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1
00:00:06,040 --> 00:00:08,110
Angry man:
WHAT KIND OF SON ARE YOU?!
2
00:00:08,150 --> 00:00:09,590
WHAT KIND OF SON?!
3
00:00:09,610 --> 00:00:13,280
NOW YOUR NIGGER FRIEND DORNAN
JUST COST ME MY EYE!
4
00:00:33,070 --> 00:00:37,940
I’M 4 YEARS FIGHTIN’
ON THEM STINKIN’ ISLANDS,
5
00:00:37,980 --> 00:00:40,290
AND THIS McCREE’S AT HOME
6
00:00:40,310 --> 00:00:43,780
FAKIN’ HIS BACK PROBLEM
AND ADVANCIN’ HIS CAREER,
7
00:00:43,820 --> 00:00:47,290
AND THIS MICK BASTARD
IS GONNA FIRE ME?!
8
00:00:47,320 --> 00:00:48,780
GONNA CALL ME DRUNK?
9
00:00:48,820 --> 00:00:51,620
OR I NEGLECTED
A BLOCK OF MY METERS?
10
00:00:51,660 --> 00:00:56,230
I’M GONNA DRAW UP A LIST
OF GRIEVANCES ON HIM!
11
00:00:56,260 --> 00:00:58,790
[POURING A DRINK]
12
00:00:58,830 --> 00:01:00,330
[GLASS CLINKING]
13
00:01:04,100 --> 00:01:06,130
I GOT AN IDEA.
14
00:01:06,170 --> 00:01:11,240
LET ME GO READ
MY ROUTE NOW...
15
00:01:11,280 --> 00:01:13,690
LET HIM KNOW
THAT I MADE MY JOB.
16
00:01:13,710 --> 00:01:17,680
LET ME GO READ MY METERS
FOR MY BOSS.
17
00:01:27,730 --> 00:01:30,940
YOU WANT A FISH?
18
00:01:30,960 --> 00:01:33,900
I’LL BRING YOU BACK
A STUPID GOLDFISH.
19
00:01:46,710 --> 00:01:48,880
[DOOR CRASHING OPEN]
20
00:01:48,910 --> 00:01:51,280
OH, THESE BASTARD NIGGERS!
21
00:01:51,320 --> 00:01:52,520
THESE NIGGERS!
22
00:01:52,550 --> 00:01:54,480
THESE BASTARDS!
23
00:01:56,350 --> 00:01:58,890
[SOBBING] WHAT
DID HE THINK I MEANT?
24
00:01:58,920 --> 00:02:02,120
DID HE HAVE TO CLAW ME
WITH A HAMMER?
25
00:02:02,160 --> 00:02:04,130
I WAS TRYIN’ TO COME IN.
26
00:02:04,160 --> 00:02:07,130
I WAS TRYIN’
TO READ HIS METER.
27
00:02:07,170 --> 00:02:09,540
I DID NOT KICK IN
HIS DOOR.
28
00:02:09,570 --> 00:02:12,670
I DID NOT INTENTIONALLY
KICK HIS DOOR IN!
29
00:02:12,700 --> 00:02:15,200
NOW I’M GONNA
HAVE TO BE HOSPITALIZED,
30
00:02:15,240 --> 00:02:19,240
AND I’LL UNFAIRLY
NEVER GET MY JOB BACK.
31
00:02:19,280 --> 00:02:22,020
OHH...LOOK AT MY EYE.
32
00:02:22,050 --> 00:02:25,160
LOOK AT MY EYE!
33
00:02:25,180 --> 00:02:28,420
LOOK WHAT THEY DID
TO YOUR FATHER.
34
00:02:32,260 --> 00:02:34,030
[GASPING]
35
00:04:17,730 --> 00:04:18,790
MORNIN’, ANDY.
36
00:04:18,830 --> 00:04:21,200
THIS IS A STREET DEALER
NAMED BILLY WILLIS,
37
00:04:21,230 --> 00:04:24,700
THAT BAKER THAT
ACCIDENTALLY SHOT SZYMANSKI?
38
00:04:24,740 --> 00:04:27,010
BAKER PUT THIS DEALER
DOWN, TOO?
39
00:04:27,040 --> 00:04:28,270
[SIGHS]
40
00:04:28,310 --> 00:04:30,320
MAYBE IT WAS
JUST AN ACT OF GOD.
41
00:04:36,720 --> 00:04:38,120
MORNING.
42
00:04:38,150 --> 00:04:39,550
MORNING, DANNY.
Russell: MORNING.
43
00:04:39,580 --> 00:04:41,220
THIS GUY
THREW DOWN ON BAKER?
44
00:04:41,250 --> 00:04:43,890
YEAH, ALTHOUGH
WE HAVEN’T BEEN ABLE
TO RECOVER HIS GUN.
45
00:04:43,920 --> 00:04:46,520
NO WITNESSES YET
VERIFYING HE HAD ONE.
46
00:04:46,560 --> 00:04:48,690
TRY A CANVASS?
47
00:04:48,730 --> 00:04:49,970
YEAH, THAT
SHOULD BE PRODUCTIVE.
48
00:04:49,990 --> 00:04:52,190
YEAH, GOOD LUCK
ON THIS CORNER.
49
00:04:53,260 --> 00:04:55,660
YOU GOT THE HISTORY
ON BAKER.
50
00:04:57,600 --> 00:04:59,870
HEY, ANDY, THAT KID
ON THE CORNER
WITH THE KNIT CAP‐‐
51
00:04:59,900 --> 00:05:01,540
HE’S A C.I. OF MINE.
52
00:05:01,570 --> 00:05:04,710
IF HE’S HANGIN’ HERE,
HE’S GOT SOMETHIN’
FOR US.
53
00:05:04,740 --> 00:05:07,040
HOW YOU DOIN’,
BAKER?
54
00:05:07,080 --> 00:05:09,040
I DON’T KNOW
WHAT THE HELL’S
IN HIS MIND.
55
00:05:09,080 --> 00:05:10,380
4 TIMES I TELL HIM,
FREEZE, GET DOWN.
56
00:05:10,410 --> 00:05:12,850
TAKE IT EASY, KID.
57
00:05:12,880 --> 00:05:15,220
I WAS ON FOOT POST.
58
00:05:15,250 --> 00:05:18,320
GUN RUN COMES
ON THE RADIO.
2 GUYS WITH GUNS.
59
00:05:18,360 --> 00:05:20,430
COME AROUND THE CORNER,
THERE THEY ARE‐‐
60
00:05:20,460 --> 00:05:21,660
PERFECT FIT
FOR THE DESCRIPTION.
61
00:05:21,690 --> 00:05:23,420
DOPE SLINGERS.
62
00:05:23,460 --> 00:05:25,330
ONE GUY BOOGIES.
THIS ONE, I TELL HIM,
"FREEZE AND DROP."
63
00:05:25,360 --> 00:05:28,200
HE GOES FOR HIS GUN.
I DON’T KNOW
WHAT’S IN HIS MIND.
64
00:05:28,230 --> 00:05:29,260
ALL RIGHT.
65
00:05:29,300 --> 00:05:31,630
NOW THEY SAY THERE’S
NO GUN ON THE D. O. A.
66
00:05:35,440 --> 00:05:36,440
AHEM.
67
00:05:36,470 --> 00:05:37,440
J.B.
68
00:05:40,610 --> 00:05:42,580
LET’S GET YOU BACK
TO THE HOUSE, NEIL.
69
00:05:42,610 --> 00:05:46,080
YEAH, ALL RIGHT.
Y‐YOU MIND IF WE LOOK
AROUND HERE A LITTLE BIT?
70
00:05:46,120 --> 00:05:47,560
NO. SURE. THAT’S FINE.
71
00:05:52,120 --> 00:05:55,090
ALL RIGHT,
THE BOTH OF YOU,
STAND STILL.
72
00:05:55,130 --> 00:05:56,600
WHAT? FOR WHAT?
HEY. HEY, HEY.
73
00:05:56,630 --> 00:05:58,090
HEY! HEY!
74
00:05:58,130 --> 00:06:01,530
MUST BE SOME JONES
YOU GOT, TRYIN’ TO SCORE
WITH US IN THE STREET.
75
00:06:01,570 --> 00:06:03,470
HEY, I DIDN’T MEAN
TO BE DISRESPECTFUL,
SIR.
76
00:06:03,500 --> 00:06:04,700
DID I SEE YOU
WITH HIM LAST WEEK?
77
00:06:04,740 --> 00:06:05,710
WITH WHO?
78
00:06:05,740 --> 00:06:06,710
WHAT ARE YOU,
A SMART‐ASS?
79
00:06:06,740 --> 00:06:08,100
I SAW YOU WITH
THAT GUY LAST WEEK.
80
00:06:08,140 --> 00:06:10,910
I WASN’T WITH HIM.
I WAS IN PERTH AMBOY
AT MY COUSIN’S.
81
00:06:10,940 --> 00:06:13,370
YOU’RE A LYIN’ PIECE OF CRAP,
AND YOU’RE COMIN’
INTO THE HOUSE.
82
00:06:13,410 --> 00:06:16,440
LET ME SHOW UP
IN 20 MINUTES, BOSS.
I PROMISE I’LL SHOW UP.
83
00:06:16,480 --> 00:06:19,920
THIS IS A 30‐DAY
MONTH, SO I DON’T
THINK I CAN DO THAT.
84
00:06:19,950 --> 00:06:21,920
I SWEAR HE HAD
A GUN ON HIM.
85
00:06:21,950 --> 00:06:22,980
ALL RIGHT, NEIL.
86
00:06:23,020 --> 00:06:24,920
I’LL SWEAR THAT
IN FRONT OF I. A. B.
87
00:06:26,630 --> 00:06:28,600
LOOK FOR HIS PIECE,
WOULD YOU, MIKE?
88
00:06:28,630 --> 00:06:31,200
YEAH, WE’RE DEFINITELY
GONNA KEEP LOOKIN’.
89
00:06:46,980 --> 00:06:49,110
YOU’RE MAKIN’ A CAREER
GETTIN’ ME OUTTA JAMS.
90
00:06:50,720 --> 00:06:54,490
THE SECOND INSTANCE
IN 6 WEEKS
I’VE FIRED MY WEAPON.
91
00:06:54,520 --> 00:06:56,950
UNDER TOTALLY
DIFFERENT CIRCUMSTANCES,
CORRECT?
92
00:06:56,990 --> 00:06:58,420
TOTALLY.
THAT’S RIGHT.
93
00:06:58,460 --> 00:07:00,830
SO THEN FORGET
ABOUT 6 WEEKS AGO.
94
00:07:07,330 --> 00:07:09,970
AND THE OTHER
POTENTIAL JACKPOT HERE
95
00:07:10,000 --> 00:07:13,430
IS THE D. O. A.’s GUN
BEIN’ MISSIN’.
96
00:07:13,470 --> 00:07:15,670
NEIL, A SHOOTING
AT A KNOWN DRUG CORNER,
97
00:07:15,710 --> 00:07:17,650
SECOND PERP BOOGIES
WITH THE COP IN PURSUIT.
98
00:07:17,680 --> 00:07:20,790
WHEN I WORKED NARCOTICS,
THE SKELLS’D HANG
THEIR HEADS IN SHAME
99
00:07:20,810 --> 00:07:23,180
IF ONE OF ’EM DIDN’T GLOM
THE D. O. A.’s WEAPON.
100
00:07:23,210 --> 00:07:25,210
I’M ONLY SAYIN’
IT DON’T SMELL GOOD.
101
00:07:25,250 --> 00:07:29,650
THE BAD SMELL, NEIL, IS THE
COP‐FILLED‐WITH‐DOUBT AROMA
COMIN’ OFF OF YOU
102
00:07:29,690 --> 00:07:31,620
THAT PROBABLY YOU WANT
TO DO SOMETHIN’ ABOUT
103
00:07:31,660 --> 00:07:33,330
BEFORE YOUR RAT SQUAD
INTERVIEW...
104
00:07:33,360 --> 00:07:36,770
’CAUSE THAT’S THE WHIFF
WHETS THEM CHEESE‐EATERS’
APPETITES.
105
00:07:38,500 --> 00:07:39,770
ALL RIGHT.
106
00:07:41,370 --> 00:07:42,740
GOT A GOOD ACT,
OLD MAN.
107
00:07:42,770 --> 00:07:46,010
DANNY AND ME
WORKED THE SAME CORNER
SEVERAL YEARS.
108
00:07:46,040 --> 00:07:48,680
I GOT SOMETHIN’ FOR HIM
AS SOON AS I GET
SOME REASSURANCE
109
00:07:48,710 --> 00:07:50,680
ON A PREVIOUS COMMITMENT
HE MADE.
110
00:07:50,710 --> 00:07:53,410
YEAH. HE TENDS
TO BE GOOD
WITH THAT STUFF.
111
00:08:07,860 --> 00:08:09,490
I.A.B.’S HERE.
112
00:08:09,530 --> 00:08:11,700
AND YOU WANT
TO TALK TO ’EM,
RIGHT?
113
00:08:11,730 --> 00:08:12,890
ABSOLUTELY.
114
00:08:16,070 --> 00:08:17,710
READY TO GIVE
YOUR STATEMENT,
OFFICER?
115
00:08:17,740 --> 00:08:18,980
YES, I AM.
116
00:08:23,610 --> 00:08:24,910
COME ON.
117
00:08:31,550 --> 00:08:33,780
SOME HELL OF A THING
ON THIS SHOOTING.
118
00:08:33,820 --> 00:08:36,250
WHAT DO YOU GOT, J. B.?
WILLIS GOT SHOT, NO?
119
00:08:36,290 --> 00:08:38,800
YEAH.
DEALER NAMED WILLIS.
120
00:08:38,820 --> 00:08:42,560
COP TAKES HIM DOWN.
I GUESS YOU GUYS WANT
TO EXONERATE THAT BEHAVIOR.
121
00:08:42,590 --> 00:08:44,730
LET US KNOW
WHEN YOU’RE DONE
CLEARIN’ YOUR THROAT.
122
00:08:44,760 --> 00:08:47,360
I UNDERSTOOD FROM DANNY
I HAD A WHOLE CREDIT
BUILDUP
123
00:08:47,400 --> 00:08:51,600
LIKE SOME MUTUAL FUND
OFF PREVIOUS COOPERATION
I ALREADY GAVE?
124
00:08:51,640 --> 00:08:53,040
THE ZANCANELLIS.
125
00:08:53,070 --> 00:08:55,240
THIS IS JUST ADDIN’
TO THE WEALTH.
126
00:08:55,270 --> 00:08:57,240
NO, WHAT I WAS TOLD
BY DANNY,
127
00:08:57,280 --> 00:08:59,620
SOME MYSTERIOUS WAY,
THIS IS GONNA FURTHER
MY SINGING CAREER.
128
00:08:59,640 --> 00:09:02,110
YOU WANT JERK‐OFF PASSES
TO C. B. G. B.’s, J. B.,
129
00:09:02,150 --> 00:09:06,120
I’LL GET YOU THOSE
TONIGHT. I’M WORKIN’ ON
SOMETHIN’ SUBSTANTIAL.
130
00:09:06,150 --> 00:09:07,820
SINGS DOO‐WOP
LIKE DION‐‐J. B.
131
00:09:07,850 --> 00:09:09,920
DON’T GET EXTRAVAGANT.
132
00:09:09,950 --> 00:09:12,150
READY FOR WHAT
I OBSERVED?
133
00:09:14,760 --> 00:09:17,130
THE ONE COP SHOWED UP EARLY.
I GUESS HE WAS ON FOOT POST.
134
00:09:17,160 --> 00:09:19,460
SECTOR CAR’S ROLLIN’ UP
RIGHT AFTER.
135
00:09:19,500 --> 00:09:22,470
THAT I GOTTA FIGURE IS
SOME OF THESE YOUNG BLOODS
RUNNIN’ A GAME.
136
00:09:22,500 --> 00:09:25,500
THEY CALL 911, THESE KIDS,
REPORT DRUG ACTIVITY.
137
00:09:25,540 --> 00:09:27,980
SECTOR CARS ROLL UP,
DEALERS DROP THEIR STASHES,
138
00:09:28,010 --> 00:09:30,950
THESE KIDS COME
SWOOPIN’ UP THE DECKS.
139
00:09:30,980 --> 00:09:33,450
EXCEPT HOW LONG
YOU EXPECT TO LIVE
DOING THAT?
140
00:09:33,480 --> 00:09:36,020
THESE YOUNG BLOODS
SCOOPIN’ UP THE DECKS
OF DOPE
141
00:09:36,050 --> 00:09:39,120
THE DEALERS THROW DOWN
WHEN THE SECTOR CARS
CAME ROLLIN’ UP...
142
00:09:39,150 --> 00:09:42,250
YOU THINK THEY MIGHT’VE
SCOOPED UP WILLIS’ GUN
AT THE SAME TIME?
143
00:09:42,290 --> 00:09:44,000
IT’S A THEORY.
144
00:09:44,020 --> 00:09:47,120
A HUNDRED
IF YOU GOT A NAME
WHO GRABBED THE PIECE.
145
00:09:47,160 --> 00:09:49,930
IF I HAD A NAME,
I’D MAKE A PRICE FOR IT,
146
00:09:49,960 --> 00:09:52,130
AND WE’D DO BUSINESS,
OR WE WOULDN’T.
147
00:09:52,160 --> 00:09:53,800
EXCUSE ME
STUBBIN’ MY TOE
148
00:09:53,830 --> 00:09:56,700
ON YOUR HUGE
MORAL STANDARDS.
149
00:09:56,740 --> 00:09:58,010
COUPLE ELECTIONS,
150
00:09:58,040 --> 00:10:00,550
HE’LL PROBABLY BE
OUR REPRESENTATIVE
IN CONGRESS.
151
00:10:02,870 --> 00:10:05,610
YOU’RE NOT PLAYING ME OFF
ON THIS SINGING THING,
ARE YOU, DANNY?
152
00:10:05,640 --> 00:10:08,040
J.B., HOW ABOUT YOU
GETTIN’ SOME RECORDING
TIME IN A STUDIO
153
00:10:08,080 --> 00:10:10,510
THE FEDS
GOT INFILTRATED?
SERIOUS?
154
00:10:10,550 --> 00:10:12,180
I’M LOOKIN’
TO MAKE IT HAPPEN.
155
00:10:12,220 --> 00:10:14,390
I’LL GET THE GUY
WHO GRABBED THE PIECE UP
156
00:10:14,420 --> 00:10:16,720
AND ALL
HIS LIVING COUSINS.
157
00:10:19,720 --> 00:10:24,690
THE RADIO RUN GAVE
A DETAILED DESCRIPTION
OF 2 GUYS CARRYING GUNS.
158
00:10:24,730 --> 00:10:26,700
SO ON ARRIVAL
AT THE SCENE,
159
00:10:26,730 --> 00:10:29,360
I APPROACHED
2 MEN WHO FIT
THE DESCRIPTIONS.
160
00:10:29,400 --> 00:10:32,130
THIS JOB WAS ASSIGNED
TO A RADIO CAR.
161
00:10:32,170 --> 00:10:34,870
SHOULDN’T YOU HAVE WAITED
AND ACTED AS BACKUP?
162
00:10:34,910 --> 00:10:36,880
THEY SAW ME COMIN’
AROUND THE CORNER,
163
00:10:36,910 --> 00:10:38,640
WILLIS AND
THE OTHER DEALER.
164
00:10:38,680 --> 00:10:40,390
I DIDN’T WANT
TO LOSE THEM.
165
00:10:40,410 --> 00:10:43,140
DID YOU ACTUALLY
SEE WILLIS DEALING?
166
00:10:43,180 --> 00:10:45,580
I ASSUMED HE WAS...
BECAUSE WHEN
I WAS SPOTTED,
167
00:10:45,620 --> 00:10:47,930
HE DITCHED
A DECK OF HEROIN.
168
00:10:47,950 --> 00:10:49,420
WHICH YOU RECOVERED?
169
00:10:50,620 --> 00:10:52,890
IT MUST’VE GOTTEN
STOLEN WITH THE GUN.
170
00:10:58,130 --> 00:10:59,160
YOU APPROACH...
171
00:10:59,200 --> 00:11:01,740
YOUR WEAPON DRAWN
AT THIS POINT?
172
00:11:01,770 --> 00:11:03,780
IT WAS A GUN RUN,
SO, YEAH,
173
00:11:03,800 --> 00:11:05,400
IT WAS AT MY SIDE.
174
00:11:05,440 --> 00:11:08,610
I APPROACH WILLIS.
I SAID, "FREEZE."
175
00:11:08,640 --> 00:11:11,410
HIS RUNNING BUDDY
IMMEDIATELY BOOGIED,
176
00:11:11,440 --> 00:11:14,580
SO I STAYED ON WILLIS
AND TOLD HIM "FREEZE" AGAIN...
177
00:11:14,610 --> 00:11:15,610
MORE DIRECTLY.
178
00:11:15,650 --> 00:11:17,460
HE STARTED
BACKIN’ AWAY...
179
00:11:17,480 --> 00:11:19,280
REACHIN’
INTO HIS JACKET,
180
00:11:19,320 --> 00:11:20,930
HIS BACK WAISTBAND.
181
00:11:20,950 --> 00:11:22,620
AT THIS POINT,
182
00:11:22,650 --> 00:11:24,190
I’M AIMIN’ AT HIM.
183
00:11:24,220 --> 00:11:27,620
AGAIN I TELL HIM,
"FREEZE AND GET DOWN."
184
00:11:27,660 --> 00:11:29,190
BUT HE KEEPS MOVIN’.
185
00:11:29,230 --> 00:11:31,870
HE STARTS
PULLIN’ HIS HAND
OUT OF HIS JACKET.
186
00:11:31,900 --> 00:11:33,570
I TELL HIM FREEZE
AGAIN.
187
00:11:33,600 --> 00:11:36,430
"FREEZE.
DON’T MOVE YOUR HAND.
188
00:11:36,470 --> 00:11:38,280
GET ON THE GROUND."
189
00:11:38,300 --> 00:11:40,100
AND HE STARTS
JERKING HIS ELBOW OUT
190
00:11:40,140 --> 00:11:42,740
LIKE HE’S TRYIN’
TO DRAW HIS GUN.
191
00:11:45,580 --> 00:11:48,250
AT THAT POINT,
I OPENED FIRE.
192
00:11:50,780 --> 00:11:52,280
TAKE A MOMENT.
193
00:11:55,990 --> 00:11:58,340
SO AFTER I FIRED...
TWICE...
194
00:11:58,360 --> 00:12:01,500
I APPROACHED WILLIS,
WHO WAS ON THE GROUND...
195
00:12:01,530 --> 00:12:04,000
AND CHECKED
FOR HIS PULSE...
196
00:12:06,510 --> 00:12:08,940
WHICH HE DIDN’T
HAVE ONE.
197
00:12:08,980 --> 00:12:11,150
AND THEN I WENT
AFTER WILLIS’
RUNNING BUDDY,
198
00:12:11,180 --> 00:12:13,220
THINKIN’ HE WAS
ARMED AS WELL.
199
00:12:14,990 --> 00:12:19,330
DID WILLIS EVER GET
THE GUN PAST HIS JACKET
TO AIM IT AT YOU?
200
00:12:21,360 --> 00:12:25,830
DID YOU EVER
ACTUALLY SEE THE GUN
OR JUST WILLIS’ HAND?
201
00:12:25,860 --> 00:12:27,860
I SAW HIS HAND
ON A GUN...
202
00:12:27,900 --> 00:12:29,800
ATTEMPTING
TO DRAW IT.
203
00:12:29,840 --> 00:12:31,810
AUTOMATIC OR REVOLVER?
204
00:12:33,910 --> 00:12:35,850
I ONLY SAW THE BUTT.
205
00:12:35,870 --> 00:12:37,340
IN YOUR OWN MIND...
206
00:12:37,380 --> 00:12:41,820
WAS THERE ANY COURSE
OF ACTION YOU COULD’VE
TAKEN BESIDES SHOOTING?
207
00:12:44,250 --> 00:12:46,450
NO.
208
00:12:46,490 --> 00:12:47,930
I DON’T THINK SO.
209
00:12:53,690 --> 00:12:56,860
WHEN THE COLLARS
FROM THE DRUG SWEEP
ARE BROUGHT IN,
210
00:12:56,900 --> 00:12:59,410
I’LL BE CONDUCTING
INTERVIEWS PARALLEL
WITH THE SQUAD.
211
00:12:59,430 --> 00:13:01,900
MEANTIME, YOU’RE
OFF THE STREETS,
212
00:13:01,930 --> 00:13:04,400
ASSIGNED
TO THE STATION HOUSE.
213
00:13:04,440 --> 00:13:07,580
CONSIDER
THE INVESTIGATION
ONGOING.
214
00:13:19,050 --> 00:13:20,850
YOU WERE WATCHIN’.
215
00:13:20,890 --> 00:13:22,930
YEAH, I WAS WATCHIN’.
216
00:13:22,950 --> 00:13:24,750
HOW DO YOU THINK
IT WENT?
217
00:13:24,790 --> 00:13:26,990
NEIL, DID YOU DO WRONG
ON THE STREET THIS MORNIN’?
218
00:13:27,030 --> 00:13:28,230
NO.
219
00:13:28,260 --> 00:13:30,090
THEN WHY IN THE HELL
220
00:13:30,130 --> 00:13:33,830
DID YOU LET ANY DOUBT
ABOUT THAT IN THE ROOM
WITH I. A. B.?
221
00:13:33,870 --> 00:13:36,340
I SAW HIS EYES
GO TO GLASS‐‐WILLIS.
222
00:13:36,370 --> 00:13:39,880
I SAW HIS POSTURE,
HOW HE REACHED
IN HIS JACKET.
223
00:13:39,910 --> 00:13:43,450
IT ALL SAID GUN.
224
00:13:43,480 --> 00:13:48,250
BUT I NEVER SAW
THE GUN ENTIRELY.
225
00:13:48,280 --> 00:13:50,250
AND I COULDN’T TELL YOU
WITH A PURE HEART
226
00:13:50,280 --> 00:13:52,110
WHETHER HE EVER
HAD ONE OR NOT.
227
00:13:52,150 --> 00:13:54,780
NEIL, MY PARTNER AND ME,
WE GOT GOOD LEADS
IN THIS CASE.
228
00:13:54,820 --> 00:13:57,850
WE THINK WE GOT
A WAY TO WILLIS’ GUN
AND WILLIS’ RUNNING BUDDY.
229
00:13:57,890 --> 00:14:00,820
YOU JUST SIT TIGHT
TILL WE COME IN WITH ’EM.
230
00:14:24,820 --> 00:14:25,820
HIYA.
231
00:14:29,190 --> 00:14:31,160
HOW’S IT GOIN’, VINCE?
WHAT ARE YOU DOIN’ HERE?
232
00:14:31,190 --> 00:14:34,490
I’D LIKE YOU TO OPEN UP
A CASE FOR ME, ANDY.
MAJOR PAIN IN THE BALLS.
233
00:14:34,530 --> 00:14:35,970
I’M WORKIN’
A COP‐SHOT‐A‐GUY.
234
00:14:35,990 --> 00:14:37,960
ANDY, I’M UP TO MY NECK
IN HOT WATER.
235
00:14:38,000 --> 00:14:40,740
I’M IN A BIG POT,
AND THEY’RE GETTIN’ READY
TO BOIL AND EAT ME.
236
00:14:40,770 --> 00:14:42,170
[SIGHS]
237
00:14:44,300 --> 00:14:46,130
RUSSELL’S UP.
TALK TO HER.
238
00:14:46,170 --> 00:14:48,470
I’D‐‐I’D PREFER
MARTINEZ OR MEDAVOY.
239
00:14:48,510 --> 00:14:52,450
RUSSELL’S UP.
HEY, YOU REMEMBER
VINCE GOTELLI?
240
00:14:53,850 --> 00:14:55,490
HOW’S IT GOIN’,
VINCE?
241
00:14:55,510 --> 00:14:57,480
HE’S ABOUT TO BE
BOILED AND EATEN.
242
00:14:57,520 --> 00:15:00,130
WHY DON’T YOU TAKE HIM
INSIDE THERE, GET HIM
A CUP OF COFFEE?
243
00:15:01,050 --> 00:15:03,020
YOU KNOW MY PARTNER
JILL KIRKENDALL.
244
00:15:03,050 --> 00:15:04,090
YEAH.
245
00:15:04,120 --> 00:15:05,320
HEY, VINCE.
HOW’S IT GOIN’?
246
00:15:05,360 --> 00:15:06,500
NOT SO HOT.
247
00:15:09,860 --> 00:15:13,030
UNOFFICIALLY,
I UNDERSTOOD THAT YOU
AND SIMONE WERE MARRIED.
248
00:15:13,060 --> 00:15:15,000
UH...
249
00:15:15,030 --> 00:15:15,960
THAT’S RIGHT.
250
00:15:16,000 --> 00:15:18,200
IN ANY REGARD,
MY CONDOLENCES.
251
00:15:18,240 --> 00:15:19,610
THANKS.
252
00:15:19,640 --> 00:15:22,540
I, UH, HOPE
THE UNION WAS HELPFUL
AFTER HE PASSED.
253
00:15:22,570 --> 00:15:23,870
YEAH, THEY WERE.
254
00:15:23,910 --> 00:15:25,840
YOU KNOW,
I WAS FORMERLY
A DELEGATE.
255
00:15:25,880 --> 00:15:29,620
WHAT DID YOU WANT
TO SEE US ABOUT, VINCE?
256
00:15:29,650 --> 00:15:31,650
WELL...AS YOU KNOW,
257
00:15:31,680 --> 00:15:34,820
I’M AN INDEPENDENT
INSURANCE ADJUSTER,
258
00:15:34,850 --> 00:15:37,850
AND ONE OF MY CONTRACTS
IS WITH VIGILANCE LIFE.
259
00:15:37,890 --> 00:15:40,560
THEY IN TURN INSURE
ROMA AUTO LEASING,
260
00:15:40,590 --> 00:15:44,790
WHICH HAS A TOYOTA CAMRY
ON A 12‐MONTH LEASE
TO A MOBBED‐UP MORON
261
00:15:44,830 --> 00:15:48,400
KEEPS REPEATEDLY
GETTING THE CRAP
BEAT OUT OF THE VEHICLE.
262
00:15:48,430 --> 00:15:51,370
CRAP BEAT OUT,
LIKE, UH...SLASHED TIRES?
263
00:15:51,400 --> 00:15:54,700
WELL, SOUP‐TO‐NUTS
IS WHAT HAPPENS
TO THAT CAR.
264
00:15:54,740 --> 00:15:56,200
YOU KNOW?
BUSTED WINDSHIELD,
265
00:15:56,240 --> 00:15:58,340
UH, SLASHED UPHOLSTERY.
266
00:15:58,380 --> 00:16:02,350
WE’RE TALKIN’,
UH, 3 VANDALISMS
IN THE LAST 3 MONTHS.
267
00:16:02,380 --> 00:16:05,150
HUH? AND THEN AGAIN
2 NIGHTS AGO.
268
00:16:05,180 --> 00:16:07,020
THE MOBBED‐UP GUY
COOPERATING WITH YOU?
269
00:16:07,050 --> 00:16:09,220
YEAH, HE COOPERATES
ASKIN’ TO GET
HIS CAR REPAIRED.
270
00:16:09,250 --> 00:16:12,220
WHAT HE DON’T COOPERATE
WITH IS WHO’S WORKIN’
OUT ON THE CAMRY
271
00:16:12,260 --> 00:16:13,570
WITH THE
LOUISVILLE SLUGGER.
272
00:16:13,590 --> 00:16:15,920
YOU THINK HIS CAR TROUBLES
ARE WORK‐RELATED?
273
00:16:15,960 --> 00:16:18,690
WORK‐RELATED
CAR PROBLEMS
IN HIS CHOSEN FIELD
274
00:16:18,730 --> 00:16:20,730
USUALLY INVOLVES
AN EXPLOSION.
275
00:16:20,770 --> 00:16:22,740
I THINK IT’S THE
DOWNSTAIRS NEIGHBOR.
276
00:16:22,770 --> 00:16:24,400
THEY’VE GOT
SOME ONGOING DISPUTE
277
00:16:24,440 --> 00:16:26,380
OVER WHO DRIES
THEIR LAUNDRY WHEN.
278
00:16:26,410 --> 00:16:28,710
WHAT DO YOU WANT US
TO DO, VINCE?
279
00:16:28,740 --> 00:16:32,370
WELL...MAYBE TRY TO GET
THE MOBBED‐UP GUY
TO FILE A COMPLAINT,
280
00:16:32,410 --> 00:16:35,410
GET THE WHEELS
OF JUSTICE TURNING.
281
00:16:35,450 --> 00:16:36,920
OK.
282
00:16:40,620 --> 00:16:41,920
ALL RIGHT.
283
00:16:41,950 --> 00:16:44,420
THE MOBBED‐UP GUY’S
MESSINA.
284
00:16:44,460 --> 00:16:46,600
DOWNSTAIRS NEIGHBOR’S
GROTOWSKI.
285
00:16:46,630 --> 00:16:48,600
MAYBE YOU COULD BRING
THE BOTH OF THEM IN.
286
00:16:48,630 --> 00:16:51,600
OTHERWISE,
I’M GONNA LOSE
THAT VIGILANCE ACCOUNT.
287
00:16:57,470 --> 00:17:00,940
I WANT BAKER RIGHT
ON THE D. O. A.
HAVIN’ A PIECE,
288
00:17:00,970 --> 00:17:02,940
BUT SOMETHING’S
HANGIN’ OVER HIM.
289
00:17:02,970 --> 00:17:06,170
NOT EVERYBODY’S
SUPPOSED TO BE A COP.
290
00:17:10,780 --> 00:17:12,920
[CLEARS THROAT]
291
00:17:16,020 --> 00:17:17,990
WHAT ARE YOU DOIN’?
292
00:17:19,660 --> 00:17:21,320
WORKING AT MY DESK.
293
00:17:25,460 --> 00:17:27,100
AND FILING.
294
00:17:35,270 --> 00:17:40,240
I, UH, I’VE BEEN
HAVIN’ A DREAM
COMIN’ UP ON ME.
295
00:17:40,280 --> 00:17:41,840
HOW DO YOU MAKE OUT?
296
00:17:41,880 --> 00:17:44,450
NOT THAT TYPE.
297
00:17:44,480 --> 00:17:47,180
IT’S OFF
ALL THAT MESS
WITH DORNAN.
298
00:17:48,990 --> 00:17:52,530
IN THE DREAM,
DORNAN PUTS
MY OLD MAN’S EYE OUT.
299
00:17:52,560 --> 00:17:55,990
MY OLD MAN LOST HIS EYE
WHEN I WAS A KID.
300
00:17:56,030 --> 00:17:58,000
HE READ METERS
FOR THE GAS COMPANY,
301
00:17:58,030 --> 00:18:01,160
AND ONE OF ’EM
PUT HIS EYE OUT
IN A PROJECT
302
00:18:01,200 --> 00:18:02,470
WITH A CLAW HAMMER.
303
00:18:02,500 --> 00:18:03,770
A BLACK GUY.
304
00:18:03,800 --> 00:18:05,770
HEY...
305
00:18:05,800 --> 00:18:09,070
YOU DO THIS.
YOU DON’T USE
THAT LANGUAGE.
306
00:18:12,140 --> 00:18:13,310
[SIGHS]
307
00:18:13,340 --> 00:18:15,310
ANYWAYS, DORNAN PUT
YOUR DAD’S EYE OUT.
308
00:18:15,350 --> 00:18:18,520
WHAT I DON’T GET, DORNAN
DON’T SEEM THE TYPE.
309
00:18:18,550 --> 00:18:20,350
HE SEEMS
LIKE A RIGHT GUY.
310
00:18:20,390 --> 00:18:22,460
HE DOES SEEM
LIKE A RIGHT GUY.
311
00:18:22,490 --> 00:18:24,650
HOW’S HE ACCOUNT FOR IT
IN THE DREAM?
312
00:18:24,690 --> 00:18:26,560
HE DON’T SAY ANYTHING.
HE’S NOT IN IT.
313
00:18:26,590 --> 00:18:30,330
MY POP JUST SAYS,
"YOUR BUDDY DORNAN
DID THIS."
314
00:18:30,360 --> 00:18:31,860
[TELEPHONE RINGS]
315
00:18:35,370 --> 00:18:37,610
15th SQUAD.
316
00:18:39,840 --> 00:18:41,170
WHAT’S HE WEARIN’?
317
00:18:45,380 --> 00:18:47,890
YOU’RE THE MAN, J. B.
318
00:18:47,910 --> 00:18:48,880
PURCELL WATKINS.
319
00:18:48,910 --> 00:18:50,880
IS WHO?
320
00:18:50,920 --> 00:18:52,690
HE DROPPED THE DIME TO 911
TO GET THE SECTOR CARS ROLLING.
321
00:18:52,720 --> 00:18:56,150
HE’S AT THAT
HALF‐ASSED VIDEO ARCADE
ON FOURTH STREET.
322
00:18:56,190 --> 00:19:00,400
TRY TO GET
THEM 911 TAPES
FROM COMMUNICATIONS.
323
00:19:00,430 --> 00:19:03,370
HEY. RESUME
YOUR POSITION.
324
00:19:22,550 --> 00:19:25,280
IF YOU’RE BUSY,
THIS IS AN ABSOLUTELY
UNNECESSARY COMMUNICATION,
325
00:19:25,320 --> 00:19:28,630
BUT...I DID WANT TO GIVE YOU
SORT OF A STATUS REPORT,
326
00:19:28,650 --> 00:19:32,220
WHICH IS JUST TO SAY
HOW HAPPY I AM TO BE
WORKING IN THE SQUAD
327
00:19:32,260 --> 00:19:33,770
AND THE SENSE I HAVE,
328
00:19:33,790 --> 00:19:35,090
WITHOUT BEING
A POLLYANNA,
329
00:19:35,130 --> 00:19:36,970
THAT I HOPE
I’M FITTING IN.
330
00:19:39,300 --> 00:19:41,370
JUST AS AN EXAMPLE,
331
00:19:41,400 --> 00:19:43,870
A LITTLE EARLIER,
I SENSED THAT
DETECTIVE SIPOWICZ
332
00:19:43,900 --> 00:19:46,030
WANTED TO HAVE
A PRIVATE MOMENT
WITH DETECTIVE SORENSON,
333
00:19:46,070 --> 00:19:47,700
AND INSTEAD OF
ITS BEING AWKWARD,
334
00:19:47,740 --> 00:19:50,940
I THINK I WAS ABLE TO MAKE
A LITTLE JOKE ABOUT IT
335
00:19:50,980 --> 00:19:53,120
AND GIVE THEM
THEIR SPACE, AND...
336
00:19:53,140 --> 00:19:55,040
I HAD THE FEELING
AFTERWARD,
337
00:19:55,080 --> 00:19:57,050
A‐AS THEY LEFT
TO PICK UP A SUSPECT,
338
00:19:57,080 --> 00:20:00,720
THAT DETECTIVE SIPOWICZ MADE
A LITTLE TEASING REMARK,
339
00:20:00,750 --> 00:20:03,990
WHICH I THINK WAS
ACTUALLY AN ACKNOWLEDGMENT
OF SOME SORT
340
00:20:04,020 --> 00:20:06,420
OF THE EFFORT
I’D MADE BEFORE.
341
00:20:23,340 --> 00:20:25,610
SIT DOWN.
342
00:20:27,010 --> 00:20:29,580
SORRY WE DON’T GOT NONE
OF THOSE STUPID EARPHONES
343
00:20:29,620 --> 00:20:31,590
FOR YOU TO LISTEN
TO THIS WITH.
344
00:20:31,620 --> 00:20:33,430
Purcell on tape: THEY’RE
DEALIN’ DRUGS OUT THERE
ON THAT CORNER.
345
00:20:33,450 --> 00:20:35,750
ONE’S IN A GREEN HAT
AND A BLUE JACKET.
346
00:20:35,790 --> 00:20:37,430
HIS GUN’S IN THE BACK,
IN HIS PANTS.
347
00:20:37,460 --> 00:20:39,260
WHO’S THAT
SUPPOSED TO BE?
348
00:20:39,290 --> 00:20:41,860
THAT’S YOU, PURCELL,
LOOKIN’ TO GET THE COPS
ROLLIN’ UP ON THE CORNER
349
00:20:41,890 --> 00:20:44,590
SO BILLY WILLIS
WILL DROP HIS DOPE
AND YOU CAN PICK IT UP.
350
00:20:44,630 --> 00:20:47,100
EXCEPT HOW IT WENT DOWN
ON THIS PARTICULAR
OCCASION,
351
00:20:47,130 --> 00:20:50,530
BILLY GOT SHOT,
AND YOU’RE LOOKING
AT ACCESSORY TO MURDER.
352
00:20:50,570 --> 00:20:51,930
THAT AIN’T MY VOICE.
353
00:20:51,970 --> 00:20:53,440
THAT IS YOUR VOICE,
354
00:20:53,470 --> 00:20:57,110
IDENTIFIED BY 3 SEPARATE
FORENSIC LABORATORIES.
355
00:20:57,140 --> 00:21:00,210
AND HOW YOU GO FROM
ACCESSORY TO MURDER
356
00:21:00,250 --> 00:21:01,890
TO JUST
A BYSTANDING SCAMMER
357
00:21:01,910 --> 00:21:03,550
IS GIVIN’ UP
THE STRAIGHT STORY
358
00:21:03,580 --> 00:21:06,820
ON HOW THAT SHOOTING
WENT DOWN.
359
00:21:10,820 --> 00:21:13,290
HERE I GO. A MINUTE
AFTER THAT PHONE CALL,
360
00:21:13,320 --> 00:21:16,460
A COP WALKED UP ON BILLY,
WHICH I’M, LIKE,
361
00:21:16,500 --> 00:21:18,240
"DAMN, THAT’S SOME FAST
POLICE RESPONSE."
362
00:21:18,260 --> 00:21:21,460
COP’S LIKE, "FREEZE.
HANDS WHERE I CAN SEE ’EM.
FREEZE. FREEZE."
363
00:21:21,500 --> 00:21:23,830
BUT BILLY KEEP BACKIN’ AWAY
AND PUT HIS HAND
IN HIS JACKET.
364
00:21:23,870 --> 00:21:25,630
WHO GRABBED UP
WILLIS’ GUN
365
00:21:25,670 --> 00:21:27,370
AFTER THE COP
PUT WILLIS DOWN?
366
00:21:27,410 --> 00:21:29,850
HOW AM I GONNA DO THAT
AND KEEP MY SELF‐RESPECT?
367
00:21:29,880 --> 00:21:32,320
HOW MUCH SELF‐RESPECT
YOU GONNA HAVE IN THE JOINT
368
00:21:32,340 --> 00:21:34,310
AFTER THEY BUST YOU
WIDE OPEN
369
00:21:34,350 --> 00:21:37,520
AND YOU’RE WEARING DIAPERS
FOR UNDERGARMENTS?
370
00:21:41,520 --> 00:21:43,990
AFTER THE COP PUT BILLY DOWN
AND WENT AFTER BILLY’S BUDDY,
371
00:21:44,020 --> 00:21:46,920
JEROME BANKS WENT
THROUGH BILLY’S POCKET.
HE’S WHO GOT THE GUN.
372
00:21:46,960 --> 00:21:48,820
JEROME BANKS.
373
00:21:48,860 --> 00:21:51,360
HE STASHED IT WHERE
HIS GIRLFRIEND’S AT.
374
00:21:51,400 --> 00:21:53,070
APARTMENT 3‐B.
375
00:21:53,100 --> 00:21:54,560
I DON’T KNOW
THE STREET NUMBER,
376
00:21:54,600 --> 00:21:56,100
BUT I’LL TAKE YOU
TO THE BUILDING.
377
00:21:56,130 --> 00:21:57,070
LET’S DO IT.
378
00:21:57,100 --> 00:21:59,100
WE WAS JUST LOOKIN’
FOR FREE DOPE.
379
00:21:59,140 --> 00:22:00,710
THAT COP WALKED UP.
380
00:22:00,740 --> 00:22:03,670
I WAS BEGGIN’ BILLY
IN MY HEAD, "PLEASE,
JUST DO WHAT THE COP SAY."
381
00:22:03,710 --> 00:22:04,910
BUT HE WON’T DO IT.
382
00:22:06,040 --> 00:22:08,340
THEN BAM.
383
00:22:08,380 --> 00:22:09,340
GAME OVER.
384
00:22:09,380 --> 00:22:12,050
YEAH. GAME OVER
FOR BILLY.
385
00:22:40,750 --> 00:22:42,960
I WANT TO TALK TO
RUSSELL KIRKENDALL.
386
00:22:42,980 --> 00:22:44,750
EXCUSE ME?
387
00:22:44,780 --> 00:22:46,210
I’M ANTHONY MESSINA.
388
00:22:46,250 --> 00:22:50,790
MY INSURANCE AGENT
TURNED OVER MY FILE
TO RUSSELL KIRKENDALL.
389
00:22:50,820 --> 00:22:54,920
I’M HERE CLEARING THE AIR
BEFORE THIS DETERIORATES
ANY FURTHER DIRECTIONS.
390
00:22:54,960 --> 00:22:57,330
IS VINCE GOTELLI
YOUR INSURANCE AGENT?
391
00:22:57,360 --> 00:22:58,390
YEAH, CORRECT.
392
00:22:58,430 --> 00:22:59,400
I’M DIANE RUSSELL.
393
00:22:59,430 --> 00:23:01,130
THIS IS MY PARTNER
JILL KIRKENDALL.
394
00:23:01,170 --> 00:23:02,140
HI.
395
00:23:02,170 --> 00:23:03,240
ANTHONY MESSINA.
396
00:23:03,270 --> 00:23:04,800
MY IMPRESSIONS
WITH THIS GOTELLI GUY‐‐
397
00:23:04,840 --> 00:23:07,580
PAR FOR THE COURSE,
SCREWING UP YOUR NAMES.
398
00:23:07,610 --> 00:23:08,810
WHERE WE GONNA TALK?
399
00:23:08,840 --> 00:23:10,010
YOU WANT TO TALK HERE?
400
00:23:10,040 --> 00:23:13,840
I’LL TALK WHEREVER
YOU WANT TO TALK.
401
00:23:13,880 --> 00:23:15,440
MY STORY AIN’T CHANGING.
402
00:23:18,450 --> 00:23:20,520
EVERYBODY READY?
403
00:23:20,550 --> 00:23:23,020
GO AHEAD.
404
00:23:23,050 --> 00:23:26,120
NONE OF THIS
IS GONNA WORK‐‐
405
00:23:26,160 --> 00:23:28,130
HOWEVER I’M BEIN’
SET UP.
406
00:23:28,160 --> 00:23:31,830
THEY CAN MOVE IN
5 MORE FBI POLACKS
OR IRS POLACKS,
407
00:23:31,860 --> 00:23:35,430
OR WHATEVER THE HELL AGENCY
THEY GOT TO WORK ON IT,
408
00:23:35,470 --> 00:23:37,880
TO BEAT ON MY WINDSHIELD
FOR 10 MORE YEARS‐‐
409
00:23:37,900 --> 00:23:40,440
ALL I’M GONNA DO IS KEEP
FILING INSURANCE CLAIMS.
410
00:23:40,470 --> 00:23:42,370
I AM NOT GETTING PROVOKED.
411
00:23:42,410 --> 00:23:45,770
I’M MAKING NO MISTAKE
THAT GETS MY PAROLE REVOKED.
412
00:23:45,810 --> 00:23:47,940
I AM NOT
GONNA GET LOCKED UP,
413
00:23:47,980 --> 00:23:50,850
AND I AM NOT PUTTING MYSELF
IN A POSITION TO FLIP
ON RONNIE PERSICO,
414
00:23:50,880 --> 00:23:54,180
BECAUSE I AM NOT AN IDIOT,
ALL RIGHT?
415
00:23:54,220 --> 00:23:55,480
DO YOU WANT SOME WATER?
416
00:23:55,520 --> 00:23:56,850
AND YOU CAN JUST TELL THEM
417
00:23:56,890 --> 00:23:58,620
THAT THEY CAN KEEP
WASTING THEIR FILM
IN THAT SURVEILLANCE CAMERA
418
00:23:58,660 --> 00:24:00,630
THAT THEY PUT
IN THAT FALSE TRANSFORMER
419
00:24:00,660 --> 00:24:04,190
ON THE ELECTRICAL POLE
THAT THEY PUT UP IN
MY BACKYARD LAST YEAR.
420
00:24:04,230 --> 00:24:07,300
ANTHONY MESSINA
AIN’T MAKIN’ A MISTAKE.
421
00:24:07,330 --> 00:24:10,030
ARE YOU SURE THAT’S
NOT A REAL TRANSFORMER,
ANTHONY?
422
00:24:10,070 --> 00:24:12,540
DO I LOOK I COULD
SHIMMY UP THE POLE
AND CHECK FOR MYSELF?
423
00:24:12,570 --> 00:24:14,500
I WANT NO FURTHER
CONTACT ON THIS!
424
00:24:14,540 --> 00:24:16,170
COULD I FLOAT AN IDEA
WITH YOU, ANTHONY?
425
00:24:16,210 --> 00:24:17,880
THEN I’M
GONNA LEAVE.
426
00:24:17,910 --> 00:24:19,980
IF YOUR DOWNSTAIRS NEIGHBOR
IS WORKING FOR THE FBI,
427
00:24:20,010 --> 00:24:23,310
OR IF HE’S JUST PISSED OFF
’CAUSE YOUR LAUNDRY’S
DRIPPING ON HIS‐‐
428
00:24:23,350 --> 00:24:25,810
YEAH, YEAH, YEAH, THAT
COCK‐AND‐BULL STORY.
429
00:24:25,850 --> 00:24:28,020
KNOWING THAT IT’S HIM
VANDALIZING YOUR CAR,
430
00:24:28,050 --> 00:24:30,650
AS OPPOSED TO DOING SOMETHING
THAT’LL GET YOU LOCKED UP,
431
00:24:30,690 --> 00:24:32,990
WHY NOT FILE
A CRIMINAL COMPLAINT?
432
00:24:33,020 --> 00:24:34,490
HEY, EVERYBODY’S
GOTTA WORK
433
00:24:34,530 --> 00:24:37,170
THEIR OWN SIDE
OF THE STREET.
434
00:24:37,200 --> 00:24:39,170
IF HE WAS BEATING UP
YOUR WINDSHIELD,
435
00:24:39,200 --> 00:24:42,070
WOULD YOU HIRE ME
TO SHOOT HIM
IN THE HEAD?
436
00:24:49,070 --> 00:24:51,010
PURCELL GOT THIS
TO ANSWER FOR.
437
00:24:51,040 --> 00:24:52,440
YEAH, YOU GUYS CAN
EXCHANGE HATE MAIL
438
00:24:52,480 --> 00:24:53,580
FROM YOUR
VARIOUS JAILS.
439
00:24:53,610 --> 00:24:55,440
I’M SAYING
HE RATTED ME OUT,
440
00:24:55,480 --> 00:24:57,250
AND YOU STILL
LOCKED HIM UP.
441
00:24:57,280 --> 00:24:59,050
HOW AM I SUPPOSED
TO COOPERATE OFF THAT?
442
00:24:59,080 --> 00:25:00,350
HOW ’BOUT ’CAUSE
IF YOU DON’T,
443
00:25:00,390 --> 00:25:02,190
YOU’RE AN ACCESSORY
TO BILLY WILLIS’ DEATH?
444
00:25:02,220 --> 00:25:03,350
I DIDN’T KILL NOBODY.
445
00:25:03,390 --> 00:25:06,020
NO, YOU SEE,
IF YOU KILLED
SOMEBODY, JEROME,
446
00:25:06,060 --> 00:25:07,530
THAT WOULD MAKE YOU
A MURDERER.
447
00:25:07,560 --> 00:25:09,390
WHAT MAKES YOU
AN ACCESSORY
448
00:25:09,430 --> 00:25:11,390
IS GLOMMING UP
BILLY WILLIS’ PIECE
449
00:25:11,430 --> 00:25:13,460
AFTER THAT COP
HAD TO SHOOT HIM.
450
00:25:13,500 --> 00:25:15,530
HOW YOU COME TO ME
BEING ACCESSORY
451
00:25:15,570 --> 00:25:17,480
OFF NOT FINDING NO PIECE
IN CLARICE’S APARTMENT,
452
00:25:17,500 --> 00:25:19,070
EVEN THOUGH
YOU TEAR IT APART?
453
00:25:19,100 --> 00:25:20,700
’CAUSE WE GOT
NUMEROUS EYEWITNESSES
454
00:25:20,740 --> 00:25:23,470
TO YOU GRABBING UP
BILLY WILLIS’ GUN
ON THAT STREET
455
00:25:23,510 --> 00:25:24,740
AFTER BILLY WILLIS
GOT SHOT.
456
00:25:24,780 --> 00:25:28,590
THAT’S PURCELL, TOO,
YOUR "NUMEROUS EYEWITNESSES."
457
00:25:28,610 --> 00:25:30,480
WHAT THE HELL ARE YOU
AND CLARICE DOING
458
00:25:30,520 --> 00:25:32,220
WITH A 14‐MONTH‐OLD
BABY, ANYWAYS?
459
00:25:32,250 --> 00:25:34,080
WHAT ARE YOU, A FAST 15?
460
00:25:34,120 --> 00:25:37,290
I’M 16, ON MY OWN,
AND A MAN SINCE I’M 12.
461
00:25:37,320 --> 00:25:38,290
MAN HAVE CHILDREN.
462
00:25:38,320 --> 00:25:39,960
MAN GO TO JAIL,
ALSO, JEROME,
463
00:25:39,990 --> 00:25:42,390
UNLESS HE HELPS US
WITH THAT PIECE
HE GRABBED UP
464
00:25:42,430 --> 00:25:44,960
AND MAYBE ALSO KICKS IN
WHAT HE SAW GO DOWN
465
00:25:45,000 --> 00:25:47,810
AS FAR AS BILLY WILLIS
FORCING THAT COP’S HAND.
466
00:25:47,830 --> 00:25:50,430
OH, IS THAT
WHAT HAPPENED?
IS IT?
YOU TELL US.
467
00:25:50,470 --> 00:25:53,100
TELL YOU? WHY?
I DON’T HEAR NO ASSURANCES.
468
00:25:53,140 --> 00:25:56,970
RIGHT NOW THE
BIG ASSURANCE YOU GOT
IS IF YOU DON’T TELL US,
469
00:25:57,010 --> 00:26:00,110
YOUR NUTS ARE
GONNA LOOK LIKE
THAT SCAVENGER DOG
470
00:26:00,150 --> 00:26:02,520
AFTER HE GETS FLATTENED
IN THEM CARTOONS.
471
00:26:02,550 --> 00:26:03,980
JEROME, BILLY WILLIS’ PIECE
472
00:26:04,020 --> 00:26:06,320
AND WHAT HAPPENED
ON THE STREET, YOU SKATE.
473
00:26:10,790 --> 00:26:13,790
FAR AS BILLY WILLIS,
HE WAS ALL CRACKED UP.
474
00:26:13,830 --> 00:26:15,970
FACEDOWN POLICE,
YOU ASKING TO DIE.
475
00:26:15,990 --> 00:26:17,590
DID BILLY WILLIS
DRAW HIS GUN?
476
00:26:17,630 --> 00:26:19,630
HE WAS REACHING.
WHERE’S THAT GUN NOW?
477
00:26:22,130 --> 00:26:23,530
SEVENTH AND C.
478
00:26:23,570 --> 00:26:27,140
I GOT THIS OTHER GIRL...
CHANEL.
479
00:26:27,170 --> 00:26:28,540
WE GOT A BABY, TOO.
480
00:26:28,570 --> 00:26:31,770
GUN’S IN THE BABY’S CRIB
UNDERNEATH THE MATTRESS.
481
00:26:31,810 --> 00:26:34,010
WRITE CHANEL’S ADDRESS.
482
00:26:35,080 --> 00:26:36,550
15 YEARS OLD.
483
00:26:36,580 --> 00:26:39,280
GOT CHILDREN BY
2 DIFFERENT WOMEN.
484
00:26:39,320 --> 00:26:40,360
I’M 16.
485
00:26:40,390 --> 00:26:42,060
WILE E. COYOTE.
486
00:26:42,090 --> 00:26:43,460
WHAT?
487
00:26:43,490 --> 00:26:45,450
THE SCAVENGER DOG
IN THE CARTOON
488
00:26:45,490 --> 00:26:46,520
IS WILE E. COYOTE.
489
00:26:50,060 --> 00:26:51,290
YOU GOT A MINUTE?
490
00:26:51,330 --> 00:26:53,060
YEAH, SURE.
491
00:26:53,100 --> 00:26:55,030
I KNOW HER ADDRESS
AND APARTMENT NUMBER
492
00:26:55,070 --> 00:26:56,480
BECAUSE I
PAY THE RENT.
493
00:26:56,500 --> 00:26:58,630
YEAH, YOU’RE FATHER
OF THE YEAR.
494
00:26:58,670 --> 00:27:01,470
YOU GOT A C.I.
NAMED J. B. MURPHY?
495
00:27:01,510 --> 00:27:02,580
WHAT DID HE DO?
496
00:27:02,610 --> 00:27:04,310
HE TRANSACTED
IN PLAIN SIGHT.
497
00:27:04,340 --> 00:27:06,640
COLLARED HIM IN THIS DEAL
WITH SHAWN JACKSON.
498
00:27:06,680 --> 00:27:08,640
THIS J. B. KEEPS PISSING
AND MOANING,
499
00:27:08,680 --> 00:27:10,650
"TALK TO DANNY SORENSON,
TALK TO DANNY SORENSON."
500
00:27:10,680 --> 00:27:11,980
OUT LOUD?
501
00:27:12,020 --> 00:27:14,160
OUT LOUD TILL I
NEARLY GAVE HIM A SMACK
TO SHUT HIM UP.
502
00:27:14,190 --> 00:27:15,990
HE COULD’VE BEEN
WORKING SOMETHING
OUT THERE, SHANNON,
503
00:27:16,020 --> 00:27:18,050
LOOKING TO GET
HIMSELF BUSTED.
504
00:27:18,090 --> 00:27:19,720
COULD YOU HOLD OFF
ON VOUCHERING
THE DOPE HE COPPED
505
00:27:19,760 --> 00:27:21,090
TILL I SEE
WHAT’S WHAT?
506
00:27:21,130 --> 00:27:23,940
SURE. HE’S IN THE HOLDING CELL
NEXT TO THE OTHER MOPE.
507
00:27:23,960 --> 00:27:26,560
YEAH, THE OTHER MOPE
MAY BE WHO
HE WANTS ME TO SEE.
508
00:27:26,600 --> 00:27:27,500
APPRECIATE IT.
509
00:27:27,530 --> 00:27:29,400
HOW’S YOUR SISTER?
510
00:27:29,440 --> 00:27:31,710
GOOD. SHE’S GOOD.
511
00:27:43,720 --> 00:27:47,060
DANNY, CAN YOU
HELP ME OUT HERE?
512
00:27:47,090 --> 00:27:48,860
HELP YOU OUT, J. B.?
513
00:27:48,890 --> 00:27:51,260
WHAT DO YOU GOT
TO MAKE IT WORTH
MY WHILE?
514
00:27:51,290 --> 00:27:53,090
HEY, I BANKED PLENTY
OF FAVORS WITH YOU.
515
00:27:53,120 --> 00:27:55,190
THERE GOES
MY ALZHEIMER’S
KICKING IN.
516
00:27:55,230 --> 00:27:56,970
YOU GOT NOTHING
FRESH FOR ME,
517
00:27:57,000 --> 00:27:58,300
I’LL SEE YOU
IN SEVERAL MONTHS.
518
00:27:58,330 --> 00:28:00,230
AW, I CAN’T BELIEVE THIS!
519
00:28:00,270 --> 00:28:01,310
BELIEVE IT, J. B.
520
00:28:01,330 --> 00:28:02,930
WATCH ME WALK AWAY.
521
00:28:08,110 --> 00:28:09,920
WHAT?
522
00:28:09,940 --> 00:28:11,270
[MOUTHING THE WORDS]
523
00:28:11,310 --> 00:28:13,240
[NO SOUND]
524
00:28:13,280 --> 00:28:15,640
[WHISPERING]
That the cop shot
in the street.
525
00:28:15,680 --> 00:28:18,380
He said you all wanted
information on that.
526
00:28:18,420 --> 00:28:21,390
MAN, YOU WANT TO TALK
OR WHAT?
527
00:28:21,420 --> 00:28:23,050
SURE. LET’S CHAT.
528
00:28:23,090 --> 00:28:24,420
KEYS.
529
00:28:28,830 --> 00:28:30,140
YOU GONNA
BEHAVE YOURSELF?
530
00:28:30,160 --> 00:28:31,830
YOU KNOW IT.
531
00:28:31,860 --> 00:28:33,900
MAKE ’EM PUT IT
IN WRITING, JACKSON.
532
00:28:33,930 --> 00:28:35,700
SORE LOSER.
533
00:28:39,040 --> 00:28:41,310
HAVE A SEAT,
MR. GROTOWSKI.
534
00:28:41,340 --> 00:28:42,340
YOU DON’T THINK
SCRAP IRON’S
535
00:28:42,370 --> 00:28:43,470
A REAL BUSINESS?
536
00:28:43,510 --> 00:28:46,610
SURE, WE DO.
WE APPRECIATE
YOUR COMING IN.
537
00:28:47,880 --> 00:28:50,250
YOU KNOW, THERE’S BEEN
A RASH OF AUTO VANDALISM
538
00:28:50,280 --> 00:28:51,480
AROUND YOUR RESIDENCE.
539
00:28:51,520 --> 00:28:53,930
SPECIFICALLY,
YOUR UPSTAIRS
NEIGHBOR’S CAR,
540
00:28:53,950 --> 00:28:55,250
ANTHONY MESSINA.
541
00:28:55,290 --> 00:28:58,260
YOU MEAN THE GODFATHER,
SCARFACE, AL CAPONE.
542
00:28:58,290 --> 00:29:01,260
YOU’RE AWARE
MR. MESSINA’S CAR
HAS BEEN VANDALIZED
543
00:29:01,290 --> 00:29:03,330
3 TIMES IN THE LAST
SEVERAL MONTHS?
544
00:29:03,360 --> 00:29:06,160
BEING MR. MESSINA’S
DOWNSTAIRS NEIGHBOR,
545
00:29:06,200 --> 00:29:07,840
HAVE THE TWO OF YOU
HAD ANY PROBLEMS?
546
00:29:07,870 --> 00:29:12,780
THE ONLY PROBLEM I GOT
IS HIS LAUNDRY DRIP, DRIP,
DRIPS ONTO OURS,
547
00:29:12,800 --> 00:29:16,370
’CAUSE MY WIFE HANGS OURS OUT
AT A DECENT HOUR,
548
00:29:16,410 --> 00:29:18,940
NOT LIKE HIS GUINEA
MOBSTER WIFE
549
00:29:18,980 --> 00:29:22,190
WHO SLEEPS TILL 11:00,
DOES THE WASH THE AFTERNOON.
550
00:29:22,210 --> 00:29:25,180
YOU EVER TAKEN
A FEW WHACKS ON HIS CAR
551
00:29:25,220 --> 00:29:27,530
WITH A BASEBALL BAT
OVER HIS WASH
552
00:29:27,550 --> 00:29:29,790
DRIP, DRIP, DRIPPING
ONTO YOURS?
553
00:29:29,820 --> 00:29:33,520
HEY, WHY DON’T YOU SUSPECT
SOME OF HIS GUINEA
MOBSTER FRIENDS?
554
00:29:33,560 --> 00:29:36,460
I’M JUST AN IGNORANT POLACK
RUNS A SCRAP IRON BUSINESS.
555
00:29:36,500 --> 00:29:40,140
NO, MR. GROTOWSKI,
YOU’RE THE DOWNSTAIRS
NEIGHBOR WITH A TEMPER
556
00:29:40,170 --> 00:29:42,880
WHO’S LAUNDRY IS GETTING
DRIPPED, DRIPPED,
DRIPPED ON,
557
00:29:42,900 --> 00:29:45,330
AND IF MR. MESSINA’S CAR
GETS SMASHED UP AGAIN,
558
00:29:45,370 --> 00:29:47,300
IT’S YOU
WE’RE GONNA COLLAR.
559
00:29:47,340 --> 00:29:49,810
SO THIS GUY GETS MENTIONED
ON ALL THE NEWS SHOWS,
560
00:29:49,840 --> 00:29:51,470
BEING MOB CONNECTED
AND THIS AND THAT,
561
00:29:51,510 --> 00:29:54,310
AND I’M THE ONE
YOU’RE GONNA ARREST?
562
00:29:54,350 --> 00:29:57,920
IF YOU GO AFTER
HIS CAR AGAIN,
ABSOLUTELY.
563
00:29:59,080 --> 00:30:00,080
THROUGH?
564
00:30:00,120 --> 00:30:01,850
YEAH, WE’RE THROUGH.
565
00:30:08,030 --> 00:30:10,170
THIS GUY’S LIABLE TO PARLAY
A BEEF OVER HIS LAUNDRY
566
00:30:10,200 --> 00:30:12,170
INTO A BULLET IN HIS EAR
567
00:30:12,200 --> 00:30:13,510
AND A TV GUIDE
STUFFED IN HIS MOUTH.
568
00:30:13,530 --> 00:30:16,360
HOPE VINCE’S COMPANY
CARRIES HIS LIFE INSURANCE.
569
00:30:31,050 --> 00:30:32,450
HOW’D YOU DO?
570
00:30:32,480 --> 00:30:34,420
RIGHT WHERE JEROME
SAID IT’D BE,
571
00:30:34,450 --> 00:30:35,850
RIGHT UNDER
THE MATTRESS
572
00:30:35,890 --> 00:30:37,030
IN THE BABY’S CRIB.
573
00:30:37,060 --> 00:30:38,860
PUTTIN’ THE GUN
UNDER A KID’S MATTRESS!
574
00:30:38,890 --> 00:30:42,490
MY C.I. BROUGHT IN
THIS DEAD WILLIS’
RUNNING BUDDY.
575
00:30:48,070 --> 00:30:50,380
WE TOOK A COLLAR
WITH THE GUY.
576
00:30:50,400 --> 00:30:53,040
I SHOULD’VE STOPPED
AT A GIFT SHOP
TO BUY A BOW
577
00:30:53,070 --> 00:30:55,070
WE COULD PUT AROUND
ALL THIS FOR MARTENS.
578
00:30:57,180 --> 00:31:00,550
THIS STILL DON’T REFUTE
WHAT YOU WERE THINKING
OUT LOUD BEFORE, ANDY.
579
00:31:00,580 --> 00:31:03,780
MAYBE BAKER’S NOT
SUPPOSED TO BE A COP.
580
00:31:03,820 --> 00:31:06,530
LEAVE THAT TO THE RAT SQUAD
TO DECIDE.
581
00:31:13,590 --> 00:31:18,230
HEY, UH, I APPRECIATE
YOUR LISTENING
582
00:31:18,260 --> 00:31:23,530
WHEN I WAS RATTLING ON
BEFORE ABOUT MY DREAM LIFE.
583
00:31:24,770 --> 00:31:26,200
SURE.
584
00:31:30,110 --> 00:31:32,110
MAYBE YOU CALL DORNAN.
585
00:31:34,110 --> 00:31:35,940
FOR WHAT?
586
00:31:35,980 --> 00:31:39,580
MAYBE YOUR DREAM’S
SAYIN’ CALL HIM.
587
00:31:39,620 --> 00:31:41,250
YEAH, I’LL TELL HIM I’VE
BEEN DREAMING ABOUT HIM,
588
00:31:41,290 --> 00:31:44,130
AND WAS HE THINKING
ABOUT ME LIKEWISE?
589
00:31:44,160 --> 00:31:46,870
AND WE’LL END UP EXCHANGING
BOXES OF CHOCOLATES.
590
00:31:46,890 --> 00:31:48,060
[DOOR OPENS]
591
00:31:55,830 --> 00:31:57,270
NIGHT, ANDY.
592
00:31:57,300 --> 00:31:59,370
YEAH. GOOD NIGHT.
593
00:32:11,180 --> 00:32:14,120
SO, YOU JUST WANTED SOME
SILENT COMPANIONSHIP?
594
00:32:14,150 --> 00:32:16,280
I’M MAKING IT
A RIGHT SHOOT.
595
00:32:16,320 --> 00:32:18,950
HOW’S IT ANYTHING BUT?
596
00:32:18,990 --> 00:32:21,190
I’M SAYIN’ WITH THE D. O. A.’s
RUNNIN’ BUDDY
597
00:32:21,230 --> 00:32:22,800
BACKING
THE OTHER STATEMENTS,
598
00:32:22,830 --> 00:32:26,230
I’M MAKIN’
THE SHOOT RIGHT.
599
00:32:26,260 --> 00:32:28,130
YOU GONNA TELL
BAKER HE’S OK?
600
00:32:28,170 --> 00:32:31,310
CAN’T UNTIL I WALK IT
THROUGH MY OFFICE.
601
00:32:31,340 --> 00:32:33,280
BUT IT’S ALL RIGHT
IF I DO?
602
00:32:34,570 --> 00:32:36,670
ALL RIGHT.
603
00:32:38,440 --> 00:32:41,080
THESE ARE THE ONES
I LOSE SLEEP OVER‐‐
604
00:32:41,110 --> 00:32:45,380
THE COPS I MAKE RIGHT
THAT MAYBE SHOULDN’T BE
ON THE STREET.
605
00:32:46,850 --> 00:32:48,380
HOW’S IT GOIN’?
606
00:32:51,520 --> 00:32:52,920
GOT A MINUTE?
607
00:32:52,960 --> 00:32:54,560
SURE. HOW’S IT GOIN’?
608
00:33:10,740 --> 00:33:12,580
SO WHAT’S YOUR IMPRESSION?
609
00:33:12,610 --> 00:33:15,840
I.A.B.’S MAKIN’
YOU RIGHT, NEIL.
610
00:33:15,880 --> 00:33:17,750
YOUR IMPRESSION,
OR YOU KNOW THAT FOR A FACT?
611
00:33:17,780 --> 00:33:20,650
THEY’RE MAKIN’ YOU RIGHT
FOR WHAT HAPPENED
IN THE STREET.
612
00:33:21,790 --> 00:33:23,200
WHAT’S THE OTHER SHOE?
613
00:33:23,220 --> 00:33:26,090
I’M NOT WORRIED
WHERE YOU STAND
WITH I. A. B., NEIL.
614
00:33:26,120 --> 00:33:28,360
I’M WORRIED IF THERE’S
SOMETHING ELSE
GOIN’ ON WITH YOU,
615
00:33:28,390 --> 00:33:29,860
AND THAT’S THE OTHER
SHOE THAT’S GONNA DROP.
616
00:33:29,900 --> 00:33:31,440
SO WHAT DO YOU GO
TO BAT FOR ME FOR
617
00:33:31,460 --> 00:33:33,200
IF YOU’RE QUESTIONING
MY FITNESS TO SERVE?
618
00:33:33,230 --> 00:33:34,700
LISTEN TO ME, NEIL.
619
00:33:34,730 --> 00:33:37,200
THAT FEAR I SAID
THIS MORNING I SENSED
COMIN’ OFF OF YOU‐‐
620
00:33:37,240 --> 00:33:38,610
A SKELL FEELS THAT, TOO.
621
00:33:38,640 --> 00:33:40,910
HE CAN HEAR "FREEZE"
COMIN’ OUT YOUR MOUTH,
622
00:33:40,940 --> 00:33:43,240
BUT LET HIM BE
WHACKED OUT
ON ENOUGH CRACK
623
00:33:43,270 --> 00:33:44,640
AND FEELING FEAR
COMING OFF OF YOU‐‐
624
00:33:44,680 --> 00:33:47,120
MAYBE HE DECIDES
YOU DON’T GOT IT UP
TO BACK YOUR PLAY.
625
00:33:47,150 --> 00:33:48,450
SO YOU NEVER FELT FEAR?
626
00:33:48,480 --> 00:33:49,910
NOT IN WHAT
MY INTENTIONS WERE,
627
00:33:49,950 --> 00:33:51,380
OR SHOULD I BE
WHERE I WAS.
628
00:33:51,420 --> 00:33:53,330
NEVER QUESTIONED YOURSELF
TACTICALLY?
629
00:33:53,350 --> 00:33:56,750
SHOULD I BE WHERE I WAS
IN TERMS OF BEING
ON THIS JOB, NEIL.
630
00:34:10,440 --> 00:34:13,610
OF COURSE I QUESTION
MYSELF OVER TACTICS.
631
00:34:18,440 --> 00:34:23,780
MY SON’S GOT A CONDITION
WHERE HE REQUIRES
CONSTANT CARE.
632
00:34:23,820 --> 00:34:25,860
THEY DIDN’T THINK
HE’D LIVE PAST 5.
633
00:34:25,880 --> 00:34:31,290
BUT NOW THEY THINK
HE COULD LIVE UPWARDS
OF 15 OR 20 YEARS.
634
00:34:35,390 --> 00:34:37,990
EVERYONE WORRIES
FOR THEIR FAMILY, NEIL.
635
00:34:38,030 --> 00:34:40,700
NO, I KNOW.
636
00:34:40,730 --> 00:34:43,000
BUT BRINGING
THOSE WORRIES
ONTO THE STREET,
637
00:34:43,030 --> 00:34:44,200
EVERYTHING
GETS TOO CROWDED.
638
00:34:44,240 --> 00:34:47,350
ALL I’M ASKING YOU
TO THINK ABOUT, NEIL,
639
00:34:47,370 --> 00:34:49,440
WHATEVER WORRIES
YOU’RE CARRYING,
640
00:34:49,480 --> 00:34:51,950
DOES NOT STANDING UP
STRONG ENOUGH EARLY
641
00:34:51,980 --> 00:34:55,820
PUT YOU IN POSITIONS
WHERE YOU GOTTA BREAK
TWICE AS BAD LATER ON?
642
00:34:59,850 --> 00:35:01,650
ANYWAYS...
643
00:35:01,690 --> 00:35:05,700
YOU’RE NOT GONNA TRY
AND GET ME PUT OFF THE JOB?
644
00:35:05,720 --> 00:35:08,820
WHAT YOU DO FROM HERE,
THAT’S UP TO YOU.
645
00:35:18,500 --> 00:35:21,770
HARK, I BELIEVE I HEAR
JUDAS ISCARIOT.
646
00:35:23,370 --> 00:35:24,810
HEY, WHAT KIND
OF IMPRESSION
647
00:35:24,840 --> 00:35:26,840
DID I MAKE ON THAT COP,
UH, MARTENSON?
648
00:35:26,880 --> 00:35:28,480
MARTENS. YOU DID GOOD.
649
00:35:28,510 --> 00:35:30,250
YOU’RE GONNA BE 343’d
650
00:35:30,280 --> 00:35:31,680
IN THE COMPLAINT ROOM
TOMORROW MORNING,
JACKSON.
651
00:35:31,720 --> 00:35:33,260
THEY’RE GONNA
KICK YOU LOOSE.
652
00:35:33,280 --> 00:35:34,380
343, HUH?
653
00:35:34,420 --> 00:35:37,020
I’LL PLAY THAT TOMORROW
FOR MY NUMBER.
654
00:35:37,060 --> 00:35:38,830
J.B.: MEANWHILE, WHAT,
I’M LEFT HERE ROTTING
655
00:35:38,860 --> 00:35:40,670
LIKE THE MAN
FROM THE IRON MASK?
656
00:35:40,690 --> 00:35:43,090
ONLY POSSIBILITY
I CAN SEE FOR YOU, J. B.,
657
00:35:43,130 --> 00:35:44,690
THEY FIND SOME
PROCEDURAL DEFECT
658
00:35:44,730 --> 00:35:46,360
IN HOW YOU
WERE SEARCHED.
659
00:35:46,400 --> 00:35:49,100
OH, AND THAT WOULD JUMP UP
IN THE COMPLAINT ROOM
TOMORROW MORNING, TOO?
660
00:35:49,130 --> 00:35:50,830
YEAH, IF IT OCCURS
AT ALL,
661
00:35:50,870 --> 00:35:52,500
THAT’S WHERE
IT WOULD HAPPEN.
LIVE IN HOPE.
662
00:35:52,540 --> 00:35:53,940
YEAH, THANKS VERY MUCH.
663
00:35:53,970 --> 00:35:55,740
NO, J. B., THANK YOU.
664
00:36:04,120 --> 00:36:06,060
WHAT HAPPENED?
665
00:36:06,080 --> 00:36:08,120
"THIS IS VINCE,
BLAH, BLAH, BLAH,
666
00:36:08,150 --> 00:36:10,590
WAIT FOR THE BEEP."
NO BEEP.
667
00:36:10,620 --> 00:36:12,460
THE MACHINE
JUST CLICKS OFF?
668
00:36:12,490 --> 00:36:15,290
HOW DOES HE STAY
IN BUSINESS?
669
00:36:15,330 --> 00:36:17,200
HI.
HEY, DIANE.
670
00:36:17,230 --> 00:36:19,190
ANDY WENT HOME?
671
00:36:19,230 --> 00:36:20,400
MM‐HMM.
672
00:36:23,570 --> 00:36:25,030
WHAT’S FUNNY?
673
00:36:25,070 --> 00:36:28,700
OH, THIS INFORMANT I GOT,
HE MAKES ME LAUGH.
674
00:36:28,740 --> 00:36:31,110
HE’S ON
A MAINTENANCE PROGRAM,
675
00:36:31,140 --> 00:36:33,410
AND WHEN THEY GIVE HIM
HIS DAILY DOSE IN THE CLINIC,
676
00:36:33,450 --> 00:36:35,950
HE HOLDS THE METHADONE
IN HIS MOUTH TILL HE’S
ON THE STREET.
677
00:36:35,980 --> 00:36:39,380
THEN HE SPITS IT
IN THIS LITTLE PLASTIC
BOTTLE HE CARRIES
678
00:36:39,420 --> 00:36:42,050
AND SELLS THAT
FOR MONEY TO COP.
679
00:36:42,090 --> 00:36:46,500
FROM THAT POINT‐‐8 A. M.‐‐
TILL HE LAYS HIS HEAD
DOWN AT NIGHT‐‐
680
00:36:46,530 --> 00:36:50,640
10 TIMES A MINUTE,
THIS J. B.’S LOOKING
OVER BOTH HIS SHOULDERS,
681
00:36:50,660 --> 00:36:53,060
WHICH, AS MANY HUSTLES
AS HE’S WORKIN’
682
00:36:53,100 --> 00:36:55,960
AND AS MANY SWITCHES OFF ’EM
AS HE’S TRYING TO PULL,
683
00:36:56,000 --> 00:36:58,930
THAT’S DEFINITELY
THE RIGHT APPROACH.
684
00:37:00,610 --> 00:37:02,750
JUST MAKES ME LAUGH.
685
00:37:02,770 --> 00:37:05,970
HE’S GOT SUCH
A POSITIVE ATTITUDE.
686
00:37:06,010 --> 00:37:09,340
WANTS TO SING
DOO‐WOP, J. B.
687
00:37:09,380 --> 00:37:10,580
HAS HE GOT A GOOD VOICE?
688
00:37:10,620 --> 00:37:12,930
I’M AFRAID TO ASK HIM
TO SING.
689
00:37:12,950 --> 00:37:15,650
I’LL BE SO SAD FOR HIM
IF HE CAN’T.
690
00:37:19,390 --> 00:37:21,490
ANDY WENT HOME, HUH?
691
00:37:21,530 --> 00:37:22,670
YEAH.
692
00:37:24,060 --> 00:37:25,860
NIGHT.
693
00:37:25,900 --> 00:37:27,010
NIGHT.
694
00:37:27,030 --> 00:37:28,430
NIGHT, DANNY.
695
00:37:28,470 --> 00:37:30,310
[TELEPHONE RINGS]
696
00:37:33,810 --> 00:37:35,010
[RING]
697
00:37:35,040 --> 00:37:37,710
15th SQUAD.
698
00:37:39,210 --> 00:37:40,980
OK.
699
00:37:42,550 --> 00:37:44,410
YEP. THANKS.
700
00:37:46,490 --> 00:37:48,590
ADDRESS RING A BELL?
701
00:38:09,780 --> 00:38:12,650
I’LL SHOOT YOU
FOR WHO TAKES THE TV GUIDE
OUT OF GROTOWSKI’S MOUTH.
702
00:38:12,680 --> 00:38:15,980
LET ME KNOW IF YOU EVER
CATCH A GROUND BALL
EASIER THAN THIS ONE.
703
00:38:16,010 --> 00:38:17,610
MMM.
704
00:38:20,190 --> 00:38:21,060
WHOA!
705
00:38:21,090 --> 00:38:22,330
OH, ANTHONY.
706
00:38:22,350 --> 00:38:23,720
Jill: HOW’S THIS
FOR AN UPSET?
707
00:38:23,760 --> 00:38:26,830
Cop: PERP WITH THE HEAVES
IS THE DOWNSTAIRS NEIGHBOR.
708
00:38:26,860 --> 00:38:28,860
HE CONFESSED?
709
00:38:28,890 --> 00:38:30,230
SAID, "WHAT DOES IT
LOOK LIKE I DID?"
710
00:38:30,260 --> 00:38:31,230
WHEN WE ASKED HIM
WHAT’S GOING ON.
711
00:38:31,260 --> 00:38:32,230
STANDING
ON THE STREET
712
00:38:32,260 --> 00:38:33,530
WITH A BLOODY
BASEBALL BAT.
713
00:38:33,570 --> 00:38:35,840
UH...
JOSEPH GROTOWSKI.
714
00:38:35,870 --> 00:38:37,210
YEAH, YEAH.
715
00:38:39,740 --> 00:38:43,370
I WAS SO PROUD OF HOW ANTHONY
WAS CONDUCTING HIMSELF.
716
00:38:43,410 --> 00:38:44,570
WHAT DID HE GET WITH
TURNING THE OTHER CHEEK?
717
00:38:44,610 --> 00:38:46,910
A HEAD CAVED IN
BY A MORON.
718
00:38:46,950 --> 00:38:48,520
WAS ANTHONY
YOUR FATHER?
719
00:38:48,550 --> 00:38:50,860
YEAH, I’M HIS SON PAUL.
720
00:38:50,880 --> 00:38:52,380
IT’S GOOD JOB
OF LAW ENFORCEMENT.
721
00:38:52,420 --> 00:38:53,720
IT’S HARD
TO ENFORCE THE LAW
722
00:38:53,750 --> 00:38:55,020
WHEN NO ONE MAKES
A COMPLAINT, PAUL.
723
00:38:55,050 --> 00:38:56,720
AND YOU CAN TELL
THAT POLACK WHACK JOB
724
00:38:56,760 --> 00:39:00,370
THAT THE ONLY PACIFIST
IN THIS FAMILY’S NOW DEAD.
725
00:39:00,390 --> 00:39:02,190
YOUR MOTHER COULD USE
SOME SUPPORT NOW, PAUL.
726
00:39:02,230 --> 00:39:04,200
HEAR THAT, GROTOWSKI?
727
00:39:04,230 --> 00:39:05,390
AND WHEN YOU’RE DONE
THROWING UP,
728
00:39:05,430 --> 00:39:06,700
YOU BETTER MAKE ’EM SET
YOU A GOOD, HIGH BAIL.
729
00:39:06,730 --> 00:39:07,760
THAT’S ENOUGH.
730
00:39:07,800 --> 00:39:09,470
YOU’RE LUCKY
I WAS AT A MOVIE.
731
00:39:10,640 --> 00:39:12,450
I’M SORRY, MRS. MESSINA.
732
00:39:12,470 --> 00:39:15,400
I BEGGED ANTHONY
TO BUY ME A DRYER.
733
00:39:15,440 --> 00:39:17,040
OK.
734
00:39:17,080 --> 00:39:18,320
[GROTOWSKI RETCHING]
735
00:39:18,340 --> 00:39:20,310
WHY DON’T WE HOLD OFF
INTERVIEWING MR. GROTOWSKI
736
00:39:20,350 --> 00:39:22,220
TILL HE WASHES HIS MOUTH OUT
AT THE HOUSE?
737
00:39:22,250 --> 00:39:24,490
ABSOLUTELY.
738
00:39:50,280 --> 00:39:52,790
THANKS FOR MEETING ME.
739
00:39:56,110 --> 00:39:58,980
SO THAT’S ENOUGH
CHITCHAT.
740
00:40:08,030 --> 00:40:11,670
I’M‐‐I’M HAVING A DREAM
WITH YOU INVOLVED
741
00:40:11,700 --> 00:40:14,640
I WANT TO GET OFF
OF MY CHEST.
742
00:40:14,670 --> 00:40:16,480
OR...
743
00:40:16,500 --> 00:40:20,000
YOU’RE NOT
ACTUALLY IN IT...
744
00:40:20,040 --> 00:40:22,340
YOU’RE REFERRED TO,
ALL RIGHT?
745
00:40:24,180 --> 00:40:26,490
WHAT HAPPENED...
746
00:40:29,650 --> 00:40:33,450
I REALIZED
IN THE DREAM...
747
00:40:33,490 --> 00:40:35,790
HOW MY DAD LOST
HIS EYE WASN’T TRUE,
748
00:40:35,820 --> 00:40:38,290
WHAT I THOUGHT
FOR THE LONGEST TIME.
749
00:40:38,320 --> 00:40:40,960
I THOUGHT HE WAS OUT
ON HIS ROUTE
750
00:40:40,990 --> 00:40:45,160
AT HIS PROPER
APPOINTED TIME...
751
00:40:45,200 --> 00:40:46,840
READING ONE
OF YOUR METERS
752
00:40:46,870 --> 00:40:50,580
AND GOT ATTACKED
WITH A CLAW HAMMER.
753
00:40:52,600 --> 00:40:54,300
WHAT I FIGURED OUT NOW‐‐
754
00:40:54,340 --> 00:40:58,810
OFF MISSING
HIS METER READINGS,
OFF BEING LOADED,
755
00:40:58,840 --> 00:41:04,150
HE’D ALREADY BEEN FIRED
BY HIS IRISH SUPERVISOR,
MY OLD MAN.
756
00:41:04,180 --> 00:41:06,380
GETS OILED UP WORSE
AT OUR APARTMENT,
757
00:41:06,420 --> 00:41:08,050
THEN GOES OUT AGAIN
AT NIGHT
758
00:41:08,090 --> 00:41:10,760
WHEN NO ONE’S EXPECTING
A METER READER.
759
00:41:10,790 --> 00:41:13,490
KICKS DOWN
ONE OF YOUR DOORS,
760
00:41:13,530 --> 00:41:15,500
AND NOT KNOWING WHAT
THE HELL’S GOIN’ ON,
761
00:41:15,530 --> 00:41:17,500
ONE OF YOU
THAT’S THE OCCUPANT
762
00:41:17,530 --> 00:41:19,730
TAKES THE HAMMER TO HIM.
763
00:41:19,770 --> 00:41:23,380
THAT’S HOW IT
MUST’VE HAPPENED.
764
00:41:23,400 --> 00:41:29,840
AND THESE YEARS
OF NOT REALIZIN’,
765
00:41:29,880 --> 00:41:33,850
THAT’S A BIG PART
WITH CERTAIN ASSUMPTIONS
766
00:41:33,880 --> 00:41:36,180
HOW YOU PEOPLE ARE.
767
00:41:36,210 --> 00:41:40,020
AND AS FAR AS CHANGING
CERTAIN ASSUMPTIONS‐‐
768
00:41:40,050 --> 00:41:44,090
I THINK A BIG PART
THAT’S YOU WAS
RESPONSIBLE‐‐
769
00:41:44,120 --> 00:41:47,860
YOUR EFFORT YOU MADE
AT HELPIN’ ME,
770
00:41:47,890 --> 00:41:53,560
AND THAT I REGRET
IT GOT YOU FLOPPED.
771
00:41:53,600 --> 00:41:57,970
AND I THANK YOU
FOR HELPIN’
CLEAR UP MY DREAM.
772
00:42:00,270 --> 00:42:02,240
PIN A ROSE ON YOUR DREAM.
773
00:42:02,270 --> 00:42:07,440
PIN ONE ON YOURSELF, TOO,
YOU PIECE OF POLACK CRAP.
774
00:42:17,260 --> 00:42:18,660
YOU DRUNK, DORNAN?
775
00:42:18,690 --> 00:42:20,260
YEAH.
776
00:42:20,290 --> 00:42:22,220
I DIDN’T KNOW
YOU WERE AN OILER.
777
00:42:22,260 --> 00:42:24,330
LIKE RIDING A BIKE.
778
00:42:25,930 --> 00:42:29,100
OFF 11 YEARS...
779
00:42:29,130 --> 00:42:32,440
GOOD AS YOU EVER WERE
SOON AS YOU GET BACK ON IT.
780
00:42:34,540 --> 00:42:37,340
I DIDN’T PAY YET
FOR THE LAST 3.
781
00:42:37,380 --> 00:42:39,820
PAY HIM FOR THOSE,
AND WE’LL CALL IT SQUARE‐‐
782
00:42:39,850 --> 00:42:44,290
ALL OF THE BIG HELP
THAT I HAVE BEEN TO YOU
WITH YOUR DREAM.
783
00:42:50,160 --> 00:42:52,830
NOT THIS DORNAN
OR ANY OTHERS.
784
00:42:52,860 --> 00:42:53,820
NONE OF ’EM!
785
00:42:53,860 --> 00:42:55,420
THEY ALL LOST MY EYE.
786
00:42:55,460 --> 00:42:59,730
THEY ALL UNFAIRLY
LOST MY JOB!
787
00:43:15,750 --> 00:43:17,790
I’M NOT DRINKIN’.
788
00:43:17,820 --> 00:43:20,760
I’M GOING HOME.
59760
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