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WHAT DO WE GOT? WATCH YOUR SHOE.
LYDIA CANTWELL. SHE LIVED IN THE BUILDING. IN HER MID‐20s.
NEVER SAW ONE LIKE THIS. HER ARMS ARE ALMOST HACKED OFF.
[SIPOWICZ] FIND A WEAPON? NO.
WITNESSES? MRS. LOUISE BROOKS, A NEIGHBOR.
SHE CALLED 911 WHILE IT'S HAPPENING. SHE'S OVER HERE.
WE WERE JUST A FEW BLOCKS AWAY.
MUST HAVE JUST MISSED THE GUY.
MRS. BROOKS? WHAT?
I'M DETECTIVE SIMONE. DETECTIVE SIPOWICZ.
DID YOU CALL THIS IN?
I WAS COMING BACK FROM GETTING MY MAIL.
AND SHE‐‐ MISS CANTWELL‐‐
SHE WAS COMING DOWN THE STAIRS.
I SAW THIS MAN GRAB HER, AND HE‐‐
I THOUGHT HE WAS PUNCHING HER.
I DIDN'T KNOW WHAT WAS GOING ON.
HE WAS STABBING HER, AND I DIDN'T DO‐‐ TAKE IT EASY.
SHE TRIED TO GET AWAY FROM HIM UP THE STEPS.
HE WOULDN'T STOP. HE KEPT AFTER HER.
WHAT DID THIS GUY LOOK LIKE?
HE WAS ABOUT 5'10",
GLASSES, A MUSTACHE‐‐
UH, KIND OF BROWN‐‐
A RAINCOAT...
AND HE KEPT STABBING AND STABBING AT HER! [SOBBING]
DID YOU KNOW MISS CANTWELL?
MRS. BROOKS, DID YOU KNOW MISS CANTWELL?
NO. SHE LIVED UP IN 2B.
[SIMONE] KNOW OF ANY RELATIVES?
HERE'S THE D. O. A.'S KEYS.
SHE NEVER GOT A CHANCE TO PUT THEM AWAY.
SEE WHAT YOU CAN FIND ON NEXT OF KIN.
MRS. BROOKS,
CAN YOU COME TO THE STATION? MAYBE YOU CAN HELP US...
GET A DRAWING MADE OF THE PERPETRATOR. I JUST STOOD THERE.
I SHOULD HAVE DONE SOMETHING.
YOU DID DO SOMETHING. YOU CALLED US. [GASPS]
ALL RIGHT.
JUST LOOK AT ME, MRS. BROOKS. ME.
JUST LOOK AT ME. COME ON.
OH, MY GOD. LOOK AT ME. IT'S ALL RIGHT.
O.K.? THERE WE GO.
IT'S ALL RIGHT. IT'S ALL RIGHT.
RIGHT OVER HERE.
DETECTIVE, GOT A MINUTE? YEAH. WHAT'S UP?
PICKED UP TWO GUYS ON A CAR STOP.
CAME UP WITH 1/2 GRAM OF COKE.
ONE GUY SAYS HE KNOWS YOU.
YEAH, UM, GIVE ME A SECOND.
WHAT HAVE WE GOT?
THE JAMES STREET HOMICIDE.
THIS IS MRS. LINDA BROOKS.
SHE WAS A WITNESS.
WE APPRECIATE YOUR COOPERATION.
MRS. BROOKS IS GOING TO HELP US WITH THE SKETCH.
RIGHT OVER HERE.
WHAT DO WE KNOW? 25‐YEAR‐OLD FEMALE.
SHE WAS LEAVING HER APARTMENT.
SHE WAS STABBED, LIKE, 50 TIMES.
GRISLY. SHE STILL HAD HER PURSE.
NOTHING EXCEPT FOR THIS WITNESS.
WITNESS GET A GOOD LOOK?
YEAH. SHE GAVE A GOOD DESCRIPTION.
JAMES FOUND THE MOTHER'S PHONE NUMBER.
THE MOTHER WASN'T IN.
WE LEFT WORD WITH HER SUPER TO CONTACT US.
THE CRIME SCENE LIFTED BLOOD SAMPLES.
I'LL VOUCHER THESE AND SEND THEM TO THE M. E.'s. O. K.
I GOT TO MEET THE NEW BOSS.
OH, YEAH? WHAT DO YOU HEAR?
I DON'T KNOW.
WHO'S THIS GUY SUPPOSED TO KNOW ME?
HIS NAME'S RAYMOND diSALVO.
‐ HE WAS HOLDING? ‐ NO, HE WAS A PASSENGER.
‐ COKE WAS IN THE DOOR POCKET... ON THE DRIVER'S SIDE. ‐ WAS IT A GOOD SEARCH?
DRIVER'S HALF A SMART ASS,
SO I'M SAYING IT WAS ON THE FRONT SEAT.
diSALVO GIVE YOU ANY TROUBLE?
NO, BUT HE KNEW WHAT WAS GOING ON.
THIS COULD GO AWAY. IF I WRITE IT IN THE DOOR POCKET,
I'LL LOSE IN COURT ANYWAY. YEAH, I HEAR YOU.
LET ME TALK TO THIS GUY. I'LL FIND YOU.
SARGE WILL WANT TO KNOW.
ALL RIGHT. THANKS.
I GOT TO TALK TO ONE OF THE COLLARS.
THERE YOU GO.
THANKS.
RAY?
BOBBY SIMONE.
MAN, ARE YOU A SIGHT FOR SORE EYES.
WHAT'S GOING ON HERE?
I DIDN'T KNOW THERE WERE DRUGS IN THE CAR.
I'M CATCHING A RIDE WITH TOMMY HERE.
HE'S TELLING THE TRUTH.
YOU LOOK GOOD. HOW LONG'S IT BEEN?
MARY'S FUNERAL‐‐ A TERRIBLE DAY.
LET'S DEAL WITH THIS. LOOK, HE DIDN'T KNOW.
THAT'S TRUE, BOBBY.
I DIDN'T KNOW ABOUT ANY DRUGS.
‐ SO, YOU'RE CATCHING... A RIDE WITH‐‐ ‐ TOMMY.
TOMMY. EXACTLY. WE GET PULLED OVER FOR A BUSTED TAILLIGHT.
‐ THERE'S SOME COKE... IN THE SIDE POCKET. ‐ IT WAS NOTHING, MAN.
MUST HAVE BEEN IN THERE WHEN I BOUGHT THE CAR.
I'M FINALLY ON TO A GOOD THING. I'M NOT GONNA SCREW UP NOW.
GOT A PIECE OF A CLUB. DID I TELL YOU? NAH.
IT'S A GREAT PLACE. YOU GOT TO COME DOWN. BRAZILIAN MUSIC, SALSA.
I BEEN FINANCIALLY STRUGGLING THE LAST COUPLE OF YEARS.
I'M NOT GOING TO SCREW UP NOW.
ALL RIGHT.
LET'S SEE WHAT WE CAN DO TO MAKE THIS GO AWAY.
WHAT DID I TELL YOU, TOMMY?
THE COP SAYS YOU HAVE AN ATTITUDE PROBLEM, TOMMY.
I'M SORRY. I LOST MY TEMPER.
I FEEL VERY BAD ABOUT THAT.
SEE, THERE'S SOME CONFUSION AS TO WHERE IN THE CAR THE DRUGS WERE DISCOVERED.
IT COULD BE AN ILLEGAL SEARCH. THAT'S WHAT I WAS SAYING.
I'M NOT SAYING IT WAS AN ILLEGAL SEARCH, RAY.
I'M SAYING THERE WAS SOME CONFUSION.
RIGHT. UNDERSTOOD.
THEY MAY VOUCHER THE COKE AS FOUND PROPERTY AND LET YOU GUYS GO.
OH, BOY, THAT WOULD BE GREAT.
IF THAT HAPPENS, RAY, YOU GOT TO STAY OUT OF TROUBLE.
THAT'S TRUE. I'M NOT GOING TO SCREW UP NOW.
I GOT A PIECE OF THIS CLUB.
IT'S A GREAT CLUB, DETECTIVE. YOU SHOULD COME DOWN.
YOU THINK THEY'LL LET US GO?
YEAH. I WOULDN'T BE SURPRISED.
I REALLY APPRECIATE IT, BOBBY.
SEE YOU DOWN THERE‐‐ RIO. IT'S IN BAY RIDGE.
PROMISE YOU'LL COME SEE ME, OKAY? I MIGHT STOP BY.
‐ TAKE CARE OF YOURSELF, RAY. ‐ YOU COME SEE ME, BOBBY.
THANKS.
THE HAIR SHOULD BE SHORTER. WHAT ABOUT THE GLASSES?
SHE'LL PUT IN THE GLASSES. MRS. MACHURSKI?
MISS MACHURSKI. LISA MACHURSKI.
YOU NEED TO TALK TO A DETECTIVE? YES... I THINK SO.
WHAT SEEMS TO BE THE PROBLEM?
MAYBE THERE ISN'T A PROBLEM.
I JUST HAVE SOME QUESTIONS.
WHY DON'T YOU TELL ME ABOUT IT? WELL,
THREE WEEKS AGO, I BOUGHT THIS BOX.
WHAT WAS IN IT?
OH, THAT'S THE WAY I BOUGHT IT.
THE LINING'S A NOBLE METAL ALLOY...
WHICH PUTS OUT PARTICLES THAT MOISTURIZE THE SKIN...
AND DESTABILIZE CELLULITE DEPOSITS. I SEE.
WHEN YOU PUT THE POWER PACK HERE,
IT ACTIVATES THE BOX.
WHEN YOU WEAR IT OVER YOUR HEAD FOR TWO HOURS A DAY,
YOU WILL SEE A MARKED IMPROVEMENT IN YOUR APPEARANCE.
HOW MUCH DID YOU PAY FOR THIS BOX?
I PAID $2,000 FOR THAT BOX,
AND I'M SUPPOSED TO GET THE SECOND MONTH POWER PACK...
RENEWED THIS AFTERNOON FOR AN ADDITIONAL $600.
DO YOU FEEL THIS IS A CONFIDENCE GAME?
A FRAUD? MM‐HMM.
IS THAT WHAT YOU THINK? YES, IT IS. WHO SOLD YOU THIS BOX?
HIS NAME IS MAC McCLELLAN.
HE SEEMS VERY NICE. THEY USUALLY DO.
YOU WAIT HERE WHILE I GET SOME PAPERWORK GOING.
OH, THE BLACK BOX GUY, HUH? YOU KNOW ABOUT THIS?
HE WORKED THE FULTON MALL A FEW YEARS AGO.
MY BUDDY TOLD ME ABOUT IT.
THEY COULD NEVER GET ENOUGH TO HOLD HIM.
EVERY PLAIN JANE ON THE LOWER EAST SIDE...
WILL BE THROUGH HERE IN THE NEXT FEW WEEKS.
THIS THING WITH CAPTAIN HAVERILL LEAVING...
‐ KIND OF A HIT... FROM LEFT FIELD. ‐ MM‐HMM.
I DON'T KNOW IF I'M PERMANENT OR NOT.
LONG AS I'M ZONE COMMANDER,
I WANT YOU TO KNOW WHAT YOU CAN EXPECT FROM ME.
THAT'S GOOD. TWO THINGS‐‐
ONE, I BELIEVE IN OPEN, HONEST DIALOGUE.
TWO, I JUDGE A MAN ON HIS PERFORMANCE AND NOTHING ELSE.
IF THAT'S A DEPARTURE FROM HAVERILL'S APPROACH, SO BE IT.
ON OVERTIME‐‐ I WANT TO APPROVE ALL OVERTIME IN ADVANCE.
‐ THAT'S GONNA MAKE FOR... A LOT OF PHONE CALLS. ‐ PART OF MY ADJUSTMENT.
GIVE ME A CHANCE TO GET TO KNOW THE WORKINGS OF THE SQUAD.
I'VE BEEN IN UNIFORM MY WHOLE CAREER.
I NEVER DID UNDERSTAND THE GLAMOUR OF THE DETECTIVE BUREAU.
DETECTIVES AREN'T SO BAD.
ON THIS CANTWELL HOMICIDE,
YOU'RE GOING TO KEEP ME APPRISED ON THAT.
WANT TO MEET THE DETECTIVES?
I'LL GET TO KNOW THEM AS WE GO ALONG.
IN TERMS OF OUR OWN COMMUNICATION‐‐
ANY TIME, ANY REASON. O. K.
NEW ZONE COMMANDER. GOOD TO MEET YOU, BOSS.
MY NAME IS AGNES CANTWELL.
‐ I RECEIVED A MESSAGE... TO CONTACT DETECTIVE SIMONE. ‐ ANDY.
DETECTIVE?
I'M DETECTIVE SIMONE, MA'AM.
YOU CALLED THE SUPER AT MY BUILDING. YES, MA'AM.
WHY DON'T WE GO IN THE COFFEE AREA.
WHY DID YOU CALL HIM? WHAT'S GOING ON?
HERE WE GO.
SO‐SO THIS IS‐THIS IS THE‐THE COFFEE AREA? YES, MA'AM.
SIT DOWN RIGHT HERE.
MRS. CANTWELL,
IS LYDIA CANTWELL YOUR DAUGHTER?
OH, MY GOD.
MA'AM, YOUR DAUGHTER WAS ASSAULTED THIS MORNING ON HER WAY TO WORK.
OH, WHAT HAPPENED TO HER?
IS SHE‐‐ IS SHE GONE?
I'M SORRY. BUT SHE'S GONE?
YES, SHE'S‐‐ SHE‐SHE WAS KILLED?
OH. OH. OH, MY GOD.
OH, NO.
[SOBBING]
I'M GOING TO GET YOU A GLASS OF WATER.
WHERE ARE YOU GOING?
TO GET YOU A GLASS OF WATER.
YEAH. YEAH, YOU GO. YOU‐‐
YOU GET ME A GLASS OF WATER.
AND THEN I'M GOING TO TELL YOU WHO KILLED HER.
HERE'S YOUR WATER. THANK YOU.
MRS. CANTWELL, THIS IS DETECTIVE SIPOWICZ.
WE'RE WORKING THE CASE TOGETHER.
SORRY FOR YOUR LOSS.
MY EX‐HUSBAND DID THIS.
HE KILLED YOUR DAUGHTER?
HE'S NOT LYDIA'S FATHER.
HE'S MY SECOND HUSBAND. HIS NAME IS DERRICK COBB.
HE'S A MECHANIC FOR THE TRAFFIC ENFORCEMENT DEPARTMENT.
HOW DO YOU KNOW HE KILLED YOUR DAUGHTER?
WE'VE BEEN DIVORCED FOR 18 MONTHS,
AND EVER SINCE THEN, HE'S CALLED OR‐OR...
HE SHOWED UP AND SAYS...
HE'S GOING TO FIND THE WORST WAY HE CAN TO HURT ME.
HE GETS DRUNK, AND HE CALLS,
OR HE COMES TO MY BUILDING.
HE'S ALWAYS BEEN VIOLENT.
HE SAID KILLING ME, THAT WOULD BE TOO EASY.
HE WANTED TO WATCH ME SUFFER.
DID ANYONE EVER HEAR HIM MAKE THE THREATS?
I DON'T KNOW.
I'VE HEARD THEM OFTEN ENOUGH.
AND THEN LAST WEEK, LYDIA SAID...
THAT HE WAS FOLLOWING HER...
IN SOME KIND OF STUPID DISGUISE.
DID SHE DESCRIBE THE DISGUISE?
YEAH. FAKE MUSTACHE AND A TRENCH COAT,
BUT SHE COULD STILL RECOGNIZE HIM.
IS THIS THE MAN?
HE'S DONE EXACTLY WHAT HE SAID HE WOULD DO.
I LOVED MY DAUGHTER SO MUCH,
AND HE'S TAKEN HER FROM ME.
IS THE MAN IN THAT SKETCH YOUR EX‐HUSBAND?
YEAH, THAT'S HIM.
THAT'S HIM.
WHAT CAN I DO FOR YOU?
DETECTIVES.
DERRICK COBB. IS HE AROUND?
JUST MISSED HIM. HIS SHIFT ENDED 15 MINUTES AGO.
HE BEEN HERE ALL DAY?
DID A 6:00 TO 2:00. WHY?
HIS SHIFT STARTED AT 6:00 THIS MORNING?
AND YOU SAW HIM HERE THE WHOLE TIME?
HE WORKS IN THE GARAGE. I SIT AT THE DESK.
I SAY HE WAS HERE, HE WAS HERE.
DOES HE TAKE THESE TRUCKS OUT FOR A TEST DRIVE? YEAH.
HE COULD BE GONE FOR FIVE OR SIX MINUTES. HEY.
HEY. WHERE ARE YOU GOING?
YEAH. THIS MORNING HE TOOK ONE TEST DRIVE‐‐
9:15, BACK AT 9:25.
WHOSE HANDWRITING IS THAT?
YOU SIGN YOURSELF IN AND OUT.
HE COULD HAVE PUT DOWN ANYTHING. NO.
‐ I'M TELLING YOU... I SAW HIM ALL DAY. ‐ THANKS.
YEAH, HE SAW HIM THROUGH THE HOLE IN HIS NEWSPAPER.
LET'S JUST SET UP AT COBB'S HOUSE.
LET US KNOW WHEN YOU'VE GIVEN HIM THE MONEY.
WE'LL TAKE IT FROM THERE. HOW DO I DO THAT?
A WAVE, A NOD. WHATEVER YOU'RE COMFORTABLE WITH...
‐ WE'LL BE AT THE BAR. ‐ I'M A LITTLE NERVOUS.
WE'RE RIGHT HERE. WE WON'T LET ANYTHING HAPPEN TO YOU.
NO. NO, I KNOW THAT.
I DON'T KNOW, I'M JUST BEING SILLY.
DON'T WORRY. I'LL BE FINE.
O.K.
I FEEL BAD, BUT HOW CAN PEOPLE FALL FOR THIS STUFF.
PEOPLE WANT TO FEEL BETTER ABOUT THEMSELVES. I WANT TO BE TALLER,
BUT I AIN'T GOING TO STICK MY HEAD IN AN EMPTY BOX.
HERE WE GO.
EXCUSE ME. I'M LOOKING FOR A FRIEND, AND I JUST, UH‐‐
‐ LISA, IS THAT YOU? ‐ HELLO, MR. McCLELLAN.
I DIDN'T RECOGNIZE YOU.
MY GOODNESS, YOU ARE RADIANT.
OH, NO. AS LONG AS I HAVE BEEN SELLING THIS PRODUCT,
IT STILL AMAZES ME WHEN I SEE RESULTS LIKE THIS.
SO, HOW DO YOU FEEL? YOU MUST BE THRILLED.
TO TELL YOU THE TRUTH,
I WASN'T ENTIRELY SURE THE BOX WAS WORKING.
EITHER YOU'RE IN LOVE OR THE BOX IS WORKING.
YOU'RE GLOWING.
MAY I?
I ASSUME YOU WANT TO CONTINUE WITH YOUR TREATMENTS.
ACTUALLY, I'VE BEEN UNSURE ABOUT THAT.
WELL, I'M NOT SURPRISED. NO?
THE RESULTS I SEE ARE EXTRAORDINARY.
I'M NOT SURE YOU NEED A FOLLOW‐UP MONTH. NOT?
BESIDES, YOU PROBABLY WANT TO SLOW THINGS DOWN A LITTLE RIGHT NOW.
I'M NOT SURE WHAT YOU MEAN.
IN FOUR SHORT WEEKS, YOU HAVE BECOME AN EXCEPTIONALLY STRIKING WOMAN.
PEOPLE‐‐
MEN ARE GOING TO START TREATING YOU VERY, VERY DIFFERENTLY.
I'D BE SCARED TOO. MAYBE I CAN HELP YOU WITH THIS PART.
IS THERE A CHANCE YOU'RE FREE FOR DINNER TONIGHT?
I KNOW IT'S SHORT NOTICE, BUT...
WE NEED TO TALK ABOUT THIS. DINNER?
WELL... YES.
I THINK I CAN MOVE MY CALENDAR AROUND.
I'LL SEE YOU TONIGHT.
DID WE GET A SIGN? WHAT THE HELL'S GOING ON? SHE LET HIM GO.
‐ WHAT HAPPENED, MISS MACHURSKI? ‐ LOOK, THIS WAS A MISTAKE.
HE CONNED YOU. HE STOLE $2,000.
HE DIDN'T ASK FOR ANY MONEY.
‐ YOU MEETING HIM LATER? ‐ I DON'T WANT TO PRESS CHARGES.
‐ LISA. ‐ I MAY HAVE UNDERESTIMATED...
HOW MUCH THE BOX HAS HELPED ME...
YOU DIDN'T SEE ME BEFORE. HOW COULD YOU KNOW IF THE BOX WAS WORKING?
[RADIO] ♪ MY LITTLE PRETTY ONE, PRETTY ONE ♪
♪ WHEN YOU GONNA GIVE ME SOME TIME, SHARONA‐‐ ♪
NO ONE THERE? NO.
I CALLED IN. I TOLD THEM WE WERE...
SITTING ON THIS GUY'S PLACE. YOU CHANGED MY STATION?
PUT IT BACK.
♪ ["DUKE OF EARL"]
GOT TO BE THE OLDIES, HUH, ANDY? YOU CAN TURN IT OFF.
I JUST DON'T LIKE THAT OTHER CRAP. NO, THIS IS GOOD.
♪ YAY, YAY, YAY, YEAH ♪
♪ DUKE OF EARL DUKE, DUKE‐‐ ♪
I'M GOING TO GET ACCOMPANIMENT HERE NOW?
IT'S A GREAT TUNE. YOU SEEM VERY CHEERY TODAY.
OH, YEAH? [SINGING]
MAYBE YOU JUST GOT LAID.
♪ AND A PARADISE WE WILL SHARE ♪
♪ YES, I ♪ [SNAPPING FINGERS]
[BOTH SINGING] ♪ OH, I'M GONNA LOVE YOU ♪
♪ OH, OH ♪
♪ NOTHING CAN STOP ME NOW ♪
♪ BA BA ♪ ♪ 'CAUSE I'M THE DUKE OF EARL ♪
[TOGETHER] ♪ OH, YAY, YAY, YAY, YEAH ♪
♪ OOH OOH OOH OOH OOH ♪
WHAT'S GOING ON?
♪ OOH OOH OOH OOH ♪
NOTHING. WHAT ARE YOU DOING HERE?
THEY WANT YOU GUYS BACK AT THE SQUAD. WHAT?
WE'RE SITTING ON A GUY'S HOUSE.
‐ THEY WANT US TO TAKE IT. ‐ THEY WANT YOU TO TAKE IT?
WH0A‐WHOA. DID YOU GET THE DESCRIPTION OF THE GUY?
DERRICK COBB. THEY GAVE US HIS PHOTO.
WHAT THE HELL IS GOING ON HERE?
WE'LL TAKE YOU GUYS' SPOT.
ALL RIGHT. YEAH.
LET ME KNOW WHERE YOU'RE COMING FROM. EXCUSE ME.
YOU GOT SOMETHING YOU NEED US TO DO, LIEUTENANT?
I'M SENDING YOU GUYS HOME. [SIPOWICZ] THEY DON'T KNOW NOTHING ABOUT THIS CASE.
‐ PULLING YOU GUYS WAS MY CALL. ‐ CAPTAIN BASS, DETECTIVES... SIMONE AND SIPOWICZ.
CAPTAIN. HOW'S IT GOIN'?
I WANT TO MAKE SURE WE STAY JUSTIFIED ON OVERTIME.
WITH FOUR DETECTIVES WORKING I COULDN'T SEE KEEPING YOU ON THE CLOCK.
I MADE SURE THEY WERE BRIEFED.
‐ YOU BRIEFED THEM... ON OUR CASE? ‐ O. K.
‐ GOOD TO MEET YOU. ‐ GOOD TO MEET YOU.
[SCOFFS] FIVE MINUTES AFTER MY SHIFT. WHAT AM I STILL DOING HERE?
♪ [LATIN DANCE]
WHERE'S JOHN TRAVOLTA?
I'M LOOKING FOR A BUDDY.
A FAMILIAR FACE AT THE COAT CHECK. LOU MINETTI.
HE WAS A LINARDI SOLDIER. HE STILL IS.
‐ HEY, YOU CAME! ‐ RAY.
BENITA ALDEN, RAY diSALVO.
THIS IS RAY'S PLACE. HELLO.
NICE TO MEET YOU. NICE TO MEET YOU.
LOOKS LIKE YOU STRUCK GOLD.
I MAY HAVE EXAGGERATED IF I SAID THIS WAS MY PLACE.
RAY. RAY. IT'S JUST A MATTER OF TIME AND LEGAL WORK.
LET ME GET YOU SOMETHIN'. THESE ARE MINE.
ONE ROUND, THEN I'LL PAY FOR MY OWN. WE GREW UP TOGETHER,
NOW I CAN'T EVEN BUY HIM A DRINK.
I'LL BE RIGHT BACK. BATHROOM. WHERE YOU GOIN'?
‐ WHAT ARE YOU DRINKING? ‐ BEER'S FINE.
‐ SIT THERE, BOBBY. ‐ WHAT CAN I GET YOU?
TWO DRAFTS.
"ONE ROUND, RAY. THEN I GOT TO PAY FOR MY OWN."
YOU WERE ALWAYS SO STRAIGHT EVEN WHEN YOU WERE LITTLE.
WHO OWNS THIS PLACE? AN INVESTMENT GROUP OUT OF BROOKLYN.
‐ THIS GROUP HOOKED UP? ‐ THESE ARE LEGITIMATE... BUSINESSMEN‐‐
RAY, IT'S A WHO'S WHO IN HERE.
WISE GUYS KNOW HOW TO HAVE A GOOD TIME. THEY SPEND A LOT OF MONEY.
THIS IS NOT A BAD THING FOR A NIGHTCLUB.
YOU MIXED UP WITH THESE GUYS? WHAT IS THIS?
YOU USED TO LOOK OUT FOR ME. I'M TRYING TO DO THE SAME.
I GOT A CHANCE TO GET A PIECE OF SOMETHING HERE.
AM I SUPPOSED TO PASS ON THAT? I DON'T KNOW.
I'M O. K. HERE. MY NOSE IS CLEAN. GOOD.
YOU'RE SUPPOSED TO BE HAVING A GOOD TIME. BENITA, COME HERE WITH ME.
WHERE ARE WE GOING? WE'RE GOING TO DANCE.
‐ HE USED TO BE THE BEST. ‐ I STILL GOT MY CHOPS.
I TOLD YOU. THERE'S NOTHING TO WORRY ABOUT.
WE'RE IN GOOD SHAPE HERE, O. K.? HEY, SARGE,
THE GUY WITH THE LAWYER.
DERRICK COBB. HE'S THE SUSPECT IN MY HOMICIDE.
THEY BROUGHT HIM IN 1:30 THIS MORNING.
DERRICK COBB?
WHO ARE YOU?
DETECTIVE SIPOWICZ. YOU GOT A MINUTE?
I'M MR. COBB'S ATTORNEY, AND HE'S DONE TALKING.
YOUR EX‐WIFE'S DAUGHTER GOT MURDERED. DON'T YOU WANT TO HELP US?
‐ HAVE YOU TALKED... TO MY EX‐WIFE? ‐ DERRICK, BE QUIET.
HE'S ALREADY BEEN INTERVIEWED, AND HE'S PASSED THE LINEUP.
YOU'VE GOT NO GROUNDS TO HOLD HIM. HE'S GOT A RIGHT NOT TO SPEAK.
GIVE MY EX‐WIFE MY SYMPATHIES.
ANDY. VINCE, COME HERE. COME HERE A SECOND.
YOU RUN A LINEUP ON MY CASE, AND I DON'T GET A CALL?
WE WERE GONNA CALL YOU. THIS IS MY HOMICIDE.
THE SARGE HAD TO CALL THIS NEW CAPTAIN,
AND HE WOULDN'T AUTHORIZE THE OVERTIME. DID YOU QUESTION THIS GUY?
MULLIGAN AND SHARMA BROUGHT HIM IN. THEY RAN THE SHOW.
FIFTEEN MINUTES AFTER THEY START TALKIN' TO HIM, THE GUY LAWYERS UP.
THE LAWYER SAID THE LINEUP'S GOT TO BE RIGHT AWAY.
ANDY, BETWEEN THE MUSTACHE DISGUISE AND THE LOOK‐ALIKES THEY BROUGHT IN,
THE GUY'S MOTHER WOULDN'T HAVE RECOGNIZED HIM. WHAT'S GOIN' ON?
NIGHT WATCH PICKED UP COBB. THIS NEW BOSS WON'T LET HIM CALL US.
I'M SORRY. I'LL SEE YOU. COBB'S HERE NOW?
HE'S OUT THE DOOR. HE BEAT THE LINEUP.
THESE MEATBALLS LET HIM GO.
ONE OF YOU GUYS COULD HAVE DROPPED A DIME. I WOULD HAVE COME IN.
HUH? SIPOWICZ, WE DID OUR JOB.
YEAH. YOUR WITNESS COULDN'T I. D. THE GUY,
THAT MRS. BROOKS.
YOU DRAGGED A 60‐YEAR‐OLD WOMAN HERE...
IN THE MIDDLE OF THE NIGHT?
‐ GUY'S LAWYER MADE US... RUN THE LINEUP. ‐ TOMMY, WE'RE LATE.
YOU GOT A LANDSCAPING BUSINESS...
OUT ON THE ISLAND, RIGHT?
WE GOT TO APOLOGIZE FOR THAT?
NO. GO ROLL AROUND IN YOUR FERTILIZER, YOU TURDS.
HEY, MEN. CAPTAIN.
‐ HEY, VINNIE. ‐ HERE COMES BASS.
I'VE BEEN ASKING AROUND ABOUT THIS GUY.
THIS GUY HAS NOT SPENT DAY ONE IN THE BUREAU.
HE THINKS WE'RE CHEATING ON OVERTIME.
MAYBE HE CAN EXPLAIN THAT...
TO THE DEAD GIRL'S MOTHER.
[KNOCKS]
GOOD MORNING. GOOD MORNING.
I UNDERSTAND YOUR WITNESS DIDN'T PICK COBB OUT.
‐ COBB LAWYERED UP. ‐ WHICH IS HIS RIGHT.
THAT'S 100% CORRECT.
EVEN KILLERS GOT A RIGHT TO A LAWYER.
WE SURE WE GOT THE RIGHT GUY?
I'VE BEEN CATCHING HOMICIDES 18 YEARS.
NO WAY THIS ISN'T THE GUY.
IT HAPPENS. HOW DO WE FIX IT?
WE GO AT HIS ALIBI, GO BACK TO THAT GARAGE.
TALK TO THAT FAT‐ASSED SUPERVISOR.
IF COBB'S OUT THERE, DON'T TOUCH HIM.
JUST TALK TO HIS BOSS.
‐ BOBBY, BEFORE YOU GO? ‐ YEAH.
YOU WERE AT A CLUB IN BAY RIDGE LAST NIGHT?
PLACE CALLED RIO?
[CHUCKLES] YOU GOT THE 4‐1‐1. YEAH, I WAS THERE.
STAY CLEAR OF IT. NARCOTICS HAS AN OPERATION GOING ON IN THERE.
ONE OF THEIR PEOPLE SPOTTED YOU. WHO'S GOING DOWN?
THEY SAID THE OWNERS.
ALL RIGHT. I'LL STAY AWAY. THANKS, LIEU.
IF NIGHT WATCH SCREWED UP,
MAYBE THOSE MEN SHOULD BE LOOKED AT.
EVERY DETECTIVE SHOULD BE COMPETENT.
THAT'S A NICE THEORY,
BUT THIS ISN'T A UNIFORM PATROL...
WHERE ASSIGNMENTS ARE INTERCHANGEABLE.
NIGHT WATCH DON'T WANT TO CATCH CASES.
IT'S A CUSTODIAL SHIFT.
THE GUYS WORK TILL THEY'RE DONE,
WITH OR WITHOUT OVERTIME.
WE'RE GOING TO COME OUT ALL RIGHT?
I DON'T KNOW, CAPTAIN.
CAN I USE YOUR PHONE, TIM? SURE.
EXCUSE ME. COULD I SPEAK TO A DETECTIVE?
OH. YEAH. SURE. JUST A SEC.
WAIT RIGHT THERE.
DETECTIVE, THERE'S ANOTHER ONE OF THOSE LADIES HERE.
CAN I HELP YOU? I JUST HAVE SOME QUESTIONS.
IN REGARDS TO THIS BLACK BOX?
ARE YOU FAMILIAR WITH THIS? IT'S BOGUS.
THE MAN WHO SOLD IT TO ME SEEMED SO NICE.
I'M GONNA SHUT THIS GUY DOWN.
MISS, UH‐‐ BRENDA.
HAVE A SEAT?
LOOK AT THIS COCKY PRICK.
YOU GUYS AGAIN.
WE NEED TO TALK MORE.
I GOT NOTHING MORE TO TELL YOU.
HEY, WE ARE INVESTIGATING A HOMICIDE.
NOW WE NEED TO BE ABSOLUTELY SURE...
ABOUT DERRICK COBB'S WHEREABOUTS YESTERDAY.
YOU UNDERSTAND ME? ABSOLUTELY SURE.
LOOK, THE GUY SHOWS UP.
HE PUNCHES IN.
HE'S HERE WORKING ON VEHICLES.
HE TAKES ONE FOR A TEST DRIVE...
WHICH LASTS ABOUT 10 MINUTES.
I TOLD YOU ALL THIS.
I SAW HIM ALL DAY.
THAT'S CRAP.
THIS IS NOT MINE.
YOU WERE HALF LOADED YESTERDAY,
LIKE YOU ARE EVERY DAY,
AND YOU WOULDN'T KNOW WHERE THIS GUY WAS.
YOU THINK YOU'LL PROTECT YOUR FAT‐ASS JOB...
ALIBIING THIS GUY ON MURDER?
YOU'RE GOING TO LOSE YOUR JOB.
I'LL TAKE THIS BOTTLE TO YOUR COMMISSIONER...
AND PUT IT ON HIS DESK.
HOW LONG YOU BEEN ON THE JOB, SUPERVISOR KOZYCK?
‐ 19 YEARS. ‐ 19 YEARS.
YOU READY TO SACRIFICE ALL THAT FOR THIS BUM?
O.K.
MAYBE THERE'S, UH, STRETCHES WHERE I DON'T SEE HIM.
HOW LONG WOULD THESE STRETCHES LAST?
AN HOUR, MAYBE MORE. I DON'T ALWAYS KEEP TRACK.
FUNNY HOW THAT HAPPENS.
‐ THIS MURDER... WAS IN MANHATTAN? ‐ THAT'S RIGHT.
IF HE TOOK ONE OF OUR TRUCKS, THEY'D HAVE A RECORD ON THE TRIBOROUGH.
COMING AND GOING, THEY'D HAVE THE TIME.
DON'T TELL THAT ASSHOLE WHAT YOU TOLD US.
NO, I WON'T SAY ANYTHING.
DETECTIVE SIMONE, CAN I TALK TO YOU?
HOW ARE YOU?
IS IT TRUE YOU HAD DERRICK COBB,
AND YOU LET HIM GO?
WE WEREN'T ABLE TO HOLD HIM.
WELL, HE CALLED ME TO GLOAT.
HE WAS LAUGHING. HE CALLED YOU THIS MORNING?
AFTER YOU LET HIM GO. WHAT IS IT? DIDN'T YOU BELIEVE ME?
D‐DID YOU THINK I WAS MAKING THIS UP?
I MEAN, WHY WOULD‐‐ OH‐‐
WHY WOULD I MAKE SOMETHING LIKE THIS UP?
THAT WASN'T IT, MRS. CANTWELL.
MRS. CANTWELL,
WE JUST DEVELOPED SOME EVIDENCE...
SHOWING THAT HE WAS LYING ABOUT HIS WHEREABOUTS.
WE'LL GET A WARRANT, SEARCH FOR PROOF.
HE'S NOT GETTING AWAY WITH THIS.
DO YOU HAVE CHILDREN?
I DO.
OH.
WELL, THEN THAT'S ALL RIGHT.
THAT'S ALL RIGHT, THEN. I'M‐‐
THAT'LL HELP ME.
YOU GO HOME NOW,
AND I'LL NOTIFY YOU THE MINUTE SOMETHING DEVELOPS.
UH, IF YOU CALL,
COULD‐COULD YOU JUST PLEASE RING ONCE...
AND THEN CALL BACK...
SO I‐I KNOW IT'S YOU?
I CAN'T STAND TO HEAR HIS VOICE ANYMORE.
HEY, BOBBY. HEY, RAY.
I GOT TO TALK TO THIS GUY.
I'LL TELL FANCY WHAT WE GOT. SEE ABOUT A WARRANT.
ALL RIGHT.
LET'S GO DOWN HERE. COME ON.
WHOA. THIS LOOKS SERIOUS.
I HAVE TO TALK TO YOU ABOUT THE CLUB.
‐ HAVE A GOOD TIME? ‐ YEAH. IT WAS GREAT.
I DON'T THINK IT'S A GOOD IDEA...
FOR YOU TO BE INVOLVED DOWN THERE.
DUE RESPECT, BOBBY, WE'VE HAD THIS CONVERSATION.
YOUR CONCERNS WITH THE CLIENTELE.
THIS IS A DIFFERENT CONVERSATION.
DIFFERENT? HOW?
I'M SAYING I GOT A BAD FEELING ON THAT PLACE.
I DON'T THINK YOU SHOULD BE INVOLVED.
MEANING WHAT? IS THE PLACE HOT? IT MEANS WHAT IT MEANS.
I HOPE IF THERE WAS SOMETHING COMING UP,
‐ YOU'D LET ME KNOW. ‐ NO. DON'T GO... COUNTING ON THAT.
I'M TELLING YOU THIS AS A COP...
THAT YOU'RE OVER YOUR HEAD AT THAT PLACE.
IF YOU'RE SMART, YOU'D STRAIGHTEN OUT.
THAT'S THE LAST I'M SAYING IT TO YOU. O. K.
O.K.
BOBBY, WHAT ARE YOUR INTENTIONS...
WITH THIS BENITA FROM THE OTHER NIGHT?
WE'RE, UH, WE'RE WORKING IT OUT RIGHT NOW.
‐ SHE'S A GREAT DANCER, KID. ‐ PAY ATTENTION... TO WHAT I'M SAYING.
WANT TO BE A WISE GUY?
DON'T BE SOME HALF WISE GUY.
DON'T COME CRYING IF THIS THING BLOWS UP.
I WANT MY LAWYER. YOU'LL GET YOUR LAWYER WHEN THEY ARRAIGN YOU IN COURT.
WE DON'T NEED A STATEMENT, SO YOU DON'T NEED A LAWYER.
WE'RE JUST GONNA BOOK YOU AND SEND YOU TO THE TOMBS.
YOU'RE AS STUPID AS YOU ARE SICK.
THAT WASN'T MY KNIFE.
NO. JUST 'CAUSE IT WAS IN THE TRUCK YOU SIGNED OUT...
WITH BLOOD OVER IT.
AND I KNOW WHY YOU KEPT IT, DERRICK.
YOU COULD HAVE THROWN IT OFF THE BRIDGE,
BUT, TWISTED BASTARD THAT YOU ARE,
YOU WANTED TO SHOW HER MOTHER.
DID IT GO DOWN?
HE HAD THE KNIFE IN THE TRUCK WITH THAT MUSTACHE.
‐ WHAT DID SHE SAY? ‐ YOU SHUT UP, COBB!
WHAT DID SHE SAY WHEN YOU TOLD HER?
SHUT UP! SHUT YOUR MOUTH, OR I'LL BREAK YOUR JAW!
SHUT UP! IS THAT THE GUY? YEAH.
CAN I SPEAK TO YOU GUYS?
JAMES, KEEP AN EYE ON ANDY'S PRISONER. OKAY.
BOBBY, ANDY, COULD YOU COME HERE A SEC?
‐ CAPTAIN. ‐ CONGRATULATIONS. VERY IMPRESSIVE WORK.
‐ THANKS. ‐ I'M JUST LEARNIN' MY JOB.
I MADE A BAD CALL, AND YOU BAILED ME OUT.
YOU CAN GET DRUMMED OUT OF THE BOSS' UNION, APOLOGIZING LIKE THAT.
YOU KNOW, CAPTAIN, PROCESSING THAT ARREST IS GOING TO INVOLVE OVERTIME.
APPROVED.
GUY SHOWS ME A LITTLE SOMETHING.
WITH ALL DUE RESPECT, DETECTIVE,
DON'T YOU THINK THIS IS INSANE?
NO. $600 IN UNPAID PARKING VIOLATIONS...
GUARANTEES YOU A COURT APPEARANCE. I SAID I'D PAY IT.
A DETECTIVE WILL BE IN TO TAKE YOUR STATEMENT.
HOW COME YOU'RE NOT LOCKING HIM UP?
‐ HE'S NOT IN ON FRAUD. ‐ ANY WORD FROM MY LAWYER?
YEAH‐‐ "I'M ON MY WAY."
YOU BELIEVE THESE ASSHOLES? HUH?
I TAKE A BEATING FROM THESE CONSTRUCTION APES,
AND‐AND‐AND‐AND I END UP IN A CAGE.
DO I LOOK INTERESTED?
HEY, EXCUSE ME FOR DRAWING BREATH.
O.K. HOW'D IT HAPPEN?
I SOLD THESE GUYS A‐A WINNING LOTTO TICKET, RIGHT?
I COULDN'T CASH IT...
'CAUSE OF CERTAIN TAX PROBLEMS, RIGHT?
TURNS OUT THERE'S A DEFACEMENT ON THE TICKET.
YEAH, LIKE THE DATE'S BEEN CHANGED. WHATEVER.
THE LOTTO PEOPLE WON'T HONOR IT,
SO THESE GUYS GIVE ME A BEATING.
SHOULD BEAT UP GOV. PATAKI. WHO YOU KIDDING, PAL?
WELL, WHAT‐‐ WHAT DO YOU MEAN?
YOU PHONIED A WINNING LOTTO TICKET.
THE GUYS YOU SOLD IT TO CAUGHT ON, KICKED YOUR ASS,
AND GOT YOU BUSTED BESIDES.
HEY, YOU GOT A NASTY TURN OF MIND, MY FRIEND.
THAT'S HOW I CAME OUT.
YOU EVER HEAR OF THE BLACK BOX?
‐ EXCUSE ME? ‐ LET ME ASK YOU SOMETHING.
FOR THE RIGHT AMOUNT OF MONEY,
COULD YOU MAKE IT WITH AN UGLY WOMAN?
UH, WHAT? DO HER, YOU MEAN? SEXUALLY?
ROMANTICALLY. SEXUALLY, SOMETIMES, YEAH.
ANY PORT IN A STORM, I GUESS.
THEN YOU WANT TO BE SELLING BEAUTY ENHANCEMENTS.
YOU GOING TO MAKE BAIL?
YEAH. WHAT ARE YOU IN ON?
A HUMMER, PARKING TICKETS.
DO YOU, UH, GOT A FEW DOLLARS TO INVEST?
THIS BLACK BOX, IT'S A BEAUTY AID?
NO, NO, NO. IT'S A PROP. YOU GOT TO DRESS IT RIGHT.
I COULD PUT THE BOXES TOGETHER, SHOW YOU THE PITCH.
SELL YOU LIKE, UH, A FRANCHISE.
WHERE DO YOU WORK IT? RESTAURANTS, MOVIES‐‐
ANY PLACE YOU CAN CATCH AN UGLY BROAD.
WHEN YOU GET A QUALIFIER, YOU GOT TO GET NEXT TO HER.
THEN YOU SELL THEM THE BLACK BOX.
TELL THEM IT DESTABILIZES CELLULITE,
WHATEVER THE HELL THAT MEANS.
YOU, UH, SLEEP WITH THESE WOMEN?
AS SELDOM AS POSSIBLE.
I HAD TO DO A COUPLE THIS WEEK.
AN UNHAPPY, UNLOVED WOMAN...
IS THE MOST DESPERATE THING IN THE WORLD,
ESPECIALLY IF SHE'S A BEAST.
ONE GETS IN BED,
YOU CAN ALWAYS TURN HER FACE‐DOWN.
I'LL SIGN THAT COMPLAINT NOW. YES. SO WILL I.
COST YOU A FEW BUCKS. YOU'LL MAKE A PILE.
I LIKED CLOSING THE CELL DOOR,
BUT I WANTED TO WIPE THAT SMIRK OFF HIS FACE.
HE'S ONE EVIL SON OF A BITCH.
MRS. CANTWELL, WHAT ARE YOU DOING HERE?
YOU NOTIFIED ME THAT HE WAS IN CUSTODY.
UH‐HUH. WE GAVE YOU A CALL.
WELL, WHERE‐‐WHERE IS HE?
I MEAN, IS HE HERE?
HE‐HE IS HERE, I‐ISN'T HE?
WHY DON'T YOU COME IN BACK AND TALK TO ME?
I HAVE A RIGHT TO SEE HIM.
I DON'T THINK THAT'S SUCH A GOOD IDEA.
OH, HE'LL SEE ME. JUST ASK HIM.
SEEING ME LIKE THIS WILL JUST MAKE HIS DAY.
‐ COULD I SEE... YOUR BAG, PLEASE? ‐ NO.
YOU CANNOT SEE MY BAG.
WHAT DO YOU HAVE, MRS. CANTWELL?
IS THERE A WEAPON IN THERE?
I DON'T KNOW WHAT YOU'RE TALKING ABOUT?
YOU HAVE SOMETHING IN THAT BAG. NOW DO NOT DO THIS.
DO NOT LET THIS MAN WIN. HE HAS ALREADY WON.
MY DAUGHTER IS DEAD. MRS. CANTWELL,
I KNOW THIS MAN'S TAKEN A GREAT DEAL FROM YOU.
IF I DON'T DO IT TO HIM, I'LL DO IT TO MYSELF!
DON'T DO THAT. IS THAT GOING TO HELP YOUR DAUGHTER?
WOULD YOUR DAUGHTER WANT YOU TO DIE?
MY DAUGHTER‐‐
MY DAUGHTER.
YOU DIDN'T KNOW HER, BUT SHE‐‐
OH, SHE WAS SO BEAUTIFUL.
SHE WAS THE KINDEST PERSON I'VE EVER KNOWN.
SHE WAS THE ONE THING THAT I‐‐
I DID RIGHT.
AND THEN I LET THIS MAN INTO OUR LIVES.
NO. YOU ARE NOT RESPONSIBLE FOR THIS.
YOU DIDN'T KNOW WHAT KIND OF PERSON THIS MAN WAS.
WE CAN'T ALWAYS KNOW WHAT'S IN ANOTHER PERSON'S HEART.
NOW, MRS. CANTWELL, PLEASE GIVE ME THAT GUN.
I‐‐
NOW I HAVE TO... LIVE.
I DON'T KNOW HOW.
I‐I DON'T KNOW HOW I'M GOING TO DO THAT.
WHAT WILL YOU DO WITH THE PIECE?
FEED IT TO THE EELS IN THE EAST RIVER.
DETECTIVE SIMONE, LINE 2.
YEAH.
HELLO. SIMONE. MM‐HMM.
UH‐HUH.
O.K. THANK YOU.
I GOT TO DO SOMETHING.
ANDY, CAN YOU, UH‐‐
CAN YOU TAKE CARE OF THIS FOR ME?
YOU GOT A FAVORITE PIER?
BOBBY.
THIS IS SOME MESS HERE, HUH, RAY?
I DON'T KNOW ANYTHING, BOBBY.
I WAS SECURITY. I WASN'T ONE OF THE PLAYERS.
I DON'T WANT TO GO TO JAIL.
CAN YOU FIX THIS? NO, I CAN'T, RAY.
THIS IS THE FIRST TIME I WAS INVOLVED IN ANYTHING LIKE THIS.
TELL THEM.
RAY, TALK TO YOUR LAWYER.
I'M NOT TALKING TO MY LAWYER. I'M TALKING TO YOU.
WHAT DOES MY LAWYER KNOW? SOME KID OUT OF COLLEGE?
‐ HE'S TELLIN' ME TO CUT A DEAL. ‐ THAT'S WHAT YOU SHOULD DO.
YOU'RE JUST GONNA WALK OUT ON ME?
I THOUGHT WE WERE FRIENDS. RAY, I CANNOT HELP YOU NOW.
I TRIED TO HELP YOU BEFORE.
NAH. YOU DIDN'T TRY.
I DID EVERYTHING EXCEPT GIVE YOU...
THE EXACT TIME THAT BUST WAS GOING DOWN.
WELL, THAT'S WHAT I NEEDED, SEE? HOW COULD I BELIEVE YOU?
IF YOU'D TOLD ME THE EXACT TIME, I WOULD'VE BELIEVED YOU.
FORGET IT, MAN.
AH, COME ON, BOBBY. I MEAN‐‐
YOU SEE MY POINT HERE, RIGHT?
I MEAN, I'M‐‐I'M BASICALLY A GOOD PERSON.
YOU KNOW THAT.
I JUST‐I JUST NEEDED SOME GUIDANCE THERE.
AND YOU WEREN'T QUITE AS SPECIFIC...
AS YOU COULD HAVE BEEN.
THAT'S ALL I'M SAYING. I‐‐
I'M A GOOD PERSON.
I JUST NEEDED SOME GUIDANCE. YOU MADE A MISTAKE.
O.K. BUT THAT DOESN'T MEAN I BELONG HERE.
CAN'T YOU DO ANYTHING FOR ME, BOBBY?
YOU TAKE CARE OF YOURSELF, RAY.
WHAT'S WRONG?
NOTHING.
NOTHING.
SORRY.
YOU UPSET ABOUT YOUR FRIEND?
YEAH.
THIS GUY WAS LIKE A HERO TO ME...
WHEN I WAS GROWING UP. REALLY?
YEAH, HE WAS. HE WAS, UH‐‐
THE BOY WAS COOL.
JUST WALKING DOWN THE STREET, YOU COULDN'T TAKE YOUR EYES OFF HIM.
I'M LIKE 10 YEARS OLD, AND HE'S 16,
AND I'M FOLLOWING HIM AROUND LIKE A PUPPY.
BUT HE‐‐
HE ALWAYS HAD TIME FOR ME.
I MEAN, HE NEVER TALKED DOWN TO ME.
SEEING HIM AT THE TOMBS LIKE THAT, THAT WAS TOUGH.
IT WAS TOUGH. YEAH.
I DON'T MEAN IT HARSH, BUT HE SEEMED AT THAT CLUB...
LIKE ANOTHER WISE GUY WANNABE.
HM.
YEAH, WELL, I GUESS THAT IS WHAT HE SEEMS LIKE NOW.
I GUESS YOU HAD TO KNOW HIM WHEN HE WAS YOUNGER. YEAH.
YEAH.
NOTHING'S WHAT YOU THOUGHT WHEN YOU'RE YOUNG.
IT'S LIKE JAMES BROWN SAYS:
"MONEY WON'T CHANGE YOU, BUT TIME WILL TAKE YOU ON."
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