All language subtitles for Chinas.Artful.Dissident.2019.1080p.WEBRip.x265-RARBG2_English

(shouting)

(siren wailing)

- [Reporter] Only one brave protester

there resists the tanks.

The tanks tried again to move,

and were halted by their lone tormentor.

- [Reporter] Chinese artist,
Badiucao, who disguises himself

out of fear of reprisals
from the Chinese government,

has called on people all over the world

to recreate the image.

- The single biggest, national
security threat is China.

- [Badiucao] This will be a kind of test.

The first time that my
work actually entering

a Chinese territory.

We shall see the reaction
from the Chinese government.

- You've got to make a
decision about the exhibition.

(phone ringing)

- Yeah, what's going on?
- Badi is fucking terrified.

- [Man] I don't know his
name or who he is, so--

- [Danny] No, no, no, no, no, no, no.

And neither do we.

(dramatic music)

(gentle music)

- [Danny] Can I ask you this?

- [Badiucao] No.

- [Danny] So if I asked
you if you were married,

could you answer that question?

- [Badiucao] No.

- [Danny] Where your parents live,

would you be able to tell me?

- [Badiucao] No.

- [Danny] Which university
you studied in Australia?

Could you tell me?
- No.

- [Danny] Why is your identity concealed?

- [Badiucao] It's not
because I want to create

another Banksy.

It's more crucial for me
that I have to protect myself

from the possible hunting
by the Chinese government.

They will not just harm me,

but also the one that I loved, my family.

- [Danny] Are you
confident that the Chinese

authorities don't know who you are?

- [Badiucao] Well, I wish I could say yes,

but the real answer is, I don't know.

(dramatic music)

- [Reporter] Let's go to
China's decision to remove

Presidential term limits
from the Constitution,

allowing Xi Jinping to
remain in power indefinitely.

China correspondent, Bill Burtles.

- [Bill] This does put Xi
Jinping on the same pedestal

as Mao, because it wasn't
just the term limits

that were abolished yesterday.

Xi Jinping's ideology was written

into the National Constitution.

- [Badiucao] It's clear, let's go.

- [Danny] What is the picture you've done?

- [Badiucao] It's showing
how Xi Jinping is going

to be a lifelong leader,
even after he dies.

No free speech, no access to information.

He's cracking down on human
rights lawyers, artists, medias.

With his policy, the whole
of China's moving to this

digital dictatorship,
is expanding overseas

around the world, being
more and more aggressive.

It works pretty well.

Today I don't think
anyone will touch this,

and tomorrow, we'll be ready
for the Chinese students.

Just for the record, this is
PVA glue, so it's non-toxic.

Very environmentally friendly stuff.

(gentle music)

It is the best time when
I contributing myself,

using my art, for that's the
moment that I can be completely

free and forgetting all the
struggle in my daily life.

(bright music)

So normally people think art is about,

generally about cameras, but
in the contemporary sense,

how you get a image to the outside world.

(bright music)

I was in a university in China,

and my friend downloaded a movie,

we just started watching it.

All of a sudden, the movie
turned into a documentary

about Tiananmen massacre.

(shouting)

(siren wailing)

And when we finished it, we are all like frozen

in front of the screen.

And we're looking to each
other, and to be honest,

we don't know what to say.

Our first thought is, "Is it even true?"

(shouting)

(tense music)

- [Reporter] Hospital wards
are running out of space.

- These tanks have just
provided an escort for about

30 troop trucks.

- [Badiucao] I was really
shocked when I found out

the truth of Tiananmen movement.

Shocked that this has been
entirely erased from history.

- [Reporter] And I think
one brave protestor's there,

resist the tanks.

The tanks tried again to move,

and were halted by their lone tormentor.

(tense music)

- [Badiucao] If I imagine
my future in China,

I feel like it's suffocating.

I can't really breathe.

with knowing that my rights,
and my freedom will be eaten

away by society like that.

That was the moment I
realized I had to leave China

if I wanted to live without all this fear.

So in 2009, I moved to Australia.

(bright music)

I became an Australian citizen.

It was the first time I
started to feel I'm a free man,

and I am free to create
artworks about China.

It all started as like a hobby.

(dramatic music)

I'm coming to do an interview,
my name is Badiucao.

I did one piece of street art in Melbourne

that had really bring
the world's attention

to my art career.

- [Woman] If you go
just south of Chinatown,

in Central Melbourne, there
is a little cobbled street,

more of a back alley
really, covered in graffiti.

Nothing particularly unusual about that,

but this year, there was one drawing

that attracted a fair bit of attention.

It showed a man and a
woman, embracing each other.

The man is the late Liu Xiaobo,

a Nobel Laureate and Chinese dissident.

This drawing appeared just
two days before his death.

The woman is his widow, Liu Xia,

who hasn't been seen since his funeral.

The artists behind it
is one of China's most

prolific and provocative cartoonists.

- [Badiucao] Liu Xiaobo is
like Nelson Mandela in China.

He's the leader for the
Tiananmen movement in 1989.

In 2010, he win the Nobel Peace Prize

for his continuing fight
for Chinese democracy.

He couldn't go to the Nobel ceremony,

because he's in prison.

I made my Liu Xiaobo cartoon,
and posted it online,

and make it free for anyone to download

and pasted it on the street.

And it went global after that.

(uplifting music)

And two days after, he passed away.

We just saw a life being
turned off in this brutal way.

And people are not even
allowed to memorize him.

- I now know a bit about you,
and there's a lot I don't

know, I don't know your real
name, I don't know your age,

I don't know where your
family are et cetera.

But I know obviously, I know who you are.

- [Badiucao] Yeah.

- How many other people in
Melbourne know who you are?

- [Badiucao] I'd say probably no-one.

(gentle piano music)

It's too hard to use Twitter now.

Hey.
- How are you doing?

- I'm good, sorry, I can't
really see well, but--

- Let me introduce you,
Kal, this is Badiucao.

- Badiucao, Kal.
- Very nice to meet you.

- Nice to meet you, how are you?

- [Badiucao] I'm good.

Wow.
- It's a copy of my,

- That's fantastic.
- My book, 35 years.

Did you ever meet any of the
cartoonists on the strip?

- [Badiucao] Not really,
I've been very cautious about

meeting people.
- Yes, of course.

- [Badiucao] On the other
hand, I do want you know,

to make friends, it's very important.

Even here, I can't show you my face.

That's really the
difficulty that I'm facing.

- Of course, yeah, of course.

The changes that I would like
to see both in our society,

and in other societies
won't happen in my lifetime.

The best you can do is put
the seeds in the ground,

for it to possibly to happen later.

And that's the best you can do.

- So welcome to my two guests today,

I'm Rosie Blau, I'm the editor of 1843.

So Badiucao is a political
artist from China.

Badiucao now lives in exile,
but as we'll talk about,

his subversive work still
circulates in China.

Who do you really want to
be seeing your cartoons?

- All my work is, basically
it has no copyrights.

So everybody is welcome
to download and share

in their individual level.

So a lot of people on Twitter
actually download my work,

and repost it inside of China,

on social media like WeChat.

But obviously, it will
be deleted very soon,

and sometimes they're facing
a very hard consequence,

like their account can be suspended,

they can be invited to the
police station to drink tea.

(audience laughs)

- You keep harking back,
particularly to 1989

and Tiananmen Square.

Explain to us why you
think it's so important

to keep putting those
images in front of people.

- The image that I wanna
use more is the tank man.

For me, it's really a symbol, a totem,

for the Chinese dissident.

That I think, is something
that China needs.

It's something that I personally need.

- Have you drawn a
cartoon that you regret,

or that you now consider a mistake?

- [Badiucao] Yeah, all the time.

(audience laughs)

(bright music)

I'm actually (mumbles).
- Oh, you are?

(speaking foreign language)

- [Badiucao] It was a very
fast talk, quick talk.

I feel like I could go
for another hour in there.

- Single biggest national
security threat is China.

- This is the reality of
President Xi Jinping's China.

And they don't want the
rest of the world to see.

- [Reporter] China is running
a well-organized network

of internment camps.

- [Reporter] Some say gulags,
and they're growing fast.

- [Reporter] Rewards for good behavior

and punishments for bad.

The world's first digital dictatorship.

(tense music)

- [Badiucao] Freshly delivered
cartoon for the first time.

- I know!
- Right.

- [Woman] Hand delivered
for the first time.

- [Badiucao] The real
sense of meeting my editor.

(laughing)

- [Xiao] But I want to show

you something now.
- Sure, that'll be great.

- So we are monitoring the
great firewall's technology

and the content they block.

We all know that Tiananmen
massacre happened 29 years ago,

is the most taboo for
the Chinese authority.

In this list, you will see
that great firewall blocked

31 Tiananmen related keyword phrases.

So, it's not only just the
Tiananmen June 4th 1989,

the words you cannot use.

In the past years, at
the night of June 4th,

even the people say today,
that very word today,

is being blocked.

Why?

Because if you search the word today,

the search results will show people

actually talking about the events.

Your work is a typical what we call,

the resistance discourse
that hit very hard

on the Chinese regime.

On their legitimacy, on their hypocrisy,

belongs to the category
that the Chinese sensor

wants to delete the most.

(tense music)

- We, as Australians
living in a free society,

should not allow ourselves
to be bullied into silence,

by an autocratic foreign power.

- [Badiucao] This particular
news just popping out,

I think it's crucially important.

Again, reflecting the
situation of free speech

in Australia, that they
compromise about China.

So in this cartoon, I'm
going to bring the koala

as the symbol for
Australia, but also panda,

the symbol for China.

Just imagine there's a huge panda,

holding a branch and it
is going to transform

a little koala into a panda like,

it will be good to print it out,

and actually put it on
the street in Melbourne.

(dynamic music)

The reason why I'm trying
to do the paste up,

instead of using the spray
can to do it publicly,

it's because it will take longer,

and it means I'll have to take more risk.

(tense music)

(dramatic music)

Being an artist like
this is also a journey

to discovering my courage.

The more you do, the more
dangerous it could be.

But also the braver you become.

(dramatic music)

- [Danny] What you reading, buddy?

- [Badiucao] I'm reading
President Xi Jinping's

Governance of China.

It's a book that probably
most of the Chinese

have to have and read.

It's a new version of
Mao's Little Red Book,

it's the big white book here.

- Are you afraid of him?

- [Badiucao] I don't think he's a man

with any moral compass, so
that's why he's dangerous.

- It looks like on the picture,
like a nice enough guy.

- [Badiucao] Yeah, over Photoshopped.

Nice skin.

I can't stop imagine
his face being replaced

by Winnie The Pooh.

(playful music)

(tense music)

We just find that the mailbox is our art.

- [Danny] Just your mailbox?

- [Badiucao] Yeah, just my mailbox.

- [Danny] And did that
have your real name on?

- [Badiucao] Yeah.

- So you're pretty worried by that?

- [Badiucao] Yeah.

- [Danny] Do you feel safe?

- [Badiucao] It's never,
it's never how I feel.

I've received life threatening
messages over the internet.

- [Danny] Do you think these are China

government employees?
- Yep.

(tense music)

I'm worried that my art
will put me and the people

I know into danger.

But I'm also worried that
if I choose to be silent,

and live a comfortable life,

I will regret in the rest of my life.

- [Danny] How much of an issue then,

is this in your own family dynamic?

- I guess, I don't want
to talk about my family.

I'm now working on my first
solo exhibition in Hong Kong.

It is really exciting,
because it's the first time

I can get my work back to China.

- [Danny] So how much of a
risk are you prepared to take

for your art?

- I think for the Hong Kong
show, there will be the biggest

risk I ever take.

(tense music)

Tiger Chair is a nickname
for a torture chair

that has been widely used
in the Chinese police force.

So this work is just simply,

me buying this chair from
China, and moving to Hong Kong.

There are those who sell wooden ones.

If you wanted more fancy,
you can buy a leather one.

It's like a Walmart in hell.

So that's the poster.

Jinping's face combined with the current

leader of Hong Kong.
- Yes.

- She's a woman.
- I mean no-one's

gonna be confused about what
you're on about, are they?

- [Badiucao] I hope they don't.

- It's kind of asking for trouble.

(tense music)

Are you worried about
reports about Chinese

spying in Australia?

- [Badiucao] Yeah, it
means anyone in Australia

can be a target.

And I don't particularly
feel safe as before.

I've also been offered a job for working

with Xiaowei Wei in his studio.

So, I've made a decision
to leave Australia.

With everything going on,

I'm relieved I've been
offered this job in Berlin.

(dramatic music)

- Safe, good luck.

(gentle music)

(gentle music)

- These are all materials
that are starting to arrive

for the Hong Kong exhibition.

- [Badiucao] Yep.

This is like my treasure box.

Christmas time.

- [Danny] So this is your
Liu Xiaobo/Lui Xia cartoon?

- [Badiucao] Yep.

- [Danny] He was the
leader of Tiananmen Square,

right, Liu Xiaobo?

- [Badiucao] Yeah, he was
one of the main leaders

of Tiananmen Square.

(tense music)

The light is also a metaphor,
the very gesture of putting

a light on in the dark.

- So do you wanna continue
doing art about them?

I mean, obviously he's dead,
she's under house arrest.

- [Badiucao] Yeah, absolutely.

To me, an aspect of my
artwork is a way to record

the history and that's important because

what Chinese government are doing is that

they rewrite the history
for their benefit.

And that's a betrayal of its people.

(tense music)

- [Danny] This is your first
exhibition as well, right?

- [Badiucao] Yeah, it's gonna
be my first solo exhibition.

This will be a kind of test,
a first time that my work

actually entering a Chinese territory.

We shall see the reaction
from the Chinese government.

- [Danny] So these are also
for the Hong Kong exhibition?

- [Badiucao] They are.

- [Danny] Here is the tank
from Tiananmen Square.

- [Badiucao] Yeah,
that's the tank man here.

Though there are also tank men there,

these are the young
generation of the tank men,

that carry on the spirit.

- [Danny] What about you?

Are you in the spirit of tank man?

- [Badiucao] I think I'm
definitely one of the young

people on the tank at the moment.

Actually have a tank man tattoo on my arm.

I put it on my right
arm that I use to draw

as a reminder.

I hope I can have his courage.

- [Danny] If you could go
tomorrow and tell your family,

I am the artist, Badiucao.

- [Badiucao] I hope they'll understand me.

Because, according to our family history,

this is not a new thing.

My grandparents, they
are the first generation

of the shoemaker in China,
back in 40's and 50's.

He get into trouble during the
anti-intellectual movement.

He was sent to a rural
concentration camp, and died there.

Oh, come on.

(tense music)

We learn how the AI is
recognized the face,

the structure of the eyes, nose and mouth.

We're gonna cover my nose and
mouth completely from my mask,

so I need to stitch them together.

- [Danny] There's a bit of a
metaphor in what you're doing.

I mean, how far is this gonna go, right?

First you had a mask.

And now you've got rid
of the mouth and nose,

now you got a mask with no mouth and nose.

- Yep.
- Are you then gonna

have to have a mask without eyes?

- Yeah.
- And then is there

gonna be a technology
that can take the shape

of the head of the mask?

I mean--
- Yeah, possibly.

- [Danny] You should
probably feel more secure,

but how are you gonna breathe in there?

- [Badiucao] I can still
breathe, 'cause this is like

swimming suit material.

But, it's just gonna be warm.

Is it just very close shot?

- [Danny] Too close for you?

- [Badiucao] Yeah, I don't
know, I feel like it's all

on my face.

The idea of delivering
works in the real world

always interest me, so by
just being in companies

and drawing behind square
and posting things online,

is basically just not enough for me.

Tomorrow will be the anniversary
for the Tiananmen massacre

and I am going to introduce
the TankMen performance.

And not just me, but also
there are a lot of volunteers,

activists, or normal people
are doing a performance

all around the world.

Spray painting the plinth into white.

They tell me it's artwork.

So this is the website page
for the TankMen performance.

It is clearly listing
when you should do it,

where you should do it,
what do you need to wear,

and successful performance
is not just about the action

in the real world.

We're also the poster and
sharing after the performance.

I designed the hashtag for it,

because hashtag is very
important for people who want

to search the similar topic.

(gentle music)

The whole formula of the
performance is really simple.

The people cosplay the tank man from 1989.

All they need to do is
just dress up like him,

with a white shirt, black
pants, and black shoes.

And they also need to holding two bags.

And that's it.

- [Danny] Have you not ironed before?

- [Badiucao] Nope.

In real life, I'm not really a shirt guy.

- [Danny] Do you wish Tank
Man had worn a T-shirt?

- [Badiucao] Yeah.

(gentle music)

- [Reporter] It was an iconic
symbol of resistance in China.

An unknown man with a shopping
bag, standing in front

of several tanks in Tiananmen Square.

On the 29th anniversary of the massacre,

Chinese artist, Badiucao
who disguises himself

out of fear of reprisals
from the Chinese government,

has called on people all over the world

to recreate the image,
using the hashtag, #tankman.

- [Badiucao] Come here, I'll
tell you why I'm doing it.

Thank you so much.

- [Danny] They're standing on your plinth.

- [Badiucao] That's how absurd this is.

- [Danny] Yes, the 29th anniversary.

- Oh.

- [Danny] Of Tiananmen Square.

- Tiananmen Square?
- Yeah.

- Tiananmen?
- Yeah.

(speaking foreign language)

Yeah, yeah, yeah.

- Why are you there?

- [Danny] It's a protest.

- I can't understand why
you should do something

like that here.

And it is not allowed
to take picture, okay?

I protest.

(dramatic music)

- [Badiucao] Oh, this is one
of the former student leader

from 1989 doing the performance.

He was on the 5th of wanted list in 1989.

- So he was the 5th most
wanted person in China in 1989?

- [Badiucao] They had a list.

- [Danny] So why is he standing there,

and his face is fully exposed?

You're sitting here, and
you can't even breathe.

- [Badiucao] He is one
of the most wanted men.

Really, for 29 years.

You tell me.

(gentle music)

I have kept so much within,
that I can't share everything

with the one that I'm close
to, because it's dangerous.

So in that sense, I'm really lonely.

I do feel quite depressed time to time.

But fortunately art is a
method to rescue myself.

- So let's call Tom about Hong Kong,

'cause I've got a few
concerns about Hong Kong.

- [Badiucao] Hey Tom, how are you?

- Hey, how are you?
- I'm -

- [Tom] - hear your voice
after all these years.

(laughing)

- [Danny] Have you guys
ever spoken before?

- [Tom] No, I have no idea
what he looks like even,

let alone name or anything.

So suitably mysterious to me and the team.

- How is this gonna work?

Are you announcing in advance,

that Badi's gonna be there or?

- [Tom] Well we certainly I
think in the next fortnight

need to start getting out
a poster, event stuff.

- [Badiucao] I think
personally I would feel

more comfortable that
there's no pre-announcement

that I will actually--

- [Tom] In Hong Kong?

- [Badiucao] Yeah, yeah.

- How risky is it for
us to come to Hong Kong?

- [Tom] Had you been
going to the mainland,

I would be like... but you know,
you're coming to Hong Kong,

and I don't think there's
anything to be concerned about.

- The Chinese authorities say Liu Xia

is a free woman.

This is what happens when
you try to visit her.

There is no need for that!

We've been trying to
get to Liu Xia's home,

which is where she has been held

under what amounts to house
arrest for the last seven years,

despite never herself being convicted

or even accused of any crime.

(gentle music)

- [Badiucao] She has been through hell.

And at this moment, I think
she needs more attention

from the world.

(gentle music)

I did a body of the post
called "Who is Liu Xia"

which is modifying seven
of the very famous painting

In the history, they're
all featuring female.

And my plan is to hold it
side by side against original.

(bright music)

- Hey welcome, Badiucao.

- Now I have my tank woman and tank man.

- Yes! (laughing)

What I really like in your
campaigns is that you always

make it very like, DIY for anyone to use.

Like, the street art thing
that you show with paste art,

it was just amazing, I had nothing to do,

I just need to print
and cut and that's it,

like you even gave the
recipe for the glue.

- You will be getting inside the museum

on another aisle, and
so you will have to walk

a little bit more to get to Mona Lisa.

- We can see you getting changed?

Or can we not see?

- [Badiucao] No.

- 'Cause the identifying
of your body, basically?

- [Badiucao] Yeah, I worry about Chinese

seeing parts of my body.
- Okay, all right, fine.

So...

- [Badiucao] Well what we
can do, is if we just focus

on leg, then you can see
the dress dropping off.

- Yeah, or going over the head.

- [Badiucao] It won't go over the head,

because it will make my--

- Over the shoulders, coming over, okay?

(dynamic music)

- [Badiucao] Would it be
too weird to wear a hat

in the museum?

(upbeat music)

- [Badiucao] Doing
performance art is basically

A new experiment field for me.

It definitely brings
more challenge for me,

because it force me to
actually enter a public space

and show in front of people.

(crowd chattering)

- Hey, hey, hey, hey,
hey, what's happened?

What's happened?

Hey, hey, hey!

Move!

Okay, move, move, move, move!

(speaking foreign language)

Don't picture of that, okay!

Move, move.

Move, move.

That's enough.

(tense music)

(gentle music)

- [Badiucao] Hi, are you Ursula?

- Yes.
- Yes, nice to meet you.

- Hi.

- [Badiucao] I'm Badiucao.

- Hello.

- [Danny] Do you think
the Chinese authorities

know who he his?

- They know everyone now.

This is the hugest height
I think dictatorship

of the 21st century.

We were speaking about going to Hong Kong

to participate in some artistic things,

and I'm not sure that
Hong Kong is safe anymore.

Because some people were abducted

from Hong Kong by the Chinese government.

(bell rings)

♪ Jump jive shooby-doo-wap ba-da-koo-ka ♪

♪ Jump jive scooby dooby ♪

♪ Jump jive shooby-doo-wap ba-da-koo-ka ♪

♪ Jump jive scooby dooby ♪

♪ Jump jive shooby dooby doo-wap ♪

♪ Jive shooby-doo-wap ♪

♪ Jive shooby-doo-wap ba-da-koo-ka ♪

♪ Jive scooby dooby ♪

♪ Jive shooby-doo-wap ♪

(shouting)

(speaking foreign language)

(gentle music)

(tense music)

(gentle music)

(dramatic music)

- Hong Kong free press,
free expression week.

[Badiucao] Here so far we have BBC, Vice,

Time Magazine, AFP,
South China Morning Post,

which is Hong Kong media as well.

- The response to it has been phenomenal.

And Gongle means, remind me?

Oh, song of the Communist Party.

So it's a play on words.

Why did they say he came up on some list?

And we couldn't insure him?

- You're on the naughty list.
- Yeah, they did say that

you came up on the list.
- What list?

- Your artist name came up
on one of the insurance lists

as someone who shouldn't be insured.

- [Badiucao] So who are the other guys?

Superman or Batman?

(laughing)

What's the naughty list?
- I don't know,

but you're on it.

- All right, I spoke this morning

to a lawyer consultant and he specializes

in high risk filming scenarios.

With the media released out there,

and the show known, it's a big sign,

"Come and get me."

- [Badiucao] Anything around the location,

or any time around the time, is high risk.

- Correct.
- 'Cause that's the open

information, that's where the
authority will be looking at.

- If they wanna come in, they can come in.

They do that, they go in,
they just take people.

Two big questions, do you one,

personally have to set up the exhibition?

And two, do you have to
be at the exhibition?

- [Badiucao] I wanna go, of course.

I mean, after all, I'm the artist,

and this is what my work is for.

- It's a matter of how much of a risk

you're prepared to take.

- [Badiucao] Can I
share something private?

- Yep.

Kill the sound.

You turned off sound?

(tense music)

That's a game changer for you.

- Yeah.
- Everything changes

for you then?
- Yeah, yeah.

(phone ringing)

- Hello?
- Hey Tom,

it's Danny and Badi.

Listen, there's something
that we can't go into now

over the phone, but how
do we put this Badi?

(tense music)

- [Badiucao] There is a
possibility that my identity

has been compromised in a way.

- [Tom] Like, in recent weeks, or?

- Yeah.
- Somehow.

- Yeah.
- I see.

- [Badiucao] So I just have
to reevaluate the whole risk

of being in Hong Kong.

- [Tom] Explicit threats or something?

This isn't China, first off.

At the very maximum, someone would be sent

to check it out, or to
take photos, that's all.

- [Badiucao] The concern
is that the possible

compromised information
is not the entire one.

- [Tom] You mean your entire name?

- [Badiucao] Yeah, they
have a piece of information

and it's not complete.
- Yeah.

- [Badiucao] My entry might just complete

the puzzle for them.

- [Danny] So what, you made
like one mistake, potentially?

- Yeah.
- And that could

tell them everything.
- Yeah.

- [Reporter] There's another
worrisome development

in Hong Kong, critics of
the Communist authorities

have been getting abducted,
this in a city where people

are supposed to be able to
freely speak their minds.

(tense music)

- [Badiucao] I don't have the
desire to prove I'm a hero.

I'm probably the most coward people

you'll meet in your life.

That's why I'm doing all the precautions.

And I think being aware
of encouraging more people

to act like me, it's okay to be a coward.

Of course, everybody
likes people being brave,

but what is more realistic
is people can be coward

if they still make a change.

- So what's the latest Badi?

- I've just decide that
it will be too risky

to go Hong Kong for the show.

- [Danny] Are you really disappointed?

- [Badiucao] Yeah, it's like
you have a new born baby

but you're not allowed to see him or her.

- [Danny] So just practically speaking,

you're going to be directing
the setup virtually, right?

- Yeah.
- I'll be filming

the setup in Hong Kong.
- Yeah.

(gentle music)

(phone ringing)

- Hello?
- Hi, it's Raph.

Badi is fucking terrified.

They've managed to find
his number and call him.

- [Danny] Oh God.

- [Raphael] He's on his way here now.

- [Danny] Call me when he gets to you,

and we'll just, I've
got, I've got, oh God.

(phone ringing)

Yeah, what's going on?

- [Badiucao] So okay, they know who I am,

they contact my family.

They want me to call out the show.

Otherwise they will do something to me

and to my family.

They find my fucking family,

to prove they know who I am.

- [Danny] Fuck.

Let me speak to Tom, and
let me call you back.

- [Badiucao] Do safe
way, be cautious, okay?

- [Danny] I will, I will, okay, okay, bye.

- [Badiucao] Yeah, bye.

(phone ringing)

- [Danny] Tom?

- Yes.
- Okay, listen,

some bad stuff has happened.

Badi got a call, police went
to family of his in China,

and to get the message
to close the exhibition,

not to go ahead with the exhibition.

- [Tom] God.

I mean am I safe saying that like,

this has nothing to do with this event?

That his identity was blown?

- I've got no idea.
- 'Cause I don't know his name

or who he is, I would never--

- [Danny] No, no, no, no,
no, no, no and neither do we.

- [Tom] Fuck sake.

(tense music)

(phone ringing)

- [Danny] Badi?

- Yeah.
- How are your family?

- [Badiucao] Not well.

Need get them out, but it's impossible.

- [Danny] Just call me when
you're up in the morning.

- [Badiucao] I don't
think I'm gonna sleep man.

- [Danny] I'm so sorry, Badi.

I'm so sorry.

(tense music)

- How you going?
- How are you doing?

- Good, good to meet.

Tell you what, this whole
experience is great for paranoia.

- Yeah, I feel a little bit naive now.

(sighs)

- [Badiucao] Yeah.

I don't even know if
this is still necessary.

- [Raphael] Well maybe
just stick with the beanie.

- [Badiucao] I mean, it's
like, they know me now.

Yeah, so what's the purpose to hide?

So, obviously this is a
really awful decision.

Yeah, I'm just thinking about living.

Now I just need to focus on
how to get them out of there.

- It's dark, you know, in here,

so this is gonna be the
stage with the projection.

- It's ideal, yeah.
- That's the torture chair,

the tiger chair.

(sighs)

- [Badiucao] This is
life changing situation.

- And how are you feeling
about the fact that Badiucao

is an artist who's
potentially going on hiatus?

Or is he dead?

- [Badiucao] To be honest,
I can't think of that.

It will drag me to the abyss.

- This is them.
- Okay.

Well, I mean, Ai Weiwei
has told him he thinks

he should reveal himself.

- Does Ai Weiwei have family back home?

- I don't know, it's also
easier once you've been

in the gulag in China,
that they know who you are,

they know who everyone is.
- Exactly yeah,

once it's blown, it's blown.

- Hey.
- Hi.

- We should hear from you, 'cause I mean,

what's your inkling?

- [Badiucao] Yeah, I really don't know how

to make this decision.

If I just give up my family,
do I still have a heart?

If I give up myself, do
I still have a heart?

(phone dings)

I just have a new information,

another member of my family
has been reached by police.

- It's really a no-win situation isn't it?

We could cancel the show, and all of this,

but that doesn't mean family
are gonna be just allowed

to swan out and leave.

- It's not possible to get
your family out of China,

between now and tomorrow night.

What are you doing about the exhibition?

(tense music)

You've got to make a decision
about the exhibition.

- [Badiucao] You mean now, or?

- [Tom] You could maybe
get back to us before 12.

- What's the time now?

- 20 past.
- How far away is that?

- 40 minutes.

- [Badiucao] I gotta make a call first.

- A message from my production
manager in Australia.

The second relative was told by the people

who visited that they
would be at the exhibition.

- As in the Chinese authorities?

Right.

Fuck sake.

- Seriously?
- Coming to the exhibition.

- [Badiucao] Now, the only
thing I have or I can work

with is saving my family.

And that's not even in my hand.

I have the decision to
call off the show or not.

That's the part in my hand.

- Okay, so what's our plan?

It's now 20 to 12, and we're
speaking to Badi in 20 minutes.

- Maybe I start filling in the team a bit.

I wondered if I could
have your advice actually

and speak to you in confidence.

(phone ringing)

We wanted some advice from Amnesty,

I don't know if you're the man to do that?

- If he calls it off, well
then, are his family fine?

Or does it make no difference, basically?

- So I wondered how comfortable
RSF is in what you wanna say.

Okay, we'll hear from
you in five minutes ish.

Say that again.

Say that again?

The family visits.

You would cancel?

(dramatic music)

- Are you there?

- Yeah.
- Okay.

- Badi?
- Yep.

- Is Badi there?
- Yeah, I'm here.

- The decision's been taken
out of your hands, Badi.

- With my staff, HKFP and
The Hive involved as well,

and the fact that we've
learnt that there were going

to be some characters showing up tomorrow,

I guess that's it, I'm sorry.

There doesn't seem to
be any other solution,

but you're a very brave man,

and I'm very sorry that
all this has happened.

(gentle music)

We know we're gonna get
a lot of questions right,

and they're gonna be very persistent,

but we have to be very disciplined
to not say anything more.

No staff in the video, sorry.

It's all off, we're about
to have a media shit storm,

'cause the story's gonna be bigger

than if we had just done it.

(dramatic music)

(gentle music)

- [Badiucao] See that, ant.

Trying to carry that.

That's me.

All my family is the orange thing.

I'm trying to moving them out.

That's my epiphany moment.

- [Danny] It's a lot of
load to carry, Badi.

So, I'm recording sound.
- Yeah.

- [Danny] Did you say we
could record picture too?

- [Badiucao] They know me now.

Yeah.

- [Danny] So this is you.

- That's me.

(birds singing)

(gentle music)