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1
00:00:25,060 --> 00:00:26,390
WHITE MALE SHOWS
THE CLERK OVER THERE
2
00:00:26,430 --> 00:00:27,930
A RECEIPT
THROUGH THE GLASS DOOR.
3
00:00:27,970 --> 00:00:30,210
THE CLERK BUZZES HIM IN.
RIGHT AWAY HE PULLS OUT A GUN,
4
00:00:30,230 --> 00:00:31,770
WHEN THE D. O. A. WALKS INTO IT
FROM THE STORAGE ROOM.
5
00:00:31,800 --> 00:00:33,770
THEY STRUGGLE FOR THE GUN,
THE PERP PLUGS HIM,
6
00:00:33,810 --> 00:00:35,910
TAKES THE MONEY,
AND HE SPLITS.
7
00:00:35,940 --> 00:00:37,070
D.O.A. AN EMPLOYEE?
8
00:00:37,110 --> 00:00:38,110
NO. HE’S ONE
OF THEIR VENDORS.
9
00:00:38,140 --> 00:00:39,270
THEY GOT VIDEO HERE?
10
00:00:39,310 --> 00:00:40,740
NO.
11
00:00:40,780 --> 00:00:42,640
GREG, CHECK OUT THE BODY.
WE’LL TAKE THE CLERK.
12
00:00:45,150 --> 00:00:46,920
HI.
I’M DETECTIVE DANNY SORENSON.
13
00:00:46,950 --> 00:00:48,550
THIS IS MY PARTNER
ANDY SIPOWICZ. WHAT’S YOUR NAME?
14
00:00:48,590 --> 00:00:50,230
MOLLY WORTHY.
15
00:00:50,250 --> 00:00:52,390
WHAT CAN YOU TELL US ABOUT
THE GUY WHO DID THIS, MOLLY,
16
00:00:52,420 --> 00:00:55,320
OTHER THAN WHITE MALE?
MY EYES
NEVER LEFT THAT GUN.
17
00:00:55,360 --> 00:00:57,090
YOUNG GUY?
18
00:00:57,130 --> 00:00:58,590
OLD ‐‐ LATE, UM, 30s.
19
00:00:58,630 --> 00:00:59,960
WHAT WAS HE WEARING?
20
00:01:00,000 --> 00:01:03,060
ALL I WAS LOOKING AT
WAS THAT GUN.
21
00:01:03,100 --> 00:01:05,500
I DIDN’T SEE
ANYTHING ELSE.
22
00:01:05,540 --> 00:01:07,010
THINK TO WHEN
YOU SAW HIM OUTSIDE
23
00:01:07,040 --> 00:01:08,440
HOLDING THAT RECEIPT
AGAINST THE WINDOW,
24
00:01:08,470 --> 00:01:09,940
NOT WHEN YOU
BUZZED HIM IN.
25
00:01:09,970 --> 00:01:11,810
OKAY,
HE WAS WEARING BLACK ‐‐
26
00:01:11,840 --> 00:01:14,940
LIKE A BLACK TURTLENECK
AND A JACKET.
27
00:01:14,980 --> 00:01:17,410
THE RECEIPT THE GUY SHOWED YOU
TO COME IN ‐‐
28
00:01:17,450 --> 00:01:19,510
DID HE MAYBE DROP IT
ON THE FLOOR?
29
00:01:19,550 --> 00:01:20,950
I DON’T KNOW.
30
00:01:20,990 --> 00:01:22,830
COULD THIS HAVE BEEN IT?
31
00:01:22,850 --> 00:01:23,990
LOOKS LIKE IT.
32
00:01:26,220 --> 00:01:28,690
ALL RIGHT, YOU KNOW WHAT?
YOU’VE BEEN THROUGH A LOT.
33
00:01:28,730 --> 00:01:30,770
WHY DON’T YOU TRY
AND RELAX?
34
00:01:30,800 --> 00:01:32,640
WE’LL TALK TO YOU LATER.
35
00:01:32,660 --> 00:01:34,630
A RECEIPT FROM ONE OF THEM
36
00:01:34,670 --> 00:01:36,780
DAY CHARTER BUS TRIPS
TO ATLANTIC CITY
37
00:01:36,800 --> 00:01:38,370
LEAVING AT 6:00 A. M.
38
00:01:38,400 --> 00:01:40,370
PLUS A NAME AND PHONE NUMBER
WRITTEN ON IT.
39
00:01:40,400 --> 00:01:42,370
IS THAT CHAZ? THAT LOOKS
LIKE A CELL PHONE NUMBER.
40
00:01:42,410 --> 00:01:43,880
WELL, CALL THIS CHAZ UP
41
00:01:43,910 --> 00:01:45,370
OR TRACE THE NUMBER
AND BRING HIM IN?
42
00:01:45,410 --> 00:01:46,710
NO, BRING HIM IN.
43
00:01:46,750 --> 00:01:48,550
HE MIGHT BE THE PERP,
OR AT LEAST IN ON IT.
44
00:01:48,580 --> 00:01:51,550
THAT WAS MY CHOICE, TOO.
I WAS JUST TESTING YOU.
45
00:01:51,580 --> 00:01:52,610
YEAH? HOW DID I DO?
46
00:01:52,650 --> 00:01:53,780
YEAH, WELL,
STICK WITH IT.
47
00:01:53,820 --> 00:01:55,050
YOU’LL MAKE
A GOOD DETECTIVE SOMEDAY.
48
00:03:14,000 --> 00:03:15,730
THAT WAS DETECTIVE JONES
AND MEDAVOY.
49
00:03:15,770 --> 00:03:17,410
THEY’RE EN ROUTE
WITH THE MAN
50
00:03:17,440 --> 00:03:19,980
WHOSE NAME WAS ON THE SLIP
OF PAPER AT THE CRIME SCENE.
51
00:03:20,000 --> 00:03:21,470
NOTIFY SIPOWICZ
AND SORENSON.
52
00:03:21,510 --> 00:03:23,480
SEE IF THEY’VE FINISHED
THE CANVASS.
53
00:03:23,510 --> 00:03:26,420
I’VE GOT A BIG PROBLEM.
54
00:03:26,440 --> 00:03:27,940
OH,
THAT’S THIRD FLOOR.
55
00:03:27,980 --> 00:03:30,610
WE’RE SMALL TO MEDIUM
PROBLEMS DOWN HERE.
56
00:03:31,820 --> 00:03:33,890
BUT WE’LL GIVE IT
A SHOT.
57
00:03:33,920 --> 00:03:35,250
Diane: WHAT’S UP?
58
00:03:35,290 --> 00:03:38,100
I’M IN THE MIDDLE
OF A RETRIAL CASE
59
00:03:38,120 --> 00:03:39,490
THAT’S BEEN
DROPPED ON ME.
60
00:03:39,520 --> 00:03:41,590
DRUGS AND HOMICIDE
FROM EIGHT YEARS AGO,
61
00:03:41,630 --> 00:03:43,600
AND I’VE GOT
WITNESS PROBLEMS.
62
00:03:43,630 --> 00:03:44,760
IN THE WIND?
63
00:03:44,800 --> 00:03:46,270
YEAH.
BOTH EYEWITNESSES.
64
00:03:46,300 --> 00:03:48,470
ONE OF THEM IS APPARENTLY
BACK IN ECUADOR.
65
00:03:48,500 --> 00:03:50,970
THE OTHER ONE WAS SUPPOSED
TO SHOW UP TODAY, BUT DIDN’T.
66
00:03:51,000 --> 00:03:52,970
WHEN DO YOU NEED THEM?
67
00:03:53,000 --> 00:03:54,470
TOMORROW. 9:00 A. M.
68
00:03:54,510 --> 00:03:56,820
HOW DID THIS GET TO BE
AN EMERGENCY?
69
00:03:56,840 --> 00:03:58,810
MY INVESTIGATORS
DROPPED THE BALL.
70
00:03:58,840 --> 00:04:00,280
WHAT CAN I SAY?
71
00:04:00,310 --> 00:04:01,980
WHEN WAS THE LAST TIME
THEY HAD CONTACT?
72
00:04:02,010 --> 00:04:05,080
A WEEK AGO.
WHY DID THE CASE COME BACK
TO BEGIN WITH?
73
00:04:05,120 --> 00:04:07,090
IT WENT UP ON APPEAL
AND WAS DENIED.
74
00:04:07,120 --> 00:04:09,080
THEN IT WENT UP
ON A WRIT
75
00:04:09,120 --> 00:04:10,590
INVOLVING
INEFFECTIVE COUNSEL,
76
00:04:10,620 --> 00:04:12,590
AND THEY GOT IT.
THE DEFENDANT HAS MONEY.
77
00:04:12,620 --> 00:04:14,090
WHO IS HE?
78
00:04:14,130 --> 00:04:15,470
BILLY "FAT CAT" RICHARDS.
79
00:04:15,490 --> 00:04:17,590
HEARD OF HIM?
80
00:04:17,630 --> 00:04:20,500
HEAVY HITTER. HE STILL HAS
A LOT OF PULL ON THE STREET.
81
00:04:20,530 --> 00:04:22,800
SO HE’S DONE EIGHT YEARS.
WITNESS IS IN THE WIND.
82
00:04:22,830 --> 00:04:24,530
WHY NOT JUST
DEAL IT OUT?
83
00:04:24,570 --> 00:04:27,140
THIS IS THE ONLY MURDER
WE HAVE HIM ON,
84
00:04:27,170 --> 00:04:29,470
BUT THEY THINK HE’S
RESPONSIBLE FOR OTHERS.
SAFE BET.
85
00:04:29,510 --> 00:04:31,480
IT CAME
FROM THIS SQUAD.
86
00:04:31,510 --> 00:04:33,470
SOME DETECTIVE NAMED
MIKE ROBERTS CAUGHT IT.
87
00:04:33,510 --> 00:04:34,810
KNOW HIM?
88
00:04:34,850 --> 00:04:36,150
KNEW HIM.
89
00:04:36,180 --> 00:04:37,480
HE’S DEAD NOW.
90
00:04:37,520 --> 00:04:39,490
THE WITNESS HAS A SISTER
ON THE JOB.
91
00:04:39,520 --> 00:04:41,960
WORKS ROLL CALL
IN HIGHWAY 3 IN QUEENS.
92
00:04:41,990 --> 00:04:43,160
WHAT DID SHE
HAVE TO SAY?
93
00:04:43,190 --> 00:04:45,300
NOTHING.
COULDN’T HELP US.
94
00:04:45,320 --> 00:04:47,990
SO 9:00 A. M. TOMORROW,
HUH?
95
00:04:48,030 --> 00:04:51,540
I’M SORRY, BUT, YOU KNOW,
HERE WE ARE.
96
00:04:51,560 --> 00:04:54,200
OKAY.
YOU GUYS RUN WITH IT.
97
00:04:54,230 --> 00:04:55,260
GOOD LUCK.
98
00:05:09,050 --> 00:05:10,360
HOW’S IT GOING,
CHARLES?
99
00:05:10,380 --> 00:05:11,550
GOOD. THANKS.
100
00:05:13,050 --> 00:05:15,520
WHAT HAPPENED TO THE GUYS
WHO BROUGHT ME OVER?
101
00:05:15,550 --> 00:05:17,350
Danny:
THIS IS OUR CASE.
102
00:05:17,390 --> 00:05:20,820
GOTCHA, GOTCHA.
SO, WHAT CAN I DO FOR YOU?
103
00:05:20,860 --> 00:05:23,320
YOU SEEM A LITTLE
ILL AT EASE THERE, CHARLES.
104
00:05:23,360 --> 00:05:25,830
I DO?
I‐I DON’T FEEL THAT WAY.
105
00:05:25,860 --> 00:05:28,560
YOU SURE ABOUT THAT?
106
00:05:32,140 --> 00:05:34,710
OKAY, ALL RIGHT.
HE TOLD ME IT WASN’T HOT,
107
00:05:34,740 --> 00:05:37,210
BUT IN THE BACK
OF MY MIND
108
00:05:37,240 --> 00:05:39,440
I THOUGHT
IT PROBABLY MIGHT BE
109
00:05:39,480 --> 00:05:41,590
SINCE HE WAS FIRED
FROM THERE A WEEK AGO,
110
00:05:41,610 --> 00:05:45,010
BUT, I MEAN, COME ON ‐‐
A BIG‐SCREEN TV FOR 200 BUCKS?
111
00:05:45,050 --> 00:05:47,220
IF IT WASN’T ME,
HE HAD FIVE GUYS LINED UP
112
00:05:47,250 --> 00:05:48,750
WHO WERE GOING
TO TAKE IT OFF HIS HANDS,
113
00:05:48,790 --> 00:05:52,260
BUT I’LL ABSOLUTELY
GIVE IT BACK
114
00:05:52,290 --> 00:05:54,360
AND EAT THE $200
AND APOLOGIZE TO WHOEVER.
115
00:05:54,390 --> 00:05:56,590
ALL RIGHT,
WE’LL DEAL WITH THAT LATER.
116
00:05:56,630 --> 00:05:59,060
THERE WAS A ROBBERY
ON GRAND THIS MORNING
117
00:05:59,100 --> 00:06:01,740
AT A CLOTHING STORE.
WHAT DO YOU KNOW ABOUT IT?
118
00:06:01,770 --> 00:06:03,740
NOTHING.
119
00:06:03,770 --> 00:06:06,230
AT THE CRIME SCENE,
LEFT BEHIND WAS A NOTE
120
00:06:06,270 --> 00:06:07,770
WITH YOUR NAME AND YOUR
CELL PHONE NUMBER ON IT.
121
00:06:07,810 --> 00:06:09,450
IS THIS RINGING
ANY BELLS?
122
00:06:09,470 --> 00:06:11,970
NO.
WHO CALLS YOU CHAZ?
123
00:06:12,010 --> 00:06:15,580
OH, THIS GUY NAMED JAY
WHO RIDES MY BUS.
124
00:06:15,610 --> 00:06:17,910
I’M A CHARTER BUS DRIVER.
125
00:06:17,950 --> 00:06:20,420
HE TAKES MY 6:00 A.M.
DOWN TO ATLANTIC CITY,
126
00:06:20,450 --> 00:06:22,420
LIKE,
ONCE A MONTH OR SO.
127
00:06:22,450 --> 00:06:24,920
YOU ONLY KNOW HIM
FROM THESE BUS RIDES?
128
00:06:24,960 --> 00:06:27,630
YEAH. HE SITS IN FRONT.
TALKS THE WHOLE TIME.
129
00:06:27,660 --> 00:06:29,220
WHY DID YOU GIVE HIM
YOUR CELL PHONE NUMBER?
130
00:06:29,260 --> 00:06:31,230
SOME BUSINESS DEAL
INVESTMENT‐TYPE THING.
131
00:06:31,260 --> 00:06:34,730
I GAVE IT TO HIM
JUST TO SHUT HIM UP.
132
00:06:34,770 --> 00:06:37,580
ALL THE TIME
HE’S RUNNING HIS MOUTH,
133
00:06:37,600 --> 00:06:39,570
HE EVER MENTION A LAST NAME?
WHERE HE LIVES?
134
00:06:39,600 --> 00:06:41,900
I JUST NOD MY HEAD HALF
THE TIME, NOT HEARING A THING.
135
00:06:41,940 --> 00:06:43,400
WHAT’S JAY LOOK LIKE?
136
00:06:43,440 --> 00:06:45,940
WHITE GUY.
BIG TALKER, LIKE I SAID.
137
00:06:45,980 --> 00:06:47,490
ALWAYS ON THE MAKE.
138
00:06:47,510 --> 00:06:49,480
OH,
LIKE A MONTH OR SO AGO,
139
00:06:49,510 --> 00:06:52,280
I WAS FOLLOWING AN MTA BUS
AND IT HIT A CAR,
140
00:06:52,320 --> 00:06:54,290
AND JAY ABOUT FLIPS OUT
141
00:06:54,320 --> 00:06:57,020
’CAUSE HE RECOGNIZED THE DRIVER
OF THE CAR, SO HE RAN OUT.
142
00:06:57,060 --> 00:06:59,530
SAID HE WAS GOING TO GET IN
THE PASSENGER SEAT,
143
00:06:59,560 --> 00:07:01,960
FAKE SOME WHIPLASH, AND GET IN
ON SOME INSURANCE MONEY.
144
00:07:01,990 --> 00:07:03,420
THAT TYPE OF GUY.
145
00:07:03,460 --> 00:07:05,160
WHERE WAS THIS?
146
00:07:05,200 --> 00:07:07,770
MUST HAVE BEEN ON PARK ‐‐
IN MIDTOWN.
147
00:07:07,800 --> 00:07:10,300
THE DRIVER OF THE MTA BUS
WAS A BLACK WOMAN.
148
00:07:10,330 --> 00:07:12,800
YEAH, ’CAUSE I REMEMBER HER
STANDING ON THE CURB CRYING
149
00:07:12,840 --> 00:07:15,310
LIKE SHE WAS GOING
TO LOSE HER JOB OR SOMETHING.
150
00:07:15,340 --> 00:07:17,170
I’LL GET GREG
AND BALDWIN ON THAT.
151
00:07:17,210 --> 00:07:20,140
ALL RIGHT, CHARLES,
WE APPRECIATE YOUR HELP.
152
00:07:20,180 --> 00:07:23,850
AND THE BIG‐SCREEN TV?
153
00:07:23,880 --> 00:07:25,650
WHAT BIG‐SCREEN TV?
154
00:07:25,680 --> 00:07:27,980
SEE YOU.
155
00:07:33,830 --> 00:07:36,530
YOU GOT AN EXACT DATE?
156
00:07:36,560 --> 00:07:38,030
NO. A MONTH AGO.
157
00:07:38,060 --> 00:07:40,000
ON PARK...
158
00:07:40,030 --> 00:07:41,500
SOMEWHERE IN MIDTOWN,
YOU SAID?
159
00:07:41,530 --> 00:07:42,830
THAT’S RIGHT.
160
00:07:42,870 --> 00:07:44,340
MAJOR DAMAGE,
MINOR DAMAGE?
161
00:07:44,370 --> 00:07:45,830
WE DON’T KNOW.
162
00:07:45,870 --> 00:07:47,340
INJURIES?
163
00:07:47,370 --> 00:07:49,000
WE DON’T KNOW.
164
00:07:49,040 --> 00:07:51,370
NOTHING. ARE YOU SURE
A REPORT WAS FILED?
165
00:07:51,410 --> 00:07:53,680
WE’RE SURE THERE WAS
AN ACCIDENT.
166
00:07:53,710 --> 00:07:55,680
YEAH, WELL, UNLESS THERE WAS
DAMAGE OR INJURIES,
167
00:07:55,710 --> 00:07:57,350
IT DON’T GENERATE
PAPERWORK HERE.
168
00:07:57,380 --> 00:07:58,910
DON’T YOU KEEP
A DAILY LOG OR SOMETHING?
169
00:07:58,950 --> 00:08:01,750
DAILY LOG? WHAT DO I
LOOK LIKE ‐‐ CAPTAIN KIRK?
170
00:08:04,420 --> 00:08:06,520
HOW MANY FEMALE DRIVERS
YOU GOT DRIVING ON PARK?
171
00:08:06,560 --> 00:08:07,760
WHAT, OFF THE TOP OF MY HEAD?
172
00:08:07,790 --> 00:08:10,560
NAH. OFF THE BOTTOM
OF YOUR FEET.
173
00:08:11,600 --> 00:08:12,940
HOW MANY FEMALE DRIVERS?
174
00:08:15,130 --> 00:08:16,360
15, 20.
175
00:08:16,400 --> 00:08:17,870
ALL RIGHT, JUST GIVE US
THEIR NAMES AND INFORMATION.
176
00:08:17,900 --> 00:08:19,500
NOW THAT
I CAN GET FOR YOU.
177
00:08:19,540 --> 00:08:21,580
WELL, IT’S A GOOD THING
I ASKED, HUH?
178
00:08:37,390 --> 00:08:38,690
MAY I HELP YOU?
179
00:08:38,720 --> 00:08:39,720
I’M KARA LOWELL.
180
00:08:39,760 --> 00:08:41,720
I GOT A NOTIFICATION
TO RESPOND HERE.
181
00:08:41,760 --> 00:08:43,290
DIANE RUSSELL.
182
00:08:43,330 --> 00:08:44,970
HOW YOU DOING?
183
00:08:45,000 --> 00:08:46,200
MY PARTNER
CONNIE McDOWELL.
184
00:08:46,230 --> 00:08:48,700
THIS IS KARA.
HI, KARA.
185
00:08:48,730 --> 00:08:52,030
HEY.
SO WHAT DO YOU NEED?
186
00:08:52,070 --> 00:08:54,200
WE’RE LOOKING
FOR YOUR SISTER TISHA.
187
00:08:54,240 --> 00:08:55,740
I DON’T KNOW WHERE SHE IS.
188
00:08:55,770 --> 00:08:58,240
WHEN WAS THE LAST TIME
YOU TALKED TO HER?
189
00:08:58,280 --> 00:09:00,750
MONTHS.
AND WHERE
WAS SHE LIVING THEN?
190
00:09:00,780 --> 00:09:02,640
NEW JERSEY.
SHE MOVES AROUND A LOT.
191
00:09:02,680 --> 00:09:04,710
THE REASON
WE’RE LOOKING FOR HER
192
00:09:04,750 --> 00:09:07,420
IS SHE’S SUPPOSED TO BE
TESTIFYING HERE ON A RETRIAL.
YEAH, I HEARD.
193
00:09:07,450 --> 00:09:10,050
YOU WOULDN’T HAPPEN TO BE
COVERING FOR HER, WOULD YOU?
194
00:09:10,090 --> 00:09:12,420
NO.
’CAUSE WE
COULD UNDERSTAND
195
00:09:12,460 --> 00:09:15,500
WHY YOU’D WANT TO
IF YOU WERE.
GOOD.
196
00:09:15,530 --> 00:09:18,000
BUT THIS IS
A MURDER CASE.
YEAH, I KNOW.
197
00:09:18,030 --> 00:09:21,000
I WENT THROUGH THE FIRST TRIAL
WITH HER EIGHT YEARS AGO.
198
00:09:21,030 --> 00:09:22,400
I KNOW
EVERYTHING ABOUT IT.
199
00:09:22,430 --> 00:09:24,330
WE’LL GET
A MATERIAL WITNESS ORDER.
200
00:09:24,370 --> 00:09:27,340
WE’RE GOING TO DO WHAT
WE HAVE TO TO FIND HER, KARA.
201
00:09:27,370 --> 00:09:29,270
LISTEN, WE’RE ALL ON
THE SAME JOB,
202
00:09:29,310 --> 00:09:31,350
AND I’M NOT TRYING
TO BE A BITCH HERE,
203
00:09:31,380 --> 00:09:32,920
BUT THIS IS MY SISTER,
204
00:09:32,940 --> 00:09:35,780
AND THE GUY SHE TESTIFIED
AGAINST IS A BAD GUY.
205
00:09:35,810 --> 00:09:38,110
SHE CAME FORWARD
VOLUNTARILY.
206
00:09:38,150 --> 00:09:41,120
I TOLD HER TO BACK WHEN
I’D JUST STARTED ON THE JOB ‐‐
207
00:09:41,150 --> 00:09:43,620
BEFORE I KNEW
HOW THINGS REALLY WORK.
208
00:09:43,660 --> 00:09:46,600
WOULD YOU WANT
YOUR SISTER INVOLVED?
209
00:09:46,630 --> 00:09:48,270
IF SHE HAD ALREADY
COME FORWARD,
210
00:09:48,290 --> 00:09:50,530
I’D KNOW THERE WOULDN’T BE
A CHOICE AT THIS POINT.
211
00:09:50,560 --> 00:09:55,130
I DON’T KNOW WHERE SHE IS.
ANYTHING ELSE?
212
00:09:55,170 --> 00:09:56,840
I GUESS NOT.
213
00:10:05,810 --> 00:10:09,710
ANY OTHER WAY
OF LOCATING HER?
214
00:10:09,750 --> 00:10:11,880
WE COULD PULL
KARA’S PHONE RECORDS.
215
00:10:11,920 --> 00:10:13,560
THEN PULL THEM.
216
00:10:21,860 --> 00:10:24,730
ANTI‐CRIME HAS A PATTERN
ON OUR PERP.
217
00:10:24,760 --> 00:10:26,530
FOUR TIMES
THAT HAVE BEEN REPORTED.
218
00:10:26,570 --> 00:10:29,340
EACH ONE AT AN UPSCALE
CLOTHING BOUTIQUE. SAME DRILL.
219
00:10:29,370 --> 00:10:31,510
HOLDS A RECEIPT, GETS BUZZED IN,
CLEANS OUT THE REGISTER.
220
00:10:31,540 --> 00:10:33,580
TWO OF THE CLERKS SAID
BEFORE HE LEFT,
221
00:10:33,610 --> 00:10:35,580
HE TOOK THEIR I. D.,
PUT HIS GUN IN THEIR FACE,
222
00:10:35,610 --> 00:10:37,480
AND SAID THAT
HE KNEW WHERE THEY LIVE.
223
00:10:37,510 --> 00:10:38,670
HE WOULD COME BACK
AND HE’D KILL THEM
224
00:10:38,710 --> 00:10:40,010
IF THEY EVER SAID ANYTHING.
225
00:10:40,040 --> 00:10:41,510
PROBABLY DID THE SAME THING
TO THE OTHER TWO CLERKS.
226
00:10:41,550 --> 00:10:42,820
THEY’RE TOO SCARED
TO ADMIT IT.
227
00:10:42,850 --> 00:10:44,820
AND THAT’S WHAT HE DID
THIS MORNING, YOU THINK?
228
00:10:44,850 --> 00:10:46,350
YEAH. SHE WAS SCARED
OUT OF HER MIND.
229
00:10:46,380 --> 00:10:48,550
WOULDN’T HARDLY GIVE US ANY
PHYSICAL DESCRIPTION ON THE GUY.
230
00:10:48,590 --> 00:10:50,200
ANYBODY GET SHOT
IN THESE OTHER ROBBERIES?
231
00:10:50,220 --> 00:10:51,590
NO.
232
00:10:51,620 --> 00:10:55,260
HOLD ON ONE SECOND,
MA’AM.
233
00:10:55,290 --> 00:10:58,830
HELENA MORRIS. SHE HIT A CAR
FIVE WEEKS AGO WITH A BUS.
234
00:10:58,860 --> 00:11:01,530
NO DAMAGE, BUT SHE KEPT A COPY
OF THE ACCIDENT REPORT.
235
00:11:01,570 --> 00:11:03,340
WHERE DOES SHE LIVE?
236
00:11:03,370 --> 00:11:06,380
WHERE DO YOU LIVE,
MA’AM?
237
00:11:09,040 --> 00:11:11,340
UM, SHE JUST MOVED,
238
00:11:11,380 --> 00:11:13,720
SO EVERYTHING
IS STILL IN BOXES.
239
00:11:13,750 --> 00:11:15,220
TELL HER NO PROBLEM.
240
00:11:15,250 --> 00:11:19,190
THAT’S NO PROBLEM,
MA’AM. WAIT, HOLD ON.
241
00:11:19,220 --> 00:11:21,130
SHE WANTS TO KNOW ‐‐
CAN WE COME TOMORROW?
242
00:11:21,150 --> 00:11:22,950
SHE’S THROWING
A BIRTHDAY PARTY
243
00:11:22,990 --> 00:11:24,100
FOR HER 5‐YEAR‐OLD.
244
00:11:24,120 --> 00:11:25,750
WE’LL BE IN AND OUT
IN FIVE MINUTES.
245
00:11:25,790 --> 00:11:27,520
SHE WON’T EVEN KNOW
WE’RE THERE.
246
00:11:27,560 --> 00:11:31,060
UH...
247
00:11:31,100 --> 00:11:34,270
ACTUALLY, MA’AM,
WE’RE ON OUR WAY.
248
00:11:46,340 --> 00:11:48,310
[ CHILD YELLS ]
249
00:11:48,350 --> 00:11:50,320
OKAY, I FOUND IT.
250
00:11:50,350 --> 00:11:52,810
OH, UH, THANKS.
251
00:11:52,850 --> 00:11:54,280
Y’ALL READY
FOR SOME CAKE?
252
00:11:54,320 --> 00:11:57,450
[ YELLING ]
253
00:11:57,490 --> 00:11:59,720
ANYBODY LISTED
AS A WITNESS?
NO.
254
00:11:59,760 --> 00:12:00,990
DRIVER OF THE CAR LISTED?
255
00:12:01,030 --> 00:12:03,400
YEAH. SPENCE WEBBER,
PLUS HIS ADDRESS.
256
00:12:03,430 --> 00:12:05,240
THE BUS DRIVER SAID THAT
JAY KNEW HIM, RIGHT?
257
00:12:05,260 --> 00:12:07,560
I MEAN, THAT’S WHY HE TRIED
TO GET IN ON IT.
258
00:12:07,600 --> 00:12:10,770
LET’S GET JONES AND MEDAVOY
TO GO HIT UP ON THIS SPENCE.
259
00:12:10,800 --> 00:12:12,730
YEAH. MRS. MORRIS, CAN WE
TAKE THIS WITH US, HUH?
260
00:12:12,770 --> 00:12:14,170
AND WE’LL
GET IT BACK TO YOU.
SURE.
261
00:12:16,270 --> 00:12:19,410
[ CRYING ]
262
00:12:19,440 --> 00:12:22,480
UM, SO, LISTEN,
IF YOU GOT THINGS HANDLED,
263
00:12:22,510 --> 00:12:23,510
YOU KNOW,
WE NEED TO TAKE OFF.
264
00:12:23,550 --> 00:12:25,280
YEAH.
265
00:12:25,320 --> 00:12:26,520
HEY, UH, HAPPY BIRTHDAY.
266
00:12:26,550 --> 00:12:28,250
YEAH, HAPPY BIRTHDAY.
267
00:12:28,290 --> 00:12:30,800
WE’RE GETTING READY TO SING
"HAPPY BIRTHDAY."
268
00:12:30,820 --> 00:12:32,620
HERE WE GO.
269
00:12:42,000 --> 00:12:44,430
SAME DAMN ROOM, TOO.
MY WORST NIGHTMARE RIGHT HERE ‐‐
270
00:12:44,470 --> 00:12:48,000
MY WORST ‐‐
COMING BACK TO THIS PLACE.
271
00:12:48,040 --> 00:12:51,870
THIS ISN’T EXACTLY A KICK
IN THE ASS FOR US, EITHER.
272
00:12:51,910 --> 00:12:55,180
RIGHT HERE. SAME TABLE THAT
DETECTIVE ROBERTS WORKED ME,
273
00:12:55,210 --> 00:12:56,980
EVEN THOUGH I TOLD HIM
I DIDN’T WANT TO GET INVOLVED.
274
00:12:57,020 --> 00:12:59,490
HAD MY SISTER CALL ME.
TELL ME TO COOPERATE.
275
00:12:59,520 --> 00:13:01,630
"JUST LOOK AT SOME PHOTOS."
NEXT THING ‐‐ I’M TESTIFYING.
276
00:13:01,650 --> 00:13:03,280
WELL,
MAYBE IT’S SOME COMFORT
277
00:13:03,320 --> 00:13:05,790
KNOWING THE GUY YOU TESTIFIED
AGAINST WENT AWAY FOR MURDER.
278
00:13:05,820 --> 00:13:08,290
THAT’S NO COMFORT. TWO THUGS
SHOOTING AT EACH OTHER ‐‐
279
00:13:08,330 --> 00:13:09,800
ONE OF THEM DYING.
280
00:13:09,830 --> 00:13:12,290
I COULD GIVE A DAMN,
AND I HAD TO LEAVE NEW YORK ‐‐
281
00:13:12,330 --> 00:13:14,800
CHANGE MY DAMN NAME
BECAUSE OF ALL THIS.
282
00:13:14,830 --> 00:13:17,130
WE’RE SORRY THAT IT
SHOOK OUT LIKE THIS, TISHA.
283
00:13:17,170 --> 00:13:18,970
MOST CASES
DON’T GO THIS FAR.
284
00:13:19,000 --> 00:13:21,140
WELL, I AIN’T TESTIFYING AGAIN.
I’VE DONE IT ONCE.
285
00:13:21,170 --> 00:13:23,340
SCREW Y’ALL IF YOU DIDN’T
MAKE IT STICK THE FIRST TIME.
286
00:13:23,370 --> 00:13:26,340
WE NEED YOU TO, TISHA,
AND YOU’RE GOING TO HAVE TO.
287
00:13:26,380 --> 00:13:28,420
I DON’T HAVE TO DO NOTHING.
288
00:13:28,450 --> 00:13:32,690
THIS IS MURDER.
MURDER GETS HANDLED DIFFERENT.
289
00:13:32,720 --> 00:13:34,830
THEY’LL PUT YOU UP
IN FRONT OF THE JUDGE,
290
00:13:34,850 --> 00:13:36,420
AND YOU’LL GET ASKED IF THIS
IS WHAT YOU TESTIFIED TO
291
00:13:36,450 --> 00:13:38,190
EIGHT YEARS AGO,
AND IF YOU DENY IT,
292
00:13:38,220 --> 00:13:39,350
YOU’LL GET RUNG UP
FOR PERJURY.
293
00:13:41,730 --> 00:13:43,600
YOU DID US A FAVOR
BY COMING FORWARD,
294
00:13:43,630 --> 00:13:45,030
AND WE DON’T WANT THIS
TO TURN INTO SOMETHING,
295
00:13:45,060 --> 00:13:47,930
BUT WE WILL NOT LET THIS GUY
GET AWAY WITH MURDER.
296
00:13:52,440 --> 00:13:55,010
YOU KNOW WHAT THE TITLE
OF MY LIFE STORY IS GOING TO BE?
297
00:13:55,040 --> 00:13:57,770
"DON’T GET INVOLVED
OR YOU’LL BE SORRY AS ALL HELL."
298
00:13:57,810 --> 00:14:00,540
YOU’RE MAKING THIS 10 TIMES
HARDER THAN IT HAS TO BE.
299
00:14:00,580 --> 00:14:02,180
JUST GET YOUR TESTIMONY
OVER WITH,
300
00:14:02,210 --> 00:14:03,680
HE GOES BACK TO JAIL,
301
00:14:03,720 --> 00:14:05,060
YOU GO BACK HOME.
302
00:14:05,080 --> 00:14:06,620
SO WHEN DO I GOT
TO DO THIS?
303
00:14:06,650 --> 00:14:08,380
TOMORROW AT 9:00 A. M.
304
00:14:08,420 --> 00:14:11,450
SO I’LL MEET YOU BACK HERE
AT, WHAT, 8:30?
305
00:14:12,660 --> 00:14:14,070
NOW WHAT KIND OF HOST
WOULD WE BE
306
00:14:14,090 --> 00:14:15,860
IF WE INVITED YOU
ALL THE WAY FROM JERSEY
307
00:14:15,890 --> 00:14:17,060
AND DIDN’T HANG OUT
WITH YOU TONIGHT?
308
00:14:19,760 --> 00:14:20,660
ALL RIGHT.
309
00:14:23,900 --> 00:14:26,870
BUT I’M WITH YOU TWO.
YOU’RE SMART ENOUGH TO FIND ME,
310
00:14:26,910 --> 00:14:29,450
YOU’RE SMART ENOUGH
TO KEEP ME SAFE.
311
00:14:29,470 --> 00:14:31,140
ALL RIGHT.
312
00:14:38,580 --> 00:14:41,480
THE BUS DRIVER
TOLD SORENSON 1‐F.
313
00:14:49,960 --> 00:14:51,430
Man: YEAH?
314
00:14:51,460 --> 00:14:53,600
YEAH, SPENCE WEBBER?
315
00:14:53,630 --> 00:14:55,630
YEAH?
316
00:14:55,670 --> 00:14:57,140
A MEDAVOY AND JONES
317
00:14:57,170 --> 00:14:59,800
FROM THE MTA
REPARATION DEPARTMENT.
318
00:14:59,840 --> 00:15:01,000
YEAH?
319
00:15:01,040 --> 00:15:03,670
UM, WE UNDERSTAND
THAT YOU WERE INVOLVED
320
00:15:03,710 --> 00:15:06,680
IN A COLLISION
WITH AN MTA BUS A MONTH AGO.
321
00:15:06,710 --> 00:15:09,580
OKAY.
322
00:15:09,610 --> 00:15:14,020
WELL, WE’VE BEEN ASSIGNED
TO ISSUE A SETTLEMENT CHECK.
323
00:15:14,050 --> 00:15:16,650
OH, HELL YEAH.
HOW MUCH?
324
00:15:16,690 --> 00:15:19,120
CAN’T SAY.
325
00:15:19,160 --> 00:15:21,300
SEE, THE PROBLEM
WE’RE ENCOUNTERING, SPENCE,
326
00:15:21,330 --> 00:15:24,200
IS THAT THERE WERE NO WITNESSES
TO SUBSTANTIATE YOUR CLAIM
327
00:15:24,230 --> 00:15:25,290
OTHER THAN THE DRIVER,
328
00:15:25,330 --> 00:15:26,630
BUT SINCE SHE WORKS
FOR THE MTA,
329
00:15:26,670 --> 00:15:29,470
SHE’S WHAT THEY CALL
A COMPROMISED TESTIMONIAL,
330
00:15:29,500 --> 00:15:31,800
WHICH IS THEIR
FANCY WAY OF SAYING
331
00:15:31,840 --> 00:15:33,850
THAT HER VERSION
CAN’T BE USED.
332
00:15:33,870 --> 00:15:36,170
BUT MY BUDDY JAY
WAS DRIVING WITH ME ‐‐
333
00:15:36,210 --> 00:15:39,120
JASON BAZEDON.
HE WAS RIDING SHOTGUN.
334
00:15:39,140 --> 00:15:40,340
HE’LL VOUCH ABSOLUTELY.
335
00:15:40,380 --> 00:15:42,140
YOU KNOW HOW WE CAN
GET IN TOUCH WITH HIM?
336
00:15:42,180 --> 00:15:45,980
HELL, YES, I DO. I THINK
HE JUST LEFT FOR ATLANTIC CITY.
337
00:15:46,020 --> 00:15:47,260
HE AIN’T BACK TILL TOMORROW,
THOUGH.
338
00:15:48,750 --> 00:15:49,990
THAT’S FINE.
339
00:15:50,020 --> 00:15:52,150
OKAY, WAIT RIGHT HERE.
I’LL BE RIGHT BACK.
340
00:15:52,190 --> 00:15:54,020
ALL RIGHT,
WE’LL BE RIGHT HERE.
341
00:15:55,690 --> 00:15:58,590
[ WHISTLES ]
342
00:16:12,580 --> 00:16:14,520
SO WHAT’S THE PLAN
FOR TOMORROW?
343
00:16:14,550 --> 00:16:17,090
UM, THE PERP
IS IN ATLANTIC CITY.
344
00:16:17,120 --> 00:16:18,890
WE’LL SET UP ON HIS APARTMENT
AT 6:00 A. M.
345
00:16:18,920 --> 00:16:20,160
AND WAIT FOR HIM.
346
00:16:20,180 --> 00:16:21,550
GOOD NIGHT, YOU GUYS.
347
00:16:21,590 --> 00:16:24,400
YOU SURE YOU DON’T WANT ME
TO ARRANGE FOR A HOTEL?
348
00:16:24,420 --> 00:16:26,920
THIS IS WHAT
SHE’S COMFORTABLE WITH.
349
00:16:26,960 --> 00:16:28,690
THE WITNESS
WE’RE DELIVERING TOMORROW ‐‐
350
00:16:28,730 --> 00:16:30,700
ME AND DIANE ARE
KEEPING HER STASHED TONIGHT
351
00:16:30,730 --> 00:16:32,190
AT DIANE’S APARTMENT.
352
00:16:32,230 --> 00:16:33,700
BREAK OUT THE JIFFY POP.
353
00:16:33,730 --> 00:16:35,200
YEAH, DROP BY.
354
00:16:35,230 --> 00:16:37,030
WE’LL FRENCH BRAID
EACH OTHER’S HAIR.
355
00:16:37,070 --> 00:16:40,500
HA HA.
HERE’S THE PERP’S SHEET.
356
00:16:40,540 --> 00:16:43,200
IT’S A DECENT RECORD.
VARIETY OF SCAMS.
357
00:16:43,240 --> 00:16:44,710
WEAPONS CHARGE.
358
00:16:44,740 --> 00:16:47,210
HE BEAT A MURDER RAP
AT TRIAL TWO YEARS AGO.
359
00:16:47,250 --> 00:16:50,890
SO RUN A PHOTO ARRAY
FOR TODAY’S CLERK.
360
00:16:50,920 --> 00:16:52,560
WE’D RATHER TRY
AND FLIP THIS ASSHOLE
361
00:16:52,580 --> 00:16:53,880
WITHOUT GETTING HER
IN THE MIDDLE.
362
00:16:53,920 --> 00:16:55,420
DEFINITELY.
363
00:16:55,450 --> 00:16:57,720
ALL RIGHT. GOOD NIGHT.
364
00:16:57,760 --> 00:16:58,900
GOOD NIGHT, BOSS.
365
00:16:58,920 --> 00:17:02,560
YEAH, GOOD NIGHT.
366
00:17:02,590 --> 00:17:05,760
NOW THIS IS
MORE LIKE IT, HUH?
367
00:17:05,800 --> 00:17:06,940
HE ASKS US
WHAT WE’RE GOING TO DO.
368
00:17:06,970 --> 00:17:08,740
WE TELL HIM
WHAT WE’RE GOING TO DO.
369
00:17:08,770 --> 00:17:10,940
END OF CONVERSATION.
370
00:17:10,970 --> 00:17:13,600
ANDY, I GOT TO TALK
TO YOU ABOUT SOMETHING.
371
00:17:13,640 --> 00:17:15,600
ALL RIGHT.
372
00:17:33,260 --> 00:17:34,530
WHY DON’T YOU JUST
COME OUT WITH IT?
373
00:17:35,790 --> 00:17:37,830
I’M LOOKING INTO
TRANSFERRING OUT OF HERE,
374
00:17:37,860 --> 00:17:39,430
AND OBVIOUSLY I WANTED YOU
TO KNOW FIRST.
375
00:17:39,460 --> 00:17:41,260
WHAT HAPPENED? WHY?
376
00:17:41,300 --> 00:17:45,300
I THOUGHT I HAD A HANDLE
ON THIS DIANE THING.
377
00:17:45,340 --> 00:17:47,250
BUT YOU DON’T.
378
00:17:47,270 --> 00:17:48,740
NO.
I WAS OVER IT
379
00:17:48,770 --> 00:17:51,510
AS LONG AS SHE WASN’T SEEING
ANYBODY ELSE, I GUESS.
380
00:17:51,540 --> 00:17:52,940
AND THAT’S
EATING AT YOU.
381
00:17:52,980 --> 00:17:56,020
LAST NIGHT I WAS PARKED OUTSIDE
OF HER APARTMENT BUILDING
382
00:17:56,050 --> 00:17:59,120
LOOKING UP AT HER WINDOW.
WELL, THAT AIN’T GOOD.
383
00:17:59,150 --> 00:18:01,520
NO, AND THAT’S SOMETHING
IF YOU’D HAVE TOLD ME
384
00:18:01,550 --> 00:18:02,820
SIX MONTHS AGO
I’D HAVE BEEN DOING IT,
385
00:18:02,850 --> 00:18:04,490
I’D HAVE LAUGHED
IN YOUR FACE.
386
00:18:04,520 --> 00:18:06,660
PARKED OUTSIDE HER APARTMENT
IS ONE THING.
387
00:18:06,690 --> 00:18:08,790
KICKING IN HER DOOR,
THAT’S ANOTHER.
388
00:18:08,830 --> 00:18:10,840
I’D NEVER DO SOMETHING
LIKE THAT.
389
00:18:10,860 --> 00:18:12,360
THAT AIN’T FAR‐FETCHED.
390
00:18:12,400 --> 00:18:15,510
I KNOW GUYS THAT HAVE DONE IT
OVER THE SAME DAMN THING.
391
00:18:15,530 --> 00:18:18,770
WHICH IS WHY I’VE BEEN THINKING
I SHOULD TRANSFER OUT OF HERE.
392
00:18:18,800 --> 00:18:22,140
BEFORE YOU DO SOMETHING
YOU’LL REGRET.
393
00:18:22,170 --> 00:18:24,140
I ALREADY REGRET
WHAT I’VE DONE,
394
00:18:24,180 --> 00:18:26,480
AND I CAN’T IMAGINE
WHAT I’D FEEL LIKE
395
00:18:26,510 --> 00:18:28,340
IF I DID SOMETHING WORSE.
396
00:18:31,350 --> 00:18:34,520
THEN, YEAH.
397
00:18:34,550 --> 00:18:36,890
MAYBE THAT’S SOMETHING
YOU NEED TO CONSIDER.
398
00:18:36,920 --> 00:18:40,560
I’LL TELL
THE BOSS TOMORROW,
399
00:18:40,590 --> 00:18:43,020
AND I’LL KEEP YOU POSTED.
400
00:18:43,060 --> 00:18:45,060
THANKS.
401
00:19:01,110 --> 00:19:04,480
TISHA, TRY AND RELAX.
IT’S GOING TO BE ALL RIGHT.
402
00:19:04,520 --> 00:19:06,990
IT’S NOT THAT.
IT’S BEING BACK IN NEW YORK.
403
00:19:07,020 --> 00:19:11,020
JUST BEING HERE MAKES ME WANT
TO GET HIGH AGAIN.
404
00:19:11,060 --> 00:19:13,530
DID YOU KNOW THE GUY
WHO GOT LOCKED UP?
405
00:19:13,560 --> 00:19:15,190
KIND OF.
406
00:19:15,230 --> 00:19:16,740
WAS HE YOUR DEALER?
407
00:19:16,760 --> 00:19:20,200
HE MOSTLY HAD FOOLS DEALING
FOR HIM, BUT I KNEW HIM.
408
00:19:20,230 --> 00:19:22,760
WELL,
YOU LEAVING THE CITY ‐‐
409
00:19:22,800 --> 00:19:25,200
THAT SOUNDS LIKE MAYBE IT WAS
A BLESSING IN DISGUISE.
410
00:19:25,240 --> 00:19:28,050
NO JOKE. I’D HAVE O. D.’d
WITHIN A YEAR IF I STAYED,
411
00:19:28,070 --> 00:19:32,040
IF FAT CAT DIDN’T
HAVE ME KILLED FIRST.
412
00:19:34,950 --> 00:19:38,020
IS THIS YOUR MAN?
413
00:19:38,050 --> 00:19:39,750
MY LATE HUSBAND.
414
00:19:39,780 --> 00:19:41,350
HOW LONG AGO
DID HE DIE?
415
00:19:41,390 --> 00:19:43,090
TWO YEARS.
416
00:19:43,120 --> 00:19:44,920
AND YOU STILL GOT
HIS PICTURE UP?
417
00:19:44,960 --> 00:19:48,200
ALL MY PEOPLE WHO HAVE DIED?
I KEEP A SCRAPBOOK,
418
00:19:48,230 --> 00:19:49,740
AND I LOOK AT IT
WHEN I NEED TO.
419
00:19:49,760 --> 00:19:51,560
NO WAY COULD I HAVE
THEIR PICTURES UP. TOO HARD.
420
00:19:51,600 --> 00:19:53,740
EVERYONE HAS GOT
THEIR WAY OF DOING IT.
421
00:19:53,770 --> 00:19:55,110
DID YOU LIVE HERE
WITH HIM?
422
00:19:55,130 --> 00:19:56,400
YEAH.
423
00:19:56,430 --> 00:19:58,800
GIRL, MOVE.
424
00:19:58,840 --> 00:20:00,610
TISHA,
HAS IT DAWNED ON YOU YET
425
00:20:00,640 --> 00:20:02,140
THIS MIGHT BE
A SENSITIVE SUBJECT?
426
00:20:02,170 --> 00:20:03,400
YEAH, BUT SHE’S STILL
GOT TO MOVE.
427
00:20:03,440 --> 00:20:05,240
NOTHING SAYS YOU GOT
TO STAY IN ONE SPOT.
428
00:20:05,280 --> 00:20:07,550
THAT’S WHAT I THOUGHT WHEN
THIS WHOLE THING WENT DOWN.
429
00:20:07,580 --> 00:20:09,910
IF I MOVE OUT OF NEW YORK,
I’LL FALL APART,
430
00:20:09,950 --> 00:20:11,950
BUT THAT’S JUST
YOUR FEARS TALKING.
431
00:20:11,980 --> 00:20:14,720
I APPRECIATE THE INSIGHT.
432
00:20:14,750 --> 00:20:16,250
YOU CAN FEEL IT.
433
00:20:16,290 --> 00:20:18,260
YOU’VE BEEN STUCK HERE
TOO LONG.
434
00:20:18,290 --> 00:20:19,620
YOU NEED TO GET UP
OUT OF THIS PLACE.
435
00:20:20,960 --> 00:20:24,330
EVERYBODY’S GOT
AN OPINION, RIGHT?
436
00:20:24,360 --> 00:20:26,330
YEAH.
437
00:20:50,320 --> 00:20:51,990
GOOD MORNING, JOHN.
MISS HAYWOOD.
438
00:20:52,020 --> 00:20:53,120
IS THE WITNESS HERE?
439
00:20:53,160 --> 00:20:54,630
UH, YEAH.
SHE’S IN THE COFFEE ROOM.
440
00:20:54,660 --> 00:20:55,660
I’LL GET HER.
441
00:21:00,400 --> 00:21:02,260
THANK YOU FOR THIS.
Diane: NO PROBLEM.
442
00:21:02,300 --> 00:21:03,260
YOU’RE TAKING HER
TO COURT YOURSELF?
443
00:21:03,300 --> 00:21:05,300
NO. MY INVESTIGATORS
ARE DOWNSTAIRS.
444
00:21:05,340 --> 00:21:06,950
THEY’RE
A LITTLE EMBARRASSED
445
00:21:06,970 --> 00:21:08,340
WITH HAVING TO GET
YOU GUYS INVOLVED.
446
00:21:08,370 --> 00:21:09,500
TELL THEM
NOT TO WORRY ABOUT IT.
447
00:21:11,840 --> 00:21:14,140
TISHA, THIS IS A. D. A.
VALERIE HAYWOOD.
448
00:21:14,180 --> 00:21:16,180
SHE’LL TAKE CARE OF YOU
FROM HERE.
449
00:21:16,210 --> 00:21:18,010
NICE TO MEET YOU,
TISHA.
450
00:21:18,050 --> 00:21:19,820
I REALLY APPRECIATE
YOUR COOPERATION.
451
00:21:19,850 --> 00:21:21,450
AS QUICK AS YOU CAN MAKE IT,
ALL RIGHT?
452
00:21:21,490 --> 00:21:23,660
ABSOLUTELY.
453
00:21:23,690 --> 00:21:26,150
NICE MEETING YOU.
YOU, TOO.
454
00:21:26,190 --> 00:21:28,790
SEE YOU LATER.
YOU’RE GOING TO BE FINE.
455
00:21:28,830 --> 00:21:31,340
REMEMBER WHAT I SAID.
456
00:21:31,360 --> 00:21:35,330
I’LL REMEMBER.
457
00:21:41,040 --> 00:21:44,240
COLORFUL HISTORY
YOU GOT HERE, JASON.
458
00:21:44,280 --> 00:21:45,750
COLORFUL?
459
00:21:45,780 --> 00:21:48,020
YOU STARTED YOUNG.
460
00:21:48,050 --> 00:21:49,860
YES, SIR.
UNFORTUNATELY, I DID.
461
00:21:49,880 --> 00:21:52,550
YOU BEAT A MURDER RAP
AT TRIAL TWO YEARS AGO.
462
00:21:52,580 --> 00:21:54,520
I DON’T LIKE
THE WORD "BEAT."
463
00:21:54,550 --> 00:21:56,550
IT MAKES IT SOUND LIKE
I REALLY DID IT AND GOT OFF.
464
00:21:56,590 --> 00:21:59,560
NO. I TALKED TO THE DETECTIVE
WHO INVESTIGATED THE CASE.
465
00:21:59,590 --> 00:22:01,220
YOU BEAT IT.
466
00:22:01,260 --> 00:22:03,220
DETECTIVE FLANNIGAN?
467
00:22:03,260 --> 00:22:05,390
I’M ASSUMING THAT’S WHO
YOU’RE REFERRING TO.
468
00:22:05,430 --> 00:22:08,230
HE’S GOT HIS OPINION,
AND I GOT MINE.
469
00:22:08,270 --> 00:22:10,280
WHAT WERE YOU DOING
YESTERDAY MORNING,
470
00:22:10,300 --> 00:22:11,370
SAY, 10:00 A. M.?
471
00:22:11,400 --> 00:22:13,670
WALKING.
PEOPLE‐WATCHING.
472
00:22:13,710 --> 00:22:15,080
WHEREABOUTS?
473
00:22:15,110 --> 00:22:17,680
ALL OVER.
474
00:22:17,710 --> 00:22:19,210
YOU GOT A JOB?
475
00:22:19,240 --> 00:22:22,010
NO. I’M BETWEEN JOBS.
476
00:22:22,050 --> 00:22:23,560
HOW DO YOU GET
YOUR MONEY?
477
00:22:23,580 --> 00:22:27,750
LITTLE GIGS HERE AND THERE.
ASK AND YE SHALL RECEIVE.
478
00:22:27,790 --> 00:22:29,190
THAT’S MY POLICY.
479
00:22:29,220 --> 00:22:32,020
I DON’T TRIP WHERE MY NEXT
BUCK’S GONNA COME FROM,
480
00:22:32,060 --> 00:22:34,030
IT JUST ALWAYS DOES.
481
00:22:34,060 --> 00:22:36,730
YOU EVER DRIVEN TO CANADA,
JASON?
482
00:22:36,760 --> 00:22:38,130
YEAH, ACTUALLY, I HAVE.
483
00:22:38,160 --> 00:22:39,460
REMEMBER DRIVING UP THERE ‐‐
484
00:22:39,500 --> 00:22:41,110
GETTING READY
TO CROSS THE BORDER
485
00:22:41,130 --> 00:22:42,730
THERE’S THAT LAST EXIT ‐‐
486
00:22:42,770 --> 00:22:46,240
THAT LAST CHANCE THEY GIVE YOU
TO STAY IN THE UNITED STATES?
487
00:22:46,270 --> 00:22:47,900
I DO REMEMBER.
488
00:22:47,940 --> 00:22:50,410
WE KNOW YOU ROBBED THAT
CLOTHING STORE ON GRAND.
489
00:22:50,440 --> 00:22:51,640
WE KNOW
YOU SHOT THAT GUY.
490
00:22:51,680 --> 00:22:52,920
WE GOT WITNESSES
THAT PUT YOU THERE.
491
00:22:52,940 --> 00:22:55,910
THIS IS YOUR CHANCE
RIGHT HERE TO COME CLEAN,
492
00:22:55,950 --> 00:22:58,260
AND WE’LL WORK ON HOW IT WAS
A ROBBERY GONE BAD.
493
00:22:58,280 --> 00:23:00,250
IF YOU MAKE US
ROUND UP THESE WITNESSES
494
00:23:00,280 --> 00:23:02,050
AND GO THROUGH ALL THIS
PAPERWORK AND MAN‐HOURS
495
00:23:02,090 --> 00:23:04,060
PROVING WHAT
WE ALREADY KNOW,
496
00:23:04,090 --> 00:23:06,090
THIS WHOLE THING IS GOING
TO TURN ADVERSARIAL,
497
00:23:06,120 --> 00:23:07,990
AND IT’S GOING
TO BE WORSE FOR YOU.
498
00:23:08,030 --> 00:23:10,600
I’LL BE HEADING INTO CANADA,
IN OTHER WORDS.
499
00:23:10,630 --> 00:23:13,600
THIS IS YOUR CHANCE.
MANY YEARS OF YOUR LIFE
500
00:23:13,630 --> 00:23:16,770
ARE GOING TO BE DECIDED
BY YOU RIGHT NOW OR BY US LATER.
501
00:23:16,800 --> 00:23:19,270
DO YOU KNOW WHY
I GOT INTO THAT JAM
502
00:23:19,300 --> 00:23:22,300
WITH THAT MURDER TWO YEARS AGO
TO BEGIN WITH?
503
00:23:22,340 --> 00:23:24,070
WHY I ALMOST
GOT SENTENCED FOR IT?
504
00:23:24,110 --> 00:23:26,170
BY TALKING TO DETECTIVES
505
00:23:26,210 --> 00:23:29,180
WHO ACTED LIKE THEY GAVE
A DAMN ABOUT ME.
506
00:23:29,210 --> 00:23:32,280
NOW YOU WANT TO TALK
ABOUT CANADA? FINE.
507
00:23:32,320 --> 00:23:34,690
I ACTUALLY HAVE SOME FUNNY
STORIES TO SHARE ABOUT THAT,
508
00:23:34,720 --> 00:23:37,790
BUT AS FAR AS CRIMINAL ACTS
I DID NOT DO...
509
00:23:37,820 --> 00:23:41,660
I GOT NOTHING TO SAY
ABOUT NOTHING.
510
00:23:47,330 --> 00:23:49,800
DO WE LEAN ON HIM
A LITTLE?
511
00:23:49,830 --> 00:23:52,270
NO. HE’S ONE OF THOSE GUYS
WHO COULD TAKE THE BEATING.
512
00:23:52,300 --> 00:23:53,800
HE’D PROBABLY ENJOY IT.
513
00:23:53,840 --> 00:23:54,840
WE’RE GOING
TO HAVE TO BRING IN
514
00:23:54,870 --> 00:23:55,870
THAT SALES CLERK
FROM YESTERDAY.
515
00:23:55,910 --> 00:23:56,880
GET HER TO MAKE AN I. D.
516
00:23:56,910 --> 00:23:58,170
LOOK, CAN YOU
TAKE CARE OF THAT?
517
00:23:58,210 --> 00:23:59,610
I GOT TO TALK
TO THE LIEUTENANT
518
00:23:59,640 --> 00:24:00,540
ABOUT THAT THING.
519
00:24:01,850 --> 00:24:03,320
OKAY.
520
00:24:10,020 --> 00:24:11,890
YOU GOT A MINUTE?
521
00:24:11,920 --> 00:24:13,250
SURE.
522
00:24:16,530 --> 00:24:20,010
UM...I’M PUTTING IN
FOR A TRANSFER.
523
00:24:20,030 --> 00:24:22,500
OBVIOUSLY, YOU’RE GOING
TO HAVE TO SIGN IT,
524
00:24:22,530 --> 00:24:24,000
SO I’M GIVING YOU
A HEADS‐UP.
525
00:24:24,040 --> 00:24:25,340
IS THIS ABOUT ME?
526
00:24:25,370 --> 00:24:26,500
NO, NOT AT ALL.
527
00:24:26,540 --> 00:24:28,080
YOU’RE A GREAT GUY.
528
00:24:28,110 --> 00:24:30,080
YOU’RE ALREADY
A GREAT BOSS.
529
00:24:30,110 --> 00:24:31,070
ARE YOU GOING
TO GIVE ME A CHANCE
530
00:24:31,110 --> 00:24:32,710
TO TALK YOU
OUT OF IT?
531
00:24:32,740 --> 00:24:33,840
I MEAN, I’M NOT GOING
TO LET A TOP DETECTIVE
532
00:24:33,880 --> 00:24:35,740
GET OUT OF MY SQUAD
WITHOUT A FIGHT.
533
00:24:35,780 --> 00:24:37,480
NO, THIS IS A DONE DEAL.
534
00:24:37,520 --> 00:24:39,220
MIND IF I ASK WHY?
535
00:24:39,250 --> 00:24:42,350
PERSONAL REASONS, UM,
NOTHING I WANT TO GET INTO.
536
00:24:44,290 --> 00:24:47,160
HOW ABOUT WE TALK
OPENLY HERE FOR A MINUTE?
537
00:24:47,190 --> 00:24:48,660
I DON’T KNOW
HOW OPEN I CAN BE,
538
00:24:48,690 --> 00:24:50,030
SEEING AS IT’S PERSONAL,
539
00:24:50,060 --> 00:24:52,030
AND I DON’T REALLY WANT
TO GET INTO IT.
540
00:24:52,060 --> 00:24:55,000
FAIR ENOUGH.
I’M NOT SURE IF THIS IS GOING
541
00:24:55,030 --> 00:24:57,400
TO AFFECT YOUR DECISION,
BUT, UH, YOU SHOULD KNOW
542
00:24:57,440 --> 00:24:59,580
DIANE’S PUTTING IN
FOR A TRANSFER AS WELL.
543
00:24:59,600 --> 00:25:01,370
WHEN DID THIS HAPPEN?
544
00:25:01,410 --> 00:25:03,650
THIS MORNING.
545
00:25:20,830 --> 00:25:23,640
I, UH,
I GUESS WE SHOULD TALK.
546
00:25:23,660 --> 00:25:25,930
YEAH, WE PROBABLY SHOULD.
547
00:25:36,310 --> 00:25:38,980
YOU’RE TRANSFERRING OUT?
548
00:25:39,010 --> 00:25:40,410
YEAH, I AM.
549
00:25:40,440 --> 00:25:41,880
YOU DON’T NEED TO.
550
00:25:41,910 --> 00:25:44,410
ACTUALLY, I DO.
551
00:25:44,450 --> 00:25:45,750
NO, DIANE,
THIS IS ON ME.
552
00:25:45,780 --> 00:25:47,380
NO, IT’S NOT, DANNY.
553
00:25:47,420 --> 00:25:49,380
IT IS.
I THOUGHT I COULD HANDLE IT
554
00:25:49,420 --> 00:25:50,750
AND I CAN’T,
555
00:25:50,790 --> 00:25:52,890
AND WHATEVER VIBE
THAT I’M PUTTING OUT THERE
556
00:25:52,920 --> 00:25:54,420
THAT’S MAKING YOU
UNCOMFORTABLE,
557
00:25:54,460 --> 00:25:56,630
I APOLOGIZE FOR THAT.
558
00:25:56,660 --> 00:25:58,430
LET ME BE THE ONE
TO LEAVE.
559
00:25:58,460 --> 00:26:00,160
YOU DON’T NEED
TO DISRUPT YOUR LIFE.
560
00:26:00,200 --> 00:26:02,230
DANNY, I DO NEED
TO DISRUPT IT.
561
00:26:02,270 --> 00:26:04,510
I NEED CHANGE.
562
00:26:04,540 --> 00:26:06,340
EVERYWHERE I LOOK
IN THIS PLACE,
563
00:26:06,370 --> 00:26:09,340
I SEE THE PEOPLE AND THINGS
THAT HOLD ME TO MY PAST
564
00:26:09,370 --> 00:26:11,840
AND...I NEEDED THAT
FOR A LONG TIME,
565
00:26:11,880 --> 00:26:14,020
BUT NOW I HAVE A CHANCE
TO MOVE FORWARD,
566
00:26:14,050 --> 00:26:16,490
SO I GOT TO TAKE
THAT CHANCE.
567
00:26:16,510 --> 00:26:20,180
I‐I FEEL LIKE I DROVE YOU
OUT OF HERE.
568
00:26:20,220 --> 00:26:23,180
NO. YOU DIDN’T.
569
00:26:23,220 --> 00:26:25,150
IT’S JUST TIME
FOR ME TO LEAVE.
570
00:26:46,180 --> 00:26:49,790
WE HAVE A SUSPECT IN CUSTODY
ON WHAT HAPPENED YESTERDAY.
571
00:26:49,810 --> 00:26:51,110
GREAT.
572
00:26:51,150 --> 00:26:53,450
RIGHT NOW WE’RE BUILDING
A CASE AGAINST HIM.
573
00:26:53,480 --> 00:26:54,720
OKAY.
574
00:26:54,750 --> 00:26:57,050
ONE OF THE THINGS THAT WE NEED
TO PUT THIS GUY AWAY
575
00:26:57,090 --> 00:26:58,820
FOR KILLING THAT MAN
IN YOUR STORE
576
00:26:58,860 --> 00:27:00,530
IS A POSITIVE I. D.
577
00:27:00,560 --> 00:27:02,020
FROM WHO?
578
00:27:02,060 --> 00:27:03,320
FROM YOU.
579
00:27:03,360 --> 00:27:06,530
I‐I DIDN’T GET
A GOOD LOOK AT HIM.
580
00:27:06,570 --> 00:27:08,510
UH, MOLLY, AHEM,
581
00:27:08,530 --> 00:27:11,170
WE RAN THIS GUY’S RECORD
AND A PATTERN CAME UP
582
00:27:11,200 --> 00:27:12,570
AS FAR AS HOW HE DOES
HIS STICKUPS.
583
00:27:12,600 --> 00:27:15,000
NOW WE KNOW, BASED
ON WHAT HE’S DONE BEFORE,
584
00:27:15,040 --> 00:27:16,670
THAT HE MUST HAVE
THREATENED YOU.
585
00:27:16,710 --> 00:27:18,170
DID HE TAKE YOUR I. D.
586
00:27:18,210 --> 00:27:20,180
AND SAY HE KNEW
WHERE YOU LIVED?
587
00:27:20,210 --> 00:27:21,840
I REALLY DON’T WANT
TO GET INVOLVED.
588
00:27:21,880 --> 00:27:24,510
WELL, LOOK AT THESE PHOTOS
AND SEE IF YOU CAN SPOT HIM.
589
00:27:24,550 --> 00:27:26,650
UH, THAT WAY WE’RE SURE
WE’RE DEALING WITH THE RIGHT GUY
590
00:27:26,690 --> 00:27:28,930
AND WE CAN GO AT HIM
AND GET A CONFESSION
591
00:27:28,950 --> 00:27:31,190
AND YOU DON’T HAVE TO WORRY
ABOUT NOTHING.
592
00:27:33,890 --> 00:27:36,520
HE SAID HE’D KILL ME.
593
00:27:36,560 --> 00:27:37,830
HE’S A COWARD.
594
00:27:37,860 --> 00:27:39,030
JUST GIVE US
A LITTLE HELP, MOLLY,
595
00:27:39,060 --> 00:27:40,200
SO WE CAN PUT HIM AWAY
596
00:27:40,230 --> 00:27:41,830
AND MAKE SURE
HE DOESN’T DO THIS AGAIN.
597
00:27:41,870 --> 00:27:43,910
THEN I CAN GO HOME?
SURE.
598
00:27:52,640 --> 00:27:55,610
HIM.
599
00:28:00,280 --> 00:28:03,120
IT, UH, IT JUST CAME TOGETHER
REALLY CLEARLY IN MY HEAD.
600
00:28:03,150 --> 00:28:05,120
IT’S A GOOD MOVE.
START FRESH.
601
00:28:05,160 --> 00:28:06,630
THAT’S EXACTLY IT.
602
00:28:06,660 --> 00:28:09,190
HOPEFULLY, A SPOT WILL
OPEN UP SOMEWHERE SOON.
603
00:28:09,230 --> 00:28:11,040
TRANSFERS CAN TAKE A WHILE
TO GO THROUGH ‐‐
604
00:28:11,060 --> 00:28:12,890
A WEEK,
SOMETIMES A YEAR.
605
00:28:12,930 --> 00:28:14,900
YEAH, BUT I’M GOING
TO PULL, UH,
606
00:28:14,930 --> 00:28:17,400
WHATEVER FAVORS I GOT
TO MAKE IT HAPPEN.
607
00:28:17,440 --> 00:28:19,240
IF YOU WANT TO MAKE A CHANGE
SOONER THAN LATER,
608
00:28:19,270 --> 00:28:21,070
HAVE YOU THOUGHT
ABOUT JUST TAKING
609
00:28:21,110 --> 00:28:22,910
A HARDSHIP
LEAVE OF ABSENCE?
610
00:28:22,940 --> 00:28:24,410
NO. NO, I HAVEN’T.
611
00:28:24,440 --> 00:28:26,880
DID YOU TAKE ONE
WHEN BOBBY DIED?
612
00:28:26,910 --> 00:28:28,410
NO. WORKING WAS ALWAYS
613
00:28:28,450 --> 00:28:30,760
WHAT GOT ME
THROUGH THE WORST DAYS.
614
00:28:30,780 --> 00:28:32,410
STILL FEEL THAT WAY?
615
00:28:32,450 --> 00:28:33,880
NO.
616
00:28:33,920 --> 00:28:35,720
LEAVES OF ABSENCE ARE MEANT
617
00:28:35,750 --> 00:28:38,550
FOR PEOPLE TO STRAIGHTEN OUT
SITUATIONS IN THEIR LIVES.
618
00:28:38,590 --> 00:28:40,420
THIS WAS TWO YEARS AGO.
619
00:28:40,460 --> 00:28:42,420
TELL THEM YOU DIDN’T
GET IT BEHIND YOU
620
00:28:42,460 --> 00:28:43,930
AND YOU NEED TIME NOW.
621
00:28:43,960 --> 00:28:45,590
BOBBY WAS ON THE JOB.
622
00:28:45,630 --> 00:28:48,660
THERE’S NOBODY GOING
TO TURN THAT DOWN.
623
00:28:48,700 --> 00:28:50,270
CAN YOU AFFORD IT?
624
00:28:50,300 --> 00:28:51,930
YEAH,
WHEN, UH, BOBBY DIED ‐‐
625
00:28:51,970 --> 00:28:53,600
THE UNION INSURANCE.
626
00:28:53,640 --> 00:28:55,570
SO MAYBE
YOU PUT IN FOR A YEAR,
627
00:28:55,610 --> 00:28:57,080
SEE HOW YOU FEEL.
628
00:28:57,110 --> 00:28:59,240
EITHER WAY, YOU CAN COME BACK
AS QUICK AS YOU WANT.
629
00:28:59,280 --> 00:29:01,520
IF IT’S A WEEK FROM NOW,
IT’S A PHONE CALL,
630
00:29:01,550 --> 00:29:04,920
AND YOU’RE BACK ON THE JOB.
631
00:29:04,950 --> 00:29:06,680
IT’S SOMETHING
TO THINK ABOUT.
632
00:29:06,720 --> 00:29:08,420
I’VE BEEN THINKING
ABOUT IT.
633
00:29:08,450 --> 00:29:10,350
I’M TIRED OF THINKING
ABOUT IT.
634
00:29:10,390 --> 00:29:11,750
THIS SOUNDS GOOD.
635
00:29:11,790 --> 00:29:14,620
THIS COULD GO
INTO EFFECT...
636
00:29:14,660 --> 00:29:16,790
MINE TOOK TWO DAYS
TO PROCESS.
637
00:29:16,830 --> 00:29:18,930
WHEN DID YOU
TAKE A LEAVE?
638
00:29:18,960 --> 00:29:20,630
WHEN MY DAD DIED.
639
00:29:20,670 --> 00:29:23,610
SORRY TO HEAR THAT.
WAS HE ON THE JOB?
640
00:29:23,640 --> 00:29:25,710
HE WAS A CHIEF OF POLICE
641
00:29:25,740 --> 00:29:27,450
UPSTATE ‐‐
SARATOGA SPRINGS.
642
00:29:27,470 --> 00:29:29,440
HOW LONG
DID YOU TAKE OFF?
643
00:29:29,470 --> 00:29:30,610
SIX MONTHS.
644
00:29:30,640 --> 00:29:32,140
[ KNOCK ON DOOR ]
645
00:29:32,180 --> 00:29:33,990
COME ON IN.
646
00:29:34,010 --> 00:29:36,340
A.D.A. HAYWOOD CALLED.
THEY LOST THE WITNESS.
647
00:29:36,380 --> 00:29:38,450
TISHA?
FROM THIS MORNING?
648
00:29:38,480 --> 00:29:40,780
ONE OF THE DEFENSE LAWYERS
HAD FOOD POISONING,
649
00:29:40,820 --> 00:29:42,320
SO THEY GOT A CONTINUANCE
FOR THE DAY
650
00:29:42,350 --> 00:29:43,650
AND SHE WAS DEALING
WITH THAT
651
00:29:43,690 --> 00:29:45,320
AND THEY LEFT TISHA ALONE
FOR A MINUTE
652
00:29:45,360 --> 00:29:46,670
AND SHE TOOK OFF.
653
00:29:46,690 --> 00:29:48,720
UH, UH, SHE ASKED
I‐IF YOU’D KNOW
654
00:29:48,760 --> 00:29:50,730
WHERE TO LOOK FOR HER.
655
00:29:50,760 --> 00:29:52,730
HER SISTER,
HER OLD SPOTS...
656
00:29:52,760 --> 00:29:55,230
I MEAN, OUR GUESS IS
AS GOOD AS ANYBODY ELSE’S.
657
00:29:55,270 --> 00:29:56,880
SHE’S GOING
TO CALL BACK.
658
00:29:56,900 --> 00:29:59,200
TELL HER
WE’RE HEADING DOWN THERE.
659
00:30:01,340 --> 00:30:04,010
DID HE MAKE ANY NOISE
ABOUT LAWYERING UP?
660
00:30:04,040 --> 00:30:06,510
NOT YET, BUT HE BEAT
A MURDER RAP TWO YEARS AGO.
661
00:30:06,550 --> 00:30:08,320
SO HE KNOWS HOW IT WORKS.
662
00:30:08,350 --> 00:30:09,820
[ DOOR OPENS ]
663
00:30:09,850 --> 00:30:11,480
DID HE FLIP?
664
00:30:11,520 --> 00:30:13,090
NO.
665
00:30:15,590 --> 00:30:17,230
SO WHAT’S
THE NEXT STEP?
666
00:30:17,260 --> 00:30:19,730
WE GOT TO BRING THE CLERK
BACK FOR A LINEUP.
667
00:30:19,760 --> 00:30:21,560
SEE IF THAT
GETS HIM TO GO.
668
00:30:21,590 --> 00:30:23,990
SO NOW SHE’S LOCKED IN
FOR THE WHOLE RIDE.
669
00:30:24,030 --> 00:30:27,400
YEAH.
SHE’LL BE THRILLED.
670
00:30:40,210 --> 00:30:41,480
[ DOOR OPENS ]
671
00:30:43,480 --> 00:30:45,850
NOW, REMEMBER
THEY CAN’T SEE US.
672
00:30:45,880 --> 00:30:48,020
JUST POINT HIM OUT
IF YOU RECOGNIZE HIM
673
00:30:48,050 --> 00:30:49,420
AND WE’RE OUT OF HERE.
674
00:30:49,450 --> 00:30:51,620
AND THEN
THAT’S IT, RIGHT?
675
00:30:51,660 --> 00:30:53,030
YEAH, ONCE WE GET
A POSITIVE I. D.,
676
00:30:53,060 --> 00:30:54,530
WE GOT HIM
IN A STRANGLEHOLD.
677
00:30:54,560 --> 00:30:56,190
I STILL DON’T UNDERSTAND
WHY I HAVE TO DO THIS.
678
00:30:56,230 --> 00:30:57,600
I ALREADY IDENTIFIED HIM.
679
00:30:57,630 --> 00:31:00,630
THIS IS THE OFFICIAL I.D.
THIS IS THE LINEUP.
680
00:31:00,670 --> 00:31:03,610
THIS IS WHEN
WE REALLY BOX HIM IN.
681
00:31:10,240 --> 00:31:13,710
NUMBER 3.
682
00:31:13,750 --> 00:31:15,220
HOW’S THAT FOR QUICK?
683
00:31:15,250 --> 00:31:17,320
EVERYBODY BUT NUMBER 3
CAN GO.
684
00:31:17,350 --> 00:31:19,820
LET’S GO WAIT
IN THE COFFEE ROOM.
FOR WHAT?
685
00:31:19,850 --> 00:31:21,380
WE’RE GOING TO SEE
WHAT HE’S GOT TO SAY
686
00:31:21,420 --> 00:31:24,290
NOW THAT HE’S BEEN PICKED
OUT OF A LINEUP ‐‐ COME ON.
687
00:31:26,760 --> 00:31:29,760
YOU GUYS SHOULD TAKE A SHOT.
WE ALREADY TRIED TWICE.
688
00:31:29,790 --> 00:31:31,930
YOU GOT IT.
WE GOT TO FLIP THIS GUY.
689
00:31:31,960 --> 00:31:33,490
OKAY.
690
00:31:33,530 --> 00:31:35,260
NEXT TIME I TELL HER THAT
SHE CAN GO HOME FOR GOOD,
691
00:31:35,300 --> 00:31:37,770
I WANT TO MEAN IT.
692
00:31:45,040 --> 00:31:47,010
JASON BAZEDON?
693
00:31:47,050 --> 00:31:48,520
YEP.
694
00:31:48,550 --> 00:31:50,520
DETECTIVES MEDAVOY
AND JONES.
695
00:31:50,550 --> 00:31:52,850
EITHER ‐‐ EITHER SOMEBODY’S
CONFUSED HERE
696
00:31:52,880 --> 00:31:55,780
OR, UH, THOSE TWO DETECTIVES
DIDN’T DO THEIR JOB
697
00:31:55,820 --> 00:31:58,190
WHICH, BETWEEN YOU AND ME,
WOULDN’T BE THE FIRST TIME.
698
00:31:58,220 --> 00:32:00,620
DID THEY TELL YOU
WHAT’S GOING ON HERE?
699
00:32:00,660 --> 00:32:02,620
SOMETHING
ABOUT SOMEBODY GETTING KILLED,
700
00:32:02,660 --> 00:32:05,290
WHICH I’VE STATED REPEATEDLY
I KNOW NOTHING ABOUT.
701
00:32:05,330 --> 00:32:07,130
WERE YOU INFORMED
BY THE OTHER DETECTIVES
702
00:32:07,170 --> 00:32:08,770
THAT YOU’VE
JUST BEEN PICKED OUT?
703
00:32:08,800 --> 00:32:09,830
NO.
704
00:32:09,870 --> 00:32:11,330
[ SIGHS ]
705
00:32:11,370 --> 00:32:12,830
OKAY, WELL, THEN, UH,
706
00:32:12,870 --> 00:32:15,700
WE’RE HERE
TO LET YOU KNOW THAT.
707
00:32:15,740 --> 00:32:18,770
DOESN’T MEAN I DID ANYTHING.
708
00:32:18,810 --> 00:32:20,880
DID THOSE OTHER DETECTIVES,
UH, POINT OUT
709
00:32:20,910 --> 00:32:22,640
HOW YOU COULD HELP YOURSELF
710
00:32:22,680 --> 00:32:24,480
BY TALKING
ABOUT THE CRIME,
711
00:32:24,520 --> 00:32:26,490
ESPECIALLY NOW
THAT YOU’VE BEEN I. D.’d?
712
00:32:26,520 --> 00:32:28,160
THEY MENTIONED IT,
713
00:32:28,190 --> 00:32:30,730
BUT, LIKE I SAID,
I DIDN’T DO ANYTHING,
714
00:32:30,760 --> 00:32:33,230
SO IT KIND OF FELL
ON DEAF EARS.
715
00:32:33,260 --> 00:32:34,630
OKAY, THEN, UH,
716
00:32:34,660 --> 00:32:36,630
IT WAS ME
WHO WAS CONFUSED.
717
00:32:36,660 --> 00:32:38,330
WE’VE, UH,
718
00:32:38,360 --> 00:32:40,360
WE’VE HAD COMPLAINTS
FROM PEOPLE WHO SAID
719
00:32:40,400 --> 00:32:42,960
SOME DETECTIVES HAVE FAILED
TO PROPERLY POINT OUT
720
00:32:43,000 --> 00:32:44,800
THE ADVANTAGES OF GETTING
IN FRONT OF A CASE.
721
00:32:44,840 --> 00:32:46,680
WE WERE TOLD BY OUR BOSS
TO COME
722
00:32:46,710 --> 00:32:48,180
AND MAKE SURE
YOU DID KNOW THAT
723
00:32:48,210 --> 00:32:50,520
SINCE THIS IS GOING
TO THE GRAND JURY TOMORROW.
724
00:32:50,540 --> 00:32:52,840
NOW, IF YOU WANT TO TALK,
WE COULD TALK.
725
00:32:52,880 --> 00:32:55,350
THIS ISN’T ABOUT
WHAT’S GOOD FOR ME,
726
00:32:55,380 --> 00:32:56,910
IT’S WHAT’S GOOD FOR YOU.
727
00:32:56,950 --> 00:32:59,680
WHAT,
POSSIBLY SHAVING 10 YEARS
728
00:32:59,720 --> 00:33:01,420
OFF A CRIME
YOU WILL GET RUNG UP FOR?
729
00:33:01,450 --> 00:33:02,520
HOW’S THAT
NOT GOOD FOR YOU?
730
00:33:02,550 --> 00:33:03,920
THAT’S
WHAT THE DETECTIVES SAID
731
00:33:03,960 --> 00:33:05,830
WHEN I WAS UP ON A MURDER CHARGE
A COUPLE YEARS AGO
732
00:33:05,860 --> 00:33:08,030
AND TALKING TO THEM
ALMOST GOT ME PUT AWAY.
733
00:33:08,060 --> 00:33:10,830
WE LOOKED INTO THAT CASE.
THAT WAS ALL CIRCUMSTANTIAL.
734
00:33:10,860 --> 00:33:12,490
YOU’VE BEEN I. D.’d
IN THIS ONE.
735
00:33:12,530 --> 00:33:13,860
THIS IS A WHOLE
DIFFERENT DEAL, JASON.
736
00:33:13,900 --> 00:33:16,160
SO WHO’S SAYING
THEY SAW ME?
737
00:33:16,200 --> 00:33:18,030
THEY GOT MULTIPLE WITNESSES.
738
00:33:18,070 --> 00:33:21,770
LOOK, THIS IS MY LUCK
LATELY.
739
00:33:21,810 --> 00:33:23,950
THAT’S ON A SERIOUS DOWNTURN,
MAN.
740
00:33:23,980 --> 00:33:26,590
SERIOUS.
YOU KNOW WHEN IT STARTED?
741
00:33:26,610 --> 00:33:29,610
I WAS IN ATLANTIC CITY
TWO WEEKS AGO, ROLLING CRAPS.
742
00:33:29,650 --> 00:33:32,050
ALL THE NUMBERS COVERED,
FULL ODDS ON EVERY ONE OF THEM,
743
00:33:32,080 --> 00:33:34,880
2 GRAND BEHIND THE POINT ‐‐
KNOW WHAT I DID?
744
00:33:34,920 --> 00:33:37,450
I ROLLED ONE OF THE DICE
OFF THE TABLE.
745
00:33:37,490 --> 00:33:38,790
YOU WHAT THAT MEANS?
746
00:33:38,820 --> 00:33:40,460
YOUR NEXT ROLL’S
A SEVEN.
747
00:33:40,490 --> 00:33:43,730
EVERY TIME,
AND MY LUCK’S BEEN
748
00:33:43,760 --> 00:33:45,890
ON A SERIOUS DOWNTURN
EVER SINCE.
749
00:33:45,930 --> 00:33:47,730
WELL, DON’T MAKE IT WORSE
BY CLAMMING UP
750
00:33:47,770 --> 00:33:50,410
AND NOT EXPLAINING HOW THIS WAS
A ROBBERY THAT WENT BAD.
751
00:33:50,430 --> 00:33:52,470
YOU CLAM UP,
THE D. A. WILL MAKE IT LOOK
752
00:33:52,500 --> 00:33:54,400
LIKE YOU WANTED
TO KILL THAT GUY.
753
00:33:54,440 --> 00:33:56,570
LET US HELP YOU
WITH YOUR STATEMENT, JASON.
754
00:33:56,610 --> 00:33:58,470
WE KNOW
THE RIGHT THINGS TO SAY,
755
00:33:58,510 --> 00:34:00,610
THE THINGS
THE JUDGES WANT TO HEAR.
756
00:34:02,910 --> 00:34:05,050
YOU KNOW WHAT?
757
00:34:05,080 --> 00:34:06,880
THERE ARE
INTANGIBLES OUT THERE
758
00:34:06,920 --> 00:34:09,380
THAT HAVE ALWAYS
GUIDED ME ALONG,
759
00:34:09,420 --> 00:34:12,990
AND I APPRECIATE
YOU GUYS’ ADVICE, BUT, UH,
760
00:34:13,020 --> 00:34:15,660
I’M GOING TO PUT MY FAITH
IN THOSE INTANGIBLES AND...
761
00:34:15,690 --> 00:34:18,490
[ Whispers ]
JUST KEEP MY MOUTH SHUT.
762
00:34:18,530 --> 00:34:20,330
YOU KNOW WHAT I MEAN?
763
00:34:21,700 --> 00:34:23,630
YOU’RE MAKING A MISTAKE.
764
00:34:23,670 --> 00:34:26,600
YEAH,
I’VE MADE THEM BEFORE.
765
00:34:46,290 --> 00:34:48,760
McDOWELL, RUSSELL ‐‐
FROM THE 15th.
766
00:34:48,790 --> 00:34:49,690
OVER THERE.
767
00:34:58,400 --> 00:35:00,770
DO YOU KNOW HER?
768
00:35:00,810 --> 00:35:03,010
YEAH.
769
00:35:03,040 --> 00:35:06,010
YOU HAVE ANYBODY FOR THIS?
770
00:35:06,040 --> 00:35:07,480
NO.
771
00:35:07,510 --> 00:35:09,480
ANY WITNESSES?
772
00:35:09,510 --> 00:35:11,710
NO. THIS IS A SERIOUS
DRUG LOCATION, THOUGH.
773
00:35:11,750 --> 00:35:13,880
I GOT SOME PEOPLE
I COULD TALK TO.
774
00:35:13,920 --> 00:35:16,150
SHE MUST HAVE PANICKED,
WENT OUT LOOKING TO COP,
775
00:35:16,190 --> 00:35:17,660
AND THEY FOUND HER.
776
00:35:17,690 --> 00:35:18,850
WHO’S "THEY"?
777
00:35:18,890 --> 00:35:21,060
SHE WAS
SUPPOSED TO TESTIFY TODAY
778
00:35:21,090 --> 00:35:22,890
AGAINST A HIGH‐PROFILE DEALER,
779
00:35:22,930 --> 00:35:24,740
BILLY "FAT CAT" RICHARDS.
780
00:35:24,760 --> 00:35:27,230
SO NO CHANCE THIS WASN’T
JUST A DRUG DEAL GONE BAD.
781
00:35:27,270 --> 00:35:29,370
YOU’RE GOING TO WANT TO LOOK
INTO THIS FAT CAT RICHARDS
782
00:35:29,400 --> 00:35:32,030
AND WHO HE’S GOT WORKING
FOR HIM ON THE STREET.
783
00:35:32,070 --> 00:35:33,530
SURE.
784
00:35:35,570 --> 00:35:38,110
I’LL NOTIFY HER SISTER.
785
00:35:44,680 --> 00:35:46,310
IS IT TISHA?
786
00:35:46,350 --> 00:35:47,520
YEAH.
787
00:35:47,550 --> 00:35:49,850
I’M SORRY.
788
00:35:49,890 --> 00:35:52,220
YEAH, SO ARE WE.
789
00:36:04,770 --> 00:36:06,370
HOW DID IT GO?
790
00:36:06,400 --> 00:36:08,370
FULL STEAM AHEAD.
791
00:36:08,410 --> 00:36:10,380
DID HE ADMIT TO IT?
792
00:36:10,410 --> 00:36:11,540
NOT YET.
793
00:36:11,580 --> 00:36:12,850
HE WILL, THOUGH.
794
00:36:12,880 --> 00:36:14,520
BUT I ‐‐
I COULD GO?
795
00:36:14,550 --> 00:36:15,690
ABSOLUTELY.
796
00:36:15,710 --> 00:36:17,880
YOU REALLY STEPPED UP,
AND WE APPRECIATE IT.
797
00:36:17,920 --> 00:36:20,590
AND WHERE WE’RE AT NOW
IS, AHEM,
798
00:36:20,620 --> 00:36:21,920
WE HAVE 72 HOURS
799
00:36:21,950 --> 00:36:24,250
TO EITHER HAVE A HEARING
IN CRIMINAL COURT
800
00:36:24,290 --> 00:36:27,220
OR BYPASS THAT AND GO
BEFORE THE GRAND JURY.
801
00:36:27,260 --> 00:36:29,560
YOU ONLY GO
BEFORE THE GRAND JURY
802
00:36:29,590 --> 00:36:31,890
IF YOU HAVE STRONG EVIDENCE,
AND LET ME TELL YOU,
803
00:36:31,930 --> 00:36:34,230
WE’RE GOING STRAIGHT THERE
TOMORROW.
804
00:36:34,270 --> 00:36:36,580
WELL, GOOD LUCK.
805
00:36:36,600 --> 00:36:38,970
AND WE’RE GOING
TO NEED YOU THERE.
806
00:36:41,770 --> 00:36:43,570
WHAT FOR?
807
00:36:43,610 --> 00:36:45,570
TO TESTIFY WHAT YOU SAW.
808
00:36:45,610 --> 00:36:48,240
WON’T TAKE LONG AT ALL.
THE SHOOTER WON’T BE THERE.
809
00:36:48,280 --> 00:36:50,710
HIS LAWYERS WON’T BE THERE.
JUST YOU AND THE GRAND JURY.
810
00:36:50,750 --> 00:36:52,210
AND LET ME TELL YOU,
811
00:36:52,250 --> 00:36:54,580
ONCE THIS GUY KNOWS
THAT HE’S BEEN INDICTED
812
00:36:54,620 --> 00:36:56,420
WITH A FELONY
IN SUPREME COURT,
813
00:36:56,450 --> 00:36:57,890
HE’LL PLEAD OUT.
814
00:36:57,920 --> 00:36:59,390
WHAT IF HE DOESN’T?
815
00:36:59,420 --> 00:37:01,420
HE’LL ‐‐ HE’LL PLEAD OUT.
DON’T WORRY ABOUT THAT.
816
00:37:01,460 --> 00:37:03,930
I’VE BEEN DOING THIS
FOR 22 YEARS AND THIS GUY ‐‐
817
00:37:03,960 --> 00:37:04,990
HE’LL PLEAD.
818
00:37:05,030 --> 00:37:07,800
BUT...
WHAT IF HE DOESN’T?
819
00:37:07,830 --> 00:37:10,230
THEN WE GO FORWARD.
820
00:37:10,270 --> 00:37:12,730
GO FORWARD,
LIKE ‐‐ LIKE WHAT?
821
00:37:12,770 --> 00:37:14,570
LIKE TAKE THIS TO TRIAL.
822
00:37:14,610 --> 00:37:16,650
AND ‐‐
AND I HAVE TO TESTIFY?
823
00:37:16,680 --> 00:37:17,820
THAT’S A POSSIBILITY.
824
00:37:17,840 --> 00:37:18,970
YES OR NO!
825
00:37:19,010 --> 00:37:23,010
CAN YOU PLEASE,
PLEASE,
826
00:37:23,050 --> 00:37:25,360
JUST GIVE ME
A STRAIGHT ANSWER?
827
00:37:25,380 --> 00:37:28,320
IF IT WENT TO TRIAL,
YES, YOU’D HAVE TO TESTIFY.
828
00:37:32,660 --> 00:37:35,030
HE PUSHED THE GUN BARREL
INTO MY FOREHEAD.
829
00:37:35,060 --> 00:37:36,760
HE LOOKED ME IN THE EYE
830
00:37:36,800 --> 00:37:39,640
AND SAID HE WOULD KILL ME
IF I EVER SAID ANYTHING.
831
00:37:41,470 --> 00:37:45,480
MOLLY, HE’S A COWARD
AND A LONER
832
00:37:45,500 --> 00:37:47,700
WITH NO FRIENDS
OUT ON THE STREET,
833
00:37:47,740 --> 00:37:49,710
AND HE’S GOING AWAY
TO PRISON
834
00:37:49,740 --> 00:37:53,010
FOR A LONG, LONG TIME
NO MATTER WHAT.
835
00:37:53,040 --> 00:37:56,040
DON’T LET HIM
GET INTO YOUR HEAD.
836
00:37:56,080 --> 00:37:58,050
IF YOU WANT,
WE CAN PUT YOU
837
00:37:58,080 --> 00:37:59,950
IN A HOTEL TONIGHT
UNTIL YOU TESTIFY TOMORROW.
838
00:37:59,980 --> 00:38:01,620
DO I NEED TO?
839
00:38:01,650 --> 00:38:04,120
WE DON’T FEEL YOU DO.
I’M JUST SAYING
840
00:38:04,160 --> 00:38:07,230
IF IT WOULD MAKE YOU
FEEL BETTER.
841
00:38:07,260 --> 00:38:09,730
I JUST WANT TO GO HOME.
842
00:38:09,760 --> 00:38:12,360
COME ON.
WE’LL GET YOU THERE.
843
00:38:23,880 --> 00:38:25,280
[ KNOCK ON DOOR ]
844
00:38:31,720 --> 00:38:32,690
HEY.
845
00:38:32,720 --> 00:38:34,930
HEY.
846
00:38:34,950 --> 00:38:38,590
YOU, UH, COME BY
TO CHECK UP ON ME?
847
00:38:40,960 --> 00:38:43,360
YEAH.
848
00:38:43,390 --> 00:38:44,660
I APPRECIATE IT.
849
00:38:44,700 --> 00:38:46,670
WELL, HOW ARE YOU
HOLDING UP?
850
00:38:46,700 --> 00:38:48,830
I’M REALLY NOT UP
FOR TALKING ABOUT IT.
851
00:38:48,870 --> 00:38:50,440
I’M SORRY, BUT...
852
00:38:50,470 --> 00:38:52,930
IT WAS SWEET OF YOU
TO COME BY.
853
00:38:52,970 --> 00:38:54,940
VALERIE, I ‐‐
854
00:38:54,970 --> 00:38:57,440
I KNOW YOU DON’T LIKE
TALKING ABOUT WORK,
855
00:38:57,480 --> 00:38:59,690
BUT YOU CAN’T SECTION OFF
YOUR LIFE LIKE THIS.
856
00:38:59,710 --> 00:39:01,440
YOU’D RUN YOURSELF
INTO THE GROUND
857
00:39:01,480 --> 00:39:03,410
TRYING TO HOLD UP THE WALLS.
858
00:39:05,650 --> 00:39:08,880
I’M HERE, OKAY?
859
00:39:08,920 --> 00:39:11,390
FOR YOU,
AND ONE OF THE BENEFITS
860
00:39:11,420 --> 00:39:13,220
OF HAVING SOMEONE
IN YOUR LIFE IS
861
00:39:13,260 --> 00:39:16,800
BEING ABLE TO LEAN ON THEM
WHEN YOU NEED TO.
862
00:39:16,830 --> 00:39:19,390
HEY, DON’T BE STUBBORN.
863
00:39:19,430 --> 00:39:21,900
LET ME BE HERE FOR YOU.
864
00:39:28,970 --> 00:39:31,470
FOOD POISONING ‐‐
THAT SNAKE DEFENSE ATTORNEY.
865
00:39:31,510 --> 00:39:33,470
THEY KNEW SHE WAS
A SQUIRRELLY WITNESS,
866
00:39:33,510 --> 00:39:35,140
AND I SHOULD HAVE SEEN
THAT MOVE COMING.
867
00:39:35,180 --> 00:39:37,280
NOTHING YOU COULD HAVE
DONE DIFFERENT.
I COULD HAVE WARNED HER
868
00:39:37,320 --> 00:39:39,260
THAT IT MIGHT TAKE
A FEW DAYS.
869
00:39:39,280 --> 00:39:41,250
INSTEAD,
I HAD IT IN HER HEAD
870
00:39:41,290 --> 00:39:43,090
THAT SHE’D BE
IN AND OUT TODAY.
871
00:39:43,120 --> 00:39:44,920
I COULD HAVE DEALT
THIS THING
872
00:39:44,960 --> 00:39:47,930
SO THAT WE WOULDN’T EVEN
HAVE TO GO BACK TO TRIAL.
873
00:39:47,960 --> 00:39:50,560
VALERIE...
874
00:39:50,600 --> 00:39:52,570
THIS GUY’S A KILLER
875
00:39:52,600 --> 00:39:54,410
WHO SHOULD HAVE GOT
THE NEEDLE.
876
00:39:54,430 --> 00:39:56,770
THERE’S NO WAY YOU WOULD HAVE
DEALT THIS DOWN
877
00:39:56,800 --> 00:39:58,430
TO THREE MORE YEARS
FOR HIM.
878
00:39:58,470 --> 00:40:00,070
SO QUIT DOING THIS
TO YOURSELF.
879
00:40:00,100 --> 00:40:01,270
DIANE AND CONNIE ‐‐
880
00:40:01,310 --> 00:40:02,780
I DON’T EVEN KNOW
WHAT THEY THINK OF ME.
881
00:40:02,810 --> 00:40:05,120
THIS ISN’T YOUR FAULT.
THEY’RE NOT BLAMING YOU.
882
00:40:05,140 --> 00:40:07,440
NOW I’M REALLY GOING
TO GET THAT SON OF A BITCH.
883
00:40:07,480 --> 00:40:09,110
HE THINKS
HE’S GOING TO WALK
884
00:40:09,150 --> 00:40:11,690
BECAUSE HE TOOK OUT
A KEY WITNESS?
885
00:40:11,720 --> 00:40:14,030
I’LL INTRODUCE THE TRANSCRIPTS
FROM HER PRIOR TESTIMONY
886
00:40:14,050 --> 00:40:16,080
AND I’M GOING
TO SHOVE THIS WHOLE THING
887
00:40:16,120 --> 00:40:18,250
BACK DOWN HIS THROAT.
FOOD POISONING ‐‐
888
00:40:18,290 --> 00:40:20,120
HOW COULD I NOT HAVE
ANTICIPATED THAT?
889
00:40:20,160 --> 00:40:21,790
OKAY.
890
00:40:21,830 --> 00:40:23,800
GET YOUR JACKET ON.
891
00:40:23,830 --> 00:40:25,630
WE’RE GOING OUT.
NO.
892
00:40:25,660 --> 00:40:27,630
COME ON. WE CAN, UH,
WE CAN GET A DRINK,
893
00:40:27,670 --> 00:40:29,540
UH, JUST WALK AROUND,
WHATEVER,
894
00:40:29,570 --> 00:40:32,000
BUT I’M NOT GOING
TO LET YOU STAY HERE
895
00:40:32,040 --> 00:40:34,310
AND KEEP SINKING
INTO WHAT YOU COULD’VE DONE
896
00:40:34,340 --> 00:40:36,200
BECAUSE THAT’S NONSENSE.
897
00:40:36,240 --> 00:40:38,770
NOW LET’S GO.
898
00:40:38,810 --> 00:40:41,510
NO.
899
00:40:41,550 --> 00:40:43,350
STAY HERE.
900
00:40:51,920 --> 00:40:54,860
LET’S JUST STAY HERE.
901
00:41:12,910 --> 00:41:14,380
WHERE’S YOUR DOC TONIGHT?
902
00:41:14,410 --> 00:41:16,040
WORKING.
903
00:41:18,380 --> 00:41:21,680
HOW LONG AGO
DID YOUR DAD DIE?
904
00:41:21,720 --> 00:41:23,690
FIVE YEARS.
905
00:41:23,720 --> 00:41:24,850
YOUR MOM’S STILL ALIVE?
906
00:41:24,890 --> 00:41:25,920
YEAH.
907
00:41:25,960 --> 00:41:27,200
HOW’S SHE DOING?
908
00:41:27,230 --> 00:41:29,030
ALL RIGHT.
909
00:41:29,060 --> 00:41:32,030
ONE OF THE REASONS
I TOOK A LEAVE WAS
910
00:41:32,060 --> 00:41:34,160
BECAUSE SHE DIDN’T EVEN KNOW
HOW TO BALANCE A CHECKBOOK.
911
00:41:34,200 --> 00:41:35,600
MY DAD TOOK CARE
OF EVERYTHING.
912
00:41:35,630 --> 00:41:37,200
WERE YOU CLOSE
WITH YOUR DAD?
913
00:41:37,240 --> 00:41:39,440
WE DIDN’T TALK
FOR A LONG TIME, ACTUALLY.
914
00:41:39,470 --> 00:41:41,940
WE HAD JUST STARTED AGAIN
WHEN HE DIED
915
00:41:41,970 --> 00:41:44,610
AND, UH, THAT’S A REGRET.
916
00:41:44,640 --> 00:41:46,110
WHAT HAPPENED ‐‐
917
00:41:46,140 --> 00:41:48,040
IF YOU DON’T MIND
MY ASKING?
918
00:41:48,080 --> 00:41:49,950
WHEN I WAS 16,
I GOT PREGNANT.
919
00:41:49,980 --> 00:41:51,950
I DIDN’T SHOW FOR A WHILE
920
00:41:51,980 --> 00:41:53,550
AND I WAS SCARED
AND IN DENIAL.
921
00:41:53,590 --> 00:41:55,460
I DIDN’T COME TO MY MOM
ABOUT IT
922
00:41:55,490 --> 00:41:56,960
TILL I WAS
FOUR MONTHS ALONG,
923
00:41:56,990 --> 00:41:59,390
AND, YOU KNOW,
SHE WENT TO MY DAD,
924
00:41:59,420 --> 00:42:01,220
WHICH I DIDN’T WANT HER
TO DO,
925
00:42:01,260 --> 00:42:05,730
AND MY DAD TOOK CHARGE,
OF COURSE, AND...
926
00:42:05,760 --> 00:42:08,230
WE WENT THE ADOPTION ROUTE,
927
00:42:08,270 --> 00:42:11,040
AND THAT CAUSED A BIG RIFT
FOR ‐‐ FOR A LONG TIME.
928
00:42:11,070 --> 00:42:12,870
HOW OLD IS THE, UH...
929
00:42:12,900 --> 00:42:14,370
GIRL.
GIRL?
930
00:42:14,410 --> 00:42:15,750
YEAH.
931
00:42:15,770 --> 00:42:17,240
15.
932
00:42:17,280 --> 00:42:19,990
YOU KNOW WHERE SHE LIVES?
933
00:42:20,010 --> 00:42:22,440
I DUG INTO IT.
MAYBE I SHOULDN’T HAVE.
934
00:42:22,480 --> 00:42:24,910
I MEAN,
I HAVEN’T CONTACTED HER
935
00:42:24,950 --> 00:42:26,920
OR INTRUDED
OR ANYTHING LIKE THAT,
936
00:42:26,950 --> 00:42:30,090
BUT...I KNOW WHERE SHE IS.
937
00:42:30,120 --> 00:42:31,590
DOES THAT MAKE IT HARDER?
938
00:42:31,620 --> 00:42:33,760
I JUST THINK NOW, AT 15,
939
00:42:33,790 --> 00:42:36,760
ALL THE THINGS I WISH
SOMEONE WOULD HAVE TOLD ME
940
00:42:36,800 --> 00:42:40,770
I COULD SHARE WITH HER,
941
00:42:40,800 --> 00:42:43,670
BUT I’M ‐‐ I’M SURE
942
00:42:43,700 --> 00:42:45,770
HER ADOPTIVE MOM
IS THERE FOR HER.
943
00:42:45,800 --> 00:42:48,770
I MEAN,
I’M SURE SHE’S FINE.
944
00:42:48,810 --> 00:42:51,950
ANYWAYS, UM...HA HA.
945
00:42:51,980 --> 00:42:55,020
A‐ARE WE ‐‐ ARE WE COMING UP
WITH OUR WORST MEMORIES
946
00:42:55,050 --> 00:42:57,160
TO TRY AND TOP
WHAT HAPPENED TODAY
947
00:42:57,180 --> 00:42:59,480
SO WE DON’T FEEL SO BAD
OR...
948
00:42:59,520 --> 00:43:00,990
MAYBE.
949
00:43:01,020 --> 00:43:05,290
WELL, IT’S NOT WORKING.
950
00:43:05,320 --> 00:43:07,460
UH, THE ADOPTION THING ‐‐
951
00:43:07,490 --> 00:43:09,790
WHATEVER WE’VE TOLD
EACH OTHER TODAY
952
00:43:09,830 --> 00:43:11,960
STAYS BETWEEN US.
953
00:43:15,200 --> 00:43:18,300
WOULD HAVE BEEN NICE
TO WORK WITH YOU MORE.
954
00:43:18,340 --> 00:43:20,630
LET’S KEEP IN TOUCH
EITHER WAY, ALL RIGHT?
955
00:43:20,660 --> 00:43:23,160
I’D LIKE THAT.
69678
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