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1
00:00:21,730 --> 00:00:24,100
HERE, PUT THIS‐‐
2
00:00:24,130 --> 00:00:26,330
I’M GONNA‐‐
I’M GONNA DO IT.
3
00:00:28,000 --> 00:00:29,970
OK.
4
00:00:34,310 --> 00:00:36,250
YOU WANT TO HOLD THIS?
5
00:00:57,500 --> 00:01:00,640
YOU’RE DOING
A GOOD JOB.
6
00:01:00,670 --> 00:01:02,840
OK, LET’S
SPIT IT OUT.
7
00:01:02,870 --> 00:01:04,980
WHOOPS.
8
00:01:05,000 --> 00:01:08,000
ALL RIGHT, YOU
DID A GOOD JOB.
9
00:01:13,880 --> 00:01:17,310
I PUT THIS ONE HERE...
10
00:01:17,350 --> 00:01:20,020
BUT THIS IS
THE SMOKESTACK.
11
00:01:29,560 --> 00:01:30,860
GET SOME MORE BOXES.
12
00:01:30,900 --> 00:01:32,500
OK, GIVE ME YOUR HAND,
13
00:01:32,530 --> 00:01:35,030
AND WE’LL GO TO SCHOOL.
COME ON.
14
00:01:40,040 --> 00:01:42,340
ALL RIGHT, WHY
DON’T YOU TELL YOUR FISH
15
00:01:42,370 --> 00:01:44,010
YOU’RE GONNA SEE THEM
AFTER SCHOOL.
16
00:01:44,040 --> 00:01:47,880
WE’RE GONNA SEE YOU
AFTER SCHOOL.
17
00:01:47,910 --> 00:01:49,780
BYE‐BYE, TIGGER.
18
00:01:49,810 --> 00:01:51,550
BYE‐BYE, DONALD DUCK.
19
00:01:51,580 --> 00:01:53,210
BYE‐BYE, DONALD DUCK.
20
00:01:53,250 --> 00:01:56,690
BYE, MR.‐‐I DON’T KNOW
WHERE HE IS.
21
00:01:58,860 --> 00:02:00,030
WHERE’S MOMMY?
22
00:02:00,060 --> 00:02:01,990
MOMMY’S VISITING.
23
00:02:05,060 --> 00:02:06,830
ARE YOU SAD, DADDY?
24
00:02:10,770 --> 00:02:12,570
TIME TO GO.
BYE‐BYE, FISH.
25
00:02:12,600 --> 00:02:13,600
BYE‐BYE, FISH.
26
00:02:15,070 --> 00:02:16,870
LET’S GO.
27
00:02:22,950 --> 00:02:26,020
THERE WE GO.
THAT’S A GOOD BOY.
28
00:02:27,750 --> 00:02:29,890
HOLD MY HAND, DADDY.
29
00:02:29,920 --> 00:02:31,750
YOU GOT IT, PAL.
30
00:04:05,720 --> 00:04:06,760
HIYA, BOSS.
31
00:04:06,790 --> 00:04:07,930
MORNING, DANNY.
32
00:04:07,950 --> 00:04:09,690
THANKS FOR COMING
IN EARLY.
33
00:04:09,720 --> 00:04:10,820
SURE.
34
00:04:10,860 --> 00:04:12,530
HOW ARE THINGS?
35
00:04:12,560 --> 00:04:14,600
HE WALKED THEO TO SCHOOL
AND WALKED BACK HOME.
36
00:04:14,630 --> 00:04:16,270
YOU DIDN’T SPEAK WITH HIM?
37
00:04:16,290 --> 00:04:19,530
DO YOU THINK HIS REACTION
WOULD STILL BE THAT STRONG?
38
00:04:19,560 --> 00:04:22,430
"LEAVE ME ALONE. I’LL BE
IN TOUCH ON MY OWN TIME."
39
00:04:22,470 --> 00:04:25,280
YEAH, YOU’RE RIGHT.
40
00:04:25,300 --> 00:04:27,200
I’M NOT GONNA
DISRESPECT THAT.
41
00:04:28,310 --> 00:04:31,280
YOU THINK HE SEES YOU?
42
00:04:31,310 --> 00:04:33,040
NO.
43
00:04:33,080 --> 00:04:35,620
A‐‐I DON’T LET HIM SEE ME,
44
00:04:35,650 --> 00:04:39,060
PLUS, ALSO, I DON’T KNOW HOW
MUCH ANDY’S SEEING ANYWAY,
45
00:04:39,080 --> 00:04:42,050
PAST SUPERVISING HIS BOY
GETTIN’ TO THE SCHOOL DOOR.
46
00:04:42,090 --> 00:04:44,630
WALKS HOME. HE COULD BE
IN ANOTHER COUNTRY.
47
00:04:44,660 --> 00:04:46,300
WELL, THAT’S
WHAT I’M WONDERING,
48
00:04:46,320 --> 00:04:49,290
AS A POSSIBLE WAY
OF BREAKING THE ICE?
49
00:04:49,330 --> 00:04:50,300
WHAT?
50
00:04:50,330 --> 00:04:51,630
IF YOU LET HIM SEE YOU.
51
00:04:51,660 --> 00:04:53,190
THIS WAY,
IF HE’S OF A MIND,
52
00:04:53,230 --> 00:04:56,800
IF HE TALKS TO SOMEONE,
THAT’S THE OPPORTUNITY.
53
00:04:56,840 --> 00:05:00,510
"ANDY, FANCY
SEEING YOU HERE."
54
00:05:00,540 --> 00:05:02,300
HE WAS ADAMANT WHEN
YOU WERE OVER THERE?
55
00:05:02,340 --> 00:05:03,810
FROM BEHIND
THE CLOSED DOORS,
56
00:05:03,840 --> 00:05:05,470
I STOOD
IN THE HALLWAY, YES.
57
00:05:05,510 --> 00:05:07,310
BUT IT DOESN’T SEEM
LIKE HE’S DRINKING,
58
00:05:07,350 --> 00:05:08,850
AS YOU SEE HIM WALK THEO?
59
00:05:08,880 --> 00:05:11,080
ABSOLUTELY NOT.
60
00:05:13,020 --> 00:05:15,360
I’M GONNA KEEP AN EYE
ON HIM, YOU KNOW?
61
00:05:15,390 --> 00:05:17,360
YEAH, PLEASE KEEP
AN EYE ON HIM.
62
00:05:27,530 --> 00:05:29,160
MORNING.
63
00:05:29,200 --> 00:05:30,470
HI.
64
00:05:32,040 --> 00:05:33,240
HOW WAS HE?
65
00:05:33,270 --> 00:05:35,870
ALL RIGHT. AND THE LITTLE ONE
SEEMED ALL RIGHT.
66
00:05:35,910 --> 00:05:38,520
DID HE STOP ANYWHERE
ON THE WAY HOME?
67
00:05:38,540 --> 00:05:39,680
NO, HE DIDN’T STOP.
68
00:05:39,710 --> 00:05:41,010
DID HE GET
HIS GROCERIES?
69
00:05:41,050 --> 00:05:42,750
NO, ANDY DIDN’T
MAKE NO STOPS.
70
00:05:42,780 --> 00:05:45,110
I MEAN, WHERE’S HE
GETTING HIS GROCERIES?
71
00:05:45,150 --> 00:05:47,680
I’LL TELL YOU, THEO
LOOKED FINE, YOU KNOW?
72
00:05:47,720 --> 00:05:49,380
AND HOW DID ANDY LOOK?
73
00:05:49,420 --> 00:05:51,390
HE LOOKED ALL RIGHT.
74
00:05:51,420 --> 00:05:53,090
HE’S NOT DRINKING,
DEFINITELY.
75
00:05:53,120 --> 00:05:55,220
HE’D NEVER DRINK
AROUND THE BABY,
HE WOULDN’T DO IT.
76
00:05:55,260 --> 00:05:56,860
OH, I AGREE 100%.
77
00:05:56,900 --> 00:05:59,640
SO I’M AFRAID
IF HE’S NOT GONNA
LET HIMSELF DRINK,
78
00:05:59,660 --> 00:06:02,360
IF HE FEELS LIKE
HE HAS TO DRINK,
79
00:06:02,400 --> 00:06:04,930
AND HE’D NEVER
LET HIMSELF DRINK
BECAUSE OF THEO‐‐
80
00:06:04,970 --> 00:06:08,370
I FOLLOW HIM EVERY DAY,
IN THE MORNING AND AFTERNOON.
81
00:06:08,410 --> 00:06:09,720
I’VE WORKED PEOPLE
THINKING
82
00:06:09,740 --> 00:06:11,710
IT WAS THE ONLY WAY TO
PROTECT THEIR CHILDREN.
83
00:06:11,740 --> 00:06:13,370
THEY FEEL LIKE THEY
CAN’T TAKE IT ANYMORE.
84
00:06:13,410 --> 00:06:14,810
THEY NEED TO DIE.
85
00:06:14,850 --> 00:06:16,450
AND THEY DON’T
WANT THEIR CHILDREN
LEFT ALONE
86
00:06:16,480 --> 00:06:18,910
AFTER THEY’RE GONE.
87
00:06:44,110 --> 00:06:45,670
THAT’S WHY I WANT HIM
TO GET HIS GROCERIES.
88
00:06:45,710 --> 00:06:46,940
NO, I KNOW.
89
00:06:46,980 --> 00:06:49,580
THAT’S THE ONLY REASON
I HARP ON IT.
90
00:06:49,610 --> 00:06:51,110
I KNOW.
91
00:06:54,450 --> 00:06:56,690
OH, ANDY, HELP ME.
92
00:06:57,960 --> 00:06:59,700
THERE, THERE.
93
00:07:25,050 --> 00:07:28,550
[KNOCK ON DOOR]
94
00:07:28,590 --> 00:07:30,030
WHO IS IT?
95
00:07:30,050 --> 00:07:32,350
IT’S KATIE, ANDY.
96
00:07:48,940 --> 00:07:50,470
I DON’T NEED NOTHING.
97
00:07:50,510 --> 00:07:52,310
CAN I COME IN
FOR A LITTLE?
98
00:07:52,340 --> 00:07:54,180
WHY? I SAY I
DON’T NEED NOTHING.
99
00:07:54,210 --> 00:07:55,510
I KNOW, ANDY.
100
00:07:55,550 --> 00:07:58,390
HOW LONG ARE YOU GONNA
BRING THE SAME FOOD?
101
00:07:58,420 --> 00:08:00,490
I GOT THE SAME FOOD
OVER THERE.
102
00:08:00,520 --> 00:08:02,480
THIS IS FRESH TODAY.
103
00:08:02,520 --> 00:08:04,250
DON’T BRING IT.
104
00:08:20,910 --> 00:08:23,750
THEO HAD OATMEAL?
105
00:08:23,780 --> 00:08:25,420
DON’T!
106
00:08:25,440 --> 00:08:27,080
I’M NOT TOUCHING
ANYTHING, ANDY.
I’M NOT TOUCHING HIS BOWL.
107
00:08:27,110 --> 00:08:28,280
I WAS JUST SAYING
HE HAD OATMEAL.
108
00:08:28,310 --> 00:08:30,080
CAN’T YOU
LEAVE IT ALONE?
109
00:08:30,110 --> 00:08:32,110
I CAN
CLEAN THE KITCHEN.
110
00:08:32,150 --> 00:08:34,550
I CAN CLEAN THE KITCHEN.
I CAN CLEAN MY HOUSE.
111
00:08:34,590 --> 00:08:36,090
WHAT’S THE MATTER
WITH YOU?
112
00:08:36,120 --> 00:08:39,090
ALL RIGHT.
IT’S ALL RIGHT, ANDY.
113
00:08:39,120 --> 00:08:42,920
I GOTTA
PICK HIM UP SOON,
DON’T YOU UNDERSTAND?
114
00:08:42,960 --> 00:08:45,860
YOU HAVE TO PICK HIM
UP AT 1:00.
115
00:08:45,900 --> 00:08:47,610
I HAVE TO PICK HIM UP.
116
00:09:02,010 --> 00:09:04,510
PLEASE GO.
117
00:09:06,450 --> 00:09:07,950
PLEASE.
118
00:09:07,990 --> 00:09:10,330
ALL RIGHT, ANDY.
119
00:09:15,160 --> 00:09:18,190
GOOD‐BYE, ANDY.
120
00:09:55,900 --> 00:09:57,930
Diane: OK, JILL,
I’LL TALK TO YOU LATER.
121
00:09:57,970 --> 00:10:00,800
MY NAME
IS STEVEN JUNG.
122
00:10:02,310 --> 00:10:04,120
WHAT’S GOING ON, STEVE?
123
00:10:04,140 --> 00:10:06,040
THEY’RE WHO I’VE
BEEN DEALING WITH.
124
00:10:06,080 --> 00:10:07,990
James: UH,
WE’LL TALK DOWN HERE.
125
00:10:09,980 --> 00:10:14,850
JILL’S GETTING JOHN.
HE’S, UH, HE’S SUPPOSED
TO BE OUT BY 11:00.
126
00:10:14,890 --> 00:10:16,360
ANY CHANCE
SHE’LL STOP BY WITH HIM?
127
00:10:16,390 --> 00:10:18,130
I GUESS IT’LL
DEPEND HOW HE FEELS.
128
00:10:18,160 --> 00:10:21,000
YEAH, ’CAUSE
IT’D BE NICE TO SEE HIM.
129
00:10:32,340 --> 00:10:34,980
DIANE, HOW MUCH WEIGHT
YOU GIVING YOUR CONCERNS
BEFORE,
130
00:10:35,010 --> 00:10:37,080
ANDY’S STATE OF MIND?
131
00:10:37,110 --> 00:10:39,070
HE SAYS HE’LL CALL YOU
WHEN HE’S READY.
132
00:10:39,110 --> 00:10:43,680
HE SAYS I CAN’T TALK TO HIM
’CAUSE I’M SUPPOSED TO BE
DEALING WITH MY OWN GRIEF.
133
00:10:45,180 --> 00:10:47,320
HE CAN’T LIVE
HOW HE’S LIVING,
134
00:10:47,350 --> 00:10:49,120
JUST HIM AND THEO.
135
00:10:50,250 --> 00:10:52,750
SUCH A THING AS BEING
TOO RESPECTFUL, MAYBE.
136
00:10:52,790 --> 00:10:55,590
MAYBE I’M SUPPOSED
TO BE MORE AGGRESSIVE
REACHING OUT.
137
00:10:55,630 --> 00:10:58,500
I JUST DON’T KNOW
HOW TO GET THROUGH.
138
00:10:58,530 --> 00:11:02,030
YOU KNOW,
WHEN HE LOST ANDY JR.,
BOBBY KNEW WHAT TO DO.
139
00:11:05,440 --> 00:11:07,350
I’M SORRY.
140
00:11:07,370 --> 00:11:09,640
NO, NO, NO.
141
00:11:17,620 --> 00:11:20,180
TO TRY TO GET OVER,
IF YOU’RE NOT A BIG PERSON,
IS A SIN.
142
00:11:20,210 --> 00:11:23,450
IT’S NOT A SIN
NOT BEING A BIG PERSON.
143
00:11:23,480 --> 00:11:25,750
THE SIN IS
TRYING TO GET OVER.
144
00:11:26,810 --> 00:11:28,540
FAIR ENOUGH.
145
00:11:30,550 --> 00:11:33,180
MY LIFE HAS BEEN
A SERIES OF JACKPOTS.
146
00:11:33,220 --> 00:11:35,680
WHAT EVERY PASSING
ACQUAINTANCE KNEW ABOUT ME
FROM JOHNNY BUMP,
147
00:11:35,720 --> 00:11:37,450
EVERYONE I’VE EVER MET,
148
00:11:37,490 --> 00:11:39,420
I COULD NOT ACCEPT.
149
00:11:39,460 --> 00:11:41,530
THAT YOU AREN’T BIG?
150
00:11:41,560 --> 00:11:45,460
WHAT DO YOU
GOT FOR US, STEVE?
151
00:11:45,500 --> 00:11:47,710
I WAS BLESSED BY GOD
NOT TO MURDER.
152
00:11:47,730 --> 00:11:50,200
I WAS HIRED
FROM GAMBLING DEBTS,
153
00:11:50,240 --> 00:11:55,480
AND GOD SPARED ME
WITH MY LAST CHANCE
ADMITTING MY SIZE.
154
00:11:55,510 --> 00:11:57,080
WHO HIRED YOU
TO DO MURDER?
155
00:11:57,110 --> 00:12:01,810
THE PERSON THAT HIRED ME
WAS MENTIONED TO MY SISTER
DURING PILLOW TALK.
156
00:12:01,850 --> 00:12:07,160
ON HER OWN HOOK,
LURLEEN WENT AND
CONTACTED THIS PERSON.
157
00:12:07,190 --> 00:12:09,160
SHE ALWAYS THINKS
SHE’S GETTING ME AHEAD.
158
00:12:09,190 --> 00:12:11,500
AND VIA
YOUR SISTER LURLEEN,
159
00:12:11,520 --> 00:12:13,620
THIS PERSON
HIRED YOU TO DO MURDER?
160
00:12:13,660 --> 00:12:15,960
VIA MY SISTER LURLEEN
HE SAID HE’D CLEAR
MY GAMBLING DEBTS.
161
00:12:15,990 --> 00:12:18,060
HE ASSIGNED ME
MURDERIN’ SOMEONE
162
00:12:18,100 --> 00:12:20,340
SUPPOSED TO
TESTIFY AGAINST HIM
IN STATE SUPREME COURT.
163
00:12:20,370 --> 00:12:22,740
SO VIA YOUR
SISTER LURLEEN,
164
00:12:22,770 --> 00:12:24,730
YOU’RE HIRED
TO KILL A WITNESS
165
00:12:24,770 --> 00:12:26,940
SUPPOSED TO TESTIFY
AGAINST THIS GUY
IN COURT?
166
00:12:26,970 --> 00:12:30,070
YEAH, SUPPOSED TO KILL
SOME DEALER WHO THE COPS
HAD GOT TO FLIP,
167
00:12:30,110 --> 00:12:34,580
SOLD THIS GUY DRUGS,
AND WAS GONNA TESTIFY
AGAINST HIM.
168
00:12:34,610 --> 00:12:38,510
I WAS IN THAT COURTHOUSE
TO MURDER WHEN HELL
BROKE LOOSE.
169
00:12:38,550 --> 00:12:42,320
MALCOLM CULLINAN
HIRED YOU TO KILL
KENNY PRIEST?
170
00:12:42,350 --> 00:12:45,020
BUT GOD REACHED
HIS HAND OUT TO SPARE ME.
171
00:12:45,060 --> 00:12:49,870
STEVE, THE DISTRICT
ATTORNEY THAT DIED IN
THE COURTHOUSE THAT DAY,
172
00:12:49,900 --> 00:12:51,800
SHE WAS
A DETECTIVE’S WIFE.
173
00:12:51,830 --> 00:12:55,260
YEAH, I KNOW THE ENTIRE
STORY FROM THE PAPERS
IN NEW YORK ONE.
174
00:12:55,300 --> 00:12:57,770
TELL US AGAIN GOD KILLED
THAT WOMAN SPARING YOU,
175
00:12:57,800 --> 00:13:00,170
AND YOU’LL TAKE A GOOD
BEATIN’ IN THIS ROOM.
176
00:13:04,080 --> 00:13:06,690
I’M ON BAIL
FOR TRUCK STICKUPS,
177
00:13:06,710 --> 00:13:10,950
’CAUSE I CAN’T
ACCEPT WHO I AM.
178
00:13:10,980 --> 00:13:13,980
I’M A SICK,
DEGENERATE GAMBLER
179
00:13:14,020 --> 00:13:16,820
’CAUSE ONE DAY IN 40
I GET TO WALK OUT
THE TRACK WINNERS.
180
00:13:16,860 --> 00:13:20,830
EXCEPT MY BREATH STINKS
AND MY UNDERWEAR’S DIRTY
181
00:13:20,860 --> 00:13:22,320
AND MY SHOES,
THEY GOT HOLES IN THEM.
182
00:13:22,360 --> 00:13:27,330
I’M HERE TO SAY WHO I AM.
183
00:13:27,370 --> 00:13:29,070
I’M A SMALL PERSON.
184
00:13:29,100 --> 00:13:35,000
I WAS HIRED VIA MY SISTER
TO KILL ANOTHER HUMAN BEING.
185
00:13:37,510 --> 00:13:40,340
I CAN’T DO MURDER.
186
00:13:40,380 --> 00:13:41,380
THE REST?
187
00:13:43,520 --> 00:13:46,190
I’LL LET GOD EXPLAIN.
188
00:13:53,230 --> 00:13:54,370
WHAT?
189
00:13:54,390 --> 00:13:56,330
WE NEED TO TALK
TO A LURLEEN JUNG.
190
00:13:56,360 --> 00:13:57,860
I DON’T KNOW
WHO THAT IS.
191
00:13:57,900 --> 00:14:02,780
BOSS, MALCOLM CULLINAN
REACHED OUT TO HAVE
KENNY PRIEST MURDERED
192
00:14:02,800 --> 00:14:04,270
AT THAT COURTHOUSE.
193
00:14:04,300 --> 00:14:06,240
HE REACHED OUT
TO STEVE JUNG
194
00:14:06,270 --> 00:14:07,700
THAT WAS INVOLVED
IN THOSE TRUCK HIJACKS.
195
00:14:07,740 --> 00:14:09,570
CAN WE MAKE THAT CASE
AGAINST CULLINAN?
196
00:14:09,610 --> 00:14:11,080
THE TROUBLE IS
CULLINAN MADE GOOD
197
00:14:11,110 --> 00:14:12,610
ON SOME OF STEVE JUNG’S
GAMBLING DEBTS,
198
00:14:12,640 --> 00:14:14,010
BUT NO MONEY PASSED
BETWEEN THE TWO OF THEM.
199
00:14:14,050 --> 00:14:15,250
JUNG NEVER ACTUALLY
MET CULLINAN.
200
00:14:15,280 --> 00:14:16,950
THE SISTER WAS
THE GO‐BETWEEN.
201
00:14:16,980 --> 00:14:17,950
LURLEEN JUNG?
202
00:14:17,980 --> 00:14:19,010
YEAH.
203
00:14:19,050 --> 00:14:20,550
EVERYTHING
WAS VIA HER.
204
00:14:20,590 --> 00:14:23,260
BOSS, IN
MIKE ROBERTS’ NOVEL,
205
00:14:23,290 --> 00:14:24,620
THE PRIVATE EYE
THAT’S MIKE
206
00:14:24,660 --> 00:14:26,630
AND THE PRICK MURDERER
THAT’S CULLINAN
207
00:14:26,660 --> 00:14:28,520
ARE BOTH BANGING
THE SAME GIRL.
208
00:14:28,560 --> 00:14:30,790
WHAT IF THAT
IS THIS LURLEEN?
209
00:14:30,830 --> 00:14:33,060
THINK SHE’D HAVE
SOME OTHER STORIES
TO TELL ON CULLINAN?
210
00:14:33,100 --> 00:14:35,060
CAN WE GET HER IN?
211
00:14:35,100 --> 00:14:37,270
YEAH. HE GAVE US
HIS SISTER’S PLACE,
212
00:14:37,300 --> 00:14:41,200
THIS REMORSEFUL
STEVE JUNG.
213
00:14:41,240 --> 00:14:44,770
YOU’D LIKE TO PUT IT
ALL TOGETHER,
YOU KNOW?
214
00:14:44,810 --> 00:14:47,140
MIGHT BE SOME KIND
OF SOLACE FOR ANDY.
215
00:14:47,180 --> 00:14:48,410
YEAH.
216
00:15:04,030 --> 00:15:05,660
HAVE A SEAT, LURLEEN.
217
00:15:14,810 --> 00:15:17,620
WE NEED YOU TO DESCRIBE
YOUR RELATIONSHIP WITH
MIKE ROBERTS, LURLEEN,
218
00:15:17,640 --> 00:15:19,570
AND ALSO
MALCOLM CULLINAN.
219
00:15:19,610 --> 00:15:23,110
SEE, THEY SHOULD TAKE
EVERY RELIGIOUS NETWORK
OFF TELEVISION.
220
00:15:23,150 --> 00:15:27,620
THEY’D DO BETTER
SHOWING DISASTERS ALL DAY.
221
00:15:27,650 --> 00:15:29,320
YOU NEED ME TO DESCRIBE
THOSE RELATIONSHIPS
222
00:15:29,350 --> 00:15:32,620
BECAUSE MY IDIOT BROTHER
CAME IN HERE
223
00:15:32,660 --> 00:15:35,840
WITH HIS SMALL‐PERSON
ACCEPTANCE SPEECH,
224
00:15:35,860 --> 00:15:39,290
BECAUSE HE STARTED WATCHING
THOSE RELIGIOUS CHANNELS
225
00:15:39,330 --> 00:15:41,930
AND TURNED HIS BRAIN
TO MUSH.
226
00:15:41,970 --> 00:15:44,010
WE KNOW THAT YOU LOOK
OUT FOR YOUR BROTHER.
227
00:15:44,040 --> 00:15:46,510
WE KNOW THAT
YOU GOT HIM WORK
IN TRUCK DISPATCH
228
00:15:46,540 --> 00:15:48,340
THROUGH MIKE ROBERTS.
229
00:15:48,370 --> 00:15:50,970
DID YOU ALSO TRY TO
HELP STEVE OUT WITH
MALCOLM CULLINAN,
230
00:15:51,010 --> 00:15:52,980
TRY TO GET HIM
SOME TYPE OF, UH,
ADVANCEMENT
231
00:15:53,010 --> 00:15:54,680
OR A LEG UP?
232
00:15:54,710 --> 00:15:56,310
MY JOB WITH
MY BROTHER’S LEGS
233
00:15:56,350 --> 00:15:58,180
WAS KEEPING THEM
FROM GETTING BROKEN.
234
00:15:58,220 --> 00:16:02,730
YOUR REFERENCE THERE,
UH, STEVE’S DIFFICULTIES
WITH BOOKMAKERS?
235
00:16:02,760 --> 00:16:05,030
YEAH, THAT WAS
MY REFERENCE THERE.
236
00:16:05,060 --> 00:16:07,330
SO ESSENTIALLY,
PROTECTING
YOUR BROTHER STEVE,
237
00:16:07,360 --> 00:16:08,860
YOU WOUND UP
SOMEWHAT IN A POSITION
238
00:16:08,890 --> 00:16:11,130
SACRIFICING
YOURSELF SEXUALLY,
239
00:16:11,160 --> 00:16:13,860
AND THAT GOT HIM
A JOB OFFER
DOING THIS CONTRACT
240
00:16:13,900 --> 00:16:15,870
INVOLVING THE DEATH
OF KENNY PRIEST.
241
00:16:15,900 --> 00:16:17,870
YEAH. WOULD
THAT BE FAIR?
242
00:16:17,900 --> 00:16:19,900
YOU THINK YOU’RE SO SMART.
243
00:16:19,940 --> 00:16:23,240
YOU THINK YOU’RE MOVING ME
PLACES I DON’T WANT TO GO.
244
00:16:23,280 --> 00:16:25,250
I NEVER LAID DOWN
ONCE IN MY LIFE
245
00:16:25,280 --> 00:16:27,220
NOT KNOWING WHAT
I WAS GETTING OUT OF IT.
246
00:16:27,250 --> 00:16:29,760
MIKE ROBERTS WAS A SLOB.
247
00:16:29,780 --> 00:16:32,050
MALCOLM CULLINAN
WAS A SLOB.
248
00:16:33,420 --> 00:16:35,650
YOU WANT TO PIN UP
MALCOLM CULLINAN?
249
00:16:35,690 --> 00:16:40,570
MALCOLM CULLINAN GAVE ME
24 DOWNERS TO PUT IN
MIKE ROBERTS’ SIDECARS.
250
00:16:40,590 --> 00:16:44,560
YOU KNOW HOW MANY
SIDECARS IT IS TO KEEP
FROM TASTING THE DOWNERS?
251
00:16:44,600 --> 00:16:49,940
YOU KNOW HOW LONG I HAD
TO SIT WITH THAT SLOB
AT THE BAR
252
00:16:49,970 --> 00:16:54,440
LISTENING
TO HIS STUPID DREAMS?
253
00:16:54,470 --> 00:16:56,770
AND I’M‐‐I’M NODDING,
254
00:16:56,810 --> 00:16:58,270
AND I’M SMILING,
255
00:16:58,310 --> 00:17:03,180
AND I’M PUTTING THESE
DOWNERS IN HIS DRINK.
256
00:17:03,220 --> 00:17:07,860
THIS WAS BEFORE YOU
WALKED MIKE ROBERTS
UP TO HIS OFFICE?
257
00:17:07,890 --> 00:17:10,960
BEFORE I WALKED HIM UP
AND CULLINAN WALKED HIM IN.
258
00:17:14,960 --> 00:17:17,360
YOU’RE GONNA NEED
TO TELL THIS STORY
ELSEWHERE, LURLEEN,
259
00:17:17,400 --> 00:17:20,270
IF YOU WANT
TO STAY OUT OF JAIL.
260
00:17:20,300 --> 00:17:25,000
YEAH.
I’LL TELL IT ELSEWHERE.
261
00:17:33,150 --> 00:17:34,320
JAMES.
262
00:17:35,810 --> 00:17:38,780
BOSS, INSTEAD
OF ATTEMPTED MURDER
263
00:17:38,820 --> 00:17:40,960
AND POSSESSION OF
A CONTROLLED SUBSTANCE
264
00:17:40,990 --> 00:17:42,260
AND LEWD SOLICITATION,
265
00:17:42,290 --> 00:17:43,760
YOU SUPPOSE YOU MIGHT
HAVE ANY INTEREST
266
00:17:43,790 --> 00:17:45,820
STRAPPIN’
MALCOLM CULLINAN IN
ON A MURDER BEEF?
267
00:17:45,860 --> 00:17:47,590
YEAH, WOULD YOU
HAVE ANY INTEREST
268
00:17:47,630 --> 00:17:48,730
IN US
GIVING MR. CULLINAN
269
00:17:48,760 --> 00:17:50,260
HIS FIRST
LIFE EXPERIENCE
WITH A SYRINGE,
270
00:17:50,300 --> 00:17:52,810
PUTTING POISON
INTO HIS OWN VEIN?
271
00:17:52,830 --> 00:17:54,800
YEAH, A SYRINGE
DRIP, DRIP, DRIPPIN’
LETHAL POISON
272
00:17:54,830 --> 00:17:56,500
INTO HIS RAT BASTARD ARM?
273
00:17:56,530 --> 00:17:58,070
YEAH, WHILE HE
TRIES TO FIGURE OUT
274
00:17:58,100 --> 00:18:02,070
HOW HIS BIG WEALTH
AND POWER CAN BUY
HIS ASS OUT.
275
00:18:02,110 --> 00:18:03,720
YES, I WOULD.
276
00:18:22,700 --> 00:18:23,700
AFTERNOON.
277
00:18:23,730 --> 00:18:24,990
GOOD AFTERNOON.
278
00:18:25,030 --> 00:18:28,000
HOW’S THE FINGER,
MR. CULLINAN?
279
00:18:28,030 --> 00:18:29,460
IT’S ALL RIGHT.
280
00:18:29,500 --> 00:18:31,330
DID YOU LOSE THE NAIL?
281
00:18:31,370 --> 00:18:32,700
THINK IT’S
PLEASANT BEING SHOT,
282
00:18:32,740 --> 00:18:34,270
WHETHER YOU’RE
HIT IN THE FINGER
OR ANYPLACE ELSE?
283
00:18:34,310 --> 00:18:35,350
IN ANY CASE,
284
00:18:35,370 --> 00:18:37,840
WE APPRECIATE
YOUR COMING IN.
285
00:18:37,880 --> 00:18:39,480
THERE’S
BEEN A DEVELOPMENT
INVOLVING YOUR CLIENT
286
00:18:39,510 --> 00:18:41,510
IN ONE OF
OUR INVESTIGATIONS.
287
00:18:41,550 --> 00:18:43,060
THAT’S KIND OF
A LONG‐WINDED WAY
288
00:18:43,080 --> 00:18:45,010
OF SAYING
THE CASE I’M
BEING PROSECUTED ON.
289
00:18:45,050 --> 00:18:46,480
ACTUALLY,
THIS IS DIFFERENT
290
00:18:46,520 --> 00:18:48,720
FROM THE ONE YOU’RE
BEING PROSECUTED
ON PRESENTLY.
291
00:18:48,750 --> 00:18:50,620
WE’LL BE TAKING EVIDENCE
TO THE GRAND JURY
292
00:18:50,660 --> 00:18:52,360
IN THE HOMICIDE
OF MIKE ROBERTS,
293
00:18:52,390 --> 00:18:54,490
THE DETECTIVE WHO WAS
RETIRED OFF OUR JOB.
294
00:18:54,530 --> 00:18:58,040
THIS IS CLEARLY
A CONVERSATION MR. SINCLAIR
WILL WANT TO BE A PART OF.
295
00:18:58,060 --> 00:19:00,730
WELL, THEN WHY
DON’T WE GET HIM OUT OF
HIS BIKINI SWIM TRUNKS
296
00:19:00,770 --> 00:19:02,510
AND BACK FROM FRANCE?
297
00:19:02,530 --> 00:19:04,830
UNFORTUNATELY, HE DOESN’T
RETURN FROM HIS VACATION
TILL NEXT WEDNESDAY.
298
00:19:04,870 --> 00:19:06,700
WE’RE GOING TO
THE GRAND JURY TOMORROW.
299
00:19:06,740 --> 00:19:08,840
WE’RE AFFORDING YOU
THE OPPORTUNITY
300
00:19:08,870 --> 00:19:10,710
TO HAVE YOUR CLIENT’S
POINT OF VIEW
REPRESENTED
301
00:19:10,740 --> 00:19:12,170
IN THE INFORMATION
WE’RE GONNA PRESENT.
302
00:19:12,210 --> 00:19:15,680
IS MY CLIENT
A TARGET OR COLLATERAL
TO YOUR INVESTIGATION?
303
00:19:15,710 --> 00:19:17,210
IF YOU’RE PREPARED
TO HAVE YOUR CLIENT
INTERVIEWED,
304
00:19:17,250 --> 00:19:19,510
WE CAN DESCRIBE
HOW HIS NAME’S COME UP.
305
00:19:19,550 --> 00:19:22,350
I’M NOT PREPARED TO DO THAT
WITHOUT CONSULTATION.
ALL RIGHT,
306
00:19:22,390 --> 00:19:25,930
I HOPE YOU’RE ABLE
TO CONTACT MR. SINCLAIR
IN TIMELY FASHION.
307
00:19:25,960 --> 00:19:27,860
THAT’S WHY GOD
INVENTED CELL PHONES.
308
00:19:27,890 --> 00:19:29,730
HO HO HO!
309
00:19:29,760 --> 00:19:33,530
I MEAN, I DON’T SEE WHY,
AS A COURTESY,
310
00:19:33,570 --> 00:19:35,740
YOU CAN’T TELL ME
HOW MY NAME CAME UP?
311
00:19:35,770 --> 00:19:37,430
YOU’LL BE
BACK IN TOUCH?
312
00:19:37,470 --> 00:19:39,770
WITH THE TIME DIFFERENCE,
HE’S PROBABLY ASLEEP
RIGHT NOW.
313
00:19:39,810 --> 00:19:42,750
YEAH, WELL, ON
A 1.2 MILLION RETAINER,
WE’RE GONNA WAKE HIM UP.
314
00:19:42,780 --> 00:19:44,450
I JUST HOPE HE DOESN’T
TURN THE PHONE OFF
IN THE BOAT.
315
00:19:44,480 --> 00:19:46,750
YOU’RE IRRITATING ME.
WHY DON’T YOU SHUT UP?
316
00:19:46,780 --> 00:19:48,740
FINE.
317
00:19:48,780 --> 00:19:52,010
[CLEARING THROAT] THEY GOING
TO THE GRAND JURY TOMORROW
OR THIS AFTERNOON?
318
00:19:52,050 --> 00:19:53,620
I UNDERSTOOD
TOMORROW MORNING.
319
00:19:53,650 --> 00:19:55,890
OH, ’CAUSE I THOUGHT
HE SAID THIS AFTERNOON.
320
00:19:55,920 --> 00:19:58,550
WELL, IS IT
TOMORROW MORNING
OR THIS AFTERNOON?
321
00:19:58,590 --> 00:20:01,090
IN ANY CASE, YOU’LL
GET BACK AS SOON AS
YOU KNOW SOMETHING?
322
00:20:01,130 --> 00:20:02,370
ABSOLUTELY.
323
00:20:02,390 --> 00:20:04,060
THANKS FOR COMING IN.
324
00:20:05,130 --> 00:20:07,360
WELL, SCREW YOU PEOPLE,
325
00:20:07,400 --> 00:20:09,560
AND THANKS FOR THE GREAT
SECURITY AT THE COURTHOUSE.
326
00:20:09,600 --> 00:20:12,100
YEAH, THAT’S AN EXCELLENT
FAREWELL POINT TO MAKE,
327
00:20:12,140 --> 00:20:14,110
WITH THE WIFE OF A DETECTIVE
IN OUR SQUAD GETTING MURDERED
328
00:20:14,140 --> 00:20:16,970
AND YOU TAKING A FRAGMENT
IN YOUR CUTICLE.
329
00:20:22,150 --> 00:20:24,120
WHAT DO YOU MAKE
THE OVER AND UNDERS,
330
00:20:24,150 --> 00:20:27,050
20 MINUTES TILL
THIS SCUMBAG COMES
BACK ON HIS OWN?
331
00:20:27,090 --> 00:20:30,500
HE’S DEFINITELY COMING BACK,
THIS SCUMBAG.
332
00:20:30,520 --> 00:20:35,060
I NEED TO TALK TO ANDY
ABOUT THIS.
333
00:20:35,090 --> 00:20:37,660
I WANT TO GET
HIS PERSPECTIVE.
334
00:20:47,770 --> 00:20:50,270
MRS. ZIPKIS, I CANNOT
HELP YOU AT THE MOMENT.
335
00:20:50,310 --> 00:20:53,940
TO TESTIFY
AGAINST MY NEPHEW,
YOU WEREN’T TOO BUSY.
336
00:20:53,980 --> 00:20:56,650
YOUR NEPHEW CAME RUNNING
OUT OF A STORE WITH
A STOLEN TV UNDER HIS ARM.
337
00:20:56,680 --> 00:20:59,180
IT WAS COLLAR YOUR NEPHEW
OR LET HIM TRAMPLE ME
ON THE SIDEWALK.
338
00:20:59,220 --> 00:21:02,130
TO HELP ME FIND MY DOG
THAT IS MISSING,
339
00:21:02,150 --> 00:21:04,090
WHILE YOU STAND OUT HERE
ON THE STREET CORNER,
340
00:21:04,120 --> 00:21:05,960
THAT,
YOU’RE TOO BUSY TO DO.
341
00:21:05,990 --> 00:21:07,760
MRS. ZIPKIS, I GOTTA GO.
342
00:21:07,790 --> 00:21:10,660
REMAIN HERE, AND I WILL
SEND A FOOT COP TO HELP YOU
LOOK FOR YOUR SCHNAUZER.
343
00:21:10,700 --> 00:21:13,210
HOW WILL
HE RECOGNIZE ME?
344
00:21:17,040 --> 00:21:18,540
ANDY.
345
00:21:18,570 --> 00:21:20,540
WHAT DO YOU WANT?
346
00:21:20,570 --> 00:21:21,640
HI.
347
00:21:21,670 --> 00:21:23,010
HI.
348
00:21:23,040 --> 00:21:25,310
I’M DANNY. I’M A FRIEND
OF YOUR DAD’S.
349
00:21:25,340 --> 00:21:26,440
I’M THEO.
350
00:21:26,480 --> 00:21:27,510
WHAT DO YOU WANT?
351
00:21:27,550 --> 00:21:28,790
WHAT DO YOU WANT?
352
00:21:28,810 --> 00:21:30,780
I NEED TO TALK
TO YOUR DADDY, THEO,
353
00:21:30,820 --> 00:21:33,360
ABOUT A PROBLEM AT WORK.
354
00:21:33,390 --> 00:21:35,690
NO.
355
00:21:35,720 --> 00:21:37,190
I NEED YOUR HELP.
356
00:21:37,220 --> 00:21:39,020
COULD I COME UP
AND WE TALK ABOUT IT?
357
00:21:39,060 --> 00:21:41,030
YOU WANT TO COME
AND SEE MY FISHES?
358
00:21:41,060 --> 00:21:43,190
YEAH, I’D LIKE
TO SEE YOUR FISHES,
359
00:21:43,230 --> 00:21:45,900
IF YOUR DADDY
WILL LET ME, THEO.
360
00:21:48,570 --> 00:21:49,910
PLEASE?
361
00:22:16,060 --> 00:22:18,190
YOU WANNA SEE
MY FISHES?
362
00:22:18,230 --> 00:22:20,860
ARE YOU GONNA
SHOW ’EM TO ME?
363
00:22:20,900 --> 00:22:23,500
COME‐‐COME HERE.
I’LL SHOW YOU
TO THEM.
364
00:22:23,540 --> 00:22:26,880
THERE‐‐THERE’S
DONALD‐‐THERE’S
BUGS BUNNY,
365
00:22:26,910 --> 00:22:28,350
THERE’S
DONALD DUCK,
366
00:22:28,370 --> 00:22:29,770
AND THERE’S
TIGGER.
367
00:22:29,810 --> 00:22:31,770
WHEN I STARTED WORKING
WITH YOUR DADDY,
368
00:22:31,810 --> 00:22:33,710
HE TOLD ME A LESSON IN
KEEPING A GOOD FISH TANK.
369
00:22:33,750 --> 00:22:35,020
WHAT?
370
00:22:35,050 --> 00:22:38,090
CHANGES COME UP.
WHATEVER THEY ARE,
YOU GOTTA ADJUST.
371
00:22:41,390 --> 00:22:43,230
WHAT’S THE CASE?
372
00:22:43,260 --> 00:22:44,600
WE GOT A GIRL PUTS
CULLINAN HIRIN’ HER
373
00:22:44,620 --> 00:22:46,720
TO SLIP MICKEYS IN
MIKE ROBERTS’ DRINKS,
ANDY.
374
00:22:46,760 --> 00:22:50,030
PUTS CULLINAN WAITING
IN THE HALLWAY OUTSIDE
MIKE ROBERTS’ OFFICE
375
00:22:50,060 --> 00:22:52,030
WHEN SHE BRINGS ROBERTS
UP THERE LOADED,
376
00:22:52,060 --> 00:22:54,030
AND CULLINAN
WALKING ROBERTS INSIDE.
377
00:22:54,070 --> 00:22:55,940
WHILE SHE DOES WHAT?
378
00:22:55,970 --> 00:22:57,900
SHE DON’T PUT HERSELF
INSIDE THE OFFICE.
379
00:22:57,940 --> 00:22:59,810
YOU GOT NOTHIN’
WITHOUT A STATEMENT
FROM CULLINAN
380
00:22:59,840 --> 00:23:01,600
YOU AREN’T GONNA GET.
381
00:23:01,640 --> 00:23:03,910
CULLINAN IS GONNA
FIRE HIS ATTORNEYS.
382
00:23:03,940 --> 00:23:05,810
WE TOLD HIM WE’RE
GOING TO THE GRAND JURY
383
00:23:05,840 --> 00:23:08,410
WITH INFORMATION
IN MIKE ROBERTS’ DEATH.
384
00:23:08,450 --> 00:23:11,460
AND HE CAN’T STAND
NOT KNOWING WHAT IT IS.
385
00:23:11,480 --> 00:23:14,280
I DON’T KNOW
HOW TO PLAY IT, ANDY,
386
00:23:14,320 --> 00:23:16,250
AND WE ONLY
GOT THE ONE AT‐BAT.
387
00:23:16,290 --> 00:23:18,220
MY MOMMY’S VISITING.
388
00:23:18,260 --> 00:23:20,100
SHE IS?
389
00:23:20,130 --> 00:23:24,470
SHE’S VISITING,
AND MY DADDY’S SAD.
390
00:23:29,330 --> 00:23:31,830
THIS IS THE GUY
GOT IT ALL GOIN’, ANDY,
391
00:23:31,870 --> 00:23:37,240
AND HE’S OUT THERE
WALKING AROUND.
392
00:23:37,280 --> 00:23:39,350
I’D HAVE TO CALL KATIE.
393
00:24:02,170 --> 00:24:03,180
HI.
394
00:24:03,200 --> 00:24:04,630
HI, JOHN.
395
00:24:04,670 --> 00:24:07,170
IS YOUR PAPERWORK
ALL DONE?
396
00:24:07,210 --> 00:24:09,150
YEAH.
I’M READY TO GO.
397
00:24:09,170 --> 00:24:11,040
YOU FEEL LIKE
MAKING A STOP?
398
00:24:11,080 --> 00:24:12,550
I DON’T.
399
00:24:12,580 --> 00:24:15,960
AW, DON’T PUT ME
IN DUTCH.
400
00:24:15,980 --> 00:24:18,610
EVERYBODY WANTS
TO SAY HELLO.
401
00:24:18,650 --> 00:24:20,150
I CAN’T.
402
00:24:22,860 --> 00:24:24,730
JOHN, NOBODY BLAMES YOU
FOR WHAT HAPPENED.
403
00:24:24,760 --> 00:24:26,870
I THOUGHT
I COULD HELP
DOLORES’ FATHER,
404
00:24:26,890 --> 00:24:28,390
AND ALL I DID
405
00:24:28,430 --> 00:24:30,070
WAS GIVE HIM
AN OPPORTUNITY
TO TAKE REVENGE.
406
00:24:30,100 --> 00:24:31,140
I’M A FOOL,
407
00:24:31,160 --> 00:24:33,860
AND A. D. A. COSTAS
PAID WITH HER LIFE.
408
00:24:36,030 --> 00:24:38,170
IS THAT YOU BEIN’
HARD ON YOURSELF
409
00:24:38,200 --> 00:24:41,040
OR MAKIN’ IT TOO EASY?
410
00:24:41,070 --> 00:24:44,370
YOU PRAYED
WITH JAMES MAYO
411
00:24:44,410 --> 00:24:46,710
AND TRIED TO HELP HIM
THROUGH HIS GRIEF.
412
00:24:46,750 --> 00:24:48,850
HE TOOK IT FROM THERE.
413
00:24:48,880 --> 00:24:51,210
I DON’T THINK
I CAN EVER FACE
414
00:24:51,250 --> 00:24:53,880
DETECTIVE SIPOWICZ
AGAIN.
415
00:24:53,920 --> 00:24:59,550
I FEEL RESPONSIBLE
FOR WHAT HAPPENED
TO HIS WIFE...
416
00:24:59,590 --> 00:25:02,830
FOR HIS LITTLE BOY
NOT HAVING A MOTHER.
417
00:25:02,860 --> 00:25:04,660
YOU NEED TO BE
THE STAR PERFORMER
418
00:25:04,700 --> 00:25:05,870
TO ACCEPT WHAT HAPPENED?
419
00:25:05,900 --> 00:25:10,530
JAMES MAYO IS RESPONSIBLE
FOR WHAT JAMES MAYO DID.
420
00:25:10,570 --> 00:25:13,540
THE WAY HE GRIEVED
DESTROYED HIM,
421
00:25:13,570 --> 00:25:16,370
AND OTHERS
HAD TO SUFFER.
422
00:25:23,050 --> 00:25:25,210
HOW ARE YOU
GONNA GRIEVE, JOHN?
423
00:25:41,730 --> 00:25:42,730
ALL RIGHT.
WHAT IS IT?
424
00:25:42,770 --> 00:25:44,800
MR. CULLINAN.
425
00:25:44,840 --> 00:25:46,810
SPARE ME THE WIDE EYES.
WHAT ARE THE NEW CHARGES
AGAINST ME?
426
00:25:46,840 --> 00:25:48,800
YOU’VE ENGAGED
COUNSEL.
427
00:25:48,840 --> 00:25:49,810
WE CAN’T HAVE
THAT DISCUSSION
428
00:25:49,840 --> 00:25:51,240
WITHOUT YOUR LAWYER
PRESENT.
429
00:25:51,280 --> 00:25:52,820
I’M TELLING YOU
YOU CAN.
430
00:25:52,850 --> 00:25:55,290
WELL, I GUESS
I’LL HAVE TO QUOTE
THAT HEBREW SALAMI AD.
431
00:25:55,310 --> 00:25:58,080
"I ANSWER
TO A HIGHER SOURCE."
432
00:25:58,120 --> 00:26:00,130
WHAT’S THAT, BOSS,
THE HEBREW SALAMI MOTTO?
433
00:26:00,150 --> 00:26:02,650
I WAS JUST TELLING
MR. CULLINAN,
434
00:26:02,690 --> 00:26:04,800
ONCE HE ENGAGES COUNSEL,
435
00:26:04,820 --> 00:26:06,460
HE CAN’T WAIVE COUNSEL
EVEN IF HE WANTS TO.
436
00:26:06,490 --> 00:26:09,260
DON’T TELL ME
WHAT I CAN AND CAN’T DO.
437
00:26:09,290 --> 00:26:12,090
HE’D HAVE TO BE
IN CONSULTATION
WITH HIS ATTORNEY
438
00:26:12,130 --> 00:26:13,660
WHEN HE WAIVED.
ISN’T THAT HOW IT GOES?
439
00:26:13,700 --> 00:26:17,130
YEAH, WELL, MY ATTORNEY
IS BANGING SOME BIMBO
ON A RENTED YACHT
440
00:26:17,170 --> 00:26:18,470
WITH HIS PHONE OFF.
441
00:26:18,500 --> 00:26:19,840
THAT’S HOW I’D DO IT.
442
00:26:19,870 --> 00:26:22,140
THIS IS MR. EPSTEIN
YOU’RE REFERRING TO?
443
00:26:22,170 --> 00:26:23,240
WHAT?
444
00:26:23,280 --> 00:26:24,950
MR. EPSTEIN’S
BANGIN’ A BIMBO, TOO?
445
00:26:24,980 --> 00:26:29,020
YOU’RE REPRESENTED BY
JAMES SINCLAIR’S FIRM.
446
00:26:29,050 --> 00:26:32,020
MR. EPSTEIN
WAS OF COUNSEL
FOR YOU THIS MORNING.
447
00:26:32,050 --> 00:26:34,450
LET ME JUST PUT
A $1.2 MILLION RETAINER
448
00:26:34,490 --> 00:26:35,930
BACK IN MY POCKET.
449
00:26:35,950 --> 00:26:38,950
FOR SOME OF US, THAT’S
LIKE A WHOLE WEEK’S SALARY.
450
00:27:04,350 --> 00:27:05,720
IS HE IN
THE POKY ROOM?
451
00:27:05,750 --> 00:27:07,480
YOU KNOW, PROBABLY.
452
00:27:07,520 --> 00:27:08,620
I DON’T WANNA
GO IN THE SQUAD.
453
00:27:08,650 --> 00:27:09,720
OK.
454
00:27:09,760 --> 00:27:11,630
I MEAN, IS HE IN
THE POKY ROOM
OR NOT?
455
00:27:11,660 --> 00:27:13,000
I’M ASSUMING HE IS,
ANDY.
456
00:27:13,030 --> 00:27:15,200
OR WE CAN ABSOLUTELY
GET HIM IN THERE.
457
00:27:15,230 --> 00:27:16,440
I DON’T WANNA SEE
NOBODY ELSE.
458
00:27:20,330 --> 00:27:21,800
YOU SEE, MY THINKING,
459
00:27:21,830 --> 00:27:23,730
LET’S GET YOU IN
THE POKY ROOM REGARDLESS.
460
00:27:23,770 --> 00:27:26,000
I WANNA GET A LAST DEBRIEF
FROM GREG AND JAMES
461
00:27:26,040 --> 00:27:28,000
THAT ACTUALLY SPOKE
WITH THIS LURLEEN.
462
00:27:31,280 --> 00:27:33,520
SEE WHAT’S WHAT IN HERE.
463
00:27:39,120 --> 00:27:40,730
THIS IS EMPTY.
464
00:27:40,750 --> 00:27:43,420
ALL RIGHT. SO LET ME
GO GET HIM. REAL QUICK.
465
00:27:47,230 --> 00:27:48,200
DANNY.
466
00:27:48,230 --> 00:27:49,570
EXCUSE US
A MINUTE.
467
00:27:49,590 --> 00:27:50,560
WHY?
468
00:27:50,600 --> 00:27:52,940
WHY? ’CAUSE
I SAID SO.
469
00:27:52,970 --> 00:27:54,610
AND YOU THINK YOU’RE
GONNA ORDER ME AROUND?
470
00:27:54,630 --> 00:27:59,700
UH, SIR, WE’RE TRYING
TO ACCOMMODATE YOU HERE.
471
00:27:59,740 --> 00:28:01,540
WE COULD CERTAINLY GO
TO THE GRAND JURY
472
00:28:01,570 --> 00:28:03,870
WITH A ONE‐SIDED
PRESENTATION.
473
00:28:03,910 --> 00:28:05,540
WE NEED A MOMENT.
474
00:28:05,580 --> 00:28:07,920
THEN YOU’LL GET
OUR FULL ATTENTION.
475
00:28:08,910 --> 00:28:10,350
PLEASE BELIEVE ME,
476
00:28:10,380 --> 00:28:12,380
I’M NOT TRYING
TO STEAL NOTHIN’.
477
00:28:16,120 --> 00:28:17,550
ANDY’S IN THERE.
478
00:28:17,590 --> 00:28:18,590
ATTABOY, DANNY.
479
00:28:18,620 --> 00:28:20,720
HIS EX‐WIFE’S
WITH THE LITTLE GUY.
480
00:28:20,760 --> 00:28:22,890
BUT ANDY’S RELUCTANT
SEEIN’ ANYONE ELSE.
481
00:28:22,930 --> 00:28:24,360
HE’S PRETTY ROCKY.
482
00:28:24,400 --> 00:28:26,410
HE JUST WANTS TO DO
THE INTERVIEW WITH YOU?
483
00:28:26,430 --> 00:28:28,060
LOOK, YOU GUYS
SHOULD BE
IN THERE.
484
00:28:28,100 --> 00:28:30,030
IT’S YOUR
INFORMATION
YOU DEVELOPED.
485
00:28:30,070 --> 00:28:31,270
DANNY,
THAT’S ALL RIGHT.
486
00:28:31,300 --> 00:28:32,400
NO ONE THINKS
YOU’RE TRYING
TO STEAL ANYTHING.
487
00:28:32,440 --> 00:28:33,710
YEAH. GET HIM
IN THERE.
488
00:28:33,740 --> 00:28:35,770
YEAH? OK.
489
00:28:37,080 --> 00:28:38,250
SORRY.
490
00:28:39,240 --> 00:28:40,880
SURE.
491
00:28:40,910 --> 00:28:44,110
WE DON’T GOT EITHER
OF YOUR BALD LAWYERS
WITH US?
492
00:28:54,760 --> 00:28:57,090
YOU REMEMBER
DETECTIVE SIPOWICZ.
493
00:29:01,170 --> 00:29:02,640
WE’VE GOT INFORMATION
494
00:29:02,670 --> 00:29:04,940
YOU WERE PRESENT
IN MIKE ROBERTS’ OFFICE
495
00:29:04,970 --> 00:29:06,770
WHEN HE FELL
TO HIS DEATH
OUT HIS WINDOW.
496
00:29:10,010 --> 00:29:11,270
FROM WHOM?
497
00:29:13,110 --> 00:29:15,610
WERE YOU THERE?
498
00:29:15,650 --> 00:29:18,460
I DECLINE TO ANSWER
FOR THE MOMENT.
499
00:29:18,480 --> 00:29:21,320
DID YOU HIRE ANYONE
TO LOAD BARBITURATES
500
00:29:21,350 --> 00:29:23,320
IN FORMER DETECTIVE
ROBERTS’ DRINKS
501
00:29:23,360 --> 00:29:25,660
AND THEN OFFER SEX
TO GET HIM
UP TO HIS OFFICE
502
00:29:25,690 --> 00:29:26,990
AND GET
THE DOOR OPEN?
503
00:29:27,030 --> 00:29:28,470
NO, I DIDN’T.
504
00:29:31,330 --> 00:29:33,500
DON’T KNOW ANYONE
NAMED LURLEEN?
505
00:29:37,340 --> 00:29:38,780
IF I KNOW A LURLEEN,
506
00:29:38,800 --> 00:29:41,640
DOES THAT MAKE ME GUILTY
OF WHAT YOU’RE ALLEGING?
507
00:29:41,670 --> 00:29:44,010
DID YOU SQUARE UP
SOME GAMBLING DEBTS
508
00:29:44,040 --> 00:29:45,310
FOR THE BROTHER
OF THIS LURLEEN
509
00:29:45,340 --> 00:29:46,980
YOU MAY
OR MAY NOT KNOW
510
00:29:47,010 --> 00:29:48,480
AND INSTRUCT HIM
511
00:29:48,510 --> 00:29:52,650
TO MURDER A WITNESS
AGAINST YOU
NAMED KENNY PRIEST?
512
00:29:52,680 --> 00:29:53,950
IF THE LURLEEN
YOU’RE TALKING ABOUT
513
00:29:53,990 --> 00:29:55,800
IS THE LURLEEN
I HAVE IN MIND,
514
00:29:55,820 --> 00:29:57,820
FOR $500, YOU COULD
GET HER TO SAY
515
00:29:57,860 --> 00:30:00,700
I WAS WHEEL MAN
IN THE LINDBERGH KIDNAPPING.
516
00:30:05,360 --> 00:30:08,200
WHAT ARE YOU
DOIN’ HERE?
517
00:30:08,230 --> 00:30:09,830
I’M TRYING TO FIND OUT
518
00:30:09,870 --> 00:30:12,800
WHAT YOU PEOPLE
ARE TRYING TO DO TO ME.
519
00:30:12,840 --> 00:30:15,300
YOU KEEP DOING EVIL
520
00:30:15,340 --> 00:30:17,740
AND HIDING
INSIDE YOUR MONEY.
521
00:30:17,780 --> 00:30:20,190
AND WHEN YOU DON’T
GET PUNISHED,
522
00:30:20,210 --> 00:30:23,850
YOU GO DO
SOMETHING WORSE.
523
00:30:23,880 --> 00:30:26,320
WHY DON’T YOU
CUT IT OUT?
524
00:30:26,350 --> 00:30:27,850
YOU FIRE YOUR LAWYER,
525
00:30:27,890 --> 00:30:30,500
YOU COME IN WITH US
UNPROTECTED.
526
00:30:30,520 --> 00:30:34,420
THE LITTLE PART OF YOU
THE EVIL DIDN’T EAT YET
527
00:30:34,460 --> 00:30:36,590
WANTS YOU TO STOP.
528
00:30:41,130 --> 00:30:43,370
IF YOU TALKED
TO MIKE AND LEFT,
529
00:30:43,400 --> 00:30:45,100
THEN HE OPENS
THE WINDOW FOR A SMOKE
530
00:30:45,140 --> 00:30:47,010
AND KEELS OUTWARD,
531
00:30:47,040 --> 00:30:49,870
YOU’RE LOOKING AT
SECOND‐DEGREE ASSAULT
FOR THE MICKEY.
532
00:30:49,910 --> 00:30:53,380
THAT’S LESS THAN A POUND
WITHOUT HIGH‐OCTANE
REPRESENTATION.
533
00:30:53,410 --> 00:30:57,210
YOU’RE ASKING ME
TO IMPLICATE MYSELF
IN FAR MORE THAN THAT.
534
00:30:57,250 --> 00:31:01,220
YEAH. THEN YOU DON’T
HAVE TO KEEP DOIN’ IT.
535
00:31:01,250 --> 00:31:02,720
THIS WHAT YOU’RE LIVIN’,
536
00:31:02,760 --> 00:31:06,570
THIS IS LIKE...
THAT MOVIE,
537
00:31:06,590 --> 00:31:10,330
THAT GROUNDHOG’S DAY,
EXCEPT IN HELL.
538
00:31:15,400 --> 00:31:18,230
TRY TO GET OUT.
539
00:31:20,770 --> 00:31:23,740
TRY TO GET OUT.
540
00:31:24,780 --> 00:31:27,490
PLEASE...HELP ME!
541
00:31:27,510 --> 00:31:31,910
I...DON’T...
WANT TO BE...
542
00:31:31,950 --> 00:31:34,580
ALONE ANYMORE.
543
00:31:37,090 --> 00:31:39,990
[SOBBING]
544
00:31:51,370 --> 00:31:54,300
[CULLINAN SOBBING]
545
00:32:03,850 --> 00:32:04,850
[SHUTS DOOR]
546
00:32:04,880 --> 00:32:07,180
SOME JOB, ANDY.
547
00:32:07,220 --> 00:32:08,420
SEE HIM THROUGH.
548
00:32:08,450 --> 00:32:09,480
GOOD.
549
00:32:09,520 --> 00:32:10,850
I’M GOIN’ HOME.
550
00:32:10,890 --> 00:32:12,050
[DOOR OPENS]
551
00:32:14,030 --> 00:32:15,970
SAY HELLO?
552
00:32:22,470 --> 00:32:24,180
I GOTTA GO HOME.
553
00:32:24,200 --> 00:32:26,140
TAKE CARE, ANDY.
554
00:32:26,170 --> 00:32:28,670
LOVE TO THEO.
555
00:32:28,710 --> 00:32:30,680
YEAH. LOVE
TO THEO, ANDY,
556
00:32:30,710 --> 00:32:32,670
AND, UH, BE WELL.
557
00:32:39,680 --> 00:32:41,680
YOU KEPT A HEALTHY TANK
IN THERE.
558
00:32:41,720 --> 00:32:43,890
YOU’RE A GOOD FISH GUY.
559
00:32:52,700 --> 00:32:54,000
NIGHT.
560
00:32:54,030 --> 00:32:55,630
YEAH.
561
00:32:55,670 --> 00:32:57,580
NIGHT, PARTNER.
562
00:33:15,520 --> 00:33:16,920
HI, ANDY.
563
00:34:03,270 --> 00:34:06,170
I CAN’T COME BACK.
564
00:34:07,340 --> 00:34:09,240
I CAN’T DO THAT
TO DETECTIVE SIPOWICZ.
565
00:34:09,270 --> 00:34:12,270
[SIGHS]
566
00:34:21,850 --> 00:34:24,420
HE CAN’T GET PAST IT
IF YOU DON’T GIVE HIM
A CHANCE.
567
00:34:24,460 --> 00:34:26,770
IT’LL BE TOO PAINFUL
FOR HIM
568
00:34:26,790 --> 00:34:29,290
SEEING ME HERE EVERY DAY.
569
00:34:31,130 --> 00:34:32,960
HEY, LOOK WHO’S HERE.
570
00:34:34,100 --> 00:34:35,930
HEY, JOHN.
571
00:34:37,140 --> 00:34:39,640
GOOD TO SEE YOU,
JOHN.
572
00:34:48,280 --> 00:34:50,150
I WASN’T ANGRY.
573
00:34:50,180 --> 00:34:52,180
I GOT NO HARD FEELINGS.
574
00:35:01,660 --> 00:35:03,160
I’M SO SORRY.
575
00:35:05,000 --> 00:35:06,970
YOU WERE A HERO.
576
00:35:07,000 --> 00:35:10,830
YOU LAID YOUR BODY DOWN
TRYING TO STOP HIM.
577
00:35:29,650 --> 00:35:32,890
DON’T YOU BELIEVE
SHE’S IN A BETTER PLACE?
578
00:35:37,260 --> 00:35:39,490
[SOBBING]
579
00:35:39,530 --> 00:35:42,560
I GOTTA GO HOME.
580
00:36:20,570 --> 00:36:22,170
Katie:
I’M HERE, ANDY.
581
00:36:22,210 --> 00:36:24,650
HERE I COME.
582
00:36:39,260 --> 00:36:40,270
HI.
583
00:36:42,160 --> 00:36:43,260
HOW IS HE?
584
00:36:43,300 --> 00:36:47,070
HE’S BEEN ASLEEP
LIKE 25 MINUTES.
585
00:36:47,100 --> 00:36:48,760
THANKS VERY MUCH.
586
00:36:50,740 --> 00:36:53,450
HE NAMED ALL HIS FISHES
FOR ME.
587
00:36:53,470 --> 00:36:55,470
SHOWED ME HIS BOOKS.
588
00:36:55,510 --> 00:36:59,620
HOW MANY TIMES DID YOU
HAVE TO READ HIM
CAT IN THE HAT?
589
00:36:59,640 --> 00:37:01,080
5 TIMES.
590
00:37:01,110 --> 00:37:02,480
THAT’S HIS FAVORITE.
591
00:37:02,510 --> 00:37:04,480
ALSO GOOD NIGHT MOON
TWICE
592
00:37:04,520 --> 00:37:06,090
AND LOWLY WORM.
593
00:37:06,120 --> 00:37:08,180
HE TOOK A NICE POOP.
594
00:37:11,460 --> 00:37:13,170
ANYWAYS...
595
00:37:13,190 --> 00:37:15,960
THANKS VERY MUCH.
596
00:37:17,200 --> 00:37:19,540
HE’S SUCH A SWEET BOY.
597
00:37:21,030 --> 00:37:22,160
[CLEARS THROAT]
598
00:37:22,200 --> 00:37:25,430
I CAN’T TELL HIM
ABOUT HIS MOTHER.
599
00:37:25,470 --> 00:37:27,440
HE KNOWS, ANDY.
600
00:37:27,470 --> 00:37:30,810
HE JUST NEEDS TO
HEAR THE WORDS
FROM YOU.
601
00:37:30,840 --> 00:37:32,740
I TOLD HIM...
602
00:37:32,780 --> 00:37:34,310
SHE’S VISITING.
603
00:37:34,350 --> 00:37:37,420
THEN THEO JUST NEEDS
TO KNOW HIS MOMMY
604
00:37:37,450 --> 00:37:39,510
IS VISITING
WITH GOD, AND...
605
00:37:39,550 --> 00:37:41,950
WHEN SHE HAS YOU
AND THEO WITH HER,
606
00:37:41,990 --> 00:37:44,430
THEN
YOU’LL ALL BE HOME.
607
00:37:44,460 --> 00:37:46,300
ANYWAYS...
608
00:37:46,320 --> 00:37:48,320
THANKS VERY MUCH.
609
00:37:48,360 --> 00:37:51,630
THANK YOU, ANDY.
610
00:37:59,910 --> 00:38:02,680
IT WAS A BLESSING
FOR ME.
611
00:39:04,870 --> 00:39:06,940
DID HE FINISH?
612
00:39:06,970 --> 00:39:09,600
LOOK AT HIM ON THE STREET,
THIS CULLINAN‐‐
613
00:39:09,640 --> 00:39:11,410
MONEY, BIG SOCIAL GUY.
614
00:39:11,440 --> 00:39:13,940
YOU GOTTA SAY
HE’S A TOTALLY FREE GUY.
615
00:39:13,980 --> 00:39:17,410
COME TO FIND OUT HE’S
GOTTA TWIST THINGS SO SICK
616
00:39:17,450 --> 00:39:18,780
JUST TO DRAW BREATH.
617
00:39:20,890 --> 00:39:23,060
THANKS FOR HELPING ANDY.
618
00:39:23,090 --> 00:39:24,890
YEAH.
619
00:39:24,920 --> 00:39:28,560
YEAH, I’M CAUTIOUSLY
OPTIMISTIC FOR HIM.
620
00:39:32,160 --> 00:39:34,930
SOMEONE REPLENISHED
MY PAPER CLIPS.
621
00:39:43,580 --> 00:39:45,080
YOU WANNA GRAB
SOMETHING TO EAT
622
00:39:45,110 --> 00:39:48,410
AFTER I INTRODUCE
MR. CULLINAN TO SOME
OF HIS NEW FRIENDS?
623
00:39:48,450 --> 00:39:51,260
UM...
624
00:39:52,850 --> 00:39:54,320
I DON’T THINK SO.
625
00:39:54,350 --> 00:39:57,590
YEAH, I WAS EVALUATING
YOUR PRESENCE.
626
00:39:57,620 --> 00:39:59,290
THE ONLY OTHER THING
I COULD FIGURE,
627
00:39:59,320 --> 00:40:01,590
YOU WERE MAYBE
DOING A DOUBLE SHIFT.
628
00:40:03,530 --> 00:40:05,160
JUST WAITING
TO SAY THANKS.
629
00:40:05,200 --> 00:40:07,640
OH, SURE. DEFINITELY.
630
00:40:10,800 --> 00:40:13,770
THAT MOMENT OF FORWARDNESS
UPSTAIRS OUTSIDE THE CRIB,
631
00:40:13,810 --> 00:40:17,250
WAITING FOR MARCELLO AND
HIS IDIOT OLDER BROTHER
LAST WEEK...
632
00:40:17,280 --> 00:40:19,180
YEAH, I REMEMBER.
633
00:40:19,210 --> 00:40:20,910
I HOPE YOU’RE REASSURED
634
00:40:20,950 --> 00:40:22,520
THAT HASN’T
BEEN REPEATED BY ME‐‐
635
00:40:22,550 --> 00:40:24,220
GRABBIN’ YOU
AND MUGGIN’ IT UP.
636
00:40:34,060 --> 00:40:35,390
GOOD NIGHT, DANNY.
637
00:40:37,900 --> 00:40:39,570
YEAH. GOOD NIGHT, DIANE.
638
00:41:09,760 --> 00:41:12,360
HOW DID HE SEEM TODAY?
639
00:41:12,400 --> 00:41:15,610
HE STOPPED AT WORK.
640
00:41:17,600 --> 00:41:19,530
HE’LL BE ALL RIGHT.
641
00:41:20,610 --> 00:41:22,280
IT’S TOUGH, THOUGH.
642
00:41:26,780 --> 00:41:29,580
HE DIDN’T MEAN ME
NO HARM.
643
00:41:29,610 --> 00:41:31,310
AS FAR AS THAT GOES,
644
00:41:31,350 --> 00:41:34,650
I DID MOST OF IT MYSELF.
645
00:41:34,690 --> 00:41:37,760
MAYBE YOU’D LIKE
TO TELL HIM THAT.
646
00:41:37,790 --> 00:41:41,020
HE DON’T NEED ME
TO TELL HIM THAT.
647
00:41:41,060 --> 00:41:44,430
HE’S GOT OTHER THINGS
ON HIS MIND.
648
00:41:44,460 --> 00:41:49,060
MAYBE YOU’D LIKE
TO TELL HIM.
649
00:41:49,100 --> 00:41:51,630
NOT NOW.
650
00:41:59,310 --> 00:42:03,010
I DON’T NEED YOU
WAITIN’ FOR ME
TO BE GOOD.
651
00:42:03,050 --> 00:42:05,210
I’M NOT WAITIN’
FOR THAT.
652
00:42:05,250 --> 00:42:07,550
WHAT ARE YOU DOIN’, THEN?
653
00:42:09,390 --> 00:42:12,300
JUST WAITIN’.
654
00:42:12,320 --> 00:42:15,320
FREE COUNTRY.
47373
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