All language subtitles for [English] The Best Way to Play Castlevania_ Rondo of Blood & Symphony of the Night _ MY LIFE IN GAMING [DownSub.com]

Castlevania: Symphony of the Night has long
stood tall among the most revered games of

all time.

Upon its release in 1997, fans were greeted
by a familiar - yet unfamiliar - scene.

A whip-wielding descendant of the Belmont
clan, having scaled the clock tower, now marches

on Count Dracula’s throne room to vanquish
the vampire lord once more.

But who was Richter Belmont?

And this final battle… which game was it
from?

The answer to these questions lies in a 1993
Japan-only release called Akumajo Dracula

X: Chi no Rondo - commonly known in the western
world as Castlevania: Rondo of Blood.

For those who were aware of its existence,
Rondo was long coveted for its reputation

as one of the best - if not THE best - in
the series.

Since then, Rondo has received a handful of
worldwide releases on other platforms.

These two games have continued to be intrinsically
intertwined, yet they could also hardly be

more different - among the finest representatives
from two distinct branches of Castlevania

gameplay.

The most recent Castlevania compilation - Castlevania
Requiem on the PlayStation 4 - may offer many

fans their first experience with either title.

What is it about these games that make them
worth revisiting today?

Let’s take a look at the original versions,
along with their various ports, remakes, and

official emulations.

[MUSIC: Principle by Matt McCheskey]

[MUSIC]

Rondo of Blood was released in Japan in 1993
for the PC Engine CD system add-on, further

enhanced by requiring the Super System Card
to run the game, resulting in one of the most

technically impressive titles on the console.

The western version of the PC Engine hardware,
the TurboGrafx-16, did not sell nearly as

well as its popular Japanese counterpart,
which probably played a role in Konami not

releasing the game in North America.

Rondo of Blood is in many ways a tribute to
the NES era of Castlevania, featuring familiar

backgrounds, callbacks to old level designs,
redbook audio remixes, and even a boss rush

comprised of bosses from the original game.

But instead of feeling derivative, the game’s
carefully paced design, many branching paths

that can lead to totally different levels,
and extravagant attention to detail creates

the feeling of a wholly original game taking
place in a cohesive universe, rather than

being nostalgic for nostalgia’s sake.

Konami’s team had really figured out what
makes Castlevania work, and it’s obvious

they put a lot of heart into the project.

Rondo of Blood takes place in 1792 and stars
Richter Belmont alongside Maria Renard, a

little girl from another vampire hunter family
who can attack with the help of various animals.

Players looking for the classical hardcore
Castlevania challenge can play as Richter,

who controls similarly to his forefathers
on the NES.

If things get a bit too tough, Maria can be
unlocked by bringing a key to her cell in

the second full level.

Maria offers a more agile and diverse moveset
that inarguably makes the game considerably

easier, but not so much as to make the challenge
entirely non-trivial.

Maria’s battle style may seem a bit unusual
for classic Castlevania, but her double jump,

slide, and quick attacks make for a real good
time.

While official PC Engine video output options
are limited to RF or composite, depending

on the model, a number of RGB mods and modless
RGB options exist for obtaining pristine analog

output for use with RGB-compatible CRTs or
HDMI upscalers such as the OSSC or Framemeister.[a]

Currently, the only mod-free solution for
higher quality video output on original hardware

that also allows for the playing of CD games
is the Super SD System 3 by Terraonion, an

all-in-one flash media launcher and video
output solution.

Unfortunately this does prevent you from connecting
a real CD add-on for using an original game

disc - although due to Rondo of Blood’s
high import cost, many may not object to this

approach.

Richter Belmont was in fact brought to western
markets with Castlevania: Dracula X for the

Super Nintendo in 1995.

Also known as Castlevania: Vampire’s Kiss
in PAL regions, this late 16-bit generation

release was not met with a great deal of enthusiasm,
however.

Relatively low sales and low production resulted
in what is today one of the more rare and

expensive Super Nintendo cartridges.

Despite being sought after by collectors,
Dracula X is widely considered to be a far

inferior game compared to Rondo of Blood.

It’s a sort of reimagining of Richter’s
PC Engine adventure, occupying the same place

in the series timeline, but playing out as
an entirely distinct game of its own, featuring

original level design but many recycled sprites,
and completely new backgrounds with debatably

less character.[b] The flame effect in the
opening level definitely gets your attention,

but aside from a few bright spots, Dracula
X for the SNES feels like a product of little

passion by its team.

The lack of a playable Maria and fewer branching
paths makes for a less remarkable game that

earns more of its difficulty from unpolished
design than genuine challenge.

Even compared to Dracula X’s SNES predecessor,
the ambitious Super Castlevania IV from early

in the system’s life, there’s just not
a lot of anything interesting going on here.

Castlevania fans should absolutely give it
a try, but other than providing Nintendo fans

with a rough facsimile of the Richter Belmont
experience, it does little else to justify

its existence.

And then came the watershed moment in the
Castlevania series history.

Castlevania: Symphony of the Night.

It’s nearly impossible for a popular series
to so drastically change its firmly established

core gameplay and be so universally praised
in the process of doing so.

Yet that is exactly what the Castlevania team
and assistant director Koji Igarashi managed

to accomplish.

What would have been a bottomless pit in any
other Castlevania now becomes another room

to explore.

Revisit a difficult enemy after you’ve reached
a higher level and upgraded your equipment

to have a fighting chance.

A nonlinear interconnected castle that serves
as essentially one gigantic level, along with

RPG elements completely change what Castlevania
is, but for most players that seemed to not

matter because it just works so well.

While Rondo of Blood was the encapsulation
of the series’ past greatness, Symphony

of the Night was the start of something new
and exciting.

It was satisfying in a fresh new way for longtime
fans, while also making the series radically

more accessible.

[Game Audio]

The plot and game visuals closely follow Rondo
of Blood - it is after all, part of the Dracula

X sub-series in Japan.

The story picks up 4 years after the end of
Rondo, with the demon castle reappearing much

sooner than expected, and Dracula’s son
Alucard setting out to destroy his father.

Symphony’s nonlinear design and particular
control mechanics lend itself toward progressing

through the game in unexpected ways.

Some additional PlayStation version footage
in this episode was provided by CarcinogenSDA,

who recorded an impressive all bosses, all
relics run while taking no damage.

Symphony of the Night’s enduring popularity
has been further bolstered in recent years

by its reputation as an entertaining speed
run game.

In the years following Symphony of the Night’s
release, the Castlevania series would try

on various other forms, but eventually the
main series releases became dominated by this

style of gameplay - called IGAvania for producer
Koji Igarashi, but more popularly dubbed as

“Metroidvania,” owing to the world design’s
obvious similarities to the sprawling maps

of the Metroid series.

On PlayStation hardware, Symphony of the Night
can be output with pristine RGB video.

When using backwards compatibility on PlayStation
2, component cables are also an option if

your equipment is compatible with 240p over
component.[c] As for PlayStation 3, more on

that a bit later.

These three titles make up the Dracula X trinity.

But this is not the end.

Numerous versions on other platforms have
sought to bring Richter Belmont and Alucard

to new audiences, but where do they succeed,
and where do they stumble?

[Midroll Break]

While Symphony of the Night was designed specifically
for the Sony PlayStation, Konami’s Nagoya

team ported the game over to the Sega Saturn
for a 1998 release only in Japan.

On paper, this sounds like an enviable version,
with a number of exclusive perks, but there

are also some very major problems.

Perhaps the most notable addition to this
port is the ability to play as an adult Maria

who has a completely unique moveset and soundtrack.

However, unlike Maria’s mode in Rondo of
Blood... this isn’t quite an easy mode.

While Richter Mode must be unlocked in the
PlayStation version, both Maria and Richter

are playable from the start on Saturn which
makes for a great way to jump in for those

who have already played the PlayStation version.

In addition, a few new areas were added to
the castle, with new bosses and music.

One such area can be accessed pretty early
on, and honestly the high experience rate

here kind of breaks the game.

Despite these bonuses, the Saturn port is
widely regarded as being a disappointment,

with the game not being properly optimized
to take full advantage of the Saturn’s powerful

2D hardware.

Extreme slowdown and an absence of transparency
effects just scratch the surface.

The PlayStation version runs at 256 pixels
wide, a mode that the Saturn simply doesn’t

have.

To fit the Saturn’s minimum horizontal resolution
of 320 pixels, the game’s pixel art was

pre-scaled, resulting in a jagged image that
mangles every object and background in the

game.

[d]

The Saturn version is also marred by a 480i
resolution in the pause menu, resulting in

a switch from the 240p gameplay resolution
that causes a significant delay in image re-sync

when connected to digital upscalers.

This becomes especially problematic because
in this version you can only access the castle

map through the pause menu, rendering the
game virtually unplayable unless you’re

using a CRT.

The Japanese Saturn port of Symphony has become
quite an expensive collector’s item, so

steer clear unless you simply must own every
version of the game… or if you’re prepping

for a good old fashioned Saturn vs. PS1 argument.

It wouldn’t be until 2007 - a decade after
Symphony of the Night’s initial release

- that a trio of new versions would appear
to celebrate the game’s 10th anniversary.

First came an Xbox Live Arcade release for
download on the Xbox 360 handled by Digital

Eclipse, which is considered notable for increasing
the Xbox Live Arcade file size limit.

It is pretty unique and not bad at all for
what it is - a highly desired PlayStation

game emulated on an Xbox console, released
in the early years of the HD generation.

That said, it is absolutely not perfect.

The game defaults to an “Enhanced” mode
that resembles a typical emulator smoothing

filter, which we prefer to turn off.[e] This
leaves the pixels sharp, but not quite uniform.

With the screen sizing option, it’s very
difficult - perhaps impossible - to dial in

an integer scale for even pixel sizing and
perfectly smooth scrolling.

And unfortunately there is no way to turn
off the nasty pillar box border… unless

you switch to a 4:3 analog output, which hey,
it’s not 240p but at least it fills the

screen correctly.

There is some input lag and you might notice
the occasional visual quirk.

This version is in fact backwards compatible
on Xbox One, although with no particular enhancements.

The Xbox 360 release is far from the best
way to play Symphony of the Night, but for

many people it could be the most accessible
version, and for them, it should serve as

a perfectly acceptable means of experiencing
one of the PlayStation’s most legendary

titles.[f]

The PlayStation Store for PlayStation 3 offers
a wealth of “PSone Classics” to download

for reasonable prices, and Symphony of the
Night was released for sale on the service

in the summer of 2007.

This is the original release running with
the PS3’s tried and true PS1 emulation.

While PSone Classic downloads present with
a slightly soft appearance, the original aspect

ratio and artwork is represented respectfully,
and some may even prefer the smoother look

compared to razor sharp pixels.[g] As with
any emulated solution, you should expect some

input lag, but the degree to which this is
noticeable depends on your television and

your own sensitivity to lag.

Even though Sony stopped including PS2 backwards
compatibility on PS3 systems in 2008, don’t

forget that all PlayStation 3 consoles run
PS1 discs through emulation - even the so-called

“super slim” models.

This is interesting because certain PS1 discs,
for reasons unknown to us, run on PS3 with

ultra-sharp graphics in comparison to their
downloaded counterparts.

Symphony of the Night is one such disc.

At a glance, this may seem really cool, but
the tradeoff is that this results in uneven

pixel sizing,[h] which may cause shimmering
issues as the screen scrolls.

The smoothing function in the system menu
is your only option for fixing this, although

it’s rather blurry.

One last curiosity when playing Symphony of
the Night on PS3 - notice that while running

the disc version, a dither pattern surrounds
what is otherwise a very cool bloom effect

as the moon in this area passes behind objects
in the foreground.

This glitch manifests with backwards compatibility
on PS2 consoles as well, but the effect does

render correctly when playing the PSone Classic
download, making it overall the more accurate

way to play on a PlayStation 3 console.[i]

Of course, many PSone Classic downloads can
also be played on PlayStation Portable, PlayStation

Vita, and PlayStation TV when approved for
compatibility.

Luckily, Symphony of the Night plays on all
three.

When using the original PS1 vertical resolution
on a PSP screen, the game window appears quite

small.

Luckily, the PSP offers surprisingly robust
scaling capabilities, which can be accessed

by hitting the PlayStation button after launching
a PS1 title.

In addition to a few presets, an impressive
custom sizing tool allows you to adjust the

overscan area, centering, and fine-tune the
aspect ratio to your liking.

The amazing part is that the scaling engine
is such that the game maintains a crisp appearance

no matter how you scale it, with no obvious
unevenness or scaling artifacts.

Symphony of the Night gets a top-notch showing
on the PSP screen here.

Later PSP hardware revisions support video
output, with a rather cool hidden trick for

PSone Classics.

If you set the system to interlaced output,
then boot a PSone Classic, you’ll get an

authentic 240p resolution, just as if you
were playing on a real PS1, and it won’t

be small in the screen like normal PSP gameplay
output.

This is an ideal signal for upscalers or CRTs,
and is not possible on PS3.

It’s not quite as sharp as PS1 hardware,
and there’s a bit of added dither on the

PSP video output,[j] but when using a CRT,
these issues aren’t very visible.

Playing in 240p with analog cables on a CRT
via a PSP is one of the most authentic-feeling

methods for playing Symphony of the Night
if you no longer have a PS1 or PS2.

PlayStation Vita offers nearly the same scaling
options as PSP.

With bilinear filtering turned off, pixels
do indeed look quite crisp on the Vita screen,

however this is not necessarily a great fit
for Symphony due to its 256 wide horizontal

resolution not matching up with the horizontal
sizing, resulting in… you guessed it, uneven

scaling.

Bilinear filtering solves this issue, though
it feels blurrier to me than I’d prefer.

Custom sizing is available here as well, but
the forced touchscreen controls for setting

it feel imprecise.

The Vita’s settings are more flattering
to 320 pixel wide games - a majority of the

PS1 library - but the results for Symphony
are acceptable enough.

The Vita’s microconsole counterpart, the
PlayStation TV, is a bit limited when it comes

to PSone playback.

PSone games cannot run with the system set
to 1080i, only 720p or 480p.

Unfortunately there are no video options to
speak of here and and I find the softer image

to be less pleasing than PSone Classics on
PS3.[k] The aspect ratio is also a touch skinnier

than it’s supposed to be.

We understand that Custom Firmware may offer
additional options for PS1 games on PSTV,

but that’s a bit beyond our scope for this
episode.

The final release of 2007 for Symphony of
the Night hit in October in the form of The

Dracula X Chronicles for PSP.

The main draw here of course is a full 3D
remake of Rondo of Blood - the game’s first

official release outside Japan.

By finding hidden items in this main mode,
the original Rondo and Symphony can be unlocked.

Remember that PSP video output normally does
not take up very much of the screen.

This can be circumvented with upscalers or
some TV settings if available.

In this case, we’ve scaled the image in
editing to simulate what it could look like

in an ideal scenario.

This version of Symphony is no simple rip
of the PS1 disc and certainly offers some

items of interest for fans.

The text is re-translated and voice over is
performed by new actors.

[Game Audio]

It’s a pretty hard sell given the beloved
infamy of the original dialogue.

Maria Mode is back from the Saturn release,
although she has to be unlocked after clearing

the game and plays more like in Rondo of Blood
compared to her Saturn incarnation.

However, some things are just a bit off, such
as the sound effects, and vertical scrolling

looks poor no matter which display mode is
chosen - both sizes are pretty blurry.

It simply does not look as good as the PSone
Classic version on the PSP screen, and the

240p video output trick is not possible in
Dracula X Chronicles, which is too bad because

the new features are certainly intriguing.[l]

This would be the final release of Symphony
of the Night for over a decade.

It was now time for Rondo of Blood to shine.

[Music]

Despite being completely remade with with
polygonal graphics and redone music, the PSP

Dracula X Chronicles version of Rondo is very
firmly based on the PC Engine original.

While I haven’t played each version of Rondo
enough times to hone in on what specific alterations

may exist, level design, enemy behavior, and
controls are accurate enough to serve as a

suitable replacement for the original experience.

The biggest difference of course, are the
3D visuals versus the sprite-based original.

One disappointment for me is that the atmospheric
lead-ups to many boss fights have now been

replaced with generic cutscenes.

One of my favorite things about the original
version of Rondo are the special flourishes

unique to various gameplay scenes, such as
the beast crashing through the castle wall.

It’s not as speedy and doesn’t have the
same impact when these moments are replaced

with a cutscene.

This version also runs at half the framerate
- 30 frames per second as opposed to 60 - although

for a slow-scrolling game like Castlevania,
it feels OK to me.[m] This remake is certainly

a bit divisive, but in spite of its drawbacks
I actually kinda like it and I think it’s

fun having different visual takes on Richter
and Maria’s adventure.

When it comes to playing this version as a
download on PlayStation Vita, well, the Vita

does a pretty incredible job of rendering
PSP graphics due to a simple 2x scale for

the PSP resolution to fill the Vita resolution.

It’s an excellent alternative to playing
on a real PSP.

Unfortunately Dracula X Chronicles is not
approved for compatibility with PlayStation

TV, and PSP games on PSTV tend to be overly
blurry anyway, although both issues can be

circumvented with custom firmware.

The original version of Rondo contained in
The Dracula X Chronicles suffers from the

same issues as its Symphony version - forced
borders and imprecise scaling no matter which

screen size mode you use.

Interestingly, a title screen was created
in the style of the old Castlevania logo...

English subtitles display for the German language
opening…

[Game Audio]

And an English dub now plays over the original
PC Engine cutscenes instead of Japanese.

[Game Audio]

This isn’t necessarily a terrible way to
play Rondo, but it is probably the least desirable

version overall.[n]

Case in point: in 2010 Konami brought the
PC Engine version of Rondo to the Wii Virtual

Console as an import title for North America
and Europe.

Actually, it was the last PC Engine or TurboGrafx
Wii release in those regions.

When the Wii system is set for 480i, most
Wii Virtual Console titles will output in

their original 240p resolution, which is ideal
for playing on a CRT or for the best image

when using an upscaling device.

Earlier PC Engine titles on the Virtual Console
do not work this way, and as a result are

quite blurry, but luckily Rondo managed to
avoid this fate.[o]

However, this overall improved presentation
is not a straight upgrade.

Uneven horizontal sizing results in the dreaded
scrolling shimmer, which is not an issue on

other Virtual Console platforms.

This scaling problem seems to also be shared
by other later TurboGrafx and PC Engine releases

on the Wii.

The Wii release does have a few edits in common
with the PSP release: the German intro is

re-voiced for some reason, but is still German.

[Game Audio]

There are also one or two small visual tweaks,
but the Wii release is otherwise largely unaltered,

including the original Japanese cutscenes
with no subtitles.

[Game Audio]

One area where emulation can improve upon
the original hardware is of course load times

- my PC Engine CD unit and game disc seem
to be in good shape, but there can still be

a bit of an extended wait before the battle
against Shaft.

Thankfully, disruptive loads like this in
the middle of a gameplay scene are generally

uncommon.[p]

Despite some lag caused by the emulation,
if 240p output is a big deal to you, this

is one of the more authentic-feeling ways
to play Rondo without access to a PC Engine

or TurboGrafx.

Although unfortunately, due to the closure
of the Wii Shop Channel, legally obtaining

this release is no longer possible.

While the Super Nintendo Dracula X skipped
the Wii, Konami did bring it to the Wii U.

We’re generally pretty happy with how SNES
games are handled by the Wii U Virtual Console,

with decent scaling and a correct aspect ratio.

The color, brightness levels, and soft but
sharp-enough image are somewhat similar to

the characteristics of a standard non-1CHIP
SNES console.[q] I was disappointed to notice

a frame blending effect on the SNES Wii U
Virtual Console while editing my recordings…

although this is probably an anti-epilepsy
measure of sorts and to be fair I never noticed

while playing the game.

In addition, Dracula X was later released
as a Virtual Console title for NEW 3DS systems,

as Super Nintendo emulation is only available
on the NEW line of systems.

We consider 3DS Virtual Console to also be
quite solid overall, with the system’s 240

pixel vertical resolution being a perfect
fit for SNES games, and the screen even has

a sort of scanline appearance when 2D is off.

By default, a horizontal interpolation effect
is used to stretch the game to a 4:3 aspect

ratio, and it’s a pretty good implementation
considering the screen’s low resolution.

If you simply must have crisper pixels, Pixel
Perfect mode removes the aspect ratio correction,

but it’s technically a bit too skinny.[r]

Dracula X from the Super Nintendo may have
not been the game people really wanted, but

at least it’s there to try out.

But now after a long hiatus, Rondo of Blood
and Symphony of the Night have a new release

- available for the first time in 4K.

Castlevania Requiem was released on October
26, 2018 for PlayStation 4, 8 years after

Rondo on the Wii Virtual Console and 11 years
after Symphony of the Night’s most recent

appearance.

While we don’t want to make firm claims
about the exact technology driving these versions,

the Requiem compilation is widely believed
to be based on The Dracula X Chronicles, sadly

minus the 3D remake.

This is plausible, seeing as hackers have
presented evidence that a handful of PS4 releases

that appear to be HD remasters are in fact
PSP versions with extra features hooked in

over an emulation layer.

If Sony’s PSP emulator is at work here,
that would also explain the strange decision

to not release Requiem on Xbox One, Switch,
or PC.

A quick and dirty approach to running these
games on PS4 could be the cause of various

rough edges such as sound issues and saving
and loading stutters.

Although the lack of slowdown when the Life
Up item appears after a boss in Symphony does

suggest extra performance headroom.[s] But
performance is not necessarily improved across

the board - check out this persistent screen
tear in the first area of the burning town

in Rondo.

This would totally ruin the game if it were
visible on every screen.

Or how about how the laggy background rendering
visible in this scene where the mast position

moves out of sync when scrolling vertically.

That’s not parallax..

This also occurs on the PSP release, but not
on original hardware or the Wii Virtual Console

emulation, lending further credibility to
the notion that Requiem is closely built around

Dracula X Chronicles.[t] In other respects,
this is not necessarily a bad thing, if you

like the PSP’s English dubs, or are interested
in some of the PSP additions to Symphony.

Some will surely call this the definitive
edition.

Requiem does offer several additional graphical
settings that Dracula X Chronicles does not…

yet essentially none of the new features are
implemented correctly - not even close.

The optional scanline overlay is nothing more
than a basic layer over the entire screen

- even over the borders - and unbelievably,
it doesn’t even line up correctly with the

game’s pixel grid, regardless of which of
the two screen size modes are chosen![u] There’s

also a simulated interlacing effect, which
nevermind that that shouldn’t even exist

for 240p games, the way the flicker is implemented
isn’t even like real interlacing.

And there’s the obligatory Smoothing feature
which, well, that’s not to my taste anyway,

so I’ll let you judge the quality of it
for yourself.[v] The good news is that you

can, at least, turn off the borders, unlike
the PSP release.

Even with the overall sense that accuracy
wasn’t a top priority here, we’ve nonetheless

found that these versions of Rondo and Symphony
to play just fine, and they actually look

very very good as long as you don’t use
the botched graphics settings.

Seeing as both games are designed at 256 pixels
wide, they were intended to be stretched by

CRT televisions just a little bit to fill
a 4:3 aspect - in other words, pixels should

be a bit wider than they are tall, and that’s
exactly what we’ve got here.

Looking at a standard PS4 running in 1080p,
Rondo looks just fantastic whether you use

“Normal” or “Full” sizing.

Interpolation is subtly engaged on both axes
to soften pixel edges just enough to keep

the overall impression sharp, while maintaining
the appearance of pixel uniformity and a correct

aspect.

Check out how it compares to our gold standard
of the Open Source Scan Converter, performing

a comparable 4x scale on an RGB-modded PC
Engine.

“Full” mode fills the screen’s vertical
space and seems to have no trade-offs in terms

of sharpness or pixel integrity, leading us
to believe there’s not much of any compelling

reason to ever use the smaller picture.

You’d think just doing it right like this
would be standard, but this sort of ideal

scaling is not to be taken for granted with
retro re-releases.

Both the “Normal” and “Full” sizing
modes behave differently in Symphony than

they do in Rondo, which doesn’t make much
sense.

Interpolation is engaged on both axes in both
modes, but again, the impact on overall sharpness

is minimal.

The “Normal” sizing for Symphony is a
bit odd… rendering square-shaped pixels,

which as you know, is not correct for a 256
pixel wide game.

“Full” gives us slightly rectangular pixels[w]
and what we would consider to be a more proper

aspect ratio, so this is the setting to use.

Luckily, when played on a PS4 Pro, Castlevania
Requiem does take advantage of 4K output,

and it is indeed very crisp.

In this configuration, all modes use some
interpolation both horizontally and vertically,

so just use larger screen sizing.

While this shouldn’t be a noteworthy perk
for this collection, retro compilations and

pixel-based games in general have not been
particularly consistent in supporting 4K output

on PS4 Pro, so it’s nice to see it here
and it does look good.[x]

Our input lag tests, while hardly scientific,
lead us to believe that added latency over

original hardware is around 2 to 3 frames.

For Symphony, this just barely edges out the
360 release.

It’s important to acknowledge that all emulations
will have some lag, but if you don’t notice,

don’t worry about it.

One last notable thing to mention is that
3D backgrounds, objects, and rotation effects

in Symphony of the Night render in high res…
and it looks pretty neat.

The motion of polygonal objects may appear
jerky because of the way points are plotted

in the original coding, so the ultra high
resolution doesn’t mask this very well.

It’s hard to say whether it’s better this
way, but it’s a pretty cool thing to see

all the same.[y]

Rondo of Blood and Symphony of the Night are
among the most beloved games of the 16 and

32 bit generations, so naturally any new release
will be scrutinized from top to bottom - and

we know full well there must be much more
to examine here with every version than we’ve

got time to showcase here.

But even through all the slowdown on Saturn,
smudgey scaling on PSP, and bargain bin emulation

on PS4, the soul of these games has continued
to shine through.

The best re-release for Rondo - we’d say
- is the Wii version, while Symphony plays

great and looks great as a PSone Classic on
PS3, PSP, and Vita.

And you know, the PS4 Requiem is really sharp.

For us it’s pretty tough to beat the original
versions on original hardware, but it’s

important to keep games like these accessible
and available.

Each version has its pros and cons, but the
for Castlevania fans, the only wrong way to

play Rondo of Blood and Symphony of the Night,
is to not play them at all.

[a]Composite vs. RGB
[b]✓ PCE RGB vs. SNES RGB

[c]PS1 RGB vs. PS2 Component
[d]Two PS1 vs. Saturn comparisons

[e]360 "Enhanced" ON vs. "Enhanced" OFF
[f]PS1 vs. 360

[g]PS1 vs. PS3
[h]PS1 vs. PS3 disc vs. PS3 download

[i]✓ PS1 vs. PS2 vs. PS3 disc vs. PS3 download
[j]PS1 vs. PSP

[k]PS3 download vs. PSTV
[l]PS1 vs. PSP download vs. PSP DCX

[m]PCE vs. PSP video

PCE dragon vs. PSP dragon

PCE behemoth vs. PSP behemoth

PCE long walk vs. PSP long walk
[n]PCE vs. PSP Normal vs. PSP Full

[o]PCE vs. Wii

Dragon's Curse Wii vs. Rondo Wii
[p]PCE Load vs. Wii Load

[q]✓ SNES vs. Wii U
[r]SNES vs. Wii U vs. 3DS vs. 3DS PP

[s]PS1 vs. PS4
[t]PCE vs. PSP vs. Wii vs. PS4

[u]OSSC scanlines vs. PS4 Normal vs. PS4 Full
[v]Smoothing off vs. Smoothing on

[w]SotN Normal vs. SotN Full
[x]OSSC 5x vs. 1080p PS4 Rondo vs. 4K PS4

Rondo
[y]PS1 vs. PS4 4K