Original subtitles

(fanfare music)

(jaunty orchestral music)

(firetruck bell ringing)

(woman screaming)

[Onlooker] Help!

(clamoring crowd)

(fist thudding)

(clamoring crowd)

Is there a doctor here?

[Witness] Stand back, get back.

You stay here, I'll get the ambulance.

(crowd murmuring)

Hey!

[Onlooker] Look, he's trying to escape.

(orchestral music)

(slow orchestral music)

[Lady Moya] That's sheer waste of time, Daddy.

Do you want the beastly thing back or not?

Of course I do.

That's why I phone Scotland Yard.

What?

Yes, I've got a real, live detective coming.

I thought it'd be rather fun to see what one looked like

and how he went about his work.

- It's utter madness. - Daddy, darling.

Calling in the police over a trumpery cigarette case.

It isn't a trumpery cigarette case.

Binky gave it to me and liked me.

Binky.

It was sweet.

So is his wife.

What?

You never told me anything about this.

Well of course I didn't.

You're so old-fashioned, you wouldn't understand.

Now look here, Moya,

I will not be subjected to this continual footling.

Inspector Pemberton, sir.

Good morning.

How do you do? Good morning.

Won't you sit down? Thank you.

My daughter.

- How do you do? - How do you do?

(comical music)

Been a lovely day.

Well, no, not really.

I regret that we brought you here on false pretense.

My daughter...

It's a cigarette case.

With a sentimental value?

Yes.

With a special inscription?

Yes.

How understanding you are.

Just routine work.

When did you last have it?

Last night.

Somebody in the house must have taken it.

(scoff)

That's absurd.

And I know who it is,

it's Daddy's secretary.

What the devil do you mean?

She was quite uncomfortable when I taxed her with it.

I should think so indeed.

You must apologize at once.

Why should I?

If Lady Moya's made an accusation,

she must have very good reasons.

I'm afraid I'll have to take a statement

from your secretary.

Entirely unnecessary.

The girl's a model of efficiency and I've only just got her.

Ha ha.

Moya, I insist upon your apologizing at once!

I'm sorry, Daddy, but I'm afraid I can't oblige.

I think, sir, your daughter's absolutely right.

Ah, Ms. Tempie.

No, don't go, don't go.

Come in, come in.

Now I want to introduce you to Inspector Pemberton

of Scotland Yard.

(orchestral music)

Oh, how do you do?

How do you do?

I'm afraid there's been some ridiculous misunderstanding

about my daughter's cigarette case.

Yes, I've already told her ladyship

that I know absolutely nothing about it.

Well, of course not.

The whole thing's absurd.

Absolutely absurd.

Owing to Lady Moya's uncompromising frankness,

I'm afraid it's impossible for me

to remain in your employment.

Well, Ms. Tempie.

I'm sorry, Lord Flamborough.

Oh, no, no.

Pemberton, can't you persuade her?

I'll certainly try.

I'm sure Lady Moya would be only too delighted

to offer an apology.

Yes.

So, if you'll excuse me.

I wonder if I could ask you a few questions.

I feel you could be of great service to me.

(telephone ringing)

Lord Flamborough's secretary speaking.

Oh yes, Mother.

Are you certain?

It's in the papers.

There was an accident with a fire engine getting him

into the van and he got away

but he may try to get you.

The boys want to know what to do?

Do nothing, until I get there.

I'll be home as soon as possible.

Lord Flamborough, I'm afraid I must go home in any event.

My mother's been taken ill.

Oh, I'm sorry to hear that.

- Very sorry. - Oh, it's nothing serious.

You see, she's alone.

Could I be of any assistance?

What about my cigarette case?

Yes.

I'm sorry to have to worry you at a time like this

but could I have two minutes with you?

I think it would be less embarrassing for Ms. Tempie

if we were alone.

Would you please excuse me.

Of course, come Moya.

Are you accusing me of this theft?

Good heavens, no.

Please dismiss the idea from your mind.

Well, then why are you detaining me?

Because it's necessary I should get to know you better.

Aren't you overdoing it just a little?

Just a little.

Goodbye.

Please, sit down.

Kindly sit down.

Thank you.

Cigarette?

Is this social, or official?

Both.

You don't know whether to go or stay, do you?

Now regarding these questions.

First of all, color of hair.

Auburn.

It's blonde.

Oh, is that blonde?

Oddly enough, my favorite color.

Hair blonde, B-L-O.

Is there an E in Blonde, oh it doesn't matter.

Color of eyes?

Blue.

Very blue.

Hadn't you better write that down?

Oh, I suppose.

Blue.

Height, just right.

I seem to meet with your approval.

Entirely, most satisfactory.

Now the address.

I'm sorry, I must go.

Well a telephone number will do.

I haven't a phone.

But I must have a statement.

I could be free any evening.

- I have nothing to say. - Nothing?

Nothing at all.

Well how am I going to see you again?

You won't, goodbye.

It's all right, Pemberton,

the case has been found.

Yes, it was in my bag the whole time,

so like me.

Is it, was it?

Oh, well in that case, if you don't mind, I'll be going

because I'm in a bit of a hurry.

But won't you stay and have some lunch?

Thank you, no, I'm a little late already

and I'll be saying goodbye, goodbye.

Sorry to have troubled you.

Not at all, goodbye, goodbye.

We'll meet later, excuse me.

Sarge, which way did she go?

Who, sir?

The girl who just come out.

You mean Kate Westhanger?

No no no, the secretary, the most beautiful...

Who did you say?

Kate Westhanger, sir.

- Kate? - Yes, sir,

I'd know her anywhere.

What's she doing in his lordship's house?

You said the girl came out, which way did she go?

Uh, that way, sir.

Towards crime by the look of it, sir.

Being called in terrace?

Yes sir, she better be careful cause there's

trouble waiting for our Kate, sir.

What do you mean?

You remember Tolmini sir, went to Liverpool jail.

Yeah.

He's mixed up with her now and he's out,

that's what, sir.

He got a seven year stretch and Kate's gang

let him take it and now he's out

and it's 100 to one, he'll do her in.

Taxi.

You don't want me, sir.

See you next time.

I've got a box of chrysanthemums,

I promised the wife I'd transplant this afternoon, sir.

Get in.

- Yes. - Go on, hurry.

(laughing)

Calling Terrace, Chelsea.

[Taxi Driver] Thank you, sir.

No sign of him.

Which is Kate's number?

10 but the house is a community.

Let's move on.

Look out, here she comes,

let me back.

Look out!

Get that knife.

Take him away.

Are you alright?

Why, I don't know, I hope so.

I guess I'm a little dazed.

Good heavens, it's you again.

I'm afraid so.

I hope he didn't frighten you.

You look as white as a sheet.

That's seeing you again.

Oh, thank you.

What are you doing here anyway?

I am the chivalrous knight

who rode forth on his fiery steed

to rescue the damsel with the golden hair.

Well, then do you mind remounting that fiery steed

and riding away.

That would be very ungallant,

besides I want to gaze into those deep blue eyes.

Your bag, madam.

I suppose I should be grateful.

In a way, I'm indebted to you, aren't I?

Most decidedly.

So the least you could do is to ask me inside

and help to mend my wrist.

Oh, what's the matter with it?

Nothing, just broken.

Oh.

Oh no, it's here.

Oh but you've been, awfully, quite about it.

I'm one of those brave fellows who suffer in silence.

Boy, hold my horse, the gallant knight

is excepting the damsel's invitation.

(knocking)

(laughing)

What are they doing?

She's taking Pemberton into the house.

So, I'm gonna have to speak to Kate,

entertaining flatters.

Will the neighbors see?

Aren't you going up to see your mother?

Shall I go?

No.

Oh, what a charming room you have here.

May I congratulate you on your superb taste.

That is if you're still talking to me.

Why did you follow me here?

Because I thought you look, awfully, nice when you smile

and I wanted to see if I was right.

Would you mind smiling?

[Pemberton] No, I was wrong.

That's fine, then there's no reason for you to stay.

Oh yes there is, this.

Oh, let me see it.

Well...

(laughing)

There's not very much to see, really.

Apparently not.

Could you massage it a little?

You'd better have that X-rayed at once.

For a detective, you're pretty ingenuous.

What does that mean?

Your methods are, entirely, transparent.

You know my name is Kate Westhanger.

You know that knife grinder was Tolmini

and there's nothing the matter with your wrist.

You'd make a very good detective yourself.

I'm doing alright on the other side, thank you.

Aren't you making a great mistake?

Not at all, it keeps you in work.

Oh, the chivalrous knight looks a little nonplussed

and I think your horse is getting restive.

Mr. Pemberton, won't you find yourself

a more comfortable chair.

Do come and sit down over here, next to me.

Thank you very much, I'd love to.

Won't you have a cigarette?

No thanks.

Whiskey and soda, no rarely.

Oh, please do, no honestly.

Well, sit down, thanks a lot.

Mr. Pemberton, you're such an interesting man.

You're so original, so different and so, thoroughly, dull.

But very entertaining.

Not up to now.

Unless, of course, you can give the conversation

some, unexpected, twist.

Alright, I will.

Why don't you give up this racket?

Your energy and concentration,

you could make a pot of money on this exchange.

Because I prefer to remain an honest woman.

My Father was the victim of one of those deals

and he shot himself.

Funny, isn't it?

Oh, I'm awful sorry

but I don't see how you can run a personal vendetta

against the entire city.

Who said anything about the entire city

and I'm still waiting for that entertaining twist.

Here it comes.

This gang you're with, these crooks you think you rule,

they'll rat on you and deliver you straight into my hands.

Am I being interesting?

Not in the least.

It may surprise you to know it,

you may not even noticed it

but I've taken a fancy to you.

Thanks a lot.

And I'm gonna stop you making a fool of yourself.

Is that a challenge?

Absolutely.

Well, that is interesting.

I accept the challenge.

It's a bet.

You're planning a job and I gotta stop it.

I wish you luck, pal.

Thanks a lot.

What were you doing in Lord Flamborough's house, spying?

I'm not going to tell you.

Oh, now that is a smile.

That's worth every shilling of the taxi fare out here.

Ah, Colonel Westhanger, isn't it?

Why, dear Inspector, I had no idea you'd come in.

Well for that matter, I had no idea you'd come out.

Matter of fact, I've just been having a talk to your boss.

You're her uncle, aren't you?

[Colonel] Yes.

You'll soon be looking for another job

and now I must, reluctantly, tear myself away.

Ah, I was afraid of that.

I can't tell you how sorry I am.

I shall try and bear it.

So long.

Oh, I say that's, awfully, good.

That's grand.

Can I have it?

Certainly not.

Thanks awfully.

I'll be seeing you.

Whew.

Well, I suppose the only thing to do is to laugh.

(laughing)

Oh, don't look so serious Uncle, laugh too.

I'm worried about you, darling.

I mean this rat Tolmini,

it was dreadful.

You're telling me.

And then this fella Pemberton.

What did he come here for?

Oh, I just think he's short of a girlfriend.

Anyhow, he's a good rat catcher.

Kate darling, I'm worried about this scheme of yours.

It's so big, so daring.

That's just it, that's why it appeals to me.

It's thrilling but don't you worry,

leave that to me.

More of a 1000 and one details.

All we want is just a reasonable luck.

Luck, we certainly need plenty of that.

(music box lullaby)

Uncle, I'm surprised at you.

We don't need that thing to bring us luck.

It always has before.

Oh, put it away.

The whole scheme is so complicated.

Weeks go by and we never get any nearer.

Don't be silly, we've arrived.

We start tomorrow.

I've just got to be a little careful

of this Flamborough business.

Pemberton and his confused way is getting suspicious.

Now the boys will be waiting for a little music.

Not with that confounded policeman outside?

Why not, as long as he is outside.

A most attractive collection

of early George and Gold cups.

The hands are, simply, exquisite.

Yes and they'd melt down very nicely, I should say.

(soft piano music)

Ah, duty calls.

Oh Mr. Gregori, might I have your silver paper?

Oh, for your collection, how's it going?

Well, I hope to send seven pounds

to the hospital this week.

If you don't look out, they'll be naming a ward after you.

(soft piano music)

Hello Kate, congratulations.

What about?

Providing yourself with a police escort

at a critical moment.

You, of course, were rushing to my assistance.

Most certainly.

And stopped halfway.

Your friend was so heroic, so dashing,

I had no desire to be dethroned.

You seem to have a desire to be offensive.

Not in the least

but don't you think you're being,

just a little bit, indiscreet.

Are you serious?

Oh, Mr. Pemberton may be very charming

but it's hardly wise of you to start taking an interest

in a man that could land us all in jail.

(abrupt piano playing)

How dare you talk to me like that?

I'll have you know that I'm running this

and I'll do, exactly, as I like.

If you don't approve you can get out.

That's the last thing in the world I want to do Kate.

Then watch your step.

I was, merely, suggesting caution.

I agree with you.

I think we may say we all agree, hmm.

(crowd discussing)

I don't wish to discuss it anymore.

I have a...

Not interested.

Now the details of Flamborough's next shipment

are, undoubtedly, in the Flamborough's Sapson agreement.

Since Pemberton is queer to things at Flamboroughs,

we'll carry out our alternative plan.

These are your instructions.

They ought to be memorized and burnt.

No notes are to be taken.

You Gregori are to get into the Lombard, France

at the Metropolitan Bank.

And then what?

And then Dr. Gurdon, you're to go through

the Flamborough Sapson agreement.

You'll find it in the strong room

in Flamborough's deed box.

I said no notes, Dr. Gurdon.

Very sorry.

What about the deed box?

Shall I force it?

No, I've already got an impression of Flamborough's key.

I should be waiting with the car as arranged.

Now I should go and change.

I have another job to attend to first.

Sapson.

Sapson.

May I interpolate that I detect a slight redundancy

in an interview with Mr. Sapson.

Why, what do we want with him?

We'll get all the information we need from the bank job.

And Sapson's the man to give it to me.

We've got to know how much time there is.

Hmm, indubitably.

Hmm.

You have no more instructions for us then?

None, I only ask that you carry out

the instructions you've got,

without trying to improve on them.

Yes, yes, of course.

Well Tolmini tried to improve on his,

that's why I let him take seven years.

The car will be there on time and I expect you on time too.

Oh Colonel, I can't help thinking it

rather a waste of time to break into a bank

just to read an agreement.

Well, Kate would never suggest it,

unless she thought it necessary.

No, no, I'm sure of that.

Have you anything in mind my friend?

Only that if one takes a chance for an agreement,

one takes no more chance for a few thousand pounds

if they happen to be lying in the next box.

She was rather empathetic about no money being taken.

This will be just the sideline.

A small compensation for those who take the risk.

A very delicate idea.

Very.

All one needs is another deposit box in the same bank

into which the money can be transferred.

Then should something should go wrong,

no trace will be found of the stolen property.

It has a poetic simplicity.

Thank you.

But you have to get the other box.

That Doctor, has already been arranged,

in a very useful name of Smith,

Mr. E. P. Smith.

Carpenter.

[Driver] Yes, sir.

Pardon, Monsieur.

(foreign language)

Je, je...

I beg your pardon.

May I ask to where you have directed my chauffer?

Your chauffer?

(foreign language)

Did you think, perhaps, that this is your car?

I still think so.

You see it is my car.

Your car?

Oh, then it is I who have made the mistake.

It is not the car from the Polish Embassy?

I am afraid not but please don't worry,

let me give you a lift, won't you?

Thank you, monsieur.

(laughing)

(foreign language)

This is a pleasure, grand pleasure.

But I am desolated, can you forgive me?

My friend, the ambassador, he say car it is waiting.

Oh, it is too absurd.

I find it too delicious, enchanté.

(laughing)

Oh but it is terrible and I am so foolish.

But so charming.

Will you have a cigarette? Oh, thank you, monsieur.

Quite an adventure.

Oh but so improper.

In my country for a man and a woman,

it is not improper but in your country, monsieur.

That makes it all the nicer.

(laughing)

You know it is the most extraordinary thing, monsieur.

I think we have met before.

Really, when was that?

Are you not, Sir Ralph Sapson?

Yes, oui, just oui.

(laughing)

And were you not in Milan since a few weeks?

Yes I was.

Will you tell me your name Mademoiselle?

The Baroness Bachetzki.

You remember, the reception.

Oh yes, of course, the reception.

(laughing)

Is it not strange?

Extraordinaire, quite extraordinaire.

Oh, it is so nice that this adventure

it brings me another friend.

I have so few friends in London.

Oh, I hope you will allow me...

(foreign language)

To call upon you.

I should hate to think of your being lonely.

You English men, you are so gallant.

(laughing)

But I know you are a very busy man with affairs.

Never too busy to call on a charming lady, Baroness.

Oh, that's what you say now

but when some important business it comes,

we poor women, we are forgotten.

No, no, really.

I'm, absolutely, at your disposal,

except that is for Wednesday week.

And which date is that?

[Sapson] The 27th.

There you are, what did I say.

I should only be away for a day or two.

I have to run down to Sea Hampton.

Ah, to swim.

No, no.

At least, I hope not.

Now do tell me when I may call?

Perhaps, you will be kind enough to tell your chauffer

to drop me.

We past my hotel.

Chauffer, arrêter, I mean stop.

Do tell me when I may call?

I will tell you soon.

Goodbye, monsieur.

Au revoir, Baroness.

Ah, my card case, I have dropped it

underneath the car.

Oh, dear, dear, dear.

Will you get it for me, please?

Certainly, madam.

Well, I can't see it anywhere.

Oh yes, it is just there at the back.

[Sapson] Well can't you bend down and take a look.

Yes, sir.

Look, how silly of me.

I have the card case in my hand all the time.

How fortunate.

(laughing)

Oh, do not bother anymore my good man.

(comical music)

Goodnight.

Goodnight.

You the manager, sir?

Yes, yes, what's happened?

Don't know yet sir but as I told you on the telephone

we had a couple of muffled explosions

that seem to come from just underneath the bank.

Thought we'd better go and have a look around, sir.

Quite right, quite right, let's go in.

(suspenseful music)

Alright here, sir.

Yes, yes, I think so.

They couldn't get into the vaults from the river side?

Only through 10 feet of concrete.

Oh, well best to have a look sir.

Yes, yes, certainly.

Where's the door to the vault?

Down over there.

What the devil are they after?

Flamborough, Sapson, what could she want with them?

Just gold digging, perhaps?

No, no, no, that's not like Kate.

If I was a gang I'd make a move.

(telephone ringing)

Yes.

Here's your move it's Blangton.

Ah.

Hello, what's the news?

Two syndicates,

they telephoned and hung about for the manager.

Now they've all gone inside and shut the door.

Alright, stay there till I come along, goodbye.

It's the man I put on to watch the Lombard branch.

Flamborough's got his stuff there.

That's it, they're working at the bank.

Could I have enough men to surround the place?

Help yourself.

Fine, come on Sarge.

Sir, it's getting late, so you don't need me sir.

Why?

It's been a very hard day sir and me supper's all ready.

You don't want me?

No, I don't need the Sargent.

Come on.

This hasn't been opened.

Well then they must have come through the wall

from the river's side.

How do you open this, sir?

I have the emergency key.

Here, hold that. Right, sir.

Careful sir, they may be armed.

Don't move.

Who are you?

Keep quiet and you won't get hurt.

Come on, let's step on them.

Come on guards, stand by your glow worm.

Now get a cord to place across

the end of the street there.

Right.

- You get your men down there. - Very good, sir.

- You take this side. - Right, sir, come on.

Right, sarge.

[Policeman] Right along here,

hurry up.

Sir, there's a light on below.

You can see it through the grating over here.

Look.

The money's in that safe.

Where's his checks keys?

In the lock.

(alarm)

Something's wrong!

Lock him in here.

(clamoring crowd)

Coppers, dozens of them.

I'll give them something to think about.

Get that manager. Alright.

Oh, good evening.

Good evening.

Are you the manager?

Yes.

What's going on here?

Nothing.

There's been a false alarm.

Oh.

We covered a wild goose chase.

I'm, awfully, sorry to have bothered you,

goodnight.

(explosion)

(woman screaming)

(clamoring crowd)

On, switch it on.

Pull the plug.

(clamoring crowd)

(explosions)

(crowd screaming)

(coughing)

(coughing)

You're four minutes late, what happened?

(coughing)

Are you alright, sir?

Yes thank you, never felt worse.

What did you find?

As far as I can tell from the numbers,

they've taken, exactly, 10,000 pounds in notes.

10,000 pounds that sounds too small for Kate.

Did they touch Lord Flamborough's boxes?

Lord Flamborough, no.

Here's something I found in that blighter's coat sir.

Oh, now we're on to something.

Thank you very much.

I'll keep this.

(laughing)

Good.

That's what I would have been wearing.

Come on.

(laughing)

(music box lullaby)

[Gangster] Two and one.

Oh, you do, aye?

Well, there's your two and five better.

Well Kate?

You can stop the music darling, everything's alright.

We've gotta work fast.

Oh Mulberry, have you done anything about the mine?

I've ascertained, it belongs to a young man

named Boltover.

And where do we find him?

Mostly at stage doors.

I have a little friend who thinks she could

arrange a meeting for a consideration.

That's fine, fix it.

Well don't mind the mine, did you get the information?

Yes but we had to run for it.

The police?

Yes, somebody kind of tipped of Pemberton.

The interesting thing boys is the amount

is 600,000 in bar gold.

(whistling)

Health.

[Colonel] What ifs.

It'll be landed at Sea Hampton by Flamborough's ship

and transferred to Sapson's special train.

By the way Dr. Gurdon, let me have the name of that ship?

It was um...

Well I've got it here.

I see you still take notes, in spite of what I said.

What did you do with those instructions I gave you?

You didn't happen to leave them in that coat

that Pemberton grabbed?

No, at least I don't think...

Well?

It was just a telephone number,

a corner torn of one of the sheets.

It's lucky he hasn't got anymore of my writing.

Great Scot, my photo.

Thanks Dr. Gurdon for providing the police

with a sample of my writing.

Oh, you're all just a bunch of first offenders.

It's a fine thing to know that the police

have a tie up on me,

after all the care I've taken with this job.

Oh, don't worry Kate.

Pemberton won't give you away, he's fallen for you.

I shall have to have a little chat with Mr. Pemberton.

But we have to go carefully with him.

I'll go so carefully he won't even hear me coming.

You keep your rough stuff out of this.

You make a mistake and you think that policeman's

as simple as he look.

That my dear colleague is, scarcely, possible.

Hello Gladys.

Oh, hello.

Is everything fixed?

Oh, yes.

My boyfriend said he'd bring Mr. Boltover along.

They should be here any minute now.

Oh, that's fine.

Oh, I hope I get your name right.

Cortina, Spanish dancer.

No, South American dancer

from Rio de Janeiro.

I say old boy, do we have to drink this stuff

in this blinking cowshed?

We might.

Ah, there she is.

There they are.

I'll go and get them.

(whistle)

You look surprised.

That's not surprised, that's disgust.

This is Freddie Boltover.

How do you do?

[Gladys] How do you do?

Do you think you could go away, disappear.

You know, vamoose.

Come on.

Reggie, this is Ms. Rio de Janerio.

Martina, from Rio de Janeiro.

In South Africa.

America.

Oh, America.

This is Mr. Boltover.

How do you do?

How do you do?

How do you do, Mr. Boltover?

My name's Pemberton.

How do you do?

This is Lord Whinchmore Hill.

How do you do?

How do you do?

Well I guess we've fixed everything.

Now, how about a nice glass of milk, Ms. Cortina?

Boltover?

- Well I... - The Lord, an old and mild.

Anything that kills the flavor.

Yes, we'll all have milk and we'll make this an A1 nation.

Six glasses of milk, please.

Charming place, isn't it?

Every modern convenience, agency, automatic cow.

Have you got anything as nice as this in Rio?

Who is this man?

Oh, don't take any notice.

We'll get rid of him.

Two passion fruits, please.

Excuse me.

Certainly, I'll be with you in a moment.

[Bartender] Two passion fruits.

Can I have a passion fruit, governor?

Certainly not.

Drink up your milk.

Ms. Cortina, Ms. Cortina.

Can't make her hear.

Drink up that milk.

But I've never done this before in all my life.

Hooray.

Hooray.

(laughing)

Thank you.

Thank you.

What about going onto supper somewhere?

Oh no, not just yet.

He'd probably follow us.

Governor you don't want me,

governor you don't want...

Shh, I'm trying to hear what Kate's saying.

Oh, Mr. Boltover.

I understand you're interested in coal.

Coal, good heavens no.

I hate the beastly stuff.

Oh but you are a miner, aren't you?

Hmm, well let's not talk about coal.

Let's talk about you.

Oh, no, no, it interests me.

It sounds like the very thing my friend is looking for

and how are you doing?

Alright, thanks.

Well, cheerio everybody.

Yes, cheerio.

(laughing)

I shouldn't drink too much of that.

Oh but I like it.

It makes me feel like that.

That's what I was afraid of.

You're not afraid to drink yours, are you?

Oh no.

Well, bottoms up.

Hooray.

Mm, good isn't it.

Very.

Come on Ms. Cortina, let's go.

Oh yes, are we ready?

Yes, rather, I've had enough of this.

Fine.

Oh, you wouldn't like me to tell you where I'm going,

would you?

Oh, don't bother, I should be there.

Oh, yeah.

Well, goodnight.

Goodnight.

Sleep well.

Same to you.

♫ They're singing a love song to the morn

♫ I have seen the dew drop clinging

♫ To the rose, just newly born

Come on governor, let's have another one.

That's the stuff that builds bloody sergeants.

- Come on, come on. - But the sweetest song.

Outside, outside.

No, no, just one more.

No, no, be a good boy.

No.

Your sister will be waiting.

Will she?

Well I'll tell you what my sister can do with herself.

Shh, now be good boy.

I've got an idea, we'll go and raid a night cap.

Now you're talking.

Come on.

(incoherent singing)

(crowd laughing)

I don't see the point of doping the milk.

Obviously meant for me.

Perhaps, there is something on tonight.

Something very important.

I was hoping you were going to tell me.

This latest move of theirs is this fella Boltover.

How does he come into it?

Again, I was hoping you were going to tell me.

He's, obviously, has nothing to do with Flamborough

or Sapson.

Boltover, Boltover, B-O-L,

here we are, Boltover.

Who is he?

Apparently, he's a dashing young gentleman

who's father left him a sack of coal.

That's a lot of help, isn't it?

Well, haven't you got any ideas at all?

Yes.

No, goodnight.

Hello Franklin, where are you going?

Good evening, sir.

I just received a telegram, sir,

saying that my poor Father was suddenly taken bad

and I thought I might run along there.

I'll be back first thing, sir.

I'm sorry you've had bad news.

Ah yes, sir.

Thank you, sir.

Goodnight, sir.

Goodnight.

(door unlocking)

I'm surprised at your manners.

I suggest that you come out

and entertain your distinguished guest.

Hello.

(gasp)

Oh, hello.

Trying to fool me?

Do uou want to hide now and I'll look for you.

It's, awfully, nice of you to call on me like this.

Isn't it though.

I do hope you'll break in, again, some time

but now you're here,

would you care to have a look around?

Hmm, thanks very much.

Those candle sticks are worth quite a bit.

Hmm, I've come for a photograph actually.

Good.

Here's one of me and the mounted police.

You haven't got one of the horse only.

- No. - No.

The photograph I want is the one of me,

that you so, indiscreetly, pinched from my house.

It's there on your desk.

And that's where it's gonna remain.

I'm surprised at a man like you

stooping to petty theft.

Oh but don't worry, I shan't have you arrested.

[Pemberton] Thanks awfully.

Do you play this game much?

[Pemberton] Quite a bit, do you?

No, I'm dying to see how you're going to put the kibosh

on that job of mine.

This man Boltover, what do you want with him?

A malted milk.

What else?

Love has swept me off my feet.

(laughing)

I thought you'd done better than that.

Hmm, I'm hoping to.

What do you mean?

Figure it out for yourself, big boy.

Curious Sapson.

Pemberton, Sapson, Boltover,

what's the tie up?

You're the detective, I thought we'd started.

Oh, that was just a knockoff.

Do you want to begin? Sure.

Will you play fair?

I always play fair.

You serve.

Right.

This is the end of you.

Play.

What's the matter dynamite, weren't you ready?

That was shear luck.

Play.

So was that.

That's two nothing.

It's under there.

Is it?

You're going to find this a pretty tough game.

Bigger than the post office or the bond street job.

Why not call it a draw and get out while you can?

Oh no, I'm enjoying it.

It's still under there.

No it isn't.

That's my hand, thank you very much.

You know, I think you're getting discouraged

cause you haven't any evidence.

That's exactly what I have got,

here in my pocket.

Oh, really.

Where did the other one go?

Over here.

Got it.

I have your instructions relating to the bank raid

in your own hand writing.

How interesting, let's have a look.

You're going to meet a dark man coming across the water.

What's the score?

It's two to me.

Get over to the other side.

I'm gonna work on the wading down principle.

My plans are unassailable.

[Pemberton] Here we go.

I'm gonna make it easy for you.

Take that.

(laughing)

Oh, I'm so sorry.

Do you think you'll live?

[Pemberton] Well, don't laugh.

Have you had enough?

You've got nothing against me.

You were spying in Lord Flamborough's house

and you've stolen 10,000 pounds from his bank.

10,000 pounds?

[Pemberton] Don't pretend you don't know.

I swear.

I told you those crooks would rat on you.

I'm worried about you Kate.

Worried about me.

(laughing)

Why?

Because your hair's like sunshine and your eyes are blue.

Now you say something nice to me.

You mean like that?

Well, you'll have to twist it a bit.

Oh, that's easy.

Oh, your hair is so silky,

a little thin but silky

and your nose.

Nevermind about the nose.

And your eyes they're like two shining stars.

That doesn't sound, quite, right to me.

Oh but they are.

I like you enormously.

My heart is thumping inside me.

Yeah, just a minute.

I mean it, I think you're marvelous.

What is all this?

I fell for you the moment you came to my rescue,

so brave, so strong.

There, take it easy, take it easy.

I love everything about you,

except your tie, that's terrible like this flat.

I'm crazy about you.

I don't like the way you say it.

Oh but I am, I'm mad about you.

Now it's your turn.

You're suppose to take me in your arms

and say I love.

Maybe I'm crazy.

If I give you back this piece of paper

will you give up the job?

Job, oh that.

Shall I, oh I don't know.

Do I like you well enough?

No, I don't think I do

or do I?

Can't you stop fooling for just one second?

No, not even for a second.

(door shutting)

(orchestral music)

Good afternoon, sir.

Oh, good afternoon, have you got any ties?

Oh, yes.

I want the best tie you've got in the place.

Any particular color, sir?

Something that'll go with blonde hair and blue eyes.

This is a very exclusive line, sir.

How much are they?

12 and six pence.

Have you got anything about a couple of quid?

How about this one, sir?

Oh, I wouldn't know, it isn't for me.

Buying it for a friend, sir?

A very particular friend.

I mean she's very...

I mean my friend is very particular

about the ties that I wear.

Hello.

Hello Lady Moya, how are you?

Oh, I'm very well thank you.

How do you like this?

Awful.

(laughing)

What sort of ties do girls like?

You've just caught me trying to make myself

look a little smarter.

I've been badly hit.

What, you mean you're in love?

I wouldn't be, at all, surprised.

Oh, well how about a little cocktail party for two?

I'm afraid I can't.

Oh but of course you can, I'm quite alone.

Daddy's taken his little friend back into the seaside

with Sir Ralph Sapson.

Sapson?

Yes, I think they're going to meet a ship

coming into Sea Hampton.

Goodbye.

But what about the cocktail party?

Next week, fine, thanks a lot.

What about your tie, sir?

I'll tell you what you can do with it,

send it to Scotland Yard.

Not a thing.

It must be listed somewhere.

I've been through every boat on Flamborough's line

and she just isn't here.

Perhaps, it's a false alarm.

Wait a minute.

Supposing he chartered a special boat for the job.

The Bristol that goes to Hamburg, to Nottingham, Castle.

Here's an SS Adamcastle, would that be it?

- Where's she from? - Durbin.

Bound for where?

Not stated.

Let's get on the Lloyds.

I've already put a call through.

Flamborough's mines export from Durbin.

If the Adamcastle docks in Sea Hampton tonight,

you could bet your bottom dollar

that Flamborough chartered it.

Pure guesswork.

(telephone ringing)

Yes, put him through.

It's Lloyds.

Pure guesswork.

Yes.

Thank you.

The Adamcastle docks at Sea Hampton tonight,

target Bullion.

Yes but how does Sapson come into it?

It's his railway, he built the docks.

Bullion, so that's what Kate's after.

(knocking)

Yes.

The replies come through about crime street, sir.

It's all set up, there's not a soul at home.

Hello, hello, get me Sea Hampton docks.

I want to speak to Lord Flamborough,

Flamborough, Flamborough.

Pal, I said Flamborough!

(ships horn)

Hopefully it shows.

They're nearly through now.

Excuse me my lord, you're wanted on the phone.

I've told you I'm not available to anybody.

They say it's very urgent, my lord.

Oh, alright, alright.

I'll come in a few moments.

Very good, my lord.

Triple safety locks on tide dials.

Five inch enforced steel.

Fine, I don't see how anything

could possibly go wrong now.

All I'll say is it'll be a lot easier on my mind

when she's on.

No need to worry.

Everything's been worked out to the last detail.

That's the lot, sir.

Alright, close the door.

Stand aside.

Sir, my lord.

Oh, what is it now?

That phone call, they say they must speak to you.

Well, they'll have to wait.

We can't hold the train now.

Very well, sir.

Hello, hello, yes.

What?

But I must speak to him.

Is Sir Ralph Sapson there?

Well find him and give him this message,

it's very important.

Once we're inside this thing I should be glad

to stay there for a bit.

Sir Ralph, there's a telephone call from

the Baroness Bachetzki.

Oh, the Baroness.

Where's the phone?

In the office sir, back here.

Guard, hold the train a moment.

Very good, sir.

Hey Sapson, what the...

Infernal matters.

This one, sir.

Hello.

Yes, speaking.

What the devil do you mean by giving a false name?

You must hold that train,

you don't realize what you're up against.

You're talking nonsense, don't believe you.

No, no, no, no, I'm not.

Hold that train!

I'm not going to waste anymore of my time.

Who the blazes is the Baroness Bachetzki?

Only that B.F. Pemberton.

Hello, hello, hello, hello.

(tapping phone)

Operator, operator.

Guard, tell him to go.

Right, sir.

Well, that's that.

Now we can relax.

Open the champagne.

Yes, sir.

Well, I must say I'm glad to be off.

That damn policeman gave me quite a fright for the moment.

Ah, no more need to worry.

It's as safe as the bank of England.

(guard whistling)

Hear that, we're off.

Success of our undertaking.

(guardsmen shouting)

What's the matter?

What!

(shouting)

Stop the train.

Stop right there!

Hey you, run back and get on the phone

and tell them to stop her by signal.

[Guard] Right, sir.

What's happened?

I don't know yet but I'm gonna have our stuff.

Alright, I'll stop her.

(telephone ringing)

Hello, yes, yes.

Hell.

Phone through and tell them to close the gates

at the next level crossing.

(shattering)

They've gone clean through the gates.

You'll have to try and get them switched onto a dead end

and make it as near here as possible.

Alright, we'll try Buxley Junction.

Right, I'll rush the men down immediately.

Ring up the railway and get a train to take us

to Buxley Junction.

Very good, sir.

(telephone ringing)

Hello, thirty, yes.

Who?

Oh, yes sir, yes sir.

I past her at 9:31.

Is that you Joe?

The old mans just been on the line.

Sapson, yes.

He's drinking at bars at a boating special.

Sure, anybody thinks somebody who's going to pinch

the bullion thing.

At their present speed, what time will they be in Buxley?

10:35.

10:25, how far now?

Nearly there, sir.

What about that special?

She'll be just coming up, sir.

Where's this branch line we are avoiding.

The avoiding line, over there sir.

Oh yes.

You'd better phone Sir Ralph and tell him where we are

and get an ambulance as well.

Come on fellas.

Good.

Pemberton's there.

Ah.

If she goes at 70 out of that siding at Buxley,

she'll turn over before she gets to the embankment.

It'll be a frightful smash.

You might feel a roar.

[Guard] What do you think will happen?

[Sarge] A ruddy smashup, that's what will happen,

you'll see.

Shove them over, Reg.

I make it 10:32.

What do you make it?

Mine says 10:33.

I make...

She should be here any second now, sir.

Hear anything?

Can't say I do.

They ought to be here now.

I can't make it out.

Listen.

Hello Stanborn,

but I passed it to you at 10:13.

Then where the blazes is she?

Then think again, she's out of my section.

Oh, ring him yourself.

Stanborn, Stanborn!

Why don't they answer?

She must have passed there four minutes

before getting to Buxley.

Stanborn!

Stanborn.

Yes, sir.

No sir, not yet, sir.

It's about three minutes overdue, sir.

Look man, look!

Hello, hello.

What?

She's gone, vanished.

But how on earth can a train vanish?

Don't ask me, ask Pemberton.

(telephone ringing)

Ah, Pemberton.

What the devils happened?

I'm afraid the train's been pinched.

Will you stop being funny.

600,000 pounds worth of gold is on that train

and I want to know what you're going to do about it.

Try and find it.

I'll have a look at the line between here and...

What's the name of it? Stanborn.

Stanborn and meet you at Tullbridge.

Come on Sarge, get warmed up.

Warmed up?

We're only making about four knots.

Well, I never was much of a hand with a cart pull.

Hello, this looks like another branch line.

Throw out the anchor boys, I'm going to shore.

Hold it.

Doesn't look as if anybody's been along here for some time.

Hasn't been used for years.

[Detective] Here sir, come and look at this.

What is it?

That seems to rule out this line, sir.

It certainly does

but that fella at the junction told us there were only

three sidings before Tullbridge.

We've already seen three.

And none of them lead anywhere.

Well then where is the train?

Tell you what sir, I don't believe there ever was a train.

Nice little fella.

We better get on the Tullbridge box.

Then she must have left the line

between here and Sandborn.

(foreign language)

- Oh, here you are at last. - Charmed.

Have you found it?

Me, have you found it?

I was beginning to wonder if it ever existed at all.

Don't be childish, 20 people saw it off,

20 more have seen it right up here.

Is this a plan of the line?

Yes, we've been into all that,

there's no branch they could have used.

Nevermind, let's have a look.

We saw three branches on the way up here.

There's this one which is a dead end siding.

There's this one which is a loop line

and joins the main line a little further on here

and there's this one which is all rusty

and stops by buffers a few yards up.

They couldn't have used that anyway,

the line's broken further down

and has been for years.

You're not trying to tell me trains jump off lines

like kangaroos.

Oh, for heaven sake, while you stand there talking

the thieves are getting away with my money.

And mine.

Well, where is this train?

There's another one.

Come on and step on it.

I am.

How far is Boltovers my man?

I don't know sir,

I dare say it's a matter of...

Boltover, did you say Boltover?

Yes, why? Thank you very much.

Where are you going?

I'm going to take another look at that branch line.

Come on hurry.

Hurry, hurry, what's the matter with you?

This is the toughest steel I've struck.

We're giving it all we've got.

Well blow her up then, we can't wait.

Dynamite?

Well, why not?

There ain't enough time to do it,

we'll blow the sides of the shed out.

Well blow the roof off if you like

and we gotta get through those doors.

Fine.

I shall like to see the train that could jump that.

Anything now, sir.

Nothing.

See if that thing works?

Oh, look.

Oh, look here.

How could one part of the line be rusty

and the other part shiny?

That's just it.

Something must have been along this line not so long ago.

Oh, look at this.

Have you ever seen rust on wood before?

[Sarge] Can't say I have, sir.

[Pemberton] Good, I was afraid you were gonna say yes.

Lipstick?

(laughing)

Water paint.

Now I'm onto something.

They must have backed the train down here.

Well what about that buffer, sir?

Let's go and have a look at them again.

Ah, that's it.

Dandelion.

I'd sooner not touch it, sir.

Dandelions are unlucky in my family.

Dandelions don't grow under a heap of stones like that.

This thing's just been put up.

I'm gonna find out what's at the end of this line.

You go back to Buxley as quickly as you can

and get the rest of the boys here.

What on the flinking roller skates, sir?

It's now half past 12.

We can be back here by two o'clock.

Bring them right down to the end of the line

and look out for me there

and see that you don't make a mess of it.

Join the army and see the world.

(suspenseful music)

How much longer you gonna be?

I'm just finishing, governor.

Got your orders?

Yes the Baroness gave them to me.

Gibbons Worth ask for Mr. Millet

first officer of the Atlanta and ask him to handle these

here with care as they are special machine parts.

That's right, ain't it miss?

Quite, that'll do.

Hello Kate, I thought I'd better see if everything

was alright.

Did you?

I warned you before not to interfere.

This is the last time.

I suppose you wanted one of those crates to bust open,

let those guys see what's inside.

Kate, is that the lot?

Yes, everything's all set.

Kate, we have to congratulate you.

Great organization, the plans have gone through

without a hitch.

Gentlemen, in a few hours the gold will be safety

on it's way to our various agents overseas

and next year we may look forward to receiving

some very handsome dividends.

Gentleman I feel that we have imprisoned faces.

Let's get down to business.

We're not gonna wait a year for our money.

Am I right, gentlemen?

[Group] Yeah that's right.

That's very interesting

and what are you going to do?

We're going with the gold.

Perfect.

But that's madness.

Possibly no more mad than staying here.

I'll feel a lot easier once I get on that boat.

Quite.

What is this, a revolution?

You're a clever girl Kate but other people

can make plans too.

Yes, such as stealing 10,000 on the side.

I don't understand.

You understood enough to leave evidence lying about

that would put me in jail.

Don't try to fool me.

We're not going to let you down, Kate.

You and your uncle are coming with us.

It wouldn't be wise to leave you here

with your young policeman.

Now let me tell you something,

I planned this job,

I'm seeing it through to the end

and I'm not standing for any interference.

And how do you propose to stop us, my dear?

That's my business.

I'm not working with a crowd who've lost their nerve.

Well I haven't lost mine.

Do try to work alone.

There's your new boss.

Take him and you better watch him, carefully.

I think I better go and have a word with her.

I wouldn't if I were you.

Yes but you see you're not me, Colonel.

That's what you gotta learn from now on.

Hey, Kate.

Now look here, don't get me all wrong.

I was trying to help out a little bit.

Why don't we combine?

Your courage and my nerve, we can go a long way.

Are you crazy?

And that South American idea isn't bad either.

Once we get out there we can clean up.

Listen Gregori, I wish you'd leave me alone.

Ah, you're all upset now but when you've had time to...

Hey Gregori, we're being watched.

Where?

From back there on the siding.

Go get the boys.

(suspenseful music)

All ready?

Yes miss.

Let me see your orders.

Got a pencil?

Yes miss.

You'll go to this address instead.

But you told me to take them too...

I know but I've changed my plans.

You'll deliver the goods to this address.

You understand?

Very good, miss.

Alright then, get going.

Quickly. Yes miss.

- How far away was he? - Just about here.

What did he look like?

I couldn't see him properly but I heard him alright.

Well, there's no one here.

Who was it, did you get him?

Ask your new boss.

It was a false alarm.

You all seem to be losing your nerve.

They're feeling the change, already.

You sent those lorries off without waiting for me.

I certainly did.

Why?

[Kate] Why not.

I didn't know how long you'd be out there.

No.

- They've gone the wrong way. - What?

They should have turned right toward South Hampton.

How do you know they didn't?

Well, you can see their headlights for miles,

they've turned left towards London.

What?

Did you hear that?

I did.

Well?

Well?

Where did you send those lorries?

To deliver the gold, of course.

You haven't double-crossed us?

Why should I?

I don't want to be caught anymore than you do.

[Gregori] Then why did you go back to the lorries,

they knew what to do.

[Gurdon] Yes, that's what we'd all like to know.

What'd you say to those drivers?

You know darn well where they've gone.

You've double-crossed us

and you're just trying to gain time.

Where have you sent that gold?

If you don't answer I'll have to use

a little gentle persuasion.

Good evening.

Have you got a match?

Hello Kate, how are you?

Awfully nice place you got here.

How very lucky to find you all here.

Here's your big change Gregori,

let's see how you're going to handle this.

You shut your trap.

Oh, I say.

That remark is hardly keeping with the dignity

of this old country mansion.

Where are the rest of your men?

Out at the garden playing tennis.

If they attempt anything, I'll let you have it.

Now don't be silly.

You've got yourself in enough trouble as it is.

Put it away and we'll forget the incident.

You'd better get going and leave Mr. Pemberton to me.

You shut your trap.

I beg your pardon.

You've got me saying it now.

Alright, stop talking.

You see any of his men?

No, not a sight of anybody.

Have you looked under the waterlilies?

[Kate] Look out!

(moan)

Come on, lay off.

Ah, don't be silly.

Really Kate could you keep your men in better order.

Tie him up.

Maybe you can tell us where those lorries went?

Lorries.

You heard me.

Mr. Gregori, perhaps, he might talk if you...

I'm very sorry but if you don't tell us

I shall be forced to bring a little pressure to bear.

Take your hands off.

(gasp)

(multiple gunshots)

(music box lullaby)

It's just what I would have expected of him.

Take him outside.

Where have you sent that gold?

Very well then, let's see what Mr. Pemberton means to you.

Take him in there boys

and entertain Kate to a little music.

If you won't answer me, perhaps you'll answer him.

Come on and listen.

Stop them, I'll tell you.

It's gone to Flamboroughs.

What?

Get the cars out quick,

the lorries have gone to London.

Come on, we may catch them yet.

I'm making you responsible to the police

when all this is good as new.

I hope you're satisfied with your bargain.

Why did you come here?

Why didn't you trust me?

Mike.

Which way did they go?

To London but they've taken all the cars.

Haven't you got a car?

No.

That's no good.

Where does that lead to?

The engine shed.

I wonder where this line leads to.

Ah ha, a level crossing.

We could block the roads there.

How, we can't even get out.

Oh, come on, don't talk so much.

Come on.

Now get up there.

Me?

Get in that filthy thing?

Nothing doing.

Come on, get up there very quick.

Stop pushing me.

- You're gonna get up there. - I won't, stop pushing me.

I'm not pushing, go on get in, get in.

It's all yours.

You can't I suppose.

You can, of course.

Certainly, hold tight.

Why don't you try pushing that the other way?

(crashing)

Got out of there alright.

If you want any further advice,

you'll find me just here by this piece of coal.

We've got to get at a level crossing

before your gang gets away.

We may just could.

Mike, I want to tell you something.

Tell me how to make this engine go faster.

Do you think I went back on our bargain?

I know jolly well you did.

No but that's ridiculous.

Put some coal on.

I had reason for what I did.

Put some more coal on.

Pick up that shovel.

Pick up that shovel or I'll throw you off the engine.

Pick up that shovel and get the coal in here.

Shove it in here.

Anyone behind us?

No.

Give me this.

Come on help, use your hands.

We've got to get this fire up.

Can't you work faster than that?

I'm doing the best I can.

Can't you see what you're doing?

Well, get out of the way.

I said I'm doing the best I can.

Can't you go any faster?

Tell me you understand.

Understand what?

Well, can't you see, don't you realize.

Don't bother me now.

Mike, you must listen to me.

Get out of the way.

- Mike, I love you. - What?

I love you, don't you understand.

I can't hear.

I said I love you.

Go wipe your face, it's filthy.

Go and wipe your own face.

Be careful, we're going too fast.

I know what I'm doing.

Then slow up.

I'll chance it.

Is this a bridge?

It was.

Now that we've extended it, we may just do it.

Only half a mile long.

Then better we slow up.

That's what I'm gonna do.

Slow up.

I'm going too.

Why don't you pull the right lever?

How do I know which is the right lever?

Try them all.

I've tried them all.

Well switch the boiler.

How about the safety valve?

Try that one.

I can't move.

I'll never get on a train with you again.

You won't get the chance.

(laughing)

Beautiful, here we are.

Look out!

(car honking)

Hey, get that thing out of the way.

Sorry governor, it can't be done.

Gotta wait here for the milk train.

[Gregori] Milk train?

How long will it be?

Oh about, well let me see...

What's today?

Haven't got a time tablet have you, governor?

[Gregori] Get that thing out of the way and quick.

Now, now, there's no reason to get excited.

Hello, here we are here's the milk train

with all the milkmen.

Look out, it's the police.

Get in the car, boys.

We can't turn.

[Gregori] Well run for it, while we hold them up.

(multiple gunshots)

Here they are fellas, over there.

Get them quick.

Keep your head down.

(gunshots)

Well that's the end of your gang.

I'm now going back to town.

Can I drop you anywhere?

Aren't you going to arrest me?

No, you're free, you can go.

Drive yourself back in one of those cars.

You can go away and forget the entire thing,

so I won't detain you any longer.

That suites me fine.

If that's the way you feel about it okay.

You don't know how to play fair,

so we'll call the whole thing off.

I'm no longer interested.

Goodbye.

Goodbye.

And if any girl falls in love with you again

just let me know and I'll call her up and tell her

that you're the most conceded,

insignificant little worm I've ever known.

(screaming)

Come on.

One, two,

three, four,

five, six,

seven, eight.

Whenever you see Kate,

tell her I'm sorry I shot her uncle.

Anything you say may be taken down and used as evidence.

Wish I had shot her instead,

write that down in your little book.

Oh.

(upbeat music)

Put them on the mantel piece, will you?

(door shutting)

Of course you'll have a parlor maid to help you

but I should expect all the housework

finished in the morning.

Yes, madam.

My future husband and I will be in Italy on our honeymoon

for about six weeks.

(joyful music)