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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:09,024 --> 00:00:12,026 [instrumental music] 2 00:00:56,023 --> 00:00:59,023 [music continues] 3 00:01:23,024 --> 00:01:26,018 [instrumental "Here Comes The Bride"] 4 00:01:37,009 --> 00:01:39,023 [music continues] 5 00:01:48,002 --> 00:01:49,012 Did you see that, uncle? 6 00:01:49,014 --> 00:01:51,022 Did you see the way he looked at that bridesmaid? 7 00:01:51,024 --> 00:01:54,001 Oh, no, he was just looking around 8 00:01:54,003 --> 00:01:56,011 and accidentally there was a bridesmaid. 9 00:01:56,013 --> 00:02:00,019 - Why doesn't he look at me? - Oh, he has seen you. 10 00:02:04,008 --> 00:02:06,010 [music continues] 11 00:02:09,024 --> 00:02:13,000 Did you catch that? Flirting right up to the last minute. 12 00:02:13,002 --> 00:02:14,014 Oh, don't be silly. 13 00:02:14,016 --> 00:02:16,025 I'll never be able to trust that girl. 14 00:02:30,003 --> 00:02:32,010 [slow instrumental music] 15 00:02:42,004 --> 00:02:43,019 [no audio] 16 00:02:51,026 --> 00:02:53,023 [slow instrumental music] 17 00:02:53,025 --> 00:02:55,029 [no audio] 18 00:03:07,002 --> 00:03:09,010 [instrumental music] 19 00:03:13,015 --> 00:03:15,029 Oh, I won't need you anymore today, Thompson. 20 00:03:19,029 --> 00:03:21,011 [inaudible chattering] 21 00:03:22,021 --> 00:03:24,022 [instrumental music] 22 00:03:29,020 --> 00:03:31,021 - Good morning, Mrs. Kent. - Oh, good morning, Charles. 23 00:03:31,023 --> 00:03:33,020 We've booked passage for you and Mr. Kent 24 00:03:33,022 --> 00:03:35,015 on the Southern Queen sailing next Tuesday. 25 00:03:35,017 --> 00:03:38,009 Good. Did you get us a stateroom on the promenade deck? 26 00:03:38,011 --> 00:03:40,028 Naturally, we've also arranged for your accommodations 27 00:03:41,000 --> 00:03:42,015 in Rio, at the Hotel Atlántico. 28 00:03:42,017 --> 00:03:44,000 - The presidential suite? - Of course. 29 00:03:44,002 --> 00:03:45,025 - How do you do? - Good morning, Dudley. 30 00:03:45,027 --> 00:03:48,015 Don't worry about a thing, when you arrive in Rio 31 00:03:48,017 --> 00:03:50,020 our man will escort to the hotel. 32 00:03:50,022 --> 00:03:52,004 Fine. 33 00:03:52,006 --> 00:03:53,023 Uh-oh! Here she is again. 34 00:03:53,025 --> 00:03:58,000 Take care of her, Dudley, in a nice way. I got stuck last time. 35 00:03:58,002 --> 00:04:00,024 Quite a character. Comes in here every few months. 36 00:04:00,026 --> 00:04:03,021 'Loads up on literature, plans elaborate tours.' 37 00:04:03,023 --> 00:04:05,022 - Never goes on one of them. - Really? 38 00:04:05,024 --> 00:04:07,015 Why is that? 39 00:04:07,017 --> 00:04:10,025 Well, she's just a singer in a honky-tonk. Hasn't got a dime. 40 00:04:10,027 --> 00:04:13,026 'Now, there are some papers here for you to sign, Mrs. Kent.' 41 00:04:13,028 --> 00:04:16,019 - How do you do, Miss Garrett? - Oh, greetings, chum. 42 00:04:16,021 --> 00:04:19,025 My, we haven't seen you...since, you didn't go to Switzerland. 43 00:04:19,027 --> 00:04:22,012 Yeah, I gotta big kick out of planning that trip. 44 00:04:22,014 --> 00:04:24,012 What looks good this time of the year? 45 00:04:24,014 --> 00:04:26,001 How about The Canadian Rockies? 46 00:04:26,003 --> 00:04:28,006 Canadian Rockies? Don't you remember? 47 00:04:28,008 --> 00:04:31,011 - I already haven't been there. - Oh, of course, I'm sorry. 48 00:04:31,013 --> 00:04:33,012 Oh, what about a cruise through the Canal 49 00:04:33,014 --> 00:04:35,017 and return home by train from Los Angeles? 50 00:04:35,019 --> 00:04:37,013 The Canal's for schmoes. 51 00:04:37,015 --> 00:04:40,021 Come on, what really looks good? 52 00:04:40,023 --> 00:04:43,021 Well, South America's getting a heavy play. 53 00:04:43,023 --> 00:04:47,005 We have some literature on it if you'll just step over here. 54 00:04:47,007 --> 00:04:48,022 - Sure. - 'Here are the papers.' 55 00:04:48,024 --> 00:04:50,002 - Hello, Miss Garrett. - Hi. 56 00:04:50,004 --> 00:04:52,010 "South America, the seat of ancient cultures. 57 00:04:52,012 --> 00:04:55,007 "Museums, missions, archeological ruins abound." 58 00:04:55,009 --> 00:04:57,007 South America. 59 00:04:57,009 --> 00:04:59,012 [humming] 60 00:04:59,014 --> 00:05:02,003 ♪ You could tell by her mañana ♪ 61 00:05:02,005 --> 00:05:04,022 Mañana, that fractures me. 62 00:05:04,024 --> 00:05:07,017 Hey, what has South America got besides romantic ruins? 63 00:05:07,019 --> 00:05:08,027 Let's see, it says here 64 00:05:08,029 --> 00:05:10,026 there are approximately four men to every woman-- 65 00:05:10,028 --> 00:05:13,016 That's enough. Doesn't hurt a girl to be outnumbered. 66 00:05:13,018 --> 00:05:15,001 - Pardon me, Mrs. Kent. - Yes? 67 00:05:15,003 --> 00:05:17,003 We're all set up to take your passport photo. 68 00:05:17,005 --> 00:05:19,010 Oh, thank you. I'll be right in. 69 00:05:20,023 --> 00:05:24,003 As long as I'm handy, I might as well have one taken too. 70 00:05:24,005 --> 00:05:25,016 But, Miss Garrett, you've already 71 00:05:25,018 --> 00:05:27,012 had seven passport pictures taken. 72 00:05:27,014 --> 00:05:29,026 But never as a blond. 73 00:05:47,005 --> 00:05:48,029 Are you going to tell your husband? 74 00:05:49,001 --> 00:05:53,014 Oh, not yet. I want some time to prepare him for it. Well.. 75 00:05:53,016 --> 00:05:57,014 Now, before you go, there's just one more thing. 76 00:06:02,011 --> 00:06:05,002 - Uncle. Uncle. - Yeah. 77 00:06:05,004 --> 00:06:07,008 - What happened? - Do you see what I see? 78 00:06:07,010 --> 00:06:12,000 - What do you see? - Isn't that Elvira down there? 79 00:06:12,002 --> 00:06:15,001 Now, Michael, don't tell me you're still jealous of her. 80 00:06:15,003 --> 00:06:16,024 Well, why did they raise the top? 81 00:06:16,026 --> 00:06:21,001 I don't know. Maybe, they are afraid it will rain. 82 00:06:21,003 --> 00:06:22,027 O-o-oh! 83 00:06:24,026 --> 00:06:28,028 Let's face it, uncle. Elvira's a flirt, always has been. 84 00:06:29,000 --> 00:06:31,001 Thought marriage would change her, but it hasn't. 85 00:06:31,003 --> 00:06:32,023 Just the opposite, my boy. 86 00:06:32,025 --> 00:06:35,016 When a woman is married she has to flirt twice as hard. 87 00:06:35,018 --> 00:06:37,014 To prove she's still got it. 88 00:06:37,016 --> 00:06:40,013 [typewriter clanking] 89 00:06:43,028 --> 00:06:45,011 Yes? 90 00:06:45,013 --> 00:06:48,001 - Yes what? - Whom do you wish to see? 91 00:06:48,003 --> 00:06:50,025 Mr. Michael Kent. 92 00:06:50,027 --> 00:06:52,004 Who are you? 93 00:06:52,006 --> 00:06:54,002 Oh, I'm Mr. Kent's secretary. 94 00:06:54,004 --> 00:06:55,029 Oh, since when? 95 00:06:56,001 --> 00:06:58,026 Since 9 o'clock this morning. 96 00:06:58,028 --> 00:07:01,016 - Who are you? - Mrs. Michael Kent. 97 00:07:01,018 --> 00:07:03,001 Since three years ago. 98 00:07:03,003 --> 00:07:05,024 Oh, really? 99 00:07:05,026 --> 00:07:08,016 Why do you say, "Oh, really"? 100 00:07:08,018 --> 00:07:11,026 Well, I didn't know Mr. Kent was married. 101 00:07:11,028 --> 00:07:13,025 Well, you've only been here since 9 o'clock. 102 00:07:13,027 --> 00:07:17,012 He couldn't have gotten very far in the story of his life. 103 00:07:17,014 --> 00:07:21,001 Shall I announce you to Mitch? uh, I mean, Mr. Kent? 104 00:07:21,003 --> 00:07:22,016 Ah, never mind. 105 00:07:22,018 --> 00:07:26,023 I'll just walk in on Mr. Ke.. I mean, Michael. 106 00:07:30,004 --> 00:07:32,017 - Hello. - Oh, hello, darling. 107 00:07:32,019 --> 00:07:35,013 - Your hat's on crooked. - It's supposed to be that way. 108 00:07:35,015 --> 00:07:36,023 Oh, is it? 109 00:07:36,025 --> 00:07:39,017 Looks very cute. Very cute. 110 00:07:39,019 --> 00:07:42,012 We'll take care of that a little later. 111 00:07:42,014 --> 00:07:45,018 Uh, who was that you just drove up with? 112 00:07:45,020 --> 00:07:47,018 Oh, I was hoping you wouldn't see me. 113 00:07:47,020 --> 00:07:49,018 Well, it was an automobile salesman. 114 00:07:49,020 --> 00:07:52,029 Two of you looked so chummy, I'm sure he was an old friend. 115 00:07:53,001 --> 00:07:54,029 He was showing me how the car worked. 116 00:07:55,001 --> 00:07:57,004 You didn't tell me you were getting a new car. 117 00:07:57,006 --> 00:08:00,008 You didn't tell me you were getting a new secretary. 118 00:08:00,010 --> 00:08:02,003 Where did she come from? 119 00:08:02,005 --> 00:08:04,008 Oh, from the Acme Secretarial School, I suppose. 120 00:08:04,010 --> 00:08:06,014 By the time we get back from South America 121 00:08:06,016 --> 00:08:09,002 she'll be able to type with all 10 fingers. 122 00:08:09,004 --> 00:08:11,027 Oh, South America. Oh.. 123 00:08:11,029 --> 00:08:14,012 - What's the matter, dear? - Oh, nothing, nothing. 124 00:08:14,014 --> 00:08:15,022 Oh, excuse me. 125 00:08:15,024 --> 00:08:17,017 - Mr. Kent, you wanted to see-- - Fine, fine. 126 00:08:17,019 --> 00:08:20,027 Put them on the chain. I Want all in America to smell good. 127 00:08:21,000 --> 00:08:22,018 - Yes, sir. - Oh, ah.. 128 00:08:22,020 --> 00:08:26,008 Michael, every time you say, "Oh, uh, um" like that 129 00:08:26,010 --> 00:08:29,009 I know there's something on your mind and not in your throat. 130 00:08:29,011 --> 00:08:31,029 - What about our trip? - Well, darling, this is it. 131 00:08:32,001 --> 00:08:35,004 I'm afraid we're going to have to postpone it again. 132 00:08:35,006 --> 00:08:37,009 Postpone it? Why? 133 00:08:37,011 --> 00:08:38,027 Business. Something came up this morning-- 134 00:08:38,029 --> 00:08:41,014 About 9 o'clock this morning? 135 00:08:41,016 --> 00:08:43,000 Yes, yes, about 9. 136 00:08:43,002 --> 00:08:45,015 Phone call from the West. Great chance for a merger. 137 00:08:45,017 --> 00:08:47,029 Listen, marriage is a merger too, you know. 138 00:08:48,001 --> 00:08:50,019 - And a darned important one. - I know, I know. 139 00:08:50,021 --> 00:08:52,018 If we grab the Great Western Drug Company 140 00:08:52,020 --> 00:08:55,026 every hot-water bottle in our nation will have our name on it. 141 00:08:55,028 --> 00:08:57,024 That's a comfort. 142 00:08:57,026 --> 00:09:00,013 Tell J.B. to put the hot water bottles on the national network. 143 00:09:00,015 --> 00:09:03,006 You wanted me to remind you of your lunch appointment. 144 00:09:03,008 --> 00:09:05,014 Oh, yes, yes, thank you, Miss Medwick. Bye-bye, dear. 145 00:09:05,016 --> 00:09:08,011 May see you at dinner. Glad you see it my way. 146 00:09:08,013 --> 00:09:09,029 Miss Medwick, bring your notebook. 147 00:09:10,001 --> 00:09:12,028 This is not only lunch, it's business. 148 00:09:13,000 --> 00:09:14,017 [dramatic music] 149 00:09:15,026 --> 00:09:18,008 - Would you please sign these? - Oh, yes, yes. 150 00:09:29,009 --> 00:09:30,022 Mm...that's a wonderful perfume. 151 00:09:30,024 --> 00:09:32,024 Don't believe we carry that in our stores. 152 00:09:32,026 --> 00:09:34,025 Would you mind telling me what it is? 153 00:09:34,027 --> 00:09:38,009 It's called Tonight or Never. 154 00:09:40,018 --> 00:09:42,002 It's your passport photo. 155 00:09:42,004 --> 00:09:44,012 A messenger just brought it from the Baker Travel Agency. 156 00:09:44,014 --> 00:09:46,002 A lot of good it'll do me now. 157 00:09:46,004 --> 00:09:49,001 - We'd better put it in stock. - Oh, yes, sir. 158 00:09:49,003 --> 00:09:52,027 If you don't want it, I'd be glad to keep it as a souvenir. 159 00:09:52,029 --> 00:09:54,008 'You're sweet.' 160 00:09:55,028 --> 00:09:57,006 Excuse me. 161 00:09:57,028 --> 00:10:00,024 - Would you mind finishing? - Oh. 162 00:10:10,013 --> 00:10:12,017 - Hello, dear. - Hello, Uncle Lazlo. 163 00:10:12,019 --> 00:10:14,027 Your-your hat's on crooked. 164 00:10:14,029 --> 00:10:18,002 - It's supposed to be that way. - Oh. 165 00:10:18,004 --> 00:10:21,008 I guess you heard Michael cannot go to South America. 166 00:10:21,010 --> 00:10:24,013 Uncle Lazlo, couldn't you handle this deal yourself? 167 00:10:24,015 --> 00:10:27,026 No, darling, I cannot do anything without Michael. 168 00:10:27,028 --> 00:10:30,023 I am the President of the company, but he is my.. 169 00:10:30,025 --> 00:10:33,012 My brains in the drugstore business. 170 00:10:33,014 --> 00:10:36,028 When I started in this business nobody was helping me. 171 00:10:37,000 --> 00:10:39,018 'No. I was a soda jerker.' 172 00:10:39,020 --> 00:10:41,001 Pssh. 173 00:10:41,003 --> 00:10:43,028 I was such a thin boy, my boss was such a guy. 174 00:10:44,000 --> 00:10:47,001 One mistake, I got a punch in the nose. 175 00:10:47,003 --> 00:10:48,014 But now it is different. 176 00:10:48,016 --> 00:10:50,028 I am the success, so he does all the work. 177 00:10:51,000 --> 00:10:54,017 No, no, no, I cannot let Michael go, not for a day. 178 00:10:54,019 --> 00:10:56,017 'He's the great business head.' 179 00:10:56,019 --> 00:11:00,003 I didn't marry Mike for his business head. 180 00:11:00,005 --> 00:11:03,008 He's so attractive, but he's such a wolf. 181 00:11:03,010 --> 00:11:05,019 Uncle Lazlo, don't you think it's a little strange 182 00:11:05,021 --> 00:11:07,009 that this business deal should pop up 183 00:11:07,011 --> 00:11:09,020 the same morning he hires a beautiful new secretary? 184 00:11:09,022 --> 00:11:13,022 I know what you are insinuating, but you are 90 percent wrong. 185 00:11:13,024 --> 00:11:16,004 Oh...what about the other 10 percent? 186 00:11:16,006 --> 00:11:17,028 Oh, well, I'm not saying that 187 00:11:18,000 --> 00:11:20,014 Michael has not looked at another woman. 188 00:11:20,016 --> 00:11:23,000 Who hasn't? I have looked at women. 189 00:11:23,002 --> 00:11:25,019 And the few that looked back, I married. 190 00:11:25,021 --> 00:11:27,012 That cured me of looking. 191 00:11:27,014 --> 00:11:29,024 I will tell you what, I still like women 192 00:11:29,026 --> 00:11:32,012 but I-I stopped looking. 193 00:11:33,024 --> 00:11:35,009 Well, that isn't me. 194 00:11:35,011 --> 00:11:38,004 Is there a phone number on the back? Let me see. 195 00:11:38,006 --> 00:11:42,015 - A nice girl. - Thought you'd stopped looking. 196 00:11:42,017 --> 00:11:45,020 Why, I know who that is. That's that girl in the agency. 197 00:11:45,022 --> 00:11:46,029 She's quite a character. 198 00:11:47,001 --> 00:11:48,025 Elvira, dear, why not forget about Michael 199 00:11:48,027 --> 00:11:50,023 and take this trip yourself, why? 200 00:11:50,025 --> 00:11:53,020 And leave him here with a free hand? Oh, no. 201 00:11:53,022 --> 00:11:55,005 Don't be silly. 202 00:11:55,007 --> 00:11:57,025 Even if you were here, if Michael wanted to play around 203 00:11:57,027 --> 00:12:02,000 in a city like New York, with a little caution. 204 00:12:02,002 --> 00:12:04,019 If he thought I was away, he wouldn't bother 205 00:12:04,021 --> 00:12:06,009 about being careful. 206 00:12:06,011 --> 00:12:09,013 How I'd love to go to South America and catch Michael here. 207 00:12:09,015 --> 00:12:11,029 My dear niece, not only is it impossible 208 00:12:12,001 --> 00:12:14,019 but it cannot be done. 209 00:12:14,021 --> 00:12:16,010 Uncle. 210 00:12:16,012 --> 00:12:18,006 - What? - I think I have an idea. 211 00:12:18,008 --> 00:12:20,005 What? What idea? 212 00:12:20,007 --> 00:12:21,020 Get me the Baker Travel Agency 213 00:12:21,022 --> 00:12:23,021 and I wanna speak to Charles, please. 214 00:12:23,023 --> 00:12:26,019 Uncle, we're going nightclubbing tonight. 215 00:12:26,021 --> 00:12:28,004 Night-nightclubbing? 216 00:12:28,006 --> 00:12:30,022 Hello, Charles. This is Mrs. Kent. 217 00:12:33,009 --> 00:12:36,009 [instrumental music] 218 00:12:41,018 --> 00:12:44,007 - Uncle. Uncle. - 'Yes?' 219 00:12:44,009 --> 00:12:46,015 This is the girl. 220 00:12:46,017 --> 00:12:49,006 I hope you know what you are doing. 221 00:12:49,008 --> 00:12:51,001 Waiter, have you a table for two? 222 00:12:51,003 --> 00:12:53,016 Sorry, no formal dress allowed. 223 00:12:53,018 --> 00:12:54,021 Why? 224 00:12:54,023 --> 00:12:56,015 Makes the customers feel uncomfortable. 225 00:12:56,017 --> 00:12:58,000 Oh, makes them uncomfortable. 226 00:12:58,002 --> 00:13:00,003 And how much makes them comfortable? 227 00:13:00,005 --> 00:13:03,003 You rich guys think that money can buy anything. 228 00:13:03,005 --> 00:13:05,000 How right you are. 229 00:13:08,025 --> 00:13:12,000 Nobody would ever suspect you love music. 230 00:13:12,002 --> 00:13:14,000 Good evening, ladies and gentlemen. 231 00:13:14,002 --> 00:13:15,022 That ought to prove I'm not rude. 232 00:13:15,024 --> 00:13:19,012 We now present our singing star, an Oscar Farrar discovery 233 00:13:19,014 --> 00:13:21,026 trained by Oscar Farrar and appearing here 234 00:13:21,028 --> 00:13:24,002 through the courtesy of Oscar Farrar. 235 00:13:24,004 --> 00:13:26,006 Incidentally, my name is Oscar. 236 00:13:26,008 --> 00:13:28,014 Seems to escape me for the moment. 237 00:13:28,016 --> 00:13:30,007 Miss Georgia Garrett. 238 00:13:30,009 --> 00:13:32,016 [crowd clapping] 239 00:13:32,018 --> 00:13:35,019 [piano music] 240 00:13:35,021 --> 00:13:36,028 [crowd whistling] 241 00:13:37,019 --> 00:13:39,025 (male #1) Hi, baby. 242 00:13:42,018 --> 00:13:44,018 ♪ Although I'm smitten ♪ 243 00:13:44,020 --> 00:13:46,022 ♪ I've never written ♪ 244 00:13:46,024 --> 00:13:51,001 ♪ Any poetry at all ♪ 245 00:13:51,003 --> 00:13:55,024 ♪ Not even the kind that you usually find ♪ 246 00:13:55,026 --> 00:14:00,027 ♪ On a schoolhouse wall ♪ 247 00:14:00,029 --> 00:14:04,004 ♪ The poems that I've composed ♪ 248 00:14:04,006 --> 00:14:08,002 ♪ I could never win a cup with ♪ 249 00:14:08,004 --> 00:14:13,007 ♪ After trying and trying And trying and trying ♪ 250 00:14:13,009 --> 00:14:15,010 ♪ This is what I came up with ♪ 251 00:14:15,012 --> 00:14:17,025 ♪ I'm in love, I'm in love, I'm in love, I'm in love ♪ 252 00:14:17,027 --> 00:14:20,003 ♪ I'm in love, I'm in love, I'm in love ♪ 253 00:14:20,005 --> 00:14:22,013 ♪ I'm in love, I'm in love, I'm in love, I'm in love ♪ 254 00:14:22,015 --> 00:14:24,023 ♪ I'm in love, I'm in love, I'm in love ♪ 255 00:14:24,025 --> 00:14:26,025 ♪ I'm in love, I'm in love ♪ 256 00:14:26,027 --> 00:14:29,011 ♪ I'm in love, I'm in love, I'm in love ♪ 257 00:14:29,013 --> 00:14:32,004 ♪ I'm in love, I'm in love, I'm in love, I'm in love ♪ 258 00:14:32,006 --> 00:14:36,014 ♪ I'm in love...with...you ♪ 259 00:14:36,016 --> 00:14:38,026 ♪ I'm in love, I'm in love I'm in love, I'm in love ♪ 260 00:14:38,028 --> 00:14:41,006 ♪ I'm in love, I'm in love, I'm in love ♪ 261 00:14:41,008 --> 00:14:43,009 ♪ I'm in love, I'm in love I'm in love, I'm in love ♪ 262 00:14:43,011 --> 00:14:45,025 ♪ I'm in love, I'm in love, I'm in love ♪ 263 00:14:45,027 --> 00:14:47,000 ♪ In love ♪ 264 00:14:47,002 --> 00:14:48,025 So she's in love. 265 00:14:50,011 --> 00:14:54,020 ♪ I'm in love, I'm in love ♪ 266 00:14:54,022 --> 00:14:59,001 ♪ I'm in love ♪ 267 00:14:59,023 --> 00:15:04,000 ♪ I'm in love ♪ 268 00:15:04,002 --> 00:15:08,001 ♪ I'm in love, I'm in love ♪ 269 00:15:08,003 --> 00:15:12,011 ♪ I'm in love ♪ 270 00:15:12,013 --> 00:15:15,014 ♪ I'm in love ♪ 271 00:15:15,016 --> 00:15:17,002 ♪ With ♪ 272 00:15:17,004 --> 00:15:18,015 ♪ I'm in love, I'm in love ♪ 273 00:15:18,017 --> 00:15:19,025 ♪ I'm in love, I'm in love ♪ 274 00:15:19,027 --> 00:15:23,022 ♪ I'm in love...with...you ♪ 275 00:15:34,002 --> 00:15:38,015 - What's the name of that song? - I'm in Love. 276 00:15:38,017 --> 00:15:40,000 Did I do right by you? 277 00:15:40,002 --> 00:15:42,001 You always do. All this is beneath me. 278 00:15:42,003 --> 00:15:44,027 Why don't you marry me so I can quit this job. 279 00:15:44,029 --> 00:15:47,000 I'm getting little tired of turning you down. 280 00:15:47,002 --> 00:15:50,015 Marry me and get yourself a dependent. I'm deductible. 281 00:15:50,017 --> 00:15:53,011 Oscar, you're a sweet kid, but just a little offensive. 282 00:15:53,013 --> 00:15:56,021 I wanted to marry a girl who could tune a piano on the side. 283 00:15:56,023 --> 00:15:58,016 Once and for all, will you marry me? 284 00:15:58,018 --> 00:16:01,013 - Answer yes or no. - No. 285 00:16:01,015 --> 00:16:03,015 We'll continue this discussion later. 286 00:16:03,017 --> 00:16:06,007 Will you see me home? 287 00:16:06,009 --> 00:16:08,023 Hey, Georgia, a couple of income-tax evaders. 288 00:16:08,025 --> 00:16:11,022 Want you to have a drink with them. Table seven. 289 00:16:11,024 --> 00:16:14,014 I'll drink with them. Autographs are out of the question. 290 00:16:14,016 --> 00:16:16,011 - Okay. - Captain, did they ask for me? 291 00:16:16,013 --> 00:16:17,026 No one ever asks for you. 292 00:16:17,028 --> 00:16:20,029 How did a sweet kid like you ever get into this racket? 293 00:16:21,001 --> 00:16:22,013 - Ah! - Yah! 294 00:16:24,006 --> 00:16:25,008 - Hello. - Hello. 295 00:16:25,010 --> 00:16:26,012 - Hello. - Hi. 296 00:16:26,014 --> 00:16:27,022 Miss Garrett, I'm Elvira Kent. 297 00:16:27,024 --> 00:16:29,008 - This is my uncle, Lazlo Lazlo. - Hello. 298 00:16:29,010 --> 00:16:31,017 If he isn't your uncle, is that my business? 299 00:16:31,019 --> 00:16:33,019 You can believe me, she's my niece. 300 00:16:33,021 --> 00:16:35,013 I have experiences in nieces. 301 00:16:35,015 --> 00:16:38,004 - Won't you sit down? - Don't be surprised if I do. 302 00:16:38,006 --> 00:16:39,022 That's cute. 303 00:16:39,024 --> 00:16:42,008 We ordered champagne cocktails if it is alright with you. 304 00:16:42,010 --> 00:16:44,027 So I'm stuck with it. 305 00:16:44,029 --> 00:16:47,017 Say, haven't I seen you someplace? 306 00:16:47,019 --> 00:16:49,008 Baker Travel Agency. 307 00:16:49,010 --> 00:16:52,002 And what's more they sent me your passport photo by mistake. 308 00:16:52,004 --> 00:16:54,015 Of course, the schmoes, they sent me yours. 309 00:16:54,017 --> 00:16:56,003 It's in my dressing room, want it? 310 00:16:56,005 --> 00:16:57,024 - There's no hurry. - You can keep mine. 311 00:16:57,026 --> 00:17:00,027 - I'm not going anyplace. - Well, neither am I. 312 00:17:00,029 --> 00:17:03,007 - Did you run out of money too? - Oh, no. 313 00:17:03,009 --> 00:17:04,027 My niece can't run out of money. 314 00:17:04,029 --> 00:17:07,023 I am the owner of one of the greatest drugstore chains. 315 00:17:07,025 --> 00:17:10,013 When I came in this country I was a soda jerker. 316 00:17:10,015 --> 00:17:13,019 'I was such a thin boy, my boss was such a guy..' 317 00:17:13,021 --> 00:17:16,005 One mistake, I got a punch in the nose. 318 00:17:16,007 --> 00:17:17,024 No, no. 319 00:17:17,026 --> 00:17:19,020 - 'Miss Garrett.' - Listening. 320 00:17:19,022 --> 00:17:22,009 How would you like to go to South America after all? 321 00:17:22,011 --> 00:17:24,014 How would I like to go to..? 322 00:17:24,016 --> 00:17:27,000 - Oh, you mean as a stowaway? - No. 323 00:17:27,002 --> 00:17:29,003 In a first class cabin, all expenses paid 324 00:17:29,005 --> 00:17:30,025 and $1000 spending money. 325 00:17:30,027 --> 00:17:34,024 What radio program do you two represent and how did I win it? 326 00:17:34,026 --> 00:17:36,024 Oh, nothing to do with radio or contests 327 00:17:36,026 --> 00:17:38,010 or anything like that. No. 328 00:17:38,012 --> 00:17:40,015 What's the catch? There must be a catch. 329 00:17:40,017 --> 00:17:41,025 - There is. - Mm. 330 00:17:41,027 --> 00:17:44,001 You see, you have to travel under my name. 331 00:17:44,003 --> 00:17:45,029 Under your name? You tired of it? 332 00:17:46,001 --> 00:17:48,004 No. You see, I'm married and-- 333 00:17:48,006 --> 00:17:49,026 Oh, ashamed of it. 334 00:17:49,028 --> 00:17:51,002 No. 335 00:17:51,004 --> 00:17:53,010 Miss Garrett, I don't trust my husband. 336 00:17:53,012 --> 00:17:54,015 Natch. 337 00:17:54,017 --> 00:17:56,005 If he thought I was in South America 338 00:17:56,007 --> 00:17:57,029 then he'd play around quite openly and-- 339 00:17:58,001 --> 00:18:00,014 And she would be here to catch him. 340 00:18:00,016 --> 00:18:02,004 Well, why not let him play around? 341 00:18:02,006 --> 00:18:05,000 Keeps them off the streets. 342 00:18:05,002 --> 00:18:07,015 Please. This is a legitimate offer. 343 00:18:07,017 --> 00:18:10,015 'Yes, it is.' 344 00:18:10,017 --> 00:18:13,016 Do you mean after all these years of planning and dreaming 345 00:18:13,018 --> 00:18:15,025 and never getting out of Far Rockaway.. 346 00:18:15,027 --> 00:18:19,002 You mean this thing is just gonna fall right in my lap? 347 00:18:19,004 --> 00:18:20,015 'Right in your laps.' 348 00:18:20,017 --> 00:18:22,021 Well, what am I asking questions for? 349 00:18:22,023 --> 00:18:24,027 Lady, have you got yourself a deal. 350 00:18:24,029 --> 00:18:26,015 - Oh, good. - Let's drink to that. 351 00:18:26,017 --> 00:18:28,008 Wonderful. A votre santé. 352 00:18:28,010 --> 00:18:31,000 - A votrewhat? - A votre santé. 353 00:18:31,002 --> 00:18:32,025 - What's that mean? - Your health. 354 00:18:32,027 --> 00:18:34,025 Mine's fine, thanks. How's yours? 355 00:18:34,027 --> 00:18:37,003 Don't pack that. I'll need that in New York. 356 00:18:37,005 --> 00:18:39,028 - Beg pardon? - I won't be using it in Rio. 357 00:18:40,000 --> 00:18:41,018 You can stop packing, Marie. 358 00:18:41,020 --> 00:18:43,010 - Hello, darling. - Hello. 359 00:18:43,012 --> 00:18:46,002 I'll be finished with the merger soon then I can go with you. 360 00:18:46,004 --> 00:18:47,026 Huh! 361 00:18:47,028 --> 00:18:51,008 I'll be finished in a few days. Aren't you happy? 362 00:18:51,010 --> 00:18:54,015 Uh, Oh, yes, I certainly am. 363 00:18:54,017 --> 00:18:58,008 It's just that it interferes with all my plans. 364 00:18:58,010 --> 00:18:59,023 Plans? What plans? 365 00:18:59,025 --> 00:19:03,011 Her boat leaves tomorrow and not in a few days, you know. 366 00:19:03,013 --> 00:19:06,016 Oh, another one leaves Saturday. I looked it up, only 96 hours. 367 00:19:06,018 --> 00:19:08,023 But- But- But, darling, you can't complete 368 00:19:08,025 --> 00:19:10,016 a decent merger in 96 hours. 369 00:19:10,018 --> 00:19:12,023 She's right, if you should mess up this deal 370 00:19:12,025 --> 00:19:14,014 you'll-you'll never forgive yourself. 371 00:19:14,016 --> 00:19:16,014 - Yes, I will. - Then I'll never forgive you. 372 00:19:16,016 --> 00:19:17,028 [phone ringing] 373 00:19:18,000 --> 00:19:19,018 - Oh, the phone. - Look, darling, this is.. 374 00:19:19,020 --> 00:19:21,024 Hello. Oh, hello, G-G-Georgia. 375 00:19:21,026 --> 00:19:24,018 I can't talk to you now, I'm in a terrible hurry. 376 00:19:24,020 --> 00:19:26,019 I'll see you on the boat. Goodbye, Georgia. 377 00:19:26,021 --> 00:19:29,002 Who's this you'll see on the boat? George who? 378 00:19:29,004 --> 00:19:31,013 George who? Oh, George who? 379 00:19:31,015 --> 00:19:35,013 Oh, not George who, Georgia. Just a girlfriend of mine. 380 00:19:35,015 --> 00:19:39,023 But no, darling, you stay here and take care of your affairs. 381 00:19:39,025 --> 00:19:41,025 Well, this seems very funny to me. 382 00:19:41,027 --> 00:19:44,019 Very funny that you can't wait till Saturday. 383 00:19:44,021 --> 00:19:46,006 Only four days. 384 00:19:48,014 --> 00:19:50,000 Don't you think it's funny, uncle? 385 00:19:50,002 --> 00:19:51,018 No, it isn't funny at all. 386 00:19:51,020 --> 00:19:54,024 Not to you because you have no feelings of such matters. 387 00:19:54,026 --> 00:19:57,010 What? I have no feeling? You have no feeling. 388 00:19:57,012 --> 00:19:59,025 You are just talking, talking, don't know what about. 389 00:19:59,027 --> 00:20:01,009 She cannot postpone her trip. 390 00:20:01,011 --> 00:20:03,004 The whole thing is settled with Georgia. 391 00:20:03,006 --> 00:20:05,014 What's settled with Georgia? Say, who is this Georgia? 392 00:20:05,016 --> 00:20:07,018 You see, you haven't the faintest notion. 393 00:20:07,020 --> 00:20:10,028 Georgia is the girl who has to...sh.. 394 00:20:11,000 --> 00:20:13,016 - You are driving me crazy. - Oh. 395 00:20:15,007 --> 00:20:18,004 Elvira, don't you think you owe me an explanation? 396 00:20:18,006 --> 00:20:19,021 [indistinct] 397 00:20:19,023 --> 00:20:21,014 I can't hear a word you're saying. 398 00:20:21,016 --> 00:20:24,021 The shower's making too much noise. Just what are you up to? 399 00:20:24,023 --> 00:20:26,013 'I can't talk to you right now.' 400 00:20:26,015 --> 00:20:28,024 I want one reason, at least one good reason 401 00:20:28,026 --> 00:20:30,028 why you have to go off by yourself. 402 00:20:31,000 --> 00:20:32,019 'I can't talk to you right now.' 403 00:20:32,021 --> 00:20:35,025 Well, If I can't hear you, at least let me see you. 404 00:20:35,027 --> 00:20:38,009 [instrumental music] 405 00:20:39,008 --> 00:20:43,001 Now, are you gonna wait for me? Yes or no? 406 00:21:06,029 --> 00:21:09,007 - Oh, hello. - Come in. 407 00:21:09,009 --> 00:21:12,002 Excuse me, are you Peter Virgil? 408 00:21:12,004 --> 00:21:13,011 I am. 409 00:21:13,013 --> 00:21:15,023 - Peter Virgil, the detective? - Yes. 410 00:21:15,025 --> 00:21:18,000 Oh, a client of mine suspects that his wife 411 00:21:18,002 --> 00:21:21,023 is slowly poisoning him and I was just examining the evidence. 412 00:21:21,025 --> 00:21:25,008 No, there's no poison. It could stand a little sugar though. 413 00:21:25,010 --> 00:21:27,002 Excuse me. See I.. 414 00:21:27,004 --> 00:21:29,015 I figure as long as there's no poison, why 415 00:21:29,017 --> 00:21:31,000 I might as well drink it. 416 00:21:31,002 --> 00:21:33,021 - Join me in a cup of evidence? - Oh, no, no, thanks. 417 00:21:33,023 --> 00:21:36,001 Well, sit down. What can I do for you? 418 00:21:36,003 --> 00:21:39,013 Well, you'll excuse me for being blunt, Mr. Virgil. 419 00:21:42,008 --> 00:21:43,026 Tell me, Mr. Virgil. 420 00:21:43,028 --> 00:21:47,021 - Are you a good detective? - Oh, naturally. 421 00:21:47,023 --> 00:21:49,013 Where did you get your training? 422 00:21:49,015 --> 00:21:51,019 In the Army. Intelligence G-2. 423 00:21:51,021 --> 00:21:53,027 Well, were you good at your job? 424 00:21:53,029 --> 00:21:55,028 We won the war, didn't we? 425 00:21:56,000 --> 00:21:58,007 Before that I was a vaudeville hoofer 426 00:21:58,009 --> 00:22:00,002 professional wrestler and a magician's assistant. 427 00:22:00,004 --> 00:22:04,009 So you can see, I'm a man of wide experience, Mr..? 428 00:22:04,011 --> 00:22:05,019 Kent. Michael Kent. 429 00:22:05,021 --> 00:22:08,002 You see how I wormed that name out of you? 430 00:22:08,004 --> 00:22:10,019 Uh, Mr. Virgil, I'm here on a very delicate matter. 431 00:22:10,021 --> 00:22:12,008 - I suppose you're married? - Yes. 432 00:22:12,010 --> 00:22:15,000 I know what I'm doing is not quite the right thing-- 433 00:22:15,002 --> 00:22:17,003 But you suspect your wife is doing is even worse? 434 00:22:17,005 --> 00:22:20,017 The fact of the matter is, Mr. Virgil, uh, my wife 435 00:22:20,019 --> 00:22:23,009 is leaving day after tomorrow on a South American cruise. 436 00:22:23,011 --> 00:22:25,015 Well, she insists on going without me. 437 00:22:25,017 --> 00:22:27,029 Hm. To a man of your suspicious nature 438 00:22:28,001 --> 00:22:30,019 that means only one thing another man on the boat. 439 00:22:30,021 --> 00:22:32,028 See, I don't know. I want you to find out. 440 00:22:33,000 --> 00:22:36,015 You've come to the right man. I've handled so many cases. I-- 441 00:22:36,017 --> 00:22:37,017 [phone ringing] 442 00:22:37,019 --> 00:22:39,010 Excuse me. 443 00:22:39,012 --> 00:22:40,019 Hello. 444 00:22:40,021 --> 00:22:41,029 Oh, yes, how are you? 445 00:22:42,001 --> 00:22:44,004 Well, certainly I shadowed your wife. 446 00:22:44,006 --> 00:22:46,020 I hate to tell you this, but you were right. 447 00:22:46,022 --> 00:22:48,003 She's been two-timing you. 448 00:22:48,005 --> 00:22:49,004 [thudding] 449 00:22:49,006 --> 00:22:52,008 Hello? Hello? 450 00:22:52,010 --> 00:22:53,013 He fainted. 451 00:22:56,028 --> 00:22:58,019 Sometimes there's a shot. 452 00:22:58,021 --> 00:23:00,013 Now, where were we? 453 00:23:00,015 --> 00:23:04,004 Mr. Virgil, I want you to get on the same boat and shadow her. 454 00:23:04,006 --> 00:23:06,009 I'll have to leave all of my business. 455 00:23:06,011 --> 00:23:07,029 I'll make it up to you. 456 00:23:08,001 --> 00:23:11,011 I can tell you right now, it'll cost you $ 1000 a week. 457 00:23:11,013 --> 00:23:13,019 Well, that's a little steep, isn't it, old boy? 458 00:23:13,021 --> 00:23:17,014 Yes, yes, it is, but I'll probably get seasick. 459 00:23:17,016 --> 00:23:20,029 Well, alright, alright. I'll book your passage. 460 00:23:21,001 --> 00:23:23,001 Now, move your chair little closer, will you? 461 00:23:23,003 --> 00:23:25,007 There's a little confidential information I must have. 462 00:23:25,009 --> 00:23:26,009 [phone ringing] 463 00:23:26,011 --> 00:23:28,014 Oh, excuse me. Hello. 464 00:23:28,016 --> 00:23:30,020 [gunshot on telephone] 465 00:23:30,022 --> 00:23:32,005 Well, what do you know? 466 00:23:32,007 --> 00:23:34,022 He didn't even wait for me to tell him. 467 00:23:38,023 --> 00:23:40,027 [violin music] 468 00:23:43,007 --> 00:23:44,021 'It still isn't too late, darling.' 469 00:23:44,023 --> 00:23:46,022 Can't you wait just two or three weeks? 470 00:23:46,024 --> 00:23:49,011 Don't be ridiculous. Here I am, we're sailing any minute. 471 00:23:49,013 --> 00:23:51,029 I can get you off the boat in a while. 472 00:23:52,001 --> 00:23:54,007 Please don't worry about me. I'll be back soon. 473 00:23:54,009 --> 00:23:56,017 Yeah, I know. I'm gonna miss you so much. 474 00:23:56,019 --> 00:23:59,005 Well, just have the feeling that I'm always near you. 475 00:23:59,007 --> 00:24:01,016 I'll try, and darling, I want you to remember 476 00:24:01,018 --> 00:24:04,008 that wherever you are I'll be watching over you. 477 00:24:04,010 --> 00:24:06,000 Oh, what a lovely sentiment. 478 00:24:06,002 --> 00:24:08,001 Oh, isn't that the warning whistle? 479 00:24:08,003 --> 00:24:10,005 Well, I didn't hear anything. Did you, uncle? 480 00:24:10,007 --> 00:24:14,017 The whistle? Yes, sure I heard. I still hear it. 481 00:24:14,019 --> 00:24:18,005 - Well, goodbye, darling. - Goodbye. 482 00:24:20,009 --> 00:24:22,016 Have fun. 483 00:24:22,018 --> 00:24:23,027 'Come along, uncle.' 484 00:24:23,029 --> 00:24:26,002 - Well, goodbye, darling. - Goodbye. Goodbye. 485 00:24:26,004 --> 00:24:28,002 [fog horn blaring] 486 00:24:28,004 --> 00:24:32,010 I didn't lie, just the whistle is a little late. 487 00:24:36,000 --> 00:24:37,027 I understand anybody running away from me 488 00:24:37,029 --> 00:24:39,023 but not on such an elaborate scale. 489 00:24:39,025 --> 00:24:42,013 It was very sweet of you to come, Oscar. Goodbye. 490 00:24:42,015 --> 00:24:46,001 I'll give you one more chance. Where did you get the money? 491 00:24:46,003 --> 00:24:47,028 - I told you. - You didn't tell me anything. 492 00:24:48,000 --> 00:24:49,023 I told you I couldn't tell you. 493 00:24:49,025 --> 00:24:52,013 You treat me like an empty suit. 494 00:24:52,015 --> 00:24:54,027 - Are you going with somebody? - Oscar, I'm traveling alone. 495 00:24:54,029 --> 00:24:57,017 That's no fun. Won't let you do this. 496 00:24:57,019 --> 00:25:00,004 It's not only walking out on your job and me. 497 00:25:00,006 --> 00:25:03,025 Once you go away you cut down my list of friends a 100 percent. 498 00:25:03,027 --> 00:25:05,029 - Think of that. - I have thought about it. 499 00:25:06,001 --> 00:25:07,017 That's the gratitude I get. 500 00:25:07,019 --> 00:25:10,014 I taught you everything, gave you a career, picked you 501 00:25:10,016 --> 00:25:14,008 when you worked for $45 a week and gave you job at the club. 502 00:25:14,010 --> 00:25:15,025 At a snappy 40 a week. 503 00:25:15,027 --> 00:25:18,004 You can't expect to start at the top. 504 00:25:18,006 --> 00:25:20,027 Although I've often wondered why not. 505 00:25:20,029 --> 00:25:24,010 Oscar, you better go. I've many things to do before we sail. 506 00:25:24,012 --> 00:25:25,029 I know when I'm not wanted. 507 00:25:26,001 --> 00:25:27,010 It happens to me constantly. 508 00:25:27,012 --> 00:25:28,019 'Oscar.' 509 00:25:29,014 --> 00:25:31,000 Aren't you gonna kiss me? 510 00:25:31,002 --> 00:25:34,015 I don't know how. Will you show me? 511 00:25:34,017 --> 00:25:36,021 You don't know how either. 512 00:25:36,023 --> 00:25:38,013 B flat, that's your key. 513 00:25:38,015 --> 00:25:41,010 Don't forget to put your shoes in front of the cabin at night. 514 00:25:41,012 --> 00:25:43,003 - Be sure to write. - I will. 515 00:25:43,005 --> 00:25:45,000 You sure you're not going with somebody? 516 00:25:45,002 --> 00:25:47,005 Goodbye, Oscar. 517 00:25:47,007 --> 00:25:48,014 You're sure everything's gonna be alright? 518 00:25:48,016 --> 00:25:49,029 Now don't worry about a thing. 519 00:25:50,001 --> 00:25:52,014 I want you to write me every chance you get. 520 00:25:52,016 --> 00:25:55,013 If what I have to report can't go through the mails. 521 00:25:55,015 --> 00:25:56,025 I-I'll phone you. 522 00:25:56,027 --> 00:25:58,021 - Alright. - I've had a lot of these case. 523 00:25:58,023 --> 00:26:00,021 - I hope I'm doing is alright. - Yes, you're alright. 524 00:26:00,023 --> 00:26:03,008 - Everything's alright. - Okay. 525 00:26:07,021 --> 00:26:09,021 - Oh, excuse me. - Sorry. 526 00:26:11,013 --> 00:26:13,024 - Should I wait for you? - No, you go with Michael. 527 00:26:13,026 --> 00:26:15,019 Because he might get suspicious, you know. 528 00:26:15,021 --> 00:26:17,000 - That's right. - Come in. 529 00:26:17,002 --> 00:26:18,026 - All clear? - Yes, nobody here but my uncle. 530 00:26:18,028 --> 00:26:20,024 And I am practically gone already. 531 00:26:20,026 --> 00:26:23,005 Have a nice trip, my da.. Oh, pardon me. 532 00:26:23,007 --> 00:26:25,007 You have a.. Oh, excuse me. 533 00:26:25,009 --> 00:26:26,020 - See you later. - Yes, alright. 534 00:26:26,022 --> 00:26:28,011 - Good luck to you. - Thank you, bye. 535 00:26:28,013 --> 00:26:30,000 - Goodbye. - You alright? 536 00:26:30,002 --> 00:26:32,001 Oh, you don't know what a tough time 537 00:26:32,003 --> 00:26:33,029 I had getting rid of my boyfriend. 538 00:26:34,001 --> 00:26:35,005 I'm beat. 539 00:26:35,007 --> 00:26:36,029 Uh, Georgia...I mean, Elvira. 540 00:26:37,001 --> 00:26:39,009 'Cause That's gonna be your name for few months. 541 00:26:39,011 --> 00:26:41,001 Please be careful of your speech. 542 00:26:41,003 --> 00:26:43,017 Mrs. Kent may be fatigued, but she's never beat. 543 00:26:43,019 --> 00:26:46,008 Okay, I'm fatigued, but my feet hurt. 544 00:26:48,025 --> 00:26:50,023 Michael. 545 00:26:50,025 --> 00:26:52,008 Michael. 546 00:26:52,010 --> 00:26:53,022 I-I thought I lost you. 547 00:26:53,024 --> 00:26:55,026 Well, you see, I was just seeing a friend 548 00:26:55,028 --> 00:26:58,007 about some business in South America. 549 00:26:58,009 --> 00:27:01,007 Goodbye, Georgia. Best of luck to you. Have a wonderful trip. 550 00:27:01,009 --> 00:27:02,022 Thanks. 551 00:27:02,024 --> 00:27:04,026 Oh, and I almost forgot to tell you, I over-tip 552 00:27:04,028 --> 00:27:06,028 - Okay. It's your money. - That's right. 553 00:27:07,000 --> 00:27:09,010 Now let me see, checked the passenger list. 554 00:27:09,012 --> 00:27:10,017 Nobody knows me. 555 00:27:10,019 --> 00:27:11,026 So far so good. 556 00:27:11,028 --> 00:27:13,013 Now here.. 557 00:27:13,015 --> 00:27:15,011 ...I've written several letters to my husband 558 00:27:15,013 --> 00:27:17,009 addressed from various ports. 559 00:27:17,011 --> 00:27:20,012 Please be sure to mail them one by one at each place you stop. 560 00:27:20,014 --> 00:27:22,009 That ought to convince him I'm traveling. 561 00:27:22,011 --> 00:27:23,023 It's a cinch. 562 00:27:23,025 --> 00:27:25,014 Well, goodbye again and good luck to you. 563 00:27:25,016 --> 00:27:26,028 - Thanks. - Oh. 564 00:27:27,000 --> 00:27:28,012 I almost forgot the most important thing. 565 00:27:28,014 --> 00:27:30,012 How do you feel about men? 566 00:27:30,014 --> 00:27:33,004 They're grand. I mean, they're the most important thing. 567 00:27:33,006 --> 00:27:34,029 But with your figure and my name 568 00:27:35,001 --> 00:27:36,024 the men will be flocking after you. 569 00:27:36,026 --> 00:27:39,029 Say, that's happened to me plenty under my own name. 570 00:27:40,001 --> 00:27:42,012 Well, just remember, while your lips are being kissed 571 00:27:42,014 --> 00:27:44,019 it's my reputation that's suffering. 572 00:27:44,021 --> 00:27:45,024 - I'll make a note of that. - Good. 573 00:27:45,026 --> 00:27:47,022 [fog horn blaring] 574 00:27:47,024 --> 00:27:50,014 Oh, dear, I'm liable to be trapped on the boat. 575 00:27:50,016 --> 00:27:52,027 - Well, goodbye, Georgia. - Goodbye. 576 00:27:52,029 --> 00:27:55,008 I hope you make me very proud of me. 577 00:27:55,010 --> 00:27:58,013 - I'll try. - Oh. 578 00:27:58,015 --> 00:28:00,014 Do me a favor, have a wonderful time. 579 00:28:00,016 --> 00:28:03,005 But please stay in your cabin as much as possible 580 00:28:03,007 --> 00:28:04,020 and as alone as possible. 581 00:28:04,022 --> 00:28:07,013 I'll make a note of that too and underline it. 582 00:28:07,015 --> 00:28:09,005 Good, Bye. 583 00:28:17,007 --> 00:28:20,006 All ashore that's going ashore. 584 00:28:23,018 --> 00:28:25,028 What's the matter with you? 585 00:28:37,022 --> 00:28:40,008 - What's the matter with you? - I think I-I forget. 586 00:28:40,010 --> 00:28:42,011 - Forget what? - I for.. 587 00:28:44,003 --> 00:28:45,023 Nothing at all. 588 00:28:45,025 --> 00:28:47,001 I think I get seasick. 589 00:28:47,003 --> 00:28:48,013 The ship isn't even moving. 590 00:28:48,015 --> 00:28:50,017 Why didn't you tell me that? 591 00:29:02,009 --> 00:29:04,001 Late for work, aren't you? 592 00:29:04,003 --> 00:29:06,016 Could you tell me what table Mrs. Elvira Kent has reserved? 593 00:29:06,018 --> 00:29:08,009 Table 64. Is that where you're stationed? 594 00:29:08,011 --> 00:29:11,004 - What do you mean by stationed? - Aren't you a new waiter? 595 00:29:11,006 --> 00:29:13,011 Me? Certainly not. I'm a passenger. 596 00:29:13,013 --> 00:29:15,019 In fact, I've got one of the most luxurious cabins on the boat. 597 00:29:15,021 --> 00:29:17,017 - Oh, I beg your pardon, sir. - You should. 598 00:29:17,019 --> 00:29:20,001 If I were not a headwaiter, I'd be flustered. 599 00:29:20,003 --> 00:29:22,004 What gave you the idea I was working here? 600 00:29:22,006 --> 00:29:23,017 It was a natural mistake. 601 00:29:23,019 --> 00:29:27,026 You see, onboard, no one dresses the first night out. 602 00:29:27,028 --> 00:29:32,004 Oh, well, it's good enough for you. It' is good enough for me. 603 00:29:46,003 --> 00:29:48,008 - Ah! - Oh, I'm so sorry. 604 00:29:48,010 --> 00:29:50,005 [speaking in foreign language] 605 00:29:55,009 --> 00:29:56,026 - Hey, my dear young lady. - Yes? 606 00:29:56,028 --> 00:30:00,017 I advise you to go to your cabin and get out of your clothes. 607 00:30:00,019 --> 00:30:02,013 - I beg your Pardon? - Don't go there. 608 00:30:02,015 --> 00:30:04,016 - You'll be embarrassed. - Embarrassed? Why? 609 00:30:04,018 --> 00:30:06,014 Well, nobody dresses the first night out. 610 00:30:06,016 --> 00:30:08,013 They don't? 611 00:30:08,015 --> 00:30:10,013 Even if it's chilly? 612 00:30:10,015 --> 00:30:12,011 This I gotta see. 613 00:30:20,025 --> 00:30:23,009 Oh, huh. 614 00:30:23,011 --> 00:30:24,029 You mean nobody dresses up. 615 00:30:25,001 --> 00:30:26,023 Of course. Didn't you know that? 616 00:30:26,025 --> 00:30:29,009 Then what are you doing in that monkey suit? 617 00:30:29,011 --> 00:30:31,023 Well, confidentially, this is my first boat trip too. 618 00:30:31,025 --> 00:30:32,029 - Really? - Yes. 619 00:30:33,001 --> 00:30:34,029 My dear man, I've been on more world 620 00:30:35,001 --> 00:30:36,022 cruises than you could shake a stick at. 621 00:30:36,024 --> 00:30:38,012 Compared to my other 622 00:30:38,014 --> 00:30:40,023 gowns, I don't consider this very formal. That's all. 623 00:30:40,025 --> 00:30:42,004 - Is that so? - Hmm. 624 00:30:42,006 --> 00:30:43,022 Well, if you don't consider that formal 625 00:30:43,024 --> 00:30:46,010 I, I'd like to see the rest of your wardrobe. 626 00:30:46,012 --> 00:30:48,004 Mrs. Elvira Kent. 627 00:30:48,006 --> 00:30:50,005 In particular, I have one little item 628 00:30:50,007 --> 00:30:51,023 that's backless, strapless. 629 00:30:51,025 --> 00:30:55,014 (Waiter) 'Mrs. Elvira Kent.' 630 00:30:55,016 --> 00:30:58,004 Oh, my goodness. Mrs. Elvira Kent, that's me. 631 00:30:58,006 --> 00:30:59,005 Hey, boy. 632 00:31:00,029 --> 00:31:03,019 - Are you Mrs. Kent? - Natch. I mean, naturally. 633 00:31:03,021 --> 00:31:05,017 - Radiogram. - Oh, thank you. 634 00:31:05,019 --> 00:31:06,028 - Just a moment. - May I? 635 00:31:07,000 --> 00:31:08,028 Oh, I'll take care of it. Thank you. 636 00:31:09,001 --> 00:31:10,019 Thank you. 637 00:31:10,021 --> 00:31:12,008 - Thank you. - That's alright. 638 00:31:12,010 --> 00:31:13,029 I'm told I over-tip. 639 00:31:14,001 --> 00:31:15,021 - Really? - Hm. 640 00:31:15,023 --> 00:31:18,017 - Would you excuse me, please? - Yes, certainly. 641 00:31:21,002 --> 00:31:23,018 "Don't dress first night out." Now she tells me. 642 00:31:23,020 --> 00:31:27,016 Now that I know your name, it's fair that you should know mine. 643 00:31:27,018 --> 00:31:29,010 - It's Immaterial. - Well, it's Peter Virgil. 644 00:31:29,012 --> 00:31:31,025 I was wondering, if you're as hungry as Mr. Virgil. 645 00:31:31,027 --> 00:31:34,020 I could eat a cow. 646 00:31:34,022 --> 00:31:36,009 Well, then our dress not withstanding 647 00:31:36,011 --> 00:31:37,026 will you have dinner with me? 648 00:31:37,028 --> 00:31:40,003 If I'm overdressed, I might as well overeat. 649 00:31:40,005 --> 00:31:42,010 Unless you've some other dinner engagement? 650 00:31:42,012 --> 00:31:43,026 Oh, no, no, no. 651 00:31:43,028 --> 00:31:46,001 Oh, now, surely you must have some friends onboard. 652 00:31:46,003 --> 00:31:47,021 Hey, well, I don't mean male friends. 653 00:31:47,023 --> 00:31:49,029 I mean, girlfriends often go on cruises together. 654 00:31:50,001 --> 00:31:52,027 - I don't know a soul here. - Huh? 655 00:31:52,029 --> 00:31:54,016 Except Mr. Peter Virgil. 656 00:31:54,018 --> 00:31:56,015 Well then, chin up, eyes straight ahead 657 00:31:56,017 --> 00:31:58,024 and what care we if the peasants stare. 658 00:31:58,026 --> 00:32:00,012 Carry on. 659 00:32:02,024 --> 00:32:04,016 Oh, waiter. 660 00:32:06,018 --> 00:32:08,007 Come here. Table for two, please. 661 00:32:08,009 --> 00:32:10,019 I'm very sorry, the dining room's just been closed. 662 00:32:10,021 --> 00:32:12,007 What? First you Ritz me. 663 00:32:12,009 --> 00:32:14,026 Then you try to starve two perfectly good paying customers. 664 00:32:14,028 --> 00:32:17,023 Aye, aye, the man is only doing his duty. 665 00:32:17,025 --> 00:32:20,001 After all, it's our fault that we dawdled. 666 00:32:20,003 --> 00:32:21,003 - Did we dawdle? - Mm-hm. 667 00:32:21,005 --> 00:32:23,002 Just the same, thanks ever so. 668 00:32:23,004 --> 00:32:24,022 Why don't you try the cocktail lounge? 669 00:32:24,024 --> 00:32:27,006 The pretzels are delicious. 670 00:32:27,008 --> 00:32:30,014 That's an excellent suggestion. I'm famished. 671 00:32:36,003 --> 00:32:38,002 - More pretzels, please. - More pretzels. Yes, sir. 672 00:32:38,004 --> 00:32:39,026 Yes, thank you. 673 00:32:39,028 --> 00:32:42,027 Tell me, Mr. Virgil, what business are you in? 674 00:32:42,029 --> 00:32:45,016 I stick my nose into other people's business. 675 00:32:45,018 --> 00:32:48,026 - You know, retired. - Retired? Retired from what? 676 00:32:48,028 --> 00:32:50,028 I-I made my fortune in the entertainment business. 677 00:32:51,000 --> 00:32:52,016 - Oh, really? - Mm-hm. 678 00:32:52,018 --> 00:32:55,024 I invented a new system clearing audiences out of theaters. 679 00:32:55,026 --> 00:32:57,003 - You're cute. - Thank you. 680 00:32:57,005 --> 00:32:58,016 - You know something? - What? 681 00:32:58,018 --> 00:33:00,014 I've had a secret ambition to be a singer. 682 00:33:00,016 --> 00:33:04,003 Is that so? Most singers have ambitions to be society dames. 683 00:33:04,005 --> 00:33:07,018 I don't see why you're wasting your time with a married woman 684 00:33:07,020 --> 00:33:09,017 when there're so many attractive single girls. 685 00:33:09,019 --> 00:33:10,027 Oh, yes, yes. 686 00:33:10,029 --> 00:33:12,021 But the single girls are looking for husbands. 687 00:33:12,023 --> 00:33:15,007 and the married ones are running away from their husbands. 688 00:33:15,009 --> 00:33:18,024 I'd rather be with those running than with those looking. 689 00:33:18,026 --> 00:33:20,017 But don't you want to be married? 690 00:33:20,019 --> 00:33:23,025 Well, most husbands I know speak very poorly of marriage. 691 00:33:23,027 --> 00:33:25,018 What, do you think of your marriage? 692 00:33:25,020 --> 00:33:27,027 Would you believe? I haven't felt married for a minute. 693 00:33:27,029 --> 00:33:30,024 - A very unusual marriage. - It certainly is. 694 00:33:30,026 --> 00:33:33,011 I think we had quite enough dinner, thank you. 695 00:33:36,019 --> 00:33:38,019 What would you like to do now? 696 00:33:38,021 --> 00:33:41,003 I wish I could. 697 00:33:41,005 --> 00:33:43,020 [instrumental music] 698 00:33:43,022 --> 00:33:45,027 Isn't that lovely? 699 00:33:54,011 --> 00:33:57,000 - Hello. - Good evening. 700 00:33:57,002 --> 00:33:59,020 - Oh, and you do sing? - A little. 701 00:33:59,022 --> 00:34:01,019 - You know this song? - Yes. 702 00:34:01,021 --> 00:34:03,015 Could you raise it a little, please? 703 00:34:03,017 --> 00:34:06,003 - Sure. - B flat, fellas. 704 00:34:07,013 --> 00:34:11,020 ♪ It's you or no one for me ♪ 705 00:34:11,022 --> 00:34:16,020 ♪ I'm sure of this each time we kiss ♪ 706 00:34:16,022 --> 00:34:18,025 ♪ The lady's in love ♪ 707 00:34:18,027 --> 00:34:24,000 ♪ Now and forever and when forever's done ♪ 708 00:34:24,002 --> 00:34:29,025 ♪ You'll find that you are still the one ♪ 709 00:34:29,027 --> 00:34:30,026 ♪ Please ♪ 710 00:34:30,028 --> 00:34:32,006 ♪ The lady said please ♪ 711 00:34:32,008 --> 00:34:35,006 ♪ Don't say no to my please ♪ 712 00:34:35,008 --> 00:34:38,004 ♪ 'Cause if you do ♪ 713 00:34:38,006 --> 00:34:42,027 ♪ Then I'm all through ♪ 714 00:34:42,029 --> 00:34:47,005 ♪ There's this about you ♪ 715 00:34:47,007 --> 00:34:53,018 ♪ My world's an empty world without you ♪ 716 00:34:54,013 --> 00:34:57,020 ♪ It's you or no one ♪ 717 00:34:57,022 --> 00:35:00,019 ♪ She don't want no one ♪ 718 00:35:00,021 --> 00:35:03,001 ♪ It's you or no one for me ♪ 719 00:35:03,003 --> 00:35:04,016 ♪ Tu-tu ru-ru do-ra do ♪ 720 00:35:04,018 --> 00:35:05,027 ♪ Tu-tu ru-ru do-ra do ♪ 721 00:35:05,029 --> 00:35:09,001 ♪ Baby you're the one for me ♪ 722 00:35:09,003 --> 00:35:11,015 [audience clapping] 723 00:35:13,022 --> 00:35:15,006 I shouldn't have done that. 724 00:35:15,008 --> 00:35:17,002 I promise not to report to the social register. 725 00:35:17,004 --> 00:35:18,027 I'm bored with it, strictly entre nous. 726 00:35:18,029 --> 00:35:21,013 I wish I didn't have to keep up appearances always. 727 00:35:21,015 --> 00:35:24,001 I'm tired of pretending too. Let's let our hair down. 728 00:35:24,003 --> 00:35:28,005 Let's follow our impulses and make this a real vacation. 729 00:35:28,007 --> 00:35:30,017 I think you've got something there. 730 00:35:30,019 --> 00:35:32,012 - May I? - Of course. 731 00:35:32,014 --> 00:35:35,019 Anything above the third rib I consider formal. 732 00:35:48,001 --> 00:35:50,027 - Uh, Mrs. Kent? - Yes? 733 00:35:50,029 --> 00:35:54,014 - I mean, Elvira. - Yes? 734 00:35:54,016 --> 00:35:57,019 - May I see you at your cabin? - Well, that-- 735 00:35:57,021 --> 00:35:59,026 - For you, Mrs. Kent. - Thank you. 736 00:35:59,028 --> 00:36:01,016 - Would you tip him, please? - Yes. 737 00:36:01,018 --> 00:36:04,020 - I over tip. - Oh, of course. That's right. 738 00:36:11,024 --> 00:36:14,004 Well? 739 00:36:14,006 --> 00:36:17,003 No, thank you, Mr. Virgil. I'll find my way alone. 740 00:36:17,005 --> 00:36:19,026 So nice meeting you. Good night. 741 00:36:35,019 --> 00:36:37,001 [fog horn blaring] 742 00:37:06,012 --> 00:37:08,010 [birds chirping] 743 00:37:13,017 --> 00:37:15,024 [Avon Long singing "The Tourist Trade"] 744 00:37:15,026 --> 00:37:18,021 ♪ The tourist trade, the tourist trade ♪ 745 00:37:18,023 --> 00:37:21,005 ♪ Aye, it's all for the tourist trade ♪ 746 00:37:21,007 --> 00:37:23,026 ♪ We never sunbathe tell you why ♪ 747 00:37:23,028 --> 00:37:26,020 ♪ It's atmosphere for the passerby ♪ 748 00:37:26,022 --> 00:37:29,026 ♪ To find us asleep in the shade ♪ 749 00:37:29,028 --> 00:37:32,009 ♪ It's so very necessary ♪ 750 00:37:32,011 --> 00:37:34,025 ♪ Aye, the tourist trade ♪ 751 00:37:34,027 --> 00:37:37,011 ♪ The tourist trade, the tourist trade ♪ 752 00:37:37,013 --> 00:37:40,002 ♪ Aye, it's all for the tourist trade ♪ 753 00:37:40,004 --> 00:37:42,021 ♪ Our souvenirs are all foreign bought ♪ 754 00:37:42,023 --> 00:37:45,017 ♪ They come from some place called Terre Haute ♪ 755 00:37:45,019 --> 00:37:48,021 ♪ We can't sell a thing that we've made ♪ 756 00:37:48,023 --> 00:37:51,015 ♪ Please, no arguin' It's a bargain ♪ 757 00:37:51,017 --> 00:37:53,025 ♪ Aye, the tourist trade ♪ 758 00:37:53,027 --> 00:37:58,000 ♪ Habana is Havana ♪ 759 00:37:58,002 --> 00:37:59,021 ♪ They murder the language ♪ 760 00:37:59,023 --> 00:38:02,012 ♪ But we love 'em We want more of 'em ♪ 761 00:38:02,014 --> 00:38:04,017 ♪ The Yankee dollar ain't hay ♪ 762 00:38:04,019 --> 00:38:05,026 ♪ Hey, hey ♪ 763 00:38:05,028 --> 00:38:10,003 ♪ Hey, hey, hey, hey, hey, hey ♪ 764 00:38:10,005 --> 00:38:13,012 ♪ The tourist trade, the tourist trade ♪ 765 00:38:13,014 --> 00:38:15,022 ♪ Aye, it's all for the tourist trade ♪ 766 00:38:15,024 --> 00:38:18,015 ♪ If you're romantic The Cuban stars ♪ 767 00:38:18,017 --> 00:38:21,003 ♪ Are made to order for soft guitars ♪ 768 00:38:21,005 --> 00:38:24,004 ♪ You must fall in love when they're played ♪ 769 00:38:24,006 --> 00:38:26,028 ♪ They inspire They're for hire ♪ 770 00:38:27,000 --> 00:38:31,003 ♪ Aye, aye, the tourist trade ♪ 771 00:38:32,010 --> 00:38:34,027 ♪ Habana ♪ 772 00:38:34,029 --> 00:38:36,011 That's Havana. 773 00:38:36,013 --> 00:38:38,002 ♪ They murder the language ♪ 774 00:38:38,004 --> 00:38:40,021 ♪ But we love 'em We want more of 'em ♪ 775 00:38:40,023 --> 00:38:43,002 ♪ The Yankee dollar ain't hay ♪ 776 00:38:43,004 --> 00:38:44,008 Hey, hey. 777 00:38:44,010 --> 00:38:48,014 ♪ Hey, hey, hey, hey, hey, hey ♪ 778 00:38:48,016 --> 00:38:51,023 ♪ The tourist trade, the tourist trade ♪ 779 00:38:51,025 --> 00:38:54,003 ♪ Aye, it's all for the tourist trade ♪ 780 00:38:54,005 --> 00:38:57,008 ♪ If you're romantic The Cuban stars ♪ 781 00:38:57,010 --> 00:38:59,020 ♪ Made to order for soft guitars ♪ 782 00:38:59,022 --> 00:39:02,023 ♪ You must fall in love when they're played ♪ 783 00:39:02,025 --> 00:39:05,023 ♪ They inspire They're for hire ♪ 784 00:39:05,025 --> 00:39:10,025 ♪ Aye, aye, the tourist trade ♪ 785 00:39:10,027 --> 00:39:13,019 ♪ It's a settin' Past forgettin' ♪ 786 00:39:13,021 --> 00:39:15,028 ♪ Once you see it You'll agree ♪ 787 00:39:16,000 --> 00:39:20,009 ♪ It's all, all for the tourist trade ♪ 788 00:39:20,011 --> 00:39:22,008 ♪ Aye, aye, aye ♪ 789 00:39:22,010 --> 00:39:23,015 ♪ Aye.. ♪ 790 00:39:23,017 --> 00:39:26,022 ♪ Aye, I love that stuff ♪ 791 00:39:26,024 --> 00:39:29,026 ♪ Aye, aye, aye ♪ 792 00:39:36,012 --> 00:39:37,023 Hello, New York? 793 00:39:37,025 --> 00:39:40,003 Havana calling, Mr. Michael Kent. 794 00:39:40,005 --> 00:39:43,005 Plaza 43444. 795 00:39:43,007 --> 00:39:45,015 Desires to reverse charges. 796 00:39:45,017 --> 00:39:47,000 Reverse charges? 797 00:39:47,002 --> 00:39:49,027 Oh, just one moment, please. 798 00:39:52,016 --> 00:39:55,028 Havana calling, Mr. Kent. Wishes to reverse the charges. 799 00:39:56,000 --> 00:39:58,017 Oh. Oh, yes. I'll accept it. 800 00:40:04,017 --> 00:40:05,027 Hello. 801 00:40:05,029 --> 00:40:07,029 Yes, yes I'll accept the charges. 802 00:40:08,001 --> 00:40:09,007 Hello. Who? 803 00:40:09,009 --> 00:40:10,029 It's me, Peter Virgil. 804 00:40:11,001 --> 00:40:14,001 We're in Havana for a few hours I called to give you the news. 805 00:40:14,003 --> 00:40:16,021 'Yes, yes, of course. Well, what is the news?' 806 00:40:16,023 --> 00:40:18,025 - No news. - 'What do you mean, no news?' 807 00:40:18,027 --> 00:40:20,019 She hasn't even looked at another man. 808 00:40:20,021 --> 00:40:22,016 Professionally, I'm very disappointed. 809 00:40:22,018 --> 00:40:24,015 Well, personally, I'm not. 810 00:40:24,017 --> 00:40:26,019 You mean she really hasn't spoken to another man? 811 00:40:26,021 --> 00:40:28,011 Well, she's spoken to me. 812 00:40:28,013 --> 00:40:31,016 What? You two know each other already? 813 00:40:31,018 --> 00:40:33,026 'Well, naturally, I had to make her acquaintance.' 814 00:40:33,028 --> 00:40:35,024 Well, uh, was it difficult? 815 00:40:35,026 --> 00:40:37,027 Tell me, uh, who spoke first? 816 00:40:37,029 --> 00:40:39,018 I did. Look, don't worry. 817 00:40:39,020 --> 00:40:42,012 The slogan of my firm is "Never kiss a client's wife." 818 00:40:42,014 --> 00:40:45,005 Well, don't change slogans in mid-ocean. 819 00:40:46,028 --> 00:40:49,026 - Hello, is this Mrs. Kent? - 'Yes.' 820 00:40:49,028 --> 00:40:52,007 It is? Well, this is Mrs. Elvira Kent speaking. 821 00:40:52,009 --> 00:40:55,006 Oh, excuse me, this is Georgia, Georgia Garrett. 822 00:40:55,008 --> 00:40:58,017 I'm taking my work seriously, I already don't know who I am. 823 00:40:58,019 --> 00:41:00,026 Good. Have you been sticking close to your cabin? 824 00:41:00,028 --> 00:41:04,010 'Have I? I've only spoken to one man, and he's harmless, quite.' 825 00:41:04,012 --> 00:41:06,010 I thought I warned you about that. 826 00:41:06,012 --> 00:41:09,006 I figured that if I don't speak to any men at all 827 00:41:09,008 --> 00:41:10,029 it's sure to attract attention. 828 00:41:11,001 --> 00:41:13,027 Oh, by the way, Mrs. Kent, I know it's none of my business 829 00:41:13,029 --> 00:41:15,014 Have you got anything on your husband? 830 00:41:15,016 --> 00:41:17,022 I'm afraid his conduct has been impeccable. 831 00:41:17,024 --> 00:41:20,018 - Oh, caught him with the goods? - He's been behaving himself. 832 00:41:20,020 --> 00:41:22,012 Oh, too bad. 833 00:41:22,014 --> 00:41:24,022 Maybe he'll do something un-impeccable before I come back. 834 00:41:24,024 --> 00:41:28,008 Well, goodbye. And look, keep in touch with me, will you? 835 00:41:28,010 --> 00:41:30,009 Okay. Goodbye. 836 00:41:35,014 --> 00:41:37,004 Oh, I thought you were waiting outside. 837 00:41:37,006 --> 00:41:39,029 Well, I-I suddenly remembered I had to call New York. 838 00:41:40,001 --> 00:41:43,000 - Girlfriend, huh? - No, no, business. And you? 839 00:41:43,002 --> 00:41:45,018 I was calling New York too. 840 00:41:45,020 --> 00:41:46,023 Boyfriend, huh? 841 00:41:46,025 --> 00:41:48,017 Better than a boyfriend. My husband. 842 00:41:48,019 --> 00:41:51,027 What? You mean, you were talking to your husband just now? 843 00:41:51,029 --> 00:41:53,018 I just hung up. 844 00:41:53,020 --> 00:41:56,000 - Does that surprise you? - Yes, it certainly does. I.. 845 00:41:56,002 --> 00:41:58,019 Poor darling. He was home waiting for my call. 846 00:41:58,021 --> 00:42:01,002 He's quite a treasure. I'll send him a letter. 847 00:42:01,004 --> 00:42:02,027 Don't you have to write it first? 848 00:42:02,029 --> 00:42:07,019 Oh, no, I'm way ahead on my letter writing. 849 00:42:07,021 --> 00:42:08,024 Bless his heart. 850 00:42:08,026 --> 00:42:10,029 Look, do you see a doorway over there? 851 00:42:11,001 --> 00:42:12,008 Sure. 852 00:42:12,010 --> 00:42:14,002 - Do you hear somebody singing? - Sure. 853 00:42:14,004 --> 00:42:16,004 Huh, well, then I guess I'm not crazy. 854 00:42:16,006 --> 00:42:18,000 Shall we absorb some of the local color? 855 00:42:18,002 --> 00:42:19,002 Let's. 856 00:42:23,026 --> 00:42:26,009 - Eh, table for two, please. - Senor. 857 00:42:26,011 --> 00:42:28,023 [singing in Spanish] 858 00:42:37,018 --> 00:42:40,025 Bring us a couple of drinks of something tall and cool. 859 00:42:40,027 --> 00:42:43,028 - Oh, Havana. Isn't it romantic? - You know, you amaze me. 860 00:42:44,000 --> 00:42:45,021 You've made this trip a 100 times. 861 00:42:45,023 --> 00:42:47,020 You make it sound like it's your first 862 00:42:47,022 --> 00:42:50,001 - You know what my secret is? - No, what? 863 00:42:50,003 --> 00:42:52,006 - No. - No, come on, tell me. 864 00:42:52,008 --> 00:42:55,029 Well, I keep telling myself this is my first trip. 865 00:42:56,001 --> 00:42:57,011 [sighs] 866 00:43:03,002 --> 00:43:05,016 [singing continues] 867 00:43:29,007 --> 00:43:31,008 Pedro, you must teach me that song. 868 00:43:31,010 --> 00:43:32,012 [speaking in Spanish] 869 00:43:32,014 --> 00:43:33,011 Si, si. 870 00:43:33,013 --> 00:43:34,016 Oh, you speak Spanish. 871 00:43:34,018 --> 00:43:35,028 [speaking in Spanish] 872 00:43:36,000 --> 00:43:37,020 It's just like a native. 873 00:43:37,022 --> 00:43:40,028 We have many requests for this song. I have English lyrics. 874 00:43:41,000 --> 00:43:43,022 - Oh, thank you. - Will be 25 cents, please. 875 00:43:43,024 --> 00:43:46,022 The tourist trade. Aye, the tourist trade. 876 00:43:46,024 --> 00:43:49,024 [both humming] La, la, ri, ri, ri.. 877 00:43:53,018 --> 00:43:55,011 [Doris Day singing "It's Magic"] 878 00:43:55,013 --> 00:43:59,019 ♪ You sigh, the song begins ♪ 879 00:43:59,021 --> 00:44:04,023 ♪ You speak and I hear violins ♪ 880 00:44:04,025 --> 00:44:08,023 ♪ It's magic ♪ 881 00:44:08,025 --> 00:44:11,023 ♪ The stars desert the skies ♪ 882 00:44:11,025 --> 00:44:16,004 ♪ And rush to nestle in your eyes ♪ 883 00:44:17,000 --> 00:44:19,008 ♪ It's magic ♪ 884 00:44:19,010 --> 00:44:23,028 ♪ Without a golden wand ♪ 885 00:44:24,000 --> 00:44:28,001 ♪ Or mystic charms ♪ 886 00:44:28,003 --> 00:44:32,005 ♪ Fantastic things begin ♪ 887 00:44:32,007 --> 00:44:37,016 ♪ When I am in your arms ♪ 888 00:44:41,006 --> 00:44:44,028 ♪ When we walk hand in hand ♪ 889 00:44:45,000 --> 00:44:49,025 ♪ The world becomes a wonderland ♪ 890 00:44:49,027 --> 00:44:53,019 ♪ It's magic ♪ 891 00:44:53,021 --> 00:44:59,003 ♪ How else can I explain those rainbows ♪ 892 00:44:59,005 --> 00:45:01,024 ♪ When there is no rain ♪ 893 00:45:01,026 --> 00:45:05,004 ♪ It's magic ♪ 894 00:45:05,006 --> 00:45:08,029 ♪ Why do I tell myself ♪ 895 00:45:09,001 --> 00:45:11,006 ♪ These things that happen ♪ 896 00:45:11,008 --> 00:45:14,028 ♪ Are all really true ♪ 897 00:45:17,022 --> 00:45:22,026 ♪ When in my heart I know the magic ♪ 898 00:45:24,002 --> 00:45:30,026 ♪ Is my love for you ♪ 899 00:45:31,026 --> 00:45:34,008 Gee, now, that's a beautiful song. 900 00:45:36,022 --> 00:45:40,026 ♪ It's magic ♪ 901 00:45:40,028 --> 00:45:42,021 There's something about the way you sing 902 00:45:42,023 --> 00:45:46,026 I don't know, it-it does something to me. 903 00:45:46,028 --> 00:45:50,004 ♪ It's magic ♪ 904 00:45:50,006 --> 00:45:54,002 ♪ Why do I tell myself ♪ 905 00:45:54,004 --> 00:45:56,001 ♪ These things that happen ♪ 906 00:45:56,003 --> 00:46:01,024 ♪ Are all really true ♪ 907 00:46:03,002 --> 00:46:08,028 ♪ When in my heart I know the magic ♪ 908 00:46:10,009 --> 00:46:17,004 ♪ Is my love for you ♪ 909 00:46:25,024 --> 00:46:27,007 [fog horn blaring] 910 00:46:30,025 --> 00:46:34,001 [horse galloping] 911 00:46:34,003 --> 00:46:36,007 - Here you are. - Gracias. 912 00:46:40,015 --> 00:46:42,001 Will you have dinner with me tonight? 913 00:46:42,003 --> 00:46:44,022 Why not? We've had it together every night so far. 914 00:46:44,024 --> 00:46:47,023 - Just a moment, sir. - I gotta catch that boat. 915 00:46:47,025 --> 00:46:49,027 Your tickets. 916 00:46:49,029 --> 00:46:51,012 What? Don't you trust me? 917 00:46:51,014 --> 00:46:53,001 Your table or mine? 918 00:46:53,003 --> 00:46:54,027 Say, I've got an idea. What about table nine? 919 00:46:54,029 --> 00:46:58,014 - Table nine? - That's in a nice dark corner. 920 00:46:58,016 --> 00:46:59,014 - Georgia. - Huh? 921 00:46:59,016 --> 00:47:00,024 What's the matter? 922 00:47:00,026 --> 00:47:02,014 - Nothing. - Huh? 923 00:47:02,016 --> 00:47:04,023 I'm gonna be ready, I'd better start dressing. 924 00:47:04,025 --> 00:47:06,016 - What's the hurry? - I'll see you later. 925 00:47:06,018 --> 00:47:07,028 - I'm-I'm-- - I'll see you later. 926 00:47:11,021 --> 00:47:13,013 (Oscar) Georgia. 927 00:47:17,004 --> 00:47:19,004 [upbeat music] 928 00:47:30,029 --> 00:47:32,017 May I help you, sir? 929 00:47:32,019 --> 00:47:36,000 Well, you're not exactly my type, but you can take my bags. 930 00:47:39,022 --> 00:47:42,004 - Good evening, Madame. - Good evening. 931 00:47:42,006 --> 00:47:44,003 Did you give the message to Mr. Virgil? 932 00:47:44,005 --> 00:47:47,020 Yes, I told him that you weren't having dinner this evening.. 933 00:47:47,022 --> 00:47:49,003 ...because you were indisposed. 934 00:47:49,005 --> 00:47:50,025 - Thank you. - Yes, Madame. 935 00:47:50,027 --> 00:47:52,010 Did you bring a little herring? 936 00:47:52,012 --> 00:47:55,023 Yes, Madame. Marinated. 937 00:47:55,025 --> 00:47:58,020 The purse is right over there, help yourself. 938 00:48:03,012 --> 00:48:05,010 It's alright, I over tip. 939 00:48:05,012 --> 00:48:07,003 Thank you so much, ma'am. 940 00:48:14,008 --> 00:48:16,013 [knock on the door] 941 00:48:16,015 --> 00:48:17,019 Who is it? 942 00:48:17,021 --> 00:48:20,000 It's me, Peter. How do you feel? 943 00:48:20,002 --> 00:48:21,029 Terrible. Just terrible. 944 00:48:22,001 --> 00:48:23,025 'We'll fix you right up. I-I brought a doctor.' 945 00:48:23,027 --> 00:48:26,016 I don't need a doctor. I want to be left alone. 946 00:48:26,018 --> 00:48:29,005 But I can't stand in this passageway all night, lady. 947 00:48:29,007 --> 00:48:32,016 It's drafty, and I'm-I'm catching cold. 948 00:48:32,018 --> 00:48:34,006 Take two aspirins and go to bed. 949 00:48:34,008 --> 00:48:36,027 'Thank you very much, good idea. I'll do that.' 950 00:48:36,029 --> 00:48:39,016 'But-But first, I'll have to examine you.' 951 00:48:39,018 --> 00:48:41,026 It might be something contagious, you know. 952 00:48:41,028 --> 00:48:44,003 'Alright, doctor. Just a minute.' 953 00:48:47,009 --> 00:48:48,027 [faintly] Come in. 954 00:48:48,029 --> 00:48:52,011 You better stay outside. We don't want to start an epidemic. 955 00:48:53,016 --> 00:48:54,015 [coughing] 956 00:48:54,017 --> 00:48:55,026 [Georgia moaning] 957 00:48:55,028 --> 00:48:58,010 Ah, now, tell me, where does it hurt? 958 00:48:58,012 --> 00:48:59,026 Everywhere. 959 00:48:59,028 --> 00:49:02,026 Oh, well, then, I suppose we should start looking someplace. 960 00:49:02,028 --> 00:49:04,008 - Uh-huh. - Yes, let me see your tongue. 961 00:49:04,010 --> 00:49:05,028 - Oh! - What's the matter? 962 00:49:06,000 --> 00:49:10,003 I get dizzy when I bend. I must be coming down with something. 963 00:49:10,005 --> 00:49:14,011 Oh, thank you very much, yes. Oh, may I feel your pulse? 964 00:49:14,013 --> 00:49:16,022 Yes. Ah, you might as well feel mine. 965 00:49:16,024 --> 00:49:17,028 Uh-huh? Oh! 966 00:49:18,000 --> 00:49:22,001 If you'd be so kind. Thank you. 967 00:49:22,003 --> 00:49:23,028 Yes, your pulse is normal. 968 00:49:24,000 --> 00:49:27,001 - Yours is fast. - I was sure of it. 969 00:49:27,003 --> 00:49:31,022 Well, I suppose I ought to tap something. 970 00:49:31,024 --> 00:49:35,002 - Here - Oh, thank you so much. 971 00:49:35,004 --> 00:49:36,003 [hiccup] 972 00:49:36,005 --> 00:49:38,003 - Now say, "Ah." - Ah. 973 00:49:38,005 --> 00:49:39,005 Ah! 974 00:49:40,009 --> 00:49:42,026 - My diagnosis was correct. - What do you recommend, doctor? 975 00:49:42,028 --> 00:49:44,023 - A sea voyage. - A sea-- 976 00:49:44,025 --> 00:49:47,024 Oh, we're on one, aren't we? I'm so sorry. How silly of me. 977 00:49:47,026 --> 00:49:50,008 I'll give you an injection and put you to sleep. 978 00:49:50,010 --> 00:49:52,002 'That shouldn't do you any harm.' 979 00:49:52,004 --> 00:49:53,024 Will it hurt, doctor? 980 00:49:53,026 --> 00:49:55,008 Well, it shouldn't 981 00:49:55,010 --> 00:49:58,013 but I'm, uh, a bit clumsy, you know. 982 00:49:58,015 --> 00:50:00,009 Couldn't I just read myself to sleep? 983 00:50:00,011 --> 00:50:03,003 No, I'm afraid not. Now, just one moment. 984 00:50:03,005 --> 00:50:04,025 Ah! 985 00:50:04,027 --> 00:50:07,019 Oh, I feel faint. 986 00:50:07,021 --> 00:50:09,015 Who got jabbed, me or you? 987 00:50:09,017 --> 00:50:11,025 I seem to smell food odors. 988 00:50:11,027 --> 00:50:14,000 'That's always a bad sign.' 989 00:50:14,002 --> 00:50:15,029 'And herring too.' 990 00:50:16,001 --> 00:50:18,018 Why do I smell herring? 991 00:50:18,020 --> 00:50:21,003 I guess there's a school of herring following the ship. 992 00:50:21,005 --> 00:50:22,025 No, no, not marinated herring. 993 00:50:22,027 --> 00:50:25,024 Oh, I don't feel so hot. 994 00:50:25,026 --> 00:50:28,012 I think I better be going. 995 00:50:28,014 --> 00:50:31,000 [coughing] 996 00:50:31,002 --> 00:50:33,008 - 'Goodnight, doctor.' - Goodnight. 997 00:50:33,010 --> 00:50:36,004 - And I hope I sleep well. - 'I hope so.' 998 00:50:38,006 --> 00:50:40,000 - Well, doctor? - Yes, she'll live. 999 00:50:40,002 --> 00:50:42,018 But I can't make any prediction about myself. 1000 00:50:42,020 --> 00:50:44,020 Would you mind helping me to my cabin? 1001 00:50:44,022 --> 00:50:46,010 Not at all. Is something wrong? 1002 00:50:46,012 --> 00:50:50,000 Thank you very much. I don't feel so good. I sort of.. 1003 00:51:03,027 --> 00:51:05,005 Oh, mess boy. 1004 00:51:05,007 --> 00:51:07,010 I'm the purser. What can I do for you? 1005 00:51:07,012 --> 00:51:09,005 There's something wrong with your passenger list. 1006 00:51:09,007 --> 00:51:11,009 You haven't got a Miss Georgia Garrett listed. 1007 00:51:11,011 --> 00:51:13,004 - What was that name again? - Georgia Garrett. 1008 00:51:13,006 --> 00:51:15,022 Georgia as in marching through. Garrett as in starving in. 1009 00:51:15,024 --> 00:51:18,002 I'm sorry, if she isn't listed, she's not onboard. 1010 00:51:18,004 --> 00:51:21,000 Don't be coy. I've been chasing her all over the ship. 1011 00:51:21,002 --> 00:51:23,005 Tell me, do you know this tomato? 1012 00:51:23,007 --> 00:51:26,005 Why, certainly. This toma.. 1013 00:51:26,007 --> 00:51:28,019 This lady is Mrs. Michael Kent. 1014 00:51:28,021 --> 00:51:30,027 Oh, she's Mrs. Kent now. 1015 00:51:30,029 --> 00:51:32,022 And what is Mrs. Kent's stateroom? 1016 00:51:32,024 --> 00:51:34,007 Twenty-three, B deck. 1017 00:51:34,009 --> 00:51:36,027 Thank you and take the next two weeks off. 1018 00:51:36,029 --> 00:51:38,012 Sure. What? 1019 00:51:40,029 --> 00:51:43,019 I haven't eaten all day. 1020 00:51:49,023 --> 00:51:50,027 [knocking] 1021 00:51:50,029 --> 00:51:53,000 (Georgia) 'Come in.' 1022 00:51:55,027 --> 00:51:58,013 Oscar, how'd you get on this boat? 1023 00:51:58,015 --> 00:52:00,027 - I lied about my age. - You chooch! 1024 00:52:00,029 --> 00:52:03,012 - You followed me here, huh? - That's right. 1025 00:52:03,014 --> 00:52:05,010 I was sitting alone in a restaurant 1026 00:52:05,012 --> 00:52:08,022 the waiter put down a check and you weren't there to pick it up. 1027 00:52:11,007 --> 00:52:13,010 Oscar, please go away. 1028 00:52:13,012 --> 00:52:15,002 Incidentally, I picked up your last two paychecks. 1029 00:52:15,004 --> 00:52:17,022 It was barely enough to pay for my plane ticket. 1030 00:52:17,024 --> 00:52:20,004 Didn't leave me enough to buy you a present. 1031 00:52:20,006 --> 00:52:21,009 I feel like a cad. 1032 00:52:21,011 --> 00:52:24,016 You crook. You can go to jail for that. 1033 00:52:24,018 --> 00:52:27,001 Marry me. You won't have to testify against me. 1034 00:52:27,003 --> 00:52:29,003 I'm so sleepy. 1035 00:52:29,005 --> 00:52:30,028 And you know I don't love you. 1036 00:52:31,000 --> 00:52:33,011 I don't know whether to believe what I'm hearing 1037 00:52:33,013 --> 00:52:35,000 or what I'm feeling. 1038 00:52:50,001 --> 00:52:51,015 Where's the radio room? 1039 00:52:51,017 --> 00:52:53,022 - Top deck, sir, next to lounge. - Thanks. 1040 00:52:56,025 --> 00:53:00,009 I have all the seductive powers of a sedative. 1041 00:53:01,001 --> 00:53:03,007 You chooch. 1042 00:53:06,009 --> 00:53:08,017 [beeping] 1043 00:53:21,011 --> 00:53:23,017 Will you please send this radiogram at once? 1044 00:53:23,019 --> 00:53:26,002 And send it collect. 1045 00:53:29,027 --> 00:53:31,017 [slow-paced music] 1046 00:53:43,022 --> 00:53:46,010 Good morning. 1047 00:53:48,020 --> 00:53:50,003 Well, good morning. 1048 00:53:50,005 --> 00:53:52,003 Good morning. And I use the expression loosely. 1049 00:53:52,005 --> 00:53:53,028 - How are you? - I feel just fine. 1050 00:53:54,000 --> 00:53:56,013 I think you'd be interested to know I feel fine too. 1051 00:53:56,015 --> 00:53:58,000 I was sure you would. 1052 00:53:58,002 --> 00:54:01,000 I wanna thank you. You left me in good hands last night. 1053 00:54:01,002 --> 00:54:03,029 - Yes, yes, I-I saw as much. - That doctor sure gets results. 1054 00:54:04,001 --> 00:54:06,002 Of course, sometimes he needs help. 1055 00:54:06,004 --> 00:54:09,010 I mean that specialist that was called in on the case. 1056 00:54:09,012 --> 00:54:11,010 Specialist? 1057 00:54:11,012 --> 00:54:14,022 Can you explain why that man was in your cabin kissing you? 1058 00:54:14,024 --> 00:54:16,021 - No. - Well? 1059 00:54:16,023 --> 00:54:19,026 Well, can you explain why you were watching my cabin? 1060 00:54:19,028 --> 00:54:21,006 - No. - Well? 1061 00:54:21,008 --> 00:54:23,025 - Well, maybe.. - Maybe, what? 1062 00:54:23,027 --> 00:54:26,002 Well, maybe I'm narrow-minded. 1063 00:54:26,004 --> 00:54:28,014 But I don't like married women who play around with other men. 1064 00:54:28,016 --> 00:54:30,018 Would you feel different if it was you? 1065 00:54:30,020 --> 00:54:32,016 - That's beside the point. - It is, is it? 1066 00:54:32,018 --> 00:54:35,005 Yes, it is. Everything they've said about women like you 1067 00:54:35,007 --> 00:54:38,001 on boats with men like me turned out to be true. 1068 00:54:38,003 --> 00:54:39,011 Or don't you follow me? 1069 00:54:39,013 --> 00:54:41,003 I've wanted to, Peter, anywhere, anytime. 1070 00:54:41,005 --> 00:54:42,022 Well, don't. 1071 00:54:42,024 --> 00:54:44,015 - Peter, you can't mean that. - I ca.. 1072 00:54:44,017 --> 00:54:47,005 I've only one thing to say to you, Mrs. Kent. 1073 00:54:47,007 --> 00:54:50,029 I would certainly hate to be...Mr. Kent. 1074 00:54:53,003 --> 00:54:55,009 You chooch! 1075 00:54:57,012 --> 00:54:59,000 [piano music] 1076 00:54:59,002 --> 00:55:01,011 - 'Good morning, madam.' - Good morning. 1077 00:55:01,013 --> 00:55:04,012 I'd like to get higher than a kite. 1078 00:55:04,014 --> 00:55:06,019 Yes, madam. What shall it be? 1079 00:55:06,021 --> 00:55:07,029 I don't know, I don't drink. 1080 00:55:08,001 --> 00:55:10,003 Well, how about cherry-- 1081 00:55:10,005 --> 00:55:13,010 Never mind. I'll get my kicks my way. Just forget it. 1082 00:55:16,029 --> 00:55:18,012 - Hi, fellas. - Hi. 1083 00:55:18,014 --> 00:55:19,029 Why so glum? 1084 00:55:20,001 --> 00:55:21,024 I don't know. I'm in the mood, I guess. 1085 00:55:21,026 --> 00:55:24,028 - Bright or blue? - You start it, I'll finish it. 1086 00:55:25,000 --> 00:55:28,017 [Doris Day singing "Put 'Em In A Box, Tie 'Em With a Ribbon"] 1087 00:55:28,019 --> 00:55:31,029 ♪ You can take the moon Gather up the stars ♪ 1088 00:55:32,001 --> 00:55:36,008 ♪ And the robins that sing merrily ♪ 1089 00:55:36,010 --> 00:55:38,003 ♪ Put 'em in a box ♪ 1090 00:55:38,005 --> 00:55:39,024 ♪ Tie 'em with a ribbon ♪ 1091 00:55:39,026 --> 00:55:43,025 ♪ And throw 'em in the deep blue sea ♪ 1092 00:55:43,027 --> 00:55:47,004 ♪ You can take the flowers Down in Lovers' Lane ♪ 1093 00:55:47,006 --> 00:55:51,003 ♪ And that sentimental poetry ♪ 1094 00:55:51,005 --> 00:55:53,004 ♪ Put 'em in a box ♪ 1095 00:55:53,006 --> 00:55:54,024 ♪ Tie 'em with a ribbon ♪ 1096 00:55:54,026 --> 00:55:57,029 ♪ And throw 'em in the deep blue sea ♪ 1097 00:55:58,001 --> 00:56:02,014 ♪ Not for me, all that stuff ♪ 1098 00:56:02,016 --> 00:56:05,014 ♪ The dreams that ruin your sleep ♪ 1099 00:56:05,016 --> 00:56:09,008 ♪ Not for me had enough ♪ 1100 00:56:09,010 --> 00:56:13,029 ♪ Love is one thing you can keep ♪ 1101 00:56:14,001 --> 00:56:16,028 ♪ You can take the plans And the wedding bells ♪ 1102 00:56:17,000 --> 00:56:21,004 ♪ And whoever sings "Oh, Promise Me" ♪ 1103 00:56:21,006 --> 00:56:23,004 ♪ Put 'em in a box ♪ 1104 00:56:23,006 --> 00:56:24,025 ♪ Tie 'em with a ribbon ♪ 1105 00:56:24,027 --> 00:56:28,018 ♪ And throw 'em in the deep blue sea ♪ 1106 00:56:28,020 --> 00:56:32,007 ♪ 'Cause love and I we don't agree ♪ 1107 00:56:34,005 --> 00:56:35,028 ♪ The hansoms through the park ♪ 1108 00:56:36,000 --> 00:56:37,020 ♪ The kisses in the dark ♪ 1109 00:56:37,022 --> 00:56:43,009 ♪ All the promises made faithfully ♪ 1110 00:56:43,011 --> 00:56:45,002 ♪ Put 'em in a box ♪ 1111 00:56:45,004 --> 00:56:46,024 ♪ Tie 'em with a ribbon ♪ 1112 00:56:46,026 --> 00:56:51,009 ♪ And throw 'em in the deep blue sea ♪ 1113 00:56:51,011 --> 00:56:53,011 ♪ And you won't go wrong ♪ 1114 00:56:53,013 --> 00:56:55,010 ♪ If you take a song ♪ 1115 00:56:55,012 --> 00:57:00,002 ♪ Sung by Frankie Boy or Mr. C ♪ 1116 00:57:00,004 --> 00:57:01,026 ♪ Put 'em in a box ♪ 1117 00:57:01,028 --> 00:57:03,016 ♪ Tie 'em with a ribbon ♪ 1118 00:57:03,018 --> 00:57:06,011 ♪ And throw 'em in the deep blue sea ♪ 1119 00:57:06,013 --> 00:57:11,006 ♪ Not for me all that stuff ♪ 1120 00:57:11,008 --> 00:57:13,024 ♪ The dreams that ruin your sleep ♪ 1121 00:57:13,026 --> 00:57:17,023 ♪ Not for me Had enough ♪ 1122 00:57:17,025 --> 00:57:21,002 ♪ Love is one thing you can keep ♪ 1123 00:57:21,004 --> 00:57:22,008 ♪ In the icebox ♪ 1124 00:57:22,010 --> 00:57:24,021 ♪ You know what you can do ♪ 1125 00:57:24,023 --> 00:57:27,018 ♪ With good old tea for two ♪ 1126 00:57:27,020 --> 00:57:32,020 ♪ And the girl for you, the boy for me ♪ 1127 00:57:32,022 --> 00:57:34,013 ♪ Put 'em in a box ♪ 1128 00:57:34,015 --> 00:57:36,006 ♪ Tie 'em with a ribbon ♪ 1129 00:57:36,008 --> 00:57:39,028 ♪ Throw 'em in the deep blue sea ♪ 1130 00:57:40,000 --> 00:57:42,013 ♪ 'Cause love and I we don't agree ♪ 1131 00:57:42,015 --> 00:57:43,022 ♪ Ain't all ♪ 1132 00:57:43,024 --> 00:57:44,027 ♪ 'Cause love ♪ 1133 00:57:44,029 --> 00:57:45,027 ♪ Love ♪ 1134 00:57:45,029 --> 00:57:49,000 ♪ And I we don't agree ♪ 1135 00:57:52,009 --> 00:57:54,011 [clapping] 1136 00:57:56,005 --> 00:57:59,015 - Oh. Thanks, fellas. Excuse me. - That was fun. 1137 00:58:00,029 --> 00:58:03,027 - So, it's you. - I accept that as a greeting. 1138 00:58:03,029 --> 00:58:06,008 Very funny. Oscar, what do you want? 1139 00:58:06,010 --> 00:58:09,003 I'd like to get this Mrs. Michael Kent business straight. 1140 00:58:09,005 --> 00:58:10,028 Oh, please, why don't you go home? 1141 00:58:11,000 --> 00:58:12,018 I can't swim. 1142 00:58:12,020 --> 00:58:14,018 If you love me, you'll pretend not to know me. 1143 00:58:14,020 --> 00:58:17,014 I didn't come all this way and spend all your money 1144 00:58:17,016 --> 00:58:19,011 to pretend I don't know you. 1145 00:58:20,004 --> 00:58:23,023 Does that instrument interfere with your work? 1146 00:58:26,009 --> 00:58:28,004 [piano music] 1147 00:58:35,009 --> 00:58:37,010 You're in some kinda trouble, aren't you, honey? 1148 00:58:37,012 --> 00:58:39,015 The worst kind of trouble. 1149 00:58:42,024 --> 00:58:44,018 Oscar, I'm in love. 1150 00:58:44,020 --> 00:58:46,019 Don't you think you're being a little forward? 1151 00:58:46,021 --> 00:58:50,004 - Not with you. - That was a short romance. 1152 00:58:50,006 --> 00:58:51,018 It's all so complicated. 1153 00:58:51,020 --> 00:58:53,008 You remember the night at the club 1154 00:58:53,010 --> 00:58:55,027 when that classy couple asked me to have a drink? 1155 00:58:55,029 --> 00:58:58,016 'They turned out to be Elvira Kent and her uncle' 1156 00:58:58,018 --> 00:58:59,024 'head of a drugstore chain.' 1157 00:58:59,026 --> 00:59:01,028 'What a deal they threw my way.' 1158 00:59:02,000 --> 00:59:05,015 'A chance to cash in on all my dreams, so I accepted.' 1159 00:59:05,017 --> 00:59:07,014 'My first night onboard, I met him.' 1160 00:59:07,016 --> 00:59:09,009 'There must be something about salt air' 1161 00:59:09,011 --> 00:59:11,018 'he looked so wonderful to me.' 1162 00:59:11,020 --> 00:59:14,005 'By the time we reached Cuba, I was in love with him.' 1163 00:59:14,007 --> 00:59:16,028 'Head over heels, if you know what I mean.' 1164 00:59:17,000 --> 00:59:18,020 'Oh, Havana was heaven.' 1165 00:59:18,022 --> 00:59:20,016 'And all the time I had to pretend that' 1166 00:59:20,018 --> 00:59:22,009 'who I was, I wasn't.' 1167 00:59:22,011 --> 00:59:23,025 'This morning, what does he give me?' 1168 00:59:23,027 --> 00:59:26,000 The gate, hinges and all. 1169 00:59:26,002 --> 00:59:28,000 So here I am. He thinks I'm married. 1170 00:59:28,002 --> 00:59:29,024 If I kiss him, I lose him. 1171 00:59:29,026 --> 00:59:32,022 If I tell him the truth, who will he hate most? 1172 00:59:32,024 --> 00:59:34,016 A cheat or a phony? 1173 00:59:34,018 --> 00:59:36,006 I know you're a phony, I don't hate you. 1174 00:59:36,008 --> 00:59:38,016 You don't know what it's like to want someone 1175 00:59:38,018 --> 00:59:39,021 and not do anything about it. 1176 00:59:39,023 --> 00:59:41,009 Don't I? Oh, well. 1177 00:59:41,011 --> 00:59:44,001 Well, I'll just have to bury myself in my work. 1178 00:59:44,003 --> 00:59:46,004 [piano music] 1179 00:59:50,009 --> 00:59:51,024 Is that your "Brooklyn Rhapsody?" 1180 00:59:51,026 --> 00:59:53,026 Who said anything about Brooklyn? 1181 00:59:53,028 --> 00:59:55,016 It's now called "The Caribbean Rhapsody." I'm very adaptable. 1182 00:59:55,018 --> 00:59:57,017 - Have you finished it? - I don't want to. 1183 00:59:57,019 --> 00:59:59,016 People will like it, they'll make a fuss. 1184 00:59:59,018 --> 01:00:02,011 I'll have no time. I'll be the toast of the town. 1185 01:00:02,013 --> 01:00:05,006 Then what happens to that sweet boy we love? 1186 01:00:05,008 --> 01:00:07,002 Aren't you being modest? I have confidence in you. 1187 01:00:07,004 --> 01:00:09,007 Everybody has confidence in me. That's my trouble. 1188 01:00:09,009 --> 01:00:12,011 In high school, I was voted the boy most likely to succeed. 1189 01:00:12,013 --> 01:00:15,025 In college, they said I had a brilliant future. 1190 01:00:15,027 --> 01:00:17,025 I wonder whatever became of me. 1191 01:00:17,027 --> 01:00:19,024 [piano music] 1192 01:00:26,017 --> 01:00:28,019 [soft music] 1193 01:00:40,003 --> 01:00:42,008 [Doris Day singing "It's You Or No One"] 1194 01:00:42,010 --> 01:00:43,018 ♪ It's you ♪ 1195 01:00:43,020 --> 01:00:48,006 ♪ Or no one for me ♪ 1196 01:00:50,001 --> 01:00:54,018 ♪ I'm sure of this ♪ 1197 01:00:54,020 --> 01:01:00,020 ♪ Each time we kiss ♪ 1198 01:01:01,028 --> 01:01:06,012 ♪ Now and forever ♪ 1199 01:01:06,014 --> 01:01:11,014 ♪ And when forever's done ♪ 1200 01:01:11,016 --> 01:01:14,019 ♪ You'll find that you ♪ 1201 01:01:14,021 --> 01:01:19,024 ♪ Are still the one ♪ 1202 01:01:23,011 --> 01:01:27,010 ♪ Please don't say no ♪ 1203 01:01:27,012 --> 01:01:31,019 ♪ To my plea ♪ 1204 01:01:31,021 --> 01:01:36,014 ♪ 'Cause if you do ♪ 1205 01:01:36,016 --> 01:01:42,000 ♪ Then I'm all through ♪ 1206 01:01:43,021 --> 01:01:49,015 ♪ There's this about you ♪ 1207 01:01:49,017 --> 01:01:55,000 ♪ My world's an empty world ♪ 1208 01:01:55,002 --> 01:01:58,020 ♪ Without you ♪ 1209 01:01:58,022 --> 01:02:00,025 ♪ It's you ♪ 1210 01:02:00,027 --> 01:02:07,015 ♪ Or no one for me ♪ 1211 01:02:13,011 --> 01:02:15,015 [violin music] 1212 01:02:26,026 --> 01:02:30,010 It's magic. 1213 01:02:30,012 --> 01:02:33,012 You know, that's a mighty dangerous song. 1214 01:02:33,014 --> 01:02:35,011 And this night isn't helping any either. 1215 01:02:35,013 --> 01:02:36,027 It's one for the books. 1216 01:02:36,029 --> 01:02:38,020 Just like they said in the folder. 1217 01:02:38,022 --> 01:02:43,011 They didn't leave anything out tonight. Breeze, moon, stars. 1218 01:02:43,013 --> 01:02:45,021 And all working overtime. 1219 01:02:45,023 --> 01:02:48,012 Makes a man feel.. 1220 01:02:48,014 --> 01:02:49,011 [sighs] 1221 01:02:49,013 --> 01:02:51,000 Wants a woman in his arms. 1222 01:02:51,002 --> 01:02:54,023 And...vice versa. 1223 01:02:54,025 --> 01:02:56,021 If only you weren't married. 1224 01:02:56,023 --> 01:02:58,012 How I wish I could tell you I wasn't. 1225 01:02:58,014 --> 01:03:01,017 If you weren't married, I'd take you in my arms. 1226 01:03:01,019 --> 01:03:03,021 - Like how? - Like this. 1227 01:03:03,023 --> 01:03:05,007 Then what? 1228 01:03:05,009 --> 01:03:07,013 On your lips, I'd-I'd plant a kiss. 1229 01:03:07,015 --> 01:03:08,021 Such as? 1230 01:03:08,023 --> 01:03:10,008 But then you-you have a husband. 1231 01:03:10,010 --> 01:03:12,000 And you have principles. 1232 01:03:12,002 --> 01:03:14,008 - Elvira. - Yes, Peter? 1233 01:03:14,010 --> 01:03:16,013 There's something I've gotta do. I can't help myself. 1234 01:03:16,015 --> 01:03:20,002 If you can't help yourself, you can't help yourself. 1235 01:03:20,004 --> 01:03:22,023 I gotta send a cablegram. 1236 01:03:43,023 --> 01:03:45,018 Another radiogram to be sent at once. 1237 01:03:45,020 --> 01:03:47,024 Send that one collect too. 1238 01:03:50,000 --> 01:03:53,013 You'll let me know how it comes out, won't you? 1239 01:03:58,021 --> 01:04:00,001 [crowd chattering] 1240 01:04:08,017 --> 01:04:10,019 Mrs. Kent, a message from Mr. Farrar. 1241 01:04:10,021 --> 01:04:12,017 Mrs. Kent, I have a message from Mr. Virgil. 1242 01:04:12,019 --> 01:04:15,028 I'm first. Mr. Farrar would like you to join him at the Flambio. 1243 01:04:16,000 --> 01:04:19,010 Mr. Virgil said he had to go ashore to make a call 1244 01:04:19,012 --> 01:04:21,023 and would you please meet him at the Flambio? 1245 01:04:21,025 --> 01:04:24,019 - Flambio? - Flambio. 1246 01:04:28,015 --> 01:04:31,008 ♪ In Trinidad, in Trinidad ♪ 1247 01:04:31,010 --> 01:04:34,004 ♪ The women are good But the liquor is bad ♪ 1248 01:04:34,006 --> 01:04:36,024 ♪ In Trinidad, in Trinidad ♪ 1249 01:04:36,026 --> 01:04:40,018 ♪ The women are good But the liquor is bad ♪ 1250 01:04:40,020 --> 01:04:43,013 - May we sing you a song? - Not about a good woman. 1251 01:04:43,015 --> 01:04:46,003 There's no such thing. Run when you see a pretty woman. 1252 01:04:46,005 --> 01:04:47,029 When you sing calypso, you don't say 1253 01:04:48,001 --> 01:04:51,003 "When you see a pretty woman." When you see a pretty woma-an. 1254 01:04:51,005 --> 01:04:54,005 - When you see a pretty woma-an? - That's right. 1255 01:04:54,007 --> 01:04:55,024 You sing, we'll follow you. 1256 01:04:55,026 --> 01:04:58,000 What can I lose that I haven't already lost? 1257 01:04:58,002 --> 01:04:59,021 [Jack Carson singing "Run, Run, Run"] 1258 01:04:59,023 --> 01:05:01,010 ♪ Run, run, run ♪ 1259 01:05:01,012 --> 01:05:04,026 ♪ When you see a pretty woman ♪ 1260 01:05:04,028 --> 01:05:07,011 ♪ Run, run, run ♪ 1261 01:05:07,013 --> 01:05:10,005 ♪ When you see a pretty woman ♪ 1262 01:05:10,007 --> 01:05:13,007 ♪ Love is the common enemy ♪ 1263 01:05:13,009 --> 01:05:16,006 ♪ The moon and the stars are the artillery ♪ 1264 01:05:16,008 --> 01:05:18,025 ♪ When they attack, you'll find there's no retreat ♪ 1265 01:05:18,027 --> 01:05:22,001 ♪ You will lose your heart unless you use your feet ♪ 1266 01:05:22,003 --> 01:05:24,021 ♪ Oh, run, run, run ♪ 1267 01:05:24,023 --> 01:05:27,029 ♪ When you see a pretty woman ♪ 1268 01:05:28,001 --> 01:05:30,011 ♪ Run, run, run ♪ 1269 01:05:30,013 --> 01:05:33,019 ♪ When you see a pretty woman ♪ 1270 01:05:33,021 --> 01:05:36,012 ♪ I know a girl whose kiss was warm ♪ 1271 01:05:36,014 --> 01:05:39,011 ♪ I never thought that it could do me harm ♪ 1272 01:05:39,013 --> 01:05:41,026 ♪ There never was a better girl like her ♪ 1273 01:05:41,028 --> 01:05:45,002 ♪ But her husband was professional wrestler ♪ 1274 01:05:45,004 --> 01:05:47,025 ♪ Oh, run, run, run ♪ 1275 01:05:47,027 --> 01:05:51,007 ♪ When you see a pretty woman ♪ 1276 01:05:51,009 --> 01:05:53,010 ♪ Run, run, run ♪ 1277 01:05:53,012 --> 01:05:56,018 ♪ When you see a pretty woman ♪ 1278 01:05:56,020 --> 01:05:59,007 ♪ Woman say come in out of rain ♪ 1279 01:05:59,009 --> 01:06:01,025 ♪ More better you stay out in the hurricane ♪ 1280 01:06:01,027 --> 01:06:04,026 ♪ You catch a cold but it is worth the pain ♪ 1281 01:06:04,028 --> 01:06:08,002 ♪ Better off catch cough than catch a ball and chain ♪ 1282 01:06:08,004 --> 01:06:10,008 ♪ Oh, run, run, run ♪ 1283 01:06:10,010 --> 01:06:13,021 ♪ When you see a pretty woman ♪ 1284 01:06:13,023 --> 01:06:16,011 ♪ Run, run, run ♪ 1285 01:06:16,013 --> 01:06:19,012 ♪ When you see a pretty woman ♪ 1286 01:06:19,014 --> 01:06:22,001 ♪ Tropical heat is very bad ♪ 1287 01:06:22,003 --> 01:06:24,023 ♪ Has played dirty trick on many nice young lad ♪ 1288 01:06:24,025 --> 01:06:27,017 ♪ The brain go flip The heart is go flip-flop ♪ 1289 01:06:27,019 --> 01:06:30,023 ♪ Woman blow you kiss and then you blow your top ♪ 1290 01:06:30,025 --> 01:06:33,018 ♪ Oh, run, run, run ♪ 1291 01:06:33,020 --> 01:06:36,013 ♪ When you see a pretty woman ♪ 1292 01:06:36,015 --> 01:06:39,006 ♪ Run, run, run ♪ 1293 01:06:39,008 --> 01:06:42,013 ♪ When you see a pretty woman ♪ 1294 01:06:42,015 --> 01:06:44,024 ♪ Run, run, run When you see.. ♪ 1295 01:06:44,026 --> 01:06:46,012 Oh, I beg your pardon. 1296 01:06:46,014 --> 01:06:48,007 I'm sorry, didn't see you coming. 1297 01:06:48,009 --> 01:06:51,007 You go in after me, please. I insist, please. 1298 01:06:51,009 --> 01:06:53,024 - Alright, fine. - Thank you. 1299 01:06:53,026 --> 01:06:57,002 - You on the same boat? - Yeah, the Southern Queen. 1300 01:07:04,010 --> 01:07:05,029 Good evening. What is your pleasure? 1301 01:07:06,001 --> 01:07:07,009 - A double. - A double what? 1302 01:07:07,011 --> 01:07:08,024 Double anything. 1303 01:07:08,026 --> 01:07:11,005 - And you, sir? - The same. 1304 01:07:11,007 --> 01:07:13,008 [sighs] Women. 1305 01:07:13,010 --> 01:07:15,007 I agree with you a 100 percent. 1306 01:07:15,009 --> 01:07:17,004 They're a bad influence on a man. 1307 01:07:17,006 --> 01:07:19,008 Not only that, but they're habit-forming. 1308 01:07:19,010 --> 01:07:22,013 You know, I can't think of one single good thing 1309 01:07:22,015 --> 01:07:24,018 to say about them. 1310 01:07:25,023 --> 01:07:28,005 That's a mighty smooth drink. 1311 01:07:28,007 --> 01:07:30,020 [whistles] Another. 1312 01:07:30,022 --> 01:07:33,000 Me, too. Only this time, make mine a triple. 1313 01:07:33,002 --> 01:07:35,015 A triple, sir. Very good. 1314 01:07:35,017 --> 01:07:37,020 Who said, "You can't live with them, can't live without 'em?" 1315 01:07:37,022 --> 01:07:40,009 Probably the same guy who said, "More truth than poetry." 1316 01:07:40,011 --> 01:07:42,019 And I wouldn't care to meet either of them. 1317 01:07:42,021 --> 01:07:44,021 The cause of all human suffering, you know. 1318 01:07:44,023 --> 01:07:47,009 To think that we gave up a perfectly good rib. 1319 01:07:47,011 --> 01:07:49,017 And not that they appreciate it. 1320 01:07:50,027 --> 01:07:52,026 What does yours look like? 1321 01:07:52,028 --> 01:07:55,020 Well.. 1322 01:07:55,022 --> 01:07:57,016 Funny, mine looks exactly the same. 1323 01:07:57,018 --> 01:07:58,029 Yeah? 1324 01:07:59,001 --> 01:08:02,027 - I drink to your woman. - I drink to yours. 1325 01:08:02,029 --> 01:08:04,015 - One more for me. - Aye, likewise. 1326 01:08:04,017 --> 01:08:06,017 I'm beginning to feel those two drinks. 1327 01:08:06,019 --> 01:08:08,027 Me too. I should've eaten before I came in. 1328 01:08:08,029 --> 01:08:10,026 Yeah, that's always a good idea. 1329 01:08:10,028 --> 01:08:12,029 Is yours a blond too? 1330 01:08:13,001 --> 01:08:15,011 This season. I've loved her as a brunette, a brownette 1331 01:08:15,013 --> 01:08:16,020 and a redhead. 1332 01:08:16,022 --> 01:08:18,025 A little peroxide will never come between us. 1333 01:08:18,027 --> 01:08:21,000 [laughing] 1334 01:08:21,002 --> 01:08:24,011 Speaking about figures, curves? 1335 01:08:24,013 --> 01:08:26,011 Curves? 1336 01:08:26,013 --> 01:08:30,007 When you put your arm around her waist, you gotta go into second. 1337 01:08:30,009 --> 01:08:33,008 - What color are her eyes? - Now, I never could tell. 1338 01:08:33,010 --> 01:08:36,001 Every time I look into them, I get dizzy. 1339 01:08:36,003 --> 01:08:37,017 My experience exactly. 1340 01:08:37,019 --> 01:08:41,002 Hey, we could be talking about the same girl. 1341 01:08:41,004 --> 01:08:42,026 What's your girl's name? 1342 01:08:42,028 --> 01:08:45,021 - Georgia. Georgia Garrett. - Georgia Garrett. 1343 01:08:45,023 --> 01:08:47,017 No, no, that's a different girl. 1344 01:08:47,019 --> 01:08:49,008 Mine is gonna be here any minute. 1345 01:08:49,010 --> 01:08:52,001 - I want you to meet her. - Mine will be here too. 1346 01:08:52,003 --> 01:08:54,017 (Peter) 'I bet they'll like each other at first sight.' 1347 01:08:54,019 --> 01:08:57,007 (Oscar) 'While waiting, do you wanna have another drink?' 1348 01:08:57,009 --> 01:09:00,002 Just the thing I say. 1349 01:09:00,004 --> 01:09:01,026 Fill her up again, bartender. 1350 01:09:01,028 --> 01:09:04,008 That is a wonderful suggestion. 1351 01:09:04,010 --> 01:09:05,029 I came through, didn't I? 1352 01:09:06,001 --> 01:09:08,021 Boy, you can say that again. 1353 01:09:08,023 --> 01:09:11,018 - I come through. - Yes, sir. 1354 01:09:11,020 --> 01:09:13,028 Of course, the rub is that mine is married. 1355 01:09:14,000 --> 01:09:15,024 How about yours, is yours a Mrs.? 1356 01:09:15,026 --> 01:09:18,021 At the moment no. 1357 01:09:18,023 --> 01:09:21,014 I don't know about you. 1358 01:09:21,016 --> 01:09:23,007 But I'm really getting a little high. 1359 01:09:23,009 --> 01:09:26,019 So am I. I don't know what he puts in those drinks. 1360 01:09:26,021 --> 01:09:28,013 But he's really won me over. 1361 01:09:28,015 --> 01:09:31,025 Dare we try another? 1362 01:09:31,027 --> 01:09:33,012 Second the motion. 1363 01:09:33,014 --> 01:09:34,014 [whistling] 1364 01:09:34,016 --> 01:09:35,026 'Coming right up.' 1365 01:09:44,005 --> 01:09:46,000 - 'Oh, waiter.' - Yes, miss. 1366 01:09:46,002 --> 01:09:49,020 Do you see those gentlemen at the far end of the bar? 1367 01:09:49,022 --> 01:09:51,004 Yes, miss. 1368 01:09:51,006 --> 01:09:54,002 Oh, would you be so kind and give them these messages? 1369 01:09:54,004 --> 01:09:55,017 Thank you. 1370 01:09:58,020 --> 01:10:00,015 (male #2) 'Here you are, gentlemen.' 1371 01:10:00,017 --> 01:10:02,003 - 'Keep the change.' - 'Thanks.' 1372 01:10:02,005 --> 01:10:03,023 I'm not leaving until I get this recipe. 1373 01:10:03,025 --> 01:10:06,014 Excuse me. The lady sent this. 1374 01:10:06,016 --> 01:10:08,010 The lady sent this. 1375 01:10:10,013 --> 01:10:13,001 What do you know, she's standing me up. 1376 01:10:13,003 --> 01:10:17,011 Yeah? Well, shake hands. Mine isn't coming down either. 1377 01:10:17,013 --> 01:10:20,020 I'll show her. I just might catch a plane to New York. 1378 01:10:20,022 --> 01:10:22,019 I ought to go to New York myself. 1379 01:10:22,021 --> 01:10:25,025 I'm not doing any good here. Mind if I go with you? 1380 01:10:25,027 --> 01:10:27,018 You got the price of two tickets? 1381 01:10:27,020 --> 01:10:30,028 - Oh, I got better than that. - In that case, be my guest. 1382 01:10:31,000 --> 01:10:32,020 Steady, steady, steady. 1383 01:10:32,022 --> 01:10:35,000 They'll never let us on that plane if we're drunk. 1384 01:10:35,002 --> 01:10:37,027 You know, these slanting floors will never be popular. 1385 01:10:43,028 --> 01:10:46,001 [slow-paced music] 1386 01:10:47,024 --> 01:10:49,016 Peter. 1387 01:10:49,018 --> 01:10:51,000 Peter. 1388 01:10:51,002 --> 01:10:53,010 Good morning, Mr. Virgil, it's 9:15. 1389 01:10:53,012 --> 01:10:55,012 Lovely day, temperature normal. 1390 01:10:55,014 --> 01:10:57,016 Hey, you, you've had your beauty rest. 1391 01:10:57,018 --> 01:10:58,022 Come on, get.. 1392 01:10:58,024 --> 01:11:00,024 Madam, are you looking for the gentleman? 1393 01:11:00,026 --> 01:11:02,001 Do you know where he is? 1394 01:11:02,003 --> 01:11:03,021 He didn't return to the ship, madam. 1395 01:11:03,023 --> 01:11:06,010 We received a radiogram from him and Mr. Farrar. 1396 01:11:06,012 --> 01:11:07,022 - Mr. Farrar too? - Yes, madam. 1397 01:11:07,024 --> 01:11:09,022 They were taking a plane to New York 1398 01:11:09,024 --> 01:11:12,001 and wanted us to forward their baggage. 1399 01:11:12,003 --> 01:11:13,005 [clears throat] 1400 01:11:13,007 --> 01:11:15,013 Oh, thank you. 1401 01:11:16,009 --> 01:11:18,012 Thank you, madam. 1402 01:11:31,009 --> 01:11:33,000 (female #1) 'Fasten your safety belts, please.' 1403 01:11:33,002 --> 01:11:35,028 'Fasten your safety belts, please.' 1404 01:11:36,000 --> 01:11:38,022 Sorry, sir, but will you fasten your safety belt, please? 1405 01:11:38,024 --> 01:11:40,000 Yeah, sure. 1406 01:11:40,002 --> 01:11:42,001 We're landing in Rio in a few minutes. 1407 01:11:42,003 --> 01:11:43,010 What? Where did you say? 1408 01:11:43,012 --> 01:11:45,028 - Rio. - Hey, Peter, wake up. 1409 01:11:46,000 --> 01:11:47,018 - Wha-what? - Wake up. 1410 01:11:47,020 --> 01:11:49,026 Hey, one thing I'll say about that Trinidad liquor. 1411 01:11:49,028 --> 01:11:53,001 - Not a sign of a hangover. - Maybe this will bring it on. 1412 01:11:53,003 --> 01:11:54,029 That stewardess says we're landing in Rio. 1413 01:11:55,001 --> 01:11:56,019 Rio? 1414 01:11:56,021 --> 01:11:58,013 She's probably not used to flying. That's all. 1415 01:11:58,015 --> 01:12:00,019 Would you mind looking out the window? 1416 01:12:03,006 --> 01:12:05,008 [instrumental music] 1417 01:12:08,020 --> 01:12:10,008 Did you ask for tickets to New York? 1418 01:12:10,010 --> 01:12:13,002 I certainly did. In my best Spanish too. 1419 01:12:13,004 --> 01:12:15,028 But the official language in Trinidad is English. 1420 01:12:16,000 --> 01:12:17,011 Huh? 1421 01:12:17,013 --> 01:12:19,020 You suppose that had anything to do with it? 1422 01:12:19,022 --> 01:12:21,015 [music continues] 1423 01:12:41,001 --> 01:12:43,000 These all the passengers from the Southern Queen? 1424 01:12:43,002 --> 01:12:45,025 No, there is another car coming. 1425 01:12:45,027 --> 01:12:47,014 Cigarette? 1426 01:12:47,016 --> 01:12:51,022 Be my guest but don't run into too much dough. 1427 01:12:51,024 --> 01:12:56,003 After you. 1428 01:12:56,005 --> 01:12:58,005 Thank you. 1429 01:12:58,007 --> 01:13:01,013 Can we check right now? Here's the bulletin board. 1430 01:13:01,015 --> 01:13:03,009 Due today, Southern Queen. 1431 01:13:03,011 --> 01:13:06,023 We better go claim our baggage before they ship it to New York. 1432 01:13:06,025 --> 01:13:09,006 You go, will you? My girl's onboard. 1433 01:13:09,008 --> 01:13:11,009 Don't want her thinking I'm running after her. 1434 01:13:11,011 --> 01:13:13,014 My girl's onboard too. Let's make them suffer. 1435 01:13:13,016 --> 01:13:14,021 (male #3) 'Calling Mr. Virgil.' 1436 01:13:14,023 --> 01:13:16,011 - Hey. - Calling Mr. Virgil. 1437 01:13:16,013 --> 01:13:17,025 Virgil, that's me. 1438 01:13:17,027 --> 01:13:19,018 Pardon, Mr. Virgil, there is a phone call 1439 01:13:19,020 --> 01:13:20,025 for you from New York. 1440 01:13:20,027 --> 01:13:22,013 Take it on the house phones. 1441 01:13:22,015 --> 01:13:23,023 New York? 1442 01:13:23,025 --> 01:13:25,001 New York? 1443 01:13:25,003 --> 01:13:26,015 Tell them to transfer 1444 01:13:26,017 --> 01:13:28,020 my unemployment insurance down here. 1445 01:13:28,022 --> 01:13:29,021 (Peter) 'Hello?' 1446 01:13:29,023 --> 01:13:31,006 Hello. Hello, Virgil? 1447 01:13:31,008 --> 01:13:32,021 Uh, uh, uh-huh. 1448 01:13:32,023 --> 01:13:35,001 'Well? What's happened?' 1449 01:13:35,003 --> 01:13:38,000 Well, how've you been? How's the weather up there? 1450 01:13:38,002 --> 01:13:39,021 Listen, I didn't call you 5000 miles 1451 01:13:39,023 --> 01:13:41,011 to discuss the weather. 1452 01:13:41,013 --> 01:13:43,016 As a matter of fact, it's a nice day here. 1453 01:13:43,018 --> 01:13:45,005 'It's a nice day here too.' 1454 01:13:45,007 --> 01:13:46,016 Never mind that. 1455 01:13:46,018 --> 01:13:48,016 Why haven't you called me in all this time? 1456 01:13:48,018 --> 01:13:50,011 Well, that's because I didn't want 1457 01:13:50,013 --> 01:13:52,009 to give you the bad news. 1458 01:13:52,011 --> 01:13:53,012 'Bad news?' 1459 01:13:53,014 --> 01:13:55,002 What's the bad news?' 1460 01:13:58,004 --> 01:14:00,028 Hold on for a minute, something new has just developed. 1461 01:14:02,022 --> 01:14:04,012 Elvira. 1462 01:14:04,014 --> 01:14:05,028 Peter. 1463 01:14:06,000 --> 01:14:07,006 Hello? 1464 01:14:07,008 --> 01:14:08,016 Hello? 1465 01:14:08,018 --> 01:14:09,022 I don't know what-- 1466 01:14:09,024 --> 01:14:11,022 Darling, how silly for you to run away. 1467 01:14:11,024 --> 01:14:13,005 Think of the time we've wasted-- 1468 01:14:13,007 --> 01:14:15,003 Took those few days for me to realize 1469 01:14:15,005 --> 01:14:16,022 that you don't love your husband. 1470 01:14:16,024 --> 01:14:19,002 Not another word about my husband. 1471 01:14:28,014 --> 01:14:30,022 Would it be wrong if I said I loved you? 1472 01:14:30,024 --> 01:14:33,009 It'd be wrong if you didn't. 1473 01:14:36,006 --> 01:14:38,004 Aren't you gonna introduce me? 1474 01:14:38,006 --> 01:14:39,019 Darling. 1475 01:14:39,021 --> 01:14:41,007 Always thinking of your own selfish pleasures. 1476 01:14:41,009 --> 01:14:43,018 I'll try the other shoulder. 1477 01:14:43,020 --> 01:14:44,029 Oh, darling. 1478 01:14:45,001 --> 01:14:46,028 This is my boon drinking companion, Oscar Farrar. 1479 01:14:47,000 --> 01:14:49,013 Oscar, this is Elvira Kent. 1480 01:14:49,015 --> 01:14:50,028 How do you do, Mr. Farrar? 1481 01:14:51,000 --> 01:14:53,018 You can't imagine my feelings at meeting you. 1482 01:14:53,020 --> 01:14:55,024 In that case, try to imagine mine. 1483 01:14:55,026 --> 01:14:58,008 [laughing] 1484 01:14:58,010 --> 01:15:00,019 Say, Oscar, is she anything like your girlfriend 1485 01:15:00,021 --> 01:15:01,024 as you were telling me about? 1486 01:15:01,026 --> 01:15:04,002 You mean Georgia? 1487 01:15:04,004 --> 01:15:06,003 Oh, no, not at all. 1488 01:15:06,005 --> 01:15:08,029 Well, I'll have to phone down about the baggage. 1489 01:15:09,001 --> 01:15:10,024 Phone? Oh, excuse me. 1490 01:15:10,026 --> 01:15:12,009 Oh, thanks, Oscar. 1491 01:15:12,011 --> 01:15:14,024 You get the feeling you're growing away from me. 1492 01:15:14,026 --> 01:15:16,029 You're a peach. Thank you. 1493 01:15:17,001 --> 01:15:18,014 I'm used to that. 1494 01:15:18,016 --> 01:15:19,020 Hello, Mr. Kent? 1495 01:15:19,022 --> 01:15:21,004 'Virgil, what took you so long?' 1496 01:15:21,006 --> 01:15:23,015 Believe me, it was all in the line of duty. 1497 01:15:23,017 --> 01:15:25,004 'What's been happening with my wife?' 1498 01:15:25,006 --> 01:15:26,008 Plenty. 1499 01:15:26,010 --> 01:15:28,023 Well, tell me. I'm a grown man. 1500 01:15:28,025 --> 01:15:30,010 - How bad is it? - Pretty bad. 1501 01:15:30,012 --> 01:15:33,024 I'm a grown man too and I hope it gets worse. 1502 01:15:33,026 --> 01:15:35,015 This connection must be bad. 1503 01:15:35,017 --> 01:15:36,028 I can't understand what you're babbling about. 1504 01:15:37,000 --> 01:15:39,010 Whatever it is, do something to stop her. 1505 01:15:39,012 --> 01:15:40,029 I-I'm going crazy here. 1506 01:15:41,001 --> 01:15:44,006 Mr. Kent, I've been taking your money under false pretenses. 1507 01:15:44,008 --> 01:15:47,009 I'd advise you to give me my two weeks' notice. 1508 01:15:47,011 --> 01:15:48,027 Goodbye. 1509 01:15:49,025 --> 01:15:52,011 Huh? 1510 01:15:53,015 --> 01:15:54,028 [buzzing] 1511 01:15:56,008 --> 01:15:58,024 - Yes, Mr. Kent? - Miss Medwick, get my broker. 1512 01:15:58,026 --> 01:16:00,015 Call Randall 1513 01:16:00,017 --> 01:16:02,029 I want to check the changes in the routine shipping report. 1514 01:16:03,001 --> 01:16:05,003 Also get the wire that came yesterday 1515 01:16:05,005 --> 01:16:06,025 concerning the Canadian merger. 1516 01:16:07,025 --> 01:16:10,003 Anything new, Humphrey? 1517 01:16:10,005 --> 01:16:12,026 No, ma'am. It all looks very businesslike and proper to me. 1518 01:16:12,028 --> 01:16:14,025 - Oh. - Let-let me for a minute. 1519 01:16:14,027 --> 01:16:16,011 Excuse me. 1520 01:16:18,023 --> 01:16:20,016 He's talking to her. 1521 01:16:20,018 --> 01:16:24,019 So she's going out of the room without even looking backward. 1522 01:16:24,021 --> 01:16:27,011 Uh, you can go to lunch, Humphrey. 1523 01:16:27,013 --> 01:16:30,002 After all these weeks, you'd think he'd give her a pinch 1524 01:16:30,004 --> 01:16:32,004 or a pat on the shoulder I mean. 1525 01:16:32,006 --> 01:16:34,000 You sound disappointed that he hasn't. 1526 01:16:34,002 --> 01:16:35,029 I think I'll see what else is happening. 1527 01:16:36,001 --> 01:16:38,002 - Wait, wait a minute. - You know, it's irritating. 1528 01:16:38,004 --> 01:16:40,005 Here I give up a perfectly wonderful cruise 1529 01:16:40,007 --> 01:16:42,002 to trap my husband and what happens? 1530 01:16:42,004 --> 01:16:43,016 Nothing. 1531 01:16:43,018 --> 01:16:45,006 Just goes to show, you can't trust men. 1532 01:16:45,008 --> 01:16:47,003 And that girl is having a perfectly 1533 01:16:47,005 --> 01:16:48,015 wonderful time under my name. 1534 01:16:48,017 --> 01:16:50,008 I haven't heard from her in days. 1535 01:16:50,010 --> 01:16:52,012 Who knows what's going on there? 1536 01:16:52,014 --> 01:16:54,002 Just goes to show you can't trust women either. 1537 01:16:54,004 --> 01:16:56,001 The best thing you can do, Elvira 1538 01:16:56,003 --> 01:16:58,015 is to get on the first plane to Rio. 1539 01:16:58,017 --> 01:16:59,028 What for? 1540 01:17:00,000 --> 01:17:01,016 Then you can phone Michael to join you 1541 01:17:01,018 --> 01:17:04,012 and you can take the boat back together. 1542 01:17:04,014 --> 01:17:06,006 Half a cruise with a whole husband 1543 01:17:06,008 --> 01:17:08,007 is better than no cruise with no husband. 1544 01:17:08,009 --> 01:17:10,017 Maybe you're right. Come on, let's go. 1545 01:17:10,019 --> 01:17:13,012 - Oh, and this one too. - You know what to do right? 1546 01:17:13,014 --> 01:17:14,028 - Yes, Mr. Kent. - The car's downstairs. 1547 01:17:15,000 --> 01:17:17,001 - Your bags are in it. - Thank you, Charles. 1548 01:17:17,003 --> 01:17:19,002 I want you to get some new displays 1549 01:17:19,004 --> 01:17:20,019 pushing hair tonic and triple malts. 1550 01:17:20,021 --> 01:17:22,019 Miss Medwick, you'll pack those too. 1551 01:17:22,021 --> 01:17:24,022 If anything comes up, wire me at the Hotel Atlántico. 1552 01:17:24,024 --> 01:17:26,017 - Yes, sir. - Your briefcase, Mr. Kent. 1553 01:17:26,019 --> 01:17:28,014 - Thank you, Miss Medwick. - And bon voyage. 1554 01:17:28,016 --> 01:17:29,026 - We'll miss you. - Hello. 1555 01:17:29,028 --> 01:17:31,008 Where've you been all day? 1556 01:17:31,010 --> 01:17:34,003 I was seeing a lady friend off at the airport. 1557 01:17:34,005 --> 01:17:36,008 You can see me off too. I'm leaving for Rio. 1558 01:17:36,010 --> 01:17:37,028 - For R-Rio? When? - Immediately. 1559 01:17:38,000 --> 01:17:39,016 I have a chartered plane waiting. 1560 01:17:39,018 --> 01:17:41,019 Is-is that as fast as going by regular airlines? 1561 01:17:41,021 --> 01:17:44,011 Much faster. I want to get there as soon as possible. 1562 01:17:46,003 --> 01:17:48,021 Mi-Michael, you have company. I'm going with you. 1563 01:17:48,023 --> 01:17:49,028 'Oh, Michael.' 1564 01:17:55,011 --> 01:17:57,014 [piano music] 1565 01:18:08,002 --> 01:18:10,004 [music continues] 1566 01:18:20,029 --> 01:18:24,002 Good, good, good. But I'm not interested. 1567 01:18:24,004 --> 01:18:27,006 What can I do with that type of music in my show? 1568 01:18:27,008 --> 01:18:29,008 Mr. Plinio, take my advice 1569 01:18:29,010 --> 01:18:31,016 as one musician to another, you need me. 1570 01:18:31,018 --> 01:18:35,000 Mr. Farrar, as one businessman to another, I can't afford you. 1571 01:18:35,002 --> 01:18:36,015 You can't afford me? 1572 01:18:36,017 --> 01:18:38,003 Money's of the utmost indifference to me. 1573 01:18:38,005 --> 01:18:40,029 - All I want is to play. - That's not the point. 1574 01:18:41,001 --> 01:18:43,000 I'm spending a fortune to redecorate this place 1575 01:18:43,002 --> 01:18:45,008 so I can reopen in time for the Carnival. 1576 01:18:45,010 --> 01:18:48,000 And to get my investment back, I need an attraction. 1577 01:18:48,002 --> 01:18:49,010 A real attraction. 1578 01:18:49,012 --> 01:18:51,004 I need someone with a name. 1579 01:18:51,006 --> 01:18:53,025 What do you think my mother gave me, a number? 1580 01:18:53,027 --> 01:18:55,006 Let me play it again. 1581 01:18:55,008 --> 01:18:58,004 Very generous of you, but I can't use it. 1582 01:18:58,006 --> 01:19:00,022 That's what I admire about you, you've such an open mind. 1583 01:19:00,024 --> 01:19:02,007 [Georgia singing] 1584 01:19:02,009 --> 01:19:04,021 Maybe you'd like it if I set lyrics to it. 1585 01:19:04,023 --> 01:19:05,022 Shh. 1586 01:19:05,024 --> 01:19:08,016 ♪ In your eyes ♪ 1587 01:19:08,018 --> 01:19:09,025 ♪ It's magic.. ♪ 1588 01:19:09,027 --> 01:19:11,021 I wish those amateurs would stop interfering 1589 01:19:11,023 --> 01:19:15,010 with a serious musician. 1590 01:19:15,012 --> 01:19:18,004 Say, I know that voice. 1591 01:19:19,028 --> 01:19:24,026 ♪ Fantastic things begin ♪ 1592 01:19:24,028 --> 01:19:30,021 ♪ When I am in your arms ♪ 1593 01:19:33,003 --> 01:19:37,007 ♪ When we walk hand in hand.. ♪ 1594 01:19:37,009 --> 01:19:39,022 She not only sounds good, she looks good. 1595 01:19:39,024 --> 01:19:42,022 Take it from me that girl has all sorts of talent. 1596 01:19:42,024 --> 01:19:44,016 You want to sign her up? 1597 01:19:44,018 --> 01:19:47,012 She could be the finest singer, but if she hasn't got a name.. 1598 01:19:47,014 --> 01:19:50,016 What do you mean she has no name? That's Mrs. Elvira Kent. 1599 01:19:50,018 --> 01:19:52,013 The classiest society dames in New York. 1600 01:19:52,015 --> 01:19:54,001 Mrs. Elvira Kent? 1601 01:19:54,003 --> 01:19:56,017 When she came out she made all the other debutantes 1602 01:19:56,019 --> 01:19:58,008 look like social climbers. 1603 01:19:58,010 --> 01:19:59,018 A society singer. 1604 01:19:59,020 --> 01:20:00,026 That's right, and very talented. 1605 01:20:00,028 --> 01:20:02,006 This is something new around here. 1606 01:20:02,008 --> 01:20:04,013 - Want me to talk to her? - Oh, no, no. 1607 01:20:04,015 --> 01:20:07,013 You wouldn't know how to handle an important lady like that. 1608 01:20:07,015 --> 01:20:10,001 I'll...I'll talk to her. 1609 01:20:10,029 --> 01:20:13,028 Mrs. Kent, you will not be angry with me? 1610 01:20:14,000 --> 01:20:15,013 Why should I be angry with you? 1611 01:20:15,015 --> 01:20:17,017 I-I was about to offer you a contract 1612 01:20:17,019 --> 01:20:19,003 to sing in my Casino Room. 1613 01:20:19,005 --> 01:20:21,001 Beg your pardon? 1614 01:20:21,003 --> 01:20:23,018 I knew you would be offended, but it's a good proposition. 1615 01:20:23,020 --> 01:20:25,008 A $1000 a week. 1616 01:20:25,010 --> 01:20:28,009 A thousand bucks, dollars, for me? 1617 01:20:28,011 --> 01:20:29,016 Of course, it's obviously nothing 1618 01:20:29,018 --> 01:20:31,001 for a lady in your position. 1619 01:20:31,003 --> 01:20:34,001 But if I said 1000, I can say 2500. 1620 01:20:34,003 --> 01:20:35,018 Are you kidding? 1621 01:20:35,020 --> 01:20:38,014 Once you say 2500, it's not difficult to say 5000. 1622 01:20:38,016 --> 01:20:41,008 'After you pay your taxes here and in United States' 1623 01:20:41,010 --> 01:20:43,007 'it will cost you very little.' 1624 01:20:43,009 --> 01:20:45,009 I'll tell you what I'll do, Mr. Plinio. 1625 01:20:45,011 --> 01:20:47,008 I'll sing for you for 1000 a week. 1626 01:20:47,010 --> 01:20:49,024 - What? - But not as Elvira Kent. 1627 01:20:49,026 --> 01:20:52,004 Suppose I took another name. What difference does it make? 1628 01:20:52,006 --> 01:20:54,005 Any name, let's say Georgia Garrett, for instance. 1629 01:20:54,007 --> 01:20:56,004 - What's wrong with that? - Listen, honeybunch. 1630 01:20:56,006 --> 01:20:59,019 If you use Georgia Garrett, and sang like an angel even 1631 01:20:59,021 --> 01:21:02,000 I could still shoot llamas in the balcony. 1632 01:21:02,002 --> 01:21:04,004 But if I had Mrs. Elvira Kent.. 1633 01:21:04,006 --> 01:21:06,023 Did I say 5000? I mean seven. 1634 01:21:06,025 --> 01:21:08,008 Okay. I'll do it. 1635 01:21:08,010 --> 01:21:10,003 Wonderful. Wonderful. 1636 01:21:10,005 --> 01:21:13,010 It's no accident that I happen to have the contract with me. 1637 01:21:13,012 --> 01:21:14,021 - What a coincidence. - Here. 1638 01:21:18,016 --> 01:21:20,021 Senora,I predict that you are going to be 1639 01:21:20,023 --> 01:21:22,010 the greatest attraction I ever had. 1640 01:21:22,012 --> 01:21:24,008 - I know she will. - Thank you. 1641 01:21:24,010 --> 01:21:26,023 I'm sorry that your husband won't be here to see you. 1642 01:21:26,025 --> 01:21:29,011 Oh, I'm so sorry too, but he's such a busybody. 1643 01:21:29,013 --> 01:21:31,009 - Goodbye. See you later. - Goodbye. 1644 01:21:31,011 --> 01:21:33,007 [speaking in foreign language] 1645 01:21:36,007 --> 01:21:38,023 - How do you do? - Oh, how do you do, sir? 1646 01:21:38,025 --> 01:21:40,018 Where can I find Mr. Peter Virgil? 1647 01:21:40,020 --> 01:21:43,026 Mr. Peter Virgil? I believe in the Casino Room. 1648 01:21:43,028 --> 01:21:46,016 - Thank you. - I'll stay here and register. 1649 01:21:50,002 --> 01:21:51,015 Where's the ho-house telephone? 1650 01:21:51,017 --> 01:21:53,001 You may use this phone right here. 1651 01:21:53,003 --> 01:21:54,016 Mrs. Michael Kent, please. 1652 01:21:54,018 --> 01:21:55,026 Mrs. Michael-- 1653 01:21:55,028 --> 01:21:57,026 Thank you, but what's the number? 1654 01:21:57,028 --> 01:21:59,016 Three fourteen. 1655 01:21:59,018 --> 01:22:01,001 Why don't you rest for a while? 1656 01:22:01,003 --> 01:22:02,024 I'm not tired, just excited and happy. 1657 01:22:02,026 --> 01:22:04,016 Yeah, but by tonight you'll be slaphappy. 1658 01:22:04,018 --> 01:22:06,012 You're not used to this professional grind. 1659 01:22:06,014 --> 01:22:08,002 Take the advice, will you? 1660 01:22:08,004 --> 01:22:10,016 While you can, go upstairs and catch 40 winks. 1661 01:22:10,018 --> 01:22:12,018 - I'll need 80 now. - Ha ha ha. 1662 01:22:39,017 --> 01:22:42,010 Mr. Kent, I didn't know that you were coming down here. 1663 01:22:42,012 --> 01:22:43,028 After that double talk telephone conversation 1664 01:22:44,000 --> 01:22:45,022 where did you expect me to be? 1665 01:22:45,024 --> 01:22:47,012 I'm glad that you came, Mr. Kent 1666 01:22:47,014 --> 01:22:49,000 because I wanna explain the problem-- 1667 01:22:49,002 --> 01:22:51,017 All you need to explain is the meaning of this. 1668 01:22:51,019 --> 01:22:54,006 That just means that your wife has a wonderful voice. 1669 01:22:54,008 --> 01:22:56,017 My wife has a terrible voice, that's not all 1670 01:22:56,019 --> 01:22:58,023 I didn't pay you to let her sing. 1671 01:22:58,025 --> 01:23:00,017 I was hired to shadow her. 1672 01:23:00,019 --> 01:23:02,028 I mean, to stop her from singing would have been extra. 1673 01:23:03,000 --> 01:23:04,019 What about that man? That other man? 1674 01:23:04,021 --> 01:23:08,009 I...I've almost finished a written report, Mr. Kent. 1675 01:23:08,011 --> 01:23:10,026 I don't want a written report, I want my wife. 1676 01:23:10,028 --> 01:23:13,028 - Where is she? - Well, she's around somewhere. 1677 01:23:14,000 --> 01:23:15,023 Oh, she's around somewhere. 1678 01:23:15,025 --> 01:23:18,014 A fine detective you are. 1679 01:23:18,016 --> 01:23:22,011 No, I'll do the decent thing. She's in her room, go to her. 1680 01:23:22,013 --> 01:23:23,024 Huh? 1681 01:23:23,026 --> 01:23:25,008 Maybe it was just being away from you. 1682 01:23:25,010 --> 01:23:27,004 Maybe she does really still love you. 1683 01:23:27,006 --> 01:23:29,014 Maybe it was the tropical skies. Maybe it was-- 1684 01:23:29,016 --> 01:23:31,009 Maybe you can tell me what you're raving about? 1685 01:23:31,011 --> 01:23:33,005 - I don't know. - You what? 1686 01:23:33,007 --> 01:23:36,004 I mean, it hurts too much to talk about it. 1687 01:23:36,006 --> 01:23:37,013 Go to her, Mr. Kent. 1688 01:23:37,015 --> 01:23:39,025 It's the best thing for everybody. 1689 01:23:43,021 --> 01:23:45,020 Mrs. Michael Kent is not in her room. 1690 01:23:45,022 --> 01:23:47,024 I just saw her step into the elevator. 1691 01:23:47,026 --> 01:23:49,023 Oh, the elevator. 1692 01:23:49,025 --> 01:23:51,029 Where you going? 1693 01:23:52,001 --> 01:23:53,005 Nowhere. 1694 01:23:53,007 --> 01:23:54,020 Say, what's the matter with you? 1695 01:23:54,022 --> 01:23:56,010 Mrs. Michael Kent's room, please. 1696 01:23:56,012 --> 01:23:57,024 Is Mrs. Kent expecting you? 1697 01:23:57,026 --> 01:24:00,006 What difference does that make? I'm Mr. Kent. 1698 01:24:00,008 --> 01:24:02,013 Oh, oh! 1699 01:24:02,015 --> 01:24:03,025 Room 314. 1700 01:24:03,027 --> 01:24:06,003 - Thank you. Come on. - You're welcome. 1701 01:24:06,005 --> 01:24:09,005 - I said, come on. - Good, good, good. 1702 01:24:09,007 --> 01:24:13,025 I was going off duty in ten minutes, but I think I'll stay. 1703 01:24:15,008 --> 01:24:17,010 Michael, I-I think it's better you go alone. 1704 01:24:17,012 --> 01:24:19,015 I don't want to spoil your nice reunion. 1705 01:24:19,017 --> 01:24:20,025 - Going up, sir? - Yes. 1706 01:24:20,027 --> 01:24:22,018 Alright, uncle. 1707 01:24:27,001 --> 01:24:28,004 Hello? 1708 01:24:28,006 --> 01:24:30,016 [speaking in foreign language] 1709 01:24:55,018 --> 01:24:56,020 Yes. 1710 01:24:56,022 --> 01:24:58,002 Darling, I wanted to.. 1711 01:25:00,002 --> 01:25:04,001 Oh, I beg your pardon. I must be in the wrong room. 1712 01:25:04,003 --> 01:25:08,018 Really? If it was the right room, that's no way to open the door. 1713 01:25:08,020 --> 01:25:12,005 Yes, you're so right. I'm so sorry. 1714 01:25:52,014 --> 01:25:53,023 [knocking] 1715 01:25:59,010 --> 01:26:01,021 Would you like to play a little three-handed gin? 1716 01:26:01,023 --> 01:26:03,011 It's all I need. 1717 01:26:03,013 --> 01:26:05,001 [knocking] 1718 01:26:05,003 --> 01:26:07,013 'Come in.' 1719 01:26:09,025 --> 01:26:13,012 Say, you gave me the wrong room number. My wife isn't in 314. 1720 01:26:13,014 --> 01:26:15,018 I'm sorry, but she is, Mr. Kent. 1721 01:26:15,020 --> 01:26:17,014 But there's a strange girl up there. 1722 01:26:17,016 --> 01:26:18,029 You'd better look it up again. 1723 01:26:19,001 --> 01:26:21,007 314 is correct, Mr. Kent. 1724 01:26:26,002 --> 01:26:29,027 Rio is getting more like Paris every day. 1725 01:26:29,029 --> 01:26:31,019 Don't be so excited. 1726 01:26:31,021 --> 01:26:33,004 Let me get this straight. Mr. Kent is here? 1727 01:26:33,006 --> 01:26:34,013 That's right. Your husband. 1728 01:26:34,015 --> 01:26:36,020 If we have a fourth, we can play bridge. 1729 01:26:36,022 --> 01:26:38,007 Shut up, I've got to think. 1730 01:26:38,009 --> 01:26:40,023 You have no time to think. You must leave immediately. 1731 01:26:40,025 --> 01:26:42,013 - What's the matter? - Shut up, Oscar. 1732 01:26:42,015 --> 01:26:43,015 [knocking] 1733 01:26:43,017 --> 01:26:44,025 Michael, Michael. Come, come, come. 1734 01:26:44,027 --> 01:26:47,021 Me and my ambition to travel. 1735 01:26:47,023 --> 01:26:49,025 [knocking continues] 1736 01:26:49,027 --> 01:26:52,000 [dramatic music] 1737 01:27:08,003 --> 01:27:09,015 Darling. 1738 01:27:12,005 --> 01:27:14,005 Darling, it's me, Michael. 1739 01:27:14,007 --> 01:27:16,006 Who are you and what do you want? 1740 01:27:16,008 --> 01:27:18,000 - Isn't this Room 314? - That it is. 1741 01:27:18,002 --> 01:27:19,027 Isn't this Mrs. Michael Kent's room? 1742 01:27:19,029 --> 01:27:21,025 Do I look like a Mrs. Michael Kent? 1743 01:27:21,027 --> 01:27:24,006 I must be dreaming. 1744 01:27:24,008 --> 01:27:27,005 Wasn't there a woman in this bed five minutes ago? 1745 01:27:27,007 --> 01:27:29,016 I'm no blabbermouth. Will you get out or do I-- 1746 01:27:29,018 --> 01:27:31,026 'Excuse me, I'm sorry.' 1747 01:27:31,028 --> 01:27:34,006 It must have been that plane trip I took. 1748 01:27:34,008 --> 01:27:36,016 It's getting so that a man isn't safe 1749 01:27:36,018 --> 01:27:38,010 around here at Carnival time. 1750 01:27:38,012 --> 01:27:40,005 - Now, run along, run along. - Alright, I'm sorry. 1751 01:27:40,007 --> 01:27:43,008 It was my mistake. I didn't mean any trouble by it. 1752 01:27:52,015 --> 01:27:54,020 [comical music] 1753 01:27:57,014 --> 01:28:00,013 Oscar, what are we gonna do now? He's sure to find out. 1754 01:28:00,015 --> 01:28:02,025 First, put on some decent clothes. I'll start packing. 1755 01:28:02,027 --> 01:28:05,028 That's right. I will help you, darling, come. 1756 01:28:06,000 --> 01:28:08,021 - Mr. Lazlo? - I take off my glasses. 1757 01:28:08,023 --> 01:28:10,002 Come, come, come. 1758 01:28:25,002 --> 01:28:26,018 Oh! 1759 01:28:30,015 --> 01:28:32,022 What is the number of Mrs. Michael Kent's room? 1760 01:28:32,024 --> 01:28:35,001 314. Who may I ask is calling? 1761 01:28:35,003 --> 01:28:37,011 Mrs. Michael Kent and I'll be back. 1762 01:28:39,011 --> 01:28:41,014 What if there is bloodshed in 314? 1763 01:28:41,016 --> 01:28:44,023 We're going to do the whole third floor over anyhow. 1764 01:28:44,025 --> 01:28:47,009 [comical music] 1765 01:28:49,029 --> 01:28:51,012 I'm checking out. 1766 01:28:51,014 --> 01:28:53,024 - Is there something wrong? - Yeah, everything. 1767 01:28:55,010 --> 01:28:57,023 [music continues] 1768 01:29:03,026 --> 01:29:05,012 - Listen, Virgil. - What's the matter? 1769 01:29:05,014 --> 01:29:06,029 I'm going crazy. I'm going insane. 1770 01:29:07,001 --> 01:29:08,024 I can't find my wife. She's disappeared. 1771 01:29:08,026 --> 01:29:10,017 She probably couldn't face you after what's happened. 1772 01:29:10,019 --> 01:29:12,005 For heaven's sake, what's this about? 1773 01:29:12,007 --> 01:29:13,029 Since I'm leaving, I'll tell the truth. 1774 01:29:14,001 --> 01:29:16,002 - I'm in love with your wife. - You what? 1775 01:29:16,004 --> 01:29:17,029 - She's fallen in love with me. - What? 1776 01:29:18,001 --> 01:29:20,000 The only thing I'm ashamed of is.. 1777 01:29:20,002 --> 01:29:21,020 ...it was on your time. 1778 01:29:21,022 --> 01:29:22,028 Virgil. 1779 01:29:23,000 --> 01:29:25,019 Peter Virgil, you're fired! 1780 01:29:28,015 --> 01:29:30,029 Your bill, Mr. Virgil. 1781 01:29:36,008 --> 01:29:37,011 [knocking] 1782 01:29:46,010 --> 01:29:49,016 - Mrs. Kent. - A fine job you've done for me. 1783 01:29:49,018 --> 01:29:51,006 So I'm going to sing tonight, am I? 1784 01:29:51,008 --> 01:29:54,015 Excuse me. It seems I'm caught between two bags. 1785 01:29:54,017 --> 01:29:57,019 Oh, and I see the way you've taken care of my reputation. 1786 01:29:57,021 --> 01:30:00,009 - Uncle Lazlo, you too? - Yes, me too. 1787 01:30:00,011 --> 01:30:03,004 - Well, I am surprised. - You are not surprised yet. 1788 01:30:03,006 --> 01:30:05,000 You'll be surprised when I tell you 1789 01:30:05,002 --> 01:30:06,022 that Michael is here too. 1790 01:30:06,024 --> 01:30:08,021 - What? - Yes. 1791 01:30:08,023 --> 01:30:11,005 - Oh, what am I gonna do? - I have a wonderful idea. 1792 01:30:11,007 --> 01:30:13,009 We will tell him that.. 1793 01:30:13,011 --> 01:30:15,010 It's not good. No. 1794 01:30:15,012 --> 01:30:18,011 [dramatic music] 1795 01:30:33,001 --> 01:30:36,003 Just wanna find out who's in that bed now, that's all. 1796 01:30:40,024 --> 01:30:44,005 - Darling! - Oh, so you finally made it? 1797 01:30:44,007 --> 01:30:45,021 Oh, Michael, I'm so glad you came. 1798 01:30:45,023 --> 01:30:47,016 It's been so lonely without you. 1799 01:30:47,018 --> 01:30:48,028 That's not the way I heard it. 1800 01:30:49,000 --> 01:30:51,007 Oh, I know all about your little escapades. 1801 01:30:51,009 --> 01:30:52,028 'This Peter Virgil, you're in love with' 1802 01:30:53,000 --> 01:30:55,002 'happens to be a private detective.' 1803 01:30:55,004 --> 01:30:56,021 I hired him to shadow you. 1804 01:30:56,023 --> 01:30:58,002 Everything you've done has been reported to me. 1805 01:30:58,004 --> 01:30:59,027 - That's a lie. - How do you do? 1806 01:30:59,029 --> 01:31:02,016 Peter's not a detective. And he hasn't met your wife. 1807 01:31:02,018 --> 01:31:04,012 You're back! 1808 01:31:04,014 --> 01:31:06,003 You can't deny there's something between you and Virgil. 1809 01:31:06,005 --> 01:31:08,020 He confessed everything to me before he checked out. 1810 01:31:08,022 --> 01:31:11,007 Checked out? Oh, I gotta go. 1811 01:31:12,004 --> 01:31:13,028 What has she got to do with this? 1812 01:31:14,000 --> 01:31:15,024 - Oh, Michael-- - Elvira, you'd better tell me. 1813 01:31:15,026 --> 01:31:16,029 - Tell me. - I can't.. 1814 01:31:17,001 --> 01:31:19,004 [knocking] 1815 01:31:19,006 --> 01:31:21,001 Ah, ha! 1816 01:31:23,021 --> 01:31:25,021 Who are you? What are you doing here? 1817 01:31:25,023 --> 01:31:29,013 Don't you think we've been seeing too much of each other? 1818 01:31:29,015 --> 01:31:32,007 Elvira, what's the meaning of this? 1819 01:31:32,009 --> 01:31:35,017 Uncle, why are you hiding in the closet? 1820 01:31:35,019 --> 01:31:38,023 I-I will, I will tell you. It's awful. 1821 01:31:38,025 --> 01:31:40,026 There is such a hurly-burly in this Rio. 1822 01:31:40,028 --> 01:31:43,012 I was happy to find a quiet place. 1823 01:31:43,014 --> 01:31:45,004 Quiet place? 1824 01:31:48,026 --> 01:31:51,010 [upbeat music] 1825 01:32:14,012 --> 01:32:16,020 [music continues] 1826 01:32:30,015 --> 01:32:32,028 [crowd chattering] 1827 01:32:37,006 --> 01:32:38,016 [no audio] 1828 01:32:52,025 --> 01:32:54,024 Well, you're not gonna sing and that's final. 1829 01:32:54,026 --> 01:32:56,017 Shout all you want. 1830 01:32:56,019 --> 01:32:59,012 They paid to see Mrs. Elvira Kent and that's who they'll see. 1831 01:32:59,014 --> 01:33:01,027 - Oh, no, they're not. - But, Michael, it'll be fun. 1832 01:33:01,029 --> 01:33:04,017 Why, I sang for the Milk Fund Benefit, didn't I? 1833 01:33:04,019 --> 01:33:06,011 Yes and for two years after that 1834 01:33:06,013 --> 01:33:08,012 everyone was drinking their coffee black. 1835 01:33:08,014 --> 01:33:10,005 But, Oscar, the contract is illegal. 1836 01:33:10,007 --> 01:33:11,019 I said, I was Elvira Kent. 1837 01:33:11,021 --> 01:33:13,020 You have her permission to use her name. 1838 01:33:13,022 --> 01:33:15,027 - They can ask her. - Please let's forget it. 1839 01:33:15,029 --> 01:33:18,016 You've gotta do it for the sake of your country. 1840 01:33:18,018 --> 01:33:20,009 If Elvira gets out there to sing 1841 01:33:20,011 --> 01:33:22,017 she'll set the Good Neighbor policy back 20 years. 1842 01:33:22,019 --> 01:33:25,024 If I'm lucky, they'll take me back at the Club Casa. 1843 01:33:25,026 --> 01:33:28,000 Five shows nightly at forty a week. 1844 01:33:28,002 --> 01:33:30,007 I can go back to haunting the travel bureau 1845 01:33:30,009 --> 01:33:32,017 piling up literature on places I'll never see. 1846 01:33:32,019 --> 01:33:35,002 Maybe, if I am very lucky, I'll meet a man 1847 01:33:35,004 --> 01:33:38,012 who won't pretend to be in love with me because it's his job. 1848 01:33:38,014 --> 01:33:41,025 Who're you to complain? If he's a phony, that makes two of you. 1849 01:33:41,027 --> 01:33:43,016 You two should be very happy together. 1850 01:33:43,018 --> 01:33:46,006 The thing is, he left thinking I was Elvira Kent. 1851 01:33:46,008 --> 01:33:48,012 I'll never know how he feels about Georgia Garrett. 1852 01:33:52,013 --> 01:33:54,027 Mr. Virgil? I thought you went back to the States. 1853 01:33:54,029 --> 01:33:57,017 - I was going, but I didn't. - I beg your pardon? 1854 01:33:57,019 --> 01:33:59,028 Can I help it if I can't help it? 1855 01:34:00,000 --> 01:34:03,006 Yes, sir. Waiter, table for Mr. Virgil. 1856 01:34:03,008 --> 01:34:04,021 This way. 1857 01:34:09,029 --> 01:34:14,023 [no audio] 1858 01:34:14,025 --> 01:34:17,013 [crowd clapping] 1859 01:34:17,015 --> 01:34:21,017 Now, it is my great pleasure to introduce to you 1860 01:34:21,019 --> 01:34:23,024 'the star of our show.' 1861 01:34:23,026 --> 01:34:26,007 The beautiful New York society lady 1862 01:34:26,009 --> 01:34:28,029 'who will charm you with her singing.' 1863 01:34:29,001 --> 01:34:30,029 Mrs. Elvira Kent. 1864 01:34:31,001 --> 01:34:33,011 [audience clapping] 1865 01:34:47,015 --> 01:34:49,027 [clapping continues] 1866 01:34:53,019 --> 01:34:55,025 (Elvira) 'Just a moment, please.' 1867 01:34:55,027 --> 01:34:58,009 Ladies and gentlemen, I came here tonight 1868 01:34:58,011 --> 01:35:00,005 with every intention of singing for you. 1869 01:35:00,007 --> 01:35:03,019 But first I'd like you to hear from a very good friend of mine. 1870 01:35:03,021 --> 01:35:06,024 'She is a girl who dreamt for years of visiting your country.' 1871 01:35:06,026 --> 01:35:09,005 'And always wanted to sing in a glamorous place' 1872 01:35:09,007 --> 01:35:11,004 'before a distinguished audience.' 1873 01:35:11,006 --> 01:35:12,024 Will you give her that chance? 1874 01:35:12,026 --> 01:35:15,001 [audience clapping] 1875 01:35:18,016 --> 01:35:19,029 Thank you very much. 1876 01:35:20,001 --> 01:35:21,013 Ladies and gentlemen 1877 01:35:21,015 --> 01:35:22,029 Miss Georgia Garrett. 1878 01:35:23,001 --> 01:35:25,018 [audience clapping] 1879 01:35:41,028 --> 01:35:43,026 [piano music] 1880 01:35:47,019 --> 01:35:48,029 [Doris Day singing "It's Magic"] 1881 01:35:49,001 --> 01:35:53,026 ♪ You sigh, the song begins ♪ 1882 01:35:53,028 --> 01:35:58,026 ♪ You speak and I hear violins ♪ 1883 01:35:58,028 --> 01:36:02,026 ♪ It's magic ♪ 1884 01:36:02,028 --> 01:36:06,006 ♪ The stars desert the skies ♪ 1885 01:36:06,008 --> 01:36:11,002 ♪ And rush to nestle in your eyes ♪ 1886 01:36:11,004 --> 01:36:13,018 ♪ It's magic ♪ 1887 01:36:13,020 --> 01:36:17,022 ♪ Without a golden wand ♪ 1888 01:36:17,024 --> 01:36:21,022 ♪ Or mystic charms ♪ 1889 01:36:21,024 --> 01:36:25,025 ♪ Fantastic things begin ♪ 1890 01:36:25,027 --> 01:36:32,028 ♪ When I am in your arms ♪ 1891 01:36:35,009 --> 01:36:39,006 ♪ When we walk hand-in-hand ♪ 1892 01:36:39,008 --> 01:36:44,002 ♪ The world becomes a wonderland ♪ 1893 01:36:44,004 --> 01:36:48,024 ♪ It's magic ♪ 1894 01:36:48,026 --> 01:36:52,003 ♪ How else can I explain ♪ 1895 01:36:52,005 --> 01:36:57,009 ♪ Those rainbows when there is no rain? ♪ 1896 01:36:57,011 --> 01:37:00,001 ♪ It's magic ♪ 1897 01:37:00,003 --> 01:37:04,013 ♪ Why do I tell myself ♪ 1898 01:37:04,015 --> 01:37:11,021 ♪ These things that happen are all really true? ♪ 1899 01:37:12,026 --> 01:37:17,013 ♪ When in my heart I know ♪ 1900 01:37:17,015 --> 01:37:23,013 ♪ The magic is my love ♪ 1901 01:37:23,015 --> 01:37:30,015 ♪ For you ♪ 1902 01:37:36,014 --> 01:37:38,018 [applause] 1903 01:37:38,020 --> 01:37:40,001 [audience cheering] 1904 01:37:47,029 --> 01:37:49,028 [drum beats] 1905 01:37:50,000 --> 01:37:52,001 Oh, it's magic. 1906 01:37:54,001 --> 01:37:55,029 It sure is. 1907 01:37:56,001 --> 01:37:58,018 A fine detective, I turn out to be. 1908 01:37:58,020 --> 01:38:02,000 I didn't do so well as a married woman either. 1909 01:38:02,002 --> 01:38:04,005 You need practice. 1910 01:38:11,018 --> 01:38:13,021 [orchestral music] 1911 01:38:20,023 --> 01:38:30,024 [music continues] 137092