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1
00:00:17,060 --> 00:00:19,460
HE PULLED OUT,
TOOK ABOUT TWO STEPS,
2
00:00:19,490 --> 00:00:21,190
AND COLLAPSED.
HE COULDN’T BREATHE.
3
00:00:21,230 --> 00:00:22,600
DID HE SAY ANYTHING?
4
00:00:22,630 --> 00:00:25,240
"I’M A COP, I’M A COP,"
AND "CALL MY PARTNER."
5
00:00:25,260 --> 00:00:27,200
DID HE SAY ANYTHING
ABOUT WHO DID IT?
6
00:00:27,230 --> 00:00:29,800
"I’M A COP, CALL MY PARTNER."
THAT’S IT.
7
00:00:29,830 --> 00:00:32,030
I’VE BEEN TELLING HIM
NOT TO WORK SO MUCH.
8
00:00:32,070 --> 00:00:33,770
IS THAT WHAT HE WAS DOING?
9
00:00:33,810 --> 00:00:36,050
MOONLIGHTING,
BUT WE’RE OKAY WITH MONEY.
10
00:00:36,070 --> 00:00:37,270
I KEEP TELLING HIM,
11
00:00:37,310 --> 00:00:39,270
BUT IT’S JUST
WORK, WORK, WORK.
12
00:00:39,310 --> 00:00:40,740
WHERE WAS HE MOONLIGHTING?
13
00:00:40,780 --> 00:00:42,280
I DON’T KNOW. IT CHANGES.
14
00:00:42,310 --> 00:00:44,980
OKAY.
15
00:00:45,020 --> 00:00:46,460
SO YOU BOTH WORKED
THE 4:00 TO 12:00
16
00:00:46,480 --> 00:00:48,120
AND THEN YOU WENT
TO YOUR SECOND JOB?
17
00:00:48,150 --> 00:00:49,790
RIGHT.
WHAT’S THE JOB?
18
00:00:49,820 --> 00:00:52,050
IT’S AN AFTER‐HOURS CLUB DOWN
IN THE EAST VILLAGE.
19
00:00:52,090 --> 00:00:54,060
I RUN SECURITY.
THEY SERVE BOOZE.
20
00:00:54,090 --> 00:00:57,060
IF YOU DON’T HAVE TO PUT IT
DOWN ON PAPER,
21
00:00:57,100 --> 00:00:58,470
I’D APPRECIATE IT.
22
00:00:58,500 --> 00:01:01,070
YOU BOTH WORK IN HARLEM?
RIGHT.
23
00:01:01,100 --> 00:01:02,660
AND MIKE LIVES WHERE?
BAY RIDGE.
24
00:01:02,700 --> 00:01:04,730
WHAT WAS HE DOING OVER
IN THE LOWER EAST SIDE
25
00:01:04,770 --> 00:01:06,070
INSTEAD OF GOING
THROUGH THE TUNNEL
26
00:01:06,100 --> 00:01:08,240
AFTER LEAVING THIS CLUB?
27
00:01:08,270 --> 00:01:09,740
MAYBE TAKING ONE
OF THE BRIDGES
28
00:01:09,770 --> 00:01:12,070
TO SAVE THE TOLL.
29
00:01:12,110 --> 00:01:14,580
LOOKS LIKE THE BULLET
WENT THROUGH HIS SEAT CUSHION.
30
00:01:14,610 --> 00:01:16,580
CRIME SCENE’S GETTING IT
OUT OF THE FLOORBOARD.
31
00:01:16,620 --> 00:01:20,190
WE FOUND HIS GUN AND SHIELD
UNDER THE SEAT.
32
00:01:20,220 --> 00:01:21,250
OKAY, WE’VE GOT HIM PATCHED UP.
33
00:01:21,290 --> 00:01:23,190
IT LOOKS LIKE HE’S STABLE.
34
00:01:28,730 --> 00:01:30,800
HEY, I’M DETECTIVE SORENSON.
35
00:01:30,830 --> 00:01:32,990
THIS IS MY PARTNER
ANDY SIPOWICZ.
36
00:01:33,030 --> 00:01:34,760
WE’RE FROM THE 15th PRECINCT.
37
00:01:34,800 --> 00:01:39,840
TRIED TO CARJACK ME ‐‐
LATINO, 20s, SHAVED HEAD.
38
00:01:39,870 --> 00:01:42,700
YOU RETURN FIRE?
CAME RIGHT OUT
OF MY BLIND SPOT.
39
00:01:42,740 --> 00:01:45,510
YOU ALWAYS KEEP YOUR GUN
AND SHIELD UNDER THE SEAT?
40
00:01:45,540 --> 00:01:48,710
I PICKED IT UP FROM ONE
OF MY OLD PARTNERS.
41
00:01:48,750 --> 00:01:51,620
HE’D STASH IT
UNDER THE SEAT.
42
00:01:51,650 --> 00:01:54,120
HE SAID LEAVE THE JOB BEHIND
BEFORE YOU GO HOME.
43
00:01:54,150 --> 00:01:56,050
WHAT WERE YOU DOING
ON THE LOWER EAST SIDE?
44
00:01:56,090 --> 00:01:59,030
THERE’S THIS 24‐HOUR DINER
I LIKE OVER ON 2nd AVENUE,
45
00:01:59,060 --> 00:02:00,530
IS BURGESS MY PARTNER HERE?
46
00:02:00,560 --> 00:02:01,620
HE’S RIGHT OUTSIDE.
47
00:02:01,660 --> 00:02:03,860
TELL HIM TO COME IN,
WILL YOU?
48
00:02:03,900 --> 00:02:05,000
YOUR WIFE’S OUT THERE, TOO.
49
00:02:05,030 --> 00:02:06,960
SHE IS?
WELL, THEN BRING HER IN.
50
00:02:07,000 --> 00:02:08,960
ANYTHING ELSE YOU WANT
TO TELL US?
51
00:02:09,000 --> 00:02:11,000
TOLD YOU ALL I KNOW.
52
00:02:17,840 --> 00:02:20,010
HE’S OKAY?
53
00:02:20,040 --> 00:02:23,180
YEAH. WHY DON’T YOU
GET HIS WIFE?
54
00:02:23,210 --> 00:02:24,850
GRACE?
55
00:02:31,560 --> 00:02:34,170
6:00 A. M.
ON THE LOWER EAST SIDE
56
00:02:34,190 --> 00:02:36,520
WITH HIS GUN AND SHIELD
UNDER THE SEAT.
57
00:02:36,560 --> 00:02:39,030
MAYBE IT WAS A STUPID HABIT
HE PICKED UP
58
00:02:39,060 --> 00:02:40,530
FROM HIS OLD PARTNER.
59
00:02:40,570 --> 00:02:42,040
YEAH, THAT’S IT.
60
00:04:02,810 --> 00:04:03,910
HOW IS HE?
61
00:04:03,950 --> 00:04:05,080
STABLE.
62
00:04:05,120 --> 00:04:07,630
WE’VE GOT A STICKUP
AT A BODEGA
63
00:04:07,650 --> 00:04:08,950
OVER ON BROOME.
JONES IS UP.
64
00:04:08,990 --> 00:04:10,030
HIM AND GREG
ARE ON THE WAY BACK.
65
00:04:10,050 --> 00:04:11,290
YOU CAN CATCH THEM
ON THE RADIO.
66
00:04:11,320 --> 00:04:13,120
911 OPERATOR TRANSFERRED
A CALL FROM A WOMAN
67
00:04:13,160 --> 00:04:15,630
SAYING SHE HAD INFORMATION
ON YOUR SHOT COP.
68
00:04:15,660 --> 00:04:16,760
SHE’S ON HER WAY UP.
69
00:04:16,800 --> 00:04:17,770
DID SHE ELABORATE?
70
00:04:17,800 --> 00:04:19,100
JOHN?
71
00:04:19,130 --> 00:04:22,260
SHE DIDN’T. SHE WAS
VERY AGITATED, THOUGH.
72
00:04:22,300 --> 00:04:24,130
WHAT DID YOU GUYS GET?
73
00:04:24,170 --> 00:04:26,330
ANY NEWS ON YOUR SHOT COP?
74
00:04:26,370 --> 00:04:27,940
CARJACKING ‐‐
THAT’S WHAT HE’S SAYING.
75
00:04:27,970 --> 00:04:30,640
ANY REASON
NOT TO BELIEVE HIM?
NO REASON NOT TO,
76
00:04:30,680 --> 00:04:32,450
EXCEPT HE HAD HIS GUN
AND SHIELD UNDER THE SEAT,
77
00:04:32,480 --> 00:04:34,320
AND THAT BROUGHT BACK
SOME MEMORIES FOR ANDY.
78
00:04:34,350 --> 00:04:36,020
I’M JUST SAYING THE GUY’S
GOT HIS GUN AND SHIELD
79
00:04:36,050 --> 00:04:37,460
UNDER HIS SEAT,
HE’S UP TO NO GOOD,
80
00:04:37,480 --> 00:04:39,110
BUT WE’LL GO
WITH THE CARJACKING.
81
00:04:39,150 --> 00:04:42,180
WHAT DO WE KNOW ABOUT THIS
COP DOMINICELLI? ANYTHING?
82
00:04:42,220 --> 00:04:44,150
BEEN IN UNIFORM 18 YEARS
UP AT THE 3‐4.
83
00:04:44,190 --> 00:04:46,690
GUYS DON’T USUALLY LAST 10
IN THAT NEIGHBORHOOD
84
00:04:46,730 --> 00:04:48,030
WITHOUT BURNING OUT.
85
00:04:48,060 --> 00:04:49,190
AND HIS SERGEANT SAYS
86
00:04:49,230 --> 00:04:50,540
HE PREFERS WORKING
4:00 TO 12:00.
87
00:04:50,560 --> 00:04:53,630
DRINKING MAN’S SHIFT.
88
00:04:53,670 --> 00:04:56,840
ONA AMADOUR ‐‐
I CALLED ABOUT THE SHOOTING.
89
00:04:58,840 --> 00:05:01,510
I’M DETECTIVE RUSSELL.
YOU HAVE INFORMATION?
90
00:05:01,540 --> 00:05:03,070
YOU’RE DAMN RIGHT I DO.
91
00:05:05,340 --> 00:05:06,910
COME ON IN HERE.
92
00:05:09,850 --> 00:05:11,910
CARJACKING, UH‐HUH.
93
00:05:11,950 --> 00:05:13,980
IT WAS DARIO.
94
00:05:14,020 --> 00:05:15,980
THAT SON OF A BITCH,
HE SAID HE WOULD DO IT,
95
00:05:16,020 --> 00:05:17,350
AND SCREW HIM.
96
00:05:17,390 --> 00:05:19,150
HE’S GOING TO PAY.
WHO’S DARIO?
97
00:05:19,190 --> 00:05:20,820
MY EX. SCREW HIM.
98
00:05:20,860 --> 00:05:24,530
HOW’S MIKE?
HE’S GOING TO LIVE, RIGHT?
99
00:05:24,560 --> 00:05:25,860
YEAH, HE’LL MAKE IT.
100
00:05:25,900 --> 00:05:27,340
HOW DO YOU KNOW MIKE?
101
00:05:27,370 --> 00:05:28,540
I’M HIS GIRLFRIEND.
102
00:05:28,570 --> 00:05:30,610
YEAH, YEAH,
I KNOW HE’S MARRIED,
103
00:05:30,640 --> 00:05:31,910
SO DON’T EVEN START.
104
00:05:31,940 --> 00:05:33,380
SO, HOW LONG
YOU BEEN GOING OUT?
105
00:05:33,400 --> 00:05:35,000
TWO YEARS JUNE.
106
00:05:35,040 --> 00:05:38,610
WE’VE GOT A 6‐MONTH‐OLD
BOY ‐‐ DILLON.
107
00:05:38,640 --> 00:05:40,010
AND MIKE’S WIFE?
108
00:05:40,040 --> 00:05:41,380
SHE DOESN’T KNOW.
109
00:05:41,410 --> 00:05:42,740
MIKE’S WAITING FOR THEIR KIDS
TO FINISH SCHOOL.
110
00:05:42,780 --> 00:05:43,950
HE IS, HUH?
111
00:05:43,980 --> 00:05:46,550
LOOK, WE’VE GOT TO QUIT
WASTING TIME
112
00:05:46,590 --> 00:05:48,530
AND FIND DARIO,
113
00:05:48,550 --> 00:05:50,520
AND LET ME KNOW THE EXPRESSION
ON HIS UGLY FACE
114
00:05:50,560 --> 00:05:53,030
WHEN YOU LET HIM KNOW
I GAVE HIM UP.
115
00:05:53,060 --> 00:05:54,930
DARIO SAID
HE WAS GOING TO KILL MIKE?
116
00:05:54,960 --> 00:05:57,760
"I’LL KILL THAT FOOL.
I DON’T CARE WHO HE IS."
117
00:05:57,800 --> 00:06:01,110
WAS MIKE WITH YOU
LAST NIGHT?
118
00:06:01,130 --> 00:06:03,230
YEAH.
119
00:06:03,270 --> 00:06:04,710
WHEN DID HE LEAVE?
120
00:06:04,740 --> 00:06:05,740
ABOUT 4:00 A. M.
121
00:06:05,770 --> 00:06:08,100
WE GOT IN THIS STUPID FIGHT
OVER NOTHING.
122
00:06:08,140 --> 00:06:10,410
HE WAS IN ONE OF HIS MOODS,
YOU KNOW?
123
00:06:10,440 --> 00:06:12,410
DID MIKE EVER MEET DARIO,
SEE A PICTURE OF HIM?
124
00:06:12,440 --> 00:06:14,480
I PROTECTED MIKE
FROM THAT ASSHOLE.
125
00:06:14,510 --> 00:06:17,050
SO HE WOULDN’T KNOW IT’S DARIO
WHO WAS HIS SHOOTER?
126
00:06:17,080 --> 00:06:18,450
NO.
127
00:06:18,480 --> 00:06:20,450
ALL RIGHT,
WE’LL LOOK INTO THIS.
128
00:06:20,480 --> 00:06:21,720
I’VE GOT TO SEE MIKE.
129
00:06:21,750 --> 00:06:23,790
IS HIS WIFE STILL
AT THE HOSPITAL?
130
00:06:23,820 --> 00:06:25,250
SHE SURE IS.
131
00:06:25,290 --> 00:06:27,490
CAN YOU TELL HIM
TO CALL ME?
132
00:06:27,530 --> 00:06:29,400
WE’LL PASS SOMETHING ALONG.
133
00:06:29,430 --> 00:06:32,570
OKAY. DARIO?
134
00:06:32,600 --> 00:06:33,670
YEAH, WE GOT IT.
135
00:06:47,380 --> 00:06:50,450
I KNOW THIS GUY.
I KNOW HIS WHOLE FAMILY.
136
00:06:50,480 --> 00:06:52,110
GREAT PEOPLE, WORST LUCK.
137
00:06:52,150 --> 00:06:54,750
THEY GET ROBBED
LIKE THEY’RE ON A SCHEDULE.
138
00:06:54,790 --> 00:06:56,730
WHO’S GOT THIS?
OVER THERE.
139
00:06:58,120 --> 00:07:00,590
OH, GREAT.
HE’S STILL IN THE ACADEMY.
140
00:07:00,630 --> 00:07:03,430
THE OWNER,
WORKING ALONE, UM...
141
00:07:03,460 --> 00:07:05,690
DEMETRIUS THOUMOPOULIS.
142
00:07:05,730 --> 00:07:07,100
HE ALTERNATES
WITH HIS OLDER SON.
143
00:07:07,130 --> 00:07:09,100
THE LAST TIME
THEY GOT HELD UP,
144
00:07:09,130 --> 00:07:10,670
THEY PISTOL‐WHIPPED THE WIFE,
145
00:07:10,700 --> 00:07:12,600
WHICH IS WHY
SHE DON’T WORK HERE NO MORE.
146
00:07:12,640 --> 00:07:14,550
UH, TWO GUYS CAME IN,
MALE BLACKS ‐‐
147
00:07:14,570 --> 00:07:15,870
ONE STANDING AT THE DOOR,
148
00:07:15,910 --> 00:07:17,680
THE OTHER MAKING
LIKE HE’S BUYING BEER ‐‐
149
00:07:17,710 --> 00:07:18,810
PULLS A GUN.
150
00:07:18,840 --> 00:07:20,380
SO THE ONE
AT THE COUNTER’S ARMED.
151
00:07:20,410 --> 00:07:21,710
HOW ABOUT THE ONE
ON THE DOOR?
152
00:07:21,750 --> 00:07:23,860
ON THE DOOR?
I‐I CAN’T FIND ‐‐
153
00:07:23,880 --> 00:07:26,310
I DON’T THINK THE OWNER
SAID ANYTHING.
154
00:07:26,350 --> 00:07:28,280
NO, HE SAID HE SAW
ONLY ONE GUN,
155
00:07:28,320 --> 00:07:29,550
THE GUY AT THE COUNTER.
156
00:07:29,590 --> 00:07:31,150
SO THE OWNER
EMPTIES THE REGISTER,
157
00:07:31,190 --> 00:07:33,450
THE PERPETRATOR REACHES
FOR THE MONEY,
158
00:07:33,490 --> 00:07:35,460
THE OWNER PULLS HIS OWN GUN
FROM UNDER THE COUNTER ‐‐
159
00:07:35,490 --> 00:07:37,230
WAIT A MINUTE.
THOUMOPOULIS GOT A GUN?
160
00:07:37,260 --> 00:07:39,560
UH, THAT’S WHAT HE SAID.
NO PERMIT.
161
00:07:39,600 --> 00:07:40,660
DID HE FIRE IT?
162
00:07:40,700 --> 00:07:43,060
YEAH, HE FIRED IT
TWICE INSIDE THE STORE,
163
00:07:43,100 --> 00:07:44,970
THEN HE FOLLOWS THEM
OUTSIDE,
164
00:07:45,000 --> 00:07:46,570
SQUEEZES OFF
THREE MORE ROUNDS,
165
00:07:46,610 --> 00:07:48,650
HITS ONE OF THEM
ON HIS BACKSIDE.
166
00:07:48,670 --> 00:07:51,740
ALL RIGHT. NOTIFY CENTRAL
FOR A HOSPITAL CANVASS ‐‐
167
00:07:51,780 --> 00:07:53,690
GUNSHOT WOUNDS
FITTING THAT DESCRIPTION.
168
00:07:53,710 --> 00:07:54,840
OKAY.
169
00:07:57,080 --> 00:07:59,250
THIS THOUMOPOULIS
IS A GOOD GUY,
170
00:07:59,280 --> 00:08:02,050
BUT NOW HE’S FIRED SHOTS
IN THE STREET, NO PERMIT.
171
00:08:02,090 --> 00:08:03,660
HE’S LOOKING AT A FELONY.
172
00:08:03,690 --> 00:08:05,590
SO, WHAT DO YOU
WANT TO DO?
173
00:08:05,620 --> 00:08:07,660
LET ME TAKE CARE OF THIS.
174
00:08:07,690 --> 00:08:09,490
ALL YOURS.
175
00:08:09,530 --> 00:08:10,840
MR. THOUMOPOULIS.
DETECTIVE MEDAVOY.
176
00:08:10,860 --> 00:08:12,830
THIS IS MY PARTNER
DETECTIVE JONES.
177
00:08:12,860 --> 00:08:13,900
HI.
178
00:08:13,930 --> 00:08:15,830
I’M SO SORRY ABOUT THIS.
179
00:08:15,870 --> 00:08:17,780
WHEN DID YOU GET A GUN?
180
00:08:17,800 --> 00:08:18,830
LAST MONTH.
181
00:08:18,870 --> 00:08:20,770
HOW MANY TIMES
DO I HAVE TO GET ROBBED
182
00:08:20,810 --> 00:08:22,010
AND NOT PROTECT MYSELF?
183
00:08:22,040 --> 00:08:24,410
DIDN’T YOU APPLY FOR A PERMIT
AND GET DENIED?
184
00:08:24,440 --> 00:08:28,010
YES, SO I GOT IT
FROM A FRIEND OF A FRIEND,
185
00:08:28,050 --> 00:08:29,250
AND I WOULD DO IT AGAIN.
186
00:08:29,280 --> 00:08:31,280
CAN THE GUN BE TRACED
BACK TO YOU?
187
00:08:31,320 --> 00:08:32,790
NO.
188
00:08:32,820 --> 00:08:35,860
YOU SAY THERE WERE TWO GUYS
AND ONE GUN, RIGHT?
189
00:08:35,890 --> 00:08:37,360
YES.
190
00:08:37,390 --> 00:08:39,690
OKAY, SO MAYBE THIS
IS WHAT HAPPENED ‐‐
191
00:08:39,720 --> 00:08:41,690
THEY COME IN,
BOTH WITH GUNS.
192
00:08:41,730 --> 00:08:43,070
I THINK
I ONLY SAW THE ONE.
193
00:08:43,090 --> 00:08:44,290
LISTEN TO ME.
194
00:08:44,330 --> 00:08:47,260
MAYBE THEY BOTH HAD GUNS,
YOU LAID OUT THE CASH,
195
00:08:47,300 --> 00:08:49,300
THE ONE GUY PUTS HIS GUN DOWN
196
00:08:49,330 --> 00:08:51,970
TO GRAB UP THE MONEY,
YOU SNATCH HIS GUN.
197
00:08:52,000 --> 00:08:53,800
AM I HEARING YOU RIGHT?
198
00:08:53,840 --> 00:08:56,440
I GOT HIS GUN
OFF THE COUNTER.
199
00:08:56,470 --> 00:08:57,970
IT WASN’T MINE.
200
00:08:58,010 --> 00:08:59,810
I NEVER HAD ONE.
201
00:08:59,840 --> 00:09:01,210
OKAY, THEN.
202
00:09:01,250 --> 00:09:03,090
YEAH, THANKS.
203
00:09:05,920 --> 00:09:10,060
UM, THE OWNER WAS CONFUSED.
IT WASN’T HIS GUN.
204
00:09:10,090 --> 00:09:11,090
IT WASN’T?
205
00:09:11,120 --> 00:09:14,220
NO, NO. HE TOOK THE GUN
OFF THE PERP.
206
00:09:14,260 --> 00:09:17,560
YOU WROTE IT DOWN WRONG,
GOT IT?
207
00:09:17,600 --> 00:09:20,510
YEAH, I‐I GOT IT.
208
00:09:23,500 --> 00:09:26,670
SO WE PUT TWO GUNS
ON THE PERPS INSTEAD OF ONE.
209
00:09:34,380 --> 00:09:36,580
MIKE’S A LOT BETTER.
210
00:09:36,620 --> 00:09:38,520
HE SHOULD BE DISCHARGED
TOMORROW.
211
00:09:41,020 --> 00:09:42,150
ONA AMADOUR.
212
00:09:42,190 --> 00:09:43,490
OKAY.
213
00:09:43,520 --> 00:09:44,650
YOU KNOW HER?
214
00:09:44,690 --> 00:09:46,250
YEAH, MAYBE A LITTLE BIT.
WHY?
215
00:09:46,290 --> 00:09:47,660
HAVE A SEAT, LAWRENCE.
216
00:09:51,460 --> 00:09:53,930
SHE’S SAYING MIKE
WAS WITH HER LAST NIGHT,
217
00:09:53,970 --> 00:09:55,340
WHICH WOULD CONFLICT
A LITTLE BIT,
218
00:09:55,370 --> 00:09:57,380
HIM WORKING SECURITY
WITH YOU.
219
00:09:57,400 --> 00:09:59,100
WHAT, SHE COME FORWARD
OR SOMETHING?
220
00:09:59,140 --> 00:10:01,180
NO, WE BROKE OUT
A OUIJA BOARD.
221
00:10:01,210 --> 00:10:03,050
SO MIKE WASN’T WITH YOU?
222
00:10:05,540 --> 00:10:07,310
NO.
223
00:10:07,350 --> 00:10:09,320
HE WAS WITH HER.
224
00:10:09,350 --> 00:10:12,620
YOU KNOW ABOUT HER EX,
SOME DARIO GUY?
225
00:10:12,650 --> 00:10:14,120
I’LL TELL YOU WHAT.
226
00:10:14,150 --> 00:10:17,290
LET ME TALK TO ONA,
JUST TO CALM HER DOWN.
227
00:10:17,320 --> 00:10:18,620
NO, I’LL TELL YOU WHAT.
228
00:10:18,660 --> 00:10:19,870
QUIT JERKING US OFF.
229
00:10:19,890 --> 00:10:21,160
I’M NOT, GUYS,
230
00:10:21,190 --> 00:10:23,630
AND, LOOK, I KNOW THIS ALL
LOOKS A LITTLE WEIRD,
231
00:10:23,660 --> 00:10:25,130
BUT MIKE’S A GOOD GUY.
232
00:10:25,160 --> 00:10:28,630
HE’S BEEN BUSTING HIS ASS UP
AT THE 3‐4 FOR 18 YEARS.
233
00:10:28,670 --> 00:10:30,180
SO, DID MIKE EVER BRING UP
HIS GIRLFRIEND’S EX,
234
00:10:30,200 --> 00:10:31,800
HOW THIS GUY
HAD IT OUT FOR HIM?
235
00:10:31,840 --> 00:10:32,980
HE MENTIONED IT.
236
00:10:33,000 --> 00:10:34,000
SO IT’S A LEGIT ANGLE?
237
00:10:34,040 --> 00:10:35,870
MAYBE. I DON’T KNOW.
238
00:10:35,910 --> 00:10:38,480
MIKE A BIG DRINKER?
NO.
239
00:10:38,510 --> 00:10:40,510
SO CHASING TAIL’S HIS VICE?
240
00:10:40,550 --> 00:10:42,650
LOOK, THIS IS GOING
TO JAM HIM UP BIG TIME
241
00:10:42,680 --> 00:10:44,150
IF IT COMES OUT ABOUT ONA,
242
00:10:44,180 --> 00:10:45,510
WHAT WITH THE WIFE
AND KIDS, RIGHT?
243
00:10:45,550 --> 00:10:48,050
COP SHOT PUT UP 10 GRAND
FOR INFORMATION ON THIS.
244
00:10:48,090 --> 00:10:49,490
IF SOMEONE COMES FORWARD
245
00:10:49,520 --> 00:10:51,050
AND THEY FIND OUT WE’VE GOT
OUR HEADS IN THE SAND,
246
00:10:51,090 --> 00:10:52,150
WE ALL TAKE A HIT.
247
00:10:52,190 --> 00:10:53,250
I DON’T KNOW ABOUT YOU,
248
00:10:53,290 --> 00:10:54,520
BUT I DON’T HAVE
ANY MORE HITS TO TAKE.
249
00:10:54,560 --> 00:10:57,330
OKAY, I GOT IT.
250
00:10:57,360 --> 00:11:00,830
ANYBODY OTHER THAN DARIO
JUMP OUT AS A CANDIDATE?
251
00:11:00,870 --> 00:11:02,840
WITH MIKE, YOU NEVER KNOW.
252
00:11:02,870 --> 00:11:05,680
HE DROPS DOWN
INTO THESE MOODS SOMETIMES,
253
00:11:05,700 --> 00:11:07,040
AND IT COULD HAVE BEEN
OVER ANYTHING,
254
00:11:07,070 --> 00:11:08,500
WITH THE WRONG GUY
AT THE WRONG TIME.
255
00:11:08,540 --> 00:11:10,170
I’M JUST GLAD HE’S ALIVE.
256
00:11:10,210 --> 00:11:12,070
ALL RIGHT, LISTEN, DON’T BE
TALKING TO YOUR PARTNER
257
00:11:12,110 --> 00:11:13,270
TILL YOU HEAR FROM US.
258
00:11:26,090 --> 00:11:27,560
DELRAY, IS IT?
259
00:11:27,590 --> 00:11:28,920
WHAT DO YOU WANT?
260
00:11:28,960 --> 00:11:31,430
HOW’D YOU GET
THAT BULLET IN YOUR ASS?
261
00:11:31,460 --> 00:11:32,890
CAME OUT OF NOWHERE.
262
00:11:32,930 --> 00:11:34,560
YEAH, WHILE YOU WERE
RUNNING AWAY
263
00:11:34,600 --> 00:11:36,100
FROM THAT BODEGA ON BROOME?
264
00:11:36,130 --> 00:11:38,700
NO. I WAS WALKING
DOWN AVENUE C
265
00:11:38,740 --> 00:11:40,150
AND IT JUST
CAME OUT OF NOWHERE.
266
00:11:42,670 --> 00:11:44,110
WE’LL SEE
WHAT THE OWNER SAYS.
267
00:11:44,140 --> 00:11:46,210
WHO’D YOU DO
THE STICKUP WITH?
268
00:11:46,240 --> 00:11:48,110
YO, I GOT NOTHING
TO SAY, MAN.
269
00:11:48,150 --> 00:11:49,420
WE’RE GOING
TO PULL YOUR SHEET,
270
00:11:49,450 --> 00:11:50,760
SEE WHO YOU TOOK COLLARS WITH
IN THE PAST
271
00:11:50,780 --> 00:11:52,810
AND RUN EVERYBODY’S PHOTO
FOR THE OWNER.
272
00:11:52,850 --> 00:11:55,150
NOW, YOU WAIT TILL YOU’RE
PICKED OUT OF A LINEUP,
273
00:11:55,190 --> 00:11:57,560
YOUR BARGAINING POWER
IS ZERO.
274
00:11:57,590 --> 00:11:59,590
I WAS CLEANING OUT
THE REGISTER
275
00:11:59,620 --> 00:12:01,320
AND THE OLD MAN WENT NUTS.
276
00:12:01,360 --> 00:12:03,660
YOU AND YOUR BUDDY
LIFTED THAT MONEY
277
00:12:03,700 --> 00:12:05,170
WITH GUNS IN YOUR HANDS.
278
00:12:05,200 --> 00:12:06,910
THE GUN WE HAD
DON’T EVEN WORK.
279
00:12:06,930 --> 00:12:08,730
THAT OLD MAN’S GUN
SURE WORKED, THOUGH.
280
00:12:08,770 --> 00:12:09,940
WHAT ABOUT HIM?
281
00:12:09,970 --> 00:12:12,070
THE OWNER TELLS
A DIFFERENT STORY.
282
00:12:12,100 --> 00:12:13,100
YEAH, WELL, HE’S LYING.
283
00:12:13,140 --> 00:12:14,750
WE’LL LET
A JURY DECIDE THAT.
284
00:12:14,770 --> 00:12:16,640
LAST CHANCE TO HELP
YOURSELF OUT, DELRAY.
285
00:12:16,680 --> 00:12:18,080
TELL US
WHO YOUR BUDDY IS.
286
00:12:18,110 --> 00:12:20,680
MY WORD DON’T MEAN NOTHING
TO Y’ALL, ANYWAY,
287
00:12:20,710 --> 00:12:22,780
SO WHY BOTHER?
SUIT YOURSELF.
288
00:12:22,810 --> 00:12:24,010
YEAH, I’M GOING TO.
289
00:12:28,520 --> 00:12:29,950
HE’S A COLLAR.
290
00:12:41,570 --> 00:12:43,780
OKAY, CAR RIDE OVER?
291
00:12:43,800 --> 00:12:45,600
YOU KNOW, I’VE BEEN
GOING THROUGH MY HEAD
292
00:12:45,640 --> 00:12:47,680
TRYING TO THINK OF SOMETHING
I MIGHT HAVE DONE
293
00:12:47,710 --> 00:12:49,010
TO PUT ME BACK IN THE JOINT.
294
00:12:49,040 --> 00:12:50,540
YOU WANT TO KNOW
WHAT I’VE COME UP WITH?
295
00:12:50,580 --> 00:12:51,650
NO, WE GIVE UP.
296
00:12:51,680 --> 00:12:53,950
NOTHING, NOT A DAMN THING,
297
00:12:53,980 --> 00:12:55,610
’CAUSE I SWORE
WHEN I GOT OUT LAST MONTH
298
00:12:55,650 --> 00:12:56,820
I’D PLAY IT STRAIGHT,
AND I’VE DONE THAT.
299
00:12:56,850 --> 00:12:58,150
I DON’T EVEN JAYWALK.
300
00:12:58,180 --> 00:13:00,520
THAT’S NOT
WHAT WE’RE HEARING, DARIO.
301
00:13:00,550 --> 00:13:01,950
ALL RIGHT, GO AHEAD.
I’M READY.
302
00:13:01,990 --> 00:13:03,900
I WANT TO HEAR WHAT THE HELL
PEOPLE ARE SAYING.
303
00:13:03,920 --> 00:13:06,450
YOU KNOW A COP
NAMED MIKE DOMINICELLI?
304
00:13:06,490 --> 00:13:07,660
NOT PERSONALLY.
305
00:13:07,690 --> 00:13:09,960
I KNOW HE’S BONING
MY EX‐OLD LADY.
306
00:13:09,990 --> 00:13:11,190
THAT’S THE EXTENT.
307
00:13:11,230 --> 00:13:13,130
SO YOU GET OUT A MONTH AGO
LOOKING FORWARD
308
00:13:13,160 --> 00:13:16,230
TO SOME FRONT‐DOOR LOVING
FOR A CHANGE,
309
00:13:16,270 --> 00:13:18,010
YOU FIND OUT YOUR WIFE
IS BANGING SOMEBODY ELSE.
310
00:13:18,040 --> 00:13:19,310
THE GUESS HERE
311
00:13:19,340 --> 00:13:20,750
IS THAT MADE YOU
A LITTLE ILL‐TEMPERED.
312
00:13:20,770 --> 00:13:21,900
OKAY, LOOK, I’VE BEEN THROUGH
THIS DRILL BEFORE.
313
00:13:21,940 --> 00:13:23,470
SHOW ME A LITTLE RESPECT
314
00:13:23,510 --> 00:13:25,920
AND TELL ME
WHAT THIS COP SAID I DID.
315
00:13:25,940 --> 00:13:28,080
HE’S SAYING
THAT YOU SHOT HIM LAST NIGHT.
316
00:13:28,110 --> 00:13:29,510
I DIDN’T SHOOT HIM.
317
00:13:29,550 --> 00:13:32,510
WELL, YOU MADE IT KNOWN
TO OTHER PEOPLE
318
00:13:32,550 --> 00:13:33,980
THAT YOU WANTED
TO KILL HIM.
319
00:13:34,020 --> 00:13:37,250
YEAH, WELL,
I TALK A LOT OF TRASH, OKAY?
320
00:13:37,290 --> 00:13:38,650
THE OTHER PEOPLE
I MADE IT KNOWN TO,
321
00:13:38,690 --> 00:13:41,690
WHICH WAS OBVIOUSLY
MY HOSEBAG EX‐OLD LADY ONA,
322
00:13:41,730 --> 00:13:43,200
SHE TALKED TRASH, TOO.
323
00:13:43,230 --> 00:13:45,100
NOW, DO YOU GUYS
GIVE A DAMN ABOUT THE TRUTH,
324
00:13:45,130 --> 00:13:46,360
OR IS THIS A RAILROAD,
325
00:13:46,400 --> 00:13:47,840
AND DO I NEED TO SETTLE IN
FOR THE RIDE?
326
00:13:47,870 --> 00:13:49,510
WE WANT TO KNOW
WHAT HAPPENED.
327
00:13:49,530 --> 00:13:51,830
I DON’T KNOW WHAT HAPPENED
OTHER THAN IT WASN’T ME.
328
00:13:51,870 --> 00:13:55,200
I WAS SPENDING THE NIGHT
WITH ONA’S SISTER BONITA, OKAY?
329
00:13:55,240 --> 00:13:56,610
YEAH, I SAID IT,
HER SISTER,
330
00:13:56,640 --> 00:13:59,840
AND YOU CAN
TELL ONA THAT, TOO.
331
00:13:59,880 --> 00:14:01,110
WRITE DOWN BONITA’S INFO.
332
00:14:03,310 --> 00:14:06,080
YEAH, WELL, BONITA AIN’T
GOING TO WANT TO DO THIS,
333
00:14:06,120 --> 00:14:09,230
BUT YOU TELL HER DARIO’S ASS
IS ON THE LINE
334
00:14:09,250 --> 00:14:10,720
AND SHE’D BETTER STEP UP.
335
00:14:17,460 --> 00:14:19,190
COUNSELOR.
336
00:14:19,230 --> 00:14:20,400
DETECTIVE.
337
00:14:20,430 --> 00:14:22,130
YOU KNOW,
YOU’RE HERE SO MUCH,
338
00:14:22,170 --> 00:14:24,640
MAYBE WE SHOULD
CLEAR OUT A DRAWER
339
00:14:24,670 --> 00:14:25,870
SO YOU CAN KEEP
A TOOTHBRUSH
340
00:14:25,900 --> 00:14:27,800
OR A CHANGE OF CLOTHES
HANDY OR SOMETHING.
341
00:14:27,840 --> 00:14:29,810
I’M NOT READY
FOR THAT KIND OF COMMITMENT,
342
00:14:29,840 --> 00:14:31,310
BUT, UH, THANKS, THOUGH.
343
00:14:31,340 --> 00:14:33,240
JUST LOOKING OUT.
ANYTHING ON THE SHOT COP?
344
00:14:33,280 --> 00:14:35,220
YEAH, HE’S GOING
TO BE ALL RIGHT.
345
00:14:35,250 --> 00:14:37,090
WE’VE BEEN BUSY
WITH A BODEGA STICKUP.
346
00:14:37,120 --> 00:14:38,920
OH, YOU NEED ME?
347
00:14:38,950 --> 00:14:40,150
YEAH, ONE OF THE PERPS
TURNED UP AT BELLEVUE E. R.
348
00:14:40,180 --> 00:14:41,450
WITH A BULLET IN HIS BUTT.
349
00:14:41,490 --> 00:14:43,460
BODEGA OWNER PICKED HIM
OUT OF A PHOTO ARRAY
350
00:14:43,490 --> 00:14:45,100
ALONG WITH A RUNNING BUDDY
OF HIS.
351
00:14:45,120 --> 00:14:46,720
THE BODEGA OWNER SHOT HIM?
352
00:14:46,760 --> 00:14:49,390
YEAH, APPARENTLY HE GOT ONE
OF THE PERPS’ GUNS
353
00:14:49,430 --> 00:14:51,340
WHEN HE LAID IT DOWN
ON THE COUNTER,
354
00:14:51,360 --> 00:14:53,390
FOLLOWED THEM OUTSIDE,
SHOT AND HIT ONE OF THEM.
355
00:14:53,430 --> 00:14:54,800
HE’S BEEN ROBBED REPEATEDLY.
356
00:14:54,830 --> 00:14:56,630
AND HE’S GOT THE RIGHT
TO DEFEND HIMSELF.
357
00:14:56,670 --> 00:14:58,230
WELL, AS SOON
AS THE PERPS RAN OUT,
358
00:14:58,270 --> 00:14:59,640
HE SHOULD HAVE
PUT THE GUN DOWN.
359
00:14:59,670 --> 00:15:02,670
YEAH, WELL, UH, LOOKING BACK,
360
00:15:02,710 --> 00:15:04,350
I‐I SHOULD HAVE NOT WORN
361
00:15:04,380 --> 00:15:06,180
MUTTONCHOP SIDEBURNS
IN HIGH SCHOOL,
362
00:15:06,210 --> 00:15:07,810
BUT IT SEEMED LIKE
363
00:15:07,850 --> 00:15:09,420
THE RIGHT THING TO DO
AT THE TIME.
364
00:15:09,450 --> 00:15:11,860
WE RECOGNIZE THE OWNER’S
A LITTLE WRONG,
365
00:15:11,880 --> 00:15:13,350
WHAT HAPPENED
OUTSIDE THE STORE,
366
00:15:13,380 --> 00:15:15,020
BUT WE’RE JUST SAYING
KEEP IN MIND
367
00:15:15,050 --> 00:15:17,020
HE’S BEEN ROBBED FIVE TIMES
THIS PAST YEAR.
368
00:15:17,060 --> 00:15:18,660
I TAKE IT
HE’S A FRIEND OF YOURS.
369
00:15:18,690 --> 00:15:20,820
HE’S A GOOD GUY.
370
00:15:20,860 --> 00:15:22,520
ALL RIGHT,
DEFER THE ARREST
371
00:15:22,560 --> 00:15:24,590
AND WE’LL LET
THE GRAND JURY DECIDE.
372
00:15:24,630 --> 00:15:28,100
SO, HE’S LOOKING
AT A MISDEMEANOR, IF ANYTHING?
373
00:15:28,130 --> 00:15:30,300
IF ANYTHING, YEAH.
374
00:15:35,810 --> 00:15:39,480
SO, ARE WE ON
FOR TONIGHT?
375
00:15:42,650 --> 00:15:43,820
YEAH.
376
00:15:51,360 --> 00:15:53,830
IS THERE ANYTHING
ON OUR COP?
377
00:15:53,860 --> 00:15:56,860
WE GOT A SUSPECT.
CONNIE’S CHECKING HIS ALIBI.
378
00:15:56,900 --> 00:15:58,900
WE’VE GOT A D. O. A. SHOT
IN HIS APARTMENT
379
00:15:58,930 --> 00:16:00,130
OVER ON BROOME.
380
00:16:00,160 --> 00:16:02,460
GREG, YOU’RE UP.
381
00:16:02,500 --> 00:16:04,670
DARIO CHECKS OUT.
WHAT DID BONITA SAY?
382
00:16:04,700 --> 00:16:06,330
HE WAS WITH HER LAST NIGHT
AT HER APARTMENT.
383
00:16:06,370 --> 00:16:07,470
HE LEFT AT 9:00 A. M.
384
00:16:07,510 --> 00:16:09,480
NO WAY SHE’S COVERING
FOR HIM?
385
00:16:09,510 --> 00:16:10,680
SHE WAS SO FREAKED OUT
386
00:16:10,710 --> 00:16:12,210
ABOUT HER SISTER
POSSIBLY FINDING OUT,
387
00:16:12,240 --> 00:16:13,470
I TOOK IT AS GENUINE.
388
00:16:13,510 --> 00:16:15,810
HAVE YOU GOTTEN BACK
TO DOMINICELLI YET?
389
00:16:15,850 --> 00:16:17,320
NO. WE WERE WAITING ON THIS.
390
00:16:17,350 --> 00:16:19,480
HEAD BACK TO THE HOSPITAL
AND HIT HIM UP.
391
00:16:19,520 --> 00:16:20,590
YEAH, OKAY.
392
00:16:20,620 --> 00:16:22,980
HEY, DIANE,
MAYBE YOU’D WANT TO COME
393
00:16:23,020 --> 00:16:24,650
AND OCCUPY THE WIFE
IF SHE’S THERE.
SURE.
394
00:16:24,690 --> 00:16:26,820
GOD, I HATE GETTING
INVOLVED IN THIS.
395
00:16:26,860 --> 00:16:28,190
YOU WANT OFF?
396
00:16:28,230 --> 00:16:29,840
WHERE IN THAT DID I SAY
I WANTED OFF?
397
00:16:29,860 --> 00:16:30,990
WHETHER WE LIKE IT OR NOT,
398
00:16:31,030 --> 00:16:32,560
WE’VE GOT TO INVESTIGATE
THE CASE
399
00:16:32,600 --> 00:16:34,670
JUST AS AGGRESSIVE
AS ANY OTHER.
400
00:16:34,700 --> 00:16:36,400
OH, IS THAT HOW IT WORKS?
401
00:16:36,430 --> 00:16:38,230
YEAH, IN THE FUTURE,
WHEN I EXTEND AN OFFER
402
00:16:38,270 --> 00:16:40,340
FOR YOU TO DROP OFF A CASE
YOU’RE UNCOMFORTABLE WITH
403
00:16:40,370 --> 00:16:41,700
AND YOU DON’T WANT
TO TAKE ME UP ON IT,
404
00:16:41,740 --> 00:16:42,900
JUST SAY NO. I GOT IT,
405
00:16:42,940 --> 00:16:45,670
AND WE’LL SAVE EACH OTHER
SOME TIME. COOL?
406
00:16:45,710 --> 00:16:49,110
NOW IT’S GOING TO START.
YOU WATCH.
407
00:16:58,760 --> 00:17:00,400
Woman: WHERE ARE THE FRONTS?
408
00:17:00,420 --> 00:17:01,890
WELL, I CAN SHOW YOU
TWO FRONTS OUT THERE.
409
00:17:01,930 --> 00:17:03,200
HEY, MIKE.
410
00:17:03,230 --> 00:17:05,100
HEY.
411
00:17:05,130 --> 00:17:07,260
CENTRAL VIRGINIA,
412
00:17:07,300 --> 00:17:09,970
AND EVEN SNOW HERE
IN KENTUCKY
413
00:17:10,000 --> 00:17:11,700
AND INTO TENNESSEE.
414
00:17:11,740 --> 00:17:13,080
ANYTHING ON THE PERP?
415
00:17:13,100 --> 00:17:15,470
WHO ARE WE TALKING ABOUT?
416
00:17:15,510 --> 00:17:17,820
THE CARJACKER.
417
00:17:17,840 --> 00:17:19,070
YOUR GIRLFRIEND
CAME FORWARD.
418
00:17:19,110 --> 00:17:20,040
WHAT?
419
00:17:20,080 --> 00:17:21,610
JUST LIKE I SAID.
420
00:17:21,650 --> 00:17:23,220
SHE FIGURED IT WAS
HER EX WHO SHOT YOU,
421
00:17:23,250 --> 00:17:26,160
BUT WE LOOKED INTO THAT,
AND HE ALIBIED OUT.
422
00:17:26,180 --> 00:17:28,920
MY WIFE WENT HOME,
RIGHT?
SHE AIN’T OUTSIDE.
423
00:17:28,950 --> 00:17:31,490
WHO KNOWS ABOUT ONA?
JUST US.
424
00:17:31,520 --> 00:17:32,890
AND WE’RE KEEPING IT
THAT WAY, RIGHT?
425
00:17:32,920 --> 00:17:35,590
’CAUSE SHE’S GOT NOTHING
TO DO WITH ME GETTING SHOT.
426
00:17:35,630 --> 00:17:37,270
WHO DOES?
I’M TELLING YOU,
I GOT CARJACKED.
427
00:17:37,300 --> 00:17:39,070
MIKE, YOU’RE A COP
WHO GOT SHOT.
428
00:17:39,100 --> 00:17:42,010
THEY’RE PUTTING TOGETHER
A TASK FORCE BECAUSE OF IT.
429
00:17:42,030 --> 00:17:43,570
THERE’S REWARDS OUT.
IT’S ON THE NEWS.
430
00:17:43,600 --> 00:17:45,770
THE SOONER
YOU TELL US WHAT HAPPENED,
431
00:17:45,800 --> 00:17:47,500
THE SOONER WE QUIT WASTING
OUR TIME CHASING LIES
432
00:17:47,540 --> 00:17:49,470
AND START SPENDING IT
ON DAMAGE CONTROL.
433
00:17:49,510 --> 00:17:51,480
I’M TELLING YOU,
I DON’T KNOW WHO SHOT ME.
434
00:17:51,510 --> 00:17:53,140
ALL RIGHT,
THEN AT LEAST TELL US
435
00:17:53,180 --> 00:17:55,420
WHAT YOU WERE DOING
ON THE LOWER EAST SIDE
436
00:17:55,450 --> 00:17:57,420
AT 6:00 A. M. WITH YOUR
DAMN GUN AND SHIELD
437
00:17:57,450 --> 00:17:59,620
UNDER THE SEAT.
WERE YOU WITH A PROST?
438
00:18:02,020 --> 00:18:03,750
SHE A REGULAR?
YOU KNOW HER?
439
00:18:03,790 --> 00:18:06,420
JOYA.
SHE BLACK,
PUERTO RICAN, WHAT?
440
00:18:06,460 --> 00:18:09,430
BLACK, JUNKIE.
441
00:18:09,460 --> 00:18:12,260
THOSE DAYS I DON’T SEE ENOUGH
DEGRADATION UP IN THE 3‐4,
442
00:18:12,300 --> 00:18:13,610
I STOP BY JOYA.
443
00:18:13,630 --> 00:18:15,360
I HIT MY QUOTA.
444
00:18:15,400 --> 00:18:18,430
AND YOU DON’T KNOW
WHO CAME UP AND ROBBED YOU?
445
00:18:18,470 --> 00:18:21,140
THIS WASN’T NO MURPHY GAME
SHE RAN?
446
00:18:21,170 --> 00:18:23,670
NO. I KNOW HER.
447
00:18:26,310 --> 00:18:28,140
IS THIS CONTAINABLE,
448
00:18:28,180 --> 00:18:30,280
OR AM I DOWN THE DRAIN?
449
00:18:30,310 --> 00:18:32,980
WE’RE GOING TO DO
WHAT WE CAN, ALL RIGHT?
450
00:18:39,060 --> 00:18:40,030
AND?
451
00:18:40,060 --> 00:18:41,620
HE WAS WITH A PROST.
452
00:18:41,660 --> 00:18:43,890
SOMEBODY JACKED HIM UP
IN THE MIDST. HE DON’T KNOW.
453
00:18:43,930 --> 00:18:45,560
WE GOT A NAME TO GO ON.
454
00:18:45,600 --> 00:18:47,540
HE’S GOING TO HAVE
SOME EXPLAINING TO DO
455
00:18:47,570 --> 00:18:48,810
WHEN HE GETS HOME, HUH?
456
00:18:48,830 --> 00:18:49,900
DR. CARRERRAS?
457
00:18:49,930 --> 00:18:51,800
DIANE.
458
00:18:51,840 --> 00:18:54,310
OH, MY GOD. HOW ARE YOU?
459
00:18:54,340 --> 00:18:57,310
I’M GREAT.
WOW. IT’S GREAT TO SEE YOU.
460
00:18:57,340 --> 00:18:58,970
YOU, TOO.
HOW ARE YOU?
461
00:18:59,010 --> 00:19:03,410
I’M GREAT, TOO.
WHAT A NICE SURPRISE.
462
00:19:03,450 --> 00:19:04,820
OH, UM,
THIS IS DANNY SORENSON
463
00:19:04,850 --> 00:19:06,150
AND ANDY SIPOWICZ.
464
00:19:06,180 --> 00:19:08,580
THIS IS DR. CARRERRAS.
HE WAS BOBBY’S DOCTOR,
465
00:19:08,620 --> 00:19:10,320
THE ONLY GOOD THING
I REMEMBER ABOUT BEING HERE.
466
00:19:10,350 --> 00:19:11,490
YEAH, WE MET.
467
00:19:11,520 --> 00:19:13,590
I REMEMBER.
468
00:19:13,630 --> 00:19:14,670
HEY.
469
00:19:14,690 --> 00:19:15,820
WE’LL GET THE CAR.
470
00:19:15,860 --> 00:19:17,030
GIVE ME A MINUTE, OKAY?
471
00:19:17,060 --> 00:19:17,990
SEE YA.
472
00:19:18,030 --> 00:19:20,430
SO, UH,
THINGS ARE GOOD, HUH?
473
00:19:20,460 --> 00:19:22,360
NO COMPLAINTS.
474
00:19:22,400 --> 00:19:24,030
YOU KNOW, I ALWAYS WANTED
TO GET IN TOUCH WITH YOU
475
00:19:24,070 --> 00:19:25,330
AND TELL YOU HOW MUCH
IT MEANT TO ME,
476
00:19:25,370 --> 00:19:26,770
WHAT YOU DID,
HOW YOU WERE THERE FOR US,
477
00:19:26,810 --> 00:19:28,350
BECAUSE I DON’T KNOW
IF I EVER CONVEYED THAT.
478
00:19:28,370 --> 00:19:29,370
IT’S FUNNY,
479
00:19:29,410 --> 00:19:31,620
BECAUSE I ALWAYS WANTED
TO CALL YOU, TOO,
480
00:19:31,640 --> 00:19:33,170
AND CHECK IN, BUT, UH...
481
00:19:33,210 --> 00:19:34,940
NO, I KNOW.
TIME GOES BY, AND...
482
00:19:34,980 --> 00:19:36,680
WELL, IT’S GREAT SEEING YOU.
483
00:19:36,720 --> 00:19:39,120
YOU, TOO.
I’VE GOT TO GO.
484
00:19:39,150 --> 00:19:40,950
ABSOLUTELY.
485
00:19:40,990 --> 00:19:43,190
YOU KNOW, MAYBE WE
SHOULD GET COFFEE
SOMETIME OR SOMETHING.
486
00:19:43,220 --> 00:19:45,790
THAT WOULD BE GREAT.
I’D LOVE TO.
487
00:19:45,820 --> 00:19:47,020
UH, HOW ABOUT DINNER?
488
00:19:47,060 --> 00:19:48,290
YEAH. HOW ABOUT TONIGHT?
489
00:19:48,330 --> 00:19:49,530
IT’S A DATE.
490
00:19:49,560 --> 00:19:51,360
I DON’T MEAN A DATE,
BUT...
491
00:19:51,400 --> 00:19:53,200
DO YOU HAVE A CARD?
492
00:19:53,230 --> 00:19:54,160
SURE.
493
00:19:57,570 --> 00:19:58,700
VICTOR.
494
00:19:58,740 --> 00:20:00,950
NEVER EVEN KNEW
YOUR FIRST NAME.
495
00:20:00,970 --> 00:20:02,870
HOW EMBARRASSING IS THAT?
496
00:20:02,910 --> 00:20:03,980
VICTOR, YEP.
497
00:20:04,010 --> 00:20:05,610
GOOD. I’LL CALL YOU.
498
00:20:05,640 --> 00:20:07,040
DINNER TONIGHT.
499
00:20:07,080 --> 00:20:09,440
THAT’D BE GREAT.
I’LL LOOK FORWARD TO IT.
500
00:20:12,580 --> 00:20:14,750
ALL RIGHT. I’LL, UH,
I’LL SEE YOU LATER, THEN.
501
00:20:14,790 --> 00:20:15,690
GREAT.
502
00:20:34,640 --> 00:20:36,940
WHAT DO WE GOT?
503
00:20:36,980 --> 00:20:38,480
KIDS CALLED IT IN
504
00:20:38,510 --> 00:20:40,240
ON ACCOUNT OF HE
DIDN’T ANSWER THE PHONE.
505
00:20:40,280 --> 00:20:41,780
WE THOUGHT WE HAD
A NATURAL CAUSES
506
00:20:41,810 --> 00:20:43,650
UNTIL WE GOT UP CLOSE.
507
00:20:43,680 --> 00:20:46,310
LOOKS LIKE HE TOOK IT STRAIGHT
THROUGH THE WINDOW,
508
00:20:46,350 --> 00:20:47,820
STANDING THERE
STARING OUTSIDE.
509
00:20:47,850 --> 00:20:49,280
HE NEVER KNEW
WHAT HIT HIM.
510
00:20:49,320 --> 00:20:50,420
BULLET WENT RIGHT THROUGH
511
00:20:50,450 --> 00:20:52,150
AND LODGED IN THE WALL
RIGHT HERE.
512
00:20:52,190 --> 00:20:53,990
E.S.U. DID
A LASER TRAJECTORY.
513
00:20:54,030 --> 00:20:56,600
IT CAME FROM IN FRONT
OF THE BODEGA.
514
00:20:56,630 --> 00:20:58,990
GUESS YOU GUYS HAD SOME
ACTIVITY THERE THIS MORNING?
515
00:20:59,030 --> 00:21:02,260
YEAH.
516
00:21:02,300 --> 00:21:04,400
YEAH.
517
00:21:05,740 --> 00:21:07,110
WE’VE GOT A PROBLEM, GREG.
518
00:21:07,140 --> 00:21:08,200
YEAH.
519
00:21:08,240 --> 00:21:10,270
THOSE PERPS,
OFF CHAIN OF EVENTS,
520
00:21:10,310 --> 00:21:12,210
THEY’RE LOOKING AT FELONY
MURDER, NO MATTER WHAT,
521
00:21:12,240 --> 00:21:14,110
BUT IF WE STICK WITH IT
BEING THEIR GUN,
522
00:21:14,150 --> 00:21:15,950
WE COULD BE ADDING
10 YEARS TO THEIR SENTENCE,
523
00:21:15,980 --> 00:21:17,680
AND I AIN’T DOING THAT, GREG.
524
00:21:17,720 --> 00:21:19,190
THIS THOUMOPOULIS,
HE’S GOING TO LOSE EVERYTHING.
525
00:21:19,220 --> 00:21:21,730
YEAH, WELL, WE COULD, TOO,
IF WE DON’T UNRING THE BELL.
526
00:21:21,750 --> 00:21:26,150
WE’VE GOT TO GET HIM OFF
THAT STORY WE LAID OUT.
527
00:21:26,190 --> 00:21:28,660
YEAH...
528
00:21:28,690 --> 00:21:30,830
OKAY.
529
00:21:46,180 --> 00:21:48,490
WHO SHOT YOUR JOHN
THIS MORNING?
530
00:21:48,510 --> 00:21:50,480
I DON’T KNOW.
IT WAS DARK
531
00:21:50,510 --> 00:21:51,880
AND IT WAS QUICK,
532
00:21:51,920 --> 00:21:54,990
AND PLUS I FELT MY LIFE
WAS IN DANGER.
533
00:21:55,020 --> 00:21:56,150
SHE’S LOADED.
534
00:21:56,190 --> 00:21:58,900
WE GOT TO HER
RIGHT AFTER TEA TIME.
535
00:21:58,920 --> 00:22:00,160
A REGULAR LIKE THAT,
536
00:22:00,190 --> 00:22:02,020
AND YOU DON’T WANT TO
HELP THE POOR GUY OUT?
537
00:22:02,060 --> 00:22:05,230
WISH I COULD.
WOULD IF I COULD.
538
00:22:05,260 --> 00:22:07,230
YOU KNOW THE REASON
THIS GUY’S MAKING NOISE
539
00:22:07,270 --> 00:22:09,540
ABOUT GETTING SHOT
WITH A PROSTITUTE
540
00:22:09,570 --> 00:22:11,370
AS OPPOSED TO ANY OTHER GUY
541
00:22:11,400 --> 00:22:14,070
WHO WOULDN’T REPORT IT
OUT OF EMBARRASSMENT?
542
00:22:14,110 --> 00:22:15,950
OH, HELL, NO.
543
00:22:15,970 --> 00:22:19,070
18 YEARS
SERVING THIS FINE CITY.
544
00:22:19,110 --> 00:22:21,680
AND YOU KNOW WHAT HAPPENS
WHEN A COP GETS SHOT?
545
00:22:21,710 --> 00:22:22,910
ALL HELL BREAKS LOOSE.
546
00:22:22,950 --> 00:22:24,420
THIS IS A COP, JOYA,
547
00:22:24,450 --> 00:22:26,450
AND LIFE WILL BECOME
VERY DIFFICULT
548
00:22:26,480 --> 00:22:29,150
FOR YOU IN THIS CITY
IF YOU DON’T HELP OUT.
549
00:22:31,460 --> 00:22:35,770
POLO ‐‐
PUERTO RICAN NAMED POLO.
550
00:22:35,790 --> 00:22:38,290
DEALS BEAT BAGS
IN THE VILLAGE.
551
00:22:38,330 --> 00:22:40,400
POLO, POLO ‐‐
WE KNOW A POLO?
552
00:22:40,430 --> 00:22:41,930
I DO, FROM THE BRONX.
553
00:22:41,970 --> 00:22:44,140
RIPPED OFF A DEALER
FOR A KEY
554
00:22:44,170 --> 00:22:45,770
A COUPLE OF YEARS BACK.
555
00:22:45,800 --> 00:22:47,940
I’LL GO CHECK AND SEE
IF IT’S THE SAME GUY.
556
00:22:47,970 --> 00:22:51,110
IF IT IS,
WE CAN GET HIS PICTURE.
557
00:22:51,140 --> 00:22:52,810
THIS A MURPHY GAME
YOU TWO RAN?
558
00:22:52,840 --> 00:22:55,940
NO. ME AND THE JOHN,
WE’RE DOING OUR THING,
559
00:22:55,980 --> 00:22:57,450
AND POLO RUN UP,
560
00:22:57,480 --> 00:23:00,050
AND THE JOHN REACHED
FOR THE GUN,
561
00:23:00,080 --> 00:23:02,050
AND BOOM.
562
00:23:02,090 --> 00:23:05,300
WRITE DOWN EVERYTHING
ABOUT POLO,
563
00:23:05,320 --> 00:23:06,620
AND YOU CAN STAY HERE
WHILE WE CHECK IT OUT.
564
00:23:06,660 --> 00:23:09,890
NOW, ME AND POLO,
WE GOT A HISTORY, OKAY?
565
00:23:09,930 --> 00:23:12,490
WE DID RUN GAMES
ON JOHNS BEFORE,
566
00:23:12,530 --> 00:23:15,060
BUT NOT THIS TIME.
567
00:23:15,100 --> 00:23:17,570
SO POLO’S PROBABLY
GOING TO SAY
568
00:23:17,600 --> 00:23:20,570
YOU WERE IN ON IT, RIGHT?
RIGHT, BUT HE A LIAR.
DON’T TRUST HIS ASS.
569
00:23:20,610 --> 00:23:25,450
HIS GUN, HIS FINGER,
ALL HIM.
570
00:23:28,510 --> 00:23:29,810
FREAK.
571
00:23:35,190 --> 00:23:38,400
SO, UH, HERE,
WHAT’S GOING ON?
572
00:23:42,130 --> 00:23:43,270
MR. THOUMOPOULIS,
573
00:23:43,290 --> 00:23:45,160
THERE WAS AN ACCIDENT
THIS MORNING.
574
00:23:45,200 --> 00:23:46,140
A MAN IN AN APARTMENT
575
00:23:46,160 --> 00:23:47,660
ACROSS THE STREET
FROM YOUR BODEGA
576
00:23:47,700 --> 00:23:49,330
WAS SHOT AND KILLED.
577
00:23:49,370 --> 00:23:50,540
KILLED?
578
00:23:50,570 --> 00:23:51,770
WHO?
579
00:23:51,800 --> 00:23:53,530
HIS NAME WAS BEN TORRES.
580
00:23:53,570 --> 00:23:55,700
OH, MY GOD.
BEN.
581
00:23:55,740 --> 00:23:57,270
THE BULLET CAME
FROM YOUR GUN
582
00:23:57,310 --> 00:24:00,140
WHEN YOU FIRED
AT THOSE GUYS WHO ROBBED YOU.
583
00:24:00,180 --> 00:24:01,840
WE’RE GOING TO DO EVERYTHING
WE CAN TO HELP YOU OUT.
584
00:24:01,880 --> 00:24:03,850
NO ONE’S BLAMING YOU.
585
00:24:03,880 --> 00:24:05,350
EVERYONE’S CLEAR
THIS WAS A FREAK ACCIDENT.
586
00:24:05,380 --> 00:24:07,350
SO WHAT DO WE DO NOW?
587
00:24:07,390 --> 00:24:08,530
WE’RE GOING
TO TALK TO THE D. A.
588
00:24:08,550 --> 00:24:09,650
IN THE MEANTIME,
589
00:24:09,690 --> 00:24:11,290
YOU’VE GOT TO GET YOURSELF
A LAWYER.
590
00:24:11,320 --> 00:24:13,660
SAYING IT WASN’T MY GUN,
DOES THAT HELP ME?
591
00:24:13,690 --> 00:24:16,520
WE’RE GOING TO HAVE
TO GO BACK TO THE TRUTH.
592
00:24:16,560 --> 00:24:18,130
WE’RE GOING TO HAVE TO SAY
IT WAS YOUR GUN.
593
00:24:18,160 --> 00:24:19,390
THERE’S TOO MUCH INVOLVED
594
00:24:19,430 --> 00:24:21,460
TO TRY AND GO
WITH THE OTHER STORY.
595
00:24:21,500 --> 00:24:23,500
THE MEN
WHO ROBBED YOUR STORE,
596
00:24:23,530 --> 00:24:26,400
THEY WILL BEAR THE BRUNT
OF THE RESPONSIBILITY
597
00:24:26,440 --> 00:24:29,380
SINCE ALL THIS HAPPENED
IN THE ACT OF THEIR FELONY.
598
00:24:29,410 --> 00:24:31,180
WHAT I SUGGESTED
TO YOU THIS MORNING
599
00:24:31,210 --> 00:24:32,810
ABOUT CHANGING THE STORY,
600
00:24:32,840 --> 00:24:34,810
IT’S BEST IF NOBODY
BRINGS THAT UP AGAIN.
601
00:24:34,850 --> 00:24:38,490
I WOULDN’T DO THAT.
602
00:24:38,520 --> 00:24:41,490
I WANT TO SEE MY LAWYER NOW.
603
00:24:41,520 --> 00:24:42,550
I’M AFRAID WE ‐‐
604
00:24:42,590 --> 00:24:44,500
WE CAN’T LET YOU GO
AT THIS POINT.
605
00:24:44,520 --> 00:24:45,890
YOU CAN CALL FROM HERE.
606
00:24:45,920 --> 00:24:48,020
WHAT, AM I UNDER ARREST?
607
00:24:50,130 --> 00:24:51,290
WE’RE SORRY.
608
00:24:53,970 --> 00:24:55,670
I’LL GET YOU
TO CENTRAL BOOKING
609
00:24:55,700 --> 00:24:57,000
IN TIME FOR NIGHT COURT.
610
00:24:57,040 --> 00:25:00,050
YOU’LL MAKE BAIL
AND SLEEP IN YOUR OWN BED.
611
00:25:13,250 --> 00:25:15,620
GET YOUR HANDS UP
RIGHT NOW!
FREEZE! POLICE!
612
00:25:15,650 --> 00:25:18,190
EVERYBODY GET DOWN!
613
00:25:18,220 --> 00:25:20,020
YOU, GET DOWN!
614
00:25:20,060 --> 00:25:23,360
Diane: PUT YOUR ARMS
BEHIND YOUR BACK!
615
00:25:23,390 --> 00:25:24,730
GUN!
616
00:25:24,760 --> 00:25:27,160
GOT IT.
617
00:25:29,600 --> 00:25:31,070
ALL RIGHT.
LET’S GO, POLO.
618
00:25:31,100 --> 00:25:32,570
I’M LOOKING FOR MY SISTER,
619
00:25:32,600 --> 00:25:34,740
AND THESE ANIMALS
GOT HER HOOKED ON DRUGS.
620
00:25:34,770 --> 00:25:36,200
WE’VE GOT
A VIGILANTE HERE.
621
00:25:36,240 --> 00:25:37,570
MOVE IT, POLO.
622
00:25:47,990 --> 00:25:50,100
OKAY, SO,
I GIVE YOU SOME NAMES
623
00:25:50,120 --> 00:25:51,590
OF SOME BIGGER DEALERS,
624
00:25:51,620 --> 00:25:53,960
YOU’LL WORK WITH ME
ON THE GUN?
625
00:25:53,990 --> 00:25:55,820
THAT’S NOT OUR DEPARTMENT.
626
00:25:55,860 --> 00:25:57,260
THEN WHAT’S GOING ON HERE?
627
00:25:57,300 --> 00:25:59,100
WE’RE WAITING
FOR YOUR FILLERS.
628
00:25:59,130 --> 00:26:00,560
FILLERS? WHAT IS FILLERS?
629
00:26:00,600 --> 00:26:02,500
THE FILLERS
IN YOUR LINEUP.
630
00:26:02,530 --> 00:26:03,770
WHAT LINEUP?
631
00:26:03,800 --> 00:26:05,330
Andy: SOME GUY’S
SAYING YOU SHOT HIM
632
00:26:05,370 --> 00:26:06,940
WHILE HE WAS WITH A WHORE
IN HIS CAR
633
00:26:06,970 --> 00:26:08,100
OR SOME OTHER DAMN THING.
634
00:26:08,140 --> 00:26:09,570
THEY SHOULD BE HERE
ANY MINUTE.
635
00:26:09,610 --> 00:26:11,570
I DIDN’T SHOOT NO GUY
IN A CAR, OKAY?
636
00:26:11,610 --> 00:26:13,270
THAT’S ‐‐ THAT’S RIDICULOUS.
637
00:26:13,310 --> 00:26:14,940
YOU MATCH THE DESCRIPTION
HE GAVE,
638
00:26:14,980 --> 00:26:17,010
PLUS THE WHORE SAYS
THAT SHE RECOGNIZED YOU,
639
00:26:17,050 --> 00:26:18,610
KNEW YOU
FROM THE NEIGHBORHOOD.
640
00:26:18,650 --> 00:26:19,620
THE WHORE IN THE CAR?
641
00:26:19,650 --> 00:26:20,780
YEAH.
642
00:26:21,850 --> 00:26:24,290
QUE TAL, POLO?
643
00:26:25,460 --> 00:26:27,270
WHO IS THIS NOW?
644
00:26:27,290 --> 00:26:30,590
I’M AN OLD FRIEND
OF JOHNNY SANTOS.
645
00:26:30,630 --> 00:26:32,260
WHO IS HE?
646
00:26:32,300 --> 00:26:33,440
HE’S THE GUY YOU RIPPED OFF
FOR A KEY OF COKE
647
00:26:33,460 --> 00:26:34,600
UP IN THE BRONX.
648
00:26:34,630 --> 00:26:36,830
HE’S A GUY CURRENTLY
DOING TIME UPSTATE.
649
00:26:36,870 --> 00:26:38,470
HE’S A GUY
WHO WANTS YOU DEAD,
650
00:26:38,500 --> 00:26:41,440
UNLESS WE’RE TALKING ABOUT
A DIFFERENT JOHNNY SANTOS.
651
00:26:41,470 --> 00:26:43,440
MUST BE.
652
00:26:43,470 --> 00:26:45,970
HMM. JOHNNY’S COUSIN
BIG RAY TOOK OVER.
653
00:26:46,010 --> 00:26:47,940
YOU REMEMBER BIG RAY,
RIGHT?
654
00:26:47,980 --> 00:26:50,480
I KNOW HE REMEMBERS YOU.
655
00:26:50,510 --> 00:26:51,810
BIG RAY’S IN PRISON, TOO.
656
00:26:51,850 --> 00:26:54,480
KEY WITNESS AGAINST HIM...
657
00:26:54,520 --> 00:26:57,120
MYSTERIOUSLY DISAPPEARED.
658
00:26:57,160 --> 00:26:59,160
ALL RIGHT,
WHAT IS THIS, OKAY?
659
00:26:59,190 --> 00:27:00,620
IS THIS ABOUT A LINEUP
OR WHAT?
660
00:27:00,660 --> 00:27:01,820
SO HERE’S YOUR CHOICE ‐‐
661
00:27:01,860 --> 00:27:04,730
YOU CAN TELL US HOW IT WAS
A SIMPLE ROBBERY
662
00:27:04,760 --> 00:27:06,130
GONE BAD THIS MORNING,
AND WE’LL WORK WITH YOU
663
00:27:06,160 --> 00:27:09,000
ON THE STATEMENT,
OR I GIVE A TIP TO BIG RAY,
664
00:27:09,030 --> 00:27:10,730
LET HIM KNOW
POLO’S MAKING FRIENDS
665
00:27:10,770 --> 00:27:12,400
WITH THE BOYS
AT THE 15th SQUAD
666
00:27:12,440 --> 00:27:13,910
AND YOU’LL BE WALKING
OUT THE DOOR IN AN HOUR,
667
00:27:13,940 --> 00:27:15,470
AND THE NEXT THING
WE’RE ALL GOING TO HEAR
668
00:27:15,510 --> 00:27:18,480
ARE THE TIRES SQUEALING
ON BIG RAY’S EL DORADO.
669
00:27:18,510 --> 00:27:20,680
YOUR PAST JUST CAUGHT UP
WITH YOU, POLO,
670
00:27:20,710 --> 00:27:25,350
AND IT’S EITHER BIG RAY
OR US.
671
00:27:25,380 --> 00:27:26,650
WHO’S IT GOING TO BE?
672
00:27:26,690 --> 00:27:32,230
( speaking Spanish )
673
00:27:34,630 --> 00:27:35,730
ALL RIGHT.
674
00:27:35,760 --> 00:27:38,360
I TRIED TO ROB
THE GUY IN THE CAR.
675
00:27:38,400 --> 00:27:39,940
HE GRABBED THE GUN.
676
00:27:39,960 --> 00:27:41,930
IT WENT OFF ACCIDENTALLY,
677
00:27:41,970 --> 00:27:44,280
AND IT WAS JOYA’S IDEA.
DON’T BELIEVE THAT BITCH.
678
00:27:44,300 --> 00:27:47,000
DON’T BE SAYING THAT
JUST TO GET EVEN WITH HER.
679
00:27:47,040 --> 00:27:49,200
HER IDEA ALL THE WAY.
680
00:27:53,550 --> 00:27:56,220
GOOD CHOICE, POLO.
681
00:27:58,250 --> 00:28:01,420
SO WHEN DID BIG RAY
GET OUT?
682
00:28:01,450 --> 00:28:03,850
I DON’T KNOW.
I HEARD HE DID.
683
00:28:03,890 --> 00:28:06,990
MAYBE I WAS WRONG.
I’LL GO DOUBLE CHECK.
684
00:28:09,390 --> 00:28:12,760
WE NEED TO GET
SOMETHING STRAIGHT.
685
00:28:14,830 --> 00:28:16,800
BY ALL MEANS.
ENLIGHTEN ME.
686
00:28:16,840 --> 00:28:18,810
DETECTIVES WORK THE CASES,
687
00:28:18,840 --> 00:28:21,880
LIEUTENANTS ‐‐
GOOD LIEUTENANTS ‐‐
688
00:28:21,910 --> 00:28:23,310
LET THEIR DETECTIVES WORK.
689
00:28:23,340 --> 00:28:25,810
IS IT ALL ABOUT TURF
WITH YOU, OR RESULTS?
690
00:28:25,840 --> 00:28:27,380
’CAUSE I NEED TO KNOW.
691
00:28:27,410 --> 00:28:28,410
IT’S ABOUT RESPECT.
692
00:28:28,450 --> 00:28:30,490
WHICH YOU DON’T SEEM
TO BE SHOWING ME AT ALL.
693
00:28:30,510 --> 00:28:33,480
HEY. IF YOU MISS THE ACTION,
GO BACK UNDERCOVER IN NARCOTICS.
694
00:28:33,520 --> 00:28:35,160
UNTIL THEN,
YOU’RE A LIEUTENANT.
695
00:28:35,190 --> 00:28:36,930
ASK AROUND WHAT THEY DO,
IF YOU DON’T BELIEVE ME.
696
00:28:36,960 --> 00:28:39,400
I DON’T GIVE A DAMN WHAT
EVERYBODY ELSE DOES.
697
00:28:39,420 --> 00:28:40,420
I’M ABOUT RESULTS,
698
00:28:40,460 --> 00:28:41,820
AND I SAW AN OPPORTUNITY
TO GET SOME.
699
00:28:41,860 --> 00:28:42,920
THAT WAS OUR INTERVIEW,
700
00:28:42,960 --> 00:28:44,760
AND WE HAD IT GOING
WHERE WE WANTED.
701
00:28:44,800 --> 00:28:47,440
WE WERE GOING TO DROP THE FACT
THAT JOYA PUT IT ALL ON HIM
702
00:28:47,470 --> 00:28:48,570
AND LET POLO REACT,
703
00:28:48,600 --> 00:28:50,930
BUT THEN YOU HAD TO COME IN
ON YOUR WHITE HORSE
704
00:28:50,970 --> 00:28:52,500
AND SHOW OFF YOUR ESPAÑOL.
705
00:28:52,540 --> 00:28:54,910
I CAME IN BECAUSE I HAD
A HISTORY WITH THAT GUY.
706
00:28:54,940 --> 00:28:56,400
YEAH, I KNOW.
YOU TOLD US EARLIER,
707
00:28:56,440 --> 00:28:58,770
AND YOU SHOULD HAVE WAITED
TO SEE IF WE HIT A DEAD END,
708
00:28:58,810 --> 00:29:00,780
AT WHICH POINT YOU WOULDN’T
HAVE HAD TO COME IN
709
00:29:00,810 --> 00:29:03,240
’CAUSE WE WOULD HAVE
COME TO SEE YOU
710
00:29:03,280 --> 00:29:05,010
TO ASK FOR HELP.
711
00:29:06,480 --> 00:29:07,780
THAT’S FAIR ENOUGH.
712
00:29:07,820 --> 00:29:09,250
ALL RIGHT, THEN.
713
00:29:09,290 --> 00:29:11,530
ALL RIGHT.
714
00:29:11,560 --> 00:29:14,430
WE’LL BE HEADING BACK OVER
TO THE HOSPITAL NOW,
715
00:29:14,460 --> 00:29:16,320
I GUESS, AND WE’LL
KEEP YOU POSTED.
716
00:29:16,360 --> 00:29:17,560
PLEASE DO.
717
00:29:24,870 --> 00:29:26,300
WHAT’S UP?
718
00:29:29,370 --> 00:29:30,710
WHEN THAT BODEGA OWNER
719
00:29:30,740 --> 00:29:33,340
WAS SHOOTING AT THOSE PERPS
IN THE STREET,
720
00:29:33,380 --> 00:29:35,790
ONE OF THE BULLETS WENT
INTO A NEARBY APARTMENT
721
00:29:35,810 --> 00:29:39,010
AND KILLED A GUY.
WELL, THEN, THE PERPS ARE ON
FOR FELONY MURDER.
722
00:29:39,050 --> 00:29:41,050
AND COME TO FIND OUT
IT WAS THE OWNER’S GUN,
723
00:29:41,090 --> 00:29:42,160
NOT THE PERPS’.
724
00:29:42,190 --> 00:29:44,130
SO THE OWNER LIED
AT THE SCENE?
725
00:29:44,160 --> 00:29:46,060
MAYBE HE KNEW A COP
726
00:29:46,090 --> 00:29:49,520
WHO TRIED TO HELP HIM
WITH HIS STORY.
727
00:29:49,560 --> 00:29:52,490
HE’S NOT, UH,
LIABLE FOR THE MURDER, IS HE?
728
00:29:52,530 --> 00:29:54,330
POSSIBLE
RECKLESS MANSLAUGHTER,
729
00:29:54,370 --> 00:29:55,640
I DON’T KNOW,
730
00:29:55,670 --> 00:29:57,480
BUT DEFINITELY
ONCE HE TOOK THAT GUN
731
00:29:57,500 --> 00:29:59,470
OUTSIDE HIS STORE
AND FIRED IT,
732
00:29:59,500 --> 00:30:01,700
THAT’S CRIMINAL POSSESSION
OF A WEAPON ‐‐ D FELONY.
733
00:30:01,740 --> 00:30:03,200
SO WHAT’S HE LOOKING AT?
734
00:30:03,240 --> 00:30:04,510
ONE TO THREE,
SIX MONTHS SPLIT,
735
00:30:04,540 --> 00:30:05,970
STRAIGHT PROBATION ‐‐
IT DEPENDS.
736
00:30:06,010 --> 00:30:07,410
HE’S GOT
NO CRIMINAL RECORD,
737
00:30:07,450 --> 00:30:08,520
HE’S A FAMILY MAN...
738
00:30:08,550 --> 00:30:10,360
AND HE’S BEEN ROBBED
REPEATEDLY.
739
00:30:10,380 --> 00:30:11,480
THOSE ARE ALL IN HIS FAVOR,
740
00:30:11,520 --> 00:30:13,020
BUT I CAN’T SAY FOR SURE.
741
00:30:13,050 --> 00:30:16,380
WHAT IF I WERE TO SHOW UP
AS A GOOD CHARACTER WITNESS
742
00:30:16,420 --> 00:30:18,690
AT THE SENTENCING?
THAT’D BE GOOD, RIGHT?
743
00:30:18,720 --> 00:30:20,060
YEAH,
BUT THE DEAD MAN’S FAMILY
744
00:30:20,090 --> 00:30:21,260
MIGHT BE THERE, TOO,
745
00:30:21,290 --> 00:30:22,820
IF THEY END UP FEELING
HE’S RESPONSIBLE.
746
00:30:22,860 --> 00:30:25,890
WHAT ABOUT THE CIVIL LIABILITIES
FROM THE D. O. A.’S FAMILY?
747
00:30:25,930 --> 00:30:27,660
WHAT’S YOUR HUNCH ABOUT THAT?
748
00:30:27,700 --> 00:30:29,570
DETECTIVE, YOU SHOULD ASK
A CIVIL LAWYER.
749
00:30:29,600 --> 00:30:31,900
LISTEN, JUST WRITE UP
YOUR REPORT
750
00:30:31,940 --> 00:30:33,380
AND WE’LL TALK THEN.
751
00:30:46,950 --> 00:30:49,590
HOW’S IT GOING, MIKE?
752
00:30:49,620 --> 00:30:53,250
WHAT SHOOK OUT?
DID YOU FIND JOYA?
753
00:30:53,290 --> 00:30:54,960
YEAH, WE FOUND HER.
754
00:30:54,990 --> 00:30:57,860
WHAT DID SHE LOOK LIKE
IN THE DAYLIGHT? ANY BETTER?
755
00:30:57,900 --> 00:31:01,310
SHE GAVE US THE SKEL
SHE RAN THE MURPHY GAME WITH.
756
00:31:01,330 --> 00:31:03,870
SO JOYA DID RUN
A GAME ON ME?
757
00:31:03,900 --> 00:31:06,700
YEAH. YOU THINK
YOU KNOW SOMEBODY, RIGHT?
758
00:31:06,740 --> 00:31:10,440
YEAH, GO AHEAD.
I’VE GOT IT COMING.
759
00:31:10,470 --> 00:31:12,440
THOSE TWO AND YOU PARKED
IN THE CAR WITH HER,
760
00:31:12,480 --> 00:31:13,950
THAT’S GOING
IN THE FIVES.
761
00:31:13,980 --> 00:31:15,940
WE’VE GOT NO CHOICE
ON THAT.
762
00:31:15,980 --> 00:31:19,450
WELL, THAT’S WHAT
I WAS WAITING TO HEAR.
763
00:31:19,480 --> 00:31:21,380
NOW I HEARD IT.
764
00:31:21,420 --> 00:31:23,620
LOOK, MAYBE YOU WANT
TO THINK ABOUT SOME STORY,
765
00:31:23,660 --> 00:31:25,630
HOW YOU WERE TRYING
TO TURN HER AROUND
766
00:31:25,660 --> 00:31:27,400
AS AN INFORMANT
OR SOMETHING.
767
00:31:27,430 --> 00:31:29,770
YEAH, I’D SLIP THAT ONE
BY EVERYBODY NO PROBLEM.
768
00:31:29,790 --> 00:31:31,630
ON THE OTHER HAND,
YOUR GIRLFRIEND ONA
769
00:31:31,660 --> 00:31:33,730
AND YOUR KID WITH HER,
THAT AIN’T GOING IN.
770
00:31:33,770 --> 00:31:37,110
THE WHOLE JOB WILL KNOW
EVERYTHING INSIDE 24 HOURS.
771
00:31:37,140 --> 00:31:39,280
WHAT HAVE YOU GOT,
18 YEARS?
772
00:31:39,300 --> 00:31:40,400
MAYBE YOU VEST OUT
OF THE JOB
773
00:31:40,440 --> 00:31:41,570
AND GET A SIDE GIG
774
00:31:41,610 --> 00:31:43,510
UNTIL YOUR PENSION KICKS IN
ON YOUR 20th.
775
00:31:43,540 --> 00:31:45,070
MAYBE YOU BEAT
THE RUMORS TO THE PUNCH
776
00:31:45,110 --> 00:31:46,510
AND YOU SIT DOWN
WITH YOUR WIFE
777
00:31:46,550 --> 00:31:48,350
AND YOUR FAMILY
AND YOU COME CLEAN.
778
00:31:48,380 --> 00:31:50,110
MAYBE TOGETHER
YOU GET THROUGH THIS.
779
00:31:50,150 --> 00:31:52,680
HE DOESN’T BELIEVE
WHAT HE JUST SAID, DOES HE?
780
00:31:52,720 --> 00:31:55,260
WE CAME HERE TO TELL YOU
THE INVESTIGATION WRAPPED,
781
00:31:55,290 --> 00:31:57,760
AND WHAT’S GOING IN
OUR FIVES AND WHAT AIN’T.
782
00:31:57,790 --> 00:32:00,360
I WANT IT KNOWN
783
00:32:00,390 --> 00:32:02,360
THAT I’M SORRY FOR PUTTING
MY FAMILY THROUGH THIS.
784
00:32:02,390 --> 00:32:03,490
YOU’LL BE ALL RIGHT, MIKE.
785
00:32:03,530 --> 00:32:06,200
HEY, YOU COULD HAVE
GOT KILLED.
786
00:32:06,230 --> 00:32:07,600
LOOK AT IT THAT WAY.
787
00:32:07,630 --> 00:32:10,000
YOU’RE FEELING
OVERWHELMED RIGHT NOW,
788
00:32:10,030 --> 00:32:12,030
BUT IT’S NOT AS BIG
AS YOU’RE MAKING IT.
789
00:32:12,070 --> 00:32:13,970
YOU’RE RIGHT.
I’LL BE FINE.
790
00:32:16,040 --> 00:32:18,370
YOU SHOULD JUST
LEAVE ME ALONE
791
00:32:18,410 --> 00:32:20,480
SO I CAN GET SOME SLEEP.
792
00:32:28,550 --> 00:32:30,020
WE’RE GOING
TO GO MAKE A CALL.
793
00:32:30,050 --> 00:32:32,020
STAY IN THIS ROOM AND DON’T
LEAVE THIS GUY ALONE.
794
00:32:32,060 --> 00:32:33,030
WHAT’S GOING ON?
795
00:32:33,060 --> 00:32:34,530
JUST DO IT.
796
00:32:34,560 --> 00:32:36,460
I DON’T LIKE
WHERE HIS HEAD’S AT.
797
00:32:36,490 --> 00:32:38,460
I’M CALLING
EARLY INTERVENTION.
798
00:32:38,500 --> 00:32:39,470
YEAH?
799
00:32:39,500 --> 00:32:41,410
THE THINGS PEOPLE
ARE SAYING ABOUT HIM,
800
00:32:41,430 --> 00:32:43,130
WHAT HE JUST SAID IN THERE,
801
00:32:43,170 --> 00:32:45,310
I DON’T GIVE A DAMN.
I’M CALLING.
802
00:32:45,340 --> 00:32:47,150
I NEVER DONE THIS BEFORE.
803
00:32:47,170 --> 00:32:50,240
HE TOLD ME
TO COME GET YOU GUYS.
804
00:32:50,270 --> 00:32:51,410
HE WANTS TO TALK
TO YOU AGAIN.
805
00:32:51,440 --> 00:32:52,510
DID I NOT JUST TELL YOU
TO STAY IN HIS ROOM?
806
00:32:52,540 --> 00:32:53,910
HE DIDN’T WANT ME
TO ANNOUNCE IT.
807
00:32:55,850 --> 00:32:58,820
[ GLASS SHATTERS ]
808
00:32:58,850 --> 00:33:00,450
MIKE! MIKE!
809
00:33:02,350 --> 00:33:03,520
OH, MY GOD!
810
00:33:03,560 --> 00:33:05,360
[ WOMAN SCREAMS ]
811
00:33:21,110 --> 00:33:23,410
IT WAS GOING TO HAPPEN
EITHER WAY.
812
00:33:23,440 --> 00:33:24,870
THIS ISN’T ON YOU.
813
00:33:26,710 --> 00:33:29,680
COULD WE GET HIM
COVERED UP HERE?
814
00:33:29,710 --> 00:33:31,880
THANKS.
YEAH.
815
00:33:54,110 --> 00:33:55,580
HEY, RAYMOND.
816
00:33:55,610 --> 00:33:56,570
DETECTIVE.
817
00:33:56,610 --> 00:33:58,240
LET’S GO TALK
OVER HERE.
818
00:33:58,280 --> 00:33:59,740
EVERYTHING ALL RIGHT?
819
00:33:59,780 --> 00:34:01,380
YEAH. COME ON.
820
00:34:01,410 --> 00:34:03,780
YOU DON’T HAVE TO WORRY
ABOUT ME. I GOT IT.
821
00:34:03,810 --> 00:34:04,930
IT WASN’T THE OWNER’S GUN.
822
00:34:04,960 --> 00:34:06,160
THE NOTES I WROTE
AT THE SCENE,
823
00:34:06,200 --> 00:34:07,230
I FLUSHED THEM
DOWN THE TOILET.
824
00:34:07,270 --> 00:34:08,610
WELL, IT’S CHANGED,
825
00:34:08,630 --> 00:34:10,500
’CAUSE THE SHOTS THE OWNER
FIRED OUT IN THE STREET,
826
00:34:10,540 --> 00:34:12,250
ONE OF THEM HIT AN APARTMENT
ACROSS THE STREET
827
00:34:12,270 --> 00:34:13,570
AND ENDED UP
KILLING SOMEBODY.
828
00:34:13,610 --> 00:34:14,910
OH, MAN.
829
00:34:14,940 --> 00:34:17,440
SO THAT STORY WE HELPED
THE OWNER OUT WITH, WELL,
830
00:34:17,480 --> 00:34:19,450
THAT CAME BACK AROUND AND ALMOST
BIT US IN THE ASS,
831
00:34:19,480 --> 00:34:21,080
SO WE’RE GOING BACK
TO THE TRUTH,
832
00:34:21,110 --> 00:34:22,580
IT BEING THE OWNER’S GUN.
833
00:34:22,610 --> 00:34:24,450
NOW, THE OWNER’S
CLEAR ON IT,
834
00:34:24,480 --> 00:34:26,580
D.A.’S CLEAR,
EVERYBODY’S CLEAR,
835
00:34:26,620 --> 00:34:27,750
NOW YOU’RE CLEAR, TOO.
836
00:34:27,790 --> 00:34:29,500
YES, SIR. I HAVEN’T TOLD
NOBODY NOTHING,
837
00:34:29,520 --> 00:34:30,590
AND IT’LL STAY THAT WAY.
838
00:34:30,620 --> 00:34:33,260
WHEN DO YOU GRADUATE
FROM THE ACADEMY?
839
00:34:33,290 --> 00:34:34,460
TWO WEEKS.
840
00:34:34,490 --> 00:34:35,930
WHAT ARE YOU AIMING FOR?
841
00:34:35,960 --> 00:34:37,930
DETECTIVE.
842
00:34:37,960 --> 00:34:39,100
WELL, YOU LEARNED TODAY
843
00:34:39,130 --> 00:34:40,360
WHAT EVERY COP
EVENTUALLY GETS HIP TO ‐‐
844
00:34:40,400 --> 00:34:41,760
WHEN YOU LEAVE THE ACADEMY,
845
00:34:41,800 --> 00:34:42,970
YOU LEAVE THE MANUAL BEHIND
846
00:34:43,000 --> 00:34:44,470
AND YOU MAKE
YOUR OWN DECISIONS.
847
00:34:44,500 --> 00:34:46,770
AND IF YOU WANT,
WHEN YOU WANT,
848
00:34:46,810 --> 00:34:49,380
YOU CAN CHANGE THINGS,
RESHAPE THINGS,
849
00:34:49,410 --> 00:34:50,870
LET SOME THINGS GO.
850
00:34:50,910 --> 00:34:53,040
YOU CAN...
851
00:34:53,080 --> 00:34:55,280
WELL, YOU CAN LIE,
852
00:34:55,310 --> 00:34:57,950
AND GOOD COPS TRY
AND DO IT
853
00:34:57,980 --> 00:34:59,450
ONLY TO HELP SOMEBODY OUT
THEY FEEL DESERVES IT.
854
00:34:59,490 --> 00:35:01,290
BUT IT’S STILL LYING.
855
00:35:01,320 --> 00:35:03,120
WHAT ME AND MY PARTNER
DID TODAY,
856
00:35:03,160 --> 00:35:04,860
WHAT WE TRIED TO DO,
857
00:35:04,890 --> 00:35:06,960
WAS LIE
TO HELP THAT STORE OWNER
858
00:35:06,990 --> 00:35:08,220
ON ACCOUNT OF HIM
GETTING ROBBED BLIND
859
00:35:08,260 --> 00:35:09,190
SINCE HE OPENED UP SHOP.
860
00:35:09,230 --> 00:35:12,130
WE WISH WE NEVER
HAD TO DO IT,
861
00:35:12,160 --> 00:35:13,900
BUT LIFE’S NOT ALWAYS
THAT SIMPLE.
862
00:35:13,930 --> 00:35:16,200
I UNDERSTAND.
863
00:35:16,240 --> 00:35:17,540
GOOD.
864
00:35:20,110 --> 00:35:21,680
I’M AROUND,
865
00:35:21,710 --> 00:35:24,580
SO YOU LOOK ME UP
IF YOU NEED ME, OKAY?
866
00:35:24,610 --> 00:35:26,040
I’LL DO THAT.
867
00:35:32,120 --> 00:35:35,320
WE’RE SO SORRY
FOR WHAT HAPPENED.
868
00:35:35,350 --> 00:35:37,690
I’LL NEVER FORGIVE MYSELF.
869
00:35:37,720 --> 00:35:40,820
YOU HAD NOTHING
TO DO WITH THIS.
870
00:35:40,860 --> 00:35:42,190
YES, I DID.
871
00:35:42,230 --> 00:35:43,830
HE WAS MANIC‐DEPRESSIVE.
872
00:35:43,860 --> 00:35:46,260
HE SAW A PSYCHIATRIST
OUTSIDE WORK.
873
00:35:46,300 --> 00:35:48,160
HE DIDN’T WANT
THE JOB TO KNOW
874
00:35:48,200 --> 00:35:50,830
BECAUSE THEY’D PUT HIM
ON THE RUBBER GUN SQUAD.
875
00:35:50,870 --> 00:35:52,600
HE SAID BEING A COP
ON THE STREET
876
00:35:52,640 --> 00:35:54,000
WAS SOMETIMES THE ONLY THING
877
00:35:54,040 --> 00:35:55,440
THAT KEPT HIM
FROM LOSING IT.
878
00:35:55,470 --> 00:35:57,540
I SHOULD HAVE CALLED SOMEONE.
879
00:35:57,580 --> 00:36:00,750
I HAD THE PHONE IN MY HAND
I DON’T KNOW HOW MANY TIMES.
880
00:36:00,780 --> 00:36:02,950
WE KNOW YOU’RE IN SHOCK
RIGHT NOW, GRACE,
881
00:36:02,980 --> 00:36:04,850
AND WE KNOW
YOU’RE GOING THROUGH
882
00:36:04,880 --> 00:36:06,950
THE MOST HORRENDOUS THING
ANYONE CAN,
883
00:36:06,990 --> 00:36:08,760
BUT WE HAVE TO TALK
ABOUT SOMETHING
884
00:36:08,790 --> 00:36:10,930
THAT YOU NEED TO KEEP
IN MIND DOWN THE ROAD.
885
00:36:10,960 --> 00:36:12,730
YOU HAVE TO KNOW
886
00:36:12,760 --> 00:36:15,120
AND WE HAVE TO
TELL YOU NOW.
887
00:36:15,160 --> 00:36:16,530
OKAY.
888
00:36:16,560 --> 00:36:19,030
YOU’RE GOING TO HEAR
A LOT OF THINGS
889
00:36:19,070 --> 00:36:20,540
FROM A LOT OF PEOPLE,
890
00:36:20,570 --> 00:36:22,280
AND ONE OF THE THINGS
YOU’RE GOING TO HEAR
891
00:36:22,300 --> 00:36:23,930
IS HOW YOU SHOULD SUE
THE DEPARTMENT
892
00:36:23,970 --> 00:36:25,630
OR THE HOSPITAL,
AND LAWYERS
893
00:36:25,670 --> 00:36:28,140
ARE GOING TO APPROACH YOU
AND PUSH FOR THAT.
894
00:36:28,170 --> 00:36:30,310
I ALREADY GOT A CALL
FROM ONE.
895
00:36:30,340 --> 00:36:32,280
THIS CONVERSATION
ISN’T ABOUT
896
00:36:32,310 --> 00:36:34,380
WHETHER YOU SHOULD
OR SHOULDN’T.
897
00:36:34,410 --> 00:36:37,650
WHAT YOU NEED TO KNOW
IS IF YOU DO...
898
00:36:37,680 --> 00:36:39,620
THINGS ARE GOING TO
COME OUT
899
00:36:39,650 --> 00:36:41,780
REGARDING A PART
OF MIKE’S LIFE
900
00:36:41,820 --> 00:36:43,890
YOU MAY NOT
WANT TO HEAR ABOUT,
901
00:36:43,920 --> 00:36:46,660
THINGS YOU MAY NOT WANT
THE KIDS TO HEAR.
902
00:36:46,690 --> 00:36:49,890
WE CAN KEEP MOST OF THIS
OUT OF THE PAPERS,
903
00:36:49,930 --> 00:36:51,960
BUT IF YOU SUE,
IT’LL ALL COME OUT.
904
00:36:54,200 --> 00:36:56,570
LIKE ANOTHER WOMAN?
905
00:36:56,600 --> 00:36:59,640
THINGS LIKE THAT, YEAH.
906
00:37:03,210 --> 00:37:05,240
WE HAD TO TELL YOU THIS
907
00:37:05,280 --> 00:37:08,220
SO YOU DON’T GET BLIND‐SIDED
DOWN THE ROAD.
908
00:37:20,290 --> 00:37:21,660
HOW DID SHE TAKE IT?
909
00:37:21,690 --> 00:37:24,260
AS GOOD AS COULD BE EXPECTED,
I GUESS.
910
00:37:24,300 --> 00:37:26,470
SHE’S NOT READY TO WALK OUT.
911
00:37:26,500 --> 00:37:28,360
CONNIE’S GOING TO
TAKE HER HOME WHEN SHE IS.
912
00:37:28,400 --> 00:37:29,700
I GOT TO GO.
913
00:37:29,740 --> 00:37:31,310
YEAH, GO. WE GOT THIS.
914
00:37:31,340 --> 00:37:33,180
[ KNOCKING ]
915
00:37:33,210 --> 00:37:35,310
OH, HI.
HI.
916
00:37:35,340 --> 00:37:37,540
I WAS GOING TO
MEET YOU DOWNSTAIRS.
917
00:37:37,580 --> 00:37:39,290
THE OFFICER AT THE DESK
SAID TO COME UP.
918
00:37:39,310 --> 00:37:40,310
OH, OKAY.
919
00:37:40,350 --> 00:37:41,450
YOU WANT ME TO WAIT
BACK DOWNSTAIRS?
920
00:37:41,480 --> 00:37:42,780
NO, NO, I’M READY.
921
00:37:42,810 --> 00:37:44,950
GOOD NIGHT, GUYS.
922
00:37:44,980 --> 00:37:46,120
GOOD NIGHT, DIANE.
923
00:37:46,150 --> 00:37:48,150
GOOD NIGHT.
924
00:37:50,820 --> 00:37:51,890
BOBBY’S DOCTOR.
925
00:37:51,920 --> 00:37:53,990
YEAH, THAT’S WHAT SHE SAID.
926
00:38:06,840 --> 00:38:08,300
LISTEN, ABOUT TODAY,
927
00:38:08,340 --> 00:38:10,310
YOU KNOW GREG
KNEW THE OWNER,
928
00:38:10,340 --> 00:38:12,310
SO IF HE WAS
A LITTLE AGGRESSIVE
929
00:38:12,340 --> 00:38:14,810
IN PITCHING HIS CASE,
WELL, THAT’S WHY.
930
00:38:14,850 --> 00:38:16,820
BALDWIN,
AS MUCH AS I DON’T LIKE
931
00:38:16,850 --> 00:38:19,320
TO TALK ABOUT
PERSONAL STUFF AT WORK,
932
00:38:19,350 --> 00:38:21,020
I’D RATHER NOT TALK
ABOUT WORK WHEN WE’RE OUT.
933
00:38:21,050 --> 00:38:23,320
COME ON, I BROUGHT IT UP,
WHAT, MAYBE TWICE?
934
00:38:23,360 --> 00:38:25,330
THE ONLY WAY I CAN DO THIS
935
00:38:25,360 --> 00:38:27,730
IS IF WE MAKE IT
ITS OWN SEPARATE THING.
936
00:38:27,760 --> 00:38:31,030
INSIDE INFO, REHASHING CASES,
I CAN’T DO IT,
937
00:38:31,060 --> 00:38:34,330
BECAUSE THEN I’LL FEEL
I’M COMPROMISING MY JOB,
938
00:38:34,370 --> 00:38:35,610
AND IT’S TOO IMPORTANT TO ME.
939
00:38:35,630 --> 00:38:37,370
OBVIOUSLY.
940
00:38:40,740 --> 00:38:43,340
I WANT TO SHARE
THE GOOD THINGS
941
00:38:43,380 --> 00:38:44,850
OTHER THAN WORK WITH YOU,
942
00:38:44,880 --> 00:38:46,850
AND THERE’S A LOT ELSE
TO ENJOY.
943
00:38:46,880 --> 00:38:48,640
LET’S SHARE THAT.
944
00:38:50,380 --> 00:38:52,850
IF YOUR BIG THING
IS LEAVING WORK AT WORK,
945
00:38:52,880 --> 00:38:54,850
THEN WHY DO YOU STILL
GOT TO TRY
946
00:38:54,890 --> 00:38:57,360
AND GET YOUR TERMS
WHEN WE’RE OUTSIDE OF IT
947
00:38:57,390 --> 00:38:59,520
AND NOT JUST LET IT HAPPEN?
948
00:38:59,560 --> 00:39:02,730
CAN YOU SHARE
THE GOOD THINGS WITH ME?
949
00:39:02,760 --> 00:39:04,630
HMM.
950
00:39:06,230 --> 00:39:09,900
YEAH, I CAN DO THAT.
951
00:39:09,940 --> 00:39:14,310
THEN LET’S DO IT.
952
00:39:24,150 --> 00:39:26,080
AND NO MORE TERMS.
953
00:39:35,330 --> 00:39:37,470
WELL, UH...
954
00:39:37,500 --> 00:39:39,740
NOW, I’D BETTER GET GOING,
955
00:39:39,770 --> 00:39:42,940
BEING A WORK NIGHT
AND ALL.
956
00:40:02,150 --> 00:40:04,320
AND WHAT’S THIS GUY’S
SUPERPOWERS?
957
00:40:04,360 --> 00:40:06,530
HE CAN FLY
AND BE INVISIBLE.
958
00:40:06,560 --> 00:40:09,630
YEAH, HUH?
HOW ABOUT THAT ONE?
959
00:40:09,660 --> 00:40:12,130
I HAVEN’T DECIDED YET.
960
00:40:17,900 --> 00:40:21,340
HEY, I CAN WALK AROUND
UNDER YOU.
961
00:40:21,370 --> 00:40:23,210
YEAH, YOU CAN.
962
00:40:24,880 --> 00:40:28,520
SO, YOU LIKE HAVING
AUNT KATIE AROUND MORE?
963
00:40:28,550 --> 00:40:30,720
I LIKE WHEN SHE’S HERE.
964
00:40:30,750 --> 00:40:32,220
YEAH?
965
00:40:32,250 --> 00:40:35,150
I CAN’T WATCH CARTOONS
UNLESS I DO MY READING FIRST.
966
00:40:35,190 --> 00:40:37,460
THAT’S GOOD.
THAT’S DISCIPLINE.
967
00:40:37,490 --> 00:40:39,360
YOU GOT TO HAVE THAT
968
00:40:39,390 --> 00:40:40,820
OR ELSE YOU WATCH CARTOONS
ALL THE TIME,
969
00:40:40,860 --> 00:40:42,190
AND YOUR BRAIN
TURNS TO MUSH.
970
00:40:42,230 --> 00:40:44,830
CARTOONS DON’T MAKE
YOUR BRAIN TURN TO MUSH.
971
00:40:44,860 --> 00:40:48,530
BUT YOU LIKE AUNT KATIE
BEING AROUND?
972
00:40:48,570 --> 00:40:50,680
I MISS HER
WHEN SHE’S NOT AROUND.
973
00:41:08,620 --> 00:41:11,090
HOW’S HE DOING?
974
00:41:11,120 --> 00:41:13,820
HE JUST BROKE OUT
THE SUPERHEROES.
975
00:41:13,860 --> 00:41:16,390
HE SHOULD BE GETTING
TO BED SOON.
976
00:41:16,430 --> 00:41:17,730
YEAH.
977
00:41:27,370 --> 00:41:30,410
SO...
978
00:41:30,440 --> 00:41:34,110
DO YOU WANT ME
TO SPEND THE NIGHT TONIGHT?
979
00:41:34,150 --> 00:41:37,860
MAYBE YOU SHOULD
JUST MOVE IN.
980
00:41:37,880 --> 00:41:41,550
JUST DROP EVERYTHING
AND MOVE IN?
981
00:41:41,590 --> 00:41:43,530
YOU’RE GOOD FOR THEO,
982
00:41:43,560 --> 00:41:45,360
YOU’RE GOOD FOR ME.
983
00:41:45,390 --> 00:41:48,020
WE’RE GOOD FOR YOU,
RIGHT?
984
00:41:48,060 --> 00:41:50,190
YES, OF COURSE.
985
00:41:50,230 --> 00:41:51,930
SO MOVE IN.
986
00:41:51,960 --> 00:41:55,130
WE’LL MAKE A FAMILY
AND WE’LL RAISE THEO RIGHT.
987
00:41:55,170 --> 00:41:57,940
AND I’M WHAT...
988
00:41:57,970 --> 00:42:00,440
YOUR GIRLFRIEND?
989
00:42:00,470 --> 00:42:04,710
YOUR ROOMMATE,
BUT WE SHARE THE SAME BED?
990
00:42:04,740 --> 00:42:06,640
NO, I WANT YOU
TO BE COMFORTABLE.
991
00:42:06,680 --> 00:42:09,150
YOU KNOW, WHATEVER YOU NEED
TO BE COMFORTABLE
992
00:42:09,180 --> 00:42:11,310
BECAUSE THIS WOULD BE
YOUR PLACE, TOO.
993
00:42:11,350 --> 00:42:16,450
WELL, IF I MOVE IN
AND WE MAKE A FAMILY...
994
00:42:16,490 --> 00:42:19,460
ANDY, I WANT IT
TO BE OFFICIAL.
995
00:42:19,490 --> 00:42:22,830
I NEED THAT
TO BE COMFORTABLE.
996
00:42:22,860 --> 00:42:26,730
OKAY, WE CAN DO THAT.
997
00:42:26,770 --> 00:42:29,110
DO YOU MEAN IT?
998
00:42:32,540 --> 00:42:34,600
YEAH.
999
00:42:39,510 --> 00:42:42,980
SO WE GET MARRIED.
1000
00:42:43,020 --> 00:42:45,020
IS THAT WHAT YOU’RE SAYING?
1001
00:42:45,050 --> 00:42:48,620
THAT’S WHAT I’M SAYING,
YEAH.
1002
00:42:50,220 --> 00:42:53,690
I’D LIKE THAT, ANDY...
1003
00:42:53,730 --> 00:42:55,630
VERY MUCH.
71567
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