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1
00:00:21,060 --> 00:00:22,260
[KNOCK ON DOOR]
2
00:00:25,130 --> 00:00:26,560
HI.
3
00:00:28,230 --> 00:00:29,870
HOW’S IT GOING?
4
00:00:29,900 --> 00:00:31,870
OK.
5
00:00:31,900 --> 00:00:33,600
HOW’S IT GOING WITH YOU?
6
00:00:33,640 --> 00:00:36,540
REMEMBER ME TESTIFYING
AT GIARDELLA’S TRIAL?
7
00:00:36,580 --> 00:00:38,480
VIVIDLY.
8
00:00:38,510 --> 00:00:39,880
WHAT THIS IS ABOUT,
9
00:00:39,910 --> 00:00:43,080
HE DON’T THINK I’M
ANY DIFFERENT, SINCLAIR.
10
00:00:43,110 --> 00:00:45,310
HE THINKS WITH HIS
LOOKING‐DOWN ATTITUDE
11
00:00:45,350 --> 00:00:47,720
HE CAN PUT ME
RIGHT BACK THERE.
12
00:00:47,750 --> 00:00:49,750
AND I THINK THAT
THAT’S THE LAST TIME
13
00:00:49,790 --> 00:00:51,090
YOU OUGHT TO SPEND TODAY
ON THE SUBJECT
14
00:00:51,120 --> 00:00:52,890
OF WHAT MAY OR
MAY NOT BE GOING ON
15
00:00:52,920 --> 00:00:54,790
IN JAMES SINCLAIR’S
HEAD.
16
00:00:54,830 --> 00:00:57,300
I’M JUST SAYING
MY IMPRESSION.
17
00:00:57,330 --> 00:00:59,460
THIS EVIL SINCLAIR THINKS
HE CAN GET ME ACTING
18
00:00:59,500 --> 00:01:02,070
LIKE AN IGNORANT
POLACK DRUNK
19
00:01:02,100 --> 00:01:03,730
WHO CAN’T CONTROL
HIS TEMPER.
20
00:01:03,770 --> 00:01:06,300
ANYWAY, ANDY,
HOW ABOUT COMING OUT
BEFORE YOU PRUNE?
21
00:01:06,340 --> 00:01:09,150
YEAH, I’M DONE IN HERE.
22
00:01:09,170 --> 00:01:10,910
[TURNS OFF SHOWER]
23
00:01:10,940 --> 00:01:13,940
THINKS I JUST BEEN
HIDING IT,
24
00:01:13,980 --> 00:01:15,740
I REALLY HAVEN’T CHANGED.
25
00:01:15,780 --> 00:01:18,280
WHICH WE KNOW
ISN’T TRUE.
26
00:01:18,320 --> 00:01:21,160
NO, I’M JUST SAYING
MY IMPRESSION.
27
00:01:21,190 --> 00:01:23,460
MY IMPRESSION
OF HIS IMPRESSION.
28
00:01:23,490 --> 00:01:25,300
WHICH COUNTS
FOR WHAT, ANDY?
29
00:01:25,320 --> 00:01:27,960
THAT BALD‐HEADED
SCUMBAG’S IMPRESSION?
30
00:01:27,990 --> 00:01:30,090
NOTHING.
31
00:01:30,130 --> 00:01:33,900
A SHYSTER FOR HIRE
TO ANY MOBBED‐UP GUINEA
WITH A $7.00 WIG.
32
00:01:35,470 --> 00:01:37,510
7 BUCKS WAS RETAIL,
33
00:01:37,540 --> 00:01:39,310
THAT GIARDELLA’S WIG.
34
00:01:39,340 --> 00:01:42,510
YOU KNOW WHAT
JAMES SINCLAIR’S
OPINION COUNTS FOR?
35
00:01:42,540 --> 00:01:43,640
THIS.
36
00:03:08,790 --> 00:03:09,890
HOW’S IT GOING, DANNY?
37
00:03:09,930 --> 00:03:10,960
MORNING, SHANNON.
38
00:03:11,000 --> 00:03:12,070
WHAT DO WE GOT?
39
00:03:12,100 --> 00:03:14,640
TELL THE TRUTH,
I’M NOT 100% SURE.
40
00:03:14,670 --> 00:03:16,310
THAT KID’S BEEN
AROUND MY SECTOR,
41
00:03:16,330 --> 00:03:18,070
LIKE, THE LAST 3 MONTHS.
42
00:03:18,100 --> 00:03:19,870
SAD‐FACED LITTLE MUTT,
YOU KNOW?
43
00:03:19,900 --> 00:03:21,040
YOU COLLAR HIM FOR THAT?
44
00:03:21,070 --> 00:03:23,200
SUPPOSEDLY LIVES WITH
HIS OLDER BROTHER,
45
00:03:23,240 --> 00:03:24,540
MAY OR MAY NOT BE BOGUS.
46
00:03:24,580 --> 00:03:26,920
I’M WAITING TO HEAR
HIS TRANSGRESSION.
47
00:03:26,950 --> 00:03:29,220
HE’S GOT THIS
UNDER HIS ARM TODAY,
48
00:03:29,250 --> 00:03:31,890
HE SEES ME COMING, HIS
MUG GOES TOTALLY WRONG.
49
00:03:31,920 --> 00:03:33,160
WHAT’S IN THE BAG,
MARCELLO?
50
00:03:33,180 --> 00:03:34,980
THIS IS MINE,
THIS IS MINE.
51
00:03:35,020 --> 00:03:36,250
GOOD,
WHERE’S THE RECEIPT?
52
00:03:36,290 --> 00:03:37,900
NO RECEIPT.
53
00:03:37,920 --> 00:03:39,320
BUT HERE’S THE THING,
DANNY,
54
00:03:39,360 --> 00:03:41,670
HE WASN’T CRYING LIKE
A KID CAUGHT WRONG,
55
00:03:41,690 --> 00:03:43,420
YOU KNOW WHAT I MEAN?
56
00:03:43,460 --> 00:03:45,660
BUT HE IS CRYING.
57
00:03:45,700 --> 00:03:47,170
"SHANNON, I BOUGHT IT
OFF ANOTHER KID.
58
00:03:47,200 --> 00:03:48,330
"LET ME KEEP IT,
59
00:03:48,370 --> 00:03:50,340
AT LEAST LET ME KEEP
THE DAMN JACKET."
60
00:03:50,370 --> 00:03:52,330
LIKE A TOUGH LITTLE KID
DID SOMETHING HORRIBLE
61
00:03:52,370 --> 00:03:54,040
FOR WHAT HE BOUGHT.
62
00:03:55,810 --> 00:03:57,450
LET ME TALK TO HIM.
63
00:03:57,480 --> 00:03:58,650
UNLESS I’M TOO CLOSE
TO IT,
64
00:03:58,680 --> 00:03:59,650
YOU KNOW WHAT I MEAN?
65
00:03:59,680 --> 00:04:01,410
OFF HE’S
A DECENT ENOUGH KID.
66
00:04:01,450 --> 00:04:02,790
MARCELLO.
67
00:04:02,810 --> 00:04:04,250
YEAH, LIKE
THE MOVIE STAR.
68
00:04:04,280 --> 00:04:05,550
YEAH, GOOD.
69
00:04:09,490 --> 00:04:11,200
HOW’S IT GOING,
MARCELLO?
70
00:04:11,220 --> 00:04:12,650
[FLAT]
GREAT.
71
00:04:12,690 --> 00:04:14,560
THIS IS
DETECTIVE SORENSON.
72
00:04:16,030 --> 00:04:18,000
HOW ABOUT WE TALK
UPSTAIRS...
73
00:04:18,030 --> 00:04:19,900
WOULD THAT BE
GREAT ALSO?
74
00:04:21,800 --> 00:04:23,530
THANKS A LOT, SHANNON.
75
00:04:23,570 --> 00:04:25,370
DID HE SAY ANYTHING
WITH COLLARING YOU?
76
00:04:25,400 --> 00:04:26,530
RELAX, MARCELLO.
77
00:04:26,570 --> 00:04:27,870
SURE.
78
00:04:27,910 --> 00:04:28,880
DID YOU STEAL
THIS JACKET?
79
00:04:28,910 --> 00:04:29,880
NO.
80
00:04:29,910 --> 00:04:30,940
WELL, YOU DIDN’T STEAL IT,
81
00:04:30,980 --> 00:04:32,380
YOU’RE LEAVING HERE
WITH IT.
82
00:04:37,420 --> 00:04:39,890
ANYONE I SHOULD CALL
AND TELL ’EM WHERE YOU ARE?
83
00:04:39,920 --> 00:04:43,050
YEAH. CALL AND
TELL ’EM I’M IN JAIL.
84
00:04:43,090 --> 00:04:45,160
YOU’RE NOT IN JAIL,
MARCELLO,
85
00:04:45,190 --> 00:04:46,990
BUT THAT WAS
A DUMB QUESTION,
86
00:04:47,030 --> 00:04:49,200
IF YOU WANTED ME
TO CALL.
87
00:04:49,230 --> 00:04:52,070
ANYWAY, YOU DIDN’T
BOOST THE JACKET.
88
00:04:52,100 --> 00:04:53,170
RIGHT.
89
00:04:53,200 --> 00:04:54,910
YOU BOUGHT IT
OFF SOME OTHER KID.
90
00:04:54,930 --> 00:04:55,960
RIGHT.
91
00:04:56,000 --> 00:04:57,930
WHO PROBABLY
BOOSTED THE JACKET.
92
00:04:59,570 --> 00:05:01,400
HOW MUCH YOU PAY FOR IT?
93
00:05:01,440 --> 00:05:03,370
40 BUCKS.
94
00:05:03,410 --> 00:05:05,180
WHERE’D YOU GET THE 40?
95
00:05:05,210 --> 00:05:06,740
WHY I GOTTA ACCOUNT
FOR MY EARNINGS?
96
00:05:06,780 --> 00:05:08,980
WHAT IS THIS, BOSNIA?
97
00:05:09,010 --> 00:05:12,710
YEAH, THIS IS
A NEW YOUTH EARNINGS
ACCOUNTABILITY PROGRAM
98
00:05:12,750 --> 00:05:14,180
THAT WE’RE PUTTING IN
OFF THEIR LEAD.
99
00:05:14,220 --> 00:05:15,320
[SIGHS]
100
00:05:15,350 --> 00:05:16,520
ODD JOBS.
101
00:05:16,560 --> 00:05:19,160
ODD JOBS AND CHORES,
102
00:05:19,190 --> 00:05:22,260
YOU EARNED THE MONEY
TO BUY YOUR JACKET.
103
00:05:22,290 --> 00:05:24,760
YOU’RE LIKE A
NEIGHBORHOOD HANDY MAN.
104
00:05:24,800 --> 00:05:27,370
ALL ALPHABET CITY
105
00:05:28,900 --> 00:05:30,430
NAME A JOB.
106
00:05:30,470 --> 00:05:32,070
AIRPLANE PILOT.
107
00:05:32,100 --> 00:05:34,740
NAME ONE JOB YOU DID
TOWARD EARNING THE 40 BUCKS,
108
00:05:34,770 --> 00:05:37,070
AND DON’T BE A WISE‐ASS.
109
00:05:37,110 --> 00:05:39,910
PUT UP FLIERS
FOR LAME ROCK CONCERTS.
110
00:05:39,940 --> 00:05:42,280
STICK ’EM ON
OVER "POST NO BILLS"?
111
00:05:42,310 --> 00:05:45,250
THAT’S A COUPLE YEARS
IN SLAM RIGHT THERE.
112
00:05:48,250 --> 00:05:51,320
DO ANYTHING THAT
MADE YOU UPSET?
113
00:05:54,830 --> 00:05:57,540
I’LL NOTE
YOU SHOOK YOUR HEAD NO,
114
00:05:57,560 --> 00:05:59,800
BUT CAN YOU GIVE ME
THAT ANSWER VERBALLY
115
00:05:59,830 --> 00:06:02,000
IN YOUR USUAL
WISEACRE TONE?
116
00:06:03,330 --> 00:06:07,040
NO, I DIDN’T DO
ANYTHING TO UPSET ME
EARNING THE 40.
117
00:06:07,070 --> 00:06:08,470
EXCELLENT.
118
00:06:09,610 --> 00:06:10,970
CAN I GO?
119
00:06:11,010 --> 00:06:12,370
NO.
120
00:06:12,410 --> 00:06:14,780
LET’S EXTEND OUR CHAT
SOMEWHAT.
121
00:06:14,810 --> 00:06:16,440
WANT A SODA?
122
00:06:16,480 --> 00:06:18,980
WHAT’RE YOU, A PERV?
123
00:06:19,020 --> 00:06:21,930
A PERV?
124
00:06:21,950 --> 00:06:24,550
A PERV.
LIKE HANGING
WITH KIDS.
125
00:06:24,590 --> 00:06:26,320
OFFER A SODA.
126
00:06:26,360 --> 00:06:29,640
NO, I’M NOT A PERV.
127
00:06:29,660 --> 00:06:30,630
WANT A SODA?
128
00:06:30,660 --> 00:06:32,160
NO.
129
00:06:32,200 --> 00:06:34,340
CAN I GO?
130
00:06:34,370 --> 00:06:36,880
NO. YOU CAN’T GO YET,
MARCELLO.
131
00:06:37,840 --> 00:06:38,980
ASSHOLE.
132
00:06:39,000 --> 00:06:41,870
THAT’S SUPPOSED
TO GET YOU A SMACK.
133
00:06:43,810 --> 00:06:44,970
WORK OUT.
134
00:06:46,340 --> 00:06:48,440
WHAT DID YOU DO...
135
00:06:48,480 --> 00:06:52,180
THAT MADE YOU UPSET,
MARCELLO, EARNING THE 40.
136
00:06:52,220 --> 00:06:54,360
HEY, KISS MY ASS.
137
00:06:54,390 --> 00:06:55,960
KISS MY ASS.
138
00:06:55,990 --> 00:06:57,960
THAT’S WHAT
YOU HAD TO DO?
139
00:06:57,990 --> 00:06:59,190
WHAT?
140
00:06:59,220 --> 00:07:01,160
YOU HAD TO KISS
SOMEONE’S ASS?
141
00:07:01,190 --> 00:07:03,120
I DIDN’T KISS
ANYBODY’S ASS.
142
00:07:03,160 --> 00:07:04,690
KISS MY ASS,
ALL RIGHT?
143
00:07:04,730 --> 00:07:08,130
LEAVE ME ALONE.
144
00:07:08,170 --> 00:07:10,640
MIKE SHANNON
THAT BROUGHT YOU IN
145
00:07:10,670 --> 00:07:12,130
FEELS SOMETHING’S
UPSETTING YOU,
146
00:07:12,170 --> 00:07:15,300
AND AFTER US TALKING,
I FEEL THAT WAY ALSO,
MARCELLO.
147
00:07:15,340 --> 00:07:17,870
I’M NOT GONNA JAM YOU
FOR THE JACKET,
148
00:07:17,910 --> 00:07:20,880
AND I’M NOT HERE
TO HURT YOU IN ANY WAY.
149
00:07:20,910 --> 00:07:22,880
I LIKE YOU.
150
00:07:22,910 --> 00:07:24,380
I CAN TELL
YOU’RE A GOOD GUY.
151
00:07:25,520 --> 00:07:26,560
ALL I’M ASKING,
152
00:07:26,590 --> 00:07:28,390
LOOK ME IN THE EYE
153
00:07:28,420 --> 00:07:30,190
AND TELL ME YOU DIDN’T
DO NOTHIN’ WRONG
154
00:07:30,220 --> 00:07:32,450
OR THAT UPSET YOU
EARNING THAT 40,
155
00:07:32,490 --> 00:07:33,760
AND YOU’RE GONE.
156
00:07:36,930 --> 00:07:38,990
WHAT IS THIS,
BOSNIA?
157
00:07:39,030 --> 00:07:40,360
NO.
158
00:07:41,930 --> 00:07:43,800
WHAT ARE YOU
BEIN’ NICE FOR?
159
00:07:43,840 --> 00:07:45,910
I’M NOT A PERV.
160
00:07:45,940 --> 00:07:50,050
WHAT ARE YOU BEIN’
NICE FOR, THEN?
161
00:07:50,070 --> 00:07:54,410
YOU WANT ME
TO SAY SOMETHING,
AND I CAN GO THEN?
162
00:07:54,450 --> 00:07:57,860
WHAT DO YOU WANT ME
TO SAY?
163
00:07:57,880 --> 00:07:59,550
WHAT GETS YOU OFF?
164
00:08:01,450 --> 00:08:03,820
TELL ME WHAT TO SAY,
AND I’LL SAY IT.
165
00:08:03,860 --> 00:08:06,030
40 BUCKS.
166
00:08:06,060 --> 00:08:07,700
THAT’S MY PRICE,
I GUESS.
167
00:08:07,730 --> 00:08:11,570
THAT’S WHAT
I’M STARTIN’ AT.
168
00:08:12,630 --> 00:08:14,960
THAT’S WHAT
HE GIVE TO ME.
169
00:08:16,030 --> 00:08:17,200
TELL ME WHAT TO DO.
170
00:08:17,240 --> 00:08:21,580
ALL RIGHT, MARCELLO.
ALL RIGHT, MARCELLO.
171
00:08:23,910 --> 00:08:28,040
YOU WANNA WRITE IT
INSTEAD OF SAYING IT?
172
00:08:30,210 --> 00:08:33,310
ONLY IF I COULD
TEAR IT UP AFTERWARDS.
173
00:09:10,860 --> 00:09:12,920
HERE’S THE SUM
AND SUBSTANCE OF IT, OK?
174
00:09:12,910 --> 00:09:15,250
A SICK BASTARD,
HE MAKES A KID
MASTURBATE INTO A PLATE,
175
00:09:15,290 --> 00:09:17,330
AND THEN HE WORKS OUT
ON IT HIMSELF.
176
00:09:17,360 --> 00:09:19,200
MAKES HIM DO IT HOW?
177
00:09:19,220 --> 00:09:20,490
HOW?
178
00:09:20,530 --> 00:09:22,200
DOES HE PAY
OR USE FORCE?
179
00:09:22,230 --> 00:09:24,170
PAYS. HE PAYS, ALL RIGHT?
HE PAYS.
180
00:09:24,200 --> 00:09:25,670
ALL RIGHT.
181
00:09:25,700 --> 00:09:27,210
LET ME CALL COHEN.
182
00:09:27,230 --> 00:09:29,130
YEAH. GOOD.
183
00:09:35,140 --> 00:09:37,870
NEEDS SOME TALKING‐TO,
THIS GUY.
184
00:09:37,910 --> 00:09:39,910
HE NEEDS
SOME GOOD TALKING‐TO.
185
00:09:39,940 --> 00:09:42,480
TAKES ADVANTAGE
OF A KID.
186
00:09:44,780 --> 00:09:45,850
CAN WE GET TO HIM?
187
00:09:45,880 --> 00:09:48,280
WE’RE GONNA FIND OUT.
188
00:09:48,320 --> 00:09:51,990
WE’RE GONNA DISCOVER THAT
FROM A. D. A. COHEN.
189
00:10:14,110 --> 00:10:16,410
DETECTIVE KIRKENDALL,
AT WHAT POINT DID YOU
LOSE CUSTODY
190
00:10:16,450 --> 00:10:19,160
OF THE LIPSTICK CAMERA
YOU WERE OPERATING AT
THE JANE STREET APARTMENT
191
00:10:19,180 --> 00:10:20,650
AND SUBMITTED TODAY
AS PEOPLE’S ONE?
192
00:10:20,690 --> 00:10:23,430
AFTER MALCOLM CULLINAN
HAD BEEN ARRESTED,
193
00:10:23,450 --> 00:10:24,750
CUSTODY OF THE CAMERA
194
00:10:24,790 --> 00:10:26,650
WAS TAKEN BY
MY BROTHER DETECTIVES.
195
00:10:26,690 --> 00:10:28,790
AT THAT POINT,
THE TAPE WAS STILL
IN THE CAMERA?
196
00:10:28,830 --> 00:10:30,000
YES.
197
00:10:30,030 --> 00:10:31,560
AND YOU SAW THE TAPE NEXT
WHEN?
198
00:10:31,600 --> 00:10:32,800
THIS MORNING.
199
00:10:32,830 --> 00:10:34,500
THIS MORNING
WHEN IT WAS SUBMITTED
200
00:10:34,530 --> 00:10:36,060
TO THE COURT
BY A. D. A. COSTAS.
201
00:10:36,100 --> 00:10:37,500
YES.
202
00:10:37,540 --> 00:10:39,340
DETECTIVE, ARE YOU
COMPETENT TO REPRESENT
203
00:10:39,370 --> 00:10:41,900
THAT THE TAPE THAT WAS
IN THE CAMERA WHEN IT WAS
LAST IN YOUR POSSESSION
204
00:10:41,940 --> 00:10:43,970
IS THE SAME TAPE
SUBMITTED HERE THIS MORNING?
205
00:10:44,010 --> 00:10:46,510
IF IT SHOWS ME DOING
WHAT I DID THAT NIGHT,
206
00:10:46,540 --> 00:10:48,180
I’D SAY
IT’S A PRETTY GOOD BET.
207
00:10:48,210 --> 00:10:49,510
WE’RE NOT BETTING HERE,
DETECTIVE.
208
00:10:49,550 --> 00:10:51,260
OBVIOUSLY,
SINCE THE TAPE
209
00:10:51,280 --> 00:10:53,180
HASN’T BEEN
IN MY CONTINUOUS CUSTODY
210
00:10:53,220 --> 00:10:55,320
SINCE THE NIGHT OF
MR. CULLINAN’S ARREST,
211
00:10:55,350 --> 00:10:59,090
I AM NOT DIRECTLY
COMPETENT TO SAY
IT’S THE SAME TAPE.
212
00:10:59,120 --> 00:11:02,260
ARE YOU COMPETENT
TO STATE THAT TAPE
HAS NOT BEEN EDITED
213
00:11:02,290 --> 00:11:04,530
OR OTHERWISE TAMPERED WITH
DURING THE INTERVENING PERIOD?
214
00:11:04,560 --> 00:11:06,530
NO, I’M NOT.
215
00:11:08,630 --> 00:11:11,200
MOVE TO EXCLUDE
PEOPLE’S ONE, YOUR HONOR.
216
00:11:11,240 --> 00:11:13,010
ADMIT PEOPLE’S ONE,
217
00:11:13,040 --> 00:11:14,240
SUBJECT TO CONNECTION.
218
00:11:20,350 --> 00:11:22,150
DETECTIVE,
DO YOU RECOGNIZE
219
00:11:22,180 --> 00:11:23,810
THE CONTENTS
OF THIS ENVELOPE?
220
00:11:23,850 --> 00:11:25,450
THOSE ARE THE DRUGS
221
00:11:25,480 --> 00:11:29,480
MR. CULLINAN
OFFERED ME $5,000
TO INJECT IN MY ARM
222
00:11:29,520 --> 00:11:31,490
AT THE JANE STREET
APARTMENT ON APRIL 27
223
00:11:31,520 --> 00:11:34,490
AND WHICH I TOOK
FROM HIS POSSESSION AT
THE TIME OF HIS ARREST.
224
00:11:34,530 --> 00:11:37,170
WHAT, IF ANYTHING,
DID YOU CAUSE TO BE
DONE TO THOSE DRUGS?
225
00:11:37,200 --> 00:11:38,570
I VOUCHERED THEM
226
00:11:38,600 --> 00:11:40,970
AND HAD THEM SENT
TO THE POLICE LAB
FOR ANALYSIS.
227
00:11:41,000 --> 00:11:42,560
DO YOU RECOGNIZE
THE INITIALS
228
00:11:42,600 --> 00:11:44,130
ON THE OUTSIDE
OF THE ENVELOPE?
229
00:11:44,170 --> 00:11:46,530
THOSE ARE MY INITIALS
IN MY HAND.
230
00:11:48,160 --> 00:11:49,760
PEOPLE’S 2, YOUR HONOR.
231
00:11:49,790 --> 00:11:52,090
VOIR DIRE ON THE SUBMISSION,
YOUR HONOR.
232
00:11:52,130 --> 00:11:53,490
GO AHEAD.
233
00:12:00,270 --> 00:12:01,800
SO...
234
00:12:03,040 --> 00:12:06,840
AS OPPOSED TO THE TAPE,
DETECTIVE KIRKENDALL,
235
00:12:06,880 --> 00:12:11,250
THE DRUGS WHICH WERE
SUBMITTED AS PEOPLE’S 2
236
00:12:11,280 --> 00:12:14,110
WERE IN YOUR SOLE
PERSONAL CUSTODY
237
00:12:14,150 --> 00:12:16,120
UNTIL THE TIME
THEY WERE VOUCHERED.
238
00:12:16,150 --> 00:12:17,480
YES.
239
00:12:17,520 --> 00:12:18,990
NEVER LEFT YOUR HAND.
240
00:12:19,020 --> 00:12:20,050
NO.
241
00:12:22,230 --> 00:12:25,140
SO IF I WERE
TO SHOW YOU...
242
00:12:25,160 --> 00:12:28,460
ON THE VIDEOTAPE
THE PEOPLE HAVE SUBMITTED
243
00:12:28,500 --> 00:12:34,330
A MOMENT DURING WHICH
YOU LOWERED THE ENVELOPE
OUT OF CAMERA VIEW,
244
00:12:34,370 --> 00:12:38,810
PRODUCING IT EXACTLY
4.2 SECONDS LATER...
245
00:12:38,840 --> 00:12:42,380
WOULD IT BE FAIR TO SAY
THAT YOU WERE THE ONLY PERSON
246
00:12:42,410 --> 00:12:45,010
WHO COULD HAVE
SWITCHED THE ENVELOPE
247
00:12:45,050 --> 00:12:48,680
CONTAINING THE DRUGS
MR. CULLINAN IS SHOWN
OFFERING YOU
248
00:12:48,720 --> 00:12:50,150
AND THE ENVELOPE
249
00:12:50,190 --> 00:12:53,060
WHOSE CONTENTS ARE BEING
SUBMITTED HERE AS EVIDENCE?
250
00:12:53,090 --> 00:12:55,560
I DIDN’T SWITCH
ANY ENVELOPES.
251
00:12:56,660 --> 00:13:02,560
DETECTIVE,
IF ANYONE SWITCHED
THE ENVELOPES,
252
00:13:02,600 --> 00:13:05,230
BASED ON PEOPLE’S ONE,
253
00:13:05,270 --> 00:13:08,240
WOULD IT BE FAIR TO SAY
THAT THAT PERSON
254
00:13:08,270 --> 00:13:11,740
WOULD’VE
HAD TO HAVE BEEN YOU?
255
00:13:13,910 --> 00:13:15,110
SURE.
256
00:13:16,550 --> 00:13:18,990
ARE YOU HEARD LATER
ON THE SAME TAPE
257
00:13:19,020 --> 00:13:22,360
ACCUSING MR. CULLINAN
OF MURDERING A PERSONAL
FRIEND OF YOURS
258
00:13:22,390 --> 00:13:25,660
AND ASSERTING
THAT HE’S BEEN TRICKED
259
00:13:25,690 --> 00:13:27,790
BY YOUR STING OPERATION?
260
00:13:29,890 --> 00:13:33,760
I GUESS
MAYBE ONCE YOU’RE DONE
TWISTING WHAT I SAID,
261
00:13:33,800 --> 00:13:35,470
IT COULD SOUND THAT WAY.
262
00:13:36,700 --> 00:13:39,030
MOVE TO EXCLUDE PEOPLE’S 2,
YOUR HONOR.
263
00:13:39,070 --> 00:13:40,770
ADMIT PEOPLE’S 2,
264
00:13:40,800 --> 00:13:43,100
SUBJECT
TO CONNECTION.
265
00:13:45,710 --> 00:13:48,040
NOTHING FURTHER
ON THIS WITNESS,
YOUR HONOR.
266
00:13:48,080 --> 00:13:50,380
Judge: THE WITNESS
IS EXCUSED.
267
00:13:50,410 --> 00:13:52,310
IT’S NOT OVER, IS IT?
268
00:13:55,820 --> 00:13:57,450
10‐MINUTE RECESS.
269
00:13:58,560 --> 00:14:00,330
OH, IT’S JUST A RECESS?
270
00:14:01,990 --> 00:14:03,360
LOVELY AS EVER.
271
00:14:03,390 --> 00:14:05,590
UP YOUR ASS,
COUNSELOR.
272
00:14:13,000 --> 00:14:15,740
I’M JIMMY MAYO,
DOLORES MAYO’S FATHER.
273
00:14:15,770 --> 00:14:18,540
ARE YOU THE LAWYER
FOR MY SIDE?
274
00:14:18,580 --> 00:14:19,950
I’M SYLVIA COSTAS,
275
00:14:19,980 --> 00:14:22,790
AND I GUESS YOU COULD
SAY I’M THE LAWYER
FOR YOUR SIDE.
276
00:14:22,810 --> 00:14:24,140
HOW ARE WE DOING?
277
00:14:24,180 --> 00:14:27,580
THE JUDGE’S RULINGS
HAVE ALL BEEN
FAVORABLE SO FAR.
278
00:14:27,620 --> 00:14:30,120
TOUGH MORNING SO FAR,
HUH, CULLINAN?
279
00:14:31,690 --> 00:14:32,790
COME ON.
280
00:14:35,160 --> 00:14:37,120
GET A BAILIFF
LOOKING AT THAT GUY.
281
00:14:39,130 --> 00:14:41,830
YOU PROBABLY SHOULDN’T
HAVE ANY MORE DIRECT
CONVERSATION
282
00:14:41,870 --> 00:14:43,940
WITH MR. CULLINAN
OR HIS ATTORNEY.
283
00:14:43,970 --> 00:14:47,010
NO. I JUST NEEDED TO GET
THAT OFF OF MY CHEST.
284
00:14:47,040 --> 00:14:48,110
I UNDERSTAND.
285
00:14:49,370 --> 00:14:50,500
THANKS...
286
00:14:50,540 --> 00:14:52,770
FOR LOOKING OUT
FOR MY DAUGHTER.
287
00:14:54,710 --> 00:14:56,040
ALL RIGHT.
288
00:15:05,190 --> 00:15:07,620
IT’S AN "A" MISDEMEANOR.
289
00:15:07,660 --> 00:15:10,320
THAT’S A MISDEMEANOR,
WHAT THIS SICK PERV
HAD HIM DO?
290
00:15:10,360 --> 00:15:11,860
IF THE KID GOES TO BAT.
291
00:15:11,900 --> 00:15:13,800
OH, THAT’S GOOD.
THAT’S GREAT.
292
00:15:13,830 --> 00:15:15,260
WILL THE KID
GO TO BAT?
293
00:15:15,300 --> 00:15:16,700
BEING HE’S TOO ASHAMED
FOR SPEAKING‐‐
294
00:15:16,730 --> 00:15:18,870
WRITES WHAT HE DID
ON A PIECE OF PAPER
295
00:15:18,900 --> 00:15:20,330
HE GETS TO TEAR UP
AFTERWARDS‐‐
296
00:15:20,370 --> 00:15:22,670
I’D VOICE SOME RESERVATIONS
HIM GOIN’ TO BAT.
297
00:15:22,710 --> 00:15:24,280
I NEED TO TALK
TO THIS PERV.
298
00:15:24,310 --> 00:15:25,880
I NEED TO TALK TO HIM.
299
00:15:25,910 --> 00:15:26,940
I CAN GET YOU A WARRANT
FOR THE GUY’S PLACE,
300
00:15:26,980 --> 00:15:28,390
BUT YOU’RE BUYING HIM
A LAWYER.
301
00:15:28,410 --> 00:15:30,440
YEAH. THIS SHOULD BE
A PRIVATE CONVERSATION
302
00:15:30,480 --> 00:15:31,910
BETWEEN MYSELF AND HIM.
303
00:15:33,250 --> 00:15:35,420
THANKS, COHEN.
304
00:15:41,860 --> 00:15:43,160
YEAH, LET ME, UH,
305
00:15:43,190 --> 00:15:45,060
LET ME JUST GO TALK
TO THIS PERV, YOU KNOW?
306
00:15:45,100 --> 00:15:47,470
JUST INQUIRING GENERALLY.
307
00:15:47,500 --> 00:15:50,070
LET ME HAVE
GREG AND JAMES
GO OVER WITH YOU.
308
00:15:50,100 --> 00:15:51,630
GREG AND JAMES ARE
DOING 4:00‐TO‐1:00s.
309
00:15:51,670 --> 00:15:53,430
LET ME CALL ’EM
IN EARLY.
310
00:16:21,700 --> 00:16:24,400
HE WANTS GREG AND JAMES
WITH ME, FANCY.
311
00:16:24,430 --> 00:16:27,100
OH. THEY’RE COMING IN?
312
00:16:27,140 --> 00:16:29,150
HE’S CALLIN’ ’EM.
313
00:16:30,810 --> 00:16:33,880
I GUESS THEY’RE GONNA
MEET ME OVER THERE.
314
00:16:33,910 --> 00:16:36,110
YOU CAN’T GO
BY YOURSELF.
315
00:16:36,150 --> 00:16:39,290
NO POINT IN YOU GOING,
ONE THING.
316
00:16:39,320 --> 00:16:41,730
I GOT NO PASSION TO GO.
317
00:16:41,750 --> 00:16:44,320
WHATEVER BREAKS
WITH THIS TWISTED
SON OF A BITCH.
318
00:16:49,730 --> 00:16:51,200
ARE WE, UM...
319
00:16:51,230 --> 00:16:53,470
ARE WE SURE
THE STORY’S RIGHT?
320
00:16:53,500 --> 00:16:56,870
HE DON’T MAKE THAT UP,
THIS KID.
321
00:16:56,900 --> 00:16:59,000
HE DON’T
MAKE THAT STORY UP.
322
00:17:01,500 --> 00:17:02,940
I’M NOT EVEN GONNA
TELL YOU THE STORY,
323
00:17:02,970 --> 00:17:05,970
BUT, BELIEVE ME,
HE DON’T MAKE THAT UP.
324
00:17:14,950 --> 00:17:17,180
LET ME TELL THE BOSS
HAVE THEM MEET ME.
325
00:17:41,380 --> 00:17:42,920
RONALD BARRETT?
326
00:17:42,950 --> 00:17:44,120
WHAT IS IT?
327
00:17:44,150 --> 00:17:45,620
DETECTIVES.
328
00:17:45,650 --> 00:17:48,280
YOUR NAME CAME UP
IN AN INVESTIGATION.
329
00:17:48,320 --> 00:17:49,680
WE NEED
TO TALK TO YOU.
330
00:17:49,720 --> 00:17:50,850
CONCERNING WHAT?
331
00:17:50,890 --> 00:17:52,360
LET’S DO IT INSIDE.
332
00:17:52,390 --> 00:17:54,220
SPARE YOUR NEIGHBORS
YOUR BUSINESS.
333
00:18:11,040 --> 00:18:11,970
COMFY.
334
00:18:15,580 --> 00:18:17,610
[OPENS DRAWER]
335
00:18:17,650 --> 00:18:20,280
SHOULDN’T HE ASK
MY PERMISSION
TO DO THAT?
336
00:18:20,320 --> 00:18:22,060
HE’S NOT GONNA
DISTURB NOTHIN’.
337
00:18:22,090 --> 00:18:24,560
WE MAKE SURE THERE’S
NO WEAPONS OR SO FORTH
338
00:18:24,590 --> 00:18:26,550
BEFORE WE BEGIN
TALKING TO YOU.
339
00:18:26,590 --> 00:18:28,090
THERE ARE NO WEAPONS.
340
00:18:34,770 --> 00:18:36,210
WHAT IS IT?
341
00:18:36,230 --> 00:18:38,500
I WAS LOOKING
AT YOUR PLATES.
342
00:18:38,530 --> 00:18:40,730
YES.
343
00:18:40,770 --> 00:18:42,470
I SAW.
344
00:18:42,510 --> 00:18:43,850
THEY’RE WASHED.
345
00:18:43,870 --> 00:18:46,640
LET’S TAKE YOU INTO
THE STATION HOUSE,
MR. BARRETT.
346
00:18:46,680 --> 00:18:48,750
ON WHAT BASIS?
347
00:18:48,780 --> 00:18:51,310
ON THE BASIS
I SAY YOU’RE GOIN’.
348
00:18:51,350 --> 00:18:53,890
YOU WANNA GO CUFFED
OR LIKE A GENTLEMAN?
349
00:18:53,920 --> 00:18:56,060
ON WHAT BASIS
WOULD I BE CUFFED?
350
00:18:56,090 --> 00:18:58,960
LOOK IN MY EYES
AND SAY "BASIS"
AGAIN, MR. BARRETT.
351
00:19:01,020 --> 00:19:03,260
I’M‐‐I’M COMING
WITH YOU
352
00:19:03,290 --> 00:19:05,660
ON A VOLUNTARY BASIS.
353
00:19:05,700 --> 00:19:08,610
I’LL FOLLOW YOU OUT,
MR. BARRETT.
354
00:19:08,630 --> 00:19:09,760
HOW CLOSE
YOU WANT ME?
355
00:19:09,800 --> 00:19:12,470
HOW CLOSE DO YOU
WANT TO BE?
356
00:19:37,290 --> 00:19:38,790
HI, MR. MAYO.
357
00:19:38,830 --> 00:19:40,460
A DEALER NAMED
KENNETH PRIEST
358
00:19:40,500 --> 00:19:43,470
IDENTIFIED HIS STAMP
ON THE DRUGS
THE POLICE FOUND.
359
00:19:43,500 --> 00:19:45,600
KENNETH PRIEST SAYS
HE SOLD CULLINAN
THAT PACKET OF DRUGS
360
00:19:45,640 --> 00:19:47,080
4 MONTHS AGO.
361
00:19:47,100 --> 00:19:50,640
THAT’S BEFORE MY DAUGHTER
DIED FROM DRUGS
CULLINAN GAVE HER.
362
00:19:50,670 --> 00:19:53,210
I THINK THE PROSECUTION
WANTS TO ESTABLISH
363
00:19:53,240 --> 00:19:55,140
THEY ARE THE SAME DRUGS
HE GAVE DOLORES
364
00:19:55,180 --> 00:19:57,880
SO THEY CAN CHARGE HIM
WITH TRYING TO KILL
DETECTIVE KIRKENDALL.
365
00:19:57,910 --> 00:20:00,550
HE BOUGHT HIS WAY OUT
OF THAT TROUBLE.
366
00:20:00,580 --> 00:20:02,150
HE’LL BUY HIS WAY
OUT OF THIS.
367
00:20:02,190 --> 00:20:03,390
HI, DETECTIVE.
368
00:20:03,420 --> 00:20:05,090
WHAT’S THE HOLDUP?
369
00:20:05,120 --> 00:20:07,790
KENNETH PRIEST IS STILL
TESTIFYING.
370
00:20:07,820 --> 00:20:09,420
IN WHAT TONGUE?
371
00:20:34,120 --> 00:20:35,360
POKY ROOM?
372
00:20:35,390 --> 00:20:37,130
YEAH. PUT HIM
IN THE POKY.
373
00:20:37,150 --> 00:20:39,650
ALL RIGHT.
DOWN THIS WAY.
374
00:20:47,200 --> 00:20:49,470
HI, JILL.
HOW’D IT GO IN COURT?
375
00:20:49,500 --> 00:20:51,030
OK, I THINK.
376
00:20:51,070 --> 00:20:53,140
YOU KNOW
WHERE DIANE IS?
377
00:20:53,170 --> 00:20:56,100
UM, I THINK
SHE’S IN THE JOHN.
378
00:20:56,140 --> 00:20:58,210
CAN I HELP?
379
00:20:58,240 --> 00:20:59,170
UH, THERE’S A KID.
380
00:20:59,210 --> 00:21:00,840
I GOT HIM
UP IN THE CRIB.
381
00:21:00,880 --> 00:21:02,390
[DOOR OPENS]
382
00:21:02,410 --> 00:21:04,240
THERE’S DIANE.
SHE KNOWS THE BACKGROUND.
383
00:21:05,520 --> 00:21:06,520
DID YOU
GRAB UP THE GUY?
384
00:21:06,550 --> 00:21:08,980
YEAH. I’M GOING
IN THE POKY NOW.
385
00:21:09,020 --> 00:21:10,850
HE’S IN THERE
WITH GREG AND JAMES.
386
00:21:10,890 --> 00:21:12,660
CAN YOU LOOK IN ON
THIS MARCELLO, DIANE,
387
00:21:12,690 --> 00:21:14,020
THAT’S UP IN THE CRIB?
388
00:21:14,060 --> 00:21:16,900
I LOOKED IN ON HIM
A LITTLE BIT AGO.
389
00:21:16,930 --> 00:21:18,670
HE GIVE YOU A BIG
WARM GREETING?
390
00:21:18,700 --> 00:21:23,740
YEAH, HE DIDN’T SEEM
LIKE HE WANTED
ANY COMPANY.
391
00:21:23,770 --> 00:21:25,280
HE DOES.
392
00:21:27,940 --> 00:21:31,170
SURE. LET ME GO SEE
HOW HE’S DOING.
393
00:21:31,210 --> 00:21:33,880
OR LET ME SEE
HOW HE’S DOING
394
00:21:33,910 --> 00:21:35,340
BEFORE I GO TALK
TO THIS PERV.
395
00:21:35,380 --> 00:21:36,510
I’LL GO.
396
00:21:36,550 --> 00:21:38,020
I GOT IT.
397
00:21:38,050 --> 00:21:39,410
HE’S FAMILIAR
WITH MY MUG.
398
00:21:54,900 --> 00:21:56,660
HOW’S RONALD DOING?
399
00:21:56,700 --> 00:21:58,930
WE WERE JUST
ACTUALLY WORKING OUT
400
00:21:58,970 --> 00:22:02,000
WHAT MR. BARRETT
LIKES TO BE CALLED.
401
00:22:02,040 --> 00:22:03,670
YEAH. AFTER SUGGESTING
I KILL MYSELF.
402
00:22:03,710 --> 00:22:05,220
WHO SAID THAT?
403
00:22:05,240 --> 00:22:07,610
WHERE IN THE WORLD
DID THAT IDEA COME FROM?
404
00:22:07,640 --> 00:22:10,510
TALK ABOUT AN IDEA
FROM LEFT FIELD.
405
00:22:10,550 --> 00:22:12,020
THE FEELING
YOU WERE GETTING,
406
00:22:12,050 --> 00:22:14,010
THEY WERE SUGGESTING
YOU TAKE YOUR OWN LIFE‐‐
407
00:22:14,050 --> 00:22:16,450
DO YOU HAVE ANY
MENTAL ILLNESS
PROBLEMS, MR. BARRETT?
408
00:22:16,490 --> 00:22:18,900
ANY PERMANENT‐TYPE
MENTAL SICKNESS
409
00:22:18,920 --> 00:22:21,450
THAT WOULD MAKE YOU FEEL
PEOPLE WANT YOU TO DO THAT?
410
00:22:21,490 --> 00:22:23,890
I WANT YOU
TO ASK YOUR QUESTIONS,
411
00:22:23,930 --> 00:22:25,540
AND THEN I WANT TO GO.
412
00:22:25,560 --> 00:22:28,030
OH, SO WE’RE PAST
THAT SICK FEELING YOU HAD
413
00:22:28,060 --> 00:22:30,560
WHAT MY COLLEAGUES
WERE TALKING ABOUT.
414
00:22:30,600 --> 00:22:34,070
DO YOU HAVE
ANY QUESTIONS TO ASK
415
00:22:34,100 --> 00:22:36,040
ABOUT SOMETHING
SPECIFIC,
416
00:22:36,070 --> 00:22:38,710
A SPECIFIC INCIDENT?
417
00:22:38,740 --> 00:22:42,240
OR ARE YOU JUST
TRYING TO BREAK MY SOUL?
418
00:22:42,280 --> 00:22:45,610
SO WE’RE NOT PAST
THAT FEELING.
419
00:22:52,420 --> 00:22:54,420
YOU KNOW A BOY
NAMED MARCELLO?
420
00:22:57,960 --> 00:22:59,430
AND?
421
00:22:59,460 --> 00:23:01,360
AND?
422
00:23:02,430 --> 00:23:03,930
WHY HE SAYS "AND,"
423
00:23:03,970 --> 00:23:06,410
CAPTAIN RONALD’S
DRIVING THE BOAT HERE.
424
00:23:06,440 --> 00:23:08,610
NOTHING SURPRISES HIM.
425
00:23:08,640 --> 00:23:11,000
YEAH. RONALD TAKES
THAT UPPER‐CRUST ATTITUDE
426
00:23:11,040 --> 00:23:13,610
’CAUSE HE DOESN’T HAVE
TO WORRY ABOUT SOMEONE
427
00:23:13,640 --> 00:23:14,840
PUTTING A BULLET
IN HIS BRAIN.
428
00:23:14,880 --> 00:23:17,410
OR THROWING HIM
OFF A ROOF.
429
00:23:17,450 --> 00:23:20,190
YES, I KNOW MARCELLO.
430
00:23:20,220 --> 00:23:22,360
YOU DO KNOW MARCELLO.
431
00:23:22,390 --> 00:23:23,860
YES.
432
00:23:23,890 --> 00:23:25,160
FROM WHERE?
433
00:23:25,190 --> 00:23:27,020
I’VE MET HIM
IN MY NEIGHBORHOOD.
434
00:23:27,060 --> 00:23:29,530
WHAT’D YOU DO
AFTER YOU MET HIM?
435
00:23:29,560 --> 00:23:31,960
I’VE TRIED TO BE
HIS FRIEND.
436
00:23:33,130 --> 00:23:36,100
ARE YOU AFRAID
OF BEING STRUCK AT ALL
437
00:23:36,130 --> 00:23:37,870
OR BEATEN
DURING THIS INTERVIEW?
438
00:23:37,900 --> 00:23:40,670
OBVIOUSLY, YES.
439
00:23:40,700 --> 00:23:42,170
DON’T SAY AGAIN
440
00:23:42,210 --> 00:23:44,410
YOU TRIED TO BE
HIS FRIEND.
441
00:23:46,740 --> 00:23:49,180
WHAT DO YOU WANT?
442
00:23:49,210 --> 00:23:52,180
WHAT DO YOU WANT
FROM ME?
443
00:23:52,220 --> 00:23:53,890
DO YOU WANT ME
TO CONFESS?
444
00:23:53,920 --> 00:23:55,660
DID YOU DO
SOMETHING WRONG?
445
00:23:58,150 --> 00:23:59,720
YES.
446
00:24:03,890 --> 00:24:07,600
I TRIED TO DO
AS LESS I COULD...
447
00:24:08,900 --> 00:24:10,460
WITH MY SICKNESS...
448
00:24:10,500 --> 00:24:11,900
[CRYING]
449
00:24:13,040 --> 00:24:15,780
BUT I’M TOO SICK.
450
00:24:21,240 --> 00:24:23,280
I CONFESS.
451
00:24:27,950 --> 00:24:29,920
DO YOU WANT ME
TO HANG MYSELF
IN HERE?
452
00:24:29,950 --> 00:24:32,490
’CAUSE I’M GONNA
HANG MYSELF IN JAIL
ANYWAY.
453
00:24:32,520 --> 00:24:34,490
DO YOU WANT ME
TO DO IT HERE?
454
00:24:34,520 --> 00:24:35,490
NO.
455
00:24:35,530 --> 00:24:37,500
DON’T DO IT HERE.
456
00:24:37,530 --> 00:24:38,600
YEAH.
457
00:24:38,630 --> 00:24:40,490
DEATH IN CUSTODY
IS A PAIN IN THE ASS.
458
00:24:40,530 --> 00:24:43,760
YEAH, BUT DEFINITELY
HOLD THAT THOUGHT
ABOUT DOING IT.
459
00:25:14,460 --> 00:25:15,760
HI, MARCELLO.
460
00:25:15,800 --> 00:25:19,130
I’M GOING INTO THE SYSTEM?
461
00:25:19,170 --> 00:25:20,770
I DON’T KNOW. I, UH...
462
00:25:20,800 --> 00:25:22,240
I WAS WONDERING
463
00:25:22,270 --> 00:25:24,070
IF I COULD GET YOU
A HAMBURGER
OR SOMETHING.
464
00:25:24,110 --> 00:25:25,650
NO.
465
00:25:25,680 --> 00:25:27,020
YOU’RE NOT HUNGRY?
466
00:25:28,340 --> 00:25:31,950
WHO KNOWS IF I’M GOING
INTO THE SYSTEM?
467
00:25:34,820 --> 00:25:38,290
I DON’T THINK YOU’RE
BEING CHARGED,
MARCELLO.
468
00:25:39,620 --> 00:25:41,520
SO CHILD SERVICES.
469
00:25:42,830 --> 00:25:46,140
I GUESS IF WE
CAN’T TRACK DOWN
A FAMILY MEMBER...
470
00:25:46,160 --> 00:25:50,000
CHILD SERVICES
WILL PUT YOU IN
TEMPORARY FOSTER CARE.
471
00:25:50,030 --> 00:25:52,200
SO YES.
472
00:25:56,970 --> 00:25:59,110
HAVE YOU GOT ANYONE?
473
00:25:59,140 --> 00:26:02,180
AN AUNT? A GRANDMOTHER?
474
00:26:04,650 --> 00:26:06,380
COME ON, MARCELLO.
475
00:26:15,560 --> 00:26:17,160
MARCELLO’S GOT
A BROTHER.
476
00:26:17,190 --> 00:26:18,690
WHERE?
477
00:26:32,910 --> 00:26:34,210
SO NOW I FIND OUT
WHERE MY NAME CAME UP?
478
00:26:34,240 --> 00:26:36,080
YEAH. OVER HERE,
TOMMY.
479
00:26:38,080 --> 00:26:40,380
TOMMY PARISI.
480
00:26:40,420 --> 00:26:41,960
YEAH, GREAT TO SEE YA.
481
00:26:41,990 --> 00:26:44,660
SO, TOMMY,
THAT SMART‐ASS ATTITUDE,
482
00:26:44,690 --> 00:26:46,220
THAT RUNS
IN YOUR FAMILY?
483
00:26:47,660 --> 00:26:49,260
THIS IS ABOUT MARCELLO?
484
00:26:50,990 --> 00:26:52,960
SEE, BUT WHERE
A 13‐YEAR‐OLD KID,
485
00:26:53,000 --> 00:26:55,170
SCARED OUT OF HIS MIND
AND DOWN ON HIMSELF
486
00:26:55,200 --> 00:26:56,700
WITH BEING ASHAMED,
487
00:26:56,730 --> 00:26:58,130
I EXPECT SOME SMART‐ASS,
488
00:26:58,170 --> 00:27:00,170
EVEN
"I’M GLAD TO SEE YA,"
489
00:27:00,200 --> 00:27:01,670
’CAUSE IT GIVES HIM
A LITTLE PROTECTION.
490
00:27:01,710 --> 00:27:05,650
WITH YOU, THAT
INSTEAD OF SITTIN’ THERE
LIKE A POUTY PUNK
491
00:27:05,680 --> 00:27:07,650
WHO NEEDS TO GET
SLAPPED IN THE BACK
OF THE HEAD,
492
00:27:07,680 --> 00:27:09,640
OUGHT TO BE LOOKING OUT
FOR HIS LITTLE BROTHER,
493
00:27:09,680 --> 00:27:12,380
THAT SAME SMART‐ASS
ATTITUDE,
THAT MAKES ME SICK.
494
00:27:12,420 --> 00:27:15,260
HE’S BEEN GONE
FROM MY PLACE
FOR 3 MONTHS, OK?
495
00:27:15,290 --> 00:27:16,760
AND HE’S ONLY
MY HALF‐BROTHER.
496
00:27:16,790 --> 00:27:18,760
WHAT YOU DO
WITH A HALF‐BROTHER
497
00:27:18,790 --> 00:27:21,250
GONE FROM YOUR PLACE
3 MONTHS, TOMMY,
498
00:27:21,290 --> 00:27:22,720
YOU GO OUT
AND YOU FIND HIM.
499
00:27:22,760 --> 00:27:25,730
HEY, I’M ON METHADONE
MAINTENANCE, ALL RIGHT?
500
00:27:25,760 --> 00:27:27,930
I GOT PROBLEMS OF MY OWN.
501
00:27:27,960 --> 00:27:31,730
I’M TELLING YOU A WAY
TO GET PAST YOUR PROBLEMS.
502
00:27:31,770 --> 00:27:33,900
LOOK OUT FOR
YOUR LITTLE BROTHER.
503
00:27:35,810 --> 00:27:37,280
TAKE CARE OF HIM.
504
00:27:37,310 --> 00:27:39,450
YOU’LL GET A REASON
WAKING UP
505
00:27:39,480 --> 00:27:41,520
BESIDES SCORING
YOUR 8:00 DOSE.
506
00:27:41,540 --> 00:27:43,710
YOU GOT A LOT OF OPINIONS
ABOUT OTHER PEOPLE’S LIVES.
507
00:27:46,320 --> 00:27:49,230
MARCELLO’S
A GOOD LITTLE BOY.
508
00:27:49,250 --> 00:27:51,950
AND FAR AS I KNOW,
YOU’RE A GOOD
PERSON, TOO.
509
00:27:51,990 --> 00:27:55,920
DON’T LET HIM
GET PUT IN THE SYSTEM.
510
00:28:00,660 --> 00:28:03,100
YOU LOOKIN’ FOR WORK?
511
00:28:03,130 --> 00:28:05,630
THE RIGHT JOB I AM.
512
00:28:05,670 --> 00:28:07,970
WHAT’S THE RIGHT JOB?
513
00:28:10,510 --> 00:28:13,480
UH...I’D LIKE TO LEARN
HOW TO FIX TELEVISIONS.
514
00:28:14,810 --> 00:28:17,380
I GOT A COUSIN
THAT’LL TEACH YOU TVs.
515
00:28:17,410 --> 00:28:18,580
YEAH.
516
00:28:18,620 --> 00:28:21,420
YEAH. HE‐‐HE CAN TEACH YOU
OVERCHARGING, TOO,
517
00:28:21,450 --> 00:28:24,850
DETECTIVE MARTINEZ’S COUSIN.
518
00:28:26,860 --> 00:28:28,830
I MEAN, I’LL TAKE HIM BACK,
519
00:28:28,860 --> 00:28:30,160
IF THAT’S WHAT
YOU’RE ASKING.
520
00:28:30,190 --> 00:28:32,660
REACH OUT
FOR YOUR BROTHER, TOMMY,
521
00:28:32,700 --> 00:28:34,500
AND WE’LL REACH OUT
FOR YOU.
522
00:28:34,530 --> 00:28:37,000
HE’S UPSTAIRS‐‐
MARCELLO.
523
00:28:58,690 --> 00:29:00,950
LAYING DOWN CONDITIONS
TO HIM, TOMMY.
524
00:29:00,990 --> 00:29:02,420
MMM.
525
00:29:02,460 --> 00:29:04,960
A FEW CONDITIONS
WILL DO MARCELLO GOOD.
526
00:29:06,800 --> 00:29:08,540
GIVE HIM
A LITTLE STRUCTURE.
527
00:29:08,570 --> 00:29:09,970
MMM.
528
00:29:10,000 --> 00:29:11,500
ALL HIS KNOCKING AROUND,
529
00:29:11,530 --> 00:29:13,370
HE STILL HAS LOVE IN HIM.
530
00:29:13,400 --> 00:29:17,710
I’M GLAD ENOUGH
IF WE KEEP HIM
OUT OF THE SYSTEM.
531
00:29:17,740 --> 00:29:19,870
YOU TALKED
TO HIS BROTHER GREAT.
532
00:29:22,480 --> 00:29:23,880
WELL...
533
00:29:23,910 --> 00:29:26,980
JAMES’ COUSIN’S
TV REPAIR
TRAINING PROGRAM,
534
00:29:27,020 --> 00:29:28,530
THAT CLOSED
THE DEAL.
535
00:29:28,550 --> 00:29:30,520
POSTPONEMENT OF TV REPAIR
536
00:29:30,550 --> 00:29:33,090
IS ACTUALLY
HIS STRONG SUIT.
537
00:29:35,890 --> 00:29:38,390
THERE’S AN ELECTRONICS
TRAINING INSTITUTE
BY WHERE I AM.
538
00:29:38,430 --> 00:29:41,230
I LOCKED SOME
LUNATIC CANADIAN UP
539
00:29:41,260 --> 00:29:43,060
ESCAPING WITH THEIR
FILES OVER MY ROOF.
540
00:29:43,100 --> 00:29:47,000
THE GUY RUNS THE PLACE
SAYS HE’S FOREVER
IN MY DEBT.
541
00:29:48,740 --> 00:29:51,540
JAMES’ COUSIN
DON’T WORK OUT,
542
00:29:51,580 --> 00:29:53,250
MAYBE WE CAN HOOK
MARCELLO’S BROTHER UP
543
00:29:53,280 --> 00:29:55,590
WITH SOME TRAINING
COURSE OVER THERE.
544
00:29:57,610 --> 00:30:00,150
MUST HAVE BEEN
WHERE THE OWNER
KEPT THE ACCOUNT BOOKS
545
00:30:00,180 --> 00:30:01,680
HE WANTS TO HIDE
FROM THE I. R. S.,
546
00:30:01,720 --> 00:30:03,720
IF THE FILE
IS EVER CALLED IN.
547
00:30:13,560 --> 00:30:15,630
OH, BROTHER.
548
00:30:17,570 --> 00:30:19,430
OH, BOY.
549
00:30:19,470 --> 00:30:21,000
IT’S ALL RIGHT.
550
00:30:21,040 --> 00:30:22,610
OH, MY GOSH.
551
00:30:22,640 --> 00:30:25,440
JUST DON’T SAY
HOLY TOLEDO.
552
00:30:25,480 --> 00:30:26,650
WHAT?
553
00:30:28,810 --> 00:30:31,910
WHAT IS IT?
WHAT HAPPENED?
554
00:30:31,950 --> 00:30:34,110
WE’RE GOING HOME.
555
00:30:34,150 --> 00:30:36,520
YOU’RE GOING HOME
WITH TOMMY?
556
00:30:36,550 --> 00:30:38,120
YEAH.
557
00:30:38,150 --> 00:30:41,350
YOU LEFT YOUR JACKET,
MARCELLO.
558
00:30:41,390 --> 00:30:42,590
YEAH.
559
00:30:42,630 --> 00:30:44,430
I’M LEAVING IT.
560
00:30:46,430 --> 00:30:48,030
YEAH. ALL RIGHT.
561
00:30:48,060 --> 00:30:49,900
YOU THINK THE COLD’S
NEVER COMING AGAIN?
562
00:30:49,930 --> 00:30:52,470
THAT SPECIFIC JACKET
I DON’T WANT.
563
00:30:53,840 --> 00:30:55,480
YOU KNOW WHAT?
564
00:30:55,510 --> 00:30:57,150
WHEN THE WEATHER TURNS COLD,
WHY DON’T YOU SHOW UP,
565
00:30:57,170 --> 00:30:58,410
AND WE’LL GO SHOPPING
FOR A JACKET.
566
00:30:58,440 --> 00:31:00,510
Marcello: YEAH, OK.
567
00:31:01,950 --> 00:31:04,250
AND, UH, THAT’S A USABLE
JACKET, YOU KNOW.
568
00:31:04,280 --> 00:31:06,050
YEAH. NO, WE’LL‐‐
569
00:31:06,080 --> 00:31:07,980
WE’LL TAKE CARE
OF IT.
570
00:31:08,020 --> 00:31:10,720
THANKS FOR HELPING ME.
571
00:31:10,750 --> 00:31:13,190
IT’S THE BEST PART
OF OUR JOB.
572
00:31:20,460 --> 00:31:22,930
ALL RIGHT, THEN.
573
00:31:25,800 --> 00:31:28,270
SO, I’LL, UH,
CALL THIS GUY
IN THE MORNING.
574
00:31:28,300 --> 00:31:30,970
YEAH, ABSOLUTELY CALL
DETECTIVE MARTINEZ’S
COUSIN.
575
00:31:31,010 --> 00:31:33,680
AND ANY LOGISTICAL
DIFFICULTIES,
YOU GIVE ME A HOLLER,
576
00:31:33,710 --> 00:31:35,440
AND...WE ALWAYS HAVE
FALLBACK PLANS.
577
00:31:42,150 --> 00:31:44,590
UM...YOU KNOW,
IT’S ALL RIGHT, DANNY.
578
00:31:44,620 --> 00:31:47,690
NO, WELL, WE SHOULD
PROBABLY DISCUSS THIS
579
00:31:47,720 --> 00:31:49,320
A WHOLE OTHER TIME.
580
00:31:49,360 --> 00:31:51,460
OK.
581
00:31:51,490 --> 00:31:52,930
LET ME GET THE JACKET.
582
00:31:52,960 --> 00:31:54,800
UH, WE CAN GIVE IT
TO GOODWILL.
583
00:31:54,830 --> 00:31:56,330
SURE. GO GET IT.
584
00:31:56,370 --> 00:31:57,740
SEE YOU LATER.
585
00:32:29,500 --> 00:32:30,860
HOW’D THAT GO UPSTAIRS?
586
00:32:30,900 --> 00:32:32,000
AH. GOOD.
587
00:32:32,040 --> 00:32:33,140
THEY LEFT.
588
00:32:33,170 --> 00:32:34,800
YEAH, WE SAW ’EM
WALKIN’ OUT.
589
00:32:34,840 --> 00:32:36,500
SO HE, UH‐‐
590
00:32:36,540 --> 00:32:39,470
UH‐‐UH‐‐STAYED POSITIVE
WITH HIS KID BROTHER,
THAT TOMMY?
591
00:32:39,510 --> 00:32:41,940
THEY SEEM TO BE
HITTING IT OFF OK.
592
00:32:43,910 --> 00:32:46,610
ANYWAYS, OUR FALLBACK
POSITION’S IN PLACE.
593
00:32:50,550 --> 00:32:51,990
GOOD NIGHT.
594
00:32:52,020 --> 00:32:54,150
YEAH. GOOD NIGHT, DIANE.
595
00:32:54,190 --> 00:32:55,520
HEY. GOOD NIGHT.
596
00:32:57,290 --> 00:32:58,430
GOOD NIGHT.
597
00:32:58,460 --> 00:32:59,930
GOOD NIGHT, DIANE.
598
00:32:59,960 --> 00:33:01,490
I HOPE EVERYTHING’S OK.
599
00:33:01,530 --> 00:33:03,630
YEAH. EVERYTHING’S OK.
600
00:33:09,870 --> 00:33:11,170
Martinez:
IT’S NICE, UH...
601
00:33:11,210 --> 00:33:12,950
WHEN SOMETHIN’
HALFWAY TURNS OUT.
602
00:33:14,650 --> 00:33:17,620
YEAH, WELL,
AT LEAST THAT KID
GETS HALF A CHANCE.
603
00:33:17,650 --> 00:33:20,180
OF COURSE, THE CHOCOLATE
CHERRY ON TOP OF
THE BAKED ALASKA...
604
00:33:20,220 --> 00:33:23,630
ONCE HE’S IN THE TOMBS,
OUR FRIEND RONALD
MAKES HIS PROMISE GOOD
605
00:33:23,650 --> 00:33:26,150
SHOWIN’ OFF HIS,
UH, ROPE WORK.
606
00:33:30,990 --> 00:33:34,290
ANDY WOULDN’T BE
COMIN’ BACK AFTER COURT,
YOU WOULDN’T THINK, RIGHT?
607
00:33:34,330 --> 00:33:37,060
NAH. HE’LL
PROBABLY TESTIFY
AND THEN GO HOME.
608
00:33:39,240 --> 00:33:40,980
ANYWAYS, UH...
NIGHT, DANNY.
609
00:33:41,000 --> 00:33:42,640
YEAH. GOOD NIGHT, GUYS.
610
00:33:42,670 --> 00:33:43,640
NIGHT.
611
00:34:07,600 --> 00:34:10,030
DON’T HANG YOURSELF.
612
00:34:12,940 --> 00:34:15,810
TRY TO GET YOURSELF
SOME HELP.
613
00:34:44,370 --> 00:34:46,810
I DON’T KNOW WHAT THE HELL
YOU REQUESTED ANOTHER
RECESS FOR, SYLVIA.
614
00:34:46,840 --> 00:34:48,380
I WAS READY TO ROLL.
615
00:34:56,380 --> 00:34:58,180
WHAT’S THIS NOW?
616
00:34:58,210 --> 00:35:00,880
WE’RE HOLDING HANDS.
617
00:35:00,920 --> 00:35:02,730
YEAH. VERY PRODUCTIVE.
618
00:35:05,520 --> 00:35:07,690
WHAT’S OUR LIFE ABOUT?
619
00:35:07,720 --> 00:35:09,390
HEY. FOR CRYIN’
OUT LOUD.
620
00:35:09,430 --> 00:35:11,030
ABOUT THEO...
621
00:35:11,060 --> 00:35:12,490
AND US.
622
00:35:12,530 --> 00:35:14,190
AND LIVING GOOD LIVES.
623
00:35:17,430 --> 00:35:18,970
YOU’RE A BRAVE MAN.
624
00:35:19,000 --> 00:35:21,700
AND YOU’VE WORKED
TO MAKE THE LIFE
WE WANTED.
625
00:35:21,740 --> 00:35:22,840
YOU ALSO.
626
00:35:22,870 --> 00:35:25,370
A LOT MORE THAN I HAVE.
627
00:35:27,080 --> 00:35:28,420
AT ANY POINT
IN THIS CONVERSATION,
628
00:35:28,440 --> 00:35:30,510
HAVE WE MENTIONED
JAMES SINCLAIR?
629
00:35:34,420 --> 00:35:35,860
ALL RIGHT.
630
00:35:35,890 --> 00:35:37,390
POINT TAKEN.
631
00:35:40,090 --> 00:35:41,860
WALK IN THE PARK, ANDY.
632
00:35:42,890 --> 00:35:44,390
YEAH.
633
00:35:44,430 --> 00:35:45,940
YEAH.
634
00:35:47,730 --> 00:35:48,960
READY?
635
00:35:50,100 --> 00:35:51,230
YEAH. LET’S GO.
636
00:35:58,740 --> 00:36:02,240
FORGIVE MY USING NOTES,
DETECTIVE, TO REFRESH
A FAILING MEMORY.
637
00:36:05,780 --> 00:36:07,850
I SEE IT’S NOW
6 YEARS AGO
638
00:36:07,880 --> 00:36:09,550
THAT AS I QUESTIONED YOU
AT A HEARING
639
00:36:09,590 --> 00:36:13,430
CONVENED FOR THE SAME PURPOSE
WHICH BRINGS US HERE TODAY,
640
00:36:13,460 --> 00:36:20,240
THE PRESIDING JUDGE REJECTED
AS "GROSSLY ILLEGAL
AND UNCONSTITUTIONAL"
641
00:36:20,260 --> 00:36:22,460
YOUR METHODS
OF SECURING EVIDENCE.
642
00:36:23,800 --> 00:36:25,930
I SEE FROM MY NOTES
HE ALSO CHARACTERIZED
643
00:36:25,970 --> 00:36:30,470
YOUR ATTEMPTS TO EXPLAIN
AND JUSTIFY YOUR CONDUCT
AS "PITIFUL."
644
00:36:31,940 --> 00:36:33,170
YES.
645
00:36:36,410 --> 00:36:40,710
AM I TO ASSUME...
DETECTIVE...
646
00:36:40,750 --> 00:36:44,820
THAT YOU TAKE THE STAND
AND SWEAR YOUR OATH
647
00:36:44,860 --> 00:36:48,130
HERE BEFORE US TODAY
AS A...CHANGED MAN?
648
00:36:49,960 --> 00:36:53,560
I’M TELLIN’ THE TRUTH
ABOUT WHAT HAPPENED
ON JANE STREET.
649
00:36:53,600 --> 00:36:56,270
BUT, DETECTIVE SIPOWICZ...
650
00:36:57,370 --> 00:37:00,340
DIDN’T YOU ALSO
AVER YOUR "TRUTHFULNESS"
651
00:37:00,370 --> 00:37:01,940
6 YEARS AGO
652
00:37:01,970 --> 00:37:03,770
WHEN STATING YOU HAD NOT
653
00:37:03,810 --> 00:37:05,980
HAMMERED NAILS
654
00:37:06,010 --> 00:37:09,280
INTO A DEFENDANT’S
AUTOMOBILE TIRE
655
00:37:09,310 --> 00:37:11,850
WHILE HE DRANK ESPRESSO
IN A CAFE
656
00:37:11,880 --> 00:37:15,120
SO THAT WHEN THE DEFENDANT
RETURNED TO HIS CAR
657
00:37:15,150 --> 00:37:17,480
TO GET A JACK
TO FIX HIS FLAT,
658
00:37:17,520 --> 00:37:18,920
YOU COULD...
659
00:37:18,960 --> 00:37:20,500
HAPPEN BY...
660
00:37:20,520 --> 00:37:22,660
AND SATISFY YOUR YEN
TO DISCOVER
661
00:37:22,690 --> 00:37:24,860
IF HE HAD CONTRABAND
IN HIS TRUNK?
662
00:37:27,130 --> 00:37:31,800
I’M TELLIN’ THE TRUTH
ABOUT JANE STREET.
663
00:37:31,840 --> 00:37:34,310
BUT, DETECTIVE...
664
00:37:34,340 --> 00:37:36,880
GIVEN YOUR HISTORY...
665
00:37:36,910 --> 00:37:40,020
GIVEN WHO YOU ARE,
DON’T YOU AGREE
666
00:37:40,040 --> 00:37:43,110
WE WOULD BE WELL‐ADVISED
TO TAKE YOUR DECLARATIONS
667
00:37:43,150 --> 00:37:46,590
ABOUT JANE STREET
WITH A GRAIN OF SALT?
668
00:37:48,380 --> 00:37:50,250
NO.
669
00:38:12,940 --> 00:38:17,010
YOUR HONOR, EVERY MINUTE
THAT DETECTIVE SIPOWICZ
670
00:38:17,050 --> 00:38:19,490
SPENT IN THE APARTMENT
ON JANE STREET,
671
00:38:19,520 --> 00:38:23,860
HE WAS IN THE COMPANY
OF HIS LIEUTENANT
AND 4 OTHER DETECTIVES.
672
00:38:23,890 --> 00:38:26,400
NOW, BEFORE RULING
ON THE ADMISSIBILITY
OF PEOPLE’S 5,
673
00:38:26,420 --> 00:38:28,390
WOULD THE COURT WISH ME
TO CALL THOSE MEN
674
00:38:28,420 --> 00:38:30,390
TO SUPPORT DETECTIVE
SIPOWICZ’S TESTIMONY?
675
00:38:30,430 --> 00:38:34,070
WHY DIDN’T YOU CALL ONE
OF THE OTHER DETECTIVES
TO BEGIN WITH?
676
00:38:34,100 --> 00:38:36,240
BECAUSE IF HE DIDN’T
TESTIFY FOR THE PEOPLE,
677
00:38:36,270 --> 00:38:40,080
YOU HAD STATED YOUR INTENTION
TO CALL MY HUSBAND‐‐
DETECTIVE SIPOWICZ‐‐
678
00:38:40,100 --> 00:38:41,770
AS A DEFENSE WITNESS,
679
00:38:41,810 --> 00:38:44,780
GRATUITOUSLY AND SIMPLY
TO EMBARRASS HIM.
680
00:38:44,810 --> 00:38:49,610
YOUR HONOR, MR. SINCLAIR
TRIES TO LUG IN PART OF
DETECTIVE SIPOWICZ’S PAST
681
00:38:49,650 --> 00:38:51,290
WHICH IS NO LONGER
RELEVANT
682
00:38:51,310 --> 00:38:53,910
BECAUSE THE CIRCUMSTANCES
OF THE PRESENT
683
00:38:53,950 --> 00:38:57,550
ARE SO UNCONGENIAL
TO HIS CLIENT’S CASE.
684
00:38:58,620 --> 00:39:00,090
MR. SINCLAIR?
685
00:39:01,490 --> 00:39:05,430
VOIR DIRE ON THIS YEAR’S
EVENTS ON JANE STREET?
686
00:39:19,780 --> 00:39:22,120
AS FOR MS. COSTAS
IMPUTING TO ME
687
00:39:22,150 --> 00:39:26,090
A TRY AT "LUGGING IN THE PAST,"
YOUR HONOR...
688
00:39:26,120 --> 00:39:28,990
I HAD TRUSTED DETECTIVE
SIPOWICZ HERE TO HELP ME
689
00:39:29,020 --> 00:39:30,920
WITH THE HEAVY LIFTING.
690
00:39:32,320 --> 00:39:35,460
BUT I’M CONTENT...
TO WAIT...
691
00:39:35,490 --> 00:39:38,860
ON ENLISTING HIS ASSISTANCE
TILL A LATER DATE.
692
00:39:40,660 --> 00:39:43,800
NO OBJECTIONS
TO THE ADMISSION
OF PEOPLE’S 5.
693
00:39:46,500 --> 00:39:48,040
Judge: ADMIT PEOPLE’S 5.
694
00:39:49,340 --> 00:39:50,800
COURT STANDS ADJOURNED.
695
00:39:50,840 --> 00:39:51,840
[POUNDS GAVEL]
696
00:40:01,690 --> 00:40:03,490
NATURE CALLS.
697
00:40:06,360 --> 00:40:08,200
HE’S GONNA
GET OFF.
698
00:40:08,220 --> 00:40:12,260
HE’S GONNA GET
DECLARED INNOCENT.
699
00:40:12,300 --> 00:40:14,070
I DON’T THINK HE IS.
700
00:40:15,530 --> 00:40:17,330
I THINK SO.
701
00:40:20,870 --> 00:40:22,200
PISS...
702
00:40:23,540 --> 00:40:24,970
IF YOU’RE
GONNA PISS.
703
00:40:36,050 --> 00:40:37,890
GET AWAY
FROM THE DOOR.
704
00:40:40,420 --> 00:40:41,390
NO.
705
00:40:44,160 --> 00:40:46,090
GET AWAY FROM THE DOOR.
706
00:40:51,740 --> 00:40:54,410
YOU’VE BEEN
A FRIEND TO ME.
707
00:41:04,680 --> 00:41:07,350
I’VE GOT A GUN, JOHN.
708
00:41:10,450 --> 00:41:12,120
YOU’RE GONNA
GET HURT.
709
00:41:14,760 --> 00:41:17,260
DON’T DO THIS
TO DOLORES.
710
00:41:26,940 --> 00:41:28,280
STAY HERE
A MINUTE.
711
00:41:57,300 --> 00:41:58,270
WHAT HAPPENED?
712
00:41:58,300 --> 00:41:59,600
JOHN IRVIN’S HURT.
713
00:42:06,640 --> 00:42:07,610
HEY. HEY.
714
00:42:07,640 --> 00:42:09,440
TAKE IT EASY.
TAKE IT EASY.
715
00:42:09,480 --> 00:42:11,610
JAMES MAYO SHOT ME.
JAMES MAYO HAS A GUN.
716
00:42:11,650 --> 00:42:14,820
CALL 911!
THIS MAN’S BEEN SHOT!
717
00:42:16,250 --> 00:42:17,920
I MEAN, AM I DONE?
718
00:42:17,950 --> 00:42:19,990
YOU ARE
ABSOLUTELY DONE...
FOR NOW.
719
00:42:24,490 --> 00:42:26,630
GRAB THAT GUY!
HE’S GOT A GUN!
720
00:42:39,310 --> 00:42:40,210
[GUNSHOT]
721
00:42:56,730 --> 00:42:58,540
YOU, UH, YOU GOT
A...PROBLEM HERE.
722
00:43:05,970 --> 00:43:07,600
IS THERE
AN AMBULANCE HERE!
723
00:43:07,640 --> 00:43:09,000
GET AN AMBULANCE!
724
00:43:09,040 --> 00:43:10,300
YEAH, ’CAUSE
I MAY BE HIT!
725
00:43:16,810 --> 00:43:18,110
IT’S NOT TOO BAD.
726
00:43:18,150 --> 00:43:19,810
YEAH? MMM.
727
00:43:23,320 --> 00:43:25,320
TAKE CARE OF THE BABY.
50907
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