Original subtitles

HOW'S IT GOING?

SO...WHAT HAPPENED?

I WEAR THOSE OTHER GUYS OUT?

I THINK YOU DID.

OR ARE THEY OUT SEARCHING MY APARTMENT?

YOU DON'T LET VERY MUCH GET BY YOU, DO YOU?

[UNLOCKS CAGE]

THOSE LAVA LAMPS I HAVE ARE VERY VALUABLE.

IF THEY GET BROKEN, YOU GUYS OWE ME.

FAIR ENOUGH.

SO...

WHAT'S YOUR ROUTINE?

ME? I DON'T REALLY HAVE ONE.

I JUST WANT TO GET IT DONE WITH.

YOU DO, TOO, RIGHT?

YEAH, I DO.

RIGHT NOW ALL WE GOT YOU ON

IS TAKING THAT DEAD GIRL'S CAR.

I ADMIT I WAS DRIVING THE CAR.

I MADE A BIG MISTAKE.

IT WAS EVEN ILLEGAL,

BUT I DON'T DESERVE THIS.

THING IS, UH,

WELL, WHOEVER DID THESE KILLINGS,

HE HAS US GOING FROM NOTHING.

SO I'M HERE BECAUSE YOU CAN'T DO A BETTER JOB.

I'D LIKE TO ARGUE THAT,

BUT UNTIL WE FIND SOMETHING ELSE, YOU'RE ALL WE GOT.

THIS IS A NIGHTMARE.

ANYONE YOU WANT ME TO TALK TO?

HUH...

YOU MEAN SOMEONE WHO CARES ABOUT ME?

WELL, MAYBE LIKE FAMILY OR SOMETHING.

NO.

NO FAMILY.

THIS ROOM'S AS HOT AS MY PLACE IN THE SUMMER.

HMM. I'LL SEE IF I CAN GET THE HEAT TURNED DOWN.

CAN I ASK YOU SOMETHING

THAT MIGHT SEEM OUT OF LEFT FIELD?

WHAT?

YOU ADMIT YOU WERE IN THAT CAR

WHEN YOU WERE JOYRIDING AROUND?

TURNS OUT HIS LAST VICTIM WAS STASHED IN THE TRUNK.

YOU SAY SHE WAS.

SHE WAS IN THE TRUNK.

WE FOUND HER THERE AFTER YOU ABANDONED THE CAR.

SEE WHERE I'M GOING WITH THIS?

YOU WERE IN A CAR THIS GUY MUST'VE BEEN IN JUST BEFORE.

THE GUY WE'RE CALLING WEBSTER, THE DICTIONARY KILLER.

YOU MUST'VE FOUND THAT CAR WITH THE KEYS IN IT

JUST AFTER THIS GUY HAD GOTTEN OUT.

THAT COULD BE POSSIBLE.

YOU, UH, GOT ANY KIND OF VIBE

WHAT THIS GUY MIGHT'VE BEEN LIKE?

'CAUSE PEOPLE ARE SAYING HE MUST BE

SOME KIND OF CRAZY PERSON.

YOU KNOW, JEFFREY DAHMER, JOHN WAYNE GACY,

ONE OF THESE NUTS.

WHOEVER DID THIS...

WAS NOT CRAZY.

I MEAN, I WOULDN'T THINK SO EITHER.

NAH. NOT AFTER HE'S HAD US CHASING OUR TAILS

THE PAST FIVE YEARS.

[DOOR OPENS]

DETECTIVE, CAN I TALK TO YOU?

DETECTIVE?

WHAT WERE YOU DOING IN THERE?

YOU'RE OUT ON THE WARRANT, I'M TALKING TO THE GUY.

AND I WAS MAKING PROGRESS.

I'M DONE WITH THIS CRAP.

INSPECTOR, CAN I SEE YOU?

TOO BAD YOU DON'T WORK A CASE LIKE YOU PLAY THE BOSSES.

ANYTHING?

NO. I COME BACK, SIMONE'S IN WITH HIM.

DO I GOTTA NAIL THE INTERVIEW ROOM DOOR CLOSED

WHENEVER I GO TO THE CAN?

SIMONE CAUGHT THIS HOMICIDE.

I'M LEAD INVESTIGATOR ON A TASK FORCE.

I'M WORKING AN INTERVIEW SEQUENCE.

INTERFERENCE SCREWS ME UP.

THIS HYDRANT‐PISSING STOPS RIGHT NOW.

SIMONE CAUGHT THE CASE,

SOLOMON HAS THE INVESTIGATION.

SOLOMON RUNS THE INTERVIEW.

THANK YOU!

SIX KNOWN HOMICIDES. FIVE YEARS.

YOU DON'T HAVE TO TELL ME, INSPECTOR.

I WANT A STATEMENT FROM THIS PRICK, UNDERSTAND?

YES, SIR.

HE'S LOSING THE GUY.

YOU GOTTA LET IT PLAY OUT.

THE GUY WANTS TO STRUT,

AND ALL THAT ASSHOLE DOES IS BUTT HEADS.

LET IT PLAY OUT, BOBBY.

[NO AUDIBLE DIALOGUE]

THE HEIST GOES TOMORROW AS ITEM NUMBER ONE.

WHEN EVERYONE'S HERE, VINNIE.

NO, NO. I ALSO WANNA BE SEEN CONVERSING WITH YOU

WHEN CAPTAIN HAVERILL GETS IN.

WHAT ARE YOU DOING?

LIEU, HAVERILL WANTS YOU ON TAPE

TELLING ME TO LIE ABOUT THE ARMORED‐CAR JOB,

TO SAY THE BRIGHTON BEACH HOODS ARE IN ON IT.

HE WANTS ME ASKING YOU FOR MONEY

AND YOU TELLING ME YOU CAN GET IT.

YOU WANT HIM TO THINK YOU'RE MAKING A TAPE NOW?

CORRECTAMUNDO.

WELL, HE JUST WALKED IN.

O.K. YOU'RE SIGNING ON TO THE STORY,

TELLING ME TO FLOAT THE BOGUS RUSSKIES.

I'M ASKING YOU FOR MONEY, YOU GIVE ME A NOD.

LIEU, COME ON‐‐ NOD. NOD.

[DOOR OPENS] YEAH.

AM I INTERRUPTING ANYTHING?

NO. NO, NOT REALLY.

I'LL GET SIPOWICZ.

HOW'S IT GOING, CAPTAIN?

ANDY.

SOMETHING GOING ON WITH THIS ARMORED‐CAR JOB?

OH, YEAH. THEY WANT TO DO IT.

THEY CALLED YOU?

THEY WANT US TO DELIVER THE WEAPON.

CONTACT MAJOR PERKINS AT THE NATIONAL GUARD ARMORY ON LEXINGTON.

WE GOT THE DUMMY AMMO?

WE'VE REQUESTED IT. DOUBLE‐CHECK WHEN THEY DELIVER.

WE'LL BRING A TIRE IRON,

HAVE THE COMMANDER GIVE THE AMMO A COUPLE WHACKS.

LET'S GO, VINNIE.

I'LL SEE YOU GUYS LATER.

ANY SENSE THE HOODS ON THIS JOB ARE HOOKED UP?

HOOKED UP HOW?

LIKE WORKING FOR AN ORGANIZATION.

VINNIE'S FLOATING SOME STORIES.

HE'S TALKING ABOUT, UM,

THE BRIGHTON BEACH MAFIA.

YOU BUY IT?

I DON'T KNOW YET.

YOU'LL TELL ME WHEN YOU DECIDE?

DEFINITELY. YEAH.

DETECTIVE LESNIAK, MISS GALVIN'S HERE TO SEE YOU.

THANKS, DONNA.

MARIA.

DETECTIVE LESNIAK, HI.

HI.

COME ON IN. MY DESK'S OVER HERE.

YOU'RE YOUNGER THAN I PICTURED YOU FROM THE PHONE.

DID YOU BRING THE NOTE WITH YOU?

YES.

GOOD.

THANKS.

SO, TELL ME ABOUT THE FIRE.

LAST NIGHT I WAS WATCHING THE LATE NEWS,

AND I SMELLED SMOKE.

I THOUGHT MAYBE IT WAS FROM MY KITCHEN.

BUT THEN THERE WAS SMOKE COMING IN UNDER MY FRONT DOOR.

WHAT WAS ACTUALLY BURNING?

THERE WAS A LITTLE PILE OF PAPERS. A RAG WAS ON FIRE.

I SMELLED LIGHTER FLUID ON MY DOOR.

A NEIGHBOR HELPED ME PUT IT OUT,

WHEN I WENT BACK INSIDE,

THIS ENVELOPE WAS ON THE FLOOR WITH A NOTE.

"LEAVE $500 IN A PAPER BAG

"ON THE STEPS OF 809 GREEN STREET

AT 12:15 P. M."

DO YOU HAVE ANY IDEA WHO'S DOING THIS?

I TRIED TO THINK.

I TRY TO BE A NICE PERSON.

I'M NOT HAVING PROBLEMS WITH ANYBODY.

DO YOU THINK THIS IS WEBSTER?

THIS REALLY ISN'T WEBSTER'S M. O.

MM‐MM.

I'M VERY SCARED.

I UNDERSTAND.

I'M NOT GOING HOME.

I'M STAYING WITH MY SISTER.

IF YOU WANT, THAT'S FINE.

I DON'T THINK YOU SHOULD BE AFRAID.

WE KNOW WHEN AND WHERE HE EXPECTS THE MONEY.

WE'LL BE THERE TO GRAB HIM.

SUPPOSE YOU DON'T GRAB HIM.

HE'LL COME AFTER ME FOR SURE.

IF HE COMES FOR THE MONEY, WE'LL GET HIM.

O.K.?

O.K.

O.K.

LOOK AT THAT, HUH?

OUR TAX DOLLARS GOING TO WORK.

VINNIE, COME HERE A MINUTE.

THIS THING WITH HAVERILL AND FANCY...

YEAH, I SENSE A TENSION BETWEEN 'EM.

I KNOW ABOUT THE TAPE‐‐

HAVERILL TRYING TO SCREW THE LIEUTENANT.

THAT TYPE OF SITUATION,

SOME PEOPLE MIGHT CONSIDER WORKING BOTH ENDS,

MULTIPLY EARNING OPPORTUNITIES.

TELL ME YOU'RE NOT PUTTING YOUR HAND OUT.

I'M TELLING YOU IF FANCY COMES UP SHORT,

I'LL BREAK ALL THE BONES IN YOUR HANDS AND FEET.

THAT KIND OF EXAGGERATION'S UNNECESSARY,

OUT OF PROPORTION.

LIKE YOUR HANDS AND FEET'LL BE.

I GIVE YOU MY WORD.

THE LIEUTENANT'S ABSOLUTELY FINE ON THIS.

DETECTIVE, THIS IS YOUR HAND‐RECEIPT,

TRANSFERRING CUSTODY OF ONE MK‐19 GRENADE LAUNCHER

TO THE NEW YORK CITY POLICE DEPARTMENT.

GET THOSE DUMMY ROUNDS?

THEY'RE REAL ROUNDS. THEY'VE JUST BEEN RENDERED INERT.

COULD ANYBODY SPOT THAT?

VISUALLY, WEIGHT‐WISE‐‐ THEY'RE A PERFECT MATCH.

I ALSO NEED YOU TO SIGN THIS GENERAL LIABILITY WAIVER.

YOU MIND MY ASKING WHAT YOUR PLANS ARE FOR THE WEAPON?

EVERY YEAR WE LIKE TO RATTLE THEIR CAGE AT THE ACLU.

THIS YEAR WE'RE GONNA LET THEM THINK WE'RE GONNA INCINERATE 'EM.

LIABILITY WAIVER SHOULD COVER THAT.

LET US KNOW WHEN YOU WANT US TO PICK IT BACK UP.

THIS ACLU THING‐‐

YOU GONNA DO IT BEFORE OR AFTER THE ARMORED CAR?

[SOLOMON] DONE WITH YOUR PIZZA, WEBSTER?

YOU KEEP CALLING ME WEBSTER.

WHICH IS THE PAPERS' NICKNAME

FOR THE DICTIONARY KILLER,

WHO WE BOTH KNOW IS YOU.

MY NAME IS GEORGE PUTNAM.

WHERE WERE YOU ON AUGUST 17, 1989?

I TOLD YOU, I DON'T KNOW.

I DON'T REMEMBER.

RIVERDALE'S WHERE YOU WERE.

IF YOU SAY SO.

AUGUST 17, 1989,

A 16‐YEAR‐OLD GIRL NAMED HEIDI ELLISON

WAS SHOT

THROUGH HER LEFT EYE.

BOYFRIEND GETS IT BACK OF THE HEAD.

I DON'T KNOW WHAT YOU'RE TALKING ABOUT.

STOP LYING!

WE CHECKED YOUR SOCIAL SECURITY NUMBER.

YOU WERE WORKING THREE BLOCKS AWAY.

HOW ABOUT OCTOBER 3, 1989? WHERE YOU WERE THEN?

HOW AM I SUPPOSED TO KNOW?

WHERE WERE YOU?

WHERE WAS I?

I WAS INVESTIGATING

ANOTHER DOUBLE HOMICIDE!

AND GUESS WHAT‐‐ YOU HAD A CAR

REGISTERED AT AN ADDRESS

TWO BLOCKS AWAY!

HOW'S MR. SMARTER‐THAN‐ THE‐COPS FEEL NOW?

NOT SO SMART.

WELL, YOU KNOW WHAT YOU SHOULD FEEL LIKE?

YOU SHOULD FEEL LIKE A SCUMBAG

WHO'S GOING TO PRISON

FOR THE REST OF HIS LIFE.

I DON'T KNOW ANYTHING ABOUT ANY KILLINGS.

I DON'T KNOW ABOUT ANY LETTERS.

THE ONLY THING I KNOW ABOUT WEBSTER

IS HE'S THAT LITTLE BLACK KID ON TV.

YOU LITTLE PRICK.

I'VE WAITED FIVE YEARS...

SO YOU BETTER START TALKING.

YOU WANT TO ARREST ME

FOR JOYRIDING THAT GIRL'S CAR,

GO AHEAD.

YOU GOT NOTHING ELSE.

YOU KILLED THESE PEOPLE,

AND I'M HERE

AS LONG AS IT TAKES FOR YOU TO ADMIT IT.

YOU GOT NOTHING ELSE ON ME.

GREG, TAKE A RIDE WITH ME?

YEAH. WHERE?

SCREW SOLOMON.

I'M GONNA TAKE A LOOK AT THIS GUY'S PLACE.

ASSHOLE.

SOLOMON SHOULD OPEN A FUNERAL PARLOR.

DETECTIVE, DO YOU HAVE A MINUTE?

UH...

UH, I'LL MEET YOU OUTSIDE.

YEAH. HOW YOU DOING, BENITA?

GOOD.

I SPELL YOUR NAME RIGHT THIS MORNING?

YEAH. YOU GOT IT RIGHT.

SOLOMON'S BEEN IN AND OUT OF HERE TWICE.

I THOUGHT YOU WERE LOCKED UPSTAIRS.

THEY GOT ME LOCKED OUT.

DO YOU WANT TO TALK ABOUT IT?

I GOTTA GO.

COULD I CASH THAT RAIN CHECK TONIGHT ON DINNER?

COULD BE.

I'LL BE IN TOUCH.

I'M NOT GOING ANYWHERE.

HEY. HOW'S IT GOING?

YOU GUYS GONNA TAKE A LOOK, TOO?

YEAH. BOSSES WANT ANOTHER TOSS.

DOOR'S OPEN.

SO AIELLO WANTS A SECOND TOSS?

YEAH. I THINK HE'D WANT US TO.

AH.

YOU GUYS NEED ANY HELP, JUST SHOUT.

YEAH.

GREG, I NEED TO TAKE A LOOK AROUND.

I'D RATHER NOT HAVE THAT COP COME IN.

YOU GOT SOMETHING IN MIND?

YEAH. THERE'S SOMETHING I WANT TO LOOK AT.

LET ME GO TALK TO THIS GUY.

I HATED FIXED POSTS

WHEN I WAS IN THE BAG.

AMEN TO THAT.

SITTING AROUND EIGHT HOURS,

BREATHING STALE AIR.

YOU GOT PROBLEMS WITH YOUR SINUSES?

MAYBE THEY'RE CLOGGING UP A LITTLE.

PLACES LIKE THIS, THERE'S, UH‐‐

THERE'S MOLDS YOU CAN'T EVEN SEE,

LITTLE SPORES, YOU KNOW,

THAT‐‐THAT‐‐THAT GET IN YOUR LUNGS.

GREG?

YEAH.

YOU GUYS, COME IN HERE!

COME ON.

MAKE AN ENTRY IN YOUR LOG BOOK.

I RECOVERED THIS FROM THIS GUY'S AIR CONDITIONER.

ZIP GUN, HUH?

MADE TO FIRE .22 CALIBER,

WEBSTER'S CALIBER OF CHOICE.

THIS GUY IN THE INTERVIEW KEPT TALKING

ABOUT HOW HOT THIS PLACE WAS.

I KNEW WHEN ANDY AND I WERE DOWNSTAIRS,

I LOOKED UP AND SAW THE AIR CONDITIONER.

SO THAT'S WHERE HE STASHED THE PIECE.

YEAH.

THAT'S WHY THE AIR CONDITIONER WASN'T WORKING.

HE PULLED THE GUTS OUT.

GOOD GOING, BOBBY.

APPRECIATE IT.

YEAH. NO PROBLEM.

ALL SET?

YEAH. I GOT IT.

FRIEND OF MINE'S TRYING TO GET ME

INTO THIS IRON MAN STUFF.

HERE'S A REFILL.

HE SWIMS, TRAIL‐BIKES 40, 50 MILES EVERY WEEKEND.

HE'S GOT LEGS LIKE PISTONS.

I SENT AWAY FOR ONE OF THOSE TREADMILLS.

IT'S BEEN UNDER MY BED FOUR MONTHS.

LOOK.

THAT MOKE'S CHECKING OUT THE BAG.

THIS GIRL HAD NO DESCRIPTION OF THE GUY?

SHE DIDN'T SEE HIM.

PORTABLE ONE TO VAN.

KEEP YOUR EYE ON THE GUY WITH THE BACKPACK.

WE GOT HIM. 10‐4.

HERE WE GO.

ALL RIGHT. LET'S TAKE HIM DOWN.

POLICE. HOLD IT.

POLICE. HEY.

DON'T HURT ME! PLEASE! DON'T HURT ME!

NO ONE'S GONNA HURT YOU.

WHY AM I BEING ARRESTED?

WE'LL TALK ABOUT IT AT THE STATIONHOUSE.

ANY PARTICULAR REASON I'M BEING ARRESTED?

IF THERE IS, I'D REALLY LIKE‐‐

THANKS.

DETECTIVE SIMONE FOUND THIS HIDDEN IN PUTNAM'S APARTMENT

DURING A FOLLOW‐UP SEARCH.

FOUND IT WHERE?

HIDDEN IN THE AIR CONDITIONER.

DOES IT MATCH ON BALLISTICS?

90% LIKELIHOOD. THIS KIND OF WEAPON

DOESN'T PUT GROOVES ON THE SLUGS ONCE FIRED.

ALL THE WEBSTER SLUGS WERE UNMARKED.

FINDING IT IN PUTNAM'S APARTMENT

LINKS HIM TO WEBSTER HOMICIDES FIVE YEARS BACK

AND THE SHOOTING NEAR BATTERY PARK LAST AUGUST 17th.

LET'S GET BACK TO THIS FOLLOW‐UP SEARCH.

SIMONE SHOULD PUT THE GUN BACK SO YOU CAN FIND IT?

SIMONE'S EARNED HIS SHOT AT INTERVIEWING THIS GUY.

I'M WORKING A SEQUENCE WITH HIM.

I THINK HE DESERVES IT.

MAYBE TRY A CHANGE OF PACE.

I WANT TO BE IN THE ROOM.

YOU HAVE A PROBLEM WITH THAT?

MY INTERVIEW.

YEAH.

NOPE. NO PROBLEM.

ALL RIGHT.

THANKS, LIEU.

HOW'S YOUR GUY IN THE ROOM?

BETTER THAN YOUR GUY.

GIVE ME A MINUTE, ALL RIGHT?

HOW YOU GONNA WORK THE GUY?

I GOT SOME IDEAS.

I'LL BE WITH YOU IN A MINUTE.

YOU DON'T WANT ME IN.

NOPE. WAIT UNTIL I'M THERE.

WHAT'S GOING ON?

I FOUND A PIECE AT THIS GUY'S CRIB,

SO THEY PUT ME IN THE INTERVIEW.

HOW'S THE ARMORED‐CAR JOB?

THE CLOCK SHOULD BE RUNNING.

THEY ASKED FOR THE GUN.

GRECO HAD TO MAKE A STOP.

HEADS UP WITH THAT GUY, ANDY.

OH, YEAH.

DETECTIVES.

DETECTIVE SIPOWICZ.

UH...HOW'S IT GOING, MR. MARKS?

I'M JUST OUT OF THE HOSPITAL.

JUST WANTED YOU TO KNOW I'M IN CONSTANT PAIN.

THEY TOOK OUT THAT BULLET?

FROM THE RIGHT BUTTOCK, YES, ON YOUR RECOMMENDATION.

THAT BULLET REALLY HELPED OUR INVESTIGATION, MR. MARKS.

OH, GOOD. SWELL.

SO I WON'T BE WALKING

LIKE A CRAB FOR THREE MONTHS

JUST SO YOU HAVE A GOOD LAUGH.

EXCUSE ME.

SLIVOVITZ, PRONTO.

UH, AHEM, LISTEN,

I USED THIS AFTER MY PROCEDURE.

MIGHT GIVE YOU SOME RELIEF.

LET'S GO, VINNIE.

I WAS JUST CURIOUS. THAT'S NOT A CRIME.

YOU WEREN'T WAITING TO PICK UP THE BAG?

NO. I WANTED TO SEE WHAT WAS IN IT.

YOU DIDN'T KNOW IT WAS MONEY?

WHAT DID YOU THINK IT WAS, A PASTRAMI SANDWICH

ON DRIED‐UP BREAD WITH A PICKLE?

NO. I WAS JUST CURIOUS.

YOU KNOW MARIA GALVIN?

YOU THINK THIS IS FUNNY, HUH?

WHEN WE BRING HER HERE, WILL SHE KNOW YOU?

SHE MIGHT.

WHY? FROM WHERE?

I'VE SEEN HER AT WORK.

I DON'T SPEAK TO HER.

WHY'S THAT?

WE HAVEN'T HAD OCCASION.

SO MAYBE YOU TRIED TO BURN HER DOOR DOWN.

YOU LEFT HER A THREATENING NOTE

TO OPEN UP A CONVERSATION.

DID YOU EVER HAVE PROBLEMS

WITH A COWORKER BEFORE, ALVIN?

NOT THAT I RECALL.

WHERE'D YOU WORK BEFORE THIS?

SEVERAL PLACES.

WRITE THEM DOWN.

ALL I DID WAS PICK UP A BAG.

YOU CAN'T PROVE I DID ANYTHING ELSE.

YOU GUYS, GET OVER HERE.

GET THIS THING OUT OF THE VAN.

HOO. HA. GOT THE MONEY?

UP YOUR ASS, VINNIE.

HEY, COME OVER HERE AND GIVE ME A HAND.

MAYBE YOU DON'T NEED WHAT I GOT.

WHAT'S WITH THE OTHER ARTILLERY?

HERE'S THE MONEY WE AGREED ON.

YOU PICK THE WEAPON UP HERE AFTER 5:00 TONIGHT.

WE TALK ABOUT MORE MONEY IF IT'S DISCHARGED?

ANYTHING HAPPENS OTHER THAN THIS WAITING FOR YOU,

THEN THE SITUATION'S GONE WRONG.

THEN I WANT AN EXTRA THOUSAND.

COVER MY ASS MONEY.

HEY, SCREW YOU.

YOU'RE WORRIED, YOU BUY GUN INSURANCE.

WHOA, WHOA, WHOA. THAT'S UNNECESSARY.

WE GOT AN UNDERSTANDING HERE.

WHERE WE GOING WITH THAT?

PUT IT UP, ALEX.

JUST BY THE NATURE OF HOW THINGS ARE,

YOU'LL HAVE TO LIVE WITH THE DEAL WE GOT.

LOOK, THINGS GO RIGHT, WE PICK UP THE GUN.

THEY DON'T GO RIGHT, THAT'S NOBODY'S FAULT.

YOU SEE WHAT I'M SAYING?

IT'S MY ASS ON A STOVE IF THIS DOESN'T GET BACK.

MAYBE WE SAY WE BRING IT BACK,

SAFE AND SOUND,

AND WE LEAVE AN EXTRA THOUSAND.

AND IF NOT, NOT.

CAN YOU LIVE WITH THAT?

THERE'S A MUTUAL BENEFIT THERE.

THEY SUCCEED, WE SUCCEED.

WELL?

YEAH. COME ON. LET'S GET OUT OF HERE.

WHAT'S THE MATTER WITH HIM?

COME ON. GET THIS THING LOADED.

LET'S GO. GET TO THE VAN

AND GET THIS OUT OF HERE.

COME ON.

OPEN THE GATE. LET'S GO. COME ON.

THAT SECOND WEAPON,

THAT'S GONNA MAKE LIFE MORE COMPLICATED.

SHUT UP, VINNIE, HUH?

HEY, GEORGE.

HE LET YOU BACK IN?

YEAH. I'M BACK.

I'D LIKE A COKE.

WHO'S GONNA GET IT?

NOBODY'S GONNA GET ANYTHING FOR YOU TO DRINK HERE.

'CAUSE I'VE GOT LIKE SO MUCH

I WANT TO KNOW FROM YOU,

AND I'M REALLY EAGER TO GET TO IT.

I COULD HELP YOU MORE IF I HAD A COKE.

LET'S FORGET ABOUT THE COKE FOR NOW.

I GUESS YOU'RE THE BOSS.

I WAS TALKING TO GEORGE EARLIER,

HIS SENSE OF WHAT THIS GUY MIGHT BE LIKE.

LIKE I'M SOME EXPERT ON WEBSTER.

GEORGE, YOU SAT WHERE THE GUY SAT.

JUST AFTER HE WAS IN THE CAR, YOU WERE IN THE CAR.

MAYBE YOU SHOULD BE TALKING TO SOME KIND OF A PSYCHIC.

HERE'S WHERE WE'RE HUNG UP.

FIVE YEARS BACK, THERE'S A SERIES OF HOMICIDES.

THE PERP CUTS WORDS OUT OF WEBSTER'S DICTIONARY

AND LEAVES THEM IN NOTES AT THE SCENE.

TWO DAYS AGO, THE SAME KIND OF NOTES

ON TWO BODIES.

ONE OF THE NOTES CLAIMS ANOTHER D.O.A. LAST AUGUST 17th.

HERE'S THE BIG DIFFERENCE.

THE GUY IS NOT SHOOTING NOW.

SEE, THESE ARE ALL STRANGULATIONS.

ALTHOUGH THE D.O.A. LAST AUGUST 17th,

THERE ACTUALLY WAS A SHOOTING.

I NEVER READ ABOUT THE SHOOTING.

WE JUST PUT THAT TOGETHER NOW.

I'M GIVING YOU INFORMATION NO ONE ELSE HAS.

THE WOMAN WHO WAS STRANGLED,

SHE WAS ACTUALLY WITH A GUY

WHEN WEBSTER APPROACHED.

THE GUY RAN, AND WEBSTER SHOT HIM IN THE REAR.

WHAT A COWARD...

THE GUY WHO RAN.

HE WAS SCARED OF WEBSTER.

WEBSTER'S GOT THIS WHOLE TOWN TERRIFIED.

WE'RE LOOKING AT THE AUGUST 17th FEMALE

AS A BIG CHANGE FOR THIS GUY.

IN THE SENSE OF THE STRANGULATION.

WHY THE CHANGE IN HIS M. O.?

EXACTLY.

WHY DID HE STOP SHOOTING?

DID THE WOMAN PROVOKE HIM SOME WAY?

WHAT MADE HIM PUT HIS HANDS ON HER?

UH‐HUH.

I WON'T BE ABLE TO HELP YOU WITH THAT.

I'M JUST HEARING ABOUT ALL THIS FOR THE FIRST TIME.

YOU WANT TO TAKE A MINUTE,

YOU KNOW, THINK ABOUT IT A LITTLE?

YEAH.

HOW ABOUT THAT SODA?

YOU THINK I COULD GET THAT NOW?

MOVE ON THIS TWITCH. TELL HIM WE'VE GOT THE GUN.

I'LL TELL HIM... WHEN HE'S READY.

WE OUGHT TO KICK HIS ASS.

NO. WE OUGHT TO GET HIM A COKE.

YOU LAY ONE HAND ON THIS GUY,

THE ASS THAT'S KICKED IS YOURS.

WHERE'D THEY GET THE MACHINE GUN?

I DON'T THINK IT WAS HIM.

IF THEY REALIZE THE M. K. IS DUMMIED UP, THEY'LL GO TO THE BACKUP.

WHAT'S THE LIKELIHOOD THEY'LL FIRE THE M. K.?

OUR PEOPLE WILL BE DRIVING THAT ARMORED CAR.

I DON'T WANT THEM EXPOSED TO MACHINE‐GUN FIRE.

WE PULL THE PLUG, ALL WE CAN DO IS NOTIFY A. T. F.

TO COLLAR THEM ON THE GUNS.

THEY WON'T GET TIME.

THEIR BACKUP'S MOUNTED IN A VAN.

WE CAN USE A SANDBAG TRUCK TO BLOCK ITS FIELD OF FIRE.

O.K.

THAT KIND OF THINKING'S WHAT MAKES THIS A GREAT NATION.

THE REST OF YOUR SETUP'S O. K.?

THE BANK'S ON 13th BETWEEN 2nd AND 3rd.

THE CONSTRUCTION WORKERS DOWN THE BLOCK

CASH THEIR CHECKS AFTER WORK.

THE MONEY'S DELIVERED AT 3:45.

MARTINEZ AND MEDAVOY WILL BE DRIVING THE ARMORED CAR.

UNMARKED VEHICLES ARE ON THE STREET FOR BLOCKING.

UNIFORMED UNITS ARE READY.

I'LL BE THERE COORDINATING WITH E. S. U.

GOOD LUCK.

YEAH, THANKS A LOT.

I DON'T WANT TO CRAMP YOUR STYLE,

SO I'LL STAY A COUPLE OF BLOCKS AWAY.

SEE HOW IT GOES?

LIEUTENANT, THIS MATTER INITIATED ON YOUR SAY‐SO.

IF IT COMES OUT WRONG, YOU'RE IN THE CRAP STORM.

DON'T LOOK TO ME FOR A PLASTIC RAIN CAPE.

LET'S GET GREG AND JAMES UP TO SPEED.

I'LL RECONFIRM WITH E. S. U.

LIEUTENANT, A MOMENT.

YOU SEE A ROLE FOR ME ON THIS END OF THE OPERATION?

NO ROLE.

HAVERILL TRYING TO JAM YOU,

I PLAYED IT OUT AS LONG AS I CAN.

HANG ON.

ALL RIGHT.

THIS IS GOOD QUALITY.

WAIT TILL YOU HEAR THE TAPE I GOT.

THAT'S ME.

I NOW PRESENT YOU

WITH LIEUTENANT ARTHUR FANCY

TIGHTENING HIS OWN NECKTIE

AND THROWING THE ROPE OVER THE SHOWER RACK.

I'M ONLY ACTING.

LISTEN TO THIS. DONG, DONG.

DONG? WHAT THE HELL'S "DONG"?

YOU'LL GET IT. WAIT.

[HAVERILL] WHAT'S THAT?

[VINNIE] THIS IS MY CHINESE TAPE.

NICKY WONG OWES ME 50,

SO HE'S BEEN TEACHING ME CANTONESE.

WHERE'S THE RIGHT TAPE?

HE GETS RED WHEN HE GETS MAD.

I'M RETRACKING MY MOVEMENTS.

OH, MY GOD! I TAPED OVER IT.

MOVE ON THIS FAST. I'M RUNNING OUT OF EXCUSES.

YEAH, I'M MOVING SOON.

GOOD LUCK WITH THIS.

O.K., GUYS, LET'S GO.

I CALLED THE PLACES YOU WORKED BEFORE, ALVIN.

I SPOKE TO THE PERSONNEL PEOPLE.

SO WHAT? I'VE NEVER BEEN FIRED.

YOU LEFT WHEN THEY ASKED ABOUT THREATENING NOTES

THEY FOUND IN A FEMALE EMPLOYEE'S DESK.

I DIDN'T WRITE THEM.

WHY DID YOU QUIT?

I DIDN'T LIKE BEING FALSELY ACCUSED.

THEY KEPT COPIES OF THE NOTES.

THEY'RE SENDING THEM OVER.

IF THE HANDWRITING MATCHES THE NOTE

FROM MARIA GALVIN'S APARTMENT,

YOU HAVE SOME REAL PROBLEMS‐‐

EXTORTION, ARSON.

WHY WOULD I WANT MONEY? I MADE GOOD WAGES.

YOU PICKED UP THE BAG, ALVIN,

AND YOU HAVE A HISTORY OF THESE THINGS.

YOU SHOULD BE THINKING ABOUT GETTING STRAIGHT WITH ME.

WE COULD WORK SOMETHING OUT?

I CAN'T SAY THAT UNTIL I KNOW WHAT HAPPENED.

I DIDN'T WANT HER MONEY.

I WOULD HAVE GIVEN THAT BACK.

I JUST WANTED HER TO KNOW I'M SOMEONE SHE COULD RELY ON.

HOW?

IF SHE FELT THREATENED, SHE WOULD NEED SOMEBODY,

AND I'D PROTECT HER.

PROTECT HER FROM WHAT?

'CAUSE WEBSTER'S OUT THERE.

MAYBE I'D HAVE DONE BETTER IF I'D JUST SENT HER SOME CANDY.

[MARTINEZ] PASSING THE INTERSECTION OF 8th AND 2nd AVENUE.

10‐4. STAND BY. THEY'RE COMING AROUND THE CORNER.

WAIT FOR MY SIGNAL.

VENDOR IN POSITION.

HEY! OPEN IT, OR I'LL BLOW IT OPEN!

ALL RIGHT.

GIVE UP THE MONEY NOW!

KEEP YOUR HANDS IN SIGHT!

ANDY, GO.

VENDOR, GO.

[MASKED MAN] LET'S GO!

I'LL SHOOT SOMEBODY! MOVE!

MOVE NOW!

[FANCY] BLOCKING VEHICLE, GO.

KEEP YOUR HANDS WHERE I CAN SEE THEM, OR I'LL SHOOT.

GET OUT! GET OUT!

GET ON THE GROUND! GET ON THE GROUND!

DON'T MOVE! HANDS UP! HANDS IN FRONT OF YOU.

CHECK OUT THAT VAN. GO!

MY EARS!

ANYTHING?

VAN CLEAR.

GOT A GUN!

GOT A GUN HERE.

COME ON!

LET'S GO! COME ON!

WHERE ARE THE OTHERS?

GET DOWN!

GET HIM DOWN! GET HIM DOWN!

WHITE VAN'S CLEAR.

LET'S GET EVERYBODY BACK INTO THE HOUSE.

GREG, TAKE CARE OF VOUCHERING ALL THESE WEAPONS.

ANDY, MAKE SURE THIS ARMY WEAPON GETS BACK.

ALL RIGHT! GREAT JOB, MEN!

CAPTAIN, GOT ANYTHING YOU WANT TO SAY TO THESE GUYS?

FINE JOB, MEN. FINE JOB.

YEAH, FINE JOB.

YOU ALL RIGHT, ANDY?

[MARTINEZ] LET'S GO.

THE INTERVIEW ROOMS ARE FULL,

SO TAKE THEM TO THE CELLS DOWNSTAIRS.

YOU SHOULD HAVE SEEN THEIR FACES

AFTER THOSE CONCUSSION GRENADES WENT OFF.

I WAS ACROSS THE STREET. MY EARS ARE STILL RINGING.

WE'RE GETTING CALLS FROM THE MEDIA.

WHAT SHOULD I SAY?

I'M ALREADY ON THAT.

I'M HOLDING A NEWS CONFERENCE DOWNSTAIRS.

MAYBE WE SHOULD TALK IN MY OFFICE FIRST.

I THINK I KNOW THE DETAILS.

I DON'T THINK SO.

CLOSE THE DOOR.

WHAT, ARE YOU GOING TO TAPE THIS CONVERSATION?

LISTEN TO THIS.

I WANT FANCY ON TAPE

BUYING INTO A STORY YOU ADMIT TO HIM IS BOGUS.

I'M TALKING ABOUT PACHENKO.

GET FANCY TO SIGN ON. I'LL USE IT TO GET HIM OUT.

[VINNIE] IF THAT'S WHAT YOU WANT.

HE'S A CAREFUL NIGGER,

BUT I'M CONFIDENT YOU'LL COME UP WITH SOMETHING.

YOU DIRTY SON OF A BITCH.

THERE'S AN EASY WAY. THERE'S A HARD WAY.

THAT TAPE'S EITHER A PREAMBLE

TO YOUR RETIREMENT SPEECH DOWNSTAIRS,

OR IT'S MY ATTORNEY'S OPENING ARGUMENT AT YOUR CIVIL TRIAL.

I'LL TAKE RETIREMENT.

I GOT NO LOVE FOR WHAT THIS JOB'S TURNED INTO.

WHY?

IS IT ME... OR EVERYBODY BLACK?

I GOT SEVERAL COLORED FRIENDS.

I DON'T LIKE YOUR ATTITUDE.

TOO MUCH SELF‐RESPECT?

YEAH. YEAH, MAYBE THAT'S IT.

BETTER GET TO YOUR PRESS CONFERENCE.

WHERE'D YOU GET THIS, THE BOTTLING PLANT?

WANTED TO GIVE YOU SOME TIME TO THINK.

I'VE BEEN HERE A LONG TIME. I WANT THIS OVER.

SHOULDN'T BE MUCH LONGER.

GOOD.

CAN WE GET THAT HELP NOW, GEORGE?

I WOULD THINK HE PLANS EVERYTHING VERY PRECISELY.

MM‐HMM.

I WOULD THINK THE MAN CHOOSES VICTIMS

HE IS NOT CONNECTED TO...

PLACES WHERE THE VICTIMS AREN'T EXPECTING IT,

WHERE THEY'LL BE SURPRISED.

HE'S WALKED HIS ESCAPE ROUTE...

AND HE'S FULLY PREPARED TO DELAY ACTION

ANY TIME HE ENCOUNTERS UNFORESEEN CIRCUMSTANCES.

HE MUST'VE REALLY BEEN PISSED OFF

LAST AUGUST IN BATTERY PARK WHEN THAT GUY RAN.

YEAH. PROBABLY.

WHAT'S HE TRYING TO ACCOMPLISH?

WELL, HE KILLS COUPLES RIGHT?

MAYBE HE HAS SOME KIND OF SPECIAL SIXTH SENSE,

TELLS HIM WHEN A MAN'S GOING TO BE DOMINATED BY A WOMAN.

HE WANTS TO PREVENT THAT?

WOULDN'T YOU PREVENT THAT IF YOU COULD?

DO YOU KNOW ANYONE WHO WOULDN'T PREFER

A QUICK, PAINLESS DEATH

TO YEARS AND YEARS OF TORTURE?

I DON'T KNOW. THAT DOESN'T WORK FOR ME.

WHY NOT?

WHY DOES HE KILL THE WOMAN?

THE WOMAN'S THE WHOLE PROBLEM HERE.

SHE'S THE ONLY ONE THAT REALLY DESERVES TO DIE.

I MEAN...

IN HIS MIND.

WE GOT TO TALK ABOUT A GUN, GEORGE.

WHAT DO YOU MEAN?

WE FOUND A GUN IN YOUR APARTMENT WHERE YOU SAID TO LOOK.

I SAID TO LOOK?

I THINK WE'RE IN TOUCH ON THIS HERE, GEORGE.

YOU WANTED ME TO FIND THAT GUN.

THAT'S WHY YOU MENTIONED THE HEAT LAST SUMMER.

YOU KNEW I'D LOOK AT YOUR AIR CONDITIONER,

WONDER WHY IT WASN'T WORKING.

YOU KNEW I'D FIND THAT GUN THERE.

YEAH.

YEAH, I DID SAY IT WAS‐‐WAS HOT.

BUT I DON'T SEE THE CONNECTION, MY HAVING A GUN.

IT'S A MATCH. WE MATCHED IT TO THE WEBSTER SHOOTINGS,

JUST LIKE YOU KNEW WE WOULD.

WE GOT YOU, GEORGE.

YOU LET YOURSELF GET CAUGHT.

NOW, HELP ME UNDERSTAND. OTHERWISE, THIS TURNS INTO A FREAK SHOW,

AND WEBSTER IS JUST ANOTHER WEIRDO.

AND I DON'T WANT THAT.

YEAH.

THAT...REALLY...

WOULDN'T BE FAIR.

THINK ABOUT IT.

HE REALLY IS SAVING PEOPLE.

WHY DID HE COME BACK TO A DIFFERENT AREA OF THE CITY?

THE NEXUS OF MEN...

THAT NEEDED HIS HELP...

SHIFTED.

ONE PLACE WAS IN NEED, AND THEN ANOTHER.

HE GOES WHERE HE'S NEEDED.

WHERE HAD HE DISAPPEARED THOSE FIVE YEARS?

BROWARD COUNTY, FLORIDA, WOULD BE MY GUESS.

WAS HE ACTIVE THERE?

I WOULDN'T BE SURPRISED IF HE DID SOME INTERVENTIONS.

BUT THESE WERE SHOOTINGS, RIGHT?

MMM...

WHY DID HE START STRANGLING IN AUGUST?

HAVE YOU EVER SEEN ANYONE STRANGLED?

I WOULD GUESS IT'S MUCH MORE GRUESOME THAN BEING SHOT.

YOU DIE...

LOOKING YOUR KILLER IN THE EYES.

THAT WOMAN WHO GOT STRANGLED...

WHAT DID SHE DO TO WEBSTER?

SHE KICKED HIM IN THE TESTICLES.

YOU GONNA WRITE THIS UP FOR US, GEORGE?

HEY, ADRIANNE.

HEY.

CONGRATULATIONS ON THE ARMORED CAR COLLARS.

ALL I DID WAS WEAR AN ITCHY UNIFORM.

I LIKED THE EARLIER PART OF THE DAY BETTER,

WORKING WITH YOU ON THAT ARSON CASE.

SO WHERE DO YOU STAND ON THAT GUY?

HE ADMITTED SENDING THE NOTE.

HE'S WAFFLING ON STARTING THE FIRE.

COMPLAINANT CAN'T TESTIFY ON THAT PART.

NO. IF HE DON'T GO FOR THE ARSON, HE MAY NOT DO TIME.

I GET A BAD FEELING OFF THIS GUY.

THINK HE MIGHT GO THE NEXT STEP? GET VIOLENT?

YEAH. I THINK HE COULD.

I THINK HE'S TROUBLE WAITING TO HAPPEN.

SO, UH, YOU DON'T MIND ME SAYING, I, UH...

I ENJOY WORKING WITH YOU.

NO. I ENJOY WORKING WITH YOU, TOO.

JAMES, THEY WANT US DOWNSTAIRS FOR THE PRESS CONFERENCE.

REALLY?

YEAH. O.K.

MY PICTURE'S IN THE PAPER,

IT'S A BIG THING FOR MY FOLKS.

STAND NEXT TO HAVERILL.

YOU GONNA BE O.K. IN THERE WITH THAT GUY?

FINE. O.K.

HEY, LIEU.

VINNIE.

BIG DOINGS GOING ON OUTSIDE.

YEAH, THERE'S ABOUT TO BE A PRESS CONFERENCE.

YOU CAME DOWN ON THOSE SKEEVES

LIKE A RAT TRAP, HUH?

HAVERILL'S DECIDED TO RETIRE.

WELL, YOU DON'T SAY.

YEAH. I GOT YOUR CHECK HERE.

I GOT SOME DESTINATIONS PRE‐SELECTED FOR THIS MONEY.

SIGN IT. I'LL GIVE YOU CASH.

DEPARTMENT CHECK'S NEVER ANY TROUBLE.

SIGN IT.

IN THIS NEIGHBORHOOD, I'D PREFER

NOT TO CARRY THIS MUCH CURRENCY.

I'M NOT GIVING YOU THE CHANCE TO WORK WITH THE CHECK,

MEANING NO EXTRA ZEROES. NOW, SIGN IT.

LIEU, THAT WOULD BE VERY SHORT‐TERM THINKING.

WELL, YOU ARE A DAY‐TO‐DAY GUY, VINNIE.

I'M TAKING A LONGER VIEW NOW. I'M THE NEW AND IMPROVED

VINCENT A. GRECO.

I GOT MY EYE ON A DEVELOPMENT SITUATION,

SOMETHING IN THE PLANNING STAGES.

THESE A‐HOLES HAVE BEEN LED TO BELIEVE

THERE'S SOME DOPE IN THIS WAREHOUSE.

TELL ME WHEN YOU GET A LITTLE MORE.

HEY. LIEU...

YOU BE GOOD TO YOURSELF, HUH?

YEAH. YOU, TOO, VINNIE.

COUNT TO 5, THEN WALK OUT.

O.K.

1...

2...

SO I WON'T BE STAYING HERE NOW?

NO, THEY'RE MOVING YOU TO RIKERS.

HMM. THAT'S TOO BAD.

WHY? YOU'LL LIKE IT THERE. IT'S GOT A BETTER VIEW.

I KNOW. I HEARD WEBSTER'S HERE.

I WAS HOPING TO GET TO MEET HIM.

THERE'S LIEUTENANT FANCY NOW. LET'S GET THIS GOING.

IS THERE A DEVELOPMENT IN THE WEBSTER CASE?

NO. THIS IS EXCLUSIVELY REGARDING THE ARRESTS

IN THE ATTEMPTED ARMORED CAR HIJACKS.

NEEDLESS TO SAY,

I, UH, I'M EXTREMELY PROUD

OF THE EFFECTIVE, UH, EXECUTION OF THIS OPERATION

BY THE DETECTIVES OF THE 15th SQUAD,

COMMANDED BY LIEUTENANT FANCY

AND UNDER MY SUPERVISION.

I'LL GET BACK TO YOU.

I AM ESPECIALLY, UH, PLEASED TO BE INSTRUMENTAL

WITH THIS OPERATION, IN THAT, UH...

RECENTLY I HAVE DECIDED TO...

TAKE MY RETIREMENT FROM ACTIVE DUTY.

TAKE QUESTIONS.

SOME OF THE DETECTIVES AND UNIFORM PATROL PERSONNEL

WHO WERE INVOLVED IN THIS OPERATION ARE STANDING BESIDE ME.

I SINGLE OUT FOR PARTICULAR MENTION

DETECTIVES SIPOWICZ, MEDAVOY, AND MARTINEZ.

IT WAS BECAUSE OF THEIR COURAGE AND DEDICATION

THAT THIS OPERATION WENT SO WELL.

I'M ALSO VERY PLEASED THAT THERE WERE NO CASUALTIES.

UM, QUESTIONS.

LIEUTENANT... LIEUTENANT...

IF I WERE YOU, I'D TELL MY EDITOR

TO SAVE SOME SPACE ON THAT METRO PAGE

FOR LATE‐BREAKING NEWS.

ANY IDEAS WHAT THAT WOULD BE?

OFF THE RECORD? WOULDN'T BE SURPRISED

IF THERE'S A BREAK ON WEBSTER.

CONFESSION?

WOULDN'T SURPRISE ME.

IF I STARTED THE STORY,

COULD I GET CONFIRMATION IN A COUPLE OF HOURS?

YEAH. WE'LL CALL YOU.

THANKS, BOBBY.

SURE.

GREG, JAMES, GOOD GOING.

WHAT'S DOIN' WITH YOUR GUY?

HE WENT.

ALL RIGHT!

HE WENT, LIEU.

WAY TO GO, BOBBY.

I'LL LET RUDMAN KNOW WE GOT THIS GUY.

HOW'D SOLOMON DO? HE WAS IN THERE.

YEAH? WHAT WAS HE DOIN', HOLDIN' YOUR COAT?

HEY.

HEY. HOW'S HE DOING?

HE'S... WRITING AWAY.

DID YOU TELL THE BOSSES?

NO.

JUST FANCY.

I'M 48 YEARS OLD.

THAT RIGHT?

IS THERE GONNA BE ROOM FOR ME...

HOW IT WENT DOWN?

THERE'S GONNA BE MORE ROOM FOR YOU THAN YOU MADE FOR ME.

I APPRECIATE IT.

YEAH.

[TELEVISION PLAYS]

[KNOCK ON DOOR]

YEAH!

IT'S BENITA.

HEY.

PAPERGIRL.

COME ON IN.

DID I WAKE YOU?

NO. I'M SITTING...

THINKING ABOUT THE CASE... TRYING TO WATCH A MOVIE.

HOT OFF THE PRESS.

YOUR STORY ON WEBSTER, HUH?

FRONT PAGE, METRO SECTION, ABOVE THE FOLD.

TAKE YOUR COAT OFF.

OH. THANKS.

CAN I, UH, GET YOU A SODA,

A BEER, OR SOMETHING LIKE‐‐

NO, THANKS.

I CAN MAKE YOU A SANDWICH.

NO.

THAT DOES IT FOR THE REFRESHMENTS.

YOU HAVE A GREAT PLACE.

DID YOU JUST MOVE IN?

I'VE BEEN HERE ABOUT SIX MONTHS.

YOU MOVED IN HERE AFTER YOUR WIFE DIED.

MM‐HMM.

I, UH...

I REALLY HAVEN'T GOTTEN AROUND TO UNPACKING YET.

BOBBY, DO YOU WANT ME TO GO?

NO.

NO.

NO.

IT'S JUST THAT I'M A LITTLE SCARED, IS ALL.

DON'T BE SCARED.