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1
00:00:30,430 --> 00:00:31,430
GOOD MORNING.
2
00:00:31,470 --> 00:00:32,430
HEY, HOW’S IT GOIN’,
DANNY?
3
00:00:32,470 --> 00:00:33,400
WHO CALLED IN THE DOA?
4
00:00:33,440 --> 00:00:35,450
AND DON’T TELL ME
IT’S THAT BIG QUEEN.
5
00:00:35,470 --> 00:00:37,310
THE BODY’S OVER HERE.
LOOKS LIKE IT’S BEEN DUMPED.
6
00:00:37,340 --> 00:00:38,270
WE GOT HER.
7
00:00:38,310 --> 00:00:39,610
DOA GOT A NAME?
8
00:00:39,640 --> 00:00:44,610
THERE WAS I. D. IN HER WALLET
FOR AN ELVIRA IGLESIAS.
9
00:00:44,650 --> 00:00:46,950
HOW IN THE HELL’S A GUY
LIKE THAT FIGURE
10
00:00:46,990 --> 00:00:48,760
HE’S GOT A FUTURE
AS A FEMALE WHORE?
11
00:00:48,790 --> 00:00:51,100
YEAH, HE MUST’VE
HAD A VERY POOR
GUIDANCE COUNSELOR.
12
00:00:51,120 --> 00:00:52,590
UH, YOU FOUND
THE BODY?
13
00:00:52,620 --> 00:00:56,260
I WILL NEVER
LOOK DOWN ANOTHER
EXCAVATION HOLE.
14
00:00:56,290 --> 00:00:57,990
THANK GOD
SHE WASN’T FACE UP,
15
00:00:58,030 --> 00:01:00,260
OR I’D HAVE DIED
ON THE SPOT
FROM SHOCK.
16
00:01:00,300 --> 00:01:02,100
WHO IS IT?
DO YOU KNOW?
17
00:01:02,130 --> 00:01:05,900
UH, THERE’S SOME I. D.
ON THE BODY
FOR ELVIRA IGLESIAS.
18
00:01:05,940 --> 00:01:07,610
THAT’S ELVIE?
19
00:01:07,640 --> 00:01:09,270
OH, MY GOD.
20
00:01:09,310 --> 00:01:10,520
WHAT WAS ELVIE’S STORY?
21
00:01:10,540 --> 00:01:13,270
SHE’S A PISCES,
IF THAT HELPS.
22
00:01:13,310 --> 00:01:15,540
OH. YEAH. THAT’S
A PLACE TO START.
23
00:01:16,820 --> 00:01:18,320
15th SQUAD,
STANDIN’ BY.
24
00:01:18,350 --> 00:01:20,180
Central: TRANSFERRING
YOU TO UNIT COMMAND.
25
00:01:20,220 --> 00:01:21,420
10‐4, BOSS.
26
00:01:21,450 --> 00:01:23,620
FANCY WANTS YOU AND ME
BACK AT THE HOUSE.
27
00:01:23,660 --> 00:01:25,700
WHY?
I DON’T KNOW.
LET ME TELL THEM.
28
00:01:25,720 --> 00:01:28,420
I WISH I HAD
YOUR FIGURE, HONEY.
29
00:01:28,460 --> 00:01:29,790
DO YOU WORK OUT?
30
00:01:29,830 --> 00:01:31,860
AEROBICS,
PUNCH THE BAG.
31
00:01:31,900 --> 00:01:34,510
SOME OF MY TRICKS
HAVE ME THROW ’EM AROUND
A LITTLE.
32
00:01:34,530 --> 00:01:37,470
MAYBE IF I GOT
METHODICAL ABOUT THAT...
33
00:01:37,500 --> 00:01:40,040
FANCY WANTS ME AND HIM
BACK AT THE HOUSE.
34
00:01:40,070 --> 00:01:42,440
YOU WANNA TAKE A LOOK
AT ELVIE FOR US, TOPAZ?
35
00:01:42,470 --> 00:01:45,970
NO. THANK YOU VERY MUCH.
IT’S ALREADY BEEN
A FULL MORNING.
36
00:01:46,010 --> 00:01:47,380
ALL RIGHT.
37
00:01:49,310 --> 00:01:50,950
JILL AND YOU ARE
GONNA TAKE THIS?
38
00:01:50,980 --> 00:01:51,950
YEAH. WHAT’S IT
LOOK LIKE?
39
00:01:51,980 --> 00:01:53,780
UH, BIG BRUISE
ABOVE HER LEFT EYE.
40
00:01:53,820 --> 00:01:54,780
NO LIGATURE MARKS.
41
00:01:54,820 --> 00:01:56,280
I DIDN’T GET
UNDER THE DRESS.
42
00:01:56,320 --> 00:01:57,620
ANYTHING ELSE
IN THE WALLET?
43
00:01:57,660 --> 00:01:59,770
UH, NO. JUST THE ONE PIECE
OF SOCIAL SECURITY I. D.
44
00:02:02,330 --> 00:02:04,300
EITHER THEY HAD HER
IN A CAR AND DUMPED HER HERE,
45
00:02:04,330 --> 00:02:07,560
OR SOMEONE ON ONE OF
THOSE UPPER FLOORS OUGHTA BE
PITCHIN’ FOR THE YANKEES.
46
00:02:10,330 --> 00:02:11,630
Topaz: EXCUSE ME!
47
00:02:11,670 --> 00:02:14,840
DO YOU SUPPOSE I COULD
POSSIBLY GET A LIFT?
48
00:02:26,520 --> 00:02:28,090
THANK YOU SO MUCH.
49
00:02:28,120 --> 00:02:30,020
DON’T SPEAK TO ME.
50
00:04:01,480 --> 00:04:03,010
THANKS, JOHN.
51
00:04:08,520 --> 00:04:10,090
HOW’S IT GOIN’?
52
00:04:10,120 --> 00:04:11,820
THIS IS LIEUTENANT
GRAHAM FROM THE 2‐7.
53
00:04:11,860 --> 00:04:13,330
DANNY SORENSON.
54
00:04:13,360 --> 00:04:14,930
LIEUTENANT.
55
00:04:14,960 --> 00:04:15,990
HOW’S IT GOIN’,
SARGE?
56
00:04:16,030 --> 00:04:17,500
IT’S DETECTIVE DORNAN.
57
00:04:17,530 --> 00:04:18,930
WHAT HAPPENED?
58
00:04:18,960 --> 00:04:21,130
THAT’S WHAT IT’S ABOUT,
SIPOWICZ.
59
00:04:21,170 --> 00:04:23,540
THOUGHT I’D COME UP HERE
AND LET YOU KNOW
I WAS DEMOTED
60
00:04:23,570 --> 00:04:26,000
AND BRING MY NEW BOSS
TO KEEP ME COMPANY.
61
00:04:26,040 --> 00:04:28,710
MAYBE IF WE TALKED ABOUT
WHAT WE ARE HERE FOR...
62
00:04:28,740 --> 00:04:32,010
DETECTIVE DORNAN MADE
A COLLAR IN THE 2‐7.
63
00:04:32,040 --> 00:04:34,540
THE PERP PUTS AT LEAST
4 CRATES OF WEAPONS
64
00:04:34,580 --> 00:04:36,040
IN THE APARTMENT
WHERE HE BOUGHT HIS GUN.
65
00:04:36,080 --> 00:04:38,510
THE SUPPLIER’S APARTMENT’S
IN OUR PRECINCT?
YEAH.
66
00:04:38,550 --> 00:04:40,680
PROBABLY NOT RIGHT,
PUSHING OFF COLLARING
THE SUPPLIERS
67
00:04:40,720 --> 00:04:43,180
ON YOU GUYS
TO WORK BY YOURSELVES.
68
00:04:43,220 --> 00:04:45,020
ABSOLUTELY.
69
00:04:45,060 --> 00:04:47,900
DETECTIVE DORNAN
SHOULD WORK THE WARRANT.
70
00:04:47,930 --> 00:04:50,340
I WAS TALKING ABOUT
THE SUPERVISORY PRESENCE.
71
00:04:50,360 --> 00:04:52,160
SURE, BOSS.
72
00:04:52,200 --> 00:04:54,170
LIEUTENANT, WANT TO
SUPERVISE A WARRANT?
73
00:04:54,200 --> 00:04:57,070
NO, LIEUTENANT FANCY’S
PROBABLY BUSY.
74
00:04:57,100 --> 00:04:59,000
NO.
I’LL SUPERVISE.
75
00:05:04,280 --> 00:05:07,820
I GUESS YOU DON’T LEARN
FROM YOUR MISTAKES,
DO YOU, DORNAN?
76
00:05:07,850 --> 00:05:10,290
YOU KNOW US COLORED FOLKS‐‐
SLOW LEARNERS.
77
00:05:18,620 --> 00:05:20,390
DORNAN, WHAT THE
HELL’S GOIN’ ON?
78
00:05:20,420 --> 00:05:22,220
YOU GONNA ASK ME
THAT, SIPOWICZ?
MEANING WHAT?
79
00:05:22,260 --> 00:05:23,830
YOU’RE LUCKY I DON’T
THROW YOU OUT THAT WINDOW.
80
00:05:23,860 --> 00:05:25,190
YOU DON’T THINK
I COULD DO IT?
81
00:05:25,230 --> 00:05:26,530
TAKE IT EASY,
SARGE.
82
00:05:26,570 --> 00:05:28,010
YOU GONNA GET IN MY FACE,
TOO, YOU LITTLE PISS POT?!
83
00:05:28,030 --> 00:05:29,000
DON’T CALL HIM SARGE.
84
00:05:29,030 --> 00:05:30,730
I’LL THROW YOU THROUGH
THE SAME WINDOW.
85
00:05:30,770 --> 00:05:33,100
I’LL PUT THE BOTH
OF YOU THROUGH IT
AT THE SAME TIME.
86
00:05:33,140 --> 00:05:34,450
DORNAN!
87
00:05:40,040 --> 00:05:41,580
WE’RE GONNA GET ON THIS?
88
00:05:41,610 --> 00:05:43,710
YEAH. LET’S GET ON IT.
89
00:06:08,670 --> 00:06:10,440
WHERE WE GOIN’?
90
00:06:13,680 --> 00:06:15,640
I THOUGHT WE’D GET
A CUP OF COFFEE.
91
00:06:15,680 --> 00:06:16,980
I THOUGHT WE WERE
GOIN’ TO WORK.
92
00:06:17,020 --> 00:06:18,220
NO. I’M GONNA GET
A CUP OF COFFEE.
93
00:06:18,250 --> 00:06:20,220
I’LL WAIT
RIGHT HERE.
94
00:06:20,250 --> 00:06:22,980
ACTUALLY, I’M GONNA
GET SOME TEA.
95
00:06:38,200 --> 00:06:41,170
WHAT WERE YA,
PICKIN’ UP
DESK SUPPLIES?
96
00:06:41,210 --> 00:06:42,850
ANDY, I THOUGHT YOU
COME IN HERE TO PISS.
97
00:06:42,870 --> 00:06:45,510
DID YOU HEAR WHAT HE
ACCUSED ME OF, HUH?
THIS ARROGANT DORNAN.
98
00:06:45,540 --> 00:06:46,980
HE HAD
AN ACCUSATORY TONE.
99
00:06:47,010 --> 00:06:48,980
I DIDN’T TAKE
HIS EXACT REFERENCE.
100
00:06:49,010 --> 00:06:51,810
I TOOK HIS REFERENCE,
BELIEVE ME.
101
00:06:51,850 --> 00:06:53,150
HE’S GONNA THROW ME
THROUGH A WINDOW?
102
00:06:53,180 --> 00:06:55,320
YOU WERE GOOD
ABOUT THAT.
WHAT?
103
00:06:55,350 --> 00:06:56,650
YOU WERE GOOD NOT
JUMPIN’ BACK AT HIM,
104
00:06:56,690 --> 00:06:57,990
KNOWIN’ THAT HE WAS
JUST VENTING.
105
00:06:58,020 --> 00:07:00,190
THERE’S VENTING,
AND THERE’S BREAKING BALLS.
106
00:07:00,220 --> 00:07:02,190
THIS IS ABOUT
THE SUAREZ CASE
107
00:07:02,230 --> 00:07:04,000
THAT HE THINKS I GOT HIM
TO REOPEN.
108
00:07:04,030 --> 00:07:05,690
THAT CASE YOUR WIFE
WORKED?
109
00:07:05,730 --> 00:07:08,300
HIM TAKIN’ THAT SECOND LOOK
WAS HIS CHOICE, DORNAN’S.
110
00:07:08,330 --> 00:07:10,100
I ASKED HIM, YES.
111
00:07:10,130 --> 00:07:11,800
BUT DID HE NOT
TURN ME DOWN ONCE?
112
00:07:11,840 --> 00:07:13,980
AND WAS I READY
TO LET IT SIT?
113
00:07:14,010 --> 00:07:15,050
WAS THAT HOW IT WENT?
114
00:07:15,070 --> 00:07:16,140
HE TURNS ME DOWN,
115
00:07:16,170 --> 00:07:19,310
NOT TRUSTIN’ ON THE BASIS
I PASSED SOME REMARK
116
00:07:19,340 --> 00:07:22,180
TO A PANHANDLER
7 YEARS BEFORE‐‐
117
00:07:22,210 --> 00:07:25,850
WAS HE COLLECTING
FOR THE UNITED NEGRO
PIZZA FUND?
118
00:07:25,880 --> 00:07:29,480
FINE. FINE. BEAUTIFUL,
LET’S LEAVE IT
RIGHT THERE.
119
00:07:29,520 --> 00:07:30,690
THAT’S HOW YOU
ANSWERED DORNAN?
120
00:07:30,720 --> 00:07:32,720
THAT’S EXACTLY HOW
I ANSWERED DORNAN,
121
00:07:32,760 --> 00:07:34,400
AN ATTITUDE
TO THAT EFFECT.
122
00:07:34,430 --> 00:07:37,640
OFF HIS OWN CONSCIENCE,
SEVERAL WEEKS LATER,
123
00:07:37,660 --> 00:07:41,200
DORNAN COMES BACK TO ME
THAT HE’D RECONSIDERED,
124
00:07:41,230 --> 00:07:45,000
MAYBE SUAREZ WAS
A FALL GUY, HUH?
125
00:07:45,040 --> 00:07:48,180
ANY RISKS WITH THE JOB
THAT THAT GUY TOOK
126
00:07:48,210 --> 00:07:49,820
OFF REOPENIN’
A CLEARED CASE‐‐
127
00:07:49,840 --> 00:07:51,910
THOSE ARE ON HIM, PAL!
128
00:07:51,940 --> 00:07:53,610
THOSE ARE ON HIM!
129
00:08:01,450 --> 00:08:04,850
YOU DID THAT CHEESE‐EATER
A SOLID, CORRECT?
MARTENS?
130
00:08:04,890 --> 00:08:06,690
I HOPE YOU’RE NOT
GONNA TURN OUT
131
00:08:06,730 --> 00:08:07,870
TO BE SLOW
ON THE UPTAKE.
132
00:08:07,890 --> 00:08:10,560
YEAH, I DID DO MARTENS
OF I. A. B. A SOLID, ANDY.
133
00:08:10,600 --> 00:08:13,240
IT HAD TO BE I.A.B.
THAT LOOKED AT DORNAN.
134
00:08:13,260 --> 00:08:14,700
MARTENS THAT YOU
DID A SOLID FOR‐‐
135
00:08:14,730 --> 00:08:16,830
HE COULD TELL YOU WHY
DORNAN GOT DEMOTED.
136
00:08:16,870 --> 00:08:18,570
WELL, SHALL I CALL MARTENS
THIS MINUTE?
137
00:08:18,600 --> 00:08:20,870
I CAN HAND DORNAN THE PHONE
AND LET HIM ASK.
138
00:08:44,600 --> 00:08:46,640
CAN WE PLEASE GET
THE HELL TO WORK?
139
00:09:02,350 --> 00:09:04,320
I’M NOT TAKING CRAP ALL DAY
140
00:09:04,350 --> 00:09:06,150
’CAUSE YOU GOT BUSTED BACK
FROM SERGEANT.
141
00:09:06,180 --> 00:09:08,480
YEAH, YOU’RE WELCOME.
142
00:09:08,520 --> 00:09:10,890
DORNAN, HOLD OFF TELLIN’ ME
WHAT A BIG FAVOR YOU DID
143
00:09:10,920 --> 00:09:13,440
PUTTIN’ ME IN ON THIS CASE
UNTIL THE NEXT COMSTAT MEETING
144
00:09:13,480 --> 00:09:15,010
WHEN THE CHIEFS ASK
10 DIFFERENT WAYS
145
00:09:15,050 --> 00:09:17,360
IF I PULLED AN END RUN
TO MAKE MYSELF LOOK GOOD,
146
00:09:17,380 --> 00:09:19,620
’CAUSE YOU KNOW THAT’S
THE STINK GRAHAM
WILL PUT ON THIS.
147
00:09:19,650 --> 00:09:21,650
THE STINK
HE’S GONNA PUT ON IT‐‐
148
00:09:21,690 --> 00:09:23,360
WE THOUGHT BLACK
INSTEAD OF BLUE.
149
00:09:23,390 --> 00:09:25,890
YOU’RE PISSED OFF,
’CAUSE AS FAR
AS YOU GO...
150
00:09:25,920 --> 00:09:28,420
FOR 30 SECONDS,
HE WAS RIGHT.
151
00:09:33,500 --> 00:09:35,900
THE ELEVATOR DOWN, DORNAN?
152
00:09:35,930 --> 00:09:38,870
IT DOESN’T HAVE TO
STOP AT DETECTIVE.
153
00:09:38,900 --> 00:09:41,200
HE’S GONNA REACH OUT
AND GET BACK TO ME,
MARTENS.
154
00:09:41,240 --> 00:09:43,070
[COFFEE ROOM DOOR OPENS]
155
00:09:45,040 --> 00:09:47,110
POW‐WOW’S OVER.
156
00:10:05,130 --> 00:10:06,560
CAN I HELP YOU?
157
00:10:06,600 --> 00:10:07,560
IT’S FOR MY DAUGHTER.
158
00:10:07,600 --> 00:10:08,560
YOUR NAME?
159
00:10:08,600 --> 00:10:10,100
BUT NOT IF SHE’S
BEEN ARRESTED.
160
00:10:10,130 --> 00:10:11,200
MRS. IGLESIAS?
161
00:10:11,240 --> 00:10:12,910
YOU THE ONE
THAT CALLED?
162
00:10:12,940 --> 00:10:14,710
I’M DIANE RUSSELL.
163
00:10:14,740 --> 00:10:15,700
YOU’RE ELVIE’S MOTHER?
164
00:10:15,740 --> 00:10:17,610
I AIN’T HAVING NO PART
OF HER BEING ARRESTED.
165
00:10:17,640 --> 00:10:19,710
NO. UH, SHE’S NOT ARRESTED.
166
00:10:19,740 --> 00:10:22,280
SO IF SHE WAS ARRESTED,
HOW COME SHE WOULDN’T
HAVE CALLED ME HERSELF?
167
00:10:22,310 --> 00:10:23,780
YEAH. UH...
168
00:10:23,820 --> 00:10:25,920
THIS IS MY PARTNER
JILL KIRKENDALL.
169
00:10:25,950 --> 00:10:27,780
HOW DO YOU DO?
170
00:10:27,820 --> 00:10:29,790
SO...WHAT’S IT ABOUT?
171
00:10:29,820 --> 00:10:31,890
WHY DON’T WE GO
IN THE COFFEE ROOM?
172
00:10:33,630 --> 00:10:36,470
I REPORTED HER MISSING
6 MONTHS AGO.
173
00:10:36,500 --> 00:10:38,400
THE CLOCK IS RUNNING
ON THAT.
174
00:10:41,270 --> 00:10:42,940
HAVE A SEAT.
175
00:10:45,300 --> 00:10:47,700
SWEET COFFEE?
176
00:10:47,740 --> 00:10:49,100
SURE.
177
00:10:49,140 --> 00:10:50,740
HERE YA GO.
178
00:10:52,280 --> 00:10:53,790
SO YOU, UM,
179
00:10:53,810 --> 00:10:56,240
YOU HAVEN’T SEEN
YOUR DAUGHTER
FOR 6 MONTHS?
180
00:10:56,280 --> 00:10:57,910
APPLY TO THE COURT,
181
00:10:57,950 --> 00:10:59,950
NO SET TIME
WHEN THEY ADMIT SHE’S DEAD.
182
00:10:59,980 --> 00:11:01,120
UH‐HUH.
183
00:11:01,150 --> 00:11:02,380
MRS. IGLESIAS‐‐
184
00:11:02,420 --> 00:11:05,050
HER GODMOTHER MADE HER
A $5,000 TERM INSURANCE
185
00:11:05,090 --> 00:11:06,720
WHEN ELVIE GOT CHRISTENED.
186
00:11:06,760 --> 00:11:08,060
$2.00 ALL THOSE MONTHS.
187
00:11:08,090 --> 00:11:09,460
AND WHEN LUCINDA
DIED 7 MONTHS AGO,
188
00:11:09,490 --> 00:11:11,260
I BEEN KEEPING UP
WITH THOSE PAYMENTS,
189
00:11:11,300 --> 00:11:13,910
NO MATTER WHAT
I NEEDED THAT MONEY FOR.
190
00:11:13,930 --> 00:11:16,930
GENERALLY, IT TAKES 2 YEARS
TILL THEY DECLARE ’EM DEAD.
191
00:11:16,970 --> 00:11:19,840
ANYWAYS, MY PARTNER NEEDS
TO SHOW YOU SOMETHING.
192
00:11:20,940 --> 00:11:22,240
WHAT IS IT?
193
00:11:22,270 --> 00:11:24,770
I NEED YOU TO LOOK AT SOME
PHOTOGRAPHS, MRS. IGLESIAS.
194
00:11:24,810 --> 00:11:28,680
I’M AFRAID OF WHAT
YOU’RE GONNA SHOW ME.
IS IT TO DO WITH ELVIE?
195
00:11:28,710 --> 00:11:31,680
I’D LIKE YOU TO TELL ME
IF YOU RECOGNIZE THE GIRL
IN THESE PICTURES.
196
00:11:31,720 --> 00:11:34,660
I GOT NO CHOICE, DO I?
YOU NEED ME TO DO IT.
197
00:11:45,560 --> 00:11:47,060
I’M READY.
198
00:11:54,410 --> 00:11:55,480
IT’S HER!
199
00:11:55,510 --> 00:11:56,680
IT’S ELVIE!
200
00:11:56,710 --> 00:11:58,170
ALL RIGHT,
MRS. IGLESIAS.
201
00:11:58,210 --> 00:11:59,640
OYE, SHE’S GONE!
202
00:11:59,680 --> 00:12:02,110
[WAILING]
203
00:12:02,150 --> 00:12:04,560
IT’S DEFINITELY HER.
204
00:12:06,390 --> 00:12:09,160
OHH...[GASPING]
205
00:12:09,190 --> 00:12:13,230
WAS SHE SELLIN’ HERSELF
IN THE STREET?
206
00:12:13,260 --> 00:12:15,330
WE’RE STILL TRYING TO
PUT HER STORY TOGETHER.
207
00:12:15,360 --> 00:12:16,460
BECAUSE THAT’S WHY
I PUT HER OUT.
208
00:12:16,500 --> 00:12:18,400
YOU FILED
A MISSING PERSONS
REPORT ON ELVIE
209
00:12:18,430 --> 00:12:21,160
AFTER PUTTING HER
OUT OF YOUR PLACE?
210
00:12:21,200 --> 00:12:24,370
I PUT HER TO
A WAYWARD JUVENILE HOME
211
00:12:24,400 --> 00:12:26,170
BECAUSE SHE WAS
SELLING HERSELF.
212
00:12:26,200 --> 00:12:28,900
THEN SHE LIVED WITH ME
UNTIL SHE DISAPPEARED.
213
00:12:28,940 --> 00:12:31,540
WE GOT A LOT CLOSER.
214
00:12:31,580 --> 00:12:34,420
ANYWAY...
THIS IS HER?
215
00:12:34,450 --> 00:12:35,550
SURE, IT IS.
216
00:12:35,580 --> 00:12:37,080
YOU WANNA LOOK AT
THE OTHER PICTURES?
217
00:12:37,120 --> 00:12:39,060
SURE.
218
00:12:39,080 --> 00:12:40,680
I WILL.
219
00:12:47,530 --> 00:12:49,840
OH...
220
00:12:49,860 --> 00:12:51,730
SHE TOOK SOME BEATING.
221
00:12:51,760 --> 00:12:53,160
MM‐HMM.
222
00:12:53,200 --> 00:12:55,040
MAKE SURE
223
00:12:55,070 --> 00:12:57,580
YOU CATCH THE BASTARD
DID THIS TO HER.
224
00:12:59,040 --> 00:13:01,780
THEN THEY’LL ISSUE
THE DEATH CERTIFICATE.
225
00:13:55,160 --> 00:13:57,830
POLICE! FREEZE!
EVERYBODY, GET ON YOUR FEET!
226
00:13:57,860 --> 00:14:00,600
EVERYBODY,
PUT YOUR HANDS UP!
227
00:14:03,000 --> 00:14:04,170
CLEAR!
228
00:14:04,200 --> 00:14:05,470
ROOF CLEAR!
CLEAR!
229
00:14:05,500 --> 00:14:06,340
CLEAR HERE!
230
00:14:11,180 --> 00:14:12,680
DON’T LOOK LIKE
THEY USED THIS PLACE
231
00:14:12,710 --> 00:14:14,910
FOR NOTHIN’ BUT STASHIN’
THESE WEAPONS.
232
00:14:14,950 --> 00:14:16,620
MY INFORMANT SAYS
THE GUY’S HERE
SELLIN’ IT BY NOON.
233
00:14:16,650 --> 00:14:18,010
GREG AND JAMES,
234
00:14:18,050 --> 00:14:20,580
TAKE THE CARS, GO AROUND BACK,
AND SECURE BOTH THE ENTRANCES.
235
00:14:20,620 --> 00:14:21,950
OK, BOSS.
236
00:14:21,990 --> 00:14:23,030
THANKS TO E. S. U.
237
00:14:23,050 --> 00:14:24,390
WE’RE GONNA SIT ON THIS
FOR A WHILE.
238
00:14:27,230 --> 00:14:29,370
CHECK OUT ALL THE FIREPOWER.
239
00:14:29,390 --> 00:14:31,960
LOTS OF WEAPONRY
OUT OF THE HANDS
OF THE EVIL‐DOERS.
240
00:14:32,000 --> 00:14:34,370
IT’S GONNA LOOK GOOD
ON YOUR RÉSUMÉ.
241
00:14:51,250 --> 00:14:53,210
M.E.’s SQUEEZIN’ SHOES?
242
00:14:53,250 --> 00:14:56,450
WHY DO WE WANT FINGERPRINT
I. D. s OFF THE DOA’s BODY
243
00:14:56,490 --> 00:14:58,220
IF THE MOTHER ALREADY
I. D.’d THE PHOTOS?
244
00:14:58,260 --> 00:14:59,700
HE DIDN’T
MEET THE MOTHER.
245
00:14:59,720 --> 00:15:02,360
ELVIE IGLESIAS?
246
00:15:02,390 --> 00:15:03,830
DO YOU HAVE INFORMATION
ABOUT HER?
247
00:15:03,860 --> 00:15:06,360
YEAH. YOU COULD SAY
I GOT INFORMATION.
248
00:15:06,400 --> 00:15:07,500
CAN I HELP YOU?
249
00:15:07,530 --> 00:15:10,300
UM...I JUST HEARD
I WAS DEAD.
250
00:15:10,340 --> 00:15:11,210
WHAT’S YOUR NAME?
251
00:15:11,240 --> 00:15:12,980
ELVIE IGLESIAS.
252
00:15:13,000 --> 00:15:15,500
A GIRLFRIEND
ON THE STREET TOLD ME
I GOT MURDERED?
253
00:15:15,540 --> 00:15:17,410
I WANNA TELL YOU WHERE
TO PUT MY REMAINS.
254
00:15:17,440 --> 00:15:18,870
YOU HAVIN’ A GOOD TIME
WITH THIS, ELVIE?
255
00:15:18,910 --> 00:15:21,740
A DOA WE FOUND TODAY
HAD I. D. OF YOURS.
256
00:15:21,780 --> 00:15:23,380
YOU WANT TO MAKE YOUR LIFE
A LOT SIMPLER,
257
00:15:23,420 --> 00:15:24,720
YOU TELL US WHAT YOU KNOW
ABOUT THAT.
258
00:15:24,750 --> 00:15:26,480
YOU DON’T GOTTA
THREATEN ME.
259
00:15:26,520 --> 00:15:28,920
I COME UP TO DO
MY RESPONSIBLE DUTY.
260
00:15:28,950 --> 00:15:31,250
THAT JOANIE YANEZ
MUST’VE GONE THROUGH
MY WALLET
261
00:15:31,290 --> 00:15:32,920
WHEN WE WAS DOIN’
LAUNDRY OR SO FORTH,
262
00:15:32,960 --> 00:15:34,870
AND THE DEAD GIRL’S
PROBABLY HER.
263
00:15:34,890 --> 00:15:36,530
WHY’D SHE WANT
YOUR I. D.?
264
00:15:36,560 --> 00:15:39,060
NEXT PROSTITUTION COLLAR
ON HER OWN NAME,
265
00:15:39,100 --> 00:15:40,440
SHE DO TIME
FOR HABITUAL.
266
00:15:40,470 --> 00:15:41,740
SO YOU SOLD HER YOURS?
267
00:15:41,770 --> 00:15:43,410
I DON’T KNOW
ABOUT SELLING.
268
00:15:43,440 --> 00:15:46,380
ALL’S I KNOW,
EITHER IT’S JOANIE
YOU FOUND,
269
00:15:46,410 --> 00:15:48,410
OR SHE SOLD MY I.D.
TO SOMEONE ELSE.
270
00:15:58,250 --> 00:15:59,720
THAT’S JOANIE.
271
00:15:59,750 --> 00:16:02,880
AND THIS IS JIMMY CHAVEZ
DID THIS TO HER.
272
00:16:02,920 --> 00:16:05,550
BEEN BEATING JOANIE
TRYING TO
INTIMIDATE HER.
273
00:16:05,590 --> 00:16:06,560
WHY?
274
00:16:06,590 --> 00:16:08,560
SO SHE’D LET HIM
PEDDLE HER STUFF.
275
00:16:08,590 --> 00:16:10,860
JIMMY IS A HALF‐ASS
WANNA‐BE PIMP
276
00:16:10,900 --> 00:16:12,870
AND A NO‐GOOD PRICK
THAT KILLED JOANIE.
277
00:16:12,900 --> 00:16:13,870
PROBABLY.
278
00:16:13,900 --> 00:16:15,730
I’LL TELL YOU
WHERE TO LOOK.
279
00:16:15,770 --> 00:16:17,740
WHY WOULD YOUR MOTHER
TELL US THIS WAS YOU?
280
00:16:18,900 --> 00:16:20,740
WISHFUL THINKING.
281
00:16:37,460 --> 00:16:41,800
ONE TIME I WAS TRYIN’
TO GET THIS PERP
BACK TO HIS PLACE...
282
00:16:41,830 --> 00:16:44,570
"WHAT, YOU AIN’T GOT
NO DAYTIME PHONE
NUMBER FOR HIM?
283
00:16:44,600 --> 00:16:47,410
WELL, I’M HIS NEIGHBOR,
AND I GOTTA GET IN TOUCH
WITH HIM.
284
00:16:47,430 --> 00:16:49,400
"OH, SO YOU GOT
THE NUMBER,
285
00:16:49,430 --> 00:16:51,130
"BUT YOU DON’T
TRUST ME WITH IT.
286
00:16:51,170 --> 00:16:53,400
"A’IGHT, A’IGHT,
WELL, IF YOU HIS FRIEND,
287
00:16:53,440 --> 00:16:55,400
"YOU BETTER CALL, TELL HIM
TO CHECK ON HIS PLACE
288
00:16:55,440 --> 00:16:58,310
’CAUSE I HEAR SOMEBODY
BREAKIN’ IN THAT BAD BOY."
289
00:17:00,110 --> 00:17:01,480
THAT BROUGHT HIM BACK.
290
00:17:03,210 --> 00:17:05,880
WHERE’D YOU LEARN
TO TALK LIKE THAT?
291
00:17:07,390 --> 00:17:08,860
AT MY FATHER’S KNEE.
292
00:17:08,890 --> 00:17:10,530
I THOUGHT YOU HAD MONEY.
293
00:17:10,560 --> 00:17:11,700
MY MOTHER WORKED
AT THE POST OFFICE.
294
00:17:11,720 --> 00:17:14,590
MY FATHER MOSTLY
HUNG OUT DRINKIN’.
295
00:17:14,630 --> 00:17:17,240
HOW’D YOU GET
AN EDUCATION?
296
00:17:18,400 --> 00:17:20,610
MY MOTHER ALWAYS
TALKED UP EDUCATION.
297
00:17:20,630 --> 00:17:23,330
THAT’S RIGHT.
SAME AS MINE.
298
00:17:23,370 --> 00:17:27,970
I GUESS
SHE PUT IT IN MY HEAD
THAT’S WHAT I WANTED.
299
00:17:28,010 --> 00:17:31,280
TOOK ME 7 YEARS
TO GET MY B. A.
300
00:17:31,310 --> 00:17:33,380
WORKING AS A UNIFORM COP,
301
00:17:33,410 --> 00:17:36,680
LIVIN’ IN FEAR
IF I QUIT NIGHT SCHOOL,
SHE’D GO UPSIDE MY HEAD.
302
00:17:39,050 --> 00:17:41,550
SENIOR YEAR
IN HIGH SCHOOL
I USED TO HIRE A KID
303
00:17:41,590 --> 00:17:43,530
TO WRITE MY ENGLISH
PAPERS FOR ME.
304
00:17:43,560 --> 00:17:46,200
YOU WRITE A GOOD REPORT NOW.
305
00:17:46,220 --> 00:17:47,860
FIRST YEARS ON THIS JOB,
306
00:17:47,890 --> 00:17:50,160
I, UH, I USED TO
PICK MY PARTNERS
307
00:17:50,190 --> 00:17:51,430
BY WHO KNEW HOW TO TYPE.
308
00:18:25,230 --> 00:18:26,360
POLICE!
309
00:18:28,030 --> 00:18:29,900
[WOMAN SCREAMING]
310
00:18:37,540 --> 00:18:38,570
CUFFS!
311
00:18:44,250 --> 00:18:45,680
15th SQUAD TO CENTRAL!
312
00:18:45,720 --> 00:18:49,060
10‐13, OFFICER SHOT,
1622 THIRD STREET.
313
00:18:49,090 --> 00:18:51,760
WE NEED A BUS AND ADDITIONAL
UNITS FORTHWITH!
314
00:18:51,790 --> 00:18:54,220
YOU HIT ANYWHERE ELSE
OTHER THAN THE VEST?
315
00:18:54,260 --> 00:18:55,960
I THINK I TOOK ONE
IN THE ARM.
316
00:18:55,990 --> 00:18:58,060
[RAPID, SHALLOW BREATHING]
317
00:18:58,100 --> 00:19:00,410
THIS’LL LOOK GREAT
ON MY RÉSUMÉ.
318
00:19:00,430 --> 00:19:04,770
I’M ALL RIGHT...
I’M ALL RIGHT.
319
00:19:18,980 --> 00:19:21,880
NO, NO. DON’T COME
TO THE APARTMENT.
320
00:19:21,920 --> 00:19:24,390
I’D RATHER YOU BROUGHT IT
TO THE STATION HOUSE.
321
00:19:24,420 --> 00:19:27,390
HENRY, YOU SURE
THIS ISN’T SOMETHING
322
00:19:27,430 --> 00:19:29,670
YOU’D BE AS COMFORTABLE
DROPPING IN THE MAIL?
323
00:19:29,690 --> 00:19:32,330
OK. MM‐HMM.
324
00:19:32,360 --> 00:19:33,800
TILL AROUND 6:00.
325
00:19:37,170 --> 00:19:39,230
[IRRITATED SIGH]
HENRY CAULFIELD,
326
00:19:39,270 --> 00:19:41,840
THAT MOLEY GUY
MANAGES THAT BUILDING
BOBBY GOT LEFT.
327
00:19:41,870 --> 00:19:43,070
HE WANTS TO SEE YOU?
328
00:19:43,110 --> 00:19:45,580
HE HAS SOME DOCUMENTS
RELATING TO BOBBY’S BIRDS.
329
00:19:45,610 --> 00:19:48,280
I MEAN, BOBBY DID
LEAVE HIM HIS BIRDS.
330
00:19:48,310 --> 00:19:51,150
THAT HENRY DIDN’T STRIKE ME
AS THE PIGEON‐FLYING TYPE.
331
00:19:51,180 --> 00:19:53,680
BOBBY KINDA LIKED HIM.
332
00:19:53,720 --> 00:19:57,350
HE ALWAYS MADE ME THINK
OF WOODY ALLEN.
333
00:19:57,390 --> 00:19:59,420
I‐I‐IS THIS
THE WRONG PLACE?
334
00:19:59,460 --> 00:20:01,190
UH, WHO ARE YOU
LOOKING FOR?
335
00:20:01,230 --> 00:20:03,470
THEY SAID COME UPSTAIRS.
DO I KEEP ON GOING UP?
336
00:20:03,500 --> 00:20:06,340
I’M DIANE RUSSELL.
337
00:20:06,370 --> 00:20:08,270
YOU LEFT THIS
FOR MY SON JIMMY.
338
00:20:08,300 --> 00:20:09,230
JIMMY CHAVEZ.
339
00:20:10,740 --> 00:20:11,880
WHY DON’T YOU COME IN
AND HAVE A SEAT?
340
00:20:14,310 --> 00:20:17,620
IS IT TRUTHFUL
ABOUT THE AUTO ACCIDENT?
341
00:20:17,640 --> 00:20:20,610
TH‐THAT’S WHAT YOU WANT
TO TALK TO HIM FOR?
342
00:20:20,650 --> 00:20:22,220
DO YOU KNOW
WHERE JIMMY IS,
MRS. CHAVEZ?
343
00:20:22,250 --> 00:20:25,890
BECAUSE ONCE
IT WAS A MESSAGE IF
HE WAS INJURED IN A...
344
00:20:25,920 --> 00:20:27,230
A SUBWAY ACCIDENT,
345
00:20:27,250 --> 00:20:29,890
BUT THEN WHEN HE COMES IN,
IT WASN’T ABOUT THAT.
346
00:20:29,920 --> 00:20:32,320
HE WAS ARRESTED
FOR A BEATING HE DID
347
00:20:32,360 --> 00:20:33,800
AND A ROBBERY HE DID.
348
00:20:33,830 --> 00:20:36,340
IRREGARDLESS,
I HAVE SOMETHING ELSE
I AM AFRAID OF.
349
00:20:44,340 --> 00:20:47,980
THIS WAS AT THE BOTTOM
OF A DUFFEL BAG HE’S GOT.
350
00:20:48,010 --> 00:20:50,320
I WAS GOING TO DO HIS WASH.
351
00:20:50,340 --> 00:20:52,210
DO YOU KNOW WHERE THAT BLOOD
CAME FROM?
352
00:20:52,240 --> 00:20:54,680
FROM HIM DOING WRONG.
353
00:20:54,710 --> 00:20:56,880
I LEARNED THIS
IN MY PRAYERS.
354
00:20:56,920 --> 00:20:59,060
I CAN’T ALLOW IT.
355
00:20:59,080 --> 00:21:00,380
NO MORE.
356
00:21:00,420 --> 00:21:03,050
WE’LL SEE IF THE BLOOD
ON YOUR SON’S SHIRT
357
00:21:03,090 --> 00:21:05,600
MATCHES ANY CRIMES
WE’RE INVESTIGATING.
358
00:21:05,620 --> 00:21:06,760
DO YOU KNOW
JOANIE YANEZ?
359
00:21:06,790 --> 00:21:09,190
JIMMY WENT TO SCHOOL
WITH HER.
360
00:21:09,230 --> 00:21:15,370
UH, HER MOTHER BROUGHT
HER OVER FOR JIMMY
TO CATCH CHICKEN POX.
361
00:21:15,400 --> 00:21:17,700
HAS HE SEEN HER RECENTLY,
DO YOU KNOW?
362
00:21:17,740 --> 00:21:20,080
A COUPLE OF MONTHS AGO,
HE...
363
00:21:20,100 --> 00:21:21,270
HE SAID
HE RAN INTO HER.
364
00:21:22,810 --> 00:21:25,750
DID HE GET HER
INTO TROUBLE, TOO?
365
00:21:37,490 --> 00:21:39,960
I WOULD NEVER, EVER,
EVER SHOOT A COP.
366
00:21:39,990 --> 00:21:41,960
YEAH, NEVER SAY NEVER,
HUH, ASSHOLE?
367
00:21:41,990 --> 00:21:43,390
SOMEONE WAS BUSTIN’ IN
DOWN THE HALL.
368
00:21:43,430 --> 00:21:44,630
THOUGHT IT WAS A ROBBERY.
369
00:21:44,660 --> 00:21:47,060
I TOOK A COUPLE OF DRINKS,
I KNEW WHAT I HAD TO DO.
370
00:21:47,100 --> 00:21:48,430
MAKE SURE THAT’S
NOT AN ACT.
371
00:21:48,470 --> 00:21:49,480
Sipowicz:
COME ON.
372
00:21:55,240 --> 00:21:56,540
DON’T LET ’EM
DO NOTHIN’ TO ME.
373
00:21:56,580 --> 00:21:57,650
DON’T WORRY, BROTHER.
374
00:21:57,680 --> 00:21:59,420
NO HARD FEELINGS
YOU TRIED TO KILL ME.
375
00:22:11,820 --> 00:22:13,090
I’LL GET BACK TO YA.
376
00:22:15,160 --> 00:22:16,730
WHAT THE HELL
HAPPENED OUT THERE?
377
00:22:16,760 --> 00:22:18,230
YOU MEAN, HOW AM I?
378
00:22:18,260 --> 00:22:20,460
I MEAN, HOW DOES A GUY
COME THROUGH THE DOOR
379
00:22:20,500 --> 00:22:21,900
IN A SUPPOSEDLY
SECURE BUILDING
380
00:22:21,930 --> 00:22:23,230
AND START
THROWING SHOTS?
381
00:22:23,270 --> 00:22:24,570
THE BUILDING WAS SECURED.
382
00:22:24,600 --> 00:22:26,600
THE SHOOTER CAME FROM
ANOTHER APARTMENT.
383
00:22:26,640 --> 00:22:28,600
GET OUT FROM
BEHIND MY DESK.
384
00:22:32,480 --> 00:22:34,590
AND WHY WASN’T
THE DOOR SECURED?
385
00:22:34,610 --> 00:22:37,910
E.S.U. RIPPED THE LOCKS OFF
TAKING IT DOWN.
386
00:22:37,950 --> 00:22:39,920
YOU QUESTION MY TACTICS
ONE MORE TIME,
387
00:22:39,950 --> 00:22:41,880
AND I’M KICKIN’ YOUR ASS.
388
00:22:44,490 --> 00:22:46,150
IN ABOUT 30 SECONDS,
389
00:22:46,190 --> 00:22:48,490
YOU’RE GONNA BE WISHING
YOU COULD TALK
ABOUT TACTICS.
390
00:22:51,530 --> 00:22:54,160
YOU CAN IMAGINE HOW MUCH
TOLERANCE WE GOT,
391
00:22:54,200 --> 00:22:56,130
ANYTHING OUT OF YOU
WE THINK IS BOGUS.
392
00:22:56,170 --> 00:22:57,780
YOU DO WHAT YOU DID
ON YOUR OWN?
393
00:22:57,800 --> 00:22:59,100
TOTALLY ON MY OWN.
394
00:22:59,140 --> 00:23:00,710
WHAT’S YOUR CONNECTION
WITH THAT APARTMENT?
395
00:23:00,740 --> 00:23:01,970
JUST KNOWIN’ KEENE.
396
00:23:02,010 --> 00:23:03,150
OH, YOU AND HIM
ARE JUST NEIGHBORS.
397
00:23:03,170 --> 00:23:04,210
THAT’S IT.
398
00:23:04,240 --> 00:23:05,470
AND YOU’RE GONNA
RISK YOUR LIFE
399
00:23:05,510 --> 00:23:07,710
AND NOT MIND BLOWIN’ AWAY
HOWEVER MANY PEOPLE
400
00:23:07,750 --> 00:23:09,190
JUST BEIN’
A GOOD NEIGHBOR.
401
00:23:09,210 --> 00:23:10,510
I DIDN’T KNOW
YOU GUYS WAS COPS.
402
00:23:10,550 --> 00:23:11,850
ANY POSSIBLE
BURGLARY SOUNDS
403
00:23:11,880 --> 00:23:13,680
COMIN’ OUT OF
YOUR NEIGHBOR’S
APARTMENTS,
404
00:23:13,720 --> 00:23:14,850
YOU COME IN
GUNS BLAZING?
405
00:23:14,890 --> 00:23:16,300
[TAPPING
ON DOOR]
406
00:23:16,320 --> 00:23:17,350
IT’S BUSY!
407
00:23:17,390 --> 00:23:19,190
Fancy: OPEN THE DOOR.
408
00:23:19,220 --> 00:23:21,390
Willis: I DIDN’T COME IN
GUNS A‐BLAZIN’.
409
00:23:21,430 --> 00:23:22,870
I JUST PEEKED
MY ARM AROUND.
410
00:23:22,890 --> 00:23:24,760
GREG AND JAMES,
DO THE INTERVIEW.
411
00:23:32,100 --> 00:23:36,370
GREG AND JAMES,
IT WASN’T MY FAULT.
412
00:23:36,410 --> 00:23:37,370
Dornan: WHAT’S
GOING ON?
413
00:23:37,410 --> 00:23:38,370
MY OFFICE.
414
00:23:38,410 --> 00:23:40,240
ANY HINTS?
415
00:23:43,720 --> 00:23:45,060
WHAT THE HELL IS
I. A. B. IN IT FOR?
416
00:23:45,080 --> 00:23:46,720
NOBODY’S DONE
ANYTHING WRONG.
417
00:23:46,750 --> 00:23:48,050
OH, THIS IS GOOD.
418
00:23:48,090 --> 00:23:50,230
I.A.B. PROBABLY
FIGURES THE BOSS MAY
HAVE BEEN AT FAULT
419
00:23:50,250 --> 00:23:51,250
FOR TAKING THOSE 2
IN THE VEST.
420
00:23:55,890 --> 00:23:57,690
WE GOTTA TAKE A LOOK
AT THIS GUN GUY
421
00:23:57,730 --> 00:24:00,060
SOMEHOW GETTING
A HEADS‐UP ON WHAT
WAS GONNA GO DOWN.
422
00:24:00,100 --> 00:24:02,660
YEAH, MY USUAL RATE
SELLIN’ A PERP
ADVANCE NOTICE
423
00:24:02,700 --> 00:24:04,200
IS 50 BUCKS.
424
00:24:04,240 --> 00:24:06,710
WHAT ARE YOU
ASKIN’ HIM FOR?
IT WAS MY INFORMATION.
425
00:24:06,740 --> 00:24:08,040
ANYBODY SOLD OUT
THE WARRANT,
IT’D HAVE BEEN ME.
426
00:24:08,070 --> 00:24:11,040
SEEMS LIKE HE’S TALKING
TO YOU, TOO, DORNAN.
427
00:24:11,080 --> 00:24:12,720
IT WOULDN’T HAVE TO
HAVE BEEN INTENTIONAL.
428
00:24:12,740 --> 00:24:14,210
OH, WE DON’T HAVE
TO BE ON THE TAKE.
429
00:24:14,250 --> 00:24:15,690
MAYBE
WE’RE JUST IDIOTS.
430
00:24:15,710 --> 00:24:17,210
DID ANY OF YOU HAVE
ANY OUTSIDE CONTACT
431
00:24:17,250 --> 00:24:18,710
ONCE YOU KNEW
THIS WAS GOIN’ DOWN?
432
00:24:18,750 --> 00:24:21,380
KNOWING, IF I DID,
COPS COULD GET KILLED,
433
00:24:21,420 --> 00:24:23,350
LIKE ALMOST HAPPENED,
434
00:24:23,390 --> 00:24:26,050
IN THE HALF HOUR BETWEEN
HEARIN’ ABOUT IT
AND US HEADIN’ OUT,
435
00:24:26,090 --> 00:24:29,090
I DID MENTION
THE UPCOMING OPERATION
TO SEVERAL TRADESPEOPLE
436
00:24:29,130 --> 00:24:30,870
CONCLUDING WITH MY GROCER.
437
00:24:30,900 --> 00:24:34,070
Martens: SO YOUR STATEMENT
WOULD BE YOU HAD
NO SUCH CONTACT.
438
00:24:34,100 --> 00:24:35,200
THAT WOULD BE CORRECT.
439
00:24:35,230 --> 00:24:36,600
AND THAT WOULD ALSO
BE YOUR STATEMENT?
440
00:24:36,640 --> 00:24:38,380
YEAH, MY STATEMENT ALSO.
441
00:24:38,400 --> 00:24:39,740
YOU’RE SMARTER THAN THIS,
MARTENS.
442
00:24:39,770 --> 00:24:41,200
MAYBE MARTENS
IS ONLY UP HERE
443
00:24:41,240 --> 00:24:42,640
’CAUSE SOMEONE’S
TWISTIN’ HIS ARM.
444
00:24:42,670 --> 00:24:44,910
COME ON, WHAT DO
YOU HAVE FOR ME?
445
00:24:44,940 --> 00:24:46,110
THE SAME I ASKED THEM.
446
00:24:46,140 --> 00:24:47,280
I PUT THE WHOLE THING
TOGETHER.
447
00:24:47,310 --> 00:24:48,440
Sipowicz: COME ON, DORNAN.
448
00:24:48,480 --> 00:24:50,280
I DROPPED A DIME TO THE GUY
WHO OWNED THE GUNS,
449
00:24:50,320 --> 00:24:51,960
POCKETED THE PAYOFF
FOR THAT,
450
00:24:51,980 --> 00:24:53,820
AND THEN REACHED OUT
TO HAVE THIS OTHER FOOL
COME IN HERE SHOOTIN’.
451
00:24:53,850 --> 00:24:55,420
AND THE REASON
FOR THAT BEING...
452
00:24:55,450 --> 00:24:58,250
TO TREAT THIS JOB
THE WAY IT’S TREATED ME.
453
00:25:00,590 --> 00:25:02,060
TAKE YOUR TIME, DORNAN.
454
00:25:02,090 --> 00:25:03,590
THEN WE’LL TALK AGAIN.
455
00:25:12,770 --> 00:25:14,700
[CLEARING THROAT]
456
00:25:18,140 --> 00:25:20,110
PROUD DAY FOR ALL OF US.
457
00:25:21,780 --> 00:25:23,410
SO YOU WON’T WANT
ANYTHING TO DO
458
00:25:23,450 --> 00:25:25,150
WITH ANNOUNCING
THE CAPTURE
OF THESE WEAPONS.
459
00:25:25,180 --> 00:25:27,620
NO, I’LL STICK AROUND
FOR THAT.
460
00:25:59,380 --> 00:26:01,680
HAS IT EVER BEEN
THAT THIS THING
DID MAKE CHANGE?
461
00:26:01,720 --> 00:26:02,780
WHAT DO YOU NEED?
462
00:26:02,820 --> 00:26:03,850
CHANGE FOR 2 BUCKS,
463
00:26:03,890 --> 00:26:05,720
’CAUSE MY
WILLPOWER’S A JOKE.
464
00:26:10,260 --> 00:26:11,790
WHAT, YOU WANT ME
TO USE A MEGAPHONE?
465
00:26:11,830 --> 00:26:14,900
LOOK, I’M MAKING CHANGE.
466
00:26:19,170 --> 00:26:20,540
I ASKED AROUND
ABOUT DORNAN.
467
00:26:20,570 --> 00:26:22,370
I APPRECIATE IT.
468
00:26:22,410 --> 00:26:24,150
HE WENT DOWN
FOR IMPROPER
SUPERVISION.
469
00:26:24,180 --> 00:26:25,550
2 COPS GOT CAUGHT
OUT OF COMMAND
470
00:26:25,580 --> 00:26:27,590
WHILE HE WAS
PATROL SUPERVISOR.
471
00:26:27,610 --> 00:26:30,350
WAS IT LEGIT, OR DID
SOMEONE REACH OUT
TO HURT HIM?
472
00:26:30,380 --> 00:26:32,350
SORENSON, A BLACK GUY
WITH DORNAN’S ATTITUDE
473
00:26:32,380 --> 00:26:34,150
WORKS THIS JOB 15 YEARS,
474
00:26:34,190 --> 00:26:35,560
HE RUBS A LOT
OF PEOPLE WRONG.
475
00:26:35,590 --> 00:26:38,760
NOW, SAY WITHOUT
KNOWING ABOUT IT,
476
00:26:38,790 --> 00:26:41,190
A GUY LIKE THAT HAS ONE
OF OUR FIELD ASSOCIATES
UNDER HIS COMMAND.
477
00:26:41,230 --> 00:26:43,570
YOU GUYS HAD A COP
IN DORNAN’S STATION HOUSE?
478
00:26:43,600 --> 00:26:45,940
YOU WANNA ASK QUESTIONS
I CAN’T ANSWER,
479
00:26:45,960 --> 00:26:48,260
OR YOU WANNA
TAKE THE POINT
I’M TRYING TO MAKE?
480
00:26:48,300 --> 00:26:50,600
SAY DORNAN’S
OUT ON PATROL
481
00:26:50,640 --> 00:26:53,550
AND 2 OF HIS GUYS SNEAK
OUT OF THE PRECINCT
TO DO SOMETHING STUPID‐‐
482
00:26:53,570 --> 00:26:55,040
PICKING UP DRY CLEANING,
483
00:26:55,070 --> 00:26:57,610
OR MAYBE ONE OF THEM’S
GOT A NEW GOOM
HE WANTS TO IMPRESS
484
00:26:57,640 --> 00:26:59,910
DRIVING BY HER
BEAUTY PARLOR
IN HIS SECTOR CAR.
485
00:26:59,940 --> 00:27:02,510
ANYONE LOOKIN’
TO HURT DORNAN‐‐
486
00:27:02,550 --> 00:27:05,520
ANYONE HE’S PISSED OFF
OVER 15 YEARS‐‐
487
00:27:05,550 --> 00:27:06,880
CAN USE THAT.
488
00:27:06,920 --> 00:27:08,380
MY PARTNER’S WORRIED
IF DORNAN GOT DEMOTED
489
00:27:08,420 --> 00:27:10,120
FOR REOPENING
THE SUAREZ CASE,
490
00:27:10,150 --> 00:27:13,250
IF MAYBE SOME BOSS
TOOK A BURN HE MADE
THE JOB LOOK BAD.
491
00:27:13,290 --> 00:27:16,120
I KNOW SIPOWICZ’S WIFE
WAS THE PUSH BEHIND THAT.
492
00:27:16,160 --> 00:27:19,230
YEAH, AND ANDY’D FEEL
AWFUL GUILTY.
493
00:27:19,260 --> 00:27:20,260
YEAH.
494
00:27:20,300 --> 00:27:22,860
I DOUBT
THAT THAT WAS IT,
495
00:27:22,900 --> 00:27:25,370
SOMEONE PISSED OFF
OVER SUAREZ.
496
00:27:25,400 --> 00:27:27,740
BUT YOU CAN’T TELL ME
WHO DID REACH OUT?
497
00:27:27,770 --> 00:27:30,210
SORENSON, YOU HELPED ME
WITH A CASE.
498
00:27:30,240 --> 00:27:32,370
YOU DIDN’T FIND ME
UNCONSCIOUS
499
00:27:32,410 --> 00:27:34,280
AND CARRY ME
FROM A BURNING BUILDING.
500
00:27:37,080 --> 00:27:38,580
PEOPLE ARE GONNA
START THINKIN’
501
00:27:38,620 --> 00:27:40,560
THAT YOU DON’T KNOW
HOW TO COUNT.
502
00:27:40,590 --> 00:27:42,130
YEAH, RIGHT.
503
00:27:44,260 --> 00:27:45,230
THANKS, MARTENS.
504
00:27:45,260 --> 00:27:46,200
YEAH.
505
00:27:48,360 --> 00:27:50,590
HEY, YOU GOT 2
DOLLAR BILLS COMING.
506
00:27:54,300 --> 00:27:55,560
YEAH, MAYBE I WAS
SETTING YOU UP
507
00:27:55,600 --> 00:27:56,630
FOR TAKING A BRIBE.
508
00:27:56,670 --> 00:27:58,600
STRANGER THINGS
HAVE HAPPENED.
509
00:28:14,690 --> 00:28:16,060
YOU OUGHTA
GET THAT LOOKED AT.
510
00:28:17,890 --> 00:28:20,160
I DON’T NEED IT
LOOKED AT.
511
00:28:37,510 --> 00:28:39,810
DID YOU GIVE THAT GUY
A TALKIN’ TO?
512
00:28:39,840 --> 00:28:41,540
WE WERE
APPROPRIATELY STERN.
513
00:28:41,580 --> 00:28:44,180
WILLIS SAYS THE GUY
THAT OWNED THE GUNS
WHOSE APARTMENT WE WAS IN
514
00:28:44,220 --> 00:28:45,960
IS HEADED
FOR VIRGINIA BEACH.
515
00:28:45,980 --> 00:28:49,320
THAT MUST BE WHERE HE’S
HOLDING THIS IDIOT WILLIS’
WHOLE FAMILY HOSTAGE.
516
00:28:49,350 --> 00:28:51,520
NAH. AS FAR AS WHY
HE THREW THE SHOTS,
517
00:28:51,560 --> 00:28:53,200
WILLIS SAYS HE WAS
JUST TRYING TO MAKE
518
00:28:53,220 --> 00:28:54,560
A GOOD IMPRESSION
ON THIS OTHER GUY,
519
00:28:54,590 --> 00:28:57,860
GET THE LAST PAYMENT
HE OWED TAKEN OFF
THE GUN HE BOUGHT.
520
00:29:07,240 --> 00:29:10,240
MARTENS SAID THAT
WASN’T WHAT DORNAN
GOT JAMMED FOR,
521
00:29:10,280 --> 00:29:11,920
REOPENIN’ THAT CASE.
522
00:29:11,940 --> 00:29:13,210
WHAT DID HE
GET JAMMED FOR?
523
00:29:13,240 --> 00:29:14,410
OH, HE WOULDN’T
GIVE ME THAT.
524
00:29:14,450 --> 00:29:17,490
JUST SAID DORNAN
PISSED A LOT
OF PEOPLE OFF.
525
00:29:17,520 --> 00:29:20,060
SO THIS COULD BE MARTENS
PAYIN’ OFF YOUR SOLID
526
00:29:20,080 --> 00:29:22,050
WITHOUT ACTUALLY
GIVIN’ YOU DICK,
527
00:29:22,090 --> 00:29:25,200
WHICH WOULD BE TYPICAL
OF THIS CHEESE‐EATER
SON OF A BITCH.
528
00:29:25,220 --> 00:29:27,520
THAT HE WOULDN’T
TELL ME ANYTHING
ELSE ABOUT IT, ANDY,
529
00:29:27,560 --> 00:29:29,360
I TOOK MARTENS
BEING SPECIFIC
530
00:29:29,390 --> 00:29:31,030
YOUR WIFE
WASN’T INVOLVED
FOR RELIABLE.
531
00:29:33,200 --> 00:29:34,710
FAR AS THAT GOES,
HE’S ACCURATE.
532
00:29:34,730 --> 00:29:38,670
THIS DORNAN’S
HOSTILE ATTITUDE...
533
00:29:38,700 --> 00:29:40,700
PEOPLE GET TIRED
OF THAT CRAP.
534
00:29:45,040 --> 00:29:46,710
ANYWAY, I HOPE YOU
DON’T FEEL LIKE
535
00:29:46,750 --> 00:29:48,350
I GOT YOU OUT THERE
IN HARM’S WAY.
536
00:29:48,380 --> 00:29:51,810
LAST I LOOKED,
I WAS OVER 21.
537
00:29:53,290 --> 00:29:56,460
OVER 21, PRETENDING
YOU’RE FREE AND WHITE.
538
00:29:58,920 --> 00:30:02,060
I’M NOT HELPING WITH
THE EXECUTION, DORNAN.
539
00:30:02,090 --> 00:30:05,230
FINISH THE JOB
YOU’RE DOING ON YOURSELF
SOMEWHERE ELSE.
540
00:30:11,670 --> 00:30:13,600
YEAH.
541
00:30:16,480 --> 00:30:18,680
YEAH, OK.
542
00:30:39,100 --> 00:30:41,270
YEAH. GOOD WORKIN’
WITH YOU, DORNAN.
543
00:30:43,030 --> 00:30:44,600
JUST WALK AROUND
BLAMING OTHER PEOPLE
544
00:30:44,640 --> 00:30:46,080
FOR YOUR OWN MISERABLE
SHORTCOMINGS.
545
00:30:46,100 --> 00:30:48,670
SIPOWICZ, TURN AROUND AND
BE GLAD I’D RATHER DRINK
546
00:30:48,710 --> 00:30:50,250
THAN BEAT YOUR BALLS OFF.
547
00:30:50,280 --> 00:30:52,980
WITH ME, IT WAS NEVER
EITHER‐OR.
548
00:30:53,010 --> 00:30:55,310
IF THAT’S WHAT YOU WANT,
LET’S TAKE IT OUTSIDE.
549
00:30:55,350 --> 00:30:56,960
IF THAT’S WHAT I WANT,
I’LL DO IT RIGHT HERE.
550
00:30:56,980 --> 00:30:58,450
YEAH, RIGHT HERE
IN THE HOUSE,
551
00:30:58,480 --> 00:31:00,350
’CAUSE IT’S LESS
A FIGHT WITH ME
YOU’RE LOOKIN’ FOR
552
00:31:00,390 --> 00:31:02,490
THAN WHAT THAT’LL GET YOU
FROM THE JOB.
553
00:31:02,520 --> 00:31:04,350
YOU ALREADY GOT ME
IN ALL THE JOB TROUBLE
I NEED.
554
00:31:04,390 --> 00:31:05,650
IF THAT WAS TRUE,
DORNAN,
555
00:31:05,690 --> 00:31:06,990
I WOULD TAKE
AN ASS‐KICKING
556
00:31:07,030 --> 00:31:08,270
JUST TO MAKE MYSELF
FEEL BETTER,
557
00:31:08,290 --> 00:31:09,790
BUT I HAVE COME
TO FIND OUT IT’S NOT.
558
00:31:09,830 --> 00:31:10,760
NO, HUH?
559
00:31:10,800 --> 00:31:12,200
THE JOB
DID NOT HURT YOU
560
00:31:12,230 --> 00:31:14,000
FOR REOPENING
THE SUAREZ CASE.
561
00:31:14,030 --> 00:31:16,100
JUST MY TURN TO BE
BLACK MAN IN THE BASKET.
562
00:31:16,130 --> 00:31:17,670
THAT’S WHY THEY HURT YOU‐‐
563
00:31:17,700 --> 00:31:19,200
THAT CHIP ON YOUR SHOULDER
YOU’RE CARRYING AROUND.
564
00:31:19,240 --> 00:31:21,680
OF COURSE,
IF I WAS WHITE,
THAT’D BE DIGNITY.
565
00:31:21,710 --> 00:31:23,210
BIG BLINKIN’ SIGN‐‐
566
00:31:23,240 --> 00:31:24,670
"THIS WAY
TO DORNAN’S CHIP."
567
00:31:24,710 --> 00:31:26,840
"NO ACTIVITY WITHOUT
DORNAN’S CHIP
ENTERING IN."
568
00:31:35,020 --> 00:31:38,850
I CAN’T STAND ’EM,
ALWAYS LAUGHING.
569
00:31:38,890 --> 00:31:41,360
FOR 26 YEARS,
I NEVER TOOK THAT.
570
00:31:41,390 --> 00:31:43,220
THE COPS THAT ARE GLAD
THAT YOU FLOPPED
571
00:31:43,260 --> 00:31:44,790
KNOW THEY CAN’T
CARRY YOUR JOCKSTRAP.
572
00:31:44,830 --> 00:31:47,000
THEY’RE GLAD BECAUSE THEY KNOW
WHAT I THOUGHT OF THEM.
573
00:31:47,030 --> 00:31:48,130
YOU’RE GONNA THROW
YOUR CAREER AWAY
574
00:31:48,170 --> 00:31:50,580
TO SPITE ASSHOLES
LIKE THAT?
575
00:31:58,580 --> 00:32:02,590
NOW, I HAVE NO REGRETS
FOR REACHING OUT ON SUAREZ.
576
00:32:02,610 --> 00:32:03,680
THANKS.
577
00:32:03,720 --> 00:32:05,820
DON’T THANK ME
FOR TELLING THE TRUTH.
578
00:32:05,850 --> 00:32:09,180
I ONLY DID IT
BECAUSE IT WAS RIGHT.
579
00:32:11,060 --> 00:32:13,970
IT’S BEEN GOOD ENOUGH
FOR 26 YEARS.
580
00:32:16,130 --> 00:32:18,940
IT’S GONNA HAVE TO BE
GOOD ENOUGH NOW.
581
00:32:51,660 --> 00:32:53,400
I’LL SEE YOU
TOMORROW, JOHN.
582
00:32:53,430 --> 00:32:54,300
YOU’RE LEAVING?
583
00:32:54,330 --> 00:32:55,330
YEAH.
584
00:32:56,600 --> 00:32:57,670
GOOD NIGHT.
585
00:33:06,980 --> 00:33:08,040
WHERE YOU GOING?
586
00:33:08,080 --> 00:33:08,940
HOME.
587
00:33:08,980 --> 00:33:12,880
YOU GONNA LET GRAHAM
BE THE ONLY BOSS
588
00:33:12,920 --> 00:33:14,230
STANDIN’ NEXT TO
THOSE GUN CRATES
589
00:33:14,250 --> 00:33:15,580
WHEN THEY HAVE
THAT PRESS CONFERENCE?
590
00:33:15,620 --> 00:33:16,950
YOU’RE DAMN STRAIGHT.
591
00:33:16,990 --> 00:33:18,490
I’M ASHAMED
WE’RE BOTH BOSSES.
592
00:33:18,520 --> 00:33:20,890
I’D BE ASHAMED TO BE
STANDING THERE
NEXT TO HIM.
593
00:33:20,930 --> 00:33:23,900
YOU ARE GONNA LET GRAHAM
TAKE THE BOSS’S CREDIT
BY HIMSELF
594
00:33:23,930 --> 00:33:25,390
EVEN IF THAT MAKES
IT LOOK LIKE
595
00:33:25,430 --> 00:33:26,930
SOME BIGGER BOSS
SAT YOU DOWN?
596
00:33:26,970 --> 00:33:28,110
WHAT’S THAT TO YOU?
597
00:33:28,130 --> 00:33:30,230
OH, YOU SEE...
598
00:33:30,270 --> 00:33:32,930
YOU PEOPLE ARE AS CRAZY
AS ANYBODY ELSE.
599
00:33:32,970 --> 00:33:34,000
GOOD NIGHT.
600
00:33:34,040 --> 00:33:35,400
YEAH, YEAH.
GOOD NIGHT.
601
00:33:35,440 --> 00:33:36,310
[SIGH]
602
00:33:36,340 --> 00:33:37,840
MAKE SURE THEY
FILL OUT YOUR PASS
603
00:33:37,880 --> 00:33:39,820
TO LET YOU OUT
TOMORROW.
604
00:33:54,630 --> 00:33:56,230
MEDAVOY, MARTINEZ.
605
00:33:58,360 --> 00:34:00,930
WE’RE THROUGH FOR THE DAY.
FINISH YOUR 5 TOMORROW.
606
00:34:00,970 --> 00:34:02,640
WHAT’S UP?
WE’RE LEAVING.
607
00:34:02,670 --> 00:34:04,340
WE’RE LEAVING?
608
00:34:04,370 --> 00:34:05,370
SCREW HIM.
609
00:34:05,400 --> 00:34:06,770
WHO?
610
00:34:06,810 --> 00:34:08,450
HIM.
611
00:34:08,470 --> 00:34:09,710
ANDY, IT WOULDN’T
HURT US GETTIN’
A LITTLE INK
612
00:34:09,740 --> 00:34:10,940
OFF RECOVERING
THOSE CRATED WEAPONS.
613
00:34:10,980 --> 00:34:12,480
THEN YOU STAY HERE,
MARTINEZ.
614
00:34:12,510 --> 00:34:13,680
NO. GOD FORBID
615
00:34:13,710 --> 00:34:15,780
MY WIFE AND PARENTS
SEE ME DOIN’ GOOD
IN THE NEWS.
616
00:34:15,810 --> 00:34:17,550
YOUR BOSS AUTHORIZE
YOUR LEAVING?
617
00:34:17,580 --> 00:34:18,850
HE WASN’T AROUND
TO ASK.
618
00:34:18,880 --> 00:34:22,450
YOU LEAVE ME TO STAND ALONE
AT THAT PRESS CONFERENCE,
619
00:34:22,490 --> 00:34:23,660
YOU’RE NOT GONNA LIKE
THE STATEMENT I ISSUE.
620
00:34:23,690 --> 00:34:25,550
YEAH. I READ THOSE
STATEMENTS VERBATIM.
621
00:34:25,590 --> 00:34:27,460
HOW ABOUT STANDING AT A MIC
IN SOMEONE ELSE’S HOUSE
622
00:34:27,490 --> 00:34:29,860
WITHOUT EVEN YOUR OWN
DETECTIVE NEXT TO YOU?
623
00:34:29,890 --> 00:34:32,190
WHAT KIND OF STATEMENT
DOES THAT MAKE...BOSS?
624
00:34:32,230 --> 00:34:34,700
[QUIETLY] FANCY
WANTED US TO DO THIS?
625
00:34:34,730 --> 00:34:35,900
NO.
626
00:34:35,930 --> 00:34:37,570
THIS WAS ME SHOOTING
OURSELVES IN THE FOOT
627
00:34:37,600 --> 00:34:39,800
SO THEM PEOPLE DON’T THINK
THEY GOT THE MARKET CORNERED.
628
00:34:39,840 --> 00:34:41,000
OH.
629
00:34:52,380 --> 00:34:54,050
GRAHAM.
630
00:34:54,090 --> 00:34:56,600
CANCEL THE PRESS CONFERENCE.
631
00:35:05,230 --> 00:35:06,700
YEAH. OK, THANKS.
632
00:35:06,730 --> 00:35:08,860
FOOT COP LOOKS
TO GRAB UP CHAVEZ
633
00:35:08,900 --> 00:35:10,870
OFF THE ALARM
WE PUT OUT.
634
00:35:10,900 --> 00:35:12,370
DOPEY CARJACKS A CAB,
635
00:35:12,400 --> 00:35:14,870
DRIVES IT
INTO A DUMP TRUCK.
636
00:35:14,910 --> 00:35:17,550
TELLS THE COP IN THE YARD
HE KNEW WHAT WE
WANTED HIM FOR.
637
00:35:17,580 --> 00:35:18,720
IS HE GOING OUT
OF THE PICTURE?
638
00:35:18,740 --> 00:35:19,880
NAH. BROKEN LEG
AND COLLARBONE.
639
00:35:19,910 --> 00:35:21,380
THEY’RE OPERATING
ON HIM NOW.
640
00:35:24,380 --> 00:35:25,550
CAN I HELP YOU?
641
00:35:25,580 --> 00:35:26,750
HER.
642
00:35:27,790 --> 00:35:29,030
Diane: HI, HENRY.
643
00:35:29,050 --> 00:35:30,690
YEAH, HI.
644
00:35:30,720 --> 00:35:33,520
SO, WHERE YOU
WANT TO DO THIS?
645
00:35:33,560 --> 00:35:35,260
RIGHT HERE.
646
00:35:40,600 --> 00:35:41,860
D‐DID THE BLOWHARD
LEAVE YET?
647
00:35:41,900 --> 00:35:43,430
I CAN SIT THERE.
648
00:35:43,470 --> 00:35:45,400
HERE. SIT HERE.
649
00:35:57,080 --> 00:35:58,710
AS FAR
AS HIM DYING,
650
00:35:58,750 --> 00:36:00,050
I’M NO GOOD
AT LETTERS.
651
00:36:00,080 --> 00:36:01,620
NO, I UNDERSTAND.
652
00:36:01,650 --> 00:36:04,920
AS FAR AS THE BUILDING,
THAT’S GOIN’ OK.
653
00:36:04,960 --> 00:36:06,570
GOOD.
654
00:36:06,590 --> 00:36:08,920
I HOPE YOU’RE NOT
PISSED OFF ON THAT,
655
00:36:08,960 --> 00:36:10,930
HIM LEAVING THE BUILDING
IN MY CARE.
656
00:36:10,960 --> 00:36:13,330
NO. NO, I’M JUST
AS GLAD HE DID.
657
00:36:13,370 --> 00:36:15,410
UH, I WANTED TO UPDATE
YOU ON THE BIRDS,
658
00:36:15,430 --> 00:36:17,600
WHICH HE LEFT TO ME
TO COMPLICATE MY LIFE.
659
00:36:17,640 --> 00:36:21,410
TH‐THERE’S A LIST.
660
00:36:21,440 --> 00:36:23,340
THAT’S ALPHABETIZED
BY NAMES
661
00:36:23,380 --> 00:36:25,650
AND CROSS‐REFERENCED
TO THE LEG‐BAND NUMBERS.
662
00:36:25,680 --> 00:36:27,490
I DIDN’T KNOW
THEY HAD NAMES.
663
00:36:27,510 --> 00:36:29,240
WELL, I GAVE ’EM
NAMES.
664
00:36:29,280 --> 00:36:32,010
I GOT TIRED
OF CALLING OUT,
665
00:36:32,050 --> 00:36:33,980
"118 NPA."
666
00:36:34,020 --> 00:36:37,020
BOBBY USED TO JUST SAY,
"HIM" OR "HER."
667
00:36:37,060 --> 00:36:38,200
WELL, I GAVE ’EM NAMES.
668
00:36:38,220 --> 00:36:40,360
SURE.
669
00:36:40,390 --> 00:36:41,360
THAT’S GOOD.
670
00:36:41,390 --> 00:36:44,460
OR, UH, "THAT ONE,"
671
00:36:44,500 --> 00:36:45,640
HE’D SAY.
672
00:36:47,570 --> 00:36:50,610
HMM. THIS LOOKS
REALLY THOROUGH.
673
00:36:50,640 --> 00:36:53,140
I DON’T KNOW
IF YOU’RE AWARE
674
00:36:53,170 --> 00:36:54,370
HE INSTRUCTED ME
TO TAKE ’EM UPSTATE.
675
00:36:54,410 --> 00:36:55,880
SO THEY COULD
FLY BACK HOME.
676
00:36:55,910 --> 00:36:58,950
HE SENT ME ON A JAUNT
TO NEW PALTZ‐‐
677
00:36:58,980 --> 00:37:01,890
HIS, UH, GOOD‐BYE
INSTRUCTIONS.
678
00:37:01,910 --> 00:37:03,480
I ONLY ASSUME
HE DIDN’T REALIZE
679
00:37:03,520 --> 00:37:05,560
I’D NEVER BEEN
OUT OF THE CITY.
680
00:37:05,580 --> 00:37:08,220
ANYWAY, THAT WENT OK.
681
00:37:08,250 --> 00:37:10,220
I ACTUALLY MET
AN OLD BIDDY UP THERE
682
00:37:10,250 --> 00:37:12,290
WHO’S COMING
DOWN NEXT MONTH
FOR THE STAMP SHOW.
683
00:37:12,320 --> 00:37:13,860
GOOD.
684
00:37:13,890 --> 00:37:16,190
SHE RUNS
THE BED‐AND‐BREAKFAST
685
00:37:16,230 --> 00:37:17,670
I STAYED AT.
686
00:37:17,700 --> 00:37:19,040
A DUMP, THAT PLACE.
687
00:37:19,060 --> 00:37:25,870
ANYWAY, HIS LETTER SAID
KEEP YOU POSTED
ON THE BIRDS.
688
00:37:25,900 --> 00:37:28,000
THANKS, HENRY.
689
00:37:28,040 --> 00:37:30,310
AND GENERALLY,
690
00:37:30,340 --> 00:37:32,540
I WANTED TO,
YOU KNOW,
691
00:37:32,580 --> 00:37:35,720
EXPRESS MY SYMPATHY.
692
00:37:35,750 --> 00:37:37,820
THANKS.
693
00:37:37,850 --> 00:37:42,550
THAT‐‐THAT HE ASKED ME
KEEP YOU POSTED,
694
00:37:42,590 --> 00:37:45,060
DID HE HAVE MORE
695
00:37:45,090 --> 00:37:48,260
YOU WERE SUPPOSED
TO ASK ME TO DO?
696
00:37:51,900 --> 00:37:55,440
OK. UM...SO LONG.
697
00:37:55,470 --> 00:37:57,910
DID YOU WANT THIS?
698
00:37:57,940 --> 00:37:59,910
NO. KEEP IT.
I GOT IT ON DISK.
699
00:38:16,590 --> 00:38:18,250
IS IT OFFICIAL YET?
700
00:38:18,290 --> 00:38:20,260
YOU MEAN, YOUR DAUGHTER
ELVIE’S BEING DEAD?
701
00:38:20,290 --> 00:38:21,760
I NOTIFIED
THE INSURANCE
702
00:38:21,790 --> 00:38:23,730
JUST TO GET
THE WHEELS ROLLING.
703
00:38:23,760 --> 00:38:24,730
WELL, NOW YOU HAVE
TO NOTIFY THEM
704
00:38:24,760 --> 00:38:25,760
YOUR DAUGHTER’S
STILL ALIVE.
705
00:38:25,800 --> 00:38:27,610
WHAT?
706
00:38:27,630 --> 00:38:28,900
I GUESS YOU NOT SEEING HER
ALL THIS TIME,
707
00:38:28,930 --> 00:38:30,100
YOU FORGOT
WHAT SHE LOOKED LIKE.
708
00:38:30,130 --> 00:38:32,430
THAT WASN’T ELVIE
IN THOSE DEATH PHOTOS?
709
00:38:32,470 --> 00:38:35,740
COME HERE, MRS. IGLESIAS.
710
00:38:41,450 --> 00:38:44,390
THIS IS THE POKEY ROOM,
MRS. IGLESIAS.
711
00:38:44,420 --> 00:38:46,890
THIS IS THE CELL WHERE
YOU OUGHTA BE SPENDING
THE NEXT COUPLE OF HOURS
712
00:38:46,920 --> 00:38:48,650
TILL YOU’RE TRANSPORTED
TO CENTRAL BOOKING
713
00:38:48,690 --> 00:38:50,730
AND LOCKED UP FOR FILING
A FALSE POLICE REPORT.
714
00:38:50,760 --> 00:38:52,100
I WAS SURE IT WAS HER.
715
00:38:52,120 --> 00:38:53,220
THAT’S CRAP.
716
00:38:53,260 --> 00:38:55,330
I WAS FILLED WITH GRIEF.
717
00:38:55,360 --> 00:38:56,390
YOU FILED
A FALSE POLICE REPORT
718
00:38:56,430 --> 00:38:57,730
WITH INTENT
TO COMMIT FRAUD.
719
00:38:57,760 --> 00:39:00,430
I WAS THE BENEFICIARY
TO THAT CHRISTENING INSURANCE.
720
00:39:00,470 --> 00:39:01,910
I GOT A WHORE
FOR A DAUGHTER.
721
00:39:01,930 --> 00:39:03,570
YOU DON’T THINK
SHE’S DEAD TO ME?
722
00:39:03,600 --> 00:39:06,440
GO ON! BREAK MY BALLS!
723
00:39:08,710 --> 00:39:10,980
[SOBBING]
724
00:39:12,040 --> 00:39:13,580
GO AHEAD. JUST, UH...
725
00:39:13,610 --> 00:39:15,040
JUST DON’T
DO IT AGAIN.
726
00:39:19,280 --> 00:39:21,780
THEY GOT THOSE SHOWS‐‐
727
00:39:21,820 --> 00:39:23,180
WHEN SOMETHING HAPPENS
728
00:39:23,220 --> 00:39:26,360
AND THEN IT TURNS OUT
DIFFERENT.
729
00:39:26,390 --> 00:39:28,920
LIKE..."THEY SAID
SHE WAS DEAD,
730
00:39:28,960 --> 00:39:30,490
BUT IT WAS ALL
A BIG MISTAKE."
731
00:39:30,530 --> 00:39:33,130
WHAT ARE YOU
TALKING ABOUT?
732
00:39:33,160 --> 00:39:36,270
LIKE SALLY JESSE
OR WHATNOT.
733
00:39:36,300 --> 00:39:38,270
IF I COULD GET ON,
734
00:39:38,300 --> 00:39:41,600
THEN WILL YOU
COME ON, TOO?
735
00:39:41,640 --> 00:39:43,710
"THEY MADE A MISTAKE
THAT BROKE MY HEART,
736
00:39:43,740 --> 00:39:45,610
BUT WHAT A RELIEF
CAME AFTER."
737
00:39:45,640 --> 00:39:47,680
EVEN IF HER AND ME
MADE UP,
738
00:39:47,710 --> 00:39:49,880
AND SHE COME ON, TOO.
739
00:39:49,910 --> 00:39:52,310
"THEY DIDN’T TALK,
AND THEY HATED EACH OTHER,
740
00:39:52,350 --> 00:39:54,220
"AND SHE HAD TO DIE
TO GET IT BETTER,
741
00:39:54,250 --> 00:39:55,850
AND WE WATCHED."
742
00:39:55,890 --> 00:39:57,730
THAT COULD BE
A WHOLE HOUR.
743
00:40:01,030 --> 00:40:02,730
OPRAH.
744
00:40:02,760 --> 00:40:04,530
IS YOUR DAUGHTER
SO DEAD TO YOU,
745
00:40:04,560 --> 00:40:06,900
YOU DON’T WANNA KNOW
HOW SHE’S DOING?
746
00:40:06,930 --> 00:40:08,900
NO. HOW IS SHE?
747
00:40:08,930 --> 00:40:10,830
SHE’S OK.
748
00:40:12,700 --> 00:40:14,240
DON’T HANG AROUND
TOO LONG.
749
00:40:19,410 --> 00:40:20,540
ANYWAY, UM,
750
00:40:20,580 --> 00:40:23,010
I WAS THINKING,
AFTER YOU LEFT,
751
00:40:23,050 --> 00:40:25,020
PROBABLY BOBBY
WOULD WANT YOU
752
00:40:25,050 --> 00:40:27,720
TO STAY IN TOUCH ON,
UM, HOW THE BIRDS ARE
753
00:40:27,750 --> 00:40:29,550
AND THINGS AT THE BUILDING.
754
00:40:29,590 --> 00:40:32,820
MAYBE ONCE A WEEK OR SO
YOU COULD CALL,
755
00:40:32,860 --> 00:40:35,030
OR, UH, WE COULD
HAVE COFFEE.
756
00:40:35,060 --> 00:40:38,760
ANYWAY, HENRY,
TAKE CARE.
757
00:41:00,390 --> 00:41:02,860
HEARS CHAPTER AND VERSE,
THIS DORNAN, YOU KNOW,
758
00:41:02,890 --> 00:41:04,800
THE FAVOR HE DID ME
759
00:41:04,820 --> 00:41:07,020
WAS NOT THE CULPRIT
FOR HIS CAREER DISASTER.
760
00:41:07,060 --> 00:41:09,590
HE STILL WALKS AWAY
WITH PLYMOUTH ROCK
ON HIS SHOULDER.
761
00:41:09,630 --> 00:41:13,400
ANDY, HE’S GONNA
HARBOR RESENTMENT
GETTIN’ FLOPPED.
762
00:41:15,730 --> 00:41:17,630
HOW YOU GONNA UNDERSTAND
THIS OTHER LUNATIC?
763
00:41:17,670 --> 00:41:19,800
HE WALKS AWAY FROM
HIS OWN PRESS CONFERENCE.
764
00:41:19,840 --> 00:41:22,200
I TELL YOU, YOU COULD LIVE
AMONGST THEM FOR YEARS
765
00:41:22,240 --> 00:41:23,710
AND NOT FATHOM THAT.
766
00:41:23,740 --> 00:41:26,310
WE WALKED AWAY, TOO.
767
00:41:26,350 --> 00:41:28,920
HEY, YOU BACK
YOUR BOSS’ PLAY,
768
00:41:28,950 --> 00:41:30,760
JUST LIKE YOU’D
WANT HIM TO BACK YOU.
769
00:41:37,020 --> 00:41:38,490
WHAT THE HELL
IS THIS NOW?
770
00:41:38,520 --> 00:41:40,920
LOOKS LIKE THE BOSS
BUYING A BEER.
771
00:41:40,960 --> 00:41:43,630
THIS GUY GOES HOME.
HE’S A FAMILY MAN.
772
00:41:43,660 --> 00:41:45,160
THIS DORNAN WAS SAYIN’
773
00:41:45,200 --> 00:41:47,410
HE WAS GONNA GO
FOR A DRINK.
774
00:41:47,430 --> 00:41:49,500
DON’T LOOK LIKE HE’S
WAITING FOR ANYBODY.
775
00:41:49,530 --> 00:41:51,300
I’M GOIN’ OVER.
776
00:41:51,340 --> 00:41:54,510
IF HE DON’T SEEM HOSTILE,
THEN JOIN US.
777
00:41:59,180 --> 00:42:01,550
YEAH. I GOT YOUR BACK.
778
00:42:02,810 --> 00:42:04,350
HOW’S IT GOIN’?
779
00:42:04,380 --> 00:42:06,050
WHAT’S GOIN’ ON?
780
00:42:09,720 --> 00:42:11,620
YOU’D AS SOON
BE BY YOURSELF?
781
00:42:11,660 --> 00:42:13,160
NO. GO AHEAD.
782
00:42:13,190 --> 00:42:15,720
I’M IN HERE
WITH SORENSON.
783
00:42:20,000 --> 00:42:22,600
SO, UH, HOW WAS
THE PRESS CONFERENCE?
784
00:42:22,630 --> 00:42:25,800
WE DIDN’T
GO TO THAT.
785
00:42:27,810 --> 00:42:28,980
HEY, BOSS.
786
00:42:29,010 --> 00:42:30,620
HEY, DANNY.
787
00:42:30,640 --> 00:42:32,610
SO, WHY DIDN’T YOU GO?
788
00:42:32,640 --> 00:42:34,710
DORNAN SPLIT,
YOU SPLIT.
789
00:42:34,750 --> 00:42:36,860
WE’D HAVE BEEN
STANDING THERE
790
00:42:36,880 --> 00:42:38,710
WITH A BUNCH OF RIFLES
AND THAT GLORY‐HOUND
TUBESTEAK GRAHAM.
791
00:42:38,750 --> 00:42:41,180
YOU FIGURE WE DON’T
GOT SCRUPLES, TOO?
792
00:42:41,220 --> 00:42:43,990
YOU THINK YOU’RE
BETTER THAN WE ARE?
793
00:42:46,990 --> 00:42:49,460
YOU LETTIN’
THE TRAFFIC THIN OUT?
794
00:42:49,490 --> 00:42:52,490
IT’S THE DAMNEDEST THING.
795
00:42:54,670 --> 00:42:56,610
I’M AFRAID TO GO HOME.
796
00:42:58,340 --> 00:43:00,050
YEAH. I KNOW
WHAT THAT’S LIKE.
797
00:43:00,070 --> 00:43:03,240
WHAT ARE YOU
AFRAID ABOUT?
798
00:43:03,280 --> 00:43:06,080
TELLING MY WIFE
I GOT WOUNDED.
799
00:43:06,110 --> 00:43:09,380
THAT YOU WERE OUT THERE
TAKING CHANCES.
800
00:43:09,410 --> 00:43:10,980
MANY’S THE NIGHT
801
00:43:11,020 --> 00:43:12,560
SHE’D HAVE LOVED ME HIT
WITH A FALLING SAFE,
802
00:43:12,580 --> 00:43:15,380
MY FIRST WIFE,
803
00:43:15,420 --> 00:43:18,390
BUT SHE WAS ALWAYS
AFRAID I’D BE SHOT.
804
00:43:18,420 --> 00:43:21,390
I DIDN’T MEAN TO BRING UP
UNHAPPY MEMORIES, ANDY.
805
00:43:21,430 --> 00:43:23,670
NO, I UNDERSTAND.
806
00:43:23,700 --> 00:43:27,470
ANDY LOST HIS GROWN SON
IN A STREET SHOOTING.
807
00:43:34,240 --> 00:43:35,700
I’M SORRY.
808
00:43:37,440 --> 00:43:41,940
HE WAS ON THE JOB
IN HACKENSACK.
809
00:43:41,980 --> 00:43:44,410
HE DIED A HERO,
ANDY’S SON.
59174
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