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1
00:00:22,560 --> 00:00:24,160
HOW’S IT GOING, GREG?
2
00:00:24,200 --> 00:00:25,770
AH, I’M A SOLO ACT.
AH.
3
00:00:25,800 --> 00:00:27,170
MORNING, ANDY.
4
00:00:27,200 --> 00:00:29,600
YOU LOOK LIKE HAM
WITHOUT CHEESE.
5
00:00:29,630 --> 00:00:32,170
I’M A SOLO ACT
WITHOUT JAMES NEXT TO ME.
6
00:00:32,200 --> 00:00:35,640
GUY HAD BEEN IN THE DRUGSTORE.
LOOKS LIKE HE WAS GOING
TO HIS CAR.
7
00:00:35,670 --> 00:00:37,470
CLERK WAS THE ONLY ONE
THAT CAME FORWARD.
8
00:00:37,510 --> 00:00:39,110
YOU SEE
THE SHOOTER?
9
00:00:39,140 --> 00:00:40,880
WHEN I HEARD THE SHOT,
I RAN OUTSIDE
10
00:00:40,910 --> 00:00:42,640
AND THEN CALLED 911.
11
00:00:42,680 --> 00:00:44,980
ANYONE SUSPICIOUS
IN THE STORE JUST BEFORE?
12
00:00:45,020 --> 00:00:47,230
I DIDN’T SEE ANYONE.
13
00:00:51,390 --> 00:00:53,490
AW, JEEZ.
14
00:00:53,520 --> 00:00:55,120
ROBBED.
DID YOU GET HER NUMBER?
15
00:00:55,160 --> 00:00:56,730
YEAH,
ALL HER INFORMATION.
16
00:00:56,760 --> 00:00:58,490
THANK YOU. WE’LL BE
CONTACTING YOU LATER.
17
00:00:58,530 --> 00:00:59,360
Woman: SORRY.
18
00:01:01,330 --> 00:01:04,030
FRANCIS XAVIER COLLINS.
19
00:01:09,210 --> 00:01:10,880
OH, GOD. HE’S A COP!
20
00:01:10,910 --> 00:01:13,210
YOU DIDN’T GO THROUGH
HIS POCKETS?
21
00:01:13,240 --> 00:01:14,880
WE’RE NOT SUPPOSED TO.
22
00:01:14,910 --> 00:01:16,310
ALL RIGHT.
23
00:01:16,350 --> 00:01:20,190
YOU DIDN’T SEE THIS BULGE
ON THE SIDE OF HIS SHIRT?
24
00:01:20,220 --> 00:01:22,920
MILLER, LET ME GET
THE COMMAND CHIEF NOTIFIED.
25
00:01:22,950 --> 00:01:25,350
IF WE GO THROUGH THEIR POCKETS,
HE BREAKS OUR BALLS.
26
00:01:28,730 --> 00:01:31,540
HAD A QUARTER FEELING
THIS WAS A COP.
27
00:01:31,560 --> 00:01:33,700
SO DID MILLER, ANDY.
28
00:01:33,730 --> 00:01:35,760
[ SIGHS ]
29
00:03:11,460 --> 00:03:13,660
HOW ARE YOU DOING, JILL?
30
00:03:13,700 --> 00:03:16,100
ONE FOOT IN FRONT
OF THE OTHER, I GUESS.
31
00:03:16,130 --> 00:03:20,970
HMM. I KEEP WAITING
TO HEAR A BETTER IDEA.
32
00:03:21,010 --> 00:03:23,620
ARE YOUR MOM
AND YOUR BROTHER OKAY?
33
00:03:23,640 --> 00:03:26,340
WAS THAT ONE OF THEM
BEEPING YOU LAST NIGHT?
34
00:03:26,380 --> 00:03:29,490
YEAH, THEY’RE OKAY.
35
00:03:32,820 --> 00:03:35,290
I ASSUME DON MADE IT
OUT OF TOWN,
36
00:03:37,260 --> 00:03:42,520
OR I ASSUME HE WOULD HAVE
REACHED OUT FOR MORE MONEY.
37
00:03:42,560 --> 00:03:45,560
YOU’RE WEARING
BOBBY’S RING.
38
00:03:45,600 --> 00:03:48,310
YEAH, I’M WEARING IT.
39
00:03:48,330 --> 00:03:50,830
NEVER SAW YOU
DO THAT BEFORE.
40
00:03:50,870 --> 00:03:52,600
MM.
41
00:03:54,070 --> 00:03:56,500
[ TELEPHONE RINGS ]
42
00:03:56,540 --> 00:03:59,440
15th SQUAD.
DETECTIVE RUSSELL.
43
00:04:01,780 --> 00:04:06,680
NO, BUT, UH, I CAN RELAY
THE INFORMATION.
44
00:04:06,720 --> 00:04:08,920
UH‐HUH. RIGHT.
45
00:04:08,950 --> 00:04:10,920
HI, GOOD MORNING.
I’M HERE TO SEE
LIEUTENANT FANCY.
46
00:04:10,960 --> 00:04:12,530
IS HE EXPECTING YOU?
47
00:04:12,560 --> 00:04:14,770
I WAS TRANSFERRED
TO THIS SQUAD.
48
00:04:14,790 --> 00:04:16,360
UH, THERE’S
LIEUTENANT FANCY’S OFFICE.
49
00:04:19,960 --> 00:04:21,860
Fancy:
THEY’RE ON THEIR WAY BACK.
50
00:04:21,900 --> 00:04:23,900
I’LL CALL
IF THEY HAVE ANYTHING.
51
00:04:23,940 --> 00:04:25,540
[ KNOCK KNOCK KNOCK ]
52
00:04:25,570 --> 00:04:28,740
ALL RIGHT.
53
00:04:28,770 --> 00:04:31,210
LIEUTENANT FANCY,
I’M BALDWIN JONES.
54
00:04:31,240 --> 00:04:33,680
GOOD TO MEET YOU.
55
00:04:33,710 --> 00:04:35,280
I’M TRANSFERRING
TO YOUR SQUAD.
56
00:04:35,310 --> 00:04:37,880
I GUESS SOMEONE MISSED
MAKING A PHONE CALL.
57
00:04:37,920 --> 00:04:41,130
NOT THE FIRST TIME
THAT’S HAPPENED ON THIS JOB.
58
00:04:41,150 --> 00:04:43,450
UH, ANYWAYS...
59
00:04:48,390 --> 00:04:52,090
SO, BIAS INCIDENT
INVESTIGATIONS UNIT.
60
00:04:52,130 --> 00:04:54,530
YES, SIR.
WE ACCOMPLISHED A LOT,
61
00:04:54,570 --> 00:04:56,540
BUT I WANTED INTO
SOME REAL SQUAD WORK.
62
00:04:56,570 --> 00:04:59,370
I JUST FOUND OUT
WE GOT AN OFF‐DUTY
COP D. O. A.
63
00:04:59,400 --> 00:05:00,600
HOW’D THAT HAPPEN?
64
00:05:00,640 --> 00:05:03,770
LOOKS LIKE A ROBBERY
IN THE STREET.
65
00:05:03,810 --> 00:05:06,610
ALL RIGHT, LET ME
GET YOU INTRODUCED.
GOOD.
66
00:05:06,650 --> 00:05:08,220
TRACK DOWN THAT
COMMUNICATIONS PROBLEM
67
00:05:08,250 --> 00:05:09,490
LATER ON.
68
00:05:14,990 --> 00:05:18,400
D.O.A. SHOT IN THE BACK
AND ROBBED. NO WITNESSES.
69
00:05:18,420 --> 00:05:21,620
WE GO THROUGH HIS EFFECTS,
COME UP WITH A SHIELD.
70
00:05:21,660 --> 00:05:23,830
FRANK COLLINS,
WORKED NARCOTICS
IN MANHATTAN SOUTH.
71
00:05:23,860 --> 00:05:27,100
CHAPLAIN’S OFFICE
IS TRACKING DOWN HIS WIFE.
72
00:05:27,130 --> 00:05:29,630
THIS IS BALDWIN JONES.
HE’S COMING INTO THE SQUAD.
73
00:05:29,670 --> 00:05:31,800
ANDY SIPOWICZ.
HOW’S IT GOING?
74
00:05:31,840 --> 00:05:33,210
JOE PAVELKA SAYS HELLO.
75
00:05:34,670 --> 00:05:37,440
[ Sighs ]
JUST CAME IN ON 911.
76
00:05:39,510 --> 00:05:42,410
TRACE THE CALL
AND GET THE TAPE.
77
00:05:42,450 --> 00:05:43,690
DANNY SORENSON.
78
00:05:43,720 --> 00:05:44,990
GOOD TO MEET YOU, DANNY.
79
00:05:45,020 --> 00:05:46,860
DIANE RUSSELL. MY PARTNER,
JILL KIRKENDALL.
80
00:05:46,890 --> 00:05:48,630
BALDWIN JONES.
HOW YOU DOIN’?
HEY.
81
00:05:48,650 --> 00:05:50,190
GREG MEDAVOY,
BALDWIN.
82
00:05:50,220 --> 00:05:51,690
UH, GOOD TO MEET
YOU, GREG.
83
00:05:51,720 --> 00:05:54,420
AHEM. WHAT’S THAT?
Fancy: ANONYMOUS TIP.
84
00:05:54,460 --> 00:05:57,030
THE D. O. A. AND HIS PARTNER
WERE HAVING AN AFFAIR.
OH, COME ON.
85
00:05:57,060 --> 00:05:58,660
PHONE LINES GO DOWN
86
00:05:58,700 --> 00:06:01,340
BEFORE THE TIPSTER CONVEYED
IF THAT WAS RELEVANT?
87
00:06:01,370 --> 00:06:04,340
GET THE PARTNER. FIND OUT
WHAT COLLINS WAS WORKING ON.
88
00:06:04,370 --> 00:06:05,930
IT’S GONNA BE
SKELLS DID THE HOMICIDE.
89
00:06:05,970 --> 00:06:08,700
YOU AND SORENSON GOT TO
RUN THE TRIANGLE DOWN.
90
00:06:08,740 --> 00:06:11,110
NARCOTICS AND VICE
CAN HELP CHECK THE TRACE.
91
00:06:11,140 --> 00:06:13,270
IF COLLINS WAS INVOLVED
WITH HIS PARTNER, ANDY,
92
00:06:13,310 --> 00:06:16,180
HIS WIFE WON’T WANT TO BE
TALKING TO FEMALE DETECTIVES.
93
00:06:16,210 --> 00:06:17,650
ARE WE BORING YOU?
94
00:06:19,650 --> 00:06:20,650
NO.
95
00:06:22,350 --> 00:06:24,590
I’M GOING TO WANT BALDWIN
PARTNERED WITH GREG.
96
00:06:27,590 --> 00:06:29,830
THAT’LL BE YOURS.
97
00:06:29,860 --> 00:06:31,830
UH, COME ON,
98
00:06:31,860 --> 00:06:33,830
LET’S GET YOU
SITUATED HERE.
99
00:06:33,870 --> 00:06:35,570
EXCUSE ME. EXCUSE ME.
100
00:06:37,700 --> 00:06:39,500
I LOOK FORWARD
TO WORKING WITH YOU.
101
00:06:39,540 --> 00:06:41,580
YEAH, SAME HERE,
BALDWIN.
102
00:06:45,910 --> 00:06:48,640
"JOE PAVELKA SAYS HI."
YOU KNOW WHAT THAT MEANS,
DON’T YOU?
103
00:06:48,680 --> 00:06:50,410
I’D NEED A SECOND
CUP OF COFFEE.
104
00:06:50,450 --> 00:06:53,010
BALDWIN OVER THERE
WORKED IN THE BIAS UNIT.
105
00:06:53,050 --> 00:06:54,480
AH.
106
00:06:54,520 --> 00:06:56,080
YOU KNOW WHAT THAT MEANS.
107
00:06:56,120 --> 00:06:59,050
EVERY WORD FROM NOW ON
YOU GOT TO DRY‐CLEAN.
108
00:06:59,090 --> 00:07:00,420
FRUIT, WINK, WOP ‐‐
109
00:07:00,460 --> 00:07:02,360
GET THEM ALL OUT.
110
00:07:02,390 --> 00:07:05,090
I’M DONE. I SAID MINE
OVER MY MORNING CEREAL.
111
00:07:05,130 --> 00:07:07,430
HE’S STAND‐OFFISH, TOO.
DID YOU GET THAT IMPRESSION?
112
00:07:09,130 --> 00:07:13,000
THIS WAS MY FORMER PARTNER
JAMES MARTINEZ’S DESK.
113
00:07:13,040 --> 00:07:14,210
HUH.
114
00:07:14,240 --> 00:07:15,570
AND THIS WAS HIS CHAIR.
115
00:07:15,610 --> 00:07:18,080
JAMES WENT ON
TO BECOME A SERGEANT.
116
00:07:18,110 --> 00:07:19,710
IS THAT RIGHT?
117
00:07:19,740 --> 00:07:23,140
YOU WANT TO TRY IT OUT,
BALDWIN?
118
00:07:26,280 --> 00:07:27,920
[ CHUCKLES ]
119
00:07:27,950 --> 00:07:29,720
LOOK AT THAT.
IT FITS YOU GOOD.
120
00:07:29,750 --> 00:07:32,550
YOU KNOW, UH,
121
00:07:32,590 --> 00:07:35,560
I GOT TWO COUSINS
LIVE IN BALDWIN, LONG ISLAND,
122
00:07:35,590 --> 00:07:38,690
WHICH IS PROBABLY A LONG SHOT
WHERE YOUR NAME’S DERIVED.
123
00:07:38,730 --> 00:07:41,630
MY MOMS NAMED ME AFTER
THE WRITER JAMES BALDWIN.
124
00:07:41,670 --> 00:07:44,610
HEY. "INVISIBLE MAN."
125
00:07:44,640 --> 00:07:47,380
NO, ACTUALLY, RALPH ELLISON
WAS THE BLACK WRITER THAT
WROTE "INVISIBLE MAN."
126
00:07:47,410 --> 00:07:49,750
AH, YEAH. JAMES BALDWIN.
127
00:07:49,770 --> 00:07:52,140
"GO TELL IT
ON THE MOUNTAIN."
128
00:07:52,180 --> 00:07:53,920
THERE YOU GO, GREG.
129
00:07:53,950 --> 00:07:55,650
NO, ’CAUSE MY WIFE
TOOK THIS COURSE ‐‐
130
00:07:55,680 --> 00:07:57,910
UH, MY FORMER WIFE ‐‐
131
00:07:57,950 --> 00:08:02,480
AND SHE HAD HER BOOKS
STACKED ON OUR NIGHT DRESSER.
132
00:08:02,520 --> 00:08:03,920
SO, ARE WE
HEADING OUT SOON?
133
00:08:03,960 --> 00:08:05,660
YEAH, ANY MINUTE NOW.
134
00:08:11,200 --> 00:08:13,400
IF YOU DON’T MIND,
I LIKE BEING CALLED D.
135
00:08:13,430 --> 00:08:15,000
D.? GOOD.
136
00:08:15,030 --> 00:08:18,900
YEAH, AND, UH,
I LIKE GOING WITH GREG.
137
00:08:18,940 --> 00:08:20,450
OKAY.
138
00:08:22,470 --> 00:08:24,510
Greg: OH, HERE WE GO.
139
00:08:24,540 --> 00:08:26,680
SEE YOU LATER, GUYS.
140
00:08:29,480 --> 00:08:32,280
WAS GREG STYLING?
141
00:08:34,020 --> 00:08:35,920
BALDWIN JONES.
142
00:08:35,950 --> 00:08:38,290
SORRY I DIDN’T SAY HI
EARLIER. I WAS NERVOUS.
143
00:08:38,320 --> 00:08:40,660
JOHN...UH, IRVIN.
144
00:08:44,560 --> 00:08:48,230
HUMPH. THIS MARTINEZ
WITH HIS CAREER AMBITIONS.
145
00:08:49,700 --> 00:08:52,130
HOW’S IT WORKING,
MY FRIEND?
146
00:08:52,170 --> 00:08:54,100
WHAT’S GOING ON, DANNY?
147
00:08:54,140 --> 00:08:55,640
WHAT’S GOING ON, J. B.?
148
00:08:55,670 --> 00:08:58,140
SUN CAME UP,
AM I RIGHT?
149
00:08:58,180 --> 00:09:01,020
LEAVE OUR HEARTS HOME,
BRING OUR BALLS TO THE STREET.
150
00:09:01,050 --> 00:09:02,620
THAT’S DISRESPECTFUL.
151
00:09:02,650 --> 00:09:05,220
OH. ¿CON PERMISSIMO?
152
00:09:05,250 --> 00:09:08,220
NO, WHY DON’T YOU STAND
AND TELL ME WHAT YOU GOT?
153
00:09:08,250 --> 00:09:09,620
JIMMY IPPOLITO.
154
00:09:09,650 --> 00:09:11,950
I GOT ‐‐ I SAW SOMETHING
AROUND THAT COP.
155
00:09:11,990 --> 00:09:14,560
I NEED SOME HELP
TO MOVE HIM.
156
00:09:14,590 --> 00:09:16,560
HOW YOU GOING TO MOVE
JIMMY IPPOLITO?
157
00:09:16,600 --> 00:09:18,870
TRYING TO GET ME
DIVULGING TRADE SECRETS.
158
00:09:18,900 --> 00:09:21,670
JUST THROW ME THE FINANCE,
DANNY, AND LEAVE ME
TO MY WILY WAYS.
159
00:09:21,700 --> 00:09:23,670
JIMMY IPPOLITO’S
A JUNKIE.
160
00:09:23,700 --> 00:09:24,830
SO WHAT?
161
00:09:24,870 --> 00:09:27,340
ARE YOU GOING TO USE
TO MOVE HIM?
162
00:09:27,370 --> 00:09:29,040
WHY SHOULD I USE?
I’LL DO MY ACT, HE’LL DO HIS.
163
00:09:29,070 --> 00:09:30,870
ARE YOU HIGH NOW, J. B.?
164
00:09:30,910 --> 00:09:34,740
WHAT, DID WE SUDDENLY
INTRODUCE A MORALS CLAUSE?
165
00:09:34,780 --> 00:09:36,140
WHEN DID YOU START
USING AGAIN?
166
00:09:36,180 --> 00:09:38,810
I ADMITTED NO GUILT ‐‐ A.
167
00:09:38,850 --> 00:09:41,020
I THOUGHT WE WERE ON THE TRAIL
OF A COP KILLER.
168
00:09:41,050 --> 00:09:44,090
WE ARE. YOU LET YOUR JONES
BRING YOU IN HERE LYING.
169
00:09:44,120 --> 00:09:47,220
MY SMALL SLIP STRIKES
JIMMY IPPOLITO BLIND.
170
00:09:47,260 --> 00:09:48,990
IF JIMMY IPPOLITO
SAW WHAT HAPPENED
TO THAT COP,
171
00:09:49,030 --> 00:09:51,000
HE’D BE UP HERE
LOOKING TO EARN.
172
00:09:51,030 --> 00:09:52,330
BEAT IT, J. B.
173
00:09:52,360 --> 00:09:53,390
BEAT IT?
174
00:09:53,430 --> 00:09:54,830
WALK OUT
175
00:09:54,870 --> 00:09:57,780
AND GET STRAIGHT
BEFORE I SEE YOU AGAIN.
176
00:10:01,940 --> 00:10:04,410
YEAH, WELL, MAYBE
JIMMY IPPOLITO’S NOT UP HERE
177
00:10:04,440 --> 00:10:07,010
BECAUSE HE’S NOT GULLIBLE
LIKE CERTAIN OTHER PEOPLE,
178
00:10:07,050 --> 00:10:08,750
ALL RIGHT, DANNY,
179
00:10:08,780 --> 00:10:12,080
WHO’S HIS FRIEND?
180
00:10:12,120 --> 00:10:15,560
OR CUT HIM SOME SLACK
WHEN HE SLIPS.
181
00:10:17,990 --> 00:10:19,860
GOOD LUCK
FINDING YOUR COP KILLER.
182
00:10:19,890 --> 00:10:21,460
PEOPLE AROUND HERE
183
00:10:21,490 --> 00:10:23,160
GOT THEIR VALUES
ALL UPSIDE DOWN.
184
00:10:41,150 --> 00:10:43,490
Man over Recording:
FRANK COLLINS
WAS CHEATING ON HIS WIFE.
185
00:10:43,510 --> 00:10:46,080
HE WAS HAVING AN AFFAIR
WITH LISA MARANTZ.
186
00:10:46,120 --> 00:10:48,330
LOOK AT THAT PART
OF HIS DEATH.
187
00:10:48,350 --> 00:10:51,090
WHAT THE HELL DOES
THAT MEAN? "LOOK AT THAT
PART OF HIS DEATH"?
188
00:10:51,120 --> 00:10:54,320
NO ONE AT THEIR STATION
RECOGNIZED HIS VOICE.
189
00:10:54,360 --> 00:10:55,720
TALKING THROUGH
A HANDKERCHIEF.
190
00:10:55,760 --> 00:10:57,330
THAT’S SOME GOSSIPING JERK,
191
00:10:57,360 --> 00:10:59,260
DON’T KNOW DICK
ABOUT THIS HOMICIDE.
192
00:10:59,300 --> 00:11:01,270
YOU SAYING WE SHOULDN’T
LOOK AT THE ANGLE?
193
00:11:01,300 --> 00:11:04,070
FEMALE PARTNER COULD’VE
HAD A JEALOUS BOYFRIEND.
194
00:11:04,100 --> 00:11:05,730
WIFE COULD’VE
HIRED SOMEONE.
195
00:11:05,770 --> 00:11:08,740
AND LET’S NOT RULE OUT
THEM TWO LAS VEGAS FRUITCAKES
196
00:11:08,770 --> 00:11:12,510
WITH THEIR MAGICAL TIGER ACT
FOR POSSIBLE SUSPECTS.
197
00:11:12,540 --> 00:11:15,510
DON’T WORRY. WE’LL COME DOWN
ON THE PARTNER AND WIFE
198
00:11:15,550 --> 00:11:17,490
LIKE A TON OF BRICKS.
199
00:11:17,520 --> 00:11:19,760
HI.
200
00:11:19,780 --> 00:11:22,650
GOING TO BE
THE PARTNER.
201
00:11:22,690 --> 00:11:25,960
GOT THAT SHIFTY LOOK
ABOUT HER, TOO.
202
00:11:25,990 --> 00:11:29,520
[ TELEPHONE RINGS ]
203
00:11:29,560 --> 00:11:30,960
ARTHUR FANCY.
204
00:11:31,000 --> 00:11:32,340
HOW’S IT GOING,
LIEUTENANT?
205
00:11:32,360 --> 00:11:35,760
SO I GUESS MY PHONE’S
NOT OUT OF ORDER.
206
00:11:35,800 --> 00:11:37,830
YEAH, BALDWIN JONES.
THAT’S RIGHT.
207
00:11:37,870 --> 00:11:39,940
UH, THIS IS
LISA MORANTZ.
208
00:11:39,970 --> 00:11:41,370
ANDY SIPOWICZ.
209
00:11:41,410 --> 00:11:43,350
I WAS FRANK COLLINS’
PARTNER.
210
00:11:43,370 --> 00:11:46,370
DANNY SORENSON.
APPRECIATE YOUR COMING OVER.
211
00:11:46,410 --> 00:11:49,380
COME ON.
LET’S TALK IN HERE.
212
00:11:49,410 --> 00:11:51,010
REST OF YOUR SQUAD’S OUT?
213
00:11:51,050 --> 00:11:52,480
YEAH, THEY’RE OUT
WORKING THIS.
214
00:11:54,750 --> 00:11:57,190
45 MINUTES.
215
00:11:57,220 --> 00:11:58,450
FINE.
216
00:11:58,490 --> 00:12:01,390
YOU GUYS GOT
A DIRECTION?
217
00:12:01,430 --> 00:12:03,400
NOT YET.
218
00:12:05,030 --> 00:12:08,330
SOME LOUSY RANDOM FLUKEY
STREET CRIME.
219
00:12:08,370 --> 00:12:10,040
YEAH, ROBBERY’S
A DEFINITE POSSIBILITY.
220
00:12:29,050 --> 00:12:31,720
ANYONE YOU GUYS LOCKED UP
WHO HAD A HARD‐ON FOR FRANK
221
00:12:31,760 --> 00:12:33,360
GET PAROLED OR MAKE BAIL?
222
00:12:33,390 --> 00:12:34,990
NO. BEEN RACKING
MY BRAIN.
223
00:12:35,030 --> 00:12:37,000
ANY SITUATION FRANK
MIGHT HAVE BEEN IN
224
00:12:37,030 --> 00:12:39,190
THAT COULD HAVE
MADE HIM VULNERABLE?
225
00:12:39,230 --> 00:12:40,830
WHAT’S THAT
SUPPOSED TO MEAN?
226
00:12:40,870 --> 00:12:43,170
WE’RE LOOKING
FOR DIRECTIONS.
227
00:12:43,200 --> 00:12:46,600
WELL, DON’T LOOK IN THAT ONE.
FRANK WAS AN HONEST COP.
228
00:12:46,640 --> 00:12:48,200
NO, THAT’S WHAT
EVERYONE SAID.
229
00:12:48,240 --> 00:12:50,070
HOW LONG WERE
THE TWO OF YOU PARTNERED?
230
00:12:50,110 --> 00:12:51,710
ALMOST NINE MONTHS.
231
00:12:51,740 --> 00:12:53,940
FRANK YOUR FIRST?
232
00:12:53,980 --> 00:12:56,010
MY FIRST PARTNER
3/4’d OFF A RUPTURED DISC
233
00:12:56,050 --> 00:12:57,390
SEVEN WEEKS
AFTER WE STARTED.
234
00:12:57,420 --> 00:13:00,030
FRANK HAD A DISC
TWICE THAT BAD.
235
00:13:00,050 --> 00:13:03,350
HE’D BEEN HIDING IT FOR FIVE
YEARS SO HE COULD KEEP WORKING.
236
00:13:03,390 --> 00:13:04,960
HE HAVE
ANY FAMILY PROBLEMS?
237
00:13:04,990 --> 00:13:06,960
ANYTHING THAT MIGHT
GIVE US A DIRECTION?
238
00:13:06,990 --> 00:13:08,590
FRANK LOVED HIS FAMILY.
239
00:13:08,630 --> 00:13:11,240
HE LOVED HIS WIFE,
AND HE LOVED HIS KIDS.
240
00:13:11,260 --> 00:13:13,390
ANY BROTHERS OR SISTERS
HE HAD PROBLEMS WITH?
241
00:13:13,430 --> 00:13:15,030
PAIN‐IN‐THE‐BALLS IN‐LAWS?
242
00:13:15,070 --> 00:13:17,410
NO. I DON’T KNOW.
243
00:13:17,440 --> 00:13:19,910
HE DIDN’T HAVE NO PROBLEMS,
OR YOU DON’T KNOW?
244
00:13:19,940 --> 00:13:21,540
DON’T THINK HE HAD ANY.
245
00:13:21,570 --> 00:13:23,910
I DIDN’T QUIZ HIM
ON HIS FAMILY RELATIONSHIPS.
246
00:13:23,940 --> 00:13:27,280
YOU PARTNER WITH SOMEBODY,
YOU DON’T NEED TO QUIZ THEM.
247
00:13:27,310 --> 00:13:29,280
I DON’T KNOW ANY PROBLEMS
HE HAD, OKAY?
248
00:13:29,310 --> 00:13:31,280
HEY, LISA,
YOU GOT A BUS TO CATCH?
249
00:13:31,320 --> 00:13:33,260
YOUR PARTNER JUST GOT SHOT.
250
00:13:33,280 --> 00:13:35,480
HEY, SCREW YOU,
SAYING THAT TO ME!
COME ON, ANDY.
251
00:13:35,520 --> 00:13:38,320
NO, BUT SHE’S RESENTFUL
WE GOT TO ASK QUESTIONS.
252
00:13:38,360 --> 00:13:40,330
I’M A LITTLE UPSET
MY PARTNER GOT KILLED,
253
00:13:40,360 --> 00:13:42,320
ALL RIGHT, ASSHOLE?
254
00:13:42,360 --> 00:13:44,330
I DON’T MIND
IF YOU’RE A LITTLE UPSET.
255
00:13:44,360 --> 00:13:46,960
MIND IF I’M TRYING
TO CLEAR A COP HOMICIDE?
256
00:13:47,000 --> 00:13:49,460
YEAH, AND I DON’T
WANT IT SOLVED.
257
00:13:49,500 --> 00:13:50,670
REALLY? WHY?
258
00:13:50,700 --> 00:13:52,670
WHAT ELSE
DO YOU WANT TO KNOW?
259
00:13:52,700 --> 00:13:54,000
BECAUSE
I’M OUT OF HERE.
260
00:13:54,040 --> 00:13:56,270
OH, JEEZ,
LET ME RUSH TO THINK.
261
00:13:56,310 --> 00:13:58,780
WERE YOU INVOLVED
WITH FRANK, LISA? HUH?
262
00:13:58,810 --> 00:14:00,440
IS THERE ANYTHING
WE SHOULD BE LOOKING AT?
263
00:14:00,480 --> 00:14:01,680
OH, MAN.
264
00:14:01,710 --> 00:14:03,080
NO, IS THAT UNHEARD OF?
265
00:14:03,110 --> 00:14:04,750
SCREW YOU, ALL RIGHT?
266
00:14:04,780 --> 00:14:06,980
IN ALL THAT SCREWING,
I’M NOT HEARING A "YES" OR "NO."
267
00:14:07,020 --> 00:14:10,150
I’M DONE WITH HIM.
I DON’T ANSWER NO MORE
QUESTIONS FROM HIM.
268
00:14:10,190 --> 00:14:11,450
WERE YOU AND FRANK
ROMANTICALLY INVOLVED?
269
00:14:11,490 --> 00:14:14,790
FRANK WAS MARRIED,
AND I HAVE A BOYFRIEND.
270
00:14:14,830 --> 00:14:17,770
WHO?
JACK GORMAN AT THE 3‐4.
271
00:14:17,800 --> 00:14:19,340
I’M WAITING TO HEAR HER SAY
272
00:14:19,360 --> 00:14:20,700
SHE WASN’T SCREWING
HER PARTNER.
273
00:14:20,730 --> 00:14:22,160
YOU PRICK.
274
00:14:22,200 --> 00:14:24,930
YOU PRICK! GOD!
275
00:14:24,970 --> 00:14:27,640
[ Crying ]
OH, MY GOD.
276
00:14:27,670 --> 00:14:29,970
OH, MY GOD.
277
00:14:30,010 --> 00:14:32,870
YOU WOULDN’T BE
THE FIRST, LISA.
278
00:14:32,910 --> 00:14:35,140
IT HAS NOTHING TO DO
WITH WHAT HAPPENED,
279
00:14:35,180 --> 00:14:36,680
I SWEAR TO GOD.
280
00:14:36,720 --> 00:14:38,690
ALL RIGHT.
281
00:14:38,720 --> 00:14:40,090
ALL RIGHT.
282
00:14:59,700 --> 00:15:01,570
[ KNOCK KNOCK ]
283
00:15:01,610 --> 00:15:04,080
ARTHUR.
284
00:15:04,110 --> 00:15:07,140
YOU SHOW ME
A LOT OF INITIATIVE.
285
00:15:07,180 --> 00:15:09,010
THIS WON’T TAKE LONG.
286
00:15:09,050 --> 00:15:12,720
COORDINATING ON A CASE
WITH THE FEDS.
287
00:15:12,750 --> 00:15:15,680
ON THIS TRANSFER...
288
00:15:15,720 --> 00:15:17,220
BALDWIN JONES.
289
00:15:17,260 --> 00:15:18,430
YEAH.
290
00:15:18,460 --> 00:15:20,330
WANT TO TELL ME
291
00:15:20,360 --> 00:15:22,490
WHY YOU DIDN’T
GIVE ME A PHONE CALL?
292
00:15:22,530 --> 00:15:24,870
DON’T MAKE TOO MUCH OF IT,
ARTHUR. I HAD IT ON MY
TO‐DO LIST.
293
00:15:24,900 --> 00:15:26,340
MM‐HMM.
294
00:15:26,360 --> 00:15:28,330
WASN’T A LOT TO SAY,
ANYHOW.
295
00:15:28,370 --> 00:15:30,340
BIAS UNIT
WASN’T A GOOD FIT,
296
00:15:30,370 --> 00:15:33,270
AND I KNEW BALDWIN WAS GOING
TO THE RIGHT COMMAND.
297
00:15:33,300 --> 00:15:35,070
WAS HE
A DISCIPLINE PROBLEM?
298
00:15:35,110 --> 00:15:36,750
NO.
299
00:15:36,780 --> 00:15:38,850
WHAT MADE THE FIT BAD?
300
00:15:38,880 --> 00:15:40,850
WHEN IT WAS TIME
TO SWALLOW OR SPIT
301
00:15:40,880 --> 00:15:43,210
ON WHETHER OR NOT
TO FIND A HATE COMPONENT,
302
00:15:43,250 --> 00:15:44,860
BALDWIN STILL TENDED
TO CHEW.
303
00:15:44,880 --> 00:15:46,450
HE SAW COMPLEXITY
304
00:15:46,480 --> 00:15:48,280
WHERE I FELT A SIMPLER
STANDARD SHOULD APPLY.
305
00:15:48,320 --> 00:15:50,020
YOU AND HE DISAGREED.
306
00:15:50,050 --> 00:15:51,950
WE DISAGREED.
307
00:15:53,790 --> 00:15:55,960
HOW IS THE 15th, ARTHUR?
308
00:15:55,990 --> 00:15:57,560
HOW’S, UM...
309
00:15:57,600 --> 00:15:59,370
SIPOWICZ.
310
00:15:59,400 --> 00:16:01,970
YEAH. SIPOWICZ.
311
00:16:02,000 --> 00:16:03,930
HOW IS HE COMING ALONG?
312
00:16:03,970 --> 00:16:05,930
STILL DOING HIS JOB.
313
00:16:05,970 --> 00:16:08,240
NOT THAT HIS TYPE
OF RACIST PRICK EVER DOES,
314
00:16:08,270 --> 00:16:10,470
OR YOU’D EVER
HOLD HIM TO IT,
315
00:16:10,510 --> 00:16:13,440
BUT I GUESS HE HAS YOU
TO THANK FOR THAT.
316
00:16:13,480 --> 00:16:15,720
I GUESS WE ALL
HAVE YOU TO THANK.
317
00:16:15,750 --> 00:16:18,090
THANKS FOR
THE RECOMMENDATION ON JONES.
318
00:16:18,120 --> 00:16:19,890
DID I RECOMMEND HIM?
319
00:16:19,920 --> 00:16:23,320
A GOOD COP HAS TO KNOW
HOW TO LISTEN.
320
00:16:23,350 --> 00:16:25,250
I’M PRETTY BUSY HERE,
ARTHUR.
321
00:17:37,330 --> 00:17:39,030
Andy: ANYWAYS,
THAT’S ACCOMPLISHED.
322
00:17:39,060 --> 00:17:41,030
THIS GIRL
COLLINS WAS RIDING WITH
323
00:17:41,070 --> 00:17:43,540
ADMITTING THAT
SHE AND COLLINS WERE INVOLVED
324
00:17:43,570 --> 00:17:46,700
EVEN THOUGH THAT DON’T
HAVE DICK TO DO
325
00:17:46,740 --> 00:17:48,340
WITH HIM BEING KILLED.
326
00:17:48,370 --> 00:17:50,340
HOW LONG
YOU GOING TO WASH?
327
00:17:50,370 --> 00:17:53,310
I’M FINISHED NOW.
I’M GOING OVER TO DRY.
328
00:17:53,340 --> 00:17:55,010
AHEM.
MIDDLE OF THE INTERVIEW,
329
00:17:55,050 --> 00:17:57,660
THE PARTNER MENTIONED
DATING A COP AT THE 3‐4
JACK GORMAN.
330
00:17:57,680 --> 00:17:59,680
MAYBE LOOK AT HIM
FOR A JEALOUSY MOTIVE?
331
00:17:59,720 --> 00:18:02,380
SHE MENTIONED THE 3‐4 COP
TO STEER US OFF.
332
00:18:02,420 --> 00:18:03,890
SHE HADN’T ADMITTED
TO SLEEPING WITH HER PARTNER
333
00:18:03,920 --> 00:18:06,020
AT THAT POINT.
334
00:18:06,060 --> 00:18:08,170
WE’RE STILL GOING
TO BRING THE 3‐4 COP IN
JUST TO BE THOROUGH.
335
00:18:08,190 --> 00:18:11,060
MRS. COLLINS IS HERE.
336
00:18:11,100 --> 00:18:13,910
YOU SAID TO LET YOU KNOW
IMMEDIATELY.
337
00:18:13,930 --> 00:18:16,930
YEAH, BECAUSE NOW WE GET
TO MAKE THE WIDOW MISERABLE
338
00:18:16,970 --> 00:18:19,270
ASKING HER
A BUNCH OF QUESTIONS
339
00:18:19,300 --> 00:18:22,000
THAT DON’T HAVE NOTHING TO DO
WITH THE PRICE OF EGGS.
340
00:18:22,040 --> 00:18:24,770
GO AHEAD. JUST GO AHEAD.
341
00:18:24,810 --> 00:18:26,840
OKAY.
342
00:18:26,880 --> 00:18:29,180
SHEESH. LOOKS LIKE
HE WAS ON ONE OF THEM
343
00:18:29,210 --> 00:18:31,250
CARNIVAL TORTURE WHEELS
344
00:18:31,280 --> 00:18:34,250
WHERE THOSE GUYS THROW
THOSE DAGGERS AT YOU.
345
00:18:34,290 --> 00:18:37,060
ANYTHING COMING
OFF THE SWEEPS?
346
00:18:37,090 --> 00:18:39,290
NOT YET.
347
00:18:39,320 --> 00:18:41,460
ANYWAYS, THAT WAS DEFINITELY
THE RIGHT ALLOCATION,
348
00:18:41,490 --> 00:18:43,760
PUTTING OUR CRACK
NEW MANPOWER OUT THERE.
349
00:18:43,800 --> 00:18:45,540
FIRST DAY ON THE SQUAD,
350
00:18:45,560 --> 00:18:49,300
WOULD YOU HAVE ASSIGNED HIM
ONE OF THOSE FAMILY INTERVIEWS?
351
00:18:49,330 --> 00:18:50,700
GOT AN ANSWER
FOR EVERYTHING,
352
00:18:50,740 --> 00:18:52,710
THIS GUY.
353
00:18:52,740 --> 00:18:54,180
ANDY, BREATHE.
354
00:18:57,910 --> 00:18:59,580
I DON’T DO THAT STUFF.
355
00:19:09,090 --> 00:19:10,800
I’M ANNE COLLINS.
356
00:19:10,820 --> 00:19:12,890
ANDY SIPOWICZ.
I’M SORRY FOR YOUR LOSS.
357
00:19:12,920 --> 00:19:15,920
THIS IS OFFICER WALSH
KEEPING ME COMPANY.
358
00:19:15,960 --> 00:19:17,390
MY PARTNER
DANNY SORENSON.
359
00:19:17,430 --> 00:19:19,900
SORRY FOR YOUR LOSS,
MRS. COLLINS.
360
00:19:19,930 --> 00:19:21,360
I KNOW YOU HAVE TO.
361
00:19:24,170 --> 00:19:28,140
I DIDN’T WANT TO TALK
TO YOU IN MY HOUSE.
362
00:19:28,170 --> 00:19:30,270
BE MORE COMFORTABLE
IN OUR COFFEE ROOM?
363
00:19:30,310 --> 00:19:31,270
MM‐MMM.
364
00:19:32,980 --> 00:19:35,920
AHEM. BRIEFLY AS WE CAN,
MRS. COLLINS,
365
00:19:35,950 --> 00:19:38,590
THERE ANYONE YOU FEEL
WE SHOULD BE TALKING TO
366
00:19:38,620 --> 00:19:40,330
CONCERNING
YOUR HUSBAND’S DEATH?
367
00:19:40,350 --> 00:19:41,950
NO.
368
00:19:41,990 --> 00:19:44,330
I WISH HE DIED HAPPIER,
369
00:19:44,360 --> 00:19:46,100
IN HIS MORE NATURAL
HAPPINESS.
370
00:19:46,120 --> 00:19:47,690
THAT’S THE ONLY THING.
371
00:19:47,730 --> 00:19:50,340
I SEE.
372
00:19:50,360 --> 00:19:52,260
FRANK WAS SO GOOD,
373
00:19:52,300 --> 00:19:54,310
AND HE HAD
A LOT OF HAPPINESS,
374
00:19:54,330 --> 00:19:57,030
AND HE WAS
A WONDERFUL DAD.
375
00:19:57,070 --> 00:19:58,770
IS THAT SO?
376
00:19:58,800 --> 00:20:00,770
AND THAT HE SHOULD DIE
UNHAPPY
377
00:20:00,810 --> 00:20:03,280
AND FEELING BAD
ABOUT HIMSELF
378
00:20:03,310 --> 00:20:06,480
IS WHAT
I’M REALLY SORRY FOR.
379
00:20:06,510 --> 00:20:08,710
WHAT WAS IT
MAKING HIM UNHAPPY?
380
00:20:08,750 --> 00:20:10,790
IN HIS PERSONAL CONDUCT
AND WAY HE LOST CONTROL.
381
00:20:10,820 --> 00:20:13,120
IN A RELATIONSHIP?
382
00:20:13,150 --> 00:20:15,120
HE LOST CONTROL
OF HIS BEHAVIOR,
383
00:20:15,150 --> 00:20:17,520
AND HE KNEW
THAT I COULD TELL,
384
00:20:17,560 --> 00:20:20,200
AND THE HARDER
HE TRIED TO CONTROL IT,
385
00:20:20,220 --> 00:20:23,420
THE MORE ASHAMED HE’D BE
AND UNHAPPY...
386
00:20:25,260 --> 00:20:28,560
AND EVEN THE BOYS GOT
WHERE THEY COULD TELL,
387
00:20:28,600 --> 00:20:30,970
EVEN THOUGH
HE KEPT UP WITH
388
00:20:31,000 --> 00:20:33,300
WHAT THEY’D DO TOGETHER.
389
00:20:33,340 --> 00:20:36,250
DID IT HAVE ANYTHING
TO DO WITH HIM DYING ‐‐
390
00:20:36,270 --> 00:20:38,070
THE OUT‐OF‐CONTROL
RELATIONSHIP?
391
00:20:40,010 --> 00:20:41,580
SHE’S NOT SELFISH.
392
00:20:41,610 --> 00:20:43,750
SHE WAS SORRY
IT WAS HAPPENING.
393
00:20:43,780 --> 00:20:46,350
SHE’S NOT
A SELFISH GIRL.
394
00:20:46,380 --> 00:20:49,050
TO HAVE TO DIE
395
00:20:49,090 --> 00:20:51,760
BEFORE HE CAME BACK
TO HIMSELF IS...
396
00:20:55,590 --> 00:20:58,360
THANKS VERY MUCH
FOR COMING IN.
397
00:20:58,400 --> 00:21:00,610
MM.
398
00:21:00,630 --> 00:21:03,100
PROBABLY JUST SOMETHING BAD
THAT HAPPENED ‐‐
399
00:21:03,130 --> 00:21:05,600
SEEING HIM COME OUT
OF THE GROCERY OR SO FORTH.
400
00:21:05,640 --> 00:21:07,910
SOMEONE
JUST ON THE STREET.
401
00:21:07,940 --> 00:21:10,870
THAT’S HOW
WE’RE GOING TO GO AT IT.
402
00:21:21,820 --> 00:21:23,790
THE DAY FEMALE COPS
GOT ASSIGNED
403
00:21:23,820 --> 00:21:25,620
AS PARTNERS IN RADIO CARS,
404
00:21:25,660 --> 00:21:29,430
THE WIVES DEMONSTRATED
OUTSIDE POLICE HEADQUARTERS.
405
00:21:29,460 --> 00:21:32,130
LIKE THAT WAS THE DAY
GUYS INVENTED CHEATING.
406
00:22:50,740 --> 00:22:54,280
DON’T TAP THE TANK.
407
00:22:54,310 --> 00:22:55,840
I WASN’T TAPPING THE TANK.
408
00:22:55,880 --> 00:22:59,880
YOU WERE THINKING
ABOUT TAPPING THE TANK.
409
00:22:59,920 --> 00:23:01,650
THIS TOMAS IS IN A BAR.
410
00:23:01,690 --> 00:23:03,660
A LITTLE WHILE
AFTER COLLINS GETS SHOT,
411
00:23:03,690 --> 00:23:06,890
A GUY HE’S SEEN AROUND
COMES TO HIM AND SAYS
HE WANTS TO COP.
412
00:23:06,930 --> 00:23:09,530
WHICH ISN’T
THE OTHER GUY’S USUAL ACT.
413
00:23:09,560 --> 00:23:11,790
TELLS TOMAS
HE DID A BAD THING.
414
00:23:11,830 --> 00:23:14,530
IF TOMAS WILL BRING IT BACK,
HE’LL PAY $15 FOR A $10 BAG
TO GET HIMSELF RIGHT.
415
00:23:14,570 --> 00:23:16,540
TOMAS SCORES THE BAG,
BRINGS IT BACK ‐‐
416
00:23:16,570 --> 00:23:18,530
GUY DON’T WANT
THE DOPE NO MORE.
417
00:23:18,570 --> 00:23:20,400
HE HAD A COUPLE
OF DRINKS IN HIM.
418
00:23:20,440 --> 00:23:22,070
HE’S CALMED HIMSELF DOWN,
419
00:23:22,110 --> 00:23:24,150
PRESUMABLY NOT FEELING
AS MUCH REMORSE
420
00:23:24,180 --> 00:23:26,150
ABOUT THE BAD THING
HE DID THIS MORNING,
421
00:23:26,180 --> 00:23:28,350
I.E. POSSIBLY
MURDERING A COP
422
00:23:28,380 --> 00:23:30,350
IS WHAT TOMAS IS THINKING,
423
00:23:30,380 --> 00:23:32,510
AND, UH, WE FEEL
IT’S WORTH A SHOT.
424
00:23:32,550 --> 00:23:34,420
WE GOT A NAME?
425
00:23:34,450 --> 00:23:37,850
NO NAME, BUT TOMAS SAYS
EVERY TIME HE’S IN THE BAR,
426
00:23:37,890 --> 00:23:39,490
THIS GUY IS, TOO.
427
00:23:39,520 --> 00:23:41,490
SO THAT’S PROBABLY
WHERE WE CAN REACH HIM.
428
00:23:41,530 --> 00:23:43,100
WE GOT TOMAS FOR POSSESSION.
429
00:23:43,130 --> 00:23:46,040
SAYS HE’LL PICK THE GUY OUT
FOR A WALK AND 500.
430
00:23:46,060 --> 00:23:48,500
$500 IF THE GUY’S RIGHT
FOR THE MURDER.
431
00:23:48,530 --> 00:23:50,370
YEAH, 500 IF HE’S RIGHT.
432
00:23:50,400 --> 00:23:52,530
GET BACKUP FROM ANTI‐CRIME.
433
00:23:57,480 --> 00:24:00,350
COME ON. I’M GOING TO GET YOU
INTO SOMETHING UNRECOGNIZABLE.
434
00:24:00,380 --> 00:24:02,340
NOT LIKE WHAT
HE’S GOT ON.
435
00:24:02,380 --> 00:24:06,010
HEY, WHAT THE HELL IS WRONG
WITH WHAT I GOT ON?
436
00:24:06,050 --> 00:24:08,020
BEFORE I’D PUT
A SHIRT LIKE THAT ON,
437
00:24:08,050 --> 00:24:10,420
I’D THROW MYSELF
UNDER THE "A" TRAIN.
438
00:24:10,450 --> 00:24:12,320
DON’T HIT HIM, ANDY.
I THINK THEY GOT TO USE HIM.
439
00:24:14,760 --> 00:24:18,260
I THINK THAT’S ONE
OF YOUR NICEST PATTERNS.
440
00:24:27,170 --> 00:24:29,100
HOW.
441
00:24:41,850 --> 00:24:44,490
POLICE! NOBODY MOVE!
HANDS WHERE
WE CAN SEE THEM.
442
00:24:44,520 --> 00:24:46,590
GET YOUR HANDS
ON THE BAR.
443
00:24:46,630 --> 00:24:49,840
YOU CAN’T EVEN HAVE A DRINK
WITHOUT THE COPS BUSTING IN.
444
00:24:49,860 --> 00:24:52,790
HEY, HAVE WE GOT
A WARRANT ON YOU?
NO, MAN. I’M CLEAN.
445
00:24:52,830 --> 00:24:54,230
DO YOU WANT TO GO TO JAIL?
NO.
446
00:24:54,270 --> 00:24:55,340
DO YOU WANT TO GO TO JAIL?
MM‐MMM.
447
00:24:55,370 --> 00:24:57,180
SHUT UP AND TURN AROUND.
448
00:24:57,200 --> 00:24:58,270
OKAY, READY.
449
00:25:00,100 --> 00:25:01,600
[ Disguised voice ]
I’M SCARED. I’M SCARED.
450
00:25:01,640 --> 00:25:03,610
IT’S OKAY. JUST RELAX.
451
00:25:03,640 --> 00:25:06,340
WHAT THE HELL IS THIS,
THE UNKNOWN COMIC?
452
00:25:06,380 --> 00:25:07,990
WHAT DID I TELL YOU?
MAN, I LOVE HIS STUFF.
453
00:25:08,010 --> 00:25:09,680
TURN AROUND.
454
00:25:09,710 --> 00:25:11,780
Greg: JUST POINT.
455
00:25:11,820 --> 00:25:12,990
THAT’S HIM.
456
00:25:13,020 --> 00:25:15,760
WHAT’S GOING ON?
WHAT DID I DO?
457
00:25:15,790 --> 00:25:17,430
SHUT UP.
WHAT YOU BOTHERING ME FOR?
458
00:25:17,460 --> 00:25:20,130
GET ALL YOUR ANSWERS
DOWN AT THE STATION.
459
00:25:20,160 --> 00:25:22,020
COPS COME IN, DISTRACT US
WITH THE UNKNOWN COMIC,
460
00:25:22,060 --> 00:25:25,030
COLLAR MY HOMEBOY
WITH THE RAGGEDY HOOD
461
00:25:25,060 --> 00:25:27,330
AND THAT CHEAP‐ASS
WINDBREAKER.
462
00:25:27,370 --> 00:25:30,110
YOU NEED TO CHECK YOURSELF
IN THE MIRROR, MY BROTHER.
463
00:25:30,130 --> 00:25:32,700
MAN, I’M LOOKING GOOD.
464
00:25:44,050 --> 00:25:46,750
ANDY,
HAVE YOU GOT A MINUTE?
465
00:25:49,190 --> 00:25:52,500
YOU SURE THAT’S ALL
YOU’LL NEED?
466
00:25:52,520 --> 00:25:54,560
I’LL HOLD THE FORT.
467
00:26:12,180 --> 00:26:14,320
WHAT’S THE MATTER?
468
00:26:14,350 --> 00:26:19,360
UM, THAT BURNED‐UP D.O.A.
FROM LAST NIGHT IN THE 27th?
469
00:26:19,380 --> 00:26:21,850
DON’T FORGET DECAPITATED.
470
00:26:21,890 --> 00:26:24,400
I’VE GOT AN IDEA
WHO THAT WAS,
471
00:26:24,420 --> 00:26:28,390
A PRETTY GOOD IDEA...
472
00:26:28,430 --> 00:26:30,900
AND IF IT WAS A GUY
473
00:26:30,930 --> 00:26:33,060
WHERE THERE
WAS NO UPSIDE, REALLY,
474
00:26:33,100 --> 00:26:35,210
ANYONE KNOWING WHO IT WAS
475
00:26:35,230 --> 00:26:39,200
AND A BIG DOWNSIDE
EMOTIONALLY, YOU KNOW,
476
00:26:39,240 --> 00:26:42,280
WHERE A SURVIVING
FAMILY MEMBER’S FEELING
477
00:26:42,310 --> 00:26:45,050
ABOUT HERSELF
AND HER WHOLE FAMILY SITUATION
478
00:26:45,080 --> 00:26:46,950
WOULD BE SO MUCH BETTER
WITHOUT KNOWING
479
00:26:46,980 --> 00:26:49,380
HOW IT WAS THIS GUY HAD DIED
480
00:26:49,410 --> 00:26:51,680
OR THAT HE HAD DIED,
481
00:26:51,720 --> 00:26:54,630
WOULD YOU TELL HER
WHO HE WAS
482
00:26:54,650 --> 00:26:56,520
AND WHAT HAD HAPPENED?
483
00:26:56,560 --> 00:26:59,630
WHAT WOULD IT DO TO YOU
NOT TELLING HER?
484
00:26:59,660 --> 00:27:02,120
WHAT WOULD IT DO TO ME?
485
00:27:02,160 --> 00:27:04,690
CARRYING IT AROUND,
YOU DIDN’T.
486
00:27:04,730 --> 00:27:06,430
I‐I’M NOT THE ONE
487
00:27:06,460 --> 00:27:08,800
I’M WORRIED ABOUT
RIGHT NOW, ANDY.
488
00:27:08,830 --> 00:27:12,270
IF IT WAS ME...
489
00:27:12,300 --> 00:27:15,040
PRETTY SOON I WOULDN’T LIKE
SEEING HER NO MORE,
490
00:27:15,070 --> 00:27:17,140
WORKING NEXT TO HER.
491
00:27:17,180 --> 00:27:19,450
EVERYTHING WOULD REMIND ME
OF THE SECRET.
492
00:27:19,480 --> 00:27:21,950
WOULD YOU BE WILLING
493
00:27:21,980 --> 00:27:24,410
TO, UH, LET THE RELATIONSHIP
GO BAD THAT WAY ‐‐
494
00:27:24,450 --> 00:27:25,850
THE PARTNERSHIP?
495
00:27:28,020 --> 00:27:30,950
THANKS.
496
00:27:30,990 --> 00:27:34,190
I’M ALSO AVAILABLE
FOR CHECKERS.
497
00:27:45,370 --> 00:27:47,940
YOU’LL KNOW HOW TO DO IT.
498
00:27:56,650 --> 00:27:57,950
WHAT’S UP?
499
00:27:57,980 --> 00:28:00,820
WANTS ME TO FIX A TICKET.
500
00:28:05,460 --> 00:28:07,770
JACK GORMAN.
501
00:28:07,790 --> 00:28:10,790
ANDY SIPOWICZ.
MY PARTNER DANNY SORENSON.
502
00:28:10,830 --> 00:28:13,430
Danny: THANKS FOR COMING OVER.
SURE.
503
00:28:13,460 --> 00:28:15,330
HAVE A SEAT.
504
00:28:15,370 --> 00:28:17,510
YOU HEARD ABOUT
THIS COP HOMICIDE?
505
00:28:17,540 --> 00:28:18,780
YEAH.
506
00:28:18,800 --> 00:28:19,770
Danny: FRANK COLLINS.
507
00:28:19,800 --> 00:28:20,870
YEAH, I HEARD.
508
00:28:25,040 --> 00:28:28,710
LISA MORANTZ THAT WAS PARTNERED
WITH COLLINS SAID THE TWO OF YOU
WENT OUT.
509
00:28:28,750 --> 00:28:31,120
WE STOPPED FOUR MONTHS AGO.
510
00:28:31,150 --> 00:28:33,620
SORRY FOR THE PERSONAL
QUESTION.
511
00:28:33,650 --> 00:28:35,620
WHOSE IDEA WAS STOPPING?
512
00:28:35,650 --> 00:28:37,850
WHOSE DID SHE SAY?
513
00:28:37,890 --> 00:28:39,320
SHE SAID IT WAS HER IDEA.
514
00:28:39,360 --> 00:28:41,730
OKAY, THEN.
I GO ALONG WITH THAT.
515
00:28:41,760 --> 00:28:43,660
YOU KNOW WHO SHE GOT
INVOLVED WITH SUBSEQUENT?
516
00:28:43,700 --> 00:28:44,970
NOT REALLY, NO.
517
00:28:45,000 --> 00:28:46,400
YOU WEREN’T INTERESTED?
518
00:28:46,430 --> 00:28:48,160
NO.
519
00:28:48,200 --> 00:28:50,170
SHE SAID SHE GOT
INVOLVED WITH COLLINS.
520
00:28:50,200 --> 00:28:52,900
OKAY, THEN SHE GOT
INVOLVED WITH COLLINS.
521
00:28:52,940 --> 00:28:56,180
DO YOU WANT US TO LIKE YOU
FOR THIS HOMICIDE?
522
00:28:56,210 --> 00:28:58,180
I’M NOT INVOLVED
IN THIS HOMICIDE
523
00:28:58,210 --> 00:28:59,880
AND LISA’S
PERSONAL LIFE ANYMORE.
524
00:28:59,910 --> 00:29:01,180
YOU ACCOUNT FOR YOUR TIME
THIS MORNIN’?
525
00:29:01,210 --> 00:29:04,210
I’M A DOORMAN
AT THE WORCHESTER.
526
00:29:04,250 --> 00:29:06,050
I’M ON VIDEOTAPE
TILL 7:00 A. M.
527
00:29:06,080 --> 00:29:08,580
THE D. O. A.
WAS CALLED IN AT 7:15.
528
00:29:08,620 --> 00:29:10,690
OKAY, THEN I’M A SUSPECT.
529
00:29:10,720 --> 00:29:13,150
I DROVE 80 MILES AN HOUR
FROM MIDTOWN,
530
00:29:13,190 --> 00:29:15,520
AND I GOT LUCKY FINDING
THE GUY ON THE STREET.
531
00:29:15,560 --> 00:29:17,560
I KILLED THE PRICK
OVER MY EX‐GIRLFRIEND
532
00:29:17,600 --> 00:29:20,040
FALLING IN LOVE WITH HIM.
533
00:29:21,600 --> 00:29:22,900
THANKS FOR COMING IN.
534
00:29:31,310 --> 00:29:33,880
HOW BAD’S LISA TAKING IT?
535
00:29:33,910 --> 00:29:35,580
SHE’S TAKING IT HARD.
536
00:29:42,650 --> 00:29:44,750
TOTALLY BLIND ALLEY.
537
00:29:50,600 --> 00:29:52,640
JOSH, CAN YOU HELP
BALDWIN A MINUTE,
538
00:29:52,660 --> 00:29:54,800
PUT THIS GUY
IN THE POKEY?
539
00:29:59,440 --> 00:30:01,210
THIS CAME IN.
540
00:30:01,240 --> 00:30:04,540
BALDWIN’S SOME EFFICIENT,
HUH, CALLING AHEAD
541
00:30:04,580 --> 00:30:07,150
TO RUN THIS DARNELL JAMES
THROUGH BCI?
542
00:30:07,180 --> 00:30:09,140
HOW YOU GOING TO GO AT HIM?
543
00:30:09,180 --> 00:30:10,780
WHAT DO YOU THINK?
544
00:30:10,820 --> 00:30:13,990
THINK MAYBE WE SHOULD SEE
WHAT KIND OF CHOPS HE’S GOT?
545
00:30:14,020 --> 00:30:16,480
MIGHT AS WELL.
546
00:30:16,520 --> 00:30:19,220
HE FALLS DOWN AT ALL,
THIS BALDWIN, I’M THERE
TO STEP IN.
547
00:30:19,260 --> 00:30:21,000
AHEM.
548
00:30:24,030 --> 00:30:27,060
HOW DO YOU WANT
TO WORK HIM?
549
00:30:27,100 --> 00:30:29,500
GO AHEAD AND TAKE HIM.
550
00:30:35,110 --> 00:30:39,020
LET’S SEE WHAT KIND
OF CHOPS YOU GOT.
551
00:31:12,410 --> 00:31:14,010
YOU SHOT A COP, DARNELL.
552
00:31:14,050 --> 00:31:16,560
WHAT THE HELL
ARE YOU TALKING ABOUT?
553
00:31:18,720 --> 00:31:20,330
YOU SHOT A COP.
554
00:31:20,350 --> 00:31:22,550
I DIDN’T SHOOT NOBODY!
555
00:31:22,590 --> 00:31:24,660
COME WALKING IN
ON MY DRINKIN’,
556
00:31:24,690 --> 00:31:26,320
BRINGING SOME FOOL
WITH HIS HEAD IN A BAG.
557
00:31:26,360 --> 00:31:28,900
IT WAS A COP YOU SHOT,
AND HE DIED.
558
00:31:28,930 --> 00:31:31,470
I DIDN’T ROB ANYBODY
OR SHOOT ANYBODY ‐‐
559
00:31:31,500 --> 00:31:34,010
COP OR NO COP.
560
00:31:34,030 --> 00:31:36,800
LIE, DARNELL,
I’M GOING TO BUST YOU UP.
561
00:31:36,840 --> 00:31:38,510
I AIN’T GOING
FOR SOMETHING I DIDN’T DO.
562
00:31:44,010 --> 00:31:47,010
Baldwin: YOU’VE GOT TO SHOW
ME YOU DIDN’T MEAN FOR IT
TO BE A KILLING.
563
00:31:47,050 --> 00:31:48,720
YOUR MAN
GOT HEARING PROBLEMS.
564
00:31:48,750 --> 00:31:51,220
IT’S THE ONLIEST WAY YOU’RE
GOING TO BEAT EXECUTION.
565
00:31:51,250 --> 00:31:53,650
IS THAT MY ACT,
SHOOTING A DAMN COP?
566
00:31:53,690 --> 00:31:55,490
YOU GOT MY SHEET
RIGHT IN FRONT OF YOU.
567
00:31:55,520 --> 00:31:57,720
I SEE TWO STREET STICKUPS.
568
00:31:57,760 --> 00:31:59,530
YOU SEE A SINGLE DAMN TIME
A GUN WAS FIRED?
569
00:31:59,560 --> 00:32:01,320
YOU GONNA LET THAT
SPEAK FOR YOU?
570
00:32:01,360 --> 00:32:02,920
SHOW HOW THIS WAS AN ACCIDENT,
OR SIT THERE ACTIN’ A FOOL?
571
00:32:02,960 --> 00:32:05,190
SHOOTING ANY DAMN PERSON
AIN’T MY ACT.
572
00:32:05,230 --> 00:32:08,760
AND PUTTING ME SHOOTING A COP
OVER SOME CHUMP CHANGE?
573
00:32:08,800 --> 00:32:10,770
YOU MUST THINK
I’M A DAMN IDIOT.
574
00:32:10,800 --> 00:32:13,840
HOW MUCH MONEY WAS IT
GOT STOLE FROM THIS GUY?
575
00:32:13,870 --> 00:32:15,370
AAH!
576
00:32:21,450 --> 00:32:23,420
I TOLD YOU
NOT TO LIE, DARNELL.
577
00:32:23,450 --> 00:32:26,120
YOU STOLE MONEY.
YOU KNOW HOW MUCH YOU TOOK.
578
00:32:26,150 --> 00:32:28,750
THINK I’M GOING TO STAND
FOR YOU BEATING ON ME?
579
00:32:28,790 --> 00:32:30,600
WHAT IF I ASK
FOR A DAMN LAWYER?
580
00:32:30,620 --> 00:32:33,020
ASK FOR A SYRINGE.
YOU KILLED A COP.
581
00:32:33,060 --> 00:32:35,030
WITHOUT EXPLANATION
OR REMORSE,
582
00:32:35,060 --> 00:32:37,430
YOU’RE A DEAD MAN.
583
00:32:37,460 --> 00:32:40,630
GET UP AND SIT DOWN.
584
00:32:45,800 --> 00:32:47,700
MAKE ME BELIEVE
THIS HAPPENED
585
00:32:47,740 --> 00:32:49,240
WITHOUT YOU MEANING IT,
DARNELL.
586
00:32:49,270 --> 00:32:51,310
I’LL STAND UP
IN COURT WITH YOU
587
00:32:51,340 --> 00:32:52,710
AND I’LL SAY THAT
TO THE JUDGE.
588
00:32:52,740 --> 00:32:55,240
WILL YOU, MY BROTHER?
589
00:32:55,280 --> 00:32:56,880
YOU SHOOT HIM BY ACCIDENT?
590
00:32:56,920 --> 00:32:59,960
I DIDN’T SHOOT HIM AT ALL!
DON’T HIT ME. DON’T HIT ME.
591
00:32:59,980 --> 00:33:02,150
THE DAMN GUN
JUST WENT OFF ON ME.
592
00:33:02,190 --> 00:33:04,830
MY GUN’S
A LITTLE POO‐PUTT .22,
593
00:33:04,860 --> 00:33:07,100
TWO NIGHTS AGO
I TOOK OFF SOME FOOL,
594
00:33:07,130 --> 00:33:09,470
HE HAD A DAMN
.380 AUTOMATIC IN HIS BELT.
595
00:33:09,490 --> 00:33:11,460
THAT’S WHAT KILLED MY MAN.
596
00:33:11,500 --> 00:33:12,840
YOU GOT THAT RIGHT.
597
00:33:12,860 --> 00:33:14,830
IT WAS THE GUN
THAT KILLED HIM.
598
00:33:14,870 --> 00:33:16,840
THE DAMN GUN WENT OFF
599
00:33:16,870 --> 00:33:19,400
WHILE ALL I WAS DOING
WAS COCKING IT.
600
00:33:19,440 --> 00:33:23,920
THAT’S THE WHOLE DAMN THING
THAT HAPPENED.
601
00:33:23,940 --> 00:33:26,810
THINK I WANT TO SHOOT
SOMEBODY IN THE BACK?
602
00:33:26,850 --> 00:33:29,090
THAT AIN’T MY ACT.
603
00:33:29,110 --> 00:33:31,780
THINK I WANT
TO SHOOT A DAMN COP?
604
00:33:31,820 --> 00:33:33,790
I NEED
THE HAIR‐TRIGGER .380
605
00:33:33,820 --> 00:33:35,850
TO MAKE ME BELIEVE YOU,
DARNELL.
606
00:33:35,890 --> 00:33:38,000
YOU GOING TO
TAKE ME TO IT?
607
00:33:46,630 --> 00:33:50,200
THAT’S A NICE INTERVIEW.
608
00:33:50,230 --> 00:33:52,800
YOU’D HAVE LIKED TO SEE
WHAT KIND OF LEFT HE’S GOT.
609
00:34:07,050 --> 00:34:08,820
HEY, BALDWIN.
610
00:34:08,850 --> 00:34:10,690
HEY, GREG.
611
00:34:10,720 --> 00:34:13,120
I WAS CHANGING A DAMN
TYPEWRITER RIBBON.
612
00:34:13,160 --> 00:34:16,030
I GOT INK
ALL OVER MY HANDS.
613
00:34:16,060 --> 00:34:17,530
OH, D., RIGHT?
614
00:34:17,560 --> 00:34:19,560
YOU WANT ME
TO CALL YOU D.
615
00:34:19,600 --> 00:34:21,830
IT AIN’T NO BIG THING.
616
00:34:21,870 --> 00:34:23,710
NO, NO, I‐I’LL GET IT.
617
00:34:23,740 --> 00:34:26,180
I’M GOING TO TAKE MY RUN.
618
00:34:26,200 --> 00:34:28,070
OH, YEAH, HUH?
619
00:34:28,110 --> 00:34:30,380
HEADQUARTERS, I RUN THE FDR
TO THE 59th STREET BRIDGE.
620
00:34:30,410 --> 00:34:33,980
HERE I’M GOING TO TRY IT
UP TO 72nd STREET.
621
00:34:34,010 --> 00:34:38,810
STRETCH IT OUT
A LITTLE, HUH?
622
00:34:38,850 --> 00:34:41,450
WELL, YOU’RE A GROWING BOY.
623
00:34:43,620 --> 00:34:46,020
ANYWAYS, UH,
I WAS GOING TO INVITE YOU
624
00:34:46,060 --> 00:34:48,030
FOR A SANDWICH
OR A BITE TO EAT,
625
00:34:48,060 --> 00:34:50,160
BUT THAT’S OBVIOUSLY OUT.
626
00:34:50,190 --> 00:34:51,660
WANT TO GO OUT?
627
00:34:51,700 --> 00:34:54,010
NO, GO AHEAD
AND TAKE YOUR RUN.
628
00:34:54,030 --> 00:34:56,400
I CAN TAKE MY RUN
IN THE MORNING.
629
00:34:56,430 --> 00:34:59,070
NO, THAT’S SOME GOOD
DISCIPLINE ROUTINE.
630
00:34:59,100 --> 00:35:01,270
PROBABLY I SHOULD BE DOING
SOME RATIONAL EQUIVALENT
631
00:35:01,310 --> 00:35:02,850
OF THAT MYSELF.
632
00:35:02,870 --> 00:35:04,270
WELL, KEEP ME COMPANY
A FEW BLOCKS.
633
00:35:04,310 --> 00:35:05,770
NO, NO, NO.
634
00:35:05,810 --> 00:35:06,880
WE’D WIND UP AT BELLEVUE.
635
00:35:11,120 --> 00:35:13,760
HEY, I‐I FEEL
WE WORKED GOOD.
636
00:35:15,390 --> 00:35:19,300
I, UH...
637
00:35:19,320 --> 00:35:22,120
I APPRECIATE YOU EXTENDING
YOURSELF TO ME, GREG.
638
00:35:22,160 --> 00:35:24,560
WELL, I‐I FELT THAT
WAS, UH, VERY RECIPROCAL,
639
00:35:24,600 --> 00:35:25,970
COMPLETELY CANDID.
640
00:35:29,730 --> 00:35:32,430
ALL RIGHT.
YEAH.
641
00:35:32,470 --> 00:35:33,770
HERE WE GO.
642
00:35:38,110 --> 00:35:39,640
HEY, BOSS.
643
00:35:39,680 --> 00:35:41,580
EXCUSE ME.
644
00:35:41,610 --> 00:35:43,750
WE’VE GOT A RUNNER
IN THE SQUAD.
645
00:35:43,780 --> 00:35:45,380
D. HERE’S A RUNNER.
646
00:35:45,420 --> 00:35:47,490
GOOD NIGHT.
647
00:35:47,520 --> 00:35:48,650
NIGHT.
648
00:35:48,690 --> 00:35:50,500
WE’LL BE MORE FUN TOMORROW
649
00:35:50,520 --> 00:35:52,290
WHEN WE’RE NOT PINNED
TO OUR DESKS.
650
00:35:52,320 --> 00:35:53,960
ALL RIGHT.
651
00:35:58,460 --> 00:36:01,100
HAVE YOU GOT A MINUTE?
SURE.
652
00:36:01,130 --> 00:36:03,260
I‐I’LL JUST SAY GOOD NIGHT.
SEE YOU TOMORROW.
653
00:36:03,300 --> 00:36:05,070
YEAH,
SEE YOU TOMORROW, GREG.
654
00:36:05,100 --> 00:36:07,100
I’LL SEE YOU TOMORROW,
PARTNER.
655
00:36:07,140 --> 00:36:08,870
AH. ALL RIGHT.
656
00:36:14,150 --> 00:36:16,760
I FINALLY HOOKED UP
WITH LIEUTENANT ABNER.
657
00:36:16,780 --> 00:36:19,950
I’M NOT A BOSS‐HATER, LOO.
658
00:36:19,980 --> 00:36:22,420
PEOPLE HAVE HONEST
DISAGREEMENTS.
659
00:36:22,450 --> 00:36:25,150
DID HIM NOT CALLING
HAVE SOMETHING TO DO WITH ME?
660
00:36:25,190 --> 00:36:27,160
THERE’S A DETECTIVE
IN THIS SQUAD
661
00:36:27,190 --> 00:36:28,690
YOUR OLD BOSS THOUGHT
662
00:36:28,730 --> 00:36:31,670
I SHOULD HAVE DONE SOMETHING
ABOUT A LONG TIME AGO.
663
00:36:31,700 --> 00:36:34,170
NOT CALLING IS JUST HIS WAY
OF REMINDING ME ‐‐
664
00:36:34,200 --> 00:36:38,200
HIS WAY OF SAYING
I’M NOT ON THE TEAM.
665
00:36:38,240 --> 00:36:41,280
I TAKE PEOPLE
AS I FIND THEM, BALDWIN.
666
00:36:41,310 --> 00:36:43,510
I TRY TO DO THAT, TOO.
667
00:36:43,540 --> 00:36:45,840
I TRY TO LIVE LIKE THAT.
668
00:36:47,510 --> 00:36:50,950
ANYWAYS, UM,
I’LL SEE YOU TOMORROW.
669
00:36:50,980 --> 00:36:53,980
WE’RE GOING TO HAVE TO WALK
DOWN THESE STAIRS TOGETHER.
670
00:36:54,020 --> 00:36:55,980
YEAH,
SOMETIMES I JUST TALK
671
00:36:56,020 --> 00:36:57,690
TO HEAR MY OWN VOICE.
672
00:37:05,530 --> 00:37:08,200
THE VOICE ON THAT
911 TAPE, ANDY ‐‐
673
00:37:08,230 --> 00:37:10,030
THAT DIDN’T SOUND LIKE THIS
GORMAN WE INTERVIEWED, DID IT?
674
00:37:10,070 --> 00:37:11,970
NO.
675
00:37:12,000 --> 00:37:14,400
TO ME IT DIDN’T SOUND
LIKE HIM, EITHER.
676
00:37:16,710 --> 00:37:18,670
THE NEW GUY’S GOOD.
677
00:37:18,710 --> 00:37:22,710
BALDWIN ‐‐ A NAME LIKE THAT,
HIS MOTHER WAS SETTING HIM UP
678
00:37:22,750 --> 00:37:24,090
FOR A CHILDHOOD
OF FISTFIGHTS.
679
00:37:24,120 --> 00:37:26,160
I’M FIGURING
HER NAMING HIM JOE
680
00:37:26,180 --> 00:37:28,250
MIGHT HAVE RUBBED
YOU WRONG, TOO.
681
00:37:28,290 --> 00:37:30,760
BALDWIN.
682
00:37:30,790 --> 00:37:33,620
OH, BALDWIN.
683
00:37:37,230 --> 00:37:38,360
AHEM.
684
00:37:44,700 --> 00:37:46,500
YOU COLLARED UP?
685
00:37:46,540 --> 00:37:49,880
A SKELL WENT TO ROB FRANK.
HE WOULDN’T GIVE IT UP.
686
00:37:49,910 --> 00:37:52,110
THE CASE IS GOOD?
687
00:37:52,140 --> 00:37:54,040
YEAH.
688
00:37:54,080 --> 00:37:56,110
AS FAR AS
OUR CONVERSATION, LISA,
689
00:37:56,150 --> 00:37:57,790
NOTHING’S GOING IN
ON THAT.
690
00:37:57,820 --> 00:37:59,420
AS FAR AS
THAT CONVERSATION,
691
00:37:59,450 --> 00:38:02,680
I HOPE YOU UNDERSTAND HAVING
TO TAKE A CERTAIN TONE.
692
00:38:02,720 --> 00:38:05,250
I LOVED FRANK.
693
00:38:05,290 --> 00:38:07,260
IF I’D BEEN INVOLVED,
694
00:38:07,290 --> 00:38:10,860
I WOULD HAVE WANTED YOU
TO GO AT ME LIKE THAT.
695
00:38:10,900 --> 00:38:14,970
ANYWAYS, THERE’S NOTHING
ON ANY OF THAT ASPECT.
696
00:38:18,240 --> 00:38:22,650
I FEEL LIKE HE...
697
00:38:22,670 --> 00:38:25,440
WAS PUNISHED
FOR WHAT I MADE HIM DO.
698
00:38:25,480 --> 00:38:27,750
NO.
699
00:38:27,780 --> 00:38:29,880
DON’T PUT YOURSELF
IN THE MIDDLE OF THE UNIVERSE.
700
00:38:29,910 --> 00:38:33,880
FRANK’S WIFE DON’T BEAR
YOU NO ILL WILL, LISA.
701
00:38:33,920 --> 00:38:36,320
SHE TOLD US THAT ‐‐
HER OWN WORDS.
702
00:38:36,350 --> 00:38:39,220
OH, GOD.
703
00:38:39,260 --> 00:38:43,430
SHE SAID, "HIS PARTNER
IS NOT A SELFISH GIRL."
704
00:38:46,000 --> 00:38:48,970
WHERE’S THE SKELL?
705
00:38:49,000 --> 00:38:51,070
DOWNSTAIRS.
706
00:38:51,100 --> 00:38:54,170
I DON’T THINK
I SHOULD SEE HIM.
707
00:38:56,640 --> 00:39:00,410
AS FAR AS THAT JACK GORMAN,
THAT COP FROM THE 3‐4...
708
00:39:00,440 --> 00:39:02,440
WHAT DID JACK SAY?
709
00:39:04,380 --> 00:39:06,350
JUST CONFIRMED
YOUR INFORMATION ‐‐
710
00:39:06,380 --> 00:39:08,780
THAT THE TWO OF YOU’D
HAD A RELATIONSHIP,
711
00:39:08,820 --> 00:39:11,450
THAT FOR WHATEVER REASON
IT STOPPED,
712
00:39:11,490 --> 00:39:14,990
AND, YOU KNOW,
HE JUST ASKED AFTER YOU.
713
00:39:15,030 --> 00:39:17,040
NO FIVE ON THAT, EITHER.
714
00:39:22,670 --> 00:39:24,080
Okay.
715
00:39:25,700 --> 00:39:27,700
SORRY FOR YOUR LOSS.
716
00:39:49,830 --> 00:39:50,990
HI.
717
00:39:51,030 --> 00:39:53,930
CAN WE GO IN HERE?
718
00:40:16,560 --> 00:40:19,600
JILL...
719
00:40:19,620 --> 00:40:22,090
ALL YOU’VE BEEN
THROUGH WITH DON
720
00:40:22,130 --> 00:40:25,040
AND KNOWING WHAT HE CHOSE
721
00:40:25,060 --> 00:40:29,030
AS FAR AS WHAT KIND OF LIFE
HE WAS LOOKING AT,
722
00:40:29,070 --> 00:40:31,040
WHAT KIND OF THINGS
COULD HAPPEN
723
00:40:31,070 --> 00:40:33,030
LIVING THAT KIND OF LIFE...
724
00:40:33,070 --> 00:40:35,570
ANYTHING COULD HAPPEN TO DON.
725
00:40:35,610 --> 00:40:38,280
ISN’T THAT RIGHT?
726
00:40:40,610 --> 00:40:42,180
YEAH.
727
00:40:42,210 --> 00:40:45,550
AND IF THAT HAPPENED,
728
00:40:45,580 --> 00:40:48,650
HOW MUCH WOULD IT BE IMPORTANT
TO KNOW ABOUT THAT?
729
00:40:51,090 --> 00:40:55,760
I’M ASKING BECAUSE YESTERDAY
AFTER YOU WENT TO SEE DON
730
00:40:55,790 --> 00:41:00,430
AND DID WHAT YOU FELT
YOU NEEDED TO DO FOR HIM,
731
00:41:00,460 --> 00:41:04,400
YOU SAID YOU FELT
LIKE YOU PAID A RANSOM,
732
00:41:04,440 --> 00:41:07,750
THAT YOU AND THE BOYS
COULD BE FREE NOW
733
00:41:07,770 --> 00:41:12,740
SO SOME NEW JOLT WOULDN’T
BE AROUND THE CORNER...
734
00:41:12,780 --> 00:41:16,820
WHERE THE DETAILS COULD BREAK
YOUR HEART AND THE BOYS’.
735
00:41:19,080 --> 00:41:21,780
WOULD THERE BE ANY POINT
736
00:41:21,820 --> 00:41:24,220
IN KNOWING THE DETAILS
737
00:41:24,260 --> 00:41:27,500
IF SOMETHING
HAD HAPPENED TO DON?
738
00:43:03,560 --> 00:43:06,260
Captioned by VISUAL DATA
Your Closed Captioning Resource
739
00:43:06,290 --> 00:43:08,220
♪ ♪
53367
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