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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:31,925 --> 00:00:34,219 (THUNDER AND LIGHTNING) 2 00:00:35,346 --> 00:00:38,558 (WIND HOWLS) 3 00:00:55,618 --> 00:00:58,829 (SHOUTING IN ITALIAN) 4 00:01:05,920 --> 00:01:09,549 (OMINOUS INSTRUMENTAL MUSIC) 5 00:01:35,703 --> 00:01:39,332 (RHYTHMIC MUSIC) 6 00:01:45,213 --> 00:01:48,842 (RHYTHMIC MUSIC CONTINUES) 7 00:01:54,598 --> 00:01:55,933 SAILORS: (IN ITALIAN) 8 00:01:56,465 --> 00:01:57,865 What a mess. 9 00:01:58,090 --> 00:01:59,590 You've never seen a dead man before? 10 00:02:08,737 --> 00:02:10,437 Put a blanket on him. Cover him. 11 00:02:10,605 --> 00:02:11,970 I'm coming. 12 00:02:13,008 --> 00:02:13,908 Be careful. 13 00:02:14,033 --> 00:02:16,833 One minute. I'll be right there. Cover him. 14 00:03:05,342 --> 00:03:08,970 (SUSPENSEFUL MUSIC) 15 00:04:54,043 --> 00:04:56,712 BOURNE: What the hell are you doing to me? 16 00:04:56,796 --> 00:04:58,881 (GIANCARLO PROTESTS) 17 00:04:59,549 --> 00:05:01,300 BOURNE: What are you doing? 18 00:05:02,051 --> 00:05:03,553 Goddamn it! Where am I? 19 00:05:03,970 --> 00:05:07,265 GIANCARLO: A boat! A fishing boat. You were in the water. 20 00:05:07,349 --> 00:05:08,642 We pulled you out. 21 00:05:08,725 --> 00:05:10,060 BOURNE: What water? 22 00:05:10,143 --> 00:05:12,646 GIANCARLO: You were shot. See? There are the bullets. 23 00:05:14,732 --> 00:05:18,486 GIANCARLO: Look, there is a number for a bank. Why was it in your hip? 24 00:05:18,694 --> 00:05:19,821 BOURNE: My hip? 25 00:05:19,904 --> 00:05:21,614 - Why was it in your hip? - My hip. 26 00:05:21,698 --> 00:05:23,449 Yeah, in your hip under the skin. 27 00:05:23,533 --> 00:05:24,868 BOURNE: Oh, God. 28 00:05:24,951 --> 00:05:27,871 BOURNE: What are you doing with me? GIANCARLO: You need to rest. 29 00:05:27,954 --> 00:05:29,623 Please. Lie down. 30 00:05:29,957 --> 00:05:32,710 I'm a friend. I'm your friend. 31 00:05:33,877 --> 00:05:35,796 My name is Giancarlo. 32 00:05:36,422 --> 00:05:37,798 Who are you? 33 00:05:39,008 --> 00:05:40,676 GIANCARLO: What's your name? 34 00:05:41,344 --> 00:05:43,012 What's your name? 35 00:05:43,137 --> 00:05:44,639 BOURNE: I don't know. 36 00:05:46,725 --> 00:05:48,727 BOURNE: Oh, God. GIANCARLO: Lie down. 37 00:05:57,153 --> 00:06:00,156 (GENERAL OFFICE CHATTER) 38 00:06:15,881 --> 00:06:18,718 It's been confirmed, sir. Mission failed. 39 00:06:30,105 --> 00:06:33,734 (RHYTHMIC INSTRUMENTAL MUSIC) 40 00:07:01,730 --> 00:07:03,061 BOURNE: (IN FRENCH) 41 00:07:03,086 --> 00:07:04,951 Do you know who I am? 42 00:07:07,569 --> 00:07:09,569 I do not know who I am. 43 00:07:14,299 --> 00:07:15,300 BOURNE: (IN DUTCH) 44 00:07:15,577 --> 00:07:16,977 Tell me who I am. 45 00:07:19,014 --> 00:07:20,641 If you know who I am... 46 00:07:21,683 --> 00:07:24,083 Please stop messing around... 47 00:07:24,786 --> 00:07:26,346 ...and tell me. 48 00:07:31,338 --> 00:07:33,924 (SPEAKING IN ITALIAN) 49 00:07:38,596 --> 00:07:40,348 GIANCARLO: If you want to eat, get in there. 50 00:07:40,431 --> 00:07:44,185 BOURNE: Based on these charts, I think I may have been closer to the coast. 51 00:07:44,269 --> 00:07:47,063 What is this? You tie these knots? 52 00:07:47,898 --> 00:07:51,026 GIANCARLO: So, it starts to come back? BOURNE: No, it doesn't start to come back. 53 00:07:51,109 --> 00:07:54,071 The knot's like everything else. I found the rope and I did it. 54 00:07:54,154 --> 00:07:55,781 Same way I can read. 55 00:07:55,865 --> 00:07:58,451 I can write. I can add, subtract. I can make coffee. 56 00:07:58,534 --> 00:08:02,121 BOURNE: I can shuffle cards, I can set up a chessboard. GIANCARLO: Yes, it will come back. 57 00:08:02,205 --> 00:08:05,542 No, it's not coming back, goddamn it! That's the point! 58 00:08:06,001 --> 00:08:08,295 I'm down here looking through this, all this shit! 59 00:08:08,378 --> 00:08:10,339 For two weeks I'm down here. 60 00:08:10,505 --> 00:08:13,634 It's not working. I don't even know what to look for. 61 00:08:17,221 --> 00:08:20,558 GIANCARLO: You need to rest. It will come back. 62 00:08:21,059 --> 00:08:23,269 BOURNE: What if it doesn't come back? 63 00:08:25,855 --> 00:08:29,192 We get in there tomorrow, I don't even have a name. 64 00:08:36,575 --> 00:08:38,953 (SEAGULLS CHIRP) (BELLS RING) 65 00:08:46,086 --> 00:08:48,672 (SHIP'S HORN RESOUNDS) 66 00:08:59,684 --> 00:09:03,396 GIANCARLO: It's not much, but it should get you to Switzerland. 67 00:09:07,150 --> 00:09:08,527 BOURNE:Thank you. 68 00:09:11,738 --> 00:09:15,367 (SOFT RHYTHMIC INSTRUMENTAL MUSIC) 69 00:10:46,236 --> 00:10:48,227 Hey. 70 00:10:48,657 --> 00:10:50,557 ZURICH COPS: (IN GERMAN) Can't you read the signs? 71 00:10:50,625 --> 00:10:52,615 On your feet...let's go...right now. 72 00:10:53,628 --> 00:10:55,628 The park is closed. There's no sleeping in the park. 73 00:10:56,310 --> 00:10:57,853 BOURNE: All right. 74 00:10:58,333 --> 00:11:00,133 ZURICH COPS: Let's see some identification. 75 00:11:01,190 --> 00:11:02,275 BOURNE: No, I don't... 76 00:11:02,358 --> 00:11:03,568 Come on... your papers. 77 00:11:03,651 --> 00:11:05,528 I don't have any papers. I lost my... 78 00:11:05,939 --> 00:11:07,439 BOURNE: (IN GERMAN) I've lost them...my papers...they are lost. 79 00:11:10,879 --> 00:11:12,879 ZURICH COPS: Ok...let's go...put your hands up. 80 00:11:14,716 --> 00:11:15,916 BOURNE: (IN GERMAN)...I just need to sleep... 81 00:11:17,625 --> 00:11:20,420 (COMMANDS ANGRILY IN GERMAN) 82 00:11:23,245 --> 00:11:24,837 (GUN COCKING) 83 00:11:38,856 --> 00:11:42,318 WOMBOSI: These people have threatened my family. My babies. 84 00:11:42,402 --> 00:11:44,779 So I'm telling you, when the evidence is clear... 85 00:11:44,863 --> 00:11:47,449 ...I will have a nice story for you to read about. 86 00:11:47,532 --> 00:11:50,744 And all my friends out there, you will read about yourselves. 87 00:11:50,911 --> 00:11:52,538 If you want to play this game... 88 00:11:52,746 --> 00:11:55,958 ...after I have been reasonable, I will show you. 89 00:11:55,648 --> 00:11:59,880 That's Nykwana Wombosi speaking in Paris the day before yesterday. 90 00:11:59,952 --> 00:12:02,216 He was an irritation before he took power... 91 00:12:02,288 --> 00:12:06,088 he was a problem when he was in power and he's been a disaster for us in exile. 92 00:12:06,159 --> 00:12:10,255 He's writing a book about the agency's history in Africa. He's going to name names. 93 00:12:10,330 --> 00:12:13,265 It's basically a shakedown. He's demanding the agency's help. 94 00:12:13,334 --> 00:12:17,464 He wants us to put him back in power in six months or else. 95 00:12:17,539 --> 00:12:21,305 This interview, and I'll make the tape available to anyone who wants it... 96 00:12:21,377 --> 00:12:24,574 he goes on to claim that he's just survived an assassination attempt. 97 00:12:25,848 --> 00:12:28,442 He says it's us. He says he's got proof. 98 00:12:30,153 --> 00:12:34,613 The director wants to know if there's any possible shred of truth in this accusation. 99 00:12:34,691 --> 00:12:38,889 I've already assured him there's nobody that reckless on my senior staff. 100 00:12:38,963 --> 00:12:40,954 (ELEVATOR DINGS) 101 00:12:45,637 --> 00:12:48,765 ABBOTT: I was recalling a conversation we had some time ago. 102 00:12:48,932 --> 00:12:50,559 Talking about Treadstone. 103 00:12:50,642 --> 00:12:54,480 I seem to remember Wombosi's name might have come up. 104 00:12:55,773 --> 00:12:57,650 CONKLIN: I'm not sure what we're talking about. 105 00:12:57,733 --> 00:12:59,443 ABBOTT: Someone tried to take him out. 106 00:13:00,445 --> 00:13:02,488 Tried and failed. 107 00:13:03,406 --> 00:13:05,200 Was this Treadstone? 108 00:13:05,992 --> 00:13:08,537 CONKLIN: You're asking me a direct question? 109 00:13:09,162 --> 00:13:10,247 ABBOTT: Yes. 110 00:13:11,081 --> 00:13:13,042 CONKLIN: I thought you were never gonna do that. 111 00:13:13,125 --> 00:13:14,460 ABBOTT: What happened? 112 00:13:15,628 --> 00:13:21,008 CONKLIN: Well, we lost the communication with our man. 113 00:13:21,342 --> 00:13:23,177 This was almost two weeks ago. 114 00:13:23,261 --> 00:13:25,347 CONKLIN: We've worked around the clock. 115 00:13:25,430 --> 00:13:28,725 We've been sleeping down there. We're doing everything we can. 116 00:13:28,809 --> 00:13:32,896 ABBOTT: And you don't let me know this? CONKLIN: You never wanted to before. 117 00:13:33,105 --> 00:13:35,065 ABBOTT: You never made a mistake before. 118 00:13:48,914 --> 00:13:51,708 (BUSTLING TRAFFIC) 119 00:13:57,484 --> 00:14:00,078 (TYPING) 120 00:14:06,855 --> 00:14:08,584 (IN GERMAN) What can I do for you? 121 00:14:05,557 --> 00:14:06,683 (IN GERMAN) 122 00:14:10,270 --> 00:14:12,981 Yes, I'm here about a numbered account. 123 00:14:13,399 --> 00:14:17,820 If you just enter your account number here, I'll direct you to an appropriate officer. 124 00:14:50,377 --> 00:14:52,368 (ELEVATOR BEEPS) 125 00:14:59,615 --> 00:15:01,993 (SPEAKING IN GERMAN) 126 00:15:59,639 --> 00:16:02,642 (SUSPENSEFUL MUSIC) 127 00:16:18,993 --> 00:16:20,953 BOURNE: My name is Jason Bourne. 128 00:16:27,210 --> 00:16:28,628 I live in Paris. 129 00:16:50,402 --> 00:16:52,780 (INAUDIBLE TALKING OUTSIDE ROOM) 130 00:17:31,280 --> 00:17:34,909 (SUSPENSEFUL MUSIC ESCALATES) 131 00:18:03,148 --> 00:18:04,948 BOURNE: (IN GERMAN) I'm trying to think... 132 00:18:05,059 --> 00:18:07,419 How long's it been since I was here last? 133 00:18:07,495 --> 00:18:08,925 I'm not sure. 134 00:18:09,264 --> 00:18:11,364 It must be three weeks. 135 00:18:25,839 --> 00:18:27,257 BOURNE: Yes, in Paris. 136 00:18:27,465 --> 00:18:30,344 Do you have the number for a Jason Bourne? 137 00:18:31,803 --> 00:18:34,056 OPERATOR: Yes. Would you like me to connect you? 138 00:18:34,139 --> 00:18:35,558 BOURNE: Yes, please. 139 00:18:40,354 --> 00:18:43,566 BOURNE: (ON ANSWER MACHINE) This is 46990384. 140 00:18:43,650 --> 00:18:45,568 Leave a message at the beep. 141 00:18:45,652 --> 00:18:48,655 (BOURNE REPEATING MESSAGE IN FRENCH) 142 00:18:59,792 --> 00:19:02,795 (TENSE INSTRUMENTAL MUSIC) 143 00:19:06,883 --> 00:19:09,469 (AMBULANCE SIREN BLARES) 144 00:19:23,735 --> 00:19:26,112 (TRAM SOUNDS HORN) 145 00:19:37,458 --> 00:19:40,461 (POLICE CAR SIRENS BLARE) 146 00:19:50,847 --> 00:19:52,015 BOURNE: I'm an American. 147 00:19:52,099 --> 00:19:53,183 Okay. 148 00:19:54,101 --> 00:19:55,352 GUARD: Hold it. 149 00:19:55,561 --> 00:19:57,146 MARINE 1: You've no jurisdiction here. 150 00:19:57,229 --> 00:19:58,814 MARINE 1: Hold it there. Okay? 151 00:20:03,820 --> 00:20:04,863 MARIE: No. 152 00:20:04,988 --> 00:20:07,574 Excuse me. No. This is not my current address, okay? 153 00:20:07,908 --> 00:20:11,495 This was my address until two days ago, when I started standing in line. 154 00:20:11,578 --> 00:20:13,789 Now I lose my apartment, okay? 155 00:20:13,956 --> 00:20:16,792 That means no address, no phone, no money, no time. 156 00:20:16,876 --> 00:20:19,253 - And I still have no visa! - Miss Kreutz, please. 157 00:20:19,337 --> 00:20:21,547 CLERK: I must ask you to keep your voice down. 158 00:20:21,631 --> 00:20:24,884 MARIE: Excuse me. But where's the guy that I talked to last week? 159 00:20:25,093 --> 00:20:27,512 Every week it's a new person. How am I supposed to... 160 00:20:27,596 --> 00:20:29,097 I don't know who you saw last week. 161 00:20:29,181 --> 00:20:31,850 MARIE: Let me help you. I'm sure I have it. Hang on. 162 00:20:31,934 --> 00:20:34,061 CLERK: Could I have your attention for a moment? 163 00:20:34,144 --> 00:20:36,272 MARIE: I have it right here. Just look at it. 164 00:20:36,439 --> 00:20:40,693 CLERK: You staged an effort to circumvent the immigration laws of the United States. 165 00:20:41,402 --> 00:20:42,946 MARIE: This is a student visa now. 166 00:20:43,154 --> 00:20:45,991 It's not about a green card anymore. It's completely different. 167 00:20:46,074 --> 00:20:51,288 CLERK: It's not a menu. You don't just... MARIE: I brought all this proof. 168 00:20:51,371 --> 00:20:52,873 DISPATCHER: Potential suspect... 169 00:20:52,956 --> 00:20:55,042 Help in assault incident. 170 00:20:58,462 --> 00:21:00,631 You! Red bag! The red bag! 171 00:21:00,715 --> 00:21:03,635 SECURITY CHIEF: Stop right there! Put your hands up! 172 00:21:22,030 --> 00:21:24,199 (CROWD SCREAMS) 173 00:21:33,917 --> 00:21:36,921 (FAST-PACED INSTRUMENTAL MUSIC) 174 00:21:39,507 --> 00:21:41,676 (ALARM SOUNDS) 175 00:21:41,759 --> 00:21:43,261 MAN: I'm on it. 176 00:21:49,935 --> 00:21:52,187 SECURITY CHIEF: Move it! Now! Now! Move! 177 00:21:54,940 --> 00:21:58,736 Alpha Unit, take the back stairs and work your way up. Bravo... 178 00:22:06,745 --> 00:22:08,455 SECURITY CHIEF: Move in! Move in! 179 00:22:11,041 --> 00:22:12,417 MARINE 1: Okay, clear! 180 00:22:12,501 --> 00:22:13,669 SECURITY CHIEF: Suspect is... 181 00:22:13,752 --> 00:22:16,797 BRAVO LEADER: Moving up staircase. Proceeding to second floor. 182 00:22:21,427 --> 00:22:23,513 SECURITY CHIEF: Alpha Unit, you're clear. 183 00:22:31,438 --> 00:22:32,898 MARINE 2: Move! Move! 184 00:22:34,650 --> 00:22:37,153 SECURITY CHIEF: All Units, target may have a radio. 185 00:22:37,236 --> 00:22:39,280 Go to Code 77. Over. 186 00:22:39,488 --> 00:22:41,491 Code 77, copy. 187 00:22:41,616 --> 00:22:43,076 MARINE 3: The floor! Down! 188 00:22:44,911 --> 00:22:46,246 MARINE 4: Clear! 189 00:22:49,166 --> 00:22:52,169 (ALARM CONTINUES TO SOUND) 190 00:24:11,129 --> 00:24:12,589 MARINE 2: Go. Move up. 191 00:25:18,119 --> 00:25:21,664 CONKLIN: He's in Zurich now? Right now? ZORN: Yes. It just came in. 192 00:25:22,290 --> 00:25:25,210 - They're sure it's him? - Yes. He went to the bank. 193 00:25:25,293 --> 00:25:27,254 Our source at the bank, that's who called. 194 00:25:27,546 --> 00:25:28,421 CONKLIN: Come on. 195 00:25:28,505 --> 00:25:31,091 But he's got to assume we're watching the bank, right? 196 00:25:31,174 --> 00:25:33,302 CONKLIN: I don't know. - Come on. 197 00:25:33,385 --> 00:25:36,514 I mean, he cleaned out the box. He left a gun. What does that mean? 198 00:25:36,597 --> 00:25:38,265 CONKLIN: I said I don't know! 199 00:25:38,349 --> 00:25:40,726 I liked it better when I thought he was dead. 200 00:25:51,363 --> 00:25:52,906 (CURSING IN GERMAN) 201 00:25:57,244 --> 00:25:59,247 MARIE: What are you looking at? 202 00:25:59,413 --> 00:26:00,915 BOURNE: I heard you inside. 203 00:26:00,998 --> 00:26:01,874 MARIE: What? 204 00:26:01,958 --> 00:26:05,837 BOURNE: The consulate. I heard you talking. I thought maybe we could help each other. 205 00:26:05,920 --> 00:26:07,005 How's that? 206 00:26:07,130 --> 00:26:09,633 BOURNE: You need money. I need a ride out of here. 207 00:26:10,884 --> 00:26:12,761 I'm not running a car service. Thank you. 208 00:26:12,845 --> 00:26:15,973 BOURNE: I'll give you $10,000 to drive me to Paris. 209 00:26:16,056 --> 00:26:17,057 (IN GERMAN) 210 00:26:17,151 --> 00:26:18,981 MARIE: What, do you think I'm a fool? 211 00:26:19,120 --> 00:26:21,145 BOURNE: You'd be a fool not to take it. 212 00:26:23,898 --> 00:26:27,903 MARIE: What is this, a joke? Some kind of scam? BOURNE: No, it's no scam. 213 00:26:28,528 --> 00:26:31,073 BOURNE: I'll give you another $10,000 when we get there. 214 00:26:31,657 --> 00:26:32,866 MARIE: Jesus. 215 00:26:32,950 --> 00:26:35,953 (POLICE CAR SIRENS BLARE) 216 00:26:39,248 --> 00:26:42,835 - Is that for you? - Look. You drive, I pay. It's that simple. 217 00:26:47,382 --> 00:26:49,509 I got enough trouble, okay? 218 00:26:49,718 --> 00:26:50,844 BOURNE: Okay. 219 00:26:50,928 --> 00:26:52,930 Can I have my money back? 220 00:27:08,530 --> 00:27:10,616 CONKLIN: All right, go. Keep going. 221 00:27:11,325 --> 00:27:12,326 CONKLIN: Go. 222 00:27:13,035 --> 00:27:15,412 - There! Wait! - No, it's got to be near the end. 223 00:27:15,496 --> 00:27:18,499 Come on, folks! We caught a break here! Let's go! 224 00:27:18,582 --> 00:27:19,709 COMM TECH 1: Okay, I'm up. 225 00:27:19,834 --> 00:27:22,837 COMM TECH 1: We're getting grids. Airline, train, hotels, hospitals. 226 00:27:22,921 --> 00:27:25,423 - Who's getting the address? The street? - Gemensheidt. 227 00:27:25,507 --> 00:27:27,676 RESEARCH TECH 1: Here we go. I think I got it. 228 00:27:27,759 --> 00:27:29,094 ZORN: Is it him? 229 00:27:29,511 --> 00:27:30,804 RESEARCH TECH 2: Unreal. 230 00:27:31,263 --> 00:27:32,848 RESEARCH TECH 1: This is 38 minutes ago. 231 00:27:32,931 --> 00:27:36,477 ZORN: Zurich police are looking for an American carrying a red bank bag. 232 00:27:36,560 --> 00:27:40,398 ZORN: He just tore up the embassy and put two cops in the hospital last night. 233 00:27:42,609 --> 00:27:45,737 CONKLIN: Get everybody up. Do it now. I want them all activated. 234 00:27:45,862 --> 00:27:47,656 ZORN: Wait. All of them? At the same time? 235 00:27:47,739 --> 00:27:51,368 CONKLIN: You heard me. I want Bourne in a body bag by sundown. 236 00:27:51,451 --> 00:27:55,331 CONKLIN: All right, let's get a map up here! Come on, folks! Let's work it! 237 00:28:00,002 --> 00:28:01,713 COMM TECH 1: The grids are getting updated. 238 00:29:02,487 --> 00:29:04,447 (PULSATING INSTRUMENTAL MUSIC) 239 00:29:18,462 --> 00:29:20,798 MARIE: Which was fine with me because I was ready. 240 00:29:20,882 --> 00:29:23,885 After six months in Amsterdam, you're not sure... 241 00:29:23,968 --> 00:29:26,596 ...if you've been there 20 minutes or years, you know. 242 00:29:26,680 --> 00:29:29,850 So I went. I took all the money I had. I went in with friends... 243 00:29:29,933 --> 00:29:34,313 ...we took over this really cool surf shop outside Biarritz, right by the water. 244 00:29:34,396 --> 00:29:35,940 It was amazing. 245 00:29:36,774 --> 00:29:40,862 It was just amazing for about three months, until it turned out that this... 246 00:29:40,945 --> 00:29:45,492 ...jerk who had fronted us the lease was actually shining everyone on and... 247 00:29:52,166 --> 00:29:53,459 BOURNE: And what? 248 00:29:55,252 --> 00:29:57,213 MARIE: What do you mean "what"? Listen to me. 249 00:29:57,296 --> 00:29:59,882 I've been speed-talking for about 60 kilometres now. 250 00:29:59,966 --> 00:30:03,219 I talk when I'm nervous. I mean, I talk like this when I'm nervous. 251 00:30:03,303 --> 00:30:05,722 - I'm gonna shut up now. - No, don't do that. 252 00:30:07,140 --> 00:30:09,851 I haven't talked to anybody in a while. 253 00:30:10,519 --> 00:30:13,188 Yeah, but we're not talking. I'm talking. 254 00:30:13,689 --> 00:30:16,525 You've said, like, 10 words since we left Zurich. 255 00:30:16,609 --> 00:30:19,278 BOURNE: Well, listening to you, it's relaxing. 256 00:30:21,781 --> 00:30:24,242 I haven't slept in a while and... 257 00:30:25,034 --> 00:30:26,870 And I've had this headache. 258 00:30:27,537 --> 00:30:29,372 It's like a constant thing inside my head. 259 00:30:29,456 --> 00:30:32,751 ...and it's just starting to move to the background... 260 00:30:32,835 --> 00:30:34,336 ...so keep going. 261 00:30:35,713 --> 00:30:37,965 Really, if you want, please keep talking. 262 00:30:40,843 --> 00:30:41,969 Okay. 263 00:30:44,055 --> 00:30:45,765 What kind of music do you like? 264 00:30:48,685 --> 00:30:50,812 What do you like? Come on. 265 00:30:51,813 --> 00:30:54,525 - You know what? Never mind. - No, it's fine. Tell me. 266 00:30:54,608 --> 00:30:56,318 What do you want to listen to? 267 00:30:56,986 --> 00:30:58,487 I don't know. 268 00:30:58,988 --> 00:31:02,742 Come on, it's not that hard. What do you like? Tell me. 269 00:31:02,825 --> 00:31:04,285 I don't know. 270 00:31:14,755 --> 00:31:17,466 Who pays $20,000 for a ride to Paris? 271 00:31:27,561 --> 00:31:28,812 BOURNE: Fuck it. 272 00:31:29,730 --> 00:31:33,275 I can't remember anything that happened before two weeks ago. 273 00:31:34,568 --> 00:31:36,445 - Lucky you. - No, I'm serious. 274 00:31:37,905 --> 00:31:40,491 I don't know who I am. I don't know where I'm going. 275 00:31:40,616 --> 00:31:41,993 None of it. 276 00:31:42,243 --> 00:31:45,288 MARIE: What? Like amnesia? BOURNE: Yes. 277 00:31:47,374 --> 00:31:49,209 MARIE: Amnesia. BOURNE: Yes. 278 00:31:53,255 --> 00:31:54,465 Right. 279 00:32:01,556 --> 00:32:05,059 - And that's the best angle of the courtyard? - That's the only angle. 280 00:32:05,477 --> 00:32:08,522 What do they have of the streets? Or, you know, the area? 281 00:32:08,605 --> 00:32:09,856 They must have something. 282 00:32:09,940 --> 00:32:11,191 Hang on. 283 00:32:13,485 --> 00:32:14,862 What is he doing? 284 00:32:16,614 --> 00:32:19,951 Is it a game? Is he warning us? Is it a threat? 285 00:32:20,827 --> 00:32:22,787 RESEARCH TECH 1: Sir? Look at this. 286 00:32:24,581 --> 00:32:27,417 - What's that? - It's an angle of the street, a sort of alley. 287 00:32:27,500 --> 00:32:29,127 Just enhance it. 288 00:32:34,550 --> 00:32:36,302 Now, who the hell is that? 289 00:32:37,428 --> 00:32:39,805 RESEARCH TECH 2: Marie Helena Kreutz. 290 00:32:40,306 --> 00:32:43,476 She's 26, born outside Hanover. Her father was a welder. 291 00:32:43,560 --> 00:32:45,061 He died in '87. 292 00:32:45,437 --> 00:32:48,899 We still don't have the mother. The grandmother, she's still in Hanover. 293 00:32:48,982 --> 00:32:52,486 It looks like she's the anchor for this little domestic disaster. 294 00:32:52,569 --> 00:32:54,154 And there's a stepbrother. 295 00:32:54,238 --> 00:32:56,282 It's tough. The girl's a gypsy. 296 00:32:56,365 --> 00:33:00,912 I mean, she pops up on the grid here and there, but it's chaotic at best. 297 00:33:01,037 --> 00:33:03,456 She paid some electric bills in Spain, '95. 298 00:33:03,540 --> 00:33:06,584 Had a phone in her name for three months in Belgium, '96. 299 00:33:07,085 --> 00:33:09,171 No taxes, no credit. 300 00:33:09,588 --> 00:33:12,216 CONKLIN: I don't like her. I want to go deep. 301 00:33:13,050 --> 00:33:15,845 Get a phone log for Granny and the half-brother. 302 00:33:15,928 --> 00:33:17,972 Anybody we can cross-file. 303 00:33:18,139 --> 00:33:21,309 I want to know every place she's slept in the past six years. 304 00:33:22,435 --> 00:33:25,105 Have Paris get these out in the field. 305 00:33:53,177 --> 00:33:55,095 BOURNE: I'm not making this up. 306 00:33:56,305 --> 00:33:57,848 These are real. 307 00:34:04,939 --> 00:34:05,982 Okay. 308 00:34:06,066 --> 00:34:08,819 Who has a safety deposit box full of... 309 00:34:11,280 --> 00:34:13,449 ...money and six passports and a gun? 310 00:34:16,035 --> 00:34:18,955 BOURNE: Who has a bank account number in their hip? 311 00:34:20,289 --> 00:34:24,502 I come in here, and the first thing I'm doing is I'm catching the sightlines... 312 00:34:24,586 --> 00:34:25,837 ...and looking for an exit. 313 00:34:25,920 --> 00:34:28,173 I see the exit sign, too. I'm not worried. 314 00:34:29,132 --> 00:34:30,801 MARIE: I mean, you were shot. 315 00:34:30,884 --> 00:34:34,596 People do all kinds of weird and amazing stuff when they are scared. 316 00:34:41,104 --> 00:34:44,649 I can tell you the license plate numbers of all six cars outside. 317 00:34:45,442 --> 00:34:47,444 I know that our waitress is left-handed... 318 00:34:47,527 --> 00:34:51,823 ...and the guy sitting at the counter weighs 215 pounds and can handle himself. 319 00:34:51,949 --> 00:34:55,661 I know the best place to look for a gun is the cab of the grey truck outside. 320 00:34:55,744 --> 00:35:00,166 At this altitude, I can run flat out for a half-mile before my hands start shaking. 321 00:35:03,294 --> 00:35:05,338 Now why would I know that? 322 00:35:08,842 --> 00:35:11,094 How can I know that and not know who I am? 323 00:35:22,649 --> 00:35:25,443 (SOFT INSTRUMENTAL MUSIC) 324 00:35:46,841 --> 00:35:49,636 (BIRDS CHIRPING) 325 00:35:52,806 --> 00:35:53,891 Hey. 326 00:35:56,435 --> 00:35:57,645 BOURNE: I slept. 327 00:36:00,064 --> 00:36:02,483 - I can't believe it. - Yeah, well, you were tired. 328 00:36:02,567 --> 00:36:03,902 I haven't slept. 329 00:36:03,985 --> 00:36:07,197 Oh, here. For $20,000, I like to throw in breakfast. 330 00:36:09,282 --> 00:36:11,076 Did you stop for gas? 331 00:36:14,038 --> 00:36:16,040 You were pretty out of it. 332 00:36:21,045 --> 00:36:24,674 So, do you think there's, like, a family waiting for you? 333 00:36:26,801 --> 00:36:27,928 I don't know. 334 00:36:29,721 --> 00:36:31,431 I've thought about it. 335 00:36:40,441 --> 00:36:41,818 MARIE: Is that it? 336 00:36:42,151 --> 00:36:43,236 BOURNE: 104. 337 00:36:43,319 --> 00:36:45,905 Yeah, that's the address. No, keep going. Keep going. 338 00:36:45,989 --> 00:36:49,618 - Okay. Where? - Just take a left. Pull in over here. 339 00:36:49,951 --> 00:36:51,036 MARIE: Okay. 340 00:37:05,635 --> 00:37:07,470 MARIE: So, this is it, right? 341 00:37:07,554 --> 00:37:09,055 BOURNE: Yeah, I guess. 342 00:37:11,141 --> 00:37:13,685 God, I don't recognise any of this. 343 00:37:13,894 --> 00:37:15,646 MARIE: Okay. I should go. 344 00:37:19,984 --> 00:37:21,152 Jason? 345 00:37:23,529 --> 00:37:26,533 BOURNE: Oh, God. The money. Right. 346 00:37:26,992 --> 00:37:28,285 Yeah. 347 00:37:28,952 --> 00:37:30,162 BOURNE: Here. 348 00:37:30,412 --> 00:37:32,080 Thank you. Okay. 349 00:37:32,998 --> 00:37:34,833 Thanks for the ride. 350 00:37:35,459 --> 00:37:36,710 Anytime. 351 00:37:43,176 --> 00:37:46,346 BOURNE: Well, you could come up. I mean, or you can wait here. 352 00:37:46,429 --> 00:37:49,182 - I can go check it out. But you could wait. - Oh, no, no. 353 00:37:49,266 --> 00:37:50,809 BOURNE: You could wait. 354 00:37:51,476 --> 00:37:55,856 MARIE: With you, you would probably just forget about me if I stayed here. 355 00:37:58,067 --> 00:37:59,694 BOURNE: How could I forget about you? 356 00:38:01,195 --> 00:38:03,448 You're the only person I know. 357 00:38:07,327 --> 00:38:09,538 Yeah. That's true. 358 00:38:24,721 --> 00:38:26,681 I guess you're not home. 359 00:38:31,562 --> 00:38:34,148 (BOURNE RATTLES DOOR) 360 00:38:38,558 --> 00:38:42,658 CONCIERGE: (IN FRENCH) Monsieur Bourne, I was wondering-- I haven't seen you. 361 00:38:43,162 --> 00:38:44,282 Uh, here I am. 362 00:38:45,599 --> 00:38:47,099 BOURNE: (IN FRENCH) I think I forgot my key. 363 00:38:48,830 --> 00:38:52,251 (CHURCH BELLS RING IN DISTANCE) 364 00:39:03,179 --> 00:39:04,389 Hello? 365 00:39:23,868 --> 00:39:26,162 MARIE: Are you sure this is all yours? 366 00:39:26,705 --> 00:39:27,956 BOURNE: I guess. 367 00:39:50,522 --> 00:39:52,274 BOURNE: This is my kitchen. 368 00:40:10,001 --> 00:40:11,378 MARIE: Any clues? 369 00:40:12,004 --> 00:40:14,298 BOURNE: I think I'm in the shipping business. 370 00:40:14,590 --> 00:40:16,634 So it's all coming back? 371 00:40:22,682 --> 00:40:25,101 Do you mind if I use the bathroom? 372 00:40:26,728 --> 00:40:27,854 Sure. 373 00:40:29,022 --> 00:40:30,107 Okay. 374 00:40:52,256 --> 00:40:55,050 (SPEAKING IN FRENCH) 375 00:40:55,134 --> 00:40:56,594 Yeah. Hello? Hello? 376 00:40:56,677 --> 00:41:00,056 OPERATOR: Yes, sir, Hotel Regina, Paris. How may I direct your call? 377 00:41:00,389 --> 00:41:02,600 BOURNE: Yeah, you're in Paris? OPERATOR: Yes, sir. 378 00:41:02,684 --> 00:41:06,104 I'm looking for a guest there. 379 00:41:06,187 --> 00:41:08,023 Uh! Jason Bourne. 380 00:41:08,106 --> 00:41:10,317 OPERATOR: One moment, please. BOURNE: Thank you. 381 00:41:15,698 --> 00:41:18,534 OPERATOR: I'm afraid I have no one by that name registered. 382 00:41:20,328 --> 00:41:22,330 Okay. Thank you. 383 00:41:22,914 --> 00:41:25,208 Wait! No, no. Are you there? Hello? 384 00:41:25,291 --> 00:41:26,334 OPERATOR: Sir? 385 00:41:26,418 --> 00:41:29,129 BOURNE: Can you check another name for me, please? 386 00:41:29,504 --> 00:41:31,423 Here, bear with me one second. 387 00:41:35,636 --> 00:41:39,181 BOURNE: John Michael Kane. Kane with a "K." OPERATOR: One moment, sir. 388 00:41:39,265 --> 00:41:40,600 Thank you. 389 00:41:48,942 --> 00:41:51,904 MANAGER: You call about Monsieur Kane? John Michael Kane? 390 00:41:52,196 --> 00:41:53,864 BOURNE: Yeah, that's right. 391 00:41:53,947 --> 00:41:56,992 MANAGER: You are a friend of his? BOURNE: Uh, uh-huh. Yep. 392 00:41:58,536 --> 00:42:00,872 MANAGER: I have some very bad news for you, sir. 393 00:42:00,955 --> 00:42:06,461 I'm terribly sorry to tell you this, but Monsieur Kane has passed away almost two weeks ago. 394 00:42:06,920 --> 00:42:09,631 There was an accident. On the motorway. 395 00:42:09,715 --> 00:42:12,176 Apparently, he was killed instantly. 396 00:42:12,259 --> 00:42:15,220 Really, I'm terribly sorry to be the one to tell you this. 397 00:42:16,889 --> 00:42:20,685 When they came for his things, it was made known for us, you see? 398 00:42:20,810 --> 00:42:22,103 BOURNE: Who came? 399 00:42:22,228 --> 00:42:23,646 MANAGER: His brother. 400 00:42:23,855 --> 00:42:27,776 Did his brother leave a number or a way to get in touch with him? 401 00:42:27,943 --> 00:42:29,361 MANAGER: I think not. 402 00:42:30,779 --> 00:42:32,322 No, I'm sorry. 403 00:42:32,406 --> 00:42:35,826 (SUSPENSEFUL MUSIC) 404 00:42:54,888 --> 00:42:57,475 MARIE: Jason? There's no hot water. 405 00:42:57,558 --> 00:42:59,101 It's freezing. 406 00:42:59,644 --> 00:43:02,814 I'll go try the water in the kitchen. 407 00:43:02,897 --> 00:43:07,152 Why don't you just stay in the bathroom? I'll see if I can get it hot. 408 00:43:07,569 --> 00:43:09,946 (TENSE INSTRUMENTAL MUSIC) 409 00:43:11,281 --> 00:43:13,826 Yeah, it's really cold in here, too. 410 00:43:23,962 --> 00:43:25,922 MARIE: The water is still cold. 411 00:43:28,049 --> 00:43:31,887 Yeah, it's cold in the kitchen, too. I got it running, though. 412 00:43:35,307 --> 00:43:36,517 So... 413 00:43:43,441 --> 00:43:44,567 What? 414 00:43:46,695 --> 00:43:47,946 Nothing. 415 00:43:50,032 --> 00:43:51,366 Are you okay? 416 00:43:52,618 --> 00:43:53,744 Yeah. 417 00:44:07,050 --> 00:44:08,426 MARIE: What is it? 418 00:44:10,178 --> 00:44:11,805 Something wrong? 419 00:44:13,724 --> 00:44:16,519 (RAPID MACHINE-GUN FIRE) 420 00:44:48,470 --> 00:44:49,596 MARIE: Jason! 421 00:44:49,679 --> 00:44:52,683 (FAST-PACED INSTRUMENTAL MUSIC) 422 00:45:51,455 --> 00:45:53,874 BOURNE: Open that. Tell me what's inside. 423 00:45:54,041 --> 00:45:55,417 Who are you? 424 00:45:57,086 --> 00:45:58,462 Who are you? 425 00:46:00,381 --> 00:46:01,799 Who are you? 426 00:46:05,303 --> 00:46:06,721 MARIE: Oh, my God. 427 00:46:06,805 --> 00:46:09,307 (BOURNE QUESTIONS IN MANY LANGUAGES) 428 00:46:09,391 --> 00:46:10,726 God. 429 00:46:11,101 --> 00:46:13,103 BOURNE: Answer me! Who are you? 430 00:46:13,312 --> 00:46:15,314 - He's got my picture! - All right. Hang on. 431 00:46:15,397 --> 00:46:17,733 MARIE: This is Zurich, yesterday! BOURNE: No, no, no! Don't... 432 00:46:17,858 --> 00:46:19,527 I don't know. Where did you get this? 433 00:46:19,610 --> 00:46:22,196 BOURNE: Stay there. MARIE: How did you get my picture? 434 00:46:22,280 --> 00:46:24,324 MARIE: Where did you get this from? 435 00:46:24,699 --> 00:46:26,576 How did you get my... My God! 436 00:46:26,660 --> 00:46:30,497 I'll do this! You stay there. Stay there! 437 00:46:36,212 --> 00:46:39,840 (CAR TIRES SCREECH) (PEDESTRIANS SCREAM) 438 00:46:46,014 --> 00:46:50,060 - Where are your shoes? Get your shoes. - Sure. Yeah, sure. 439 00:46:51,311 --> 00:46:53,897 He went out the window. Why would someone do that? 440 00:46:53,981 --> 00:46:56,400 BOURNE: We can't stay here. It's not safe. 441 00:46:56,483 --> 00:47:00,196 I can get us out of here, but we got to go. We got to go right now. 442 00:47:03,116 --> 00:47:05,577 (BREATHLESSLY) Okay, look, you can wait. 443 00:47:05,660 --> 00:47:08,121 You can wait for the cops. It's okay. 444 00:47:08,246 --> 00:47:11,708 You just wait for them to get here. But I can't. I got to go. 445 00:47:13,669 --> 00:47:14,837 Marie? 446 00:47:18,049 --> 00:47:19,216 BOURNE: Marie? 447 00:47:26,640 --> 00:47:26,765 (MARIE GROANS) 448 00:47:26,766 --> 00:47:28,393 BOURNE: Quiet. Be quiet. 449 00:47:33,482 --> 00:47:34,608 (MARIE VOMITS) 450 00:47:39,530 --> 00:47:40,907 Don't look. 451 00:47:40,990 --> 00:47:42,742 (LNDISTINCT CHATTER) 452 00:47:42,825 --> 00:47:45,620 (AMBULANCE SIREN BLARES) 453 00:47:49,040 --> 00:47:52,044 (FAST-PACED INSTRUMENTAL MUSIC) 454 00:47:52,336 --> 00:47:54,213 (DIALLING PHONE NUMBER) 455 00:47:55,005 --> 00:47:55,839 OPERATIVE: Code in. 456 00:47:55,965 --> 00:47:58,384 NICKY: Alpha 37509. 457 00:47:59,719 --> 00:48:00,761 (PHONE RINGS) 458 00:48:00,845 --> 00:48:01,929 ZORN: Yeah. 459 00:48:08,103 --> 00:48:09,104 Hang on. 460 00:48:09,187 --> 00:48:11,106 Bourne, he went to Paris. He went to the apartment. 461 00:48:11,189 --> 00:48:14,735 CONKLIN: We got him? Tell me. NICKY: He killed our man. 462 00:48:14,902 --> 00:48:16,654 CONKLIN: What? In the apartment? NICKY: Yeah. 463 00:48:17,071 --> 00:48:20,449 CONKLIN: Well, you got to clean that up. NICKY: No, I can't clean it up. 464 00:48:20,575 --> 00:48:22,577 NICKY: There's a body in the street. CONKLIN: So? 465 00:48:22,827 --> 00:48:24,454 There's police. This is Paris. 466 00:48:24,537 --> 00:48:27,624 CONKLIN: Put up the scanners. Get as much radio information as you can. 467 00:48:30,502 --> 00:48:32,379 BOURNE: Okay, you stay here. 468 00:48:32,588 --> 00:48:35,925 I'm gonna go find a place for this money. I'll be back in 10 minutes. 469 00:48:56,864 --> 00:48:59,867 (TRAIN ANNOUNCEMENTS IN FRENCH) 470 00:50:00,349 --> 00:50:02,769 BOURNE: Hey, I told you to stay in the car. 471 00:50:08,108 --> 00:50:11,153 Jesus Christ. I told you to stay in the car. 472 00:50:12,529 --> 00:50:14,782 I needed a drink. I didn't think you would come back. 473 00:50:14,865 --> 00:50:17,076 Look, you got to go to the cops. 474 00:50:17,159 --> 00:50:19,412 Right now. You got to go before this gets any worse. 475 00:50:19,495 --> 00:50:21,497 MARIE: By myself? BOURNE: It's gonna be okay. 476 00:50:21,581 --> 00:50:24,501 You're gonna take my passport, okay? You show this to them. 477 00:50:24,667 --> 00:50:26,753 You have that picture, you have the $20,000. 478 00:50:26,836 --> 00:50:29,673 You tell them everything that happened. They'll believe you. 479 00:50:29,756 --> 00:50:31,383 They have to believe you. 480 00:50:34,553 --> 00:50:38,307 Marie, you can't just sit here. It's not safe here. 481 00:50:38,516 --> 00:50:41,060 MARIE: Safe? This is from inside the embassy. 482 00:50:41,310 --> 00:50:44,105 - Who can do this? This is from yesterday. - I don't know. 483 00:50:44,188 --> 00:50:48,193 MARIE: How can they know we're together? BOURNE: I'm trying to do the right thing. 484 00:50:48,318 --> 00:50:49,820 BOURNE: That's all. MARIE: Right? 485 00:50:49,903 --> 00:50:52,364 How'll you make this right by sending me there alone? 486 00:50:52,447 --> 00:50:54,658 You think I want you to go to the cops? That's good? 487 00:50:54,742 --> 00:50:56,660 - You want to go, fine. - If you go, I run! 488 00:50:56,744 --> 00:50:59,330 - You tell them what happened! - I don't know what happened! 489 00:50:59,413 --> 00:51:01,749 I don't know who this guy was or about that picture! 490 00:51:01,833 --> 00:51:03,710 I don't know who I am! 491 00:51:10,842 --> 00:51:11,927 Look, I'm... 492 00:51:12,135 --> 00:51:15,306 You think I'm trying to burn you. I'm trying to do the right thing. 493 00:51:15,389 --> 00:51:17,308 Nobody does the right thing. 494 00:51:25,442 --> 00:51:28,403 Look, I can't run with you. I can't. 495 00:51:30,781 --> 00:51:34,994 BOURNE: We run, I got to live like this. I got to... I don't even know who I'm hiding from. 496 00:51:35,244 --> 00:51:37,037 These people know who I am. 497 00:51:37,121 --> 00:51:40,541 Yeah, I got to stay here. I got to figure this out. 498 00:51:40,708 --> 00:51:42,377 So figure it out. 499 00:52:00,605 --> 00:52:02,565 You take care of this car? 500 00:52:02,815 --> 00:52:03,942 What do you mean? 501 00:52:04,025 --> 00:52:06,820 The tires felt a little splashy on the way over here. 502 00:52:07,112 --> 00:52:09,448 MARIE: It pulls a little to the right. 503 00:52:15,079 --> 00:52:18,708 (DIALOGUE OVER POLICE RADIO) 504 00:52:19,834 --> 00:52:23,463 (POLICE CAR SIRENS BLARE) 505 00:52:30,846 --> 00:52:32,598 Last chance, Marie. 506 00:52:38,938 --> 00:52:42,567 (ROCK MUSIC PLAYS ON RADIO) 507 00:52:51,994 --> 00:52:54,163 (TIRES SCREECH) 508 00:52:55,122 --> 00:52:58,125 (POLICE CAR SIRENS BLARE) 509 00:53:04,465 --> 00:53:07,677 (FAST-PACED INSTRUMENTAL MUSIC) 510 00:53:56,272 --> 00:53:57,273 BOURNE: So... 511 00:53:57,648 --> 00:54:00,401 MARIE: What? BOURNE: We got a bump coming up. 512 00:54:06,741 --> 00:54:10,370 (FAST-PACED MUSIC CONTINUES) 513 00:54:33,729 --> 00:54:36,440 Turn your head away. Turn your head away. 514 00:54:53,417 --> 00:54:56,212 (CARS HONK REPEATEDLY) 515 00:56:47,707 --> 00:56:49,709 We can never come back to this car. 516 00:56:50,168 --> 00:56:51,712 You understand? 517 00:56:51,878 --> 00:56:56,175 Okay, we're gonna clean it out, and I'll wipe it down, and we walk away. 518 00:56:56,258 --> 00:56:57,885 - That's it. - Okay. 519 00:56:58,010 --> 00:57:01,722 Okay. And I'll find a place for us to rest. And I got to think. 520 00:57:01,848 --> 00:57:04,017 Do you have a hat or a scarf or something? 521 00:57:04,100 --> 00:57:06,561 - For my hair? - Yeah. Just until we can change it. 522 00:57:06,728 --> 00:57:08,188 Yeah. Sure. Okay. 523 00:57:08,271 --> 00:57:09,439 Okay. 524 00:57:14,403 --> 00:57:17,406 (CHILDREN GIGGLE) 525 00:57:17,408 --> 00:57:20,194 Shh! Shush! Shh! Hush up. 526 00:57:20,262 --> 00:57:22,287 Shh! Shh! (CHATTERING STOPS) 527 00:57:26,503 --> 00:57:29,028 (SPEAKING IN FRENCH) Monsieur Kane. Monsieur Kane. 528 00:57:29,105 --> 00:57:31,300 Ah, Monsieur Kane. 529 00:57:47,647 --> 00:57:49,107 WOMBOSI: It's not him. 530 00:57:51,210 --> 00:57:53,070 (SPEAKING IN FRENCH) This man was not shot. 531 00:58:01,809 --> 00:58:04,334 (PHONE DIALING) 532 00:58:11,006 --> 00:58:13,175 (PHONE RINGS) 533 00:58:13,717 --> 00:58:14,968 CONKLIN: What do you have? 534 00:58:15,260 --> 00:58:17,388 NICKY: Wombosi went to the morgue. 535 00:58:17,471 --> 00:58:19,473 He saw the body. He didn't buy it. 536 00:58:21,392 --> 00:58:22,560 Where is he now? 537 00:58:22,935 --> 00:58:25,063 NICKY: I told you, I'm not staffed for this. 538 00:58:25,146 --> 00:58:27,399 CONKLIN: Where is he? Right now! Where's Wombosi? 539 00:58:27,524 --> 00:58:28,817 NICKY: They were leaving the morgue. 540 00:58:29,234 --> 00:58:30,777 They just left. 541 00:58:37,493 --> 00:58:39,370 ZORN: Sir, what do you want to do? 542 00:59:04,272 --> 00:59:05,607 (BEEPING) 543 00:59:13,189 --> 00:59:16,989 (WATER RUNNING) 544 00:59:40,186 --> 00:59:42,177 (TURNS OFF WATER) 545 01:00:38,082 --> 01:00:40,334 I need to get the bottle. 546 01:00:56,704 --> 01:00:58,695 (BAG THUMPS ON FLOOR) 547 01:01:37,417 --> 01:01:40,147 (CHATTERING) (LAUGHING IN DISTANCE) 548 01:01:40,221 --> 01:01:42,212 (CHATTERING) (LAUGHING CONTINUES) 549 01:02:11,934 --> 01:02:13,018 BOURNE: Hey. 550 01:02:23,446 --> 01:02:25,657 You already cleaned the room? 551 01:02:26,366 --> 01:02:29,453 I wiped the whole place down for fingerprints. 552 01:02:32,748 --> 01:02:36,585 Can I walk around or is it gonna leave any footprints? 553 01:02:42,633 --> 01:02:45,303 You can walk around. It's no problem. 554 01:02:46,805 --> 01:02:49,474 But we'll just keep track of everything we touch. 555 01:02:50,058 --> 01:02:53,270 I think it's best if we leave a room, that we don't leave a trail. 556 01:02:53,353 --> 01:02:54,897 Why? Where are we going? 557 01:02:55,022 --> 01:02:57,900 BOURNE: I need to go to the hotel where John Michael Kane stayed. 558 01:02:57,983 --> 01:02:59,527 The Hotel Regina. 559 01:03:00,570 --> 01:03:04,032 If I was him, then they're gonna have some records. 560 01:03:04,449 --> 01:03:06,242 We need that hotel bill. 561 01:03:06,326 --> 01:03:07,369 MARIE: Okay. 562 01:03:07,786 --> 01:03:10,414 It gets slightly complicated, though. 563 01:03:11,331 --> 01:03:13,083 Because you're dead. 564 01:03:14,960 --> 01:03:16,170 BOURNE: Right. 565 01:03:20,883 --> 01:03:23,970 BODYGUARD: Please. WOMBOSI: They want war, we'll make war. 566 01:03:24,053 --> 01:03:27,515 If they want to kill me, they better kill me the first time. 567 01:03:27,641 --> 01:03:31,061 They better kill me dead. They better kill me when I'm in my sleep. 568 01:03:31,144 --> 01:03:33,480 BODYGUARD: Listen to me. We need these people. 569 01:03:33,772 --> 01:03:36,275 It's hard enough getting people that we know to help us. 570 01:03:36,358 --> 01:03:37,777 BODYGUARD: We must be careful. 571 01:03:37,860 --> 01:03:38,944 WOMBOSI: We? 572 01:03:39,612 --> 01:03:40,613 No, you. 573 01:03:40,821 --> 01:03:43,533 You need to bring me back that bastard kid's head... 574 01:03:43,616 --> 01:03:47,162 ...put it in front of this house, and show them the war we're fighting. 575 01:03:47,245 --> 01:03:48,580 But that is precisely... 576 01:03:54,169 --> 01:03:55,546 BODYGUARD: Nykwana! 577 01:03:56,922 --> 01:03:59,091 (SCREAMING) 578 01:04:06,766 --> 01:04:10,103 BOURNE: We'll give the watch a reference check before we go. 579 01:04:11,980 --> 01:04:13,106 MARIE: Okay. 580 01:04:15,484 --> 01:04:17,653 What's the pay phone number? 581 01:04:18,154 --> 01:04:20,406 MARIE: 616-2468. 582 01:04:20,531 --> 01:04:21,699 Exits? 583 01:04:21,866 --> 01:04:23,117 There's three. 584 01:04:23,326 --> 01:04:27,497 Service at the back, side goes to the street past the shops... 585 01:04:27,872 --> 01:04:29,541 ...front is the best. 586 01:04:29,791 --> 01:04:33,670 If I think I'm being followed, I walk out with the bag over my right shoulder. 587 01:04:33,754 --> 01:04:35,255 And if there's no taxi? 588 01:04:35,339 --> 01:04:39,010 I keep on walking, don't look back until you make contact. 589 01:04:42,180 --> 01:04:43,306 MARIE: What? 590 01:04:47,602 --> 01:04:49,354 We need this, right? 591 01:04:52,232 --> 01:04:53,317 Okay. 592 01:04:54,651 --> 01:04:57,446 (RHYTHMIC INSTRUMENTAL MUSIC) 593 01:05:04,537 --> 01:05:05,997 BOURNE: (VOICE-OVER) I need distances. 594 01:05:06,623 --> 01:05:09,417 You walk in, you pick a spot. Some midpoint in the lobby. 595 01:05:09,835 --> 01:05:13,005 I want you to count your steps to that spot and then remember that number. 596 01:05:13,088 --> 01:05:15,591 Because after I call you, I can get you moving. 597 01:05:15,674 --> 01:05:17,176 You understand? 598 01:05:17,843 --> 01:05:19,178 I also need a head count. 599 01:05:19,261 --> 01:05:22,223 from the time you walk in until you get to the desk. 600 01:05:22,306 --> 01:05:25,185 How many hotel employees are there? And obviously security. 601 01:05:25,310 --> 01:05:27,520 And it might not be that easy to see who they are. 602 01:05:27,687 --> 01:05:31,233 So I'll call you, you give me the layout, and we'll take it from there. 603 01:05:35,821 --> 01:05:36,906 OPERATOR: Regina. 604 01:05:36,972 --> 01:05:38,917 (IN FRENCH) Yes, the house phone in the lobby. 605 01:05:39,992 --> 01:05:42,161 (PHONE RINGS) 606 01:05:51,838 --> 01:05:53,382 (KNOCKING ON PHONE BOOTH) 607 01:05:57,553 --> 01:05:59,180 BOURNE: What happened? MARIE: I... 608 01:05:59,305 --> 01:06:02,308 BOURNE: Did something go wrong? MARIE: I've got the records. 609 01:06:03,768 --> 01:06:06,688 He, this guy at the front desk was smiling at me. 610 01:06:06,771 --> 01:06:10,609 So I thought, you know, all this trouble, maybe it's easier to just ask for them. 611 01:06:10,692 --> 01:06:13,695 BOURNE: You have the bill? MARIE: He made me a photocopy. 612 01:06:15,197 --> 01:06:17,074 You just asked for it? 613 01:06:18,367 --> 01:06:21,454 I said I was Mr. Kane's personal assistant. 614 01:06:26,209 --> 01:06:28,503 BOURNE: Okay. That's good thinking. 615 01:06:37,972 --> 01:06:39,932 ZORN: Sir, can I... ABBOTT: No. 616 01:06:43,478 --> 01:06:47,315 ABBOTT: Wombosi was assassinated in his house in the middle of Paris. 617 01:06:48,316 --> 01:06:50,110 Yeah, we just heard. 618 01:06:50,652 --> 01:06:53,781 It's him. It's Bourne. We're almost positive. 619 01:06:53,906 --> 01:06:56,200 He had an assignment. He failed. 620 01:06:56,283 --> 01:06:59,328 He obviously felt compelled to finish the task. 621 01:06:59,412 --> 01:07:00,288 ABBOTT: Jesus. 622 01:07:00,371 --> 01:07:02,415 CONKLIN: We think he'll come back in now. 623 01:07:03,041 --> 01:07:04,500 I mean, it's routine. 624 01:07:04,584 --> 01:07:06,419 It's like behavioural software. 625 01:07:08,171 --> 01:07:10,215 He's following a protocol. 626 01:07:10,590 --> 01:07:14,636 Now that he's completed the mission, we think he'll come back in. 627 01:07:15,429 --> 01:07:16,972 They always do. 628 01:07:17,848 --> 01:07:18,974 When? 629 01:07:19,266 --> 01:07:21,352 ABBOTT: How long till he checks in? 630 01:07:22,979 --> 01:07:24,272 ZORN: 24 hours. ABBOTT: 24? 631 01:07:24,355 --> 01:07:26,441 Yeah, it's usually something like that. 632 01:07:28,276 --> 01:07:29,611 ABBOTT: Then what? 633 01:07:30,696 --> 01:07:32,865 I told you we'd clean this up. 634 01:07:32,948 --> 01:07:34,616 It will be clean. 635 01:07:39,080 --> 01:07:42,500 BOURNE: I understand you're a dive shop, but where are you located? 636 01:07:44,043 --> 01:07:45,420 BOURNE: Marseilles? 637 01:07:50,717 --> 01:07:54,346 (DIALOGUE OVER POLICE RADIO) 638 01:07:57,767 --> 01:08:00,561 (FRENCH DIALOGUE OVER RADIO) 639 01:08:09,946 --> 01:08:12,074 BOURNE: What specifically does your company supply? 640 01:08:12,199 --> 01:08:15,327 DIVE SHOP EMPLOYEE: I am sorry. What is your name, monsieur? 641 01:08:23,424 --> 01:08:26,924 COP: (IN FRENCH) You've been here for three hours and you still can't find a print? 642 01:08:31,178 --> 01:08:33,347 (KNOCKING) 643 01:08:35,641 --> 01:08:38,436 CONKLIN: What? ZORN: Paris police found the vehicle. 644 01:08:41,439 --> 01:08:43,608 (BEEPING) 645 01:08:51,491 --> 01:08:55,913 RAWLINS: You've reached Simon Rawlins at Alliance Security, Maritime Division. 646 01:08:55,996 --> 01:08:59,709 Paris office hours are from 8.00 a.m. to 5.00 p.m. 647 01:09:00,126 --> 01:09:02,003 BOURNE: I got a lead in Paris. 648 01:09:02,754 --> 01:09:05,423 The rest were Marseilles, and two out in Southampton. 649 01:09:05,548 --> 01:09:07,926 - Paris? It's what? - Alliance Security. Simon Rawlins. 650 01:09:08,009 --> 01:09:09,177 I got a machine. 651 01:09:11,346 --> 01:09:14,975 (SUSPENSEFUL INSTRUMENTAL MUSIC) 652 01:09:27,822 --> 01:09:31,451 (PHONES RINGING IN BACKGROUND) 653 01:09:34,413 --> 01:09:35,831 SECRETARY: Mr. Kane? 654 01:09:38,000 --> 01:09:39,418 Mr. Kane! 655 01:09:39,627 --> 01:09:43,381 SECRETARY: How are you? BOURNE: I'm good. How are you? 656 01:09:47,469 --> 01:09:50,555 Mr. Kane. Come right in. Please have a seat. 657 01:09:50,639 --> 01:09:52,015 Thank you. 658 01:09:52,432 --> 01:09:55,227 RAWLINS: So, this is the Palmer Johnson tri-deck. 659 01:09:56,061 --> 01:09:59,857 I'm assuming you're still in the market. It's still the same vessel? 660 01:10:00,733 --> 01:10:01,776 Yes. 661 01:10:12,287 --> 01:10:15,499 (PARISIAN MUSIC) (INDISTINCT CHATTER) 662 01:10:25,760 --> 01:10:26,803 So I'm Kane. 663 01:10:26,928 --> 01:10:28,722 MARIE: They... BOURNE: I had a meeting as Kane. 664 01:10:28,805 --> 01:10:30,557 - They said... - No. I'm definitely Kane. 665 01:10:30,640 --> 01:10:33,268 I just had a meeting as Kane and he knew me as Kane. 666 01:10:33,352 --> 01:10:36,772 So I'm definitely Bourne. I'm also just definitely Kane. 667 01:10:36,856 --> 01:10:37,898 It's all just boats. 668 01:10:37,982 --> 01:10:40,151 I got blueprints and cameras and security systems. 669 01:10:40,234 --> 01:10:42,361 I just found John Michael Kane's body. 670 01:10:43,488 --> 01:10:45,114 In a morgue here in Paris. 671 01:10:45,281 --> 01:10:49,911 But if you are John Michael Kane, whose body do they have? 672 01:10:58,003 --> 01:11:00,673 ATTENDANT: What was the name again? BOURNE: Kane. 673 01:11:00,840 --> 01:11:01,841 Kane. 674 01:11:01,924 --> 01:11:03,259 BOURNE: John Michael Kane. 675 01:11:03,384 --> 01:11:05,053 John Michael Kane. 676 01:11:05,136 --> 01:11:07,931 (WOMAN SINGS OVER RADIO) 677 01:11:10,308 --> 01:11:12,769 Kane. It's number 121. 678 01:11:14,396 --> 01:11:15,606 I want to see the body. 679 01:11:15,689 --> 01:11:18,984 Our boss could come back. We are not supposed to do that. 680 01:11:19,944 --> 01:11:21,153 Come on. 681 01:11:37,004 --> 01:11:39,340 Is this it? Wh-Where is he? 682 01:11:39,590 --> 01:11:41,050 ATTENDANT: I don't know. 683 01:11:42,521 --> 01:11:43,221 (IN FRENCH) What's going on? 684 01:11:43,519 --> 01:11:46,089 This guy has come to see the American. But the body has disappeared. 685 01:11:46,094 --> 01:11:47,924 They came yesterday evening...his brother. 686 01:11:48,062 --> 01:11:49,522 He's not in the register. 687 01:11:49,935 --> 01:11:51,478 Who are you? What's going on? 688 01:11:51,561 --> 01:11:54,690 - Where's the body that goes in here? - I said someone came last night. 689 01:11:54,773 --> 01:11:56,400 I know. Where'd they take the body? 690 01:11:56,483 --> 01:11:58,694 Look, this is not a carnival, okay? 691 01:11:58,778 --> 01:12:01,572 People call, they make an appointment and they follow the rules. 692 01:12:01,656 --> 01:12:04,868 Everyone signs in and out. This is a serious place. Serious work. 693 01:12:04,951 --> 01:12:08,872 - It's not just to come in whenever you like! - You're right. We didn't sign in. 694 01:12:08,955 --> 01:12:10,123 BOSS: Get the hell out of here. 695 01:12:10,207 --> 01:12:13,001 BOURNE: Fine. I'm just gonna go sign in. BOSS: Okay, go. 696 01:12:16,297 --> 01:12:17,590 BOURNE: Is this it? 697 01:12:17,756 --> 01:12:20,051 BOSS: You can't take the book. BOURNE: This is it? 698 01:12:20,134 --> 01:12:22,637 It's okay. There's a pencil in here. That's fine. 699 01:12:22,720 --> 01:12:25,682 Honey, why don't you go wait outside? Here it is. 700 01:12:25,765 --> 01:12:27,100 BOSS: We can't have... BOURNE: Okay. 701 01:12:29,186 --> 01:12:32,689 MARIE: Jason, what just happened in there? What are you looking for? 702 01:12:32,814 --> 01:12:34,441 BOURNE: Nykwana Wombosi. 703 01:12:34,691 --> 01:12:37,528 Wombosi went to the morgue to visit Kane. 704 01:12:38,612 --> 01:12:39,655 See? 705 01:12:40,197 --> 01:12:43,242 MARIE: So? BOURNE: He's in the Alliance brochure. 706 01:12:43,326 --> 01:12:44,577 BOURNE: Same guy. 707 01:12:44,744 --> 01:12:46,287 This guy knows. 708 01:12:47,622 --> 01:12:50,000 (POLICE SIREN BLARES) 709 01:12:54,713 --> 01:12:57,299 (INDISTINCT CHATTER) 710 01:13:18,823 --> 01:13:23,202 My French sucks. I can't... It says something about a boat or... 711 01:13:24,954 --> 01:13:29,334 I don't understand. What does it say? You read it. Tell me. What? 712 01:13:31,294 --> 01:13:35,132 It says that 3 weeks before he was killed, Mr. Wombosi told police... 713 01:13:35,424 --> 01:13:39,220 ...that a man came onto his yacht, five miles off the coast of Marseilles... 714 01:13:39,470 --> 01:13:41,347 ...and tried to kill him. 715 01:13:41,973 --> 01:13:45,602 It says that he chased the man off the boat and shot him twice in the back. 716 01:13:47,228 --> 01:13:48,730 It says I'm an assassin. 717 01:13:58,199 --> 01:14:00,785 (SOFT INSTRUMENTAL MUSIC) 718 01:14:21,224 --> 01:14:23,184 (SIREN SOUNDS) 719 01:14:29,590 --> 01:14:30,880 (IN FRENCH) Stop the car. 720 01:14:31,492 --> 01:14:33,792 But no...you said Rue de l... we're almost there. 721 01:14:33,861 --> 01:14:35,591 Just right here, this is good. 722 01:14:35,663 --> 01:14:36,823 l said stop. 723 01:14:37,700 --> 01:14:39,035 MARIE: What's going on? 724 01:14:41,862 --> 01:14:42,830 MARIE: What the hell are you doing? 725 01:14:42,914 --> 01:14:44,415 BOURNE: Go. Go. MARIE: What are... 726 01:14:45,959 --> 01:14:49,337 BOURNE: We're blown. Come on. MARIE: Blown? What is "blown"? 727 01:14:49,210 --> 01:14:51,310 (IN FRENCH) Monsieur...your change, your change. 728 01:14:51,344 --> 01:14:54,444 Sir, please...You can't stay here... You have to leave. 729 01:14:55,761 --> 01:14:57,346 BOURNE: Keep walking. 730 01:14:57,888 --> 01:15:00,808 What do you think they're doing there? They're onto the hotel. 731 01:15:00,892 --> 01:15:03,728 - No. You don't know that. - Trust me. Just keep walking. 732 01:15:06,523 --> 01:15:09,526 (SIRENS BLARE) 733 01:15:09,609 --> 01:15:13,238 (INDISTINCT CHATTER) 734 01:15:25,627 --> 01:15:28,213 Are you crazy? What are you doing now? 735 01:15:29,881 --> 01:15:31,049 MARIE: Jason! 736 01:15:31,550 --> 01:15:33,093 BOURNE: This is blown. 737 01:15:41,561 --> 01:15:42,645 BOURNE: Marie? MARIE: Get away. 738 01:15:42,729 --> 01:15:44,939 BOURNE: Stop right there. MARIE: Get away from me. 739 01:15:45,023 --> 01:15:46,816 What are you gonna do? Kill me? 740 01:15:46,900 --> 01:15:48,234 BOURNE: Marie. MARIE: Is that what's next? 741 01:15:48,318 --> 01:15:50,445 Listen, stay calm. Stay calm. 742 01:15:50,779 --> 01:15:52,948 Whatever we do, we have to do it together. 743 01:15:53,031 --> 01:15:54,366 - We have to be... - We? 744 01:15:54,450 --> 01:15:57,912 The only thing we had in common was that neither of us knew who you were. 745 01:15:57,995 --> 01:15:59,914 MARIE: We've passed that now. BOURNE: Listen! 746 01:15:59,997 --> 01:16:03,418 The police'll find us. The people who took the picture in the embassy... 747 01:16:03,501 --> 01:16:06,463 ...who killed Wombosi, they're gonna come here and kill us. 748 01:16:06,546 --> 01:16:08,048 The people who you work for. 749 01:16:10,092 --> 01:16:14,304 I will take you wherever you need to go. I'll take you there. I'll leave you there. 750 01:16:14,388 --> 01:16:16,932 You can do what you want. You never have to see me again. 751 01:16:17,016 --> 01:16:19,560 BOURNE: But not here. If we stay here, we die. 752 01:16:27,694 --> 01:16:30,530 Boy, great police work! Really brilliant! 753 01:16:30,989 --> 01:16:34,493 Why don't they just hang out a banner that says, "Don't come back!" 754 01:16:35,828 --> 01:16:39,582 Jesus Christ! What is the French word for "stakeout"? 755 01:16:47,090 --> 01:16:49,342 CONKLIN: Okay, this was 16 minutes ago. 756 01:16:50,343 --> 01:16:52,471 This is our starting point. 757 01:16:52,679 --> 01:16:56,225 CONKLIN: Can't fly, trains are risky. Nicky? NICKY: Here. 758 01:16:56,308 --> 01:16:59,770 I need to know everything Paris's finest is doing on this. 759 01:16:59,854 --> 01:17:01,022 NICKY: I'm on it. 760 01:17:02,315 --> 01:17:04,943 ABBOTT: (VOICE-OVER) You said 24 hours, and he's not back. 761 01:17:06,569 --> 01:17:09,364 CONKLIN: (VOICE-OVER) No. But we got a good idea where he is. 762 01:17:10,157 --> 01:17:12,910 ABBOTT: You've got a black ops agent who's off the reservation. 763 01:17:12,993 --> 01:17:15,829 He trashed an American consulate. He's on the run in Europe. 764 01:17:15,913 --> 01:17:18,958 You don't know why. I got to stand before an oversight committee. 765 01:17:19,041 --> 01:17:20,751 What will I say about Treadstone? 766 01:17:20,835 --> 01:17:23,087 You're worried about a budget meeting? 767 01:17:23,338 --> 01:17:26,508 We don't take care of this, we don't make it to the men's room. 768 01:17:27,342 --> 01:17:29,761 Now, is that clear enough for you? 769 01:17:29,886 --> 01:17:31,763 We will burn for this. 770 01:17:32,556 --> 01:17:34,558 We will both of us burn. 771 01:17:36,143 --> 01:17:39,855 CONKLIN: All right, I want two teams. Daryl, Ray, stay on the grids. 772 01:17:40,231 --> 01:17:42,233 Brian, Harris, Steve... 773 01:17:42,525 --> 01:17:44,277 ...I want to work on this girl. 774 01:17:44,444 --> 01:17:47,530 CONKLIN: And this residency pattern? COMM TECH 1: We started it. 775 01:17:47,614 --> 01:17:48,490 Get it out. 776 01:17:49,533 --> 01:17:51,910 (PHONE RINGS) 777 01:17:53,036 --> 01:17:55,956 COMM TECH 1: We cross-referenced numbers from the grandmother and the stepbrother. 778 01:17:56,040 --> 01:17:58,209 Whenever we found convergence, we back-checked those numbers and ran a search merge... 779 01:17:58,292 --> 01:18:02,463 with any other data we had on her, which wasn't much, but... 780 01:18:02,547 --> 01:18:03,923 Pins. These pins. 781 01:18:04,132 --> 01:18:07,427 These are all the places we think she's lived in the last six years. 782 01:18:07,969 --> 01:18:10,722 CONKLIN: One, two, three, four, five. 783 01:18:10,931 --> 01:18:12,558 That's our pool. 784 01:18:18,189 --> 01:18:19,565 MARIE: No answer. 785 01:18:20,066 --> 01:18:22,068 How many times you let it ring? 786 01:18:22,485 --> 01:18:25,905 - Look, if you don't want to go, I'll hitch. - I said I'd take you. 787 01:18:28,033 --> 01:18:29,910 CONKLIN: Those are the targets. 788 01:18:30,327 --> 01:18:34,998 Beg, borrow, hack, tap, bypass! I don't care what you do! 789 01:18:35,708 --> 01:18:40,004 I want to know everything you can tell me about what's going on at those locations. 790 01:18:40,087 --> 01:18:43,299 (FAST-PACED INSTRUMENTAL MUSIC) 791 01:18:58,232 --> 01:19:00,276 BOURNE: How do you know he still owns this? 792 01:19:01,819 --> 01:19:04,989 MARIE: Eamon always had money. He would never sell this. 793 01:19:26,554 --> 01:19:28,098 (LOUD CRASH) 794 01:19:34,980 --> 01:19:36,148 Marie? 795 01:19:36,231 --> 01:19:37,358 MARIE: What? 796 01:19:39,276 --> 01:19:40,736 We got to go. 797 01:19:41,445 --> 01:19:42,530 What? 798 01:19:42,822 --> 01:19:44,282 We got to go. 799 01:19:44,991 --> 01:19:46,659 (CURSES IN GERMAN) 800 01:19:47,160 --> 01:19:49,329 I thought it would... 801 01:19:49,412 --> 01:19:50,747 (CAR BRAKES SQUEAK) 802 01:19:54,460 --> 01:19:57,880 MARIE: Shit, that's Eamon. I'll talk to him. BOURNE: We're leaving. 803 01:20:01,342 --> 01:20:04,095 Eamon. Surprise. 804 01:20:04,178 --> 01:20:07,474 It's me, Marie. Wow, God... 805 01:20:08,266 --> 01:20:10,435 ...there's a really good reason for this. 806 01:20:10,644 --> 01:20:12,229 EAMON: There bloody well better be. 807 01:20:12,312 --> 01:20:14,940 CLAUDIA: Daddy! EAMON: Hang on. Hang on. 808 01:20:17,443 --> 01:20:19,779 I had no idea you would be here. 809 01:20:20,112 --> 01:20:23,074 Well, why would I be here? It's only my bloody house, right? 810 01:20:23,950 --> 01:20:24,993 MARIE: Yeah. 811 01:20:26,327 --> 01:20:27,996 Did she get you into this? 812 01:20:29,831 --> 01:20:31,458 It was just gonna be for a day. 813 01:20:31,541 --> 01:20:34,128 Daddy, Alain has to go pee! 814 01:20:35,087 --> 01:20:38,007 All right, all right, come on. Here. Get out of the car. 815 01:20:39,425 --> 01:20:41,052 Okay, in you go. 816 01:20:41,260 --> 01:20:42,845 EAMON: Come on, Alain. 817 01:20:44,305 --> 01:20:45,390 MARIE: I'm sorry. I... 818 01:20:45,473 --> 01:20:48,226 I thought it would be okay. But I guess I was wrong. 819 01:20:48,310 --> 01:20:49,853 - Let's find Mummy. - Mummy? 820 01:20:50,270 --> 01:20:52,314 Mummy is away for two days, thank God. 821 01:20:57,361 --> 01:20:59,363 BOURNE: You've got yourself all tied up here. 822 01:20:59,822 --> 01:21:00,907 BOURNE: Okay. 823 01:21:05,036 --> 01:21:06,538 What does he do for a living? 824 01:21:07,747 --> 01:21:09,332 He used to be in shipping. 825 01:21:12,294 --> 01:21:13,921 Is he good for you? 826 01:21:14,213 --> 01:21:15,714 Are you happy? 827 01:21:16,090 --> 01:21:18,300 You know me. I try too hard. 828 01:21:40,988 --> 01:21:43,906 Here you go. 829 01:21:44,046 --> 01:21:44,658 Sleep well. 830 01:21:44,742 --> 01:21:46,818 Good night. 831 01:21:48,429 --> 01:21:50,389 BOURNE: I'll sleep on the floor. 832 01:21:56,691 --> 01:21:59,152 CONKLIN: This was when? RESEARCH TECH 2: 11:45 a.m. 833 01:21:59,360 --> 01:22:02,030 Which is definitely within the driving range of Paris. 834 01:22:03,531 --> 01:22:05,617 RESEARCH TECH 1: The call came from a rest stop. 835 01:22:05,700 --> 01:22:07,536 CONKLIN: Yeah. What's this yellow pin? 836 01:22:07,619 --> 01:22:09,455 She spent two months there in 1997. 837 01:22:09,538 --> 01:22:11,373 Closest town is Riom. 838 01:22:13,667 --> 01:22:17,046 We took her family's phone records and collated the international calls. 839 01:22:17,130 --> 01:22:18,965 They were in Paris at 2.00 a.m. 840 01:22:19,132 --> 01:22:22,010 They can't fly. The train's too dangerous. 841 01:22:22,093 --> 01:22:24,846 He knows better than to go anywhere we might track him. 842 01:22:25,388 --> 01:22:26,932 So this is our best guess. 843 01:22:39,529 --> 01:22:43,158 (SUSPENSEFUL INSTRUMENTAL MUSIC) 844 01:23:26,204 --> 01:23:29,374 - What are you doing? - The kids. I was worried. I couldn't sleep. 845 01:23:29,458 --> 01:23:31,502 MARIE: You'll wake them up. We got to go. 846 01:23:31,585 --> 01:23:33,546 BOURNE: I don't want to know who I am anymore. 847 01:23:33,629 --> 01:23:36,757 I don't care. I don't want to know. 848 01:23:39,218 --> 01:23:43,181 MARIE: Come on. We'll talk about... BOURNE: Everything I found out, I wanna forget. 849 01:23:43,723 --> 01:23:44,808 It's okay. 850 01:23:44,891 --> 01:23:47,144 BOURNE: I don't care who I am or what I did. 851 01:23:48,729 --> 01:23:49,813 It's okay. 852 01:23:49,897 --> 01:23:51,273 BOURNE: We have this money. 853 01:23:52,691 --> 01:23:54,068 We can hide. 854 01:23:56,696 --> 01:23:59,490 Can we do that? Is there any chance you can do that? 855 01:24:07,708 --> 01:24:09,126 MARIE: I don't know. 856 01:24:14,548 --> 01:24:15,883 MARIE: Come on. 857 01:24:21,681 --> 01:24:23,224 (BIRDS CHIRPING) 858 01:24:23,308 --> 01:24:25,602 CLAUDIA: Here, boy! Here, boy! 859 01:24:28,564 --> 01:24:29,773 'Morning. 860 01:24:30,274 --> 01:24:32,401 EAMON: Christ. You were up early. 861 01:24:32,985 --> 01:24:34,695 Bless you for making coffee. 862 01:24:43,663 --> 01:24:45,415 One night. You weren't kidding. 863 01:24:46,124 --> 01:24:47,584 For a change. 864 01:24:48,085 --> 01:24:49,962 He's not there either. 865 01:24:50,879 --> 01:24:53,674 EAMON: And you looked by the car? CLAUDIA: He's not anywhere. 866 01:24:54,675 --> 01:24:56,427 All right, let me get dressed. 867 01:24:56,510 --> 01:24:59,013 BOURNE: Who? EAMON: Bloody dog's gone missing. 868 01:24:59,180 --> 01:25:00,765 Does that happen a lot? 869 01:25:00,849 --> 01:25:03,310 What? That mutt? Miss his breakfast? Not a chance. 870 01:25:03,393 --> 01:25:05,228 It's always something, right? 871 01:25:07,606 --> 01:25:09,358 Get in the basement. 872 01:25:09,650 --> 01:25:10,776 What? 873 01:25:11,735 --> 01:25:14,697 - Get everyone in the basement. - What the hell are you talking about? 874 01:25:14,780 --> 01:25:18,201 You're in danger. Your family's in danger. I don't have time to explain. 875 01:25:18,284 --> 01:25:20,203 EAMON: Wait a minute. What... MARIE: Eamon. 876 01:25:20,328 --> 01:25:21,704 You should go. 877 01:25:21,788 --> 01:25:24,416 EAMON: What the hell have you done? BOURNE: It's not her. It's me. 878 01:25:24,499 --> 01:25:27,961 You need to get out of sight and in the basement as quick as you can. 879 01:25:28,545 --> 01:25:29,755 CLAUDIA: Daddy. 880 01:25:34,844 --> 01:25:36,178 I'm sorry. 881 01:25:36,596 --> 01:25:37,889 Let's go. 882 01:25:37,972 --> 01:25:41,184 (SUSPENSEFUL MUSIC ESCALATES) 883 01:25:56,367 --> 01:25:58,327 MARIE: The phone is dead. BOURNE: Yeah. 884 01:25:59,621 --> 01:26:02,123 Jason, who's out there? Who is it? 885 01:26:10,549 --> 01:26:12,927 (CURSING IN GERMAN)Schei�e. Schei�e. 886 01:26:19,601 --> 01:26:21,060 MARIE: What are you doing? 887 01:26:21,853 --> 01:26:23,104 Oh, no. 888 01:26:27,359 --> 01:26:30,446 We should never have come here. I... These children... 889 01:26:30,529 --> 01:26:31,947 That's not gonna happen. 890 01:27:01,146 --> 01:27:04,774 (INTENSE RHYTHMIC MUSIC) 891 01:27:13,451 --> 01:27:14,994 (RAPID GUNFIRE) 892 01:28:01,294 --> 01:28:02,837 (GUNFIRE) 893 01:28:02,921 --> 01:28:06,550 (BIRDS SCATTER AND CHIRP) 894 01:28:39,585 --> 01:28:40,920 (GUNFIRE) 895 01:28:59,857 --> 01:29:02,694 BOURNE: Where is it? Where's the weapon? 896 01:29:06,323 --> 01:29:09,409 Who else is out here? Who else? How many you got with you? 897 01:29:09,493 --> 01:29:11,120 BOURNE: I'm not gonna ask you again. 898 01:29:11,996 --> 01:29:13,956 I work alone. Like you. 899 01:29:16,667 --> 01:29:18,461 We always work alone. 900 01:29:18,836 --> 01:29:21,464 BOURNE: What do you mean? PROFESSOR: Who are you? Rome? 901 01:29:21,548 --> 01:29:22,674 Paris? 902 01:29:24,843 --> 01:29:26,553 Treadstone, both of us. 903 01:29:26,636 --> 01:29:28,305 BOURNE: Treadstone? PROFESSOR: Which one? 904 01:29:28,388 --> 01:29:29,973 Paris. I live in Paris. 905 01:29:30,057 --> 01:29:31,725 PROFESSOR: You get the headaches? 906 01:29:32,685 --> 01:29:33,686 Yeah. 907 01:29:33,769 --> 01:29:35,771 I get such bad headaches. 908 01:29:36,314 --> 01:29:38,691 You know at night when you're driving a car? 909 01:29:38,775 --> 01:29:40,443 Maybe it's the headlights. 910 01:29:40,526 --> 01:29:42,278 What is Treadstone? 911 01:29:43,196 --> 01:29:45,323 Treadstone said pills. 912 01:29:47,159 --> 01:29:49,036 They said go to Paris. 913 01:29:49,286 --> 01:29:51,497 Is Treadstone in Paris? 914 01:29:53,749 --> 01:29:55,251 Look at this. 915 01:29:57,420 --> 01:29:59,380 Look at what they make you give. 916 01:30:24,324 --> 01:30:26,159 EAMON: All right, all right. 917 01:30:26,326 --> 01:30:29,204 All right, Claudia, get in the front and put your belt on. 918 01:30:29,288 --> 01:30:31,540 EAMON: All right, we're gonna put you in the back. 919 01:30:31,624 --> 01:30:33,751 All right, get in the front, Claudia. 920 01:30:38,923 --> 01:30:40,967 EAMON: I'm not waiting, Marie. 921 01:30:41,217 --> 01:30:43,053 - One minute, Eamon. - I'm not waiting! 922 01:30:43,136 --> 01:30:44,763 MARIE: Please! 923 01:30:45,847 --> 01:30:47,015 Take it. 924 01:30:47,099 --> 01:30:49,518 BOURNE: I took out $30,000. The rest is yours. 925 01:30:50,519 --> 01:30:52,479 MARIE: That's it? BOURNE: That's all I got. 926 01:30:55,399 --> 01:30:56,901 No, that's not what I meant. 927 01:30:56,984 --> 01:31:01,531 This is not gonna stop, Marie. You got to get out now. Away from me. 928 01:31:02,991 --> 01:31:05,494 BOURNE: You got to get out. You got to start running. 929 01:31:06,036 --> 01:31:07,746 You get low, you stay low. 930 01:31:07,829 --> 01:31:09,706 No more friends. Nothing familiar. 931 01:31:12,042 --> 01:31:15,755 There's enough in there for you to make a life. Any life. 932 01:31:15,838 --> 01:31:17,215 EAMON: I'm out of here, Marie! 933 01:31:17,298 --> 01:31:18,383 BOURNE: Hey! 934 01:31:21,135 --> 01:31:23,513 Get in the car. You got to go. 935 01:31:29,102 --> 01:31:30,979 What are you gonna do? 936 01:31:31,814 --> 01:31:33,065 I'll end it. 937 01:31:33,816 --> 01:31:35,109 Go ahead. 938 01:31:36,777 --> 01:31:37,987 BOURNE: Please. 939 01:32:38,970 --> 01:32:43,016 (DIALLING AND BEEPING) 940 01:32:56,447 --> 01:32:58,032 Code in, please. 941 01:32:59,033 --> 01:33:00,285 ZORN: Code in. 942 01:33:04,581 --> 01:33:05,832 Code in. 943 01:33:10,129 --> 01:33:11,547 BOURNE: Who is this? 944 01:33:17,345 --> 01:33:19,138 Who the hell are you? 945 01:33:22,809 --> 01:33:24,561 The man you sent is dead. 946 01:33:24,644 --> 01:33:27,022 So whoever this is, you better start talking. 947 01:33:28,774 --> 01:33:29,942 CONKLIN: Hello, Jason. 948 01:33:31,318 --> 01:33:33,279 So, what are we into now? 949 01:33:38,659 --> 01:33:42,122 Come on. It only goes two ways, Jason. Either you come in and let us make this right... 950 01:33:42,247 --> 01:33:44,291 ...or we'll keep going until we're satisfied. 951 01:33:44,374 --> 01:33:46,168 You mean until you kill me. 952 01:33:48,128 --> 01:33:50,714 I can't fix this if I don't know what the problem is. 953 01:33:50,798 --> 01:33:53,425 So tell me what we're into, and I'll do the best I can. 954 01:34:01,684 --> 01:34:04,229 Why don't you talk to Marie, Jason? 955 01:34:06,064 --> 01:34:09,985 CONKLIN: Let's ask Marie what she wants to do. BOURNE: I don't think she gives a shit. 956 01:34:10,068 --> 01:34:11,445 She's dead. 957 01:34:20,413 --> 01:34:22,916 I'm sorry to hear that. How did that happen? 958 01:34:23,041 --> 01:34:24,960 BOURNE: She was slowing me down. 959 01:34:26,169 --> 01:34:28,922 CONKLIN: Jason, listen. All we've been doing right from... BOURNE: Enough. 960 01:34:29,006 --> 01:34:30,007 Enough. 961 01:34:31,342 --> 01:34:33,677 5:30 p.m. Paris. 962 01:34:33,886 --> 01:34:35,596 Today. Pont Neuf. 963 01:34:35,888 --> 01:34:38,307 You come alone. You walk to the middle of that bridge. 964 01:34:38,433 --> 01:34:40,643 You take off your jacket. Face east. 965 01:34:40,727 --> 01:34:42,645 BOURNE: I'll redial this number. CONKLIN: Jason, wait! 966 01:34:43,355 --> 01:34:46,149 (TENSE INSTRUMENTAL MUSIC) 967 01:34:50,028 --> 01:34:51,572 (PHONE RINGS) 968 01:34:52,740 --> 01:34:57,161 First flight out. Tell Nicky I'll call from the car. Tell her to find Picot. Go. 969 01:35:00,123 --> 01:35:01,332 ABBOTT: So... 970 01:35:02,041 --> 01:35:03,543 What are we gonna do? 971 01:35:03,752 --> 01:35:06,046 I told you I'd clean this up. That's what I'm doing. 972 01:35:06,129 --> 01:35:07,798 Can you really bring him in? 973 01:35:08,757 --> 01:35:10,592 I think we're past that, don't you? 974 01:35:11,218 --> 01:35:12,845 Do you have a better idea? 975 01:35:12,928 --> 01:35:15,640 You've given me nothing but a trail of collateral damage... 976 01:35:15,723 --> 01:35:18,101 ...from Zurich to Paris. I don't think I could do much worse. 977 01:35:18,184 --> 01:35:21,020 Why don't you go upstairs and book a conference room? 978 01:35:21,104 --> 01:35:23,481 Maybe you can talk him to death. 979 01:35:33,993 --> 01:35:36,996 (SUSPENSEFUL INSTRUMENTAL MUSIC) 980 01:36:37,562 --> 01:36:39,939 (SUSPENSEFUL INSTRUMENTAL MUSIC CONTINUES) 981 01:36:40,523 --> 01:36:43,485 COP 1: The bus, the tour bus, second level. 982 01:36:44,819 --> 01:36:46,738 COP 2: Negative on the target. 983 01:36:49,575 --> 01:36:51,702 COP 4: Position one? COP 2: Negative. 984 01:36:51,827 --> 01:36:54,038 COP 4: Position two? COP 3: Negative. 985 01:37:00,378 --> 01:37:01,713 (SPEAKING FRENCH) 986 01:37:09,012 --> 01:37:11,598 COP 1: Position three, motorcycle. 987 01:37:12,641 --> 01:37:13,976 COP 3: Negative. 988 01:37:14,143 --> 01:37:15,186 COP 5: Negative. 989 01:37:32,663 --> 01:37:34,415 (CELL PHONE RINGS) 990 01:37:39,462 --> 01:37:40,547 Jason? 991 01:37:40,630 --> 01:37:44,551 I told you to come alone. I guess that was too complicated. 992 01:37:44,634 --> 01:37:46,470 BOURNE: So try this. I'm gone. 993 01:37:50,682 --> 01:37:51,684 Fuck. 994 01:37:51,767 --> 01:37:54,562 (SUSPENSEFUL RHYTHMIC MUSIC) 995 01:37:58,733 --> 01:38:00,568 CONKLIN: Get Nicky on the phone. 996 01:38:07,534 --> 01:38:08,869 (PHONE RINGS) 997 01:38:16,210 --> 01:38:17,253 NICKY: Yeah? 998 01:38:17,336 --> 01:38:19,881 CONKLIN: How long to wipe down the room and move it? 999 01:38:19,964 --> 01:38:21,925 NICKY: Get rid of everything? CONKLIN: Yeah. 1000 01:38:22,634 --> 01:38:25,387 NICKY: Two to three hours. CONKLIN: All right, get started. 1001 01:38:32,519 --> 01:38:33,813 Listen, no breaks. 1002 01:38:33,896 --> 01:38:36,774 Two men outside, one in the lobby. And keep your eyes open. 1003 01:38:39,444 --> 01:38:41,696 COP 1: Keep the truck? CONKLIN: Keep the truck. 1004 01:38:41,905 --> 01:38:44,991 I'm gonna close this unit down. We'll move the gear in the truck. 1005 01:39:02,260 --> 01:39:05,013 NICKY: They were covering Spain, Malta, Morocco. 1006 01:39:05,096 --> 01:39:07,683 Yes, all local police radio traffic. 1007 01:39:07,766 --> 01:39:11,311 No, for northern Europe we need an authorised directive. Yeah. 1008 01:39:12,438 --> 01:39:15,733 Okay, they're on it. We'll have a satellite download in 30 minutes. 1009 01:39:24,367 --> 01:39:25,702 (BEEPING) 1010 01:39:54,608 --> 01:39:57,195 (CAR ALARM SOUNDS) 1011 01:40:08,540 --> 01:40:11,335 (SPEAKING IN FRENCH) 1012 01:40:25,267 --> 01:40:27,185 CONKLIN: Where's your field box? 1013 01:40:31,815 --> 01:40:34,610 - Where's your field box? - It's right there. 1014 01:40:35,486 --> 01:40:37,822 NICKY: The whole system's gone haywire. 1015 01:40:38,239 --> 01:40:40,491 That's this window right here. 1016 01:40:40,825 --> 01:40:42,619 Dining room window? 1017 01:40:44,287 --> 01:40:45,831 I don't get it. 1018 01:40:47,958 --> 01:40:50,043 Dead. The phones are dead. 1019 01:40:52,129 --> 01:40:53,547 It's Bourne, isn't it? 1020 01:40:54,590 --> 01:40:55,967 Just quiet. 1021 01:41:43,727 --> 01:41:45,395 BOURNE: You move, you die. 1022 01:41:45,645 --> 01:41:46,688 CONKLIN: Bourne. 1023 01:41:47,064 --> 01:41:48,357 Gun down. 1024 01:41:54,405 --> 01:41:55,406 In there. 1025 01:41:57,200 --> 01:41:58,951 Okay, so what do you want... 1026 01:41:59,077 --> 01:42:00,453 BOURNE: Treadstone. 1027 01:42:00,995 --> 01:42:03,540 You better take a look around. There's not much left. 1028 01:42:03,623 --> 01:42:06,084 - Are you Treadstone? - Am I Treadstone? Me? 1029 01:42:06,168 --> 01:42:08,211 What the hell are you talking about? 1030 01:42:08,295 --> 01:42:09,755 He's lost it. 1031 01:42:09,963 --> 01:42:14,176 You better start filling in the blanks here! 'Cause I thought we were on the same side. 1032 01:42:14,301 --> 01:42:15,511 Whose side is that? 1033 01:42:15,636 --> 01:42:19,474 You don't know what you're doing, do you? You don't have a goddamn clue! 1034 01:42:19,807 --> 01:42:21,100 Who am I? 1035 01:42:21,351 --> 01:42:23,311 CONKLIN: You're U.S. government property! 1036 01:42:23,436 --> 01:42:26,606 You're a malfunctioning $30 million weapon! 1037 01:42:27,107 --> 01:42:29,026 You're a total goddamn catastrophe! 1038 01:42:29,151 --> 01:42:32,196 And, by God, if it kills me, you'll tell me how this happened. 1039 01:42:32,321 --> 01:42:35,282 - Why are you trying to kill me? - What happened in Marseilles? 1040 01:42:35,783 --> 01:42:38,077 BOURNE: You sent me to kill Wombosi. 1041 01:42:38,161 --> 01:42:41,206 CONKLIN: Kill Wombosi? Yeah, we can do that any time we want. 1042 01:42:41,289 --> 01:42:43,667 I can send Nicky to do that, for Christ's sake. 1043 01:42:44,209 --> 01:42:47,045 Mr. Wombosi was supposed to be dead three weeks ago. 1044 01:42:47,129 --> 01:42:50,799 He was supposed to have died in a way that the only possible explanation was... 1045 01:42:50,883 --> 01:42:53,928 ...that he'd been murdered by a member of his own entourage. 1046 01:42:54,011 --> 01:42:55,805 I don't send you to kill. 1047 01:42:55,930 --> 01:42:57,557 I send you to be invisible. 1048 01:42:57,640 --> 01:42:59,892 I send you because you don't exist. 1049 01:43:00,268 --> 01:43:02,395 I want to know what happened in Marseilles. 1050 01:43:02,479 --> 01:43:05,273 BOURNE: I don't remember what happened in Marseilles. 1051 01:43:05,357 --> 01:43:08,026 CONKLIN: Bullshit! This is unacceptable, soldier. 1052 01:43:08,110 --> 01:43:09,778 You hear me? You failed! 1053 01:43:09,862 --> 01:43:11,321 - Unacceptable? - You failed! 1054 01:43:11,447 --> 01:43:15,117 - You failed and you're gonna tell me why! - I can't tell you! I don't remember! 1055 01:43:15,201 --> 01:43:18,287 You brought Kane to life. You put together a meeting with Wombosi. 1056 01:43:18,496 --> 01:43:21,124 You found the security company. You broke into the office! 1057 01:43:21,207 --> 01:43:25,003 For Christ's sake, you picked the yacht as the goddamn strike point! 1058 01:43:32,887 --> 01:43:34,722 CONKLIN: (VOICE-OVER) You picked the boat. 1059 01:43:34,805 --> 01:43:37,225 You picked the day. You tracked the crew. 1060 01:43:37,308 --> 01:43:38,851 The food, the fuel! 1061 01:43:38,935 --> 01:43:41,688 You told us where. You told us when. 1062 01:43:42,272 --> 01:43:44,816 You hid out on that boat five days. 1063 01:43:44,983 --> 01:43:47,569 You were in, Jason. You were in! 1064 01:43:47,653 --> 01:43:49,154 It was over! 1065 01:43:50,489 --> 01:43:52,866 (FAINT ECHOES OF CHILDREN'S LAUGHTER) 1066 01:44:02,752 --> 01:44:05,130 (EERIE INSTRUMENTAL MUSIC) 1067 01:44:39,375 --> 01:44:40,710 (GUNFIRE) 1068 01:44:45,590 --> 01:44:48,176 (THUNDER AND LIGHTNING) 1069 01:44:49,803 --> 01:44:51,597 CONKLIN: No, you do remember. 1070 01:44:54,600 --> 01:44:55,977 Don't you? 1071 01:45:02,358 --> 01:45:04,402 I don't want to do this anymore. 1072 01:45:05,487 --> 01:45:08,031 I don't think that's a decision you can make. 1073 01:45:12,912 --> 01:45:15,581 BOURNE: Jason Bourne is dead. Do you hear me? 1074 01:45:15,998 --> 01:45:17,708 BOURNE: He drowned two weeks ago. 1075 01:45:18,000 --> 01:45:20,336 You're gonna go tell them Bourne is dead. Understand? 1076 01:45:20,420 --> 01:45:21,921 CONKLIN: Where are you gonna go? 1077 01:45:23,131 --> 01:45:27,010 I swear to God, if I even feel somebody behind me... there is no measure to how fast... 1078 01:45:27,094 --> 01:45:30,180 ...and how hard I will bring this fight to your doorstep. 1079 01:45:30,305 --> 01:45:32,224 I'm on my own side now. 1080 01:46:10,891 --> 01:46:12,643 (GRUNTING) 1081 01:46:23,154 --> 01:46:25,740 (GUN SHELLS FALL TO FLOOR) 1082 01:48:32,002 --> 01:48:35,005 (DRAMATIC INSTRUMENTAL MUSIC) 1083 01:49:07,207 --> 01:49:08,208 It's done. 1084 01:49:09,167 --> 01:49:10,627 Shut it down. 1085 01:49:25,310 --> 01:49:28,939 (SOFT INSTRUMENTAL MUSIC) 1086 01:49:48,752 --> 01:49:51,630 ABBOTT: The Treadstone project has already been terminated. 1087 01:49:51,714 --> 01:49:54,925 It was designed primarily as a sort of advanced game program. 1088 01:49:55,009 --> 01:49:57,720 We'd hoped it might build into a good training platform. 1089 01:49:57,804 --> 01:50:01,391 But quite honestly, for a strictly theoretical exercise... 1090 01:50:01,474 --> 01:50:03,810 ...the cost-benefit ratio was just too high. 1091 01:50:03,893 --> 01:50:05,979 It's all but decommissioned at this point. 1092 01:50:06,062 --> 01:50:07,647 MARSHALL: All right, what's next? 1093 01:50:07,731 --> 01:50:10,067 ABBOTT: Okay, this is... 1094 01:50:11,694 --> 01:50:12,903 ...Blackbriar. 1095 01:50:12,987 --> 01:50:16,198 Blackbriar is a joint DOD communications program... 1096 01:50:16,282 --> 01:50:20,370 ...that we really feel has good traction to it. It's got legs. It'll run and run. 1097 01:50:20,453 --> 01:50:24,291 It combines elements of proactive and reactive fields of security... 1098 01:51:08,213 --> 01:51:09,840 BOURNE: This your store? 1099 01:51:09,923 --> 01:51:11,050 MARIE: Yeah. 1100 01:51:12,509 --> 01:51:16,639 It's nice. It's a little hard to find, but... 1101 01:51:21,144 --> 01:51:22,937 Think I could rent a scooter? 1102 01:51:27,067 --> 01:51:28,568 You have ID? 1103 01:51:29,987 --> 01:51:31,363 Not really. 1104 01:51:43,562 --> 01:51:46,357 (FAST-PACED ROCK MUSIC) 1105 01:52:30,866 --> 01:52:32,925 ♪♪ Extreme ways are back again ♪♪ 1106 01:52:33,002 --> 01:52:35,562 ♪♪ Extreme places I didn't know ♪♪ 1107 01:52:35,638 --> 01:52:37,731 ♪♪ I broke everything new again ♪♪ 1108 01:52:37,807 --> 01:52:40,105 ♪♪ Everything that I'd owned ♪♪ 1109 01:52:40,176 --> 01:52:42,838 ♪♪ I threw it out the windows came along ♪♪ 1110 01:52:42,912 --> 01:52:47,315 ♪♪ Extreme ways I know will part the colors of my sea ♪♪ 1111 01:52:47,383 --> 01:52:49,977 ♪♪ Perfect color me ♪♪ 1112 01:52:50,052 --> 01:52:52,043 ♪♪ Extreme ways that help me ♪♪ 1113 01:52:52,121 --> 01:52:54,749 ♪♪ They help me out late at night ♪♪ 1114 01:52:54,824 --> 01:52:56,951 ♪♪ Extreme places I had gone ♪♪ 1115 01:52:57,026 --> 01:52:59,392 ♪♪ But never seen any light ♪♪ 1116 01:52:59,462 --> 01:53:01,794 ♪♪ Dirty basements, dirty noise ♪♪ 1117 01:53:01,864 --> 01:53:04,424 ♪♪ Dirty places coming through ♪♪ 1118 01:53:04,500 --> 01:53:06,434 ♪♪ Extreme worlds alone ♪♪ 1119 01:53:06,502 --> 01:53:09,062 ♪♪ Did you ever like it planned ♪♪ 1120 01:53:09,138 --> 01:53:12,369 ♪♪ I would stand in line for this ♪♪ 1121 01:53:13,642 --> 01:53:17,408 ♪♪ There's always room in life for this ♪♪ 1122 01:53:18,647 --> 01:53:20,979 ♪♪ Oh, baby ♪♪ 1123 01:53:21,050 --> 01:53:22,915 ♪♪ Oh, baby ♪♪ 1124 01:53:22,985 --> 01:53:25,715 ♪♪ Then it fell apart ♪♪ 1125 01:53:25,788 --> 01:53:28,086 ♪♪ Fell apart ♪♪ 1126 01:53:28,157 --> 01:53:30,421 ♪♪ Oh, baby ♪♪ 1127 01:53:30,493 --> 01:53:32,461 ♪♪ Oh, baby ♪♪ 1128 01:53:32,528 --> 01:53:35,190 ♪♪ Then it fell apart ♪♪ 1129 01:53:35,264 --> 01:53:37,732 ♪♪ It fell apart ♪♪ 1130 01:53:37,800 --> 01:53:40,200 ♪♪ Oh, baby ♪♪ 1131 01:53:40,269 --> 01:53:42,066 ♪♪ Oh, baby ♪♪ 1132 01:53:42,138 --> 01:53:44,800 ♪♪ Then it fell apart ♪♪ 1133 01:53:44,874 --> 01:53:47,399 ♪♪ It fell apart ♪♪ 1134 01:53:47,476 --> 01:53:49,706 ♪♪ Oh, baby ♪♪ 1135 01:53:49,779 --> 01:53:54,648 ♪♪ Oh, baby Like it always does ♪♪ 1136 01:53:54,717 --> 01:53:57,242 ♪♪ Always does ♪♪ 1137 01:53:57,319 --> 01:53:59,344 ♪♪ Extreme songs that told me ♪♪ 1138 01:53:59,422 --> 01:54:01,686 ♪♪ They helped me down every night ♪♪ 1139 01:54:01,757 --> 01:54:04,021 ♪♪ I didn't have much to say ♪♪ 1140 01:54:04,093 --> 01:54:06,493 ♪♪ I didn't get above the light ♪♪ 1141 01:54:06,562 --> 01:54:08,757 ♪♪ I closed my eyes and closed myself ♪♪ 1142 01:54:08,831 --> 01:54:13,666 ♪♪ And closed my world and never opened up to anything ♪♪ 1143 01:54:13,736 --> 01:54:16,466 ♪♪ That could get me along ♪♪ 1144 01:54:16,539 --> 01:54:18,507 ♪♪ I had to close down everything ♪♪ 1145 01:54:18,574 --> 01:54:20,906 ♪♪ I had to close down my mind ♪♪ 1146 01:54:20,976 --> 01:54:23,171 ♪♪ Too many things to cover me ♪♪ 1147 01:54:23,245 --> 01:54:25,679 ♪♪ Too much can make me blind ♪♪ 1148 01:54:25,748 --> 01:54:28,239 ♪♪ I've seen so much in so many places ♪♪ 1149 01:54:28,317 --> 01:54:30,547 ♪♪ So many heartaches, so many faces ♪♪ 1150 01:54:30,619 --> 01:54:32,883 ♪♪ So many dirty things ♪♪ 1151 01:54:32,955 --> 01:54:35,446 ♪♪ You couldn't even believe ♪♪ 1152 01:54:35,524 --> 01:54:38,960 ♪♪ I would stand in line for this ♪♪ 1153 01:54:40,162 --> 01:54:43,791 ♪♪ It's always good in life for this ♪♪ 1154 01:54:45,100 --> 01:54:47,295 ♪♪ Oh, baby ♪♪ 1155 01:54:47,369 --> 01:54:49,303 ♪♪ Oh, baby ♪♪ 1156 01:54:49,371 --> 01:54:52,033 ♪♪ Then it fell apart ♪♪ 1157 01:54:52,107 --> 01:54:54,541 ♪♪ It fell apart ♪♪ 1158 01:54:54,610 --> 01:54:56,840 ♪♪ Oh, baby ♪♪ 1159 01:54:56,912 --> 01:54:58,880 ♪♪ Oh, baby ♪♪ 1160 01:54:58,948 --> 01:55:01,508 ♪♪ Then it fell apart ♪♪ 1161 01:55:01,584 --> 01:55:04,212 ♪♪ It fell apart ♪♪ 1162 01:55:04,286 --> 01:55:06,447 ♪♪ Oh, baby ♪♪ 1163 01:55:06,522 --> 01:55:08,353 ♪♪ Oh, baby ♪♪ 1164 01:55:08,424 --> 01:55:11,120 ♪♪ Then it fell apart ♪♪ 1165 01:55:11,193 --> 01:55:13,753 ♪♪ It fell apart ♪♪ 1166 01:55:13,829 --> 01:55:16,093 ♪♪ Oh, baby ♪♪ 1167 01:55:16,165 --> 01:55:21,000 ♪♪ Oh, baby Like it always does ♪♪ 1168 01:55:21,070 --> 01:55:23,129 ♪♪ Always does ♪♪# 90047