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These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:09,000 This programme contains scenes of Repetitive Flashing Images 2 00:00:17,300 --> 00:00:22,340 The natural world is full of colours that we often take for granted. 3 00:00:31,300 --> 00:00:34,820 There are few animals more brilliantly coloured 4 00:00:34,820 --> 00:00:36,700 than these scarlet macaws. 5 00:00:37,940 --> 00:00:41,660 Animals can use colour for all kinds of different reasons 6 00:00:41,660 --> 00:00:46,100 and some have colours that we ourselves can't even see. 7 00:00:48,780 --> 00:00:51,380 But not all colours are what they seem. 8 00:00:53,500 --> 00:00:56,860 Some animals also use colours to hide. 9 00:01:01,580 --> 00:01:03,700 Colours that make them disappear. 10 00:01:05,500 --> 00:01:08,260 Colours that create optical illusions. 11 00:01:09,540 --> 00:01:12,060 And colours that are used 12 00:01:12,060 --> 00:01:13,820 to trick and deceive. 13 00:01:15,580 --> 00:01:17,820 To understand how these colours work, 14 00:01:17,820 --> 00:01:21,060 we need to see them from an animal's perspective. 15 00:01:23,140 --> 00:01:28,140 With the help of our specialist cameras, we can now do that... 16 00:01:31,260 --> 00:01:36,300 ..and discover how some animals have become masters of disguise. 17 00:02:04,140 --> 00:02:09,580 The Indian subcontinent is home to some truly spectacular animals. 18 00:02:20,180 --> 00:02:26,300 Most, like these peafowl, use colour to attract attention and the kinds 19 00:02:26,300 --> 00:02:30,340 they've developed are influenced by the way they see the world. 20 00:02:34,420 --> 00:02:38,900 But flashy colours can also come at a cost, 21 00:02:38,900 --> 00:02:42,900 and, sometimes, it's better to remain out of sight. 22 00:02:48,460 --> 00:02:52,060 So, some animals use their colours to help them hide 23 00:02:52,060 --> 00:02:53,900 and disappear into the background. 24 00:03:01,060 --> 00:03:05,460 One such animal lives here in the forests of central India. 25 00:03:07,860 --> 00:03:10,740 It's one of the most formidable hunters on Earth. 26 00:03:13,300 --> 00:03:14,820 A Bengal tiger. 27 00:03:14,820 --> 00:03:16,420 A female. 28 00:03:19,060 --> 00:03:21,980 She is one of the world's biggest cats. 29 00:03:21,980 --> 00:03:24,580 And remaining out of sight is not easy 30 00:03:24,580 --> 00:03:26,900 when you are as large as she is. 31 00:03:31,220 --> 00:03:35,100 Her orange and black coat is crucial to her success. 32 00:03:38,620 --> 00:03:41,260 To have any chance of catching a meal, 33 00:03:41,260 --> 00:03:45,060 she has to get to within a few metres of her prey. 34 00:04:06,300 --> 00:04:08,740 She keeps to the cover of the trees 35 00:04:08,740 --> 00:04:11,020 and slowly makes her approach. 36 00:04:17,220 --> 00:04:20,620 She may appear conspicuous to our eyes, 37 00:04:20,620 --> 00:04:23,740 but not so to these chital deer. 38 00:04:27,300 --> 00:04:31,940 Chital have only two types of colour receptors in their eyes, 39 00:04:31,940 --> 00:04:36,860 compared to our three, which means that they are, effectively, 40 00:04:36,860 --> 00:04:39,260 blind to red and orange. 41 00:04:43,180 --> 00:04:46,500 So, to the deer, the tiger isn't orange at all. 42 00:04:50,660 --> 00:04:53,300 This is how we see world... 43 00:04:55,700 --> 00:04:57,980 ..and this is how deer do. 44 00:05:00,100 --> 00:05:05,500 The tiger's orange coat to them is a muted shade of green, 45 00:05:05,500 --> 00:05:09,180 so it's nearly impossible for the deer to register. 46 00:05:20,060 --> 00:05:21,780 She creeps closer. 47 00:05:30,060 --> 00:05:32,500 The chital don't see her. 48 00:05:51,140 --> 00:05:55,060 The odds appear stacked in the tiger's favour. 49 00:06:03,420 --> 00:06:06,260 But the deer aren't entirely defenceless. 50 00:06:09,140 --> 00:06:12,140 They have help from an unusual ally. 51 00:06:13,820 --> 00:06:16,100 Langur monkeys. 52 00:06:16,100 --> 00:06:19,700 They are known as "the eyes of the forest" 53 00:06:19,700 --> 00:06:22,060 and their colour vision is excellent. 54 00:06:31,340 --> 00:06:35,500 Their eyes, like ours, have three types of colour receptors, 55 00:06:35,500 --> 00:06:37,020 and they can see orange. 56 00:06:44,820 --> 00:06:46,660 MONKEY SCREECHES 57 00:06:46,660 --> 00:06:48,500 SCREECHING ECHOES 58 00:06:54,420 --> 00:06:58,340 The langurs sounded the alarm before she could get close enough. 59 00:07:07,020 --> 00:07:09,820 If the langurs can easily spot her, why, then, 60 00:07:09,820 --> 00:07:12,260 is the tiger orange at all? 61 00:07:12,260 --> 00:07:14,020 Why isn't she green? 62 00:07:16,580 --> 00:07:20,580 That's because mammals are unable to develop green pigments. 63 00:07:21,620 --> 00:07:24,900 So, it seems the next best solution for the tiger is to have 64 00:07:24,900 --> 00:07:28,900 orange fur, which appears green to her main prey. 65 00:07:38,100 --> 00:07:41,500 She will have to find a new target. 66 00:07:49,980 --> 00:07:53,540 Down by the water, she finds one. 67 00:07:53,540 --> 00:07:55,500 Sambar deer. 68 00:07:57,380 --> 00:08:00,380 Sambar don't keep company with monkeys. 69 00:08:00,380 --> 00:08:02,420 They are on their own. 70 00:08:04,300 --> 00:08:08,420 They have the same limited eyesight as the chital 71 00:08:08,420 --> 00:08:11,340 but ears like satellite dishes. 72 00:08:13,020 --> 00:08:15,860 If she treads on a twig and it snaps, 73 00:08:15,860 --> 00:08:19,220 the hunt will be over before it began. 74 00:09:14,300 --> 00:09:16,940 The deer seem to sense danger. 75 00:09:21,780 --> 00:09:23,340 They still can't see her. 76 00:10:12,260 --> 00:10:13,460 WATER SPLASHES 77 00:10:16,300 --> 00:10:19,580 Despite her effective camouflage, 78 00:10:19,580 --> 00:10:21,900 most hunts end like this. 79 00:10:23,420 --> 00:10:27,140 Less than 10% of her attacks are successful. 80 00:10:30,540 --> 00:10:35,260 But, without her orange fur, her chances would be even lower. 81 00:10:35,260 --> 00:10:39,180 It is her colours that are key to her survival. 82 00:10:47,580 --> 00:10:50,420 The Cairngorm Mountains in Scotland. 83 00:10:51,620 --> 00:10:55,100 Here, there are special problems for the hunted. 84 00:10:58,940 --> 00:11:02,980 Some animals have developed camouflage of such perfection 85 00:11:02,980 --> 00:11:07,300 that they are virtually invisible against their surroundings. 86 00:11:07,300 --> 00:11:10,980 But what happens when those surroundings change? 87 00:11:10,980 --> 00:11:14,180 Well, then, of course, the animals have to change, too. 88 00:11:18,260 --> 00:11:21,780 These mountains are home to a particular kind of grouse 89 00:11:21,780 --> 00:11:23,620 called the ptarmigan. 90 00:11:30,020 --> 00:11:32,980 Their mottled brown feathers make them inconspicuous 91 00:11:32,980 --> 00:11:34,500 among the rocks and heather. 92 00:11:39,420 --> 00:11:44,260 But, in winter, these mountains are hard places in which to live. 93 00:11:45,900 --> 00:11:47,300 Temperatures drop, 94 00:11:47,300 --> 00:11:49,220 and the land can, overnight, 95 00:11:49,220 --> 00:11:51,340 be covered by a blanket of snow. 96 00:11:53,700 --> 00:11:58,260 Most birds by now have gone south to warmer parts of the world. 97 00:11:58,260 --> 00:12:00,660 But not the ptarmigan. 98 00:12:02,380 --> 00:12:06,420 When winter comes, they undergo the most extraordinary change. 99 00:12:07,940 --> 00:12:12,900 They replace their brown feathers with pure white ones. 100 00:12:15,900 --> 00:12:19,580 They do so for a simple reason - 101 00:12:19,580 --> 00:12:21,820 they must go unnoticed. 102 00:12:21,820 --> 00:12:23,660 They need to hide. 103 00:12:28,620 --> 00:12:31,220 This open habitat makes the ptarmigan 104 00:12:31,220 --> 00:12:33,420 very vulnerable to predators. 105 00:12:37,060 --> 00:12:39,220 Being the right colour is crucial. 106 00:12:40,740 --> 00:12:44,980 Now they are invisible even to a keen-eyed eagle. 107 00:12:49,300 --> 00:12:53,500 Ptarmigan are not the only animals to use this disappearing act. 108 00:12:58,580 --> 00:13:00,460 So does the Arctic fox... 109 00:13:02,060 --> 00:13:03,260 ..snowshoe hares... 110 00:13:04,300 --> 00:13:05,740 ..and weasels. 111 00:13:05,740 --> 00:13:10,220 All, with the coming of winter, change their coats 112 00:13:10,220 --> 00:13:12,060 and vanish from sight. 113 00:13:15,700 --> 00:13:20,540 Their transformation is triggered by the decreasing daylight, 114 00:13:20,540 --> 00:13:22,420 and, over several weeks, 115 00:13:22,420 --> 00:13:26,100 they replace their brown costumes with white ones. 116 00:13:38,180 --> 00:13:42,580 So, changing colour with the seasons, for some animals, 117 00:13:42,580 --> 00:13:45,940 is the only way to avoid becoming a meal. 118 00:13:51,860 --> 00:13:55,020 But many plants, of course, do the reverse. 119 00:13:58,340 --> 00:14:01,380 In spring, they produce colour 120 00:14:01,380 --> 00:14:05,260 to declare that they are providing food - nectar. 121 00:14:07,300 --> 00:14:09,820 Bees, and many other insects, love it. 122 00:14:11,900 --> 00:14:15,540 In spring and summer, they travel busily from flower to flower, 123 00:14:15,540 --> 00:14:16,980 collecting it. 124 00:14:18,380 --> 00:14:22,500 And, when the bees leave to look for more, they inadvertently take pollen 125 00:14:22,500 --> 00:14:24,500 with them which then fertilises 126 00:14:24,500 --> 00:14:26,780 the next flowers they visit. 127 00:14:29,020 --> 00:14:32,700 But there's a hunter here that exploits this relationship. 128 00:14:34,660 --> 00:14:36,300 A crab spider. 129 00:14:39,940 --> 00:14:41,180 She's tiny, 130 00:14:41,180 --> 00:14:43,780 no bigger than a fingernail, 131 00:14:43,780 --> 00:14:45,980 and she is waiting for her prey. 132 00:14:47,380 --> 00:14:48,500 BUZZING 133 00:14:51,660 --> 00:14:55,140 Almost the same colour as her background, 134 00:14:55,140 --> 00:14:57,020 she's virtually invisible. 135 00:15:19,020 --> 00:15:21,740 No more honey for her! 136 00:15:26,500 --> 00:15:30,740 But, of course, the spider's hunting grounds are limited. 137 00:15:30,740 --> 00:15:32,580 Not all flowers are yellow. 138 00:15:35,660 --> 00:15:40,260 When she sits on a pure white petal, she immediately becomes obvious. 139 00:15:44,580 --> 00:15:48,380 She will never catch a bee while she's so conspicuous. 140 00:15:50,260 --> 00:15:52,260 So, she changes. 141 00:15:55,340 --> 00:15:58,420 She breaks down the yellow pigments in the outer layer of her skin 142 00:15:58,420 --> 00:16:02,500 to expose special crystals underneath that act like 143 00:16:02,500 --> 00:16:05,300 tiny mirrors and reflect the light. 144 00:16:11,340 --> 00:16:12,980 It may take a few days, 145 00:16:12,980 --> 00:16:15,220 but she turns from yellow 146 00:16:15,220 --> 00:16:16,380 to white. 147 00:16:24,220 --> 00:16:26,780 Changing colour isn't the spider's only trick. 148 00:16:28,660 --> 00:16:31,060 There's more to this story than meets the eye. 149 00:16:39,220 --> 00:16:42,220 Bees can see colours that we cannot. 150 00:16:43,260 --> 00:16:46,300 They can see ultraviolet colours. 151 00:16:54,020 --> 00:16:58,300 As they come in to land on a flower, they use special sensors that 152 00:16:58,300 --> 00:17:02,500 can detect ultra-violet patterns on the flower's petals. 153 00:17:08,700 --> 00:17:13,340 We can see them, too, with our special UV camera. 154 00:17:24,380 --> 00:17:26,980 There are dark lines on the petals, 155 00:17:26,980 --> 00:17:30,260 that mark the landing strips for the bees - 156 00:17:30,260 --> 00:17:32,340 guiding them to the nectar. 157 00:17:41,580 --> 00:17:46,620 The spider, however, has developed a way to exploit these signals. 158 00:17:54,140 --> 00:17:56,980 Watching her with our UV camera, 159 00:17:56,980 --> 00:18:00,340 we can see that she reflects ultra-violet light. 160 00:18:00,340 --> 00:18:04,100 So she appears even more conspicuous sitting on a flower. 161 00:18:08,020 --> 00:18:11,860 This extra brilliance acts as a kind of super-signal 162 00:18:11,860 --> 00:18:13,900 which the bee can't resist. 163 00:18:22,180 --> 00:18:24,420 And the spider benefits. 164 00:18:30,740 --> 00:18:34,140 In fact, the bees are more than three times as likely 165 00:18:34,140 --> 00:18:39,220 to visit flowers with UV-reflecting spiders on them than those without. 166 00:18:52,460 --> 00:18:56,300 The crab spider uses a sophisticated range of colours 167 00:18:56,300 --> 00:18:58,740 to deceive its prey. 168 00:19:01,220 --> 00:19:04,580 But colour can also be used in a simpler, 169 00:19:04,580 --> 00:19:07,620 even more surprising way to confuse the enemy. 170 00:19:10,980 --> 00:19:15,620 And, on the plains of Kenya's Maasai Mara, there's one animal 171 00:19:15,620 --> 00:19:19,500 that uses just two colours to outwit its predators. 172 00:19:24,060 --> 00:19:25,220 The zebra. 173 00:19:29,540 --> 00:19:33,700 Its black and white coat makes it extremely obvious 174 00:19:33,700 --> 00:19:35,940 as it grazes out on the open grasslands. 175 00:19:41,660 --> 00:19:45,620 Other grazers have softer, gently varied colouration, 176 00:19:45,620 --> 00:19:47,140 which blends with their background. 177 00:19:50,580 --> 00:19:55,300 So, it seems strange that zebras, apparently, do quite the opposite... 178 00:19:58,700 --> 00:20:01,500 ..particularly as they live in a world 179 00:20:01,500 --> 00:20:03,740 where there are so many hunters. 180 00:20:06,780 --> 00:20:08,420 Lions... 181 00:20:09,700 --> 00:20:10,820 ..hyenas... 182 00:20:12,020 --> 00:20:13,420 ..and cheetah. 183 00:20:19,820 --> 00:20:24,260 The boldly striped zebra seem to be asking for trouble. 184 00:20:25,660 --> 00:20:27,460 How do they get away with it? 185 00:20:29,260 --> 00:20:33,300 The question has been hotly debated by naturalists for centuries. 186 00:20:37,460 --> 00:20:40,700 New research is now suggesting an answer. 187 00:20:43,580 --> 00:20:45,780 To understand how it might work, 188 00:20:45,780 --> 00:20:49,100 we need to consider the particular colours involved. 189 00:20:49,100 --> 00:20:53,740 Black and white are two of the most contrasting colours. 190 00:20:53,740 --> 00:20:57,380 And no two animals have exactly the same pattern, 191 00:20:57,380 --> 00:21:01,180 so, each has a unique, whole-body fingerprint. 192 00:21:07,940 --> 00:21:12,420 But, when the zebras move, the stripes create confusion. 193 00:21:14,420 --> 00:21:16,660 It's known as motion dazzle. 194 00:21:18,740 --> 00:21:21,940 And it makes it difficult for a predator to keep focused 195 00:21:21,940 --> 00:21:24,300 on one particular target. 196 00:21:39,300 --> 00:21:42,060 The cheetah are looking for a meal. 197 00:21:58,300 --> 00:22:00,180 To make a successful strike, 198 00:22:00,180 --> 00:22:04,340 they must judge the distance accurately and time it perfectly. 199 00:22:13,540 --> 00:22:16,340 So, if a zebra's stripes can confuse the cheetah 200 00:22:16,340 --> 00:22:20,580 just for a few crucial seconds, it may escape. 201 00:22:39,380 --> 00:22:42,660 But there's another threat on these plains. 202 00:22:44,820 --> 00:22:46,460 BUZZING 203 00:22:46,460 --> 00:22:48,060 Flies! 204 00:22:50,900 --> 00:22:53,420 They are a real pest here. 205 00:22:55,260 --> 00:22:57,260 They're not just a nuisance. 206 00:22:57,260 --> 00:23:00,460 They carry diseases, some of which are particularly nasty, 207 00:23:00,460 --> 00:23:02,100 even deadly. 208 00:23:09,140 --> 00:23:11,860 Despite the huge numbers of flies, 209 00:23:11,860 --> 00:23:15,540 the zebras appear remarkably untroubled by them. 210 00:23:21,020 --> 00:23:23,540 There are plenty of flies around. 211 00:23:25,860 --> 00:23:29,300 But few actually land on the zebra. 212 00:23:31,980 --> 00:23:35,260 One theory is that the black and white stripes 213 00:23:35,260 --> 00:23:38,660 make it difficult for flies to judge the distance. 214 00:23:41,500 --> 00:23:43,500 To test this idea, 215 00:23:43,500 --> 00:23:46,940 scientists counted how many flies landed on animals 216 00:23:46,940 --> 00:23:52,860 with gently graded colours and how many landed on the zebra's stripes. 217 00:23:57,980 --> 00:24:02,260 They found that four times fewer flies landed on zebras 218 00:24:02,260 --> 00:24:04,660 than on their more plainly coloured neighbours. 219 00:24:10,140 --> 00:24:11,340 Why should that be? 220 00:24:14,620 --> 00:24:18,100 It seems it's another consequence of those stripes. 221 00:24:20,740 --> 00:24:24,620 They confuse the flies as they make their final approach to settle. 222 00:24:28,180 --> 00:24:32,700 Perhaps this creates a visual blurring for the flies, 223 00:24:32,700 --> 00:24:34,700 much as it does for a cheetah. 224 00:24:37,180 --> 00:24:41,100 So, it seems that the zebra's patterns of stripes creates 225 00:24:41,100 --> 00:24:44,660 an optical effect that helps protect them from enemies, 226 00:24:44,660 --> 00:24:46,460 both large and small. 227 00:25:01,540 --> 00:25:06,660 While zebras use different patterns to confuse their enemies, 228 00:25:06,660 --> 00:25:10,220 on the island of Cuba, there are smaller 229 00:25:10,220 --> 00:25:12,300 and rather slower-moving creatures 230 00:25:12,300 --> 00:25:14,500 that do a similar thing. 231 00:25:19,660 --> 00:25:25,140 This is Polymita picta, a Cuban painted snail. 232 00:25:29,300 --> 00:25:32,780 You might think that this one is an exceptionally lovely, 233 00:25:32,780 --> 00:25:34,620 eye-catching individual. 234 00:25:37,740 --> 00:25:41,340 But it is not by any means the only snail that is 235 00:25:41,340 --> 00:25:42,900 so beautifully decorated. 236 00:25:49,100 --> 00:25:52,860 No two individuals are exactly the same, 237 00:25:52,860 --> 00:25:55,340 yet all these belong to the same species. 238 00:26:01,060 --> 00:26:03,900 There are also five other species of Polymita here. 239 00:26:05,740 --> 00:26:10,020 Each snail has its own unique combination of colours and stripes. 240 00:26:28,460 --> 00:26:31,140 Their colours come from their diet - 241 00:26:31,140 --> 00:26:33,780 lichen and mosses rich in minerals 242 00:26:33,780 --> 00:26:37,660 that give the shells these stunning colours. 243 00:26:37,660 --> 00:26:41,660 They differ according to the particular mix of plants 244 00:26:41,660 --> 00:26:44,340 that each snail has been eating. 245 00:26:44,340 --> 00:26:47,540 Variations of individuals within a species is not 246 00:26:47,540 --> 00:26:49,660 uncommon in the natural world. 247 00:26:49,660 --> 00:26:51,580 It's called polymorphism. 248 00:26:53,100 --> 00:26:56,820 But it's particularly marked among Cuban snails. 249 00:27:05,900 --> 00:27:10,340 Some scientists believe that the variation in itself may be 250 00:27:10,340 --> 00:27:12,940 a kind of defence against predators. 251 00:27:17,260 --> 00:27:19,140 But how could that work? 252 00:27:22,940 --> 00:27:27,700 Most animals looking for prey have a search image in their minds. 253 00:27:29,220 --> 00:27:32,300 They scan their surroundings looking a victim 254 00:27:32,300 --> 00:27:34,060 that matches their expectations. 255 00:27:35,780 --> 00:27:39,140 If they see something they recognise, they'll go for it. 256 00:27:40,620 --> 00:27:44,620 And that's where the snail's varying colours may come in. 257 00:27:46,660 --> 00:27:50,020 The great range of different tints and patterns, it seems, 258 00:27:50,020 --> 00:27:51,140 confuses the birds. 259 00:27:54,020 --> 00:27:56,380 He's never seen one quite like this before. 260 00:28:02,140 --> 00:28:05,820 And, while the bird is wondering whether it is edible or not, 261 00:28:05,820 --> 00:28:12,460 the snail can, slowly, make a getaway! 262 00:28:18,340 --> 00:28:23,300 So, it seems that colour can both conceal and confuse. 263 00:28:25,100 --> 00:28:29,420 And sometimes it's used in yet a third, quite different, way. 264 00:28:31,180 --> 00:28:34,820 Some poisonous animals, like this little ladybird, 265 00:28:34,820 --> 00:28:37,060 use colour as a warning. 266 00:28:38,300 --> 00:28:41,500 It's bright red, and that's a message which says 267 00:28:41,500 --> 00:28:43,980 "Keep away, I'm poisonous." 268 00:28:45,940 --> 00:28:50,860 Red, black and yellow are widely understood as warnings. 269 00:28:50,860 --> 00:28:54,300 So, the ladybird's message is a truthful one. 270 00:28:54,300 --> 00:28:56,060 It is poisonous. 271 00:28:58,980 --> 00:29:02,060 But some animals, that are in fact harmless, 272 00:29:02,060 --> 00:29:06,580 have found it profitable to develop these warning colours themselves. 273 00:29:09,780 --> 00:29:13,220 This African queen butterfly, like the ladybird, 274 00:29:13,220 --> 00:29:15,020 is indeed very poisonous. 275 00:29:17,700 --> 00:29:22,940 But this is a different species entirely - a danaid butterfly. 276 00:29:24,260 --> 00:29:27,100 It has almost exactly the same colouration, 277 00:29:27,100 --> 00:29:28,940 yet it's perfectly edible. 278 00:29:30,260 --> 00:29:35,060 It is, you might say, using its colours and patterns to tell a lie. 279 00:29:37,420 --> 00:29:41,020 To our eyes, and to that of the predators, 280 00:29:41,020 --> 00:29:45,500 poisonous and non-poisonous individuals look almost identical. 281 00:29:45,500 --> 00:29:47,380 And that's the point. 282 00:29:47,380 --> 00:29:51,620 The danaid mimics the colours and patterns of the African queen 283 00:29:51,620 --> 00:29:53,420 and, so, it isn't eaten. 284 00:29:57,340 --> 00:30:00,740 Mimicry like this occurs quite frequently among insects. 285 00:30:02,820 --> 00:30:06,540 The yellow and black stripes of this harmless hoverfly resemble 286 00:30:06,540 --> 00:30:10,340 the warning colours of bees and wasps that sting, 287 00:30:10,340 --> 00:30:12,180 so, it's left alone. 288 00:30:14,340 --> 00:30:17,380 Other animals use mimicry to hide. 289 00:30:19,820 --> 00:30:22,860 This moth resembles a broken twig. 290 00:30:27,980 --> 00:30:32,420 A kind of mantis closely matches the shape and colours of a leaf. 291 00:30:36,540 --> 00:30:39,940 Another mantis is shaped and coloured like a flower... 292 00:30:42,420 --> 00:30:44,820 ..and gets a reward for the resemblance. 293 00:30:48,540 --> 00:30:53,140 And one particular caterpillar has come to look like a tiny snake... 294 00:30:57,460 --> 00:31:01,580 ..while this butterfly's wings take on the appearance 295 00:31:01,580 --> 00:31:02,900 of dead leaves. 296 00:31:14,860 --> 00:31:18,540 which use mimicry for a rather more sinister purpose. 297 00:31:20,340 --> 00:31:25,060 And one such creature lives here on Australia's Great Barrier Reef. 298 00:31:29,420 --> 00:31:33,980 Just beneath the surface, the reef is a riot of colour. 299 00:31:37,740 --> 00:31:42,300 But that means that there are great opportunities for deceptions. 300 00:31:54,140 --> 00:31:56,300 A bluestriped blenny. 301 00:32:04,700 --> 00:32:08,100 It lives close to a cleaning station - 302 00:32:08,100 --> 00:32:12,020 a place on the reef where large fish come to get their parasites 303 00:32:12,020 --> 00:32:15,980 picked off by smaller fish that feed on what they remove. 304 00:32:25,220 --> 00:32:28,420 This little wrasse is one of these cleaners. 305 00:32:30,500 --> 00:32:35,300 It has a long-standing relationship that relies on trust. 306 00:32:37,420 --> 00:32:42,020 The big fish get a health treatment and the little fish get a meal. 307 00:32:44,500 --> 00:32:48,700 But the blenny has learnt how to exploit this trusting relationship. 308 00:32:50,980 --> 00:32:54,700 It leaves its hole and starts looking for a meal. 309 00:32:59,740 --> 00:33:02,500 But the big fish don't seem to trust it. 310 00:33:05,780 --> 00:33:08,820 It's time for a change of costume. 311 00:33:16,020 --> 00:33:19,660 Filmed close up, under controlled conditions, 312 00:33:19,660 --> 00:33:23,500 we can see how the blenny's brown stripes turn black. 313 00:33:31,140 --> 00:33:33,420 The pigment cells in its skin 314 00:33:33,420 --> 00:33:36,980 expand and contract to bring about this subtle change. 315 00:33:39,660 --> 00:33:41,740 But it's enough to do the trick. 316 00:33:47,060 --> 00:33:51,980 The blenny now looks very similar to a juvenile cleaner wrasse. 317 00:33:58,500 --> 00:34:01,700 It's a devious disguise and one that will help it 318 00:34:01,700 --> 00:34:05,060 take advantage of the arrangement the cleaner wrasse 319 00:34:05,060 --> 00:34:07,140 has developed with its clients. 320 00:34:10,140 --> 00:34:14,860 It's spotted a target, a butterflyfish. 321 00:34:18,820 --> 00:34:20,780 The blenny hangs back, 322 00:34:20,780 --> 00:34:24,580 allowing an established cleaner wrasse to start work. 323 00:34:37,500 --> 00:34:40,380 Now the blenny slowly moves in, 324 00:34:40,380 --> 00:34:43,580 as if to offer the same service as the wrasse. 325 00:34:56,500 --> 00:34:58,300 But once within range... 326 00:35:00,180 --> 00:35:01,900 ..it strikes! 327 00:35:06,900 --> 00:35:10,940 Its razor-sharp teeth have removed not just dead skin 328 00:35:10,940 --> 00:35:13,060 but a chunk of flesh. 329 00:35:18,340 --> 00:35:21,460 This isn't the treatment the butterflyfish was expecting. 330 00:35:24,780 --> 00:35:27,860 The blenny's deceit may work for a time, 331 00:35:27,860 --> 00:35:30,540 but, eventually, it has consequences. 332 00:35:32,500 --> 00:35:35,940 Reef fish begin to associate the distinctive colours 333 00:35:35,940 --> 00:35:39,340 of a cleaner wrasse with the pain of the bites of a blenny. 334 00:35:41,420 --> 00:35:45,620 Then they will eventually stop coming to this cleaning station. 335 00:35:50,020 --> 00:35:53,580 And that is bad for business for the blenny, too. 336 00:35:56,140 --> 00:35:58,860 So, it's time to let things cool off. 337 00:36:02,340 --> 00:36:06,780 A quick change back to brown and its deception is over... 338 00:36:06,780 --> 00:36:08,820 ..for now. 339 00:36:10,060 --> 00:36:13,900 All the while, it keeps its eye on the cleaning station 340 00:36:13,900 --> 00:36:16,940 and waits for its next target. 341 00:36:18,780 --> 00:36:20,820 BIRDS CHIRP 342 00:36:28,340 --> 00:36:30,780 Some animals change colour 343 00:36:30,780 --> 00:36:34,220 for short periods of time in order to deceive others, 344 00:36:34,220 --> 00:36:38,300 but some use colour mimicry permanently as a method 345 00:36:38,300 --> 00:36:42,460 of persuading a different species to rear their young. 346 00:36:45,020 --> 00:36:49,340 One such creature lives here on the grasslands of southern Zambia. 347 00:36:55,540 --> 00:36:58,180 A nest, hidden in the grass. 348 00:37:00,780 --> 00:37:04,180 It belongs to a pair of common waxbills. 349 00:37:11,460 --> 00:37:14,180 They are busy feeding their chicks. 350 00:37:16,660 --> 00:37:20,940 The hungry youngsters open their beaks to display a conspicuously 351 00:37:20,940 --> 00:37:25,860 patterned gape which says, in effect, "Food here, please." 352 00:37:28,860 --> 00:37:30,460 And the parent obeys. 353 00:37:30,460 --> 00:37:32,900 CHICKS CHEEP 354 00:37:46,700 --> 00:37:50,780 But among them, in this nest, there is an impostor. 355 00:37:55,180 --> 00:37:58,100 One is significantly bigger than the rest. 356 00:37:59,900 --> 00:38:01,140 It hatched from an egg 357 00:38:01,140 --> 00:38:03,180 that was surreptitiously laid 358 00:38:03,180 --> 00:38:04,700 in the waxbills' nest 359 00:38:04,700 --> 00:38:07,020 by a pin-tailed whydah. 360 00:38:09,300 --> 00:38:13,100 Having done so, she flew away leaving her young to be 361 00:38:13,100 --> 00:38:14,980 cared for by the waxbills. 362 00:38:17,420 --> 00:38:20,220 But why do the waxbills feed this impostor? 363 00:38:23,300 --> 00:38:25,380 The parent birds recognise their young 364 00:38:25,380 --> 00:38:28,660 by the pattern of their gapes... 365 00:38:31,500 --> 00:38:35,540 ..and the black-and-white markings are characteristic of their species. 366 00:38:37,740 --> 00:38:42,620 But the imposter's markings closely mimic those of its nest-mates, 367 00:38:42,620 --> 00:38:47,540 and because it is bigger, it takes nearly all the food, 368 00:38:47,540 --> 00:38:50,300 and the young waxbills get little or none. 369 00:39:08,820 --> 00:39:10,380 Two weeks later... 370 00:39:11,860 --> 00:39:14,860 ..and the young whydah is much bigger. 371 00:39:19,940 --> 00:39:22,340 CHICKS CHEEP 372 00:39:26,860 --> 00:39:28,260 By now, however, 373 00:39:28,260 --> 00:39:30,460 the adult waxbills have accepted 374 00:39:30,460 --> 00:39:32,820 the young whydah as their own, 375 00:39:32,820 --> 00:39:34,940 and the more it begs, 376 00:39:34,940 --> 00:39:36,420 the more they give it. 377 00:39:57,380 --> 00:40:01,660 One last meal from its luckless foster parents... 378 00:40:07,580 --> 00:40:08,980 ..and the young whydah 379 00:40:08,980 --> 00:40:11,740 leaves its nest-mates behind. 380 00:40:23,540 --> 00:40:27,300 And this is what it will grow up to be, 381 00:40:27,300 --> 00:40:29,900 quite different from the hard-working waxbills 382 00:40:29,900 --> 00:40:31,260 that raised it. 383 00:40:33,660 --> 00:40:37,380 All pin-tailed whydahs are reared like this. 384 00:40:37,380 --> 00:40:39,580 Mimicry wins. 385 00:40:46,500 --> 00:40:49,380 Deceiving a different species is one thing, 386 00:40:49,380 --> 00:40:55,300 but in South Africa, one animal uses mimicry to fool its own kind. 387 00:40:58,660 --> 00:41:01,460 The Orange River, the largest in South Africa, 388 00:41:01,460 --> 00:41:05,780 and on it, the Augrabies Falls. 389 00:41:11,300 --> 00:41:13,140 These are the main home 390 00:41:13,140 --> 00:41:16,660 of a particular species of flat-back lizards. 391 00:41:20,860 --> 00:41:23,860 The males are brilliantly coloured. 392 00:41:29,980 --> 00:41:33,180 The females, on the other hand, are very different. 393 00:41:38,500 --> 00:41:40,700 They are plain and drab. 394 00:41:44,820 --> 00:41:48,060 The brilliance of a male's colours is an indication 395 00:41:48,060 --> 00:41:50,180 of its physical fitness and strength. 396 00:41:55,380 --> 00:41:58,580 The higher their status, the more colourful they are... 397 00:42:00,740 --> 00:42:04,700 ..and they're not afraid to make their seniority quite clear. 398 00:42:12,580 --> 00:42:14,020 A side-shuffle dance, 399 00:42:14,020 --> 00:42:15,900 showing off their colours, 400 00:42:15,900 --> 00:42:17,380 is usually quite enough 401 00:42:17,380 --> 00:42:18,900 to settle who is the boss. 402 00:42:21,380 --> 00:42:24,500 But if that doesn't work, they fight. 403 00:42:38,740 --> 00:42:42,060 Their disputes are all about location. 404 00:42:46,420 --> 00:42:50,780 Sometimes they want a vantage point from which to show off. 405 00:42:50,780 --> 00:42:54,380 At others, a good place to hide, 406 00:42:54,380 --> 00:42:56,300 or to get close to the river, 407 00:42:56,300 --> 00:42:57,900 where there's food. 408 00:43:01,340 --> 00:43:05,420 Here on these falls, food means flies. 409 00:43:09,820 --> 00:43:13,140 The river is a breeding ground for blackflies. 410 00:43:13,140 --> 00:43:15,180 There are huge swarms of them. 411 00:43:16,620 --> 00:43:20,100 And they are the favourite food of the lizards. 412 00:43:25,380 --> 00:43:28,180 They have acrobatic skills needed to catch them. 413 00:43:54,820 --> 00:43:58,580 While the colourful males are busy feeding, 414 00:43:58,580 --> 00:44:01,900 a different kind of male appears. 415 00:44:04,140 --> 00:44:07,100 He is brown, rather like a female. 416 00:44:12,580 --> 00:44:15,540 There's just a hint of blue on his throat 417 00:44:15,540 --> 00:44:17,740 that gives him away as a male. 418 00:44:23,220 --> 00:44:25,300 He's fully mature, 419 00:44:25,300 --> 00:44:29,100 but not yet strong enough to compete with his flashier neighbours. 420 00:44:31,380 --> 00:44:35,820 To avoid fighting, he delays the development of his colours, 421 00:44:35,820 --> 00:44:38,500 and so mimics a female. 422 00:44:38,500 --> 00:44:42,100 One in ten young males behave in this way. 423 00:44:43,940 --> 00:44:46,020 But he still needs to eat, 424 00:44:46,020 --> 00:44:50,220 and to do that he's got to get down to the river where the flies are. 425 00:44:52,100 --> 00:44:56,780 That means getting past the powerful, highly coloured males. 426 00:45:04,340 --> 00:45:07,340 One thing could reveal the deception. 427 00:45:07,340 --> 00:45:09,340 He may look like a female, 428 00:45:09,340 --> 00:45:11,380 but he smells like a male. 429 00:45:17,900 --> 00:45:21,300 As long as he keeps his distance, he'll be all right. 430 00:45:25,020 --> 00:45:28,620 The big male hasn't noticed that he's not a female. 431 00:45:46,100 --> 00:45:47,700 Almost there. 432 00:45:50,220 --> 00:45:53,380 Only one male now stands in his way... 433 00:45:56,660 --> 00:45:59,500 ..the most dominant and aggressive of the lot. 434 00:46:22,660 --> 00:46:24,100 He's made it. 435 00:46:25,140 --> 00:46:30,380 His disguise worked and now he can feast on the flies. 436 00:46:49,580 --> 00:46:52,780 He won't be able to keep this up for ever. 437 00:46:52,780 --> 00:46:56,700 Ultimately, all males have to put on their glad rags 438 00:46:56,700 --> 00:47:00,420 and develop those bright colours if they are to breed. 439 00:47:05,980 --> 00:47:09,260 For now, though, he's developed a disguise that enables him 440 00:47:09,260 --> 00:47:13,260 to cheat in one of nature's most colour-dependant mating systems. 441 00:47:19,100 --> 00:47:21,820 So, animals of all kinds 442 00:47:21,820 --> 00:47:25,140 use colour in a multitude of different ways. 443 00:47:27,100 --> 00:47:30,180 New discoveries are giving us fresh insights 444 00:47:30,180 --> 00:47:32,580 into the lives of these animals... 445 00:47:33,780 --> 00:47:36,780 ..and new cameras are allowing us to see 446 00:47:36,780 --> 00:47:40,020 into a world of colour as never before. 447 00:47:53,300 --> 00:47:57,340 We're only just beginning to understand the many different ways 448 00:47:57,340 --> 00:48:00,220 in which animals use colour, 449 00:48:00,220 --> 00:48:03,980 particularly those colours that we can't even see. 450 00:48:10,060 --> 00:48:13,100 For us, colour in the natural world 451 00:48:13,100 --> 00:48:16,780 is a source of beauty and wonder, 452 00:48:16,780 --> 00:48:20,260 but for animals, it's a tool for survival. 453 00:48:40,260 --> 00:48:45,140 We've seen in this series that colour is crucial for survival. 454 00:48:50,780 --> 00:48:54,820 So what happens to animals when their world changes colour? 455 00:48:57,300 --> 00:49:00,220 The experts we've worked with in the field 456 00:49:00,220 --> 00:49:02,500 have been helping us to find out. 457 00:49:05,820 --> 00:49:10,820 In the Cairngorms, in Scotland, I met Jim Cornfoot, a land manager 458 00:49:10,820 --> 00:49:14,100 and an expert on the natural history of these mountains. 459 00:49:15,340 --> 00:49:17,820 How long have you been here now? 460 00:49:17,820 --> 00:49:20,020 Over 30 years since I started up here, 461 00:49:20,020 --> 00:49:23,460 so I've seen a lot of different changes, you know. 462 00:49:23,460 --> 00:49:24,780 In what way? 463 00:49:24,780 --> 00:49:27,820 On the Cairngorm Plateau, there's areas where we have snow patches 464 00:49:27,820 --> 00:49:28,980 lasting all the year round, 465 00:49:28,980 --> 00:49:31,020 but if you look at the last sort of 20 years, 466 00:49:31,020 --> 00:49:34,540 there's five, six times where the snow's completely gone, 467 00:49:34,540 --> 00:49:38,500 and in over sort of 200, 250 years, there's only been seven times 468 00:49:38,500 --> 00:49:39,940 that that's happened. 469 00:49:39,940 --> 00:49:42,580 Has that had a great effect on the wildlife? 470 00:49:42,580 --> 00:49:45,340 You know, they're out of kilter, basically, 471 00:49:45,340 --> 00:49:47,140 with what's going on around them. 472 00:49:47,140 --> 00:49:49,100 So things like mountain hare, ptarmigan, 473 00:49:49,100 --> 00:49:52,020 they're standing out with the browns and the heather behind them. 474 00:49:52,020 --> 00:49:53,220 And they're still white? 475 00:49:53,220 --> 00:49:56,580 And they're still white, yes, so they're not set up for that, 476 00:49:56,580 --> 00:49:58,820 so if it's a very poor winter, 477 00:49:58,820 --> 00:50:00,620 you know, they're suffering. 478 00:50:01,940 --> 00:50:04,220 Ptarmigan, a kind of grouse, 479 00:50:04,220 --> 00:50:07,540 live year-round in this exposed environment 480 00:50:07,540 --> 00:50:10,180 where there are few places to hide. 481 00:50:16,500 --> 00:50:21,420 But now, as the world warms, things are changing dangerously. 482 00:50:23,220 --> 00:50:28,260 The recent decrease in snow cover has made them only too conspicuous. 483 00:50:32,500 --> 00:50:34,980 Animals like this mountain hare, 484 00:50:34,980 --> 00:50:38,420 also in its winter coat, can be seen from far away... 485 00:50:40,660 --> 00:50:43,300 ..and that makes life very hazardous. 486 00:50:43,300 --> 00:50:44,340 BIRDS SQUAWK 487 00:50:45,700 --> 00:50:50,780 These changes are affecting animals all around the northern hemisphere. 488 00:50:52,460 --> 00:50:57,940 In North America, the reduced snow cover has caused snowshoe hares 489 00:50:57,940 --> 00:51:01,900 to be mismatched on average for a week a year. 490 00:51:03,420 --> 00:51:06,620 During the time, the hare is 10% more likely 491 00:51:06,620 --> 00:51:09,260 to end up as someone else's dinner. 492 00:51:10,740 --> 00:51:15,420 By the end of the century, the loss of snow cover is predicted to expose 493 00:51:15,420 --> 00:51:18,220 the hares for up to eight weeks a year, 494 00:51:18,220 --> 00:51:22,700 so increasing their annual mortality by almost a quarter. 495 00:51:23,900 --> 00:51:26,020 Unless they can adapt rapidly, 496 00:51:26,020 --> 00:51:29,020 they could be in serious danger of extinction. 497 00:51:33,300 --> 00:51:37,500 While a warming climate is causing problems in northern habitats... 498 00:51:39,180 --> 00:51:43,420 ..it's also driving colour changes in other parts of the world... 499 00:51:47,100 --> 00:51:49,540 ..including some of the most beautiful, 500 00:51:49,540 --> 00:51:52,340 colour-rich habitats on our planet... 501 00:51:53,980 --> 00:51:55,380 ..coral reefs. 502 00:52:01,540 --> 00:52:06,500 Our Australian team spent months filming on the Great Barrier Reef. 503 00:52:16,340 --> 00:52:20,380 In these sunlit waters, colour is everywhere. 504 00:52:23,620 --> 00:52:26,500 But this habitat is being subjected 505 00:52:26,500 --> 00:52:30,380 to the most drastic colour change imaginable, 506 00:52:30,380 --> 00:52:34,180 and our crew witnessed it first-hand. 507 00:52:38,060 --> 00:52:42,300 The corals have suddenly turned into white skeletons. 508 00:52:44,660 --> 00:52:47,620 It's called coral bleaching 509 00:52:47,620 --> 00:52:50,020 and it's now happening only too frequently. 510 00:52:54,700 --> 00:52:56,540 On the Great Barrier Reef, 511 00:52:56,540 --> 00:53:01,420 such events have increased from once in every 25 years 512 00:53:01,420 --> 00:53:04,100 to three events in the last five. 513 00:53:14,340 --> 00:53:17,780 Professor Jorg Wiedenmann from the Coral Reef Laboratory 514 00:53:17,780 --> 00:53:20,140 at the University of Southampton 515 00:53:20,140 --> 00:53:23,940 has been working to discover what is behind these changes. 516 00:53:26,220 --> 00:53:29,500 The key is the relationship between coral 517 00:53:29,500 --> 00:53:33,300 and the microscopic algae that live in their tissues. 518 00:53:36,180 --> 00:53:39,740 These algal partners are called symbionts. 519 00:53:39,740 --> 00:53:42,620 It's they that give the coral its colour. 520 00:53:44,300 --> 00:53:48,260 The algae, when they photosynthesise during the daylight hours, 521 00:53:48,260 --> 00:53:53,420 use sunlight to grow, excreting sugars as a by-product, 522 00:53:53,420 --> 00:53:56,060 which are then absorbed by the corals. 523 00:54:00,340 --> 00:54:05,020 This partnership was established during the time of the dinosaurs 524 00:54:05,020 --> 00:54:09,620 and has been such a success that it has created structures 525 00:54:09,620 --> 00:54:11,260 that are visible from space. 526 00:54:12,580 --> 00:54:16,260 But warming seas are disrupting this system. 527 00:54:16,260 --> 00:54:21,060 So, when the seawater temperatures rise above a critical threshold, 528 00:54:21,060 --> 00:54:24,380 the photosynthetic machinery of the algal symbionts 529 00:54:24,380 --> 00:54:26,020 starts to malfunction. 530 00:54:30,340 --> 00:54:33,580 They begin to produce toxic compounds which cause 531 00:54:33,580 --> 00:54:36,660 the corals to expel them from their tissues. 532 00:54:40,780 --> 00:54:43,380 So the coral loses its colour. 533 00:54:44,820 --> 00:54:46,500 It bleaches. 534 00:54:50,700 --> 00:54:56,220 Sometimes the bleached corals die, and then the entire ecosystem, 535 00:54:56,220 --> 00:54:59,420 together with everything it supports, is lost. 536 00:55:02,700 --> 00:55:06,780 Almost half of the corals in the Great Barrier Reef 537 00:55:06,780 --> 00:55:10,460 have died this way over the last 15 years. 538 00:55:16,100 --> 00:55:18,100 But in the last decade, 539 00:55:18,100 --> 00:55:21,220 there have been reports from various parts of the world 540 00:55:21,220 --> 00:55:25,260 of coral developing startling neon colours. 541 00:55:31,100 --> 00:55:33,180 We're just beginning to realise 542 00:55:33,180 --> 00:55:36,580 that corals are using colour to fight back. 543 00:55:41,500 --> 00:55:44,620 Jorg is studying how this works. 544 00:55:45,980 --> 00:55:49,180 This coral has lost its algal symbionts, 545 00:55:49,180 --> 00:55:50,860 but instead of turning white, 546 00:55:50,860 --> 00:55:53,860 it's producing these bright, neon-green pigments. 547 00:55:56,300 --> 00:56:00,180 The coral produces these pigments to protect the remaining algae 548 00:56:00,180 --> 00:56:04,300 inside of the tissue from excess light stress. 549 00:56:04,300 --> 00:56:07,620 So they act as a sort of sunscreen for the symbiont algae. 550 00:56:09,900 --> 00:56:14,700 This coral sunscreen makes it more likely that the bleached coral 551 00:56:14,700 --> 00:56:17,660 will be able to take back its algal partners, 552 00:56:17,660 --> 00:56:22,500 restoring its food supply, its colour, and helping it to recover. 553 00:56:24,780 --> 00:56:28,660 But even this extraordinary adaptation is not enough 554 00:56:28,660 --> 00:56:33,100 to protect coral against all the changes it is now facing. 555 00:56:33,100 --> 00:56:36,940 If corals have been exposed only to mild stress, 556 00:56:36,940 --> 00:56:38,540 then they can recover from bleaching. 557 00:56:40,420 --> 00:56:43,020 But if corals are subjected to prolonged 558 00:56:43,020 --> 00:56:45,300 or extreme levels of heat stress, 559 00:56:45,300 --> 00:56:49,740 they lose their ability to create these sunscreen pigments 560 00:56:49,740 --> 00:56:51,340 and are likely to die. 561 00:56:52,620 --> 00:56:56,420 And unfortunately, global warming is making this more likely. 562 00:56:57,860 --> 00:56:59,500 There's a severe danger 563 00:56:59,500 --> 00:57:03,780 that corals will be exposed to episodes of stress 564 00:57:03,780 --> 00:57:07,220 where they can't recover and where they can't use these pigments 565 00:57:07,220 --> 00:57:09,020 to bounce back from bleaching. 566 00:57:11,100 --> 00:57:13,500 So, although colour might be helping coral reefs 567 00:57:13,500 --> 00:57:15,940 to tolerate some of the change, 568 00:57:15,940 --> 00:57:21,220 only action to halt global warming will ensure their survival. 569 00:57:21,220 --> 00:57:24,500 If warming continues, then they, 570 00:57:24,500 --> 00:57:27,540 together with the beautiful array of colour they provide, 571 00:57:27,540 --> 00:57:30,340 will disappear from the reefs of the world. 46888

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