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These are the user uploaded subtitles that are being translated: 1 00:00:18,590 --> 00:00:20,490 ARTHUR. 2 00:00:20,520 --> 00:00:22,720 MORNING. 3 00:00:22,760 --> 00:00:26,160 WHEN ARE YOU EVER GOING TO CALL ME JOE? 4 00:00:26,200 --> 00:00:29,740 I USED TO CALL YOU JOE WHEN WE WERE COPS. 5 00:00:29,770 --> 00:00:32,170 WELL, WHEN ARE YOU GOING TO START AGAIN? 6 00:00:32,200 --> 00:00:34,840 WELL, I’M GLAD TO SEE 7 00:00:34,870 --> 00:00:37,110 YOU’RE FEELING A LITTLE BETTER, JOE. 8 00:00:37,140 --> 00:00:39,340 I’LL JUST HAVE ONE OF THOSE, TOO, 9 00:00:39,380 --> 00:00:42,120 ALL RIGHT? 10 00:00:45,620 --> 00:00:47,860 JOE. 11 00:00:47,890 --> 00:00:51,030 THE COFFEE ‐‐ "JOE." 12 00:00:51,060 --> 00:00:53,230 ANYWAY, THANKS FOR MEETING ME. 13 00:00:53,260 --> 00:00:56,640 I JUST FIGURED I HAD TO WAIT YOU OUT. 14 00:00:56,660 --> 00:00:58,890 I GOT YOUR MESSAGES. 15 00:00:58,930 --> 00:01:03,630 I HAD TO GET THINGS SETTLED IN MY MIND... 16 00:01:03,670 --> 00:01:06,070 AND IT’S A BURDEN OFF MY SHOULDERS, ARTHUR. 17 00:01:06,100 --> 00:01:08,300 MM‐HMM. 18 00:01:08,340 --> 00:01:10,310 IT’S THE UNCERTAINTY THAT DRAINS YOU, 19 00:01:10,340 --> 00:01:13,070 THE UNCLARITY. 20 00:01:13,110 --> 00:01:17,410 YOU COME TO A FOCUS, 21 00:01:17,450 --> 00:01:19,310 AND THAT’S THE SOURCE OF RELIEF. 22 00:01:19,350 --> 00:01:20,580 REMEMBER, 23 00:01:20,620 --> 00:01:22,980 YOU’RE TALKING TO A COUNTRY BOY, JOE. 24 00:01:23,020 --> 00:01:25,250 YOU NEVER LIVED IN THE COUNTRY. 25 00:01:25,290 --> 00:01:27,520 I GUESS I MEAN I ALWAYS FELT LIKE 26 00:01:27,560 --> 00:01:30,460 YOU READ FIVE BOOKS AND UNDERSTOOD THEM 27 00:01:30,490 --> 00:01:33,130 FOR EVERY MAGAZINE ARTICLE I EVER GLANCED AT 28 00:01:33,160 --> 00:01:37,000 IN THE DENTIST’S OFFICE. 29 00:01:37,040 --> 00:01:39,140 YOU NEED TO TALK DOWN TO ME, JOE, 30 00:01:39,170 --> 00:01:41,900 MAKE SURE I TAKE YOUR MEANING. 31 00:01:43,840 --> 00:01:45,470 OUR DIFFERENCES 32 00:01:45,510 --> 00:01:48,040 ARE THE PRODUCT OF OUR SAMENESS, ARTHUR. 33 00:01:48,080 --> 00:01:51,310 I CALLED YOU A "GO ALONG TO GET ALONG" NEGRO 34 00:01:51,350 --> 00:01:53,410 BECAUSE I WAS AFRAID TO TRUST THE WORLD. 35 00:01:55,850 --> 00:01:57,890 LET’S PUT WHATEVER POLITICAL DIFFERENCES 36 00:01:57,920 --> 00:02:00,920 WE MAY HAVE HAD ASIDE FOR A MINUTE, JOE, 37 00:02:00,960 --> 00:02:02,920 ’CAUSE I’M GOING TO TELL YOU FLAT OUT, 38 00:02:02,960 --> 00:02:04,860 I’M WORRIED ABOUT THE WAY YOU’RE TALKING. 39 00:02:04,900 --> 00:02:06,870 WHAT ARE YOUR PLANS? 40 00:02:06,900 --> 00:02:08,430 MY PLANS? 41 00:02:08,470 --> 00:02:11,110 YOUR PLANS, JOE. YOUR INTENTIONS. 42 00:02:11,140 --> 00:02:13,780 I FILED MY RETIREMENT PAPERS YESTERDAY. 43 00:02:13,810 --> 00:02:15,950 I INTEND TO TAKE A VACATION. 44 00:02:15,970 --> 00:02:17,610 SO WHERE YOU GOING? 45 00:02:17,640 --> 00:02:18,910 TRINIDAD AND TOBAGO. 46 00:02:21,310 --> 00:02:23,710 DO YOU WANT THE FLIGHT NUMBER? 47 00:02:23,750 --> 00:02:26,720 HAVE YOU GOT IT? 48 00:02:26,750 --> 00:02:29,620 SINCE I’M GOING TO GET WHILE THE GETTING’S GOOD, 49 00:02:29,650 --> 00:02:33,150 I WILL ASK YOU TO SAY GOODBYE TO BALDWIN JONES. 50 00:02:33,190 --> 00:02:35,160 TELL HIM I THINK HE’S IN GOOD HANDS, 51 00:02:35,190 --> 00:02:36,520 WILL YOU, ARTHUR? 52 00:02:38,300 --> 00:02:39,840 CAN I GET YOUR WORD 53 00:02:39,860 --> 00:02:41,330 THAT YOU’LL CONVEY THAT EXACTLY? 54 00:02:41,370 --> 00:02:43,310 I’LL TELL HIM. 55 00:02:47,540 --> 00:02:50,270 BE WELL, ARTHUR. 56 00:02:50,310 --> 00:02:51,940 TAKE CARE OF YOURSELF, JOE. 57 00:02:51,980 --> 00:02:53,050 ABSOLUTELY. 58 00:04:20,330 --> 00:04:23,300 Greg: I’LL TAKE A PEEK AROUND. 59 00:04:23,330 --> 00:04:26,530 SEE IF THEY GOT ANY JERRY VALE ON THE JUKEBOX. 60 00:04:26,570 --> 00:04:28,040 I GOT THE BODY. 61 00:04:28,070 --> 00:04:30,310 WHAT HAVE WE GOT? 62 00:04:30,340 --> 00:04:31,870 D.O.A. IS PATRICK MULLEN. 63 00:04:31,910 --> 00:04:34,310 HIS NAME AND DAVID LORENZ ON THE LIQUOR LICENSE. 64 00:04:34,350 --> 00:04:35,890 ANYONE NOTIFY THE PARTNER? 65 00:04:35,910 --> 00:04:37,210 HE’S ON HIS WAY. 66 00:04:37,250 --> 00:04:38,810 WHO FOUND THE BODY? 67 00:04:38,850 --> 00:04:41,650 BARMAN, WHEN HE CAME IN TO OPEN UP. 68 00:04:41,690 --> 00:04:42,660 THANKS. 69 00:04:42,690 --> 00:04:44,160 YOU GOT IT. 70 00:04:44,190 --> 00:04:48,520 HAVE CRIME SCENE PROCESS THIS. 71 00:04:48,560 --> 00:04:50,090 YOU FOUND THE BODY? 72 00:04:50,130 --> 00:04:52,090 YEAH, WHEN I CAME TO OPEN. 73 00:04:52,130 --> 00:04:53,430 WHAT’S YOUR NAME? 74 00:04:53,460 --> 00:04:55,760 JOE SAMBORA. 75 00:04:55,800 --> 00:04:58,530 WAS THAT A SURPRISE, JOE, HOW YOUR MORNING BEGAN, 76 00:04:58,570 --> 00:05:01,600 OR DID YOU FEEL "THIS HAD TO HAPPEN TO PAT SOMEDAY," 77 00:05:01,640 --> 00:05:03,940 WHY YOU TAKE SO WELL, AT PRESENT, 78 00:05:03,980 --> 00:05:05,620 YOUR BOSS BEING DEAD? 79 00:05:05,640 --> 00:05:08,540 AT PRESENT, I’M MINDING MY OWN BUSINESS. 80 00:05:08,580 --> 00:05:11,550 OKAY, JOE, LET ME GO DO SOME OF THE REST OF MY JOB 81 00:05:11,580 --> 00:05:13,620 WHILE YOU DECIDE IF YOU’RE GOING 82 00:05:13,650 --> 00:05:15,550 TO GIVE ME SOME CIVIL COOPERATION, 83 00:05:15,590 --> 00:05:17,460 OR I’M GOING TO DRAG YOU IN. 84 00:05:17,490 --> 00:05:19,660 THERE’S MY OTHER BOSS OVER THERE. 85 00:05:25,300 --> 00:05:28,010 OH, JESUS. 86 00:05:28,030 --> 00:05:32,170 [ SIGHS ] 87 00:05:32,200 --> 00:05:35,500 ANDY SIPOWICZ. I’M WITH THE 15th SQUAD. 88 00:05:35,540 --> 00:05:37,510 THAT’S MY PARTNER DEAD ON THE FLOOR. 89 00:05:37,540 --> 00:05:38,970 YEAH, I’M SORRY. 90 00:05:41,650 --> 00:05:43,690 DAVE LORENZ. 91 00:05:43,720 --> 00:05:46,020 ANDY SIPOWICZ. YOU TWO BEEN PARTNERS A LONG TIME? 92 00:05:46,050 --> 00:05:49,790 YEAH, FRIENDS SINCE WE WERE, LIKE, 8 YEARS OLD. 93 00:05:49,820 --> 00:05:52,620 YOUR LOSS, NOT EVER KNOWING PAT. 94 00:05:52,660 --> 00:05:54,000 IS THAT SO? 95 00:05:55,360 --> 00:05:56,830 POOR PATRICK. 96 00:05:56,860 --> 00:05:58,830 PATRICK WAS A GOOD BOSS? 97 00:05:58,860 --> 00:06:00,400 A GREAT GUY. 98 00:06:00,430 --> 00:06:01,730 HE WAS GREAT OVERALL. 99 00:06:01,770 --> 00:06:03,680 YEAH, FOR A MANIAC. 100 00:06:03,700 --> 00:06:06,330 UH‐OH. PATRICK WAS A MANIAC? 101 00:06:06,370 --> 00:06:07,740 HE LOVED LIFE. 102 00:06:07,770 --> 00:06:09,340 YEAH, HE DID. 103 00:06:09,370 --> 00:06:13,510 GIVE ME AN IMAGE TO WORK WITH, LIKE HE WAS A HANG GLIDER? 104 00:06:13,550 --> 00:06:16,590 MAYBE IF SOME BIMBO WAS DANGLING FROM HIS PARACHUTE. 105 00:06:16,620 --> 00:06:19,190 OR SHE HAD A GRIP ONTO SOMETHING ELSE. 106 00:06:19,220 --> 00:06:20,930 UH‐OH. 107 00:06:20,950 --> 00:06:23,850 WE HAD TO LOOK THROUGH SOME OF YOUR STUFF. 108 00:06:23,890 --> 00:06:25,850 DO WHATEVER YOU HAVE TO. 109 00:06:25,890 --> 00:06:27,960 HERE’S MULLEN’S ADDRESS BOOK. 110 00:06:27,990 --> 00:06:30,390 Greg: LOT OF FEMALE NAMES. 111 00:06:30,430 --> 00:06:32,960 YOU MIGHT CHECK IF THERE’S AN ANGELA ZARELLI IN THERE. 112 00:06:33,000 --> 00:06:34,070 WHY? 113 00:06:34,100 --> 00:06:36,130 SHE FORMERLY WENT OUT 114 00:06:36,170 --> 00:06:38,740 WITH THAT DINO FERRERA THAT’S IN JAIL. 115 00:06:38,770 --> 00:06:40,300 HERE IT IS. 116 00:06:40,340 --> 00:06:43,140 BANGED EVERYTHING THAT MOVED, THE D. O. A. 117 00:06:43,170 --> 00:06:46,470 NO, HE JUST HAD ENORMOUS ZEST ‐‐ PAT. 118 00:06:46,510 --> 00:06:48,140 LOT OF ZEST, HUH? 119 00:06:48,180 --> 00:06:51,750 ALL RIGHT, THANKS A LOT FOR YOUR HELP. 120 00:06:51,780 --> 00:06:53,780 WE’LL BE CALLING YOU IN LATER. 121 00:06:57,520 --> 00:07:00,490 BRING IN THAT BARTENDER JUST TO RUIN HIS MORNING. 122 00:07:00,520 --> 00:07:02,790 1729 7th STREET. 123 00:07:02,830 --> 00:07:05,370 OH, RIGHT IN THE PRECINCT. 124 00:07:05,400 --> 00:07:08,140 HEY, MILLER, THE DISPATCHER JUST GOT A CALL FROM YOUR WIFE, 125 00:07:08,170 --> 00:07:11,680 REMINDING YOU TO BRING HOME MILK FOR THE BABY. 126 00:07:23,680 --> 00:07:25,310 LOOKING FOR SHANICE WARNER. 127 00:07:25,350 --> 00:07:26,980 BACK HERE. 128 00:07:27,020 --> 00:07:29,550 SHE’S BEEN THROUGH A LOT. HER BOYFRIEND RAPED HER. 129 00:07:29,590 --> 00:07:30,990 DID YOU DO A KIT? 130 00:07:31,020 --> 00:07:32,990 YES, I DID THE RAPE KIT. 131 00:07:33,020 --> 00:07:35,020 SHANICE, THE POLICE ARE HERE. 132 00:07:35,060 --> 00:07:37,030 HI, SHANICE. I’M JILL KIRKENDALL. 133 00:07:37,060 --> 00:07:39,600 ARE YOU SURE YOU’RE UP TO IT? 134 00:07:39,630 --> 00:07:41,430 YEAH, I’LL TALK TO THEM. 135 00:07:41,470 --> 00:07:43,880 I’M DIANE RUSSELL. COULD YOU TELL US WHAT HAPPENED? 136 00:07:43,900 --> 00:07:46,100 PAUL MATSON DID THIS TO ME. 137 00:07:46,140 --> 00:07:48,780 I WROTE HIS NAME ON MY ARM ‐‐ IN CASE HE KILLED ME, 138 00:07:48,810 --> 00:07:50,780 FOLKS WOULD KNOW WHO DID IT. 139 00:07:50,810 --> 00:07:53,210 DOCTOR, IF YOU STAY HERE, 140 00:07:53,240 --> 00:07:57,110 YOU COULD WIND UP BEING CALLED AS A WITNESS. 141 00:07:57,150 --> 00:07:59,050 IS THERE SOMETHING YOU’RE AFRAID OF ME HEARING? 142 00:07:59,080 --> 00:08:00,780 WE’D LIKE TO GET SHANICE’S STORY 143 00:08:00,820 --> 00:08:02,780 WITH AS FEW DISTRACTIONS AS POSSIBLE. 144 00:08:02,820 --> 00:08:06,120 I WANT TO MAKE SURE SHANICE ISN’T SHAMED OR INTIMIDATED. 145 00:08:06,160 --> 00:08:08,170 I WANT TO TELL IT. HE RAPED ME 146 00:08:08,190 --> 00:08:10,160 AND GAVE ME THIS BLACK EYE. 147 00:08:10,190 --> 00:08:12,160 ’CAUSE YOU WERE RESISTING PAUL? 148 00:08:12,200 --> 00:08:14,610 I WAS STICKING UP FOR MYSELF, THAT’S RIGHT. 149 00:08:14,630 --> 00:08:17,600 AND THEN HE HANDCUFFED ME NAKED TO THE RADIATOR 150 00:08:17,640 --> 00:08:19,680 AND LEFT ME THERE ALL NIGHT. 151 00:08:19,700 --> 00:08:22,440 HE UNLOCKED ME WHEN HE WENT TO WORK. 152 00:08:22,470 --> 00:08:25,170 HERE’S HIS NUMBERS. I WROTE IT ALL DOWN. 153 00:08:25,210 --> 00:08:27,510 DO YOU AND PAUL HAVE A LOT OF DISAGREEMENTS? 154 00:08:27,550 --> 00:08:29,520 UNH‐UNH. 155 00:08:29,550 --> 00:08:32,010 IS THIS THE FIRST TIME YOU HAD SEXUAL CONTACT WITH HIM? 156 00:08:32,050 --> 00:08:34,150 WHY SHOULD HAVING CONSENSUAL SEX ON A PREVIOUS OCCASION 157 00:08:34,190 --> 00:08:36,190 DISQUALIFY HER FROM BRINGING CHARGES? 158 00:08:36,220 --> 00:08:38,950 IT DOESN’T, DOC, ANY MORE THAN WHATEVER BAD PRIOR EXPERIENCE 159 00:08:38,990 --> 00:08:41,290 YOU HAD WITH OUR JOB GIVES YOU A RIGHT 160 00:08:41,330 --> 00:08:43,230 TO INTERFERE WITH OUR WORK. 161 00:08:43,260 --> 00:08:46,160 I’M SAYING THIS TIME PAUL RAPED ME. 162 00:08:46,200 --> 00:08:48,340 WE’LL TAKE YOUR FULL STATEMENT AT THE STATION HOUSE. 163 00:08:48,370 --> 00:08:50,580 COME BY WHEN YOU’RE READY. 164 00:08:50,600 --> 00:08:53,070 YOU’RE GOING TO WAIT ON TALKING TO PAUL? 165 00:08:53,100 --> 00:08:54,400 WE’LL CALL PAUL NOW. 166 00:08:54,440 --> 00:08:56,340 FIND THAT SON OF A BITCH. 167 00:08:56,370 --> 00:08:59,840 IF HE RESISTS ARREST AND YOU GOT TO BUST HIS NOSE, 168 00:08:59,880 --> 00:09:01,580 THAT’S OKAY, TOO. 169 00:09:01,610 --> 00:09:03,110 OKAY, SHANICE. 170 00:09:08,790 --> 00:09:10,260 [ KNOCK ON DOOR ] 171 00:09:10,290 --> 00:09:12,920 WHAT DID IT LOOK LIKE WITH THAT GIRL? 172 00:09:12,960 --> 00:09:14,700 Diane: SHE COULD’VE BEEN RAPED. 173 00:09:14,730 --> 00:09:16,400 SHE SURE HAD A SHINER. 174 00:09:16,430 --> 00:09:17,900 HER KIT WAS POSITIVE, 175 00:09:17,930 --> 00:09:20,400 BUT SHE AND THE GUY HAVE BEEN GOING OUT. 176 00:09:20,430 --> 00:09:22,560 HER DOCTOR WAS SO BUSY RUNNING INTERFERENCE, 177 00:09:22,600 --> 00:09:24,900 SHE COULDN’T REALLY GET THE STORY STRAIGHT. 178 00:09:24,940 --> 00:09:26,410 WE’VE GOT PAUL MATSON ‐‐ 179 00:09:26,440 --> 00:09:29,150 THE GUY SHE SAYS DID IT TO HER. 180 00:09:29,170 --> 00:09:32,070 WE THOUGHT WE’D TAKE A LOOK AT HIM, 181 00:09:32,110 --> 00:09:35,080 THEN MAYBE BETTER IF BALDWIN AND GREG DO THE INTERVIEW. 182 00:09:35,110 --> 00:09:36,680 THAT MAKES SENSE. I’LL TELL BALDWIN. 183 00:09:39,120 --> 00:09:41,430 WHO’S THAT? 184 00:09:41,450 --> 00:09:44,820 HE TENDS BAR WHERE THE D. O. A. WAS KILLED. 185 00:09:44,860 --> 00:09:46,600 ARE YOU GOING TO TALK TO HIM? 186 00:09:46,630 --> 00:09:49,370 NO. ANDY HAD US DRIVE SO HE WOULDN’T LOSE RAPPORT. 187 00:09:49,390 --> 00:09:51,460 Greg: ANDY WAS AFRAID HE MIGHT SMACK HIM. 188 00:09:51,500 --> 00:09:53,640 JILL AND DIANE WANT TO PASS A GUY TO YOU ‐‐ 189 00:09:53,670 --> 00:09:55,870 MIGHT HAVE RAPED HIS GIRLFRIEND. 190 00:09:55,900 --> 00:09:57,470 WE’LL TALK TO HIM. 191 00:09:57,500 --> 00:09:59,640 Andy: WHAT WAS HIS ATTITUDE ON THE WAY IN? 192 00:09:59,670 --> 00:10:01,140 SULKY. 193 00:10:01,170 --> 00:10:02,540 SULKY, HUH? 194 00:10:02,570 --> 00:10:05,210 SO NOT HOW MOST PEOPLE COME INTO THE HOUSE ‐‐ 195 00:10:05,240 --> 00:10:06,880 DOING CARTWHEELS AND CARRYING ON? 196 00:10:06,910 --> 00:10:09,310 ANYWAYS, I NEED TO TALK TO BALDWIN. 197 00:10:09,350 --> 00:10:11,560 SURE. 198 00:10:11,580 --> 00:10:13,880 YEAH, WE HAVE THIS PRIOR CONVERSATION 199 00:10:13,920 --> 00:10:15,750 TO CONDUCT ANYHOW. 200 00:10:21,530 --> 00:10:24,770 I WANT YOU TO CALL JOE ABNER. 201 00:10:24,800 --> 00:10:26,040 OKAY. 202 00:10:26,060 --> 00:10:27,860 I HAD BREAKFAST WITH HIM. 203 00:10:27,900 --> 00:10:30,430 HE SAID HE WAS GOING TO TAKE A VACATION. 204 00:10:30,470 --> 00:10:33,100 LAST HE WAS IN HERE, HE ACTED LIKE HE COULD USE ONE. 205 00:10:33,140 --> 00:10:36,050 SAID TO TELL YOU GOODBYE. THAT COULD BE WHY YOU CALL HIM. 206 00:10:36,070 --> 00:10:37,270 SAY GOODBYE BACK. 207 00:10:37,310 --> 00:10:38,540 YEAH, SAY GOODBYE BACK, 208 00:10:38,580 --> 00:10:40,120 AND KEEP HIM TALKING ‐‐ 209 00:10:40,140 --> 00:10:42,880 FORM A REAL GOOD IMPRESSION OF HOW HE SEEMS. 210 00:10:42,910 --> 00:10:45,050 SURE. 211 00:10:45,080 --> 00:10:47,450 I’LL DO IT RIGHT NOW. 212 00:10:47,490 --> 00:10:49,330 YEAH, GO AHEAD AND DO IT. 213 00:11:02,630 --> 00:11:04,770 PAT DIDN’T CARE ENOUGH ABOUT BUSINESS 214 00:11:04,800 --> 00:11:07,440 TO GET JACKED UP OVER IT. 215 00:11:07,470 --> 00:11:10,170 HIS PARTNER AND HIM GET ALONG? 216 00:11:10,210 --> 00:11:13,010 THAT’S NOT WHAT HAPPENED. DAVE AND HIM GOT ALONG GOOD. 217 00:11:13,040 --> 00:11:16,780 THIS GUY LIKED TO HANG OUT, HAVE A DRINK, CHASE TAIL. 218 00:11:16,820 --> 00:11:19,020 YOU’RE SAYING THAT’S WHAT GOT HIM KILLED? 219 00:11:19,050 --> 00:11:21,020 SOMETHING IN THAT AREA. 220 00:11:21,050 --> 00:11:22,780 HIS PARTNER MENTIONED DINO FERRERA’S OLD GIRLFRIEND. 221 00:11:22,820 --> 00:11:25,120 YEAH, PAT WAS PUTTING IT TO ANGELA. 222 00:11:25,160 --> 00:11:26,360 DINO KNOW ABOUT IT? 223 00:11:26,390 --> 00:11:28,120 WHO’S TO SAY? 224 00:11:28,160 --> 00:11:31,060 HE DIDN’T KNOW THAT PAT WAS PUTTING IT TO ANGELA LAST NIGHT. 225 00:11:31,100 --> 00:11:33,240 YOU WITNESSED THIS? 226 00:11:33,260 --> 00:11:35,230 INADVERTENTLY. THEY THOUGHT I’D LEFT. 227 00:11:35,270 --> 00:11:37,010 THIS WAS A HOT, ONGOING THING? 228 00:11:37,040 --> 00:11:39,680 SAKE OF DISCUSSION ‐‐ IF THAT RAT BASTARD DINO 229 00:11:39,700 --> 00:11:41,670 WAS RESPONSIBLE FOR HAVING PAT WHACKED, 230 00:11:41,710 --> 00:11:44,350 WOULD THAT RAT BASTARD’S PLEA BARGAIN COVER IT? 231 00:11:44,380 --> 00:11:47,590 A PLEA BARGAIN, JOE, COVERS CRIMES THAT HAVE PASSED. 232 00:11:47,610 --> 00:11:50,350 YEAH, NEW CRIMES AREN’T COVERED. 233 00:11:50,380 --> 00:11:53,250 I’D TAKE A HARD LOOK AT HIM. 234 00:11:53,280 --> 00:11:56,690 HE COULD’VE REACHED OUT FROM THE JOINT. 235 00:11:56,720 --> 00:11:58,690 YOU COMING FROM ANY PERSONAL ANIMOSITY 236 00:11:58,720 --> 00:12:00,760 WITH THAT SUGGESTION ABOUT DINO, JOE? 237 00:12:00,790 --> 00:12:02,690 NO. 238 00:12:02,730 --> 00:12:05,300 I LOOKED AT THAT CHEESE‐EATING SCUMBAG ON THE MERITS. 239 00:12:09,770 --> 00:12:11,730 CAN’T BE ABOUT A CASE. 240 00:12:11,770 --> 00:12:14,400 NO. THE BOSS REACHED OUT TO BALDWIN. 241 00:12:14,440 --> 00:12:16,070 WELL, WHATEVER IT’S ABOUT, 242 00:12:16,110 --> 00:12:18,820 IF I’D KNOWN I’D BE STAYING AWAY FROM MY DESK THIS LONG, 243 00:12:18,840 --> 00:12:20,640 I’D HAVE TAKEN MY PURSE. 244 00:12:20,680 --> 00:12:23,480 I KNOW HE’S GOT A MESSAGE MACHINE. 245 00:12:23,510 --> 00:12:27,420 AND IF HE HAS A DOG, WE’RE DRIVING HIM CRAZY. 246 00:12:27,450 --> 00:12:29,450 I KNOW WHERE LIEUTENANT ABNER LIVES. 247 00:12:29,490 --> 00:12:31,830 I DROPPED HIM WHEN HIS CAR WAS GETTING FIXED. 248 00:12:31,860 --> 00:12:33,770 WHY DON’T I RUN OVER THERE? 249 00:12:33,790 --> 00:12:35,460 NO, I’M GOING TO. 250 00:12:40,500 --> 00:12:42,630 YEAH, THEY CALLED ME ABOUT MY CAR 251 00:12:42,670 --> 00:12:44,140 LEAVING SOME CAR ACCIDENT. 252 00:12:44,170 --> 00:12:46,200 SAID TO SEE DETECTIVE KIRKENDALL. 253 00:12:46,240 --> 00:12:47,550 YOU PAUL MATSON? 254 00:12:47,570 --> 00:12:49,200 UH‐HUH. 255 00:12:49,240 --> 00:12:50,870 HI, I’M DETECTIVE KIRKENDALL. 256 00:12:50,910 --> 00:12:53,980 THIS IS MY PARTNER DETECTIVE RUSSELL. 257 00:12:54,010 --> 00:12:56,480 HEY, MY CAR DIDN’T LEAVE NO ACCIDENT. 258 00:12:56,510 --> 00:12:58,050 EXCUSE ME. 259 00:12:58,080 --> 00:13:00,350 LOST TIME, JOHN. 260 00:13:02,520 --> 00:13:04,820 LET’S TALK ABOUT IT IN HERE, PAUL. 261 00:13:04,860 --> 00:13:07,330 I’M THE ONLY ONE THAT DRIVES MY CAR, 262 00:13:07,360 --> 00:13:09,490 AND I DEFINITELY WOULD’VE NOTICED IF I’D LEFT. 263 00:13:09,530 --> 00:13:10,770 HERE WE GO. 264 00:13:15,730 --> 00:13:17,200 THAT’S OUR CONVERSATION. 265 00:13:17,240 --> 00:13:18,810 YEAH. 266 00:13:23,580 --> 00:13:25,280 ACTUALLY, PAUL, 267 00:13:25,310 --> 00:13:27,440 WE NEED SOMETHING ELSE STRAIGHTENED OUT. 268 00:13:27,480 --> 00:13:29,210 COULDN’T BE. I GOT IT. 269 00:13:29,250 --> 00:13:31,120 THIS ISN’T ABOUT YOUR CAR, PAUL. 270 00:13:31,150 --> 00:13:32,880 NOT MY MUSTANG? 271 00:13:32,920 --> 00:13:33,960 NOT ANY CAR. 272 00:13:33,990 --> 00:13:35,390 THEN WHAT? 273 00:13:35,420 --> 00:13:36,790 THIS IS ABOUT SHANICE. 274 00:13:36,820 --> 00:13:38,550 SHE SAYS YOU RAPED HER. 275 00:13:38,590 --> 00:13:40,790 THAT BITCH IS LUCKY I’M NOT FILING A COMPLAINT 276 00:13:40,830 --> 00:13:42,470 ON HER STEALING MY NECK CHAIN. 277 00:13:42,490 --> 00:13:44,990 TRY NOT CALLING HER A BITCH. 278 00:13:45,030 --> 00:13:47,100 IT MAKES US FEEL YOU GOT ANGER TOWARD WOMEN. 279 00:13:47,130 --> 00:13:49,430 I WANT TO TALK TO MEN DETECTIVES. 280 00:13:49,470 --> 00:13:51,280 YOU DON’T GET TO PICK. 281 00:13:51,300 --> 00:13:52,600 TAKE IT EASY, DIANE. 282 00:13:52,640 --> 00:13:55,850 I DON’T HAVE TO LISTEN TO THAT CRAP. 283 00:13:55,870 --> 00:13:58,770 I TALK TO MEN DETECTIVES, OR I AIN’T TALKING TO NOBODY. 284 00:13:58,810 --> 00:14:01,510 MATTER OF FACT, I’M ONLY TALKING TO AN AFRICAN‐AMERICAN. 285 00:14:01,550 --> 00:14:03,190 HE ONLY TALKS TO A BROTHER. 286 00:14:03,210 --> 00:14:05,510 DIANE, EASY. 287 00:14:05,550 --> 00:14:07,980 LOOK, UH, WE’LL SEE WHAT WE CAN DO. 288 00:14:16,160 --> 00:14:17,730 HOME ‐‐ ALL NIGHT. 289 00:14:17,760 --> 00:14:20,160 WHAT ARE YOU GOING TO LIE ABOUT THAT FOR? 290 00:14:20,200 --> 00:14:22,400 WE KNOW YOU WERE AT THE CLUB. 291 00:14:22,430 --> 00:14:24,570 WE KNOW PAT MULLEN THREW A HUMP INTO YOU 292 00:14:24,600 --> 00:14:26,840 ON TOP OF THE BAR. 293 00:14:26,870 --> 00:14:29,000 WHY DON’T YOU ASK WHOEVER SAW US 294 00:14:29,040 --> 00:14:31,410 WHETHER PAT WAS FINE WHEN I LEFT? 295 00:14:31,440 --> 00:14:33,580 THE TWO OF YOU DIDN’T HAVE NO DISAGREEMENT ‐‐ 296 00:14:33,610 --> 00:14:35,240 PERHAPS PERTAINING TO DINO? 297 00:14:35,280 --> 00:14:38,580 PAT AND I NEVER FOUGHT. WE NEVER HAD A CROSS WORD. 298 00:14:38,620 --> 00:14:40,260 PATRICK WAS A GENTLEMAN. 299 00:14:40,280 --> 00:14:41,950 HOW ABOUT DINO? 300 00:14:44,720 --> 00:14:46,250 DINO HAD OTHER QUALITIES. 301 00:14:46,290 --> 00:14:48,260 DO YOU SAY THAT AFFECTIONATELY, ANGELA, 302 00:14:48,290 --> 00:14:51,060 OR, LIKE, WITH SOME TYPE OF HOSTILITY TOWARD DINO? 303 00:14:51,100 --> 00:14:53,740 HOW DO MY FEELINGS TOWARDS DINO 304 00:14:53,770 --> 00:14:55,740 PERTAIN TO PAT GETTING KILLED? 305 00:14:55,770 --> 00:14:58,810 HOW ABOUT ’CAUSE WE’RE WONDERING IF MAYBE IT WAS DINO 306 00:14:58,840 --> 00:15:01,310 WHO PUSHED THE BUTTON ON PAT? 307 00:15:01,340 --> 00:15:03,300 OH, COME ON. 308 00:15:03,340 --> 00:15:05,310 THAT DON’T MAKE SENSE TO YOU, ANGELA ‐‐ 309 00:15:05,340 --> 00:15:07,740 DINO GETS RESENTFUL OVER YOU THINKING THAT PAT’S 310 00:15:07,780 --> 00:15:10,150 SUCH A SWEETHEART AND A GENTLEMAN 311 00:15:10,180 --> 00:15:12,410 THAT YOU’RE THROWING HUMPS INTO HIM IN PUBLIC PLACES? 312 00:15:12,450 --> 00:15:14,080 IT DON’T MAKE SENSE. 313 00:15:14,120 --> 00:15:16,250 WITH HIM RATTING EVERYONE OUT, WHO’S GOING TO ANSWER 314 00:15:16,290 --> 00:15:18,100 ANY BUTTON DINO PUSHES? 315 00:15:18,120 --> 00:15:20,490 THIS IS ANGELA THINKING DINO WOULD BE RESTRICTING HIMSELF 316 00:15:20,520 --> 00:15:23,160 TO REACHING OUT TO MOB GUYS EXCLUSIVELY. 317 00:15:23,190 --> 00:15:25,630 THERE’S GUYS ON DINO’S TIER, GOT BUDDIES OUTSIDE 318 00:15:25,660 --> 00:15:28,200 WHO’LL DO A HIT FOR 500 BUCKS, 319 00:15:28,230 --> 00:15:30,630 AND THEY NEVER EVEN HEARD OF DON CORLEONE. 320 00:15:30,670 --> 00:15:33,000 ANYWAYS, THAT’S NOT WHERE DINO’S AT THESE DAYS. 321 00:15:34,240 --> 00:15:36,040 HE’S BEEN ENCOURAGING ME TO DATE. 322 00:15:36,070 --> 00:15:38,040 REALLY? WE’LL BE TALKING TO HIM. 323 00:15:38,080 --> 00:15:40,390 WE’LL BE SURE TO LET DINO KNOW 324 00:15:40,410 --> 00:15:43,310 WHO GAVE PAT MULLEN HIS LAST PIECE OF ASS ON EARTH. 325 00:15:43,350 --> 00:15:45,890 DO NOT DRIVE THAT MAN ANY FURTHER INTO DESPAIR. 326 00:15:45,920 --> 00:15:48,730 IF YOU TALK TO HIM, YOU’RE GOING TO SEE. 327 00:15:48,750 --> 00:15:52,050 THE DINO OF TODAY IS NOT THE DINO OF THE PAST. 328 00:15:52,090 --> 00:15:54,890 I KNOW. I VISIT HIM EVERY TWO WEEKS. 329 00:15:54,930 --> 00:15:57,940 HE NEVER EVEN ASKS TO SEE MY TITS ANYMORE. 330 00:16:00,230 --> 00:16:01,860 A PERFECT GENTLEMAN. 331 00:16:01,900 --> 00:16:04,770 I DON’T KNOW IF WE’RE EVER GOING TO SOLVE THE HOMICIDE, 332 00:16:04,800 --> 00:16:07,770 BUT I GUARANTEE YOU WE ARE GOING TO BE INTERVIEWING 333 00:16:07,810 --> 00:16:10,550 A PROCESSION OF PEOPLE WHO WERE DAMAGED BY THIS ASSHOLE PAT. 334 00:16:10,580 --> 00:16:12,280 THIS IS A CASE 335 00:16:12,310 --> 00:16:14,610 WHERE THE TRUE PERPETRATOR IS THE D. O. A. 336 00:16:14,650 --> 00:16:16,220 ON AN UNRELATED SUBJECT, 337 00:16:16,250 --> 00:16:18,890 THAT DINO MUST HAVE SOME SET OF PROBLEMS 338 00:16:18,920 --> 00:16:20,930 TO TURN DOWN A LOOK AT HER TITS. 339 00:16:25,260 --> 00:16:27,470 ALL RIGHT. 340 00:16:27,490 --> 00:16:29,390 BALDWIN JONES. 341 00:16:29,430 --> 00:16:30,970 ALL RIGHT. PAUL MATSON. 342 00:16:31,000 --> 00:16:32,340 MY PARTNER GREG MEDAVOY. 343 00:16:32,360 --> 00:16:34,100 HOW’S IT GOING, PAUL? 344 00:16:34,130 --> 00:16:36,430 LOOK, MAN, I COULDN’T BE STRAIGHT UP 345 00:16:36,470 --> 00:16:38,680 WITH THEM DETECTIVES I WAS TALKING TO. 346 00:16:38,700 --> 00:16:40,440 YOU KNOW HOW THAT GOES. 347 00:16:40,470 --> 00:16:42,440 SURE. 348 00:16:42,470 --> 00:16:45,170 SO, UH, TELL ME ABOUT LAST NIGHT. 349 00:16:45,210 --> 00:16:47,280 THIS IS ABOUT THE GIRL BEING FREAKED OUT 350 00:16:47,310 --> 00:16:49,440 ’CAUSE ME AND HER ARE ON THE DOWNSIDE. 351 00:16:49,480 --> 00:16:50,950 YOU DIDN’T RAPE HER? 352 00:16:50,980 --> 00:16:53,180 I’VE BEEN HITTING THAT THING FOR THREE MONTHS. 353 00:16:53,220 --> 00:16:55,530 WHAT WOULD I BE NEEDING TO RAPE HER FOR? 354 00:16:55,550 --> 00:16:57,520 SO HER BEING SO WILLING, PAUL, 355 00:16:57,560 --> 00:17:00,200 HOW COME SHANICE WINDS UP WITH A BLACK EYE? 356 00:17:00,220 --> 00:17:02,460 BY HER LIFTING MY GOLD CHAIN FROM THE NIGHTSTAND. 357 00:17:02,490 --> 00:17:04,890 THAT’S GOT MY ST. CHRISTOPHER. 358 00:17:04,930 --> 00:17:06,900 MY MOMS GAVE ME THAT. 359 00:17:06,930 --> 00:17:09,230 SO, UH, YOU HIT HER TO GET IT BACK? 360 00:17:09,270 --> 00:17:11,510 NO, MAN, IT AIN’T LIKE THAT. 361 00:17:11,540 --> 00:17:15,010 HER TAKING THE CHAIN WAS JUST PART OF HER GOING PSYCHO. 362 00:17:15,040 --> 00:17:17,410 SHE STARTED SPITTING AND SCREAMING AND BEATING ME. 363 00:17:17,440 --> 00:17:18,740 WHY? 364 00:17:18,780 --> 00:17:21,750 ’CAUSE I WAS LETTING HER KNOW THAT WAS IT FOR US. 365 00:17:21,780 --> 00:17:23,750 YOU KNOW, AFTER I FREAKED HER. 366 00:17:23,780 --> 00:17:26,180 SO YOU’RE SAYING THAT YOU BROKE UP WITH SHANICE, 367 00:17:26,220 --> 00:17:27,760 SHE STARTED HITTING YOU, 368 00:17:27,790 --> 00:17:30,460 AND YOU GAVE HER A BLACK EYE FENDING HER OFF? 369 00:17:30,490 --> 00:17:32,350 YEAH. I’M TALKING ABOUT BEATING ME ON MY HEAD. 370 00:17:32,390 --> 00:17:35,590 I HAD TO GRAB SOME HANDCUFFS ‐‐ 371 00:17:35,630 --> 00:17:38,570 FIX HER TO THE RADIATOR TILL SHE CALMED DOWN. 372 00:17:38,600 --> 00:17:40,970 MM‐HMM. NOW, YOU KEEP THESE HANDCUFFS LYING AROUND? 373 00:17:41,000 --> 00:17:42,730 WELL, MY BROTHER HENRY ‐‐ 374 00:17:42,770 --> 00:17:44,910 HE’S A CORRECTIONS OFFICER DOWN AT THE TOMBS ‐‐ 375 00:17:44,940 --> 00:17:46,240 THEY’RE HIS CUFFS. 376 00:17:46,270 --> 00:17:48,070 TURNS OUT I DIDN’T HAVE THE KEY. 377 00:17:48,110 --> 00:17:51,150 MY BROTHER WAS ON SHIFT. I COULDN’T CALL NO LOCKSMITH. 378 00:17:51,180 --> 00:17:52,920 NAKED WOMAN CUFFED TO MY RADIATOR... 379 00:17:52,940 --> 00:17:54,080 HE MIGHT NOT UNDERSTAND. 380 00:17:54,110 --> 00:17:55,640 EXACTLY. 381 00:17:55,680 --> 00:17:58,480 SO I GAVE HER A WARM BLANKET, SOME WATER, 382 00:17:58,520 --> 00:18:00,830 A CUP TO PEE IN ‐‐ FIRST THING THIS MORNING 383 00:18:00,850 --> 00:18:04,090 I WENT OUT AND GOT A METAL DRILL BIT, 384 00:18:04,120 --> 00:18:05,820 CAME BACK, CUT HER LOOSE. 385 00:18:05,860 --> 00:18:08,430 WELL, PAUL, WE STILL GOT SHANICE SAYING RAPE. 386 00:18:08,460 --> 00:18:11,860 BROTHER, THAT’S THE THING. IT AIN’T JUST MY WORD. 387 00:18:11,900 --> 00:18:14,210 I GOT PROOF THERE WAS NO RAPE. 388 00:18:14,230 --> 00:18:15,800 WHAT KIND OF PROOF? 389 00:18:15,830 --> 00:18:19,640 GOT A VIDEOTAPE ‐‐ ME AND SHANICE BUCK WILD. 390 00:18:19,670 --> 00:18:22,200 YOU CAN SEE FOR YOURSELF SHE WAS INTO IT. 391 00:18:22,240 --> 00:18:24,540 SHE KNEW ABOUT THIS VIDEO? 392 00:18:24,580 --> 00:18:27,550 HELL, NO! GOT THIS RIG SET UP. 393 00:18:27,580 --> 00:18:29,550 COUPLE OF MOTHERBOARDS AND SOME WIRES 394 00:18:29,580 --> 00:18:31,480 THAT RUN THROUGH TO MY VCR. 395 00:18:31,520 --> 00:18:33,560 I GOT THE LENS HIDDEN IN MY CLOSET. 396 00:18:33,590 --> 00:18:36,160 YOU TAPE YOURSELF HAVING SEX? 397 00:18:36,190 --> 00:18:37,660 YES, SIR. 398 00:18:37,690 --> 00:18:38,820 WHY? 399 00:18:38,860 --> 00:18:40,400 IN CASE I’M FALSELY ACCUSED. 400 00:18:40,420 --> 00:18:42,820 THESE BITCHES COME AFTER YOUR NEST EGG. 401 00:18:42,860 --> 00:18:44,990 LOOK WHAT HAPPENED TO TYSON. 402 00:18:45,030 --> 00:18:46,860 CAN WE SEE THIS TAPE? 403 00:18:46,900 --> 00:18:49,260 I’LL CALL MY BROTHER AND HAVE HIM BRING IT. 404 00:18:49,300 --> 00:18:50,530 GIVE HIM A CALL. 405 00:18:50,570 --> 00:18:54,600 ALL RIGHT, GIVE ME THE HORN. 406 00:18:54,640 --> 00:18:55,800 [ KNOCK ON DOOR ] 407 00:20:10,110 --> 00:20:12,750 Andy: HE DOES LOOK GLUM ‐‐ DINO. 408 00:20:12,780 --> 00:20:15,250 SHOULD WE WARM HIM UP WITH A COUPLE JOKES? 409 00:20:15,290 --> 00:20:17,860 HOW’S IT GOING? THANKS FOR BRINGING HIM OVER. 410 00:20:17,890 --> 00:20:21,090 DANNY SORENSON, DINO. MY PARTNER ANDY SIPOWICZ. 411 00:20:21,130 --> 00:20:22,870 DELIGHTED. 412 00:20:22,890 --> 00:20:25,030 COFFEE. 413 00:20:25,060 --> 00:20:26,430 THANKS. 414 00:20:26,460 --> 00:20:28,460 COME ON, WE’LL TALK DOWN HERE. 415 00:20:28,500 --> 00:20:29,830 SWELL. 416 00:20:33,340 --> 00:20:35,150 IT’S HOT IN HERE. 417 00:20:35,170 --> 00:20:37,470 UH, YOU WANT US TO TURN IT DOWN? 418 00:20:37,510 --> 00:20:39,740 NO. IT COULD ABSOLUTELY BE ME. 419 00:20:39,780 --> 00:20:42,980 THEY GOT ME UPSTATE ‐‐ YOU FREEZE YOUR BALLS OFF. 420 00:20:43,010 --> 00:20:45,310 STILL, I’M INTOLERABLY HOT. 421 00:20:45,350 --> 00:20:47,250 HAD YOU DOWN HERE TO TESTIFY? 422 00:20:47,290 --> 00:20:50,260 ENDLESS. CASE AFTER CASE. 423 00:20:50,290 --> 00:20:52,590 WELL, YOU’RE SUCH AN ELOQUENT WITNESS. 424 00:20:52,620 --> 00:20:55,760 IS THAT SOME IMPLICATION? 425 00:20:55,790 --> 00:20:57,760 NEVER. NO. 426 00:20:57,800 --> 00:21:01,470 Danny: SO, WE JUST GOT A FEW QUESTIONS, DINO. 427 00:21:01,500 --> 00:21:03,360 WHERE WERE YOU GOING WITH THAT ‐‐ 428 00:21:03,400 --> 00:21:04,870 I TURN ON MY OWN? 429 00:21:04,900 --> 00:21:07,500 DINO, YOU AND ME PROBABLY DON’T GOT 430 00:21:07,540 --> 00:21:09,870 12 GRADES BETWEEN US, BUT THE LAST I LOOKED, 431 00:21:09,910 --> 00:21:12,310 ELOQUENT WAS LIKE, UH, JOHN KENNEDY. 432 00:21:12,340 --> 00:21:14,640 OH, WHAT YOU CAN DO FOR YOUR COUNTRY... 433 00:21:14,680 --> 00:21:16,480 THERE YOU GO. 434 00:21:16,510 --> 00:21:18,710 Danny: DINO, YOU KNOW PAT MULLEN? 435 00:21:18,750 --> 00:21:20,880 OWNS A PLACE ON LUDLOW. 436 00:21:20,920 --> 00:21:23,890 HAD A COUPLE OF GOOD TIMES WITH A CERTAIN FRIEND. 437 00:21:23,920 --> 00:21:26,320 WHO WITH? WHY? 438 00:21:26,360 --> 00:21:27,830 Danny: ANGELA ZARELLI? 439 00:21:27,860 --> 00:21:30,730 LOOK, I TALK TO YOU OUT OF COURTESY. 440 00:21:30,760 --> 00:21:33,230 YOU TURN YOUR CARDS OVER, I RESPOND, 441 00:21:33,260 --> 00:21:35,260 YOU LET ME GO BACK UPSTATE. 442 00:21:35,300 --> 00:21:37,930 YOU GOT A POLICY ON ANGELA FRATERNIZING, DINO? 443 00:21:37,970 --> 00:21:41,100 HANDS OFF. I WANT THE GIRL TO HAVE A LIFE. 444 00:21:41,140 --> 00:21:43,540 NO FEELINGS WHATSOEVER, HOWEVER SHE MIGHT CARRY ON? 445 00:21:43,580 --> 00:21:45,450 DO I LOOK LIKE STONE? 446 00:21:45,480 --> 00:21:47,790 DO I LOOK LIKE SOME GREEK STATUE? 447 00:21:47,810 --> 00:21:49,880 NO, YOU DON’T. 448 00:21:49,910 --> 00:21:51,610 BUT I’M A REALIST. 449 00:21:51,650 --> 00:21:55,280 I’M ALSO GOING THROUGH A VERY DOWN TIME WITH MY, UH... 450 00:21:55,320 --> 00:21:57,550 RELATIONSHIP ABILITIES, 451 00:21:57,590 --> 00:21:59,960 WHICH I’M HALF WORRIED HAS TO DO 452 00:21:59,990 --> 00:22:02,620 WITH WHAT THEY’RE FEEDING ME UP THERE. 453 00:22:02,660 --> 00:22:05,790 SHE WAS SCREWING PAT MULLEN? 454 00:22:05,830 --> 00:22:08,100 SHE WAS SEEN TALKING TO HIM IS ALL. 455 00:22:08,130 --> 00:22:11,670 BIG REP LIKE YOU GOT, WE FIGURED WE TAKE A FLIER ‐‐ 456 00:22:11,700 --> 00:22:14,500 DID YOU REACH OUT FOR PAT FROM UPSTATE 457 00:22:14,540 --> 00:22:16,940 IN A FIT OF HOMICIDAL RAGE? 458 00:22:16,980 --> 00:22:18,950 HEY, THE DINO OF TODAY 459 00:22:18,980 --> 00:22:21,720 IS NOT THE DINO YOU GUYS MUST HAVE HEARD ABOUT. 460 00:22:23,210 --> 00:22:24,780 HEY, WHO IS? 461 00:22:24,820 --> 00:22:27,130 I HAMMERED IT HOME TO THIS GUY 462 00:22:27,150 --> 00:22:29,120 THAT THAT ANGELA WAS BANGING MULLEN. 463 00:22:29,150 --> 00:22:31,520 HE’S TOTALLY UNRELATED TO THE CASE, THIS DINO? 464 00:22:31,560 --> 00:22:32,960 TOTALLY UNRELATED, 465 00:22:32,990 --> 00:22:36,120 AND THE COMPLETE DEPRESSION ANYHOW. 466 00:22:36,160 --> 00:22:38,190 WE’RE DONE WITH HIM. THANKS A LOT. 467 00:22:38,230 --> 00:22:40,630 HEY, TELL THEM UPSTATE THEY MIGHT TRY CUTTING DOWN 468 00:22:40,670 --> 00:22:42,340 ON DINO’S DOSE OF SALTPETER. 469 00:22:53,380 --> 00:22:55,590 THIS PAUL’S BROTHER ‐‐ THAT’S THE PRISON GUARD... 470 00:22:55,610 --> 00:22:58,010 THE GUY PAUL HAD BRING THE TAPE IN? 471 00:22:58,050 --> 00:23:00,080 YEAH. HE OBVIOUSLY FEELS PAUL’S AN ASSHOLE. 472 00:23:00,120 --> 00:23:03,020 HE SAID, "WHAT KIND OF TROUBLE IS MY BROTHER IN NOW?" 473 00:23:03,050 --> 00:23:04,950 HE DIDN’T KNOW WHAT’S ON THE TAPE? 474 00:23:04,990 --> 00:23:07,060 SO HE’S IN THE SAME BOAT WITH US. 475 00:23:07,090 --> 00:23:09,360 WHO? 476 00:23:09,390 --> 00:23:11,690 WE DON’T KNOW WHAT’S ON THE TAPE, EITHER, BALDWIN ‐‐ 477 00:23:11,730 --> 00:23:14,260 IF HE’S HAVING CONSENSUAL SEX WITH THIS GIRL 478 00:23:14,300 --> 00:23:16,300 OR BEATING ON HER OR WHAT. 479 00:23:27,680 --> 00:23:30,080 OOH, YOU FINALLY MADE THE BED, HUH? 480 00:23:30,110 --> 00:23:31,980 SO, WHERE’S MY COOLER? 481 00:23:32,020 --> 00:23:33,760 I’LL GET YOU YOUR WINE COOLER 482 00:23:33,790 --> 00:23:35,990 AS SOON AS I GET MY PROPS. 483 00:23:36,020 --> 00:23:38,490 YOU WALKED RIGHT PAST THE LIQUOR STORE 484 00:23:38,520 --> 00:23:41,320 AND DIDN’T STOP TO BUY ME MY COOLERS? 485 00:23:41,360 --> 00:23:43,320 THAT’S ’CAUSE I HAD MY MIND... 486 00:23:43,360 --> 00:23:44,930 YOU KNOW WHAT? 487 00:23:44,960 --> 00:23:47,360 I’M GOING TO WATCH THIS AFTERWARDS. 488 00:23:51,400 --> 00:23:53,870 [ LAUGHING ] 489 00:23:53,910 --> 00:23:55,850 HARD TO CALL THAT RESISTANCE. 490 00:23:57,410 --> 00:23:59,910 OF COURSE, SHE HASN’T GOT THAT SHINER YET. 491 00:24:05,580 --> 00:24:07,480 WHAT DID I MISS? 492 00:24:07,520 --> 00:24:10,050 THEY’RE WATCHING THE TAPE IN THE COFFEE ROOM. 493 00:24:10,090 --> 00:24:12,050 SHOULDN’T WE BE WATCHING IT, TOO, D., 494 00:24:12,090 --> 00:24:14,820 IN CASE WE HAVE TO GO BACK AT THE GUY? 495 00:24:14,860 --> 00:24:17,230 YOU WANT TO GO IN THERE, GREG? 496 00:24:17,260 --> 00:24:19,730 GO AHEAD IN AND WATCH IT. 497 00:24:19,760 --> 00:24:22,760 WELL, WE COULD WATCH AFTER THE GIRLS. 498 00:24:22,800 --> 00:24:25,430 WOULD YOU BE MORE COMFORTABLE DOING IT THAT WAY? 499 00:24:25,470 --> 00:24:27,770 I’D BE MORE COMFORTABLE NOT WATCHING WHITE PEOPLE 500 00:24:27,810 --> 00:24:29,750 WATCH BLACK PEOPLE HAVE SEX. 501 00:24:33,650 --> 00:24:35,950 I THINK THAT MAY BE A LITTLE PERSONAL PROBLEM 502 00:24:35,980 --> 00:24:38,150 I NEED TO DEAL WITH ON MY OWN. 503 00:24:41,320 --> 00:24:43,550 WONDER WHERE THE BOSS HAS GOT TO. 504 00:24:43,590 --> 00:24:45,220 YEAH. 505 00:24:45,260 --> 00:24:47,070 I GUESS HE’S WITH LIEUTENANT ABNER. 506 00:24:47,090 --> 00:24:48,990 YEAH, I GUESS SO. 507 00:24:58,800 --> 00:25:02,440 HI. I’M CONCERNED MY HUSBAND’S IN DANGER. 508 00:25:02,470 --> 00:25:05,340 HIS, UM, BUSINESS PARTNER WAS MURDERED THIS MORNING, 509 00:25:05,380 --> 00:25:09,190 AND I’M CONCERNED HE’S IN DANGER, TOO. 510 00:25:09,210 --> 00:25:11,950 I THINK YOU WANT TO SPEAK WITH DETECTIVE SORENSON. 511 00:25:11,980 --> 00:25:13,280 DETECTIVE? 512 00:25:13,320 --> 00:25:15,830 DANNY SORENSON. CAN I HELP YOU? 513 00:25:15,850 --> 00:25:17,490 MY NAME IS SARA LORENZ. 514 00:25:17,520 --> 00:25:20,560 RELATED TO DAVE LORENZ? YEAH, HE’S MY HUSBAND. 515 00:25:20,590 --> 00:25:23,490 THIS IS MRS. LORENZ, ANDY. MY PARTNER ANDY SIPOWICZ. 516 00:25:23,530 --> 00:25:25,500 HOW DO YOU DO? 517 00:25:25,530 --> 00:25:27,230 WE’RE INVESTIGATING THE HOMICIDE. 518 00:25:27,270 --> 00:25:29,110 PAT MULLEN’S MURDER. 519 00:25:29,130 --> 00:25:30,700 MRS. LORENZ IS AFRAID 520 00:25:30,740 --> 00:25:32,780 HER HUSBAND DAVE COULD ALSO BE IN DANGER. 521 00:25:32,800 --> 00:25:34,870 WANT A CUP FROM A BAD BATCH OF COFFEE? 522 00:25:34,910 --> 00:25:37,250 NO, THANK YOU. 523 00:25:39,640 --> 00:25:41,610 WE’RE APPROACHING THIS FOR NOW 524 00:25:41,650 --> 00:25:43,220 AS A ROBBERY WENT WRONG. 525 00:25:43,250 --> 00:25:44,790 I SEE. 526 00:25:44,820 --> 00:25:47,790 IN WHICH CASE YOUR HUSBAND WOULDN’T BE IN ANY DANGER. 527 00:25:47,820 --> 00:25:49,720 I SEE. 528 00:25:49,750 --> 00:25:51,550 THE OTHER HAND, 529 00:25:51,590 --> 00:25:54,790 HIM AND ME ARE OPEN TO SUGGESTIONS, MRS. LORENZ. 530 00:25:54,830 --> 00:25:56,800 I KNOW THEY HAD TO DEAL 531 00:25:56,830 --> 00:25:59,130 WITH, UM, UNDESIRABLE TYPES. 532 00:25:59,160 --> 00:26:01,130 HAD YOUR HUSBAND OR HIS PARTNER 533 00:26:01,170 --> 00:26:03,680 BORROWED ANY MONEY OR THE LIKE FROM SPECIFIC UNDESIRABLES 534 00:26:03,700 --> 00:26:05,770 THEY WERE HAVING TROUBLE PAYING BACK? 535 00:26:05,800 --> 00:26:08,270 NO, I‐I DON’T KNOW. 536 00:26:08,310 --> 00:26:10,120 SO THIS ‐‐ THIS WORRY 537 00:26:10,140 --> 00:26:12,510 FOR YOUR HUSBAND BEING IN DANGER, 538 00:26:12,540 --> 00:26:14,810 THIS IS MORE LIKE A GENERAL MISGIVING YOU’VE GOT? 539 00:26:17,820 --> 00:26:19,790 MRS. LORENZ, 540 00:26:19,820 --> 00:26:21,780 UNLESS THEY’VE GOT MENTAL PROBLEMS, 541 00:26:21,820 --> 00:26:23,620 PEOPLE DON’T TEND TO MAKE 542 00:26:23,660 --> 00:26:26,030 VOLUNTARY TRIPS INTO THE STATION HOUSE 543 00:26:26,060 --> 00:26:27,630 OFF GENERAL MISGIVINGS. 544 00:26:27,660 --> 00:26:30,630 I THINK I SPEAK FOR ANDY FEELING 545 00:26:30,660 --> 00:26:32,690 SOMETHING SPECIFIC’S CAUSING YOUR WORRIES, MRS. LORENZ. 546 00:26:32,730 --> 00:26:36,330 I DON’T KNOW... 547 00:26:36,370 --> 00:26:40,350 BUT SOMEHOW HE... HE COULD BE UPSET 548 00:26:40,370 --> 00:26:42,740 ABOUT SOME PHONE RECORDS. 549 00:26:42,770 --> 00:26:44,740 WHAT ARE THE PHONE RECORDS FROM? 550 00:26:44,780 --> 00:26:46,750 OUR HOME ‐‐ 551 00:26:46,780 --> 00:26:49,410 BETWEEN OUR HOME AND HIS WORK 552 00:26:49,450 --> 00:26:52,020 AT TIMES WHEN DAVE WASN’T AT HOME. 553 00:26:52,050 --> 00:26:53,550 OR AT WORK, EITHER? 554 00:26:56,960 --> 00:26:59,260 AHEM. SO THESE WOULD BE PHONE CALLS 555 00:26:59,290 --> 00:27:01,920 BETWEEN YOURSELF AND MAYBE HIS PARTNER? 556 00:27:01,960 --> 00:27:04,690 IS THE DANGER YOU’RE WORRIED DAVE’S IN 557 00:27:04,730 --> 00:27:06,260 FROM BEING ARRESTED, MRS. LORENZ? 558 00:27:06,300 --> 00:27:08,540 THAT MAYBE HE WAS SO UPSET 559 00:27:08,570 --> 00:27:11,240 ABOUT THESE PHONE RECORDS YOU’RE DESCRIBING, 560 00:27:11,270 --> 00:27:14,640 DAVE WENT AND DID SOMETHING TO PAT AT THE BAR? 561 00:27:14,670 --> 00:27:16,470 THAT’S MY FEAR. 562 00:27:16,510 --> 00:27:19,250 YOU WERE HAVING AN AFFAIR WITH HIS PARTNER? 563 00:27:19,280 --> 00:27:21,250 THAT’S DAVE’S FEAR. 564 00:27:21,280 --> 00:27:23,850 YOU AND PAT WERE NOT HAVING AN AFFAIR? 565 00:27:28,690 --> 00:27:32,830 OH... I’M SO WORRIED ABOUT DAVE. 566 00:27:32,860 --> 00:27:36,670 HOW’D HE COME TO LOOK AT THE PHONE RECORDS? 567 00:27:36,700 --> 00:27:39,270 HE ASKED TO SEE THEM. 568 00:27:39,300 --> 00:27:42,010 WHEN HE’D HAD TWO SIDECARS, WHICH HE NEVER DOES, 569 00:27:42,030 --> 00:27:46,300 HE MADE ME SHOW THEM, AND... 570 00:27:46,340 --> 00:27:48,550 HE DIDN’T SAY ANYTHING, 571 00:27:48,570 --> 00:27:50,810 AND THEN HE LEFT. 572 00:27:50,840 --> 00:27:52,870 DID HE HAVE A GUN? 573 00:27:52,910 --> 00:27:54,910 I THINK HE TOOK THE GUN WITH HIM. 574 00:27:56,750 --> 00:27:59,880 IT’S MY FAULT. I BROKE HIS HEART. 575 00:27:59,920 --> 00:28:04,320 SAYING HE HAD A BASIS ON HIS FEARS ‐‐ DAVE ‐‐ 576 00:28:04,360 --> 00:28:07,000 ABOUT YOU AND PAT? 577 00:28:07,030 --> 00:28:10,500 HE WAS SO SORROWFUL THAT PAT WAS DEAD. 578 00:28:10,530 --> 00:28:13,530 THAT’S THE ONLY HOPE I HAVE THAT DAVIE DIDN’T... 579 00:28:17,970 --> 00:28:20,470 ALL RIGHT, THANKS VERY MUCH FOR COMING IN. 580 00:28:29,150 --> 00:28:32,460 HE REALLY WAS SO SORROWFUL. 581 00:28:32,480 --> 00:28:35,620 ISN’T THAT A BASIS FOR CAUTIOUS OPTIMISM? 582 00:28:35,650 --> 00:28:38,750 YEAH. MAYBE ALL THIS CAN WORK OUT. 583 00:28:44,660 --> 00:28:47,900 THAT WOMAN ‐‐ SHE COULDN’T FACE THE TRUTH 584 00:28:47,930 --> 00:28:50,170 IF IT JUMPED OUT OF A MAILBOX. 585 00:28:50,200 --> 00:28:52,330 HOW’D YOU GET HER TO THE STAIRS, 586 00:28:52,370 --> 00:28:54,600 TELL HER IT’S THE ROOF? 587 00:28:54,640 --> 00:28:57,940 I PICKED THE HUSBAND UP. WE’RE ASKING HIM TO COME IN. 588 00:28:57,980 --> 00:29:02,190 HE’LL COME IN, THIS POOR MUTT. JUST TELL HIM WE NEED HELP. 589 00:29:02,210 --> 00:29:04,180 SELFISH BASTARD, THIS PAT. 590 00:29:04,220 --> 00:29:06,460 IF HE’D HAVE LIVED, 591 00:29:06,480 --> 00:29:08,850 THEY’D HAVE FIGURED HIM FOR THE JERK HE WAS. 592 00:29:08,890 --> 00:29:11,200 THIS CHARM AND STUFF ‐‐ THAT ONLY LASTS A WHILE. 593 00:29:11,220 --> 00:29:12,850 THEN YOU’RE REVEALED 594 00:29:12,890 --> 00:29:14,820 FOR THE SELFISH DRUNKEN PRICK THAT YOU ARE. 595 00:29:19,730 --> 00:29:21,660 CALL AND GET THIS GUY IN. 596 00:29:38,680 --> 00:29:40,650 PAUL SAYS YOU CAME AT HIM 597 00:29:40,690 --> 00:29:43,230 AFTER HE ACCUSED YOU OF STEALING HIS GOLD CHAIN 598 00:29:43,250 --> 00:29:46,320 AND YOU GOT THE BLACK EYE WHEN HE WAS FIGHTING YOU. 599 00:29:46,360 --> 00:29:48,230 EVEN IF HE WAS LYING, 600 00:29:48,260 --> 00:29:50,990 BECAUSE THE VIDEOTAPE SHOWS THAT YOU DIDN’T TELL THE TRUTH 601 00:29:51,030 --> 00:29:53,730 WHEN YOU SAID HE RAPED YOU, 602 00:29:53,770 --> 00:29:56,940 THE DISTRICT ATTORNEY ISN’T GOING TO CHARGE PAUL WITH RAPE. 603 00:29:56,970 --> 00:29:58,530 HE GAVE ME THAT CHAIN, 604 00:29:58,570 --> 00:30:01,870 AND HE GAVE ME THIS BLACK EYE GETTING OVER ON ME, 605 00:30:01,910 --> 00:30:05,120 AND NO DAMN VIDEOTAPE IS GOING TO SHOW ANY DIFFERENT. 606 00:30:05,140 --> 00:30:08,210 NOW I WANT TO SEE THAT THING. 607 00:30:08,250 --> 00:30:10,120 WHAT’S THAT GOING TO ACCOMPLISH 608 00:30:10,150 --> 00:30:11,610 EXCEPT TO UPSET YOU, SHANICE? 609 00:30:11,650 --> 00:30:13,780 AND HOW ARE YOU SO SURE? 610 00:30:13,820 --> 00:30:15,150 YOU’VE SEEN THE TAPE? 611 00:30:19,490 --> 00:30:21,790 YOU’VE SEEN IT? 612 00:30:21,830 --> 00:30:23,800 I AGREE WITH MY PARTNER. 613 00:30:23,830 --> 00:30:25,730 WITH WHAT THE TAPE SHOWS, 614 00:30:25,760 --> 00:30:28,960 THE D. A.’s OFFICE WON’T PROSECUTE. 615 00:30:29,000 --> 00:30:31,430 THAT DOESN’T MEAN WE DON’T HAVE SYMPATHY 616 00:30:31,470 --> 00:30:33,170 FOR YOUR SITUATION... 617 00:30:33,200 --> 00:30:35,940 OR WE BELIEVE THE REST OF WHAT PAUL’S SAYING. 618 00:30:35,970 --> 00:30:39,110 WE’VE GOT HIM SO WE CAN SEE IF HE’S GOT OTHER CHARGES. 619 00:30:39,140 --> 00:30:42,340 SO YOU TWO SAT THERE AND WATCHED HIM DO ME. 620 00:30:42,380 --> 00:30:44,610 TAKE IT EASY, SHANICE. 621 00:30:44,650 --> 00:30:46,680 WELL, MAYBE BECAUSE IT HAPPENED TO ME, 622 00:30:46,720 --> 00:30:50,150 YOU JUST DON’T THINK IT COUNTS. 623 00:31:01,500 --> 00:31:04,330 THAT’S A LOUSY ONE. 624 00:31:04,370 --> 00:31:06,600 BOYFRIEND’S DEFINITELY SUPPOSED TO BE A COLLAR. 625 00:31:08,370 --> 00:31:10,510 I GUESS SHE, UH, LET HER WOUNDED PRIDE 626 00:31:10,540 --> 00:31:13,110 GET IN THE WAY OF TELLING WHAT HAPPENED STRAIGHT. 627 00:31:15,380 --> 00:31:17,580 ANYWAYS, HE’S GOT NO WARRANTS OUT. 628 00:31:17,620 --> 00:31:19,590 SHOULD WE LET HIM GO? 629 00:31:19,620 --> 00:31:21,850 IF NOBODY NEEDS THE POKEY ROOM, 630 00:31:21,890 --> 00:31:24,600 I WOULDN’T BE IN ANY FRENZY TO LET THAT PRICK GO. 631 00:31:24,620 --> 00:31:27,690 MAYBE THE DRAFT IN THERE WILL GIVE HIM THE FLU. 632 00:31:27,730 --> 00:31:30,540 BALDWIN, IF WE DID SOMETHING TO PISS YOU OFF 633 00:31:30,560 --> 00:31:33,360 WHEN YOU BROUGHT IN THE TAPE, 634 00:31:33,400 --> 00:31:36,270 DIANE AND I WANTED TO APOLOGIZE. 635 00:31:36,300 --> 00:31:38,730 YOU MEAN FOR SITTING THERE BREATHING IN AND OUT? 636 00:31:38,770 --> 00:31:41,300 IT SURE SEEMED LIKE YOU GOT PISSED OFF. 637 00:31:41,340 --> 00:31:44,070 WELL, I’VE GOT SOME WORK TO DO, 638 00:31:44,110 --> 00:31:46,070 TOUGHENING UP MY SKIN. 639 00:31:46,110 --> 00:31:47,740 OH. 640 00:31:47,780 --> 00:31:50,810 HERE I SPEND ALL THIS TIME TRYING TO SOFTEN MINE UP. 641 00:31:50,850 --> 00:31:51,950 I CAN SEE THAT. 642 00:31:57,460 --> 00:31:59,530 ANYWAYS... 643 00:32:03,700 --> 00:32:05,970 BALDWIN. 644 00:32:18,010 --> 00:32:23,210 HE SHOT HIMSELF... 645 00:32:23,250 --> 00:32:26,160 SITTING IN AN EMPTY BATHTUB. 646 00:32:26,180 --> 00:32:28,150 IF HE’D HAVE HAD FAMILY, 647 00:32:28,190 --> 00:32:31,400 I’D HAVE PULLED HIM OUT AND PUT HIM SOMEPLACE ELSE, 648 00:32:31,420 --> 00:32:33,820 MAKE IT LOOK LIKE HE WAS CLEANING HIS GUN, 649 00:32:33,860 --> 00:32:35,490 BUT THERE WAS ‐‐ 650 00:32:35,530 --> 00:32:37,740 THERE WAS NO FAMILY OR PENSION TO PROTECT. 651 00:32:37,760 --> 00:32:41,230 HE WAS FAKING IT JUST TO SAVE HIS REPUTATION ‐‐ 652 00:32:41,270 --> 00:32:42,910 THE SAME COPS 653 00:32:42,930 --> 00:32:44,930 THAT YOU’D BE LOOKING TO PROTECT HIM WITH 654 00:32:44,970 --> 00:32:47,400 WOULD BE THE ONES WHO’D KNOW WHAT YOU DID. 655 00:32:49,570 --> 00:32:51,370 BUT YOU FEEL GUILTY, 656 00:32:51,410 --> 00:32:54,080 NO MATTER WHAT YOU DID OR DIDN’T DO. 657 00:32:56,580 --> 00:32:59,050 YOU DID EVERYTHING YOU COULD. 658 00:32:59,080 --> 00:33:02,050 I HAD CONCERNS, 659 00:33:02,090 --> 00:33:06,130 BUT I COULDN’T SEE A WAY TO CONSTRUCTIVELY INTERVENE. 660 00:33:06,160 --> 00:33:10,240 JUST HAVE TO ACCEPT HOW YOU’RE GOING TO FEEL. 661 00:33:10,260 --> 00:33:12,090 HERE’S AN INTERESTING POINT. 662 00:33:14,100 --> 00:33:15,560 HERE’S AN INTERESTING POINT. 663 00:33:15,600 --> 00:33:17,230 IF HE HAD BEEN WHITE, 664 00:33:17,270 --> 00:33:19,330 I WOULD HAVE NOTIFIED EARLY INTERVENTION. 665 00:33:19,370 --> 00:33:22,440 MAN, WHAT ARE YOU TELLING ME THAT FOR? 666 00:33:22,470 --> 00:33:25,340 I WAS AFRAID HE’D THINK 667 00:33:25,380 --> 00:33:28,520 I WAS TRYING TO COST HIM HIS JOB. 668 00:33:28,550 --> 00:33:31,790 I WAS MORE COMFORTABLE RISKING HIM KILLING HIMSELF 669 00:33:31,820 --> 00:33:35,060 THAN THAT HE’D THINK ABOUT ME THAT WAY. 670 00:33:39,320 --> 00:33:43,520 BUT THAT’S JUST SOMETHING I HAVE TO LIVE WITH. 671 00:33:43,560 --> 00:33:46,230 HE WASN’T GOING TO BE STOPPED. 672 00:33:50,740 --> 00:33:53,510 SO WHERE ARE YOU WITH YOUR CASE? 673 00:33:58,280 --> 00:34:00,420 GIRL MADE THE WRONG COMPLAINT. 674 00:34:00,440 --> 00:34:03,910 THIS GUY BEAT HER AND CHAINED HER TO A RADIATOR. 675 00:34:03,950 --> 00:34:06,580 THE ONE THING HE DIDN’T DO WAS RAPE HER. 676 00:34:06,620 --> 00:34:08,080 SO THE SEX WAS CONSENSUAL. 677 00:34:08,120 --> 00:34:09,690 AND ON TAPE. 678 00:34:09,720 --> 00:34:11,090 HER LYING, 679 00:34:11,120 --> 00:34:13,590 THE DOCTOR WRITING UP THE RAPE COMPLAINT ‐‐ 680 00:34:13,630 --> 00:34:15,530 THERE’S NO WAY TO MAKE HER CREDIBLE 681 00:34:15,560 --> 00:34:17,760 ON THE STUFF THAT DID HAPPEN 682 00:34:17,800 --> 00:34:20,210 AND HER ASSHOLE BOYFRIEND COPS TO. 683 00:34:20,230 --> 00:34:22,200 A LOT OF TIMES, BALDWIN, 684 00:34:22,230 --> 00:34:24,600 A PRECINCT SQUAD’S THE LAST PART OF THE SYSTEM 685 00:34:24,640 --> 00:34:26,410 THAT’S ABOUT JUSTICE, 686 00:34:26,440 --> 00:34:28,980 ABOUT PEOPLE GETTING WHAT THEY DESERVE ‐‐ 687 00:34:29,010 --> 00:34:31,750 VICTIMS AND SKELS. 688 00:34:31,780 --> 00:34:34,250 I’M GOING TO LET THIS PAUL MATSON GO 689 00:34:34,280 --> 00:34:35,810 WITH A WARNING. 690 00:34:35,850 --> 00:34:38,260 THE BOYFRIEND THAT BEAT HER UP AND CHAINED HER? 691 00:34:38,280 --> 00:34:39,980 YEAH, THAT’S HIM. 692 00:34:40,020 --> 00:34:41,420 YEAH. 693 00:34:41,450 --> 00:34:43,350 LET HIM GO WITH A GOOD WARNING. 694 00:34:53,300 --> 00:34:54,970 I’M SORRY. 695 00:34:57,370 --> 00:35:00,040 I’M SORRY FOR YOU, TOO, BALDWIN. 696 00:35:23,600 --> 00:35:26,070 SO, HOW’S IT LOOKING? 697 00:35:26,100 --> 00:35:28,510 WE’RE STARTING TO PUT A FEW THINGS TOGETHER. 698 00:35:28,530 --> 00:35:31,070 UH‐HUH. COULD IT HAVE BEEN DINO FERRERA, YOU THINK, 699 00:35:31,100 --> 00:35:32,700 GETTING IT DONE FROM PRISON? 700 00:35:32,740 --> 00:35:34,380 WE’RE TENDING TO THINK NO. 701 00:35:34,410 --> 00:35:37,880 NO? I MEAN, OUT OF JEALOUSY? 702 00:35:37,910 --> 00:35:40,610 PAT COULDN’T KEEP IT IN HIS PANTS WITH THAT ANGELA. 703 00:35:40,650 --> 00:35:41,950 IT’S NOT LOOKING LIKE THAT. 704 00:35:41,980 --> 00:35:43,710 [ GROANS ] 705 00:35:43,750 --> 00:35:45,710 POOR PAT. 706 00:35:45,750 --> 00:35:48,480 YOU TALK ABOUT WHAT A GREAT GUY HE WAS. 707 00:35:48,520 --> 00:35:50,620 GUYS LIKE THAT MAKE ENEMIES. 708 00:35:50,660 --> 00:35:52,300 PAT? 709 00:35:52,320 --> 00:35:54,560 GO AROUND STICKING IT TO WOMEN 710 00:35:54,590 --> 00:35:56,560 WITH PRIOR RELATIONSHIPS. 711 00:35:56,600 --> 00:35:59,810 GUYS, LOOK, YOU KNOW THE EXPRESSION 712 00:35:59,830 --> 00:36:02,300 "THINKING WITH YOUR JOINT"? 713 00:36:02,330 --> 00:36:05,330 THAT WAS PAT, AND YOU COULDN’T HOLD IT AGAINST HIM. 714 00:36:05,370 --> 00:36:07,940 HEY, IF HE WERE STICKING IT TO MY WIFE, 715 00:36:07,970 --> 00:36:10,110 I COULD HOLD IT AGAINST HIM REAL EASY. 716 00:36:10,140 --> 00:36:11,840 NO, THAT’S ’CAUSE YOU DIDN’T KNOW PAT. 717 00:36:11,880 --> 00:36:14,020 THAT’S THE ONE POINT I’M TRYING TO MAKE. 718 00:36:14,050 --> 00:36:16,120 PAT WAS THE SALT OF THE EARTH, 719 00:36:16,150 --> 00:36:18,120 AND THE LAST THING HE WANTED TO DO 720 00:36:18,150 --> 00:36:21,120 WAS HALF OF THE STUPID STUNTS THAT HE PULLED. 721 00:36:21,150 --> 00:36:23,450 THAT’S WHY I SAY "THINKING WITH YOUR JOINT." 722 00:36:23,490 --> 00:36:25,960 I’D STILL FEEL PISSED OFF. 723 00:36:25,990 --> 00:36:28,520 YEAH, THAT’S BECAUSE YOU DIDN’T KNOW PAT. 724 00:36:28,560 --> 00:36:32,190 YOUR WIFE SARA CAME IN, 725 00:36:32,230 --> 00:36:35,360 WORRIED SICK THAT MAYBE IT WAS YOU THAT KILLED HIM. 726 00:36:35,400 --> 00:36:36,970 I KILLED HIM? 727 00:36:37,000 --> 00:36:38,470 YEAH, SHE WAS WORRIED SICK. 728 00:36:38,500 --> 00:36:40,170 WHAT WAS HER BASIS, 729 00:36:40,200 --> 00:36:42,070 SOME BUSINESS‐TYPE DISAGREEMENT‐TYPE BASIS? 730 00:36:42,110 --> 00:36:43,750 NO, THAT YOU THOUGHT 731 00:36:43,780 --> 00:36:45,920 SHE WAS HAVING AN AFFAIR WITH HIM. 732 00:36:45,940 --> 00:36:49,510 AW, NO, COME ON. COME ‐‐ COME ON. 733 00:36:49,550 --> 00:36:52,080 YOU DIDN’T THINK SHE WAS HAVING AN AFFAIR? 734 00:36:52,120 --> 00:36:56,190 LOOK, I HAVE IRRATIONAL FEARS, ALL RIGHT? 735 00:36:56,220 --> 00:36:58,920 AND I HAD IRRATIONAL FEARS ON THIS SUBJECT 736 00:36:58,960 --> 00:37:02,700 ON THE BASIS THAT PAT’S A VERY CHARISMATIC GUY. 737 00:37:02,730 --> 00:37:04,740 NOW, I MAY NOT BE 738 00:37:04,760 --> 00:37:07,100 IN THE TOP 100 CHARISMATIC GUYS IN AMERICA... 739 00:37:07,130 --> 00:37:09,460 AND PAT TENDS TO THINK WITH HIS JOINT. 740 00:37:12,140 --> 00:37:14,150 LOOK, I LOVE PAT, 741 00:37:14,170 --> 00:37:15,900 AND I LOVE MY WIFE, 742 00:37:15,940 --> 00:37:17,910 AND WHATEVER IRRATIONAL FEARS I HAD 743 00:37:17,940 --> 00:37:19,910 OR IRRATIONAL FEARS THAT SARA MIGHT HAVE HAD 744 00:37:19,940 --> 00:37:21,910 THAT I MIGHT HAVE DONE, 745 00:37:21,950 --> 00:37:24,920 I DID NOT MURDER PAT. 746 00:37:24,950 --> 00:37:27,180 SO LET’S TAKE THAT ONE OFF THE RADAR SCREEN. 747 00:37:34,460 --> 00:37:37,090 I THINK YOU MURDERED HIM. 748 00:37:37,130 --> 00:37:39,760 HEY, I’M SITTING HERE TELLING YOU I DIDN’T DO IT. 749 00:37:39,800 --> 00:37:41,760 I LOVE PAT. 750 00:37:41,800 --> 00:37:44,100 I THINK YOU LOVED HIM AND YOU MURDERED HIM. 751 00:37:44,140 --> 00:37:45,980 YOU WENT TO THE CLUB 752 00:37:46,000 --> 00:37:48,470 WITH THE PHONE RECORDS SHOWING HIM AND YOUR WIFE 753 00:37:48,510 --> 00:37:51,480 TALKING TO EACH OTHER WHEN YOU WERE OUT OF THE HOUSE, 754 00:37:51,510 --> 00:37:54,710 AND YOU ASKED PAT HOW A GUY CHARISMATIC AS HE IS 755 00:37:54,750 --> 00:37:57,160 AND FRIENDS AND PARTNERS WITH YOU 756 00:37:57,180 --> 00:37:59,150 FOR AS LONG AS HE’D BEEN 757 00:37:59,180 --> 00:38:01,320 AND KNOWING HOW YOU LOVED YOUR WIFE, 758 00:38:01,350 --> 00:38:03,480 THINKING WITH HIS DICK OR NOT, 759 00:38:03,520 --> 00:38:05,490 HOW COULD HE DO SOMETHING LIKE THAT? 760 00:38:05,520 --> 00:38:08,220 PAT COULDN’T COME UP WITH A GOOD ENOUGH ANSWER, 761 00:38:08,260 --> 00:38:10,160 MAYBE BECAUSE HE’D BEEN THINKING WITH HIS DICK 762 00:38:10,190 --> 00:38:11,560 RECENTLY WITH ANGELA, 763 00:38:11,600 --> 00:38:13,670 OR MAYBE HIS ANSWER WAS TOO GOOD. 764 00:38:13,700 --> 00:38:15,330 MAYBE HE TOLD YOU, 765 00:38:15,370 --> 00:38:17,740 "HEY, THAT’S ME. THAT’S WHO I AM." 766 00:38:17,770 --> 00:38:20,270 AND YOU KNEW IF YOU DIDN’T KILL HIM, 767 00:38:20,300 --> 00:38:23,400 YOU WOULD FORGIVE HIM EVEN FOR TEARING YOUR LIFE APART. 768 00:38:27,750 --> 00:38:31,560 THAT .38 AT THE CRIME SCENE, MR. LORENZ, 769 00:38:31,580 --> 00:38:34,050 WE GOT LIFTS OFF THE SHELLS IN THE OTHER CHAMBERS. 770 00:38:34,090 --> 00:38:37,330 YOUR PRINTS ARE ON FILE AT THE STATE LIQUOR AUTHORITY. 771 00:38:37,360 --> 00:38:38,800 EARLIER YOU COME FORWARD 772 00:38:38,820 --> 00:38:40,620 BEFORE WE BUILD UP INCRIMINATING EVIDENCE, 773 00:38:40,660 --> 00:38:42,420 IT GOES BETTER FOR YOU. 774 00:38:50,940 --> 00:38:53,340 DON’T GIVE THE MOTIVE TO THE PRESS. 775 00:38:53,370 --> 00:38:54,940 I GOT TWO KIDS. 776 00:38:54,970 --> 00:38:58,540 LET THE KIDS THINK IT WAS A BUSINESS THING. 777 00:39:05,150 --> 00:39:07,780 YOU DID NOT INTEND FOR THIS TO HAPPEN. 778 00:39:07,820 --> 00:39:10,790 THAT GUN WAS AT THE CLUB. 779 00:39:10,820 --> 00:39:12,890 YOU DID NOT BRING THAT GUN WITH YOU. 780 00:39:14,890 --> 00:39:18,190 ALL RIGHT. 781 00:39:18,230 --> 00:39:20,330 THANKS FOR THE TIP. 782 00:39:27,940 --> 00:39:31,010 I’VE HAD ALL OF THIS CELL I NEED. 783 00:39:31,040 --> 00:39:34,080 YEAH, WE’RE GOING TO LET YOU GO NOW, PAUL. 784 00:39:34,110 --> 00:39:36,080 OPEN THIS UP. 785 00:39:36,110 --> 00:39:38,510 IF ALL YOUR PROPERTIES ARE IN THERE, 786 00:39:38,550 --> 00:39:40,420 SIGN THE OUTSIDE OF THE ENVELOPE. 787 00:39:40,450 --> 00:39:42,680 VIDEO SET YOU STRAIGHT? 788 00:39:42,720 --> 00:39:45,590 SHANICE LIED ON ME RAPING HER. 789 00:39:45,620 --> 00:39:48,190 I WANT TO GIVE YOU A GOOD WARNING OVER HITTING SHANICE 790 00:39:48,230 --> 00:39:50,200 AND CHAINING HER UP LIKE YOU DID. 791 00:39:50,230 --> 00:39:52,360 THAT WAS A SPUR‐OF‐THE‐MOMENT‐ TYPE THING, 792 00:39:52,400 --> 00:39:53,940 HER COMING AT ME. 793 00:39:53,970 --> 00:39:56,110 SEE, THIS HERE IS MY ST. CHRISTOPHER 794 00:39:56,130 --> 00:39:58,200 I WAS TELLING YOU ABOUT. 795 00:39:58,240 --> 00:40:01,150 HEY, SURE THERE WASN’T A $100 BILL IN THERE? 796 00:40:01,170 --> 00:40:02,570 I DIDN’T FIND $100, PAUL. 797 00:40:02,610 --> 00:40:04,420 WELL, I GUESS I’LL SIGN. 798 00:40:04,440 --> 00:40:06,410 YOU KNOW, ’CAUSE I TELL YOU, 799 00:40:06,440 --> 00:40:08,410 IF SHANICE FILED A COMPLAINT, 800 00:40:08,450 --> 00:40:11,090 THAT’S SOMETHING WE WOULD DEFINITELY COLLAR YOU FOR. 801 00:40:11,120 --> 00:40:12,760 EASY, MY BROTHER. 802 00:40:12,780 --> 00:40:14,750 WHAT’S THE MATTER? I HEARD YOU. 803 00:40:14,790 --> 00:40:18,100 A BROTHER YOUR SIZE NEEDS TO KNOW HIS OWN STRENGTH. 804 00:40:18,120 --> 00:40:20,920 DID YOU THINK ABOUT THAT WHEN YOU WERE SMACKING SHANICE 805 00:40:20,960 --> 00:40:23,090 AND CHAINING HER LIKE YOU DO A DOG? 806 00:40:23,130 --> 00:40:25,100 I’M TALKING ABOUT YOU SMACKING YOUR HAND 807 00:40:25,130 --> 00:40:26,760 DOWN ON MY SHOULDER. 808 00:40:26,800 --> 00:40:29,000 IF I WANTED TO BREAK YOUR SHOULDER, 809 00:40:29,030 --> 00:40:30,770 YOU’D HAVE A BROKEN SHOULDER NOW, PAUL. 810 00:40:30,800 --> 00:40:33,470 I WAS TRYING TO GET YOU TO PAY ATTENTION. 811 00:40:33,500 --> 00:40:34,800 HAVE I GOT IT NOW? 812 00:40:34,840 --> 00:40:36,540 YEAH, MAN, YOU’VE GOT IT. 813 00:40:36,580 --> 00:40:38,720 HITTING THAT GIRL, CHAINING HER UP, 814 00:40:38,740 --> 00:40:41,380 HIDING CAMERAS, TAPING YOURSELF HAVING SEX ‐‐ 815 00:40:41,410 --> 00:40:43,310 IT’S THE SAME THING. 816 00:40:43,350 --> 00:40:45,160 YOU’VE GOT A PROBLEM, PAUL. 817 00:40:45,180 --> 00:40:47,650 IF YOU TAKE IT OUT ON SHANICE AGAIN, 818 00:40:47,690 --> 00:40:50,330 YOU WILL FIND OUT WHAT BROKEN BONES FEEL LIKE. 819 00:40:50,350 --> 00:40:53,820 YOU KEEP THIS UP, I’M GOING TO GET ME A LAWYER. 820 00:40:53,860 --> 00:40:57,060 YOU WANT TO GET YOURSELF A LAWYER? 821 00:40:57,100 --> 00:41:00,510 YOU LOOK IN ONE HALF, I’LL LOOK IN THE OTHER. 822 00:41:00,530 --> 00:41:02,160 ALL RIGHT. 823 00:41:02,200 --> 00:41:04,870 YOU WALK YOURSELF OUT. AND YOU’VE BEEN WARNED! 824 00:41:15,650 --> 00:41:18,120 Jill: HOW’D YOU DO? 825 00:41:18,150 --> 00:41:20,720 HE GAVE IT UP, THIS POOR SCHMUCK DAVE. 826 00:41:20,750 --> 00:41:22,780 ABNER FROM THE VICE UNIT... 827 00:41:22,820 --> 00:41:24,550 YEAH, THAT BALDWIN WORKED FOR. 828 00:41:24,590 --> 00:41:25,920 HE ATE HIS GUN. 829 00:41:28,330 --> 00:41:30,570 YEAH, THIS IS DANNY SORENSON AT THE 15th. 830 00:41:30,600 --> 00:41:32,400 YEAH, WE NEED A D. A. 831 00:41:32,430 --> 00:41:34,930 TO TAKE A STATEMENT IN A HOMICIDE. 832 00:41:40,040 --> 00:41:43,100 I TALKED TO THE GUY, ANYWAY. 833 00:41:43,140 --> 00:41:44,840 GOOD. 834 00:41:44,880 --> 00:41:48,120 YEAH, THANKS VERY MUCH. 835 00:41:48,150 --> 00:41:50,290 HE’D REALLY APPRECIATE A ROOT BEER, 836 00:41:50,310 --> 00:41:52,680 THIS DOPEY DAVE. 837 00:41:52,720 --> 00:41:55,360 ABNER ATE HIS GUN. 838 00:41:55,390 --> 00:41:58,030 YOU WANT ME TO GO DOWN AND GET THE ROOT BEER? 839 00:41:58,060 --> 00:42:00,170 NO, I GOT IT. 840 00:42:04,400 --> 00:42:07,140 AHEM. DO YOU FEEL YOU SHOULD GO IN THERE? 841 00:42:07,170 --> 00:42:09,140 I FIGURE IF HE WANTED COMPANY, 842 00:42:09,170 --> 00:42:11,140 HE WOULDN’T HAVE THE BLINDS CLOSED, ANDY. 843 00:42:11,170 --> 00:42:13,670 YOU’VE NEVER MET ANYBODY COMPLICATED ENOUGH, 844 00:42:13,710 --> 00:42:16,010 HE’D DRAW THE BLINDS SIGNALING HE WANTS COMPANY? 845 00:42:16,040 --> 00:42:18,340 I DON’T THINK THE BOSS IS SIGNALING THAT. 846 00:42:18,380 --> 00:42:20,350 JUST DON’T TAKE THE TONE 847 00:42:20,380 --> 00:42:22,280 IT’S OUT OF THE REALM OF POSSIBILITY. 848 00:42:33,220 --> 00:42:38,130 I GUESS EVERYONE’S HEARD JOE ABNER’S PASSED. 849 00:42:39,900 --> 00:42:41,530 YEAH, THAT’S LOUSY, 850 00:42:41,570 --> 00:42:43,780 NOT THAT HE’D BE HOPING 851 00:42:43,800 --> 00:42:46,300 TO SEE MY NAME FEATURED IN THE VISITORS’ BOOK. 852 00:42:54,010 --> 00:42:55,740 GOOD NIGHT. 853 00:42:55,780 --> 00:42:57,110 GOOD NIGHT. GOOD NIGHT, BOSS. 854 00:43:08,030 --> 00:43:10,600 WOULD YOU WAIT UP? 855 00:43:10,630 --> 00:43:14,330 I DON’T HAVE THE ANSWERS FOR YOU, BALDWIN. 856 00:43:14,370 --> 00:43:19,180 I CAN’T TELL YOU WHY HE DIED. 857 00:43:19,200 --> 00:43:22,470 IT’S ALL RIGHT. 858 00:43:22,510 --> 00:43:25,580 YEAH... 859 00:43:28,410 --> 00:43:31,210 SO, DID YOU GIVE THAT GUY A TALKING‐TO? 860 00:43:31,250 --> 00:43:33,310 YEAH. 861 00:43:33,350 --> 00:43:36,990 YEAH, I GAVE HIM A GOOD TALKING‐TO. 862 00:43:37,020 --> 00:43:39,420 Captioned by VISUAL DATA Your Closed Captioning Resource 63088

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