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These are the user uploaded subtitles that are being translated: 1 00:00:23,290 --> 00:00:24,690 MORNING, DIANE. 2 00:00:24,730 --> 00:00:27,260 HI, GREG. 3 00:00:27,300 --> 00:00:29,300 YOU‐‐YOU WANT ME TO MAKE THE COFFEE? 4 00:00:29,330 --> 00:00:32,600 NO, I GOT IT. 5 00:00:32,640 --> 00:00:35,780 THAT’S‐‐THAT’S A VERY TYPICAL RESPONSE TO MY BREWING OFFERS. 6 00:00:35,810 --> 00:00:36,820 HI. 7 00:00:36,840 --> 00:00:38,410 HI, JILL. 8 00:00:40,240 --> 00:00:42,740 WELL, UH... 9 00:00:42,780 --> 00:00:44,880 WELCOME BACK, 10 00:00:44,920 --> 00:00:47,890 IF THAT’S NOT INAPPROPRIATE. 11 00:00:47,920 --> 00:00:49,920 UM... 12 00:00:54,590 --> 00:00:56,090 I DID THAT. 13 00:00:57,160 --> 00:00:59,530 GOTTA START SOMEWHERE. 14 00:01:10,470 --> 00:01:11,810 THANKS. 15 00:01:15,810 --> 00:01:17,850 SQUAD’S UPSTAIRS? 16 00:01:17,880 --> 00:01:19,110 YEAH, WHAT DO YOU NEED? 17 00:01:19,150 --> 00:01:20,580 I’M ASSIGNED UP THERE. 18 00:01:20,620 --> 00:01:22,220 ME, TOO. 19 00:01:24,160 --> 00:01:26,800 SO THAT’S WHAT THE 14‐YEAR‐OLDS ARE WEARING NOW? 20 00:01:26,830 --> 00:01:29,170 YEAH, ME AND ALL MY PALS. 21 00:01:31,130 --> 00:01:33,190 ANDY SIPOWICZ. 22 00:01:33,230 --> 00:01:35,730 DANNY SORENSON. HOW’S IT GOING, ANDY? 23 00:01:37,200 --> 00:01:38,600 BOSS IS ARTHUR FANCY. 24 00:01:38,640 --> 00:01:40,880 GOOD. THANKS. 25 00:01:48,310 --> 00:01:50,010 THIS IS DANNY SORENSON. 26 00:01:50,050 --> 00:01:51,810 EVIDENTLY, HE’S NEW ON THE SQUAD. 27 00:01:51,850 --> 00:01:52,950 DOLORES. 28 00:01:52,980 --> 00:01:54,680 HOW DO YOU DO? 29 00:01:54,720 --> 00:01:56,120 HI, DOLORES. 30 00:01:56,150 --> 00:01:57,750 I’M GOING TO GO MEET THE BOSS. 31 00:02:07,200 --> 00:02:08,830 DANNY SORENSON, LIEUTENANT. 32 00:02:08,870 --> 00:02:10,080 ARTHUR FANCY. 33 00:02:11,670 --> 00:02:12,900 GOOD TO MEET YOU, DANNY. GOOD TO MEET YOU. 34 00:02:12,940 --> 00:02:14,410 COULD YOU SHUT THE DOOR? 35 00:02:18,280 --> 00:02:19,920 SO, UH... 36 00:02:19,940 --> 00:02:22,680 THE TEAM YOU’RE JOINING JUST LOST A GUY. 37 00:02:22,710 --> 00:02:24,180 BOBBY SIMONE? 38 00:02:24,220 --> 00:02:26,360 YEAH. DID YOU KNOW BOBBY? NO, I DIDN’T. 39 00:02:26,380 --> 00:02:29,480 BOBBY WAS MARRIED TO ANOTHER DETECTIVE IN THE SQUAD... 40 00:02:29,520 --> 00:02:31,190 DIANE RUSSELL. 41 00:02:31,220 --> 00:02:32,090 AND THEY WERE IN THE SAME SQUAD? 42 00:02:32,120 --> 00:02:33,720 YOU GOT A PROBLEM WITH THAT? 43 00:02:33,760 --> 00:02:34,860 NO, NO, ABSOLUTELY NOT. 44 00:02:34,890 --> 00:02:37,530 I JUST THOUGHT THE JOB HAD A POLICY AGAINST THAT. 45 00:02:37,560 --> 00:02:42,200 YEAH. THERE WAS NO OFFICIAL NOTIFICATION TO THE JOB. 46 00:02:42,230 --> 00:02:44,070 ANYWAY, UH... DIANE’S JUST BACK. 47 00:02:44,100 --> 00:02:46,330 OBVIOUSLY, SHE’S STILL PRETTY RAW. 48 00:02:46,370 --> 00:02:47,870 THEN WHO WAS BOBBY PARTNERED WITH? 49 00:02:47,910 --> 00:02:49,350 ANDY SIPOWICZ. 50 00:02:49,370 --> 00:02:50,540 I MET ANDY COMIN’ UP. 51 00:02:50,580 --> 00:02:54,450 YEAH...ANDY’S PRETTY RAW, TOO. 52 00:02:54,480 --> 00:02:58,910 ACTUALLY, I GUESS WE’RE ALL PRETTY RAW. 53 00:02:58,950 --> 00:03:01,220 [TELEPHONE RINGS] 54 00:03:02,620 --> 00:03:03,890 15th SQUAD. 55 00:03:06,630 --> 00:03:08,730 UM‐HMM. 56 00:03:08,760 --> 00:03:11,230 SO, UH, NOT LIKELY TO DIE. 57 00:03:13,770 --> 00:03:15,970 ALL RIGHT, GOT IT. 58 00:03:18,240 --> 00:03:19,440 SAY, YOU WANT TO CATCH RIGHT AWAY? 59 00:03:19,470 --> 00:03:20,640 GET OUT ON THE STREET? 60 00:03:20,670 --> 00:03:21,870 DEFINITELY. 61 00:03:21,910 --> 00:03:24,650 ALL RIGHT, LET’S GET YOU OUT ON THE STREET. 62 00:03:31,020 --> 00:03:33,420 TAKE THIS DESK HERE, BOSS? 63 00:03:35,290 --> 00:03:37,060 YEAH. YEAH. 64 00:03:37,090 --> 00:03:39,090 UM, THIS IS DANNY SORENSON. 65 00:03:41,660 --> 00:03:43,060 GREG MEDAVOY. 66 00:03:43,090 --> 00:03:44,290 PLEASED TO MEET YOU, GREG. 67 00:03:44,330 --> 00:03:45,890 UH, THIS IS MY PARTNER JAMES MARTINEZ. 68 00:03:45,930 --> 00:03:47,160 HOW’S IT GOING? 69 00:03:47,200 --> 00:03:49,100 Martinez: THAT’S JILL KIRKENDALL. 70 00:03:49,130 --> 00:03:50,300 HI, DANNY. 71 00:03:50,330 --> 00:03:51,470 Sorenson: GOOD TO MEET YOU, JILL. 72 00:03:52,800 --> 00:03:55,100 HI. DIANE RUSSELL. 73 00:03:56,680 --> 00:03:58,920 DIANE... 74 00:03:58,940 --> 00:04:00,640 SORRY FOR YOUR LOSS. 75 00:04:00,680 --> 00:04:03,310 Fancy: ANDY YOU KNOW. 76 00:04:03,350 --> 00:04:06,120 YEAH, ME AND ANDY, WE ALREADY MET. 77 00:04:06,150 --> 00:04:09,250 WE GOT A SINGLE GUNSHOT VICTIM, NOT LIKELY TO DIE. 78 00:04:09,290 --> 00:04:12,030 UH, SORENSON, TAKE WITH SIPOWICZ. 79 00:04:22,900 --> 00:04:24,630 YOU A FROG GUY, ANDY? 80 00:04:26,740 --> 00:04:29,200 I GOT 2 FROGS ON MY DESK. 81 00:04:29,240 --> 00:04:32,510 IF THAT MAKES ME A "FROG GUY," I DON’T KNOW. 82 00:04:48,260 --> 00:04:49,660 AH, STOP, STOP, HERE. 83 00:04:49,690 --> 00:04:52,330 SURE. 84 00:04:52,360 --> 00:04:53,800 THAT RUSSELL YOU MET, FEMALE DETECTIVE. 85 00:04:53,830 --> 00:04:55,030 DIANE? 86 00:04:57,500 --> 00:04:59,170 [CLEARS THROAT] 87 00:04:59,200 --> 00:05:01,140 SHE HAD AN ATTACHMENT WITH THE DETECTIVE 88 00:05:01,170 --> 00:05:03,500 WHOSE SPOT YOU’RE TAKING‐‐BOBBY SIMONE. 89 00:05:03,540 --> 00:05:05,470 THE BOSS SAID THEY WERE MARRIED. 90 00:05:05,510 --> 00:05:07,480 SO YOU KNOW, EVIDENTLY, EVERYTHING YOU NEED TO, 91 00:05:07,510 --> 00:05:09,180 WHY YOU CONSISTENTLY INTERRUPT, HMM? 92 00:05:09,210 --> 00:05:11,910 NO, ANDY, I WAS MORE LIKE SHARING THE SMALL TIDBITS 93 00:05:11,950 --> 00:05:12,910 I KNEW ABOUT THE SUBJECT. 94 00:05:12,950 --> 00:05:14,880 BUT I’VE SAID MY PIECE NOW. 95 00:05:20,930 --> 00:05:23,740 SIMONE DIED. 96 00:05:26,130 --> 00:05:27,600 SIMONE DIED, THEY WERE MARRIED, 97 00:05:27,630 --> 00:05:29,000 THIS IS HER FIRST DAY BACK. 98 00:05:29,030 --> 00:05:30,570 TAKE THAT INTO ACCOUNT. 99 00:05:30,600 --> 00:05:31,930 GOT IT. 100 00:07:04,800 --> 00:07:07,470 MAKE A TON OF NARCOTIC BUSTS IN THIS AREA? 101 00:07:07,500 --> 00:07:09,770 A COUPLE. 102 00:07:09,800 --> 00:07:11,530 HEY, MORNING, CAGE. 103 00:07:11,570 --> 00:07:13,330 HEY, HOW’S LIFE WITH A GOLD SHIELD, DANNY? 104 00:07:13,370 --> 00:07:14,140 IT’S GOOD. IT’S GOOD. 105 00:07:14,170 --> 00:07:16,000 WHAT HAVE WE GOT? 106 00:07:16,040 --> 00:07:18,340 JULIO DIAZ, SHOT IN THE ARM, SAYS IT WAS A DRIVE BY. 107 00:07:18,380 --> 00:07:19,550 ONLY ONE GUY IN THE CAR. 108 00:07:19,580 --> 00:07:21,010 THAT’S ALL HE’S GOT? 109 00:07:21,050 --> 00:07:21,750 THAT’S ALL HE HAD FOR ME. 110 00:07:26,020 --> 00:07:26,990 JULIO DIAZ? 111 00:07:27,020 --> 00:07:28,020 YEAH. 112 00:07:28,050 --> 00:07:29,950 HEY, HOW’D YOU GET SHOT, JULIO? 113 00:07:29,990 --> 00:07:32,190 OH, CRAZY GUY IN A CAR, MAN. 114 00:07:32,220 --> 00:07:33,860 OH, CRAZY GUY YOU WERE ACQUAINTED WITH? 115 00:07:33,890 --> 00:07:35,520 NAH, CAME OUT OF NOWHERE. 116 00:07:35,560 --> 00:07:37,290 AND DECIDED TO SHOOT YOU? 117 00:07:37,330 --> 00:07:38,630 MUST BE ON DRUGS, MAN. 118 00:07:38,660 --> 00:07:40,630 WHAT’S THIS GUY’S CAR LOOK LIKE? 119 00:07:40,670 --> 00:07:43,340 Ramirez: I DON’T KNOW, GRAY, GOLD, I’M BLANKING. 120 00:07:43,370 --> 00:07:44,880 OH, YEAH, THAT‐‐THAT’S UNDERSTANDABLE, 121 00:07:44,900 --> 00:07:46,230 ’CAUSE, YOU KNOW, YOU’RE SO UPSET. 122 00:07:46,270 --> 00:07:47,140 I’M IN PAIN RIGHT NOW, MAN. I GOT SHOT. 123 00:07:47,170 --> 00:07:48,900 FEEL BETTER. 124 00:07:48,940 --> 00:07:49,870 HEY, YOU IN THE HAT! 125 00:07:49,910 --> 00:07:52,040 HOW DO I KNOW YOU? WHAT? 126 00:07:52,080 --> 00:07:53,220 I’VE SEEN YOU BEFORE. WHAT’S YOUR NAME? 127 00:07:53,240 --> 00:07:54,210 MAN, I WAS JUST WALKING BY. 128 00:07:54,250 --> 00:07:55,250 GET OVER THERE. 129 00:07:55,280 --> 00:07:56,850 GET OVER THERE AND GET SOME I. D. OUT. 130 00:07:56,880 --> 00:07:57,550 MAN! 131 00:07:59,550 --> 00:08:00,620 GET DOWN. 132 00:08:02,290 --> 00:08:03,600 HAVE I EVER DEALT WITH YOU BEFORE? 133 00:08:03,620 --> 00:08:05,250 NAH, I STAY OUT OF TROUBLE. 134 00:08:05,290 --> 00:08:07,360 "DAVID FERNANDO LOBO." 135 00:08:07,390 --> 00:08:09,060 YOU GOT A STREET NAME? FLACO. 136 00:08:09,090 --> 00:08:10,230 YEAH, YOU HOLDIN’ OUT, FLACO? 137 00:08:10,260 --> 00:08:11,490 NO. 138 00:08:11,530 --> 00:08:12,860 YOU AUTHORIZING ME TO SEARCH YOU? 139 00:08:12,900 --> 00:08:13,870 YEAH, MAN, I’M CLEAN. 140 00:08:13,900 --> 00:08:15,060 EMPTY YOUR POCKETS. 141 00:08:16,970 --> 00:08:18,700 Sorenson: COME ON, COME ON! EMPTY YOUR POCKETS. 142 00:08:18,740 --> 00:08:21,080 THIS WAS A DRUG THING, DANNY, 143 00:08:21,110 --> 00:08:23,750 3 GUYS IN A CAR COME DOWN ON THE 4 IN THE STREET. 144 00:08:23,780 --> 00:08:26,420 THIS GUY GOT SHOT, HIS BOYS GO AFTER THE DRIVE‐BY CAR. 145 00:08:26,440 --> 00:08:28,780 SPREAD YOUR LEGS. COME ON, YOU HIDIN’ SOMETHING? 146 00:08:28,810 --> 00:08:30,410 WHAT KIND OF RIDES? 147 00:08:30,450 --> 00:08:32,050 THE DRIVE‐BY CAR’S A BLUE CHEVY. 148 00:08:32,080 --> 00:08:34,950 THE FIRST 3 LETTERS ON THE PLATE IS Q‐A‐G. 149 00:08:34,990 --> 00:08:37,730 THE GUY WHO GOT SHOT, HIS BOYS CHASED AFTER THE CHEVY, 150 00:08:37,760 --> 00:08:39,460 LIKE IN A BEAT‐UP, UH, GOLD ACCORD. 151 00:08:39,490 --> 00:08:40,960 I DIDN’T GET NO PLATES. 152 00:08:40,990 --> 00:08:42,790 ALL RIGHT, COME ON, PICK UP YOUR STUFF AND GET OUT OF HERE. 153 00:08:42,830 --> 00:08:43,900 GIVE HIM HIS WALLET, ANDY. 154 00:08:43,930 --> 00:08:45,590 YES, SIR. 155 00:08:47,100 --> 00:08:49,100 GO TELL DANNY CONGRATULATIONS ON HIS PROMOTION. 156 00:08:49,130 --> 00:08:50,400 YEAH, I’LL GET RIGHT ON IT. 157 00:08:52,170 --> 00:08:53,430 YOU GOT NO FRIENDS, JULIO? 158 00:08:53,470 --> 00:08:55,100 YEAH, I GOT FRIENDS. 159 00:08:55,140 --> 00:08:56,910 NOBODY WAS HANGING WITH YOU, THOUGH, 160 00:08:56,940 --> 00:08:58,910 WHEN THE SOLE OPERATOR OF THIS GRAY OR GOLD CAR 161 00:08:58,940 --> 00:09:00,080 STARTED THROWING BULLETS? 162 00:09:00,110 --> 00:09:01,280 NO. 163 00:09:01,310 --> 00:09:02,910 OWW! ALL RIGHT, LOOK, 164 00:09:02,950 --> 00:09:04,090 THIS POLICEMAN IS GOING WITH YOU 165 00:09:04,120 --> 00:09:05,290 WHILE YOU GET SEEN TO AT THE HOSPITAL. 166 00:09:05,320 --> 00:09:07,290 THEN HE’S BRINGING YOU OVER TO OUR SQUAD. 167 00:09:07,320 --> 00:09:08,820 WHEN YOU GET THERE, 168 00:09:08,850 --> 00:09:10,820 I WANT THE NAMES OF YOUR 5 MAIN RUNNIN’ BUDDIES. 169 00:09:10,860 --> 00:09:14,270 AND THEY BETTER SQUARE WITH WHAT I’M GOING TO KNOW ABOUT YOU BY THEN. 170 00:09:14,290 --> 00:09:16,220 WE GOT A GAME, JULIO? 171 00:09:16,260 --> 00:09:17,660 YEAH, PEPE. 172 00:09:17,700 --> 00:09:19,100 ATTABOY. 173 00:09:19,130 --> 00:09:21,260 DETECTIVES, CAN I TALK TO YOU A MINUTE? 174 00:09:23,530 --> 00:09:25,670 WE GOT A DOUBLE HOMICIDE ON THE FDR DRIVE. 175 00:09:25,700 --> 00:09:27,400 2 DOAs IN A BLUE CHEVY. 176 00:09:27,440 --> 00:09:28,770 THAT’S GONNA BE THESE SHOOTERS. 177 00:09:55,830 --> 00:09:58,630 I DON’T HAVE I. D. ON EITHER OF THEM. 178 00:09:58,670 --> 00:10:02,940 SOMEBODY SURE WANTED THESE GUYS DEAD, HUH, DIANE? 179 00:10:02,970 --> 00:10:04,640 LOOKS LIKE A DOZEN HOLES IN THE DOOR ALONE. 180 00:10:06,240 --> 00:10:08,140 UH, BLOOD TRAIL, LIEU. 181 00:10:08,180 --> 00:10:11,350 UH, PAST THE 2 DOAs, IT LOOKS LIKE A THIRD PERSON 182 00:10:11,380 --> 00:10:12,950 WAS HIT THAT GOT AWAY. 183 00:10:12,980 --> 00:10:15,880 ANDY AND THE NEW GUY SORENSON ARE ON THEIR WAY OVER. 184 00:10:15,920 --> 00:10:17,490 DUST OFF THE LICENSE PLATE HERE, 185 00:10:17,520 --> 00:10:19,220 MATCHING THE PARTIAL AT THEIR CRIME SCENE. 186 00:10:19,260 --> 00:10:21,730 I BET YOU A QUARTER THESE 2 INCIDENTS ARE RELATED. 187 00:10:21,760 --> 00:10:24,160 THAT MEANS THE DOAs GET FOLDED INTO HIS CASE? 188 00:10:24,200 --> 00:10:25,340 SORENSON? 189 00:10:25,360 --> 00:10:26,800 YEAH, SORENSON. 190 00:10:26,830 --> 00:10:28,160 WE CAN TALK ABOUT THAT. 191 00:10:28,200 --> 00:10:29,300 HOW THAT’S GONNA WORK. 192 00:10:29,330 --> 00:10:31,270 [SIREN BEEPS] 193 00:10:34,070 --> 00:10:35,700 [SIREN] 194 00:10:42,410 --> 00:10:45,080 I DON’T KNOW HOW THE LIEUTENANT’S GONNA HANDLE THIS, 195 00:10:45,120 --> 00:10:46,760 WHOSE CASE THIS IS. 196 00:10:46,790 --> 00:10:48,290 ANY WAY IS GOOD. 197 00:10:50,020 --> 00:10:52,720 THE POINT I’M MAKING, TECHNICALLY THESE DOAs 198 00:10:52,760 --> 00:10:54,770 SHOULD BE PART OF YOUR CASE. 199 00:10:54,790 --> 00:10:57,160 ME AND RUSSELL WOULD CATCH NEXT. 200 00:10:57,200 --> 00:10:59,100 I DON’T THINK I’D GET TOO CHESTY ABOUT THAT. 201 00:10:59,130 --> 00:11:01,600 YOU UNDERSTAND THE‐‐THE COMPLICATIONS 202 00:11:01,630 --> 00:11:04,270 ABOUT WHAT I’M TRYING TO EXPLAIN TO YOU, DANNY? 203 00:11:04,300 --> 00:11:05,570 YEAH. 204 00:11:07,910 --> 00:11:10,280 WHAT HAVE WE GOT, BOSS? 205 00:11:10,310 --> 00:11:12,010 UH, SOMEONE CHASED THESE DOAs FROM YOUR CRIME SCENE. 206 00:11:12,040 --> 00:11:15,180 PROBABLY THE GUY WHO THREW THESE SHOTS WINGED OUR GUY. 207 00:11:15,210 --> 00:11:17,880 THIS PLATE COMES BACK REGISTERED TO A LEONARD LOHMAN. 208 00:11:17,920 --> 00:11:20,260 LENNY LOHMAN? HE’S A LOWLIFE BARTENDER. 209 00:11:20,280 --> 00:11:22,350 I KNOW WHERE TO REACH OUT TO HIM. 210 00:11:22,390 --> 00:11:24,630 Fancy: SO WHO’S CATCHING THESE? 211 00:11:24,660 --> 00:11:26,730 WHATEVER’S RIGHT, BOSS. 212 00:11:28,830 --> 00:11:30,940 MEANING ’CAUSE YOU CAUGHT THE FIRST ONE, 213 00:11:30,960 --> 00:11:32,730 YOU WANT THE DOUBLE HOMICIDE, TOO? 214 00:11:35,130 --> 00:11:37,070 SURE. THAT‐‐THAT’S OK. 215 00:11:37,100 --> 00:11:40,270 YEAH. GOOD. 216 00:11:40,300 --> 00:11:41,570 THAT’S HOW WE’LL DO IT. 217 00:11:43,510 --> 00:11:45,150 SHALL WE REACH OUT TO THE BARTENDER, ANDY? 218 00:11:45,180 --> 00:11:47,150 YEAH, LET’S. 219 00:11:51,020 --> 00:11:53,060 WE COULD, UH, GET THE CANVAS. 220 00:11:53,080 --> 00:11:54,450 GOOD. 221 00:11:54,490 --> 00:11:58,160 DIANE AND I WILL STICK AROUND FOR CRIME SCENE. 222 00:11:59,690 --> 00:12:00,760 WHERE’S THE BAR, ANDY? 223 00:12:00,790 --> 00:12:02,160 ABOUT 8 BLOCKS OVER. 224 00:12:02,190 --> 00:12:05,130 MAYBE IN PROGRESS, YOU AND ME NEED TO CHAT A LITTLE 225 00:12:05,160 --> 00:12:07,060 ON OUR DEFINITIONS OF "CHESTY." 226 00:12:07,100 --> 00:12:08,430 Dispatcher: 5‐7‐2, 227 00:12:08,470 --> 00:12:10,480 ADAM 10‐1. 228 00:12:10,500 --> 00:12:13,500 MAYBE DANNY WILL GET A GREAT PROMOTION 229 00:12:13,540 --> 00:12:15,010 BY THE END OF HIS FIRST SHIFT. 230 00:12:17,710 --> 00:12:19,440 HERE’S ONE OF THE GUY’S WALLETS. 231 00:12:20,880 --> 00:12:22,510 Dispatcher: YES, 7 AT THE AIRPORT, 232 00:12:22,550 --> 00:12:24,560 5‐7‐2 ADAM, DO YOU COPY THAT? 233 00:12:44,040 --> 00:12:47,010 IS THIS CHESTY DISCUSSION COMIN’ SOON, ANDY? 234 00:12:47,040 --> 00:12:49,140 I’M CHOOSIN’ MY WORDS. 235 00:12:49,170 --> 00:12:51,870 YEAH, OBVIOUSLY. 236 00:12:51,910 --> 00:12:53,540 BUT I HOPE WE MIGHT BE ABLE TO GET IT OUT OF THE WAY 237 00:12:53,580 --> 00:12:54,880 BEFORE STANDING IN FRONT OF THIS BARTENDER 238 00:12:54,910 --> 00:12:57,050 WHO OWNS THE MURDER CAR. 239 00:12:57,080 --> 00:12:59,720 SEE, HERE AGAIN I’M TAKING A SMART‐ASS CONNOTATION OFF WHAT YOU SAY. 240 00:12:59,750 --> 00:13:01,950 NO, I’M NOT BEING A SMART‐ASS. 241 00:13:01,990 --> 00:13:04,230 BUT BEFORE I SPEAK TO RUSSELL OR ANYBODY ELSE, 242 00:13:04,260 --> 00:13:06,160 I’M NOT GOING TO STUDY ON EVERY WORD I SAY LIKE IT’S SCRIPTURE. 243 00:13:06,190 --> 00:13:09,160 I TOLD YOU TAKE INTO ACCOUNT THIS GIRL’S MIND‐SET. 244 00:13:09,190 --> 00:13:10,360 I DID. 245 00:13:10,390 --> 00:13:12,160 YEAH, YOU DID. JUST BEFORE YOU TOOK HER CASE. 246 00:13:12,200 --> 00:13:15,170 SHE SEEMED UPSET. 247 00:13:15,200 --> 00:13:16,800 LIKE MAYBE SHE WAS BACK TOO SOON. 248 00:13:16,840 --> 00:13:18,340 THAT’S WHY I TOOK IT. 249 00:13:21,010 --> 00:13:24,420 THAT’S NOT IMPOSSIBLE, SHE’S BACK TOO SOON. 250 00:13:24,440 --> 00:13:25,870 IF I’M WRONG, I’M WRONG. 251 00:13:25,910 --> 00:13:28,080 IT’S NOT IMPOSSIBLE. 252 00:13:28,110 --> 00:13:31,050 IT’S NOT JUST NARCOTICS, RIGHT, ANDY? 253 00:13:31,080 --> 00:13:34,420 THE WHOLE JOB, PARTNERS ARE SUPPOSED TO TRUST EACH OTHER. 254 00:13:34,450 --> 00:13:37,720 THAT DEVELOPS IN TIME. 255 00:13:39,760 --> 00:13:43,360 MEANWHILE, CAN WE DRIVE TO SEE THIS BARTENDER? 256 00:13:45,230 --> 00:13:47,530 THIS BARTENDER IS A SHIFTY, DEVIOUS TYPE. 257 00:13:47,570 --> 00:13:49,840 LENNY LOHMAN. 258 00:13:49,870 --> 00:13:51,370 HE’LL ALWAYS GIVE YOU SOMETHING, 259 00:13:51,400 --> 00:13:53,130 JUST RARELY WHAT YOU’RE LOOKIN’ FOR. 260 00:13:55,540 --> 00:13:56,500 Woman: HEY! 261 00:13:56,540 --> 00:13:58,270 WATCH IT! 262 00:13:58,310 --> 00:14:00,510 HO, HO, HO. WHOA. 263 00:14:00,550 --> 00:14:01,550 WHAT’S YOUR PROBLEM? 264 00:14:01,580 --> 00:14:02,940 DON’T BIKE ON THE SIDEWALK. 265 00:14:02,980 --> 00:14:04,450 YEAH, RIGHT. I’LL BE SURE TO DO THAT. 266 00:14:04,480 --> 00:14:06,210 WHAT? 267 00:14:06,250 --> 00:14:08,020 I SAID I WON’T DO IT AGAIN. 268 00:14:08,050 --> 00:14:09,050 DO YOU SWEAR TO GOD? 269 00:14:09,090 --> 00:14:10,700 Man: YEAH. 270 00:14:10,720 --> 00:14:12,050 GOOD. 271 00:14:12,090 --> 00:14:13,560 IN THE STREET. 272 00:14:18,500 --> 00:14:21,240 ANY OTHER QUALITY‐OF‐LIFE CRIMES YOU WANT TO ADDRESS? 273 00:14:21,270 --> 00:14:23,410 NO. 274 00:14:23,430 --> 00:14:25,030 LET’S GO. 275 00:14:25,070 --> 00:14:26,800 [ROCK MUSIC PLAYS] 276 00:14:55,800 --> 00:14:57,630 MY FAVORITE MIDDLE‐AGED DETECTIVE. 277 00:14:57,670 --> 00:14:59,430 HOW’S IT GOING, LENNY? 278 00:14:59,470 --> 00:15:02,140 I SEE THIS LAYING OUT BEFORE ME. 279 00:15:02,170 --> 00:15:05,940 HE BUYS A DRINK, YOU COLLAR ME FOR SERVING UNDERAGE. 280 00:15:05,980 --> 00:15:07,690 OH, I’M LEGAL. I’LL SHOW YOU MY LICENSE. 281 00:15:07,710 --> 00:15:09,410 MY NEW PARTNER DANNY SORENSON. 282 00:15:09,450 --> 00:15:10,620 HOW’S IT GOING, DANNY? 283 00:15:10,650 --> 00:15:12,080 HEY, I HOPE YOU DON’T MIND I KID WITH YOU. 284 00:15:12,120 --> 00:15:14,030 NO, ANDY TOLD ME YOU WERE A GREAT KIDDER. YEAH. 285 00:15:14,050 --> 00:15:15,120 WHERE’S YOUR CAR, LENNY? 286 00:15:15,150 --> 00:15:16,320 MY CAR? 287 00:15:16,350 --> 00:15:17,950 YEAH, WHERE’S YOUR ’94 LUMINA? 288 00:15:17,990 --> 00:15:19,790 OVER WHERE I LIVE. 289 00:15:19,820 --> 00:15:21,360 YOU DIDN’T DRIVE TO WORK TODAY? 290 00:15:21,390 --> 00:15:23,290 IT’S 3 BLOCKS, DANNY. PRINCE STREET. 291 00:15:23,330 --> 00:15:25,440 OH, DON’T TELL ME SOMETHING HAPPENED WITH MY CAR. 292 00:15:25,460 --> 00:15:27,800 IT WAS USED IN A DRIVE‐BY THIS MORNING, LENNY. 293 00:15:27,830 --> 00:15:30,630 NOW IT’S UNDER THE FDR WITH 2 DOAs INSIDE. 294 00:15:30,670 --> 00:15:31,970 DAMAGED? 295 00:15:32,000 --> 00:15:34,870 YEAH, YOUR LUMINA’S SOMEWHAT DAMAGED, LENNY. 296 00:15:34,910 --> 00:15:37,880 ANYBODY ELSE GOT A KEY FOR IT? 297 00:15:37,910 --> 00:15:40,140 SAY, YOU CAN CHALK THIS UP AGAINST THAT 298 00:15:40,180 --> 00:15:42,840 "FRIENDS DON’T LET FRIENDS DRIVE DRUNK" CAMPAIGN. 299 00:15:42,880 --> 00:15:45,010 EVER SINCE PEOPLE STARTED GRABBING MY KEYS 300 00:15:45,050 --> 00:15:47,020 EVERY TIME I GOT HALF A LOAD ON, 301 00:15:47,050 --> 00:15:49,790 I KEEP A SPARE SET IN THE WHEEL WELL. 302 00:15:49,820 --> 00:15:51,850 SEE IF YOU RECOGNIZE THESE DOAs. 303 00:15:51,890 --> 00:15:54,890 THESE COULD BE TOTAL STRANGERS, ANDY. 304 00:15:54,930 --> 00:15:57,070 OFF THE SPARE SET BEING IN THE WHEEL WELL. 305 00:15:57,100 --> 00:15:58,300 YEAH, YOUR SPARE SET. 306 00:15:58,330 --> 00:16:00,460 [SIGHS] 307 00:16:00,500 --> 00:16:02,330 I DO RECOGNIZE HIM. 308 00:16:02,370 --> 00:16:03,710 THAT’S FRANKIE PASCAL. 309 00:16:06,940 --> 00:16:09,170 IT’S HIS COUSIN DOMINIC. 310 00:16:09,210 --> 00:16:11,050 THEY DRANK HERE? 311 00:16:11,080 --> 00:16:14,190 YOU GOT ANY SUSPECTS, ANDY? 312 00:16:14,210 --> 00:16:16,650 THESE GUYS WOULD BE THE SUSPECTS IN THE ORIGINAL SHOOTING, 313 00:16:16,680 --> 00:16:18,650 BEFORE THEY THEMSELVES GOT SHOT. 314 00:16:18,680 --> 00:16:20,220 THE DEAD PASCAL COUSINS? 315 00:16:20,250 --> 00:16:22,150 YOU KNOW JULIO DIAZ, LENNY? 316 00:16:22,190 --> 00:16:23,560 WHO’S THAT NOW? 317 00:16:23,590 --> 00:16:24,820 JULIO’S THE ORIGINAL SHOOTING VICTIM. 318 00:16:24,860 --> 00:16:27,830 AND THEN MAYBE HIS FRIENDS WENT AFTER THE PASCALS. 319 00:16:27,860 --> 00:16:32,030 JULIO DIAZ? NOPE, DON’T RING A BELL. 320 00:16:32,060 --> 00:16:33,560 I MEAN, MAYBE IF I SEEN ’IM. 321 00:16:33,600 --> 00:16:35,360 OR DID HE GET KILLED, TOO? 322 00:16:35,400 --> 00:16:36,430 NO, HE WASN’T KILLED. 323 00:16:36,470 --> 00:16:37,710 HE GOT SHOT IN THE SHOULDER. 324 00:16:39,770 --> 00:16:41,670 YOU KNOW. I’LL TELL YA, 325 00:16:41,710 --> 00:16:44,580 THERE’S MORE PUERTO RICAN ELEMENT AROUND ON THE CORNERS HERE LATELY. 326 00:16:44,610 --> 00:16:46,210 SLINGIN’ DOPE? 327 00:16:46,240 --> 00:16:48,940 WHATEVER THE HELL IT IS THEY DO OUT THERE. 328 00:16:48,980 --> 00:16:51,410 PASCAL COUSINS DO ANY DOPE SLINGIN’? 329 00:16:51,450 --> 00:16:55,580 THAT STUFF’S A SCOURGE I DON’T ALLOW ON MY PREMISES, ANDY. 330 00:16:55,620 --> 00:16:58,790 I’M NOT PRIVY TO WHAT PEOPLE DO ON THE OUTSIDE. 331 00:16:58,820 --> 00:17:02,620 SO THAT WOULD BE A "MAYBE" AS FAR AS THE PASCAL SLINGIN’ DOPE. 332 00:17:02,660 --> 00:17:05,860 I’LL TELL YA, I’M SICK ABOUT MY CAR. 333 00:17:05,900 --> 00:17:08,640 YOU MAY GET A DECENT SETTLEMENT FROM THE INSURANCE, LENNY. 334 00:17:08,670 --> 00:17:10,580 WELL, LUCKILY I AM INSURED. 335 00:17:10,600 --> 00:17:12,570 I BETTER GET THE WHEELS TURNIN’ ON THAT. 336 00:17:12,600 --> 00:17:15,540 ALL RIGHT, LENNY. THANKS FOR YOUR HELP. 337 00:17:15,570 --> 00:17:17,940 WE ALL SWIM IN THE SAME WATER. 338 00:17:17,980 --> 00:17:20,920 WHILE YOU’RE PADDLIN’ AROUND THERE, LENNY, 339 00:17:20,950 --> 00:17:24,890 ANYTHING THAT COMES TO MIND‐‐ IF MAYBE THE PASCALS GOT ANOTHER COUSIN? 340 00:17:24,920 --> 00:17:27,730 THERE WAS A BLOOD TRAIL LEAVIN’ YOUR CAR. 341 00:17:27,750 --> 00:17:30,450 YOU FIGURE THIS WOUNDED GUY’S STILL ON THE LOOSE? 342 00:17:30,490 --> 00:17:33,050 AND HE MAY HAVE MASTERMINDED THE THEFT OF YOUR CAR. 343 00:17:33,090 --> 00:17:35,660 SO WE KNOW YOU WANNA SEE HIM BROUGHT TO JUSTICE. 344 00:17:35,690 --> 00:17:37,230 GOOD POINT. 345 00:17:37,260 --> 00:17:38,830 TAKE CARE, LENNY. 346 00:17:38,860 --> 00:17:40,660 HEY, IT’S A PLEASURE MEETIN’ YA, DANNY. 347 00:17:40,700 --> 00:17:42,630 YOU’RE WORKIN’ WITH ONE OF THE BEST THERE. 348 00:17:42,670 --> 00:17:45,480 NOW YOU WENT AND MADE MY DAY. 349 00:18:01,290 --> 00:18:03,630 YOU WANNA SHARE YOUR LENNY LOHMAN IMPRESSION? 350 00:18:03,660 --> 00:18:04,660 I’M INVITED? 351 00:18:04,690 --> 00:18:06,520 HEY, DON’T BE GLIB. 352 00:18:06,560 --> 00:18:08,490 LENNY WAS INVOLVED. HE WASN’T THE GO‐TO GUY. 353 00:18:08,530 --> 00:18:10,600 HELP ME WITH "GO‐TO GUY." 354 00:18:10,630 --> 00:18:13,290 HE WAS LIKE THE SCROUNGER OR THE SUPPLY SERGEANT, 355 00:18:13,330 --> 00:18:14,530 AND MAYBE HE SET UP THE HIT. 356 00:18:14,570 --> 00:18:15,610 WHAT ARE YOU DOIN’ THERE? 357 00:18:15,630 --> 00:18:16,930 FEEL LIKE A TACK CAUGHT IN MY SHOE. 358 00:18:16,970 --> 00:18:18,370 HERE. HAVE IT. HERE. 359 00:18:18,400 --> 00:18:19,600 I’M GONNA RUIN YOUR COMB. 360 00:18:19,640 --> 00:18:21,800 YEAH. THERE’S A BIG LOSS. 361 00:18:21,840 --> 00:18:24,170 WERE YOU IN THE SERVICE? 362 00:18:24,210 --> 00:18:25,970 YEAH. ARMY. 363 00:18:26,010 --> 00:18:27,140 SUPPLY UNIT? 364 00:18:27,180 --> 00:18:29,780 INFANTRY’S GOT SCROUNGERS, TOO, ANDY. 365 00:18:29,810 --> 00:18:31,110 YEAH, I WAS IN THE INFANTRY, TOO. 366 00:18:31,150 --> 00:18:32,980 OVERSEAS? 367 00:18:33,020 --> 00:18:34,490 YEAH. WERE YOU OVERSEAS? 368 00:18:34,520 --> 00:18:36,320 YEAH, I WAS OVERSEAS, TOO. 369 00:18:36,350 --> 00:18:39,520 AH! GOT IT. 370 00:18:39,560 --> 00:18:41,490 THANKS. 371 00:18:41,530 --> 00:18:42,870 WHAT DO YOU MAKE OF THAT? 372 00:18:47,000 --> 00:18:48,200 WHOA, WHOA, HEY! 373 00:18:48,230 --> 00:18:49,570 WHOA. WHOA. 374 00:18:53,100 --> 00:18:55,000 SIT DOWN THERE. 375 00:19:05,880 --> 00:19:08,380 THIS IS BIG. 376 00:19:08,420 --> 00:19:09,750 YOU UNDERSTAND THAT? 377 00:19:09,790 --> 00:19:11,720 LOHMAN GIVIN’ ME HIS CARD? 378 00:19:11,760 --> 00:19:13,670 GIVIN’ IT TO YOU PRIVATE. 379 00:19:13,690 --> 00:19:16,020 WHAT? IS HE PLAYIN’ ME FOR AMBITIOUS? 380 00:19:16,060 --> 00:19:18,990 HE WANTS YOU GOIN’ BACK IN THAT BAR ON YOUR OWN 381 00:19:19,030 --> 00:19:23,030 EITHER FOR HIM TO DANGLE SOME PIECE OF INFORMATION IN FRONT OF YOU 382 00:19:23,070 --> 00:19:25,080 OR TO GIVE YOU SOMEONE TO LIKE FOR THE HITTERS. 383 00:19:25,100 --> 00:19:28,070 AND THE INFORMATION WON’T BE EXACTLY RIGHT. 384 00:19:28,110 --> 00:19:29,250 IT’LL BE PARTIALLY RIGHT, 385 00:19:29,270 --> 00:19:31,410 AND ENOUGH YOU’LL PUSH IT FOR RIGHT ALTOGETHER 386 00:19:31,440 --> 00:19:33,410 OFF YOU COMING UP WITH THE LEAD. 387 00:19:33,440 --> 00:19:36,180 I TOLD YA THIS GUY WAS DEVIOUS. 388 00:19:36,210 --> 00:19:38,850 HOW DO WE PLAY IT? 389 00:19:38,880 --> 00:19:42,680 WHAT YOU DO, DANNY, YOU GO IN THAT OFFICE, 390 00:19:42,720 --> 00:19:44,550 YOU RUN THIS COMPLETE SCENARIO, 391 00:19:44,590 --> 00:19:47,960 ’CAUSE HERE THE WHOLE SQUAD GETS EVERYTHING WE GOT. 392 00:19:47,990 --> 00:19:49,460 OK. 393 00:19:49,490 --> 00:19:50,860 YOU ALL RIGHT WITH THAT? 394 00:19:50,900 --> 00:19:52,800 YES, I AM. 395 00:19:52,830 --> 00:19:55,700 ALL RIGHT, THEN. 396 00:19:55,730 --> 00:19:57,630 YOU SHOWED ME SOMETHING WITH THIS. 397 00:19:57,670 --> 00:19:59,230 THAT WAS FORTHCOMING. 398 00:19:59,270 --> 00:20:00,900 THANKS, ANDY. 399 00:20:00,940 --> 00:20:04,110 THIS IS THE TYPE THING REASSURES PEOPLE’S QUALMS. 400 00:20:04,140 --> 00:20:06,310 GOOD. 401 00:20:06,340 --> 00:20:07,710 MY ONLY QUESTION‐‐ 402 00:20:07,750 --> 00:20:09,820 WE RIDE ALL THE WAY BACK TOGETHER. 403 00:20:09,850 --> 00:20:11,880 WE’RE NEARLY IN THE BOSS’ OFFICE, 404 00:20:11,920 --> 00:20:14,960 WITH YOU KEEPIN’ THIS TO YOURSELF. 405 00:20:14,990 --> 00:20:18,530 YEAH. I WAS THAT LONG FIGURING WHAT’S GONNA GIVE LEAST OFFENSE. 406 00:20:31,470 --> 00:20:32,900 HOW’S IT GOIN’? 407 00:20:32,940 --> 00:20:34,680 HEY, BOSS. 408 00:20:34,710 --> 00:20:36,850 RAP SHEET CAME IN ON JULIO DIAZ. 409 00:20:36,880 --> 00:20:38,650 THE ORIGINAL SHOOTIN’ VICTIM, THANKS. 410 00:20:38,680 --> 00:20:40,820 THE VICTIM ON YOUR ORIGINAL CASE. 411 00:20:43,510 --> 00:20:46,110 HOW’D YOU DO WITH THE BARTENDER? 412 00:20:46,150 --> 00:20:48,450 SO, UH, WE’LL FOLLOW UP ON THE LIST. 413 00:20:48,490 --> 00:20:50,930 YEAH. KEEP CURRENT WITH LATENT PRINT. 414 00:20:50,960 --> 00:20:54,370 YEAH, WE’LL RUN THESE NAMES THE BYSTANDERS GAVE US THROUGH BCI. 415 00:20:54,390 --> 00:20:57,260 THIS LENNY LOHMAN WENT HIS USUAL EXTRA MILE BEIN’ HELPFUL. 416 00:20:57,300 --> 00:20:58,540 GAVE YOU NOTHIN’? 417 00:20:58,560 --> 00:21:00,860 YEAH. HE GAVE US THIS. 418 00:21:00,900 --> 00:21:03,460 HE GIVES US THE 2 DEAD GUYS’ NAMES 419 00:21:03,500 --> 00:21:05,830 AND SPECULATES THEY MIGHT HAVE DRUG INVOLVEMENT, 420 00:21:05,870 --> 00:21:08,640 BUT THEN HE GOES TO PLAY SORENSON, 421 00:21:08,670 --> 00:21:10,570 AND SORENSON HANDLED HIM GOOD. 422 00:21:12,380 --> 00:21:13,890 LOHMAN GAVE ME HIS CARD. 423 00:21:13,910 --> 00:21:15,680 OFF THINKIN’ SORENSON’S LOOKIN’ OUT FOR NUMBER ONE, 424 00:21:15,710 --> 00:21:18,880 OFF THINKIN’ SORENSON’S LOOKIN’ TO MOVE HIMSELF UP. 425 00:21:18,920 --> 00:21:20,690 JUST PLAYED A WILD GUESS. 426 00:21:23,320 --> 00:21:25,850 LOHMAN GIVE SORENSON THE CARD... 427 00:21:25,890 --> 00:21:27,620 WITHOUT MY KNOWIN’ ABOUT IT. 428 00:21:27,660 --> 00:21:30,290 HE GAVE IT TO HIM WITH MY BACK TURNED. 429 00:21:30,330 --> 00:21:35,160 SORENSON TOLD ME ABOUT THIS ON HIS OWN. 430 00:21:35,200 --> 00:21:38,070 I GUESS LOHMAN FIGURES HE CAN BEAT ME WITH SOMETHIN’ LAME. 431 00:21:38,100 --> 00:21:39,400 IT WON’T BE ALL THE WAY LAME. 432 00:21:39,440 --> 00:21:41,480 NO. ANDY WAS SAYIN’. 433 00:21:41,510 --> 00:21:43,410 THEY’LL GIVE YOU SOME MINNOWS OR SOMETHIN’ TO GET YOU THERE. 434 00:21:43,440 --> 00:21:46,810 YEAH. THAT’S HOW THEY DO IT. 435 00:21:46,850 --> 00:21:49,520 YOU WANT ME TO CALL LOHMAN, BOSS, OR SHOW UP BACK THERE COLD? 436 00:21:49,550 --> 00:21:51,480 HE’LL PROBABLY BE MORE COMFORTABLE 437 00:21:51,520 --> 00:21:53,590 WITH YOU GOIN’ BACK THERE. 438 00:21:55,220 --> 00:21:56,950 SYLVIA’S HERE. 439 00:22:02,290 --> 00:22:04,360 COULD I LISTEN TO THE NAMES YOU GOT ON CANVAS 440 00:22:04,400 --> 00:22:06,610 AND WHAT THEIR ACTS ARE? 441 00:22:06,630 --> 00:22:08,000 HI, SYLVIA. 442 00:22:08,030 --> 00:22:09,400 I WAS JUST IN THERE 443 00:22:09,430 --> 00:22:12,000 WORKING A COMPLICATED CASE WITH MY NEW PARTNER. 444 00:22:12,040 --> 00:22:13,880 THAT’S YOUR NEW PARTNER? 445 00:22:13,910 --> 00:22:15,180 YEAH, THE 14‐YEAR‐OLD. 446 00:22:15,210 --> 00:22:16,410 HE LOOKS VERY NICE. 447 00:22:16,440 --> 00:22:19,270 ALTHOUGH, UM, HE HAD TO BE IN UNIFORM A WHILE. 448 00:22:19,310 --> 00:22:22,110 2 YEARS IN NARCOTICS. NOW HE TELLS ME HE WAS IN THE SERVICE. 449 00:22:22,150 --> 00:22:24,560 PROBABLY NOT 14. 450 00:22:29,950 --> 00:22:32,920 ANYWAYS, I DIDN’T THINK YOU WERE RIDING TODAY. 451 00:22:32,960 --> 00:22:34,230 I WANTED TO TALK TO YOU. 452 00:22:34,260 --> 00:22:35,560 WHAT’D I DO? 453 00:22:35,590 --> 00:22:37,730 I’M WORRIED ABOUT SOMETHING I MIGHT HAVE DONE. 454 00:22:37,760 --> 00:22:40,260 I GOT ANOTHER LETTER FROM JUAN SUAREZ. 455 00:22:40,300 --> 00:22:41,460 OH, ONE MORE REASON 456 00:22:41,500 --> 00:22:43,430 TO KEEP HANDWRITING INSTRUCTION OPTIONAL. 457 00:22:43,470 --> 00:22:44,580 I ALWAYS HAD MISGIVINGS 458 00:22:44,600 --> 00:22:46,570 ABOUT THAT PROSECUTION, ANDY. 459 00:22:46,610 --> 00:22:47,650 AND I DO RECALL YOUR SAYING THAT 460 00:22:47,670 --> 00:22:49,440 ON SEVERAL OCCASIONS SINCE WE MET. 461 00:22:49,470 --> 00:22:51,440 THIS ISN’T FUNNY. 462 00:22:51,480 --> 00:22:53,380 I’M NOT MAKING IT FUNNY. 463 00:22:53,410 --> 00:22:56,280 WHAT DOES SUAREZ SAY? 464 00:22:56,310 --> 00:22:58,280 THAT HE WAS A PATSY 465 00:22:58,320 --> 00:23:00,760 BECAUSE HE WAS THE OBVIOUS SUSPECT. 466 00:23:00,790 --> 00:23:02,830 HE HAD SWORN TO KILL GENERO LOPEZ 467 00:23:02,850 --> 00:23:05,250 AFTER LOPEZ KILLED HIS BROTHER. 468 00:23:05,290 --> 00:23:08,320 HOW’S THE GUY A PATSY, SYLVIA, IF HE CONFESSED HE DID IT? 469 00:23:08,360 --> 00:23:11,490 WHAT’S NEW IS SUAREZ ISN’T CLAIMING ANYMORE 470 00:23:11,530 --> 00:23:13,760 THAT HIS CONFESSION WAS COERCED. 471 00:23:13,800 --> 00:23:15,800 HE’S SAYING THE REAL SHOOTER WAS A DRUG DEALER 472 00:23:15,830 --> 00:23:17,630 NAMED FREDDY ASCENSION 473 00:23:17,670 --> 00:23:19,230 WHO GOT HIM TO SAY THAT HE DID IT. 474 00:23:19,270 --> 00:23:21,570 YEAH‐‐ 475 00:23:21,610 --> 00:23:23,950 SUAREZ AGREEING TO HELP FREDDY OUT 476 00:23:23,980 --> 00:23:26,920 FIGURING IN JAIL HE’D LEARN A NEW TRADE? 477 00:23:26,950 --> 00:23:29,820 SUAREZ AGREED BECAUSE THE DRUG DEALER 478 00:23:29,850 --> 00:23:32,680 PROMISED TO GIVE HIS FAMILY $1,000 A MONTH, 479 00:23:32,720 --> 00:23:35,130 AND BECAUSE HE WAS PROBABLY GOING TO BE ARRESTED ANYWAY. 480 00:23:35,150 --> 00:23:37,090 SYLVIA, YOU KNOW, YOU CAN BUY 5 OF THESE STORIES 481 00:23:37,120 --> 00:23:38,690 ON EVERY TIER AT RIKERS. 482 00:23:38,720 --> 00:23:40,460 ANDY, THE VICTIM WAS A DOPE SLINGER 483 00:23:40,490 --> 00:23:42,160 WHO HAD BEEN INVOLVED IN 3 PREVIOUS SHOOTINGS. 484 00:23:42,190 --> 00:23:43,860 AND WHAT WAS SUAREZ? 485 00:23:43,900 --> 00:23:45,440 IN HIS LAST YEAR STUDYING FOR BRAIN SURGERY? 486 00:23:45,460 --> 00:23:46,860 NO. 487 00:23:46,900 --> 00:23:48,330 SUAREZ WAS AN APPRENTICE MOTOR MAN 488 00:23:48,370 --> 00:23:51,280 WHO’D LOST HIS JOB BECAUSE HE TOOK ONE COLLAR FOR USE. 489 00:23:51,300 --> 00:23:54,040 JEEZ, I’M SORRY I MISSED RIDING HIS TRAIN. 490 00:23:54,070 --> 00:23:55,770 AND NOW HE’S AFRAID THAT ASCENCION’S GOT SOMEONE INSIDE 491 00:23:55,810 --> 00:23:57,050 WHO WILL TRY TO KILL HIM. 492 00:23:57,080 --> 00:23:58,450 AW, SYLVIA. 493 00:23:58,480 --> 00:23:59,850 SUAREZ IS DOING 15 YEARS, 494 00:23:59,880 --> 00:24:01,710 AND I’M AFRAID THAT HE ISN’T GUILTY. 495 00:24:01,750 --> 00:24:04,520 AND NOW HE MIGHT GET KILLED. 496 00:24:04,550 --> 00:24:05,710 I’D JUST LIKE FOR YOU 497 00:24:05,750 --> 00:24:08,120 TO TALK TO THE DETECTIVE, DORNAN, 498 00:24:08,150 --> 00:24:09,480 WHO TOOK THE CONFESSION. 499 00:24:09,520 --> 00:24:11,520 JUST LOOK INTO IT THAT FAR. 500 00:24:11,560 --> 00:24:13,330 THE BLACK GUY WHO’S NOW A SERGEANT? 501 00:24:13,360 --> 00:24:15,170 ARE YOU FRIENDLY WITH HIM? 502 00:24:15,190 --> 00:24:16,630 OH, YEAH, YEAH. WE’RE GOING WHITE‐WATER RAFTING 503 00:24:16,660 --> 00:24:18,660 AS SOON AS OUR SCHEDULES COINCIDE. 504 00:24:18,700 --> 00:24:20,640 AND YOU WANT ME TO ASK DORNAN WHAT? 505 00:24:20,670 --> 00:24:23,710 DOES HE FEEL THAT HE PUT A WRONG MAN IN JAIL? 506 00:24:23,740 --> 00:24:25,080 NONE OF THE WITNESSES 507 00:24:25,100 --> 00:24:26,470 DESCRIBE THE PERPETRATOR 508 00:24:26,500 --> 00:24:28,400 AS WITHIN 4 INCHES OF SUAREZ’ HEIGHT. 509 00:24:28,440 --> 00:24:30,870 I’M NOT GOING TO GET INTO THAT WITH HIM, SYLVIA. 510 00:24:30,910 --> 00:24:32,870 THEN COULD YOU ASK IF ANYONE MENTIONED 511 00:24:32,910 --> 00:24:34,040 FREDDY ASCENSION’S NAME? 512 00:24:34,080 --> 00:24:35,580 NO. THAT’S ACCUSING THIS GUY OF INCOMPETENCE, 513 00:24:35,610 --> 00:24:37,110 AND I’M JUST NOT GOING TO DO IT. 514 00:24:41,850 --> 00:24:43,220 ALL RIGHT. 515 00:24:45,760 --> 00:24:47,600 MAYBE I CAN SIDLE INTO IT. 516 00:24:47,630 --> 00:24:49,370 DID SUAREZ GIVE IT UP EASY? 517 00:24:49,390 --> 00:24:51,260 WAS THAT DORNAN’S IMPRESSION ON HOW HE CONFESSED? 518 00:24:51,300 --> 00:24:53,370 MAYBE I CAN GO THAT FAR. 519 00:24:53,400 --> 00:24:54,940 COULD YOU DO THAT? 520 00:24:54,970 --> 00:24:56,540 YEAH, LET ME DO THAT. 521 00:24:56,570 --> 00:24:59,100 I WOULD BE VERY GRATEFUL, ANDY. 522 00:24:59,140 --> 00:24:59,910 MY PLEASURE. 523 00:25:01,870 --> 00:25:04,210 I’VE GOT TO GO PICK THEO UP AT DAY CARE. 524 00:25:12,420 --> 00:25:14,030 YEAH, YOU GO PICK UP THEO 525 00:25:14,050 --> 00:25:15,850 AND LET ME SOLIDIFY MY RELATIONS 526 00:25:15,890 --> 00:25:17,960 WITH ONE OF MY BLACK FELLOW LAW ENFORCEMENT OFFICERS. 527 00:25:24,930 --> 00:25:26,460 DETECTIVE, 528 00:25:26,500 --> 00:25:27,640 THEY’RE BRINGING THE ORIGINAL SHOOTING VICTIM 529 00:25:27,670 --> 00:25:29,880 ON YOUR CASE UP TO THE POKEY ROOM. 530 00:25:29,900 --> 00:25:31,230 THANKS. 531 00:25:31,270 --> 00:25:33,400 JULIO’S BACK FROM THE HOSPITAL. 532 00:25:33,440 --> 00:25:36,080 IT’S PROBABLY GOOD TO CHAT HIM UP BEFORE I GO STOP IN ON LENNY. 533 00:25:36,110 --> 00:25:38,650 GET STARTED WITH HIM. I’LL BE IN IN A MINUTE. 534 00:25:38,680 --> 00:25:40,450 POKEY ROOM’S DOWN THE HALL? 535 00:25:40,480 --> 00:25:41,610 FIRST DOOR ON YOUR RIGHT. 536 00:26:10,940 --> 00:26:13,140 HEY. 537 00:26:13,180 --> 00:26:14,690 HEY, JAMES. 538 00:26:17,180 --> 00:26:19,680 [SIGHS] I’M STANDING HERE WOOLGATHERING. 539 00:26:19,720 --> 00:26:20,620 LOOKS LIKE YOU’RE TAKING A LEAK. 540 00:26:29,660 --> 00:26:32,090 SO THE NEW GUY IS, UH, INTERVIEWING THE VICTIM 541 00:26:32,130 --> 00:26:33,460 FROM THE ORIGINAL CRIME SCENE, HUH? 542 00:26:33,500 --> 00:26:34,870 YEAH. JULIO DIAZ. 543 00:26:34,900 --> 00:26:36,460 I GUESS HE’S INTERVIEWING HIM 544 00:26:36,500 --> 00:26:37,800 IN THE POKEY ROOM. 545 00:26:37,840 --> 00:26:39,650 AW, HE SEEMS OK. 546 00:26:39,670 --> 00:26:41,940 WHAT, THIS SORENSON DOES? 547 00:26:41,970 --> 00:26:43,610 I MEAN, THE IMPRESSION I GET 548 00:26:43,640 --> 00:26:45,970 IS HE FEELS PRETTY GOOD ABOUT HIMSELF. 549 00:26:47,850 --> 00:26:49,990 I GUESS YOU WANT THAT. 550 00:26:50,010 --> 00:26:52,710 YEAH, YOU WANT AN AMOUNT OF ASSERTIVENESS. 551 00:26:56,250 --> 00:26:57,390 HE’S NO BOBBY SIMONE. 552 00:26:57,420 --> 00:26:59,320 NO, THAT’S FOR SURE. 553 00:26:59,360 --> 00:27:00,630 HE’S NOT. 554 00:27:00,660 --> 00:27:03,990 UH, BOBBY HAD A QUALITY ABOUT HIM. 555 00:27:04,030 --> 00:27:05,230 OH, YEAH. 556 00:27:05,260 --> 00:27:06,560 YEAH. 557 00:27:06,600 --> 00:27:09,570 HE HAD A‐‐ A LIKABILITY, 558 00:27:09,600 --> 00:27:12,630 BUT HE ALSO BROOKED NO NONSENSE. 559 00:27:12,670 --> 00:27:14,570 YEAH. WELL, I WAS GLAD ENOUGH 560 00:27:14,610 --> 00:27:17,080 THAT SORENSON CAME UP WITH THAT CARD. 561 00:27:17,110 --> 00:27:19,840 THAT HE DON’T TURN OUT NO GLORY HOUND. 562 00:27:19,880 --> 00:27:21,480 I’M WONDERING WHAT KIND 563 00:27:21,510 --> 00:27:23,080 OF AN INTERVIEW HE RUNS. 564 00:27:23,110 --> 00:27:24,410 YOU WANT TO TAKE A LOOK? 565 00:27:24,450 --> 00:27:25,910 WELL, IF THEY’RE IN A POKEY ROOM, 566 00:27:25,950 --> 00:27:28,320 WE COULD, UH, WE COULD WATCH THROUGH OBSERVATION. 567 00:27:28,350 --> 00:27:30,190 YOU TOLD ME THEY WERE IN THE POKEY ROOM. 568 00:27:30,220 --> 00:27:32,050 YEAH. THEN WE COULD TAKE A LOOK. 569 00:27:42,530 --> 00:27:44,230 I MEAN, WHAT’S THE PROGRESS HERE? 570 00:27:44,270 --> 00:27:46,900 I’M SHOT, I GIVE YOU THE LIST YOU ASK FOR, 571 00:27:46,940 --> 00:27:48,870 YOU SIT STARING LIKE AN OWL. 572 00:27:48,910 --> 00:27:51,350 SEE, I GOT TO FIGURE THE NAMES ON YOUR LIST 573 00:27:51,380 --> 00:27:53,720 ARE YOUR CHUMS FROM PRESCHOOL, JULIO, 574 00:27:53,750 --> 00:27:56,350 ’CAUSE NOT ONE OF THEM SHOWS UP ON THE LIST WE GOT. 575 00:27:56,380 --> 00:27:57,910 THEN YOU GOT A WRONG LIST. 576 00:27:57,950 --> 00:27:59,750 WELL, SEE, OUR LIST IS BUDDIES 577 00:27:59,780 --> 00:28:01,580 THAT YOU’VE BEEN COLLARED WITH BEFORE, 578 00:28:01,620 --> 00:28:03,020 AND I’M BETTING SOME OF THEM 579 00:28:03,050 --> 00:28:04,390 WERE IN THE STREET WITH YOU TODAY. 580 00:28:04,420 --> 00:28:05,850 I WAS UNACCOMPANIED OUT THERE. 581 00:28:05,890 --> 00:28:09,060 I’M BETTING AFTER DOM PASCAL AND HIS COUSIN VIN SHOOT YOU, 582 00:28:09,090 --> 00:28:11,260 YOUR BOYS JUMP IN THEIR BEAT‐UP GOLD ACCORD 583 00:28:11,300 --> 00:28:13,400 AND RUN VIN AND DOM DOWN UNDER THE FDR. 584 00:28:13,430 --> 00:28:14,530 HOW WOULD I KNOW ABOUT THE FDR 585 00:28:14,570 --> 00:28:15,610 IF I’M SITTING IN THE STREET 586 00:28:15,630 --> 00:28:16,400 WITH A SHOT‐UP SHOULDER, HUH? 587 00:28:16,430 --> 00:28:18,230 NAME A BAR YOU DRINK AT. 588 00:28:18,270 --> 00:28:19,470 WHAT? 589 00:28:19,500 --> 00:28:20,600 I WANT TO CHECK UP ON YOUR FRIENDS. 590 00:28:20,640 --> 00:28:22,400 YOU GOT NOTHING TO GIVE ME. NAME A BAR YOU HANG. 591 00:28:22,440 --> 00:28:24,070 NAME ONE I DON’T. 592 00:28:24,110 --> 00:28:25,870 NAME ONE YOU DO. 593 00:28:25,910 --> 00:28:26,880 TOMMY’S ROCKER. 594 00:28:26,910 --> 00:28:28,080 IF THESE PLACES NEVER HEARD OF YOU, 595 00:28:28,110 --> 00:28:30,050 THAT’S GOING TO BE YOUR GOOD SHOULDER, JULIO. 596 00:28:30,080 --> 00:28:31,450 GIVE ME ANOTHER BAR. 597 00:28:31,480 --> 00:28:32,810 THE BASEMENT. 598 00:28:32,850 --> 00:28:34,780 THE BASEMENT? WHO’S THE BARTENDER? 599 00:28:34,820 --> 00:28:36,590 I DON’T KNOW. LENNY SOMETHING. 600 00:28:36,620 --> 00:28:38,120 THIS LENNY’S GOING TO KNOW YOU? 601 00:28:38,160 --> 00:28:39,330 YEAH, HE’LL KNOW ME. 602 00:28:39,360 --> 00:28:41,430 I DON’T THINK HE’LL SAY HE LOVES ME. 603 00:28:41,460 --> 00:28:42,760 OH, THAT’S HARD TO IMAGINE. 604 00:28:42,790 --> 00:28:44,460 PROBABLY HE DON’T KNOW YOU THAT GOOD. 605 00:28:44,500 --> 00:28:45,570 YEAH, WE JUST BEEN MAKING ACQUAINTANCE. 606 00:28:45,600 --> 00:28:46,710 MAINLY, I GO IN TO PISS. 607 00:28:49,630 --> 00:28:50,670 ALL RIGHT, IN THE CAGE FOR AWHILE. 608 00:28:50,700 --> 00:28:51,670 FOR WHAT? 609 00:28:51,700 --> 00:28:52,670 FOR BREAKING BALLS. 610 00:28:52,700 --> 00:28:54,070 YOU GIVE ME NO COOPERATION, 611 00:28:54,110 --> 00:28:55,480 I’M GOING TO RUN YOU FOR WANTS 612 00:28:55,510 --> 00:28:57,620 IN EVERY JURISDICTION IN AMERICA. 613 00:28:59,210 --> 00:29:01,280 MAN, GO OUT AND GET SHOT IN THE STREET. 614 00:29:01,310 --> 00:29:03,340 YEAH, WHY DON’T YOU WRITE THAT UP FOR READER’S DIGEST? 615 00:29:03,380 --> 00:29:06,820 "MY WORST DAY EVER SO FAR" BY JULIO. 616 00:29:30,470 --> 00:29:31,440 HI, DANNY. 617 00:29:31,480 --> 00:29:33,150 HI, LENNY. 618 00:29:33,180 --> 00:29:34,950 THANKS FOR YOUR CARD. 619 00:29:34,980 --> 00:29:37,710 FAR AS THE CARD, LET ME TELL YOU SOMETHING. 620 00:29:37,750 --> 00:29:38,880 MY RELATIONS WITH YOUR JOB. 621 00:29:38,920 --> 00:29:40,060 PLEASE. 622 00:29:40,080 --> 00:29:41,280 I’M NO SAINT. 623 00:29:41,320 --> 00:29:42,980 I HAVEN’T LED A PERFECT LIFE. 624 00:29:43,020 --> 00:29:44,890 WHO AMONGST US HAS, LENNY. 625 00:29:44,920 --> 00:29:46,690 IF I SHOW COOPERATION, 626 00:29:46,730 --> 00:29:49,870 HELP SOMEONE PLANT HIS FLAG IN A NEW SITUATION, 627 00:29:49,890 --> 00:29:52,660 TIME COMES I MAKE A MISTAKE, 628 00:29:52,700 --> 00:29:54,640 I HOPE FOR A SIMILAR ATTITUDE. 629 00:29:54,670 --> 00:29:57,880 SO YOUR GOING TO HELP ME PLANT MY FLAG? 630 00:29:57,900 --> 00:30:00,700 THIS WAS DRUG‐RELATED. 631 00:30:00,740 --> 00:30:02,670 THIS SHOOTING YOU’RE INVESTIGATING. 632 00:30:02,710 --> 00:30:03,920 IT WAS? 633 00:30:03,940 --> 00:30:04,910 THIS WAS DRUG‐RELATED, 634 00:30:04,940 --> 00:30:06,310 AND I PREVIOUSLY HEARD 635 00:30:06,340 --> 00:30:08,080 THOSE PASCAL COUSINS SAYING 636 00:30:08,110 --> 00:30:11,550 THAT THEY WERE HAVING TROUBLE WITH BOTH JULIOS. 637 00:30:11,580 --> 00:30:12,680 BOTH JULIOS? 638 00:30:12,720 --> 00:30:14,590 BOTH JULIOS. CORRECT. 639 00:30:14,620 --> 00:30:16,850 MEANING THE GUY WE WANT FOR SHOOTING THE PASCALS 640 00:30:16,890 --> 00:30:18,890 AFTER THE PASCALS SHOOT THIS ONE JULIO, 641 00:30:18,920 --> 00:30:21,190 HE’S PROBABLY NAMED JULIO ALSO? 642 00:30:21,230 --> 00:30:23,570 CHECK OUT THIS JULIO DIAZ’S RUNNING BUDDIES 643 00:30:23,600 --> 00:30:24,900 FOR ANOTHER JULIO. 644 00:30:24,930 --> 00:30:27,000 HE COULD VERY WELL BE YOUR PAYBACK SHOOTER 645 00:30:27,030 --> 00:30:29,600 WHEN THE PASCALS GOT HIT IN MY STOLEN CAR. 646 00:30:30,870 --> 00:30:32,030 LENNY, 647 00:30:32,070 --> 00:30:34,340 YOU TELL ME A PUERTO RICAN 648 00:30:34,370 --> 00:30:35,740 MIGHT HAVE A FRIEND NAMED JULIO 649 00:30:35,770 --> 00:30:38,070 AND I’M SUPPOSED TO MAKE THAT COOPERATION? 650 00:30:38,110 --> 00:30:39,880 WHAT I’M TELLING YOU, DANNY, 651 00:30:39,910 --> 00:30:42,610 I SPECIFICALLY HEARD THE PASCALS SAY SOMETHING LIKE THAT. 652 00:30:42,650 --> 00:30:44,060 AND WHAT I’M TELLING YOU, LENNY, 653 00:30:44,080 --> 00:30:46,080 I THINK THE PASCALS DIDN’T STEAL YOUR CAR. 654 00:30:46,120 --> 00:30:48,260 I THINK YOU TOLD THEM WHERE THE SPARE KEY WAS, 655 00:30:48,290 --> 00:30:50,700 ’CAUSE MAYBE YOUR RIDE WAS A LITTLE BIT DENTED UP, 656 00:30:50,720 --> 00:30:53,560 AND YOU WANTED TO COLLECT BLUE BOOK FROM THE INSURANCE COMPANY, 657 00:30:53,590 --> 00:30:56,290 AND YOU DIDN’T LIKE PUERTO RICAN DEALERS PISSING IN YOUR MEN’S ROOM. 658 00:30:56,330 --> 00:30:58,300 GINGER ALE, PLEASE. 659 00:30:58,330 --> 00:31:01,260 I THINK THE PASCALS ARE WHERE YOU GOT HELP FOR ME. 660 00:31:01,300 --> 00:31:04,070 I FEEL LIKE YOU CAN PUT ME WITH THE THIRD GUY IN YOUR CAR. 661 00:31:04,100 --> 00:31:06,230 THAT’S NOT THE CASE. AH! 662 00:31:06,270 --> 00:31:07,640 YOU PROVIDED THE CAR. WHERE’S HE GOT LEVERAGE FOR HELP? 663 00:31:07,670 --> 00:31:09,040 I’M NO RAT. 664 00:31:09,070 --> 00:31:10,570 WE GOT TO FIND A WAY. 665 00:31:10,610 --> 00:31:12,140 WHEN I COME UP WITH THE THIRD GUY 666 00:31:12,180 --> 00:31:14,920 AND HE GIVES YOU TO ME FOR PROVIDING THE CAR, 667 00:31:14,950 --> 00:31:17,390 I DON’T HAVE TO LOCK YOU UP FOR ACTING IN CONCERT IN A MURDER. 668 00:31:17,420 --> 00:31:20,090 FINISH WITH HIM, I DON’T NEED A GINGER ALE. 669 00:31:20,120 --> 00:31:22,950 SO HOW ABOUT YOU MAKE AN ANONYMOUS CALL TO MY SQUAD, 670 00:31:22,990 --> 00:31:25,330 ASK FOR THE NEXT DETECTIVE WHO’S CATCHING, 671 00:31:25,360 --> 00:31:27,170 AND TELL HER WHERE TO FIND THIS THIRD GUY, 672 00:31:27,190 --> 00:31:29,790 BUT DON’T TELL HER HE’S CONNECTED WITH OUR CASE. 673 00:31:29,830 --> 00:31:31,630 JUST SAY YOU SAW A GUY LOOK LIKE HE’D BEEN SHOT, 674 00:31:31,660 --> 00:31:33,090 TELL HER WHERE TO PICK HIM UP. 675 00:31:33,130 --> 00:31:34,600 DANNY, YOU’RE ASSUMING I KNOW 676 00:31:34,630 --> 00:31:35,930 WHERE THIS THIRD GUY WOULD BE. 677 00:31:35,970 --> 00:31:37,780 YEAH, I’M MAKING THAT ASSUMPTION. 678 00:31:37,800 --> 00:31:38,630 THEN I’LL BE RIGHT WITH YOU GUYS? 679 00:31:38,670 --> 00:31:40,770 RIGHT AS SNOW ON CHRISTMAS. 680 00:32:08,170 --> 00:32:10,340 GOOD, NOW I’VE GOT 4 DETECTIVES ON A BUM STEER. 681 00:32:21,350 --> 00:32:23,220 I’VE GOT HIM. WHAT’S YOUR NAME? 682 00:32:23,250 --> 00:32:24,490 TOMMY CIANFROCCO. 683 00:32:24,520 --> 00:32:25,290 HOW’D YOU GET HURT, TOMMY? 684 00:32:25,320 --> 00:32:26,490 NOT WITH THE PASCALS. 685 00:32:26,520 --> 00:32:28,290 NOT WITH THE PASCALS. 686 00:32:28,320 --> 00:32:30,350 I DIDN’T HAVE NOTHING TO DO WITH THAT. 687 00:32:30,390 --> 00:32:32,720 I CAN’T BELIEVE IT. THIS ONE’S HIS, TOO. 688 00:32:32,760 --> 00:32:34,170 IT’S NOT HIS UNLESS HE ASKS FOR IT. 689 00:32:34,190 --> 00:32:36,160 AND IT WON’T GET LIGHT OUT UNLESS THE SUN COMES UP. 690 00:32:37,660 --> 00:32:39,030 MY EARS ARE BURNING. 691 00:32:40,730 --> 00:32:42,200 YOU GOT HIM? 692 00:32:42,230 --> 00:32:44,000 YEAH, I GOT HIM. 693 00:32:44,040 --> 00:32:46,680 YEAH, WE GOT HIM. FOR NOW. 694 00:33:03,790 --> 00:33:05,190 THIS IS LIKE A NIGHTMARE. 695 00:33:05,220 --> 00:33:07,490 I’M SHOT DRIVING MERELY WITH MY FRIENDS. 696 00:33:07,530 --> 00:33:09,070 HOW’D IT ALL HAPPEN, TOMMY? 697 00:33:09,090 --> 00:33:11,330 ALL I CAN IMAGINE‐‐ DOMINIC, FRANKIE, AND I 698 00:33:11,360 --> 00:33:12,490 GET MISTOOK FOR OTHER PEOPLE. 699 00:33:12,530 --> 00:33:13,760 EVERYONE MISTOOK YOU? 700 00:33:13,800 --> 00:33:15,000 THE SHOOTERS THAT GOT YOU 701 00:33:15,030 --> 00:33:16,000 AND ALL THE EYEWITNESSES 702 00:33:16,030 --> 00:33:17,170 WHERE THIS OTHER GUY GOT SHOT? 703 00:33:17,200 --> 00:33:18,430 I’M NOT SAYING THIS DON’T LOOK BAD 704 00:33:18,470 --> 00:33:19,900 OR I’M NOT WILLING TO COOPERATE. 705 00:33:19,940 --> 00:33:21,340 WHEN YOU’RE DONE TALKING TO THE BOSS, 706 00:33:21,370 --> 00:33:22,770 TOMMY’LL BE IN INTERVIEW 3. 707 00:33:26,910 --> 00:33:28,740 HEY, DORNAN. 708 00:33:28,780 --> 00:33:30,250 SIPOWICZ. 709 00:33:30,280 --> 00:33:32,610 GOT TO TALK TO THIS GUY FOR MY WIFE. 710 00:33:32,650 --> 00:33:33,680 DANNY SORENSON, SARGE. 711 00:33:33,720 --> 00:33:34,680 YEAH, DANNY SORENSON. 712 00:33:34,720 --> 00:33:36,220 YEAH, BILL DORNAN. 713 00:33:36,250 --> 00:33:37,520 YOUR WIFE? 714 00:33:37,560 --> 00:33:39,530 COME ON. WE’LL TALK IN THE COFFEE ROOM. 715 00:33:39,560 --> 00:33:41,090 GOT A MEETING I GOT TO GET TO. 716 00:33:41,130 --> 00:33:43,530 YEAH, THIS WON’T TAKE LONG. 717 00:33:43,560 --> 00:33:45,030 SORRY ABOUT YOUR PARTNER. 718 00:33:45,060 --> 00:33:46,260 APPRECIATE THAT. 719 00:33:53,500 --> 00:33:54,900 WOUNDED GUY RUSSELL GRABBED UP, 720 00:33:54,940 --> 00:33:56,270 HE LOOKS GOOD FOR BEING THE THIRD MAN 721 00:33:56,310 --> 00:33:58,780 WHO SHOT JULIO DIAZ, BOSS. 722 00:33:58,810 --> 00:34:01,540 OFF THAT ANONYMOUS PHONE TIP. 723 00:34:01,580 --> 00:34:03,610 NAME’S TOMMY CIANFROCCO. 724 00:34:03,650 --> 00:34:05,310 HE LOOKS GOOD FOR BEING IN THE CAR 725 00:34:05,350 --> 00:34:07,320 WITH THE PASCAL COUSINS. 726 00:34:07,350 --> 00:34:09,750 THAT WOULD MAKE IT PART OF YOUR INVESTIGATION. 727 00:34:09,790 --> 00:34:12,820 SHALL I TELL RUSSELL YOU WANT THE INTERVIEW? 728 00:34:14,630 --> 00:34:16,400 ACTUALLY, BEING WE’RE ON AN UPPER FLOOR, 729 00:34:16,430 --> 00:34:18,500 I’D LIKE TO AVOID JUMPING THE SAME DETECTIVE’S CASE 730 00:34:18,530 --> 00:34:20,000 TWICE IN MY FIRST SHIFT. 731 00:34:22,370 --> 00:34:24,340 I’LL HAVE DIANE TALK TO THE GUY. 732 00:34:24,370 --> 00:34:26,130 THEY’RE IN INTERVIEW 3, 733 00:34:26,170 --> 00:34:28,340 WHEREVER THE HELL THAT IS. 734 00:34:28,370 --> 00:34:31,010 HA. ANDY SAY HE WAS EXPECTING SERGEANT DORNAN? 735 00:34:31,040 --> 00:34:32,870 NO, I DON’T KNOW WHAT THAT’S ABOUT. 736 00:34:38,550 --> 00:34:40,520 SO BEFORE YOUR PROMOTION, 737 00:34:40,550 --> 00:34:43,280 WHEN YOU WERE JUST A LOWLY DETECTIVE, 738 00:34:43,320 --> 00:34:44,920 YOU COLLARED A GUY FOR A HOMICIDE, 739 00:34:44,960 --> 00:34:47,530 UH, NAMED JUAN SUAREZ. 740 00:34:47,560 --> 00:34:50,090 YEAH, HE SHOT A GUY IN FRONT OF A BODEGA. 741 00:34:50,130 --> 00:34:51,860 GOT 15 YEARS. 742 00:34:51,900 --> 00:34:53,670 HOW WELL DO YOU REMEMBER THAT CASE? 743 00:34:53,700 --> 00:34:55,100 WHY DO YOU WANT TO KNOW? 744 00:34:55,130 --> 00:34:57,330 KEEP THE DOMESTIC TRANQUILLITY. 745 00:34:57,370 --> 00:34:58,830 MY WIFE’S SYLVIA COSTAS. 746 00:34:58,870 --> 00:35:00,770 SHE’S THE A.D.A. PROSECUTED THE CASE. 747 00:35:00,810 --> 00:35:03,010 YEAH, I REMEMBER WHO PROSECUTED THE CASE. 748 00:35:03,040 --> 00:35:04,610 WHEN’D SHE GET MARRIED TO YOU? 749 00:35:04,640 --> 00:35:06,010 DORNAN, I SWEAR TO GOD, 750 00:35:06,040 --> 00:35:07,440 I GOT NO AX TO GRIND HERE. 751 00:35:07,480 --> 00:35:09,140 IT’S JUST SYLVIA’S GOT THE IDEA 752 00:35:09,180 --> 00:35:10,780 THAT MAYBE THIS SUAREZ WAS A PATSY. 753 00:35:10,820 --> 00:35:12,560 DIDN’T ACTUALLY DO THE SHOOTING. 754 00:35:12,580 --> 00:35:13,980 GOT A IDEA A LITTLE LATE. 755 00:35:14,020 --> 00:35:16,520 SUAREZ IS WRITING HER LETTERS FROM PRISON. 756 00:35:16,560 --> 00:35:18,000 HE’S GOT HER PERSUADED 757 00:35:18,020 --> 00:35:19,290 THAT HE WAS BOUGHT TO TAKE THE RAP 758 00:35:19,320 --> 00:35:20,460 OFF HIM BEING BROTHERS 759 00:35:20,490 --> 00:35:22,490 WITH THE GUY THAT THE DOA HIT. 760 00:35:23,730 --> 00:35:25,990 HOW ABOUT HE DID IT OFF THE SAME MOTIVE? 761 00:35:26,030 --> 00:35:27,730 DOA HAD MURDERED HIS BROTHER? 762 00:35:27,770 --> 00:35:29,640 HE’S PEDDLING THE DOA WAS MURDERED 763 00:35:29,670 --> 00:35:31,170 OVER SLINGING DRUGS. 764 00:35:31,200 --> 00:35:32,800 THE DEALERS THAT DID IT COME TO HIM 765 00:35:32,840 --> 00:35:34,480 OFFERING HIM MONEY IF HE’D TAKE THE FALL. 766 00:35:34,510 --> 00:35:35,850 HE GAVE IT UP TOUGH. ARE YOU SAYING 767 00:35:35,870 --> 00:35:37,470 I SHOULD’VE TALKED HIM OUT OF IT? 768 00:35:37,510 --> 00:35:39,410 NO, I’M NOT, AND I’M NOT SAYING YOU SHOULD’VE 769 00:35:39,440 --> 00:35:41,210 THROWN BACK A GROUND BALL CLEARANCE. 770 00:35:41,250 --> 00:35:43,090 I’M ONLY ASKING IF, 771 00:35:43,110 --> 00:35:44,480 IN THE LIGHT OF THESE RESERVATIONS, 772 00:35:44,520 --> 00:35:46,060 DO YOU THINK IT’S POSSIBLE 773 00:35:46,080 --> 00:35:49,250 THAT MAYBE THIS SUAREZ’S CONFESSION WAS BOUGHT? 774 00:35:49,290 --> 00:35:52,330 WANT ME TO SAY THAT TO KEEP YOUR WIFE HAPPY? 775 00:35:52,360 --> 00:35:54,270 I WANT YOU TO SAY IT IF, LOOKING BACK, 776 00:35:54,290 --> 00:35:56,520 YOU THINK MAYBE THIS GUY GAVE IT UP TOO EASY. 777 00:35:56,560 --> 00:35:58,890 HOW WOULD I KNOW THAT? 778 00:35:58,930 --> 00:36:01,700 [SIGHS] FOR EXAMPLE, BETWEEN YOU, ME, AND THE DOORPOST, 779 00:36:01,730 --> 00:36:03,360 WHAT KIND OF TUNE‐UP DID YOU GIVE HIM 780 00:36:03,400 --> 00:36:05,170 BEFORE HE CONFESSED? 781 00:36:05,200 --> 00:36:06,900 WHAT KIND OF TUNE‐UP? 782 00:36:06,940 --> 00:36:09,000 OH, FOR GOD SAKES, DORNAN. 783 00:36:09,040 --> 00:36:10,540 DID YOU AND ME BUILD UP SOME BIG PERSONAL TRUST 784 00:36:10,580 --> 00:36:11,720 I’VE FORGOTTEN ABOUT? 785 00:36:11,740 --> 00:36:14,280 I’M ASKING YOU ONE COP TO ANOTHER. 786 00:36:14,310 --> 00:36:16,080 ONE COP TO ANOTHER. 787 00:36:16,110 --> 00:36:18,410 YOU BEING THE COP. 788 00:36:18,450 --> 00:36:20,180 WHEN I’M WALKING INTO THE COURTHOUSE BUILDING, 789 00:36:20,220 --> 00:36:21,880 TESTIFYING ON ANOTHER CASE, 790 00:36:21,920 --> 00:36:22,880 YOU WERE WALKING OUT. 791 00:36:22,920 --> 00:36:24,750 YOU SAW A BLACK MAN PANHANDLING. 792 00:36:24,790 --> 00:36:26,220 YOU ASK HIM IF HE WAS RAISING MONEY 793 00:36:26,260 --> 00:36:29,400 FOR THE UNITED NEGRO PIZZA FUND. 794 00:36:29,430 --> 00:36:31,440 HOW LONG AGO DID THAT HAPPEN? 795 00:36:31,460 --> 00:36:33,060 6 1/2 YEARS. 796 00:36:33,100 --> 00:36:36,980 SO IF I APOLOGIZE FOR OFFENDING YOU 6 1/2 YEARS AGO, 797 00:36:37,000 --> 00:36:39,300 WHEN I DIDN’T EVEN KNOW YOU WERE IN THE CITY LIMITS, 798 00:36:39,340 --> 00:36:41,550 WITH THAT GOOD MEMORY YOU GOT, 799 00:36:41,570 --> 00:36:43,140 DO YOU THINK THAT YOU COULD GIVE ME THE COURTESY 800 00:36:43,170 --> 00:36:45,940 OF A STRAIGHT ANSWER ON THIS GUY’S CONFESSION? 801 00:36:45,980 --> 00:36:48,250 EVEN IF IT MAKES IT LOOK LIKE I MESSED UP? 802 00:36:48,280 --> 00:36:49,980 IT’S NOT GOING TO MAKE YOU LOOK LIKE YOU MESSED UP. 803 00:36:50,010 --> 00:36:52,050 HOW’S IT GOING TO MAKE YOU LOOK LIKE THAT 804 00:36:52,080 --> 00:36:55,350 IF THIS INFORMATION DIDN’T SURFACE TILL 3 YEARS LATER? 805 00:36:57,290 --> 00:36:59,660 THIS CONFESSION SEEMED VERY CREDIBLE TO ME. 806 00:36:59,690 --> 00:37:02,320 FINE. THAT’S THE PUBLIC POSITION. 807 00:37:02,360 --> 00:37:03,930 IT’S MY POSITION, PERIOD. 808 00:37:03,960 --> 00:37:05,660 HIS CONFESSION SEEMED CREDIBLE. 809 00:37:05,700 --> 00:37:07,010 THAT’S WHY I WENT FORWARD. 810 00:37:09,170 --> 00:37:12,280 ANYWAY, YOU GOT A MEETING TO GET TO. 811 00:37:12,300 --> 00:37:14,570 THANKS FOR TAKING THE TIME. 812 00:37:14,610 --> 00:37:16,880 BOTH ON THE SAME JOB. 813 00:37:34,360 --> 00:37:35,690 HI. 814 00:37:35,730 --> 00:37:36,840 HI. 815 00:37:38,330 --> 00:37:40,200 HOW’S THE LITTLE GUY? 816 00:37:40,230 --> 00:37:42,830 OH. THEO’S GOT A FEVER. 817 00:37:42,870 --> 00:37:43,810 HOW HIGH? 818 00:37:44,970 --> 00:37:46,600 101. 819 00:37:46,640 --> 00:37:47,940 HE HAD A VACCINATION YESTERDAY, 820 00:37:47,970 --> 00:37:50,340 AND DR. MELMAN THINKS THAT HE MAY BE REACTING TO THAT. 821 00:37:50,370 --> 00:37:53,170 SO THERE’S NO MEDICINE YOU NEED HIM TO SWALLOW? 822 00:37:53,210 --> 00:37:56,650 HA. ANDY, YOU TRYING TO MAKE HIM LAUGH 823 00:37:56,680 --> 00:37:58,550 WITH YOUR STUPID SINGING SO I CAN SHOVE 824 00:37:58,580 --> 00:37:59,680 MEDICINE DOWN HIS THROAT 825 00:37:59,720 --> 00:38:00,820 COULD HAVE REPERCUSSIONS 826 00:38:00,850 --> 00:38:02,280 WHEN HE GROWS UP. 827 00:38:02,320 --> 00:38:03,620 SO WHEN HE’S AN ADULT 828 00:38:03,660 --> 00:38:05,630 AND HE HEARS WHEN IRISH EYES ARE SMILING, 829 00:38:05,660 --> 00:38:07,370 HE’S GOING TO PUNCH THE SINGER IN THE NOSE 830 00:38:07,390 --> 00:38:08,760 AND DON’T KNOW WHY? 831 00:38:21,840 --> 00:38:24,970 ANYWAYS, ON YOUR INTEREST IN THAT SUAREZ CASE, 832 00:38:25,010 --> 00:38:27,480 I DID TALK TO BILL DORNAN. 833 00:38:27,510 --> 00:38:29,580 WHAT’D HE TELL YOU ABOUT IT? 834 00:38:29,610 --> 00:38:33,310 UH, I WISH I COULD GIVE YOU A BETTER SENSE ON THAT, SYLVIA, 835 00:38:33,350 --> 00:38:36,050 BUT, UH... 836 00:38:36,090 --> 00:38:38,530 WHATEVER DORNAN THINKS, HE‐‐ 837 00:38:38,560 --> 00:38:40,930 HE JUST AIN’T TELLING ME. 838 00:38:44,860 --> 00:38:45,760 OK. 839 00:38:52,800 --> 00:38:55,770 I, UH, WENT AROUND WITH HIM ON IT, 840 00:38:55,810 --> 00:38:57,080 AND, A‐‐ 841 00:38:57,110 --> 00:38:59,710 THE GUY JUST DON’T TRUST ME THAT MUCH, 842 00:38:59,740 --> 00:39:01,010 AND, B‐‐ 843 00:39:01,050 --> 00:39:02,250 EVEN IF HE DID, 844 00:39:02,280 --> 00:39:05,050 YOU GOT TO UNDERSTAND THAT, UH, COP’S FIGURE 845 00:39:05,080 --> 00:39:06,750 THE SMALL CHANCE A GUY DIDN’T DO SOMETHING 846 00:39:06,790 --> 00:39:08,860 ON SOMETHING HE’S LOCKED UP FOR, 847 00:39:08,890 --> 00:39:10,260 9 TIMES OUT OF 10 THERE’S SOMETHING ELSE 848 00:39:10,290 --> 00:39:11,950 THAT HE DID DO 849 00:39:11,990 --> 00:39:15,360 THAT HE SHOULD’VE BEEN LOCKED UP FOR AND HE WASN’T. 850 00:39:15,390 --> 00:39:17,290 YOU REOPENED THE COLEMAN CASE 851 00:39:17,330 --> 00:39:19,260 AND WORKED TO GET HIM CLEARED. 852 00:39:19,300 --> 00:39:21,710 HA. I REOPENED THE COLEMAN CASE 853 00:39:21,730 --> 00:39:23,770 NOT OUT OF NO KEEN SENSE OF JUSTICE, SYLVIA. 854 00:39:23,800 --> 00:39:25,430 I DID IT BECAUSE I JUST STOPPED DRINKING 855 00:39:25,470 --> 00:39:27,540 AND I WAS HYPERSENSITIVE 856 00:39:27,570 --> 00:39:28,700 AND I‐‐I DIDN’T WANT NOBODY, 857 00:39:28,740 --> 00:39:30,410 EVEN IF THEY WERE SKELLS, 858 00:39:30,440 --> 00:39:33,740 THINKING THAT I GAVE THEM A BUM SHAKE. 859 00:39:41,450 --> 00:39:42,620 IF YOU WANT ME TO, SYLVIA, 860 00:39:42,650 --> 00:39:44,590 I‐I’LL LOOK INTO IT FURTHER. 861 00:39:44,620 --> 00:39:47,490 I’M LOOKING INTO IT FURTHER WHETHER YOU DO OR NOT. 862 00:39:47,530 --> 00:39:49,000 FINE. GOOD. 2 HEADS ARE BETTER THAN ONE. 863 00:39:49,030 --> 00:39:50,100 MM‐HMM. 864 00:39:53,300 --> 00:39:55,270 UNLESS THEY’RE ON THE SAME PERSON. 865 00:40:00,170 --> 00:40:02,070 THANK YOU, ANDY. 866 00:40:02,110 --> 00:40:04,150 YOU’RE WELCOME. 867 00:40:07,810 --> 00:40:09,980 HOW DO YOU LIKE YOUR NEW PARTNER? 868 00:40:22,960 --> 00:40:28,460 HE, UH, HE‐‐HE’S GOT A LOT ON THE BALL. 869 00:40:28,500 --> 00:40:31,300 RUSSELL, OF COURSE, HAS HER RESERVATIONS. 870 00:40:31,340 --> 00:40:33,880 YEAH, I EXPECT SHE WOULD. 871 00:40:33,910 --> 00:40:36,180 YEAH. THESE CIRCUMSTANCES. 872 00:40:36,210 --> 00:40:38,780 WITH BOBBY PASSING, 873 00:40:38,810 --> 00:40:40,380 SHE’D HAVE RESERVATIONS 874 00:40:40,410 --> 00:40:42,710 HIM BEING REPLACED BY SHERLOCK HOLMES. 875 00:40:42,750 --> 00:40:44,620 WHICH, THERE’S NO NEED YET, 876 00:40:44,650 --> 00:40:48,220 CONFUSING THIS GUY WITH HIM ANYWAY. 877 00:40:50,420 --> 00:40:53,890 I’LL TELL YOU, THOUGH, 878 00:40:53,930 --> 00:40:57,740 CERTAIN TRAITS REMIND ME OF ANDY JR. 879 00:40:57,760 --> 00:40:59,630 IF HE REMINDS YOU OF ANDY JR., 880 00:40:59,660 --> 00:41:02,830 HE DOESN’T HAVE TO BE SHERLOCK HOLMES. 881 00:41:02,870 --> 00:41:05,640 JUST SOME SUPERFICIAL TRAITS, YOU KNOW. 882 00:41:05,670 --> 00:41:06,970 LIKE, HE GETS THIS‐‐ 883 00:41:07,010 --> 00:41:09,080 THIS HALF‐TROUBLEMAKER GRIN, 884 00:41:09,110 --> 00:41:10,350 IT REMINDS ME OF HIM. 885 00:41:10,370 --> 00:41:12,010 [SIGHS] 886 00:41:12,040 --> 00:41:15,740 YOU WANT TO KNOW IF THEY’RE FUNDAMENTAL. 887 00:41:24,420 --> 00:41:26,660 NONE OF THAT’S DECIDED YET, 888 00:41:26,690 --> 00:41:29,260 LIKE THIS WHOLE SUAREZ MATTER. 889 00:41:49,610 --> 00:41:52,550 SORRY, I FORGOT TO LOCK IT. 890 00:41:54,090 --> 00:41:56,360 ANY PROGRESS ON THAT MUTT? 891 00:41:56,390 --> 00:41:58,930 HE CAN’T GIVE IT UP FAST ENOUGH. 892 00:41:58,960 --> 00:42:00,430 GOOD. 893 00:42:00,460 --> 00:42:03,590 SAYS HIM AND THE PASCALS WERE LOOKING TO HIT THIS JULIO DIAZ 894 00:42:03,630 --> 00:42:05,890 AND ANOTHER DEALER NAMED RINCON. 895 00:42:05,930 --> 00:42:07,400 WHAT’S THE OTHER DEALER’S FIRST NAME? 896 00:42:07,430 --> 00:42:09,970 WHY? AM I GETTING GRADED? 897 00:42:11,270 --> 00:42:12,500 NO. IT DON’T MATTER. 898 00:42:14,840 --> 00:42:16,670 JULIO. 899 00:42:20,650 --> 00:42:24,060 SO AT WHAT POINT DO YOU GET A LOCKER IN THIS SQUAD? 900 00:42:24,080 --> 00:42:25,310 YOU’D WANT TO TAKE THAT UP WITH SOMEONE ELSE. 901 00:42:26,750 --> 00:42:28,450 ANYWAYS. 902 00:42:28,490 --> 00:42:30,600 NIGHT, DIANE. 903 00:42:30,620 --> 00:42:32,090 YEAH, GOOD NIGHT, DANNY. 904 00:42:32,120 --> 00:42:34,760 DIANE, 905 00:42:34,790 --> 00:42:37,830 I’M SORRY FOR YOUR LOSS. 906 00:42:37,860 --> 00:42:40,930 YOU DON’T KNOW ANYTHING ABOUT MY LOSS. 907 00:42:40,970 --> 00:42:44,440 YOU DON’T KNOW ANYTHING ABOUT HIM. 908 00:42:50,610 --> 00:42:51,710 NIGHT. 909 00:43:16,400 --> 00:43:18,570 DRAFT, PLEASE. 910 00:43:21,810 --> 00:43:23,680 YOU WANT TO CARD ME? 911 00:43:23,710 --> 00:43:26,510 YOU GOT ANY OTHER PROBLEMS WITH MY ORDER? 912 00:43:26,550 --> 00:43:27,890 NO. 913 00:43:29,410 --> 00:43:32,580 GOOD. I’M ON A ROLL. 65453

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