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These are the user uploaded subtitles that are being translated: 1 00:00:06,040 --> 00:00:08,110 Angry man: WHAT KIND OF SON ARE YOU?! 2 00:00:08,150 --> 00:00:09,590 WHAT KIND OF SON?! 3 00:00:09,610 --> 00:00:13,280 NOW YOUR NIGGER FRIEND DORNAN JUST COST ME MY EYE! 4 00:00:33,070 --> 00:00:37,940 I’M 4 YEARS FIGHTIN’ ON THEM STINKIN’ ISLANDS, 5 00:00:37,980 --> 00:00:40,290 AND THIS McCREE’S AT HOME 6 00:00:40,310 --> 00:00:43,780 FAKIN’ HIS BACK PROBLEM AND ADVANCIN’ HIS CAREER, 7 00:00:43,820 --> 00:00:47,290 AND THIS MICK BASTARD IS GONNA FIRE ME?! 8 00:00:47,320 --> 00:00:48,780 GONNA CALL ME DRUNK? 9 00:00:48,820 --> 00:00:51,620 OR I NEGLECTED A BLOCK OF MY METERS? 10 00:00:51,660 --> 00:00:56,230 I’M GONNA DRAW UP A LIST OF GRIEVANCES ON HIM! 11 00:00:56,260 --> 00:00:58,790 [POURING A DRINK] 12 00:00:58,830 --> 00:01:00,330 [GLASS CLINKING] 13 00:01:04,100 --> 00:01:06,130 I GOT AN IDEA. 14 00:01:06,170 --> 00:01:11,240 LET ME GO READ MY ROUTE NOW... 15 00:01:11,280 --> 00:01:13,690 LET HIM KNOW THAT I MADE MY JOB. 16 00:01:13,710 --> 00:01:17,680 LET ME GO READ MY METERS FOR MY BOSS. 17 00:01:27,730 --> 00:01:30,940 YOU WANT A FISH? 18 00:01:30,960 --> 00:01:33,900 I’LL BRING YOU BACK A STUPID GOLDFISH. 19 00:01:46,710 --> 00:01:48,880 [DOOR CRASHING OPEN] 20 00:01:48,910 --> 00:01:51,280 OH, THESE BASTARD NIGGERS! 21 00:01:51,320 --> 00:01:52,520 THESE NIGGERS! 22 00:01:52,550 --> 00:01:54,480 THESE BASTARDS! 23 00:01:56,350 --> 00:01:58,890 [SOBBING] WHAT DID HE THINK I MEANT? 24 00:01:58,920 --> 00:02:02,120 DID HE HAVE TO CLAW ME WITH A HAMMER? 25 00:02:02,160 --> 00:02:04,130 I WAS TRYIN’ TO COME IN. 26 00:02:04,160 --> 00:02:07,130 I WAS TRYIN’ TO READ HIS METER. 27 00:02:07,170 --> 00:02:09,540 I DID NOT KICK IN HIS DOOR. 28 00:02:09,570 --> 00:02:12,670 I DID NOT INTENTIONALLY KICK HIS DOOR IN! 29 00:02:12,700 --> 00:02:15,200 NOW I’M GONNA HAVE TO BE HOSPITALIZED, 30 00:02:15,240 --> 00:02:19,240 AND I’LL UNFAIRLY NEVER GET MY JOB BACK. 31 00:02:19,280 --> 00:02:22,020 OHH...LOOK AT MY EYE. 32 00:02:22,050 --> 00:02:25,160 LOOK AT MY EYE! 33 00:02:25,180 --> 00:02:28,420 LOOK WHAT THEY DID TO YOUR FATHER. 34 00:02:32,260 --> 00:02:34,030 [GASPING] 35 00:04:17,730 --> 00:04:18,790 MORNIN’, ANDY. 36 00:04:18,830 --> 00:04:21,200 THIS IS A STREET DEALER NAMED BILLY WILLIS, 37 00:04:21,230 --> 00:04:24,700 THAT BAKER THAT ACCIDENTALLY SHOT SZYMANSKI? 38 00:04:24,740 --> 00:04:27,010 BAKER PUT THIS DEALER DOWN, TOO? 39 00:04:27,040 --> 00:04:28,270 [SIGHS] 40 00:04:28,310 --> 00:04:30,320 MAYBE IT WAS JUST AN ACT OF GOD. 41 00:04:36,720 --> 00:04:38,120 MORNING. 42 00:04:38,150 --> 00:04:39,550 MORNING, DANNY. Russell: MORNING. 43 00:04:39,580 --> 00:04:41,220 THIS GUY THREW DOWN ON BAKER? 44 00:04:41,250 --> 00:04:43,890 YEAH, ALTHOUGH WE HAVEN’T BEEN ABLE TO RECOVER HIS GUN. 45 00:04:43,920 --> 00:04:46,520 NO WITNESSES YET VERIFYING HE HAD ONE. 46 00:04:46,560 --> 00:04:48,690 TRY A CANVASS? 47 00:04:48,730 --> 00:04:49,970 YEAH, THAT SHOULD BE PRODUCTIVE. 48 00:04:49,990 --> 00:04:52,190 YEAH, GOOD LUCK ON THIS CORNER. 49 00:04:53,260 --> 00:04:55,660 YOU GOT THE HISTORY ON BAKER. 50 00:04:57,600 --> 00:04:59,870 HEY, ANDY, THAT KID ON THE CORNER WITH THE KNIT CAP‐‐ 51 00:04:59,900 --> 00:05:01,540 HE’S A C.I. OF MINE. 52 00:05:01,570 --> 00:05:04,710 IF HE’S HANGIN’ HERE, HE’S GOT SOMETHIN’ FOR US. 53 00:05:04,740 --> 00:05:07,040 HOW YOU DOIN’, BAKER? 54 00:05:07,080 --> 00:05:09,040 I DON’T KNOW WHAT THE HELL’S IN HIS MIND. 55 00:05:09,080 --> 00:05:10,380 4 TIMES I TELL HIM, FREEZE, GET DOWN. 56 00:05:10,410 --> 00:05:12,850 TAKE IT EASY, KID. 57 00:05:12,880 --> 00:05:15,220 I WAS ON FOOT POST. 58 00:05:15,250 --> 00:05:18,320 GUN RUN COMES ON THE RADIO. 2 GUYS WITH GUNS. 59 00:05:18,360 --> 00:05:20,430 COME AROUND THE CORNER, THERE THEY ARE‐‐ 60 00:05:20,460 --> 00:05:21,660 PERFECT FIT FOR THE DESCRIPTION. 61 00:05:21,690 --> 00:05:23,420 DOPE SLINGERS. 62 00:05:23,460 --> 00:05:25,330 ONE GUY BOOGIES. THIS ONE, I TELL HIM, "FREEZE AND DROP." 63 00:05:25,360 --> 00:05:28,200 HE GOES FOR HIS GUN. I DON’T KNOW WHAT’S IN HIS MIND. 64 00:05:28,230 --> 00:05:29,260 ALL RIGHT. 65 00:05:29,300 --> 00:05:31,630 NOW THEY SAY THERE’S NO GUN ON THE D. O. A. 66 00:05:35,440 --> 00:05:36,440 AHEM. 67 00:05:36,470 --> 00:05:37,440 J.B. 68 00:05:40,610 --> 00:05:42,580 LET’S GET YOU BACK TO THE HOUSE, NEIL. 69 00:05:42,610 --> 00:05:46,080 YEAH, ALL RIGHT. Y‐YOU MIND IF WE LOOK AROUND HERE A LITTLE BIT? 70 00:05:46,120 --> 00:05:47,560 NO. SURE. THAT’S FINE. 71 00:05:52,120 --> 00:05:55,090 ALL RIGHT, THE BOTH OF YOU, STAND STILL. 72 00:05:55,130 --> 00:05:56,600 WHAT? FOR WHAT? HEY. HEY, HEY. 73 00:05:56,630 --> 00:05:58,090 HEY! HEY! 74 00:05:58,130 --> 00:06:01,530 MUST BE SOME JONES YOU GOT, TRYIN’ TO SCORE WITH US IN THE STREET. 75 00:06:01,570 --> 00:06:03,470 HEY, I DIDN’T MEAN TO BE DISRESPECTFUL, SIR. 76 00:06:03,500 --> 00:06:04,700 DID I SEE YOU WITH HIM LAST WEEK? 77 00:06:04,740 --> 00:06:05,710 WITH WHO? 78 00:06:05,740 --> 00:06:06,710 WHAT ARE YOU, A SMART‐ASS? 79 00:06:06,740 --> 00:06:08,100 I SAW YOU WITH THAT GUY LAST WEEK. 80 00:06:08,140 --> 00:06:10,910 I WASN’T WITH HIM. I WAS IN PERTH AMBOY AT MY COUSIN’S. 81 00:06:10,940 --> 00:06:13,370 YOU’RE A LYIN’ PIECE OF CRAP, AND YOU’RE COMIN’ INTO THE HOUSE. 82 00:06:13,410 --> 00:06:16,440 LET ME SHOW UP IN 20 MINUTES, BOSS. I PROMISE I’LL SHOW UP. 83 00:06:16,480 --> 00:06:19,920 THIS IS A 30‐DAY MONTH, SO I DON’T THINK I CAN DO THAT. 84 00:06:19,950 --> 00:06:21,920 I SWEAR HE HAD A GUN ON HIM. 85 00:06:21,950 --> 00:06:22,980 ALL RIGHT, NEIL. 86 00:06:23,020 --> 00:06:24,920 I’LL SWEAR THAT IN FRONT OF I. A. B. 87 00:06:26,630 --> 00:06:28,600 LOOK FOR HIS PIECE, WOULD YOU, MIKE? 88 00:06:28,630 --> 00:06:31,200 YEAH, WE’RE DEFINITELY GONNA KEEP LOOKIN’. 89 00:06:46,980 --> 00:06:49,110 YOU’RE MAKIN’ A CAREER GETTIN’ ME OUTTA JAMS. 90 00:06:50,720 --> 00:06:54,490 THE SECOND INSTANCE IN 6 WEEKS I’VE FIRED MY WEAPON. 91 00:06:54,520 --> 00:06:56,950 UNDER TOTALLY DIFFERENT CIRCUMSTANCES, CORRECT? 92 00:06:56,990 --> 00:06:58,420 TOTALLY. THAT’S RIGHT. 93 00:06:58,460 --> 00:07:00,830 SO THEN FORGET ABOUT 6 WEEKS AGO. 94 00:07:07,330 --> 00:07:09,970 AND THE OTHER POTENTIAL JACKPOT HERE 95 00:07:10,000 --> 00:07:13,430 IS THE D. O. A.’s GUN BEIN’ MISSIN’. 96 00:07:13,470 --> 00:07:15,670 NEIL, A SHOOTING AT A KNOWN DRUG CORNER, 97 00:07:15,710 --> 00:07:17,650 SECOND PERP BOOGIES WITH THE COP IN PURSUIT. 98 00:07:17,680 --> 00:07:20,790 WHEN I WORKED NARCOTICS, THE SKELLS’D HANG THEIR HEADS IN SHAME 99 00:07:20,810 --> 00:07:23,180 IF ONE OF ’EM DIDN’T GLOM THE D. O. A.’s WEAPON. 100 00:07:23,210 --> 00:07:25,210 I’M ONLY SAYIN’ IT DON’T SMELL GOOD. 101 00:07:25,250 --> 00:07:29,650 THE BAD SMELL, NEIL, IS THE COP‐FILLED‐WITH‐DOUBT AROMA COMIN’ OFF OF YOU 102 00:07:29,690 --> 00:07:31,620 THAT PROBABLY YOU WANT TO DO SOMETHIN’ ABOUT 103 00:07:31,660 --> 00:07:33,330 BEFORE YOUR RAT SQUAD INTERVIEW... 104 00:07:33,360 --> 00:07:36,770 ’CAUSE THAT’S THE WHIFF WHETS THEM CHEESE‐EATERS’ APPETITES. 105 00:07:38,500 --> 00:07:39,770 ALL RIGHT. 106 00:07:41,370 --> 00:07:42,740 GOT A GOOD ACT, OLD MAN. 107 00:07:42,770 --> 00:07:46,010 DANNY AND ME WORKED THE SAME CORNER SEVERAL YEARS. 108 00:07:46,040 --> 00:07:48,680 I GOT SOMETHIN’ FOR HIM AS SOON AS I GET SOME REASSURANCE 109 00:07:48,710 --> 00:07:50,680 ON A PREVIOUS COMMITMENT HE MADE. 110 00:07:50,710 --> 00:07:53,410 YEAH. HE TENDS TO BE GOOD WITH THAT STUFF. 111 00:08:07,860 --> 00:08:09,490 I.A.B.’S HERE. 112 00:08:09,530 --> 00:08:11,700 AND YOU WANT TO TALK TO ’EM, RIGHT? 113 00:08:11,730 --> 00:08:12,890 ABSOLUTELY. 114 00:08:16,070 --> 00:08:17,710 READY TO GIVE YOUR STATEMENT, OFFICER? 115 00:08:17,740 --> 00:08:18,980 YES, I AM. 116 00:08:23,610 --> 00:08:24,910 COME ON. 117 00:08:31,550 --> 00:08:33,780 SOME HELL OF A THING ON THIS SHOOTING. 118 00:08:33,820 --> 00:08:36,250 WHAT DO YOU GOT, J. B.? WILLIS GOT SHOT, NO? 119 00:08:36,290 --> 00:08:38,800 YEAH. DEALER NAMED WILLIS. 120 00:08:38,820 --> 00:08:42,560 COP TAKES HIM DOWN. I GUESS YOU GUYS WANT TO EXONERATE THAT BEHAVIOR. 121 00:08:42,590 --> 00:08:44,730 LET US KNOW WHEN YOU’RE DONE CLEARIN’ YOUR THROAT. 122 00:08:44,760 --> 00:08:47,360 I UNDERSTOOD FROM DANNY I HAD A WHOLE CREDIT BUILDUP 123 00:08:47,400 --> 00:08:51,600 LIKE SOME MUTUAL FUND OFF PREVIOUS COOPERATION I ALREADY GAVE? 124 00:08:51,640 --> 00:08:53,040 THE ZANCANELLIS. 125 00:08:53,070 --> 00:08:55,240 THIS IS JUST ADDIN’ TO THE WEALTH. 126 00:08:55,270 --> 00:08:57,240 NO, WHAT I WAS TOLD BY DANNY, 127 00:08:57,280 --> 00:08:59,620 SOME MYSTERIOUS WAY, THIS IS GONNA FURTHER MY SINGING CAREER. 128 00:08:59,640 --> 00:09:02,110 YOU WANT JERK‐OFF PASSES TO C. B. G. B.’s, J. B., 129 00:09:02,150 --> 00:09:06,120 I’LL GET YOU THOSE TONIGHT. I’M WORKIN’ ON SOMETHIN’ SUBSTANTIAL. 130 00:09:06,150 --> 00:09:07,820 SINGS DOO‐WOP LIKE DION‐‐J. B. 131 00:09:07,850 --> 00:09:09,920 DON’T GET EXTRAVAGANT. 132 00:09:09,950 --> 00:09:12,150 READY FOR WHAT I OBSERVED? 133 00:09:14,760 --> 00:09:17,130 THE ONE COP SHOWED UP EARLY. I GUESS HE WAS ON FOOT POST. 134 00:09:17,160 --> 00:09:19,460 SECTOR CAR’S ROLLIN’ UP RIGHT AFTER. 135 00:09:19,500 --> 00:09:22,470 THAT I GOTTA FIGURE IS SOME OF THESE YOUNG BLOODS RUNNIN’ A GAME. 136 00:09:22,500 --> 00:09:25,500 THEY CALL 911, THESE KIDS, REPORT DRUG ACTIVITY. 137 00:09:25,540 --> 00:09:27,980 SECTOR CARS ROLL UP, DEALERS DROP THEIR STASHES, 138 00:09:28,010 --> 00:09:30,950 THESE KIDS COME SWOOPIN’ UP THE DECKS. 139 00:09:30,980 --> 00:09:33,450 EXCEPT HOW LONG YOU EXPECT TO LIVE DOING THAT? 140 00:09:33,480 --> 00:09:36,020 THESE YOUNG BLOODS SCOOPIN’ UP THE DECKS OF DOPE 141 00:09:36,050 --> 00:09:39,120 THE DEALERS THROW DOWN WHEN THE SECTOR CARS CAME ROLLIN’ UP... 142 00:09:39,150 --> 00:09:42,250 YOU THINK THEY MIGHT’VE SCOOPED UP WILLIS’ GUN AT THE SAME TIME? 143 00:09:42,290 --> 00:09:44,000 IT’S A THEORY. 144 00:09:44,020 --> 00:09:47,120 A HUNDRED IF YOU GOT A NAME WHO GRABBED THE PIECE. 145 00:09:47,160 --> 00:09:49,930 IF I HAD A NAME, I’D MAKE A PRICE FOR IT, 146 00:09:49,960 --> 00:09:52,130 AND WE’D DO BUSINESS, OR WE WOULDN’T. 147 00:09:52,160 --> 00:09:53,800 EXCUSE ME STUBBIN’ MY TOE 148 00:09:53,830 --> 00:09:56,700 ON YOUR HUGE MORAL STANDARDS. 149 00:09:56,740 --> 00:09:58,010 COUPLE ELECTIONS, 150 00:09:58,040 --> 00:10:00,550 HE’LL PROBABLY BE OUR REPRESENTATIVE IN CONGRESS. 151 00:10:02,870 --> 00:10:05,610 YOU’RE NOT PLAYING ME OFF ON THIS SINGING THING, ARE YOU, DANNY? 152 00:10:05,640 --> 00:10:08,040 J.B., HOW ABOUT YOU GETTIN’ SOME RECORDING TIME IN A STUDIO 153 00:10:08,080 --> 00:10:10,510 THE FEDS GOT INFILTRATED? SERIOUS? 154 00:10:10,550 --> 00:10:12,180 I’M LOOKIN’ TO MAKE IT HAPPEN. 155 00:10:12,220 --> 00:10:14,390 I’LL GET THE GUY WHO GRABBED THE PIECE UP 156 00:10:14,420 --> 00:10:16,720 AND ALL HIS LIVING COUSINS. 157 00:10:19,720 --> 00:10:24,690 THE RADIO RUN GAVE A DETAILED DESCRIPTION OF 2 GUYS CARRYING GUNS. 158 00:10:24,730 --> 00:10:26,700 SO ON ARRIVAL AT THE SCENE, 159 00:10:26,730 --> 00:10:29,360 I APPROACHED 2 MEN WHO FIT THE DESCRIPTIONS. 160 00:10:29,400 --> 00:10:32,130 THIS JOB WAS ASSIGNED TO A RADIO CAR. 161 00:10:32,170 --> 00:10:34,870 SHOULDN’T YOU HAVE WAITED AND ACTED AS BACKUP? 162 00:10:34,910 --> 00:10:36,880 THEY SAW ME COMIN’ AROUND THE CORNER, 163 00:10:36,910 --> 00:10:38,640 WILLIS AND THE OTHER DEALER. 164 00:10:38,680 --> 00:10:40,390 I DIDN’T WANT TO LOSE THEM. 165 00:10:40,410 --> 00:10:43,140 DID YOU ACTUALLY SEE WILLIS DEALING? 166 00:10:43,180 --> 00:10:45,580 I ASSUMED HE WAS... BECAUSE WHEN I WAS SPOTTED, 167 00:10:45,620 --> 00:10:47,930 HE DITCHED A DECK OF HEROIN. 168 00:10:47,950 --> 00:10:49,420 WHICH YOU RECOVERED? 169 00:10:50,620 --> 00:10:52,890 IT MUST’VE GOTTEN STOLEN WITH THE GUN. 170 00:10:58,130 --> 00:10:59,160 YOU APPROACH... 171 00:10:59,200 --> 00:11:01,740 YOUR WEAPON DRAWN AT THIS POINT? 172 00:11:01,770 --> 00:11:03,780 IT WAS A GUN RUN, SO, YEAH, 173 00:11:03,800 --> 00:11:05,400 IT WAS AT MY SIDE. 174 00:11:05,440 --> 00:11:08,610 I APPROACH WILLIS. I SAID, "FREEZE." 175 00:11:08,640 --> 00:11:11,410 HIS RUNNING BUDDY IMMEDIATELY BOOGIED, 176 00:11:11,440 --> 00:11:14,580 SO I STAYED ON WILLIS AND TOLD HIM "FREEZE" AGAIN... 177 00:11:14,610 --> 00:11:15,610 MORE DIRECTLY. 178 00:11:15,650 --> 00:11:17,460 HE STARTED BACKIN’ AWAY... 179 00:11:17,480 --> 00:11:19,280 REACHIN’ INTO HIS JACKET, 180 00:11:19,320 --> 00:11:20,930 HIS BACK WAISTBAND. 181 00:11:20,950 --> 00:11:22,620 AT THIS POINT, 182 00:11:22,650 --> 00:11:24,190 I’M AIMIN’ AT HIM. 183 00:11:24,220 --> 00:11:27,620 AGAIN I TELL HIM, "FREEZE AND GET DOWN." 184 00:11:27,660 --> 00:11:29,190 BUT HE KEEPS MOVIN’. 185 00:11:29,230 --> 00:11:31,870 HE STARTS PULLIN’ HIS HAND OUT OF HIS JACKET. 186 00:11:31,900 --> 00:11:33,570 I TELL HIM FREEZE AGAIN. 187 00:11:33,600 --> 00:11:36,430 "FREEZE. DON’T MOVE YOUR HAND. 188 00:11:36,470 --> 00:11:38,280 GET ON THE GROUND." 189 00:11:38,300 --> 00:11:40,100 AND HE STARTS JERKING HIS ELBOW OUT 190 00:11:40,140 --> 00:11:42,740 LIKE HE’S TRYIN’ TO DRAW HIS GUN. 191 00:11:45,580 --> 00:11:48,250 AT THAT POINT, I OPENED FIRE. 192 00:11:50,780 --> 00:11:52,280 TAKE A MOMENT. 193 00:11:55,990 --> 00:11:58,340 SO AFTER I FIRED... TWICE... 194 00:11:58,360 --> 00:12:01,500 I APPROACHED WILLIS, WHO WAS ON THE GROUND... 195 00:12:01,530 --> 00:12:04,000 AND CHECKED FOR HIS PULSE... 196 00:12:06,510 --> 00:12:08,940 WHICH HE DIDN’T HAVE ONE. 197 00:12:08,980 --> 00:12:11,150 AND THEN I WENT AFTER WILLIS’ RUNNING BUDDY, 198 00:12:11,180 --> 00:12:13,220 THINKIN’ HE WAS ARMED AS WELL. 199 00:12:14,990 --> 00:12:19,330 DID WILLIS EVER GET THE GUN PAST HIS JACKET TO AIM IT AT YOU? 200 00:12:21,360 --> 00:12:25,830 DID YOU EVER ACTUALLY SEE THE GUN OR JUST WILLIS’ HAND? 201 00:12:25,860 --> 00:12:27,860 I SAW HIS HAND ON A GUN... 202 00:12:27,900 --> 00:12:29,800 ATTEMPTING TO DRAW IT. 203 00:12:29,840 --> 00:12:31,810 AUTOMATIC OR REVOLVER? 204 00:12:33,910 --> 00:12:35,850 I ONLY SAW THE BUTT. 205 00:12:35,870 --> 00:12:37,340 IN YOUR OWN MIND... 206 00:12:37,380 --> 00:12:41,820 WAS THERE ANY COURSE OF ACTION YOU COULD’VE TAKEN BESIDES SHOOTING? 207 00:12:44,250 --> 00:12:46,450 NO. 208 00:12:46,490 --> 00:12:47,930 I DON’T THINK SO. 209 00:12:53,690 --> 00:12:56,860 WHEN THE COLLARS FROM THE DRUG SWEEP ARE BROUGHT IN, 210 00:12:56,900 --> 00:12:59,410 I’LL BE CONDUCTING INTERVIEWS PARALLEL WITH THE SQUAD. 211 00:12:59,430 --> 00:13:01,900 MEANTIME, YOU’RE OFF THE STREETS, 212 00:13:01,930 --> 00:13:04,400 ASSIGNED TO THE STATION HOUSE. 213 00:13:04,440 --> 00:13:07,580 CONSIDER THE INVESTIGATION ONGOING. 214 00:13:19,050 --> 00:13:20,850 YOU WERE WATCHIN’. 215 00:13:20,890 --> 00:13:22,930 YEAH, I WAS WATCHIN’. 216 00:13:22,950 --> 00:13:24,750 HOW DO YOU THINK IT WENT? 217 00:13:24,790 --> 00:13:26,990 NEIL, DID YOU DO WRONG ON THE STREET THIS MORNIN’? 218 00:13:27,030 --> 00:13:28,230 NO. 219 00:13:28,260 --> 00:13:30,090 THEN WHY IN THE HELL 220 00:13:30,130 --> 00:13:33,830 DID YOU LET ANY DOUBT ABOUT THAT IN THE ROOM WITH I. A. B.? 221 00:13:33,870 --> 00:13:36,340 I SAW HIS EYES GO TO GLASS‐‐WILLIS. 222 00:13:36,370 --> 00:13:39,880 I SAW HIS POSTURE, HOW HE REACHED IN HIS JACKET. 223 00:13:39,910 --> 00:13:43,450 IT ALL SAID GUN. 224 00:13:43,480 --> 00:13:48,250 BUT I NEVER SAW THE GUN ENTIRELY. 225 00:13:48,280 --> 00:13:50,250 AND I COULDN’T TELL YOU WITH A PURE HEART 226 00:13:50,280 --> 00:13:52,110 WHETHER HE EVER HAD ONE OR NOT. 227 00:13:52,150 --> 00:13:54,780 NEIL, MY PARTNER AND ME, WE GOT GOOD LEADS IN THIS CASE. 228 00:13:54,820 --> 00:13:57,850 WE THINK WE GOT A WAY TO WILLIS’ GUN AND WILLIS’ RUNNING BUDDY. 229 00:13:57,890 --> 00:14:00,820 YOU JUST SIT TIGHT TILL WE COME IN WITH ’EM. 230 00:14:24,820 --> 00:14:25,820 HIYA. 231 00:14:29,190 --> 00:14:31,160 HOW’S IT GOIN’, VINCE? WHAT ARE YOU DOIN’ HERE? 232 00:14:31,190 --> 00:14:34,490 I’D LIKE YOU TO OPEN UP A CASE FOR ME, ANDY. MAJOR PAIN IN THE BALLS. 233 00:14:34,530 --> 00:14:35,970 I’M WORKIN’ A COP‐SHOT‐A‐GUY. 234 00:14:35,990 --> 00:14:37,960 ANDY, I’M UP TO MY NECK IN HOT WATER. 235 00:14:38,000 --> 00:14:40,740 I’M IN A BIG POT, AND THEY’RE GETTIN’ READY TO BOIL AND EAT ME. 236 00:14:40,770 --> 00:14:42,170 [SIGHS] 237 00:14:44,300 --> 00:14:46,130 RUSSELL’S UP. TALK TO HER. 238 00:14:46,170 --> 00:14:48,470 I’D‐‐I’D PREFER MARTINEZ OR MEDAVOY. 239 00:14:48,510 --> 00:14:52,450 RUSSELL’S UP. HEY, YOU REMEMBER VINCE GOTELLI? 240 00:14:53,850 --> 00:14:55,490 HOW’S IT GOIN’, VINCE? 241 00:14:55,510 --> 00:14:57,480 HE’S ABOUT TO BE BOILED AND EATEN. 242 00:14:57,520 --> 00:15:00,130 WHY DON’T YOU TAKE HIM INSIDE THERE, GET HIM A CUP OF COFFEE? 243 00:15:01,050 --> 00:15:03,020 YOU KNOW MY PARTNER JILL KIRKENDALL. 244 00:15:03,050 --> 00:15:04,090 YEAH. 245 00:15:04,120 --> 00:15:05,320 HEY, VINCE. HOW’S IT GOIN’? 246 00:15:05,360 --> 00:15:06,500 NOT SO HOT. 247 00:15:09,860 --> 00:15:13,030 UNOFFICIALLY, I UNDERSTOOD THAT YOU AND SIMONE WERE MARRIED. 248 00:15:13,060 --> 00:15:15,000 UH... 249 00:15:15,030 --> 00:15:15,960 THAT’S RIGHT. 250 00:15:16,000 --> 00:15:18,200 IN ANY REGARD, MY CONDOLENCES. 251 00:15:18,240 --> 00:15:19,610 THANKS. 252 00:15:19,640 --> 00:15:22,540 I, UH, HOPE THE UNION WAS HELPFUL AFTER HE PASSED. 253 00:15:22,570 --> 00:15:23,870 YEAH, THEY WERE. 254 00:15:23,910 --> 00:15:25,840 YOU KNOW, I WAS FORMERLY A DELEGATE. 255 00:15:25,880 --> 00:15:29,620 WHAT DID YOU WANT TO SEE US ABOUT, VINCE? 256 00:15:29,650 --> 00:15:31,650 WELL...AS YOU KNOW, 257 00:15:31,680 --> 00:15:34,820 I’M AN INDEPENDENT INSURANCE ADJUSTER, 258 00:15:34,850 --> 00:15:37,850 AND ONE OF MY CONTRACTS IS WITH VIGILANCE LIFE. 259 00:15:37,890 --> 00:15:40,560 THEY IN TURN INSURE ROMA AUTO LEASING, 260 00:15:40,590 --> 00:15:44,790 WHICH HAS A TOYOTA CAMRY ON A 12‐MONTH LEASE TO A MOBBED‐UP MORON 261 00:15:44,830 --> 00:15:48,400 KEEPS REPEATEDLY GETTING THE CRAP BEAT OUT OF THE VEHICLE. 262 00:15:48,430 --> 00:15:51,370 CRAP BEAT OUT, LIKE, UH...SLASHED TIRES? 263 00:15:51,400 --> 00:15:54,700 WELL, SOUP‐TO‐NUTS IS WHAT HAPPENS TO THAT CAR. 264 00:15:54,740 --> 00:15:56,200 YOU KNOW? BUSTED WINDSHIELD, 265 00:15:56,240 --> 00:15:58,340 UH, SLASHED UPHOLSTERY. 266 00:15:58,380 --> 00:16:02,350 WE’RE TALKIN’, UH, 3 VANDALISMS IN THE LAST 3 MONTHS. 267 00:16:02,380 --> 00:16:05,150 HUH? AND THEN AGAIN 2 NIGHTS AGO. 268 00:16:05,180 --> 00:16:07,020 THE MOBBED‐UP GUY COOPERATING WITH YOU? 269 00:16:07,050 --> 00:16:09,220 YEAH, HE COOPERATES ASKIN’ TO GET HIS CAR REPAIRED. 270 00:16:09,250 --> 00:16:12,220 WHAT HE DON’T COOPERATE WITH IS WHO’S WORKIN’ OUT ON THE CAMRY 271 00:16:12,260 --> 00:16:13,570 WITH THE LOUISVILLE SLUGGER. 272 00:16:13,590 --> 00:16:15,920 YOU THINK HIS CAR TROUBLES ARE WORK‐RELATED? 273 00:16:15,960 --> 00:16:18,690 WORK‐RELATED CAR PROBLEMS IN HIS CHOSEN FIELD 274 00:16:18,730 --> 00:16:20,730 USUALLY INVOLVES AN EXPLOSION. 275 00:16:20,770 --> 00:16:22,740 I THINK IT’S THE DOWNSTAIRS NEIGHBOR. 276 00:16:22,770 --> 00:16:24,400 THEY’VE GOT SOME ONGOING DISPUTE 277 00:16:24,440 --> 00:16:26,380 OVER WHO DRIES THEIR LAUNDRY WHEN. 278 00:16:26,410 --> 00:16:28,710 WHAT DO YOU WANT US TO DO, VINCE? 279 00:16:28,740 --> 00:16:32,370 WELL...MAYBE TRY TO GET THE MOBBED‐UP GUY TO FILE A COMPLAINT, 280 00:16:32,410 --> 00:16:35,410 GET THE WHEELS OF JUSTICE TURNING. 281 00:16:35,450 --> 00:16:36,920 OK. 282 00:16:40,620 --> 00:16:41,920 ALL RIGHT. 283 00:16:41,950 --> 00:16:44,420 THE MOBBED‐UP GUY’S MESSINA. 284 00:16:44,460 --> 00:16:46,600 DOWNSTAIRS NEIGHBOR’S GROTOWSKI. 285 00:16:46,630 --> 00:16:48,600 MAYBE YOU COULD BRING THE BOTH OF THEM IN. 286 00:16:48,630 --> 00:16:51,600 OTHERWISE, I’M GONNA LOSE THAT VIGILANCE ACCOUNT. 287 00:16:57,470 --> 00:17:00,940 I WANT BAKER RIGHT ON THE D. O. A. HAVIN’ A PIECE, 288 00:17:00,970 --> 00:17:02,940 BUT SOMETHING’S HANGIN’ OVER HIM. 289 00:17:02,970 --> 00:17:06,170 NOT EVERYBODY’S SUPPOSED TO BE A COP. 290 00:17:10,780 --> 00:17:12,920 [CLEARS THROAT] 291 00:17:16,020 --> 00:17:17,990 WHAT ARE YOU DOIN’? 292 00:17:19,660 --> 00:17:21,320 WORKING AT MY DESK. 293 00:17:25,460 --> 00:17:27,100 AND FILING. 294 00:17:35,270 --> 00:17:40,240 I, UH, I’VE BEEN HAVIN’ A DREAM COMIN’ UP ON ME. 295 00:17:40,280 --> 00:17:41,840 HOW DO YOU MAKE OUT? 296 00:17:41,880 --> 00:17:44,450 NOT THAT TYPE. 297 00:17:44,480 --> 00:17:47,180 IT’S OFF ALL THAT MESS WITH DORNAN. 298 00:17:48,990 --> 00:17:52,530 IN THE DREAM, DORNAN PUTS MY OLD MAN’S EYE OUT. 299 00:17:52,560 --> 00:17:55,990 MY OLD MAN LOST HIS EYE WHEN I WAS A KID. 300 00:17:56,030 --> 00:17:58,000 HE READ METERS FOR THE GAS COMPANY, 301 00:17:58,030 --> 00:18:01,160 AND ONE OF ’EM PUT HIS EYE OUT IN A PROJECT 302 00:18:01,200 --> 00:18:02,470 WITH A CLAW HAMMER. 303 00:18:02,500 --> 00:18:03,770 A BLACK GUY. 304 00:18:03,800 --> 00:18:05,770 HEY... 305 00:18:05,800 --> 00:18:09,070 YOU DO THIS. YOU DON’T USE THAT LANGUAGE. 306 00:18:12,140 --> 00:18:13,310 [SIGHS] 307 00:18:13,340 --> 00:18:15,310 ANYWAYS, DORNAN PUT YOUR DAD’S EYE OUT. 308 00:18:15,350 --> 00:18:18,520 WHAT I DON’T GET, DORNAN DON’T SEEM THE TYPE. 309 00:18:18,550 --> 00:18:20,350 HE SEEMS LIKE A RIGHT GUY. 310 00:18:20,390 --> 00:18:22,460 HE DOES SEEM LIKE A RIGHT GUY. 311 00:18:22,490 --> 00:18:24,650 HOW’S HE ACCOUNT FOR IT IN THE DREAM? 312 00:18:24,690 --> 00:18:26,560 HE DON’T SAY ANYTHING. HE’S NOT IN IT. 313 00:18:26,590 --> 00:18:30,330 MY POP JUST SAYS, "YOUR BUDDY DORNAN DID THIS." 314 00:18:30,360 --> 00:18:31,860 [TELEPHONE RINGS] 315 00:18:35,370 --> 00:18:37,610 15th SQUAD. 316 00:18:39,840 --> 00:18:41,170 WHAT’S HE WEARIN’? 317 00:18:45,380 --> 00:18:47,890 YOU’RE THE MAN, J. B. 318 00:18:47,910 --> 00:18:48,880 PURCELL WATKINS. 319 00:18:48,910 --> 00:18:50,880 IS WHO? 320 00:18:50,920 --> 00:18:52,690 HE DROPPED THE DIME TO 911 TO GET THE SECTOR CARS ROLLING. 321 00:18:52,720 --> 00:18:56,150 HE’S AT THAT HALF‐ASSED VIDEO ARCADE ON FOURTH STREET. 322 00:18:56,190 --> 00:19:00,400 TRY TO GET THEM 911 TAPES FROM COMMUNICATIONS. 323 00:19:00,430 --> 00:19:03,370 HEY. RESUME YOUR POSITION. 324 00:19:22,550 --> 00:19:25,280 IF YOU’RE BUSY, THIS IS AN ABSOLUTELY UNNECESSARY COMMUNICATION, 325 00:19:25,320 --> 00:19:28,630 BUT...I DID WANT TO GIVE YOU SORT OF A STATUS REPORT, 326 00:19:28,650 --> 00:19:32,220 WHICH IS JUST TO SAY HOW HAPPY I AM TO BE WORKING IN THE SQUAD 327 00:19:32,260 --> 00:19:33,770 AND THE SENSE I HAVE, 328 00:19:33,790 --> 00:19:35,090 WITHOUT BEING A POLLYANNA, 329 00:19:35,130 --> 00:19:36,970 THAT I HOPE I’M FITTING IN. 330 00:19:39,300 --> 00:19:41,370 JUST AS AN EXAMPLE, 331 00:19:41,400 --> 00:19:43,870 A LITTLE EARLIER, I SENSED THAT DETECTIVE SIPOWICZ 332 00:19:43,900 --> 00:19:46,030 WANTED TO HAVE A PRIVATE MOMENT WITH DETECTIVE SORENSON, 333 00:19:46,070 --> 00:19:47,700 AND INSTEAD OF ITS BEING AWKWARD, 334 00:19:47,740 --> 00:19:50,940 I THINK I WAS ABLE TO MAKE A LITTLE JOKE ABOUT IT 335 00:19:50,980 --> 00:19:53,120 AND GIVE THEM THEIR SPACE, AND... 336 00:19:53,140 --> 00:19:55,040 I HAD THE FEELING AFTERWARD, 337 00:19:55,080 --> 00:19:57,050 A‐AS THEY LEFT TO PICK UP A SUSPECT, 338 00:19:57,080 --> 00:20:00,720 THAT DETECTIVE SIPOWICZ MADE A LITTLE TEASING REMARK, 339 00:20:00,750 --> 00:20:03,990 WHICH I THINK WAS ACTUALLY AN ACKNOWLEDGMENT OF SOME SORT 340 00:20:04,020 --> 00:20:06,420 OF THE EFFORT I’D MADE BEFORE. 341 00:20:23,340 --> 00:20:25,610 SIT DOWN. 342 00:20:27,010 --> 00:20:29,580 SORRY WE DON’T GOT NONE OF THOSE STUPID EARPHONES 343 00:20:29,620 --> 00:20:31,590 FOR YOU TO LISTEN TO THIS WITH. 344 00:20:31,620 --> 00:20:33,430 Purcell on tape: THEY’RE DEALIN’ DRUGS OUT THERE ON THAT CORNER. 345 00:20:33,450 --> 00:20:35,750 ONE’S IN A GREEN HAT AND A BLUE JACKET. 346 00:20:35,790 --> 00:20:37,430 HIS GUN’S IN THE BACK, IN HIS PANTS. 347 00:20:37,460 --> 00:20:39,260 WHO’S THAT SUPPOSED TO BE? 348 00:20:39,290 --> 00:20:41,860 THAT’S YOU, PURCELL, LOOKIN’ TO GET THE COPS ROLLIN’ UP ON THE CORNER 349 00:20:41,890 --> 00:20:44,590 SO BILLY WILLIS WILL DROP HIS DOPE AND YOU CAN PICK IT UP. 350 00:20:44,630 --> 00:20:47,100 EXCEPT HOW IT WENT DOWN ON THIS PARTICULAR OCCASION, 351 00:20:47,130 --> 00:20:50,530 BILLY GOT SHOT, AND YOU’RE LOOKING AT ACCESSORY TO MURDER. 352 00:20:50,570 --> 00:20:51,930 THAT AIN’T MY VOICE. 353 00:20:51,970 --> 00:20:53,440 THAT IS YOUR VOICE, 354 00:20:53,470 --> 00:20:57,110 IDENTIFIED BY 3 SEPARATE FORENSIC LABORATORIES. 355 00:20:57,140 --> 00:21:00,210 AND HOW YOU GO FROM ACCESSORY TO MURDER 356 00:21:00,250 --> 00:21:01,890 TO JUST A BYSTANDING SCAMMER 357 00:21:01,910 --> 00:21:03,550 IS GIVIN’ UP THE STRAIGHT STORY 358 00:21:03,580 --> 00:21:06,820 ON HOW THAT SHOOTING WENT DOWN. 359 00:21:10,820 --> 00:21:13,290 HERE I GO. A MINUTE AFTER THAT PHONE CALL, 360 00:21:13,320 --> 00:21:16,460 A COP WALKED UP ON BILLY, WHICH I’M, LIKE, 361 00:21:16,500 --> 00:21:18,240 "DAMN, THAT’S SOME FAST POLICE RESPONSE." 362 00:21:18,260 --> 00:21:21,460 COP’S LIKE, "FREEZE. HANDS WHERE I CAN SEE ’EM. FREEZE. FREEZE." 363 00:21:21,500 --> 00:21:23,830 BUT BILLY KEEP BACKIN’ AWAY AND PUT HIS HAND IN HIS JACKET. 364 00:21:23,870 --> 00:21:25,630 WHO GRABBED UP WILLIS’ GUN 365 00:21:25,670 --> 00:21:27,370 AFTER THE COP PUT WILLIS DOWN? 366 00:21:27,410 --> 00:21:29,850 HOW AM I GONNA DO THAT AND KEEP MY SELF‐RESPECT? 367 00:21:29,880 --> 00:21:32,320 HOW MUCH SELF‐RESPECT YOU GONNA HAVE IN THE JOINT 368 00:21:32,340 --> 00:21:34,310 AFTER THEY BUST YOU WIDE OPEN 369 00:21:34,350 --> 00:21:37,520 AND YOU’RE WEARING DIAPERS FOR UNDERGARMENTS? 370 00:21:41,520 --> 00:21:43,990 AFTER THE COP PUT BILLY DOWN AND WENT AFTER BILLY’S BUDDY, 371 00:21:44,020 --> 00:21:46,920 JEROME BANKS WENT THROUGH BILLY’S POCKET. HE’S WHO GOT THE GUN. 372 00:21:46,960 --> 00:21:48,820 JEROME BANKS. 373 00:21:48,860 --> 00:21:51,360 HE STASHED IT WHERE HIS GIRLFRIEND’S AT. 374 00:21:51,400 --> 00:21:53,070 APARTMENT 3‐B. 375 00:21:53,100 --> 00:21:54,560 I DON’T KNOW THE STREET NUMBER, 376 00:21:54,600 --> 00:21:56,100 BUT I’LL TAKE YOU TO THE BUILDING. 377 00:21:56,130 --> 00:21:57,070 LET’S DO IT. 378 00:21:57,100 --> 00:21:59,100 WE WAS JUST LOOKIN’ FOR FREE DOPE. 379 00:21:59,140 --> 00:22:00,710 THAT COP WALKED UP. 380 00:22:00,740 --> 00:22:03,670 I WAS BEGGIN’ BILLY IN MY HEAD, "PLEASE, JUST DO WHAT THE COP SAY." 381 00:22:03,710 --> 00:22:04,910 BUT HE WON’T DO IT. 382 00:22:06,040 --> 00:22:08,340 THEN BAM. 383 00:22:08,380 --> 00:22:09,340 GAME OVER. 384 00:22:09,380 --> 00:22:12,050 YEAH. GAME OVER FOR BILLY. 385 00:22:40,750 --> 00:22:42,960 I WANT TO TALK TO RUSSELL KIRKENDALL. 386 00:22:42,980 --> 00:22:44,750 EXCUSE ME? 387 00:22:44,780 --> 00:22:46,210 I’M ANTHONY MESSINA. 388 00:22:46,250 --> 00:22:50,790 MY INSURANCE AGENT TURNED OVER MY FILE TO RUSSELL KIRKENDALL. 389 00:22:50,820 --> 00:22:54,920 I’M HERE CLEARING THE AIR BEFORE THIS DETERIORATES ANY FURTHER DIRECTIONS. 390 00:22:54,960 --> 00:22:57,330 IS VINCE GOTELLI YOUR INSURANCE AGENT? 391 00:22:57,360 --> 00:22:58,390 YEAH, CORRECT. 392 00:22:58,430 --> 00:22:59,400 I’M DIANE RUSSELL. 393 00:22:59,430 --> 00:23:01,130 THIS IS MY PARTNER JILL KIRKENDALL. 394 00:23:01,170 --> 00:23:02,140 HI. 395 00:23:02,170 --> 00:23:03,240 ANTHONY MESSINA. 396 00:23:03,270 --> 00:23:04,800 MY IMPRESSIONS WITH THIS GOTELLI GUY‐‐ 397 00:23:04,840 --> 00:23:07,580 PAR FOR THE COURSE, SCREWING UP YOUR NAMES. 398 00:23:07,610 --> 00:23:08,810 WHERE WE GONNA TALK? 399 00:23:08,840 --> 00:23:10,010 YOU WANT TO TALK HERE? 400 00:23:10,040 --> 00:23:13,840 I’LL TALK WHEREVER YOU WANT TO TALK. 401 00:23:13,880 --> 00:23:15,440 MY STORY AIN’T CHANGING. 402 00:23:18,450 --> 00:23:20,520 EVERYBODY READY? 403 00:23:20,550 --> 00:23:23,020 GO AHEAD. 404 00:23:23,050 --> 00:23:26,120 NONE OF THIS IS GONNA WORK‐‐ 405 00:23:26,160 --> 00:23:28,130 HOWEVER I’M BEIN’ SET UP. 406 00:23:28,160 --> 00:23:31,830 THEY CAN MOVE IN 5 MORE FBI POLACKS OR IRS POLACKS, 407 00:23:31,860 --> 00:23:35,430 OR WHATEVER THE HELL AGENCY THEY GOT TO WORK ON IT, 408 00:23:35,470 --> 00:23:37,880 TO BEAT ON MY WINDSHIELD FOR 10 MORE YEARS‐‐ 409 00:23:37,900 --> 00:23:40,440 ALL I’M GONNA DO IS KEEP FILING INSURANCE CLAIMS. 410 00:23:40,470 --> 00:23:42,370 I AM NOT GETTING PROVOKED. 411 00:23:42,410 --> 00:23:45,770 I’M MAKING NO MISTAKE THAT GETS MY PAROLE REVOKED. 412 00:23:45,810 --> 00:23:47,940 I AM NOT GONNA GET LOCKED UP, 413 00:23:47,980 --> 00:23:50,850 AND I AM NOT PUTTING MYSELF IN A POSITION TO FLIP ON RONNIE PERSICO, 414 00:23:50,880 --> 00:23:54,180 BECAUSE I AM NOT AN IDIOT, ALL RIGHT? 415 00:23:54,220 --> 00:23:55,480 DO YOU WANT SOME WATER? 416 00:23:55,520 --> 00:23:56,850 AND YOU CAN JUST TELL THEM 417 00:23:56,890 --> 00:23:58,620 THAT THEY CAN KEEP WASTING THEIR FILM IN THAT SURVEILLANCE CAMERA 418 00:23:58,660 --> 00:24:00,630 THAT THEY PUT IN THAT FALSE TRANSFORMER 419 00:24:00,660 --> 00:24:04,190 ON THE ELECTRICAL POLE THAT THEY PUT UP IN MY BACKYARD LAST YEAR. 420 00:24:04,230 --> 00:24:07,300 ANTHONY MESSINA AIN’T MAKIN’ A MISTAKE. 421 00:24:07,330 --> 00:24:10,030 ARE YOU SURE THAT’S NOT A REAL TRANSFORMER, ANTHONY? 422 00:24:10,070 --> 00:24:12,540 DO I LOOK I COULD SHIMMY UP THE POLE AND CHECK FOR MYSELF? 423 00:24:12,570 --> 00:24:14,500 I WANT NO FURTHER CONTACT ON THIS! 424 00:24:14,540 --> 00:24:16,170 COULD I FLOAT AN IDEA WITH YOU, ANTHONY? 425 00:24:16,210 --> 00:24:17,880 THEN I’M GONNA LEAVE. 426 00:24:17,910 --> 00:24:19,980 IF YOUR DOWNSTAIRS NEIGHBOR IS WORKING FOR THE FBI, 427 00:24:20,010 --> 00:24:23,310 OR IF HE’S JUST PISSED OFF ’CAUSE YOUR LAUNDRY’S DRIPPING ON HIS‐‐ 428 00:24:23,350 --> 00:24:25,810 YEAH, YEAH, YEAH, THAT COCK‐AND‐BULL STORY. 429 00:24:25,850 --> 00:24:28,020 KNOWING THAT IT’S HIM VANDALIZING YOUR CAR, 430 00:24:28,050 --> 00:24:30,650 AS OPPOSED TO DOING SOMETHING THAT’LL GET YOU LOCKED UP, 431 00:24:30,690 --> 00:24:32,990 WHY NOT FILE A CRIMINAL COMPLAINT? 432 00:24:33,020 --> 00:24:34,490 HEY, EVERYBODY’S GOTTA WORK 433 00:24:34,530 --> 00:24:37,170 THEIR OWN SIDE OF THE STREET. 434 00:24:37,200 --> 00:24:39,170 IF HE WAS BEATING UP YOUR WINDSHIELD, 435 00:24:39,200 --> 00:24:42,070 WOULD YOU HIRE ME TO SHOOT HIM IN THE HEAD? 436 00:24:49,070 --> 00:24:51,010 PURCELL GOT THIS TO ANSWER FOR. 437 00:24:51,040 --> 00:24:52,440 YEAH, YOU GUYS CAN EXCHANGE HATE MAIL 438 00:24:52,480 --> 00:24:53,580 FROM YOUR VARIOUS JAILS. 439 00:24:53,610 --> 00:24:55,440 I’M SAYING HE RATTED ME OUT, 440 00:24:55,480 --> 00:24:57,250 AND YOU STILL LOCKED HIM UP. 441 00:24:57,280 --> 00:24:59,050 HOW AM I SUPPOSED TO COOPERATE OFF THAT? 442 00:24:59,080 --> 00:25:00,350 HOW ’BOUT ’CAUSE IF YOU DON’T, 443 00:25:00,390 --> 00:25:02,190 YOU’RE AN ACCESSORY TO BILLY WILLIS’ DEATH? 444 00:25:02,220 --> 00:25:03,350 I DIDN’T KILL NOBODY. 445 00:25:03,390 --> 00:25:06,020 NO, YOU SEE, IF YOU KILLED SOMEBODY, JEROME, 446 00:25:06,060 --> 00:25:07,530 THAT WOULD MAKE YOU A MURDERER. 447 00:25:07,560 --> 00:25:09,390 WHAT MAKES YOU AN ACCESSORY 448 00:25:09,430 --> 00:25:11,390 IS GLOMMING UP BILLY WILLIS’ PIECE 449 00:25:11,430 --> 00:25:13,460 AFTER THAT COP HAD TO SHOOT HIM. 450 00:25:13,500 --> 00:25:15,530 HOW YOU COME TO ME BEING ACCESSORY 451 00:25:15,570 --> 00:25:17,480 OFF NOT FINDING NO PIECE IN CLARICE’S APARTMENT, 452 00:25:17,500 --> 00:25:19,070 EVEN THOUGH YOU TEAR IT APART? 453 00:25:19,100 --> 00:25:20,700 ’CAUSE WE GOT NUMEROUS EYEWITNESSES 454 00:25:20,740 --> 00:25:23,470 TO YOU GRABBING UP BILLY WILLIS’ GUN ON THAT STREET 455 00:25:23,510 --> 00:25:24,740 AFTER BILLY WILLIS GOT SHOT. 456 00:25:24,780 --> 00:25:28,590 THAT’S PURCELL, TOO, YOUR "NUMEROUS EYEWITNESSES." 457 00:25:28,610 --> 00:25:30,480 WHAT THE HELL ARE YOU AND CLARICE DOING 458 00:25:30,520 --> 00:25:32,220 WITH A 14‐MONTH‐OLD BABY, ANYWAYS? 459 00:25:32,250 --> 00:25:34,080 WHAT ARE YOU, A FAST 15? 460 00:25:34,120 --> 00:25:37,290 I’M 16, ON MY OWN, AND A MAN SINCE I’M 12. 461 00:25:37,320 --> 00:25:38,290 MAN HAVE CHILDREN. 462 00:25:38,320 --> 00:25:39,960 MAN GO TO JAIL, ALSO, JEROME, 463 00:25:39,990 --> 00:25:42,390 UNLESS HE HELPS US WITH THAT PIECE HE GRABBED UP 464 00:25:42,430 --> 00:25:44,960 AND MAYBE ALSO KICKS IN WHAT HE SAW GO DOWN 465 00:25:45,000 --> 00:25:47,810 AS FAR AS BILLY WILLIS FORCING THAT COP’S HAND. 466 00:25:47,830 --> 00:25:50,430 OH, IS THAT WHAT HAPPENED? IS IT? YOU TELL US. 467 00:25:50,470 --> 00:25:53,100 TELL YOU? WHY? I DON’T HEAR NO ASSURANCES. 468 00:25:53,140 --> 00:25:56,970 RIGHT NOW THE BIG ASSURANCE YOU GOT IS IF YOU DON’T TELL US, 469 00:25:57,010 --> 00:26:00,110 YOUR NUTS ARE GONNA LOOK LIKE THAT SCAVENGER DOG 470 00:26:00,150 --> 00:26:02,520 AFTER HE GETS FLATTENED IN THEM CARTOONS. 471 00:26:02,550 --> 00:26:03,980 JEROME, BILLY WILLIS’ PIECE 472 00:26:04,020 --> 00:26:06,320 AND WHAT HAPPENED ON THE STREET, YOU SKATE. 473 00:26:10,790 --> 00:26:13,790 FAR AS BILLY WILLIS, HE WAS ALL CRACKED UP. 474 00:26:13,830 --> 00:26:15,970 FACEDOWN POLICE, YOU ASKING TO DIE. 475 00:26:15,990 --> 00:26:17,590 DID BILLY WILLIS DRAW HIS GUN? 476 00:26:17,630 --> 00:26:19,630 HE WAS REACHING. WHERE’S THAT GUN NOW? 477 00:26:22,130 --> 00:26:23,530 SEVENTH AND C. 478 00:26:23,570 --> 00:26:27,140 I GOT THIS OTHER GIRL... CHANEL. 479 00:26:27,170 --> 00:26:28,540 WE GOT A BABY, TOO. 480 00:26:28,570 --> 00:26:31,770 GUN’S IN THE BABY’S CRIB UNDERNEATH THE MATTRESS. 481 00:26:31,810 --> 00:26:34,010 WRITE CHANEL’S ADDRESS. 482 00:26:35,080 --> 00:26:36,550 15 YEARS OLD. 483 00:26:36,580 --> 00:26:39,280 GOT CHILDREN BY 2 DIFFERENT WOMEN. 484 00:26:39,320 --> 00:26:40,360 I’M 16. 485 00:26:40,390 --> 00:26:42,060 WILE E. COYOTE. 486 00:26:42,090 --> 00:26:43,460 WHAT? 487 00:26:43,490 --> 00:26:45,450 THE SCAVENGER DOG IN THE CARTOON 488 00:26:45,490 --> 00:26:46,520 IS WILE E. COYOTE. 489 00:26:50,060 --> 00:26:51,290 YOU GOT A MINUTE? 490 00:26:51,330 --> 00:26:53,060 YEAH, SURE. 491 00:26:53,100 --> 00:26:55,030 I KNOW HER ADDRESS AND APARTMENT NUMBER 492 00:26:55,070 --> 00:26:56,480 BECAUSE I PAY THE RENT. 493 00:26:56,500 --> 00:26:58,630 YEAH, YOU’RE FATHER OF THE YEAR. 494 00:26:58,670 --> 00:27:01,470 YOU GOT A C.I. NAMED J. B. MURPHY? 495 00:27:01,510 --> 00:27:02,580 WHAT DID HE DO? 496 00:27:02,610 --> 00:27:04,310 HE TRANSACTED IN PLAIN SIGHT. 497 00:27:04,340 --> 00:27:06,640 COLLARED HIM IN THIS DEAL WITH SHAWN JACKSON. 498 00:27:06,680 --> 00:27:08,640 THIS J. B. KEEPS PISSING AND MOANING, 499 00:27:08,680 --> 00:27:10,650 "TALK TO DANNY SORENSON, TALK TO DANNY SORENSON." 500 00:27:10,680 --> 00:27:11,980 OUT LOUD? 501 00:27:12,020 --> 00:27:14,160 OUT LOUD TILL I NEARLY GAVE HIM A SMACK TO SHUT HIM UP. 502 00:27:14,190 --> 00:27:15,990 HE COULD’VE BEEN WORKING SOMETHING OUT THERE, SHANNON, 503 00:27:16,020 --> 00:27:18,050 LOOKING TO GET HIMSELF BUSTED. 504 00:27:18,090 --> 00:27:19,720 COULD YOU HOLD OFF ON VOUCHERING THE DOPE HE COPPED 505 00:27:19,760 --> 00:27:21,090 TILL I SEE WHAT’S WHAT? 506 00:27:21,130 --> 00:27:23,940 SURE. HE’S IN THE HOLDING CELL NEXT TO THE OTHER MOPE. 507 00:27:23,960 --> 00:27:26,560 YEAH, THE OTHER MOPE MAY BE WHO HE WANTS ME TO SEE. 508 00:27:26,600 --> 00:27:27,500 APPRECIATE IT. 509 00:27:27,530 --> 00:27:29,400 HOW’S YOUR SISTER? 510 00:27:29,440 --> 00:27:31,710 GOOD. SHE’S GOOD. 511 00:27:43,720 --> 00:27:47,060 DANNY, CAN YOU HELP ME OUT HERE? 512 00:27:47,090 --> 00:27:48,860 HELP YOU OUT, J. B.? 513 00:27:48,890 --> 00:27:51,260 WHAT DO YOU GOT TO MAKE IT WORTH MY WHILE? 514 00:27:51,290 --> 00:27:53,090 HEY, I BANKED PLENTY OF FAVORS WITH YOU. 515 00:27:53,120 --> 00:27:55,190 THERE GOES MY ALZHEIMER’S KICKING IN. 516 00:27:55,230 --> 00:27:56,970 YOU GOT NOTHING FRESH FOR ME, 517 00:27:57,000 --> 00:27:58,300 I’LL SEE YOU IN SEVERAL MONTHS. 518 00:27:58,330 --> 00:28:00,230 AW, I CAN’T BELIEVE THIS! 519 00:28:00,270 --> 00:28:01,310 BELIEVE IT, J. B. 520 00:28:01,330 --> 00:28:02,930 WATCH ME WALK AWAY. 521 00:28:08,110 --> 00:28:09,920 WHAT? 522 00:28:09,940 --> 00:28:11,270 [MOUTHING THE WORDS] 523 00:28:11,310 --> 00:28:13,240 [NO SOUND] 524 00:28:13,280 --> 00:28:15,640 [WHISPERING] That the cop shot in the street. 525 00:28:15,680 --> 00:28:18,380 He said you all wanted information on that. 526 00:28:18,420 --> 00:28:21,390 MAN, YOU WANT TO TALK OR WHAT? 527 00:28:21,420 --> 00:28:23,050 SURE. LET’S CHAT. 528 00:28:23,090 --> 00:28:24,420 KEYS. 529 00:28:28,830 --> 00:28:30,140 YOU GONNA BEHAVE YOURSELF? 530 00:28:30,160 --> 00:28:31,830 YOU KNOW IT. 531 00:28:31,860 --> 00:28:33,900 MAKE ’EM PUT IT IN WRITING, JACKSON. 532 00:28:33,930 --> 00:28:35,700 SORE LOSER. 533 00:28:39,040 --> 00:28:41,310 HAVE A SEAT, MR. GROTOWSKI. 534 00:28:41,340 --> 00:28:42,340 YOU DON’T THINK SCRAP IRON’S 535 00:28:42,370 --> 00:28:43,470 A REAL BUSINESS? 536 00:28:43,510 --> 00:28:46,610 SURE, WE DO. WE APPRECIATE YOUR COMING IN. 537 00:28:47,880 --> 00:28:50,250 YOU KNOW, THERE’S BEEN A RASH OF AUTO VANDALISM 538 00:28:50,280 --> 00:28:51,480 AROUND YOUR RESIDENCE. 539 00:28:51,520 --> 00:28:53,930 SPECIFICALLY, YOUR UPSTAIRS NEIGHBOR’S CAR, 540 00:28:53,950 --> 00:28:55,250 ANTHONY MESSINA. 541 00:28:55,290 --> 00:28:58,260 YOU MEAN THE GODFATHER, SCARFACE, AL CAPONE. 542 00:28:58,290 --> 00:29:01,260 YOU’RE AWARE MR. MESSINA’S CAR HAS BEEN VANDALIZED 543 00:29:01,290 --> 00:29:03,330 3 TIMES IN THE LAST SEVERAL MONTHS? 544 00:29:03,360 --> 00:29:06,160 BEING MR. MESSINA’S DOWNSTAIRS NEIGHBOR, 545 00:29:06,200 --> 00:29:07,840 HAVE THE TWO OF YOU HAD ANY PROBLEMS? 546 00:29:07,870 --> 00:29:12,780 THE ONLY PROBLEM I GOT IS HIS LAUNDRY DRIP, DRIP, DRIPS ONTO OURS, 547 00:29:12,800 --> 00:29:16,370 ’CAUSE MY WIFE HANGS OURS OUT AT A DECENT HOUR, 548 00:29:16,410 --> 00:29:18,940 NOT LIKE HIS GUINEA MOBSTER WIFE 549 00:29:18,980 --> 00:29:22,190 WHO SLEEPS TILL 11:00, DOES THE WASH THE AFTERNOON. 550 00:29:22,210 --> 00:29:25,180 YOU EVER TAKEN A FEW WHACKS ON HIS CAR 551 00:29:25,220 --> 00:29:27,530 WITH A BASEBALL BAT OVER HIS WASH 552 00:29:27,550 --> 00:29:29,790 DRIP, DRIP, DRIPPING ONTO YOURS? 553 00:29:29,820 --> 00:29:33,520 HEY, WHY DON’T YOU SUSPECT SOME OF HIS GUINEA MOBSTER FRIENDS? 554 00:29:33,560 --> 00:29:36,460 I’M JUST AN IGNORANT POLACK RUNS A SCRAP IRON BUSINESS. 555 00:29:36,500 --> 00:29:40,140 NO, MR. GROTOWSKI, YOU’RE THE DOWNSTAIRS NEIGHBOR WITH A TEMPER 556 00:29:40,170 --> 00:29:42,880 WHO’S LAUNDRY IS GETTING DRIPPED, DRIPPED, DRIPPED ON, 557 00:29:42,900 --> 00:29:45,330 AND IF MR. MESSINA’S CAR GETS SMASHED UP AGAIN, 558 00:29:45,370 --> 00:29:47,300 IT’S YOU WE’RE GONNA COLLAR. 559 00:29:47,340 --> 00:29:49,810 SO THIS GUY GETS MENTIONED ON ALL THE NEWS SHOWS, 560 00:29:49,840 --> 00:29:51,470 BEING MOB CONNECTED AND THIS AND THAT, 561 00:29:51,510 --> 00:29:54,310 AND I’M THE ONE YOU’RE GONNA ARREST? 562 00:29:54,350 --> 00:29:57,920 IF YOU GO AFTER HIS CAR AGAIN, ABSOLUTELY. 563 00:29:59,080 --> 00:30:00,080 THROUGH? 564 00:30:00,120 --> 00:30:01,850 YEAH, WE’RE THROUGH. 565 00:30:08,030 --> 00:30:10,170 THIS GUY’S LIABLE TO PARLAY A BEEF OVER HIS LAUNDRY 566 00:30:10,200 --> 00:30:12,170 INTO A BULLET IN HIS EAR 567 00:30:12,200 --> 00:30:13,510 AND A TV GUIDE STUFFED IN HIS MOUTH. 568 00:30:13,530 --> 00:30:16,360 HOPE VINCE’S COMPANY CARRIES HIS LIFE INSURANCE. 569 00:30:31,050 --> 00:30:32,450 HOW’D YOU DO? 570 00:30:32,480 --> 00:30:34,420 RIGHT WHERE JEROME SAID IT’D BE, 571 00:30:34,450 --> 00:30:35,850 RIGHT UNDER THE MATTRESS 572 00:30:35,890 --> 00:30:37,030 IN THE BABY’S CRIB. 573 00:30:37,060 --> 00:30:38,860 PUTTIN’ THE GUN UNDER A KID’S MATTRESS! 574 00:30:38,890 --> 00:30:42,490 MY C.I. BROUGHT IN THIS DEAD WILLIS’ RUNNING BUDDY. 575 00:30:48,070 --> 00:30:50,380 WE TOOK A COLLAR WITH THE GUY. 576 00:30:50,400 --> 00:30:53,040 I SHOULD’VE STOPPED AT A GIFT SHOP TO BUY A BOW 577 00:30:53,070 --> 00:30:55,070 WE COULD PUT AROUND ALL THIS FOR MARTENS. 578 00:30:57,180 --> 00:31:00,550 THIS STILL DON’T REFUTE WHAT YOU WERE THINKING OUT LOUD BEFORE, ANDY. 579 00:31:00,580 --> 00:31:03,780 MAYBE BAKER’S NOT SUPPOSED TO BE A COP. 580 00:31:03,820 --> 00:31:06,530 LEAVE THAT TO THE RAT SQUAD TO DECIDE. 581 00:31:13,590 --> 00:31:18,230 HEY, UH, I APPRECIATE YOUR LISTENING 582 00:31:18,260 --> 00:31:23,530 WHEN I WAS RATTLING ON BEFORE ABOUT MY DREAM LIFE. 583 00:31:24,770 --> 00:31:26,200 SURE. 584 00:31:30,110 --> 00:31:32,110 MAYBE YOU CALL DORNAN. 585 00:31:34,110 --> 00:31:35,940 FOR WHAT? 586 00:31:35,980 --> 00:31:39,580 MAYBE YOUR DREAM’S SAYIN’ CALL HIM. 587 00:31:39,620 --> 00:31:41,250 YEAH, I’LL TELL HIM I’VE BEEN DREAMING ABOUT HIM, 588 00:31:41,290 --> 00:31:44,130 AND WAS HE THINKING ABOUT ME LIKEWISE? 589 00:31:44,160 --> 00:31:46,870 AND WE’LL END UP EXCHANGING BOXES OF CHOCOLATES. 590 00:31:46,890 --> 00:31:48,060 [DOOR OPENS] 591 00:31:55,830 --> 00:31:57,270 NIGHT, ANDY. 592 00:31:57,300 --> 00:31:59,370 YEAH. GOOD NIGHT. 593 00:32:11,180 --> 00:32:14,120 SO, YOU JUST WANTED SOME SILENT COMPANIONSHIP? 594 00:32:14,150 --> 00:32:16,280 I’M MAKING IT A RIGHT SHOOT. 595 00:32:16,320 --> 00:32:18,950 HOW’S IT ANYTHING BUT? 596 00:32:18,990 --> 00:32:21,190 I’M SAYIN’ WITH THE D. O. A.’s RUNNIN’ BUDDY 597 00:32:21,230 --> 00:32:22,800 BACKING THE OTHER STATEMENTS, 598 00:32:22,830 --> 00:32:26,230 I’M MAKIN’ THE SHOOT RIGHT. 599 00:32:26,260 --> 00:32:28,130 YOU GONNA TELL BAKER HE’S OK? 600 00:32:28,170 --> 00:32:31,310 CAN’T UNTIL I WALK IT THROUGH MY OFFICE. 601 00:32:31,340 --> 00:32:33,280 BUT IT’S ALL RIGHT IF I DO? 602 00:32:34,570 --> 00:32:36,670 ALL RIGHT. 603 00:32:38,440 --> 00:32:41,080 THESE ARE THE ONES I LOSE SLEEP OVER‐‐ 604 00:32:41,110 --> 00:32:45,380 THE COPS I MAKE RIGHT THAT MAYBE SHOULDN’T BE ON THE STREET. 605 00:32:46,850 --> 00:32:48,380 HOW’S IT GOIN’? 606 00:32:51,520 --> 00:32:52,920 GOT A MINUTE? 607 00:32:52,960 --> 00:32:54,560 SURE. HOW’S IT GOIN’? 608 00:33:10,740 --> 00:33:12,580 SO WHAT’S YOUR IMPRESSION? 609 00:33:12,610 --> 00:33:15,840 I.A.B.’S MAKIN’ YOU RIGHT, NEIL. 610 00:33:15,880 --> 00:33:17,750 YOUR IMPRESSION, OR YOU KNOW THAT FOR A FACT? 611 00:33:17,780 --> 00:33:20,650 THEY’RE MAKIN’ YOU RIGHT FOR WHAT HAPPENED IN THE STREET. 612 00:33:21,790 --> 00:33:23,200 WHAT’S THE OTHER SHOE? 613 00:33:23,220 --> 00:33:26,090 I’M NOT WORRIED WHERE YOU STAND WITH I. A. B., NEIL. 614 00:33:26,120 --> 00:33:28,360 I’M WORRIED IF THERE’S SOMETHING ELSE GOIN’ ON WITH YOU, 615 00:33:28,390 --> 00:33:29,860 AND THAT’S THE OTHER SHOE THAT’S GONNA DROP. 616 00:33:29,900 --> 00:33:31,440 SO WHAT DO YOU GO TO BAT FOR ME FOR 617 00:33:31,460 --> 00:33:33,200 IF YOU’RE QUESTIONING MY FITNESS TO SERVE? 618 00:33:33,230 --> 00:33:34,700 LISTEN TO ME, NEIL. 619 00:33:34,730 --> 00:33:37,200 THAT FEAR I SAID THIS MORNING I SENSED COMIN’ OFF OF YOU‐‐ 620 00:33:37,240 --> 00:33:38,610 A SKELL FEELS THAT, TOO. 621 00:33:38,640 --> 00:33:40,910 HE CAN HEAR "FREEZE" COMIN’ OUT YOUR MOUTH, 622 00:33:40,940 --> 00:33:43,240 BUT LET HIM BE WHACKED OUT ON ENOUGH CRACK 623 00:33:43,270 --> 00:33:44,640 AND FEELING FEAR COMING OFF OF YOU‐‐ 624 00:33:44,680 --> 00:33:47,120 MAYBE HE DECIDES YOU DON’T GOT IT UP TO BACK YOUR PLAY. 625 00:33:47,150 --> 00:33:48,450 SO YOU NEVER FELT FEAR? 626 00:33:48,480 --> 00:33:49,910 NOT IN WHAT MY INTENTIONS WERE, 627 00:33:49,950 --> 00:33:51,380 OR SHOULD I BE WHERE I WAS. 628 00:33:51,420 --> 00:33:53,330 NEVER QUESTIONED YOURSELF TACTICALLY? 629 00:33:53,350 --> 00:33:56,750 SHOULD I BE WHERE I WAS IN TERMS OF BEING ON THIS JOB, NEIL. 630 00:34:10,440 --> 00:34:13,610 OF COURSE I QUESTION MYSELF OVER TACTICS. 631 00:34:18,440 --> 00:34:23,780 MY SON’S GOT A CONDITION WHERE HE REQUIRES CONSTANT CARE. 632 00:34:23,820 --> 00:34:25,860 THEY DIDN’T THINK HE’D LIVE PAST 5. 633 00:34:25,880 --> 00:34:31,290 BUT NOW THEY THINK HE COULD LIVE UPWARDS OF 15 OR 20 YEARS. 634 00:34:35,390 --> 00:34:37,990 EVERYONE WORRIES FOR THEIR FAMILY, NEIL. 635 00:34:38,030 --> 00:34:40,700 NO, I KNOW. 636 00:34:40,730 --> 00:34:43,000 BUT BRINGING THOSE WORRIES ONTO THE STREET, 637 00:34:43,030 --> 00:34:44,200 EVERYTHING GETS TOO CROWDED. 638 00:34:44,240 --> 00:34:47,350 ALL I’M ASKING YOU TO THINK ABOUT, NEIL, 639 00:34:47,370 --> 00:34:49,440 WHATEVER WORRIES YOU’RE CARRYING, 640 00:34:49,480 --> 00:34:51,950 DOES NOT STANDING UP STRONG ENOUGH EARLY 641 00:34:51,980 --> 00:34:55,820 PUT YOU IN POSITIONS WHERE YOU GOTTA BREAK TWICE AS BAD LATER ON? 642 00:34:59,850 --> 00:35:01,650 ANYWAYS... 643 00:35:01,690 --> 00:35:05,700 YOU’RE NOT GONNA TRY AND GET ME PUT OFF THE JOB? 644 00:35:05,720 --> 00:35:08,820 WHAT YOU DO FROM HERE, THAT’S UP TO YOU. 645 00:35:18,500 --> 00:35:21,770 HARK, I BELIEVE I HEAR JUDAS ISCARIOT. 646 00:35:23,370 --> 00:35:24,810 HEY, WHAT KIND OF IMPRESSION 647 00:35:24,840 --> 00:35:26,840 DID I MAKE ON THAT COP, UH, MARTENSON? 648 00:35:26,880 --> 00:35:28,480 MARTENS. YOU DID GOOD. 649 00:35:28,510 --> 00:35:30,250 YOU’RE GONNA BE 343’d 650 00:35:30,280 --> 00:35:31,680 IN THE COMPLAINT ROOM TOMORROW MORNING, JACKSON. 651 00:35:31,720 --> 00:35:33,260 THEY’RE GONNA KICK YOU LOOSE. 652 00:35:33,280 --> 00:35:34,380 343, HUH? 653 00:35:34,420 --> 00:35:37,020 I’LL PLAY THAT TOMORROW FOR MY NUMBER. 654 00:35:37,060 --> 00:35:38,830 J.B.: MEANWHILE, WHAT, I’M LEFT HERE ROTTING 655 00:35:38,860 --> 00:35:40,670 LIKE THE MAN FROM THE IRON MASK? 656 00:35:40,690 --> 00:35:43,090 ONLY POSSIBILITY I CAN SEE FOR YOU, J. B., 657 00:35:43,130 --> 00:35:44,690 THEY FIND SOME PROCEDURAL DEFECT 658 00:35:44,730 --> 00:35:46,360 IN HOW YOU WERE SEARCHED. 659 00:35:46,400 --> 00:35:49,100 OH, AND THAT WOULD JUMP UP IN THE COMPLAINT ROOM TOMORROW MORNING, TOO? 660 00:35:49,130 --> 00:35:50,830 YEAH, IF IT OCCURS AT ALL, 661 00:35:50,870 --> 00:35:52,500 THAT’S WHERE IT WOULD HAPPEN. LIVE IN HOPE. 662 00:35:52,540 --> 00:35:53,940 YEAH, THANKS VERY MUCH. 663 00:35:53,970 --> 00:35:55,740 NO, J. B., THANK YOU. 664 00:36:04,120 --> 00:36:06,060 WHAT HAPPENED? 665 00:36:06,080 --> 00:36:08,120 "THIS IS VINCE, BLAH, BLAH, BLAH, 666 00:36:08,150 --> 00:36:10,590 WAIT FOR THE BEEP." NO BEEP. 667 00:36:10,620 --> 00:36:12,460 THE MACHINE JUST CLICKS OFF? 668 00:36:12,490 --> 00:36:15,290 HOW DOES HE STAY IN BUSINESS? 669 00:36:15,330 --> 00:36:17,200 HI. HEY, DIANE. 670 00:36:17,230 --> 00:36:19,190 ANDY WENT HOME? 671 00:36:19,230 --> 00:36:20,400 MM‐HMM. 672 00:36:23,570 --> 00:36:25,030 WHAT’S FUNNY? 673 00:36:25,070 --> 00:36:28,700 OH, THIS INFORMANT I GOT, HE MAKES ME LAUGH. 674 00:36:28,740 --> 00:36:31,110 HE’S ON A MAINTENANCE PROGRAM, 675 00:36:31,140 --> 00:36:33,410 AND WHEN THEY GIVE HIM HIS DAILY DOSE IN THE CLINIC, 676 00:36:33,450 --> 00:36:35,950 HE HOLDS THE METHADONE IN HIS MOUTH TILL HE’S ON THE STREET. 677 00:36:35,980 --> 00:36:39,380 THEN HE SPITS IT IN THIS LITTLE PLASTIC BOTTLE HE CARRIES 678 00:36:39,420 --> 00:36:42,050 AND SELLS THAT FOR MONEY TO COP. 679 00:36:42,090 --> 00:36:46,500 FROM THAT POINT‐‐8 A. M.‐‐ TILL HE LAYS HIS HEAD DOWN AT NIGHT‐‐ 680 00:36:46,530 --> 00:36:50,640 10 TIMES A MINUTE, THIS J. B.’S LOOKING OVER BOTH HIS SHOULDERS, 681 00:36:50,660 --> 00:36:53,060 WHICH, AS MANY HUSTLES AS HE’S WORKIN’ 682 00:36:53,100 --> 00:36:55,960 AND AS MANY SWITCHES OFF ’EM AS HE’S TRYING TO PULL, 683 00:36:56,000 --> 00:36:58,930 THAT’S DEFINITELY THE RIGHT APPROACH. 684 00:37:00,610 --> 00:37:02,750 JUST MAKES ME LAUGH. 685 00:37:02,770 --> 00:37:05,970 HE’S GOT SUCH A POSITIVE ATTITUDE. 686 00:37:06,010 --> 00:37:09,340 WANTS TO SING DOO‐WOP, J. B. 687 00:37:09,380 --> 00:37:10,580 HAS HE GOT A GOOD VOICE? 688 00:37:10,620 --> 00:37:12,930 I’M AFRAID TO ASK HIM TO SING. 689 00:37:12,950 --> 00:37:15,650 I’LL BE SO SAD FOR HIM IF HE CAN’T. 690 00:37:19,390 --> 00:37:21,490 ANDY WENT HOME, HUH? 691 00:37:21,530 --> 00:37:22,670 YEAH. 692 00:37:24,060 --> 00:37:25,860 NIGHT. 693 00:37:25,900 --> 00:37:27,010 NIGHT. 694 00:37:27,030 --> 00:37:28,430 NIGHT, DANNY. 695 00:37:28,470 --> 00:37:30,310 [TELEPHONE RINGS] 696 00:37:33,810 --> 00:37:35,010 [RING] 697 00:37:35,040 --> 00:37:37,710 15th SQUAD. 698 00:37:39,210 --> 00:37:40,980 OK. 699 00:37:42,550 --> 00:37:44,410 YEP. THANKS. 700 00:37:46,490 --> 00:37:48,590 ADDRESS RING A BELL? 701 00:38:09,780 --> 00:38:12,650 I’LL SHOOT YOU FOR WHO TAKES THE TV GUIDE OUT OF GROTOWSKI’S MOUTH. 702 00:38:12,680 --> 00:38:15,980 LET ME KNOW IF YOU EVER CATCH A GROUND BALL EASIER THAN THIS ONE. 703 00:38:16,010 --> 00:38:17,610 MMM. 704 00:38:20,190 --> 00:38:21,060 WHOA! 705 00:38:21,090 --> 00:38:22,330 OH, ANTHONY. 706 00:38:22,350 --> 00:38:23,720 Jill: HOW’S THIS FOR AN UPSET? 707 00:38:23,760 --> 00:38:26,830 Cop: PERP WITH THE HEAVES IS THE DOWNSTAIRS NEIGHBOR. 708 00:38:26,860 --> 00:38:28,860 HE CONFESSED? 709 00:38:28,890 --> 00:38:30,230 SAID, "WHAT DOES IT LOOK LIKE I DID?" 710 00:38:30,260 --> 00:38:31,230 WHEN WE ASKED HIM WHAT’S GOING ON. 711 00:38:31,260 --> 00:38:32,230 STANDING ON THE STREET 712 00:38:32,260 --> 00:38:33,530 WITH A BLOODY BASEBALL BAT. 713 00:38:33,570 --> 00:38:35,840 UH... JOSEPH GROTOWSKI. 714 00:38:35,870 --> 00:38:37,210 YEAH, YEAH. 715 00:38:39,740 --> 00:38:43,370 I WAS SO PROUD OF HOW ANTHONY WAS CONDUCTING HIMSELF. 716 00:38:43,410 --> 00:38:44,570 WHAT DID HE GET WITH TURNING THE OTHER CHEEK? 717 00:38:44,610 --> 00:38:46,910 A HEAD CAVED IN BY A MORON. 718 00:38:46,950 --> 00:38:48,520 WAS ANTHONY YOUR FATHER? 719 00:38:48,550 --> 00:38:50,860 YEAH, I’M HIS SON PAUL. 720 00:38:50,880 --> 00:38:52,380 IT’S GOOD JOB OF LAW ENFORCEMENT. 721 00:38:52,420 --> 00:38:53,720 IT’S HARD TO ENFORCE THE LAW 722 00:38:53,750 --> 00:38:55,020 WHEN NO ONE MAKES A COMPLAINT, PAUL. 723 00:38:55,050 --> 00:38:56,720 AND YOU CAN TELL THAT POLACK WHACK JOB 724 00:38:56,760 --> 00:39:00,370 THAT THE ONLY PACIFIST IN THIS FAMILY’S NOW DEAD. 725 00:39:00,390 --> 00:39:02,190 YOUR MOTHER COULD USE SOME SUPPORT NOW, PAUL. 726 00:39:02,230 --> 00:39:04,200 HEAR THAT, GROTOWSKI? 727 00:39:04,230 --> 00:39:05,390 AND WHEN YOU’RE DONE THROWING UP, 728 00:39:05,430 --> 00:39:06,700 YOU BETTER MAKE ’EM SET YOU A GOOD, HIGH BAIL. 729 00:39:06,730 --> 00:39:07,760 THAT’S ENOUGH. 730 00:39:07,800 --> 00:39:09,470 YOU’RE LUCKY I WAS AT A MOVIE. 731 00:39:10,640 --> 00:39:12,450 I’M SORRY, MRS. MESSINA. 732 00:39:12,470 --> 00:39:15,400 I BEGGED ANTHONY TO BUY ME A DRYER. 733 00:39:15,440 --> 00:39:17,040 OK. 734 00:39:17,080 --> 00:39:18,320 [GROTOWSKI RETCHING] 735 00:39:18,340 --> 00:39:20,310 WHY DON’T WE HOLD OFF INTERVIEWING MR. GROTOWSKI 736 00:39:20,350 --> 00:39:22,220 TILL HE WASHES HIS MOUTH OUT AT THE HOUSE? 737 00:39:22,250 --> 00:39:24,490 ABSOLUTELY. 738 00:39:50,280 --> 00:39:52,790 THANKS FOR MEETING ME. 739 00:39:56,110 --> 00:39:58,980 SO THAT’S ENOUGH CHITCHAT. 740 00:40:08,030 --> 00:40:11,670 I’M‐‐I’M HAVING A DREAM WITH YOU INVOLVED 741 00:40:11,700 --> 00:40:14,640 I WANT TO GET OFF OF MY CHEST. 742 00:40:14,670 --> 00:40:16,480 OR... 743 00:40:16,500 --> 00:40:20,000 YOU’RE NOT ACTUALLY IN IT... 744 00:40:20,040 --> 00:40:22,340 YOU’RE REFERRED TO, ALL RIGHT? 745 00:40:24,180 --> 00:40:26,490 WHAT HAPPENED... 746 00:40:29,650 --> 00:40:33,450 I REALIZED IN THE DREAM... 747 00:40:33,490 --> 00:40:35,790 HOW MY DAD LOST HIS EYE WASN’T TRUE, 748 00:40:35,820 --> 00:40:38,290 WHAT I THOUGHT FOR THE LONGEST TIME. 749 00:40:38,320 --> 00:40:40,960 I THOUGHT HE WAS OUT ON HIS ROUTE 750 00:40:40,990 --> 00:40:45,160 AT HIS PROPER APPOINTED TIME... 751 00:40:45,200 --> 00:40:46,840 READING ONE OF YOUR METERS 752 00:40:46,870 --> 00:40:50,580 AND GOT ATTACKED WITH A CLAW HAMMER. 753 00:40:52,600 --> 00:40:54,300 WHAT I FIGURED OUT NOW‐‐ 754 00:40:54,340 --> 00:40:58,810 OFF MISSING HIS METER READINGS, OFF BEING LOADED, 755 00:40:58,840 --> 00:41:04,150 HE’D ALREADY BEEN FIRED BY HIS IRISH SUPERVISOR, MY OLD MAN. 756 00:41:04,180 --> 00:41:06,380 GETS OILED UP WORSE AT OUR APARTMENT, 757 00:41:06,420 --> 00:41:08,050 THEN GOES OUT AGAIN AT NIGHT 758 00:41:08,090 --> 00:41:10,760 WHEN NO ONE’S EXPECTING A METER READER. 759 00:41:10,790 --> 00:41:13,490 KICKS DOWN ONE OF YOUR DOORS, 760 00:41:13,530 --> 00:41:15,500 AND NOT KNOWING WHAT THE HELL’S GOIN’ ON, 761 00:41:15,530 --> 00:41:17,500 ONE OF YOU THAT’S THE OCCUPANT 762 00:41:17,530 --> 00:41:19,730 TAKES THE HAMMER TO HIM. 763 00:41:19,770 --> 00:41:23,380 THAT’S HOW IT MUST’VE HAPPENED. 764 00:41:23,400 --> 00:41:29,840 AND THESE YEARS OF NOT REALIZIN’, 765 00:41:29,880 --> 00:41:33,850 THAT’S A BIG PART WITH CERTAIN ASSUMPTIONS 766 00:41:33,880 --> 00:41:36,180 HOW YOU PEOPLE ARE. 767 00:41:36,210 --> 00:41:40,020 AND AS FAR AS CHANGING CERTAIN ASSUMPTIONS‐‐ 768 00:41:40,050 --> 00:41:44,090 I THINK A BIG PART THAT’S YOU WAS RESPONSIBLE‐‐ 769 00:41:44,120 --> 00:41:47,860 YOUR EFFORT YOU MADE AT HELPIN’ ME, 770 00:41:47,890 --> 00:41:53,560 AND THAT I REGRET IT GOT YOU FLOPPED. 771 00:41:53,600 --> 00:41:57,970 AND I THANK YOU FOR HELPIN’ CLEAR UP MY DREAM. 772 00:42:00,270 --> 00:42:02,240 PIN A ROSE ON YOUR DREAM. 773 00:42:02,270 --> 00:42:07,440 PIN ONE ON YOURSELF, TOO, YOU PIECE OF POLACK CRAP. 774 00:42:17,260 --> 00:42:18,660 YOU DRUNK, DORNAN? 775 00:42:18,690 --> 00:42:20,260 YEAH. 776 00:42:20,290 --> 00:42:22,220 I DIDN’T KNOW YOU WERE AN OILER. 777 00:42:22,260 --> 00:42:24,330 LIKE RIDING A BIKE. 778 00:42:25,930 --> 00:42:29,100 OFF 11 YEARS... 779 00:42:29,130 --> 00:42:32,440 GOOD AS YOU EVER WERE SOON AS YOU GET BACK ON IT. 780 00:42:34,540 --> 00:42:37,340 I DIDN’T PAY YET FOR THE LAST 3. 781 00:42:37,380 --> 00:42:39,820 PAY HIM FOR THOSE, AND WE’LL CALL IT SQUARE‐‐ 782 00:42:39,850 --> 00:42:44,290 ALL OF THE BIG HELP THAT I HAVE BEEN TO YOU WITH YOUR DREAM. 783 00:42:50,160 --> 00:42:52,830 NOT THIS DORNAN OR ANY OTHERS. 784 00:42:52,860 --> 00:42:53,820 NONE OF ’EM! 785 00:42:53,860 --> 00:42:55,420 THEY ALL LOST MY EYE. 786 00:42:55,460 --> 00:42:59,730 THEY ALL UNFAIRLY LOST MY JOB! 787 00:43:15,750 --> 00:43:17,790 I’M NOT DRINKIN’. 788 00:43:17,820 --> 00:43:20,760 I’M GOING HOME. 59760

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