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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:28,920 --> 00:00:30,900 I KNOW EXACTLY WHAT HAPPENED 2 00:00:30,930 --> 00:00:32,350 ’CAUSE IT ALMOST GOT MY LEG BLOWN OFF. 3 00:00:32,340 --> 00:00:34,080 TELL ME, BRIEFLY, EXACTLY WHAT HAPPENED. 4 00:00:34,120 --> 00:00:36,730 THOSE TWO FOOL TEENAGERS COME RUNNING PAST ME, 5 00:00:36,760 --> 00:00:39,270 THEN TURN AND ALMOST SHOOT DIRECTLY AT MY LEG. 6 00:00:39,310 --> 00:00:42,350 YOU KNOCKED YOUR LEG AGAINST THIS CORNER HERE. 7 00:00:42,390 --> 00:00:44,930 YOU WOULD LIE IN CHURCH ON SUNDAY. 8 00:00:44,970 --> 00:00:46,550 NOW THAT WAS AN EXECUTION. 9 00:00:46,580 --> 00:00:48,160 HE KNEW THAT MAN, AND HE WAS WAITING FOR HIM. 10 00:00:48,190 --> 00:00:49,930 HE SHOT HIM DOWN AND FINISHED HIM OFF. 11 00:00:49,960 --> 00:00:52,100 BOTH THOSE MEN WERE POLICE OFFICERS, MR. LEWIS. 12 00:00:52,140 --> 00:00:53,310 DON’T CHANGE NOTHING. 13 00:00:53,350 --> 00:00:54,960 WE GOT 2 COPS DOWN. 14 00:00:54,980 --> 00:00:57,200 SZYMANSKI’S OFF DUTY, GETS SHOT IN THE SHOULDER 15 00:00:57,230 --> 00:00:58,800 COMING OUT OF THAT DRY CLEANER, 16 00:00:58,840 --> 00:01:01,530 SHOOTS THE OTHER GUY, WHO’S A STREET CRIME PLAINCLOTHESMAN 17 00:01:01,550 --> 00:01:03,190 IN THE MIDDLE OF A FOOT PURSUIT WITH HIS PARTNER. 18 00:01:03,230 --> 00:01:04,860 WHO WERE THE PLAINCLOTHESMEN CHASING? 19 00:01:04,900 --> 00:01:06,840 2 KIDS WITH A GUN. THEY PULLED A HOLDUP 3 BLOCKS DOWN. 20 00:01:06,880 --> 00:01:07,860 THEY GOT AWAY. 21 00:01:07,880 --> 00:01:09,220 THE KIDS SHOT SZYMANSKI 22 00:01:09,260 --> 00:01:10,490 OR THE PLAINCLOTHESMEN DID? 23 00:01:10,530 --> 00:01:12,840 THE PLAINCLOTHESMAN THAT ISN’T WOUNDED 24 00:01:12,870 --> 00:01:15,420 SAID HE NOR HIS PARTNER EVER THREW A SHOT, 25 00:01:15,460 --> 00:01:17,710 AND THE KIDS THEY WERE CHASING NEVER TURNED AROUND. 26 00:01:17,730 --> 00:01:19,470 WHAT’S THE WOUNDED PLAINCLOTHESMAN’S NAME? 27 00:01:19,510 --> 00:01:21,680 HUDSON, AND HIS PARTNER’S NAME’S DONALDSON. 28 00:01:23,290 --> 00:01:24,830 THIS COULD BE SOME JACKPOT. 29 00:01:24,870 --> 00:01:27,150 LISTEN, DON’T PUSH HIM, BUT SEE CAN HE TELL YOU ANYTHING. 30 00:01:32,000 --> 00:01:33,610 I’M ON FOOT POST. 31 00:01:33,650 --> 00:01:35,400 I WAS ACTUALLY DOWN A WAYS. 32 00:01:35,420 --> 00:01:37,700 THEY’LL STILL PROBABLY WANT TO TALK TO YOU. 33 00:01:37,730 --> 00:01:40,210 SURE. IT’S JUST THAT I DIDN’T SEE MUCH. 34 00:01:40,250 --> 00:01:43,740 YEAH. WELL, THEY JUST WANT TO TOUCH ALL THE BASES. 35 00:01:43,760 --> 00:01:44,900 IT’S ANDY SIPOWICZ, SZYMANSKI. 36 00:01:44,930 --> 00:01:46,040 WHAT HAPPENED HERE? 37 00:01:46,070 --> 00:01:47,550 THIS WAS NOT RACIAL. 38 00:01:47,580 --> 00:01:49,190 DON’T TELL ME WHAT IT WASN’T. 39 00:01:49,220 --> 00:01:50,630 I DIDN’T KNOW HE WAS A COP. 40 00:01:50,660 --> 00:01:51,970 HE SHOT ME AND I DIDN’T KNOW WHO HE WAS. 41 00:01:52,000 --> 00:01:53,440 YOU’RE SURE HE SHOT FIRST? 42 00:01:53,480 --> 00:01:55,590 I’M SHOT. I SEE HIM POINTING HIS GUN AT ME. 43 00:01:55,620 --> 00:01:56,660 I RETURNED FIRE. 44 00:01:56,690 --> 00:01:58,230 HIS PARTNER SAYS NEITHER OF THEM TWO SHOT. 45 00:01:58,270 --> 00:01:59,410 I’D JUST BEEN SHOT. 46 00:01:59,440 --> 00:02:00,810 THE GUY I SHOT WAS POINTING HIS GUN AT ME. 47 00:02:00,850 --> 00:02:02,830 WHAT THE HELL WAS I SUPPOSED TO DO? 48 00:02:02,860 --> 00:02:04,640 ALL RIGHT, CALM DOWN, SZYMANSKI. LOWER YOUR VOICE. 49 00:02:04,670 --> 00:02:06,780 IF IT WASN’T HIM, WHO THE HELL WAS IT? 50 00:02:06,810 --> 00:02:07,850 THE KID WAS ON FOOT POST. 51 00:02:07,880 --> 00:02:09,620 HE’S WORTH A CONVERSATION. 52 00:02:09,660 --> 00:02:11,870 SAYS HE DIDN’T SEE ANYTHING, TWICE. 53 00:02:11,900 --> 00:02:14,580 GET YOURSELF LOOKED AT. WE’LL TALK MORE AT THE HOUSE. 54 00:02:14,620 --> 00:02:16,230 THAT GUY SWEARS THE KIDS DID THE ROBBERY 55 00:02:16,260 --> 00:02:17,370 LIVE IN THE BARUCH PROJECTS. 56 00:02:17,400 --> 00:02:19,920 THEM AND 10,000 OTHER PEOPLE. 57 00:02:19,940 --> 00:02:22,550 HE SAYS HE’D KNOW ’EM IF HE SAW ’EM AGAIN. 58 00:02:22,590 --> 00:02:23,460 ANYWAYS, WE’LL RIDE HIM OVER 59 00:02:23,490 --> 00:02:24,460 AND SEE WHAT HE COMES UP WITH. 60 00:02:24,500 --> 00:02:25,770 YEAH, WE’LL GO CANVASS. 61 00:02:25,810 --> 00:02:27,220 HEY, ANDY. 62 00:02:27,250 --> 00:02:28,930 POSSIBLE COMPLICATION. 63 00:02:28,950 --> 00:02:30,830 OUR BOSS HAS IT IN FOR THIS SZYMANSKI. 64 00:02:30,860 --> 00:02:34,350 OVER WHAT? WHAT’S THE BOSS PISSED OFF ABOUT? 65 00:02:34,380 --> 00:02:37,760 GETTING STOPPED FOR A BUSTED TAILLIGHT 2 YEARS AGO 66 00:02:37,800 --> 00:02:40,010 AND THE DEATH OF MARTIN LUTHER KING. 67 00:04:02,660 --> 00:04:04,070 WHAT DO YOU KNOW ABOUT IT? 68 00:04:04,100 --> 00:04:06,110 MY DETECTIVES HAVEN’T GOT BACK YET. 69 00:04:06,140 --> 00:04:07,740 YOU KNOW IT’S SZYMANSKI. 70 00:04:07,780 --> 00:04:11,800 YEAH. I KNOW SZYMANSKI’S ONE OF THE COPS INVOLVED. 71 00:04:11,830 --> 00:04:13,340 BEING HE IS, WOULD YOU BE MORE COMFORTABLE 72 00:04:13,380 --> 00:04:14,790 I.A.B. COMING IN FRONT ON THIS ONE? 73 00:04:14,820 --> 00:04:16,030 NO. 74 00:04:16,060 --> 00:04:18,140 I’M SAYING WITH YOUR HISTORY WITH THIS GUY. 75 00:04:18,170 --> 00:04:20,890 AND I’M SAYING I’M COMFORTABLE RUNNING THE INVESTIGATION. 76 00:04:23,010 --> 00:04:24,480 YOU CHECK WITH THE HOSPITAL? 77 00:04:24,480 --> 00:04:25,900 SZYMANSKI’S BEEN TREATED AND RELEASED. 78 00:04:25,930 --> 00:04:27,640 ANDY AND THE CRIME GUYS ARE BRINGING IN HIM 79 00:04:27,670 --> 00:04:29,650 AND THE PARTNER OF THE PLAINCLOTHES COP HE SHOT. 80 00:04:29,680 --> 00:04:32,630 THE PLAINCLOTHES SZYMANSKI SHOT CAN’T GIVE US ANYTHING? 81 00:04:32,660 --> 00:04:34,740 NO. HE’S JUST HANGING ON. 82 00:04:37,920 --> 00:04:39,760 IF IT IS RACIAL, THIS IS A DISASTER. 83 00:04:41,440 --> 00:04:43,580 SZYMANSKI PUT 5 IN HIM. 84 00:04:43,620 --> 00:04:46,430 THERE’S NO WAY TO PRETTY THAT UP. 85 00:04:46,470 --> 00:04:49,190 NOT THAT ANYONE WOULD WANT TO. 86 00:04:49,210 --> 00:04:52,560 I’LL KEEP YOU UP TO SPEED. 87 00:04:52,600 --> 00:04:54,950 LIKE I SAID, ANYTIME YOU’RE MORE COMFORTABLE 88 00:04:54,980 --> 00:04:57,460 US GETTING IN FRONT, THAT’S ALL RIGHT, TOO. 89 00:04:57,490 --> 00:04:59,430 YEAH. 90 00:04:59,470 --> 00:05:00,810 I’M GONNA HANDLE IT. 91 00:05:09,150 --> 00:05:10,690 JUST GIVE US A SECOND. 92 00:05:10,720 --> 00:05:11,720 SURE. 93 00:05:11,760 --> 00:05:13,230 JUST GOTTA TALK TO OUR BOSS. 94 00:05:13,270 --> 00:05:14,880 NO PROBLEM. 95 00:05:16,420 --> 00:05:17,560 HOW’S IT GOING? 96 00:05:17,590 --> 00:05:18,720 THE BETTER FOR SEEING YOU. 97 00:05:22,880 --> 00:05:24,860 THAT’S THE RAT SQUAD. 98 00:05:24,890 --> 00:05:27,970 YEAH, THEY’D SOMETIMES HAVE TO DO WITH US OVER IN NARCOTICS. 99 00:05:28,010 --> 00:05:30,020 DON’T BREAK BALLS. 100 00:05:32,430 --> 00:05:33,930 THEY’RE BRINGING SZYMANSKI 101 00:05:33,970 --> 00:05:36,150 AND THE SHOT UNDERCOVER’S PARTNER FROM BELLEVUE. 102 00:05:36,180 --> 00:05:38,320 THAT ROOKIE COP WAS ALSO ON THE SCENE. 103 00:05:38,360 --> 00:05:39,700 FOR A GUY WITH NOTHING TO TELL US 104 00:05:39,730 --> 00:05:41,140 HE WAS HANGING AROUND PRETTY GOOD. 105 00:05:41,170 --> 00:05:42,710 SO, ANDY, YOU’LL TALK TO THIS ROOKIE COP? 106 00:05:44,420 --> 00:05:47,200 NO. BEING SZYMANSKI’S THE PRINCIPAL PLAYER, 107 00:05:47,240 --> 00:05:48,580 I THOUGHT I’D TALK WITH SZYMANSKI. 108 00:05:48,610 --> 00:05:50,520 ALL RIGHT. 109 00:05:50,550 --> 00:05:51,690 SO I’LL TALK WITH THIS ROOKIE COP BAKER? 110 00:05:51,730 --> 00:05:53,240 YEAH, GOOD. 111 00:05:53,270 --> 00:05:54,210 Danny: LET ME GET HIM A SODA. 112 00:05:57,590 --> 00:05:58,890 SO WHEN SZYMANSKI GETS HERE, 113 00:05:58,930 --> 00:06:01,200 YOU MIND IF I SIT IN ON YOUR INTERVIEW? 114 00:06:01,240 --> 00:06:02,640 SIT IN MEANING WATCH? 115 00:06:02,680 --> 00:06:05,630 WELL, IF I MEANT WATCH, ANDY, I WOULD’VE SAID WATCH. 116 00:06:05,660 --> 00:06:09,080 SO SIT IN MEANS THAT YOU MAY WANT TO BE ASKING QUESTIONS? 117 00:06:09,110 --> 00:06:10,950 IF THE SPIRIT MOVES ME, YEAH. 118 00:06:10,990 --> 00:06:12,790 YOU DO THE INTERVIEW. 119 00:06:12,830 --> 00:06:15,540 I DIDN’T SAY I WANTED TO DO THE INTERVIEW. 120 00:06:15,580 --> 00:06:17,380 NO, YOU DO THE INTERVIEW. 121 00:06:17,420 --> 00:06:19,960 ’CAUSE I AM NOT GONNA HAVE SOMEONE SITTING OVER ME 122 00:06:20,000 --> 00:06:21,370 LIKE A GUILTY CONSCIENCE‐‐ 123 00:06:21,410 --> 00:06:22,850 "DID YOU SCREW THIS GUY TO THE WALL HARD ENOUGH 124 00:06:22,880 --> 00:06:25,690 OVER SHOOTING THAT INNOCENT BLACK PLAINCLOTHESMAN?" 125 00:06:33,770 --> 00:06:35,270 SZYMANSKI, 126 00:06:35,310 --> 00:06:37,790 TALK TO ME HERE IN THE COFFEE ROOM. 127 00:06:37,820 --> 00:06:38,790 TALK TO YOU? 128 00:06:38,830 --> 00:06:41,050 YEAH, TALK TO ME. 129 00:06:48,070 --> 00:06:49,710 HOW YOU DOING, DONALDSON? 130 00:06:51,560 --> 00:06:52,870 HOW YOU DOING? 131 00:06:55,210 --> 00:06:56,810 SORRY ABOUT YOUR PARTNER. 132 00:06:56,850 --> 00:06:59,760 HE DID ME A SOLID ONCE WHEN I WAS FIRST COP ON THE SCENE. 133 00:06:59,800 --> 00:07:01,440 YEAH, THAT SOUNDS LIKE HIM. 134 00:07:03,550 --> 00:07:06,330 SORRY ABOUT YOUR PARTNER, TOO. 135 00:07:12,090 --> 00:07:14,800 JIMMY STUPEK STILL BREAKING BALLS AT THE ACADEMY? 136 00:07:14,840 --> 00:07:16,410 MR. CLEAN? 137 00:07:16,450 --> 00:07:17,820 YEAH, HE’S STILL TEACHING MARTIAL ARTS. 138 00:07:17,860 --> 00:07:19,470 YOU GUYS CALLED HIM MR. CLEAN? 139 00:07:19,500 --> 00:07:20,680 YEAH, THE SHAVED HEAD, 140 00:07:20,700 --> 00:07:22,170 LOOKS EXACTLY LIKE THAT GENIE 141 00:07:22,210 --> 00:07:23,780 ON THE MR. CLEAN BOTTLES. 142 00:07:23,820 --> 00:07:26,230 WHEN I WAS THERE HE STILL HAD LIKE A BOZO FRINGE. 143 00:07:26,260 --> 00:07:28,970 I GUESS HE WENT TOTAL AFTER I LEFT. 144 00:07:29,010 --> 00:07:31,760 SO WHAT DO YOU GOT FOR ME, NEIL? 145 00:07:31,790 --> 00:07:36,080 ON THE SHOOTING INCIDENT I GOT NOTHING, YOU KNOW? 146 00:07:36,110 --> 00:07:38,290 JUST THAT IT’S A HELL OF A THING. 147 00:07:38,320 --> 00:07:40,230 THE PLAINCLOTHES COP DOWN. 148 00:07:40,270 --> 00:07:41,470 THE WHOLE THING. 149 00:07:41,510 --> 00:07:43,090 YOU KNOW, THE OFF‐DUTY COP 150 00:07:43,110 --> 00:07:44,650 GOT ONE IN THE SHOULDER ALSO. 151 00:07:44,690 --> 00:07:45,830 THAT SZYMANSKI? 152 00:07:49,210 --> 00:07:51,250 ALL RIGHT, WELL, WHY DON’T YOU GIVE ME 153 00:07:51,290 --> 00:07:53,630 THE NOTHING‐YOU‐GOT‐ FOR‐ME IN DETAIL, NEIL, 154 00:07:53,670 --> 00:07:55,350 SO INSTEAD OF SPENDING THE AFTERNOON 155 00:07:55,380 --> 00:07:57,360 WITH MY PAIN‐IN‐THE‐BALLS DINOSAUR PARTNER 156 00:07:57,390 --> 00:08:00,710 PISSING IN MY EAR I GOT INADEQUATE INFORMATION, 157 00:08:00,740 --> 00:08:02,990 I CAN SPEND IT HIM PISSING IN MY EAR I GOT TOO MUCH. 158 00:08:03,010 --> 00:08:04,490 THAT’S THAT SIPOWICZ. 159 00:08:04,520 --> 00:08:05,660 YEAH, HE’S BREAKING ME IN. 160 00:08:05,690 --> 00:08:08,910 GIVING ME THE ADVANCED COURSE IN ANXIETY. 161 00:08:08,940 --> 00:08:11,120 "ONE THING YOU WANT TO AVOID, DANNY, 162 00:08:11,150 --> 00:08:13,300 "THE ONE THING YOU WANT TO AVOID‐‐ 163 00:08:13,330 --> 00:08:14,800 "DO NOT MAKE A MISTAKE 164 00:08:14,840 --> 00:08:16,710 "YOUR OPENING YEARS ON THE JOB. 165 00:08:16,750 --> 00:08:18,460 "A MISTAKE COMING UP WILL HAUNT YOU 166 00:08:18,490 --> 00:08:20,430 YOUR REMAINING CAREER." 167 00:08:20,470 --> 00:08:23,580 SO THAT’S GOT ME GOOD AND RELAXED. 168 00:08:23,620 --> 00:08:25,370 YEAH, I KNOW HOW THAT GOES. 169 00:08:25,390 --> 00:08:27,530 I DON’T THINK YOU CAN DO THE JOB 170 00:08:27,570 --> 00:08:29,210 LOOKING OVER YOUR OWN SHOULDER LIKE THAT. 171 00:08:29,240 --> 00:08:31,220 I DO WHAT I THINK IS RIGHT, 172 00:08:31,250 --> 00:08:33,630 AND I’M NOT TYING MYSELF UP AFTER WITH SECOND‐GUESSING. 173 00:08:33,670 --> 00:08:35,550 YEAH, WELL. 174 00:08:35,580 --> 00:08:37,330 YEAH, WELL, WHAT? 175 00:08:37,350 --> 00:08:41,340 YEAH, WELL, IT’S EASY NOT SECOND‐GUESSING YOURSELF 176 00:08:41,370 --> 00:08:43,510 IF YOU HAVEN’T DONE ANYTHING WRONG... 177 00:08:43,550 --> 00:08:45,590 AND MAKING HYPOTHETICAL STATEMENTS. 178 00:08:45,630 --> 00:08:48,380 YEAH, WELL, THAT’S THE POINT. 179 00:08:48,410 --> 00:08:49,910 YEAH. 180 00:08:53,970 --> 00:08:57,920 ALTHOUGH IF I DID WHATEVER I DID 181 00:08:57,960 --> 00:08:59,770 AND MY INTENTIONS WERE RIGHT, 182 00:08:59,800 --> 00:09:02,050 BY ME NOT SECOND‐GUESSING MYSELF 183 00:09:02,080 --> 00:09:03,390 OR COVERING THINGS UP, 184 00:09:03,420 --> 00:09:06,070 I GOT A CHANCE MY INTENTIONS COMING OUT. 185 00:09:06,100 --> 00:09:08,550 THOSE ARE SEEN, AND NOT JUST WHATEVER I DID. 186 00:09:08,570 --> 00:09:10,350 YEAH, WELL, WHAT IS IT YOU’RE TRYING TO SAY? 187 00:09:10,380 --> 00:09:11,920 WHAT ARE YOU DRIVING AT? 188 00:09:11,960 --> 00:09:14,440 I’M TALKING TO ANOTHER COP, NEIL. 189 00:09:14,470 --> 00:09:17,180 I’M NOT DRIVING AT NOTHING. 190 00:09:17,220 --> 00:09:19,370 I’M SAYING IF ANOTHER COP TOLD ME SOMETHING 191 00:09:19,400 --> 00:09:22,050 WHERE SOME INTENTION OF HIS WENT WRONG, 192 00:09:22,080 --> 00:09:24,230 I’M MAKING DAMN SURE HIS INTENTIONS 193 00:09:24,250 --> 00:09:27,160 CAST A GOOD STRONG LIGHT ON WHATEVER IT IS HE DID 194 00:09:27,200 --> 00:09:29,110 THAT DIDN’T HAVE THE OUTCOME HE WANTED. 195 00:09:29,140 --> 00:09:31,420 I’M MAKING DAMN SURE OF THAT. 196 00:09:31,460 --> 00:09:33,070 BUT FIRST I GOTTA KNOW WHAT HAPPENED. 197 00:09:44,190 --> 00:09:46,910 WELL, MAYBE I GOT SOMETHING TO SAY. 198 00:09:46,930 --> 00:09:49,240 Szymanski: I HEAR A SHOT OUTSIDE. 199 00:09:49,280 --> 00:09:50,320 I DRAW MY GUN. 200 00:09:53,000 --> 00:09:56,450 MY FIRST STEP OUT, A ROUND HITS ME IN THE ARM. 201 00:09:56,480 --> 00:10:00,730 SOMEONE DRESSED LIKE A BAD GUY IS POINTING HIS GUN AT ME. 202 00:10:00,770 --> 00:10:02,840 I DEFENDED MYSELF. 203 00:10:02,880 --> 00:10:04,320 WHAT WOULD YOU DO? 204 00:10:04,350 --> 00:10:07,030 THE GUY DRESSED AS A BAD GUY IS HUDSON. 205 00:10:07,070 --> 00:10:09,720 THE PLAINCLOTHES COP, AS I FOUND OUT LATER. 206 00:10:09,750 --> 00:10:13,070 AND YOU BELIEVED IT WAS HUDSON WHO HAD FIRED ON YOU. 207 00:10:13,100 --> 00:10:14,750 RIDING OVER HERE, AFTER THE FACT, 208 00:10:14,770 --> 00:10:18,250 HIS PARTNER DONALDSON TELLS ME HUDSON DIDN’T FIRE... 209 00:10:18,290 --> 00:10:19,830 AND HE DIDN’T FIRE EITHER. 210 00:10:19,860 --> 00:10:21,770 AND YOU SHOT HUDSON 5 TIMES. 211 00:10:23,310 --> 00:10:25,190 SOMEBODY FIRED ON ME, LIEUTENANT, 212 00:10:25,220 --> 00:10:27,930 AND IT SURE AS HELL LOOKED LIKE IT WAS HIM. 213 00:10:29,580 --> 00:10:31,750 WHAT WAS THIS, 214 00:10:31,790 --> 00:10:32,830 THE PHANTOM BULLET? 215 00:10:35,680 --> 00:10:37,290 ME AND HUDSON 216 00:10:37,320 --> 00:10:40,640 WERE ON OPPOSITE SIDES OF THE STREET PURSUING 2 ROBBERY SUSPECTS. 217 00:10:40,670 --> 00:10:42,790 I’M LOOKING AHEAD OF ME UP THE STREET. 218 00:10:42,810 --> 00:10:44,850 I HEAR THIS GUNSHOT OVER ON HUDSON’S SIDE. 219 00:10:44,890 --> 00:10:46,330 I SEE THIS GUY. 220 00:10:46,360 --> 00:10:48,570 I DON’T KNOW WHO HE IS, THIS SZYMANSKI. 221 00:10:48,610 --> 00:10:50,990 NOW, HE’S HOLDING A HANDGUN AND HE SHOOTS HUDSON, 222 00:10:51,020 --> 00:10:52,830 CLOSE RANGE, A BUNCH OF TIMES. 223 00:10:52,860 --> 00:10:55,200 NEITHER YOU OR HUDSON ARE WEARING YOUR VESTS AT THE TIME? 224 00:10:55,240 --> 00:10:57,110 MAN, YOU KNOW HOW UNCOMFORTABLE THOSE THINGS ARE. 225 00:10:57,150 --> 00:11:00,900 ALL RIGHT. SO YOU SEE HUDSON GETTING SHOT A BUNCH OF TIMES 226 00:11:00,940 --> 00:11:02,620 WHILE YOU’RE RUNNING ACROSS THE STREET TO HELP HIM? 227 00:11:02,640 --> 00:11:04,120 I’M RUNNING ACROSS THE STREET. 228 00:11:04,150 --> 00:11:05,890 I’M SHOUTING, "WE’RE COPS." 229 00:11:05,930 --> 00:11:07,740 CRAZY AS HE LOOKED, 230 00:11:07,770 --> 00:11:10,750 NEVER OCCURRED TO ME THIS GUY STANDING OVER HUDSON, 231 00:11:10,790 --> 00:11:12,670 THIS SZYMANSKI, WAS A COP, TOO. 232 00:11:12,690 --> 00:11:14,100 UNTIL HE IDENTIFIED HIMSELF. 233 00:11:14,140 --> 00:11:15,780 YEAH. UNTIL HE IDENTIFIED HIMSELF, 234 00:11:15,810 --> 00:11:17,480 IT NEVER OCCURRED TO ME. 235 00:11:17,520 --> 00:11:19,890 SO THE OTHER COPS’D KNOW WHO YOU WERE, 236 00:11:19,930 --> 00:11:21,740 YOU AND YOUR PARTNER IN PLAINCLOTHES, 237 00:11:21,770 --> 00:11:23,850 I’M ASSUMING THAT THE BOTH OF YOU 238 00:11:23,880 --> 00:11:25,960 WERE WEARING THE COLOR OF THE DAY. 239 00:11:34,340 --> 00:11:36,250 YOU WITH ME, DONALDSON? 240 00:11:36,280 --> 00:11:38,080 COLOR OF THE DAY FOR PLAINCLOTHES‐‐ 241 00:11:38,120 --> 00:11:39,260 WERE YOU WEARING ’EM? 242 00:11:39,290 --> 00:11:41,370 NO, WE WERE NOT. 243 00:11:45,460 --> 00:11:46,840 NO, YOU WERE NOT. 244 00:11:46,860 --> 00:11:49,680 SIPOWICZ, YOU KNOW AS WELL AS I DO 245 00:11:49,710 --> 00:11:53,330 PLAINCLOTHES DON’T WEAR THE COLOR ALL THE TIME SO THEY DON’T GET MADE. 246 00:11:53,360 --> 00:11:55,640 THEY PUT IT ON WHEN TROUBLE JUMPS OFF. 247 00:11:55,680 --> 00:11:58,260 AND THIS THAT HAPPENED IN THE STREET TODAY‐‐ 248 00:11:58,290 --> 00:11:59,830 THAT DON’T COUNT AS TROUBLE? 249 00:11:59,860 --> 00:12:01,500 IT JUMPED OFF TOO QUICK. 250 00:12:01,540 --> 00:12:03,250 THE TROUBLE HAPPENED TOO FAST. 251 00:12:03,280 --> 00:12:06,630 NOW, WE WERE CHASING BAD GUYS. WE COULDN’T GET THE COLORS ON. 252 00:12:07,800 --> 00:12:10,110 YOU UNDERSTAND WHAT HAPPENED? 253 00:12:10,150 --> 00:12:11,190 YEAH, I DO. 254 00:12:13,130 --> 00:12:15,370 I’LL BE BACK WITH YOU IN A MINUTE. 255 00:12:19,490 --> 00:12:20,630 WHEN THE TROUBLE STARTS, 256 00:12:20,670 --> 00:12:22,320 HIM AND THE SHOT PLAINCLOTHES 257 00:12:22,340 --> 00:12:24,720 AREN’T WEARING THE COLOR OF THE DAY. 258 00:12:24,750 --> 00:12:27,830 HOW WAS SZYMANSKI SUPPOSED TO KNOW THAT THESE GUYS ARE COPS? 259 00:12:27,870 --> 00:12:28,970 THIS BAKER, ANDY, 260 00:12:29,010 --> 00:12:30,480 HE SAYS NOW HE THREW A SHOT IN THE STREET. 261 00:12:30,480 --> 00:12:31,280 FROM WHERE? 262 00:12:31,310 --> 00:12:33,050 FROM THE OTHER SIDE OF THESE PLAINCLOTHES, 263 00:12:33,090 --> 00:12:34,460 FROM WHERE SZYMANSKI WAS. 264 00:12:34,500 --> 00:12:37,080 HE SAYS HE THINKS IT’S HIS BULLET HIT SZYMANSKI. 265 00:12:37,110 --> 00:12:39,590 IF THE BAD GUYS ARE UP THE STREET THE OTHER DIRECTION, 266 00:12:39,620 --> 00:12:41,830 WHO IN THE HELL IS THIS ROOKIE SHOOTING AT? 267 00:12:41,870 --> 00:12:44,420 WELL, HE DIDN’T KNOW ABOUT THE BAD GUYS UP THE STREET, THIS BAKER. 268 00:12:44,450 --> 00:12:47,230 HE THOUGHT THE PLAINCLOTHES WERE THE BAD GUYS. 269 00:12:47,260 --> 00:12:50,640 GOTTA HELP SZYMANSKI, NO? 270 00:12:50,680 --> 00:12:52,260 REMAINS TO BE SEEN. 271 00:12:53,690 --> 00:12:56,100 HOW IS THIS SZYMANSKI GETTIN’ JAMMED, ANDY? 272 00:12:56,140 --> 00:12:58,860 IF THESE PLAINCLOTHES WEREN’T WEARING COLOR OF THE DAY, 273 00:12:58,880 --> 00:13:00,420 THEY GOT WEAPONS DRAWN, 274 00:13:00,460 --> 00:13:02,630 AND SZYMANSKI GETS SHOT FROM THEIR DIRECTION‐‐ 275 00:13:02,670 --> 00:13:06,120 HEAT OF THE MOMENT, SZYMANSKI’S GOTTA BELIEVE THEY’RE THE GUYS WHO SHOT HIM. 276 00:13:06,150 --> 00:13:08,060 WHO’S GONNA HANG HIM FOR THAT? 277 00:13:12,550 --> 00:13:13,520 MY OFFICE. 278 00:13:16,270 --> 00:13:17,810 REMAINS TO BE SEEN. 279 00:13:45,950 --> 00:13:48,030 I WANT BOTH THOSE PLAINCLOTHES’ GUNS CHECKED. 280 00:13:48,060 --> 00:13:49,840 SZYMANSKI INSISTS THEY SHOT AT HIM. 281 00:13:49,870 --> 00:13:51,710 I WANT TO MAKE SURE HE’S NOT RIGHT. 282 00:13:51,750 --> 00:13:53,250 PLAINCLOTHES DIDN’T SHOOT AT HIM. 283 00:13:53,290 --> 00:13:55,100 AND HOW DO WE KNOW THAT? 284 00:13:55,130 --> 00:13:57,240 ’CAUSE IT’S THE ONE MISTAKE THEY DIDN’T MAKE. 285 00:13:57,280 --> 00:13:59,730 MY GUY THREW THE SHOT HIT SZYMANSKI, BOSS‐‐ 286 00:13:59,760 --> 00:14:01,400 THIS ROOKIE COP BAKER. 287 00:14:01,430 --> 00:14:02,800 AND HE ADMITS THAT? 288 00:14:02,840 --> 00:14:05,360 YEAH, HE ADMITTED IT TO ME. 289 00:14:05,380 --> 00:14:07,960 HE THOUGHT THE PLAINCLOTHES WERE THE BAD GUYS, 290 00:14:08,000 --> 00:14:10,310 THROWS A SHOT THAT HITS SZYMANSKI INSTEAD. 291 00:14:10,340 --> 00:14:12,150 THIS BEING BEHIND THE PLAINCLOTHES 292 00:14:12,180 --> 00:14:14,360 NOT WEARING THE COLOR OF THE DAY, 293 00:14:14,390 --> 00:14:16,640 SO NEITHER THIS BAKER NOR SZYMANSKI KNOW THEY WERE COPS. 294 00:14:16,670 --> 00:14:18,340 I SEE. 295 00:14:18,380 --> 00:14:20,720 THESE GUYS RAN THE TABLES, YOU KNOW. 296 00:14:20,760 --> 00:14:23,440 THEY WEREN’T EVEN WEARING THEIR VESTS, NEITHER OF THE PLAINCLOTHES. 297 00:14:23,470 --> 00:14:25,350 SO ARE WE GONNA TRY 298 00:14:25,380 --> 00:14:28,360 TO PUT HUDSON’S GETTING SHOT 5 TIMES AT CLOSE RANGE 299 00:14:28,400 --> 00:14:31,390 ON SOME MISTAKE HE AND DONALDSON MADE, TOO? 300 00:14:31,410 --> 00:14:33,390 NO, I DON’T THINK ANDY’S SAYING THAT, BOSS. 301 00:14:33,420 --> 00:14:36,400 WELL, I THINK WE CAN PUT THE 5 BULLETS OFF SZYMANSKI BEING SHOT 302 00:14:36,440 --> 00:14:38,760 AND SEEING HUDSON IN FRONT OF HIM WITH A GUN 303 00:14:38,780 --> 00:14:40,660 AND DECIDING TO TAKE CARE OF BUSINESS. 304 00:14:40,690 --> 00:14:42,670 HUDSON NOT BEING CONSCIOUS JUST NOW 305 00:14:42,700 --> 00:14:44,470 TO TELL US WHETHER OR NOT HE, 306 00:14:44,510 --> 00:14:46,480 UM, IDENTIFIED HIMSELF AS A COP WHILE SZYMANSKI 307 00:14:46,520 --> 00:14:48,490 POURED ROUND AFTER ROUND AFTER ROUND IN HIM. 308 00:14:48,530 --> 00:14:51,980 YEAH, WELL, MAYBE IF HE WAS WEARING A VEST LIKE HE WAS SUPPOSED TO DO, 309 00:14:52,020 --> 00:14:54,670 HUDSON’D BE CONSCIOUS NOW SO HE COULD TELL US THAT. 310 00:14:54,690 --> 00:14:56,200 YOU HAD DONALDSON SITTING IN FRONT OF YOU. 311 00:14:56,240 --> 00:14:58,220 DID YOU ASK HIM WHAT SZYMANSKI LOOKED LIKE 312 00:14:58,250 --> 00:15:00,130 WHILE HE WAS PUTTING 5 IN HUDSON’S BELLY? 313 00:15:00,160 --> 00:15:03,080 NO, I DIDN’T ASK DONALDSON WHAT SZYMANSKI LOOKED LIKE. 314 00:15:03,110 --> 00:15:06,490 I DIDN’T KNOW THAT FACIAL EXPRESSIONS WERE POSSIBLE FELONIES. 315 00:15:06,520 --> 00:15:07,960 5 BULLETS IS A LOT OF BULLETS. 316 00:15:08,000 --> 00:15:10,250 I’M INTERESTED IN SZYMANSKI’S MIND‐SET. 317 00:15:10,270 --> 00:15:13,290 HEY, BOSS, IF YOU STILL NEED TO HURT SZYMANSKI, 318 00:15:13,320 --> 00:15:15,760 YOU BETTER DO IT WITH A BLUNT INSTRUMENT, 319 00:15:15,800 --> 00:15:18,280 BECAUSE HE WAS RIGHT IN THIS SHOOTING. 320 00:15:18,310 --> 00:15:19,350 [FRUSTRATED SIGH] 321 00:15:40,690 --> 00:15:42,360 [PUNCHING] 322 00:15:44,110 --> 00:15:47,020 IT’S OVER! IT’S OVER! IT’S OVER! 323 00:15:47,060 --> 00:15:48,390 IT’S OVER. 324 00:15:52,320 --> 00:15:53,630 WHERE’S THE FIRST‐AID KIT? 325 00:15:53,660 --> 00:15:55,370 CABINET IN MY OFFICE. 326 00:15:55,400 --> 00:15:57,610 DON’T YOU START BEATING ON EACH OTHER, YOU HEAR ME? 327 00:16:16,000 --> 00:16:17,270 WHAT DID YOU HEAR? 328 00:16:17,310 --> 00:16:18,910 HEY, I AIN’T HEARD NOTHIN’. 329 00:16:18,950 --> 00:16:21,440 YOU DIDN’T HEAR NOTHIN’, AM I RIGHT? 330 00:16:21,460 --> 00:16:23,300 I GOT PROBLEMS OF MY OWN. 331 00:16:39,890 --> 00:16:40,800 [LOCKS DOOR] 332 00:16:42,270 --> 00:16:43,510 [LOCKS DOOR] 333 00:16:44,810 --> 00:16:46,980 WHAT’S THE MATTER WITH THE BOTH OF YOU? 334 00:16:50,770 --> 00:16:52,480 I’LL TRANSFER THE HELL OUT, 335 00:16:52,520 --> 00:16:55,270 I’M TELLING THE BOTH OF YOU RIGHT NOW. 336 00:16:55,300 --> 00:16:57,540 I’M NOT WORKING WHERE THIS CRAP GOES ON. 337 00:16:59,750 --> 00:17:01,020 LOCK THIS. 338 00:17:16,470 --> 00:17:17,170 [LOCKS DOOR] 339 00:18:19,380 --> 00:18:20,320 HEY, SHANNON. 340 00:18:20,360 --> 00:18:21,590 YOU GOT A MINUTE? 341 00:18:21,630 --> 00:18:24,420 WHAT’S GOING ON? 342 00:18:24,440 --> 00:18:25,980 YOUR P. A. A. TOOK A COLLAR IN THE 2‐7. 343 00:18:26,020 --> 00:18:27,260 OH, MAN. 344 00:18:27,290 --> 00:18:28,390 EVIDENTLY, SHE SHOPLIFTED 345 00:18:28,430 --> 00:18:29,430 SOME PERFUME AT RUTHERFORD’S, 346 00:18:29,470 --> 00:18:31,010 PLUS THERE WAS SOME BACK‐AND‐FORTH 347 00:18:31,040 --> 00:18:32,680 WITH THE SECURITY BOSS GRABBED HER UP. 348 00:18:32,720 --> 00:18:34,630 DOLORES DIDN’T SAY SHE WAS A P. A. A.? 349 00:18:34,660 --> 00:18:37,200 COP THAT TOOK THE COMPLAINT, TEDDY DELFINO, 350 00:18:37,240 --> 00:18:39,810 RECOGNIZED HER FROM BEING OVER HERE RETURNING SOME VOUCHERED PROPERTY. 351 00:18:39,850 --> 00:18:41,990 DID DELFINO SAY WHAT KIND OF BACK‐AND‐FORTH 352 00:18:42,030 --> 00:18:44,170 THERE WAS WITH DOLORES AND THE SECURITY SUPERVISOR? 353 00:18:44,210 --> 00:18:45,820 YEAH. TEDDY SAID THE SUPERVISOR SAID 354 00:18:45,850 --> 00:18:48,500 SHE WAS OFFERING SEX IF HE’D LET HER GO FOR THE SHOPLIFTING. 355 00:18:48,530 --> 00:18:50,000 AND WHAT WAS DOLORES’ STORY? 356 00:18:50,040 --> 00:18:53,960 THAT THE SUPERVISOR TRIED TO GET OVER ON HER IN HIS OFFICE. 357 00:18:53,990 --> 00:18:56,430 DELFINO’S AT HIS HOUSE IF YOU WANT TO CALL HIM. 358 00:18:56,470 --> 00:18:58,380 YEAH. WE’LL, UH, WE’LL CALL DELFINO NOW. 359 00:18:58,410 --> 00:19:00,390 OK. SHE SEEMS LIKE A REALLY NICE GIRL. 360 00:19:00,420 --> 00:19:01,990 YEAH. 361 00:19:02,030 --> 00:19:03,000 [SIGHS] 362 00:19:03,030 --> 00:19:04,640 HER NOT REACHING OUT IS BAD. 363 00:19:04,680 --> 00:19:08,030 IF WE MAKE THIS GO AWAY AND SHE’S LOOKING TO JAM HERSELF UP, 364 00:19:08,060 --> 00:19:09,660 WE DIDN’T DO HER ANY FAVORS. 365 00:19:09,700 --> 00:19:11,810 MIGHT JUST PUSH HER INTO SOMETHING WORSE. 366 00:19:14,160 --> 00:19:15,670 THE THINKER. 367 00:19:15,700 --> 00:19:17,950 DOES THIS HAPPEN OFTEN? 368 00:19:19,250 --> 00:19:20,820 WORLD WAR III. 369 00:19:20,860 --> 00:19:22,200 BETWEEN WHO? 370 00:19:22,230 --> 00:19:23,600 ANDY AND THE BOSS. 371 00:19:25,280 --> 00:19:26,580 ONE MINUTE THEY’RE TALKING LIKE GENTLEMEN 372 00:19:26,620 --> 00:19:27,690 ABOUT THE CASE‐‐ 373 00:19:27,720 --> 00:19:29,460 SZYMANSKI SHOOTING THE PLAINCLOTHES? 374 00:19:29,500 --> 00:19:30,770 NEXT THING, THEY’RE BREAKING EACH OTHER’S SHOES, 375 00:19:30,810 --> 00:19:32,420 NEXT THING, THEY’RE IN THE BATHROOM 376 00:19:32,450 --> 00:19:33,520 HITTIN’ EACH OTHER WITH HAYMAKERS. 377 00:19:37,140 --> 00:19:38,420 WAS HE HERE FOR IT? 378 00:19:38,440 --> 00:19:40,850 HE SAID HE’S GOT HIS OWN PROBLEMS. 379 00:19:40,890 --> 00:19:42,800 AND NO ONE ELSE WAS HERE? 380 00:19:42,830 --> 00:19:45,410 THAT SZYMANSKI WAS IN THE COFFEE ROOM. THE DOOR WAS CLOSED. 381 00:19:47,150 --> 00:19:48,690 UM... 382 00:19:48,730 --> 00:19:51,200 GREG AND JAMES ARE STILL AT THE PROJECTS, UM, 383 00:19:51,240 --> 00:19:54,390 LOOKING FOR THE TWO THAT GOT IT STARTED. 384 00:19:54,420 --> 00:19:56,830 DID YOU GET ANYTHING ON CANVASS? 385 00:19:56,870 --> 00:19:59,380 PLENTY. JUST NOTHING THAT MADE ANY SENSE. 386 00:20:04,940 --> 00:20:06,310 ARE THEY ALL RIGHT ALONE IN THERE? 387 00:20:06,350 --> 00:20:07,820 BEATS THE HELL OUT OF ME. 388 00:20:10,840 --> 00:20:14,220 [DONALDSON SPEAKING INAUDIBLY] 389 00:20:16,500 --> 00:20:18,340 WHO ARE YOU TALKING TO? 390 00:20:19,420 --> 00:20:20,860 THE HOSPITAL. 391 00:20:31,640 --> 00:20:33,250 [SIGHS] 392 00:20:33,280 --> 00:20:35,830 WE GOTTA FIGURE SOMETHING OUT. 393 00:20:38,740 --> 00:20:41,620 WE COULD KILL EACH OTHER, I COULD GET A HEART ATTACK, OR SO FORTH. 394 00:20:41,660 --> 00:20:44,070 HAVE YOU GOT CHEST PAIN? 395 00:20:44,110 --> 00:20:45,960 NO. 396 00:20:45,980 --> 00:20:47,520 YOU? 397 00:20:47,560 --> 00:20:51,520 BUT MY FATHER DIED OF A HEART ATTACK WHEN HE WAS 43. 398 00:20:51,540 --> 00:20:54,020 WHAT, DID HE HAVE A BAD DIET? 399 00:20:55,560 --> 00:20:57,740 HE HAD HYPERTENSION. 400 00:20:57,770 --> 00:20:59,450 AND HE WAS A DRUNK. 401 00:21:07,150 --> 00:21:09,160 IT’S THE TONE THAT SETS ME OFF. 402 00:21:09,200 --> 00:21:10,700 THAT LOOK. 403 00:21:10,740 --> 00:21:13,690 "I GOT YOUR NUMBER. I KNOW WHAT YOU ARE." 404 00:21:13,720 --> 00:21:15,390 THAT’S THE LOOK THAT SETS YOU OFF? 405 00:21:15,430 --> 00:21:16,300 YEAH, THAT’S THE LOOK. 406 00:21:16,330 --> 00:21:17,940 I THOUGHT YOU PATENTED THAT AT BIRTH. 407 00:21:17,980 --> 00:21:21,100 I GOT YOUR NUMBER. I KNOW WHAT YOU ARE. 408 00:21:21,130 --> 00:21:24,250 YOU’RE A DRUNK. YOU’RE A MESS. YOU GOT RACE PREJUDICE. 409 00:21:24,270 --> 00:21:25,780 MAKE THAT MOVE WITH YOUR THUMB LIKE YOU DID FOR SORENSON, 410 00:21:25,820 --> 00:21:27,530 POINTING AT ME IN MY OFFICE. 411 00:21:27,560 --> 00:21:29,270 THAT POINT I’D LOST MY TEMPER. 412 00:21:29,300 --> 00:21:32,110 THAT’S WHAT GOT US THROWING PUNCHES, DOING THAT WITH YOUR THUMB. 413 00:21:32,150 --> 00:21:34,030 WE THREW PUNCHES ’CAUSE YOU CHASED IN HERE AFTER ME. 414 00:21:34,060 --> 00:21:35,700 I DON’T TAKE THAT OFF ANYBODY, 415 00:21:35,730 --> 00:21:37,970 THAT‐‐THAT "WHAT DO YOU EXPECT?" THUMB STUFF. 416 00:21:38,010 --> 00:21:39,680 LOOK, LOOK, LOOK. 417 00:21:41,190 --> 00:21:43,670 NO, YOU’RE RIGHT. 418 00:21:43,700 --> 00:21:45,580 I’VE WORKED TOO HARD. 419 00:21:45,610 --> 00:21:47,190 THEY’LL LAUNCH US OUT OF HERE. 420 00:21:47,220 --> 00:21:50,300 ANY BIG FUTURE YOU GOT AT ONE P. P., YOU CAN FORGET ABOUT IT. 421 00:21:50,340 --> 00:21:54,800 THAT’S THE KIND OF SIDEWAYS CRACK YOU NEVER MISS MAKING. 422 00:21:54,830 --> 00:21:56,070 YOU’RE NOT AMBITIOUS? 423 00:21:56,100 --> 00:21:57,600 WHAT’S WRONG WITH BEING AMBITIOUS? 424 00:21:57,640 --> 00:21:59,250 [SIGHS] 425 00:21:59,280 --> 00:22:01,260 I WITHDRAW THE SIDEWAYS CRACK, 426 00:22:01,290 --> 00:22:03,200 AND I WITHDRAW MY THUMBS. 427 00:22:04,510 --> 00:22:06,550 I FEEL LIKE I CAN READ YOUR MIND. 428 00:22:06,590 --> 00:22:08,670 I FEEL LIKE I CAN READ YOUR MIND. 429 00:22:08,700 --> 00:22:11,010 ANY COP, ALL COLORS, 430 00:22:11,040 --> 00:22:14,350 I FEEL LIKE I UNDERSTAND YOU THE BEST. 431 00:22:14,390 --> 00:22:17,740 NOW, HOW THE HELL CAN THAT BE? 432 00:22:20,560 --> 00:22:21,630 THE KID’S ALL RIGHT. 433 00:22:23,670 --> 00:22:25,710 HE’S NOT GONNA TAKE IT ANYPLACE. 434 00:22:25,750 --> 00:22:27,330 WHAT ABOUT THE PLAINCLOTHES? 435 00:22:27,360 --> 00:22:28,500 YEAH. 436 00:22:28,530 --> 00:22:30,810 THAT MAY BE A CONVERSATION. 437 00:22:47,960 --> 00:22:49,760 I’M ARTHUR FANCY. 438 00:22:49,800 --> 00:22:51,140 HOW DO YOU DO? 439 00:22:56,330 --> 00:22:58,210 ANYTHING OFF THE CANVASS? 440 00:22:58,240 --> 00:23:01,120 YEAH. LET’S TALK ABOUT THE CANVASS, ANDY. 441 00:23:01,160 --> 00:23:03,840 NO, WE DIDN’T GET ANYTHING OFF CANVASS. 442 00:23:03,870 --> 00:23:05,840 I TOLD THEM WHAT WE FOUND OUT HERE, 443 00:23:05,880 --> 00:23:07,720 HOW THE SHOOTINGS WENT DOWN. 444 00:23:09,400 --> 00:23:11,840 AS FAR AS ME AND HIM, THINGS GOT... 445 00:23:11,880 --> 00:23:13,760 SOMEWHAT OUT OF HAND. 446 00:23:15,560 --> 00:23:19,240 UH, SHALL WE CALL DELFINO ON THIS OTHER THING? 447 00:23:21,630 --> 00:23:23,880 OBVIOUSLY YOUR CHIEF CONCERN’S YOUR PARTNER. 448 00:23:23,900 --> 00:23:26,450 YEAH. THANK GOD HE’S STABLE NOW. 449 00:23:26,480 --> 00:23:29,260 THE SHOT THAT HIT SZYMANSKI CAME FROM A UNIFORM COP, 450 00:23:29,300 --> 00:23:30,580 SO THAT CORROBORATES YOUR ACCOUNT. 451 00:23:30,600 --> 00:23:33,580 WE ALSO NEED TO REPORT YOUR NOT WEARING VESTS, 452 00:23:33,620 --> 00:23:36,830 WHICH’LL PROBABLY BE A 10‐DAY RIP. 453 00:23:36,870 --> 00:23:40,180 COULD YOU PUT IN WE WORE THE VESTS DURING INSPECTION, LIEUTENANT, 454 00:23:40,220 --> 00:23:41,920 THEN TOOK THEM OFF ONCE WE LEFT THE HOUSE? 455 00:23:41,960 --> 00:23:45,110 I’LL PUT IN YOUR BOSS INSPECTED YOU FOR VESTS, 456 00:23:45,140 --> 00:23:45,910 WHETHER IT’S TRUE OR NOT. 457 00:23:48,060 --> 00:23:50,370 THE TACTICAL ERROR, NOT WEARING THE COLOR OF THE DAY, 458 00:23:50,400 --> 00:23:54,820 YOU CAN GET OFF WITH A SLAP LIKE "WARNED AND ADMONISHED" 459 00:23:54,860 --> 00:23:57,580 OR PUT BACK IN UNIFORM, WHICH AS YOU KNOW, ISN’T OUR CALL. 460 00:23:57,620 --> 00:24:01,610 LOOK, LIEUTENANT, I KNOW THIS ISN’T YOUR CALL, 461 00:24:01,640 --> 00:24:04,190 BUT AS FAR AS THIS GETTING WRITTEN UP, 462 00:24:04,220 --> 00:24:06,500 I DID EXPLAIN TO THAT DETECTIVE 463 00:24:06,530 --> 00:24:08,200 HOW QUICK THE TROUBLE JUMPED OFF. 464 00:24:08,240 --> 00:24:09,720 WHY WE DIDN’T GET THE COLOR ON. 465 00:24:09,740 --> 00:24:11,820 THEN THAT’S HOW HE’LL WRITE IT UP. 466 00:24:11,850 --> 00:24:13,390 THAT DETECTIVE DOESN’T LOOK TO HURT COPS. 467 00:24:14,770 --> 00:24:16,010 OK. 468 00:24:16,040 --> 00:24:18,120 THIS WAS PERSONAL. 469 00:24:18,150 --> 00:24:19,660 YOU UNDERSTAND THAT? 470 00:24:21,670 --> 00:24:24,720 YEAH. I DON’T LOOK TO HURT OTHER COPS EITHER, LIEUTENANT. 471 00:24:24,750 --> 00:24:26,990 ALL RIGHT. 472 00:24:27,030 --> 00:24:29,540 THINK THAT GOES FOR THAT SZYMANSKI? 473 00:24:32,120 --> 00:24:34,260 GO BE WITH YOUR PARTNER, DONALDSON. 474 00:24:34,300 --> 00:24:35,570 YES, SIR. THANK YOU. 475 00:24:45,520 --> 00:24:48,500 THIS IS AS MUCH ME AS HIM... 476 00:24:48,540 --> 00:24:51,190 THROWING MY THUMB AT HIS NOSE. 477 00:24:51,220 --> 00:24:53,300 THAT’S WHAT SET IT OFF. 478 00:24:53,330 --> 00:24:55,110 THAT’S YOUR TAKE ON IT? 479 00:24:55,140 --> 00:24:57,660 I WASN’T TAKING A POSITION, ANDY. I WAS SUMMARIZING YOURS. 480 00:24:59,520 --> 00:25:01,670 NEXT TIME I’LL SAY, "I HEAR YOU." 481 00:25:01,700 --> 00:25:04,010 SO LET ME GET A STORY SET WITH THIS BAKER. 482 00:25:10,410 --> 00:25:13,390 HOW BAD’S IT GONNA BE FOR ME? 483 00:25:13,430 --> 00:25:15,010 IT’S NOT GONNA BE BAD, NEIL, 484 00:25:15,040 --> 00:25:17,220 AS LONG AS WE’RE ON THE SAME PAGE. 485 00:25:17,250 --> 00:25:18,830 ALL RIGHT. 486 00:25:18,860 --> 00:25:20,910 I’M PUTTIN’ YOU TOLD ME 487 00:25:20,930 --> 00:25:22,540 AT THE SCENE 488 00:25:22,570 --> 00:25:24,680 YOU HAD SOMETHING FOR ME ON THE INCIDENT. 489 00:25:24,720 --> 00:25:26,290 THAT I TOLD YOU THAT AT THE SCENE. 490 00:25:26,330 --> 00:25:29,920 BUT YOU WANTED TO SAY AT THE STATION HOUSE. 491 00:25:29,940 --> 00:25:32,290 I APPRECIATE WHERE I THINK YOU’RE GOING WITH THIS. 492 00:25:32,320 --> 00:25:33,930 UNDER THOSE CIRCUMSTANCES, 493 00:25:33,960 --> 00:25:35,940 THINKING THOSE GUYS WERE BAD GUYS, 494 00:25:35,970 --> 00:25:38,420 YOU THROWING THE SHOT IS NO JACKPOT. 495 00:25:38,450 --> 00:25:41,260 YEAH. THE POTENTIAL JACKPOT’S NOT COMING FORWARD RIGHT AWAY. 496 00:25:41,300 --> 00:25:43,110 BUT YOU DID, NEIL. OK? 497 00:25:43,140 --> 00:25:44,450 AT THE SCENE. 498 00:25:44,480 --> 00:25:46,220 YOU CAME FORWARD TO ME 499 00:25:46,260 --> 00:25:48,500 AS ONE OF THE INVESTIGATING DETECTIVES. 500 00:25:50,880 --> 00:25:52,590 I GOT A CONTRIBUTION TO MAKE. 501 00:25:52,620 --> 00:25:54,230 I’M SURE YOU DO. 502 00:25:54,270 --> 00:25:56,890 WHEN I REALIZED WHAT I DID... 503 00:25:56,910 --> 00:25:59,490 FOR VARIOUS PERSONAL FAMILY REASONS... 504 00:26:00,970 --> 00:26:03,720 I GOT VERY AFRAID I WOULD LOSE MY JOB. 505 00:26:03,750 --> 00:26:05,800 NEIL, YOU CHOSE TO TELL ME. 506 00:26:05,820 --> 00:26:09,170 I LOOK TO HURT YOU OVER AN HOUR AND A HALF DELAY, 507 00:26:09,210 --> 00:26:11,860 TOOK NO SKIN OFF ANYONE ELSE’S NOSE, THEN I’M A BUM. 508 00:26:17,210 --> 00:26:18,990 GO ON OUT AND TAKE CARE OF BUSINESS. 509 00:26:23,340 --> 00:26:25,180 THANKS. 510 00:26:26,790 --> 00:26:28,470 VERY MUCH. 511 00:26:36,510 --> 00:26:38,580 JUST CHECKING IF THEY STARTED CONSTRUCTION 512 00:26:38,620 --> 00:26:39,890 ON THE GALLOWS. 513 00:26:39,930 --> 00:26:42,380 YOU WON’T GET HUNG OFF OUR REPORT. 514 00:26:43,950 --> 00:26:45,530 WHAT HAPPENED TO YOUR LIP? 515 00:26:51,920 --> 00:26:55,300 A ROOKIE COP SHOT YOU FROM THE SAME DIRECTION 516 00:26:55,340 --> 00:26:57,490 AS THE PLAINCLOTHES WHO WERE COMING AT YOU. 517 00:26:57,510 --> 00:26:59,920 THE PLAINCLOTHES HAVING THEIR WEAPONS DRAWN, 518 00:26:59,960 --> 00:27:02,200 I MISTOOK THE SHOTS COMING FROM THEM. 519 00:27:02,240 --> 00:27:03,740 WE ALSO FOUND OUT THE PLAINCLOTHES 520 00:27:03,780 --> 00:27:05,380 WEREN’T WEARING THE COLOR OF THE DAY. 521 00:27:05,420 --> 00:27:07,090 THERE YOU GO. 522 00:27:07,130 --> 00:27:08,530 THAT’S WHY I DID WHAT I DID. 523 00:27:08,570 --> 00:27:09,540 YOU DIDN’T MENTION THAT. 524 00:27:09,570 --> 00:27:10,640 NO, I DIDN’T. 525 00:27:10,680 --> 00:27:12,490 WAS THAT ’CAUSE YOU DIDN’T NOTICE? 526 00:27:12,520 --> 00:27:14,970 I DIDN’T NOTICE THAT THEY WEREN’T WEARING SOMETHING? 527 00:27:15,000 --> 00:27:17,310 I ALSO DIDN’T NOTICE THAT THEY WEREN’T WEARING PINK TUTUS. 528 00:27:17,350 --> 00:27:18,630 SZYMANSKI, EVEN NOT WEARING THE COLOR, 529 00:27:18,650 --> 00:27:20,160 IF THOSE PLAINCLOTHES WERE WHITE, 530 00:27:20,190 --> 00:27:21,770 YOU WOULD’VE THOUGHT TWICE. 531 00:27:21,800 --> 00:27:24,710 I WOULD’VE GIVEN THEM A BETTER CHANCE AT BEING ON THE JOB. 532 00:27:24,750 --> 00:27:26,720 OF COURSE, THEN THEY WOULDN’T HAVE BEEN AS GOOD AT FITTING IN. 533 00:27:26,760 --> 00:27:28,230 THE WEIGHT’S STILL ON THEM, LIEUTENANT. 534 00:27:28,270 --> 00:27:29,400 THEY SHOULD’VE BEEN WEARING THE COLOR. 535 00:27:29,440 --> 00:27:30,610 I DON’T DISAGREE. 536 00:27:32,050 --> 00:27:33,460 AS FAR AS YOU PUTTING 5 IN HUDSON... 537 00:27:35,470 --> 00:27:39,420 LIEUTENANT, 5 YEARS AGO I WAS WITH MY WIFE‐TO‐BE OUT IN PARK SLOPE, 538 00:27:39,460 --> 00:27:41,440 AND I GOT JUMPED AND BEATEN BY 3 BLACK KIDS. 539 00:27:41,470 --> 00:27:44,320 ONCE THESE 3 BLACK KIDS REALIZED I WAS A COP, 540 00:27:44,350 --> 00:27:46,220 THEY TOOK MY GUN AND TRIED TO CUT OFF MY TRIGGER FINGER 541 00:27:46,260 --> 00:27:47,500 WITH A PENKNIFE. 542 00:27:47,530 --> 00:27:48,900 AND WHAT I WAS STANDING HERE THINKING‐‐ 543 00:27:48,940 --> 00:27:51,480 2 YEARS AGO WHEN I STOPPED YOU FOR THAT BUSTED TAILLIGHT 544 00:27:51,520 --> 00:27:53,100 AND BROKE YOUR BALLS, 545 00:27:53,120 --> 00:27:55,270 WAS I LOOKING TO GET BACK AT THOSE 3 KIDS? 546 00:27:55,300 --> 00:27:57,210 AND IF I WAS, 547 00:27:57,240 --> 00:28:00,160 MAYBE THAT’S HOW THIS BLACK PLAINCLOTHES WOUND UP SHOT, 548 00:28:00,190 --> 00:28:02,700 ’CAUSE PISSING YOU OFF GOT ME TRANSFERRED TO THIS PRECINCT 549 00:28:02,740 --> 00:28:05,550 AND DROPPING MY DRY CLEANER OVER ON HOUSTON 550 00:28:05,590 --> 00:28:07,400 AND PUTTING ME OUT ON THE STREET TODAY 551 00:28:07,430 --> 00:28:08,770 TO SHOOT THAT BLACK PLAINCLOTHES COP. 552 00:28:08,800 --> 00:28:10,780 OR MAYBE THAT’S WHAT MADE ME PUT 5 INTO HIM 553 00:28:10,810 --> 00:28:13,090 WHEN MAYBE ONE WOULD’VE BEEN ENOUGH. 554 00:28:13,120 --> 00:28:16,040 AND IF THAT’S TRUE, WHAT DOES IT MEAN? 555 00:28:16,070 --> 00:28:17,950 I DON’T KNOW, SZYMANSKI. 556 00:28:17,980 --> 00:28:20,590 AND I DON’T THINK MARTENS FROM I. A. B.’s GONNA KNOW EITHER. 557 00:28:22,710 --> 00:28:24,860 AND IF IT’S ALL RIGHT WITH YOU, 558 00:28:24,880 --> 00:28:27,490 I’M NOT GONNA GIVE HIM A CHANCE TO DECIDE. 559 00:28:31,180 --> 00:28:32,720 THANK YOU. 560 00:28:54,500 --> 00:28:56,080 HOW’S IT GOING, GERALD? 561 00:28:56,110 --> 00:28:58,090 DO‐‐DO WE KNOW EACH OTHER? 562 00:28:58,120 --> 00:28:59,870 GERALD GRISWOLD, RIGHT? 563 00:28:59,890 --> 00:29:01,260 WELL, WHAT’S IT ABOUT? 564 00:29:01,300 --> 00:29:03,340 WE APPRECIATE YOU COMING IN. 565 00:29:03,380 --> 00:29:05,930 I’M JILL KIRKENDALL. THIS IS DIANE RUSSELL. 566 00:29:07,330 --> 00:29:08,970 WHAT’S IT ABOUT? 567 00:29:09,000 --> 00:29:11,710 YOU DETAINED DOLORES MAYO FOR SHOPLIFTING 568 00:29:11,750 --> 00:29:13,190 AT RUTHERFORD’S EARLIER TODAY. 569 00:29:13,220 --> 00:29:16,100 SHE STOLE A $49 BOTTLE OF PERFUME. 570 00:29:16,140 --> 00:29:19,120 YOU KNOW, RUTHERFORD’S IS IN THE 27th PRECINCT, 571 00:29:19,150 --> 00:29:20,760 JUST IN CASE YOU’RE UNAWARE. 572 00:29:20,800 --> 00:29:22,780 WE KNOW WHERE RUTHERFORD’S IS. 573 00:29:22,810 --> 00:29:25,790 DOLORES MAYO WORKS HERE IN THE 15th PRECINCT, GERALD. 574 00:29:25,820 --> 00:29:27,560 YOU’RE NOT TELLING ME SHE’S A COP? 575 00:29:27,600 --> 00:29:30,650 NO. SHE WORKS IN OUR SQUAD AS A CIVILIAN AIDE. 576 00:29:30,680 --> 00:29:34,460 DOLORES IS A DECENT PERSON WHO’S HAVING EMOTIONAL PROBLEMS RIGHT NOW. 577 00:29:34,500 --> 00:29:36,980 WE’RE WONDERING IF SOME ACCOMMODATION CAN’T BE MADE 578 00:29:37,010 --> 00:29:38,330 SHORT OF PRESSING THESE SHOPLIFTING CHARGES. 579 00:29:38,370 --> 00:29:39,940 I DON’T THINK SO. 580 00:29:39,980 --> 00:29:42,520 SHE WAS HOSTILE AND BELLIGERENT. 581 00:29:42,560 --> 00:29:45,210 HAS SHE BEEN IN TROUBLE BEFORE IN YOUR STORE? 582 00:29:45,240 --> 00:29:48,090 I’M TELLING YOU, SHE WAS VERY HOSTILE AND BELLIGERENT WITH ME. 583 00:29:48,120 --> 00:29:48,990 AND HOW WERE YOU WITH HER? 584 00:29:49,020 --> 00:29:50,160 WHAT DO YOU MEAN, HOW WAS I? 585 00:29:50,200 --> 00:29:51,810 HOW DID YOU ACT, GERALD? 586 00:29:51,840 --> 00:29:53,520 OH, COME ON. I COULD SEE THIS COMING. 587 00:29:53,550 --> 00:29:56,970 ALL RIGHT, LISTEN. SHE WAS WILLING TO TRADE SEX 588 00:29:57,000 --> 00:29:58,340 IF I LET THE CHARGES GO. 589 00:29:58,370 --> 00:30:00,210 SHE MADE THAT OFFER IN SO MANY WORDS? 590 00:30:00,250 --> 00:30:03,000 IT WAS BODY LANGUAGE. 591 00:30:03,030 --> 00:30:05,650 OH. SHE OFFERED YOU SEX WITH BODY LANGUAGE. 592 00:30:05,670 --> 00:30:07,810 YEAH. 593 00:30:07,850 --> 00:30:10,530 ANY CHANCE YOU WEREN’T TRANSLATING RIGHT, GERALD? 594 00:30:10,560 --> 00:30:12,240 YOU CAN BULLY ME ALL YOU WANT. 595 00:30:12,270 --> 00:30:14,180 I KNOW WHAT SHE WAS OFFERING. 596 00:30:14,210 --> 00:30:16,720 AND THAT’S GONNA SHOW ON THE VIDEOTAPE FROM YOUR SECURITY OFFICE? 597 00:30:16,760 --> 00:30:19,640 NO. THE MACHINE WAS OFF. 598 00:30:19,680 --> 00:30:21,060 REALLY? 599 00:30:21,080 --> 00:30:22,790 HOW’D THAT HAPPEN? 600 00:30:22,830 --> 00:30:26,520 WE TOLD YOU THIS GIRL IS HAVING EMOTIONAL PROBLEMS. 601 00:30:26,540 --> 00:30:28,520 SHE MAY OR MAY NOT HAVE SHOPLIFTED SOMETHING. 602 00:30:28,550 --> 00:30:30,760 THAT DOESN’T GIVE YOU THE RIGHT TO PREY ON HER. 603 00:30:30,800 --> 00:30:33,120 LOOK, DID SHE TELL YOU SHE DID NOT COME IN THERE WILLINGLY? 604 00:30:33,140 --> 00:30:36,860 DOLORES DIDN’T TURN OFF THAT VIDEO CAMERA, GERALD. THAT WAS YOU. 605 00:30:38,870 --> 00:30:41,250 SO YOU WANT TO TRY EXPLAINING THAT TO YOUR BOSS? 606 00:30:43,290 --> 00:30:46,540 THE SHOPLIFTING CAN GO AWAY. 607 00:30:46,580 --> 00:30:49,600 BUT DON’T TELL ME THAT GIRL DID NOT COME ON TO ME. 608 00:30:57,500 --> 00:31:00,920 WELL, WHAT IF WE TALK DOWNSTAIRS, DOLORES? 609 00:31:00,950 --> 00:31:01,990 FINE. 610 00:31:02,020 --> 00:31:02,960 THAT’S GREAT. 611 00:31:02,990 --> 00:31:04,930 HOW SOON CAN YOU GET IN? 612 00:31:04,970 --> 00:31:06,210 GOOD. 613 00:31:06,240 --> 00:31:07,240 OK. 614 00:31:09,090 --> 00:31:10,730 WHEN CAN SHE GET HERE? 615 00:31:10,760 --> 00:31:13,470 SHE WAS CALLING FROM THE PAY PHONE AROUND THE CORNER. 616 00:31:13,510 --> 00:31:16,020 WOULDN’T TALK TO US IF WE MADE HER COME UP TO THE SQUAD? 617 00:31:16,060 --> 00:31:18,030 GREG AND JAMES AND THE BARUCH HOUSING COPS 618 00:31:18,070 --> 00:31:20,950 GRABBED UP 2 KIDS THEY LIKE FOR STARTING ALL THIS NONSENSE. 619 00:31:20,980 --> 00:31:23,060 GREAT. 620 00:31:23,090 --> 00:31:26,140 SO, UM, WHERE ARE YOU ON THAT JACKPOT WITH DOLORES? 621 00:31:26,170 --> 00:31:28,650 SHE’S COMING IN NOW. 622 00:31:28,690 --> 00:31:29,970 SHE’S COMING INTO WORK? 623 00:31:29,990 --> 00:31:32,300 NO. SHE’S COMING IN TO TALK WITH US. 624 00:31:32,340 --> 00:31:35,420 THEN SHE NEEDS TO TALK TO ME, ’CAUSE THIS AIN’T WORKING. 625 00:31:35,450 --> 00:31:38,670 YOU THINK THAT PART COULD WAIT A DAY OR SO, BOSS? 626 00:31:38,700 --> 00:31:41,210 [TELEPHONE RINGS] 627 00:31:41,250 --> 00:31:45,030 YEAH, IT CAN WAIT. 628 00:31:45,070 --> 00:31:47,240 15th SQUAD. 629 00:31:47,280 --> 00:31:48,780 YEAH. 630 00:31:51,300 --> 00:31:53,070 SHE’S DOWNSTAIRS. 631 00:32:13,980 --> 00:32:15,720 WHY DON’T YOU SIT IN THE CHAIR, DOLORES? 632 00:32:17,030 --> 00:32:18,400 YEAH, OK. 633 00:32:18,430 --> 00:32:21,850 THANKS FOR NOT MAKING ME COME UPSTAIRS. 634 00:32:21,890 --> 00:32:23,870 UM... 635 00:32:23,900 --> 00:32:26,520 YOU NEED TO TALK WITH LIEUTENANT FANCY 636 00:32:26,540 --> 00:32:28,350 ABOUT MISSING WORK. 637 00:32:28,380 --> 00:32:30,930 WELL, RIGHT ABOUT NOW I DON’T THINK THAT’S MY NUMBER‐ONE PROBLEM. 638 00:32:30,970 --> 00:32:33,250 THE HEAD OF SECURITY AT RUTHERFORD’S 639 00:32:33,280 --> 00:32:34,820 IS DROPPING CHARGES. 640 00:32:34,850 --> 00:32:36,820 IS THAT RIGHT? 641 00:32:36,860 --> 00:32:38,670 THANKS. 642 00:32:38,700 --> 00:32:41,680 DOLORES, US REACHING OUT FOR YOU LIKE THIS 643 00:32:41,720 --> 00:32:43,100 DOESN’T HAVE TO BE A GOOD THING. 644 00:32:43,130 --> 00:32:44,710 IT WON’T BE A GOOD THING 645 00:32:44,730 --> 00:32:47,780 IF IT KEEPS YOU FROM FACING UP TO YOU HAVING A PROBLEM. 646 00:32:47,810 --> 00:32:50,190 I’M NOT A CAREER KLEPTO, OK? 647 00:32:50,230 --> 00:32:52,970 A LOT OF THE KLEPTO COLLARS I MADE, DOLORES, 648 00:32:53,010 --> 00:32:55,350 PEOPLE WERE TRYING TO GET ATTENTION 649 00:32:55,390 --> 00:32:57,940 AND GET THEMSELVES JAMMED UP AT THE SAME TIME. 650 00:32:57,970 --> 00:33:00,440 I JUST SAID THIS IS THE FIRST TIME 651 00:33:00,480 --> 00:33:02,290 I EVER STOLE ANYTHING FROM A STORE. 652 00:33:02,320 --> 00:33:04,560 IT’S NOT THE FIRST TIME YOU GOT YOURSELF JAMMED UP 653 00:33:04,600 --> 00:33:05,900 LOOKING FOR SOME ATTENTION. 654 00:33:05,940 --> 00:33:07,580 YOU DID THAT IN THAT STRIP CLUB JUST LAST WEEK. 655 00:33:07,620 --> 00:33:09,590 YOU’RE KINDA TALL TO BE TALKING LIKE DR. RUTH. 656 00:33:09,630 --> 00:33:13,110 DOLORES, YOU ARE GETTING YOURSELF IN TROUBLE, 657 00:33:13,150 --> 00:33:15,360 AND IF YOU DON’T GET SOME HELP, 658 00:33:15,390 --> 00:33:17,130 IT’S GONNA GET WORSE. 659 00:33:17,170 --> 00:33:20,580 LISTEN, DO I HAVE A JOB OR NOT? 660 00:33:20,620 --> 00:33:23,670 BECAUSE THAT IS WHAT I NEED TO FIND OUT FROM THIS PLACE. 661 00:33:23,700 --> 00:33:24,470 DOLORES‐‐ 662 00:33:24,500 --> 00:33:25,640 NO! 663 00:33:25,670 --> 00:33:26,510 I MEAN IT. 664 00:33:28,290 --> 00:33:29,830 WE DON’T KNOW ABOUT THAT. 665 00:33:29,860 --> 00:33:31,840 YOU’LL HAVE TO TALK TO THE LIEUTENANT ABOUT THAT. 666 00:33:33,580 --> 00:33:35,790 OK. 667 00:33:35,820 --> 00:33:37,230 OK, THANKS. 668 00:33:38,570 --> 00:33:41,550 I’LL CALL HIM TOMORROW. 669 00:33:41,590 --> 00:33:43,200 OK. 670 00:33:43,230 --> 00:33:46,280 CAN I GO NOW? 671 00:33:46,310 --> 00:33:49,690 YOU WERE NEVER IN CUSTODY, DOLORES. 672 00:33:49,730 --> 00:33:51,440 WE WERE TALKING TO YOU AS FRIENDS. 673 00:33:53,650 --> 00:33:54,820 I KNOW. 674 00:34:08,920 --> 00:34:09,830 COME ON IN. 675 00:34:17,600 --> 00:34:19,840 OUR GUYS COLLARED THE STREET THIEVES 676 00:34:19,880 --> 00:34:22,190 THE 2 PLAINCLOTHES WERE CHASING WHEN THE TROUBLE STARTED. 677 00:34:22,220 --> 00:34:24,570 WHAT ABOUT MY PART OF IT? 678 00:34:24,600 --> 00:34:27,210 WE DIDN’T FIND ANY COPS BEHAVING CULPABLY. 679 00:34:27,250 --> 00:34:28,620 INCLUDING SZYMANSKI? 680 00:34:28,660 --> 00:34:30,440 ESPECIALLY SZYMANSKI. 681 00:34:30,470 --> 00:34:34,120 SZYMANSKI TOOK A ROUND FROM A ROOKIE COP NAMED BAKER 682 00:34:34,150 --> 00:34:37,200 WHO SAW THE PLAINCLOTHES RUNNING AT HIM WITH THEIR GUNS OUT 683 00:34:37,230 --> 00:34:39,810 AND MISTOOK ’EM FOR PERPS. 684 00:34:39,840 --> 00:34:41,820 WHY DIDN’T BAKER REPORT THAT AT THE SCENE? 685 00:34:41,850 --> 00:34:44,570 DETECTIVE SORENSON SAID BAKER DID TELL HIM, AT THE SCENE, 686 00:34:44,600 --> 00:34:46,840 THAT HE HAD SOMETHING FOR HIM, 687 00:34:46,880 --> 00:34:49,090 BUT HE WANTED TO GIVE HIM THE DETAILS AT THE STATION HOUSE. 688 00:34:49,120 --> 00:34:51,000 HOW IS IT EVERYONE IN MANHATTAN 689 00:34:51,030 --> 00:34:53,010 TOOK THOSE PLAINCLOTHES FOR BAD GUYS? 690 00:34:53,040 --> 00:34:55,250 WE’LL, THEY’RE SUPPOSED TO LOOK LIKE BAD GUYS. 691 00:34:55,290 --> 00:34:58,270 THEY’RE ALSO SUPPOSED TO WEAR THE COLOR OF THE DAY. 692 00:34:58,300 --> 00:35:00,410 BOTH OF US KNOW WEARING THE COLOR AT ALL TIMES, 693 00:35:00,450 --> 00:35:03,120 TROUBLE OR NOT, MAKES THE PLAINCLOTHES AS COPS. 694 00:35:03,160 --> 00:35:05,570 DETECTIVE SIPOWICZ’S INTERVIEW WITH DONALDSON 695 00:35:05,610 --> 00:35:08,080 ESTABLISHED THE TROUBLE JUMPED OFF IN SUCH A WAY 696 00:35:08,120 --> 00:35:10,700 THAT THE PLAINCLOTHES HAD TO PRIORITIZE. 697 00:35:10,730 --> 00:35:14,350 IT WAS CHASE THE PERPS OR STOP AND PUT THE COLOR ON. 698 00:35:14,380 --> 00:35:17,360 THE PLAINCLOTHES CHOSE TO RISK THEIR OWN SAFETY 699 00:35:17,400 --> 00:35:21,850 BY CHASING THE PERPS IN ORDER TO PROTECT THE CITIZENS ON THE STREET. 700 00:35:21,890 --> 00:35:24,200 I ASSUME HUDSON WASN’T WEARING HIS BULLETPROOF VEST 701 00:35:24,230 --> 00:35:25,500 FOR SIMILAR HEROIC REASONS? 702 00:35:25,540 --> 00:35:27,550 HUDSON, BY NOT WEARING HIS VEST, 703 00:35:27,580 --> 00:35:29,220 DIDN’T DAMAGE ANYONE EXCEPT FOR HUDSON. 704 00:35:32,610 --> 00:35:34,480 LEAVING THE 5 THAT SZYMANSKI PUT IN HIM. 705 00:35:34,520 --> 00:35:35,890 SZYMANSKI HAD JUST BEEN WOUNDED. 706 00:35:35,920 --> 00:35:38,940 DISCHARGING 5 ROUNDS UNDER THOSE CIRCUMSTANCES 707 00:35:38,970 --> 00:35:40,950 IN THE HEAT OF THE MOMENT 708 00:35:40,980 --> 00:35:42,690 DOESN’T STRIKE ME AS SURPRISING. 709 00:35:51,840 --> 00:35:54,380 WHAT HAPPENED TO THE SIDE OF YOUR FACE? 710 00:35:54,420 --> 00:35:55,930 I BUMPED INTO A DOOR. 711 00:36:10,200 --> 00:36:11,810 DOOR? 712 00:36:24,570 --> 00:36:26,420 GOOD NIGHT. 713 00:36:26,440 --> 00:36:27,850 YEAH, GOOD NIGHT, BOSS. 714 00:36:49,790 --> 00:36:52,600 I PUT THAT THIS BAKER APPROACHED ME AT THE CRIME SCENE. 715 00:36:52,640 --> 00:36:54,650 YEAH, THAT’S RIGHT. 716 00:36:54,680 --> 00:36:56,890 MAKES SURE RUSSELL PUTS THAT. 717 00:36:56,930 --> 00:37:00,080 YOU KNOW, IT LOOKS LIKE THIS PLAINCLOTHESMAN DONALDSON IS STAND‐UP, 718 00:37:00,110 --> 00:37:02,890 NOT SEEING NOTHIN’ BETWEEN YOU AND THE BOSS. 719 00:37:02,930 --> 00:37:04,540 [SIGHS] 720 00:37:04,570 --> 00:37:06,920 I WAS NOT GONNA HURT DONALDSON IN MY 5, 721 00:37:06,950 --> 00:37:08,260 OR HIS PARTNER NEITHER. 722 00:37:08,290 --> 00:37:09,770 NO, I WAS JUST SAYING‐‐ 723 00:37:09,790 --> 00:37:13,040 NEVER FEEL YOU NEED TO HELP ME DO RIGHT BY A COP, DANNY‐‐ 724 00:37:13,080 --> 00:37:14,830 WHITE, BLACK, OR CHINESE. 725 00:37:14,850 --> 00:37:17,500 SO THAT WASN’T ANOTHER COP YOU WERE HOOKIN’ AND GRAPPLIN’ WITH 726 00:37:17,530 --> 00:37:18,940 IN THE LOCKER ROOM. 727 00:37:18,970 --> 00:37:20,240 WE WEREN’T IN THERE AS COPS. 728 00:37:20,280 --> 00:37:21,280 NO, AS IDIOTS. 729 00:37:21,320 --> 00:37:22,820 YOU THINK IT’S THAT SIMPLE? 730 00:37:22,860 --> 00:37:24,630 HEY, ALL’S I’M SAYING... 731 00:37:24,670 --> 00:37:26,480 I’LL GET THE HELL OUT. 732 00:37:26,510 --> 00:37:30,390 TRANSFER TILL YOU FIND A SQUAD GOT NO RACIAL TENSIONS, DANNY, 733 00:37:30,430 --> 00:37:32,300 YOU BETTER KEEP YOUR PERSONNEL FOLDER HANDY. 734 00:37:32,340 --> 00:37:34,410 HOW ABOUT SETTLING FOR ONE WHERE MY CO‐WORKERS 735 00:37:34,450 --> 00:37:36,320 AREN’T WHISTLING PUNCHES PAST MY EARS? 736 00:37:36,360 --> 00:37:37,360 YOU’RE RIGHT ABOUT THAT. 737 00:37:37,400 --> 00:37:38,700 THAT’S THE IDIOT PART. 738 00:37:38,740 --> 00:37:39,850 I DON’T DISPUTE YOU ON THAT. 739 00:37:39,880 --> 00:37:40,650 THAT’S ALL. 740 00:37:42,460 --> 00:37:44,770 I JUST DON’T LIKE GETTING STIRRED UP. 741 00:37:44,800 --> 00:37:47,810 WELL, PLEASE ACCEPT MY APOLOGIES. 742 00:38:07,750 --> 00:38:09,890 CAR TROUBLE? 743 00:38:10,710 --> 00:38:11,870 WHEN I SAID GOOD NIGHT, 744 00:38:11,910 --> 00:38:14,690 I MEANT TO INCLUDE YOU IN THAT. 745 00:38:14,720 --> 00:38:17,500 BOY, THERE’S SEVERAL HOURS OF TOSSING AND TURNING 746 00:38:17,540 --> 00:38:19,220 I DON’T HAVE TO WORRY ABOUT. 747 00:38:19,250 --> 00:38:21,360 I MEANT TO INCLUDE YOU, 748 00:38:21,390 --> 00:38:24,100 AND AT THE LAST MINUTE... 749 00:38:24,140 --> 00:38:25,520 I DIDN’T. 750 00:38:25,540 --> 00:38:27,520 SO WHAT ARE WE GONNA DO, 751 00:38:27,550 --> 00:38:29,760 EVERY SHIFT DRAW UP A LIST 752 00:38:29,800 --> 00:38:31,810 OF POSSIBLE MISUNDERSTANDINGS TO CLARIFY? 753 00:38:31,840 --> 00:38:34,790 NO, BUT I CAN SEE, END OF THE SHIFT, 754 00:38:34,820 --> 00:38:37,570 MAKING SURE WE SAY GOOD NIGHT OR SO FORTH. 755 00:38:37,600 --> 00:38:39,780 I GOT NO OBJECTION TO THAT, 756 00:38:39,810 --> 00:38:41,150 SO THINGS DON’T CARRY OVER. 757 00:38:46,510 --> 00:38:48,020 GOOD NIGHT. 758 00:38:48,060 --> 00:38:48,870 GOOD NIGHT. 759 00:38:55,390 --> 00:38:56,360 GOOD NIGHT. 760 00:38:56,400 --> 00:38:57,950 GOOD NIGHT. 761 00:38:57,970 --> 00:39:00,820 WHAT, ARE WE GONNA SAY IT, LIKE, 8,000 TIMES? 762 00:39:02,560 --> 00:39:04,270 ALL RIGHT, LET’S CUT IT OUT. 763 00:39:12,810 --> 00:39:14,820 [CHUCKLING] 764 00:39:17,230 --> 00:39:18,910 [SIGHS] 765 00:39:43,260 --> 00:39:45,000 [DOOR OPENS] 766 00:39:45,040 --> 00:39:46,540 [DOOR CLOSES] 767 00:39:54,250 --> 00:39:55,690 BABY’S SLEEPING. 768 00:39:57,770 --> 00:39:59,340 HOW’S IT GOING? 769 00:40:05,540 --> 00:40:07,080 ANDY, WHAT HAPPENED? 770 00:40:07,120 --> 00:40:09,270 NOTHING. I WALKED INTO A DOOR. 771 00:40:10,840 --> 00:40:12,280 HOW’D IT GO AT RIKERS? 772 00:40:12,310 --> 00:40:15,320 THEY GETTING AN IDEA WHO SHANKED SUAREZ? 773 00:40:20,820 --> 00:40:22,860 THEY GOT NO LEADS? 774 00:40:24,970 --> 00:40:29,330 SUAREZ WAS THE PUNK OF A PRISONER WHO LOST A FIGHT. 775 00:40:29,360 --> 00:40:32,710 THE PRISONER WHO WON TOOK SUAREZ AS A TROPHY. 776 00:40:32,740 --> 00:40:35,720 AND THE ONE WHO LOST MURDERED SUAREZ 777 00:40:35,760 --> 00:40:38,670 TO SHOW THE OTHER GUY THE FIGHT WASN’T OVER. 778 00:40:38,710 --> 00:40:41,430 HE COPPED TO THIS, OR THAT’S THE STORY THAT’S CIRCULATING? 779 00:40:41,460 --> 00:40:45,080 THAT’S THE STORY THE SNITCHES ARE TELLING. 780 00:40:45,110 --> 00:40:47,320 THERE WERE NO WITNESSES. 781 00:40:47,350 --> 00:40:49,860 NO ONE ELSE WAS IN THE LAUNDRY ROOM. 782 00:41:10,470 --> 00:41:13,860 I KEEP THINKING ABOUT SUAREZ CONFESSING TO A HOMICIDE 783 00:41:13,880 --> 00:41:15,520 THAT HE DIDN’T COMMIT 784 00:41:15,560 --> 00:41:17,570 SO THAT OTHER PEOPLE WOULD THINK 785 00:41:17,600 --> 00:41:19,050 THAT HE’D DEFENDED HIS BROTHER’S MEMORY... 786 00:41:19,090 --> 00:41:22,640 WINDING UP IN THAT HELLHOLE AS A SEXUAL PAWN. 787 00:41:24,010 --> 00:41:27,160 AND I KEEP IMAGINING... 788 00:41:27,200 --> 00:41:30,180 WHAT HE MUST HAVE THOUGHT THE WORLD WAS... 789 00:41:30,210 --> 00:41:31,820 AS THE SHANK WENT IN 790 00:41:31,850 --> 00:41:34,560 AND HE BLED TO DEATH ON THAT LAUNDRY ROOM FLOOR. 791 00:41:37,210 --> 00:41:40,830 A GUY ON THE OUTSIDE WANTS SOMETHING DONE IN PRISON, 792 00:41:40,870 --> 00:41:43,520 HE USES WHAT’S GOING ON INSIDE. 793 00:41:44,890 --> 00:41:49,010 SAY A BAD GUY ON THE OUTSIDE WANTS SUAREZ DEAD. 794 00:41:49,040 --> 00:41:52,450 THAT TYPE’S ALWAYS GOT FRIENDS LOCKED UP. 795 00:41:52,490 --> 00:41:55,270 FRIENDS INSIDE TELL HIM 796 00:41:55,300 --> 00:41:57,280 SOME PRISONER’S CARRYING A TORCH 797 00:41:57,310 --> 00:42:00,330 OVER LOSING SUAREZ FOR HIS BED PAL, 798 00:42:00,360 --> 00:42:02,570 OR HE WANTS TO GET EVEN WITH ANOTHER PRISONER 799 00:42:02,610 --> 00:42:04,690 GAVE HIM AN ASS‐KICKING. 800 00:42:04,720 --> 00:42:07,700 MAYBE THE BAD GUY ON THE OUTSIDE 801 00:42:07,730 --> 00:42:09,970 GETS WHAT HE WANTS DONE 802 00:42:10,010 --> 00:42:12,820 FINANCING THE OTHER PRISONER GETTING HIS VENGEANCE. 803 00:42:16,240 --> 00:42:20,360 I’M NOT SAYING THAT IS WHAT HAPPENED, SYLVIA, 804 00:42:20,400 --> 00:42:22,410 BUT IT’S POSSIBLE. 805 00:42:33,760 --> 00:42:36,440 YOU FEEL LIKE YOU OWE HIM JUSTICE. 806 00:42:36,480 --> 00:42:39,900 LET ME HELP YOU TRY TO GET IT FOR HIM. 60520

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