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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,236 --> 00:00:06,006 [ "MISSION: IMPOSSIBLE" THEME PLAYS ] 2 00:00:52,520 --> 00:00:54,322 [ FOOTSTEPS ] 3 00:01:45,206 --> 00:01:47,375 [ CASH REGISTER DINGS ] 4 00:02:00,254 --> 00:02:02,156 GOOD EVENING, MR. BRIGGS. 5 00:02:02,190 --> 00:02:05,326 THIS IS CARL WILSON, A SPECIAL U.S. ENVOY 6 00:02:05,359 --> 00:02:07,195 WHO IS ABOUT TO SUCCEED 7 00:02:07,228 --> 00:02:10,231 IN AFFECTING A VITAL EXCHANGE AGREEMENT 8 00:02:10,264 --> 00:02:11,832 BETWEEN OUR GOVERNMENT 9 00:02:11,865 --> 00:02:14,868 AND A NEUTRAL COUNTRY IMPORTANT TO US. 10 00:02:14,902 --> 00:02:18,539 THIS MAN, PETER KIRI, A NOTORIOUS ENEMY AGENT, 11 00:02:18,572 --> 00:02:20,341 HAS KIDNAPPED WILSON 12 00:02:20,374 --> 00:02:22,476 AND REPLACED HIM WITH AN IMPOSTER. 13 00:02:22,510 --> 00:02:25,213 KIRI'S PURPOSE MUST BE TO DISCREDIT WILSON, 14 00:02:25,246 --> 00:02:28,382 AND SO, PREVENT THE EXCHANGE AGREEMENT FROM BEING RATIFIED. 15 00:02:28,416 --> 00:02:31,419 WILSON IS STILL ALIVE AND BEING HELD PRISONER. 16 00:02:31,452 --> 00:02:33,721 SO, ANY MOVE AGAINST THE IMPOSTER 17 00:02:33,754 --> 00:02:36,624 WOULD BRING WILSON'S INSTANTANEOUS DEATH. 18 00:02:36,657 --> 00:02:39,627 YOUR MISSION, SHOULD YOU DECIDE TO ACCEPT IT, 19 00:02:39,660 --> 00:02:42,763 IS TO SAVE WILSON AND TO PUT KIRI OUT OF ACTION. 20 00:02:42,796 --> 00:02:46,367 AS ALWAYS, SHOULD YOU OR ANY MEMBER OF YOUR I.M. FORCE 21 00:02:46,400 --> 00:02:48,302 BE CAUGHT OR KILLED, 22 00:02:48,336 --> 00:02:51,472 THE SECRETARY WILL DISAVOW ANY KNOWLEDGE OF YOUR ACTIONS. 23 00:02:51,505 --> 00:02:55,343 THIS RECORDING WILL SELF-DESTRUCT IN FIVE SECONDS. 24 00:02:55,376 --> 00:02:56,677 GOOD LUCK, DAN. 25 00:04:37,545 --> 00:04:39,413 [ PROJECTOR WHIRRING ] 26 00:04:42,916 --> 00:04:45,919 THE ONE ON THE LEFT IS CARL WILSON, RIGHT, DAN? 27 00:04:45,953 --> 00:04:47,821 NO, IT LOOKS LIKE WILSON, BUT IT'S REALLY GORT, 28 00:04:47,855 --> 00:04:51,058 AFTER HE MADE THE TRANSFORMATION. 29 00:04:53,060 --> 00:04:54,828 [ PROJECTOR CLICKS ] 30 00:04:54,862 --> 00:04:57,831 HIS BONE STRUCTURE'S MUCH CLOSER TO YOURS THAN MINE, DAN. 31 00:04:57,865 --> 00:04:59,767 THAT'S RIGHT. I'LL HAVE TO PLAY HIM. 32 00:05:07,708 --> 00:05:08,876 WHO IS HE? 33 00:05:08,909 --> 00:05:10,110 THAT'S KIRI. 34 00:05:10,143 --> 00:05:12,480 HE WAS ONCE HEAD OF A LIQUIDATION CAMP 35 00:05:12,513 --> 00:05:13,781 FOR POLITICAL PRISONERS. 36 00:05:13,814 --> 00:05:15,916 NOW HE'S ACTING AS THE ENVOY'S SECRETARY. 37 00:05:22,923 --> 00:05:25,526 HOW DID THEY TAKE OVER THE HOUSE? 38 00:05:25,559 --> 00:05:27,795 AFTER THEY KIDNAPPED WILSON, 39 00:05:27,828 --> 00:05:29,397 GORT TOOK HIS PLACE, DISMISSED THE STAFF, 40 00:05:29,430 --> 00:05:30,798 AND BROUGHT IN HIS OWN PEOPLE. 41 00:05:30,831 --> 00:05:33,000 COULD WILSON POSSIBLY STILL BE IN THE HOUSE? 42 00:05:33,033 --> 00:05:34,902 NO, WE'VE HAD THE HOUSE UNDER SURVEILLANCE. 43 00:05:34,935 --> 00:05:36,737 HE WAS TAKEN OUT AND NEVER BROUGHT BACK. 44 00:05:36,770 --> 00:05:38,739 WHILE YOU'RE PLAYING GORT'S ROLE, WE HAVE TO BREAK HIM? 45 00:05:38,772 --> 00:05:41,742 YES, GORT MUST TALK. THAT'S THE KEY TO THE WHOLE OPERATION. 46 00:05:41,775 --> 00:05:43,611 YOU'LL HAVE DR. DRAKE TO HELP YOU. 47 00:05:43,644 --> 00:05:45,145 ONE QUESTION, DAN. 48 00:05:45,178 --> 00:05:47,047 WHAT SORT OF ELECTRICAL CURRENT DO THEY HAVE THERE? 49 00:05:47,080 --> 00:05:48,682 BARNEY. 50 00:05:48,716 --> 00:05:50,918 THE CURRENT IS DIRECT, BUT THE VOLTAGE VARIES. 51 00:05:50,951 --> 00:05:53,120 SO I'M TAKING A SET OF RECTIFIERS TO KEEP IT CONSTANT. 52 00:05:53,153 --> 00:05:54,822 GOOD. 53 00:05:54,855 --> 00:05:56,690 AND REMEMBER, IN THAT PART OF THE WORLD, 54 00:05:56,724 --> 00:05:58,592 THE CLOSEST THING WE HAVE TO AN INDISPENSABLE MAN IS WILSON. 55 00:05:58,626 --> 00:06:01,595 WE MAKE ONE MISTAKE, WILSON PAYS FOR IT WITH HIS LIFE. 56 00:06:46,807 --> 00:06:48,809 [ BEEPING ] 57 00:06:51,244 --> 00:06:53,113 [ BEEPING STOPS ] 58 00:08:15,195 --> 00:08:16,764 WILLY. 59 00:09:10,083 --> 00:09:13,220 WHAT DO YOU THINK, CINNAMON? 60 00:09:24,231 --> 00:09:26,566 YES. 61 00:09:31,004 --> 00:09:34,141 WHERE WILL THEY BE, KIRI? 62 00:09:34,174 --> 00:09:37,144 ALL RIGHT. ONCE AGAIN. 63 00:09:37,177 --> 00:09:39,947 THEY'LL BE IN THE CAR, WAITING FOR YOU. 64 00:09:39,980 --> 00:09:42,683 ONCE YOU GO OUT THE DOOR, YOUR JOB IS FINISHED. 65 00:09:42,716 --> 00:09:45,252 I GUESS IT'LL WORK. 66 00:09:45,285 --> 00:09:46,654 OF COURSE, IT'LL WORK. 67 00:09:48,722 --> 00:09:50,791 WHAT'S THE MATTER WITH YOU, GORT? 68 00:09:50,824 --> 00:09:54,261 YOU'D THINK THIS WAS THE FIRST JOB YOU'D EVER DONE FOR US. 69 00:09:54,294 --> 00:09:57,297 IT'S THE MOST DIFFICULT. 70 00:09:59,332 --> 00:10:01,869 BUT IT'S A GOOD PLAN. 71 00:10:01,902 --> 00:10:04,104 YES, I'M SATISFIED. 72 00:10:06,907 --> 00:10:08,876 [ BRAKES SQUEAL ] 73 00:10:12,312 --> 00:10:15,683 PATRICIA WILSON, CARL WILSON'S NIECE. 74 00:10:29,830 --> 00:10:31,899 [ RINGS ] 75 00:10:37,905 --> 00:10:39,907 ALL RIGHT. 76 00:10:39,940 --> 00:10:41,308 [ RECEIVER CLICKS ] 77 00:10:42,309 --> 00:10:44,878 YOUR NIECE IS ON THE WAY UP FROM THE GATE. 78 00:10:46,914 --> 00:10:48,081 MY NIECE? 79 00:11:02,295 --> 00:11:04,698 [ DOORBELL RINGS ] 80 00:11:15,008 --> 00:11:17,077 HOW DO YOU DO? I'M PATRICIA WILSON. 81 00:11:17,110 --> 00:11:19,112 I'M DAVE SAUNDERS, MR. WILSON'S ASSISTANT. 82 00:11:19,146 --> 00:11:20,447 HOW DO YOU DO? 83 00:11:20,480 --> 00:11:22,082 -PLEASE COME IN. -THANK YOU. 84 00:11:22,115 --> 00:11:23,751 IS MY UNCLE IN? 85 00:11:23,784 --> 00:11:25,052 YES, HE IS. 86 00:11:27,855 --> 00:11:29,389 UNCLE CARL. 87 00:11:30,791 --> 00:11:31,792 [ SMOOCHES ] 88 00:11:31,825 --> 00:11:33,961 IT'S BEEN SO VERY LONG. 89 00:11:35,829 --> 00:11:37,164 IS EVERYTHING ALL RIGHT? 90 00:11:37,197 --> 00:11:38,465 OH, YES, OF COURSE. 91 00:11:38,498 --> 00:11:41,068 IT'S JUST THAT I'M SO SURPRISED TO SEE YOU. 92 00:11:41,101 --> 00:11:43,303 WELL, DIDN'T YOU GET MY LETTER? 93 00:11:43,336 --> 00:11:45,973 LETTER? WHEN DID YOU SEND IT? 94 00:11:46,006 --> 00:11:47,975 A COUPLE OF MONTHS AGO. 95 00:11:48,008 --> 00:11:49,342 I WROTE TO TELL YOU 96 00:11:49,376 --> 00:11:50,477 I WAS GOING TO BE IN THIS PART OF THE WORLD 97 00:11:50,510 --> 00:11:51,979 DOING SOME RESEARCH -- 98 00:11:52,012 --> 00:11:54,014 YOU KNOW, I STILL HAVEN'T FINISHED MY PhD. 99 00:11:54,047 --> 00:11:56,049 ISN'T THAT FUNNY? I NEVER RECEIVED IT. 100 00:11:56,083 --> 00:11:58,218 OH, GEE, I'M SORRY. 101 00:11:58,251 --> 00:12:00,754 WHAT A LOVELY HOUSE. 102 00:12:00,788 --> 00:12:02,255 -IT IS, ISN'T IT? -MM. 103 00:12:02,289 --> 00:12:04,124 WELL, TELL ME HOW YOU'VE BEEN. 104 00:12:04,157 --> 00:12:05,759 JUST GREAT. DAD'S FINE. 105 00:12:05,793 --> 00:12:08,929 OVERWORKED, AS USUAL. SITUATION NORMAL. 106 00:12:10,397 --> 00:12:11,799 -IS THIS YOUR STUDY? -YES. 107 00:12:11,832 --> 00:12:12,833 MAY I? 108 00:12:12,866 --> 00:12:14,968 OF COURSE. 109 00:12:17,204 --> 00:12:18,505 IT'S QUITE ELEGANT. 110 00:12:18,538 --> 00:12:21,141 ONLY ON THE SURFACE, I'M AFRAID. 111 00:12:21,174 --> 00:12:25,178 UNCLE CARL, THERE'S SO MUCH I WANT TO TALK TO YOU ABOUT. 112 00:12:25,212 --> 00:12:26,546 I'M AT YOUR SERVICE. 113 00:12:26,579 --> 00:12:30,150 WELL, IT'S A PRIVATE FAMILY MATTER. 114 00:12:30,183 --> 00:12:31,318 I SEE. 115 00:12:31,351 --> 00:12:33,553 EXCUSE ME, SIR. 116 00:12:33,586 --> 00:12:36,089 THANK YOU, DAVE. 117 00:12:50,370 --> 00:12:54,074 AND I JUST DON'T GET TO TALK TO DAD MUCH ANYMORE. 118 00:12:54,107 --> 00:12:55,508 I NEED YOUR ADVICE. 119 00:12:55,542 --> 00:12:57,845 IT'S A QUESTION OF ROMANCE. 120 00:13:00,580 --> 00:13:02,182 HE'S A GREAT GUY, 121 00:13:02,215 --> 00:13:04,251 BUT HE JUST DOESN'T EARN ENOUGH MONEY YET. 122 00:13:10,423 --> 00:13:12,225 WELL, WHAT I WAS THINKING WAS 123 00:13:12,259 --> 00:13:15,028 MAYBE YOU COULD FIND SOME WAY TO USE YOUR INFLUENCE TO -- 124 00:13:15,062 --> 00:13:16,496 [ KNOCK AT DOOR ] 125 00:13:16,529 --> 00:13:19,199 YES? 126 00:13:19,232 --> 00:13:20,367 EXCUSE ME, PLEASE. 127 00:13:20,400 --> 00:13:21,401 THE TRUNK -- 128 00:13:21,434 --> 00:13:23,170 WHERE DO YOU WANT IT? 129 00:13:23,203 --> 00:13:25,138 WELL, I DON'T THINK THAT'S BEEN QUITE DECIDED YET. 130 00:13:29,609 --> 00:13:31,044 DO YOU MIND WAITING? 131 00:13:31,078 --> 00:13:33,113 IT'LL BE JUST A FEW MINUTES. 132 00:13:33,146 --> 00:13:34,481 KEEP THE METER RUNNING. 133 00:13:34,514 --> 00:13:36,483 I'LL TAKE CARE OF EVERYTHING. 134 00:13:36,516 --> 00:13:37,951 THAT WILL BE FINE. 135 00:13:37,985 --> 00:13:39,853 AS I WAS SAYING, UNCLE CARL, 136 00:13:39,887 --> 00:13:43,023 THERE'S SO MANY PEOPLE THAT YOU KNOW THAT YOU COULD -- 137 00:13:43,056 --> 00:13:44,357 OF COURSE, DARLING, 138 00:13:44,391 --> 00:13:45,926 BUT I'D LIKE TO MEET THE YOUNG MAN FIRST. 139 00:13:45,959 --> 00:13:47,160 [ LAUGHS ] THANK YOU, UNCLE CARL. 140 00:13:47,194 --> 00:13:48,495 I REALLY APPRECIATE IT. 141 00:13:48,528 --> 00:13:50,330 NONSENSE. NOW, ABOUT YOUR ACCOMMODATIONS, 142 00:13:50,363 --> 00:13:52,365 I THINK YOU'LL LIKE THE LORSKA HOTEL. 143 00:13:52,399 --> 00:13:53,366 [ ROTARY TELEPHONE DIALING ] 144 00:13:53,400 --> 00:13:55,102 THAT SOUNDS JUST FINE. 145 00:13:55,135 --> 00:13:58,271 [ DIALING CONTINUES ] 146 00:13:58,305 --> 00:14:00,140 [ RINGS ] 147 00:14:00,173 --> 00:14:02,409 LORSKA HOTEL. 148 00:14:02,442 --> 00:14:04,377 HELLO. THIS IS CARL WILSON. 149 00:14:04,411 --> 00:14:06,379 MY NIECE PATRICIA WILL BE CHECKING IN SHORTLY. 150 00:14:06,413 --> 00:14:07,915 I'D APPRECIATE IT 151 00:14:07,948 --> 00:14:09,482 IF YOU GIVE HER THE BEST POSSIBLE ACCOMMODATIONS. 152 00:14:09,516 --> 00:14:11,284 WE'LL DO OUR BEST, MR. WILSON. 153 00:14:11,318 --> 00:14:13,120 THANK YOU. 154 00:14:13,153 --> 00:14:14,421 NOW, IF YOU'LL FORGIVE ME, 155 00:14:14,454 --> 00:14:16,189 I'VE REALLY GOT TO GET TO WORK. 156 00:14:16,223 --> 00:14:19,092 I UNDERSTAND. 157 00:14:19,126 --> 00:14:22,062 I'M AFRAID THE TRUNK WILL HAVE TO GO BACK TO THE TAXI. 158 00:14:22,095 --> 00:14:23,196 YES. 159 00:14:23,230 --> 00:14:24,464 WHEN WILL I SEE YOU? 160 00:14:24,497 --> 00:14:26,499 I'LL BE IN TOUCH THE FIRST CHANCE I GET. 161 00:14:26,533 --> 00:14:27,600 GOOD. 162 00:14:39,212 --> 00:14:41,348 SHE COULD BE DANGEROUS. 163 00:14:41,381 --> 00:14:43,350 AT THE LORSKA HOTEL? 164 00:14:43,383 --> 00:14:46,053 MAYBE NOT. 165 00:14:46,086 --> 00:14:47,988 YOU GOT RID OF HER VERY WELL. 166 00:14:48,021 --> 00:14:49,022 THANK YOU. 167 00:14:49,056 --> 00:14:50,590 VERY WELL, INDEED. 168 00:14:50,623 --> 00:14:53,026 [ LIGHTER CLICKS ] 169 00:15:08,075 --> 00:15:10,077 [ VEHICLE APPROACHING ] 170 00:17:23,176 --> 00:17:25,112 AS SOON AS POSSIBLE, DOCTOR. 171 00:17:25,145 --> 00:17:27,280 WE DON'T KNOW HOW MUCH TIME WE HAVE. 172 00:17:38,325 --> 00:17:39,692 AN ASSASSIN, HMM? 173 00:17:39,726 --> 00:17:42,662 WELL, MAYBE WHEN THIS IS ALL OVER, 174 00:17:42,695 --> 00:17:44,597 HE'LL BE BETTER OFF THAN HE WAS BEFORE. 175 00:17:54,441 --> 00:17:57,244 WE'RE GOING TO GIVE HIM 250 MILLIAMPERES OF CURRENT 176 00:17:57,277 --> 00:17:58,645 FOR EXACTLY 10 SECONDS. 177 00:17:58,678 --> 00:18:00,280 THAT'S SLIGHTLY HIGHER THAN THE USUAL DOSAGE. 178 00:18:00,313 --> 00:18:01,548 A HIGHER DOSAGE? 179 00:18:01,581 --> 00:18:03,283 WE'RE NOT TAKING A CHANCE 180 00:18:03,316 --> 00:18:05,152 ON DESTROYING HIS MEMORY COMPLETELY, ARE WE, DOCTOR? 181 00:18:05,185 --> 00:18:06,819 ONLY FOR THE IMMEDIATE PAST, 182 00:18:06,853 --> 00:18:08,788 LIKE THE EVENTS OF THIS MORNING. 183 00:18:25,805 --> 00:18:27,874 ALL RIGHT. 184 00:18:31,411 --> 00:18:33,413 [ ELECTRICITY HUMMING ] 185 00:18:46,926 --> 00:18:48,395 [ ELECTRICITY BUZZING ] 186 00:19:02,809 --> 00:19:04,344 [ BUZZING STOPS ] 187 00:19:04,377 --> 00:19:06,879 [ SIGHS ] 188 00:19:06,913 --> 00:19:10,217 HOW LONG WILL HE BE OUT? 189 00:19:10,250 --> 00:19:11,751 20 MINUTES TO HALF AN HOUR. 190 00:19:11,784 --> 00:19:13,753 HOW SOON AFTER THAT WILL I BE ABLE TO TALK TO HIM? 191 00:19:13,786 --> 00:19:14,921 ALMOST IMMEDIATELY. 192 00:19:14,954 --> 00:19:16,956 HE'LL BE TERRIBLY CONFUSED. 193 00:19:16,989 --> 00:19:18,525 HE WON'T HAVE ANY NOTION WHAT HAPPENED TO HIM. 194 00:19:18,558 --> 00:19:21,160 BUT THEN, THAT'S THE WHOLE IDEA, ISN'T IT? 195 00:19:27,567 --> 00:19:30,737 JOSEF, IN ALL THE TIME I'VE KNOWN YOU, 196 00:19:30,770 --> 00:19:33,440 I'VE NEVER SEEN YOU SMOKE WITHOUT YOUR HOLDER BEFORE. 197 00:19:33,473 --> 00:19:36,843 I REALIZED SOMETHING TODAY WHEN I SAW THE GIRL. 198 00:19:36,876 --> 00:19:39,746 JOSEF GORT USES A HOLDER. WILSON NEVER DID. 199 00:19:39,779 --> 00:19:42,315 REMEMBER, KIRI, I WAS ONCE ON THE STAGE. 200 00:19:42,349 --> 00:19:44,684 AN ACTOR MUST SUBMERGE HIMSELF COMPLETELY 201 00:19:44,717 --> 00:19:46,453 IN THE ROLE HE'S PLAYING. 202 00:19:46,486 --> 00:19:48,688 I SEE. 203 00:19:48,721 --> 00:19:51,558 [ TELEPHONE RINGS ] 204 00:19:51,591 --> 00:19:53,960 HELLO? 205 00:19:53,993 --> 00:19:56,396 NO, THIS IS MR. WILSON'S ASSISTANT. 206 00:19:56,429 --> 00:19:57,997 I UNDERSTAND, SIR. 207 00:19:58,030 --> 00:20:00,600 NO, THAT'LL BE FINE, SIR. 208 00:20:00,633 --> 00:20:02,302 WE'LL EXPECT YOU. 209 00:20:02,335 --> 00:20:04,337 THANK YOU VERY MUCH. 210 00:20:04,371 --> 00:20:05,505 [ RECEIVER CLICKS ] 211 00:20:05,538 --> 00:20:06,906 THAT WAS JONATHAN DAVIS, 212 00:20:06,939 --> 00:20:08,841 THE AMERICAN UNDERSECRETARY OF STATE. 213 00:20:08,875 --> 00:20:10,410 HE'S JUST ARRIVED AT THE AIRPORT, 214 00:20:10,443 --> 00:20:12,445 AND HE WANTS TO MEET WITH YOU THIS AFTERNOON. 215 00:20:12,479 --> 00:20:15,448 [ GROANING ] 216 00:21:06,933 --> 00:21:10,503 WH...WHERE... 217 00:21:10,537 --> 00:21:13,340 COME ON. GET UP. YOU'RE GOING TO SEE THE DOCTOR. 218 00:21:13,373 --> 00:21:15,708 DOCTOR? 219 00:21:15,742 --> 00:21:17,910 I SAID GET UP! 220 00:21:30,523 --> 00:21:32,625 [ WOMAN CRIES ] 221 00:21:34,126 --> 00:21:36,696 [ WOMAN SCREAMS ] 222 00:21:45,705 --> 00:21:47,340 COME ON. 223 00:21:52,011 --> 00:21:54,347 SIT DOWN, MR. KROLL. 224 00:21:57,417 --> 00:22:00,620 REMEMBER, ROLLIN, YOU'RE HIS ONLY FRIEND. 225 00:22:09,028 --> 00:22:11,030 AH, GOOD MORNING, MR. KROLL. 226 00:22:11,063 --> 00:22:14,601 ATTENDANT, YOU CAN REMOVE MR. KROLL'S RESTRAINTS. 227 00:22:21,474 --> 00:22:24,611 WELL, HOW ARE WE TODAY, MR. KROLL? 228 00:22:24,644 --> 00:22:25,878 WHAT? 229 00:22:28,047 --> 00:22:29,782 WHAT IS THAT? 230 00:22:29,816 --> 00:22:31,451 THAT IS A TAPE RECORDER. 231 00:22:31,484 --> 00:22:34,086 YOU'VE PROBABLY SEEN IT HERE HALF A DOZEN TIMES. 232 00:22:34,120 --> 00:22:36,956 HOW DO YOU THINK WE'VE COMPILED YOUR CASE HISTORY? 233 00:22:36,989 --> 00:22:39,426 CASE HISTORY? 234 00:22:42,194 --> 00:22:43,763 WHAT IS THIS PLACE? 235 00:22:43,796 --> 00:22:46,966 WE ESTABLISHED THAT LAST TIME, MR. KROLL. 236 00:22:46,999 --> 00:22:51,137 I AM DR. MALENOV. 237 00:22:51,170 --> 00:22:53,506 THIS IS A MENTAL HOSPITAL. 238 00:22:56,443 --> 00:22:59,746 THIS IS A PLEASANT SURPRISE, JONATHAN. 239 00:22:59,779 --> 00:23:02,415 I HADN'T EXPECTED TO SEE YOU UNTIL THIS EVENING. 240 00:23:02,449 --> 00:23:04,150 A RECEPTION'S NO PLACE TO TALK. 241 00:23:04,183 --> 00:23:05,685 MY PLANE WAS EARLY, 242 00:23:05,718 --> 00:23:06,919 AND I DECIDED TO TAKE ADVANTAGE OF IT -- 243 00:23:06,953 --> 00:23:08,988 HAVEN'T EVEN BEEN TO MY HOTEL YET. 244 00:23:09,021 --> 00:23:11,023 THE JOB MUST BE AGREEING WITH YOU. 245 00:23:11,057 --> 00:23:13,726 -WE'RE GETTING IT DONE. -YOU CERTAINLY ARE. 246 00:23:13,760 --> 00:23:15,428 AND ODDLY ENOUGH, YOU LOOK YOUNGER FOR IT. 247 00:23:15,462 --> 00:23:16,496 THANK YOU, JONATHAN. 248 00:23:16,529 --> 00:23:18,931 OH, I SAW YOUR SON IN ROME. 249 00:23:18,965 --> 00:23:22,134 HE TOLD ME TO TELL YOU HE WAS DOWN TO A 12. 250 00:23:22,168 --> 00:23:23,436 OH? 251 00:23:23,470 --> 00:23:24,804 WHAT ARE YOU PLAYING TO NOW? 252 00:23:24,837 --> 00:23:27,039 [ CHUCKLES ] I REALLY DON'T KNOW, JONATHAN. 253 00:23:27,073 --> 00:23:29,576 THE NEAREST GOLF COURSE IS 200 MILES AWAY. 254 00:23:29,609 --> 00:23:31,043 I DO MISS IT, THOUGH. 255 00:23:31,077 --> 00:23:33,145 I'LL BET YOU DO. 256 00:23:33,179 --> 00:23:35,448 [ GLASS THUMPS ] 257 00:23:37,717 --> 00:23:39,819 WOULD YOU LIKE A CIGARETTE, MR. KROLL? 258 00:23:39,852 --> 00:23:42,622 THANK YOU. 259 00:23:50,497 --> 00:23:53,900 WHY DO YOU KEEP CALLING ME MR. KROLL? 260 00:23:53,933 --> 00:23:57,003 BECAUSE THAT'S YOUR NAME. 261 00:23:57,036 --> 00:23:59,939 GEORGI KROLL, ACCOUNTANT. 262 00:23:59,972 --> 00:24:03,075 YOU HAVE BEEN WITH US FOR ABOUT FIVE MONTHS. 263 00:24:03,109 --> 00:24:04,110 NO. 264 00:24:04,143 --> 00:24:06,646 MY NAME IS... 265 00:24:13,019 --> 00:24:15,154 JOSEF! JOSEF GORT! 266 00:24:15,187 --> 00:24:17,624 JOSEF GORT DOES NOT EXIST, MR. KROLL. 267 00:24:17,657 --> 00:24:19,859 THERE IS NO SUCH PERSON. 268 00:24:19,892 --> 00:24:21,794 BUT I AM JOSEF GORT. 269 00:24:21,828 --> 00:24:22,929 I AM A... 270 00:24:30,603 --> 00:24:32,605 YES, YES, YOU TOLD US A GREAT DEAL 271 00:24:32,639 --> 00:24:34,040 ABOUT JOSEF GORT. 272 00:24:34,073 --> 00:24:35,575 LET'S SEE. 273 00:24:35,608 --> 00:24:37,744 MM, QUITE A FELLOW, JOSEF GORT. 274 00:24:37,777 --> 00:24:39,746 A FINE ACTOR, BECAME A SECRET AGENT. 275 00:24:39,779 --> 00:24:41,814 EVENTUALLY, A POLITICAL ASSASSIN. 276 00:24:41,848 --> 00:24:44,150 ALL SORTS OF EXCITING ADVENTURES. 277 00:24:44,183 --> 00:24:45,518 WOMEN, DANGER. 278 00:24:50,089 --> 00:24:52,525 LOOK, MR. KROLL, IN TRUTH, 279 00:24:52,559 --> 00:24:55,895 JOSEF GORT EXISTS ONLY OUT OF YOUR ILLNESS. 280 00:24:55,928 --> 00:24:58,097 HE IS A CREATURE OF FANTASY. 281 00:24:58,130 --> 00:25:02,168 YOU ARE GEORGI KROLL, THE ACCOUNTANT AT A STATE BANK. 282 00:25:02,201 --> 00:25:03,903 I AM GORT! 283 00:25:07,239 --> 00:25:08,775 [ SIGHS ] 284 00:25:08,808 --> 00:25:12,078 A MOST PERSISTENT DELUSION. 285 00:25:12,111 --> 00:25:13,846 WELL, PERHAPS... 286 00:25:13,880 --> 00:25:18,751 PERHAPS THAT'S THE CORRECT WAY TO ATTACK THIS PROBLEM. 287 00:25:18,785 --> 00:25:19,886 LET US SEE. 288 00:25:19,919 --> 00:25:21,253 [ CLEARS THROAT ] 289 00:25:21,287 --> 00:25:23,823 LAST TIME YOU TOLD US THAT JOSEF GORT 290 00:25:23,856 --> 00:25:25,925 WAS WORKING WITH A SPECIAL TEAM OF AGENTS 291 00:25:25,958 --> 00:25:27,193 IN A FOREIGN COUNTRY. 292 00:25:27,226 --> 00:25:29,028 HE HAD KIDNAPPED THE AMERICAN ENVOY, 293 00:25:29,061 --> 00:25:30,997 A MAN NAMED WILSON, AND REPLACED HIM -- 294 00:25:31,030 --> 00:25:34,634 NO, THAT YOU HAD REPLACED HIM AND YOU TOOK HIS PLACE. 295 00:25:34,667 --> 00:25:35,968 CORRECT? 296 00:25:39,338 --> 00:25:41,908 I TOLD YOU ALL THAT? 297 00:25:41,941 --> 00:25:44,844 YES. MANY TIMES. 298 00:25:54,854 --> 00:25:57,690 WHAT WE'D LIKE YOU TO DO IS PREPARE THE GROUNDWORK 299 00:25:57,724 --> 00:26:00,627 FOR A POSSIBLE PRESIDENTIAL VISIT HERE THIS SUMMER. 300 00:26:00,660 --> 00:26:02,228 YOU SAY "POSSIBLE VISIT"? 301 00:26:02,261 --> 00:26:05,598 WHETHER IT COMES OFF DEPENDS ON WHAT YOU ACCOMPLISH HERE 302 00:26:05,632 --> 00:26:07,266 DURING THE NEXT FEW MONTHS. 303 00:26:07,299 --> 00:26:09,969 AND, CARL, WE HAVE EVERY CONFIDENCE IN YOU. 304 00:26:29,922 --> 00:26:32,124 COME ON. 305 00:26:36,996 --> 00:26:40,933 THIS OLD PLACE IS COMING APART. 306 00:26:40,967 --> 00:26:43,169 SO? SOMETIMES THEY LEAVE VALUABLE THINGS 307 00:26:43,202 --> 00:26:44,971 IN THESE OLD PLACES. 308 00:26:45,004 --> 00:26:48,207 ALL THIS PLACE IS GOOD FOR IS ONE BIG FIRE. 309 00:26:48,240 --> 00:26:49,275 YEAH. 310 00:26:49,308 --> 00:26:52,812 MR. KROLL... 311 00:26:52,845 --> 00:26:55,882 COULD YOU TELL US WHAT YOU FANTASIZED 312 00:26:55,915 --> 00:26:59,752 YOU WERE GOING TO DO WITH THIS, THIS MAN WILSON? 313 00:26:59,786 --> 00:27:01,954 I WON'T TELL YOU ANYTHING. 314 00:27:01,988 --> 00:27:04,657 I'M TRYING TO HELP YOU, MR. KROLL. 315 00:27:04,691 --> 00:27:06,425 I AM YOUR FRIEND. 316 00:27:06,458 --> 00:27:07,994 I DON'T WANT TO SEE YOU 317 00:27:08,027 --> 00:27:09,896 SPEND THE REST OF YOUR LIFE IN THIS PLACE. 318 00:27:09,929 --> 00:27:13,099 I AM JOSEF GORT. DO YOU UNDERSTAND? 319 00:27:13,132 --> 00:27:14,100 GORT! 320 00:27:14,133 --> 00:27:15,134 MR. KROLL! 321 00:27:15,167 --> 00:27:16,168 LET ME GO. LET ME GO! 322 00:27:16,202 --> 00:27:18,004 WHAT ARE YOU DOING TO ME? 323 00:27:18,037 --> 00:27:19,972 NO! I DON'T WANT THAT! 324 00:27:20,006 --> 00:27:20,973 NO! 325 00:27:21,007 --> 00:27:22,141 I'M TERRIBLY SORRY. 326 00:27:22,174 --> 00:27:24,777 I THOUGHT WE'D MADE SOME PROGRESS. 327 00:27:24,811 --> 00:27:26,312 PERHAPS ANOTHER TIME. 328 00:27:26,345 --> 00:27:28,748 TAKE HIM BACK TO ISOLATION. 329 00:27:28,781 --> 00:27:30,449 WHY WON'T YOU BELIEVE ME? 330 00:27:30,482 --> 00:27:32,284 I TOLD YOU WHO I AM. 331 00:27:32,318 --> 00:27:34,120 WHY DON'T YOU BELIEVE ME? 332 00:27:34,153 --> 00:27:36,789 WHY DON'T YOU BELIEVE ME? 333 00:27:36,823 --> 00:27:38,057 LET ME GO. 334 00:27:38,090 --> 00:27:39,291 LET ME GO! 335 00:27:39,325 --> 00:27:41,260 NOOOO! 336 00:27:48,134 --> 00:27:51,237 PLEASE, PLEASE, DON'T LEAVE ME IN HERE. 337 00:27:51,270 --> 00:27:53,105 PLEASE! 338 00:28:14,794 --> 00:28:16,095 FYDOR, LOOK! 339 00:28:16,128 --> 00:28:17,096 WHAT IS IT? 340 00:28:17,129 --> 00:28:18,998 LET'S FIND OUT. 341 00:28:23,936 --> 00:28:26,105 [ Whispering ] There's someone in there. 342 00:28:26,138 --> 00:28:27,139 So what? Come on. 343 00:28:30,843 --> 00:28:32,244 [ ALARM RINGS ] 344 00:28:44,924 --> 00:28:46,893 WILLY! 345 00:29:05,177 --> 00:29:06,846 WHAT DO WE DO, ROLLIN? 346 00:29:06,879 --> 00:29:08,114 WE CAN'T STOP NOW. 347 00:29:08,147 --> 00:29:10,917 WE'LL HAVE TO TRUST WILLY. 348 00:29:26,365 --> 00:29:28,300 BOYS. 349 00:29:30,436 --> 00:29:33,139 I NO GOING TO HURT YOU BOYS. 350 00:29:35,908 --> 00:29:39,111 I DON'T WANT YOU TO TELL ON ME. 351 00:29:41,180 --> 00:29:46,152 BOYS, PLEASE, IF YOU TELL, THEY SEND ME TO JAIL. 352 00:29:50,556 --> 00:29:52,091 ALL RIGHT. 353 00:29:52,124 --> 00:29:54,360 GOOD BOYS. 354 00:30:10,076 --> 00:30:12,478 [ MAN CRIES ] 355 00:30:17,884 --> 00:30:21,387 [ Crying ] OH, PLEASE, DON'T! 356 00:30:21,420 --> 00:30:24,423 [ Echoing ] MR. KROLL! 357 00:30:24,456 --> 00:30:25,925 MR. KROLL! 358 00:30:25,958 --> 00:30:28,594 [ CRYING CONTINUES ] 359 00:30:28,627 --> 00:30:33,832 OH, PLEASE, DON'T! 360 00:30:36,268 --> 00:30:38,837 [ LAUGHING ] 361 00:30:52,351 --> 00:30:55,487 [ WOMAN SCREAMS ] 362 00:30:55,521 --> 00:30:56,956 NO! 363 00:30:56,989 --> 00:30:58,991 [ MAN SPEAKING DISTORTEDLY ] 364 00:30:59,025 --> 00:31:01,493 NO! 365 00:31:01,527 --> 00:31:03,229 [ MAN SCREAMS ] 366 00:31:03,262 --> 00:31:05,965 BLOOD ON YOUR HANDS. 367 00:31:05,998 --> 00:31:08,534 BLOOD ON YOUR HANDS. 368 00:31:08,567 --> 00:31:12,071 BLOOD ON YOUR HANDS. 369 00:31:14,140 --> 00:31:16,875 [ CRYING ] 370 00:31:26,152 --> 00:31:28,120 [ SCREAMING ] 371 00:31:28,154 --> 00:31:31,157 GORT, YOU MUST KILL! 372 00:31:44,470 --> 00:31:46,405 [ VOICES STOP ] 373 00:32:01,153 --> 00:32:03,489 [ SCREAMING ] 374 00:32:03,522 --> 00:32:05,691 AH! AH! AH! 375 00:32:05,724 --> 00:32:07,659 [ SCREAMING STOPS ] 376 00:32:11,297 --> 00:32:14,066 [ BUZZING ] 377 00:32:24,343 --> 00:32:26,645 [ CRYING ] 378 00:32:29,215 --> 00:32:30,949 HELP ME! 379 00:32:36,622 --> 00:32:39,458 HELP ME! 380 00:32:39,491 --> 00:32:41,327 KILL WILSON! 381 00:32:41,360 --> 00:32:42,995 HELP ME! 382 00:32:43,029 --> 00:32:45,231 [ Echoing ] KILL! 383 00:32:45,264 --> 00:32:47,666 [ CRYING ] 384 00:33:01,613 --> 00:33:04,616 KIRI, THE GUEST LIST FOR THE RECEPTION -- 385 00:33:04,650 --> 00:33:06,418 I DON'T SEEM TO HAVE IT. 386 00:33:06,452 --> 00:33:08,387 YOU GAVE IT BACK TO ME. 387 00:33:08,420 --> 00:33:09,688 MAY I SEE IT, PLEASE? 388 00:33:09,721 --> 00:33:12,291 I WANT TO MAKE SURE THAT I'M PREPARED. 389 00:33:17,696 --> 00:33:20,632 THANK YOU. 390 00:33:22,368 --> 00:33:23,802 [ CHUCKLES ] 391 00:33:23,835 --> 00:33:25,804 YOU'LL HAVE TO ADMIT, IT IS QUITE AN ASSORTMENT. 392 00:33:25,837 --> 00:33:30,276 THE USUAL -- PRESS, GOVERNMENT OFFICIALS, 393 00:33:30,309 --> 00:33:32,544 VISITING DIGNITARIES. 394 00:33:32,578 --> 00:33:34,546 WHY THE MINISTER OF SECURITY? 395 00:33:34,580 --> 00:33:36,348 HE'S THE HEAD OF THE POLICE. 396 00:33:36,382 --> 00:33:41,587 JOSEF...CAN YOU THINK OF A BETTER WITNESS? 397 00:33:44,423 --> 00:33:47,159 THERE IS...SOMEONE ELSE WE OUGHT TO ASK. 398 00:33:47,193 --> 00:33:49,295 WHO? 399 00:33:49,328 --> 00:33:50,629 MY NIECE. 400 00:33:50,662 --> 00:33:52,264 WILSON WOULD NEVER NEGLECT TO INVITE HER 401 00:33:52,298 --> 00:33:53,632 TO A FUNCTION LIKE THIS. 402 00:33:53,665 --> 00:33:56,468 BESIDES, SHE, TOO, WOULD BE A GOOD WITNESS. 403 00:34:09,815 --> 00:34:12,451 [ RINGING ] 404 00:34:15,787 --> 00:34:17,456 LORSKA HOTEL. 405 00:34:17,489 --> 00:34:19,625 I'D LIKE TO SPEAK TO MISS PATRICIA WILSON, PLEASE. 406 00:34:19,658 --> 00:34:21,593 ONE MOMENT, PLEASE. 407 00:34:26,565 --> 00:34:28,367 PATRICIA WILSON SPEAKING. 408 00:34:28,400 --> 00:34:31,170 DEAR, I WAS SO SURPRISED TO SEE YOU THIS MORNING 409 00:34:31,203 --> 00:34:34,473 I COMPLETELY FORGOT TO INVITE YOU TO THE RECEPTION TONIGHT. 410 00:34:34,506 --> 00:34:36,875 I'D LIKE YOU TO BE HERE. IT SHOULD BE QUITE EXCITING. 411 00:34:36,908 --> 00:34:39,745 IT SOUNDS LOVELY, UNCLE CARL. I'LL BE THERE. 412 00:34:39,778 --> 00:34:43,382 IS THERE ANYTHING SPECIAL I SHOULD WEAR? 413 00:34:43,415 --> 00:34:45,851 IT'S BLACK TIE. SEE YOU TONIGHT. 414 00:34:46,918 --> 00:34:48,554 [ RECEIVER CLICKS ] 415 00:34:48,587 --> 00:34:50,389 WHATEVER THEY'RE PLANNING TO DO, 416 00:34:50,422 --> 00:34:51,823 IT'S AT A RECEPTION TONIGHT. 417 00:34:51,857 --> 00:34:55,261 WE'VE GOT TO HAVE ANOTHER GO AT HIM, NOW. 418 00:34:55,294 --> 00:34:56,495 I JUST HOPE HE'S READY. 419 00:34:56,528 --> 00:34:57,829 HE'S CERTAINLY CONFUSED 420 00:34:57,863 --> 00:35:00,199 AS TO WHAT'S FANTASY AND WHAT'S REALITY. 421 00:35:03,702 --> 00:35:06,505 BARNEY, SET HIM UP. 422 00:35:06,538 --> 00:35:08,674 RIGHT. 423 00:35:21,820 --> 00:35:23,289 WHAT IS THAT? 424 00:35:23,322 --> 00:35:26,258 THAT IS AN ELECTRO SHOCK DEVICE, MR. KROLL. 425 00:35:26,292 --> 00:35:29,661 WE HAVE USED IT ON YOU BEFORE. 426 00:35:29,695 --> 00:35:30,929 PUT HIM ON THE TABLE, PLEASE. 427 00:35:30,962 --> 00:35:32,498 NO, I DON'T WANT IT. 428 00:35:32,531 --> 00:35:33,499 COME ON. 429 00:35:33,532 --> 00:35:35,667 NO, NO, NO! 430 00:35:35,701 --> 00:35:37,669 DOCTOR, WHY ARE YOU DOING THIS TO ME? 431 00:35:37,703 --> 00:35:40,406 WE ARE TRYING TO HELP YOU, MR. KROLL. 432 00:35:40,439 --> 00:35:43,875 BUT SO FAR, WE HAVE NOT BEEN ABLE TO REACH YOU. 433 00:35:43,909 --> 00:35:45,744 THESE TREATMENTS SHOULD MAKE YOU 434 00:35:45,777 --> 00:35:47,579 MORE AMENABLE TO THERAPY. 435 00:35:47,613 --> 00:35:51,417 I WANT THE OTHER DOCTOR. PLEASE. 436 00:35:51,450 --> 00:35:54,720 WELL, I DO NOT KNOW IF I CAN ARRANGE IT, 437 00:35:54,753 --> 00:35:56,822 BUT I WILL SPEAK TO HIM. 438 00:36:00,359 --> 00:36:01,593 [ DOOR OPENS ] 439 00:36:01,627 --> 00:36:03,595 THIS IS YOUR LAST CHANCE. USE IT. 440 00:36:03,629 --> 00:36:05,931 TOO MANY MORE SHOCKS, AND YOU'LL BE HERE FOREVER. 441 00:36:05,964 --> 00:36:07,499 WELL... 442 00:36:11,703 --> 00:36:14,273 WHAT SEEMS TO BE THE TROUBLE, MR. KROLL? 443 00:36:14,306 --> 00:36:17,543 I...I DON'T WANT THE MACHINE. 444 00:36:17,576 --> 00:36:18,910 BUT YOU WON'T TALK TO US. 445 00:36:18,944 --> 00:36:20,746 I WILL. I PROMISE. 446 00:36:20,779 --> 00:36:21,780 HMM. 447 00:36:21,813 --> 00:36:23,349 VERY WELL. 448 00:36:23,382 --> 00:36:26,252 YOU TELL US SOMETHING ABOUT YOURSELF. 449 00:36:26,285 --> 00:36:28,654 ABOUT YOUR WORK AT THE BANK. 450 00:36:28,687 --> 00:36:32,391 I DON'T KNOW ANYTHING ABOUT THE BANK. 451 00:36:32,424 --> 00:36:33,759 YOU SEE? 452 00:36:33,792 --> 00:36:36,862 YOU HAD BETTER GET DR. STANIS. 453 00:36:36,895 --> 00:36:39,798 NO! 454 00:36:39,831 --> 00:36:45,237 MR. KROLL, I WOULD VERY MUCH LIKE TO HELP YOU, VERY MUCH. 455 00:36:45,271 --> 00:36:48,707 BUT, YOU SEE, I HAVE 1,500 OTHER PATIENTS. 456 00:36:50,476 --> 00:36:56,882 MAYBE...MAYBE THESE FANTASIES ABOUT JOSEF GORT 457 00:36:56,915 --> 00:36:58,917 WOULD BE OF SOME VALUE, AFTER ALL. 458 00:36:58,950 --> 00:37:00,819 YOU WERE TELLING US ABOUT A RECEPTION. 459 00:37:00,852 --> 00:37:04,323 I DON'T... WANT TO TALK ABOUT THAT. 460 00:37:04,356 --> 00:37:05,691 [ SIGHS ] 461 00:37:05,724 --> 00:37:09,828 TELL DR. STANIS 300 MILLIAMPERES OF SHOCK. 462 00:37:09,861 --> 00:37:10,896 DOCTOR! 463 00:37:10,929 --> 00:37:13,299 YES, MR. KROLL? 464 00:37:16,535 --> 00:37:20,372 DOCTOR...I'M SORRY. 465 00:37:33,852 --> 00:37:36,254 [ DRAWER CLOSES ] 466 00:37:42,861 --> 00:37:44,730 HERE. 467 00:37:46,532 --> 00:37:51,470 FIRST, DAVIS. THEN, WILSON. 468 00:38:09,521 --> 00:38:11,590 ROLLIN, IF GORT WAS SUPPOSED TO KILL WILSON, 469 00:38:11,623 --> 00:38:12,991 HE MUST KNOW WHERE WILSON IS. 470 00:38:13,024 --> 00:38:14,660 I'M CONVINCED HE DOESN'T KNOW. 471 00:38:14,693 --> 00:38:16,362 I DON'T THINK HE EVER KNEW. 472 00:38:16,395 --> 00:38:17,929 THEN HOW COULD HE KILL HIM? 473 00:38:17,963 --> 00:38:19,565 THEY MUST BE PLANNING TO BRING WILSON TO HIM. 474 00:38:19,598 --> 00:38:21,967 EXACTLY. THAT'S WHEN WE GRAB HIM. 475 00:38:22,000 --> 00:38:24,836 [ LIGHT JAZZ MUSIC PLAYS ] 476 00:38:24,870 --> 00:38:27,839 [ INDISTINCT CONVERSATION ] 477 00:38:35,146 --> 00:38:37,349 STEPHEN DROKER, JONATHAN DAVIS. 478 00:38:37,383 --> 00:38:39,818 MR. DROKER IS THE MINISTER OF SECURITY. 479 00:38:39,851 --> 00:38:42,688 I AM VERY HONORED TO MEET YOU, MR. DAVIS. 480 00:38:50,496 --> 00:38:52,364 THIS SHOULD SOLVE THE PROBLEM 481 00:38:52,398 --> 00:38:53,699 OF KEEPING DAVIS ALIVE. 482 00:38:53,732 --> 00:38:55,867 I SPACED FOUR SHEETS OF LIGHT STEEL 483 00:38:55,901 --> 00:38:57,836 BETWEEN THE PAGES. 484 00:39:02,741 --> 00:39:04,009 GOOD. 485 00:39:05,911 --> 00:39:08,113 NOW WE'LL SEW THE BOOK IN HERE. 486 00:39:11,082 --> 00:39:16,021 AND...I'LL USE THIS TO WRITE ON HIS CIGARETTE. 487 00:39:16,054 --> 00:39:18,156 I'LL WATCH FOR IT. 488 00:39:18,189 --> 00:39:20,526 BRING HIM IN. 489 00:39:23,462 --> 00:39:26,064 [ MUSIC PLAYS ] 490 00:39:32,203 --> 00:39:35,140 YOU REMEMBER ME. I'M CARL WILSON'S NIECE. 491 00:39:50,889 --> 00:39:52,458 OVER HERE. 492 00:39:52,491 --> 00:39:54,426 IN THIS CHAIR. 493 00:39:58,897 --> 00:40:00,198 [ APPLAUSE ] 494 00:40:00,231 --> 00:40:02,033 LEAVE HIM. 495 00:40:02,067 --> 00:40:03,669 [ MUSIC ENDS ] 496 00:40:07,939 --> 00:40:09,107 [ DOOR OPENS ] 497 00:40:11,076 --> 00:40:12,511 [ MID-TEMPO MUSIC PLAYS ] 498 00:40:12,544 --> 00:40:15,080 WILSON'S AT HIS DESK IN THE STUDY. 499 00:40:15,113 --> 00:40:16,181 WE'RE READY. 500 00:40:19,485 --> 00:40:21,887 OH, HELLO. NICE TO SEE YOU. 501 00:40:25,657 --> 00:40:26,958 UNCLE CARL. 502 00:40:26,992 --> 00:40:29,795 I AM SO PLEASED YOU INVITED ME THIS EVENING. 503 00:40:29,828 --> 00:40:32,631 IT GIVES ME A CHANCE TO INTRODUCE MY FIANCé. 504 00:40:32,664 --> 00:40:34,099 RONALD MILLER, CARL WILSON. 505 00:40:34,132 --> 00:40:35,467 -HOW DO YOU DO? -HOW DO YOU DO? 506 00:40:35,501 --> 00:40:36,835 PLEASURE. 507 00:40:36,868 --> 00:40:38,670 HE FLEW UP FROM ROME FOR JUST THIS EVENING. 508 00:40:53,118 --> 00:40:55,487 TELEPHONE CALL FOR YOU, MR. DAVIS. 509 00:40:55,521 --> 00:40:56,588 YOU CAN TAKE IT IN THE FOYER. 510 00:40:56,622 --> 00:40:57,589 THANK YOU. 511 00:40:57,623 --> 00:40:58,657 EXCUSE ME. 512 00:40:58,690 --> 00:40:59,925 HE'S IN THE STUDY. 513 00:40:59,958 --> 00:41:02,661 THAT'S WONDERFUL NEWS. I'M DELIGHTED. 514 00:41:04,696 --> 00:41:06,498 DAVIS HERE. 515 00:41:06,532 --> 00:41:09,701 PLEASE LISTEN VERY CAREFULLY TO WHAT I HAVE TO TELL YOU. 516 00:41:13,939 --> 00:41:16,808 WILL YOU EXCUSE ME A MOMENT, SIR? 517 00:41:16,842 --> 00:41:19,144 I'LL BE RIGHT BACK, DEAR. 518 00:41:19,177 --> 00:41:20,912 I'M SUPPOSED TO KILL THEM BOTH. 519 00:41:20,946 --> 00:41:22,781 WE KNOW. GORT TALKED. 520 00:41:22,814 --> 00:41:26,618 AIM FOR DAVIS' HEART. WE'LL TAKE CARE OF THE REST. 521 00:41:48,073 --> 00:41:51,242 EXCUSE ME, SIR. HAVE YOU SEEN MR. DAVIS? 522 00:41:51,276 --> 00:41:53,879 I THINK HE TOOK A PHONE CALL. 523 00:41:53,912 --> 00:41:54,980 THANK YOU. 524 00:42:18,704 --> 00:42:21,306 [ LIGHTER CLICKS ] 525 00:42:25,010 --> 00:42:25,977 [ MUSIC ENDS ] 526 00:42:26,011 --> 00:42:27,178 [ APPLAUSE ] 527 00:43:26,071 --> 00:43:28,339 THE STUDY. 528 00:43:28,373 --> 00:43:30,108 LET'S GO. 529 00:44:19,825 --> 00:44:23,862 MR. UNDERSECRETARY, MAY I PRESENT MISS NOVOTNA? 530 00:44:23,895 --> 00:44:25,396 HOW DO YOU DO? 531 00:44:27,198 --> 00:44:29,968 DO IT NOW. 532 00:44:36,441 --> 00:44:39,978 YES, YES, YES. GIVE ME A MOMENT TO COLLECT MYSELF. 533 00:44:40,011 --> 00:44:41,813 I SAID NOW! 534 00:44:54,059 --> 00:44:57,062 ALL RIGHT. I'M READY. 535 00:44:59,097 --> 00:45:03,168 I WOULD LIKE TO OFFER A TOAST. 536 00:45:03,201 --> 00:45:07,072 THE AGREEMENT OUR TWO COUNTRIES ARE ABOUT TO ENTER INTO 537 00:45:07,105 --> 00:45:12,043 IS A FIRST STEP ON A LONG ROAD TO COMPLETE MUTUAL TRUST, 538 00:45:12,077 --> 00:45:15,446 WITHOUT WHICH, THERE CAN BE NO PEACE IN THE WORLD. 539 00:45:15,480 --> 00:45:19,751 TO THE FRIENDSHIP, NOT ONLY OF OUR TWO COUNTRIES, 540 00:45:19,785 --> 00:45:22,821 BUT OF ALL COUNTRIES, OF ALL MEN. 541 00:45:26,324 --> 00:45:28,359 [ Whispering ] Do it. 542 00:45:35,533 --> 00:45:37,769 CARL, WHAT IS IT? 543 00:45:41,139 --> 00:45:44,075 I'M NOT GOING THROUGH WITH IT, JONATHAN. 544 00:45:44,109 --> 00:45:46,111 LISTEN TO ME, ALL OF YOU. 545 00:45:46,144 --> 00:45:48,079 THIS AGREEMENT IS A FRAUD AND A TRAP. 546 00:45:48,113 --> 00:45:49,314 ITS PURPOSE IS TO INFILTRATE 547 00:45:49,347 --> 00:45:50,949 EVERY DEPARTMENT OF YOUR GOVERNMENT 548 00:45:50,982 --> 00:45:53,184 WITH AMERICAN AGENTS AND PROVOCATEURS, 549 00:45:53,218 --> 00:45:54,820 TO SUBVERT YOUR COUNTRY 550 00:45:54,853 --> 00:45:56,955 AND MAKE IT LITTLE MORE THAN AN AMERICAN COLONY. 551 00:45:56,988 --> 00:45:58,023 WHAT ARE YOU SAYING? 552 00:45:58,056 --> 00:45:59,290 I'M SAYING THAT 553 00:45:59,324 --> 00:46:01,092 OUR GOVERNMENT HAS EMBARKED ON A PROGRAM 554 00:46:01,126 --> 00:46:03,028 TO SWALLOW UP NATIONS SUCH AS THIS 555 00:46:03,061 --> 00:46:04,195 UNDER THE GUISE OF HELPING THEM. 556 00:46:04,229 --> 00:46:05,496 CARL, YOU'RE MAD. 557 00:46:05,530 --> 00:46:08,266 NO, I'M TELLING THE TRUTH, AND YOU KNOW IT. 558 00:46:08,299 --> 00:46:10,368 LADIES AND GENTLEMEN, I'M SORRY FOR THIS. 559 00:46:10,401 --> 00:46:12,103 I APOLOGIZE FOR MR. WILSON. 560 00:46:12,137 --> 00:46:14,105 I'M SURE HE DOESN'T KNOW WHAT HE'S SAYING. 561 00:46:14,139 --> 00:46:15,306 LISTEN TO ME, PLEASE. 562 00:46:15,340 --> 00:46:16,975 WHAT DO I HAVE TO DO TO CONVINCE YOU? 563 00:46:17,008 --> 00:46:19,577 I'M GOING TO STOP YOU, CARL... 564 00:46:19,610 --> 00:46:20,979 THE ONLY WAY I KNOW HOW. 565 00:46:21,012 --> 00:46:23,148 [ WOMAN SCREAMS ] 566 00:46:23,181 --> 00:46:25,783 [ CROWD MURMURING ] 567 00:46:29,220 --> 00:46:33,258 THERE WAS...NO OTHER WAY TO MAKE YOU UNDERSTAND. 568 00:46:52,210 --> 00:46:54,512 MR. WILSON! 569 00:46:54,545 --> 00:46:56,915 SOMEBODY GET AN AMBULANCE. 570 00:47:01,086 --> 00:47:02,387 [ POUNDING ON DOOR ] 571 00:47:02,420 --> 00:47:04,956 MR. WILSON! 572 00:47:04,990 --> 00:47:06,224 SIR! 573 00:47:06,257 --> 00:47:07,592 SIR! 574 00:47:07,625 --> 00:47:10,261 [ WOMEN GASP ] 575 00:47:16,401 --> 00:47:17,568 [ WOMEN GASP ] 576 00:47:31,282 --> 00:47:33,151 HE'S DEAD. 577 00:47:42,160 --> 00:47:45,163 POOR MAN. 578 00:47:45,196 --> 00:47:48,133 I KNEW WHAT WAS GOING ON IN HIS MIND. 579 00:47:48,166 --> 00:47:50,135 I COULD SEE IT. 580 00:47:50,168 --> 00:47:52,137 HE BROODED A GREAT DEAL ABOUT WHAT HE THOUGHT 581 00:47:52,170 --> 00:47:53,671 HE WAS BEING MADE TO BE A PARTY TO. 582 00:47:53,704 --> 00:47:55,473 I SUPPOSE HIS CONSCIENCE 583 00:47:55,506 --> 00:47:58,143 JUST COULDN'T STAND IT ANY LONGER. 584 00:47:58,176 --> 00:48:01,012 VERY PRETTY AND COMPASSIONATE SPEECH. 585 00:48:01,046 --> 00:48:03,048 BUT THIS ISN'T CARL WILSON. 586 00:48:05,951 --> 00:48:07,252 WHAT ARE YOU DOING? 587 00:48:07,285 --> 00:48:08,286 RELAX. 588 00:48:13,724 --> 00:48:16,294 [ CROWD MURMURING ] 589 00:48:16,327 --> 00:48:18,029 GORT! 590 00:48:18,063 --> 00:48:21,899 JOSEF GORT AND PETER KIRI OF THE KVD. 591 00:48:23,668 --> 00:48:26,304 YOU ARE UNDER ARREST! 592 00:48:35,613 --> 00:48:37,615 CARL. 593 00:48:41,486 --> 00:48:44,122 GOOD SHOOTING. 594 00:48:44,155 --> 00:48:45,256 THANK YOU. 595 00:48:55,200 --> 00:49:00,405 [ "MISSION: IMPOSSIBLE" THEME PLAYS ] 39861

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