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1
00:00:14,220 --> 00:00:16,790
Bobby: WHOA, YOU SNUCK UP
ON ME THERE, PATSY.
2
00:00:16,820 --> 00:00:18,520
YEAH, I CREPT UP ON YA
LIKE AN INDIAN.
3
00:00:18,560 --> 00:00:20,900
YOU REMEMBER
I’M 1/8 MOHAWK.
4
00:00:20,930 --> 00:00:24,070
YEAH, YOUR GRANDPA,
HE USED TO WORK
ON THOSE SKYSCRAPERS.
5
00:00:24,100 --> 00:00:25,600
RAYMOND FERRARO.
6
00:00:25,630 --> 00:00:29,400
HE WAS A HALF‐BLOODED
MOHAWK AND A GREAT
PIGEON FLIER.
7
00:00:29,430 --> 00:00:30,530
NOW DEAD.
8
00:00:30,570 --> 00:00:32,070
HE TAUGHT YOU BIRDS.
9
00:00:32,100 --> 00:00:33,770
YEAH. HOW ARE
YOUR PIGEONS, BOBBY?
10
00:00:33,810 --> 00:00:37,250
AH, THEY’RE GOOD,
YOU KNOW?
11
00:00:37,280 --> 00:00:40,890
I MEAN,
THEY’RE DOING GOOD.
12
00:00:40,910 --> 00:00:45,550
BUT I TAKE IT YOU’RE
HAVING PROBLEMS
WITH YOUR WORK?
13
00:00:45,580 --> 00:00:48,580
I FEEL A LITTLE WORRIED
ABOUT KEEPING MY END UP.
14
00:00:48,620 --> 00:00:51,220
TAKE A DEEP BREATH
AND EXPLAIN YOURSELF.
15
00:00:51,260 --> 00:00:53,130
DO I TAKE IT
IT’S GRADE SCHOOL,
16
00:00:53,160 --> 00:00:54,770
SOME TYPE
CLASSROOM PROBLEM?
17
00:00:54,790 --> 00:00:56,420
I MEAN, NOT REALLY.
18
00:00:56,460 --> 00:01:00,300
HAVE I NOT TOLD YOU THAT
AT EXACTLY YOUR AGE,
IN SCHOOL,
19
00:01:00,330 --> 00:01:03,230
MY GEOGRAPHY TEACHER
SAID THE MAP I DREW,
20
00:01:03,270 --> 00:01:05,980
I’D SMEARED INK
THE WRONG DIRECTION
21
00:01:06,000 --> 00:01:07,970
SHOWING OCEAN
FROM LAND‐‐
22
00:01:08,010 --> 00:01:12,620
PATSY, I’M A GROWN MAN.
I’M OUT OF GRADE SCHOOL.
23
00:01:12,640 --> 00:01:18,650
YOU’RE NOT
IN GRADE SCHOOL?
24
00:01:18,680 --> 00:01:20,450
WELL, WHAT DID YOU
ASK ME UP HERE FOR
25
00:01:20,480 --> 00:01:21,450
IF YOU’RE NOT GONNA
LISTEN?
26
00:01:21,490 --> 00:01:26,200
LOOK AT ALL THIS CRAP
UNDER THE COOP.
27
00:01:26,220 --> 00:01:30,030
DID I ASK YOU
TO COME UP HERE?
28
00:01:30,060 --> 00:01:34,960
YES, YOU ASKED ME
TO COME UP HERE!
29
00:01:35,000 --> 00:01:38,170
WELL, YOU KNOW
I APPRECIATE YOUR ADVICE.
30
00:01:38,200 --> 00:01:44,870
TAKE SEVERAL
DEEP BREATHS.
31
00:01:44,910 --> 00:01:46,210
IS THAT BETTER OR NOT?
32
00:01:46,240 --> 00:01:47,810
YEAH, THAT’S BETTER.
THANKS.
33
00:01:47,850 --> 00:01:50,390
HEH HEH.
34
00:01:50,410 --> 00:01:53,050
CONGRATULATIONS WITH
YOUR WEDDING, BOBBY.
35
00:01:53,080 --> 00:01:54,120
THANKS A LOT, PATSY.
36
00:01:54,150 --> 00:01:56,620
HOW ARE THINGS
IN THAT REGARD?
37
00:01:56,660 --> 00:01:58,900
THANK GOD,
WE’RE REAL HAPPY.
38
00:01:58,920 --> 00:02:00,960
EXCLUDIN’ BIRDS...
39
00:02:00,990 --> 00:02:04,630
THAT’S THE ONLY AREA
MATTERS.
40
00:02:04,660 --> 00:02:08,200
BREATHE DEEP...AND
THAT’S THE END OF IT.
41
00:02:18,010 --> 00:02:21,240
[BREATHES DEEPLY]
42
00:02:24,780 --> 00:02:26,750
[BREATHES DEEPLY]
43
00:02:45,970 --> 00:02:47,070
HMM.
44
00:02:47,110 --> 00:02:48,780
GOOD MORNING.
45
00:02:48,810 --> 00:02:52,020
AHH! WHY ARE WE UP
WITH THE STREET CLEANERS?
46
00:02:52,040 --> 00:02:54,380
I GOT THAT
DENTAL APPOINTMENT.
47
00:02:54,410 --> 00:02:55,380
HMM...
48
00:02:55,410 --> 00:02:56,780
DR. REISMAN’S GONNA
DRIVE ME CRAZY.
49
00:02:56,820 --> 00:02:59,790
OH, WELL...
50
00:02:59,820 --> 00:03:02,280
IT HAS TO BE HE’S GOT
A CONTRACT FOR YOU.
51
00:03:02,320 --> 00:03:04,450
HE’S GOTTA HAVE
SOMETHING HE WANTS
YOU TO DO.
52
00:03:04,490 --> 00:03:06,450
YOU DON’T FIGURE
THIS GUY HAS A BIG DESIRE
TO CLEAN MY TEETH?
53
00:03:06,490 --> 00:03:07,760
NO.
54
00:03:09,090 --> 00:03:10,130
TURN.
55
00:03:13,430 --> 00:03:14,560
HMM.
56
00:03:20,340 --> 00:03:22,040
MMM.
57
00:03:22,070 --> 00:03:24,070
DIANE, I GOT TO BE
IN THIS GUY’S OFFICE
IN 20 MINUTES.
58
00:03:24,110 --> 00:03:26,370
OK, BOY SCOUT.
59
00:03:26,410 --> 00:03:27,940
RINSE.
60
00:03:34,650 --> 00:03:36,320
I LOVE YOU, BOBBY.
61
00:04:58,770 --> 00:04:59,970
YEAH, I’M SORRY.
62
00:05:00,000 --> 00:05:00,970
I NICKED YOU THERE A LITTLE
ABOVE YOUR NUMBER 12.
63
00:05:01,010 --> 00:05:02,880
[MUFFLED]
OH, NO‐‐NO PROBLEM.
64
00:05:02,910 --> 00:05:04,250
YOU WANT A LOLLIPOP?
65
00:05:04,280 --> 00:05:05,980
HAH.
66
00:05:06,010 --> 00:05:08,910
DOC, YOU KNOW,
I MIGHT BE TOTALLY
OFF‐BASE HERE,
67
00:05:08,950 --> 00:05:12,160
BUT, UH, IT SEEMS
LIKE THERE’S SOMETHING
ON YOUR MIND.
68
00:05:12,180 --> 00:05:14,650
YOU’RE 100% RIGHT, BOBBY.
I HATE TO IMPOSE ON YOU.
69
00:05:14,690 --> 00:05:16,190
MM‐HMM.
70
00:05:16,220 --> 00:05:18,050
MY DAUGHTER’S LET
HER LOWLIFE BOYFRIEND
MOVE IN WITH HER,
71
00:05:18,090 --> 00:05:19,660
AND HE DEALS
AND USES DRUGS.
72
00:05:19,690 --> 00:05:21,590
MY NAME’S ON THE LEASE.
73
00:05:21,630 --> 00:05:23,270
I KNOW I’M IN MY RIGHTS
TO TELL HIM TO GO, BUT...
74
00:05:23,290 --> 00:05:24,930
SOMETHING YOU’D
LIKE ME TO DO?
75
00:05:24,960 --> 00:05:27,100
IF YOU WERE TO CONFRONT
THIS DAN IN THAT APARTMENT,
76
00:05:27,130 --> 00:05:29,060
I’M SURE YOU’D FIND EVIDENCE
TO ARREST HIM.
77
00:05:29,100 --> 00:05:31,070
DOC,
IF THERE’S ANY COLLARS
IN THAT APARTMENT,
78
00:05:31,100 --> 00:05:32,200
YOUR DAUGHTER MIGHT
GET LOCKED UP, TOO.
79
00:05:32,240 --> 00:05:33,910
HE’S FORCED HER
TO DROP OUT OF NYU.
80
00:05:33,940 --> 00:05:36,340
HE’S FORCED A TOTAL
PERSONALITY CHANGE ON REECE.
81
00:05:36,370 --> 00:05:37,540
YOU KNOW THE BOYFRIEND’S
FULL NAME?
82
00:05:37,580 --> 00:05:39,590
I DON’T KNOW.
DAN SOMETHING.
83
00:05:41,710 --> 00:05:43,580
WRITE YOUR
DAUGHTER’S ADDRESS
AND HER PHONE NUMBER.
84
00:05:43,620 --> 00:05:45,420
I’LL, UH...
THANKS.
85
00:05:45,450 --> 00:05:46,850
TRY TO LOOK HER UP.
86
00:05:46,890 --> 00:05:50,030
I’M JUST AMAZED
YOU SENSED I HAD THIS
ON MY MIND.
87
00:05:50,050 --> 00:05:52,420
[PAGER BEEPS]
88
00:05:52,460 --> 00:05:54,530
LOOK, DOC, THAT’S
MY JOB BEEPING ME HERE.
89
00:05:54,560 --> 00:05:55,660
I GOTTA GO.
90
00:06:03,300 --> 00:06:04,530
WHAT, DO YOU GOT
A CHEST COLD THERE, BOBBY?
91
00:06:04,570 --> 00:06:06,600
YEAH. FIGHTIN’ ONE OFF.
92
00:06:06,640 --> 00:06:08,670
YEAH. I CAN HEAR IT
DOWN THERE.
93
00:06:27,760 --> 00:06:29,260
WE GETTIN’ WARM
ON THE SUPER?
94
00:06:29,290 --> 00:06:30,590
SAID HE WAS COMING
FROM HIS OTHER BUILDING.
95
00:06:30,630 --> 00:06:32,560
WHICH IS WHERE,
VERMONT?
96
00:06:32,600 --> 00:06:33,500
AHEM!
97
00:06:33,530 --> 00:06:34,730
[TAKING DEEP BREATH]
98
00:06:34,770 --> 00:06:36,170
HEY, ANDY.
99
00:06:36,200 --> 00:06:39,330
HEY. THE DOA’s A STUPID
28‐YEAR‐OLD MALE‐‐
100
00:06:39,370 --> 00:06:40,340
KEVIN RADNOR.
101
00:06:40,370 --> 00:06:41,670
WHAT DO YOU MEAN,
STUPID?
102
00:06:41,710 --> 00:06:43,850
OLD MAN’S
THAT BIG MILLIONAIRE,
103
00:06:43,880 --> 00:06:46,080
AND THE KID’S LIVING
IN A WALK‐UP?
104
00:06:46,110 --> 00:06:48,680
THEY TIED HIM
LIKE A FARM ANIMAL.
105
00:06:48,710 --> 00:06:50,310
HEY, BOBBY.
MORNING, JAMES.
106
00:06:50,350 --> 00:06:51,780
THEY WERE TORTURING HIM
FOR SOMETHING, ANDY.
107
00:06:51,820 --> 00:06:54,090
THERE’S NO DEFENSIVE
CUTS ON THE HAND,
108
00:06:54,120 --> 00:06:56,020
AND MOST OF THESE WOUNDS
ARE SUPERFICIAL.
109
00:06:56,050 --> 00:06:57,090
HI.
110
00:06:57,120 --> 00:06:58,190
HEY. WHO’S THIS?
111
00:06:58,220 --> 00:06:59,490
TAUGHT HIGH SCHOOL
WITH THE DOA.
112
00:06:59,520 --> 00:07:00,790
SHE’S WHO FOUND HIM.
113
00:07:00,830 --> 00:07:01,930
SHE HAD THE KEY?
114
00:07:01,960 --> 00:07:03,290
SAYS SHE HAD IT
’CAUSE THE DOA
115
00:07:03,330 --> 00:07:05,140
LET HER AND HER FIANCé
USE THE PLACE WEEKENDS.
116
00:07:05,160 --> 00:07:06,460
SAYS THAT’S
WHAT HE WAS LIKE.
117
00:07:06,500 --> 00:07:08,370
STUPID.
118
00:07:08,400 --> 00:07:11,630
IT’S PROBABLY WORTH
HAVING A CONVERSATION
WITH THE FIANCé.
119
00:07:11,670 --> 00:07:13,640
YEAH. I’LL MAKE SURE
JILL GOT HIS PEDIGREE.
120
00:07:15,840 --> 00:07:17,340
EXCUSE ME.
121
00:07:17,380 --> 00:07:20,150
[RIP]
Cop: YOU CAN’T
COME IN HERE, SIR.
122
00:07:20,180 --> 00:07:23,480
I’M MARK RADNOR.
THE VICTIM IS MY SON.
123
00:07:23,510 --> 00:07:25,850
THAT’S THE FATHER.
CHECK OUT THE SECURITY.
124
00:07:25,880 --> 00:07:28,220
THIS IS MR. MARK RADNOR,
RADNOR HOTELS.
125
00:07:28,250 --> 00:07:30,950
I’M MIKE ROBERTS,
RETIRED OFF THE JOB.
126
00:07:30,990 --> 00:07:32,850
Sipowicz: IT’S OK.
Roberts: HEY, GUYS.
127
00:07:32,890 --> 00:07:34,190
Sipowicz:
WHO CONTACTED YOU?
128
00:07:34,230 --> 00:07:35,170
ANDY...
129
00:07:35,190 --> 00:07:38,190
THESE ARE ALL FRIENDS,
MR. RADNOR.
130
00:07:38,230 --> 00:07:40,700
DETECTIVES I FORMERLY
WORKED WITH.
131
00:07:40,730 --> 00:07:42,230
FINE. I’LL APPRECIATE
THEIR CONSIDERATION.
132
00:07:42,270 --> 00:07:43,810
YEAH. WE’RE SORRY
FOR YOUR LOSS.
133
00:07:43,840 --> 00:07:45,180
THIS IS
DETECTIVE SIPOWICZ.
134
00:07:45,200 --> 00:07:46,230
HOW DID YOU FIND OUT
ABOUT THIS?
135
00:07:46,270 --> 00:07:47,500
AND THIS IS
DETECTIVE SIMONE.
136
00:07:47,540 --> 00:07:49,140
I WANT YOU TO REMEMBER
137
00:07:49,170 --> 00:07:50,710
THAT MY SON WAS
THE VICTIM HERE.
138
00:07:50,740 --> 00:07:51,710
THAT’S CLEAR FROM
THE CIRCUMSTANCES, SIR.
139
00:07:51,740 --> 00:07:53,040
HOW ABOUT YOU REMEMBER
140
00:07:53,080 --> 00:07:55,020
I ASKED HOW YOU
FOUND OUT ABOUT THIS?
141
00:07:55,050 --> 00:07:58,860
MR. RADNOR WAS CONTACTED
VIA ME BY THE BUILDING
SUPERINTENDENT, ANDY.
142
00:07:58,880 --> 00:08:01,350
THEN THE SUPER GETS
A HAT TO GO INCOGNITO
143
00:08:01,390 --> 00:08:04,330
PENDIN’ THIS ONE’S
LOOK‐AROUND HOW HE WANTS
THINGS HANDLED.
144
00:08:04,360 --> 00:08:05,760
MR. RADNOR, YOU KNOW,
145
00:08:05,790 --> 00:08:07,690
WE WOULD HAVE REALLY
PREFERRED TALKING
TO YOU ELSEWHERE
146
00:08:07,730 --> 00:08:09,840
TO SPARE YOU THE GRIEF
OF SEEING YOUR SON LIKE THIS.
147
00:08:09,860 --> 00:08:11,860
WHAT’S THAT MEAN‐‐
"REMEMBER HE’S
THE VICTIM"?
148
00:08:11,900 --> 00:08:14,940
IT MEANS FIND OUT
WHO KILLED HIM AND KEEP
HIS LIFESTYLE OUT OF IT.
149
00:08:14,970 --> 00:08:17,840
OFTEN LEARNING ABOUT
THE VICTIM’S LIFESTYLE,
150
00:08:17,870 --> 00:08:19,600
THAT GIVES US HINTS
FOR OUR WORK.
151
00:08:19,640 --> 00:08:21,740
WHAT WAS HIS, UH,
LIFESTYLE, MR. RADNOR?
152
00:08:21,770 --> 00:08:23,200
FAGOLA, ANDY.
153
00:08:23,240 --> 00:08:24,570
WHAT?
154
00:08:24,610 --> 00:08:25,870
FAGOLA, FRUITSKY.
155
00:08:25,910 --> 00:08:30,050
MR. RADNOR, UH, A HOMICIDE
WITH THIS TYPE OF VIOLENCE,
156
00:08:30,080 --> 00:08:32,510
WE’LL SOMETIMES LOOK
AT THE SEXUAL ANGLE.
157
00:08:32,550 --> 00:08:33,510
WELL, THE FIRST TIME
THAT’S IN THE PRESS,
158
00:08:33,550 --> 00:08:35,120
I AM COMING
FOR YOUR JOBS.
159
00:08:35,150 --> 00:08:37,320
YEAH.
WE’RE BIG CONDUITS
FOR THE PRESS.
160
00:08:39,890 --> 00:08:40,990
GREG, JAMES.
161
00:08:45,660 --> 00:08:46,900
HE’LL GIVE YOU, UM,
THE INFORMATION.
162
00:08:46,930 --> 00:08:48,600
ALL RIGHT.
GO IN WITH THEM.
163
00:08:48,630 --> 00:08:50,270
ABSOLUTELY, SIR.
164
00:08:52,340 --> 00:08:53,610
TELL ’EM ABOUT KEVIN.
165
00:08:53,640 --> 00:08:54,640
ABSOLUTELY, SIR.
166
00:08:56,310 --> 00:08:58,080
I’LL BE DOWN IN A MINUTE.
167
00:08:59,480 --> 00:09:01,120
WHAT, WERE YOU
AND THE KID LOVERS?
168
00:09:01,150 --> 00:09:02,120
YEAH. HA HA HA.
169
00:09:02,150 --> 00:09:03,660
WHAT DO YOU GOT
FOR US, MIKE?
170
00:09:03,680 --> 00:09:05,650
I GOT A GUY
YOU CAN LIKE A LOT.
171
00:09:05,680 --> 00:09:07,380
THIS IS STRICTLY
NEED‐TO‐KNOW.
172
00:09:07,420 --> 00:09:10,090
CATCHING DETECTIVES AND
THAT PAIN‐IN‐THE‐BALLS
LIEUTENANT YOU GOT.
173
00:09:10,120 --> 00:09:12,650
WE GOT TO MINIMIZE
POSSIBLE LEAKS HERE.
174
00:09:12,690 --> 00:09:14,320
POSSIBLE RAPE VICTIM
OVER AT BELLEVUE.
175
00:09:14,360 --> 00:09:16,790
BOSS WANTS ME AND JILL
TO TAKE IT.
176
00:09:16,830 --> 00:09:18,490
THERE GOES 2 POSSIBLE
LEAKERS RIGHT THERE.
177
00:09:18,530 --> 00:09:20,260
AH, COME ON, ANDY.
178
00:09:20,300 --> 00:09:21,730
YOU’RE TELLING ME
THE PRESS WOULDN’T HAVE
A FIELD DAY WITH THIS?
179
00:09:21,770 --> 00:09:23,940
DEVIATE SON OF A GUY
LIKE RADNOR
180
00:09:23,970 --> 00:09:25,800
WINDS UP EARLY
THANKSGIVING TURKEY?
181
00:09:25,840 --> 00:09:27,350
WHAT DID YOUR DENTIST WANT?
182
00:09:27,370 --> 00:09:29,910
GET HIS DAUGHTER
OUT FROM UNDER
A DRUG DEALER’S EVIL SPELL.
183
00:09:29,940 --> 00:09:31,110
HOW OLD’S THE DAUGHTER?
184
00:09:31,140 --> 00:09:33,140
SHE’S A DROPOUT OF NYU.
185
00:09:33,180 --> 00:09:34,950
Russell: SOUNDS LIKE
THE IMPRESSIONABLE TYPE.
186
00:09:36,720 --> 00:09:37,890
JILL.
187
00:09:40,380 --> 00:09:42,450
PRIMO LANDING FIELD
ON THAT BLONDE, HUH?
188
00:09:42,490 --> 00:09:45,700
LET’S GET
TO THE HOUSE, MIKE.
189
00:09:45,720 --> 00:09:48,620
KID LIVES
IN THIS TYPE SQUALOR.
190
00:09:48,660 --> 00:09:51,630
RIPPED MY SUIT
COMIN’ UP THE STAIRS.
191
00:10:07,880 --> 00:10:08,840
DR. DAVIS?
192
00:10:08,880 --> 00:10:10,110
WHAT?
193
00:10:10,150 --> 00:10:11,850
DETECTIVES RUSSELL
AND KIRKENDALL.
194
00:10:11,880 --> 00:10:13,680
YOU REPORTED
A POSSIBLE RAPE VICTIM?
195
00:10:13,720 --> 00:10:16,120
UH...FALSE ALARM.
196
00:10:16,150 --> 00:10:17,820
WHAT DOES
FALSE ALARM MEAN?
197
00:10:17,860 --> 00:10:21,700
A YOUNG GIRL,
NINA NUÑEZ, CAME IN.
198
00:10:21,730 --> 00:10:25,000
SAID SHE’D BEEN
SEXUALLY ASSAULTED.
199
00:10:25,030 --> 00:10:28,230
HER HYMEN WAS INTACT,
BUT SHE HAD EXTERNAL BRUISING,
200
00:10:28,270 --> 00:10:30,140
SO I WENT FOR A RAPE KIT,
AND I CALLED YOU PEOPLE.
201
00:10:30,170 --> 00:10:31,800
WHEN I GOT BACK,
SHE WAS GONE.
202
00:10:31,840 --> 00:10:33,240
HAD SHE OBJECTED
TO YOUR DOING THE KIT?
203
00:10:33,270 --> 00:10:35,570
HARD TO TELL
WHAT SHE WAS THINKING.
204
00:10:35,610 --> 00:10:37,020
COULD HAVE BEEN
ON SOMETHING.
205
00:10:37,040 --> 00:10:38,970
SEEMED, UH, DISORIENTED.
206
00:10:39,010 --> 00:10:42,580
HEY, DOC, WE’RE HERE.
WE GOT TO ASK YOU SOME
QUESTIONS ABOUT THIS.
207
00:10:42,610 --> 00:10:44,210
[GROANS] DO I HAVE
TO KEEP MY EYES OPEN?
208
00:10:44,250 --> 00:10:47,580
YEAH. DID SHE SAY ANYTHING
ABOUT WHO RAPED HER?
209
00:10:47,620 --> 00:10:49,180
SOME BIG BLACK GUY.
210
00:10:49,220 --> 00:10:50,650
YOU THINK
THE ASSAULT WAS REAL,
211
00:10:50,690 --> 00:10:52,350
OR SHE WAS ALIBIING
SOME LATE NIGHT OUT?
212
00:10:52,390 --> 00:10:53,820
ALWAYS
A POSSIBILITY.
213
00:10:53,860 --> 00:10:56,520
DOWNSIDE OF LIVING
IN A CITY WITH
A SUBWAY SYSTEM.
214
00:10:56,560 --> 00:10:59,430
CAN’T TELL
YOUR FOLKS YOUR CAR
RAN OUT OF GAS.
215
00:10:59,460 --> 00:11:01,760
ANYWAY, THANKS FOR
YOUR BIG COOPERATION.
216
00:11:01,800 --> 00:11:04,430
HEY, DETECTIVE, I
GOT 40 MINUTES TO
KEEP MY EYES CLOSED,
217
00:11:04,470 --> 00:11:06,400
THEN I WORK ANOTHER
36 HOURS STRAIGHT.
218
00:11:06,440 --> 00:11:09,210
MMM. SO AT LEAST
FOR THE NEXT 40 MINUTES,
219
00:11:09,240 --> 00:11:11,570
THE PATIENTS
IN THE HOSPITAL
ARE SAFE.
220
00:11:19,250 --> 00:11:22,020
WHAT DO YOU GOT
FOR US, MIKE?
221
00:11:22,050 --> 00:11:25,720
UH, LAST SPRING‐‐
I WANT TO SAY APRIL‐‐
222
00:11:25,760 --> 00:11:28,970
THIS CON ARTIST, YOU KNOW,
A FORMER STUDENT
OF MR. RADNOR’S SON,
223
00:11:28,990 --> 00:11:30,590
APPROACHES US FOR A LOAN.
224
00:11:30,630 --> 00:11:32,790
WANTS TO INVEST
IN SOME HALF‐ASSED
MAIL ORDER BUSINESS
225
00:11:32,830 --> 00:11:34,700
HE SAW ON AN INFOMERCIAL.
226
00:11:34,730 --> 00:11:36,570
YOU KNOW, "I WAS ONE OF YOUR
SON’S FAVORITE STUDENTS.
227
00:11:36,600 --> 00:11:39,200
WANT YOU TO HELP ME OUT."
BOP, BOP, BOP‐‐
228
00:11:39,240 --> 00:11:42,080
APPROACHED THE BOTH
OF THEM FOR A LOAN
229
00:11:42,110 --> 00:11:43,920
BECAUSE ROBERTS GOT
SUCH DEEP POCKETS, TOO.
230
00:11:44,940 --> 00:11:47,580
COKED UP, THIS KENNY‐‐
231
00:11:47,610 --> 00:11:49,480
KENNY, BEING THE DOA’s
FORMER STUDENT.
232
00:11:49,510 --> 00:11:51,580
NOW, HOWEVER MANY MILLIONS
MR. RADNOR’S GOT,
233
00:11:51,620 --> 00:11:53,890
HE DIDN’T MAKE BEATIN’
AROUND THE BUSH.
234
00:11:53,920 --> 00:11:56,920
SO HE ASKS THIS KENNY
STRAIGHT OUT,
235
00:11:56,960 --> 00:11:59,930
ARE HIM AND MR. RADNOR’S SON
HITTIN’ EACH OTHER
IN THE SEAT.
236
00:11:59,960 --> 00:12:02,320
KENNY ADMITS THIS IS TRUE.
237
00:12:02,360 --> 00:12:05,890
SO MR. RADNOR HAS ME
GIVE HIM 10 GRAND
238
00:12:05,930 --> 00:12:09,330
AND IMPRESS UPON KENNY,
STRONGLY, THAT THE STORE
IS NOW CLOSED.
239
00:12:09,370 --> 00:12:11,640
WHAT’S THE SON HAVE TO SAY
ABOUT ALL THIS, MIKE?
240
00:12:11,670 --> 00:12:13,130
MR. RADNOR AND HIM
HAD A LOUD TALK.
241
00:12:13,170 --> 00:12:14,500
I ONLY HEARD
THE ONE SIDE OF IT.
242
00:12:14,540 --> 00:12:15,740
WHICH WAS WHAT?
243
00:12:15,770 --> 00:12:17,840
WHAT ARE YOU DOING
WITH YOUR LIFE?
244
00:12:17,880 --> 00:12:19,350
YOU’RE GONNA THROW
YOUR LIFE AWAY.
245
00:12:19,380 --> 00:12:20,650
FATHER‐SON STUFF.
246
00:12:20,680 --> 00:12:24,610
ANYWAYS, 3 WEEKS AGO,
KENNY’S BACK IN TOUCH.
247
00:12:24,650 --> 00:12:27,520
THIS TIME HE WANTS
50 GRAND MORE,
248
00:12:27,550 --> 00:12:29,280
OR HE’S GONNA TAKE PHOTOS
TO THE TABLOIDS.
249
00:12:29,320 --> 00:12:30,950
Sipowicz: SO THAT REALLY
TOOK, HUH, ROBERTS?
250
00:12:30,990 --> 00:12:33,490
THAT "STORE IS
NOW CLOSED" LECTURE
251
00:12:33,520 --> 00:12:35,090
THAT YOUR BOSS
HAD YOU GIVE KENNY
BACK IN APRIL?
252
00:12:35,130 --> 00:12:37,670
I GAVE HIM
A WARNING LECTURE, ANDY.
253
00:12:37,700 --> 00:12:39,640
Fancy: DID RADNOR
PAY THE 50?
254
00:12:39,660 --> 00:12:41,360
Roberts: HE DID NOT,
LIEUTENANT, NO.
255
00:12:41,400 --> 00:12:43,300
THAT’S BLACKMAIL.
YOU DON’T FIGURE
TO PUT US IN THE LOOP?
256
00:12:43,330 --> 00:12:46,170
HE DIDN’T CONTACT US NO MORE.
WHAT ARE WE GONNA TALK ABOUT?
257
00:12:46,200 --> 00:12:47,540
Fancy: AND THAT’S
THE LAST YOU’VE
HEARD OF THIS KENNY?
258
00:12:47,570 --> 00:12:48,800
Roberts: RIGHT.
259
00:12:48,840 --> 00:12:50,770
THAT INFORMATION, ROBERTS,
YOU’VE NOW CONVEYED
260
00:12:50,810 --> 00:12:52,440
IS EXACTLY THE SAME
WHEN WE WORKED TOGETHER.
261
00:12:52,480 --> 00:12:54,550
A STORY CLEAR AS MUD.
262
00:12:54,580 --> 00:12:57,550
HEY, EXCUSE ME, ANDY,
FOR ONLY ROLLIN’ YOU
A GROUND BALL
263
00:12:57,580 --> 00:12:58,650
ON WHO DID YOUR HOMICIDE.
264
00:12:58,680 --> 00:13:00,550
WHAT, ARE YOU PISSED OFF
265
00:13:00,590 --> 00:13:02,030
I’M NOT TAKING YOU BY THE HAND
SO YOU CAN GO DOWN
AND TAG FIRST?
266
00:13:02,050 --> 00:13:03,550
WHAT’S THIS KENNY’S
LAST NAME?
267
00:13:03,590 --> 00:13:05,120
SORRELL.
268
00:13:05,160 --> 00:13:08,170
ONE "S", 2 Ls.
269
00:13:08,190 --> 00:13:09,660
HERE’S A FULL LIST
OF PARTICULARS,
270
00:13:09,690 --> 00:13:11,690
PLUS WHERE
TO GRAB HIM UP.
271
00:13:15,730 --> 00:13:19,800
HEY, BOBBY, I GAVE
THIS GUY SOME TUNE‐UP
BACK IN APRIL.
272
00:13:19,840 --> 00:13:21,500
I MEAN, I THOUGHT
I PUT HIM ON DIALYSIS.
273
00:13:21,540 --> 00:13:24,740
YEAH, IT’S TOUGH GETTIN’
THROUGH TO A COKEHEAD.
274
00:13:24,780 --> 00:13:26,750
TRY EXPLAINING THAT
TO YOUR PARTNER.
275
00:13:26,780 --> 00:13:28,440
I’M GONNA GO
DO THAT RIGHT NOW.
276
00:13:30,280 --> 00:13:32,180
MIND IF I BUY MYSELF
A CUP OF COFFEE?
277
00:13:32,220 --> 00:13:34,360
THEN WE’RE GONNA BE
PRETTY BUSY, MIKE.
278
00:13:34,390 --> 00:13:36,160
OH, WELL, THEN
I’LL TAKE MY LEAVE.
279
00:13:36,190 --> 00:13:38,530
I MEAN, I DON’T NEED
TO GET HIT BY A BUS.
280
00:13:42,130 --> 00:13:45,200
LAST HEARD FROM HIM
3 WEEKS AGO?
281
00:13:45,230 --> 00:13:47,200
ROBERTS’ STORY
PROVES DICK.
282
00:13:47,230 --> 00:13:48,760
YOU GOTTA LIKE THE GUY
A LITTLE, ANDY.
283
00:13:48,800 --> 00:13:50,700
LIKE HIM A LITTLE, YEAH,
BUT HE’S NO GROUND BALL.
284
00:13:50,740 --> 00:13:52,080
[BREATHES DEEPLY]
285
00:13:53,910 --> 00:13:56,920
YOU KNOW,
THIS HAPPENS TO BE
A LOUSY NEIGHBORHOOD.
286
00:13:56,940 --> 00:13:58,570
WE’LL BE ALL RIGHT.
287
00:13:58,610 --> 00:14:01,680
THAT ORIENTAL GIRL WHO’S
COLLEAGUES OF THE DOA
288
00:14:01,710 --> 00:14:03,080
IS COMIN’ IN
FOR A STATEMENT LATER.
289
00:14:03,110 --> 00:14:05,050
SHE WENT
TO THEIR SCHOOL,
290
00:14:05,080 --> 00:14:08,080
WANTED TO TELL THE DOA’s
STUDENTS HERSELF
WHAT HAPPENED TO HIM.
291
00:14:08,120 --> 00:14:11,250
WE TOOK A MESSAGE OFF
THE DOA’s ANSWERING MACHINE.
IT MIGHT BE GOOD.
292
00:14:11,290 --> 00:14:13,590
SOME GUY NAMED KENNY
SAYIN’ THAT THEY, UH,
GOTTA TALK.
293
00:14:13,630 --> 00:14:16,700
ROBERTS GAVE US
A PUSH ON A KENNY
FOR A HOMICIDE.
294
00:14:16,730 --> 00:14:19,900
I HEAR KENNY’S VOICE
IS ON THE SON’S
ANSWERING MACHINE?
295
00:14:19,930 --> 00:14:23,030
READY TO GIVE IT UP
TO ME A LITTLE, ANDY?
296
00:14:23,070 --> 00:14:24,710
YEAH. HAVE
SOME OF THIS.
297
00:14:24,740 --> 00:14:26,440
YEAH, RIGHT.
298
00:14:26,470 --> 00:14:28,740
AND IF HE IS RIGHT,
IT’S BY ACCIDENT.
299
00:14:32,610 --> 00:14:33,310
ANDY.
300
00:14:54,870 --> 00:14:56,440
HELLO THERE, DOLORES.
301
00:14:56,470 --> 00:14:59,280
HEY, HI.
302
00:14:59,300 --> 00:15:01,640
UH, JOHN IRVIN.
303
00:15:01,670 --> 00:15:03,440
YEAH, I REMEMBER.
304
00:15:03,470 --> 00:15:06,680
SO, HOW’S YOUR COMPUTER
GRAPHICS BUSINESS GOING?
305
00:15:06,710 --> 00:15:07,810
CAN WE MAKE A PACT,
DOLORES?
306
00:15:07,850 --> 00:15:09,250
WHAT?
307
00:15:09,280 --> 00:15:10,950
IF I BUY YOU
A CHRISTMAS TREE THIS YEAR,
308
00:15:10,980 --> 00:15:13,250
WILL YOU PROMISE NEVER
TO MENTION MY COMPUTER
GRAPHICS BUSINESS AGAIN?
309
00:15:13,280 --> 00:15:15,120
NOT GOING SO GOOD, HUH?
310
00:15:15,150 --> 00:15:16,750
I THINK I MAY
BE HOLDING THE RECORD
311
00:15:16,790 --> 00:15:19,860
FOR THE QUICKEST
BANKRUPTCY FILING IN
THE MANHATTAN DISTRICT COURT.
312
00:15:19,890 --> 00:15:23,790
BUT, UH, EXCELSIOR,
I AM BACK IN THE
BOROUGH P. A. A. POOL.
313
00:15:23,830 --> 00:15:25,490
THEY GOT ME TEMPING UPSTAIRS
TODAY IN ANTI‐CRIME,
WHICH I LOVE.
314
00:15:25,530 --> 00:15:27,500
DETECTIVE RUSSELL,
HOW GOES THE BATTLE?
315
00:15:27,530 --> 00:15:30,170
HEY, JOHN. JOHN IRVIN,
USED TO BE OUR P. A. A.
316
00:15:30,200 --> 00:15:31,170
JILL KIRKENDALL,
GOOD TO MEET YOU, JOHN.
317
00:15:31,200 --> 00:15:32,330
HOW DO YOU DO?
318
00:15:32,370 --> 00:15:34,970
DETECTIVE, SHE’D LIKE
TO REPORT AN INCIDENT.
319
00:15:35,010 --> 00:15:36,980
SOMETHING HAPPENED
TO ME LAST NIGHT.
320
00:15:37,010 --> 00:15:38,670
UH, LET ME EXCUSE MYSELF.
I JUST WANTED TO SAY HI.
321
00:15:38,710 --> 00:15:40,110
TAKE CARE, JOHN.
322
00:15:40,140 --> 00:15:41,980
TAKE CARE.
323
00:15:42,010 --> 00:15:43,310
WHAT’S
YOUR NAME?
324
00:15:43,350 --> 00:15:45,720
UM, NINA NUÑEZ.
325
00:15:45,750 --> 00:15:48,480
I’M, UH, JILL KIRKENDALL.
THIS IS MY PARTNER
DIANE RUSSELL.
326
00:15:48,520 --> 00:15:50,350
WERE YOU JUST AT
BELLEVUE HOSPITAL,
NINA?
327
00:15:50,390 --> 00:15:52,190
I LEFT, THOUGH.
328
00:15:52,220 --> 00:15:53,860
Diane: LET’S TALK
BACK HERE.
329
00:15:53,890 --> 00:15:55,120
YEAH.
330
00:15:55,160 --> 00:15:56,190
WE’LL GET YOU
SOMETHING TO DRINK
331
00:15:56,230 --> 00:15:57,500
AND SOMETHING TO
EAT, IF YOU WANT.
332
00:15:57,530 --> 00:15:58,560
I DON’T KNOW IF
I CAN KEEP IT DOWN.
333
00:16:04,340 --> 00:16:05,740
HERE YOU GO.
334
00:16:09,110 --> 00:16:11,920
THE, UM...
335
00:16:11,940 --> 00:16:13,910
THE DOCTOR AT BELLEVUE
336
00:16:13,950 --> 00:16:15,550
SAID YOU TOLD HIM
YOU’D BEEN RAPED.
337
00:16:15,580 --> 00:16:17,580
THAT’S
WHAT HAPPENED...
338
00:16:17,620 --> 00:16:19,690
TILL 4:00
THIS MORNING.
339
00:16:19,720 --> 00:16:21,050
BY SOMEONE YOU KNEW?
340
00:16:21,090 --> 00:16:22,090
NO, HE JUST
JUMPED OUT AT ME.
341
00:16:22,120 --> 00:16:23,550
DID YOU GET
A LOOK AT HIM?
342
00:16:23,590 --> 00:16:26,660
NOT REALLY...BLACK.
343
00:16:26,690 --> 00:16:28,520
AND WHERE WAS THIS?
344
00:16:28,560 --> 00:16:31,560
I‐‐I DON’T KNOW.
MY MEMORY’S FOGGY.
345
00:16:31,600 --> 00:16:33,540
TELL US WHAT
YOU DO REMEMBER.
346
00:16:33,570 --> 00:16:35,910
HE PULLED ME IN THE CAR
347
00:16:35,930 --> 00:16:39,070
AND PUT A CLOTH
OVER MY FACE
THAT MADE ME DIZZY.
348
00:16:39,100 --> 00:16:42,600
THEN I‐‐I WOKE UP AND HE
WAS TRYING TO RAPE ME.
349
00:16:42,640 --> 00:16:46,680
THEN I WOKE UP AGAIN
AND I WAS AT THE STEPS
AT MY SCHOOL.
350
00:16:46,710 --> 00:16:48,240
THEN I WENT
TO THE HOSPITAL,
351
00:16:48,280 --> 00:16:49,880
AND THEN I CAME HERE.
352
00:16:49,910 --> 00:16:51,210
WHO DO YOU
LIVE WITH, NINA?
353
00:16:51,250 --> 00:16:53,620
MY MOM.
354
00:16:53,650 --> 00:16:55,680
HAVE YOU CALLED HER YET?
355
00:16:55,720 --> 00:16:57,320
IS YOUR MOM
PRETTY STRICT WITH YOU?
356
00:16:58,890 --> 00:17:00,920
BEING DETECTIVES, NINA,
357
00:17:00,960 --> 00:17:03,730
SOMETIMES WE SEE GIRLS
WHOSE PARENTS ARE STRICT,
358
00:17:03,760 --> 00:17:06,360
GET SO WORRIED
OVER BEING OUT LATE,
359
00:17:06,400 --> 00:17:09,880
THAT THEY COME TO US
WITH A STORY THAT’S
NOT COMPLETELY TRUE.
360
00:17:09,900 --> 00:17:11,400
Russell: IF THAT’S
WHAT’S HAPPENED HERE, NINA,
361
00:17:11,440 --> 00:17:13,410
WE’RE NOT GONNA PUT
YOU IN ANY TROUBLE,
362
00:17:13,440 --> 00:17:15,280
BUT WE DON’T WANT TO
START AN INVESTIGATION
FOR NO REASON.
363
00:17:15,310 --> 00:17:17,920
IT’S THE TRUTH.
I GOT ATTACKED.
364
00:17:17,940 --> 00:17:19,610
THAT’S WHY
I WAS OUT LATE.
365
00:17:19,640 --> 00:17:21,040
OK. OK, NINA,
366
00:17:21,080 --> 00:17:22,380
WE’RE GONNA CALL
YOUR MOTHER NOW,
367
00:17:22,410 --> 00:17:24,210
LET HER KNOW
WHAT HAPPENED.
368
00:17:24,250 --> 00:17:25,310
OK.
369
00:17:25,350 --> 00:17:29,320
DO YOU WANT TO CALL OR
DO YOU WANT US TO CALL?
370
00:17:29,350 --> 00:17:30,520
YOU.
371
00:17:35,030 --> 00:17:36,700
WRITE YOUR MOM’S NUMBER.
372
00:17:52,540 --> 00:17:55,140
Simone:
YES, WELL, THE PURCHASING
GROUP THAT I REPRESENT
373
00:17:55,180 --> 00:17:57,910
NEEDS TO MAKE AN APPRAISAL
FOR EACH OF THE APARTMENTS’
FIXTURES AND APPLIANCES
374
00:17:57,950 --> 00:18:00,280
AND SO FORTH BEFORE WE MAKE
AN OFFER ON THE BUILDING.
375
00:18:00,320 --> 00:18:02,180
HER FATHER PAYS
ALL THAT TUITION
376
00:18:02,220 --> 00:18:04,490
SO HIS DAUGHTER
CAN STUDY ADVANCED
LICE INFESTATION
377
00:18:04,520 --> 00:18:06,490
WITH SOME SKELLY
STREET DEALER.
378
00:18:06,520 --> 00:18:08,490
HEY, LOOK, IT’D BE
10 MINUTES AT THE MOST,
379
00:18:08,530 --> 00:18:10,670
AND THERE’D BE $50 IN IT
FOR YOU FOR THE INCONVENIENCE.
380
00:18:10,700 --> 00:18:14,110
PERHAPS THEY’LL USE THAT
TO BUY A NEW HANGING
PLANT OR 2.
381
00:18:14,130 --> 00:18:16,770
UH, LOOK, HOW WOULD, UH,
THE LATE AFTERNOON BE TODAY?
382
00:18:16,800 --> 00:18:19,130
OH, THAT‐‐THAT
MAY IMPOSE ON HER
AND THE BOYFRIEND’S TIME
383
00:18:19,170 --> 00:18:21,500
FOR DEEP COMA BEHIND
THE DRUGS THEY TAKE.
384
00:18:21,540 --> 00:18:24,270
ALL RIGHT, THANK YOU SO MUCH
FOR YOUR COOPERATION.
385
00:18:24,310 --> 00:18:27,010
YEAH, THAT
WOULD BE IN CASH.
386
00:18:27,050 --> 00:18:28,650
BYE‐BYE.
387
00:18:30,880 --> 00:18:33,150
I HOPE YOU’RE GETTING
BRIDGEWORK FOR LIFE.
388
00:18:42,260 --> 00:18:44,230
ANDY.
389
00:18:44,260 --> 00:18:46,430
OK, HERE WE GO,
GUYS, HERE WE GO.
390
00:18:51,700 --> 00:18:52,900
POLICE!
391
00:18:52,940 --> 00:18:54,180
DON’T MOVE THAT CAR!
392
00:18:56,240 --> 00:18:58,010
GET OUT HERE‐‐AAH!
393
00:18:59,780 --> 00:19:01,540
DROP THE KNIFE!
394
00:19:01,580 --> 00:19:02,580
Simone: I’M CUT, ANDY.
395
00:19:02,610 --> 00:19:03,710
Sipowicz:
YOU DIRTY BASTARD,
396
00:19:03,750 --> 00:19:04,880
YOU GONNA
CUT MY PARTNER?!
397
00:19:04,920 --> 00:19:06,730
YOU GONNA
CUT MY PARTNER?
398
00:19:06,750 --> 00:19:09,320
SHUT YOUR MOUTH
BEFORE I SPLIT YOUR
HEAD WIDE OPEN!
399
00:19:09,350 --> 00:19:10,920
YOU ALL RIGHT, BOBBY?
400
00:19:10,960 --> 00:19:13,930
YEAH. I‐‐I DON’T
THINK HE GOT AN ARTERY.
HERE, TAKE THIS.
401
00:19:13,960 --> 00:19:14,920
YOU GOT HIM?
402
00:19:14,960 --> 00:19:16,160
YEAH. GO TAKE CARE
OF BOBBY.
403
00:19:16,190 --> 00:19:18,530
GET HIM
TO THE HOSPITAL.
404
00:19:18,560 --> 00:19:20,100
YOU ALL RIGHT?
405
00:19:20,130 --> 00:19:21,530
HE CUT ME PRETTY GOOD
THERE, ANDY.
406
00:19:21,570 --> 00:19:23,170
YOU DIRTY
SON OF A BITCH!
407
00:19:23,200 --> 00:19:25,770
COME ON, LET’S GET YOU
STITCHED UP AT THE HOSPITAL.
408
00:19:25,800 --> 00:19:26,670
YOU LIGHT‐HEADED?
409
00:19:26,710 --> 00:19:27,680
NO, NO.
410
00:19:27,710 --> 00:19:28,680
GOOD, GOOD.
411
00:19:28,710 --> 00:19:30,050
OHH.
412
00:19:39,980 --> 00:19:42,580
I’M SO TIRED.
413
00:19:42,620 --> 00:19:45,620
TELL THE TRUTH,
AND THEY’LL LET YOU
GO HOME WITH ME.
414
00:19:45,660 --> 00:19:47,600
Nina: I’M
TELLING THE TRUTH.
415
00:19:47,630 --> 00:19:49,770
A BLACK MAN DRUGGED ME,
AND THAT’S ALL I REMEMBER.
416
00:19:49,790 --> 00:19:51,530
DRUGGED AND RAPED YOU?
417
00:19:51,560 --> 00:19:54,030
HE TRIED TO RAPE ME,
BUT I FOUGHT HIM OFF.
418
00:19:54,070 --> 00:19:55,940
TELL YOU WHAT
I THINK THIS IS.
419
00:19:55,970 --> 00:19:57,440
I THINK YOU GOT A BOYFRIEND
YOU AIN’T TELLING ME ABOUT.
420
00:19:57,470 --> 00:19:58,730
NO.
421
00:19:58,770 --> 00:20:00,540
THESE DETECTIVES,
THEY BELIEVE THAT, TOO.
422
00:20:00,570 --> 00:20:01,970
YOU WANT TO GO
TO JAIL OVER LYING?
423
00:20:02,010 --> 00:20:04,620
NO ONE’S GOING TO JAIL,
MRS. NUÑEZ.
424
00:20:04,640 --> 00:20:08,080
YOU’LL WISH YOU WAS IN JAIL
WHEN I’M DONE WITH YOU.
425
00:20:08,110 --> 00:20:11,250
LET ME TELL IT TO THEM.
426
00:20:14,320 --> 00:20:16,620
ALL RIGHT,
TELL IT TO THEM FIRST.
427
00:20:24,630 --> 00:20:25,990
I CAN’T TELL HER.
428
00:20:26,030 --> 00:20:28,600
CAN’T TELL
HER WHAT, NINA?
429
00:20:28,630 --> 00:20:31,430
WHO IT WAS DID THIS.
430
00:20:36,840 --> 00:20:39,780
IT’S HER BOYFRIEND,
431
00:20:39,810 --> 00:20:40,980
MY MOTHER’S.
432
00:20:41,010 --> 00:20:43,240
OK.
433
00:20:43,280 --> 00:20:45,010
IT DIDN’T JUST START,
EITHER.
434
00:20:45,050 --> 00:20:48,020
HE’S WEIRD WITH ME
SINCE I GREW,
435
00:20:48,050 --> 00:20:49,990
LOOKS AT ME WRONG.
436
00:20:50,020 --> 00:20:51,990
I HAD A BIRTHDAY
LAST MONTH,
437
00:20:52,020 --> 00:20:54,690
AND HE GAVE ME
A SECRET PINK NIGHTGOWN.
438
00:20:54,730 --> 00:20:56,030
SECRET FROM YOUR MOM?
439
00:20:58,900 --> 00:21:01,310
I TOOK IT,
BUT I NEVER WORE IT.
440
00:21:01,330 --> 00:21:03,300
BUT LAST NIGHT,
WHEN MY MOM WAS AT WORK,
441
00:21:03,330 --> 00:21:05,430
TONY CAME OVER
WITH HIS KEY.
442
00:21:05,470 --> 00:21:09,710
HE WAS DRUNK, KEPT
ASKING ME TO PUT IT ON.
443
00:21:09,740 --> 00:21:12,810
I TOLD HIM ALL I WANTED
WAS FOR HIM TO BE NICE
TO MY MOM.
444
00:21:12,840 --> 00:21:16,310
AND THEN HE SAID FOR ME
TO JUST TAKE A RIDE
WITH HIM IN THE CAR,
445
00:21:16,350 --> 00:21:18,690
AND THAT WOULD
SATISFY HIM.
446
00:21:18,720 --> 00:21:22,230
SO I AGREED TO THAT MUCH.
447
00:21:22,250 --> 00:21:25,890
WHAT HAPPENED WHEN
YOU TOOK THE RIDE
WITH HIM?
448
00:21:25,920 --> 00:21:27,890
TURNED OUT HE HAD A CLOTH
449
00:21:27,930 --> 00:21:31,570
AND SOMETHING THAT MADE ME
PASS OUT WHEN HE PUT IT
OVER MY FACE.
450
00:21:31,600 --> 00:21:35,870
AND THEN HE WOKE ME UP,
AND HE WAS ON TOP OF ME.
451
00:21:35,900 --> 00:21:39,130
SAID HE WANTED ME AWAKE.
452
00:21:39,170 --> 00:21:42,900
BUT THEN I STARTED
SCREAMING, AND HE LET ME
OUT OF THE CAR.
453
00:21:42,940 --> 00:21:45,970
I WAS AFRAID IF THE DOCTORS
DID THEIR TESTS ON ME
454
00:21:46,010 --> 00:21:49,310
THAT THEY WOULD KNOW IT
WAS MY MOTHER’S BOYFRIEND
WHO DID THIS.
455
00:21:49,350 --> 00:21:51,590
THAT’S WHY
I LEFT THE HOSPITAL.
456
00:21:54,450 --> 00:21:56,420
OK, NINA.
457
00:21:56,450 --> 00:21:58,420
I CAN’T TELL MY MOM.
458
00:21:58,460 --> 00:22:00,930
WE‐WE’VE BEEN ALONE
EVER SINCE MY DAD LEFT.
459
00:22:02,860 --> 00:22:06,190
SHE WAS SO HAPPY SHE
FINALLY GOT A BOYFRIEND.
460
00:22:06,230 --> 00:22:08,430
NO, WE’RE
GONNA TELL HER.
461
00:22:08,470 --> 00:22:10,140
[NINA SOBBING]
462
00:22:16,540 --> 00:22:18,840
WHAT’D SHE ADMIT?
463
00:22:18,880 --> 00:22:20,850
NINA MADE UP THE STORY
ABOUT A STRANGER RAPING HER
464
00:22:20,880 --> 00:22:23,040
BECAUSE THE MAN WHO ATTACKED
HER WAS YOUR BOYFRIEND.
465
00:22:23,080 --> 00:22:24,580
WHAT ARE YOU
SAYING TO ME?
466
00:22:24,620 --> 00:22:26,390
YOUR BOYFRIEND TONY CAME
TO YOUR APARTMENT LAST NIGHT
467
00:22:26,420 --> 00:22:28,060
WHILE YOU WERE AT WORK.
468
00:22:28,090 --> 00:22:30,860
HE’S BEEN MAKING ADVANCES
AT NINA FOR QUITE A WHILE.
469
00:22:30,890 --> 00:22:32,690
OFF HER
LEADING HIM ON?
470
00:22:32,720 --> 00:22:35,920
HE HAD TO USE SOMETHING
LIKE CHLOROFORM TO KNOCK
NINA UNCONSCIOUS.
471
00:22:35,960 --> 00:22:38,130
WE NEED TO KNOW
WHERE TO FIND TONY.
472
00:22:38,160 --> 00:22:41,130
YOU DON’T WORRY
ABOUT THAT.
473
00:22:41,170 --> 00:22:42,940
I KNOW WHERE TO
LOOK FOR TONY,
474
00:22:42,970 --> 00:22:44,810
AND I KNOW
WHAT TO DO.
475
00:22:44,840 --> 00:22:46,410
MRS. NUÑEZ, MAYBE YOU
NEED TO START THINKING
ABOUT YOUR DAUGHTER
476
00:22:46,440 --> 00:22:48,150
AS MUCH AS SHE’S
THINKING ABOUT YOU.
477
00:22:48,170 --> 00:22:49,770
YOU TAKE CARE OF NINA.
478
00:22:49,810 --> 00:22:52,170
LEAVE TONY TO US.
479
00:22:53,780 --> 00:22:57,980
ALL RIGHT...
480
00:22:58,020 --> 00:22:59,930
I’LL TELL YOU WHERE
YOU CAN FIND HIM.
481
00:22:59,950 --> 00:23:01,420
Russell: WRITE IT
DOWN FOR US.
482
00:23:06,360 --> 00:23:09,770
AND, UH, CAN I
TAKE HER HOME NOW?
483
00:23:09,790 --> 00:23:12,060
YOU CAN TAKE HER HOME.
484
00:23:12,100 --> 00:23:13,200
OK.
485
00:23:36,690 --> 00:23:39,090
[YELLING]
486
00:23:39,120 --> 00:23:41,790
THE KID IS
A NICE CHATTERBOX.
487
00:23:41,830 --> 00:23:43,940
YEAH, HUH?
488
00:23:43,960 --> 00:23:45,490
SOMEBODY CUT THE CHEESE?
489
00:23:45,530 --> 00:23:47,160
COME ON.
490
00:23:47,200 --> 00:23:49,500
I’M FIGHTING
FOR MY LIFE HERE!
491
00:23:49,530 --> 00:23:51,800
Sipowicz:
ALL RIGHT, JUST SHUT UP
IN THERE, KENNY.
492
00:23:51,840 --> 00:23:53,980
WE’RE GONNA DO
THE TALKING, YOU’RE
GONNA DO THE LISTENING,
493
00:23:54,010 --> 00:23:55,510
THEN IT’LL BE
YOUR TURN TO TALK.
494
00:23:55,540 --> 00:23:58,110
I GOT A LOT OF PEOPLE
AFTER ME, YO.
495
00:23:58,140 --> 00:23:59,880
I THOUGHT YOU
WAS THOSE PEOPLE.
496
00:23:59,910 --> 00:24:02,040
I WAS DEFENDING MYSELF!
497
00:24:02,080 --> 00:24:04,650
I’M VERY SORRY
THAT I CUT YOU.
498
00:24:04,680 --> 00:24:06,510
YOU JUST GIVE ME SOME
STRAIGHT ANSWERS, KENNY.
499
00:24:06,550 --> 00:24:08,550
I’LL KNOW THAT
YOUR APOLOGY IS SINCERE.
500
00:24:08,590 --> 00:24:10,130
PULLING THAT KNIFE ON ME
WAS JUST A MISTAKE.
501
00:24:10,150 --> 00:24:11,190
LET’S GO.
502
00:24:11,220 --> 00:24:12,820
YOUR VOICE IS ON
AN ANSWERING MACHINE
503
00:24:12,860 --> 00:24:16,030
IN AN APARTMENT AN
UNFORTUNATE OCCURRENCE
TOOK PLACE IN, KENNY.
504
00:24:16,060 --> 00:24:17,630
WHAT APARTMENT?
505
00:24:17,660 --> 00:24:18,690
KEVIN RADNOR’S.
506
00:24:18,730 --> 00:24:22,230
MR. RADNOR WAS MY FORMER
HIGH SCHOOL TEACHER.
507
00:24:22,270 --> 00:24:23,680
HOW LONG YOU BEEN
OUT OF HIGH SCHOOL?
508
00:24:23,700 --> 00:24:27,900
2 YEARS. BUT ME AND
MR. RADNOR KEPT IN TOUCH.
509
00:24:27,940 --> 00:24:30,710
WHAT KIND OF UNFORTUNATE
OCCURRENCE OCCURRED?
510
00:24:30,740 --> 00:24:32,410
KEVIN RADNOR
WAS MURDERED.
511
00:24:32,440 --> 00:24:33,410
OH, NO.
512
00:24:33,440 --> 00:24:34,980
OH, NO!
513
00:24:35,010 --> 00:24:36,680
YEAH. OH, NO.
514
00:24:36,720 --> 00:24:38,390
NO, NO, SEE, I DIDN’T
REALIZE YOU WANTED TO
TALK TO ME
515
00:24:38,420 --> 00:24:40,190
BECAUSE I WAS ON
THAT ANSWERING MACHINE.
516
00:24:40,220 --> 00:24:41,580
WELL, THAT WAS IT.
517
00:24:41,620 --> 00:24:43,180
WELL, THERE’S
A NATURAL EXPLANATION
518
00:24:43,220 --> 00:24:44,520
FOR ME BEING ON THAT.
519
00:24:44,560 --> 00:24:47,200
FROM MR. RADNOR
CONTINUING OUR FRIENDSHIP.
520
00:24:47,230 --> 00:24:49,000
WELL, TELL US
ABOUT THAT, KENNY.
521
00:24:49,030 --> 00:24:52,100
WELL, HE WAS TRYING TO GET ME
ON TRACK TO A BETTER LIFE,
522
00:24:52,130 --> 00:24:53,600
’CAUSE THAT’S
WHAT I’M ALL ABOUT.
523
00:24:53,630 --> 00:24:54,760
OBVIOUSLY.
524
00:24:54,800 --> 00:24:56,600
SEE, A WHILE BACK,
525
00:24:56,640 --> 00:24:59,280
HE EVEN ARRANGED
FOR HIS DAD TO GIVE ME
A START‐UP LOAN.
526
00:24:59,300 --> 00:25:01,240
OH, HE ARRANGED
THE LOAN?
527
00:25:01,270 --> 00:25:04,610
YEAH. MR. RADNOR
WAS A REAL MENTOR TYPE.
528
00:25:04,640 --> 00:25:07,540
KENNY, WERE YOU
AND MR. RADNOR
SEXUALLY INVOLVED?
529
00:25:07,580 --> 00:25:09,880
I’M NOT CONFIRMING
NONE OF THAT.
530
00:25:09,910 --> 00:25:12,510
LET HIM REST IN PEACE. UHH!
531
00:25:12,550 --> 00:25:14,280
KENNY?
532
00:25:14,320 --> 00:25:16,550
FROM THE PEOPLE
THAT WE TALKED TO,
533
00:25:16,590 --> 00:25:18,720
NOBODY SAID ANYTHING
ABOUT MR. RADNOR
BEING GAY.
534
00:25:18,760 --> 00:25:20,070
TALK TO HIS FATHER.
535
00:25:20,090 --> 00:25:21,560
[KNOCK ON DOOR]
536
00:25:21,590 --> 00:25:24,590
CAN I TALK TO YOU
A MINUTE, FELLAS?
537
00:25:24,630 --> 00:25:27,860
OH, HEY, SAY, HOW‐‐HOW
IT LOOK LIKE THEY DID HIM,
YOU KNOW?
538
00:25:27,900 --> 00:25:30,370
DID THEY‐‐DID THEY SHOOT HIM?
WAS IT 2 GUYS OR WHAT HAPPENED?
539
00:25:30,400 --> 00:25:34,040
SHUT UP, KENNY.
TALK TO YOUR FRIEND.
540
00:25:34,070 --> 00:25:35,440
THAT’S MY CRACK GENIE.
541
00:25:35,470 --> 00:25:37,410
I’M TRYING TO GET HIM
OUT OF MY LIFE.
542
00:25:37,440 --> 00:25:38,870
YOUR CRACK GENIE, HUH?
543
00:25:38,910 --> 00:25:40,610
CARLOS.
544
00:25:40,650 --> 00:25:42,050
COCAINE PSYCHOTIC, HUH?
545
00:25:42,080 --> 00:25:43,310
WHAT IS IT?
546
00:25:43,350 --> 00:25:44,920
HE HALLUCINATING?
WHAT IS IT, MEDAVOY?
547
00:25:44,950 --> 00:25:48,150
UH, WE MADE AN I. D. OFF
A SURVEILLANCE FILM,
548
00:25:48,190 --> 00:25:51,300
A GUY USING
THE DOA’s ATM CARD.
549
00:25:51,320 --> 00:25:53,890
HE’S A BAGGER
AT A GROCERY.
550
00:25:53,930 --> 00:25:56,200
ALL RIGHT,
JUST A SECOND.
551
00:25:57,600 --> 00:25:58,570
Kenny: UH‐OH.
552
00:25:58,600 --> 00:25:59,940
GET UP.
553
00:25:59,960 --> 00:26:02,300
WHAT’S GOING ON?
554
00:26:02,330 --> 00:26:04,000
WE’LL BE BACK
IN SHORTLY, KENNY.
555
00:26:04,040 --> 00:26:06,380
GIVE YOU SOME TIME
TO GRIEVE.
556
00:26:10,710 --> 00:26:12,240
OK, OK, LISTEN,
WH‐WHEN THEY COME BACK,
557
00:26:12,280 --> 00:26:14,090
I TALK‐‐I’M GONNA DO
THE TALKING,
558
00:26:14,110 --> 00:26:16,340
AND YOU SHUT UP, OK?
559
00:26:23,020 --> 00:26:24,750
Simone:
WHICH ONE IS DINO?
560
00:26:24,790 --> 00:26:25,990
THAT ONE.
561
00:26:26,020 --> 00:26:27,790
IN THE GRAY?
ALL RIGHT, THANK YOU.
562
00:26:32,160 --> 00:26:33,700
HEY, DINO, WHAT’S UP?
563
00:26:33,730 --> 00:26:35,160
HEY, WHAT
ARE YOU DOING?
564
00:26:35,200 --> 00:26:36,930
WE GOTTA TALK.
565
00:26:36,970 --> 00:26:38,870
NO, LISTEN, IT’S
TIME FOR MY BREAK.
566
00:26:38,900 --> 00:26:40,470
THAT’S GOOD,
’CAUSE WE’RE GOING
FOR A RIDE.
567
00:26:40,500 --> 00:26:41,940
WHAT FOR?
568
00:26:41,970 --> 00:26:43,340
WHERE WERE
YOU YESTERDAY?
569
00:26:43,370 --> 00:26:44,940
WORKING,
LIKE I’M DOIN’ NOW.
570
00:26:44,980 --> 00:26:46,990
HOW ABOUT
THE DAY BEFORE?
571
00:26:47,010 --> 00:26:49,210
OH, MAN, DON’T MESS ME UP.
MY EMPLOYER’S WATCHING.
572
00:26:49,250 --> 00:26:51,390
YOUR EMPLOYER’S
THE ONE WHO POINTED
YOU OUT.
573
00:26:51,420 --> 00:26:53,660
WELL, SEE, NOW I’M
GONNA GET FIRED. WATCH.
574
00:26:53,690 --> 00:26:55,360
YEAH, WELL,
THOSE ARE THE BREAKS.
LET’S GO, COME ON.
575
00:26:55,390 --> 00:26:57,860
CAN I AT LEAST
GET AN APPLE?
576
00:26:57,890 --> 00:26:59,350
SURE, GO ON,
LIVE IT UP.
577
00:27:20,440 --> 00:27:22,240
TONY?
YEAH?
578
00:27:22,280 --> 00:27:23,710
RELAX,
EVERYBODY.
579
00:27:23,750 --> 00:27:24,750
WE NEED YOU
TO COME WITH US.
580
00:27:24,780 --> 00:27:27,750
YEAH, WHAT’S IT ABOUT?
581
00:27:27,790 --> 00:27:30,330
WE JUST TOLD YOU,
WE NEED TO TALK TO YOU
AT OUR STATION HOUSE.
582
00:27:30,350 --> 00:27:31,320
LET’S DO THIS
THE EASY WAY, TONY.
583
00:27:31,360 --> 00:27:33,100
LEAVE ME ALONE.
584
00:27:33,120 --> 00:27:34,720
YOU THINK THIS
CAN STOP US?
585
00:27:34,760 --> 00:27:37,160
COME ON, LEAVE ME ALONE!
GET OFF ME!
586
00:27:37,200 --> 00:27:38,540
AAH! MAN!
587
00:27:38,560 --> 00:27:39,830
WANTED TO DO IT
THE EASY WAY.
588
00:27:39,860 --> 00:27:41,560
BUT YOU GOT
TO BUST CHOPS INSTEAD.
589
00:27:41,600 --> 00:27:42,830
OHH!
590
00:27:42,870 --> 00:27:44,040
AHH!
591
00:27:44,070 --> 00:27:45,730
OHH!
592
00:27:45,770 --> 00:27:47,500
WHO’S THIS GIRL
TO YOU, TONY?
593
00:27:47,540 --> 00:27:49,000
COME ON.
594
00:27:49,040 --> 00:27:50,070
MY GIRLFRIEND’S
DAUGHTER.
595
00:27:50,110 --> 00:27:52,110
YOU LOSE
THE MOTHER’S PICTURE?
596
00:28:05,760 --> 00:28:08,130
ALL RIGHT,
APPLE HOUR’S OVER.
597
00:28:08,160 --> 00:28:10,190
Dino: WHAT’S THIS
ALL CONCERNING?
598
00:28:10,230 --> 00:28:13,230
WHY YOU COMING ON ME
AT MY JOB LIKE IT’S
WORLD WAR II OR SOMETHING?
599
00:28:13,260 --> 00:28:16,100
YOU’RE ON A VIDEO CAMERA
USING SOMEBODY ELSE’S
ATM CARD, DINO.
600
00:28:16,130 --> 00:28:17,930
THAT AIN’T ME.
IT’S NOT?
601
00:28:17,970 --> 00:28:19,600
NO.
SO IN OTHER WORDS,
602
00:28:19,640 --> 00:28:21,100
YOU CAN’T TRUST ME
WHEN I TELL YOU
603
00:28:21,140 --> 00:28:23,640
IT’S ABSOLUTELY,
POSITIVELY YOU
ON THAT CAMERA?
604
00:28:23,680 --> 00:28:25,820
YOU KNOW
KENNY SORRELL, DINO?
KENNY?
605
00:28:25,840 --> 00:28:27,910
YEAH, KENNY.
YOU DON’T KNOW
NO KENNY AT ALL?
606
00:28:27,950 --> 00:28:30,420
HIS ENTIRE LIFE EXPERIENCE,
NEVER MET A SINGLE KENNY.
607
00:28:30,450 --> 00:28:32,780
KENNY, WHO YOU TOOK OFF
THAT APARTMENT WITH,
608
00:28:32,820 --> 00:28:35,730
WHO STOLE THE ATM CARD
THAT YOU WERE CAUGHT
USING ON THAT CAMERA.
609
00:28:35,750 --> 00:28:38,990
I WAS NEVER UP THERE.
I FOUND THAT ATM CARD.
610
00:28:39,020 --> 00:28:40,720
OH, YOU KNOW THAT’S
AN OBVIOUS DAMN LIE,
DINO,
611
00:28:40,760 --> 00:28:42,760
BECAUSE YOU NEED TO
KNOW THE PIN NUMBER
TO USE THE CARD.
612
00:28:42,790 --> 00:28:45,560
YOU FOUND OUT
THE PIN NUMBER FROM THE GUY
IN THAT APARTMENT, DINO.
613
00:28:45,600 --> 00:28:48,640
KEVIN RADNOR,
WHOSE CARD YOU’RE
ON CAMERA USING,
614
00:28:48,670 --> 00:28:50,640
HE WAS MURDERED
IN THAT APARTMENT,
DINO.
615
00:28:50,670 --> 00:28:52,770
ALL OF US KNOW THAT!
616
00:28:52,800 --> 00:28:55,100
WHY‐‐WHY YOU KEEP BRINGING
UP KENNY’S NAME FOR?
617
00:28:55,140 --> 00:28:57,440
WHY DO YOU THINK,
NITWIT?
618
00:28:57,480 --> 00:29:01,790
’CAUSE KENNY’S WHO
WE’RE LOOKING AT FOR
ACTUALLY KILLING KEVIN.
619
00:29:05,880 --> 00:29:07,080
ALL’S I KNOW, KENNY...
620
00:29:07,120 --> 00:29:08,680
I USED TO LOOK THE OTHER WAY
621
00:29:08,720 --> 00:29:11,120
WHEN‐‐WHEN HE CAME
IN THE GROCERY TO STEAL.
622
00:29:11,160 --> 00:29:14,700
AND MAYBE ONE OR TWO TIMES
I BE LOOKOUT FOR HIM
623
00:29:14,730 --> 00:29:16,130
IF HE GO INSIDE SOMEPLACE.
624
00:29:16,160 --> 00:29:17,460
LIKE UP IN
THAT APARTMENT.
625
00:29:20,230 --> 00:29:22,030
ALL RIGHT.
ALL RIGHT, LOOK...
626
00:29:25,040 --> 00:29:28,210
ALL MY TOTAL JOB WAS
TO GO UP THERE WITH HIM
627
00:29:28,240 --> 00:29:30,940
WHILE HE MAKE THE GUY
CALL HIS FATHER.
628
00:29:30,980 --> 00:29:32,220
AND FOR THAT,
WE GET A MILLION DOLLARS.
629
00:29:32,240 --> 00:29:33,610
SO WHAT HAPPENED?
630
00:29:33,650 --> 00:29:36,120
WE TOLD HIM WHAT TO DO,
631
00:29:36,150 --> 00:29:37,860
B‐BUT KENNY’S TEACHER
WOULDN’T LISTEN.
632
00:29:37,880 --> 00:29:39,210
HE WOULDN’T CALL HIS FATHER
FOR NOTHIN’.
633
00:29:39,250 --> 00:29:41,050
K‐KENNY TIE HIM UP
AND PULLED OUT A KNIFE,
634
00:29:41,090 --> 00:29:43,060
BUT HIS TEACHER
STILL REFUSED.
635
00:29:43,090 --> 00:29:44,660
AND I SAY,
"KENNY, LET’S GO.
636
00:29:44,690 --> 00:29:46,190
WE ALREADY GOT
HIS ATM CARD,"
637
00:29:46,220 --> 00:29:47,660
BUT KENNY WOULDN’T HAVE IT.
638
00:29:47,690 --> 00:29:49,490
HE START STABBIN’ HIM.
639
00:29:49,530 --> 00:29:52,340
AND EVEN HOW MUCH
THE TEACHER WAS GETTIN’ CUT,
640
00:29:52,360 --> 00:29:54,060
HE’S‐‐HE WOULDN’T CALL
THE OLD MAN,
641
00:29:54,100 --> 00:29:56,000
SO‐‐SO KENNY STABBED HIM
TILL HE WAS DEAD.
642
00:29:59,670 --> 00:30:01,240
BUT I AIN’T HAD NOTHIN’
TO DO WITH IT.
643
00:30:01,270 --> 00:30:02,900
Sipowicz: SHUT UP.
644
00:30:18,460 --> 00:30:20,670
NO OFFENSE ME ASKIN’
FOR THE D. A.
645
00:30:20,690 --> 00:30:22,360
NO, I ABSOLUTELY
UNDERSTAND, TONY.
646
00:30:22,390 --> 00:30:24,530
I MEAN, YOU KICKIN’ ME
IN THE NUTS AND ALL...
647
00:30:24,560 --> 00:30:26,530
YOU AND I JUST DON’T RELATE.
648
00:30:26,570 --> 00:30:27,940
AND YOU’RE HER PARTNER,
649
00:30:27,970 --> 00:30:30,780
AND I DON’T KNOW WHAT KIND
OF A KICK YOU GOT IN YOU.
650
00:30:30,800 --> 00:30:32,600
AS LONG AS YOU’RE GIVING
THE STATEMENT, TONY,
651
00:30:32,640 --> 00:30:34,410
YOU DON’T WANNA TALK
TILL THE D. A.
GETS HERE...
652
00:30:34,440 --> 00:30:35,770
WE CAN WORK WITH THAT.
653
00:30:35,810 --> 00:30:37,620
[GROANS]
654
00:30:39,240 --> 00:30:40,210
HI.
655
00:30:40,240 --> 00:30:42,680
HI.
656
00:30:42,710 --> 00:30:46,180
THIS IS ASSISTANT
DISTRICT ATTORNEY COSTAS.
657
00:30:46,220 --> 00:30:49,760
YOU SAID YOU WANTED
A D. A. PRESENT WHEN
YOU GAVE YOUR STATEMENT.
658
00:30:49,790 --> 00:30:53,860
THE COPS CAN TALK IT,
BUT THE D. A. WALKS IT.
I KNOW THAT MUCH.
659
00:30:53,890 --> 00:30:56,460
IF I GIVE MY STATEMENT,
660
00:30:56,490 --> 00:30:59,530
I WANT LEGAL GUARANTEES
THAT THIS AIN’T GOIN’ TOO FAR.
661
00:30:59,560 --> 00:31:02,930
THIS WAS WAY MORE
A TWO‐WAY STREET
THAN NINA MUST’VE LET ON.
662
00:31:02,970 --> 00:31:06,650
PLUS...WHATEVER SEX
WASN’T SUCCESSFUL ANYWAY.
663
00:31:06,670 --> 00:31:08,700
SO YOU DID ATTEMPT
TO HAVE SEX WITH NINA?
664
00:31:08,740 --> 00:31:10,470
IF IT WAS ATTEMPTED, I SAID.
665
00:31:10,510 --> 00:31:13,740
AND I DON’T SAY NO MORE
WITHOUT LEGAL GUARANTEES.
666
00:31:13,780 --> 00:31:15,410
WELL, MR. FANTO,
667
00:31:15,450 --> 00:31:17,760
WITH YOUR EXPRESSING
WILLINGNESS TO SHOW
COOPERATION,
668
00:31:17,780 --> 00:31:20,750
I’M PREPARED TO ACCEPT
YOUR STATEMENT
AT FACE VALUE.
669
00:31:20,790 --> 00:31:22,560
YOU’LL ACCEPT
MY SIDE OF IT.
670
00:31:22,590 --> 00:31:24,260
IF YOU GIVE
YOUR STATEMENT,
671
00:31:24,290 --> 00:31:26,120
I WILL ACCEPT IT
UNCONDITIONALLY.
672
00:31:26,160 --> 00:31:27,630
I GIVE YOU MY WORD.
673
00:31:27,660 --> 00:31:30,560
’CAUSE I ALLOWED
A TEMPTATION TO OCCUR,
674
00:31:30,600 --> 00:31:32,570
AND I ACKNOWLEDGE
I CAN’T PERMIT IT NO MORE.
675
00:31:32,600 --> 00:31:34,770
AND I’D ACCEPT THAT
IN THE FUTURE.
676
00:31:34,800 --> 00:31:37,030
THAT’S HOW I’D BEGIN
THE STATEMENT.
677
00:31:38,770 --> 00:31:40,740
SEE, I DATE
THIS GIRL’S MOTHER,
678
00:31:40,770 --> 00:31:42,070
WHERE I’M ALWAYS EXPOSED.
679
00:31:42,110 --> 00:31:44,450
NINA’S A VERY
BEAUTIFUL GIRL.
680
00:31:44,480 --> 00:31:46,650
THE DAUGHTER IS.
I SEE.
681
00:31:46,680 --> 00:31:48,780
AND I ALLOWED MY URGES
TO GET TOO STRONG.
682
00:31:48,810 --> 00:31:50,510
I HAD TOO MUCH OF
A HARD‐ON FOR HER.
683
00:31:50,550 --> 00:31:52,350
AND I’D AVOID THAT
IN THE FUTURE.
684
00:31:52,380 --> 00:31:54,520
WELL, I’D‐‐I’D PUT THAT
IN THERE, WORD FOR WORD.
685
00:31:54,550 --> 00:31:56,280
AND AS FAR AS
THE PAINT THINNER GOES
686
00:31:56,320 --> 00:31:58,520
AND ME PUTTIN’ THAT RAG
OVER HER FACE...
687
00:31:58,560 --> 00:32:00,930
HEY, NINA’S A NERVOUS GIRL.
688
00:32:00,960 --> 00:32:02,990
I JUST WANTED TO HELP
RELAX HER.
689
00:32:03,030 --> 00:32:06,170
COULD HE ALSO WRITE
A NOTE OF APOLOGY
TO NINA,
690
00:32:06,200 --> 00:32:07,970
IN WHICH HE TALKS
ABOUT THE PAINT THINNER,
691
00:32:08,000 --> 00:32:09,500
FOR YOU TO INCLUDE
IN THE RECORD?
692
00:32:09,530 --> 00:32:11,800
HE COULD DO
THE STATEMENT...
693
00:32:11,840 --> 00:32:13,140
AND THE APOLOGY, TOO.
694
00:32:13,170 --> 00:32:15,240
HEY, I’LL WRITE
HER MOTHER ALSO.
695
00:32:20,650 --> 00:32:23,220
[KENNY POUNDING HIS FIST]
DINO! DINO! DINO!
696
00:32:23,250 --> 00:32:25,390
YOU TRY TO HELP SOMEBODY
WITH THEIR SUCCESS CURVE,
697
00:32:25,420 --> 00:32:27,030
AND THIS HOW THEY DO YOU!
698
00:32:27,050 --> 00:32:29,850
Sipowicz:
DON’T EXPECT NO GRATITUDE
THIS DAY AND AGE, KENNY.
699
00:32:29,890 --> 00:32:31,190
THEM TIMES
ARE LONG GONE.
700
00:32:31,220 --> 00:32:32,290
YOU THINK I WENT UP THERE
701
00:32:32,320 --> 00:32:34,160
WANTIN’ THIS TO HAPPEN
TO MR. RADNOR?
702
00:32:34,190 --> 00:32:35,690
WELL, SOMETHING OBVIOUSLY
WENT WRONG.
703
00:32:35,730 --> 00:32:37,200
[KNOCK ON DOOR]
704
00:32:37,230 --> 00:32:41,800
Simone: UM, HOLD ON, HOLD ON.
TAKE YOUR TIME, KENNY.
705
00:32:41,830 --> 00:32:44,000
THANKS MUCH FOR
THE CALL, LIEU.
706
00:32:44,040 --> 00:32:45,710
IT WASN’T AN INVITATION.
707
00:32:48,440 --> 00:32:50,340
MR. RADNOR JUST
WANTED SOME CLOSURE,
708
00:32:50,370 --> 00:32:52,740
YOU KNOW, TO SEE
THIS KENNY GIVE IT UP.
709
00:32:52,780 --> 00:32:54,190
[INTERROGATION
INDISTINCT]
710
00:32:54,210 --> 00:32:56,410
HE’S A VERY
GENEROUS MAN.
711
00:32:56,450 --> 00:32:59,990
YOU KNOW, THERE MIGHT BE
A REAL NICE HAT IN IT
FOR EVERYONE INVOLVED.
712
00:33:00,020 --> 00:33:02,350
YOU MENTION ANYONE THROWIN’
A HAT AGAIN, ROBERTS,
713
00:33:02,390 --> 00:33:04,160
AND I’LL THROW YOU
DOWN THE STAIRS.
714
00:33:04,190 --> 00:33:07,020
HAS HE CONFESSED YET?
715
00:33:07,060 --> 00:33:10,590
THEY’RE JUST ABOUT THERE.
716
00:33:10,630 --> 00:33:12,360
"CALL YOUR DAD.
717
00:33:12,400 --> 00:33:15,710
"JUST MAKE THAT CALL
AND ASK FOR A MILLION,
718
00:33:15,730 --> 00:33:17,730
AND I’M OUTTA HERE!"
719
00:33:17,770 --> 00:33:19,900
SEE, THIS IS ME
TALKIN’ TO MR. RADNOR.
720
00:33:19,940 --> 00:33:23,340
’CAUSE‐‐’CAUSE
A MILLION DOLLARS
TO MR. RADNOR’S FATHER
721
00:33:23,370 --> 00:33:26,010
IS LIKE 50 CENTS TO US.
722
00:33:26,040 --> 00:33:29,280
AND THAT’S WHAT I’M TRYIN’
TO DRIVE HOME TO HIM.
723
00:33:29,310 --> 00:33:31,250
IS THIS WHEN YOU
STARTED STABBIN’ HIM?
724
00:33:31,280 --> 00:33:33,880
"HOW MANY TIMES
I GOTTA STAB YOU
725
00:33:33,920 --> 00:33:37,750
BEFORE YOU CALL YOUR DAD
AND ASK FOR THE MONEY?"
726
00:33:37,790 --> 00:33:39,960
AND WHAT, WHEN YOU
WERE STABBING HIM,
727
00:33:39,990 --> 00:33:42,720
THESE WERE LIKE LITTLE
SUPERFICIAL STABS, RIGHT?
728
00:33:42,760 --> 00:33:45,030
I’M TRYIN’ TO PERSUADE HIM!
729
00:33:45,060 --> 00:33:48,530
ONE OR TWO LITTLE STABS,
I’D HAVE BEEN ON THE HORN.
730
00:33:48,570 --> 00:33:49,910
THANK YOU! THANK YOU!
731
00:33:49,930 --> 00:33:51,930
WHY ARE THEY
GOING SO SLOW?
732
00:33:51,970 --> 00:33:54,200
THEY’RE JUST LETTIN’
HIM DIG HIS PITY PIT,
MR. RADNOR.
733
00:33:54,240 --> 00:33:56,370
MY MEN KNOW WHAT
THEY’RE DOING.
734
00:33:56,410 --> 00:33:59,220
LET’S CLEAR UP
THE SEXUAL ASPECT,
KENNY.
735
00:33:59,240 --> 00:34:02,240
WERE YOU AND
MR. RADNOR INVOLVED?
736
00:34:02,280 --> 00:34:05,250
YEAH, I’D HAVE DONE
THE SEX ASPECT.
737
00:34:05,280 --> 00:34:10,390
FOR A MILLION DOLLARS,
HE COULD’VE GOT OVER ME
ANY WAY HE WANTED TO.
738
00:34:10,420 --> 00:34:12,890
BUT, UH, YOU AND MR. RADNOR
WEREN’T INVOLVED?
739
00:34:12,920 --> 00:34:16,890
MR. RADNOR KEPT
WHO HIS FATHER WAS
SECRET.
740
00:34:16,930 --> 00:34:20,000
BUT I FOUND OUT THAT
MR. RADNOR’S FATHER
WAS MARK RADNOR.
741
00:34:20,030 --> 00:34:23,060
YOU KNOW,
THE RICH HOTEL GUY?
742
00:34:23,100 --> 00:34:26,000
SO I PERSONALLY CONTACTED
MR. RADNOR’S FATHER
743
00:34:26,040 --> 00:34:31,150
WHEN MR. RADNOR DECLINED
ASKING HIS FATHER TO HELP ME
WITH MY SUCCESS CURVE.
744
00:34:31,180 --> 00:34:33,020
HE ASKED
WERE WE GAY TOGETHER
745
00:34:33,040 --> 00:34:35,010
AND I BETTER NOT
GO TO THE MEDIA.
746
00:34:35,050 --> 00:34:36,520
I GUESS HE FIGURED
747
00:34:36,550 --> 00:34:38,810
WHY ELSE WOULD MR. RADNOR
WANT TO TEACH HIGH SCHOOL
748
00:34:38,850 --> 00:34:40,780
WHEN HE COULD BE LIVIN’
IN THE PENTHOUSE FLOOR
749
00:34:40,820 --> 00:34:43,750
AND INHERITIN’
ALL OF THOSE HOTELS?
750
00:34:43,790 --> 00:34:47,260
SO THEN IT WAS THE FATHER
WHO BROUGHT UP
THE WHOLE GAY IDEA.
751
00:34:47,290 --> 00:34:50,090
QUEER IS WHAT MR. RADNOR’S
FATHER WANTED TO HEAR,
752
00:34:50,130 --> 00:34:51,830
AND QUEER
IS WHAT I GAVE HIM.
753
00:34:51,860 --> 00:34:53,860
BUT KEEP IN MIND, THOUGH,
754
00:34:53,900 --> 00:34:57,200
ALL RIGHT, I STARTED 4 GAMES
AT HALFBACK MY SENIOR YEAR.
755
00:34:57,240 --> 00:34:59,850
SO WHEN I SEE A GAP
LIKE THIS GAY IDEA,
756
00:34:59,870 --> 00:35:03,370
I’M IN THERE,
AND I’M DOWNFIELD, YO!
757
00:35:03,410 --> 00:35:06,850
ALL I WANTED WAS
FOR MR. RADNOR
TO MAKE THE CALL
758
00:35:06,880 --> 00:35:08,810
AND ASK HIS FATHER
FOR THE MONEY
759
00:35:08,850 --> 00:35:11,890
THAT HE DON’T MISS,
AND THAT I NEED!
760
00:35:14,520 --> 00:35:16,480
HE MAKES THAT CALL...
761
00:35:16,520 --> 00:35:18,750
AND NONE OF US ARE HERE.
762
00:35:21,230 --> 00:35:23,270
YEAH, WELL,
HE DIDN’T MAKE IT.
763
00:35:36,710 --> 00:35:38,870
WHAT DID I DO?
764
00:35:38,910 --> 00:35:40,410
WHAT DID I DO?
765
00:35:40,440 --> 00:35:42,540
PAY NO ATTENTION,
MR. RADNOR.
766
00:35:42,580 --> 00:35:45,250
THEY ALWAYS LAY
RESPONSIBILITY
ELSEWHERE.
767
00:36:01,030 --> 00:36:03,230
HE WAS JUST SOMEONE
WITH A GOOD HEART.
768
00:36:03,270 --> 00:36:05,840
TRY TO TAKE COMFORT
IN THAT, MR. RADNOR.
769
00:36:05,870 --> 00:36:07,870
TAKE COMFORT IN IT?
770
00:36:07,910 --> 00:36:09,880
I TURNED MY BACK ON HIM.
771
00:36:09,910 --> 00:36:12,610
DON’T YOU UNDERSTAND
THAT I TURNED MY BACK
ON MY OWN SON?
772
00:36:12,640 --> 00:36:14,240
TRY TO‐‐
773
00:36:14,280 --> 00:36:16,580
TRY TO TAKE COMFORT IN...
HE’S IN A BETTER PLACE.
774
00:36:16,620 --> 00:36:17,560
YOU KNOW?
775
00:36:17,580 --> 00:36:19,880
I‐‐I DON’T NEED YOU ANYMORE.
776
00:36:22,650 --> 00:36:25,290
I’LL SEE YA FIRST THING
IN THE MORNING, THEN.
777
00:36:25,320 --> 00:36:26,920
GONNA GET SOME COFFEE.
778
00:36:26,960 --> 00:36:28,460
YEAH.
779
00:36:28,490 --> 00:36:29,590
YOU GOT A MINUTE
FOR TONY?
780
00:36:29,630 --> 00:36:31,360
OH, ALWAYS.
781
00:36:31,400 --> 00:36:33,610
HE JUST FINISHED
HIS STATEMENT TO SYLVIA,
782
00:36:33,630 --> 00:36:35,800
WANTS YOU IN THERE
FOR HIS LETTER
OF EXPLANATION.
783
00:36:35,830 --> 00:36:38,970
I NEVER SAW A GUY
WITH A HOOK THAT
DEEP IN HIS BELLY
784
00:36:39,000 --> 00:36:40,170
STILL DIDN’T KNOW
HE WAS CAUGHT.
785
00:36:52,650 --> 00:36:53,980
HEY.
786
00:37:08,270 --> 00:37:11,010
YOU FEELIN’ ALL RIGHT?
787
00:37:11,040 --> 00:37:12,510
WHERE’D THAT COME FROM?
788
00:37:12,540 --> 00:37:13,750
YOU’RE SITTIN’ DOWN A LOT.
789
00:37:13,770 --> 00:37:15,970
YOU SEEM LIKE
YOUR ENERGY’S DEPLETED.
790
00:37:16,010 --> 00:37:17,820
I FEEL LIKE I GOT
A CHEST COLD.
791
00:37:17,840 --> 00:37:19,510
WELL, MAYBE YOU SHOULD
TAKE A FEW SICK DAYS.
792
00:37:19,540 --> 00:37:20,740
IT’S A COLD, ANDY.
793
00:37:20,780 --> 00:37:23,440
[GARGLING]
794
00:37:23,480 --> 00:37:25,480
THIS MAY SURPRISE YA,
795
00:37:25,520 --> 00:37:29,290
PEOPLE GETTIN’ COLDS IS
HOW THAT WHOLE SICK‐DAY
CONCEPT DEVELOPED.
796
00:37:29,320 --> 00:37:32,190
YEAH, WELL, THE DOCTOR,
HE SAID THE ANTIBIOTICS
FOR MY ARM
797
00:37:32,220 --> 00:37:34,160
WOULD PROBABLY CLEAR UP
THE CHEST, TOO.
798
00:37:35,990 --> 00:37:37,460
WHERE YOU GOIN’ NOW?
799
00:37:37,500 --> 00:37:39,040
I GOTTA GO SEE
THAT DENTIST’S DAUGHTER.
800
00:37:39,060 --> 00:37:41,100
NO, YOU SHOULD GO HOME,
YOU SHOULD GET SOME REST.
801
00:37:41,130 --> 00:37:43,030
TOMORROW YOU SHOULD TAKE
THE DAY OFF,
802
00:37:43,070 --> 00:37:44,810
’CAUSE I DON’T LIKE
THIS WHOLE ENERGY LEVEL,
GOIN’ ON LIKE A WEEK NOW‐‐
803
00:37:44,840 --> 00:37:46,140
ANDY.
804
00:37:46,170 --> 00:37:47,440
YOU WANT ME TO GO TO
THIS APARTMENT WITH YOU?
805
00:37:47,470 --> 00:37:51,210
YOU CRUISIN’ FOR SOME
FREE BRIDGEWORK?
806
00:37:51,240 --> 00:37:54,180
WHAT TIME FRAME
THE DOC GIVE YOU
FOR FEELIN’ BETTER?
807
00:37:54,210 --> 00:37:56,650
TOMORROW MORNING.
808
00:37:58,820 --> 00:38:00,460
SEE YA.
809
00:38:00,480 --> 00:38:02,250
YEAH.
810
00:38:12,030 --> 00:38:13,160
YOU FROM THE BUYERS’
ASSOCIATION?
811
00:38:13,200 --> 00:38:14,470
YEAH. HOW’S IT GOIN’?
812
00:38:14,500 --> 00:38:17,670
YEAH, UM... YEAH,
YOU MENTIONED 50 BUCKS.
813
00:38:17,700 --> 00:38:19,500
WILL I BE
INCONVENIENCING ANYONE
814
00:38:19,540 --> 00:38:20,880
IF I LOOK AROUND HERE
A LITTLE?
815
00:38:20,910 --> 00:38:23,210
HEY, UH, EXCUSE ME.
I NEED THAT $50
816
00:38:23,240 --> 00:38:25,710
BEFORE I LET YOU
INCONVENIENCE US‐‐
817
00:38:25,740 --> 00:38:27,410
HEY, GET ON YOUR FEET.
I’M A COP.
WHAT’S GOIN’ ON?
818
00:38:27,450 --> 00:38:29,490
GET ON YOUR FEET, AND I WILL
TELL YOU WHAT’S GOING ON.
819
00:38:29,510 --> 00:38:30,510
PICK UP YOUR KIT.
820
00:38:32,380 --> 00:38:34,850
HE’S A COP, REECE.
I TOLD YOU IT WAS A SET‐UP.
821
00:38:34,890 --> 00:38:37,860
NO, YOU SAID IT
MIGHT BE JOAQUIN LOOKIN’
TO GET YOU FOR PAYBACK.
822
00:38:37,890 --> 00:38:39,690
WHAT YOU GOT HERE?
823
00:38:39,720 --> 00:38:42,190
THAT, UH, THAT’S
STRICTLY FOR PROTECTION
IN CASE OF BURGLARIES.
824
00:38:42,230 --> 00:38:43,600
I BET IT’S REGISTERED,
TOO, RIGHT?
825
00:38:43,630 --> 00:38:45,930
BOTH OF YOU, GET
IN THE NEXT ROOM
AND SIT DOWN.
826
00:38:45,960 --> 00:38:48,030
THIS IS ALL ILLEGAL
ANYWAY,
827
00:38:48,070 --> 00:38:50,410
BECAUSE YOU CAME IN
UNDER FALSE PRETENSES.
828
00:38:50,430 --> 00:38:52,870
OH, THAT SOUNDS LIKE
A COLLEGE IDEA, REECE.
829
00:38:52,900 --> 00:38:55,040
YOU DROP OUT OF COLLEGE?
830
00:38:55,070 --> 00:38:58,440
LOOK AT THIS MESS.
831
00:38:58,480 --> 00:39:00,590
HE’S FROM MY DAD.
832
00:39:00,610 --> 00:39:04,010
NO, THE REAL REASON
I’M HERE...
833
00:39:04,050 --> 00:39:06,620
IS OUT OF FRIENDSHIP...
834
00:39:06,650 --> 00:39:09,250
WITH THE OTHER TENANTS
IN THIS BUILDING
835
00:39:09,290 --> 00:39:11,630
THAT ARE CONCERNED
ABOUT THE AMOUNT
AND TYPE OF TRAFFIC
836
00:39:11,660 --> 00:39:13,230
COMING IN AND OUT
OF THIS APARTMENT.
837
00:39:13,260 --> 00:39:14,800
THAT’LL BE YOUR FRIEND
MRS. SAMPSON?
838
00:39:14,830 --> 00:39:15,870
WHAT’S YOUR NAME?
839
00:39:15,890 --> 00:39:17,130
DAN EVERS.
840
00:39:17,160 --> 00:39:18,590
YOU’RE DONE TALKIN’,
OK, DAN?
841
00:39:18,630 --> 00:39:19,630
I WAS JUST SAYIN’ ’CAUSE
SHE FEEDS THE LADY’S CAT.
842
00:39:19,660 --> 00:39:21,960
OK, DAN?
843
00:39:22,000 --> 00:39:24,600
NOW I KNOW IF I MAKE YOU
EMPTY OUT YOUR RIGHT FRONT
POCKET THERE,
844
00:39:24,640 --> 00:39:26,210
YOU’RE GONNA COME UP
WRONG FOR DOPE.
845
00:39:26,240 --> 00:39:27,410
I’M NOT GONNA
MAKE YOU DO THAT.
846
00:39:27,440 --> 00:39:29,240
I’M NOT LOOKIN’
TO ARREST ANYONE HERE.
847
00:39:29,270 --> 00:39:30,870
WHAT’D YOU COME
LOOKIN’ TO DO?
848
00:39:30,910 --> 00:39:32,610
RESTORE THIS APARTMENT...
849
00:39:32,640 --> 00:39:35,240
SO THAT IT’S NOT
DETERIORATING THIS BUILDING’S
QUALITY OF LIFE.
850
00:39:35,280 --> 00:39:37,110
AND IT’S YOUR BAD LUCK, DAN,
851
00:39:37,150 --> 00:39:39,720
THAT I’VE GOT YOUR WORKS
AND YOUR .25.
852
00:39:39,750 --> 00:39:41,820
BUT YOU DIDN’T COME LOOKIN’
TO ARREST ANYBODY, RIGHT?
853
00:39:41,850 --> 00:39:43,220
WELL, I CAN’T OVERLOOK THOSE.
I’M SORRY.
854
00:39:43,250 --> 00:39:44,620
OK, LOOK,
855
00:39:44,660 --> 00:39:47,170
YOU CAME HERE TO RESTORE
THE QUALITY OF LIFE?
856
00:39:47,190 --> 00:39:48,720
SO WHAT ARE YOU SAYING?
857
00:39:48,760 --> 00:39:51,660
IF YOU DON’T
ARREST ME...
I’LL LEAVE.
858
00:39:51,700 --> 00:39:53,910
SOUNDS LIKE A PLAN.
859
00:39:53,930 --> 00:39:55,430
I’M HOLDING ON
TO YOUR WORKS,
860
00:39:55,470 --> 00:39:57,010
I’M HOLDING ON
TO YOUR WEAPON,
861
00:39:57,040 --> 00:39:59,410
AND I’M FILING A FULL REPORT
IN DD‐5 ABEYANCE.
862
00:39:59,440 --> 00:40:01,080
FIRST I HEAR
THAT YOU’RE BACK,
863
00:40:01,110 --> 00:40:03,010
I’M BACK...
TO LOCK YOUR ASS UP.
864
00:40:03,040 --> 00:40:04,140
10 MINUTES TO
GET OUTTA HERE.
865
00:40:04,180 --> 00:40:05,780
NO PROBLEM,
NO PROBLEM.
866
00:40:05,810 --> 00:40:09,140
I MEAN, IT’S PROBABLY BETTER
FOR YOU LIKE THIS ANYWAY.
867
00:40:09,180 --> 00:40:11,480
YEAH,
YOU’VE BEEN BETTER
FOR ME RIGHT ALONG.
868
00:40:11,520 --> 00:40:14,460
YOU GET ME HOOKED,
AND NOW I GOTTA
COP ON MY OWN.
869
00:40:35,540 --> 00:40:37,840
HE APPEARS.
870
00:40:37,880 --> 00:40:40,990
IN THE FLESH.
871
00:40:41,010 --> 00:40:43,480
IN THE FLESH.
872
00:40:43,510 --> 00:40:45,450
DOES YOUR ARM HURT?
873
00:40:45,480 --> 00:40:47,880
UH, NO, IT’S...
874
00:40:47,920 --> 00:40:49,150
IT’S OK.
875
00:40:49,190 --> 00:40:51,460
DOC GAVE ME AN ANTIBIOTIC
FOR IT.
876
00:40:51,490 --> 00:40:53,050
HOW’D IT GO WITH
THE DENTIST’S DAUGHTER?
877
00:40:53,090 --> 00:40:54,460
[SIGHS]
878
00:40:54,490 --> 00:40:58,190
YOU KNOW, I DID MY ACT
WITH THIS BOYFRIEND.
879
00:40:58,230 --> 00:41:00,200
I GOTTA CALL THAT DR. REISMAN.
880
00:41:00,230 --> 00:41:02,300
I MEAN, IF HE WANTS TO GET
HIS DAUGHTER STRAIGHT,
881
00:41:02,330 --> 00:41:04,000
HE BETTER GET HER ASS
IN A PROGRAM.
882
00:41:04,040 --> 00:41:05,840
NOW, SEE?
883
00:41:05,870 --> 00:41:07,400
[SIGHS]
884
00:41:14,450 --> 00:41:18,660
DAMN. I WISH I KNEW
WHY I CAN’T BREATHE.
885
00:41:18,680 --> 00:41:19,880
COME SIT DOWN.
886
00:41:19,920 --> 00:41:23,280
NAH. LET ME JUST
GET SOME FRESH AIR.
887
00:41:24,860 --> 00:41:26,130
THIS IS GETTIN’ RIDICULOUS.
888
00:41:28,030 --> 00:41:30,170
ARE YOU LIGHT‐HEADED,
BOBBY?
889
00:41:30,190 --> 00:41:31,260
MM‐MMM.
890
00:41:35,570 --> 00:41:36,710
AHH.
891
00:41:40,870 --> 00:41:43,440
THIS ANTIBIOTIC
WILL CLEAR IT UP.
892
00:41:43,470 --> 00:41:46,840
THE DOCTOR SAID IT’LL
CLEAR MY CHEST UP, TOO.
893
00:41:46,880 --> 00:41:48,410
YOU KNOW, YOU SHOULD
REST TOMORROW.
894
00:41:48,450 --> 00:41:50,420
PROBABLY HALF OF IT’S
JUST BEING RUN‐DOWN.
895
00:41:50,450 --> 00:41:52,910
NO, HE SAID THE ANTIBIOTIC
CLEARS EVERYTHING UP
BUT HANGOVERS.
896
00:41:54,750 --> 00:41:56,280
[SIGHS]
897
00:41:56,320 --> 00:41:59,660
IF YOU DON’T FEEL BETTER,
I’M KEEPING YOU HOME.
898
00:42:04,600 --> 00:42:06,400
[SNIFFLES]
899
00:42:06,430 --> 00:42:09,900
WHAT ARE YOU GONNA DO,
MAKE ME SOME HOT COCOA?
900
00:42:09,930 --> 00:42:11,570
I HAPPEN TO MAKE
KILLER COCOA.
901
00:42:11,600 --> 00:42:13,270
YEAH, I BET YOU DO.
902
00:42:20,980 --> 00:42:22,980
[CONGESTED BREATHING]
903
00:42:37,160 --> 00:42:39,560
I’M OK.
904
00:42:39,600 --> 00:42:40,630
I KNOW.
905
00:42:48,370 --> 00:42:51,140
HOW OK ARE YOU?
906
00:42:51,180 --> 00:42:54,150
WELL, YOU BETTER STAND BACK
ONCE THIS MEDICINE KICKS IN.
907
00:42:56,150 --> 00:42:58,220
I’M NOT GOIN’ ANYWHERE.
67705
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