINS... 378 00:17:23,873 --> 00:17:27,593 AND--AND, LOUIS, WITH YOUR CHILDLIKE INNOCENCE... 379 00:17:27,587 --> 00:17:29,927 ESPERANZA, YOUR... 380 00:17:29,929 --> 00:17:31,719 BRAINS... 381 00:17:31,721 --> 00:17:34,221 AND, ROCKEFELLER, 382 00:17:34,224 --> 00:17:35,814 NO OFFENSE, MY BROTHER, 383 00:17:35,805 --> 00:17:39,725 BUT YOUR GIGANTIC BLACK GUY SUPER STRENGTH. 384 00:17:39,729 --> 00:17:41,889 THE SKY IS THE LIMIT. 385 00:17:41,891 --> 00:17:44,481 I DON'T WANT TO DIE LIKE JONESY. 386 00:17:46,446 --> 00:17:48,606 SO WHAT DO YOU SAY? 387 00:17:57,497 --> 00:17:59,407 LET'S ROB MICK JAGGER. 388 00:18:04,254 --> 00:18:06,594 (walkie-talkie crackles) BIGBIRD HAS LEFT THE NEST. 389 00:18:06,586 --> 00:18:10,756 ♪♪♪ 390 00:18:10,760 --> 00:18:13,920 I'VE GOTTA TAKE THIS UP. YEAH. YEAH, OKAY, FOLLOW ME. 391 00:18:24,354 --> 00:18:29,324 ♪♪♪ 392 00:18:35,445 --> 00:18:37,495 MAY I HELP YOU, SIR? 393 00:18:37,497 --> 00:18:39,497 I'M INTERESTED IN BUYING SOME COFFEE. 394 00:18:39,499 --> 00:18:41,619 WHAT DO YOU RECOMMEND? 395 00:18:42,542 --> 00:18:45,802 HOW NOW BROWN COW. 396 00:18:45,795 --> 00:18:48,165 WHAT IS THE APARTMENT NUMBER? 397 00:18:48,168 --> 00:18:50,668 HOW NOW BROWN COW. COME ON, COME ON, LET'S GO. 398 00:18:50,670 --> 00:18:52,460 (clank) GOT IT. GOOD. 399 00:18:52,462 --> 00:18:55,472 WHAT'S THIS? I COULDN'T FIND THE TENANT INFO BOOK, 400 00:18:55,465 --> 00:18:57,965 SO I'M GIVING YOU ALL THE KEYS. OKAY. 401 00:18:57,967 --> 00:18:58,967 AHH. 402 00:18:58,968 --> 00:19:00,468 OW! 403 00:19:00,470 --> 00:19:03,640 A LOT OF PEOPLE LIKE THE HOUSE BLEND. 404 00:19:03,643 --> 00:19:04,973 HOW ABOUT SOMETHING FULL-BODIED 405 00:19:04,974 --> 00:19:08,824 WITH AN AROMATIC COMPLEXITY AND A SILKY MOUTH FEEL? 406 00:19:08,818 --> 00:19:12,528 GO FOR ESPERANZA. GET THE HANDYMAN OFF THE DOOR. 407 00:19:12,532 --> 00:19:14,822 COME WITH ME. 408 00:19:14,824 --> 00:19:16,994 (Gary) Gourishankar on the move. 409 00:19:16,986 --> 00:19:19,576 (man) MISS? MISS! 410 00:19:19,579 --> 00:19:22,539 (grunts) UH, COULDN'T GET THE APARTMENT NUMBER 411 00:19:22,542 --> 00:19:24,832 SO YOU GOTTA COPY THEM ALL. 412 00:19:24,834 --> 00:19:27,504 OKAY. GO, GO, GO, GO. GO, GO, GO! 413 00:19:27,497 --> 00:19:28,877 (tires screeching) 414 00:19:28,878 --> 00:19:31,338 I WALK BY THIS BUILDING OFTEN, 415 00:19:31,341 --> 00:19:33,421 AND I HAVE NOTICED YOU MANY TIMES. WHAT? 416 00:19:33,423 --> 00:19:35,683 (brakes squealing) 417 00:19:41,511 --> 00:19:44,931 INTERESTING. NOW TELL ME ABOUT THE GAZEBO BLEND, BABY. 418 00:19:44,934 --> 00:19:47,364 OH, COME ON. THIS IS RIDICULOUS. 419 00:19:49,188 --> 00:19:52,188 BIGBIRD OUT THE CAGE. BIGBIRD'S OUT OF THE CAGE. 420 00:19:56,195 --> 00:19:58,195 THE HEART WANTS WHAT THE HEART WANTS, 421 00:19:58,197 --> 00:20:01,027 AND I MUST KISS YOU NOW. YOU'RE FREAKING ME OUT WITH THIS, LADY. 422 00:20:08,538 --> 00:20:11,628 ♪ CAMPTOWN RACES SING THIS SONG, DOO-DAH, DOO-DAH ♪ 423 00:20:11,631 --> 00:20:13,381 DOO-DAH! 424 00:20:13,383 --> 00:20:14,593 HEY--OW! 425 00:20:16,636 --> 00:20:19,636 ROY, PLEASE, COME HERE. ROY! I GOTTA GET BACK TO THE DOOR. 426 00:20:19,639 --> 00:20:22,469 (Squatch) Come on, come on, you gotta move it. Go, go, go! 427 00:20:22,472 --> 00:20:24,642 (speaking indistinctly) 428 00:20:24,644 --> 00:20:26,064 EXCUSE ME! 429 00:20:26,055 --> 00:20:31,435 EXCUSE ME, COULD YOU POSSIBLY HELP ME FIND MY CONTACT LENS? 430 00:20:31,441 --> 00:20:33,231 WAIT, IT'S RIGHT HERE. 431 00:20:33,232 --> 00:20:35,572 OH. 432 00:20:35,565 --> 00:20:38,405 CLEAR FOR LOUIS? GO FOR LOUIS. 433 00:20:40,410 --> 00:20:43,490 (Squatch) Chief, what are you still doing in there?! 434 00:20:43,493 --> 00:20:45,463 I THINK I CAN FIND THE APARTMENT NUMBER. 435 00:20:45,455 --> 00:20:48,075 Forget it, forget it. You're gonna get trapped. 436 00:20:52,292 --> 00:20:54,922 BINGO! I GOT IT! I GOT IT! 437 00:20:54,924 --> 00:20:56,264 18A! 438 00:20:56,255 --> 00:20:59,635 MAYDAY. TROUBLE AT THE DOOR. 439 00:20:59,639 --> 00:21:01,929 CLEAR FOR EUGENE? 440 00:21:01,931 --> 00:21:04,931 THIS WHOLE THING'S TURNING INTO CRAP ON A STICK. I GOTTA GET OUT OF HERE. 441 00:21:04,934 --> 00:21:07,524 YOU COUNT TO 30, AND THEN YOU MAKE YOUR MOVE. 442 00:21:07,517 --> 00:21:10,767 ROY, LET'S GO BACK INSIDE. I WANT TO SHOW YOU SOMETHING. WHAT ARE YOU DOING? YOU'RE GONNA GET ME FIRED. 443 00:21:10,770 --> 00:21:13,100 TWO MINUTES--I SHOW YOU SOMETHING. TWO MINUTES. WHAT ARE YOU DOING? 444 00:21:13,102 --> 00:21:15,102 WHAT IS GOING ON HERE, HUH? WHAT, ARE YOU MESSING AROUND 445 00:21:15,104 --> 00:21:17,324 WITH MY OLD LADY? HUH?! IF YOU COME ANYWHERE-- 446 00:21:17,317 --> 00:21:18,697 ANYWHERE NEAR MY MARIA AGAIN, 447 00:21:18,698 --> 00:21:20,858 I WILL HUMPTY-DUMPTY YOU TWO PUNKS. 448 00:21:20,860 --> 00:21:22,860 DO YOU HEAR ME?! LET'S GO. 449 00:21:22,862 --> 00:21:24,862 SORRY, ROY. HE'S VERY POSSESSIVE. 450 00:21:28,117 --> 00:21:31,167 (dreidel spinning) 451 00:21:37,797 --> 00:21:40,797 (door opens and closes) 452 00:21:40,800 --> 00:21:43,130 YES! 453 00:21:43,132 --> 00:21:44,632 YES! 454 00:21:44,634 --> 00:21:46,484 SORRY, SORRY, TERRIBLE TRAFFIC ON THE QUEENSBORO BRIDGE. 455 00:21:46,476 --> 00:21:49,226 SHOW ME THEM BEAUTIFUL KEYS, BABY. ALL RIGHT! 456 00:21:49,228 --> 00:21:52,228 WAIT, WHOA... 457 00:21:52,231 --> 00:21:54,561 HOW MANY KEYS ARE IN HERE? SIX. 458 00:21:54,564 --> 00:21:57,824 SIX? I TOLD YOU TO COPY ALL OF 'EM. YES, AND YOU ALSO TOLD ME WHEN I HEAR 459 00:21:57,817 --> 00:22:01,987 "BIGBIRD IS LEAVING THE CAGE," TO COME BACK NO MATTER WHAT. SEE? I TOLD YOU HE'D BE THE WEAK LINK! 460 00:22:01,991 --> 00:22:03,991 IT'S NOT MY FAULT! THERE WAS ONLY SUPPOSED TO BE 461 00:22:03,993 --> 00:22:05,543 1 KEY, NOT 100 KEYS! (Squatch) COME ON! 462 00:22:05,535 --> 00:22:09,575 ALL RIGHT, STOP! STOP FIGHTING! EVERYBODY, COME ON, TAKE A KNEE. 463 00:22:12,502 --> 00:22:14,252 DEAR GOD, 464 00:22:14,253 --> 00:22:16,673 WE HUMBLY ASK THAT ONE OF THESE KEYS BE 18A, 465 00:22:16,666 --> 00:22:19,046 SO THAT WE MAY MORE EASILY ROB MICK JAGGER. 466 00:22:19,048 --> 00:22:21,588 THANKS FOR YOUR TIME. AMEN. 467 00:22:23,843 --> 00:22:25,603 OKAY. 468 00:22:25,595 --> 00:22:28,015 (sighs) 469 00:22:29,679 --> 00:22:31,389 4D. (clank) 470 00:22:35,184 --> 00:22:37,444 14A. 471 00:22:37,437 --> 00:22:39,527 MAN, THIS IS LIKE THE PICK 6. 472 00:22:42,442 --> 00:22:44,532 (sighs) 19J. 473 00:22:44,534 --> 00:22:45,704 (clank) 474 00:22:49,449 --> 00:22:52,369 6A. 475 00:22:52,371 --> 00:22:54,121 (clank) 476 00:23:07,266 --> 00:23:09,466 ♪♪♪ 477 00:23:09,469 --> 00:23:10,889 (shouts indistinctly) 478 00:23:10,890 --> 00:23:13,140 18A! 479 00:23:13,142 --> 00:23:17,072 (cheering and shouting over each other) 480 00:23:18,568 --> 00:23:20,278 (speaking indistinctly) 481 00:23:20,279 --> 00:23:23,899 COME HERE, YOU CRAZY INDIAN BASTARD! GOOD JOB! 482 00:23:23,903 --> 00:23:25,793 AAH! AAH! 483 00:23:25,785 --> 00:23:26,985 (laughs) 484 00:23:28,908 --> 00:23:31,488 (singsong voice) WE'RE GONNA ROB MICK JAGGER! 485 00:23:31,491 --> 00:23:34,911 WE'RE GONNA ROB MICK JAGGER! WE'RE GONNA ROB MICK JAGGER! 486 00:23:34,914 --> 00:23:38,094 WE'RE GONNA ROB MICK JAGGER! WE'RE GONNA ROB MICK JAGGER! 487 00:23:38,087 --> 00:23:40,087 WE'RE GONNA ROB MICK JAGGER! 488 00:23:41,671 --> 00:23:44,921 (elevator bell dings) 489 00:23:44,924 --> 00:23:47,474 ♪♪♪ 490 00:23:47,467 --> 00:23:48,927 (beeping) 491 00:23:48,928 --> 00:23:51,308 (buzzer sounds) 492 00:23:51,310 --> 00:23:53,180 (whirring) 493 00:23:53,182 --> 00:23:54,182 (bell dings) 494 00:23:56,606 --> 00:23:58,266 WELCOME HOME, MR. JAGGER. 495 00:23:58,267 --> 00:23:59,767 THANKS, GODFREY. 496 00:23:59,769 --> 00:24:02,689 (beeping) 497 00:24:02,692 --> 00:24:06,702 M.J.'s HOME, HEADING TO SECTOR THREE. 38036

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