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1
00:00:22,230 --> 00:00:23,770
CHINESE GUY BEAT TO DEATH.
2
00:00:23,800 --> 00:00:25,770
DOG WALKER
FOUND HIM THIS MORNING.
3
00:00:25,800 --> 00:00:28,210
SAYS HE WASN’T HERE
LAST NIGHT.
4
00:00:28,230 --> 00:00:31,070
LOOKS LIKE
BLUNT FORCE TRAUMA ‐‐
5
00:00:31,100 --> 00:00:33,070
STRUCK A COUPLE TIMES.
6
00:00:33,100 --> 00:00:34,570
ANDY AND SORENSON COMING?
7
00:00:34,610 --> 00:00:37,480
THEY’RE BACK AT THE HOUSE
WAITING ON A KIDNAP VICTIM.
8
00:00:37,510 --> 00:00:39,580
ALL RIGHT,
WE’LL START A CANVAS.
9
00:00:39,610 --> 00:00:41,740
HEY, FELLAS,
THE GIRL IN THE RED
10
00:00:41,780 --> 00:00:44,050
THINKS THE D. O. A.
MIGHT BE HER FATHER.
11
00:00:44,080 --> 00:00:46,050
THANKS.
12
00:00:46,080 --> 00:00:48,950
IS IT MY FATHER?
IS IT HIM?
13
00:00:48,990 --> 00:00:51,460
HI. DETECTIVE BALDWIN JONES.
MY PARTNER GREG MEDAVOY.
14
00:00:51,490 --> 00:00:53,720
YOU THINK YOU KNOW
WHO’S DOWN THERE?
15
00:00:53,760 --> 00:00:55,420
I JUST WANT TO MAKE SURE
IT’S NOT MY FATHER.
16
00:00:55,460 --> 00:00:56,830
THAT’S HIS CAR
AND HE’S MISSING.
17
00:00:56,860 --> 00:00:58,730
WHAT BROUGHT YOU HERE?
18
00:00:58,760 --> 00:01:01,460
WE OWN A RESTAURANT. THIS WAS
HIS LAST DELIVERY ADDRESS.
19
00:01:01,500 --> 00:01:03,160
ABOUT WHAT TIME
DID HE GO OUT?
20
00:01:03,200 --> 00:01:05,670
10:00, I THINK. HE SOMETIMES
WORKS ALL NIGHT PREPPING,
21
00:01:05,700 --> 00:01:07,240
BUT HE WASN’T THERE
THIS MORNING,
22
00:01:07,270 --> 00:01:09,400
SO WE STARTED DRIVING AROUND.
IT’S HIM, ISN’T IT?
23
00:01:09,440 --> 00:01:10,910
IT’S MY FATHER DOWN THERE.
24
00:01:10,940 --> 00:01:13,140
YOU CAN TAKE A LOOK
IN A MINUTE, MA’AM.
25
00:01:13,180 --> 00:01:14,650
THEY’RE JUST
FINISHING UP.
26
00:01:14,680 --> 00:01:15,810
[ SPEAKING CHINESE ]
27
00:01:15,850 --> 00:01:17,820
SHE KNEW HE SHOULDN’T
HAVE COME HERE.
28
00:01:17,850 --> 00:01:19,920
THEY HAVE ZERO REGARD
FOR HUMAN LIFE.
29
00:01:19,950 --> 00:01:21,350
WHO ARE WE
TALKING ABOUT?
30
00:01:21,390 --> 00:01:23,160
THE PEOPLE WHO LIVE
IN THIS AREA.
31
00:01:23,190 --> 00:01:24,700
WE WERE RIPPED OFF THREE TIMES
32
00:01:24,720 --> 00:01:27,090
BEFORE MY FATHER
FINALLY SAID NO.
33
00:01:27,130 --> 00:01:29,270
THEN WHY’D HE COME
HERE LAST NIGHT?
34
00:01:29,290 --> 00:01:30,960
SO, YOU’RE SAYING IT’S
HIS OWN DAMN FAULT?
35
00:01:31,000 --> 00:01:32,770
NO. I’M ASKING WAS
THERE SOMETHING SPECIAL
36
00:01:32,800 --> 00:01:34,270
ABOUT THE ORDER THAT
MADE HIM COME BACK HERE?
37
00:01:34,300 --> 00:01:36,200
SO, WHAT, WE’RE GREEDY?
IS THAT IT?
38
00:01:36,230 --> 00:01:37,370
I DIDN’T SAY THAT, MA’AM.
39
00:01:37,400 --> 00:01:39,530
[ SPEAKING CHINESE ]
40
00:01:39,570 --> 00:01:41,140
SHE WANTS TO KNOW
CAN WE LOOK NOW?
41
00:01:41,170 --> 00:01:42,800
CAN WE, PLEASE?
42
00:01:42,840 --> 00:01:43,870
COME ON.
43
00:01:46,580 --> 00:01:50,750
HEY, DIANE,
TAKE THE BAG BACK A MINUTE.
44
00:01:53,590 --> 00:01:57,000
[ SOBBING ]
45
00:03:20,810 --> 00:03:21,980
NO, THAT’S OKAY.
46
00:03:22,010 --> 00:03:24,720
THERE’S A LITTLE PARK
TWO BLOCKS EAST.
47
00:03:24,740 --> 00:03:27,210
KATIE, JUST SEE
DO YOU STRIKE OUT IN THE CITY
48
00:03:27,250 --> 00:03:29,390
BEFORE GOING TO BROOKLYN,
ALL RIGHT?
49
00:03:29,410 --> 00:03:32,080
AND DON’T SIGN ANYTHING
BEFORE I SEE THE PLACE.
50
00:03:32,120 --> 00:03:34,630
I GOT TO SEE IT FIRST.
ALL RIGHT, I GOT TO GO.
51
00:03:34,650 --> 00:03:35,780
YEAH.
52
00:03:35,820 --> 00:03:37,220
KATIE GETTING
A NEW PLACE?
53
00:03:37,260 --> 00:03:39,570
THEO NEEDS HIS OWN ROOM.
SHE’S HELPING TO LOOK.
54
00:03:39,590 --> 00:03:41,990
WELL, HE’S GROWING UP.
55
00:03:42,030 --> 00:03:43,400
BIGGER EVERY DAY.
56
00:03:43,430 --> 00:03:45,440
Man: FELLAS, THIS IS THE GUY
WE CALLED ABOUT.
57
00:03:45,460 --> 00:03:47,300
YEAH, HALF‐HOUR AGO.
58
00:03:47,330 --> 00:03:49,160
VICTOR POOLE, DETECTIVES
SORENSON AND SIPOWICZ.
59
00:03:49,200 --> 00:03:51,170
WAIT TILL YOU HEAR
HIS STORY.
60
00:03:51,200 --> 00:03:53,400
HE ‐‐ WHAT’S YOUR JOB
AGAIN, SIR?
61
00:03:53,440 --> 00:03:55,250
LEGAL COUNSEL
FOR THE IRS.
62
00:03:55,270 --> 00:03:57,340
HE FLAGGED US DOWN
OFF TOMPKINS SQUARE PARK.
63
00:03:57,380 --> 00:03:59,520
SAYS HE’S BEEN KIDNAPPED
THE LAST THREE DAYS.
64
00:03:59,540 --> 00:04:02,280
DISPATCHER’S GOT A MISSING
PERSONS OUT ON HIM,
65
00:04:02,310 --> 00:04:03,750
AND, WELL, THE FBI
WAS ALREADY UP ON IT.
66
00:04:03,780 --> 00:04:08,280
LET’S GET YOU
A CUP OF COFFEE.
67
00:04:08,320 --> 00:04:10,650
HANG ON A MINUTE.
OKAY.
68
00:04:13,460 --> 00:04:16,840
HEY, LIEU. MR. POOLE,
THIS IS LIEUTENANT RODRIGUEZ.
69
00:04:16,860 --> 00:04:19,960
WHY DON’T YOU TELL US
WHAT HAPPENED?
70
00:04:20,000 --> 00:04:22,500
THREE DAYS AGO I WAS WALKING
FROM THE GROCERY
71
00:04:22,530 --> 00:04:24,700
TO MY APARTMENT
NEAR 5th AVENUE AND 80th
72
00:04:24,740 --> 00:04:28,380
AT ABOUT 6:00
WHEN TWO MEN GRABBED ME,
73
00:04:28,410 --> 00:04:31,620
PUT A PILLOWCASE
OVER MY HEAD,
74
00:04:31,640 --> 00:04:33,540
AND THREW ME INTO A VAN.
75
00:04:33,580 --> 00:04:34,880
PRETTY DARING.
76
00:04:34,910 --> 00:04:37,880
THEY GRABBED YOU,
AND THEN WHAT?
77
00:04:37,920 --> 00:04:40,390
WELL, BILLY DROVE THE VAN
78
00:04:40,420 --> 00:04:43,890
WHILE TOM TOOK MY WALLET
AND MY CELL PHONE.
79
00:04:43,920 --> 00:04:47,320
HE SAID THAT IF I DIDN’T
GIVE HIM MY ATM PIN CODE,
80
00:04:47,360 --> 00:04:49,120
HE WAS GOING
TO SLASH MY THROAT.
81
00:04:49,160 --> 00:04:51,690
AFTER THEY GOT THE MONEY,
WE DROVE TO THIS PLACE ‐‐
82
00:04:51,730 --> 00:04:54,700
A WHOREHOUSE ‐‐ WHERE THEY
KEPT ME UNTIL THIS MORNING.
83
00:04:54,730 --> 00:04:56,700
WHY SO LONG?
84
00:04:56,740 --> 00:04:58,180
WELL, I THINK
THEY WERE KEEPING ME
85
00:04:58,200 --> 00:05:01,140
SO THAT THEY COULD TAKE OUT
MY DAILY MAXIMUM AT THE ATM.
86
00:05:01,170 --> 00:05:03,300
DID THEY KNOW YOU WERE
COUNSEL TO THE IRS?
87
00:05:03,340 --> 00:05:04,840
I DON’T THINK SO.
88
00:05:04,880 --> 00:05:07,720
FROM MY UNDERSTANDING,
YOU GUYS CARRY CREDENTIALS.
89
00:05:07,750 --> 00:05:09,690
WELL, YEAH, I HAD THEM
IN MY OTHER POCKET,
90
00:05:09,710 --> 00:05:12,150
BUT THEY NEVER CHECKED IT,
91
00:05:12,180 --> 00:05:13,720
AND WHEN I GOT
TO THE WHOREHOUSE,
92
00:05:13,750 --> 00:05:15,180
I TUCKED THEM
UNDER A MATTRESS.
93
00:05:15,220 --> 00:05:16,720
CAN YOU DESCRIBE
THIS WHOREHOUSE?
94
00:05:16,760 --> 00:05:20,870
THERE WERE ABOUT FIVE ROOMS
WITH WHORES GOING IN AND OUT.
95
00:05:20,890 --> 00:05:23,490
YOU WERE IN PLAIN VIEW?
96
00:05:23,530 --> 00:05:26,910
NO, MY DOOR WAS CLOSED
MOST OF THE TIME,
97
00:05:26,930 --> 00:05:28,760
BUT A PROSTITUTE DID SEE ME
98
00:05:28,800 --> 00:05:31,730
WHEN THEY INSISTED
THAT I HAVE A FREEBIE,
99
00:05:31,770 --> 00:05:34,200
WHICH, OF COURSE,
I REFUSED.
100
00:05:34,240 --> 00:05:35,370
OF COURSE.
101
00:05:35,410 --> 00:05:37,280
HOW DID YOU GET FREE?
102
00:05:37,310 --> 00:05:39,210
EARLY THIS MORNING
103
00:05:39,240 --> 00:05:41,210
THEY THREW ME BACK
INTO THE VAN,
104
00:05:41,250 --> 00:05:44,220
TIED ME UP,
AND DROVE ME TO AN ALLEY,
105
00:05:44,250 --> 00:05:47,080
WHERE THEY KICKED ME OUT
FACE FIRST INTO A PUDDLE
106
00:05:47,120 --> 00:05:48,750
WHICH I ALMOST DROWNED IN.
107
00:05:48,790 --> 00:05:52,760
IT TOOK ME ABOUT AN HOUR
TO GET FREE.
108
00:05:52,790 --> 00:05:55,390
MR. POOLE, BEFORE WE START
BENDING OUR BACKS,
109
00:05:55,430 --> 00:05:57,640
BETWEEN YOU, ME,
AND THAT COFFEE MUG,
110
00:05:57,660 --> 00:06:00,260
IS ANY PART OF YOUR STORY
EMBELLISHED AT ALL,
111
00:06:00,300 --> 00:06:02,730
OR DID YOU
LEAVE ANYTHING OUT?
112
00:06:02,770 --> 00:06:04,080
NO.
113
00:06:04,100 --> 00:06:06,070
THE GETTING SNATCHED
OFF 5th AVENUE
114
00:06:06,100 --> 00:06:07,740
AND THE WHORE
THEY FORCED ON YOU ‐‐
115
00:06:07,770 --> 00:06:09,100
IS THERE A PROBLEM?
116
00:06:09,140 --> 00:06:10,770
WE’RE NOT SAYING
WE DON’T BELIEVE YOU,
117
00:06:10,810 --> 00:06:12,770
IT JUST GOES SOMEWHAT AGAINST
OUR GENERAL EXPERIENCE.
118
00:06:12,810 --> 00:06:14,240
WHEN ADULTS DISAPPEAR
FOR THREE DAYS,
119
00:06:14,280 --> 00:06:16,710
IT’S USUALLY THEIR OWN DOING.
120
00:06:16,750 --> 00:06:18,050
MEANING WHAT?
121
00:06:18,080 --> 00:06:19,780
THEY STEP OUT ON A BINGE,
122
00:06:19,820 --> 00:06:21,780
THEY SHACK UP
WITH A PROSTITUTE,
123
00:06:21,820 --> 00:06:23,220
AND THEN
THEY’LL MAKE UP STORIES
124
00:06:23,250 --> 00:06:25,090
TO COVER THEIR TAIL
FROM THEIR WIVES OR GIRLFRIENDS.
125
00:06:25,120 --> 00:06:27,120
NOT SAYING
YOU’RE DOING THAT,
126
00:06:27,160 --> 00:06:28,390
BUT IF YOU WERE,
127
00:06:28,430 --> 00:06:30,570
WE’D APPRECIATE
YOU TELLING US NOW.
128
00:06:30,600 --> 00:06:32,940
I DO NOT NEED
TO MAKE UP STORIES.
129
00:06:32,960 --> 00:06:36,330
I HAVE BEEN IN HELL
FOR THE LAST THREE DAYS!
130
00:06:36,370 --> 00:06:38,480
SO PURSUE IT
LIKE YOU SAID?
131
00:06:38,500 --> 00:06:41,770
YES! YES!
132
00:06:41,810 --> 00:06:43,450
I WOULD LIKE
TO GO HOME NOW.
133
00:06:43,470 --> 00:06:44,640
CAN I LEAVE?
134
00:06:44,680 --> 00:06:47,820
WE’LL HAVE A RADIO CAR
GET YOU HOME.
135
00:06:47,850 --> 00:06:49,350
YEAH, UH‐HUH.
136
00:06:49,380 --> 00:06:52,450
OKAY, LOOK,
I’VE GOT TO GO.
137
00:06:52,480 --> 00:06:53,920
WE’LL BE IN TOUCH.
YEAH, RIGHT.
138
00:06:53,950 --> 00:06:56,120
MAKE SURE HE GETS HOME.
NO PROBLEM.
139
00:06:56,150 --> 00:06:58,820
GET ON THE TELEPHONE
TO SECURITY AND THE DISPATCHER.
140
00:06:58,860 --> 00:07:00,830
EVEN IF THE STORY’S BOGUS,
141
00:07:00,860 --> 00:07:02,960
WE’LL MAYBE CLEAR OUT
A 5‐BEDROOM WHOREHOUSE.
142
00:07:02,990 --> 00:07:04,030
LOTS OF ROOM FOR THEO.
143
00:07:04,060 --> 00:07:05,360
I’D HAVE TO SEE IT FIRST.
144
00:07:05,400 --> 00:07:07,810
WHAT DID YOU GET?
145
00:07:07,830 --> 00:07:09,330
D.O.A.’S A CHINESE
DELIVERY GUY
146
00:07:09,370 --> 00:07:11,210
BEAT TO DEATH
WITH A PIECE OF CONCRETE
147
00:07:11,240 --> 00:07:12,510
FROM SOME SIDEWALK REPAIR.
148
00:07:12,540 --> 00:07:13,780
YEAH, WE GOT A CELL NUMBER
149
00:07:13,810 --> 00:07:15,380
OFF THE RESTAURANT
CALLER I. D.
150
00:07:15,410 --> 00:07:17,820
TO THE PHONE THAT
MADE THE LAST ORDER ‐‐
151
00:07:17,840 --> 00:07:19,040
CAME BACK
TO A LOUISE DOBKIN,
152
00:07:19,080 --> 00:07:20,720
LIVES ABOUT THREE BLOCKS
FROM THE CRIME SCENE.
153
00:07:20,750 --> 00:07:21,890
SHE WASN’T HOME,
BUT A NEIGHBOR SAYS
154
00:07:21,910 --> 00:07:22,980
THIS IS HER DAY
FOR SHOPPING,
155
00:07:23,010 --> 00:07:23,980
SO SHE SHOULD
BE BACK SOON.
156
00:07:24,020 --> 00:07:26,160
WE LEFT A NOTE.
OKAY.
157
00:07:26,180 --> 00:07:28,780
DIANE RUSSELL?
158
00:07:28,820 --> 00:07:30,190
YEAH.
159
00:07:30,220 --> 00:07:31,520
WHOA.
160
00:07:31,560 --> 00:07:33,530
SIGN HERE ‐‐
161
00:07:33,560 --> 00:07:35,060
NUMBER 12.
162
00:07:35,090 --> 00:07:37,360
DETECTIVE RUSSELL,
THAT IS SPECTACULAR.
163
00:07:37,400 --> 00:07:39,470
IT LOOKS
LIKE A CREATIVE CREATION.
164
00:07:39,500 --> 00:07:41,010
OH, YEAH, I GUESS IT IS.
165
00:07:41,030 --> 00:07:42,830
THEY DO ALL
THE BIG WEDDINGS ‐‐
166
00:07:42,870 --> 00:07:44,840
CATHERINE ZETA‐JONES,
BARRY DILLER...
167
00:07:44,870 --> 00:07:46,300
[ TELEPHONE RINGS ]
168
00:07:46,340 --> 00:07:48,880
Andy: ALL RIGHT, GOOD.
I’LL TALK TO YOU SOON.
169
00:07:48,910 --> 00:07:49,980
THE DOC?
170
00:07:50,010 --> 00:07:52,470
YEAH, SWEET NOTE.
171
00:07:52,510 --> 00:07:53,810
OKAY. UH, THANKS ANYWAY.
172
00:07:53,850 --> 00:07:55,320
WELL, THAT WAS THE DISPATCHER.
173
00:07:55,350 --> 00:07:56,920
NO RADIO RUNS
AT THE TIME OR PLACE
174
00:07:56,950 --> 00:07:58,910
THIS POOLE SAYS
HE WAS SNATCHED.
175
00:07:58,950 --> 00:08:01,180
ACCORDING
TO TELEPHONE SECURITY,
176
00:08:01,220 --> 00:08:03,920
THE FBI’S ALREADY GOT
POOLE’S CELL PHONE UP.
177
00:08:03,960 --> 00:08:06,570
VERY PRETTY.
FROM THE DOC AT BELLEVUE?
178
00:08:06,590 --> 00:08:08,920
YEAH.
COMPLETELY OUT OF THE BLUE.
179
00:08:08,960 --> 00:08:10,830
YEAH, HUH?
180
00:08:10,860 --> 00:08:13,390
IF THEY BUG YOU,
I CAN MOVE THEM.
181
00:08:13,430 --> 00:08:14,900
WHAT, ARE YOU KIDDING ME?
182
00:08:14,930 --> 00:08:17,330
DIANE, IT’S FINE.
183
00:08:17,370 --> 00:08:20,340
SPECIAL AGENT NEIL SQUIRES, FBI.
184
00:08:20,370 --> 00:08:23,000
NEED TO SEE LIEUTENANT RODRIGUEZ
REGARDING VICTOR POOLE.
185
00:08:23,040 --> 00:08:25,870
YEAH, WE’RE WORKING THIS CASE.
186
00:08:25,910 --> 00:08:27,610
ANDY SIPOWICZ, DANNY SORENSON.
187
00:08:27,650 --> 00:08:29,050
THAT’S THE LIEUTENANT.
OKAY.
188
00:08:29,080 --> 00:08:30,380
WE’LL BE
RIGHT BEHIND YOU.
189
00:08:30,410 --> 00:08:32,580
UH, DANNY, UH...
190
00:08:32,620 --> 00:08:34,590
LISTEN, I DON’T REALLY THINK
SHE’S SERIOUS WITH THIS GUY.
191
00:08:34,620 --> 00:08:37,720
I THINK THIS IS MORE
LIKE A FACE FROM THE PAST.
192
00:08:37,760 --> 00:08:39,060
IF IT WAS OTHERWISE,
I COULD HANDLE IT.
193
00:08:39,090 --> 00:08:41,960
WELL, I’M GLAD
YOU’RE SAYING THAT‐‐
194
00:08:41,990 --> 00:08:44,230
BUT STILL, I‐‐I‐‐I
INTERPRET THIS AS, UH..
195
00:08:44,260 --> 00:08:46,560
A GESTURE OF FRIENDSHIP.
196
00:08:48,130 --> 00:08:49,770
CAN WE GO NOW?
197
00:08:49,800 --> 00:08:52,230
YEAH.
198
00:08:52,270 --> 00:08:54,770
ACCORDING TO THE IRS,
IF HE ACTUALLY WAS NABBED,
199
00:08:54,810 --> 00:08:56,820
IT WASN’T LIKELY
TO BE WORK‐RELATED.
200
00:08:56,840 --> 00:08:59,070
HE’S A SMALL‐TIMER.
HE FOLLOWS PAPER TRAILS.
201
00:08:59,110 --> 00:09:00,710
HE MADE IT
ABOUT HIS ATM CARD.
202
00:09:00,750 --> 00:09:02,390
HE MENTION BEING
OF THE GAY PERSUASION?
203
00:09:02,410 --> 00:09:04,210
DIDN’T COME UP.
204
00:09:04,250 --> 00:09:05,580
GUESS HE KEEPS IT
TUCKED AWAY.
205
00:09:05,620 --> 00:09:07,130
COWORKER I TALKED TO
DIDN’T KNOW.
206
00:09:07,150 --> 00:09:08,880
HAD CREDIT CARD HITS
TO SOME GAY CLUBS.
207
00:09:08,920 --> 00:09:10,390
ANYTHING
IN THE LAST THREE DAYS?
208
00:09:10,420 --> 00:09:11,990
NO, IT’S PEPPERED
THROUGH HIS HISTORY ‐‐
209
00:09:12,020 --> 00:09:14,160
THE MOTHER LODE
AND THE BALLROOM,
210
00:09:14,190 --> 00:09:16,890
SOME OTHER FRUIT STAND.
MADE ME THINK HE SPENT
211
00:09:16,930 --> 00:09:18,930
THE LAST THREE DAYS
SHACKED UP.
ANYONE SEE HIM
GET GRABBED?
212
00:09:18,960 --> 00:09:20,760
NO RADIO RUNS.
WE’LL GET ON A CANVASS
213
00:09:20,800 --> 00:09:22,730
AT THE LOCATION
HE SAYS HE WAS GRABBED.
214
00:09:22,770 --> 00:09:25,280
[ TELEPHONE RINGS ]
215
00:09:25,300 --> 00:09:26,840
LIEUTENANT RODRIGUEZ.
216
00:09:26,870 --> 00:09:29,570
MIGHT STOP BY
POOLE’S APARTMENT ON THE WAY.
217
00:09:29,610 --> 00:09:31,240
WHAT, GO AT HIM
WITH THE GAY BARS
218
00:09:31,280 --> 00:09:32,920
AND SEE DOES HE COME OFF
THE KIDNAPPING?
219
00:09:32,940 --> 00:09:35,240
Squires: COULDN’T HURT.
GOT IT. THANKS.
220
00:09:35,280 --> 00:09:38,910
THAT WAS TELEPHONE SECURITY
ON POOLE’S MISSING PHONE.
221
00:09:38,950 --> 00:09:41,150
SOMEONE’S USING IT
NEAR THE CHRYSLER BUILDING.
222
00:09:41,190 --> 00:09:42,930
THEY’RE GOING
TO MEET YOU OUT THERE
223
00:09:42,950 --> 00:09:44,120
WITH DIRECTIONAL VANS.
224
00:09:44,160 --> 00:09:46,100
THAT’S THE FIRST HIT
ON THAT PHONE.
225
00:09:46,120 --> 00:09:47,360
I’LL TELL YOU ONE THING,
IF WHOEVER’S GOT IT
226
00:09:47,390 --> 00:09:49,360
ISN’T AN INTERNATIONAL
SPY/TERRORIST
227
00:09:49,390 --> 00:09:51,460
TRAINED TO KIDNAP
LIKE A MOSSAD AGENT,
228
00:09:51,500 --> 00:09:53,370
OUR LITTLE FRIEND
IS A LYING SACK.
229
00:09:53,400 --> 00:09:55,310
HAVE A NICE GOOSE CHASE.
230
00:10:05,240 --> 00:10:07,340
RIGHT, THANKS.
231
00:10:07,380 --> 00:10:09,710
OKAY, SECURITY SAYS
THE PHONE’S ON THE MOVE.
232
00:10:09,750 --> 00:10:11,450
THEY JUST TRACKED IT
FROM 47th AND 8th
233
00:10:11,480 --> 00:10:12,850
TO 50th AND 8th.
234
00:10:12,880 --> 00:10:15,250
WHOEVER’S USING IT
SHOULD BE WITHIN A BLOCK.
235
00:10:18,890 --> 00:10:20,620
YOU’RE BEING AWFUL QUIET.
236
00:10:20,660 --> 00:10:22,990
I’M WATCHING THE STREET.
237
00:10:23,030 --> 00:10:26,840
ON THE RIDE OVER HERE
YOU WERE QUIET.
238
00:10:26,870 --> 00:10:28,740
WHAT ARE WE TALKING ABOUT?
239
00:10:28,770 --> 00:10:31,410
IF IT UPSETS YOU
RUSSELL GOT THOSE FLOWERS,
240
00:10:31,440 --> 00:10:33,180
YOU’RE ALLOWED TO SHOW IT.
241
00:10:33,200 --> 00:10:35,870
THAT’S THE ONLY WAY TO KEEP
FROM BOILING OVER.
242
00:10:35,910 --> 00:10:38,050
I UNDERSTAND THAT,
BUT I’M FINE.
243
00:10:38,080 --> 00:10:41,390
ANDY, I’M GLAD THAT SHE’S GOT
SOMETHING GOOD GOING
244
00:10:41,410 --> 00:10:42,840
WITH THIS GUY.
245
00:10:42,880 --> 00:10:46,350
OKAY, I’M DONE.
246
00:10:46,380 --> 00:10:48,450
THANKS FOR YOUR CONCERN.
247
00:10:53,390 --> 00:10:54,890
Danny: HERE WE GO.
248
00:10:57,400 --> 00:10:58,840
AND THE CASH WAS FIERCE!
249
00:10:58,860 --> 00:11:01,030
NO, I ENDED UP
HAVING A GOOD TIME.
250
00:11:01,070 --> 00:11:02,910
SURE. IT WAS
AN IN‐AND‐OUT...
251
00:11:02,930 --> 00:11:05,170
EXCUSE ME. PUT YOUR HANDS
ON THE WALL.
252
00:11:05,200 --> 00:11:06,940
EXCUSE ME?
WHAT DID I DO?
253
00:11:06,970 --> 00:11:08,540
GIVE ME THE PHONE.
PUT YOUR HANDS ON THE WALL.
254
00:11:08,570 --> 00:11:09,540
ALL RIGHT, ALL RIGHT!
255
00:11:09,570 --> 00:11:10,540
I’M HANGING IT UP NOW.
256
00:11:10,580 --> 00:11:11,620
RIGHT. THANKS.
257
00:11:11,640 --> 00:11:13,740
SECURITY SAID
THE LINE JUST WENT DOWN.
258
00:11:13,780 --> 00:11:14,840
WHAT’S YOUR NAME?
259
00:11:14,880 --> 00:11:15,940
FABIOLA DaSILVA.
260
00:11:15,980 --> 00:11:17,550
LOOK, I WAS JUST
TAKING A STROLL.
261
00:11:17,580 --> 00:11:19,380
YEAH,
WHERE’D YOU GET THE PHONE?
262
00:11:19,420 --> 00:11:20,560
IT’S MINE.
263
00:11:20,590 --> 00:11:22,230
YEAH, RIGHT.
COME ON, LET’S GO.
264
00:11:22,250 --> 00:11:23,380
WAIT. WHY? WHY?
265
00:11:23,420 --> 00:11:27,220
GUYS, WHAT ARE YOU DOING?
OH, MY GOD. OW, MY HAIR!
266
00:11:27,260 --> 00:11:28,260
BE QUIET.
267
00:11:28,290 --> 00:11:30,290
MOVE IT OVER, HONEY.
I NEVER SAT
268
00:11:30,330 --> 00:11:33,290
NEXT TO AN INTERNATIONAL
SPY/TERRORIST BEFORE.
269
00:11:47,250 --> 00:11:49,390
MY NAME’S LOUISE DOBKIN.
270
00:11:49,410 --> 00:11:53,150
I GOT THIS NOTE TO SEE
DETECTIVES JONES AND MEDAVOY.
271
00:11:53,180 --> 00:11:55,720
HI. DETECTIVE JONES,
MY PARTNER DETECTIVE MEDAVOY.
272
00:11:55,750 --> 00:11:57,490
THIS WAY, MRS. DOBKIN.
273
00:12:01,430 --> 00:12:04,140
THIS WOMAN OWNS
A CELL PHONE?
274
00:12:04,160 --> 00:12:05,590
YEAH.
275
00:12:05,630 --> 00:12:09,060
IN 17 YEARS ON THE JOB,
276
00:12:09,100 --> 00:12:11,230
I CAN COUNT ON ONE HAND THE
NUMBER OF TIMES I’VE SEEN
277
00:12:11,270 --> 00:12:12,330
FLOWERS IN A SQUAD ROOM.
278
00:12:13,640 --> 00:12:15,600
NICE.
279
00:12:19,340 --> 00:12:22,180
HEY, JOHN, MIND FINDING
A PLACE TO STOW THESE
280
00:12:22,210 --> 00:12:23,580
TILL THE END OF THE TOUR?
281
00:12:23,620 --> 00:12:25,160
SURE, DETECTIVE.
282
00:12:27,190 --> 00:12:30,330
CAN’T LET THEM SEE YOU
BE A GIRL.
283
00:12:30,350 --> 00:12:32,190
TOO DISTRACTING.
284
00:12:32,220 --> 00:12:34,090
COULDN’T BE FROM A COP.
WAY TOO MUCH STYLE.
285
00:12:34,130 --> 00:12:35,930
DOCTOR.
286
00:12:35,960 --> 00:12:38,090
OH, LUCKY YOU.
IT’S GOING WELL?
287
00:12:38,130 --> 00:12:39,900
YEAH, PRETTY GOOD.
288
00:12:44,000 --> 00:12:45,670
I DIDN’T
HAVE TO COME DOWN HERE
289
00:12:45,700 --> 00:12:47,670
TO TELL YOU
THE CELL PHONE ISN’T MINE.
290
00:12:47,710 --> 00:12:49,210
I GAVE IT
TO MY GRANDDAUGHTER.
291
00:12:49,240 --> 00:12:50,370
SHE LIVES WITH ME.
292
00:12:50,410 --> 00:12:51,940
WHAT’S HER NAME, MA’AM?
293
00:12:51,980 --> 00:12:53,650
SYLVIA DOBKIN.
294
00:12:53,680 --> 00:12:56,280
SHE DONE SOMETHING WRONG
WITH IT?
295
00:12:56,310 --> 00:12:57,950
WE DON’T EXPECT SO, MA’AM.
296
00:12:57,980 --> 00:12:59,720
IT’S JUST THAT IT WAS USED
IN A MINOR CRIME,
297
00:12:59,750 --> 00:13:01,120
AND WE’RE TRYING
TO FIGURE OUT WHAT HAPPENED.
298
00:13:01,150 --> 00:13:03,220
WELL, SHE ‐‐ SHE’D NEVER
BE INVOLVED IN A CRIME.
299
00:13:03,250 --> 00:13:04,650
WELL, THEN MAYBE SHE LOST IT
300
00:13:04,690 --> 00:13:06,990
OR IT WAS STOLEN
OR SHE LOANED IT TO SOMEONE.
301
00:13:07,030 --> 00:13:08,630
LIKE TO A FRIEND
OR BOYFRIEND,
302
00:13:08,660 --> 00:13:11,030
MAYBE SOMEONE YOU’VE
SEEN HER HANGING AROUND WITH
303
00:13:11,060 --> 00:13:13,030
THAT YOU DON’T
QUITE APPROVE OF.
304
00:13:13,060 --> 00:13:14,830
OH, I LIKE ALL HER FRIENDS,
305
00:13:14,870 --> 00:13:17,810
AND THE TWO BOYS I’VE SEEN,
THEY’RE REAL GENTLEMEN.
306
00:13:17,840 --> 00:13:19,540
WHAT ARE THEIR NAMES,
MA’AM?
307
00:13:19,570 --> 00:13:21,370
MICHAEL AND ANTHONY.
308
00:13:21,410 --> 00:13:24,150
I DON’T KNOW THEIR LAST NAMES.
309
00:13:24,180 --> 00:13:25,420
WHERE IS
YOUR GRANDDAUGHTER NOW?
310
00:13:25,440 --> 00:13:27,540
SCHOOL ‐‐ WALKER HIGH.
311
00:13:27,580 --> 00:13:29,510
DO YOU THINK
MAYBE YOU COULD, UH,
312
00:13:29,550 --> 00:13:31,980
STICK AROUND WHILE WE
HAVE HER BROUGHT IN?
313
00:13:32,020 --> 00:13:33,420
WE REALLY NEED TO NAIL DOWN
314
00:13:33,450 --> 00:13:35,380
WHAT’S GOING ON
WITH THIS PHONE.
315
00:13:35,420 --> 00:13:38,190
WELL, SURE.
316
00:13:38,220 --> 00:13:41,260
UH, HER FATHER ‐‐
MY SON ‐‐
317
00:13:41,290 --> 00:13:43,420
HE JUST WASN’T ANY GOOD,
318
00:13:43,460 --> 00:13:45,860
AND HER MAMA’S WORKING A JOB
IN SOUTH CAROLINA.
319
00:13:45,900 --> 00:13:47,870
SHE’S HAD A LOT
OF HEARTBREAK,
320
00:13:47,900 --> 00:13:49,230
BUT SHE’S A GOOD GIRL.
321
00:13:49,270 --> 00:13:51,910
YOU ‐‐ YOU’RE SURE
SHE’S NOT IN ANY TROUBLE?
322
00:13:51,940 --> 00:13:54,580
WE DON’T EXPECT SO, MA’AM.
323
00:14:01,280 --> 00:14:03,550
LOOK, I WAS JUST TALKING
ON THE PHONE!
324
00:14:03,580 --> 00:14:04,680
WHAT IS THIS ABOUT?
325
00:14:04,720 --> 00:14:07,090
IT’S ABOUT THE PERSON
THAT OWNS IT, FABIOLA,
326
00:14:07,120 --> 00:14:10,020
WHICH WE KNOW ISN’T YOU,
SO START A STEP PAST THAT.
327
00:14:10,050 --> 00:14:12,620
I GOT IT OFF A JOHN.
IT’S LEGIT.
328
00:14:12,660 --> 00:14:14,070
HE GAVE IT TO ME.
329
00:14:14,090 --> 00:14:16,060
NAME OF THE JOHN?
330
00:14:16,090 --> 00:14:17,130
ALL I KNOW IS LOUIE.
331
00:14:17,160 --> 00:14:18,390
LOOK, GIVE A LAST NAME,
332
00:14:18,430 --> 00:14:20,960
OR WE’RE ALL THREE GOING
TO GO SIT AT THE STROLL
333
00:14:21,000 --> 00:14:22,100
TILL HE SHOWS AGAIN.
334
00:14:22,130 --> 00:14:24,570
HE COMES BY
ONCE A MONTH, MAYBE.
335
00:14:24,600 --> 00:14:25,930
THEN WE’LL GET
TO BE CLOSE FRIENDS.
336
00:14:25,970 --> 00:14:27,440
SEE, THAT PHONE IS HOT AS LAVA,
337
00:14:27,470 --> 00:14:29,540
SO UNLESS YOU START
DOING BETTER THAN LOUIE,
338
00:14:29,570 --> 00:14:30,940
IT COULD VERY WELL
GET YOU LOCKED UP
339
00:14:30,980 --> 00:14:32,420
FOR A GOOD, LONG TIME.
340
00:14:32,440 --> 00:14:34,740
FOR USING A PHONE?
NO, FOR BEING INVOLVED
IN A CRIME
341
00:14:34,780 --> 00:14:36,580
THAT THE PHONE
IS A PART OF.
342
00:14:36,620 --> 00:14:38,160
ARE WE IN STEP YET,
FABIOLA?
343
00:14:38,180 --> 00:14:39,650
ALL RIGHT.
344
00:14:39,680 --> 00:14:43,120
THERE’S THIS PLACE I TAKE
DATES TO IN HELL’S KITCHEN,
345
00:14:43,150 --> 00:14:44,990
AND IT WAS SITTING
ON THE FLOOR,
346
00:14:45,020 --> 00:14:46,420
SO I TOOK IT.
347
00:14:46,460 --> 00:14:48,600
HOW MANY TIMES YOU BEEN THERE
IN THE PAST THREE DAYS?
348
00:14:48,630 --> 00:14:49,600
A LOT.
349
00:14:49,630 --> 00:14:51,160
YOU SEEN THIS GUY THERE?
350
00:14:51,200 --> 00:14:53,910
LOTS OF GUYS LIKE HIM
GO TO THAT PLACE.
351
00:14:53,930 --> 00:14:55,960
AND THIS ONE
MIGHT HAVE BEEN
352
00:14:56,000 --> 00:14:57,500
BEHIND A CLOSED DOOR
YOU WANDERED IN...
353
00:14:57,540 --> 00:14:59,580
MAYBE GETTING
HIS PIPES CLEANED?
354
00:14:59,600 --> 00:15:00,770
IF A DOOR IS CLOSED,
355
00:15:00,810 --> 00:15:02,580
I HAVE NO BUSINESS
GOING IN.
356
00:15:02,610 --> 00:15:04,320
I WORK ONE ROOM
AT A TIME.
357
00:15:04,340 --> 00:15:05,940
WHAT’S THE SETUP
OF THIS PLACE?
358
00:15:05,980 --> 00:15:08,420
FRONT AREA’S
A SMOKING GALLERY,
359
00:15:08,450 --> 00:15:09,820
ROOMS IN THE BACK,
360
00:15:09,850 --> 00:15:11,950
WE PAY 3 BUCKS A BANG.
361
00:15:11,980 --> 00:15:15,120
"WE" BEING PROSTS,
MOSTLY LIKE YOURSELF,
362
00:15:15,150 --> 00:15:16,350
OR WOMEN, TOO?
363
00:15:16,390 --> 00:15:18,360
YOU KNOW, I COULD
TAKE OFFENSE TO THAT,
364
00:15:18,390 --> 00:15:20,290
BUT SINCE
WE’RE BEING OFFICIAL,
365
00:15:20,320 --> 00:15:22,420
YES, BOTH TRANNIES
AND BIOLOGICALS.
366
00:15:22,460 --> 00:15:25,030
WHO DO YOU PAY
THE 3 BUCKS TO?
367
00:15:25,060 --> 00:15:26,530
OH, I DON’T KNOW
THEIR NAMES.
368
00:15:26,570 --> 00:15:28,840
THEY’RE JUST THESE TWO
SKANKY WHITE DUDES.
369
00:15:28,870 --> 00:15:31,040
ADDRESS OF THE PLACE?
370
00:15:31,070 --> 00:15:32,800
[ SIGHS ]
371
00:15:32,840 --> 00:15:35,550
AND, BY THE WAY,
"BIOLOGICALS" MEANS LADIES
372
00:15:35,570 --> 00:15:38,140
THAT WERE LUCKY ENOUGH
TO BE BORN LADIES.
373
00:15:38,180 --> 00:15:40,220
THANKS FOR CLEARING THAT UP.
374
00:15:42,810 --> 00:15:44,780
HI, BABY.
375
00:15:44,820 --> 00:15:45,960
HI.
376
00:15:45,980 --> 00:15:48,150
GRANDMA, WHAT’S GOING ON?
377
00:15:48,190 --> 00:15:50,500
JUST GOT A FEW QUESTIONS
TO ASK YOU, SYLVIA.
378
00:15:50,520 --> 00:15:52,690
SHOULDN’T TAKE LONG.
RIGHT THIS WAY.
379
00:15:52,720 --> 00:15:54,990
Greg: THANKS, KEARNS.
380
00:16:02,570 --> 00:16:04,540
SORRY TO DRAG YOU
OUT OF SCHOOL,
381
00:16:04,570 --> 00:16:07,000
BUT SOMETHING CAME UP
IN AN INVESTIGATION
382
00:16:07,040 --> 00:16:08,900
WE’RE HOPING
YOU CAN CLEAR UP.
383
00:16:08,940 --> 00:16:11,310
WHAT WERE YOU DOING
LAST NIGHT, SYLVIA?
384
00:16:11,340 --> 00:16:12,710
WERE YOU OUT?
385
00:16:12,740 --> 00:16:14,480
I WAS AT A MOVIE.
386
00:16:14,510 --> 00:16:16,210
WHAT DID YOU SEE?
387
00:16:16,250 --> 00:16:17,890
THE "GLADIATOR" MOVIE.
388
00:16:17,920 --> 00:16:19,060
YEAH?
389
00:16:19,080 --> 00:16:20,250
I DIDN’T KNOW
THAT WAS STILL PLAYING.
390
00:16:20,280 --> 00:16:22,320
DID YOU HAVE
YOUR CELL PHONE WITH YOU?
391
00:16:22,350 --> 00:16:23,590
WHY?
392
00:16:23,620 --> 00:16:26,020
SOMEONE DID A MINOR CRIME
WITH IT LAST NIGHT.
393
00:16:26,060 --> 00:16:27,230
IT WASN’T ME.
394
00:16:27,260 --> 00:16:29,360
DID YOU MAYBE LOAN
THE PHONE TO SOMEBODY?
395
00:16:29,390 --> 00:16:30,890
NO, I DIDN’T LOAN IT TO NOBODY.
396
00:16:30,930 --> 00:16:32,230
"ANYBODY," GIRL.
397
00:16:32,260 --> 00:16:33,600
Syliva: ANYBODY.
398
00:16:35,570 --> 00:16:37,380
ACTUALLY, I‐I LOST IT.
399
00:16:37,400 --> 00:16:40,740
I SAW YOU
WITH IT YESTERDAY.
400
00:16:40,770 --> 00:16:41,870
I LOST IT
IN THE AFTERNOON.
401
00:16:41,910 --> 00:16:43,210
WELL, I SAW YOU WITH IT
402
00:16:43,240 --> 00:16:45,210
BEFORE YOU LEFT
FOR THE MOVIE.
403
00:16:45,240 --> 00:16:47,780
SYLVIA, WE WANT TO GET YOU
BACK TO SCHOOL
404
00:16:47,810 --> 00:16:49,580
AS SOON AS POSSIBLE,
BUT THAT’S NOT GOING TO HAPPEN
405
00:16:49,610 --> 00:16:50,910
UNLESS YOU TELL US THE TRUTH.
406
00:16:50,950 --> 00:16:52,880
IF YOU DON’T,
WE HAVE TO DO WHAT’S CALLED
407
00:16:52,920 --> 00:16:55,330
A VOICE LINEUP.
YOU KNOW WHAT THAT IS?
408
00:16:56,450 --> 00:16:58,050
YOU GET ON THE PHONE
WITH SOMEONE,
409
00:16:58,090 --> 00:17:00,060
MAYBE
FROM A CHINESE RESTAURANT,
410
00:17:00,090 --> 00:17:02,460
AND THAT PERSON SAYS
WHETHER OR NOT
411
00:17:02,490 --> 00:17:03,930
YOU’RE WHO CALLED
LAST NIGHT.
412
00:17:03,960 --> 00:17:05,790
AND THEN WE KNOW
YOU WERE INVOLVED,
413
00:17:05,830 --> 00:17:08,230
BUT WE DON’T KNOW
THE CIRCUMSTANCES,
414
00:17:08,270 --> 00:17:10,140
WHICH GOES A LONG WAY
IN DETERMINING HOW MUCH,
415
00:17:10,170 --> 00:17:11,830
IF ANY,
TROUBLE YOU MAY BE IN.
416
00:17:14,110 --> 00:17:16,010
NOW, YOU DIDN’T LOSE
THE CELL PHONE, DID YOU?
417
00:17:17,110 --> 00:17:18,070
NO.
418
00:17:18,110 --> 00:17:19,840
DO YOU HAVE IT WITH YOU?
419
00:17:21,810 --> 00:17:23,410
WHY DON’T YOU GIVE IT
TO ME RIGHT NOW?
420
00:17:29,120 --> 00:17:30,850
DID YOU CALL
A RESTAURANT LAST NIGHT?
421
00:17:32,790 --> 00:17:34,390
WHO WERE YOU WITH?
422
00:17:34,430 --> 00:17:36,600
ANTHONY...
423
00:17:36,630 --> 00:17:38,730
ANTHONY WOODSIDE.
424
00:17:38,760 --> 00:17:41,300
WHAT DID YOU DO, GIRL?
425
00:17:41,330 --> 00:17:42,600
I JUST CALLED THE PLACE
AND ORDERED,
426
00:17:42,630 --> 00:17:43,800
AND WHEN THE MAN CAME,
I LEFT.
427
00:17:43,840 --> 00:17:45,140
DID ANTHONY
APPROACH THE MAN THEN?
428
00:17:45,170 --> 00:17:46,900
AND HE TOOK THE FOOD.
429
00:17:46,940 --> 00:17:48,600
AND WHAT HAPPENED
AFTER THAT, SYLVIA?
430
00:17:48,640 --> 00:17:52,010
I DON’T KNOW. I LEFT.
431
00:17:52,040 --> 00:17:53,680
LOOK, IT WAS ANTHONY
THOUGHT IT UP.
432
00:17:53,710 --> 00:17:55,240
HE SAID,
"LET’S GET SOME CHINESE."
433
00:17:55,280 --> 00:17:56,750
I SAID,
"I AIN’T GOT NO MONEY."
434
00:17:56,780 --> 00:17:58,180
HE SAID,
"WE’LL JUST TAKE IT."
435
00:17:58,220 --> 00:17:59,460
AND WHAT MADE HIM THINK
436
00:17:59,480 --> 00:18:01,420
THAT WAS THE RIGHT THING
TO DO?
437
00:18:01,450 --> 00:18:03,480
HE DON’T LIKE
THE CHINESE FOLKS
438
00:18:03,520 --> 00:18:04,490
’CAUSE HE SAYS
THEY DON’T LIKE US
439
00:18:04,520 --> 00:18:05,850
OR HIRE US.
440
00:18:05,890 --> 00:18:07,090
THEY JUST COME
TO THE NEIGHBORHOOD
441
00:18:07,130 --> 00:18:08,170
TO TAKE MONEY.
442
00:18:10,900 --> 00:18:12,770
DOES ANTHONY
GO TO SCHOOL, SYLVIA?
443
00:18:12,800 --> 00:18:14,770
BAXTER HIGH.
444
00:18:14,800 --> 00:18:18,000
OKAY. WE’RE GOING
TO TALK WITH ANTHONY.
445
00:18:18,040 --> 00:18:19,340
NOW, IF YOU DON’T MIND,
446
00:18:19,370 --> 00:18:21,140
WE’RE GOING TO ASK YOU
447
00:18:21,170 --> 00:18:23,370
TO STICK AROUND
FOR A LITTLE WHILE.
448
00:18:36,150 --> 00:18:37,390
HEY, VICTOR.
449
00:18:37,420 --> 00:18:38,890
YOU MIND
IF WE COME IN?
450
00:18:38,920 --> 00:18:40,490
NO, PLEASE.
451
00:18:43,190 --> 00:18:44,660
HAVE YOU MADE
ANY PROGRESS?
452
00:18:44,700 --> 00:18:46,870
UH, GOT A COUPLE
OF QUESTIONS TO ASK.
453
00:18:46,900 --> 00:18:48,800
DO YOU KNOW
A HE/SHE PROSTITUTE
454
00:18:48,830 --> 00:18:50,200
NAMED FABIOLA DaSILVA?
455
00:18:50,230 --> 00:18:52,330
NO.
WELL,
SHE KNOWS YOU.
456
00:18:52,370 --> 00:18:55,670
THIS A FRIEND OF YOURS?
MY BROTHER.
457
00:18:55,710 --> 00:18:57,920
YOU DON’T THROW THEM BACK
WITH FABIOLA
458
00:18:57,940 --> 00:19:00,310
AT THE MOTHER LODE
OR MAYBE THE BALLROOM?
459
00:19:00,340 --> 00:19:02,010
I DO NOT KNOW
WHOEVER THIS PERSON IS.
460
00:19:02,050 --> 00:19:03,390
BUT YOU DO GO
TO THOSE CLUBS, RIGHT?
461
00:19:03,410 --> 00:19:05,050
THEY CAME UP
ON YOUR CREDIT CARD.
462
00:19:05,080 --> 00:19:06,650
THEN YOU KNOW I GO THERE.
463
00:19:06,690 --> 00:19:08,660
WHAT KIND OF CLUBS
ARE THOSE?
464
00:19:08,690 --> 00:19:10,230
THEY’RE GAY CLUBS.
465
00:19:10,250 --> 00:19:11,920
THIS PLACE THAT YOU SAY
YOU WERE HELD,
466
00:19:11,960 --> 00:19:13,900
YOU KNOW WHAT KIND
OF PROSTITUTES WORK THERE?
467
00:19:13,930 --> 00:19:16,070
NO. I JUST KNEW
THAT THEY WERE PROSTITUTES.
468
00:19:16,090 --> 00:19:18,030
YOU DIDN’T NOTICE A LITTLE
SOMETHING EXTRA HANGING
469
00:19:18,060 --> 00:19:19,530
UNDER THEIR MINISKIRTS?
470
00:19:19,560 --> 00:19:21,500
SEE, WHAT WE’RE DOING HERE,
VICTOR,
471
00:19:21,530 --> 00:19:23,500
WE’RE PUTTING
TWO AND TWO TOGETHER.
472
00:19:23,530 --> 00:19:25,270
I DON’T UNDERSTAND WHAT THIS
IS SUPPOSED TO MEAN
473
00:19:25,300 --> 00:19:28,370
OR WHAT IT HAS TO DO WITH ME
BEING KIDNAPPED AND ROBBED.
474
00:19:28,410 --> 00:19:29,680
IT JUST MAKES US WONDER,
475
00:19:29,710 --> 00:19:31,340
ARE YOU LYING TO US
ABOUT THE WHOLE THING?
476
00:19:31,380 --> 00:19:33,720
TO COVER UP SOMETHING ELSE,
LIKE WE SAID BEFORE.
477
00:19:33,750 --> 00:19:36,690
AND, LIKE I SAID BEFORE,
I’M TELLING THE TRUTH.
478
00:19:36,720 --> 00:19:37,720
BUT SINCE NOW WE KNOW
479
00:19:37,750 --> 00:19:39,350
YOU GOT SOMETHING
WORTH HIDING,
480
00:19:39,380 --> 00:19:41,250
THE QUESTION NEEDS
TO BE ASKED AGAIN.
481
00:19:41,290 --> 00:19:42,560
NO, I’M NOT LYING.
482
00:19:42,590 --> 00:19:44,100
THEN WHY
WOULD THIS PROST SAY
483
00:19:44,120 --> 00:19:45,720
THAT YOU WERE A CUSTOMER?
484
00:19:45,760 --> 00:19:47,270
BECAUSE SHE’S WHO’S LYING.
485
00:19:47,290 --> 00:19:49,460
ARE YOU OUT AT WORK?
DO THEY KNOW YOU’RE GAY?
486
00:19:49,490 --> 00:19:51,130
NO.
IF YOU’RE WORRIED
487
00:19:51,160 --> 00:19:53,190
ABOUT THIS CONVERSATION
LEAVING THE ROOM,
488
00:19:53,230 --> 00:19:55,360
IT WON’T, BUT YOU’VE GOT
TO SPEAK UP NOW.
489
00:19:55,400 --> 00:19:56,900
I CANNOT BELIEVE YOU.
490
00:19:56,940 --> 00:19:58,580
WE’RE GOING
INTO THIS WHOREHOUSE
491
00:19:58,600 --> 00:20:00,070
WITH BIG ARTILLERY, VICTOR,
492
00:20:00,100 --> 00:20:01,740
AND IF ONE OF OUR GUYS
GETS SHOT,
493
00:20:01,770 --> 00:20:03,870
I DON’T WANT YOU LIVING
WITH BLOOD ON YOUR HANDS
494
00:20:03,910 --> 00:20:05,710
’CAUSE YOU WERE AFRAID
OF BEING OUTED.
495
00:20:05,740 --> 00:20:07,880
IF YOU COME CLEAN NOW,
THERE’S NO SHAME IN IT.
496
00:20:07,910 --> 00:20:09,880
I SPENT THREE DAYS
TERRIFIED OF BEING KILLED,
497
00:20:09,910 --> 00:20:11,480
AND NOW THIS?
498
00:20:11,520 --> 00:20:13,220
JUST POINTING OUT
INCONSISTENCIES.
499
00:20:13,250 --> 00:20:15,380
YOU ARE INTERROGATING ME
LIKE I’M A CRIMINAL.
500
00:20:15,420 --> 00:20:17,550
I WAS THE ONE
WHO WAS KIDNAPPED.
501
00:20:17,590 --> 00:20:19,620
THEY HAD A KNIFE
AT MY THROAT.
502
00:20:19,660 --> 00:20:21,390
NOW, I DON’T KNOW
IF YOU REALLY PLAN
503
00:20:21,430 --> 00:20:22,670
ON RAIDING THIS WHOREHOUSE
OR NOT,
504
00:20:22,690 --> 00:20:25,230
AND IF YOU DO, I TRULY HOPE
THAT NO ONE GETS HURT,
505
00:20:25,260 --> 00:20:26,900
BUT IF SOMEONE DOES,
506
00:20:26,930 --> 00:20:29,160
YOU HAVE GOT A HELL
OF A LOT OF NERVE
507
00:20:29,200 --> 00:20:31,700
PUTTING IT ON ME!
508
00:20:34,640 --> 00:20:35,970
I GUESS WE’RE DONE HERE.
509
00:20:36,010 --> 00:20:37,280
YES, YOU ARE.
510
00:20:37,310 --> 00:20:39,610
SORRY TO WASTE YOUR TIME.
511
00:21:00,060 --> 00:21:01,360
HANDS UP! HANDS UP!
512
00:21:01,400 --> 00:21:03,300
POLICE! POLICE!
EVERYBODY FREEZE!
513
00:21:03,330 --> 00:21:05,200
FREEZE!
EVERYBODY STAND UP!
514
00:21:05,240 --> 00:21:06,510
FREEZE!
515
00:21:06,540 --> 00:21:08,310
BOTH OF YOU AGAINST THE WALL!
AGAINST THE WALL!
516
00:21:08,340 --> 00:21:09,810
GET OFF THE BED!
HANDS UP!
517
00:21:09,840 --> 00:21:11,310
Man: JUST LET ME
GET MY CLOTHES ON.
518
00:21:11,340 --> 00:21:13,440
AGAINST THE WALL.
GET UP.
519
00:21:13,480 --> 00:21:15,620
Woman: TAKE IT EASY, OKAY?
520
00:21:15,650 --> 00:21:17,390
YOU FIND
POOLE’S CREDENTIALS?
521
00:21:17,420 --> 00:21:19,020
NOTHING.
NOTHING IN THERE.
522
00:21:19,050 --> 00:21:20,680
DIANE?
NOTHING IN HERE.
523
00:21:20,720 --> 00:21:21,950
LET’S GO.
524
00:21:21,990 --> 00:21:26,130
ALL RIGHT,
WHO’S RUNNING THIS PLACE?
525
00:21:26,160 --> 00:21:28,730
HE’S TAKING THE FIFTH.
I’M TAKING THE FIFTH.
526
00:21:28,760 --> 00:21:30,990
IS THAT RIGHT?
527
00:21:31,030 --> 00:21:32,360
SHUT UP.
528
00:21:32,400 --> 00:21:34,310
WHOEVER THEY ARE,
THEY’RE CRIMINAL MASTERMINDS.
529
00:21:34,330 --> 00:21:35,960
OKAY, BRIGHT EYES.
530
00:21:36,000 --> 00:21:36,970
AH!
531
00:21:37,000 --> 00:21:38,230
UP.
532
00:21:45,210 --> 00:21:46,540
Y’ALL GRAB ME FROM SCHOOL,
533
00:21:46,580 --> 00:21:48,510
EMBARRASS ME
IN FRONT OF MY FRIENDS,
534
00:21:48,550 --> 00:21:50,720
AND I DON’T EVEN KNOW
WHAT THIS IS ABOUT.
535
00:21:50,750 --> 00:21:52,550
WHERE WERE YOU
LAST NIGHT, 10:30?
536
00:21:52,580 --> 00:21:53,720
SEEING A MOVIE.
537
00:21:53,750 --> 00:21:54,880
WHICH ONE?
538
00:21:54,920 --> 00:21:56,720
IS IT EVEN LEGAL
FOR YOU GUYS TO BE
539
00:21:56,760 --> 00:21:58,030
TALKING TO ME
WITHOUT A PARENT?
540
00:21:58,060 --> 00:21:59,200
I’M ONLY 16.
541
00:21:59,220 --> 00:22:01,690
16’s THE CUTOFF, ANTHONY.
542
00:22:01,730 --> 00:22:04,040
WHAT MOVIE?
WHAT’S IT MATTER?
543
00:22:04,060 --> 00:22:05,260
WELL, IT DOESN’T, REALLY.
544
00:22:05,300 --> 00:22:06,610
THE ONLY THING THAT MATTERS
545
00:22:06,630 --> 00:22:08,730
IS THAT YOU WEREN’T
ON 14th STREET AROUND 10:30.
546
00:22:08,770 --> 00:22:10,540
YOU WEREN’T THERE,
WERE YOU?
547
00:22:10,570 --> 00:22:13,740
MAYBE ORDERING CHINESE FOOD
WITH YOUR FRIEND SYLVIA DOBKIN?
548
00:22:13,770 --> 00:22:16,540
IS THAT
WHAT SHE SAID?
WHAT DO YOU SAY, ANTHONY?
549
00:22:16,580 --> 00:22:17,880
LOOK, SHE’S GOT
A THING FOR ME,
550
00:22:17,910 --> 00:22:19,510
AND IF SHE SAYS SOMETHING
AGAINST ME,
551
00:22:19,540 --> 00:22:21,380
I SAY BECAUSE
I TURNED HER DOWN FLAT
552
00:22:21,410 --> 00:22:22,380
A BIG PLAYER.
553
00:22:22,410 --> 00:22:23,910
I DO GET AROUND.
554
00:22:23,950 --> 00:22:27,280
YOU EVER BEEN
LOCKED UP BEFORE, ANTHONY?
NOPE.
555
00:22:27,320 --> 00:22:29,620
SEE, THAT LITTLE
SMART‐ASS ATTITUDE OF YOURS
556
00:22:29,650 --> 00:22:32,420
WOULDN’T GO OVER VERY WELL
IN JAIL.
557
00:22:32,460 --> 00:22:34,270
YEAH, THEY GIVE THEM,
WHAT, A COUPLE OF DAYS?
558
00:22:34,290 --> 00:22:35,520
ORIENTATION THEY CALL IT.
559
00:22:35,560 --> 00:22:36,960
THEY LET YOU SETTLE IN.
560
00:22:37,000 --> 00:22:38,540
YEAH, AND THEN THEY GANG‐RAPE
YOU IN THE SHOWER.
561
00:22:38,560 --> 00:22:40,200
ANTHONY...
562
00:22:40,230 --> 00:22:42,530
WE DON’T WANT TO SEE THAT
HAPPEN TO YOU,
563
00:22:42,570 --> 00:22:45,080
BUT UNTIL WE KNOW
WHAT WENT DOWN LAST NIGHT,
564
00:22:45,100 --> 00:22:46,370
WE CAN’T HELP YOU OUT.
565
00:22:46,400 --> 00:22:48,640
WERE YOU HUNGRY?
WERE YOU BORED?
566
00:22:48,670 --> 00:22:50,810
OR DID YOU MAYBE WANT
TO TAKE A BIT OF A SHOT
567
00:22:50,840 --> 00:22:52,910
AT A CHINESE DELIVERY GUY?
568
00:22:52,940 --> 00:22:54,980
SYLVIA INDICATED
YOU HAD SOMETHING
569
00:22:55,010 --> 00:22:57,150
OF A POLITICAL STANCE
IN THAT REGARD.
570
00:22:57,180 --> 00:23:00,220
YEAH, THEY GOT NO RESPECT
FOR BLACK FOLKS, AM I RIGHT?
571
00:23:00,250 --> 00:23:01,780
YOU OUGHT TO KNOW.
572
00:23:01,820 --> 00:23:03,720
THEY DON’T HIRE
OUTSIDE THEIR KIND,
573
00:23:03,760 --> 00:23:05,060
JACK UP PRICES.
574
00:23:05,090 --> 00:23:06,920
HOW DO YOU FEEL ABOUT THEM
COMING INTO YOUR NEIGHBORHOOD
575
00:23:06,960 --> 00:23:07,920
JUST TO TAKE YOUR MONEY?
576
00:23:07,960 --> 00:23:09,220
THEY’RE LIKE ROACHES.
577
00:23:09,260 --> 00:23:11,460
SO WHY NOT TAKE THEM ALL
FOR A BAG OF FOOD?
578
00:23:11,500 --> 00:23:12,740
THEY’LL JUST SCURRY OFF
AND MAKE MORE, RIGHT?
579
00:23:12,760 --> 00:23:14,600
THAT’S A WAY OF THINKING.
580
00:23:14,630 --> 00:23:17,500
IS THAT WHAT YOU WERE
THINKING LAST NIGHT, ANTHONY?
581
00:23:17,540 --> 00:23:19,610
I DON’T KNOW
WHAT YOU’RE TALKING ABOUT.
582
00:23:21,870 --> 00:23:25,070
WE’D LOVE TO SEE YOU
WALK OUT OF HERE, ANTHONY,
583
00:23:25,110 --> 00:23:27,280
BUT IF YOU
KEEP STONEWALLING,
584
00:23:27,310 --> 00:23:28,610
OUR HANDS ARE TIED.
585
00:23:28,650 --> 00:23:30,190
SORRY, BRO.
586
00:23:30,210 --> 00:23:35,350
WELL, WE’VE GOT TO STEP
OUT A MINUTE, ANTHONY.
587
00:23:35,390 --> 00:23:36,560
SEEMS YOUR FATHER’S HERE.
588
00:23:39,890 --> 00:23:42,420
YOUR FACE JUST WENT GRAY,
ANTHONY.
589
00:23:42,460 --> 00:23:43,930
DID NOT.
590
00:23:43,960 --> 00:23:44,930
HMMM.
591
00:23:44,960 --> 00:23:47,060
WELL, YOU SIT TIGHT, PLAYER.
592
00:23:57,810 --> 00:23:59,140
MR. WOODSIDE?
593
00:23:59,180 --> 00:24:02,050
DETECTIVE JONES,
DETECTIVE MEDAVOY.
594
00:24:02,080 --> 00:24:03,480
I HEARD YOU TOOK MY SON
OUT OF SCHOOL.
595
00:24:03,510 --> 00:24:06,010
LET’S, UH, TALK IN HERE.
596
00:24:16,260 --> 00:24:18,190
COFFEE?
597
00:24:18,230 --> 00:24:19,360
I DON’T NEED COFFEE.
598
00:24:19,400 --> 00:24:21,740
I WANT TO KNOW WHAT’S
GOING ON WITH MY SON.
599
00:24:21,770 --> 00:24:23,710
MR. WOODSIDE,
THERE’S A GOOD CHANCE
600
00:24:23,740 --> 00:24:26,180
ANTHONY WAS INVOLVED
IN A CRIME LAST NIGHT.
601
00:24:26,200 --> 00:24:28,040
WE’RE JUST TRYING
TO SORT IT OUT.
602
00:24:28,070 --> 00:24:29,400
WHAT KIND OF CRIME?
603
00:24:29,440 --> 00:24:31,540
WE THINK HE MAY HAVE TAKEN
SOME CHINESE FOOD
604
00:24:31,580 --> 00:24:32,680
FROM A DELIVERY MAN.
605
00:24:32,710 --> 00:24:34,880
I DON’T BELIEVE THAT.
HE WAS AT A MOVIE.
606
00:24:34,910 --> 00:24:36,850
WELL, ONE OF HIS FRIENDS
MAKES HIM INVOLVED,
607
00:24:36,880 --> 00:24:38,850
SO WE’RE FAIRLY CERTAIN
HE WASN’T AT A MOVIE.
608
00:24:38,880 --> 00:24:40,680
YEAH, SEE, THE PROBLEM IS
609
00:24:40,720 --> 00:24:42,520
ANTHONY’S REFUSING
TO SPEAK WITH US.
610
00:24:42,550 --> 00:24:44,020
YOU TALKED TO HIM
WITHOUT ME THERE?
611
00:24:44,060 --> 00:24:45,200
HE’S 16 YEARS OLD.
612
00:24:45,220 --> 00:24:46,720
YOU’VE GOT NO RIGHT
TALKING TO HIM ALONE.
613
00:24:46,760 --> 00:24:48,690
ACTUALLY, WE ARE
WITHIN OUR RIGHTS,
614
00:24:48,730 --> 00:24:50,600
AND AS FAR
AS HIM BEING INVOLVED,
615
00:24:50,630 --> 00:24:53,600
HIS SILENCE IS FORCING US
TO TAKE THE WORD OF HIS FRIEND.
616
00:24:53,630 --> 00:24:55,200
HAS ANTHONY HAD
ANY TROUBLE IN THE PAST?
617
00:24:55,230 --> 00:24:57,530
ABSOLUTELY NOT.
618
00:24:57,570 --> 00:24:59,500
PROBABLY ON ACCOUNT
OF YOU RAISING HIM RIGHT.
619
00:24:59,540 --> 00:25:01,550
I RUN A STRICT HOUSE.
620
00:25:01,570 --> 00:25:03,200
CAN I SEE MY SON?
621
00:25:03,240 --> 00:25:04,870
[ CHUCKLES ]
622
00:25:04,910 --> 00:25:08,740
NORMALLY WE DON’T
ALLOW FOR THAT, BUT, UH...
623
00:25:08,780 --> 00:25:09,880
BUT, UM,
624
00:25:09,910 --> 00:25:12,010
MAYBE IF WE ALL WENT IN
TO TALK TOGETHER,
625
00:25:12,050 --> 00:25:13,950
YOU COULD
HELP HIM UNDERSTAND
626
00:25:13,990 --> 00:25:15,760
THAT IT’S
IN HIS BEST INTEREST
627
00:25:15,790 --> 00:25:17,130
TO TELL THE TRUTH.
628
00:25:17,160 --> 00:25:19,730
YEAH, THAT WAY WE CAN
DISCUSS CIRCUMSTANCES,
629
00:25:19,760 --> 00:25:22,120
WHICH GOES A GOOD WAY
630
00:25:22,160 --> 00:25:24,130
TOWARD WHETHER OR NOT THIS CASE
IS EVEN WORTH AN ARREST.
631
00:25:26,800 --> 00:25:29,100
ANTHONY HAS
NEVER BEEN INVOLVED
632
00:25:29,130 --> 00:25:31,870
IN ANY KIND OF TROUBLE,
AND NEITHER HAVE I.
633
00:25:31,900 --> 00:25:33,870
I WORK HARD.
HE WORKS HARD.
634
00:25:33,910 --> 00:25:36,250
WE DON’T WANT YOU WORRIED,
MR. WOODSIDE.
635
00:25:36,270 --> 00:25:38,210
I KNOW HE DIDN’T DO
ANYTHING WRONG,
636
00:25:38,240 --> 00:25:39,780
BUT DO WE NEED AN ATTORNEY?
637
00:25:39,810 --> 00:25:41,880
WELL, YOU’RE DEFINITELY
WITHIN YOUR RIGHTS
638
00:25:41,910 --> 00:25:43,810
TO HAVE AN ATTORNEY,
MR. WOODSIDE,
639
00:25:43,850 --> 00:25:45,250
BUT THEN WE’D HAVE
TO SHUT DOWN
640
00:25:45,280 --> 00:25:46,820
ALL THE PROCEEDINGS.
641
00:25:46,850 --> 00:25:49,250
MEANING WE’D HAVE TO GO
WITH WHAT HIS FRIEND TOLD US,
642
00:25:49,290 --> 00:25:50,730
MAINLY THAT HE WAS INVOLVED.
643
00:25:50,760 --> 00:25:52,930
SO HE’D BE ARRESTED?
644
00:25:52,960 --> 00:25:55,430
WE’D HAVE NO CHOICE.
645
00:25:55,460 --> 00:25:57,230
BEST BET FOR THE TIME BEING
646
00:25:57,260 --> 00:25:59,130
IS FOR ALL OF US
TO GO IN THERE
647
00:25:59,160 --> 00:26:01,730
AND GET THE TRUTH
ONCE AND FOR ALL.
648
00:26:01,770 --> 00:26:03,340
THEN HE CAN GO HOME?
649
00:26:03,370 --> 00:26:05,840
WELL, THAT WOULD HAVE
TO BE ASSESSED LATER,
650
00:26:05,870 --> 00:26:08,500
BUT IT’S EVERYONE’S
STRONGEST WISH FOR YOUR SON.
651
00:26:12,780 --> 00:26:14,990
UP, GENIUS.
652
00:26:18,280 --> 00:26:20,250
ALL RIGHT, SIT. COME ON.
653
00:26:20,280 --> 00:26:22,520
LET’S CHAT ABOUT THAT NIFTY
LITTLE OPERATION
654
00:26:22,550 --> 00:26:24,420
YOU GOT GOING.
655
00:26:24,460 --> 00:26:26,300
CRACK IN THE FRONT,
WHORES IN THE BACK ‐‐
656
00:26:26,320 --> 00:26:27,520
REAL NICHE SORT OF A PLACE.
657
00:26:27,560 --> 00:26:28,920
I WAS THERE
SEEING A FRIEND.
658
00:26:28,960 --> 00:26:30,790
WAS THIS FRIEND THE ONE
THAT TALKED YOU
659
00:26:30,830 --> 00:26:31,960
INTO BRANCHING
INTO KIDNAPPING?
660
00:26:32,000 --> 00:26:33,040
I DON’T FOLLOW.
661
00:26:33,060 --> 00:26:34,930
THE CONTENTS
OF YOUR POCKET, BILLY ‐‐
662
00:26:34,970 --> 00:26:36,470
ATM CARD
AND IRS CREDENTIALS
663
00:26:36,500 --> 00:26:37,830
FOR VICTOR POOLE.
664
00:26:37,870 --> 00:26:39,300
SAY YOU FOUND THEM,
AND IN TWO SECONDS
665
00:26:39,340 --> 00:26:41,210
HE’LL BE PICKING YOU OUT
OF A LINEUP.
666
00:26:41,240 --> 00:26:44,370
LOOK, AM I GOING
TO INCRIMINATE MYSELF
667
00:26:44,410 --> 00:26:46,840
IF I TALK
ABOUT MY BUSINESS?
668
00:26:46,880 --> 00:26:48,840
THE PLACE
YOU WERE JUST VISITING?
669
00:26:48,880 --> 00:26:50,980
CAN I SPEAK FREELY ON IT?
670
00:26:51,020 --> 00:26:53,120
SHOOT.
671
00:26:53,150 --> 00:26:55,450
I KNOW VICTOR POOLE,
AND VICTOR POOLE IS A MENACE.
672
00:26:55,490 --> 00:26:56,960
HOW IS HE A MENACE TO YOU?
673
00:26:56,990 --> 00:26:59,490
HE SPENT THREE DAYS
BANGING WHORES TWO AT A TIME,
674
00:26:59,520 --> 00:27:01,020
SMOKED UP $1,500 IN ROCK,
675
00:27:01,060 --> 00:27:03,360
AND DIDN’T HAVE A DIME
TO PAY FOR ANY OF IT.
676
00:27:03,390 --> 00:27:04,890
HE’S A MENACE.
HE’S BANNED.
677
00:27:04,930 --> 00:27:07,530
EXPLAIN YOU RIPPING OFF
HIS ATM.
678
00:27:07,570 --> 00:27:09,840
HE SAYS I RIPPED HIM OFF?
SON OF A ‐‐
679
00:27:09,870 --> 00:27:12,030
HE GIVE ME HIS WALLET
AND HIS PIN,
680
00:27:12,070 --> 00:27:14,240
THEN PUT IT ON ME
TO COVER HIS NUT.
681
00:27:14,270 --> 00:27:15,870
WE GOT WITNESSES
WHO WILL I. D. YOU
682
00:27:15,910 --> 00:27:17,350
GRABBING POOLE
OFF 5th AVENUE
683
00:27:17,380 --> 00:27:18,850
AND THROWING HIM
INTO YOUR VAN.
684
00:27:18,880 --> 00:27:20,420
I DON’T KNOW ANYTHING
ABOUT THAT.
685
00:27:20,440 --> 00:27:22,040
OKAY, YOU’VE HAD
YOUR FUN, BILLY.
686
00:27:22,080 --> 00:27:23,410
YOU TOLD
YOUR LITTLE STORY.
687
00:27:23,450 --> 00:27:25,060
NOW CAN WE BE SERIOUS?
688
00:27:25,080 --> 00:27:27,580
FELLAS ‐‐
THERE’S A POSSIBLE DEAL
ON THE TABLE,
689
00:27:27,620 --> 00:27:29,320
AND THERE’S TWO ASSHOLES
VYING FOR IT.
690
00:27:29,350 --> 00:27:31,390
NOW START TALKING SENSE
AND YOU TAKE THE DEAL
691
00:27:31,420 --> 00:27:33,220
OR WE GO GET TOM
AND GIVE IT TO HIM.
692
00:27:33,260 --> 00:27:35,170
HE’S GOING TO TELL YOU
EXACTLY WHAT I SAID.
693
00:27:35,190 --> 00:27:36,360
POOLE IS A SWINE.
694
00:27:36,390 --> 00:27:38,790
UP, IDIOT.
WE’RE TRADING YOU IN.
695
00:27:43,400 --> 00:27:44,700
THINGS ANY DIFFERENT
696
00:27:44,740 --> 00:27:47,350
WITH YOUR FATHER
IN THE ROOM, ANTHONY?
697
00:27:47,370 --> 00:27:49,270
I STILL DIDN’T DO ANYTHING.
698
00:27:49,310 --> 00:27:52,420
LAST NIGHT WERE YOU
AT THE MOVIES LIKE YOU SAID?
699
00:27:52,440 --> 00:27:53,580
YEAH.
700
00:27:53,610 --> 00:27:55,880
Greg: WHO’D YOU GO
TO THE MOVIES WITH?
701
00:27:55,910 --> 00:27:58,110
JIMMY REID.
702
00:27:58,150 --> 00:27:59,850
MR. WOODSIDE, WOULD YOU MIND
703
00:27:59,880 --> 00:28:02,350
IF WE WENT BACK
INTO THE SQUAD A MOMENT,
704
00:28:02,390 --> 00:28:04,360
CALL JIMMY’S MOM,
SEE IF SHE’LL CONFIRM?
705
00:28:04,390 --> 00:28:07,360
Baldwin: OR IS THAT
A WASTE OF TIME?
706
00:28:07,390 --> 00:28:10,430
DID YOU TAKE FOOD
FROM A DELIVERY MAN?
707
00:28:10,460 --> 00:28:11,760
NO.
708
00:28:11,800 --> 00:28:13,740
HE’S LYING. YOU’RE LYING.
709
00:28:13,770 --> 00:28:16,610
I’M NOT.
I KNOW YOU WELL ENOUGH
TO KNOW WHEN YOU’RE LYING.
710
00:28:16,640 --> 00:28:17,880
WHAT THE HELL
MADE YOU STEAL FOOD?
711
00:28:17,900 --> 00:28:19,070
WE’VE GOT A FRIDGE
FULL OF FOOD!
712
00:28:19,100 --> 00:28:20,600
[ CRYING SOFTLY ]
713
00:28:20,640 --> 00:28:22,070
I’M SORRY, POP.
714
00:28:22,110 --> 00:28:24,480
GET YOUR HEAD UP!
MAN MAKES A MISTAKE,
715
00:28:24,510 --> 00:28:26,370
HE STANDS UP FOR IT.
716
00:28:26,410 --> 00:28:27,910
ANTHONY, START BY SAYING
717
00:28:27,950 --> 00:28:30,060
HOW IT WAS
SUPPOSED TO GO DOWN.
718
00:28:30,080 --> 00:28:33,820
SYLVIA WAS GOING
TO MAKE THE CALL,
719
00:28:33,850 --> 00:28:35,580
AND WHEN THE GUY SHOWED,
720
00:28:35,620 --> 00:28:38,090
I WAS JUST GOING TO PUT
THE GARBAGE BAG OVER HIS HEAD
721
00:28:38,120 --> 00:28:39,390
WHILE SHE TOOK THE FOOD.
722
00:28:39,420 --> 00:28:42,720
THAT’S NOT QUITE
HOW IT WENT, THOUGH, RIGHT?
723
00:28:42,760 --> 00:28:44,060
DID THE MAN
RESIST YOU, ANTHONY?
724
00:28:44,100 --> 00:28:46,070
WHEN I PUT THE BAG ON HIM,
725
00:28:46,100 --> 00:28:47,310
HE GRABBED SYLVIA.
726
00:28:47,330 --> 00:28:50,230
THEN YOU SET
TO FIGHTING HIM OFF?
727
00:28:50,270 --> 00:28:51,600
I HIT HIM ON THE SHOULDER.
728
00:28:51,640 --> 00:28:53,510
THIS IS
THROUGH THE GARBAGE BAG?
729
00:28:53,540 --> 00:28:55,980
SO MAYBE, THINKING YOU WERE
HITTING HIM ON THE SHOULDER,
730
00:28:56,010 --> 00:28:57,250
YOU COULD HAVE BEEN
HITTING HIM ON THE HEAD?
731
00:28:57,280 --> 00:28:58,350
I DIDN’T MEAN TO.
732
00:28:58,380 --> 00:29:00,020
BUT WERE YOU USING
YOUR FISTS,
733
00:29:00,040 --> 00:29:02,510
OR DID YOU HAVE SOMETHING
IN YOUR HAND?
734
00:29:02,550 --> 00:29:04,860
Greg: MAYBE A PIECE
OF CONCRETE?
735
00:29:04,880 --> 00:29:06,780
YOU HIT THE MAN
WITH CONCRETE?
736
00:29:06,820 --> 00:29:09,020
JUST TILL HE LET GO OF HER.
737
00:29:09,050 --> 00:29:10,420
HOW BAD IS THE MAN HURT?
738
00:29:10,450 --> 00:29:12,790
WE’RE STILL WAITING TO HEAR
FROM THE HOSPITAL.
739
00:29:12,820 --> 00:29:15,320
WHAT HAPPENED AFTER THE MAN
LET GO OF SYLVIA?
740
00:29:15,360 --> 00:29:16,590
I TOOK THE FOOD
741
00:29:16,630 --> 00:29:19,260
AND WE RAN INTO THIS BUILDING
OFF AVENUE "A"
742
00:29:19,300 --> 00:29:21,710
WHERE WE COULD
GET INTO THE BASEMENT.
743
00:29:21,730 --> 00:29:23,200
WHAT DID YOU DO THEN?
744
00:29:23,230 --> 00:29:24,870
WE ATE THE FOOD.
745
00:29:24,900 --> 00:29:26,300
OH, MY GOD.
746
00:29:26,340 --> 00:29:27,880
I WAS JUST TRYING
TO TAKE THE FOOD.
747
00:29:27,910 --> 00:29:29,380
I DIDN’T THINK IT MATTERED.
748
00:29:29,410 --> 00:29:31,180
WHY WOULDN’T IT MATTER,
BOY?
749
00:29:31,210 --> 00:29:32,970
’CAUSE HE’S JUST
A CHINKY‐EYED THIEF
750
00:29:33,010 --> 00:29:35,380
LIKE THE MAN AT THE BODEGA.
751
00:29:35,410 --> 00:29:37,280
WAIT. WHO’S THIS, NOW?
752
00:29:37,320 --> 00:29:38,820
THAT’S WHAT I CALL
THE KOREAN GROCER
753
00:29:38,850 --> 00:29:40,280
WHO EYEBALLS YOU
WHEN YOU COME IN.
754
00:29:40,320 --> 00:29:42,520
HE’S NOT SUPPOSED
TO GO IN THERE,
755
00:29:42,550 --> 00:29:45,350
BUT I NEVER SAID STEAL
FROM PEOPLE.
756
00:29:45,390 --> 00:29:47,620
IT WAS JUST A PRANK.
757
00:29:47,660 --> 00:29:48,720
WELL, IT’S NOT ANYMORE,
758
00:29:48,760 --> 00:29:50,560
AND YOU’VE GOT
A LOT TO ANSWER FOR
759
00:29:50,600 --> 00:29:53,200
WHEN YOU GET HOME.
WHEN CAN I TAKE HIM HOME?
760
00:29:53,230 --> 00:29:55,360
WE’LL HAVE TO RUN THIS
BY OUR D. A. FIRST.
761
00:29:55,400 --> 00:29:57,030
THEN I CAN TAKE HIM HOME?
762
00:29:57,070 --> 00:29:59,740
WE HOPE SO, MR. WOODSIDE.
MEANTIME, SIT TIGHT.
763
00:30:22,030 --> 00:30:24,670
DID HE FINISH
WRITING THAT STATEMENT?
764
00:30:24,700 --> 00:30:25,670
JUST FINISHED.
765
00:30:25,700 --> 00:30:27,240
WELL, WHAT TIME
DO YOU THINK
766
00:30:27,270 --> 00:30:29,040
I’LL BE ABLE
TO TAKE HIM HOME?
767
00:30:29,070 --> 00:30:31,110
UH, WE NEED TO HAVE
A CONVERSATION
768
00:30:31,140 --> 00:30:33,080
ABOUT THAT, MR. WOODSIDE.
769
00:30:35,810 --> 00:30:38,750
I’LL GET THE BALL ROLLING
WITH CENTRAL BOOKING.
770
00:30:43,650 --> 00:30:45,110
THE FACT IS,
771
00:30:45,150 --> 00:30:48,280
YOU’RE NOT GOING TO BE
TAKING ANTHONY HOME TODAY.
772
00:30:48,320 --> 00:30:50,720
HE’S BEING ARRESTED
AND TAKEN TO CENTRAL BOOKING.
773
00:30:50,760 --> 00:30:52,260
WHAT DO YOU MEAN ARRESTED?
774
00:30:52,290 --> 00:30:53,720
HOW MUCH FOOD DID HE TAKE?
775
00:30:53,760 --> 00:30:55,120
IF THAT MAN WANTS ME
TO MAKE IT UP TO HIM,
776
00:30:55,160 --> 00:30:56,260
I’M HAPPY TO DO IT.
777
00:30:56,290 --> 00:30:59,130
MR. WOODSIDE,
THE MAN YOUR SON ROBBED DIED
778
00:30:59,160 --> 00:31:01,230
AS A RESULT OF HIS INJURIES.
779
00:31:01,270 --> 00:31:03,470
THE MAN DIED?
780
00:31:03,500 --> 00:31:05,530
SO YOUR SON’S BEING CHARGED
WITH A ROBBERY/HOMICIDE.
781
00:31:05,570 --> 00:31:08,470
YOU MADE ME THINK
HE WAS COMING HOME.
THAT’S NOT THE CASE.
782
00:31:08,510 --> 00:31:10,280
YOU HAD TO KNOW
HIS INJURIES WERE BAD.
783
00:31:10,310 --> 00:31:11,870
YOU MAY WANT TO GET
YOUR SON AN ATTORNEY NOW.
784
00:31:11,910 --> 00:31:12,870
HE WOULD HAVE HAD ONE
TWO HOURS AGO
785
00:31:12,910 --> 00:31:14,240
IF IT HADN’T BEEN FOR YOU.
786
00:31:14,280 --> 00:31:16,580
YOU KNOW, I CAN UNDERSTAND
THAT WHITE COP LYING TO US,
787
00:31:16,620 --> 00:31:18,460
BUT YOU’RE A BLACK MAN.
WE’RE BLACK FOLKS.
788
00:31:18,480 --> 00:31:20,150
I KNOW THAT, MR. WOODSIDE.
789
00:31:20,180 --> 00:31:23,280
OUR A. D. A. WILL BE BY
TO TALK TO YOU AND ANTHONY.
790
00:31:23,320 --> 00:31:25,550
BOY, DIDN’T ANYONE EVER
TEACH YOU ANY PRIDE?
791
00:31:25,590 --> 00:31:28,060
IS THAT WHAT YOU
WERE TEACHING YOUR SON
792
00:31:28,090 --> 00:31:29,460
WITH THAT KOREAN GROCER?
793
00:31:29,490 --> 00:31:32,990
I JUST SAID
DON’T PATRONIZE THE MAN.
794
00:31:33,030 --> 00:31:34,230
AND YOU CALLED HIM
A CHINKY‐EYED THIEF.
795
00:31:34,270 --> 00:31:35,570
YOU DON’T THINK
THAT PLAYED IN?
796
00:31:35,600 --> 00:31:38,100
I WAS TEACHING MY SON
TO BE A PROUD BLACK MAN.
797
00:31:38,140 --> 00:31:39,410
AND YOU ENDED UP
TEACHING HIM
798
00:31:39,440 --> 00:31:40,450
TO THINK ABOUT THOSE FOLKS
799
00:31:40,470 --> 00:31:41,940
THE WAY WHITE TRASH
THINKS ABOUT US,
800
00:31:41,970 --> 00:31:43,240
LIKE WE’RE ANIMALS,
801
00:31:43,270 --> 00:31:46,170
AND NOW A FAMILY’S
LOST A HUSBAND AND FATHER.
802
00:31:46,210 --> 00:31:47,780
NOW, MAYBE WHAT HAPPENED
ISN’T ALL ON YOU,
803
00:31:47,810 --> 00:31:49,010
MR. WOODSIDE,
804
00:31:49,050 --> 00:31:50,390
BUT I KNOW FOR SURE
NONE OF IT’S ON ME.
805
00:31:55,620 --> 00:31:58,120
SO, TOM,
HOW LONG HAVE YOU AND BILLY
806
00:31:58,160 --> 00:31:59,530
BEEN WORKING TOGETHER?
807
00:31:59,560 --> 00:32:01,360
A LITTLE WHILE.
808
00:32:01,390 --> 00:32:03,190
HE’S THE FAST‐TALKER
OF THE PARTNERSHIP,
809
00:32:03,230 --> 00:32:05,440
WHILE YOU TAKE
CARE OF THE SILENT,
BROODING CHORES?
810
00:32:05,460 --> 00:32:07,430
HE TALKS FAST.
811
00:32:07,470 --> 00:32:09,210
YOU CONSIDER YOURSELVES
FRIENDS?
812
00:32:09,230 --> 00:32:11,700
HE’S ALL RIGHT.
813
00:32:11,740 --> 00:32:13,380
HE SAYS YOU’RE AN IDIOT.
814
00:32:14,740 --> 00:32:16,770
DON’T STARE AT ME.
HE SAID IT.
815
00:32:16,810 --> 00:32:18,210
HE SAYS THE KIDNAPPING
WAS YOUR IDEA
816
00:32:18,240 --> 00:32:19,610
AND THAT YOU
WERE GOING TO KILL HIM
817
00:32:19,640 --> 00:32:20,810
IF HE DIDN’T GO ALONG.
818
00:32:20,850 --> 00:32:22,220
YOU’RE LYING.
819
00:32:22,250 --> 00:32:23,890
HE’S CUTTING A DEAL
WITH THE D. A. RIGHT NOW.
820
00:32:23,920 --> 00:32:25,220
HE’LL WALK
IN A COUPLE OF YEARS,
821
00:32:25,250 --> 00:32:26,380
AND YOU’LL SPEND
822
00:32:26,420 --> 00:32:28,030
THE REST OF YOUR LIFE
LOCKED UP.
823
00:32:28,050 --> 00:32:30,050
HE AIN’T CUTTING NO DEAL
’CAUSE WE DIDN’T DO NOTHING.
824
00:32:30,090 --> 00:32:31,990
THAT GUY WAS PARTYING.
825
00:32:32,020 --> 00:32:33,990
YET SOMEHOW HE PISS‐TESTED
CLEAN FOR DRUGS
826
00:32:34,030 --> 00:32:36,740
AND THE TRANNY PROST
WHO WORKED THEM BACK ROOMS
827
00:32:36,760 --> 00:32:38,390
NEVER SAW THE GUY BEFORE.
828
00:32:38,430 --> 00:32:40,860
AND TWO WITNESSES SAW YOU
RUN UP ON POOLE
829
00:32:40,900 --> 00:32:42,900
ON 5th AVENUE
AND CHOKE‐HOLD HIM
830
00:32:42,930 --> 00:32:43,900
INTO THE VAN.
831
00:32:43,940 --> 00:32:45,340
ALL OF WHAT WE JUST SAID,
832
00:32:45,370 --> 00:32:47,400
THAT’S WHAT GOT
YOUR PARTNER THINKING,
833
00:32:47,440 --> 00:32:49,970
"MAYBE I’D BETTER START
LOOKING OUT FOR NUMBER ONE
834
00:32:50,010 --> 00:32:51,870
AND SELL OUT THAT IDIOT
FOR A SWEETHEART DEAL."
835
00:32:51,910 --> 00:32:54,480
HE SAID THAT?
836
00:32:54,510 --> 00:32:56,810
IF HE WAS LYING
ABOUT HOW THIS WAS YOUR IDEA,
837
00:32:56,850 --> 00:32:59,350
YOUR TESTIFYING TO THAT
COULD VOID HIS DEAL.
838
00:32:59,380 --> 00:33:01,720
LEAVING YOU FREE
TO MAKE YOUR OWN DEAL.
839
00:33:01,750 --> 00:33:03,080
SO I WALK IN A FEW YEARS
840
00:33:03,120 --> 00:33:04,520
AND HE GETS DONE IN THE TAIL
841
00:33:04,560 --> 00:33:06,000
FOR THE REST OF HIS LIFE?
842
00:33:06,020 --> 00:33:07,720
MAYBE, BUT WE’VE GOT
TO GET THINGS STRAIGHT
843
00:33:07,760 --> 00:33:08,860
BEFORE YOU GET ANYTHING.
844
00:33:11,860 --> 00:33:13,700
WHOA!
845
00:33:13,730 --> 00:33:15,760
[ SIGHS ]
846
00:33:15,800 --> 00:33:18,700
WASN’T MY IDEA.
IT WAS HIS IDEA.
847
00:33:18,740 --> 00:33:20,510
WHAT WAS THE IDEA?
848
00:33:20,540 --> 00:33:22,700
GRAB SOME GUY
LOOKS LIKE HE HAS DOUGH
849
00:33:22,740 --> 00:33:24,340
AND TAKE IT.
850
00:33:24,380 --> 00:33:26,350
[ CHUCKLES ]
851
00:33:26,380 --> 00:33:28,590
SO, UH, YOU GRABBED
THIS IRS LAWYER
852
00:33:28,610 --> 00:33:30,950
BECAUSE HE LOOKED LIKE
SOME GUY WHO MIGHT HAVE DOUGH?
853
00:33:30,980 --> 00:33:32,010
YEAH, AND HE DOES.
854
00:33:32,050 --> 00:33:34,380
ATM SAYS HE’S GOT,
LIKE, 8 GRAND.
855
00:33:34,420 --> 00:33:35,880
THAT WHY YOU KEPT HIM
THREE DAYS,
856
00:33:35,920 --> 00:33:37,120
TO BLEED HIS ACCOUNT?
857
00:33:39,120 --> 00:33:41,260
FEED HIM 5 BUCKS
OF GRUB A DAY,
858
00:33:41,290 --> 00:33:43,890
HE SPITS BACK 500.
859
00:33:46,260 --> 00:33:48,630
CASH COW.
WHY’D YOU END IT?
860
00:33:48,670 --> 00:33:50,580
BILL FOUND HIS I. D.
UNDER THE MATTRESS ‐‐
861
00:33:50,600 --> 00:33:52,030
FLIPPED, FREAKED OUT.
862
00:33:52,070 --> 00:33:53,030
WHAT HAPPENED?
863
00:33:53,070 --> 00:33:54,540
HE SAID, "WAKE HIM UP.
864
00:33:54,570 --> 00:33:55,970
WE’VE GOT TO GET HIM
OUT OF HERE,"
865
00:33:56,010 --> 00:33:58,280
AND SO WE WERE BOTH
SCARED TO DEATH,
866
00:33:58,310 --> 00:34:00,410
AND WE PUT HIM IN THE VAN
867
00:34:00,440 --> 00:34:02,710
AND DROVE HIM OVER
BY TOMPKINS SQUARE PARK,
868
00:34:02,750 --> 00:34:05,060
AND BILLY WANTED
TO WHACK HIM THEN,
869
00:34:05,080 --> 00:34:07,380
AND I SAID, "NO WAY! NO WAY!
870
00:34:07,420 --> 00:34:09,720
THIS IS OUR BOY HERE."
871
00:34:09,750 --> 00:34:11,290
THE LAWYER WAS YOUR BOY?
872
00:34:11,320 --> 00:34:13,090
WE WERE WITH HIM
FOR THREE DAYS.
873
00:34:13,120 --> 00:34:14,120
WE FED HIM.
874
00:34:14,160 --> 00:34:15,490
WE EVEN TRIED
TO GET HIM LAID.
875
00:34:15,530 --> 00:34:17,000
HE WASN’T INTO THAT.
876
00:34:17,030 --> 00:34:19,560
ANYWAY,
I DIDN’T WANT TO WHACK HIM,
877
00:34:19,600 --> 00:34:22,360
SO I JUST OPENED THE VAN DOOR
AND BOOTED HIM OUT.
878
00:34:25,600 --> 00:34:28,140
THAT KILL THAT PRICK
BILLY’S DEAL OR WHAT?
879
00:34:28,170 --> 00:34:29,540
WRITE IT DOWN.
880
00:34:38,980 --> 00:34:41,520
I’M ASSISTANT DISTRICT ATTORNEY
VALERIE HAYWOOD,
881
00:34:41,550 --> 00:34:43,450
AND I’M HERE TO GO OVER
THE NEXT FEW STEPS
882
00:34:43,490 --> 00:34:45,330
IN YOUR CASE.
883
00:34:45,360 --> 00:34:46,700
I THOUGHT
WE WERE GOING HOME.
884
00:34:46,730 --> 00:34:47,970
NO, MA’AM.
885
00:34:47,990 --> 00:34:49,690
SYLVIA’S BEING PLACED
UNDER ARREST.
886
00:34:49,730 --> 00:34:52,690
SHE DIDN’T HAVE ANY PART
IN STEALING THAT FOOD.
887
00:34:52,730 --> 00:34:54,460
ACTUALLY,
BY KNOWING IT WOULD HAPPEN
888
00:34:54,500 --> 00:34:56,360
AS A RESULT
OF THE PHONE CALL,
889
00:34:56,400 --> 00:34:57,800
SHE MADE HERSELF INVOLVED.
890
00:34:57,840 --> 00:35:00,380
YOU DIDN’T SAY THAT.
891
00:35:00,400 --> 00:35:02,700
WE WERE BUSY FIGURING OUT
WHAT HAPPENED, MA’AM.
892
00:35:02,740 --> 00:35:04,440
MRS. DOBKIN,
WHAT WE NEED TO DO NOW
893
00:35:04,480 --> 00:35:06,280
IS FOCUS
ON WHAT’S HAPPENING NEXT.
894
00:35:06,310 --> 00:35:08,380
FIRST, YOU’RE GOING TO BE
TAKEN TO CENTRAL BOOKING.
895
00:35:08,410 --> 00:35:10,880
I’LL TRY TO GET HER ARRAIGNED
AT NIGHT COURT,
896
00:35:10,920 --> 00:35:12,720
AND DEPENDING ON THE JUDGE,
897
00:35:12,750 --> 00:35:13,950
HOPEFULLY A REASONABLE BAIL
WILL BE SET.
898
00:35:13,990 --> 00:35:15,960
DOES THAT MEAN
IT PROBABLY WON’T BE?
899
00:35:15,990 --> 00:35:18,860
NORMALLY THERE’S NO BAIL
ON A MURDER CHARGE,
900
00:35:18,890 --> 00:35:20,290
BUT IT DEPENDS.
901
00:35:20,320 --> 00:35:22,360
MURDER CHARGE?
WHAT ARE YOU
TALKING ABOUT?
902
00:35:23,700 --> 00:35:28,140
THE DELIVERY MAN
WAS KILLED IN THE ROBBERY.
903
00:35:28,170 --> 00:35:29,340
OH, MY GOD.
904
00:35:29,370 --> 00:35:31,380
SO SHE’S GOT
A MURDER CHARGE?
905
00:35:31,400 --> 00:35:33,300
BUT WHY
HAS SHE GOT ANYTHING?
906
00:35:33,340 --> 00:35:35,210
SHE JUST MADE
A PHONE CALL.
907
00:35:35,240 --> 00:35:36,400
LIKE I SAID BEFORE ‐‐
908
00:35:36,440 --> 00:35:37,710
SO BY COOPERATING WITH YOU,
909
00:35:37,740 --> 00:35:39,210
SHE PUT HERSELF IN JAIL?
910
00:35:39,240 --> 00:35:40,540
THAT’S UP
TO A JUDGE, MA’AM.
911
00:35:40,580 --> 00:35:41,640
WHAT HAVE YOU DONE?
912
00:35:41,680 --> 00:35:43,310
SHE WAS INVOLVED IN A CRIME
913
00:35:43,350 --> 00:35:45,560
THAT TURNED INTO A MURDER,
MRS. DOBKIN.
914
00:35:45,580 --> 00:35:47,050
WE TRUSTED YOU,
915
00:35:47,090 --> 00:35:49,560
AND YOU LIED
STRAIGHT TO OUR FACE.
916
00:35:49,590 --> 00:35:51,890
I SAID WE’D DO OUR BEST
TO GET HER HOME.
917
00:35:51,920 --> 00:35:53,250
YOU LIED!
918
00:35:53,290 --> 00:35:54,590
SHE MADE A PHONE CALL!
919
00:35:54,630 --> 00:35:56,700
SHE DIDN’T MEAN
TO HURT ANYBODY!
920
00:35:56,730 --> 00:35:58,260
WELL, IN THE EYES
OF THE LAW, MA’AM ‐‐
921
00:35:58,300 --> 00:36:00,770
YOU KNEW YOU WERE
PUTTING THIS GIRL IN JAIL,
922
00:36:00,800 --> 00:36:03,230
AND YOU LIED TO DO IT.
I’M RIGHT, AREN’T I?
923
00:36:03,270 --> 00:36:05,780
SHE’S GOING TO JAIL.
924
00:36:05,800 --> 00:36:07,340
PROBABLY.
925
00:36:07,370 --> 00:36:08,440
FOR HOW LONG?
926
00:36:08,470 --> 00:36:10,410
I’LL RECOMMEND
A MANSLAUGHTER CHARGE
927
00:36:10,440 --> 00:36:12,070
TO MY BUREAU CHIEF,
928
00:36:12,110 --> 00:36:14,110
AND THE JUDGE MAY TAKE
HER AGE INTO CONSIDERATION,
929
00:36:14,150 --> 00:36:15,950
BUT SHE’S LOOKING
AT A MINIMUM OF FOUR YEARS.
930
00:36:15,980 --> 00:36:18,210
OH, MY GOD. GRANDMA!
931
00:36:18,250 --> 00:36:20,380
SENTENCING IS REALLY UP
TO A JUDGE, MA’AM.
932
00:36:20,420 --> 00:36:22,250
COWARD.
933
00:36:23,820 --> 00:36:25,220
SHAME ON YOU.
934
00:36:25,260 --> 00:36:26,230
SHAME ON ALL OF YOU.
935
00:36:39,070 --> 00:36:41,070
SOMETHING HAPPEN
WITH THESE PEOPLE
936
00:36:41,110 --> 00:36:43,410
THAT’S GOING TO BITE ME
DOWN THE LINE?
937
00:36:43,440 --> 00:36:45,940
I DIDN’T MAKE ANY PROMISES
OR GUARANTEE ANY DEALS.
938
00:36:45,980 --> 00:36:47,090
I JUST SAID WE’D DO OUR BEST
939
00:36:47,110 --> 00:36:48,480
TO GET HER HOME
AS SOON AS POSSIBLE.
940
00:36:48,510 --> 00:36:50,580
KNOWING WHAT
SHE WAS UP AGAINST?
941
00:36:50,620 --> 00:36:52,420
THAT’S HOW WE WORK HOMICIDES,
942
00:36:52,450 --> 00:36:55,620
OR DON’T YOU KNOW THAT YET?
943
00:36:55,650 --> 00:36:57,250
I KNOW IT FINE, BALDWIN.
944
00:36:57,290 --> 00:36:58,620
THEN WHAT’S THE PROBLEM?
945
00:36:58,660 --> 00:37:00,670
IT DOESN’T BOTHER ME
LYING TO CAREER CRIMINALS,
946
00:37:00,690 --> 00:37:02,260
BUT THESE ARE KIDS
DOING A PRANK.
947
00:37:02,290 --> 00:37:04,090
YEAH, WELL, YOU TELL THAT
TO THE DEAD GUY’S FAMILY.
948
00:37:04,130 --> 00:37:05,660
I’M NOT SAYING
THEY SHOULDN’T BE PUNISHED,
949
00:37:05,700 --> 00:37:08,310
BUT THEY’RE NOT BAD KIDS.
THEY JUST DID A BAD THING.
950
00:37:08,330 --> 00:37:09,570
YOU SEE THE DIFFERENCE.
951
00:37:09,600 --> 00:37:10,900
WHAT,
SO I SHOULDN’T HAVE LIED?
952
00:37:10,940 --> 00:37:13,750
YOU DID WHAT YOU HAD TO DO.
IT’S YOUR JOB.
953
00:37:13,770 --> 00:37:16,000
IT JUST OUGHT TO STING
A LITTLE.
954
00:37:20,280 --> 00:37:23,180
IT STINGS A LOT.
955
00:37:24,720 --> 00:37:28,530
THAT’S THE KIND OF COP
I WANT TO WORK WITH
956
00:37:28,550 --> 00:37:31,820
AND THE KIND OF MAN
I WANT TO BE WITH.
957
00:37:41,070 --> 00:37:42,970
WE COLLARED UP
ON THE KIDNAPPING.
958
00:37:43,000 --> 00:37:44,300
THE SECOND GUY FLOAT?
959
00:37:44,340 --> 00:37:46,340
WENT AT HIM
WITH THE PARTNER’S STATEMENT.
960
00:37:46,370 --> 00:37:47,540
HE’S WRITING.
961
00:37:47,570 --> 00:37:48,800
COMPLAINANT.
962
00:37:48,840 --> 00:37:50,810
MR. POOLE,
A. D. A. VALERIE HAYWOOD.
963
00:37:50,840 --> 00:37:53,540
I HEAR THERE’S SOME GOOD NEWS
ON YOUR CASE.
964
00:37:53,580 --> 00:37:55,980
I ASSUME YOU NEED ME
TO GIVE YOU A STATEMENT.
965
00:37:56,010 --> 00:37:57,050
TOMORROW WILL BE FINE.
966
00:37:57,080 --> 00:37:58,380
CALL MY OFFICE
AND WE’LL SET IT UP.
967
00:37:58,420 --> 00:37:59,420
OKAY.
968
00:38:03,320 --> 00:38:05,720
YEAH, YOU’RE WELCOME.
969
00:38:07,490 --> 00:38:08,720
WAS THAT DIRECTED AT ME?
970
00:38:08,760 --> 00:38:10,890
IT WAS DIRECTED AT MY PARTNER,
BUT SINCE YOU HEARD IT,
971
00:38:10,930 --> 00:38:13,030
I GOT A NEWS FLASH, VICTOR ‐‐
972
00:38:13,060 --> 00:38:14,860
THEM WRITING THE STATEMENT
MEANS THE CASE CLEARED.
973
00:38:14,900 --> 00:38:17,530
ARE YOU LOOKING
FOR A PAT ON THE BACK?
974
00:38:17,570 --> 00:38:18,870
I’M JUST WONDERING
IF YOU UNDERSTOOD
975
00:38:18,900 --> 00:38:20,070
THAT THIS IS A GOOD OUTCOME.
976
00:38:20,100 --> 00:38:22,140
AND I’M WONDERING
IF MY SEXUAL ORIENTATION
977
00:38:22,170 --> 00:38:23,710
IS GOING TO BE
IN THE "DAILY NEWS" TOMORROW.
978
00:38:23,740 --> 00:38:26,370
ACTUALLY, WE DECIDED TO KEEP
THAT OUT OF THE PAPERWORK.
979
00:38:26,410 --> 00:38:27,710
DIDN’T SEEM RELEVANT.
980
00:38:27,750 --> 00:38:29,520
IS THAT AN ATTEMPT
AT ASSUAGING YOUR GUILT?
981
00:38:29,550 --> 00:38:31,050
FOR WHAT?
982
00:38:31,080 --> 00:38:32,550
PUTTING ME ON TRIAL
FOR BEING GAY.
983
00:38:32,580 --> 00:38:34,980
I DON’T THINK
WE DID THAT.
984
00:38:35,020 --> 00:38:37,550
LOOK, MAYBE WE CAME AT YOU
A LITTLE TOUGH,
985
00:38:37,590 --> 00:38:39,320
BUT THAT DIDN’T AFFECT
HOW WE CONDUCTED THE CASE.
986
00:38:39,360 --> 00:38:42,230
YOU MADE ME FEEL LIKE THIS
WHOLE MESS WAS MY FAULT.
987
00:38:42,260 --> 00:38:47,060
ALL RIGHT,
SORRY IF YOUR FEELINGS ARE HURT.
988
00:38:47,100 --> 00:38:50,070
EXCUSE ME, MR. POOLE.
IT’S NOT MY BUSINESS,
989
00:38:50,100 --> 00:38:51,430
BUT KNOWING
DETECTIVE SIPOWICZ,
990
00:38:51,470 --> 00:38:52,530
THERE’S NO DOUBT
IN MY MIND
991
00:38:52,570 --> 00:38:54,500
THAT ANY QUESTIONS
YOU MAY HAVE BEEN ASKED
992
00:38:54,540 --> 00:38:56,840
OR DOUBTS THAT AROSE
WERE PERTINENT TO THE CASE,
993
00:38:56,880 --> 00:38:58,720
AND I THINK THEY PROVED THAT
BY SOLVING IT.
994
00:39:01,910 --> 00:39:04,050
YOU’RE GAY?
YES.
995
00:39:04,080 --> 00:39:06,750
YOU’VE WORKED HERE A WHILE,
YOU LIKE THEM,
996
00:39:06,790 --> 00:39:09,900
AND I’M SURE THEY LIKE YOU,
BUT BEHIND YOUR BACK,
997
00:39:09,920 --> 00:39:13,760
THEY SAY AWFUL, NASTY THINGS
ABOUT YOUR LIFESTYLE.
998
00:39:13,790 --> 00:39:15,590
I GUARANTEE IT.
999
00:39:37,780 --> 00:39:39,050
IS THAT YOU, ANDY?
1000
00:39:39,080 --> 00:39:40,650
YEAH.
1001
00:39:40,690 --> 00:39:41,930
HOW WAS YOUR DAY?
1002
00:39:41,950 --> 00:39:44,750
GOOD. WHERE’S THEO?
1003
00:39:44,790 --> 00:39:45,890
HE HAD A BATH
1004
00:39:45,920 --> 00:39:47,320
AND HE’S CHANGING
INTO HIS JAMMIES.
1005
00:39:47,360 --> 00:39:48,390
DINNER’S ALMOST READY.
1006
00:39:48,430 --> 00:39:49,800
I’M GOING TO GO SAY HI.
1007
00:39:49,830 --> 00:39:51,760
OH, WHEN YOU COME BACK,
YOU NEED TO TAKE A LOOK
1008
00:39:51,800 --> 00:39:54,170
AT SOME OF THESE PLACES
I SAW TODAY.
1009
00:39:54,200 --> 00:39:56,800
THIS ONE I THINK YOU SHOULD
GO SEE AFTER DINNER.
1010
00:39:56,840 --> 00:39:58,110
TONIGHT?
1011
00:39:58,140 --> 00:39:59,780
APARTMENTS GO
LIKE LIGHTNING, ANDY.
1012
00:39:59,800 --> 00:40:01,270
TWO PLACES I LOOKED AT,
1013
00:40:01,310 --> 00:40:03,080
COUPLES BARRELED BY ME
WITH CHECKBOOKS
1014
00:40:03,110 --> 00:40:04,480
AND GAVE DEPOSITS
ON THE SPOT.
1015
00:40:04,510 --> 00:40:06,640
OKAY, I CAN GO SEE A FEW.
1016
00:40:06,680 --> 00:40:07,910
THE OPTION IS BROOKLYN.
1017
00:40:07,950 --> 00:40:09,450
I KNOW YOU’RE NOT THRILLED
ABOUT IT.
1018
00:40:09,480 --> 00:40:10,680
I SAID I’LL GO.
1019
00:40:10,720 --> 00:40:12,420
YOU’VE HAD A LONG DAY.
1020
00:40:12,450 --> 00:40:14,750
I DON’T MEAN
TO PUT PRESSURE ON.
1021
00:40:14,790 --> 00:40:16,760
NO, IT’S SOMETHING
WE NEED TO DO.
1022
00:40:16,790 --> 00:40:18,190
WE NEED THE SPACE.
1023
00:40:18,220 --> 00:40:20,960
AND THE PRIVACY.
1024
00:40:20,990 --> 00:40:22,360
AND THE PRIVACY.
1025
00:40:22,390 --> 00:40:26,360
I JUST WANT TO BE LIKE
A NORMAL, ENGAGED COUPLE ‐‐
1026
00:40:26,400 --> 00:40:28,010
INTIMATE.
1027
00:40:28,030 --> 00:40:30,130
I’LL GO TONIGHT.
1028
00:40:30,170 --> 00:40:32,430
OH, ONE LAST THING.
1029
00:40:32,470 --> 00:40:34,840
TAKE A LOOK AT THIS.
1030
00:40:34,870 --> 00:40:37,710
IT’S A LIST
OF POSSIBLE WEDDING GUESTS.
1031
00:40:37,740 --> 00:40:39,340
WELL, I JUST HAD
SOME FREE TIME.
1032
00:40:39,380 --> 00:40:41,020
KATIE,
YOU EVER HEARD THE PHRASE
1033
00:40:41,050 --> 00:40:42,320
"JUMPING THE GUN"?
1034
00:40:42,350 --> 00:40:43,890
I’M SORRY, ANDY.
1035
00:40:43,920 --> 00:40:46,690
WE HAVEN’T EVEN TALKED ABOUT
WHAT KIND OF WEDDING OR WHERE.
1036
00:40:46,720 --> 00:40:48,350
AT ONE POINT,
WE WERE EVEN TALKING
1037
00:40:48,390 --> 00:40:50,960
ABOUT A CIVIL CEREMONY,
WHICH MEANS NO GUESTS AT ALL.
1038
00:40:50,990 --> 00:40:52,120
PLEASE KEEP YOUR VOICE DOWN.
1039
00:40:52,160 --> 00:40:54,030
I’M JUST SAYING WE NEED
TO TALK ABOUT IT.
1040
00:40:54,060 --> 00:40:58,130
OKAY. I JUST GET EXCITED.
1041
00:40:58,160 --> 00:41:01,060
I THANK GOD FOR MY FORTUNE.
1042
00:41:08,770 --> 00:41:10,240
IT’S OKAY.
1043
00:41:10,270 --> 00:41:11,740
IT’S GOOD.
1044
00:41:11,780 --> 00:41:13,820
ARE YOU SURE?
1045
00:41:13,850 --> 00:41:17,260
YEAH.
IT’S BEEN A LONG DAY.
1046
00:41:17,280 --> 00:41:20,750
I’M GOING TO GO
SEE THEO NOW.
1047
00:41:25,760 --> 00:41:27,230
DADDY!
1048
00:41:27,260 --> 00:41:29,220
HEY, BUDDY.
1049
00:41:29,260 --> 00:41:31,330
WHAT HAPPENED TO YOUR SHIRT?
1050
00:41:31,360 --> 00:41:33,330
WHOA!
1051
00:41:33,360 --> 00:41:35,330
Katie: TWO MINUTES
TILL DINNER!
1052
00:41:35,370 --> 00:41:36,270
OKAY.
1053
00:41:45,580 --> 00:41:47,750
[ BOTH LAUGHING ]
1054
00:41:47,780 --> 00:41:49,880
YOU CAN, UH,
PUT THOSE ANYWHERE.
1055
00:41:49,910 --> 00:41:51,750
WHAT DO YOU THINK
THEY TAKE,
1056
00:41:51,780 --> 00:41:53,850
BIRDS OF PARADISE,
SUN OR SHADE?
1057
00:41:53,890 --> 00:41:56,230
WELL, GIVEN THE NAME,
I’D GUESS SUN.
1058
00:41:56,250 --> 00:41:59,350
THAT’S WHY
YOU’RE THE DETECTIVE.
1059
00:41:59,390 --> 00:42:01,860
THIS IS A BEAUTIFUL PLACE,
DIANE.
1060
00:42:01,890 --> 00:42:03,390
THANKS. YOU WANT TEA?
1061
00:42:03,430 --> 00:42:04,800
OH, I’D BETTER NOT.
1062
00:42:04,830 --> 00:42:06,900
I’VE GOT A CLINIC
AT 7:00.
1063
00:42:06,930 --> 00:42:09,530
WHAT ABOUT YOU,
EARLY TOUR TOMORROW?
1064
00:42:09,570 --> 00:42:12,300
EARLY TOUR?
LISTEN TO YOU.
1065
00:42:12,340 --> 00:42:14,250
WELL, I’VE PICKED UP
A FEW THINGS
1066
00:42:14,270 --> 00:42:15,740
THE LAST COUPLE OF WEEKS.
1067
00:42:15,770 --> 00:42:17,740
PRETTY SOON
I’LL BE REACHING OUT
1068
00:42:17,780 --> 00:42:19,150
AND MAKING COLLARS.
1069
00:42:19,180 --> 00:42:21,850
ALL YOU NEED IS A GUN
ON YOUR HIP.
1070
00:42:26,820 --> 00:42:28,880
I DON’T REMEMBER YOU
ANSWERING MY QUESTION.
1071
00:42:28,920 --> 00:42:33,050
UH, YEAH, I DO HAVE
AN EARLY TOUR TOMORROW.
1072
00:42:33,090 --> 00:42:35,060
OKAY, THEN, I’LL, UH...
1073
00:42:35,090 --> 00:42:37,060
CALL YOU TOMORROW.
1074
00:42:37,100 --> 00:42:39,400
DEFINITELY. THANK YOU.
1075
00:42:39,430 --> 00:42:41,730
WHAT FOR?
1076
00:42:41,770 --> 00:42:43,270
OH, DINNER, FLOWERS,
1077
00:42:43,300 --> 00:42:46,570
GIVING ME THE TIME I NEED
TO GET EASY WITH YOU.
1078
00:42:46,610 --> 00:42:49,680
I DON’T, UH,
WANT TO RUSH ANYTHING.
1079
00:42:56,280 --> 00:43:00,220
OH, UH, WATCH YOUR BACK
WITH THE SKELS.
1080
00:43:04,290 --> 00:43:09,260
WELL, UM, WILL YOU STAY
A LITTLE WHILE?
1081
00:43:09,290 --> 00:43:11,230
ARE YOU SURE?
78037
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