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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:16,960 --> 00:00:19,130 HI, ANDY. 2 00:00:19,160 --> 00:00:20,700 DOES THEO STILL HAVE A TEMP? 3 00:00:20,730 --> 00:00:22,370 NO, HIS FOREHEAD’S COOL. 4 00:00:22,390 --> 00:00:23,960 OH, GOOD. 5 00:00:24,000 --> 00:00:26,610 HE BROKE, LIKE, 4:00 THIS MORNING. 6 00:00:26,630 --> 00:00:29,000 OH, I’M SO GLAD. 7 00:00:30,170 --> 00:00:31,600 A FEW HOURS, 8 00:00:31,640 --> 00:00:33,950 HE’LL BE PUTTING YOU THROUGH YOUR PACES. 9 00:00:33,970 --> 00:00:35,940 THAT’LL BE ALL RIGHT. 10 00:00:35,970 --> 00:00:37,810 SO, HOW YOU DOING? 11 00:00:37,840 --> 00:00:41,080 I’M WELL. THANKS FOR ASKING. 12 00:00:41,110 --> 00:00:42,740 HOW ABOUT YOU? 13 00:00:42,780 --> 00:00:45,210 I’M NOT THE ONE I’M WORRIED ABOUT, 14 00:00:45,250 --> 00:00:46,550 BELIEVE ME. 15 00:00:46,590 --> 00:00:48,660 WHO ARE YOU WORRIED ABOUT? 16 00:00:48,690 --> 00:00:51,960 WANT TO KNOW THE LAST TIME I SAW MY PARTNER, KATIE? 17 00:00:51,990 --> 00:00:54,190 LAST NIGHT, THE END OF THE SHIFT. 18 00:00:55,630 --> 00:00:57,640 WHEN HE TELLS ME, TO MY FACE, 19 00:00:57,660 --> 00:00:59,630 HE’S GOING OUT TO GET HIS LOAD ON 20 00:00:59,660 --> 00:01:01,630 BECAUSE A SKEL JUNKIE INFORMANT 21 00:01:01,670 --> 00:01:04,080 THAT HE TOOK TO HIS OWN APARTMENT, 22 00:01:04,100 --> 00:01:06,000 YESTERDAY THEY FIND HIM BURNED UP 23 00:01:06,040 --> 00:01:07,780 IN SOME SHOOTING GALLERY, 24 00:01:07,810 --> 00:01:09,850 AND THIS KID ACTS LIKE IT’S HIS FAULT. 25 00:01:09,870 --> 00:01:10,840 DANNY DOES? 26 00:01:10,880 --> 00:01:14,990 I DON’T KNOW HOW TO HELP HIM, 27 00:01:15,010 --> 00:01:17,180 AND I DON’T KNOW IF HE’S GETTING 28 00:01:17,220 --> 00:01:19,360 TO SOME CRISIS POINT OR THE LIKE. 29 00:01:19,380 --> 00:01:20,780 MAYBE HE IS. 30 00:01:20,820 --> 00:01:22,520 "MAYBE HE IS"? 31 00:01:22,550 --> 00:01:24,020 GOOD, THANKS. 32 00:01:26,220 --> 00:01:28,360 I’VE BEEN GETTING VISIONS, ANDY. 33 00:01:28,390 --> 00:01:31,860 DON’T RUN. 34 00:01:31,900 --> 00:01:36,340 DO YOU EVER SEE ANDY JR.? 35 00:01:36,370 --> 00:01:39,280 DOES HE EVER COME TO YOU IN DREAMS? 36 00:01:39,300 --> 00:01:41,800 AH, KATIE, COME ON. 37 00:01:41,840 --> 00:01:44,810 I SEE HIM. I DREAM ABOUT HIM. 38 00:01:44,840 --> 00:01:47,140 AND SOMETIMES I THINK I SEE HIM 39 00:01:47,180 --> 00:01:50,150 FOR JUST A SECOND OR TWO IN OTHER PEOPLE. 40 00:01:50,180 --> 00:01:52,880 NOT THAT THEY REMIND ME OF HIM, 41 00:01:52,920 --> 00:01:55,230 BUT JUST FOR A SECOND OR TWO, 42 00:01:55,250 --> 00:01:57,950 ANDY’S THERE IN THEM. 43 00:01:57,990 --> 00:02:00,020 THINKING I’D NEVER SEE HIM AGAIN 44 00:02:00,060 --> 00:02:04,560 WAS THE WORST OF IT FOR ME AFTER ANDY GOT KILLED. 45 00:02:04,600 --> 00:02:07,910 AND TO BEGIN TO SEE HIM IN OTHER PEOPLE, 46 00:02:07,930 --> 00:02:10,570 EVEN FOR JUST THOSE FEW SECONDS, 47 00:02:10,600 --> 00:02:12,900 I FEEL LIKE, LOVING THEM, 48 00:02:12,940 --> 00:02:15,110 I GET TO LOVE ANDY AGAIN. 49 00:02:17,540 --> 00:02:20,240 I DIDN’T REALIZE IT. 50 00:02:20,280 --> 00:02:23,910 I MEAN, I DIDN’T UNDERSTAND WHAT I WAS FEELING, 51 00:02:23,950 --> 00:02:26,050 BUT... 52 00:02:26,080 --> 00:02:28,250 THE FIRST TIME I SAW ANDY JR. 53 00:02:28,290 --> 00:02:30,030 WAS WHEN I MET DANNY. 54 00:02:30,050 --> 00:02:33,720 AND IT’S OFTEN A COMFORT TO ME 55 00:02:33,760 --> 00:02:35,590 WHEN I THINK OF HIM, 56 00:02:35,630 --> 00:02:38,600 AND OF ANDY JR. IN HIM, 57 00:02:38,630 --> 00:02:41,000 THAT DANNY HAS YOU TO BE WITH HIM. 58 00:02:41,030 --> 00:02:43,670 FOR ALL THE GOOD I’M DOING HIM. 59 00:02:43,700 --> 00:02:48,770 WE’RE ALL JUST A LITTLE PART OF THINGS, ANDY. 60 00:02:48,810 --> 00:02:51,420 IF DANNY WATCHES OUT, 61 00:02:51,440 --> 00:02:53,940 GOD WILL PUT OTHERS IN HIS LIFE 62 00:02:53,980 --> 00:02:55,940 WHO CARRY HIS SORROWS, 63 00:02:55,980 --> 00:02:59,880 AND THEY CAN SHOW HIM HOW TO TURN THEM TO JOY. 64 00:03:08,660 --> 00:03:13,460 I SAW ANDY JR., TOO, ONCE, IN A DREAM, 65 00:03:13,500 --> 00:03:16,810 VERY REALISTICALLY. 66 00:03:22,340 --> 00:03:23,640 HEY, SON. 67 00:03:23,680 --> 00:03:25,820 HI, THEO. 68 00:03:25,840 --> 00:03:28,940 [ COUGHING ] 69 00:03:28,980 --> 00:03:30,650 I WAS SICK, AUNT KATIE, 70 00:03:30,680 --> 00:03:33,110 BUT NOW I NEED YOU TO PLAY WITH ME. 71 00:03:33,150 --> 00:03:35,580 FIRST I’M GOING TO MAKE YOU SOME BREAKFAST. 72 00:03:35,620 --> 00:03:37,790 ALL RIGHT, LET ME GO TO WORK NOW. 73 00:03:37,820 --> 00:03:39,720 I FEEL BETTER NOW, DADDY. 74 00:03:39,760 --> 00:03:41,190 DO YOU? GOOD. 75 00:03:43,090 --> 00:03:44,930 GOOD FOR YOU. 76 00:03:44,960 --> 00:03:46,600 GOOD FOR YOU. 77 00:03:46,630 --> 00:03:48,660 WHAT DO YOU WANT FOR BREAKFAST? 78 00:03:48,700 --> 00:03:49,800 CANDY. 79 00:03:49,830 --> 00:03:51,800 YOU WANT TO HAVE A CANDY WAFFLE? 80 00:03:51,840 --> 00:03:54,350 HOW ABOUT CHOCOLATE CHIP PANCAKES 81 00:03:54,370 --> 00:03:57,410 AND PEANUT BUTTER? YEAH? 82 00:03:57,440 --> 00:04:00,040 OKAY. WE’LL DO THAT. 83 00:05:17,560 --> 00:05:18,630 AHEM. 84 00:05:20,790 --> 00:05:21,820 MORNING, DANNY. 85 00:05:21,860 --> 00:05:22,890 MORNING. 86 00:05:22,930 --> 00:05:24,200 JOHN’S PAST THE KITCHEN. 87 00:05:24,230 --> 00:05:28,000 GOOD. THANKS. EXCUSE ME. 88 00:05:28,030 --> 00:05:29,700 HOW’S YOUR HEAD? 89 00:05:29,730 --> 00:05:31,200 GOOD. NO PROBLEM. 90 00:06:02,900 --> 00:06:04,070 WANT SOME COFFEE? 91 00:06:04,100 --> 00:06:05,270 NO, THANKS. 92 00:06:05,300 --> 00:06:06,670 THANKS ANYWAY. 93 00:06:12,940 --> 00:06:14,840 OH, GOD, THANKS. 94 00:06:17,420 --> 00:06:19,990 DID YOU EVER SEE A PICTURE OF BOBBY? 95 00:06:20,020 --> 00:06:22,250 NO. 96 00:06:34,030 --> 00:06:36,830 EVERYTHING YOU HEAR, HE WAS SUCH A GREAT COP. 97 00:06:39,440 --> 00:06:41,750 I, UH, 98 00:06:41,770 --> 00:06:45,270 I WAS SO DIFFERENT ONCE I WAS WITH HIM. 99 00:06:45,310 --> 00:06:47,040 SO HAPPY, HUH? 100 00:06:49,310 --> 00:06:51,480 I WAS JUST DIFFERENT 101 00:06:51,520 --> 00:06:53,830 FROM HOW I EVER THOUGHT I COULD BE 102 00:06:53,850 --> 00:06:56,020 BEFORE I KNEW BOBBY. 103 00:06:56,050 --> 00:06:57,690 AND THE WAY I’D FELT BEFORE, 104 00:06:57,720 --> 00:06:59,250 IT TURNED OUT THAT WAS JUST 105 00:06:59,290 --> 00:07:01,360 BECAUSE OF THE WAY I GREW UP 106 00:07:01,390 --> 00:07:07,160 OR SOME THINGS THAT HAD HAPPENED. 107 00:07:07,200 --> 00:07:09,430 AND LOVING BOBBY, I REALIZED THAT. 108 00:07:09,470 --> 00:07:12,380 DO YOU MIND IF I ASK WHAT HAPPENED 109 00:07:12,400 --> 00:07:14,100 WHEN YOU WERE GROWING UP? 110 00:07:14,140 --> 00:07:18,170 YEAH. I’M NOT COMFORTABLE TALKING ABOUT IT. 111 00:07:18,210 --> 00:07:20,040 SORRY, SORRY. 112 00:07:20,080 --> 00:07:23,040 I DON’T KNOW HOW I COULD HAVE ASKED THAT. 113 00:07:23,080 --> 00:07:27,250 THERE ARE THINGS I’M UNCOMFORTABLE WITH ‐‐ PLENTY. 114 00:07:31,160 --> 00:07:32,960 IT’S, UM, 115 00:07:32,990 --> 00:07:36,060 IT’S JUST A QUESTION 116 00:07:36,090 --> 00:07:40,460 OF SOMETHING COMING INTO OUR LIVES, DANNY, 117 00:07:40,500 --> 00:07:44,130 BEING LUCKY ENOUGH FOR SOMETHING GOOD TO COME IN 118 00:07:44,170 --> 00:07:48,140 TO HELP US PAST WHATEVER CAME BEFORE. 119 00:07:48,170 --> 00:07:52,540 AND THEN WE HAVE TO BE ABLE TO SEE IT. 120 00:07:52,580 --> 00:07:55,220 WE HAVE TO WANT TO BE ABLE TO, 121 00:07:55,250 --> 00:07:57,690 AND WE HAVE TO KEEP OUR EYES OPEN. 122 00:07:57,720 --> 00:08:01,060 SO YOU DON’T RECOMMEND PROLONGED BOUTS OF DRUNKENNESS. 123 00:08:01,090 --> 00:08:03,130 NEVER WORKED FOR ME. 124 00:08:05,260 --> 00:08:07,230 THANKS SO MUCH, DIANE, 125 00:08:07,260 --> 00:08:09,730 FOR LETTING ME CRASH AND EVERYTHING ELSE. 126 00:08:11,930 --> 00:08:14,730 EVERYONE NEEDS A PLACE TO CRASH. 127 00:08:46,730 --> 00:08:48,200 WHAT’S ANDY’S PROBLEM? 128 00:08:48,230 --> 00:08:49,870 I DON’T KNOW, D. 129 00:08:49,900 --> 00:08:51,970 WHEN ANDY’S GOT THAT LOOK ON HIS MUG, 130 00:08:52,000 --> 00:08:53,470 YOU’D AS SOON FIRST WORK 131 00:08:53,500 --> 00:08:56,270 ON THE INS AND OUTS IN THAT CHECHNYAN CONFLICT. 132 00:09:08,990 --> 00:09:10,930 HEY, HOW’S IT GOING, ANDY? 133 00:09:10,960 --> 00:09:12,830 NOT BAD. 134 00:09:12,860 --> 00:09:15,030 GOOD. 135 00:09:18,960 --> 00:09:21,160 THAT’S COMMAND IN A NUTSHELL, PAL. 136 00:09:21,200 --> 00:09:24,000 ASK A QUESTION AND DUCK THE ANSWER. 137 00:09:24,040 --> 00:09:27,480 THAT’S THE TEXTBOOK COURSE RIGHT BEFORE YOUR EYES. 138 00:09:27,510 --> 00:09:29,620 SO THINGS AREN’T GOING WELL. 139 00:09:29,640 --> 00:09:32,840 WHAT IS THAT TO YOU? 140 00:09:35,810 --> 00:09:39,010 CHARLIE SUNG, FRIEND OF GREG MEDAVOY. 141 00:09:39,050 --> 00:09:40,420 CHARLES SUNG, I PRESUME. 142 00:09:40,450 --> 00:09:42,750 HOW’S IT GOING, GREG? THANKS A LOT. 143 00:09:42,790 --> 00:09:44,530 MORE OF BOTH OF US, HUH? 144 00:09:44,560 --> 00:09:46,460 YEAH, A FEW POUNDS MORE, CHARLIE. 145 00:09:46,490 --> 00:09:49,020 THIS IS MY PARTNER BALDWIN JONES. 146 00:09:49,060 --> 00:09:51,630 THIS IS CHARLIE SUNG, MANAGER AT THE WEATHERLY HOTEL. 147 00:09:51,660 --> 00:09:54,130 PLEASED TO MEET YOU, CHARLIE. 148 00:09:54,170 --> 00:09:55,940 NOT AFRAID TO WALK THE STREETS WITH THIS GUY, HUH? 149 00:09:55,970 --> 00:09:57,980 NO, THERE’S A NEW SPRING IN MY STEP. 150 00:09:58,000 --> 00:10:00,100 I USED TO WORK FOR CHARLIE NIGHTS 151 00:10:00,140 --> 00:10:02,600 WHEN I FIRST COME ON THE JOB. CRACK SECURITY. 152 00:10:02,640 --> 00:10:06,470 YEAH, CRACK SECURITY FLOPPING ON THE COT 153 00:10:06,510 --> 00:10:08,040 BEHIND CHARLIE’S RECEPTION DESK. 154 00:10:08,080 --> 00:10:10,110 THAT JOB WAS CHARLIE DOING ME A GOOD TURN 155 00:10:10,150 --> 00:10:12,980 WHERE I WAS SPREAD TOO THIN TRYING TO MAKE ENDS MEET. 156 00:10:13,020 --> 00:10:14,730 YOU GOT TWO MINUTES? 157 00:10:14,750 --> 00:10:16,320 YEAH, SURE, DEFINITELY. 158 00:10:16,350 --> 00:10:18,190 MAYBE WE TALK IN THERE. 159 00:10:18,220 --> 00:10:20,990 SURE, YEAH, WE CAN TALK IN THE COFFEE ROOM. 160 00:10:21,030 --> 00:10:22,870 GOOD TO MEET YOU, CHARLIE. 161 00:10:22,890 --> 00:10:24,930 OKAY, BALDWIN. KEEP UP THE GOOD WORK. 162 00:10:31,440 --> 00:10:34,250 COFFEE’S MY BATCH, SO HOLD ALL WISECRACKS. 163 00:10:34,270 --> 00:10:36,670 GREG, YOU CLOSE THE DOOR? 164 00:10:36,710 --> 00:10:38,640 SURE. ABSOLUTELY. 165 00:10:38,680 --> 00:10:40,490 DON’T WORRY, I DON’T KILL NOBODY. 166 00:10:40,510 --> 00:10:41,910 WELL, THAT’S A RELIEF. 167 00:10:41,950 --> 00:10:44,420 I GOT SOME JACKPOT GOING ON, THOUGH, GREG, 168 00:10:44,450 --> 00:10:46,680 DAMN JACKPOT IN 1412 AT MY PLACE. 169 00:10:46,720 --> 00:10:48,480 WHAT’S GOING ON, CHARLIE? 170 00:10:48,520 --> 00:10:51,890 LUNATIC CHINAMAN IN 1412 GOT A HALF A DOZEN HOOKERS 171 00:10:51,920 --> 00:10:54,090 IN AND OUT INTO HIS THIRD DAY. 172 00:10:54,130 --> 00:10:56,570 GOT THE DAMN UNITED NATIONS UP THERE. 173 00:10:56,600 --> 00:10:58,670 YOU SCRIMPING ON YOUR SECURITY STAFF? 174 00:10:58,700 --> 00:11:02,770 WORKS FOR AN ASSOCIATION WISEGUY, THIS DOPE IN 1412. 175 00:11:02,800 --> 00:11:04,600 IMPORTANT I KNOW WHICH WISEGUY? 176 00:11:04,640 --> 00:11:07,110 HE DON’T EVEN HAVE BRAINS ENOUGH TO LIE, 177 00:11:07,140 --> 00:11:08,600 THIS DOPEY JO CHANG. 178 00:11:08,640 --> 00:11:10,670 "I DON’T PLAY THE LOTTERY, CHARLIE." 179 00:11:10,710 --> 00:11:13,840 SO JO CHANG’S BUYING HOOKERS 180 00:11:13,880 --> 00:11:16,950 WITH ILL‐GOTTEN GAINS HE PROBABLY CAME INTO 181 00:11:16,980 --> 00:11:18,780 AT THE EXPENSE OF SOME ASSOCIATION BIG SHOT, 182 00:11:18,820 --> 00:11:21,530 YOU PRETEND NOT TO HEAR ME WHEN I ASK YOU TO NAME HIM, 183 00:11:21,550 --> 00:11:24,450 IS MY SENSE OF WHERE WE ARE WITH THIS, CHARLIE, 184 00:11:24,490 --> 00:11:26,450 EXCEPT WHAT DO YOU WANT ME TO DO? 185 00:11:26,490 --> 00:11:29,730 COLLAR HIM, GREG. PUT THE FEAR OF GOD IN HIM. 186 00:11:29,760 --> 00:11:32,630 SEND HIM ON A BUS OUT OF TOWN. TICKET ON ME. 187 00:11:32,660 --> 00:11:35,630 OUR COLLARS, BY AND LARGE, WE TEND TO PUT IN JAIL. 188 00:11:35,670 --> 00:11:38,540 PUT HIM IN JAIL, EVERYONE GOING TO WANT TO KNOW 189 00:11:38,570 --> 00:11:41,070 HOW I LET HIM PARTY WITH TOMMY CHOW’S MONEY. 190 00:11:41,110 --> 00:11:43,480 THEN I NEED TO STAY OUT OF IT, CHARLIE, 191 00:11:43,510 --> 00:11:45,980 ’CAUSE DROPPING A GUY OFF AT PORT AUTHORITY 192 00:11:46,010 --> 00:11:47,810 ISN’T WHAT THEY PAY ME FOR. 193 00:11:47,850 --> 00:11:50,390 PLUS I DIDN’T HEAR THAT LAST NAME YOU SAID. 194 00:11:50,410 --> 00:11:54,120 ALL RIGHT. 195 00:11:54,150 --> 00:11:56,080 I’M SORRY I CAN’T HELP YOU. 196 00:11:56,120 --> 00:11:58,620 I DON’T MEAN TO PUT YOU IN A JACKPOT. 197 00:11:58,660 --> 00:12:01,630 IT’S JUST THAT I DON’T GOT MY HEAD ON STRAIGHT. 198 00:12:01,660 --> 00:12:04,060 WE HAD A FEW OF THOSE NIGHTS, DIDN’T WE? 199 00:12:04,100 --> 00:12:06,300 WE HAD NIGHTS WE DIDN’T KNOW WHETHER WE WERE DUMPING 200 00:12:06,330 --> 00:12:08,030 OR GOING BLIND, RIGHT, GREG? 201 00:12:15,810 --> 00:12:17,780 IS THIS THE DETECTIVE SQUAD? 202 00:12:17,810 --> 00:12:20,110 John: YES. CAN I HELP YOU? 203 00:12:20,140 --> 00:12:22,740 IT’S IN REGARD TO A MURDER. 204 00:12:22,780 --> 00:12:24,010 I’M DETECTIVE SIPOWICZ. 205 00:12:24,050 --> 00:12:25,350 I’M ROGER LUNDQUIST. 206 00:12:25,380 --> 00:12:27,320 THIS IS MY GIRLFRIEND SUGAR GRIFFIN. 207 00:12:27,350 --> 00:12:28,320 HI. 208 00:12:28,350 --> 00:12:31,150 COME ON OVER HERE. 209 00:12:32,560 --> 00:12:35,930 THESE ARE USUALLY OCCUPIED, 210 00:12:35,960 --> 00:12:38,360 BUT I DON’T KNOW WHERE ANYONE IS. 211 00:12:42,900 --> 00:12:44,670 IT’S HORRIBLE. 212 00:12:44,700 --> 00:12:46,270 IT’S MY PARENTS. 213 00:12:46,300 --> 00:12:48,870 SOMEONE SHOT THEM AT OUR HOME. 214 00:12:48,910 --> 00:12:51,380 THEY’RE BOTH DEAD, AND THEY’RE LYING ON THE KITCHEN FLOOR. 215 00:12:51,410 --> 00:12:52,770 NOW? 216 00:12:52,810 --> 00:12:54,380 WE CRASHED AT SUGAR’S. 217 00:12:54,410 --> 00:12:56,110 I COME HOME THIS MORNING ‐‐ 218 00:12:56,150 --> 00:12:58,060 MY PARENTS NEVER LEAVE THE DOOR OPEN. 219 00:12:58,080 --> 00:13:00,680 I GOT A BAD HIT, SO I THOUGHT I’D GO IN THE BACK WINDOW 220 00:13:00,720 --> 00:13:02,880 AND GET MY DAD’S GUN, BUT IT’S GONE. 221 00:13:02,920 --> 00:13:06,560 I FOUND THEM LAYING ON THE KITCHEN FLOOR DEAD, 222 00:13:06,590 --> 00:13:08,360 AND THERE’S BLOOD ALL OVER. 223 00:13:08,390 --> 00:13:09,560 YOU SAW THEM? 224 00:13:09,590 --> 00:13:11,390 NO, ROGER HAD ME STAY OUTSIDE. 225 00:13:11,430 --> 00:13:12,530 YOU CALL 911? 226 00:13:12,560 --> 00:13:15,160 NOT YET. I JUST HAD TO GET OUT OF THERE. 227 00:13:15,200 --> 00:13:17,070 ARE YOU ALL RIGHT TO GO BACK? 228 00:13:17,100 --> 00:13:20,540 YEAH, WE’RE ALL RIGHT. 229 00:13:20,570 --> 00:13:22,240 MEDAVOY, JONES ‐‐ 230 00:13:22,270 --> 00:13:23,370 WHERE DO YOU LIVE? 231 00:13:23,410 --> 00:13:24,750 852 EAST 12th STREET. 232 00:13:24,780 --> 00:13:28,250 LET THE BOSS KNOW THAT WE’RE ALL GOING OVER 233 00:13:28,280 --> 00:13:29,750 TO 852 EAST 12th STREET. 234 00:13:29,780 --> 00:13:31,810 ROGER HERE JUST REPORTED A DOUBLE. 235 00:13:31,850 --> 00:13:32,910 SURE. 236 00:13:32,950 --> 00:13:35,480 COME ON. WE’LL RIDE OVER IN MY CAR. 237 00:13:35,520 --> 00:13:37,290 YEAH, WHATEVER IT TAKES. 238 00:13:45,030 --> 00:13:47,000 WANT TO WORK A HOMICIDE? 239 00:13:47,030 --> 00:13:48,630 SURE, ANDY. 240 00:13:51,900 --> 00:13:54,040 MORNING, ANDY. 241 00:13:54,070 --> 00:13:56,300 YOU WERE WEARING THAT YESTERDAY. 242 00:14:54,530 --> 00:14:57,200 NO BLOOD SPLATTER BY THE EXIT WOUND. 243 00:15:02,040 --> 00:15:03,640 UGH. 244 00:15:03,680 --> 00:15:05,980 HALF HER FACE IS GONE. 245 00:16:03,000 --> 00:16:04,130 THEY WERE SHOT IN HERE. 246 00:16:04,170 --> 00:16:07,040 THIS IS THE BLOOD SPLATTER, AND IT WAS CLEANED. 247 00:16:13,010 --> 00:16:16,010 THIS IS HER TONGUE. IT WAS OVER THERE. 248 00:16:17,450 --> 00:16:22,970 THEY WERE MOVED OVER TO HERE AND PUT IN THESE CHAIRS. 249 00:16:23,620 --> 00:16:26,860 SHE MUST HAVE FALLEN OVER. 250 00:16:28,190 --> 00:16:31,190 THEY WERE MURDERED IN THERE, 251 00:16:31,230 --> 00:16:37,100 THEN THEY WERE MOVED HERE AND POSED. 252 00:17:04,830 --> 00:17:07,960 THIS IS AS SPECIFIC AS I CAN MAKE IT. 253 00:17:08,000 --> 00:17:10,130 THE COURSE OF MY MOVEMENT ONCE I WAS INSIDE THE HOUSE. 254 00:17:10,170 --> 00:17:12,070 THE ARROWS INDICATING MOVEMENT? 255 00:17:12,100 --> 00:17:14,940 YOU WANT ME TO INITIAL IT? 256 00:17:14,970 --> 00:17:16,470 SURE. THANKS. 257 00:17:16,510 --> 00:17:19,590 THIS DRY CLEANING BUSINESS YOUR DAD HAD ‐‐ 258 00:17:19,610 --> 00:17:20,910 YEAH, HE WAS THE SOLE OWNER. 259 00:17:20,950 --> 00:17:22,990 YOU TOLD ME THAT, DIDN’T YOU? 260 00:17:23,010 --> 00:17:24,810 NO ANGRY PARTNERS. 261 00:17:24,850 --> 00:17:27,980 WHAT I WAS GOING TO ASK, WAS THERE ANY ANIMOSITY 262 00:17:28,020 --> 00:17:30,090 WITH NEIGHBORING BUSINESS TENANTS OR THE LIKE? 263 00:17:30,120 --> 00:17:33,450 I THINK THIS BUSINESS ANGLE IS PRETTY MUCH A DEAD END. 264 00:17:36,030 --> 00:17:37,840 HOW DID YOU GET TO KNOW ROGER? 265 00:17:37,860 --> 00:17:39,160 IN A CHAT ROOM. 266 00:17:39,200 --> 00:17:40,340 THAT’S ON THE INTERNET? 267 00:17:40,360 --> 00:17:41,460 UH‐HUH. 268 00:17:41,500 --> 00:17:43,330 WHAT WAS THE CHAT ROOM’S NAME? 269 00:17:43,370 --> 00:17:44,910 THE RAINBOW ROOM. 270 00:17:44,940 --> 00:17:46,610 THE RAINBOW ROOM, HUH? 271 00:17:46,640 --> 00:17:48,970 PEOPLE WILLING TO CONSIDER INTERRACIAL DATING. 272 00:17:49,010 --> 00:17:50,850 HOW CLOSE HAVE YOU GOTTEN WITH ROGER? 273 00:17:50,880 --> 00:17:53,350 ARE YOU GOING TO BE ABLE TO HELP HIM THROUGH THIS? 274 00:17:53,380 --> 00:17:55,350 THIS IS ALL NEW TO ME. 275 00:17:55,380 --> 00:17:58,150 THIS IS LIFE AND DEATH NOW. 276 00:17:58,180 --> 00:17:59,280 HOW DO YOU MEAN? 277 00:17:59,320 --> 00:18:00,690 THE MURDER OF TWO PARENTS 278 00:18:00,720 --> 00:18:02,250 IS LIFE AND DEATH FOR ROGER, 279 00:18:02,290 --> 00:18:05,030 AND YOU HAVE TO KNOW IF YOU’RE WILLING TO STAND BESIDE HIM. 280 00:18:05,060 --> 00:18:06,600 HE WASN’T INVOLVED. 281 00:18:06,630 --> 00:18:08,600 HOW COULD A SON NOT BE INVOLVED 282 00:18:08,630 --> 00:18:10,670 WHEN HIS PARENTS ARE MURDERED? 283 00:18:10,700 --> 00:18:12,840 HOW DEEPLY ARE THE TWO OF YOU IN LOVE? 284 00:18:12,860 --> 00:18:13,930 I DON’T KNOW. 285 00:18:13,970 --> 00:18:15,770 YOU BETTER FIGURE THAT OUT, SUGAR, 286 00:18:15,800 --> 00:18:17,200 BECAUSE IN THIS SITUATION, 287 00:18:17,240 --> 00:18:19,340 PEOPLE LEAN ON WHATEVER SHOULDER’S AVAILABLE. 288 00:18:19,370 --> 00:18:21,570 THEY PUT THEIR FULL WEIGHT ON. 289 00:18:26,910 --> 00:18:29,180 DO YOU ALREADY FEEL PRESSURED NOW? 290 00:18:29,210 --> 00:18:30,550 I FEEL SOME PRESSURE. 291 00:18:30,580 --> 00:18:32,950 DO YOU FEEL THE WEIGHT OF BEING RESPONSIBLE FOR ROGER? 292 00:18:32,980 --> 00:18:36,280 I JUST DON’T FEEL IT’S FAIR IN SOME WAYS. 293 00:18:36,320 --> 00:18:39,220 YOU KNOW, YOU SOUND LIKE YOU’RE ABOUT TO CRY. 294 00:18:39,260 --> 00:18:41,230 I FEEL LIKE I’M GOING TO. 295 00:18:41,260 --> 00:18:44,560 THAT’S ALL RIGHT, SUGAR. GO AHEAD. 296 00:18:44,600 --> 00:18:47,670 I JUST FEEL SO PRESSURED. 297 00:18:47,700 --> 00:18:48,730 YOU’RE BEING ASKED 298 00:18:48,770 --> 00:18:50,640 TO SHOULDER A TREMENDOUS WEIGHT. 299 00:18:50,670 --> 00:18:53,030 I DON’T KNOW IF I CAN STAND IT. 300 00:18:53,070 --> 00:18:56,140 YOU OWE IT TO YOURSELF TO EXPLORE THOSE FEELINGS. 301 00:18:56,170 --> 00:18:58,210 I’M AFRAID OF SO MUCH. 302 00:18:58,240 --> 00:19:00,980 THESE ARE MULTIPLE MURDERS. IT’S TERRIFYING. 303 00:19:01,010 --> 00:19:03,140 I FEEL LIKE I COULD BE KILLED, TOO. 304 00:19:03,180 --> 00:19:04,910 ALL RIGHT, ALL RIGHT. 305 00:19:04,950 --> 00:19:06,980 THOSE ARE FEARS COMING OUT. 306 00:19:07,020 --> 00:19:09,520 I FEEL LIKE I COULD BE HELD RESPONSIBLE. 307 00:19:09,550 --> 00:19:12,150 WE CAN WORK THAT OUT IF YOU STAY HONEST. 308 00:19:12,190 --> 00:19:14,060 CAN YOU PROTECT ME? 309 00:19:14,090 --> 00:19:16,660 I’M RIGHT HERE, SUGAR. ABSOLUTELY. 310 00:19:16,700 --> 00:19:19,500 I DON’T THINK I CAN TAKE ALL THAT WEIGHT. 311 00:19:19,530 --> 00:19:22,200 HOW CAN I TAKE SOME OF THE WEIGHT OFF YOU? 312 00:19:22,230 --> 00:19:23,770 JUST HOLD ME. 313 00:19:32,810 --> 00:19:36,680 IS THERE ANYTHING YOU WANT TO TELL ME? 314 00:19:36,720 --> 00:19:38,520 NO. 315 00:19:38,550 --> 00:19:41,550 NOT NOW, HUH? 316 00:19:41,590 --> 00:19:44,800 NOT YET. 317 00:19:53,260 --> 00:19:55,230 HOW’S IT GOING WITH ROGER? 318 00:19:55,270 --> 00:19:56,810 STILL TALKING TO HIM. 319 00:19:56,840 --> 00:19:58,140 SUGAR LIKES ME, 320 00:19:58,170 --> 00:20:00,140 IF ANDY AND DANNY WANT TO TURN HIS HEAD AROUND. 321 00:20:00,170 --> 00:20:01,400 SEE HOW THEY’RE DOING. 322 00:20:01,440 --> 00:20:02,470 I WOULDN’T WANT 323 00:20:02,510 --> 00:20:04,880 TO GET ANYONE’S NOSE OUT OF JOINT. 324 00:20:04,910 --> 00:20:06,740 WHOSE NOSE YOU GOT IN MIND? 325 00:20:10,010 --> 00:20:12,650 WOULD YOU SAY YOUR FOLKS HAD A HAPPY MARRIAGE, ROGER? 326 00:20:12,680 --> 00:20:15,480 AS FAR AS ONE OF THEM WANTING TO HAVE AN AFFAIR, 327 00:20:15,520 --> 00:20:16,790 MY MOM, NO, 328 00:20:16,820 --> 00:20:19,450 MY DAD, IT WAS POSSIBLE, BUT I COULDN’T TELL YOU WHO. 329 00:20:19,490 --> 00:20:21,720 WHAT DO YOU DO WHEN YOU’RE NOT AHEAD 330 00:20:21,760 --> 00:20:23,830 OF OTHER PEOPLE’S THOUGHT PROCESSES? 331 00:20:23,860 --> 00:20:26,060 I WORK HALF‐TIME INPUTTING COMPUTER DATA 332 00:20:26,100 --> 00:20:27,640 AT A MARKETING COMPANY. 333 00:20:27,670 --> 00:20:29,910 I’VE BEEN DOING IT SINCE I WAS IN HIGH SCHOOL 334 00:20:29,930 --> 00:20:32,270 IN ORDER TO MAKE MONEY TO GO TO COLLEGE. 335 00:20:32,300 --> 00:20:34,740 I WENT TO COLLEGE AT LEHIGH IN PENNSYLVANIA, 336 00:20:34,770 --> 00:20:37,470 BUT I RETURNED HOME LAST SEMESTER. 337 00:20:37,510 --> 00:20:38,740 HOW COME? 338 00:20:38,780 --> 00:20:40,350 I WANTED A CHANGE. 339 00:20:40,380 --> 00:20:42,080 AND SO NOW YOU’RE HOME AGAIN. 340 00:20:42,110 --> 00:20:44,750 WHAT WERE YOU UP TO WHEN YOU WEREN’T INPUTTING? 341 00:20:44,780 --> 00:20:47,420 SUGAR AND I HAVE BEEN GETTING HEAVILY INVOLVED, 342 00:20:47,450 --> 00:20:49,420 SO YOU COULD SAY I’VE BEEN DOING 343 00:20:49,450 --> 00:20:51,390 A LITTLE INPUTTING WITH HER, TOO. 344 00:20:52,790 --> 00:20:57,890 EXCUSE ME. I DIDN’T KNOW SOMEONE WAS IN HERE. 345 00:20:59,230 --> 00:21:01,500 HOW LONG YOU AND SUGAR BEEN GOING OUT? 346 00:21:01,530 --> 00:21:03,030 ABOUT FIVE WEEKS. 347 00:21:03,070 --> 00:21:05,780 I’LL BET YOUR PARENTS WERE PLEASED AS PUNCH ABOUT THAT. 348 00:21:05,800 --> 00:21:08,040 I NEVER LET MY PARENTS INPUT 349 00:21:08,070 --> 00:21:10,640 ON THE SUBJECT OF WHO I DATE. 350 00:21:10,680 --> 00:21:12,850 WERE THEY GIVING YOU A LITTLE ANYHOW? 351 00:21:12,880 --> 00:21:15,320 HOW DID WE GET FROM MY PARENTS BEING MURDERED 352 00:21:15,350 --> 00:21:17,990 TO THE SUBJECT OF ME AND SUGAR? 353 00:21:18,020 --> 00:21:19,660 EVEN AT THE CRAZY FARES TODAY, 354 00:21:19,680 --> 00:21:21,980 I’D BE SURPRISED IF IT WAS MORE 355 00:21:22,020 --> 00:21:24,390 THAN A BUCK AND A HALF CAB RIDE. 356 00:21:24,420 --> 00:21:26,890 WE’RE JUST TRYING TO WORK UP POSSIBLE MOTIVES, ROGER, 357 00:21:26,930 --> 00:21:29,470 LIKE MAYBE SUGAR’S PARENTS. WERE THEY EVER UPSET? 358 00:21:29,490 --> 00:21:32,130 DID THEY AND YOUR FOLKS EVER HAVE WORDS? 359 00:21:32,160 --> 00:21:33,530 THEY NEVER MET. 360 00:21:33,570 --> 00:21:37,040 SUGAR ONLY HAS A MOTHER, AND SHE WAS THRILLED. 361 00:21:37,070 --> 00:21:39,900 WELL, WE’RE GOING TO SHOW OUR BOSS HERE YOUR DIAGRAM 362 00:21:39,940 --> 00:21:41,870 AND INDICATE WHAT YOU’VE TOLD US, 363 00:21:41,910 --> 00:21:44,750 AND HE’LL DECIDE IF HE WANTS US TO TALK TO YOU MORE. 364 00:21:44,780 --> 00:21:45,850 OKAY. 365 00:21:45,880 --> 00:21:47,890 YOU WANT A SODA OR ANYTHING? 366 00:21:47,910 --> 00:21:49,110 NO. 367 00:21:50,750 --> 00:21:53,250 SUGAR AND I MAY BE GETTING MARRIED IN THE NEAR FUTURE. 368 00:21:53,280 --> 00:21:55,350 SWELL. LOTS OF LUCK. 369 00:21:57,460 --> 00:21:59,030 HE’S WARMING TO YOU. 370 00:21:59,060 --> 00:22:01,100 THAT’S A NUT JOB, ALL RIGHT? 371 00:22:01,130 --> 00:22:02,370 I SENSE THAT, TOO. 372 00:22:02,390 --> 00:22:04,360 RAPPORT IS NOT MY BIG PRIORITY. 373 00:22:04,400 --> 00:22:06,940 HOW DID IT GO WITH THE GIRL? 374 00:22:06,970 --> 00:22:08,910 WE GOT SOMETHING WORKING. 375 00:22:08,930 --> 00:22:11,100 I HOPE IT’S NOT RAPPORT. 376 00:22:11,140 --> 00:22:13,280 THE BOSS WANTS TO TALK TO US. 377 00:22:13,300 --> 00:22:15,440 THAT’S YOUR QUOTA, ALL RIGHT, DANNY? 378 00:22:15,470 --> 00:22:17,940 THAT’S YOUR TOTAL OF WISECRACKS FOR THE SHIFT. 379 00:22:17,980 --> 00:22:19,250 YEAH, OKAY. 380 00:22:29,420 --> 00:22:30,650 AHEM. 381 00:22:31,790 --> 00:22:35,290 SO, WE GETTING ANYWHERE WITH ROGER? 382 00:22:35,330 --> 00:22:36,600 NO. 383 00:22:36,630 --> 00:22:38,290 NOT YET. 384 00:22:38,330 --> 00:22:41,560 BALDWIN FEELS LIKE HE CAN MOVE SUGAR. 385 00:22:41,600 --> 00:22:42,930 I GUESS I’M WONDERING 386 00:22:42,970 --> 00:22:45,540 YOU WANT ME TO MOVE HER BY HERSELF, 387 00:22:45,570 --> 00:22:48,800 OR TALK TO THEM TOGETHER AND GET ROGER WORKED UP? 388 00:22:48,840 --> 00:22:50,740 YOU GUESS YOU’RE WONDERING THAT? 389 00:22:50,780 --> 00:22:52,280 THAT’S WHAT I’M WONDERING. 390 00:22:52,310 --> 00:22:54,740 YOU FEEL THAT’S A GOOD IDEA, I TAKE IT? 391 00:22:54,780 --> 00:22:56,550 GAVE IT YOUR PRE‐EXISTING APPROVAL? 392 00:22:56,580 --> 00:22:59,150 I SUGGESTED BALDWIN GO OVER IT WITH YOU. 393 00:22:59,180 --> 00:23:00,650 THEN WHAT’S THIS CONVERSATION ABOUT? 394 00:23:00,690 --> 00:23:02,560 I THINK IT’S A GOOD IDEA. 395 00:23:02,590 --> 00:23:04,430 THIS IS ANOTHER COUNTY HEARD FROM ‐‐ 396 00:23:04,460 --> 00:23:07,100 WHERE THEY COME TO WORK WEARING CLOTHES FROM THE DAY BEFORE. 397 00:23:07,130 --> 00:23:08,500 HE GIVES HIS APPROVAL. 398 00:23:08,530 --> 00:23:10,500 I’M NOT TRYING TO TAKE YOUR INTERVIEW. 399 00:23:10,530 --> 00:23:12,760 IF YOU WANT TO KEEP WORKING THEM SEPARATE... 400 00:23:12,800 --> 00:23:14,570 I’LL KEEP MY OPINION TO MYSELF, 401 00:23:14,600 --> 00:23:17,870 SINCE IT DON’T COUNT FOR NOTHING ANYWAYS. 402 00:23:25,110 --> 00:23:28,980 EXCUSE ME WHILE I GO BURP MY PARTNER. 403 00:23:40,220 --> 00:23:43,020 NOW WE GOT IT WHERE IT’S SUPPOSED TO BE, RIGHT, ANDY? 404 00:23:43,060 --> 00:23:44,530 KEEPING YOU HAPPY. 405 00:23:44,560 --> 00:23:46,530 YOU GOT MY ATTITUDES CONFUSED. 406 00:23:46,570 --> 00:23:48,370 NO, I UNDERSTAND YOU’RE PISSED OFF. 407 00:23:48,400 --> 00:23:49,870 "KEEPING YOU HAPPY" 408 00:23:49,900 --> 00:23:52,270 REFERRED TO WHAT YOU FIGURE’S MY JOB IN LIFE. 409 00:23:52,300 --> 00:23:54,470 YOU’RE FULL‐TIME OCCUPIED BEING A SMART MOUTH. 410 00:23:54,510 --> 00:23:56,350 I WAS UPSET THAT KID DIED. 411 00:23:56,370 --> 00:23:58,240 I STAYED THE NIGHT AT DIANE’S. 412 00:24:01,910 --> 00:24:03,210 YOU DID. 413 00:24:03,250 --> 00:24:05,490 IF I’D BEEN IN A BAR FIGHT 414 00:24:05,520 --> 00:24:08,830 OR IF I’D SPENT THE NIGHT PASSED OUT IN AN ALLEY, 415 00:24:08,850 --> 00:24:11,320 DON’T YOU THINK I’D HAVE MORE MIRE ON ME? 416 00:24:11,360 --> 00:24:13,300 I SEE. 417 00:24:13,320 --> 00:24:15,890 AND WAS SHE SOME COMFORT TO YOU? 418 00:24:15,930 --> 00:24:18,240 HELL, YEAH, SHE WAS A COMFORT TO ME. 419 00:24:18,260 --> 00:24:20,730 LET ME SLEEP MY LOAD OFF ON HER SOFA. 420 00:24:20,770 --> 00:24:22,640 I SEE. 421 00:24:22,670 --> 00:24:24,380 I APPRECIATE YOUR CONCERN FOR ME. 422 00:24:24,400 --> 00:24:26,700 I GOT OTHER THINGS TO WORRY ABOUT, BELIEVE ME. 423 00:24:26,740 --> 00:24:27,870 I KNOW. 424 00:24:27,910 --> 00:24:29,210 BELIEVE YOU ME. 425 00:24:29,240 --> 00:24:31,440 I KNOW, ANDY. 426 00:24:33,210 --> 00:24:38,210 I APOLOGIZE GETTING INTO BALL BREAKING. 427 00:24:38,250 --> 00:24:39,920 THAT’S A NATURAL RECOURSE. 428 00:24:47,690 --> 00:24:51,090 SO YOU WANT TO GO WATCH JONES DEMONSTRATE 429 00:24:51,130 --> 00:24:53,090 HIS BIG RAPPORT WITH THIS GIRL? 430 00:24:53,130 --> 00:24:55,600 YOU FIGURE HIS RAPPORT IS PRETTY BIG? 431 00:24:55,630 --> 00:24:57,900 I DON’T BUY ANY OF THAT CRAP. 432 00:25:12,950 --> 00:25:14,050 Sugar: I DON’T KNOW 433 00:25:14,090 --> 00:25:16,230 IF I FEEL LIKE TALKING TO ROGER RIGHT NOW. 434 00:25:16,250 --> 00:25:18,620 WE JUST NEED TO SQUARE A COUPLE OF THINGS UP. 435 00:25:18,660 --> 00:25:20,370 WHAT DO YOU MEAN? 436 00:25:20,390 --> 00:25:22,890 WE’RE IN HERE, RIGHT, ANDY? 437 00:25:22,930 --> 00:25:24,270 YEAH, RIGHT IN HERE. 438 00:25:30,070 --> 00:25:31,630 HOPE WE HAVE ENOUGH CLEAN TOWELS. 439 00:25:31,670 --> 00:25:33,600 OH, GOOD. HOW ARE YOU? 440 00:25:33,640 --> 00:25:35,070 HOW YOU DOING? 441 00:25:35,110 --> 00:25:37,750 WHY DON’T YOU SIT HERE, SUGAR? 442 00:25:37,780 --> 00:25:40,320 HOW ARE YOU DOING? 443 00:25:40,340 --> 00:25:41,640 I’M OKAY. 444 00:25:41,680 --> 00:25:45,480 I THINK SHE’S DOING OKAY UNDER THE CIRCUMSTANCES. 445 00:25:45,520 --> 00:25:46,990 YEAH? THAT’S GREAT. 446 00:25:47,020 --> 00:25:49,220 YOU TOLD ME YOU’RE UPSET, BUT WITH THE CIRCUMSTANCES, 447 00:25:49,250 --> 00:25:51,650 THAT’S NATURAL AND EVEN HEALTHY. 448 00:25:51,690 --> 00:25:53,120 WE’RE GOING TO GET THROUGH THIS. 449 00:25:53,160 --> 00:25:55,100 WE’RE GOING TO DO SOME GRIEF WORK. 450 00:25:55,130 --> 00:25:57,640 YOU WANT TO ASK WHATEVER YOU WANT TO ASK 451 00:25:57,660 --> 00:25:59,430 SO HER AND ME CAN GET OUT? 452 00:25:59,460 --> 00:26:02,930 WE WANTED YOU AND SUGAR TO GO OVER YOUR DIAGRAM. 453 00:26:02,970 --> 00:26:05,280 THAT’S NATURAL, TOO. 454 00:26:05,300 --> 00:26:07,240 HE’S GOING TO BE UPSET, TOO. 455 00:26:07,270 --> 00:26:09,570 HEY, SHUT UP, ALL RIGHT? 456 00:26:09,610 --> 00:26:11,310 TAKE IT EASY, ROGER. 457 00:26:11,340 --> 00:26:13,410 WHAT’S COMING OUT NOW IS NATURAL. 458 00:26:13,440 --> 00:26:14,680 YOU WANT TO TAKE YOUR ARM OFF HER? 459 00:26:14,710 --> 00:26:18,480 ABSOLUTELY. YOU WANT ME TO TAKE MY ARM OFF, 460 00:26:18,520 --> 00:26:21,190 OR DOES IT MAKE YOU FEEL BETTER? 461 00:26:21,220 --> 00:26:23,120 IT DOES MAKE ME FEEL BETTER. 462 00:26:23,150 --> 00:26:25,920 YOU TELL ME WHEN, AND I’LL TAKE MY ARM OFF. 463 00:26:25,960 --> 00:26:28,900 ASK HER WHAT YOU WANT TO ASK HER ABOUT THE DIAGRAM. 464 00:26:30,960 --> 00:26:33,490 SEE DOES THAT SQUARE WITH HOW SHE REMEMBERS IT. 465 00:26:33,530 --> 00:26:36,930 WHERE IT’S GOT YOU, IS THAT HOW YOU REMEMBER WHERE YOU WERE? 466 00:26:36,970 --> 00:26:41,200 I DON’T WANT TO HAVE ANYTHING TO DO WITH IT. 467 00:26:41,240 --> 00:26:43,040 YOU’RE INVOLVED. GIVE US THIS MUCH COOPERATION. 468 00:26:43,070 --> 00:26:44,370 I WASN’T INVOLVED. 469 00:26:44,410 --> 00:26:45,470 RELAX. 470 00:26:45,510 --> 00:26:48,040 I WASN’T INVOLVED, AND HE KNOWS IT, 471 00:26:48,080 --> 00:26:49,680 EVEN IF HE TELLS YOU LIES. 472 00:26:49,710 --> 00:26:51,610 NO ONE SAYS YOU’RE INVOLVED, 473 00:26:51,650 --> 00:26:53,880 SO JUST SHUT YOUR STUPID MOUTH! 474 00:26:53,920 --> 00:26:56,890 SUGAR, NOW I’M GETTING A WHOLE DIFFERENT FEELING OFF THIS. 475 00:26:56,920 --> 00:26:59,960 SHOULD YOU AND ME BE TALKING BACK IN THE OTHER ROOM? 476 00:26:59,990 --> 00:27:02,560 DON’T BE STUPID. DON’T BE STUPID. 477 00:27:02,590 --> 00:27:05,360 DON’T CALL ME STUPID. I TOLD YOU ABOUT THAT. 478 00:27:05,400 --> 00:27:07,310 THEN SHUT YOUR STUPID MOUTH! 479 00:27:07,330 --> 00:27:09,230 ALL RIGHT. 480 00:27:09,270 --> 00:27:11,580 EVERYONE’S UPSET. 481 00:27:11,600 --> 00:27:13,900 BECAUSE MY PARENTS WERE MURDERED BY INTRUDERS. 482 00:27:13,940 --> 00:27:16,640 DOES IT MAKE SENSE TO HAVE SEPARATE CONVERSATIONS? 483 00:27:16,680 --> 00:27:19,180 I THINK THAT’S THE WAY TO GO. 484 00:27:19,210 --> 00:27:22,040 THEY WERE MURDERED BY UNKNOWN INTRUDERS. 485 00:27:22,080 --> 00:27:23,580 COME ON, SUGAR, 486 00:27:23,620 --> 00:27:25,790 UNTIL EVERYONE’S CALMED DOWN. 487 00:27:27,950 --> 00:27:30,720 ALL WE WANT TO DO IS GET ON WITH THE REST OF OUR LIVES, 488 00:27:30,760 --> 00:27:33,130 TO THE HOUSE WE HAVE IN LEHIGH. 489 00:27:34,560 --> 00:27:38,830 STUPID BLACK BITCH. 490 00:27:38,860 --> 00:27:42,000 WELL, ROG, WHAT CAN YOU DO? 491 00:27:42,030 --> 00:27:44,430 HE’S GOING TO TAKE TOTAL CONTROL OF HER MIND. 492 00:27:44,470 --> 00:27:46,400 THEY DID SEEM TO HAVE RAPPORT. 493 00:27:46,440 --> 00:27:48,550 GET HER TELLING SOME INSANE STORY. 494 00:27:53,580 --> 00:27:55,440 I DON’T WANT TO BE EXECUTED. 495 00:27:55,480 --> 00:27:57,450 YOU’RE NOT GOING TO BE, SUGAR. 496 00:27:57,480 --> 00:28:00,450 I SWEAR I DIDN’T HAVE ANYTHING TO DO WITH IT, 497 00:28:00,480 --> 00:28:02,950 BUT ‐‐ BUT ROGER HAD ME SO SCARED. 498 00:28:02,990 --> 00:28:05,930 DID HE TELL YOU WE’D THINK YOU WERE AN ACCOMPLICE? 499 00:28:05,960 --> 00:28:07,370 WHEN HE CAME OVER, 500 00:28:07,390 --> 00:28:10,360 HE SAID MY ONLY CHANCE WAS STICKING WITH THE STORY 501 00:28:10,390 --> 00:28:12,360 AND THEN LEAVING TOWN WITH HIM. 502 00:28:12,400 --> 00:28:14,370 HE WAS COVERED IN BLOOD, 503 00:28:14,400 --> 00:28:16,900 AND HE SAID ‐‐ HE SAID IF HE GOT CAUGHT, 504 00:28:16,940 --> 00:28:19,410 HE’D TELL YOU I WAS A PART OF IT. 505 00:28:19,440 --> 00:28:21,310 ALL RIGHT. IT’S ALL RIGHT. 506 00:28:21,340 --> 00:28:23,140 I DON’T WANT TO DIE. 507 00:28:23,170 --> 00:28:24,640 YOU KNOW WHAT, SUGAR? 508 00:28:24,680 --> 00:28:27,150 I PROMISE YOU ARE NOT GOING TO DIE 509 00:28:27,180 --> 00:28:28,640 OR GO TO JAIL. 510 00:28:28,680 --> 00:28:30,710 ALL THE BAD STUFF IS OVER. 511 00:28:30,750 --> 00:28:34,150 ALL I DID WAS TALK TO SOMEONE IN A CHAT ROOM. 512 00:28:40,120 --> 00:28:43,160 WHAT A STUPID BITCH, HUH, ROG? 513 00:28:43,190 --> 00:28:45,790 IF SHE COULD HAVE JUST GOT THROUGH THIS, 514 00:28:45,830 --> 00:28:48,630 THEN SUGAR WOULD HAVE HAD IT MADE. 515 00:28:48,670 --> 00:28:50,510 SHE COULD HAVE SPENT HOWEVER LONG 516 00:28:50,530 --> 00:28:52,500 YOU WERE GOING TO LET HER LIVE 517 00:28:52,540 --> 00:28:55,010 SHUT UP IN THAT HOUSE THERE IN LEHIGH 518 00:28:55,040 --> 00:28:57,510 WHERE SHE DIDN’T KNOW ONE DAMN SOUL, 519 00:28:57,540 --> 00:28:59,510 GETTING BRAINWASHED WORSE EVERY DAY 520 00:28:59,540 --> 00:29:02,010 HOW SHE WAS CO‐CONSPIRATOR IN A DOUBLE MURDER 521 00:29:02,050 --> 00:29:05,290 EVEN THOUGH SHE DIDN’T KNOW ONE DAMN THING ABOUT IT 522 00:29:05,320 --> 00:29:07,790 TILL SHE SAW YOUR PARENTS DEAD. 523 00:29:09,990 --> 00:29:12,820 HOW EVERYONE WAS GOING TO THINK THAT ANYWAY, 524 00:29:12,860 --> 00:29:15,430 SO SHE BETTER STAY IN THAT HOUSE WITH YOU 525 00:29:15,460 --> 00:29:18,830 AND DO EVERY DAMN THING THAT YOU TOLD HER TO, 526 00:29:18,860 --> 00:29:22,300 AND YOU HAD A FEW THINGS IN MIND, DIDN’T YOU, ROG? 527 00:29:22,330 --> 00:29:24,100 A FEW HOOPS YOU WERE GOING 528 00:29:24,140 --> 00:29:28,010 TO PUT SUGAR THROUGH TILL YOU FINALLY KILLED HER, TOO. 529 00:29:28,040 --> 00:29:31,170 OF COURSE, EVEN AFTER, YOU MIGHT NOT HAVE BEEN DONE WITH HER, 530 00:29:31,210 --> 00:29:32,210 RIGHT, ROG? 531 00:29:32,240 --> 00:29:35,480 POSING YOUR PARENTS HOW YOU DID ‐‐ 532 00:29:35,510 --> 00:29:36,980 AFTER YOU KILLED SUGAR 533 00:29:37,020 --> 00:29:41,060 IS WHEN THINGS MIGHT HAVE JUST BEEN GETTING STARTED. 534 00:29:41,090 --> 00:29:42,730 YOU ARE SICK. 535 00:29:42,750 --> 00:29:45,390 YOU ARE SICK FOR KNOWING! 536 00:29:45,420 --> 00:29:48,760 YEAH. YOU WANT TO TELL ME ALL ABOUT IT? 537 00:30:05,440 --> 00:30:08,340 YOUR FRIEND THAT SPOKE WITH YOU EARLIER ‐‐ MR. SUNG? 538 00:30:08,380 --> 00:30:09,510 WHAT ABOUT HIM? 539 00:30:09,550 --> 00:30:11,750 HE’S WAITING FOR YOU IN THE BATHROOM. 540 00:30:25,600 --> 00:30:27,270 WHAT’S THE MATTER, CHARLIE? 541 00:30:27,300 --> 00:30:29,000 SOME JACKPOT NOW, GREG. 542 00:30:29,030 --> 00:30:31,170 EVERY JACKPOT BELL GOING OFF. 543 00:30:31,200 --> 00:30:32,830 THE WHOLE CASINO. 544 00:30:32,870 --> 00:30:34,940 OVER WHAT? 545 00:30:34,970 --> 00:30:37,210 GO TO TOMMY CHOW’S TO TAKE MY MEDICINE, 546 00:30:37,240 --> 00:30:39,070 GIVE UP THIS DOPEY JO CHANG 547 00:30:39,110 --> 00:30:41,510 PROBABLY PARTYING IN MY PLACE ON TOMMY’S MONEY, 548 00:30:41,550 --> 00:30:44,090 TOMMY CHOW’S APARTMENT LOOK LIKE A CYCLONE HIT. 549 00:30:44,120 --> 00:30:46,630 LOOK LIKE MADISON SQUARE DAMN GARDEN. 550 00:30:46,650 --> 00:30:49,520 RANSACKED, OR LIKE VIOLENCE WENT ON? 551 00:30:49,550 --> 00:30:52,720 LIKE A CHINAMAN ROLLED UP IN AN ORIENTAL RUG. 552 00:30:52,760 --> 00:30:55,700 AND YOU’RE MAKING THIS GUY CARRYING ON IN ROOM 1412 553 00:30:55,730 --> 00:30:58,240 A CANDIDATE FOR GRABBING TOMMY CHOW UP? 554 00:30:58,260 --> 00:31:01,900 I MAKE THIS DOPEY JO CHANG ELECTED, GREG ‐‐ 555 00:31:01,930 --> 00:31:03,570 100% OF THE VOTE. 556 00:31:03,600 --> 00:31:06,570 ANYWAYS, I GOT A BASIS NOW FOR GOING OVER THERE. 557 00:31:06,610 --> 00:31:09,050 I’LL SEND A SECTOR CAR BY TOMMY CHOW’S. 558 00:31:09,070 --> 00:31:10,910 NOT OFF MY SAY‐SO. 559 00:31:10,940 --> 00:31:12,910 THE SECTOR CAR WILL MAKE 560 00:31:12,940 --> 00:31:14,910 A ROUTINE STOP AT TOMMY CHOW’S, 561 00:31:14,950 --> 00:31:17,920 AND I’LL GO OVER TO THE HOTEL WITH YOU. RELAX, CHARLIE. 562 00:31:17,950 --> 00:31:20,250 YEAH, RELAX. 563 00:31:20,280 --> 00:31:22,050 CHARLIE SUNG ‐‐ VICE PRESIDENTIAL 564 00:31:22,090 --> 00:31:24,600 RUNNING MATE FOR DOPEY JO CHANG. 565 00:31:24,620 --> 00:31:28,590 THE BALLS‐IN‐THE‐VISE DAMN POLITICAL PARTY. 566 00:31:28,630 --> 00:31:30,040 COME ON. 567 00:31:33,030 --> 00:31:36,830 JUST LET ME GO DRUM UP MY PARTNER. 568 00:31:39,040 --> 00:31:41,480 YOU KNOW WHAT JOHN IRVIN, OUR P. A. A., 569 00:31:41,510 --> 00:31:43,580 HAS IN HIS DESK DRAWER, CHARLIE, 570 00:31:43,610 --> 00:31:47,310 THAT MIGHT VERY MUCH BE OF INTEREST TO YOU JUST NOW? 571 00:31:47,350 --> 00:31:50,190 A MINIATURE ZEN ROCK GARDEN. 572 00:31:50,210 --> 00:31:51,680 OH, YEAH? 573 00:31:51,720 --> 00:31:54,160 YES. 574 00:31:54,190 --> 00:31:55,690 WITH A TINY RAKE 575 00:31:55,720 --> 00:31:58,150 YOU RAKE THE GARDEN SAND WITH. 576 00:31:58,190 --> 00:32:00,520 IT BRINGS YOU HARMONY 577 00:32:00,560 --> 00:32:02,820 WHEN YOU’RE ALL WROUGHT UP. 578 00:32:02,860 --> 00:32:07,160 GREG, WE GOING OVER TO MY PLACE OR WHAT? 579 00:32:07,200 --> 00:32:09,060 YEAH. I’LL JUST GO GET BALDWIN. 580 00:32:10,640 --> 00:32:13,540 I’M SURE IT’S A NICE GARDEN. 581 00:32:13,570 --> 00:32:17,340 TH‐THEY’RE NOT FOR EVERYONE. 582 00:32:21,550 --> 00:32:23,190 [ KNOCK ON DOOR ] 583 00:32:23,210 --> 00:32:25,510 CHARLIE, YOU DON’T COME IN STILL? 584 00:32:25,550 --> 00:32:27,650 I’LL COME IN, JOEY. MY FRIEND GREG. 585 00:32:27,690 --> 00:32:28,660 OKAY, GREG. 586 00:32:28,690 --> 00:32:30,200 MY FRIEND BALDWIN. 587 00:32:30,220 --> 00:32:31,190 OKAY, BALDWIN. 588 00:32:31,220 --> 00:32:32,390 OKAY, JOEY. 589 00:32:32,420 --> 00:32:35,290 PAINT TOENAILS ‐‐ GINGER AND KIM. 590 00:32:35,330 --> 00:32:36,900 HELLO, GIRLS. 591 00:32:36,930 --> 00:32:40,300 THIS GREG AND CHARLIE AND BALDWIN. 592 00:32:40,330 --> 00:32:42,200 HELLO, GREG AND CHARLIE. HI, BALDWIN. 593 00:32:42,230 --> 00:32:44,700 YOU WANT TO THROW HUMP, GREG? 594 00:32:44,740 --> 00:32:46,080 I’M GOOD. 595 00:32:46,100 --> 00:32:47,240 TWO MORE, JACUZZI ‐‐ 596 00:32:47,270 --> 00:32:49,870 TIFFY AND GINGER NUMBER TWO. 597 00:32:49,910 --> 00:32:52,410 YOU KNOW, I THINK MAYBE THEY SHOULD COME OUT ‐‐ 598 00:32:52,440 --> 00:32:54,240 TIFFY AND GINGER NUMBER TWO. 599 00:32:54,280 --> 00:32:55,580 I’LL BE IN THE JACUZZI. 600 00:32:55,610 --> 00:32:57,250 THROW HUMP ANYONE YOU WANT. 601 00:32:57,280 --> 00:33:01,250 WHY DON’T WE SIT DOWN HERE AND GET OUR BEARINGS, JOEY? 602 00:33:01,290 --> 00:33:04,930 [ SPEAKS CHINESE ] 603 00:33:04,960 --> 00:33:07,170 I PAY FOR ALL REPAIR, CHARLIE. 604 00:33:07,190 --> 00:33:08,590 $500 FOR CIGARETTE BURN. 605 00:33:08,630 --> 00:33:10,440 I DON’T SMOKE, GREG. 606 00:33:10,460 --> 00:33:13,060 YEAH, WELL, THAT’S ONE VICE YOU DON’T HAVE. 607 00:33:14,930 --> 00:33:17,900 NEW SHOOTER, GIRLS. WANT TO COME OUT A SEC? 608 00:33:17,940 --> 00:33:20,450 YOU WANT TO HELP ME WORK THIS NOZZLE? 609 00:33:20,470 --> 00:33:22,400 NO. DON’T GET SMART WITH ME. COME ON OUT. 610 00:33:22,440 --> 00:33:24,070 WHO ARE YOU? 611 00:33:24,110 --> 00:33:26,240 YEAH. USE YOUR IMAGINATION. 612 00:33:26,280 --> 00:33:29,020 IF I USE MY IMAGINATION, YOU’RE COMING INTO THIS TUB. 613 00:33:29,050 --> 00:33:31,120 COME ON. 614 00:33:31,150 --> 00:33:33,750 COME ON. 615 00:33:33,790 --> 00:33:36,290 SON OF A BITCH. [ Speaks Chinese ] 616 00:33:36,320 --> 00:33:38,390 GREG, CIGARETTE BURNS ON THE WURLITZER. 617 00:33:38,420 --> 00:33:39,790 $500 FOR THE WURLITZER. 618 00:33:39,820 --> 00:33:41,790 DID YOU HIT THE LOTTERY, JOEY? 619 00:33:41,830 --> 00:33:44,300 I SEND ALL MONEY HOME. ALL MONEY I EARN. 620 00:33:44,330 --> 00:33:45,960 THIS MONEY, I PARTY. 621 00:33:46,000 --> 00:33:48,870 WHERE THE HELL DID YOU GET THE MONEY, JOEY? 622 00:33:48,900 --> 00:33:51,270 HEY, LOOK, DO YOU MAYBE WANT US TO GO? 623 00:33:51,300 --> 00:33:52,630 MAYBE WE SHOULD ALL GO. 624 00:33:52,670 --> 00:33:55,200 NO, I WANT YOU TO STAY THERE 625 00:33:55,240 --> 00:33:58,110 AND DO EACH OTHER’S TOES AND BE QUIET UNTIL I’M READY. 626 00:33:58,140 --> 00:33:59,310 THIS MONEY I PARTY! 627 00:33:59,340 --> 00:34:01,940 WE SEE HOW YOU PARTY, JOEY. 628 00:34:01,980 --> 00:34:03,650 WHAT’S WORRYING CHARLIE 629 00:34:03,680 --> 00:34:06,480 IS IF YOU DID SOMETHING MAYBE INVOLVING TOMMY CHOW 630 00:34:06,520 --> 00:34:08,830 TO GET THE MONEY THAT YOU’RE PARTYING WITH. 631 00:34:08,850 --> 00:34:10,290 TOMMY CHOW MY BOSS. 632 00:34:10,320 --> 00:34:12,490 YEAH, AND AT PRESENT, HE’S MISSING, 633 00:34:12,520 --> 00:34:15,660 AND IT LOOKS AS IF SOMETHING HAPPENED IN HIS APARTMENT, 634 00:34:15,690 --> 00:34:18,660 AND HERE YOU ARE MAKING WHAT, A FAST $200 A WEEK? 635 00:34:18,700 --> 00:34:21,110 $145 A WEEK, AFTER TRANSPORTATION FEE. 636 00:34:21,130 --> 00:34:24,300 [ SPEAKS CHINESE ] 637 00:34:24,340 --> 00:34:26,110 HE WANTS ME TO TELL YOU 638 00:34:26,140 --> 00:34:28,650 THAT FOR THE FIRST EIGHT YEARS HERE, 639 00:34:28,670 --> 00:34:30,510 THEY TAKE TRANSPORTATION FEE, 640 00:34:30,540 --> 00:34:33,170 LIKE THAT HAS SOMETHING TO DO WITH THE PRICE OF EGGS. 641 00:34:33,210 --> 00:34:35,180 LOOK BAD FOR ME, GREG? 642 00:34:35,210 --> 00:34:36,650 I’M A COP, JOEY. 643 00:34:36,680 --> 00:34:39,350 LET’S SEE IF WE CAN HANDLE THIS. 644 00:34:39,380 --> 00:34:42,150 LOOK BAD. 645 00:34:45,220 --> 00:34:47,590 EASY, JOEY. EASY, EASY. 646 00:34:47,630 --> 00:34:50,200 SON OF A BITCH BASTARD TOMMY CHOW! 647 00:34:50,230 --> 00:34:52,860 NO MORE TRANSPORTATION FEE FOR TOMMY! 648 00:34:52,900 --> 00:34:54,440 AW, BROTHER. 649 00:34:54,470 --> 00:34:56,840 PUT YOUR HANDS BEHIND YOUR HEAD. 650 00:34:56,870 --> 00:34:59,700 SOMEONE COVER THAT UP. 651 00:34:59,740 --> 00:35:01,670 Jo: I’M ARRESTED NOW, I KNOW. 652 00:35:01,710 --> 00:35:03,380 YEAH, NOW YOU’RE ARRESTED. 653 00:35:03,410 --> 00:35:05,420 I HAVE SOME TWO GOOD DAYS, CHARLIE. 654 00:35:25,000 --> 00:35:26,240 AHEM. 655 00:35:29,430 --> 00:35:30,600 EXCUSE ME. 656 00:35:35,670 --> 00:35:38,570 AM I TOO CLOSE? YOU WANT ME TO BACK UP FURTHER? 657 00:35:38,610 --> 00:35:40,680 WHAT DO YOU WANT, DANNY? 658 00:35:40,710 --> 00:35:43,480 I JUST WANTED TO APOLOGIZE 659 00:35:43,510 --> 00:35:46,010 FOR ANY BAD BEHAVIOR I MIGHT HAVE DONE. 660 00:35:46,050 --> 00:35:49,150 YOU STILL IFFY IF ANY OF YOUR BEHAVIOR WAS BAD? 661 00:35:49,190 --> 00:35:51,930 I WANT TO APOLOGIZE. I’M SORRY, YOU KNOW? 662 00:35:51,960 --> 00:35:54,400 MAYBE I COULD BE MORE ELOQUENT OVER DINNER. 663 00:35:54,430 --> 00:35:57,040 NO, I DON’T THINK SO. 664 00:35:57,060 --> 00:35:59,260 NO, HUH? 665 00:35:59,300 --> 00:36:01,610 BUT I’D LIKE TO PICK UP MY CLOTHES. 666 00:36:01,630 --> 00:36:03,230 SURE. OKAY. 667 00:36:03,270 --> 00:36:05,510 MY MOM WOUND UP HATING MY DAD 668 00:36:05,540 --> 00:36:07,850 FOR THE SAME THINGS THAT MADE HER FALL IN LOVE. 669 00:36:07,870 --> 00:36:10,610 I’M NOT GOING TO LET MYSELF GET THAT WAY ABOUT YOU, 670 00:36:10,640 --> 00:36:13,170 BUT I NEED TO GET MY THINGS. 671 00:36:13,210 --> 00:36:14,910 GOOD. 672 00:36:14,950 --> 00:36:17,460 SO MAYBE WE COULD HAVE A FRIENDLY DINNER. 673 00:36:17,480 --> 00:36:19,380 WHY DON’T YOU HAVE IT 674 00:36:19,420 --> 00:36:22,360 WITH WHOEVER YOU SPENT LAST NIGHT WITH? 675 00:36:22,390 --> 00:36:24,200 AH. 676 00:36:24,220 --> 00:36:26,190 ANYWAYS, THAT’LL HAVE TO BE YOU 677 00:36:26,220 --> 00:36:28,260 COMING TO GET YOUR STUFF. 678 00:36:28,290 --> 00:36:30,860 YEAH, I’LL COME WHEN I’M DONE WITH WORK. 679 00:36:30,900 --> 00:36:33,100 WELL, THAT’S GOING TO BE ME ANSWERING THE DOOR. 680 00:36:33,130 --> 00:36:34,900 OKAY. 681 00:36:54,320 --> 00:36:56,220 GOING TO MURDER THE GIRLFRIEND, TOO, 682 00:36:56,250 --> 00:36:57,720 THIS ROGER. 683 00:36:57,760 --> 00:37:01,330 HE HAD A LITTLE DUNGEON SET UP FOR HER UPSTATE. 684 00:37:05,260 --> 00:37:07,000 SORENSON HAPPENED TO SAY 685 00:37:07,030 --> 00:37:10,670 THAT HE FLOPPED ON YOUR SOFA LAST NIGHT. 686 00:37:10,700 --> 00:37:12,670 YEAH. 687 00:37:12,700 --> 00:37:15,840 YOU LET HIM SLEEP HIS LOAD OFF? 688 00:37:15,870 --> 00:37:17,970 HE HAD A LOUSY DAY YESTERDAY. 689 00:37:18,010 --> 00:37:20,980 YOU WERE SOME HELP, 690 00:37:21,010 --> 00:37:24,180 WHERE I‐I JUST GET AGGRAVATED 691 00:37:24,220 --> 00:37:27,190 AND I CAN’T GET THROUGH TO HIS SQUARE‐HEADED THINKING. 692 00:37:27,220 --> 00:37:30,590 YOU FIGURE THE BIG OBSTACLE IS HIS NORWEGIAN HERITAGE. 693 00:37:30,620 --> 00:37:32,890 OR WHATEVER MY PROBLEM IS. 694 00:37:35,490 --> 00:37:38,490 I GOT TO TELL HIM A LITTLE BIT ABOUT BOBBY. 695 00:37:38,530 --> 00:37:40,530 YOU DID? 696 00:37:40,570 --> 00:37:44,080 HE’D NEVER SEEN BOBBY’S PICTURE. 697 00:37:46,170 --> 00:37:50,340 DANNY NEEDS JUST TO LOVE SOMEONE. 698 00:37:50,370 --> 00:37:52,870 THEN EVERYTHING WILL CHANGE FOR HIM. 699 00:37:55,250 --> 00:37:58,260 WELL, THAT’S GOOD YOU HAD THAT OCCASION. 700 00:38:09,060 --> 00:38:10,390 MY PROBLEM ‐‐ 701 00:38:10,430 --> 00:38:12,730 I ONLY KNOW NEW YORK. 702 00:38:12,760 --> 00:38:16,230 YEAH, I’VE NEVER LIVED ANYWHERE ELSE, EITHER. 703 00:38:16,270 --> 00:38:20,080 YOU EVER BEEN TO BILOXI, MISSISSIPPI, GREG? 704 00:38:20,100 --> 00:38:23,400 NO. HAVE YOU? 705 00:38:23,440 --> 00:38:26,240 A GUEST LEFT A CASINO BROCHURE. 706 00:38:26,280 --> 00:38:28,250 THEY DEAL PAI GOW DOWN THERE. 707 00:38:28,280 --> 00:38:29,410 YEAH. 708 00:38:29,450 --> 00:38:31,420 I‐I KNOW YOU’RE QUITE THE ENTHUSIAST 709 00:38:31,450 --> 00:38:34,850 FOR THAT PAI GOW. 710 00:38:34,890 --> 00:38:37,760 ARE YOU SURE IT’S REALLY THAT BAD FOR YOU, CHARLIE, 711 00:38:37,790 --> 00:38:39,720 YOU GOT TO LEAVE TOWN? 712 00:38:39,760 --> 00:38:42,590 TAKE TOMMY CHOW’S TERRITORY, 713 00:38:42,630 --> 00:38:45,270 WHO ARE YOU HANGING BY THEIR THUMBS, GREG? 714 00:38:45,300 --> 00:38:47,740 I GUESS THERE’S A LOGIC TO THAT ‐‐ 715 00:38:47,770 --> 00:38:50,610 THEY WANT TO MAKE A SHOW OF RESPECT. 716 00:38:50,640 --> 00:38:53,610 YOU KNOW, YOU FIGURE YOU’LL CHANGE YOUR LIFE 717 00:38:53,640 --> 00:38:56,400 ONCE YOU GOT EVERYTHING SQUARED AWAY. 718 00:38:56,440 --> 00:39:00,610 ME, I GOT $260,000 TO MY NAME, GREG. 719 00:39:00,650 --> 00:39:04,620 WALK AWAY RIGHT NOW, I GOT $260,000 TO LIVE ON. 720 00:39:04,650 --> 00:39:07,950 WELL, THAT’S SOME KIND OF NEST EGG, ANYWAY, CHARLIE. 721 00:39:07,990 --> 00:39:09,560 I’LL TELL YOU SOMETHING ‐‐ 722 00:39:09,590 --> 00:39:12,790 I PLANNED ON HAVING MORE. 723 00:39:16,460 --> 00:39:18,060 I’M GOING TO GO. 724 00:39:18,100 --> 00:39:19,240 RIGHT NOW? 725 00:39:19,260 --> 00:39:21,700 YOU WANT ME TO TALK MYSELF OUT OF IT, 726 00:39:21,730 --> 00:39:24,470 GO HOME, AND GET STRANGLED? 727 00:39:27,070 --> 00:39:29,270 YOU SHAKE HANDS, GREG. 728 00:39:29,310 --> 00:39:31,250 AW, CHARLIE... 729 00:39:31,280 --> 00:39:32,450 COME ON. 730 00:39:32,480 --> 00:39:34,150 SHAKE HANDS. 731 00:39:34,180 --> 00:39:35,980 SURE. 732 00:39:36,010 --> 00:39:37,580 HA HA. 733 00:39:37,620 --> 00:39:39,930 YOU KNOW, TELL YOU THE TRUTH, 734 00:39:39,950 --> 00:39:43,590 SOMETIMES I IMAGINE JUST HITTING THE ROAD, 735 00:39:43,620 --> 00:39:45,690 SUDDENLY GOING INCOGNITO. 736 00:39:48,430 --> 00:39:50,170 SO LONG, GREG. 737 00:39:50,190 --> 00:39:52,160 SO LONG, CHARLIE. 738 00:39:52,200 --> 00:39:54,740 THANKS FOR EVERYTHING AND GOOD LUCK. 739 00:39:54,770 --> 00:39:57,180 YOU’RE THE LAST GUY I’VE TALKED TO 740 00:39:57,200 --> 00:39:58,830 IN NEW YORK CITY. 741 00:40:35,870 --> 00:40:38,410 YOU DROPPED YOUR SOCK HERE. 742 00:40:42,150 --> 00:40:44,660 I SAW THAT SMILE ON YOUR MUG. 743 00:40:44,680 --> 00:40:47,120 I WAS REMEMBERING MY THREE DAYS IN TERROR 744 00:40:47,150 --> 00:40:49,690 BEFORE I LEFT THESE IN THE CORNER OF YOUR DRAWER. 745 00:40:49,720 --> 00:40:51,990 I WAS GLAD WHEN I SAW THEM HERE. 746 00:40:52,020 --> 00:40:53,820 AFTER YOU FIRST RECOILED IN SHOCK. 747 00:40:57,030 --> 00:40:59,860 I WASN’T WITH NO ONE ELSE LAST NIGHT, MARY. 748 00:40:59,900 --> 00:41:03,360 I GOT DRUNK, FELL OUT AT DIANE RUSSELL’S PLACE. 749 00:41:06,240 --> 00:41:08,750 WHAT, DIANE DIDN’T WANT YOU TO DRIVE? 750 00:41:08,770 --> 00:41:10,740 SHE TOOK YOU HOME FROM MAC’S? 751 00:41:10,780 --> 00:41:13,280 I SLEPT MY LOAD OFF ON HER SOFA. 752 00:41:15,610 --> 00:41:19,250 I KNOW HOW HARD YOU TRY WITH ME. 753 00:41:19,280 --> 00:41:21,750 MY ‐‐ MY EYES ARE OPEN TO THAT. 754 00:41:21,790 --> 00:41:24,260 MY EYES ARE OPEN TO MORE AND MORE 755 00:41:24,290 --> 00:41:25,850 EACH AND EVERY DAY. 756 00:41:27,760 --> 00:41:31,890 PLEASE DON’T GIVE UP ON ME YET. 757 00:41:31,930 --> 00:41:34,460 I DON’T WANT TO GIVE UP ON US. 758 00:41:40,540 --> 00:41:42,500 THE ONE THING IN OUR RELATIONSHIP 759 00:41:42,540 --> 00:41:44,510 IS THAT PACKING AND UNPACKING’S 760 00:41:44,540 --> 00:41:46,110 NO BIG PROBLEM. 54404

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