Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:28,920 --> 00:00:30,900
I KNOW EXACTLY
WHAT HAPPENED
2
00:00:30,930 --> 00:00:32,350
’CAUSE IT ALMOST GOT
MY LEG BLOWN OFF.
3
00:00:32,340 --> 00:00:34,080
TELL ME, BRIEFLY,
EXACTLY WHAT HAPPENED.
4
00:00:34,120 --> 00:00:36,730
THOSE TWO FOOL TEENAGERS
COME RUNNING PAST ME,
5
00:00:36,760 --> 00:00:39,270
THEN TURN AND ALMOST SHOOT
DIRECTLY AT MY LEG.
6
00:00:39,310 --> 00:00:42,350
YOU KNOCKED YOUR LEG
AGAINST THIS CORNER HERE.
7
00:00:42,390 --> 00:00:44,930
YOU WOULD LIE
IN CHURCH ON SUNDAY.
8
00:00:44,970 --> 00:00:46,550
NOW THAT WAS
AN EXECUTION.
9
00:00:46,580 --> 00:00:48,160
HE KNEW THAT
MAN, AND HE WAS
WAITING FOR HIM.
10
00:00:48,190 --> 00:00:49,930
HE SHOT HIM DOWN
AND FINISHED
HIM OFF.
11
00:00:49,960 --> 00:00:52,100
BOTH THOSE MEN WERE
POLICE OFFICERS, MR. LEWIS.
12
00:00:52,140 --> 00:00:53,310
DON’T CHANGE
NOTHING.
13
00:00:53,350 --> 00:00:54,960
WE GOT 2 COPS DOWN.
14
00:00:54,980 --> 00:00:57,200
SZYMANSKI’S OFF DUTY,
GETS SHOT IN THE SHOULDER
15
00:00:57,230 --> 00:00:58,800
COMING OUT OF
THAT DRY CLEANER,
16
00:00:58,840 --> 00:01:01,530
SHOOTS THE OTHER GUY,
WHO’S A STREET CRIME
PLAINCLOTHESMAN
17
00:01:01,550 --> 00:01:03,190
IN THE MIDDLE OF A FOOT
PURSUIT WITH HIS PARTNER.
18
00:01:03,230 --> 00:01:04,860
WHO WERE THE
PLAINCLOTHESMEN
CHASING?
19
00:01:04,900 --> 00:01:06,840
2 KIDS WITH A GUN.
THEY PULLED A HOLDUP
3 BLOCKS DOWN.
20
00:01:06,880 --> 00:01:07,860
THEY GOT AWAY.
21
00:01:07,880 --> 00:01:09,220
THE KIDS SHOT SZYMANSKI
22
00:01:09,260 --> 00:01:10,490
OR THE PLAINCLOTHESMEN DID?
23
00:01:10,530 --> 00:01:12,840
THE PLAINCLOTHESMAN
THAT ISN’T WOUNDED
24
00:01:12,870 --> 00:01:15,420
SAID HE NOR HIS PARTNER
EVER THREW A SHOT,
25
00:01:15,460 --> 00:01:17,710
AND THE KIDS THEY WERE
CHASING NEVER TURNED AROUND.
26
00:01:17,730 --> 00:01:19,470
WHAT’S THE WOUNDED
PLAINCLOTHESMAN’S NAME?
27
00:01:19,510 --> 00:01:21,680
HUDSON, AND HIS PARTNER’S
NAME’S DONALDSON.
28
00:01:23,290 --> 00:01:24,830
THIS COULD BE
SOME JACKPOT.
29
00:01:24,870 --> 00:01:27,150
LISTEN, DON’T PUSH HIM,
BUT SEE CAN HE TELL
YOU ANYTHING.
30
00:01:32,000 --> 00:01:33,610
I’M ON FOOT POST.
31
00:01:33,650 --> 00:01:35,400
I WAS ACTUALLY
DOWN A WAYS.
32
00:01:35,420 --> 00:01:37,700
THEY’LL STILL PROBABLY
WANT TO TALK TO YOU.
33
00:01:37,730 --> 00:01:40,210
SURE. IT’S JUST THAT
I DIDN’T SEE MUCH.
34
00:01:40,250 --> 00:01:43,740
YEAH. WELL, THEY JUST WANT
TO TOUCH ALL THE BASES.
35
00:01:43,760 --> 00:01:44,900
IT’S ANDY SIPOWICZ,
SZYMANSKI.
36
00:01:44,930 --> 00:01:46,040
WHAT HAPPENED HERE?
37
00:01:46,070 --> 00:01:47,550
THIS WAS NOT RACIAL.
38
00:01:47,580 --> 00:01:49,190
DON’T TELL ME
WHAT IT WASN’T.
39
00:01:49,220 --> 00:01:50,630
I DIDN’T KNOW
HE WAS A COP.
40
00:01:50,660 --> 00:01:51,970
HE SHOT ME AND I DIDN’T
KNOW WHO HE WAS.
41
00:01:52,000 --> 00:01:53,440
YOU’RE SURE
HE SHOT FIRST?
42
00:01:53,480 --> 00:01:55,590
I’M SHOT. I SEE HIM
POINTING HIS GUN AT ME.
43
00:01:55,620 --> 00:01:56,660
I RETURNED FIRE.
44
00:01:56,690 --> 00:01:58,230
HIS PARTNER SAYS NEITHER
OF THEM TWO SHOT.
45
00:01:58,270 --> 00:01:59,410
I’D JUST BEEN SHOT.
46
00:01:59,440 --> 00:02:00,810
THE GUY I SHOT WAS
POINTING HIS GUN AT ME.
47
00:02:00,850 --> 00:02:02,830
WHAT THE HELL
WAS I SUPPOSED TO DO?
48
00:02:02,860 --> 00:02:04,640
ALL RIGHT, CALM DOWN,
SZYMANSKI. LOWER YOUR VOICE.
49
00:02:04,670 --> 00:02:06,780
IF IT WASN’T HIM,
WHO THE HELL WAS IT?
50
00:02:06,810 --> 00:02:07,850
THE KID
WAS ON FOOT POST.
51
00:02:07,880 --> 00:02:09,620
HE’S WORTH
A CONVERSATION.
52
00:02:09,660 --> 00:02:11,870
SAYS HE DIDN’T SEE
ANYTHING, TWICE.
53
00:02:11,900 --> 00:02:14,580
GET YOURSELF LOOKED AT.
WE’LL TALK MORE
AT THE HOUSE.
54
00:02:14,620 --> 00:02:16,230
THAT GUY SWEARS
THE KIDS DID THE ROBBERY
55
00:02:16,260 --> 00:02:17,370
LIVE IN
THE BARUCH PROJECTS.
56
00:02:17,400 --> 00:02:19,920
THEM AND 10,000
OTHER PEOPLE.
57
00:02:19,940 --> 00:02:22,550
HE SAYS HE’D KNOW ’EM
IF HE SAW ’EM AGAIN.
58
00:02:22,590 --> 00:02:23,460
ANYWAYS, WE’LL
RIDE HIM OVER
59
00:02:23,490 --> 00:02:24,460
AND SEE WHAT
HE COMES UP WITH.
60
00:02:24,500 --> 00:02:25,770
YEAH, WE’LL GO CANVASS.
61
00:02:25,810 --> 00:02:27,220
HEY, ANDY.
62
00:02:27,250 --> 00:02:28,930
POSSIBLE COMPLICATION.
63
00:02:28,950 --> 00:02:30,830
OUR BOSS HAS IT IN
FOR THIS SZYMANSKI.
64
00:02:30,860 --> 00:02:34,350
OVER WHAT? WHAT’S THE BOSS
PISSED OFF ABOUT?
65
00:02:34,380 --> 00:02:37,760
GETTING STOPPED
FOR A BUSTED TAILLIGHT
2 YEARS AGO
66
00:02:37,800 --> 00:02:40,010
AND THE DEATH OF
MARTIN LUTHER KING.
67
00:04:02,660 --> 00:04:04,070
WHAT DO YOU KNOW
ABOUT IT?
68
00:04:04,100 --> 00:04:06,110
MY DETECTIVES HAVEN’T
GOT BACK YET.
69
00:04:06,140 --> 00:04:07,740
YOU KNOW IT’S SZYMANSKI.
70
00:04:07,780 --> 00:04:11,800
YEAH. I KNOW SZYMANSKI’S
ONE OF THE COPS INVOLVED.
71
00:04:11,830 --> 00:04:13,340
BEING HE IS, WOULD YOU
BE MORE COMFORTABLE
72
00:04:13,380 --> 00:04:14,790
I.A.B. COMING IN FRONT
ON THIS ONE?
73
00:04:14,820 --> 00:04:16,030
NO.
74
00:04:16,060 --> 00:04:18,140
I’M SAYING WITH YOUR
HISTORY WITH THIS GUY.
75
00:04:18,170 --> 00:04:20,890
AND I’M SAYING I’M COMFORTABLE
RUNNING THE INVESTIGATION.
76
00:04:23,010 --> 00:04:24,480
YOU CHECK WITH
THE HOSPITAL?
77
00:04:24,480 --> 00:04:25,900
SZYMANSKI’S BEEN TREATED
AND RELEASED.
78
00:04:25,930 --> 00:04:27,640
ANDY AND THE CRIME GUYS
ARE BRINGING IN HIM
79
00:04:27,670 --> 00:04:29,650
AND THE PARTNER OF THE
PLAINCLOTHES COP HE SHOT.
80
00:04:29,680 --> 00:04:32,630
THE PLAINCLOTHES SZYMANSKI
SHOT CAN’T GIVE US ANYTHING?
81
00:04:32,660 --> 00:04:34,740
NO. HE’S JUST HANGING ON.
82
00:04:37,920 --> 00:04:39,760
IF IT IS RACIAL,
THIS IS A DISASTER.
83
00:04:41,440 --> 00:04:43,580
SZYMANSKI PUT 5 IN HIM.
84
00:04:43,620 --> 00:04:46,430
THERE’S NO WAY
TO PRETTY THAT UP.
85
00:04:46,470 --> 00:04:49,190
NOT THAT ANYONE
WOULD WANT TO.
86
00:04:49,210 --> 00:04:52,560
I’LL KEEP YOU UP TO SPEED.
87
00:04:52,600 --> 00:04:54,950
LIKE I SAID, ANYTIME
YOU’RE MORE COMFORTABLE
88
00:04:54,980 --> 00:04:57,460
US GETTING IN FRONT,
THAT’S ALL RIGHT, TOO.
89
00:04:57,490 --> 00:04:59,430
YEAH.
90
00:04:59,470 --> 00:05:00,810
I’M GONNA HANDLE IT.
91
00:05:09,150 --> 00:05:10,690
JUST GIVE US A SECOND.
92
00:05:10,720 --> 00:05:11,720
SURE.
93
00:05:11,760 --> 00:05:13,230
JUST GOTTA TALK
TO OUR BOSS.
94
00:05:13,270 --> 00:05:14,880
NO PROBLEM.
95
00:05:16,420 --> 00:05:17,560
HOW’S IT GOING?
96
00:05:17,590 --> 00:05:18,720
THE BETTER FOR SEEING YOU.
97
00:05:22,880 --> 00:05:24,860
THAT’S THE RAT SQUAD.
98
00:05:24,890 --> 00:05:27,970
YEAH, THEY’D SOMETIMES
HAVE TO DO WITH US
OVER IN NARCOTICS.
99
00:05:28,010 --> 00:05:30,020
DON’T BREAK BALLS.
100
00:05:32,430 --> 00:05:33,930
THEY’RE BRINGING SZYMANSKI
101
00:05:33,970 --> 00:05:36,150
AND THE SHOT UNDERCOVER’S
PARTNER FROM BELLEVUE.
102
00:05:36,180 --> 00:05:38,320
THAT ROOKIE COP WAS
ALSO ON THE SCENE.
103
00:05:38,360 --> 00:05:39,700
FOR A GUY WITH
NOTHING TO TELL US
104
00:05:39,730 --> 00:05:41,140
HE WAS HANGING
AROUND PRETTY GOOD.
105
00:05:41,170 --> 00:05:42,710
SO, ANDY, YOU’LL TALK
TO THIS ROOKIE COP?
106
00:05:44,420 --> 00:05:47,200
NO. BEING SZYMANSKI’S
THE PRINCIPAL PLAYER,
107
00:05:47,240 --> 00:05:48,580
I THOUGHT I’D TALK
WITH SZYMANSKI.
108
00:05:48,610 --> 00:05:50,520
ALL RIGHT.
109
00:05:50,550 --> 00:05:51,690
SO I’LL TALK WITH
THIS ROOKIE COP BAKER?
110
00:05:51,730 --> 00:05:53,240
YEAH, GOOD.
111
00:05:53,270 --> 00:05:54,210
Danny:
LET ME GET HIM A SODA.
112
00:05:57,590 --> 00:05:58,890
SO WHEN SZYMANSKI
GETS HERE,
113
00:05:58,930 --> 00:06:01,200
YOU MIND IF I SIT IN
ON YOUR INTERVIEW?
114
00:06:01,240 --> 00:06:02,640
SIT IN MEANING WATCH?
115
00:06:02,680 --> 00:06:05,630
WELL, IF
I MEANT WATCH, ANDY,
I WOULD’VE SAID WATCH.
116
00:06:05,660 --> 00:06:09,080
SO SIT IN MEANS THAT
YOU MAY WANT TO BE
ASKING QUESTIONS?
117
00:06:09,110 --> 00:06:10,950
IF THE SPIRIT
MOVES ME, YEAH.
118
00:06:10,990 --> 00:06:12,790
YOU DO THE INTERVIEW.
119
00:06:12,830 --> 00:06:15,540
I DIDN’T SAY I WANTED
TO DO THE INTERVIEW.
120
00:06:15,580 --> 00:06:17,380
NO, YOU DO THE INTERVIEW.
121
00:06:17,420 --> 00:06:19,960
’CAUSE I AM NOT GONNA HAVE
SOMEONE SITTING OVER ME
122
00:06:20,000 --> 00:06:21,370
LIKE A GUILTY CONSCIENCE‐‐
123
00:06:21,410 --> 00:06:22,850
"DID YOU SCREW THIS GUY
TO THE WALL HARD ENOUGH
124
00:06:22,880 --> 00:06:25,690
OVER SHOOTING THAT INNOCENT
BLACK PLAINCLOTHESMAN?"
125
00:06:33,770 --> 00:06:35,270
SZYMANSKI,
126
00:06:35,310 --> 00:06:37,790
TALK TO ME HERE
IN THE COFFEE ROOM.
127
00:06:37,820 --> 00:06:38,790
TALK TO YOU?
128
00:06:38,830 --> 00:06:41,050
YEAH, TALK TO ME.
129
00:06:48,070 --> 00:06:49,710
HOW YOU DOING, DONALDSON?
130
00:06:51,560 --> 00:06:52,870
HOW YOU DOING?
131
00:06:55,210 --> 00:06:56,810
SORRY ABOUT
YOUR PARTNER.
132
00:06:56,850 --> 00:06:59,760
HE DID ME A SOLID ONCE
WHEN I WAS
FIRST COP ON THE SCENE.
133
00:06:59,800 --> 00:07:01,440
YEAH, THAT SOUNDS
LIKE HIM.
134
00:07:03,550 --> 00:07:06,330
SORRY ABOUT
YOUR PARTNER, TOO.
135
00:07:12,090 --> 00:07:14,800
JIMMY STUPEK STILL BREAKING
BALLS AT THE ACADEMY?
136
00:07:14,840 --> 00:07:16,410
MR. CLEAN?
137
00:07:16,450 --> 00:07:17,820
YEAH, HE’S
STILL TEACHING
MARTIAL ARTS.
138
00:07:17,860 --> 00:07:19,470
YOU GUYS CALLED HIM
MR. CLEAN?
139
00:07:19,500 --> 00:07:20,680
YEAH, THE SHAVED HEAD,
140
00:07:20,700 --> 00:07:22,170
LOOKS EXACTLY
LIKE THAT GENIE
141
00:07:22,210 --> 00:07:23,780
ON THE MR. CLEAN
BOTTLES.
142
00:07:23,820 --> 00:07:26,230
WHEN I WAS THERE
HE STILL HAD LIKE
A BOZO FRINGE.
143
00:07:26,260 --> 00:07:28,970
I GUESS HE WENT
TOTAL AFTER I LEFT.
144
00:07:29,010 --> 00:07:31,760
SO WHAT DO YOU GOT
FOR ME, NEIL?
145
00:07:31,790 --> 00:07:36,080
ON THE SHOOTING INCIDENT
I GOT NOTHING, YOU KNOW?
146
00:07:36,110 --> 00:07:38,290
JUST THAT IT’S
A HELL OF A THING.
147
00:07:38,320 --> 00:07:40,230
THE PLAINCLOTHES
COP DOWN.
148
00:07:40,270 --> 00:07:41,470
THE WHOLE THING.
149
00:07:41,510 --> 00:07:43,090
YOU KNOW,
THE OFF‐DUTY COP
150
00:07:43,110 --> 00:07:44,650
GOT ONE IN
THE SHOULDER ALSO.
151
00:07:44,690 --> 00:07:45,830
THAT SZYMANSKI?
152
00:07:49,210 --> 00:07:51,250
ALL RIGHT, WELL,
WHY DON’T YOU GIVE ME
153
00:07:51,290 --> 00:07:53,630
THE NOTHING‐YOU‐GOT‐
FOR‐ME IN DETAIL, NEIL,
154
00:07:53,670 --> 00:07:55,350
SO INSTEAD OF
SPENDING THE AFTERNOON
155
00:07:55,380 --> 00:07:57,360
WITH MY PAIN‐IN‐THE‐BALLS
DINOSAUR PARTNER
156
00:07:57,390 --> 00:08:00,710
PISSING IN MY EAR I GOT
INADEQUATE INFORMATION,
157
00:08:00,740 --> 00:08:02,990
I CAN SPEND IT HIM
PISSING IN MY EAR
I GOT TOO MUCH.
158
00:08:03,010 --> 00:08:04,490
THAT’S THAT SIPOWICZ.
159
00:08:04,520 --> 00:08:05,660
YEAH, HE’S
BREAKING ME IN.
160
00:08:05,690 --> 00:08:08,910
GIVING ME THE ADVANCED
COURSE IN ANXIETY.
161
00:08:08,940 --> 00:08:11,120
"ONE THING YOU WANT
TO AVOID, DANNY,
162
00:08:11,150 --> 00:08:13,300
"THE ONE THING YOU
WANT TO AVOID‐‐
163
00:08:13,330 --> 00:08:14,800
"DO NOT MAKE A MISTAKE
164
00:08:14,840 --> 00:08:16,710
"YOUR OPENING YEARS
ON THE JOB.
165
00:08:16,750 --> 00:08:18,460
"A MISTAKE COMING UP
WILL HAUNT YOU
166
00:08:18,490 --> 00:08:20,430
YOUR REMAINING CAREER."
167
00:08:20,470 --> 00:08:23,580
SO THAT’S GOT ME GOOD
AND RELAXED.
168
00:08:23,620 --> 00:08:25,370
YEAH, I KNOW
HOW THAT GOES.
169
00:08:25,390 --> 00:08:27,530
I DON’T THINK
YOU CAN DO THE JOB
170
00:08:27,570 --> 00:08:29,210
LOOKING OVER YOUR OWN
SHOULDER LIKE THAT.
171
00:08:29,240 --> 00:08:31,220
I DO WHAT I THINK
IS RIGHT,
172
00:08:31,250 --> 00:08:33,630
AND I’M NOT TYING
MYSELF UP AFTER
WITH SECOND‐GUESSING.
173
00:08:33,670 --> 00:08:35,550
YEAH, WELL.
174
00:08:35,580 --> 00:08:37,330
YEAH, WELL, WHAT?
175
00:08:37,350 --> 00:08:41,340
YEAH, WELL, IT’S EASY NOT
SECOND‐GUESSING YOURSELF
176
00:08:41,370 --> 00:08:43,510
IF YOU HAVEN’T DONE
ANYTHING WRONG...
177
00:08:43,550 --> 00:08:45,590
AND MAKING HYPOTHETICAL
STATEMENTS.
178
00:08:45,630 --> 00:08:48,380
YEAH, WELL,
THAT’S THE POINT.
179
00:08:48,410 --> 00:08:49,910
YEAH.
180
00:08:53,970 --> 00:08:57,920
ALTHOUGH IF I DID
WHATEVER I DID
181
00:08:57,960 --> 00:08:59,770
AND MY INTENTIONS
WERE RIGHT,
182
00:08:59,800 --> 00:09:02,050
BY ME NOT
SECOND‐GUESSING MYSELF
183
00:09:02,080 --> 00:09:03,390
OR COVERING THINGS UP,
184
00:09:03,420 --> 00:09:06,070
I GOT A CHANCE MY
INTENTIONS COMING OUT.
185
00:09:06,100 --> 00:09:08,550
THOSE ARE SEEN, AND NOT
JUST WHATEVER I DID.
186
00:09:08,570 --> 00:09:10,350
YEAH, WELL, WHAT IS IT
YOU’RE TRYING TO SAY?
187
00:09:10,380 --> 00:09:11,920
WHAT ARE YOU DRIVING AT?
188
00:09:11,960 --> 00:09:14,440
I’M TALKING
TO ANOTHER COP, NEIL.
189
00:09:14,470 --> 00:09:17,180
I’M NOT DRIVING
AT NOTHING.
190
00:09:17,220 --> 00:09:19,370
I’M SAYING IF ANOTHER
COP TOLD ME SOMETHING
191
00:09:19,400 --> 00:09:22,050
WHERE SOME INTENTION
OF HIS WENT WRONG,
192
00:09:22,080 --> 00:09:24,230
I’M MAKING DAMN SURE
HIS INTENTIONS
193
00:09:24,250 --> 00:09:27,160
CAST A GOOD STRONG LIGHT
ON WHATEVER IT IS
HE DID
194
00:09:27,200 --> 00:09:29,110
THAT DIDN’T HAVE
THE OUTCOME HE WANTED.
195
00:09:29,140 --> 00:09:31,420
I’M MAKING
DAMN SURE OF THAT.
196
00:09:31,460 --> 00:09:33,070
BUT FIRST I GOTTA KNOW
WHAT HAPPENED.
197
00:09:44,190 --> 00:09:46,910
WELL, MAYBE I GOT
SOMETHING TO SAY.
198
00:09:46,930 --> 00:09:49,240
Szymanski:
I HEAR A SHOT OUTSIDE.
199
00:09:49,280 --> 00:09:50,320
I DRAW MY GUN.
200
00:09:53,000 --> 00:09:56,450
MY FIRST STEP OUT,
A ROUND HITS ME
IN THE ARM.
201
00:09:56,480 --> 00:10:00,730
SOMEONE DRESSED
LIKE A BAD GUY IS
POINTING HIS GUN AT ME.
202
00:10:00,770 --> 00:10:02,840
I DEFENDED MYSELF.
203
00:10:02,880 --> 00:10:04,320
WHAT WOULD YOU DO?
204
00:10:04,350 --> 00:10:07,030
THE GUY DRESSED
AS A BAD GUY IS HUDSON.
205
00:10:07,070 --> 00:10:09,720
THE PLAINCLOTHES COP,
AS I FOUND OUT LATER.
206
00:10:09,750 --> 00:10:13,070
AND YOU BELIEVED IT WAS
HUDSON WHO HAD FIRED ON YOU.
207
00:10:13,100 --> 00:10:14,750
RIDING OVER HERE,
AFTER THE FACT,
208
00:10:14,770 --> 00:10:18,250
HIS PARTNER DONALDSON
TELLS ME HUDSON
DIDN’T FIRE...
209
00:10:18,290 --> 00:10:19,830
AND HE DIDN’T FIRE
EITHER.
210
00:10:19,860 --> 00:10:21,770
AND YOU SHOT HUDSON
5 TIMES.
211
00:10:23,310 --> 00:10:25,190
SOMEBODY FIRED ON ME,
LIEUTENANT,
212
00:10:25,220 --> 00:10:27,930
AND IT SURE AS HELL
LOOKED LIKE IT WAS HIM.
213
00:10:29,580 --> 00:10:31,750
WHAT WAS THIS,
214
00:10:31,790 --> 00:10:32,830
THE PHANTOM BULLET?
215
00:10:35,680 --> 00:10:37,290
ME AND HUDSON
216
00:10:37,320 --> 00:10:40,640
WERE ON OPPOSITE SIDES
OF THE STREET PURSUING
2 ROBBERY SUSPECTS.
217
00:10:40,670 --> 00:10:42,790
I’M LOOKING AHEAD OF ME
UP THE STREET.
218
00:10:42,810 --> 00:10:44,850
I HEAR THIS GUNSHOT
OVER ON HUDSON’S SIDE.
219
00:10:44,890 --> 00:10:46,330
I SEE THIS GUY.
220
00:10:46,360 --> 00:10:48,570
I DON’T KNOW WHO HE IS,
THIS SZYMANSKI.
221
00:10:48,610 --> 00:10:50,990
NOW, HE’S HOLDING A HANDGUN
AND HE SHOOTS HUDSON,
222
00:10:51,020 --> 00:10:52,830
CLOSE RANGE,
A BUNCH OF TIMES.
223
00:10:52,860 --> 00:10:55,200
NEITHER YOU OR HUDSON
ARE WEARING YOUR VESTS
AT THE TIME?
224
00:10:55,240 --> 00:10:57,110
MAN, YOU KNOW
HOW UNCOMFORTABLE
THOSE THINGS ARE.
225
00:10:57,150 --> 00:11:00,900
ALL RIGHT. SO YOU SEE
HUDSON GETTING SHOT
A BUNCH OF TIMES
226
00:11:00,940 --> 00:11:02,620
WHILE YOU’RE RUNNING
ACROSS THE STREET
TO HELP HIM?
227
00:11:02,640 --> 00:11:04,120
I’M RUNNING
ACROSS THE STREET.
228
00:11:04,150 --> 00:11:05,890
I’M SHOUTING,
"WE’RE COPS."
229
00:11:05,930 --> 00:11:07,740
CRAZY AS HE LOOKED,
230
00:11:07,770 --> 00:11:10,750
NEVER OCCURRED TO ME
THIS GUY STANDING OVER HUDSON,
231
00:11:10,790 --> 00:11:12,670
THIS SZYMANSKI,
WAS A COP, TOO.
232
00:11:12,690 --> 00:11:14,100
UNTIL HE
IDENTIFIED HIMSELF.
233
00:11:14,140 --> 00:11:15,780
YEAH. UNTIL HE
IDENTIFIED HIMSELF,
234
00:11:15,810 --> 00:11:17,480
IT NEVER OCCURRED TO ME.
235
00:11:17,520 --> 00:11:19,890
SO THE OTHER COPS’D
KNOW WHO YOU WERE,
236
00:11:19,930 --> 00:11:21,740
YOU AND YOUR PARTNER
IN PLAINCLOTHES,
237
00:11:21,770 --> 00:11:23,850
I’M ASSUMING
THAT THE BOTH OF YOU
238
00:11:23,880 --> 00:11:25,960
WERE WEARING
THE COLOR OF THE DAY.
239
00:11:34,340 --> 00:11:36,250
YOU WITH ME,
DONALDSON?
240
00:11:36,280 --> 00:11:38,080
COLOR OF THE DAY
FOR PLAINCLOTHES‐‐
241
00:11:38,120 --> 00:11:39,260
WERE YOU WEARING ’EM?
242
00:11:39,290 --> 00:11:41,370
NO, WE WERE NOT.
243
00:11:45,460 --> 00:11:46,840
NO, YOU WERE NOT.
244
00:11:46,860 --> 00:11:49,680
SIPOWICZ, YOU KNOW
AS WELL AS I DO
245
00:11:49,710 --> 00:11:53,330
PLAINCLOTHES DON’T WEAR
THE COLOR ALL THE TIME
SO THEY DON’T GET MADE.
246
00:11:53,360 --> 00:11:55,640
THEY PUT IT ON
WHEN TROUBLE JUMPS OFF.
247
00:11:55,680 --> 00:11:58,260
AND THIS THAT HAPPENED
IN THE STREET TODAY‐‐
248
00:11:58,290 --> 00:11:59,830
THAT DON’T COUNT
AS TROUBLE?
249
00:11:59,860 --> 00:12:01,500
IT JUMPED OFF TOO QUICK.
250
00:12:01,540 --> 00:12:03,250
THE TROUBLE
HAPPENED TOO FAST.
251
00:12:03,280 --> 00:12:06,630
NOW, WE WERE CHASING BAD GUYS.
WE COULDN’T GET THE COLORS ON.
252
00:12:07,800 --> 00:12:10,110
YOU UNDERSTAND
WHAT HAPPENED?
253
00:12:10,150 --> 00:12:11,190
YEAH, I DO.
254
00:12:13,130 --> 00:12:15,370
I’LL BE BACK WITH YOU
IN A MINUTE.
255
00:12:19,490 --> 00:12:20,630
WHEN THE TROUBLE STARTS,
256
00:12:20,670 --> 00:12:22,320
HIM AND
THE SHOT PLAINCLOTHES
257
00:12:22,340 --> 00:12:24,720
AREN’T WEARING
THE COLOR OF THE DAY.
258
00:12:24,750 --> 00:12:27,830
HOW WAS SZYMANSKI
SUPPOSED TO KNOW THAT
THESE GUYS ARE COPS?
259
00:12:27,870 --> 00:12:28,970
THIS BAKER, ANDY,
260
00:12:29,010 --> 00:12:30,480
HE SAYS NOW
HE THREW A SHOT
IN THE STREET.
261
00:12:30,480 --> 00:12:31,280
FROM WHERE?
262
00:12:31,310 --> 00:12:33,050
FROM THE OTHER SIDE
OF THESE PLAINCLOTHES,
263
00:12:33,090 --> 00:12:34,460
FROM WHERE SZYMANSKI WAS.
264
00:12:34,500 --> 00:12:37,080
HE SAYS HE THINKS
IT’S HIS BULLET
HIT SZYMANSKI.
265
00:12:37,110 --> 00:12:39,590
IF THE BAD GUYS
ARE UP THE STREET
THE OTHER DIRECTION,
266
00:12:39,620 --> 00:12:41,830
WHO IN THE HELL IS
THIS ROOKIE SHOOTING AT?
267
00:12:41,870 --> 00:12:44,420
WELL, HE DIDN’T KNOW
ABOUT THE BAD GUYS
UP THE STREET, THIS BAKER.
268
00:12:44,450 --> 00:12:47,230
HE THOUGHT THE PLAINCLOTHES
WERE THE BAD GUYS.
269
00:12:47,260 --> 00:12:50,640
GOTTA HELP SZYMANSKI, NO?
270
00:12:50,680 --> 00:12:52,260
REMAINS TO BE SEEN.
271
00:12:53,690 --> 00:12:56,100
HOW IS THIS SZYMANSKI
GETTIN’ JAMMED, ANDY?
272
00:12:56,140 --> 00:12:58,860
IF THESE PLAINCLOTHES
WEREN’T WEARING
COLOR OF THE DAY,
273
00:12:58,880 --> 00:13:00,420
THEY GOT WEAPONS DRAWN,
274
00:13:00,460 --> 00:13:02,630
AND SZYMANSKI GETS SHOT
FROM THEIR DIRECTION‐‐
275
00:13:02,670 --> 00:13:06,120
HEAT OF THE MOMENT,
SZYMANSKI’S GOTTA BELIEVE
THEY’RE THE GUYS WHO SHOT HIM.
276
00:13:06,150 --> 00:13:08,060
WHO’S GONNA HANG HIM
FOR THAT?
277
00:13:12,550 --> 00:13:13,520
MY OFFICE.
278
00:13:16,270 --> 00:13:17,810
REMAINS TO BE SEEN.
279
00:13:45,950 --> 00:13:48,030
I WANT BOTH THOSE
PLAINCLOTHES’ GUNS
CHECKED.
280
00:13:48,060 --> 00:13:49,840
SZYMANSKI INSISTS
THEY SHOT AT HIM.
281
00:13:49,870 --> 00:13:51,710
I WANT TO MAKE SURE
HE’S NOT RIGHT.
282
00:13:51,750 --> 00:13:53,250
PLAINCLOTHES
DIDN’T SHOOT AT HIM.
283
00:13:53,290 --> 00:13:55,100
AND HOW DO WE KNOW THAT?
284
00:13:55,130 --> 00:13:57,240
’CAUSE IT’S THE ONE MISTAKE
THEY DIDN’T MAKE.
285
00:13:57,280 --> 00:13:59,730
MY GUY THREW THE SHOT
HIT SZYMANSKI, BOSS‐‐
286
00:13:59,760 --> 00:14:01,400
THIS ROOKIE COP BAKER.
287
00:14:01,430 --> 00:14:02,800
AND HE ADMITS THAT?
288
00:14:02,840 --> 00:14:05,360
YEAH,
HE ADMITTED IT TO ME.
289
00:14:05,380 --> 00:14:07,960
HE THOUGHT THE PLAINCLOTHES
WERE THE BAD GUYS,
290
00:14:08,000 --> 00:14:10,310
THROWS A SHOT
THAT HITS SZYMANSKI INSTEAD.
291
00:14:10,340 --> 00:14:12,150
THIS BEING
BEHIND THE PLAINCLOTHES
292
00:14:12,180 --> 00:14:14,360
NOT WEARING
THE COLOR OF THE DAY,
293
00:14:14,390 --> 00:14:16,640
SO NEITHER THIS BAKER
NOR SZYMANSKI KNOW
THEY WERE COPS.
294
00:14:16,670 --> 00:14:18,340
I SEE.
295
00:14:18,380 --> 00:14:20,720
THESE GUYS RAN
THE TABLES, YOU KNOW.
296
00:14:20,760 --> 00:14:23,440
THEY WEREN’T EVEN
WEARING THEIR VESTS,
NEITHER OF THE PLAINCLOTHES.
297
00:14:23,470 --> 00:14:25,350
SO ARE WE GONNA TRY
298
00:14:25,380 --> 00:14:28,360
TO PUT HUDSON’S
GETTING SHOT 5 TIMES
AT CLOSE RANGE
299
00:14:28,400 --> 00:14:31,390
ON SOME MISTAKE
HE AND DONALDSON
MADE, TOO?
300
00:14:31,410 --> 00:14:33,390
NO, I DON’T THINK
ANDY’S SAYING THAT, BOSS.
301
00:14:33,420 --> 00:14:36,400
WELL, I THINK
WE CAN PUT THE 5 BULLETS
OFF SZYMANSKI BEING SHOT
302
00:14:36,440 --> 00:14:38,760
AND SEEING HUDSON
IN FRONT OF HIM
WITH A GUN
303
00:14:38,780 --> 00:14:40,660
AND DECIDING
TO TAKE CARE OF BUSINESS.
304
00:14:40,690 --> 00:14:42,670
HUDSON NOT BEING
CONSCIOUS JUST NOW
305
00:14:42,700 --> 00:14:44,470
TO TELL US
WHETHER OR NOT HE,
306
00:14:44,510 --> 00:14:46,480
UM, IDENTIFIED HIMSELF
AS A COP WHILE SZYMANSKI
307
00:14:46,520 --> 00:14:48,490
POURED ROUND AFTER ROUND
AFTER ROUND IN HIM.
308
00:14:48,530 --> 00:14:51,980
YEAH, WELL, MAYBE IF HE
WAS WEARING A VEST LIKE
HE WAS SUPPOSED TO DO,
309
00:14:52,020 --> 00:14:54,670
HUDSON’D BE CONSCIOUS NOW
SO HE COULD TELL US THAT.
310
00:14:54,690 --> 00:14:56,200
YOU HAD DONALDSON
SITTING IN FRONT OF YOU.
311
00:14:56,240 --> 00:14:58,220
DID YOU ASK HIM WHAT
SZYMANSKI LOOKED LIKE
312
00:14:58,250 --> 00:15:00,130
WHILE HE WAS PUTTING 5
IN HUDSON’S BELLY?
313
00:15:00,160 --> 00:15:03,080
NO, I DIDN’T ASK DONALDSON
WHAT SZYMANSKI LOOKED LIKE.
314
00:15:03,110 --> 00:15:06,490
I DIDN’T KNOW
THAT FACIAL EXPRESSIONS
WERE POSSIBLE FELONIES.
315
00:15:06,520 --> 00:15:07,960
5 BULLETS IS
A LOT OF BULLETS.
316
00:15:08,000 --> 00:15:10,250
I’M INTERESTED
IN SZYMANSKI’S MIND‐SET.
317
00:15:10,270 --> 00:15:13,290
HEY, BOSS, IF YOU STILL
NEED TO HURT SZYMANSKI,
318
00:15:13,320 --> 00:15:15,760
YOU BETTER DO IT
WITH A BLUNT INSTRUMENT,
319
00:15:15,800 --> 00:15:18,280
BECAUSE HE WAS RIGHT
IN THIS SHOOTING.
320
00:15:18,310 --> 00:15:19,350
[FRUSTRATED SIGH]
321
00:15:40,690 --> 00:15:42,360
[PUNCHING]
322
00:15:44,110 --> 00:15:47,020
IT’S OVER!
IT’S OVER! IT’S OVER!
323
00:15:47,060 --> 00:15:48,390
IT’S OVER.
324
00:15:52,320 --> 00:15:53,630
WHERE’S
THE FIRST‐AID KIT?
325
00:15:53,660 --> 00:15:55,370
CABINET IN MY OFFICE.
326
00:15:55,400 --> 00:15:57,610
DON’T YOU START
BEATING ON EACH OTHER,
YOU HEAR ME?
327
00:16:16,000 --> 00:16:17,270
WHAT DID YOU HEAR?
328
00:16:17,310 --> 00:16:18,910
HEY, I AIN’T
HEARD NOTHIN’.
329
00:16:18,950 --> 00:16:21,440
YOU DIDN’T
HEAR NOTHIN’,
AM I RIGHT?
330
00:16:21,460 --> 00:16:23,300
I GOT PROBLEMS
OF MY OWN.
331
00:16:39,890 --> 00:16:40,800
[LOCKS DOOR]
332
00:16:42,270 --> 00:16:43,510
[LOCKS DOOR]
333
00:16:44,810 --> 00:16:46,980
WHAT’S THE MATTER
WITH THE BOTH OF YOU?
334
00:16:50,770 --> 00:16:52,480
I’LL TRANSFER
THE HELL OUT,
335
00:16:52,520 --> 00:16:55,270
I’M TELLING THE BOTH OF YOU
RIGHT NOW.
336
00:16:55,300 --> 00:16:57,540
I’M NOT WORKING
WHERE THIS CRAP GOES ON.
337
00:16:59,750 --> 00:17:01,020
LOCK THIS.
338
00:17:16,470 --> 00:17:17,170
[LOCKS DOOR]
339
00:18:19,380 --> 00:18:20,320
HEY, SHANNON.
340
00:18:20,360 --> 00:18:21,590
YOU GOT A MINUTE?
341
00:18:21,630 --> 00:18:24,420
WHAT’S GOING ON?
342
00:18:24,440 --> 00:18:25,980
YOUR P. A. A. TOOK
A COLLAR IN THE 2‐7.
343
00:18:26,020 --> 00:18:27,260
OH, MAN.
344
00:18:27,290 --> 00:18:28,390
EVIDENTLY,
SHE SHOPLIFTED
345
00:18:28,430 --> 00:18:29,430
SOME PERFUME
AT RUTHERFORD’S,
346
00:18:29,470 --> 00:18:31,010
PLUS THERE WAS
SOME BACK‐AND‐FORTH
347
00:18:31,040 --> 00:18:32,680
WITH THE SECURITY BOSS
GRABBED HER UP.
348
00:18:32,720 --> 00:18:34,630
DOLORES DIDN’T SAY
SHE WAS A P. A. A.?
349
00:18:34,660 --> 00:18:37,200
COP THAT TOOK THE COMPLAINT,
TEDDY DELFINO,
350
00:18:37,240 --> 00:18:39,810
RECOGNIZED HER FROM
BEING OVER HERE RETURNING
SOME VOUCHERED PROPERTY.
351
00:18:39,850 --> 00:18:41,990
DID DELFINO
SAY WHAT KIND
OF BACK‐AND‐FORTH
352
00:18:42,030 --> 00:18:44,170
THERE WAS
WITH DOLORES AND THE
SECURITY SUPERVISOR?
353
00:18:44,210 --> 00:18:45,820
YEAH. TEDDY SAID
THE SUPERVISOR SAID
354
00:18:45,850 --> 00:18:48,500
SHE WAS OFFERING SEX
IF HE’D LET HER GO
FOR THE SHOPLIFTING.
355
00:18:48,530 --> 00:18:50,000
AND WHAT WAS
DOLORES’ STORY?
356
00:18:50,040 --> 00:18:53,960
THAT THE SUPERVISOR
TRIED TO GET OVER ON HER
IN HIS OFFICE.
357
00:18:53,990 --> 00:18:56,430
DELFINO’S AT HIS HOUSE
IF YOU WANT TO CALL HIM.
358
00:18:56,470 --> 00:18:58,380
YEAH. WE’LL, UH,
WE’LL CALL DELFINO NOW.
359
00:18:58,410 --> 00:19:00,390
OK. SHE SEEMS LIKE
A REALLY NICE GIRL.
360
00:19:00,420 --> 00:19:01,990
YEAH.
361
00:19:02,030 --> 00:19:03,000
[SIGHS]
362
00:19:03,030 --> 00:19:04,640
HER NOT REACHING OUT
IS BAD.
363
00:19:04,680 --> 00:19:08,030
IF WE MAKE THIS GO AWAY
AND SHE’S LOOKING
TO JAM HERSELF UP,
364
00:19:08,060 --> 00:19:09,660
WE DIDN’T DO HER
ANY FAVORS.
365
00:19:09,700 --> 00:19:11,810
MIGHT JUST PUSH HER
INTO SOMETHING WORSE.
366
00:19:14,160 --> 00:19:15,670
THE THINKER.
367
00:19:15,700 --> 00:19:17,950
DOES THIS HAPPEN OFTEN?
368
00:19:19,250 --> 00:19:20,820
WORLD WAR III.
369
00:19:20,860 --> 00:19:22,200
BETWEEN WHO?
370
00:19:22,230 --> 00:19:23,600
ANDY AND THE BOSS.
371
00:19:25,280 --> 00:19:26,580
ONE MINUTE
THEY’RE TALKING
LIKE GENTLEMEN
372
00:19:26,620 --> 00:19:27,690
ABOUT THE CASE‐‐
373
00:19:27,720 --> 00:19:29,460
SZYMANSKI SHOOTING
THE PLAINCLOTHES?
374
00:19:29,500 --> 00:19:30,770
NEXT THING,
THEY’RE BREAKING
EACH OTHER’S SHOES,
375
00:19:30,810 --> 00:19:32,420
NEXT THING, THEY’RE
IN THE BATHROOM
376
00:19:32,450 --> 00:19:33,520
HITTIN’ EACH OTHER
WITH HAYMAKERS.
377
00:19:37,140 --> 00:19:38,420
WAS HE HERE FOR IT?
378
00:19:38,440 --> 00:19:40,850
HE SAID HE’S GOT
HIS OWN PROBLEMS.
379
00:19:40,890 --> 00:19:42,800
AND NO ONE ELSE WAS HERE?
380
00:19:42,830 --> 00:19:45,410
THAT SZYMANSKI WAS
IN THE COFFEE ROOM.
THE DOOR WAS CLOSED.
381
00:19:47,150 --> 00:19:48,690
UM...
382
00:19:48,730 --> 00:19:51,200
GREG AND JAMES ARE STILL
AT THE PROJECTS, UM,
383
00:19:51,240 --> 00:19:54,390
LOOKING FOR THE TWO
THAT GOT IT STARTED.
384
00:19:54,420 --> 00:19:56,830
DID YOU GET ANYTHING
ON CANVASS?
385
00:19:56,870 --> 00:19:59,380
PLENTY. JUST NOTHING
THAT MADE ANY SENSE.
386
00:20:04,940 --> 00:20:06,310
ARE THEY ALL RIGHT
ALONE IN THERE?
387
00:20:06,350 --> 00:20:07,820
BEATS THE HELL
OUT OF ME.
388
00:20:10,840 --> 00:20:14,220
[DONALDSON SPEAKING
INAUDIBLY]
389
00:20:16,500 --> 00:20:18,340
WHO ARE YOU
TALKING TO?
390
00:20:19,420 --> 00:20:20,860
THE HOSPITAL.
391
00:20:31,640 --> 00:20:33,250
[SIGHS]
392
00:20:33,280 --> 00:20:35,830
WE GOTTA FIGURE
SOMETHING OUT.
393
00:20:38,740 --> 00:20:41,620
WE COULD KILL EACH OTHER,
I COULD GET A HEART ATTACK,
OR SO FORTH.
394
00:20:41,660 --> 00:20:44,070
HAVE YOU GOT CHEST PAIN?
395
00:20:44,110 --> 00:20:45,960
NO.
396
00:20:45,980 --> 00:20:47,520
YOU?
397
00:20:47,560 --> 00:20:51,520
BUT MY FATHER DIED
OF A HEART ATTACK
WHEN HE WAS 43.
398
00:20:51,540 --> 00:20:54,020
WHAT, DID HE HAVE
A BAD DIET?
399
00:20:55,560 --> 00:20:57,740
HE HAD HYPERTENSION.
400
00:20:57,770 --> 00:20:59,450
AND HE WAS A DRUNK.
401
00:21:07,150 --> 00:21:09,160
IT’S THE TONE
THAT SETS ME OFF.
402
00:21:09,200 --> 00:21:10,700
THAT LOOK.
403
00:21:10,740 --> 00:21:13,690
"I GOT YOUR NUMBER.
I KNOW WHAT YOU ARE."
404
00:21:13,720 --> 00:21:15,390
THAT’S THE LOOK
THAT SETS YOU OFF?
405
00:21:15,430 --> 00:21:16,300
YEAH, THAT’S THE LOOK.
406
00:21:16,330 --> 00:21:17,940
I THOUGHT YOU
PATENTED THAT AT BIRTH.
407
00:21:17,980 --> 00:21:21,100
I GOT YOUR NUMBER.
I KNOW WHAT YOU ARE.
408
00:21:21,130 --> 00:21:24,250
YOU’RE A DRUNK.
YOU’RE A MESS.
YOU GOT RACE PREJUDICE.
409
00:21:24,270 --> 00:21:25,780
MAKE THAT MOVE
WITH YOUR THUMB
LIKE YOU DID FOR SORENSON,
410
00:21:25,820 --> 00:21:27,530
POINTING AT ME
IN MY OFFICE.
411
00:21:27,560 --> 00:21:29,270
THAT POINT
I’D LOST MY TEMPER.
412
00:21:29,300 --> 00:21:32,110
THAT’S WHAT GOT US
THROWING PUNCHES,
DOING THAT WITH YOUR THUMB.
413
00:21:32,150 --> 00:21:34,030
WE THREW PUNCHES
’CAUSE YOU CHASED
IN HERE AFTER ME.
414
00:21:34,060 --> 00:21:35,700
I DON’T TAKE THAT
OFF ANYBODY,
415
00:21:35,730 --> 00:21:37,970
THAT‐‐THAT
"WHAT DO YOU EXPECT?"
THUMB STUFF.
416
00:21:38,010 --> 00:21:39,680
LOOK, LOOK, LOOK.
417
00:21:41,190 --> 00:21:43,670
NO, YOU’RE RIGHT.
418
00:21:43,700 --> 00:21:45,580
I’VE WORKED TOO HARD.
419
00:21:45,610 --> 00:21:47,190
THEY’LL LAUNCH US
OUT OF HERE.
420
00:21:47,220 --> 00:21:50,300
ANY BIG FUTURE
YOU GOT AT ONE P. P.,
YOU CAN FORGET ABOUT IT.
421
00:21:50,340 --> 00:21:54,800
THAT’S THE KIND
OF SIDEWAYS CRACK
YOU NEVER MISS MAKING.
422
00:21:54,830 --> 00:21:56,070
YOU’RE NOT AMBITIOUS?
423
00:21:56,100 --> 00:21:57,600
WHAT’S WRONG
WITH BEING AMBITIOUS?
424
00:21:57,640 --> 00:21:59,250
[SIGHS]
425
00:21:59,280 --> 00:22:01,260
I WITHDRAW
THE SIDEWAYS CRACK,
426
00:22:01,290 --> 00:22:03,200
AND I WITHDRAW
MY THUMBS.
427
00:22:04,510 --> 00:22:06,550
I FEEL LIKE
I CAN READ YOUR MIND.
428
00:22:06,590 --> 00:22:08,670
I FEEL LIKE
I CAN READ YOUR MIND.
429
00:22:08,700 --> 00:22:11,010
ANY COP, ALL COLORS,
430
00:22:11,040 --> 00:22:14,350
I FEEL LIKE
I UNDERSTAND YOU THE BEST.
431
00:22:14,390 --> 00:22:17,740
NOW, HOW THE HELL
CAN THAT BE?
432
00:22:20,560 --> 00:22:21,630
THE KID’S ALL RIGHT.
433
00:22:23,670 --> 00:22:25,710
HE’S NOT GONNA
TAKE IT ANYPLACE.
434
00:22:25,750 --> 00:22:27,330
WHAT ABOUT
THE PLAINCLOTHES?
435
00:22:27,360 --> 00:22:28,500
YEAH.
436
00:22:28,530 --> 00:22:30,810
THAT MAY BE
A CONVERSATION.
437
00:22:47,960 --> 00:22:49,760
I’M ARTHUR FANCY.
438
00:22:49,800 --> 00:22:51,140
HOW DO YOU DO?
439
00:22:56,330 --> 00:22:58,210
ANYTHING OFF THE CANVASS?
440
00:22:58,240 --> 00:23:01,120
YEAH. LET’S TALK ABOUT
THE CANVASS, ANDY.
441
00:23:01,160 --> 00:23:03,840
NO, WE DIDN’T GET ANYTHING
OFF CANVASS.
442
00:23:03,870 --> 00:23:05,840
I TOLD THEM WHAT
WE FOUND OUT HERE,
443
00:23:05,880 --> 00:23:07,720
HOW THE SHOOTINGS
WENT DOWN.
444
00:23:09,400 --> 00:23:11,840
AS FAR AS ME AND HIM,
THINGS GOT...
445
00:23:11,880 --> 00:23:13,760
SOMEWHAT OUT OF HAND.
446
00:23:15,560 --> 00:23:19,240
UH, SHALL WE CALL DELFINO
ON THIS OTHER THING?
447
00:23:21,630 --> 00:23:23,880
OBVIOUSLY
YOUR CHIEF CONCERN’S
YOUR PARTNER.
448
00:23:23,900 --> 00:23:26,450
YEAH. THANK GOD
HE’S STABLE NOW.
449
00:23:26,480 --> 00:23:29,260
THE SHOT
THAT HIT SZYMANSKI
CAME FROM A UNIFORM COP,
450
00:23:29,300 --> 00:23:30,580
SO THAT CORROBORATES
YOUR ACCOUNT.
451
00:23:30,600 --> 00:23:33,580
WE ALSO NEED TO REPORT
YOUR NOT WEARING VESTS,
452
00:23:33,620 --> 00:23:36,830
WHICH’LL PROBABLY BE
A 10‐DAY RIP.
453
00:23:36,870 --> 00:23:40,180
COULD YOU PUT IN WE WORE
THE VESTS DURING INSPECTION,
LIEUTENANT,
454
00:23:40,220 --> 00:23:41,920
THEN TOOK THEM OFF
ONCE WE LEFT THE HOUSE?
455
00:23:41,960 --> 00:23:45,110
I’LL PUT IN YOUR BOSS
INSPECTED YOU FOR VESTS,
456
00:23:45,140 --> 00:23:45,910
WHETHER IT’S TRUE
OR NOT.
457
00:23:48,060 --> 00:23:50,370
THE TACTICAL ERROR,
NOT WEARING
THE COLOR OF THE DAY,
458
00:23:50,400 --> 00:23:54,820
YOU CAN GET OFF
WITH A SLAP LIKE
"WARNED AND ADMONISHED"
459
00:23:54,860 --> 00:23:57,580
OR PUT BACK IN UNIFORM,
WHICH AS YOU KNOW,
ISN’T OUR CALL.
460
00:23:57,620 --> 00:24:01,610
LOOK, LIEUTENANT,
I KNOW THIS ISN’T YOUR CALL,
461
00:24:01,640 --> 00:24:04,190
BUT AS FAR AS THIS
GETTING WRITTEN UP,
462
00:24:04,220 --> 00:24:06,500
I DID EXPLAIN
TO THAT DETECTIVE
463
00:24:06,530 --> 00:24:08,200
HOW QUICK THE TROUBLE
JUMPED OFF.
464
00:24:08,240 --> 00:24:09,720
WHY WE DIDN’T
GET THE COLOR ON.
465
00:24:09,740 --> 00:24:11,820
THEN THAT’S HOW
HE’LL WRITE IT UP.
466
00:24:11,850 --> 00:24:13,390
THAT DETECTIVE
DOESN’T LOOK
TO HURT COPS.
467
00:24:14,770 --> 00:24:16,010
OK.
468
00:24:16,040 --> 00:24:18,120
THIS WAS PERSONAL.
469
00:24:18,150 --> 00:24:19,660
YOU UNDERSTAND THAT?
470
00:24:21,670 --> 00:24:24,720
YEAH. I DON’T LOOK TO HURT
OTHER COPS EITHER, LIEUTENANT.
471
00:24:24,750 --> 00:24:26,990
ALL RIGHT.
472
00:24:27,030 --> 00:24:29,540
THINK THAT GOES FOR
THAT SZYMANSKI?
473
00:24:32,120 --> 00:24:34,260
GO BE WITH
YOUR PARTNER, DONALDSON.
474
00:24:34,300 --> 00:24:35,570
YES, SIR.
THANK YOU.
475
00:24:45,520 --> 00:24:48,500
THIS IS AS MUCH ME
AS HIM...
476
00:24:48,540 --> 00:24:51,190
THROWING MY THUMB
AT HIS NOSE.
477
00:24:51,220 --> 00:24:53,300
THAT’S WHAT SET IT OFF.
478
00:24:53,330 --> 00:24:55,110
THAT’S YOUR TAKE ON IT?
479
00:24:55,140 --> 00:24:57,660
I WASN’T TAKING
A POSITION, ANDY.
I WAS SUMMARIZING YOURS.
480
00:24:59,520 --> 00:25:01,670
NEXT TIME I’LL SAY,
"I HEAR YOU."
481
00:25:01,700 --> 00:25:04,010
SO LET ME GET
A STORY SET WITH THIS BAKER.
482
00:25:10,410 --> 00:25:13,390
HOW BAD’S IT GONNA BE
FOR ME?
483
00:25:13,430 --> 00:25:15,010
IT’S NOT GONNA BE BAD,
NEIL,
484
00:25:15,040 --> 00:25:17,220
AS LONG AS
WE’RE ON THE SAME PAGE.
485
00:25:17,250 --> 00:25:18,830
ALL RIGHT.
486
00:25:18,860 --> 00:25:20,910
I’M PUTTIN’ YOU TOLD ME
487
00:25:20,930 --> 00:25:22,540
AT THE SCENE
488
00:25:22,570 --> 00:25:24,680
YOU HAD SOMETHING FOR ME
ON THE INCIDENT.
489
00:25:24,720 --> 00:25:26,290
THAT I TOLD YOU THAT
AT THE SCENE.
490
00:25:26,330 --> 00:25:29,920
BUT YOU WANTED TO SAY
AT THE STATION HOUSE.
491
00:25:29,940 --> 00:25:32,290
I APPRECIATE
WHERE I THINK
YOU’RE GOING WITH THIS.
492
00:25:32,320 --> 00:25:33,930
UNDER THOSE
CIRCUMSTANCES,
493
00:25:33,960 --> 00:25:35,940
THINKING THOSE GUYS
WERE BAD GUYS,
494
00:25:35,970 --> 00:25:38,420
YOU THROWING THE SHOT
IS NO JACKPOT.
495
00:25:38,450 --> 00:25:41,260
YEAH. THE POTENTIAL JACKPOT’S
NOT COMING FORWARD RIGHT AWAY.
496
00:25:41,300 --> 00:25:43,110
BUT YOU DID, NEIL. OK?
497
00:25:43,140 --> 00:25:44,450
AT THE SCENE.
498
00:25:44,480 --> 00:25:46,220
YOU CAME FORWARD TO ME
499
00:25:46,260 --> 00:25:48,500
AS ONE OF
THE INVESTIGATING
DETECTIVES.
500
00:25:50,880 --> 00:25:52,590
I GOT A CONTRIBUTION
TO MAKE.
501
00:25:52,620 --> 00:25:54,230
I’M SURE YOU DO.
502
00:25:54,270 --> 00:25:56,890
WHEN I REALIZED
WHAT I DID...
503
00:25:56,910 --> 00:25:59,490
FOR VARIOUS PERSONAL
FAMILY REASONS...
504
00:26:00,970 --> 00:26:03,720
I GOT VERY AFRAID
I WOULD LOSE MY JOB.
505
00:26:03,750 --> 00:26:05,800
NEIL, YOU CHOSE
TO TELL ME.
506
00:26:05,820 --> 00:26:09,170
I LOOK TO HURT YOU
OVER AN HOUR
AND A HALF DELAY,
507
00:26:09,210 --> 00:26:11,860
TOOK NO SKIN OFF
ANYONE ELSE’S NOSE,
THEN I’M A BUM.
508
00:26:17,210 --> 00:26:18,990
GO ON OUT AND
TAKE CARE OF BUSINESS.
509
00:26:23,340 --> 00:26:25,180
THANKS.
510
00:26:26,790 --> 00:26:28,470
VERY MUCH.
511
00:26:36,510 --> 00:26:38,580
JUST CHECKING
IF THEY STARTED
CONSTRUCTION
512
00:26:38,620 --> 00:26:39,890
ON THE GALLOWS.
513
00:26:39,930 --> 00:26:42,380
YOU WON’T GET HUNG
OFF OUR REPORT.
514
00:26:43,950 --> 00:26:45,530
WHAT HAPPENED
TO YOUR LIP?
515
00:26:51,920 --> 00:26:55,300
A ROOKIE COP SHOT YOU
FROM THE SAME DIRECTION
516
00:26:55,340 --> 00:26:57,490
AS THE PLAINCLOTHES
WHO WERE COMING AT YOU.
517
00:26:57,510 --> 00:26:59,920
THE PLAINCLOTHES
HAVING THEIR WEAPONS
DRAWN,
518
00:26:59,960 --> 00:27:02,200
I MISTOOK THE SHOTS
COMING FROM THEM.
519
00:27:02,240 --> 00:27:03,740
WE ALSO FOUND OUT
THE PLAINCLOTHES
520
00:27:03,780 --> 00:27:05,380
WEREN’T WEARING
THE COLOR OF THE DAY.
521
00:27:05,420 --> 00:27:07,090
THERE YOU GO.
522
00:27:07,130 --> 00:27:08,530
THAT’S WHY I DID
WHAT I DID.
523
00:27:08,570 --> 00:27:09,540
YOU DIDN’T MENTION THAT.
524
00:27:09,570 --> 00:27:10,640
NO, I DIDN’T.
525
00:27:10,680 --> 00:27:12,490
WAS THAT ’CAUSE
YOU DIDN’T NOTICE?
526
00:27:12,520 --> 00:27:14,970
I DIDN’T NOTICE THAT THEY
WEREN’T WEARING SOMETHING?
527
00:27:15,000 --> 00:27:17,310
I ALSO DIDN’T NOTICE
THAT THEY WEREN’T
WEARING PINK TUTUS.
528
00:27:17,350 --> 00:27:18,630
SZYMANSKI, EVEN NOT
WEARING THE COLOR,
529
00:27:18,650 --> 00:27:20,160
IF THOSE PLAINCLOTHES
WERE WHITE,
530
00:27:20,190 --> 00:27:21,770
YOU WOULD’VE
THOUGHT TWICE.
531
00:27:21,800 --> 00:27:24,710
I WOULD’VE GIVEN THEM
A BETTER CHANCE
AT BEING ON THE JOB.
532
00:27:24,750 --> 00:27:26,720
OF COURSE, THEN
THEY WOULDN’T HAVE BEEN
AS GOOD AT FITTING IN.
533
00:27:26,760 --> 00:27:28,230
THE WEIGHT’S STILL
ON THEM, LIEUTENANT.
534
00:27:28,270 --> 00:27:29,400
THEY SHOULD’VE BEEN
WEARING THE COLOR.
535
00:27:29,440 --> 00:27:30,610
I DON’T DISAGREE.
536
00:27:32,050 --> 00:27:33,460
AS FAR AS YOU
PUTTING 5 IN HUDSON...
537
00:27:35,470 --> 00:27:39,420
LIEUTENANT, 5 YEARS AGO
I WAS WITH MY WIFE‐TO‐BE
OUT IN PARK SLOPE,
538
00:27:39,460 --> 00:27:41,440
AND I GOT JUMPED
AND BEATEN
BY 3 BLACK KIDS.
539
00:27:41,470 --> 00:27:44,320
ONCE THESE 3 BLACK KIDS
REALIZED I WAS A COP,
540
00:27:44,350 --> 00:27:46,220
THEY TOOK MY GUN
AND TRIED TO CUT OFF
MY TRIGGER FINGER
541
00:27:46,260 --> 00:27:47,500
WITH A PENKNIFE.
542
00:27:47,530 --> 00:27:48,900
AND WHAT I WAS
STANDING HERE THINKING‐‐
543
00:27:48,940 --> 00:27:51,480
2 YEARS AGO WHEN
I STOPPED YOU FOR
THAT BUSTED TAILLIGHT
544
00:27:51,520 --> 00:27:53,100
AND BROKE YOUR BALLS,
545
00:27:53,120 --> 00:27:55,270
WAS I LOOKING
TO GET BACK
AT THOSE 3 KIDS?
546
00:27:55,300 --> 00:27:57,210
AND IF I WAS,
547
00:27:57,240 --> 00:28:00,160
MAYBE THAT’S HOW
THIS BLACK PLAINCLOTHES
WOUND UP SHOT,
548
00:28:00,190 --> 00:28:02,700
’CAUSE PISSING YOU OFF
GOT ME TRANSFERRED
TO THIS PRECINCT
549
00:28:02,740 --> 00:28:05,550
AND DROPPING
MY DRY CLEANER
OVER ON HOUSTON
550
00:28:05,590 --> 00:28:07,400
AND PUTTING ME OUT
ON THE STREET TODAY
551
00:28:07,430 --> 00:28:08,770
TO SHOOT THAT
BLACK PLAINCLOTHES COP.
552
00:28:08,800 --> 00:28:10,780
OR MAYBE THAT’S WHAT
MADE ME PUT 5 INTO HIM
553
00:28:10,810 --> 00:28:13,090
WHEN MAYBE ONE
WOULD’VE BEEN ENOUGH.
554
00:28:13,120 --> 00:28:16,040
AND IF THAT’S TRUE,
WHAT DOES IT MEAN?
555
00:28:16,070 --> 00:28:17,950
I DON’T KNOW, SZYMANSKI.
556
00:28:17,980 --> 00:28:20,590
AND I DON’T THINK MARTENS
FROM I. A. B.’s GONNA KNOW
EITHER.
557
00:28:22,710 --> 00:28:24,860
AND IF IT’S ALL RIGHT
WITH YOU,
558
00:28:24,880 --> 00:28:27,490
I’M NOT GONNA GIVE HIM
A CHANCE TO DECIDE.
559
00:28:31,180 --> 00:28:32,720
THANK YOU.
560
00:28:54,500 --> 00:28:56,080
HOW’S IT GOING,
GERALD?
561
00:28:56,110 --> 00:28:58,090
DO‐‐DO WE KNOW
EACH OTHER?
562
00:28:58,120 --> 00:28:59,870
GERALD GRISWOLD,
RIGHT?
563
00:28:59,890 --> 00:29:01,260
WELL, WHAT’S IT ABOUT?
564
00:29:01,300 --> 00:29:03,340
WE APPRECIATE
YOU COMING IN.
565
00:29:03,380 --> 00:29:05,930
I’M JILL KIRKENDALL.
THIS IS DIANE RUSSELL.
566
00:29:07,330 --> 00:29:08,970
WHAT’S IT ABOUT?
567
00:29:09,000 --> 00:29:11,710
YOU DETAINED DOLORES MAYO
FOR SHOPLIFTING
568
00:29:11,750 --> 00:29:13,190
AT RUTHERFORD’S
EARLIER TODAY.
569
00:29:13,220 --> 00:29:16,100
SHE STOLE A $49
BOTTLE OF PERFUME.
570
00:29:16,140 --> 00:29:19,120
YOU KNOW, RUTHERFORD’S
IS IN THE 27th PRECINCT,
571
00:29:19,150 --> 00:29:20,760
JUST IN CASE
YOU’RE UNAWARE.
572
00:29:20,800 --> 00:29:22,780
WE KNOW WHERE
RUTHERFORD’S IS.
573
00:29:22,810 --> 00:29:25,790
DOLORES MAYO WORKS HERE
IN THE 15th PRECINCT,
GERALD.
574
00:29:25,820 --> 00:29:27,560
YOU’RE NOT TELLING ME
SHE’S A COP?
575
00:29:27,600 --> 00:29:30,650
NO. SHE WORKS
IN OUR SQUAD
AS A CIVILIAN AIDE.
576
00:29:30,680 --> 00:29:34,460
DOLORES IS A DECENT PERSON
WHO’S HAVING EMOTIONAL
PROBLEMS RIGHT NOW.
577
00:29:34,500 --> 00:29:36,980
WE’RE WONDERING
IF SOME ACCOMMODATION
CAN’T BE MADE
578
00:29:37,010 --> 00:29:38,330
SHORT OF PRESSING THESE
SHOPLIFTING CHARGES.
579
00:29:38,370 --> 00:29:39,940
I DON’T THINK SO.
580
00:29:39,980 --> 00:29:42,520
SHE WAS HOSTILE
AND BELLIGERENT.
581
00:29:42,560 --> 00:29:45,210
HAS SHE BEEN IN TROUBLE
BEFORE IN YOUR STORE?
582
00:29:45,240 --> 00:29:48,090
I’M TELLING YOU,
SHE WAS VERY HOSTILE
AND BELLIGERENT WITH ME.
583
00:29:48,120 --> 00:29:48,990
AND HOW WERE YOU
WITH HER?
584
00:29:49,020 --> 00:29:50,160
WHAT DO YOU MEAN,
HOW WAS I?
585
00:29:50,200 --> 00:29:51,810
HOW DID YOU ACT,
GERALD?
586
00:29:51,840 --> 00:29:53,520
OH, COME ON.
I COULD SEE THIS COMING.
587
00:29:53,550 --> 00:29:56,970
ALL RIGHT, LISTEN.
SHE WAS WILLING
TO TRADE SEX
588
00:29:57,000 --> 00:29:58,340
IF I LET THE CHARGES GO.
589
00:29:58,370 --> 00:30:00,210
SHE MADE THAT OFFER
IN SO MANY WORDS?
590
00:30:00,250 --> 00:30:03,000
IT WAS BODY LANGUAGE.
591
00:30:03,030 --> 00:30:05,650
OH. SHE OFFERED YOU SEX
WITH BODY LANGUAGE.
592
00:30:05,670 --> 00:30:07,810
YEAH.
593
00:30:07,850 --> 00:30:10,530
ANY CHANCE YOU WEREN’T
TRANSLATING RIGHT, GERALD?
594
00:30:10,560 --> 00:30:12,240
YOU CAN BULLY ME
ALL YOU WANT.
595
00:30:12,270 --> 00:30:14,180
I KNOW WHAT
SHE WAS OFFERING.
596
00:30:14,210 --> 00:30:16,720
AND THAT’S GONNA SHOW
ON THE VIDEOTAPE
FROM YOUR SECURITY OFFICE?
597
00:30:16,760 --> 00:30:19,640
NO. THE MACHINE WAS OFF.
598
00:30:19,680 --> 00:30:21,060
REALLY?
599
00:30:21,080 --> 00:30:22,790
HOW’D THAT HAPPEN?
600
00:30:22,830 --> 00:30:26,520
WE TOLD YOU
THIS GIRL IS HAVING
EMOTIONAL PROBLEMS.
601
00:30:26,540 --> 00:30:28,520
SHE MAY OR MAY NOT
HAVE SHOPLIFTED
SOMETHING.
602
00:30:28,550 --> 00:30:30,760
THAT DOESN’T
GIVE YOU THE RIGHT
TO PREY ON HER.
603
00:30:30,800 --> 00:30:33,120
LOOK, DID SHE TELL YOU
SHE DID NOT COME IN THERE
WILLINGLY?
604
00:30:33,140 --> 00:30:36,860
DOLORES DIDN’T TURN OFF
THAT VIDEO CAMERA, GERALD.
THAT WAS YOU.
605
00:30:38,870 --> 00:30:41,250
SO YOU WANT TO TRY
EXPLAINING THAT
TO YOUR BOSS?
606
00:30:43,290 --> 00:30:46,540
THE SHOPLIFTING
CAN GO AWAY.
607
00:30:46,580 --> 00:30:49,600
BUT DON’T TELL ME
THAT GIRL DID NOT
COME ON TO ME.
608
00:30:57,500 --> 00:31:00,920
WELL, WHAT IF WE TALK
DOWNSTAIRS, DOLORES?
609
00:31:00,950 --> 00:31:01,990
FINE.
610
00:31:02,020 --> 00:31:02,960
THAT’S GREAT.
611
00:31:02,990 --> 00:31:04,930
HOW SOON CAN YOU GET IN?
612
00:31:04,970 --> 00:31:06,210
GOOD.
613
00:31:06,240 --> 00:31:07,240
OK.
614
00:31:09,090 --> 00:31:10,730
WHEN CAN SHE GET HERE?
615
00:31:10,760 --> 00:31:13,470
SHE WAS CALLING
FROM THE PAY PHONE
AROUND THE CORNER.
616
00:31:13,510 --> 00:31:16,020
WOULDN’T TALK TO US
IF WE MADE HER COME UP
TO THE SQUAD?
617
00:31:16,060 --> 00:31:18,030
GREG AND JAMES
AND THE BARUCH
HOUSING COPS
618
00:31:18,070 --> 00:31:20,950
GRABBED UP 2 KIDS
THEY LIKE FOR STARTING
ALL THIS NONSENSE.
619
00:31:20,980 --> 00:31:23,060
GREAT.
620
00:31:23,090 --> 00:31:26,140
SO, UM, WHERE ARE YOU
ON THAT JACKPOT WITH DOLORES?
621
00:31:26,170 --> 00:31:28,650
SHE’S COMING IN NOW.
622
00:31:28,690 --> 00:31:29,970
SHE’S COMING INTO WORK?
623
00:31:29,990 --> 00:31:32,300
NO. SHE’S COMING IN
TO TALK WITH US.
624
00:31:32,340 --> 00:31:35,420
THEN SHE NEEDS
TO TALK TO ME,
’CAUSE THIS AIN’T WORKING.
625
00:31:35,450 --> 00:31:38,670
YOU THINK THAT PART COULD
WAIT A DAY OR SO, BOSS?
626
00:31:38,700 --> 00:31:41,210
[TELEPHONE RINGS]
627
00:31:41,250 --> 00:31:45,030
YEAH, IT CAN WAIT.
628
00:31:45,070 --> 00:31:47,240
15th SQUAD.
629
00:31:47,280 --> 00:31:48,780
YEAH.
630
00:31:51,300 --> 00:31:53,070
SHE’S DOWNSTAIRS.
631
00:32:13,980 --> 00:32:15,720
WHY DON’T YOU SIT
IN THE CHAIR, DOLORES?
632
00:32:17,030 --> 00:32:18,400
YEAH, OK.
633
00:32:18,430 --> 00:32:21,850
THANKS FOR NOT
MAKING ME COME UPSTAIRS.
634
00:32:21,890 --> 00:32:23,870
UM...
635
00:32:23,900 --> 00:32:26,520
YOU NEED TO TALK
WITH LIEUTENANT FANCY
636
00:32:26,540 --> 00:32:28,350
ABOUT MISSING WORK.
637
00:32:28,380 --> 00:32:30,930
WELL, RIGHT ABOUT NOW
I DON’T THINK THAT’S
MY NUMBER‐ONE PROBLEM.
638
00:32:30,970 --> 00:32:33,250
THE HEAD OF SECURITY
AT RUTHERFORD’S
639
00:32:33,280 --> 00:32:34,820
IS DROPPING CHARGES.
640
00:32:34,850 --> 00:32:36,820
IS THAT RIGHT?
641
00:32:36,860 --> 00:32:38,670
THANKS.
642
00:32:38,700 --> 00:32:41,680
DOLORES, US REACHING OUT
FOR YOU LIKE THIS
643
00:32:41,720 --> 00:32:43,100
DOESN’T HAVE TO BE
A GOOD THING.
644
00:32:43,130 --> 00:32:44,710
IT WON’T BE A GOOD THING
645
00:32:44,730 --> 00:32:47,780
IF IT KEEPS YOU
FROM FACING UP
TO YOU HAVING A PROBLEM.
646
00:32:47,810 --> 00:32:50,190
I’M NOT A CAREER
KLEPTO, OK?
647
00:32:50,230 --> 00:32:52,970
A LOT OF THE KLEPTO
COLLARS I MADE, DOLORES,
648
00:32:53,010 --> 00:32:55,350
PEOPLE WERE TRYING
TO GET ATTENTION
649
00:32:55,390 --> 00:32:57,940
AND GET THEMSELVES
JAMMED UP
AT THE SAME TIME.
650
00:32:57,970 --> 00:33:00,440
I JUST SAID
THIS IS THE FIRST TIME
651
00:33:00,480 --> 00:33:02,290
I EVER STOLE ANYTHING
FROM A STORE.
652
00:33:02,320 --> 00:33:04,560
IT’S NOT THE FIRST TIME
YOU GOT YOURSELF JAMMED UP
653
00:33:04,600 --> 00:33:05,900
LOOKING FOR SOME ATTENTION.
654
00:33:05,940 --> 00:33:07,580
YOU DID THAT
IN THAT STRIP CLUB
JUST LAST WEEK.
655
00:33:07,620 --> 00:33:09,590
YOU’RE KINDA TALL
TO BE TALKING
LIKE DR. RUTH.
656
00:33:09,630 --> 00:33:13,110
DOLORES, YOU ARE
GETTING YOURSELF IN TROUBLE,
657
00:33:13,150 --> 00:33:15,360
AND IF YOU
DON’T GET SOME HELP,
658
00:33:15,390 --> 00:33:17,130
IT’S GONNA GET WORSE.
659
00:33:17,170 --> 00:33:20,580
LISTEN, DO I
HAVE A JOB OR NOT?
660
00:33:20,620 --> 00:33:23,670
BECAUSE THAT IS
WHAT I NEED TO FIND OUT
FROM THIS PLACE.
661
00:33:23,700 --> 00:33:24,470
DOLORES‐‐
662
00:33:24,500 --> 00:33:25,640
NO!
663
00:33:25,670 --> 00:33:26,510
I MEAN IT.
664
00:33:28,290 --> 00:33:29,830
WE DON’T KNOW
ABOUT THAT.
665
00:33:29,860 --> 00:33:31,840
YOU’LL HAVE TO TALK
TO THE LIEUTENANT
ABOUT THAT.
666
00:33:33,580 --> 00:33:35,790
OK.
667
00:33:35,820 --> 00:33:37,230
OK, THANKS.
668
00:33:38,570 --> 00:33:41,550
I’LL CALL HIM TOMORROW.
669
00:33:41,590 --> 00:33:43,200
OK.
670
00:33:43,230 --> 00:33:46,280
CAN I GO NOW?
671
00:33:46,310 --> 00:33:49,690
YOU WERE NEVER
IN CUSTODY, DOLORES.
672
00:33:49,730 --> 00:33:51,440
WE WERE TALKING TO YOU
AS FRIENDS.
673
00:33:53,650 --> 00:33:54,820
I KNOW.
674
00:34:08,920 --> 00:34:09,830
COME ON IN.
675
00:34:17,600 --> 00:34:19,840
OUR GUYS COLLARED
THE STREET THIEVES
676
00:34:19,880 --> 00:34:22,190
THE 2 PLAINCLOTHES
WERE CHASING
WHEN THE TROUBLE STARTED.
677
00:34:22,220 --> 00:34:24,570
WHAT ABOUT
MY PART OF IT?
678
00:34:24,600 --> 00:34:27,210
WE DIDN’T FIND ANY COPS
BEHAVING CULPABLY.
679
00:34:27,250 --> 00:34:28,620
INCLUDING SZYMANSKI?
680
00:34:28,660 --> 00:34:30,440
ESPECIALLY SZYMANSKI.
681
00:34:30,470 --> 00:34:34,120
SZYMANSKI TOOK A ROUND
FROM A ROOKIE COP NAMED BAKER
682
00:34:34,150 --> 00:34:37,200
WHO SAW THE PLAINCLOTHES
RUNNING AT HIM
WITH THEIR GUNS OUT
683
00:34:37,230 --> 00:34:39,810
AND MISTOOK ’EM FOR PERPS.
684
00:34:39,840 --> 00:34:41,820
WHY DIDN’T BAKER
REPORT THAT AT THE SCENE?
685
00:34:41,850 --> 00:34:44,570
DETECTIVE SORENSON
SAID BAKER DID TELL HIM,
AT THE SCENE,
686
00:34:44,600 --> 00:34:46,840
THAT HE HAD SOMETHING
FOR HIM,
687
00:34:46,880 --> 00:34:49,090
BUT HE WANTED TO GIVE HIM
THE DETAILS
AT THE STATION HOUSE.
688
00:34:49,120 --> 00:34:51,000
HOW IS IT
EVERYONE IN MANHATTAN
689
00:34:51,030 --> 00:34:53,010
TOOK THOSE PLAINCLOTHES
FOR BAD GUYS?
690
00:34:53,040 --> 00:34:55,250
WE’LL, THEY’RE SUPPOSED
TO LOOK LIKE BAD GUYS.
691
00:34:55,290 --> 00:34:58,270
THEY’RE ALSO
SUPPOSED TO WEAR
THE COLOR OF THE DAY.
692
00:34:58,300 --> 00:35:00,410
BOTH OF US KNOW
WEARING THE COLOR
AT ALL TIMES,
693
00:35:00,450 --> 00:35:03,120
TROUBLE OR NOT,
MAKES THE PLAINCLOTHES
AS COPS.
694
00:35:03,160 --> 00:35:05,570
DETECTIVE SIPOWICZ’S
INTERVIEW WITH DONALDSON
695
00:35:05,610 --> 00:35:08,080
ESTABLISHED
THE TROUBLE JUMPED OFF
IN SUCH A WAY
696
00:35:08,120 --> 00:35:10,700
THAT THE PLAINCLOTHES
HAD TO PRIORITIZE.
697
00:35:10,730 --> 00:35:14,350
IT WAS CHASE THE PERPS
OR STOP AND PUT THE COLOR ON.
698
00:35:14,380 --> 00:35:17,360
THE PLAINCLOTHES CHOSE
TO RISK THEIR OWN SAFETY
699
00:35:17,400 --> 00:35:21,850
BY CHASING THE PERPS
IN ORDER TO PROTECT
THE CITIZENS ON THE STREET.
700
00:35:21,890 --> 00:35:24,200
I ASSUME HUDSON
WASN’T WEARING
HIS BULLETPROOF VEST
701
00:35:24,230 --> 00:35:25,500
FOR SIMILAR
HEROIC REASONS?
702
00:35:25,540 --> 00:35:27,550
HUDSON, BY NOT
WEARING HIS VEST,
703
00:35:27,580 --> 00:35:29,220
DIDN’T DAMAGE ANYONE
EXCEPT FOR HUDSON.
704
00:35:32,610 --> 00:35:34,480
LEAVING THE 5
THAT SZYMANSKI
PUT IN HIM.
705
00:35:34,520 --> 00:35:35,890
SZYMANSKI
HAD JUST BEEN WOUNDED.
706
00:35:35,920 --> 00:35:38,940
DISCHARGING 5 ROUNDS
UNDER THOSE CIRCUMSTANCES
707
00:35:38,970 --> 00:35:40,950
IN THE HEAT OF THE MOMENT
708
00:35:40,980 --> 00:35:42,690
DOESN’T STRIKE ME
AS SURPRISING.
709
00:35:51,840 --> 00:35:54,380
WHAT HAPPENED TO
THE SIDE OF YOUR FACE?
710
00:35:54,420 --> 00:35:55,930
I BUMPED INTO A DOOR.
711
00:36:10,200 --> 00:36:11,810
DOOR?
712
00:36:24,570 --> 00:36:26,420
GOOD NIGHT.
713
00:36:26,440 --> 00:36:27,850
YEAH, GOOD NIGHT, BOSS.
714
00:36:49,790 --> 00:36:52,600
I PUT THAT THIS BAKER
APPROACHED ME
AT THE CRIME SCENE.
715
00:36:52,640 --> 00:36:54,650
YEAH, THAT’S RIGHT.
716
00:36:54,680 --> 00:36:56,890
MAKES SURE
RUSSELL PUTS THAT.
717
00:36:56,930 --> 00:37:00,080
YOU KNOW, IT LOOKS LIKE
THIS PLAINCLOTHESMAN
DONALDSON IS STAND‐UP,
718
00:37:00,110 --> 00:37:02,890
NOT SEEING NOTHIN’
BETWEEN YOU AND THE BOSS.
719
00:37:02,930 --> 00:37:04,540
[SIGHS]
720
00:37:04,570 --> 00:37:06,920
I WAS NOT GONNA HURT
DONALDSON IN MY 5,
721
00:37:06,950 --> 00:37:08,260
OR HIS PARTNER NEITHER.
722
00:37:08,290 --> 00:37:09,770
NO, I WAS JUST SAYING‐‐
723
00:37:09,790 --> 00:37:13,040
NEVER FEEL YOU NEED TO HELP
ME DO RIGHT BY A COP, DANNY‐‐
724
00:37:13,080 --> 00:37:14,830
WHITE, BLACK, OR CHINESE.
725
00:37:14,850 --> 00:37:17,500
SO THAT WASN’T ANOTHER COP
YOU WERE HOOKIN’
AND GRAPPLIN’ WITH
726
00:37:17,530 --> 00:37:18,940
IN THE LOCKER ROOM.
727
00:37:18,970 --> 00:37:20,240
WE WEREN’T IN THERE
AS COPS.
728
00:37:20,280 --> 00:37:21,280
NO, AS IDIOTS.
729
00:37:21,320 --> 00:37:22,820
YOU THINK
IT’S THAT SIMPLE?
730
00:37:22,860 --> 00:37:24,630
HEY, ALL’S I’M SAYING...
731
00:37:24,670 --> 00:37:26,480
I’LL GET THE HELL OUT.
732
00:37:26,510 --> 00:37:30,390
TRANSFER TILL YOU
FIND A SQUAD GOT NO
RACIAL TENSIONS, DANNY,
733
00:37:30,430 --> 00:37:32,300
YOU BETTER KEEP
YOUR PERSONNEL FOLDER
HANDY.
734
00:37:32,340 --> 00:37:34,410
HOW ABOUT SETTLING FOR ONE
WHERE MY CO‐WORKERS
735
00:37:34,450 --> 00:37:36,320
AREN’T WHISTLING PUNCHES
PAST MY EARS?
736
00:37:36,360 --> 00:37:37,360
YOU’RE RIGHT ABOUT THAT.
737
00:37:37,400 --> 00:37:38,700
THAT’S THE IDIOT PART.
738
00:37:38,740 --> 00:37:39,850
I DON’T DISPUTE YOU
ON THAT.
739
00:37:39,880 --> 00:37:40,650
THAT’S ALL.
740
00:37:42,460 --> 00:37:44,770
I JUST DON’T LIKE
GETTING STIRRED UP.
741
00:37:44,800 --> 00:37:47,810
WELL, PLEASE ACCEPT
MY APOLOGIES.
742
00:38:07,750 --> 00:38:09,890
CAR TROUBLE?
743
00:38:10,710 --> 00:38:11,870
WHEN I SAID GOOD NIGHT,
744
00:38:11,910 --> 00:38:14,690
I MEANT TO INCLUDE YOU
IN THAT.
745
00:38:14,720 --> 00:38:17,500
BOY, THERE’S SEVERAL HOURS
OF TOSSING AND TURNING
746
00:38:17,540 --> 00:38:19,220
I DON’T HAVE TO
WORRY ABOUT.
747
00:38:19,250 --> 00:38:21,360
I MEANT TO INCLUDE YOU,
748
00:38:21,390 --> 00:38:24,100
AND AT THE LAST MINUTE...
749
00:38:24,140 --> 00:38:25,520
I DIDN’T.
750
00:38:25,540 --> 00:38:27,520
SO WHAT ARE WE GONNA DO,
751
00:38:27,550 --> 00:38:29,760
EVERY SHIFT
DRAW UP A LIST
752
00:38:29,800 --> 00:38:31,810
OF POSSIBLE
MISUNDERSTANDINGS
TO CLARIFY?
753
00:38:31,840 --> 00:38:34,790
NO, BUT I CAN SEE,
END OF THE SHIFT,
754
00:38:34,820 --> 00:38:37,570
MAKING SURE WE SAY
GOOD NIGHT OR SO FORTH.
755
00:38:37,600 --> 00:38:39,780
I GOT NO OBJECTION
TO THAT,
756
00:38:39,810 --> 00:38:41,150
SO THINGS
DON’T CARRY OVER.
757
00:38:46,510 --> 00:38:48,020
GOOD NIGHT.
758
00:38:48,060 --> 00:38:48,870
GOOD NIGHT.
759
00:38:55,390 --> 00:38:56,360
GOOD NIGHT.
760
00:38:56,400 --> 00:38:57,950
GOOD NIGHT.
761
00:38:57,970 --> 00:39:00,820
WHAT, ARE WE GONNA
SAY IT, LIKE,
8,000 TIMES?
762
00:39:02,560 --> 00:39:04,270
ALL RIGHT,
LET’S CUT IT OUT.
763
00:39:12,810 --> 00:39:14,820
[CHUCKLING]
764
00:39:17,230 --> 00:39:18,910
[SIGHS]
765
00:39:43,260 --> 00:39:45,000
[DOOR OPENS]
766
00:39:45,040 --> 00:39:46,540
[DOOR CLOSES]
767
00:39:54,250 --> 00:39:55,690
BABY’S SLEEPING.
768
00:39:57,770 --> 00:39:59,340
HOW’S IT GOING?
769
00:40:05,540 --> 00:40:07,080
ANDY, WHAT HAPPENED?
770
00:40:07,120 --> 00:40:09,270
NOTHING.
I WALKED INTO A DOOR.
771
00:40:10,840 --> 00:40:12,280
HOW’D IT GO AT RIKERS?
772
00:40:12,310 --> 00:40:15,320
THEY GETTING AN IDEA
WHO SHANKED SUAREZ?
773
00:40:20,820 --> 00:40:22,860
THEY GOT NO LEADS?
774
00:40:24,970 --> 00:40:29,330
SUAREZ WAS THE PUNK
OF A PRISONER
WHO LOST A FIGHT.
775
00:40:29,360 --> 00:40:32,710
THE PRISONER WHO WON
TOOK SUAREZ AS A TROPHY.
776
00:40:32,740 --> 00:40:35,720
AND THE ONE WHO LOST
MURDERED SUAREZ
777
00:40:35,760 --> 00:40:38,670
TO SHOW THE OTHER GUY
THE FIGHT WASN’T OVER.
778
00:40:38,710 --> 00:40:41,430
HE COPPED TO THIS,
OR THAT’S THE STORY
THAT’S CIRCULATING?
779
00:40:41,460 --> 00:40:45,080
THAT’S THE STORY
THE SNITCHES ARE TELLING.
780
00:40:45,110 --> 00:40:47,320
THERE WERE NO WITNESSES.
781
00:40:47,350 --> 00:40:49,860
NO ONE ELSE
WAS IN THE LAUNDRY ROOM.
782
00:41:10,470 --> 00:41:13,860
I KEEP THINKING
ABOUT SUAREZ CONFESSING
TO A HOMICIDE
783
00:41:13,880 --> 00:41:15,520
THAT HE DIDN’T COMMIT
784
00:41:15,560 --> 00:41:17,570
SO THAT OTHER PEOPLE
WOULD THINK
785
00:41:17,600 --> 00:41:19,050
THAT HE’D DEFENDED
HIS BROTHER’S MEMORY...
786
00:41:19,090 --> 00:41:22,640
WINDING UP
IN THAT HELLHOLE
AS A SEXUAL PAWN.
787
00:41:24,010 --> 00:41:27,160
AND I KEEP IMAGINING...
788
00:41:27,200 --> 00:41:30,180
WHAT HE MUST HAVE
THOUGHT THE WORLD WAS...
789
00:41:30,210 --> 00:41:31,820
AS THE SHANK WENT IN
790
00:41:31,850 --> 00:41:34,560
AND HE BLED TO DEATH ON
THAT LAUNDRY ROOM FLOOR.
791
00:41:37,210 --> 00:41:40,830
A GUY ON THE OUTSIDE
WANTS SOMETHING DONE IN PRISON,
792
00:41:40,870 --> 00:41:43,520
HE USES WHAT’S GOING ON
INSIDE.
793
00:41:44,890 --> 00:41:49,010
SAY A BAD GUY
ON THE OUTSIDE
WANTS SUAREZ DEAD.
794
00:41:49,040 --> 00:41:52,450
THAT TYPE’S ALWAYS GOT
FRIENDS LOCKED UP.
795
00:41:52,490 --> 00:41:55,270
FRIENDS INSIDE TELL HIM
796
00:41:55,300 --> 00:41:57,280
SOME PRISONER’S
CARRYING A TORCH
797
00:41:57,310 --> 00:42:00,330
OVER LOSING SUAREZ
FOR HIS BED PAL,
798
00:42:00,360 --> 00:42:02,570
OR HE WANTS TO GET EVEN
WITH ANOTHER PRISONER
799
00:42:02,610 --> 00:42:04,690
GAVE HIM AN ASS‐KICKING.
800
00:42:04,720 --> 00:42:07,700
MAYBE THE BAD GUY
ON THE OUTSIDE
801
00:42:07,730 --> 00:42:09,970
GETS WHAT HE WANTS DONE
802
00:42:10,010 --> 00:42:12,820
FINANCING THE OTHER PRISONER
GETTING HIS VENGEANCE.
803
00:42:16,240 --> 00:42:20,360
I’M NOT SAYING
THAT IS WHAT HAPPENED,
SYLVIA,
804
00:42:20,400 --> 00:42:22,410
BUT IT’S POSSIBLE.
805
00:42:33,760 --> 00:42:36,440
YOU FEEL LIKE
YOU OWE HIM JUSTICE.
806
00:42:36,480 --> 00:42:39,900
LET ME HELP YOU
TRY TO GET IT FOR HIM.
60520
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.