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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:24,740 --> 00:00:25,830 EXCUSE ME. 2 00:00:25,870 --> 00:00:28,940 HOW DO YOU GET TO MOTT STREET? 3 00:00:28,970 --> 00:00:30,270 AH, MOTT STREET. 4 00:00:30,300 --> 00:00:32,630 I GOT TURNED AROUND IN MY HEAD SOMEHOW. 5 00:00:32,670 --> 00:00:34,640 GO DOWN TO THE NEXT LIGHT, 6 00:00:34,670 --> 00:00:36,040 MAKE A RIGHT, 7 00:00:36,070 --> 00:00:38,040 THEN TWO BLOCKS, MAKE A LEFT. 8 00:00:38,070 --> 00:00:40,740 I GOT A MAP. COULD YOU POINT IT OUT? 9 00:00:44,500 --> 00:00:46,030 THAT'S A MAP OF TEXAS. 10 00:00:46,070 --> 00:00:48,440 IS IT? WELL, MAYBE YOU COULD HELP ME 11 00:00:48,470 --> 00:00:49,970 FIND JOHNSON CITY. 12 00:00:53,400 --> 00:00:55,630 YOU SHOWED ME YOURS. 13 00:00:55,670 --> 00:00:58,140 NOW I'M GONNA SHOW YOU MINE. 14 00:00:58,170 --> 00:00:59,510 YOU'RE UNDER ARREST, YOU JERK. 15 00:00:59,530 --> 00:01:02,230 ZIP IT UP. GET OUT OF THE CAR. 16 00:01:09,670 --> 00:01:11,140 GET THESE GUYS BACK. 17 00:01:15,000 --> 00:01:15,960 ALL RIGHT. 18 00:01:16,000 --> 00:01:18,200 WE GOT A WHITE MALE. 19 00:01:18,230 --> 00:01:20,360 GUY WALKING HIS DOG CALLED IT IN. 20 00:01:20,400 --> 00:01:21,800 DOWN THE ALLEYWAY HERE. 21 00:01:21,830 --> 00:01:22,730 HEY, GUYS. 22 00:01:25,400 --> 00:01:26,460 OOH. 23 00:01:26,500 --> 00:01:28,260 STABBED AND STRANGLED. 24 00:01:28,300 --> 00:01:30,330 I'LL START A CANVASS, ALL RIGHT? 25 00:01:30,370 --> 00:01:31,770 RIGHT. 26 00:01:31,800 --> 00:01:35,060 LOOKS LIKE HE WAS DRAGGED DOWN HERE. 27 00:01:36,570 --> 00:01:38,340 BENJAMIN HOLLIS. 634 WAVERLY. 28 00:01:38,370 --> 00:01:40,340 GOT OVER $300 IN CASH, 29 00:01:40,370 --> 00:01:42,170 FOUR CREDIT CARDS. 30 00:01:42,200 --> 00:01:44,000 I'D SAY WE CAN ELIMINATE ROBBERY. 31 00:01:44,030 --> 00:01:45,430 YEAH. 32 00:01:45,470 --> 00:01:47,640 THREE PICTURES. NO WEDDING RING. 33 00:01:47,670 --> 00:01:49,370 THAT'S GOT TO BE A GIRLFRIEND. 34 00:01:49,400 --> 00:01:50,500 HMM. 35 00:01:53,370 --> 00:01:55,070 "TO THE POLICE." 36 00:01:58,030 --> 00:02:00,030 WORDS CUT OUT OF A DICTIONARY? 37 00:02:00,070 --> 00:02:02,940 "YOU'LL FIND THE OTHER HALF OF THIS MESSAGE 38 00:02:02,970 --> 00:02:05,810 WHEN YOU FIND THE OTHER HALF OF THIS COUPLE." 39 00:02:07,300 --> 00:02:08,860 "YOU DIDN'T GET ME BEFORE, 40 00:02:08,900 --> 00:02:10,760 "AND YOU WON'T GET ME NOW. 41 00:02:10,800 --> 00:02:12,300 MORE TO COME." 42 00:02:12,330 --> 00:02:13,800 OH, MAN. 43 00:02:13,830 --> 00:02:15,330 YOU THINK WEBSTER'S BACK? 44 00:02:17,400 --> 00:02:19,630 LOOKS LIKE IT. 45 00:03:36,300 --> 00:03:38,430 HEY. FOUND YOU. 46 00:03:38,470 --> 00:03:41,040 YEAH. WHAT'S IT LOOK LIKE? 47 00:03:41,070 --> 00:03:43,540 VICTIM'S NAME IS BENJAMIN HOLLIS. 48 00:03:43,570 --> 00:03:45,110 38 YEARS OLD. INVESTMENT BANKER. 49 00:03:45,130 --> 00:03:46,860 YOU THINK THIS IS WEBSTER'S HOMICIDE? 50 00:03:46,900 --> 00:03:48,200 PERP SAYS IT IS. 51 00:03:48,230 --> 00:03:49,330 STABBING, STRANGULATION. 52 00:03:49,370 --> 00:03:50,840 ALL THE WEBSTER HOMICIDES WERE SHOOTINGS. 53 00:03:50,870 --> 00:03:52,710 YEAH, IT IS A DIFFERENT M. O. 54 00:03:52,730 --> 00:03:54,100 VICTIM'S MOTHER LIVES NEXT DOOR. 55 00:03:54,130 --> 00:03:56,200 SHE I. D.'d PHOTOGRAPHS OF THE GIRLFRIEND 56 00:03:56,230 --> 00:03:57,730 WE FOUND IN HIS WALLET. 57 00:03:57,770 --> 00:03:59,540 HER NAME IS ALEXANDRA RUDMAN. 58 00:03:59,570 --> 00:04:00,940 SHE WASN'T HOME. 59 00:04:00,970 --> 00:04:03,070 THE SUPER TOLD ME HER CAR'S MISSING. 60 00:04:03,100 --> 00:04:04,600 WE PUT OUT AN ALARM. 61 00:04:04,630 --> 00:04:06,600 THE APARTMENT'S IN HER FATHER'S NAME, 62 00:04:06,630 --> 00:04:08,560 SO WE LEFT WORD FOR HIM. 63 00:04:08,600 --> 00:04:11,000 IF IT'S WEBSTER, THE GIRLFRIEND'S DEAD. 64 00:04:11,030 --> 00:04:12,700 THINK THEY'LL REACTIVATE THE TASK FORCE? 65 00:04:12,730 --> 00:04:14,330 I THINK THEY WILL. 66 00:04:14,370 --> 00:04:15,540 IT'S OUR CASE, THOUGH, RIGHT? 67 00:04:15,570 --> 00:04:18,040 I'M SURE THEY'LL BE BACK IN A MOMENT. 68 00:04:18,070 --> 00:04:20,010 YEAH, YEAH. SO YOU'VE BEEN SAYING. 69 00:04:20,030 --> 00:04:21,730 ARE THESE THE VERY BUSY GENTLEMEN? 70 00:04:21,770 --> 00:04:23,170 LIEUTENANT, THIS IS‐‐ 71 00:04:23,200 --> 00:04:25,160 ARNOLD RUDMAN. I GOT A MESSAGE 72 00:04:25,200 --> 00:04:26,560 TO CONTACT A DETECTIVE SIMONE. 73 00:04:26,600 --> 00:04:27,930 THERE'S NOBODY HERE! 74 00:04:27,970 --> 00:04:30,010 I'M DETECTIVE SIMONE. LIEUTENANT FANCY. 75 00:04:30,030 --> 00:04:32,260 SO WHAT THE HELL IS THIS ALL ABOUT? 76 00:04:32,300 --> 00:04:34,560 MR. RUDMAN, STEP INTO MY OFFICE. 77 00:04:34,600 --> 00:04:36,530 YOU WENT TO MY DAUGHTER'S BUILDING? 78 00:04:36,570 --> 00:04:38,640 LET'S TALK ABOUT THIS IN THE OFFICE. 79 00:04:42,130 --> 00:04:44,530 MR. RUDMAN, BENJAMIN HOLLIS, 80 00:04:44,570 --> 00:04:46,940 WHO WE UNDERSTAND YOUR DAUGHTER WAS DATING, 81 00:04:46,970 --> 00:04:48,210 WAS FOUND MURDERED THIS MORNING. 82 00:04:52,800 --> 00:04:54,400 WHERE WAS HE FOUND MURDERED? 83 00:04:54,430 --> 00:04:56,830 ON THE STEPS OUTSIDE OF HIS TOWNHOUSE. 84 00:04:56,870 --> 00:04:58,370 WHAT'S HAPPENED TO MY DAUGHTER? 85 00:04:58,400 --> 00:05:01,000 WE'RE NOT SURE OF THAT AS YET. 86 00:05:01,030 --> 00:05:02,760 SHE WAS WITH HIM LAST NIGHT. 87 00:05:02,800 --> 00:05:04,400 THEY HAD DINNER WITH ME. 88 00:05:04,430 --> 00:05:07,030 DID THEY LEAVE TOGETHER IN YOUR DAUGHTER'S CAR? 89 00:05:07,070 --> 00:05:09,170 YES. WHAT'S HAPPENED TO MY DAUGHTER? 90 00:05:09,200 --> 00:05:11,860 PLEASE TRY AND CALM DOWN, MR. RUDMAN. 91 00:05:11,900 --> 00:05:14,030 SIR, YOUR DAUGHTER'S CAR IS MISSING. 92 00:05:14,070 --> 00:05:16,570 WELL, SH‐SHE‐‐SHE MAY HAVE BEEN ABDUCTED. 93 00:05:16,600 --> 00:05:19,600 DO YOU HAVE ANY EVIDENCE THAT SHE WAS MURDERED? 94 00:05:19,630 --> 00:05:21,730 WE'RE TRYING TO FIND OUT WHAT HAPPENED. 95 00:05:21,770 --> 00:05:23,770 SHE MUST HAVE BEEN ABDUCTED. 96 00:05:23,800 --> 00:05:26,360 I AM WILLING TO PAY ANY RANSOM. 97 00:05:26,400 --> 00:05:28,000 LET'S NOT GET AHEAD OF OURSELVES. 98 00:05:28,030 --> 00:05:30,000 YOU LISTEN TO ME. YOU LISTEN TO ME! 99 00:05:30,030 --> 00:05:31,760 THE PEOPLE WHO FIND MY DAUGHTER SAFE 100 00:05:31,800 --> 00:05:33,700 ARE GOING TO BE WEALTHY MEN. 101 00:05:33,730 --> 00:05:36,830 MR. RUDMAN, I WANT YOU TO CALM DOWN. 102 00:05:36,870 --> 00:05:38,540 DO YOU HAVE A TAPE RECORDER 103 00:05:38,570 --> 00:05:40,210 TO USE ON YOUR PHONES? 104 00:05:40,230 --> 00:05:42,930 ALL OUR PHONES HAVE... 105 00:05:42,970 --> 00:05:44,770 AUTOMATIC RECORDING DEVICES. 106 00:05:44,800 --> 00:05:46,260 THAT'S FINE. THAT'S GOOD. 107 00:05:46,300 --> 00:05:48,200 IF YOU RECEIVE ANY PHONE CALLS 108 00:05:48,230 --> 00:05:49,600 CONCERNING YOUR DAUGHTER 109 00:05:49,630 --> 00:05:50,760 OR ASKING FOR RANSOM, 110 00:05:50,800 --> 00:05:52,730 I'D LIKE YOU TO CONTACT US. 111 00:05:54,230 --> 00:05:55,730 DO YOU NEED ANY INFORMATION 112 00:05:55,770 --> 00:05:57,740 ABOUT MY DAUGHTER'S CAR? 113 00:05:57,770 --> 00:06:00,540 WE GOT THAT. WE'RE LOOKING FOR THE CAR NOW. 114 00:06:03,800 --> 00:06:05,860 DO YOU HAVE REASON TO THINK 115 00:06:05,900 --> 00:06:07,660 MY DAUGHTER MAY BE DEAD? 116 00:06:07,700 --> 00:06:10,030 SIR, I PROMISE WE'LL CONTACT YOU 117 00:06:10,070 --> 00:06:11,710 WITH ANY DEVELOPMENTS ON OUR END. 118 00:06:15,070 --> 00:06:17,270 COME ON, MR. RUDMAN. I'LL WALK YOU OUT. 119 00:06:21,470 --> 00:06:23,070 WHAT'S YOUR NAME? 120 00:06:23,100 --> 00:06:23,960 DETECTIVE SIMONE. 121 00:06:25,400 --> 00:06:28,030 I KNOW THIS MUST BE HARD. 122 00:06:28,070 --> 00:06:30,010 JUST LET US DO OUR JOB. 123 00:06:30,030 --> 00:06:32,000 JUST REMEMBER WHAT I SAID, DETECTIVE‐‐ 124 00:06:32,030 --> 00:06:34,200 WHOEVER BRINGS MY DAUGHTER BACK ALIVE, 125 00:06:34,230 --> 00:06:36,860 THAT NIGHT HE GOES TO BED A RICH MAN. 126 00:06:36,900 --> 00:06:38,000 [RING] 127 00:06:38,030 --> 00:06:40,200 15th DETECTIVE SQUAD. 128 00:06:40,230 --> 00:06:41,760 ONE MOMENT, PLEASE. 129 00:06:41,800 --> 00:06:43,560 DETECTIVE SIPOWICZ, 130 00:06:43,600 --> 00:06:45,560 YOUR SON'S ON LINE 1. 131 00:06:45,600 --> 00:06:46,730 OH. THANKS. 132 00:06:51,230 --> 00:06:52,400 ANDY? 133 00:06:52,430 --> 00:06:55,400 YEAH. THANKS FOR CALLING BACK. 134 00:06:55,430 --> 00:06:57,400 NO, NO. EVERYTHING'S O. K. 135 00:06:57,430 --> 00:06:58,500 HOW ABOUT YOURSELF? 136 00:06:58,530 --> 00:07:00,030 UH‐HUH. 137 00:07:00,070 --> 00:07:02,170 I'D LIKE TO SEE YOU, SON. 138 00:07:02,200 --> 00:07:03,830 ANY NIGHT, YOU KNOW. 139 00:07:03,870 --> 00:07:08,010 ALL RIGHT. WELL, CALL WHEN YOU KNOW. 140 00:07:08,030 --> 00:07:09,330 GOOD. O. K., ANDY. 141 00:07:09,370 --> 00:07:11,340 AND, UH, I'LL SEE YOU TOMORROW. 142 00:07:11,370 --> 00:07:12,970 YEAH. BYE. 143 00:07:14,300 --> 00:07:15,860 HOW WAS YOUR FRIEND'S MEMORIAL SERVICE? 144 00:07:17,530 --> 00:07:18,830 IT WAS ALL RIGHT. 145 00:07:18,870 --> 00:07:20,910 WHAT WAS THAT GUY TALKING ABOUT? 146 00:07:20,930 --> 00:07:22,230 GOING TO BED RICH. 147 00:07:22,270 --> 00:07:23,570 DAUGHTER'S MISSING. 148 00:07:23,600 --> 00:07:25,500 WE'RE THINKING MAYBE WEBSTER'S BACK. 149 00:07:25,530 --> 00:07:27,230 [DONNA] CAN I HELP YOU? 150 00:07:27,270 --> 00:07:30,570 AH, LIEUTENANT FANCY! 151 00:07:30,600 --> 00:07:32,230 IT'S O. K., DONNA. 152 00:07:32,270 --> 00:07:33,470 COME ON, VINNIE. 153 00:07:38,300 --> 00:07:40,860 WILL YOU LOOK AT THIS? 154 00:07:40,900 --> 00:07:42,800 YOUR OWN OFFICE. 155 00:07:44,530 --> 00:07:46,900 I'M HAPPY FOR YOU, ARTHUR FANCY. 156 00:07:46,930 --> 00:07:49,630 LIEUTENANT ARTHUR FANCY. 157 00:07:50,630 --> 00:07:52,200 I KNEW YOU'D MAKE IT. 158 00:07:52,230 --> 00:07:54,730 I DON'T KNOW. I GOT INTUITION SOMETIMES 159 00:07:54,770 --> 00:07:57,210 THAT I CAN'T ALWAYS EXPLAIN. 160 00:07:57,230 --> 00:07:59,730 I THOUGHT YOU WERE IN FLORIDA WITNESS PROTECTION. 161 00:07:59,770 --> 00:08:01,210 YEAH, WELL... 162 00:08:01,230 --> 00:08:04,330 RELOCATION WASN'T FOR ME, LIEUTENANT. 163 00:08:04,370 --> 00:08:05,870 I'M A NEW YORKER. 164 00:08:05,900 --> 00:08:07,500 I LEFT THE PROGRAM. 165 00:08:07,530 --> 00:08:10,100 YOU MISS ME, OR YOU HERE ON BUSINESS? 166 00:08:10,130 --> 00:08:13,100 WELL, IT SO HAPPENS I TRAVEL THIS REGULAR ROUTE, 167 00:08:13,130 --> 00:08:16,260 AND ONE DAY I OBSERVE A PAIR OF INDIVIDUALS, 168 00:08:16,300 --> 00:08:18,060 AND THEY LOOK A LITTLE INCONGRUOUS. 169 00:08:18,100 --> 00:08:20,660 THEY'RE HOLDING HANDS IN THE CAR LIKE FAGS, 170 00:08:20,700 --> 00:08:22,030 WHICH I KNOW THEY'RE NOT. 171 00:08:22,070 --> 00:08:25,040 THEN I NOTICE THEY'RE LOOKING AT THIS ARMORED CAR. 172 00:08:25,070 --> 00:08:26,440 COUPLE OF DAYS LATER, 173 00:08:26,470 --> 00:08:28,370 ONE OF THESE INDIVIDUALS, HE INQUIRES 174 00:08:28,400 --> 00:08:30,760 IF I CAN GET HIM SOME GUNS. 175 00:08:30,800 --> 00:08:32,260 WHAT KIND OF GUNS? 176 00:08:32,300 --> 00:08:33,560 MILITARY. 177 00:08:33,600 --> 00:08:36,700 ARMOR PIERCING VARIETY. 178 00:08:36,730 --> 00:08:38,530 ARMORED CAR, 179 00:08:38,570 --> 00:08:39,840 ARMOR PIERCING WEAPONS. 180 00:08:39,870 --> 00:08:42,240 I'D SAY THAT ADDS UP TO 4. 181 00:08:42,270 --> 00:08:44,210 SO I ARRANGE THE MEET, 182 00:08:44,230 --> 00:08:46,160 BUT I DO NOT PASS GO. 183 00:08:46,200 --> 00:08:47,930 I PROCEED DIRECTLY TO LIEUTENANT FANCY, 184 00:08:47,970 --> 00:08:50,510 OF WHICH WHOSE CAREER I'D LIKE TO THINK 185 00:08:50,530 --> 00:08:51,930 A PREVIOUS PIECE OF INFORMATION 186 00:08:51,970 --> 00:08:53,670 DELIVERED BY YOURS TRULY 187 00:08:53,700 --> 00:08:55,500 HELPED TO PUT INTO OVERDRIVE 188 00:08:55,530 --> 00:08:57,200 THOSE MANY MOONS AGO. 189 00:08:57,230 --> 00:08:58,430 WHEN'S THE MEET? 190 00:08:58,470 --> 00:09:00,540 THEY'RE WAITING FOR ME TO CALL. 191 00:09:00,570 --> 00:09:04,740 ALL RIGHT. O.K. ARRANGE THE MEET. 192 00:09:04,770 --> 00:09:07,070 TELL THEM YOU'RE BRINGING SOMEBODY WITH YOU. 193 00:09:07,100 --> 00:09:09,530 OH, THAT MIGHT BE A LITTLE DUBIOUS, LIEUTENANT. 194 00:09:09,570 --> 00:09:12,010 YOU KNOW, A STRANGE GUY THEY DON'T KNOW. 195 00:09:12,030 --> 00:09:13,900 THAT'S HOW WE'RE WORKING IT, VINNIE. 196 00:09:13,930 --> 00:09:15,560 I NEED CONFIRMATION. 197 00:09:15,600 --> 00:09:17,700 O.K. 198 00:09:17,730 --> 00:09:18,860 SO, UH... 199 00:09:18,900 --> 00:09:20,730 WHAT ABOUT THE MONEY? 200 00:09:20,770 --> 00:09:23,040 I SAY THIS IS GOOD FOR 3 GRAND. 201 00:09:23,070 --> 00:09:25,440 MAYBE 2,500. THAT'S DOWN THE ROAD. 202 00:09:25,470 --> 00:09:27,770 YEAH, RIGHT, ALL RIGHT. WHATEVER YOU SAY. 203 00:09:27,800 --> 00:09:30,160 BUT ONLY BECAUSE OF THE TREMENDOUS RESPECT 204 00:09:30,200 --> 00:09:31,600 I HAVE FOR YOU. 205 00:09:31,630 --> 00:09:33,360 MAKE THE CALL, VINNIE. 206 00:09:33,400 --> 00:09:34,700 HEY, ANDY. 207 00:09:36,430 --> 00:09:37,730 THAT GUY IN THERE, 208 00:09:37,770 --> 00:09:39,370 HE'S AN OLD STOOLIE. 209 00:09:39,400 --> 00:09:41,500 HE HELPED GET ME MY SHIELD. 210 00:09:41,530 --> 00:09:42,860 HE SAYS HE WAS APPROACHED 211 00:09:42,900 --> 00:09:44,560 ABOUT BROKERING SOME HEAVY‐DUTY WEAPONS. 212 00:09:44,600 --> 00:09:45,860 SHOULD I CHECK IT OUT? 213 00:09:45,900 --> 00:09:47,230 WELL, SUPPOSEDLY THESE GUYS 214 00:09:47,270 --> 00:09:48,840 ARE PLANNING AN ARMORED CAR HEIST. 215 00:09:48,870 --> 00:09:50,240 HE'S SET UP A MEET. 216 00:09:50,270 --> 00:09:51,410 YOU GO ALONG. 217 00:09:51,430 --> 00:09:52,560 SURE. 218 00:09:52,600 --> 00:09:53,560 LIEUTENANT. 219 00:09:55,200 --> 00:09:57,300 YEAH. FANCY. 220 00:09:59,430 --> 00:10:02,930 YEAH. YEAH. O.K. I'M ON IT. 221 00:10:02,970 --> 00:10:06,240 FEMALE DOA. ALLEY OFF CHAMBERS. 222 00:10:06,270 --> 00:10:08,410 IT WAS THE CAR YOU'RE LOOKING FOR. 223 00:10:08,430 --> 00:10:09,830 THEY LEAVE A NOTE? 224 00:10:09,870 --> 00:10:11,440 NO MENTION OF A NOTE. 225 00:10:11,470 --> 00:10:12,840 TAKE, UM, MEDAVOY AND MARTINEZ. 226 00:10:12,870 --> 00:10:13,770 O.K., LIEU. 227 00:10:16,230 --> 00:10:17,830 LET'S GO, JAMES. 228 00:10:17,870 --> 00:10:18,910 IT'S SET. 229 00:10:18,930 --> 00:10:21,030 VINNIE GRECO, ANDY SIPOWICZ. 230 00:10:21,070 --> 00:10:22,040 HOW YOU DOING? 231 00:10:22,070 --> 00:10:24,280 I GOT TO CHANGE. 232 00:10:29,240 --> 00:10:30,910 I'VE BEEN SEEING MR. GUMBLE WEEKLY 233 00:10:30,940 --> 00:10:33,040 FOR THE LAST TWO YEARS. 234 00:10:33,070 --> 00:10:36,170 THIS IS A MAN WITH A HIGHLY SUCCESSFUL BUSINESS, 235 00:10:36,200 --> 00:10:37,830 WHO'S EXPOSED TO EXTREME STRESS. 236 00:10:37,870 --> 00:10:39,770 DURING THE TIME OF HIS TREATMENT, 237 00:10:39,800 --> 00:10:42,930 HE'S EXPERIENCED SEVERAL... MANIC EPISODES, 238 00:10:42,970 --> 00:10:45,200 WHERE HE'S AT THE MERCY 239 00:10:45,240 --> 00:10:47,180 OF VARIOUS IRRESISTIBLE COMPULSIONS. 240 00:10:47,200 --> 00:10:48,730 THE INCIDENT THIS MORNING 241 00:10:48,770 --> 00:10:50,330 IS CLEARLY ONE OF THESE. 242 00:10:50,370 --> 00:10:52,330 TO BE HONEST WITH YOU, DOCTOR, 243 00:10:52,370 --> 00:10:53,830 I COULD CARE LESS 244 00:10:53,870 --> 00:10:56,070 ABOUT HIS REASONS FOR WHAT HE DID. 245 00:10:56,100 --> 00:10:58,830 SHE'S RIGHT. MY BEHAVIOR WAS INEXCUSABLE. 246 00:10:58,870 --> 00:11:01,270 THIS IS A TREATABLE CONDITION. 247 00:11:01,300 --> 00:11:04,070 I'M GOING TO ADJUST HIS LITHIUM. 248 00:11:04,100 --> 00:11:06,570 HAVE YOU CHECK MY CLIENT'S RECORD? HE'S CLEAN. 249 00:11:06,600 --> 00:11:07,730 I'VE CHECKED WITH B.C.I. 250 00:11:07,770 --> 00:11:09,700 NOW I'LL GO THROUGH PAST COMPLAINT REPORTS. 251 00:11:09,740 --> 00:11:11,180 WILL THAT TAKE LONG? 252 00:11:11,200 --> 00:11:13,870 IT'LL TAKE AS LONG AS IT TAKES. 253 00:11:13,900 --> 00:11:15,230 I HAVE PATIENTS TO SEE. 254 00:11:15,270 --> 00:11:16,570 MR. GUMBLE CAN SEE 255 00:11:16,600 --> 00:11:20,270 AS MANY HIGH‐PRICED LAWYERS AND SHRINKS AS HE WANTS. 256 00:11:20,300 --> 00:11:23,430 BUT IF I FIND ANY PREVIOUS RECORD OF THIS CRAP, 257 00:11:23,470 --> 00:11:25,030 HE'S GOING INTO THE SYSTEM. 258 00:11:30,970 --> 00:11:32,570 LOOK AT THAT STUFF. 259 00:11:32,600 --> 00:11:35,030 MANUAL STRANGULATION WITH A LOT OF BRUISING. 260 00:11:35,070 --> 00:11:36,330 THE NECK WORKED ON. 261 00:11:36,370 --> 00:11:37,730 LIKE HE ENJOYED IT. 262 00:11:37,770 --> 00:11:39,100 NO LIGATURE MARKS. 263 00:11:39,140 --> 00:11:41,440 SHE'S BEEN DEAD FROM 6 TO 12 HOURS. 264 00:11:41,470 --> 00:11:42,830 GOT A NAME? 265 00:11:42,870 --> 00:11:44,230 YEAH. ALEXANDRA RUDMAN. 266 00:11:44,270 --> 00:11:45,670 HEY, LOOK AT THIS. 267 00:11:45,700 --> 00:11:47,800 I FOUND IT TAPED TO THE BUMPER. 268 00:11:51,870 --> 00:11:54,530 "I CAME BACK AUGUST 17th. 269 00:11:54,570 --> 00:11:56,500 THE GIRL IN BATTERY PARK WAS MINE." 270 00:11:56,540 --> 00:11:58,710 THIS GUY, BOY. 271 00:11:58,740 --> 00:12:00,280 WE GOT SOME MEDIA, BOBBY. 272 00:12:00,300 --> 00:12:01,770 GREAT. 273 00:12:01,800 --> 00:12:04,270 I GOT TO TAKE THIS BACK TO FANCY. 274 00:12:04,300 --> 00:12:05,930 JAMES, CANVASS THE ASS OFF THIS. 275 00:12:05,970 --> 00:12:07,170 O.K. 276 00:12:07,200 --> 00:12:09,100 STAY ON TOP OF THE CRIME SCENE. 277 00:12:09,140 --> 00:12:10,580 IS THIS ALEXANDRA RUDMAN? 278 00:12:10,600 --> 00:12:12,930 YOU'LL GET A STATEMENT FROM PUBLIC INFORMATION. 279 00:12:12,970 --> 00:12:14,170 BOBBY, IT'S ME‐‐ BENITA. 280 00:12:14,200 --> 00:12:15,270 JUST CONFIRM. 281 00:12:15,300 --> 00:12:17,730 THEY GOT YOU ROLLING ON DOAs NOW? 282 00:12:17,770 --> 00:12:20,070 I GOT SICK OF SITTING AROUND CITY HALL. 283 00:12:20,100 --> 00:12:21,900 IS THIS ALEXANDRA RUDMAN? 284 00:12:21,940 --> 00:12:23,910 WHERE DID YOU GET THAT NAME? 285 00:12:23,940 --> 00:12:25,210 HER FATHER PUT A STATEMENT OUT 286 00:12:25,240 --> 00:12:27,880 SAYING SHE WAS MISSING, AND HE'D PAY RANSOM. 287 00:12:27,900 --> 00:12:30,830 LOOK, BENITA, I GOT TO NOTIFY THIS PERSON'S FAMILY. 288 00:12:30,870 --> 00:12:32,370 HOW DID SHE DIE? 289 00:12:32,400 --> 00:12:34,870 OFF THE TOP, IT LOOKS LIKE MANUAL STRANGULATION. 290 00:12:34,900 --> 00:12:36,500 I CAN'T GIVE YOU MORE. 291 00:12:36,540 --> 00:12:37,910 MIND IF I KEEP TRYING? 292 00:12:37,940 --> 00:12:39,340 IT'S A FREE COUNTRY. 293 00:12:39,370 --> 00:12:42,370 HOW ABOUT A RIDE DOWNTOWN? YOU CAN HANDCUFF ME. 294 00:12:42,400 --> 00:12:45,030 NAH. I THINK THAT'S AGAINST REGULATIONS. 295 00:12:57,740 --> 00:13:00,520 YOU GOT YOUR DOUBTS ABOUT ME, HUH, SLIVOVITZ? 296 00:13:00,550 --> 00:13:02,550 HEY, IT'S SIPOWICZ. 297 00:13:02,580 --> 00:13:04,840 ANYWAY, I'M TRYING TO DO THE RIGHT THING. 298 00:13:04,880 --> 00:13:07,240 I'M NOT JUST DOING THIS FOR THE MONEY. 299 00:13:14,450 --> 00:13:17,190 HEY, TOMMY, ALEX. 300 00:13:19,450 --> 00:13:20,820 WHAT IS THIS? 301 00:13:20,850 --> 00:13:23,190 HE'S GONNA GET YOU WHAT YOU'RE LOOKING FOR. 302 00:13:23,210 --> 00:13:24,510 YOU BRING HIM HERE? 303 00:13:24,550 --> 00:13:25,920 THIS ISN'T RIGHT. 304 00:13:25,950 --> 00:13:28,320 I'M HERE 'CAUSE YOU WON'T FRONT MONEY, 305 00:13:28,350 --> 00:13:30,420 AND I DON'T GO ON CREDIT. 306 00:13:30,450 --> 00:13:31,520 WANT ME TO LEAVE? 307 00:13:32,780 --> 00:13:34,810 WE JUST WEREN'T EXPECTING THIS. 308 00:13:34,850 --> 00:13:37,690 WE ALL GET SET IN OUR WAYS. 309 00:13:38,850 --> 00:13:41,490 NOW, UH... 310 00:13:41,510 --> 00:13:44,240 I HAVE ACCESS TO MILITARY HARDWARE. 311 00:13:44,280 --> 00:13:48,080 DID I TELL YOU, OR DID I TELL YOU? 312 00:13:48,110 --> 00:13:50,480 HERE'S WHAT WE NEED‐‐ 313 00:13:50,510 --> 00:13:54,340 AN AT4 VIPER OR AN MK 19 GRENADE LAUNCHER. 314 00:13:54,380 --> 00:13:55,910 WHAT ARE YOU TAKING OUT? 315 00:13:55,950 --> 00:13:57,850 CAN YOU GET IT OR NOT? 316 00:13:59,250 --> 00:14:00,890 THE MK, NO PROBLEM. 317 00:14:00,910 --> 00:14:01,580 HOW MUCH? 318 00:14:03,110 --> 00:14:05,240 IT COMES OFF THE ARMORY AT NIGHT. 319 00:14:05,280 --> 00:14:06,880 IT'S BACK THE NEXT NIGHT. 320 00:14:06,910 --> 00:14:09,680 THE RENT'S 4,500. HALF OF THAT'S IN FRONT. 321 00:14:09,710 --> 00:14:11,410 IT'S 300 FOR A ROUND. 322 00:14:11,450 --> 00:14:14,220 ANY DAMAGE TO A WEAPON IS A SEPARATE DISCUSSION. 323 00:14:14,250 --> 00:14:15,890 WHEN DO YOU NEED IT? 324 00:14:15,910 --> 00:14:17,340 GIVE YOU NOTICE. 325 00:14:17,380 --> 00:14:18,880 AT LEAST 24 HOURS. 326 00:14:18,910 --> 00:14:20,880 WE'LL LET YOU KNOW THROUGH VINNIE. 327 00:14:20,910 --> 00:14:22,580 WE'LL GIVE YOU 1,500 NOW 328 00:14:22,610 --> 00:14:24,480 AND THE REST ON DELIVERY. 329 00:14:24,510 --> 00:14:27,140 DON'T DICK AROUND AND EMBARRASS YOURSELF. 330 00:14:27,180 --> 00:14:29,540 THANKS. YOUR FRIENDS ARE VERY NICE. 331 00:14:30,850 --> 00:14:31,720 WAIT, WAIT. 332 00:14:33,250 --> 00:14:34,750 WE'LL DO BUSINESS. 333 00:14:34,780 --> 00:14:35,680 SIT DOWN. 334 00:14:41,850 --> 00:14:43,220 SARGE. 335 00:14:43,250 --> 00:14:45,390 JUST ANOTHER CITIZEN EXERCISING HER FREEDOMS. 336 00:14:45,410 --> 00:14:46,810 AND HERE YOU ARE. 337 00:14:46,850 --> 00:14:49,820 I'M HEARING RUMORS THIS COULD BE THE DICTIONARY KILLER. 338 00:14:49,850 --> 00:14:51,820 IF I PRINTED THE DEPARTMENT'S LOOKING 339 00:14:51,850 --> 00:14:54,390 INTO A POSSIBLE CONNECTION WITH THE WEBSTER HOMICIDES, 340 00:14:54,410 --> 00:14:56,410 WOULD I BE WRONG? 341 00:14:56,450 --> 00:14:58,820 LET'S SAY YOU WOULDN'T WIND UP IN TROUBLE. 342 00:14:58,850 --> 00:15:00,750 I DON'T HAVE ANY FURTHER COMMENT. 343 00:15:00,780 --> 00:15:03,440 BOBBY...I WANT TO BUY YOU DINNER. 344 00:15:05,850 --> 00:15:08,320 DO YOU DO THAT SORT OF THING YET? 345 00:15:08,350 --> 00:15:10,520 YEAH, I DO THAT SORT OF THING. 346 00:15:10,550 --> 00:15:11,590 GOOD. 347 00:15:11,610 --> 00:15:12,980 TONIGHT? 348 00:15:13,010 --> 00:15:14,410 IT CAN'T BE TONIGHT. 349 00:15:14,450 --> 00:15:16,820 HI, BOBBY. 350 00:15:16,850 --> 00:15:17,990 LONG TIME, HUH? 351 00:15:18,010 --> 00:15:19,180 HOW'S IT GOING? 352 00:15:19,210 --> 00:15:20,910 HOW YOU DOING, BENITA? 353 00:15:20,950 --> 00:15:22,320 O.K., DETECTIVE. HOW ARE YOU? 354 00:15:22,350 --> 00:15:23,550 O.K. 355 00:15:23,580 --> 00:15:25,010 WHAT WOULD YOU BE DOING HERE? 356 00:15:25,050 --> 00:15:25,990 EXCUSE ME. 357 00:15:26,010 --> 00:15:27,380 WE'RE UP HERE. 358 00:15:30,510 --> 00:15:32,380 YOU CAUGHT THIS DOUBLE HOMICIDE, HUH? 359 00:15:32,410 --> 00:15:33,380 YEAH. 360 00:15:33,410 --> 00:15:35,010 GOOD. GLAD YOU'RE ON IT. 361 00:15:35,050 --> 00:15:37,020 I DON'T THINK WE'VE GOT WEBSTER, 362 00:15:37,050 --> 00:15:38,390 BUT IT'S AN INTERESTING CASE. 363 00:15:38,410 --> 00:15:39,510 YEAH. WE'LL SEE. 364 00:15:41,380 --> 00:15:42,980 YOU'LL EXPLAIN TO YOUR CLIENT 365 00:15:43,010 --> 00:15:44,340 HOW AN APPEARANCE TICKET WORKS? 366 00:15:44,380 --> 00:15:46,140 YES, I WILL. DETECTIVE, 367 00:15:46,180 --> 00:15:47,410 THANKS FOR YOUR UNDERSTANDING. 368 00:15:47,450 --> 00:15:49,990 I HOPE YOU REALIZE THIS WASN'T PERSONAL. 369 00:15:50,010 --> 00:15:51,540 YOU MEAN AM I WORRIED 370 00:15:51,580 --> 00:15:54,540 I MIGHT HAVE DONE SOMETHING TO SET YOU OFF? 371 00:15:54,580 --> 00:15:56,710 NO. I WANT YOU TO UNDERSTAND 372 00:15:56,750 --> 00:15:58,650 IT WASN'T DIRECTED AT YOU SPECIFICALLY. 373 00:15:58,680 --> 00:15:59,840 YEAH? 374 00:15:59,880 --> 00:16:02,540 WELL, IT WAS DIRECTED AT ME, MR. GUMBLE, 375 00:16:02,580 --> 00:16:05,510 AND I SUGGEST YOU KEEP IT IN YOUR PANTS. 376 00:16:05,550 --> 00:16:08,090 SARGE, THIS GUY IS GETTING A D. A. T. 377 00:16:08,110 --> 00:16:09,310 RIGHT. 378 00:16:09,350 --> 00:16:10,690 ALL RIGHT. LET'S START 379 00:16:10,710 --> 00:16:12,040 WITH THE OBVIOUS DIFFERENCES. 380 00:16:12,080 --> 00:16:13,680 EVERY WEBSTER HOMICIDE 381 00:16:13,710 --> 00:16:16,180 IS FT. TRYON PARK OR RIVERDALE. 382 00:16:16,210 --> 00:16:17,710 THESE ARE DOWNTOWN. 383 00:16:17,750 --> 00:16:19,320 THESE ARE STABBING/STRANGULATIONS. 384 00:16:19,350 --> 00:16:20,690 WEBSTER HOMICIDES ARE SHOOTINGS. 385 00:16:20,710 --> 00:16:23,210 IT'S HARD TO MAKE THIS THE DICTIONARY KILLER. 386 00:16:23,250 --> 00:16:24,550 THE ONLY REAL SIMILARITY 387 00:16:24,580 --> 00:16:27,180 IS WORDS CUT OUT OF WEBSTER'S THIRD EDITION. 388 00:16:27,210 --> 00:16:28,540 WHICH IS THE GUY'S SIGNATURE. 389 00:16:28,580 --> 00:16:30,140 IF A COPYCAT USES IT, 390 00:16:30,180 --> 00:16:31,680 HE'S GOT AN INSTANT RESUME. 391 00:16:31,710 --> 00:16:34,680 HE BUYS INTO SIX MURDERS GOING BACK FIVE YEARS. 392 00:16:34,710 --> 00:16:36,680 A COPYCAT WOULD KEEP HIS PATTERNS 393 00:16:36,710 --> 00:16:38,510 CLOSE TO THE ORIGINAL CRIMES. 394 00:16:38,550 --> 00:16:40,820 YEAH, WELL, THIS IS DIFFERENT, ALL RIGHT. 395 00:16:40,850 --> 00:16:42,390 AUGUST 17th DOA, 396 00:16:42,410 --> 00:16:45,240 THERE WASN'T EVEN A MALE VICTIM. 397 00:16:45,280 --> 00:16:48,210 EVERY WEBSTER HOMICIDE INVOLVED COUPLES. 398 00:16:49,250 --> 00:16:52,050 HOW DO YOU WANT TO DIVIDE THE WORK? 399 00:16:52,080 --> 00:16:54,210 YOUR PEOPLE FOCUS ON TODAY'S DOAs. 400 00:16:54,250 --> 00:16:55,890 TASK FORCE WILL WORK UP 401 00:16:55,910 --> 00:16:57,480 THE COMPARISONS AMONG THE MURDERS. 402 00:16:57,510 --> 00:16:59,810 OBVIOUSLY YOU'LL ALL BE COOPERATING WITH EACH OTHER, 403 00:16:59,850 --> 00:17:01,220 SHARING INFORMATION. 404 00:17:01,250 --> 00:17:02,390 HMM? 405 00:17:02,410 --> 00:17:04,510 WE'VE MADE A SECTION IN ANTI‐CRIME 406 00:17:04,550 --> 00:17:05,890 AVAILABLE FOR TASK FORCE USE. 407 00:17:05,910 --> 00:17:07,240 UH, APPRECIATE IT. 408 00:17:08,550 --> 00:17:10,090 YOU GOT PLANS FOR LUNCH? 409 00:17:10,110 --> 00:17:12,480 WE CAN GO OVER WHAT I GOT. 410 00:17:12,510 --> 00:17:13,840 YEAH. 411 00:17:13,880 --> 00:17:14,840 HEY, BOBBY. 412 00:17:16,110 --> 00:17:18,740 HOLD ON A SECOND, WOULD YOU? 413 00:17:18,780 --> 00:17:20,510 YES? 414 00:17:20,550 --> 00:17:23,220 YOU'VE BEEN ON THIS CASE WHAT, 27 MINUTES? 415 00:17:23,250 --> 00:17:24,820 MY SUGGESTION‐‐ 416 00:17:24,850 --> 00:17:27,720 RAISE YOUR POSSIBILITIES THROUGH ME. 417 00:17:27,750 --> 00:17:30,320 FILTER THEM THROUGH ME. 418 00:17:30,350 --> 00:17:31,920 ALL RIGHT. 419 00:17:31,950 --> 00:17:34,090 I WAS GOING THROUGH ALL THE 61s 420 00:17:34,110 --> 00:17:35,510 FROM LAST AUGUST 17th. 421 00:17:35,550 --> 00:17:37,920 WAIT, WAIT, WAIT. HOLD ON A SECOND. 422 00:17:37,950 --> 00:17:40,150 YOU'RE ON TODAY'S DOAs. 423 00:17:40,180 --> 00:17:42,510 AUGUST 17th? IT'S NOT AN ASPECT 424 00:17:42,550 --> 00:17:44,090 OF THE CASE YOU'RE ON. 425 00:17:44,110 --> 00:17:46,080 RIGHT. 426 00:17:46,110 --> 00:17:48,540 YOU WANT WHAT I GOT ON TODAY'S DOAs? 427 00:17:48,580 --> 00:17:51,080 YEAH. LET ME GET SET UP UPSTAIRS. 428 00:17:51,110 --> 00:17:52,840 ALL RIGHT. WE'LL TALK LATER. 429 00:17:52,880 --> 00:17:54,010 BOBBY, 430 00:17:54,050 --> 00:17:56,150 GOOD TO HAVE YOU ON THE TEAM. 431 00:17:56,180 --> 00:17:57,380 THANKS, INSPECTOR. 432 00:17:57,410 --> 00:18:00,310 YOU SAID YOU HAD SOMETHING ELSE TO TALK ABOUT? 433 00:18:00,350 --> 00:18:02,820 AN OLD STOOL OF MINE‐‐ VINNIE GRECO. 434 00:18:02,850 --> 00:18:04,990 HE HELPED GET ME INTO THE BUREAU. 435 00:18:05,010 --> 00:18:06,380 WHAT ABOUT HIM? 436 00:18:06,410 --> 00:18:07,840 HE'S BACK FROM WITNESS PROTECTION. 437 00:18:07,880 --> 00:18:09,180 THEY DUMP HIM OUT? 438 00:18:09,210 --> 00:18:11,180 HE SAYS HE DROPPED OUT. 439 00:18:11,210 --> 00:18:13,210 HE PEDDLING INFORMATION ABOUT TWO GUYS 440 00:18:13,250 --> 00:18:14,550 PLANNING AN ARMORED CAR HEIST. 441 00:18:14,580 --> 00:18:16,140 WHICH COULD BE A SHAKEDOWN 442 00:18:16,180 --> 00:18:18,310 BY SOME SCUMBAG FIGURES YOU OWE HIM. 443 00:18:18,350 --> 00:18:20,090 I SENT SIPOWICZ WITH GRECO. 444 00:18:20,110 --> 00:18:22,180 SIPOWICZ THINKS THE HEIST IS PROBABLY REAL. 445 00:18:22,210 --> 00:18:23,710 HE'S AT I. D. SECTION NOW 446 00:18:23,750 --> 00:18:25,020 PUTTING NAMES ON THE GUYS. 447 00:18:25,050 --> 00:18:26,350 IF IT'S A SCAM, 448 00:18:26,380 --> 00:18:28,310 THESE GUYS ARE IN ON IT. 449 00:18:28,350 --> 00:18:30,890 IF IT'S A HEIST AND WE DIDN'T MOVE, 450 00:18:30,910 --> 00:18:32,180 I'D HATE TO MAKE EXPLANATIONS. 451 00:18:35,250 --> 00:18:37,750 I O. K. NO MONEY WITHOUT TALKING TO VINNIE. 452 00:18:37,780 --> 00:18:39,380 YOU WANT TO DO THAT NOW? 453 00:18:39,410 --> 00:18:42,880 WANT ME TO DO IT WITH EGG ON OUR FACES? 454 00:18:42,910 --> 00:18:44,540 HOW DO I REACH THE GUY? 455 00:19:01,510 --> 00:19:02,480 EXCUSE ME. 456 00:19:02,510 --> 00:19:03,410 YEAH. 457 00:19:03,450 --> 00:19:04,420 SYLVIA. 458 00:19:04,450 --> 00:19:05,890 HI. 459 00:19:05,910 --> 00:19:07,180 HOW WAS DAN'S SERVICE? 460 00:19:07,210 --> 00:19:10,110 EH, IT MAKES YOU THINK ABOUT THINGS. 461 00:19:11,450 --> 00:19:14,020 I TALKED TO ANDY JR. BEFORE 462 00:19:14,050 --> 00:19:16,550 ABOUT MAYBE HAVING DINNER TOMORROW NIGHT. 463 00:19:16,580 --> 00:19:19,510 UH, YOU WANT TO HAVE HIM OVER? 464 00:19:19,550 --> 00:19:22,150 WELL, UH, I KIND OF THOUGHT 465 00:19:22,180 --> 00:19:26,140 I'D KIND OF GRADUALLY LET HIM KNOW ABOUT OUR SITUATION. 466 00:19:26,180 --> 00:19:30,880 MAYBE IT'S A GOOD IDEA HE GETS THE WHOLE PICTURE. 467 00:19:30,910 --> 00:19:32,180 YEAH. 468 00:19:34,250 --> 00:19:37,190 I DO A GREAT LEG OF LAMB. 469 00:19:39,750 --> 00:19:41,520 SEE YOU, DONNA. 470 00:19:41,550 --> 00:19:43,050 BYE, SYLVIA. 471 00:19:43,080 --> 00:19:46,040 HOW'D THAT MEET GO WITH FANCY'S OLD STOOL? 472 00:19:46,080 --> 00:19:50,080 GUY'S 80% CRAP, BUT I THINK HIS INFORMATION'S LIVE. 473 00:19:51,750 --> 00:19:53,590 SO YOU'LL BE WORKING ON THAT? 474 00:19:55,380 --> 00:19:56,810 YEAH. 475 00:19:56,850 --> 00:19:59,250 SECOND BODY TURNED UP, HUH? 476 00:19:59,280 --> 00:20:00,810 YEAH. 477 00:20:00,850 --> 00:20:04,650 ANDY, I'D LIKE TO GET YOUR HELP ON THIS, MAN. 478 00:20:04,680 --> 00:20:06,740 I DON'T KNOW WHEN THIS OTHER THING'LL MOVE. 479 00:20:06,780 --> 00:20:08,410 WHATEVER I CAN DO. 480 00:20:08,450 --> 00:20:10,090 THIS TASK FORCE IS A FREEZE‐OUT. 481 00:20:10,110 --> 00:20:12,240 YEAH. YOU SURPRISED ON THAT? 482 00:20:12,280 --> 00:20:14,480 CHECK MY THINKING ON SOMETHING. 483 00:20:14,510 --> 00:20:17,480 THE PERP LEAVES NOTES ON BOTH BODIES TODAY, RIGHT? 484 00:20:17,510 --> 00:20:19,840 HE COPS TO A MURDER ON AUGUST 17th IN BATTERY PARK, 485 00:20:19,880 --> 00:20:22,310 A FEMALE WHO WAS STRANGLED. 486 00:20:22,350 --> 00:20:24,220 THE DICTIONARY HOMICIDES WERE ALL SHOOTINGS. 487 00:20:24,250 --> 00:20:27,920 I KNOW, BUT I'M GOING THROUGH THESE 61s FROM AUGUST 17th. 488 00:20:27,950 --> 00:20:31,320 HERE'S A GUY, SHOT IN THE ASS FIVE BLOCKS AWAY. 489 00:20:31,350 --> 00:20:33,150 CLAIMS IT WAS AN UNSUCCESSFUL MUGGING. 490 00:20:33,180 --> 00:20:35,040 GIVE THIS TO THE TASK FORCE? 491 00:20:35,080 --> 00:20:37,580 I TRIED. SOLOMON TOLD ME TO BUTT OUT. 492 00:20:37,610 --> 00:20:39,740 AM I RIGHT CONTACTING THIS GUY MYSELF? 493 00:20:39,780 --> 00:20:41,080 ABSOLUTELY. 494 00:20:41,110 --> 00:20:44,040 I'M THINKING, IF THE GUY SHOT IN THE ASS 495 00:20:44,080 --> 00:20:46,410 AND THE AUGUST 17th FEMALE WERE INVOLVED, 496 00:20:46,450 --> 00:20:47,920 WE'RE CLOSER TO WEBSTER'S PATTERN. 497 00:20:47,950 --> 00:20:49,820 YOU GAVE SOLOMON HIS WHACK. 498 00:20:49,850 --> 00:20:52,390 GIVE THIS ASS‐GUY A CALL. 499 00:20:52,410 --> 00:20:54,210 THAT'S WHAT I SAY. 500 00:20:54,250 --> 00:20:55,750 [DONNA] DETECTIVE... 501 00:20:58,080 --> 00:20:58,940 VICTIM'S FATHER. 502 00:21:02,410 --> 00:21:05,740 MR. RUDMAN, I'M REALLY SORRY FOR YOUR LOSS, SIR. 503 00:21:05,780 --> 00:21:09,310 I NOW UNDERSTAND THAT THIS MAY BE A SERIAL KILLER. 504 00:21:09,350 --> 00:21:10,890 YEAH, THERE'S A POSSIBILITY. 505 00:21:10,910 --> 00:21:12,680 WE'RE SHAKING THINGS OUT RIGHT NOW. 506 00:21:12,710 --> 00:21:14,240 MY DAUGHTER IS DEAD. 507 00:21:14,280 --> 00:21:17,840 I HAVE A RIGHT TO KNOW WHAT YOU'RE WORKING ON. 508 00:21:17,880 --> 00:21:21,210 YES, YOU DO, BUT WE WOULDN'T WANT TO GIVE YOU 509 00:21:21,250 --> 00:21:22,920 PARTIAL OR MISLEADING INFORMATION, WOULD WE? 510 00:21:27,680 --> 00:21:29,240 WHOEVER IT IS... 511 00:21:29,280 --> 00:21:32,580 I'LL GIVE YOU A MILLION DOLLARS TO KILL HIM. 512 00:21:32,610 --> 00:21:34,210 MR. RUDMAN... 513 00:21:34,250 --> 00:21:36,920 I KNOW YOU'RE IN GRIEF OVER YOUR DAUGHTER. 514 00:21:36,950 --> 00:21:38,920 MY GRIEF IS MY OWN BUSINESS. 515 00:21:38,950 --> 00:21:41,150 I KNOW HOW THE SYSTEM WORKS. 516 00:21:41,180 --> 00:21:44,140 I CAN FEED A MILLION INTO AN ACCOUNT ANYWHERE. 517 00:21:44,180 --> 00:21:46,710 SIR, THIS KIND OF TALK DOES NO ONE ANY GOOD. 518 00:21:46,750 --> 00:21:48,390 THIS MAN STRANGLED MY CHILD. 519 00:21:53,050 --> 00:21:56,590 IF HE'S ARRESTED AND BROUGHT TO TRIAL, 520 00:21:56,610 --> 00:21:58,580 THE NEXT THREE YEARS 521 00:21:58,610 --> 00:22:02,710 WILL BRING HIM EXACTLY WHAT HIS WARPED MIND DESIRES. 522 00:22:02,750 --> 00:22:06,090 HE'LL BE PARADED IN FRONT OF NEWS CAMERAS EVERY DAY. 523 00:22:06,110 --> 00:22:08,840 THERE'LL BE...BOOKS, 524 00:22:08,880 --> 00:22:10,810 MOVIES. 525 00:22:10,850 --> 00:22:13,350 I DON'T DESERVE THAT. 526 00:22:13,380 --> 00:22:15,510 MY CHILD DOESN'T. 527 00:22:15,550 --> 00:22:17,090 NO, YOU DON'T. 528 00:22:17,110 --> 00:22:20,080 NOW, MR. RUDMAN, I WANT YOU TO GO HOME. 529 00:22:20,110 --> 00:22:22,180 YOU HAVE A WIFE, AM I RIGHT? 530 00:22:23,580 --> 00:22:25,510 MY WIFE IS STILL ALIVE. 531 00:22:25,550 --> 00:22:28,090 WELL, YOU SHOULD GO BE WITH HER. 532 00:22:28,110 --> 00:22:30,780 I'LL CONTACT YOU IF THERE ARE ANY DEVELOPMENTS. 533 00:22:34,010 --> 00:22:36,010 MY OFFER STANDS. 534 00:22:36,050 --> 00:22:37,990 A MILLION DOLLARS. 535 00:22:38,010 --> 00:22:40,010 I WANT THE MAN DEAD. 536 00:22:45,050 --> 00:22:47,190 WOULD THAT BE IN UNMARKED BILLS? 537 00:23:02,570 --> 00:23:03,760 HEY. 538 00:23:03,790 --> 00:23:04,750 HEY. 539 00:23:04,790 --> 00:23:05,950 DETECTIVE. 540 00:23:05,990 --> 00:23:06,990 HI. 541 00:23:07,020 --> 00:23:08,490 WHAT'D HE DO? 542 00:23:08,520 --> 00:23:10,150 EXPOSED HIMSELF ON 11th STREET. 543 00:23:10,190 --> 00:23:12,320 WE HAD THREE DIFFERENT CALLS. 544 00:23:12,360 --> 00:23:14,900 I DON'T KNOW WHAT COMES OVER ME. 545 00:23:14,920 --> 00:23:17,250 NO D. A. T. FOR HIM. HE WAS A COLLAR YESTERDAY. 546 00:23:17,290 --> 00:23:18,990 I'M BRINGING A D. A. IN. 547 00:23:19,020 --> 00:23:21,820 THIS THING HAS A MIND OF ITS OWN. 548 00:23:21,860 --> 00:23:22,530 [SIGH] 549 00:23:24,120 --> 00:23:25,050 [DOOR OPENS] 550 00:23:25,090 --> 00:23:26,450 MR. MARKS? 551 00:23:26,490 --> 00:23:27,990 YES, BOB. PLEASE. 552 00:23:28,020 --> 00:23:29,390 DETECTIVE SIMONE. 553 00:23:29,420 --> 00:23:30,820 THIS IS DETECTIVE SIPOWICZ. 554 00:23:30,860 --> 00:23:32,260 WE APPRECIATE YOU COMING IN. 555 00:23:32,290 --> 00:23:34,790 HEY, I'M A PRO‐POLICE GUY. 556 00:23:34,820 --> 00:23:37,750 IF THIS IS ABOUT THE SHOOTING INCIDENT LAST SUMMER, 557 00:23:37,790 --> 00:23:39,890 THERE'S NOTHING MORE I CAN TELL YOU. 558 00:23:39,920 --> 00:23:43,490 WE JUST WANT TO GO OVER A COUPLE OF THINGS. 559 00:23:43,520 --> 00:23:45,490 "AUGUST 17th, APPROXIMATELY 10:45 P. M., 560 00:23:45,520 --> 00:23:48,650 "PERPETRATOR ATTEMPTED TO GRAB VICTIM'S WALLET. 561 00:23:48,690 --> 00:23:51,590 "VICTIM RESISTED, AND IN THE ENSUING STRUGGLE, 562 00:23:51,620 --> 00:23:55,250 PERPETRATOR FIRED ONE SHOT INTO VICTIM'S BUTTOCKS BEFORE RUNNING OFF." 563 00:23:55,290 --> 00:23:57,220 YEAH, BULLET'S STILL IN THERE. 564 00:23:57,260 --> 00:24:00,230 THANK GOD FOR A WELL‐PADDED TUCHUS. 565 00:24:00,260 --> 00:24:02,100 HEH HEH. 566 00:24:02,120 --> 00:24:05,620 YOU'RE AWARE THERE WAS A HOMICIDE THAT SAME NIGHT IN BATTERY PARK? 567 00:24:05,660 --> 00:24:07,630 A WOMAN WAS STRANGLED. 568 00:24:07,660 --> 00:24:10,160 YEAH, I LEARNED ABOUT THAT SUBSEQUENTLY. 569 00:24:10,190 --> 00:24:12,220 VICTIM'S NAME WAS STACY SIEGAL. 570 00:24:12,260 --> 00:24:14,460 DID YOU KNOW HER AT ALL? 571 00:24:14,490 --> 00:24:16,050 UH, BY COINCIDENCE, YEAH, 572 00:24:16,090 --> 00:24:18,790 I HAD A CASUAL ACQUAINTANCE WITH HER. 573 00:24:18,820 --> 00:24:20,050 BOB... 574 00:24:20,090 --> 00:24:22,720 YOU WORK AT GIBSON & SMITH AD AGENCY. 575 00:24:22,760 --> 00:24:25,630 ONE OF YOUR ACCOUNTS IS MOONGLOW SHAMPOO. 576 00:24:25,660 --> 00:24:29,630 STACY SIEGAL WORKED FOR THE ALIVE PRODUCTS BEAUTY AIDS DIVISION. 577 00:24:29,660 --> 00:24:31,630 MARKETING ASSOCIATE, MOONGLOW SHAMPOO. 578 00:24:31,660 --> 00:24:33,830 WHAT, ARE YOU INVESTIGATING ME? 579 00:24:33,860 --> 00:24:35,800 WE'RE LOOKING INTO YOUR RELATIONSHIP WITH THAT GIRL. 580 00:24:35,820 --> 00:24:37,590 YEAH. 581 00:24:37,620 --> 00:24:40,490 MY GOD, YOU DON'T THINK I KILLED HER? 582 00:24:40,520 --> 00:24:41,920 NO, WE DON'T, 583 00:24:41,960 --> 00:24:45,300 BUT WE THINK YOU WERE WITH HER WHEN SHE WAS ATTACKED. 584 00:24:45,320 --> 00:24:48,220 AND WE THINK THE GUY WHO DID IT IS BACK. 585 00:24:48,260 --> 00:24:49,460 LISTEN, UM... 586 00:24:49,490 --> 00:24:51,390 I'VE GIVEN EVERY PIECE OF INFORMATION 587 00:24:51,420 --> 00:24:53,490 ON MY ATTACK THAT I RECALL. 588 00:24:53,520 --> 00:24:57,150 I DESCRIBED THE PERPETRATOR A‐AS EXACTLY AS I COULD. 589 00:24:57,190 --> 00:25:00,120 HE WAS TALL, WEARING A RED SKI MASK. 590 00:25:00,160 --> 00:25:02,900 YEAH, YOU JUST FIBBED ABOUT BEING BY YOURSELF 591 00:25:02,920 --> 00:25:05,750 SO YOUR WIFE WOULDN'T KNOW YOU WERE STEPPING OUT. 592 00:25:05,790 --> 00:25:08,790 YOU READ ABOUT THAT DOUBLE HOMICIDE YESTERDAY, BOB? 593 00:25:08,820 --> 00:25:11,390 WE THINK IT'S THE SAME GUY, 594 00:25:11,420 --> 00:25:15,790 AND WE NEED TO LOOK AT THAT BULLET YOU'RE CARRYING AROUND 595 00:25:15,820 --> 00:25:19,090 TO SEE IF IT MATCHES SOME OTHERS THAT WE'VE GOT. 596 00:25:19,120 --> 00:25:23,090 I WAS TOLD THERE'S NO MEDICAL REASON TO REMOVE THAT BULLET. 597 00:25:23,120 --> 00:25:25,720 YOU WANT A REASON? FALSE STATEMENTS TO POLICE. 598 00:25:25,760 --> 00:25:27,330 WANT US TO FILE CHARGES? 599 00:25:27,360 --> 00:25:30,730 YOU CAN EXPLAIN IT ALL TO YOUR WIFE. 600 00:25:30,760 --> 00:25:34,100 HELP US OUT HERE. ALL WE WANT IS THE BULLET. 601 00:25:34,120 --> 00:25:37,090 YOUR WIFE DOESN'T HAVE TO KNOW ANYTHING ABOUT THE CIRCUMSTANCES. 602 00:25:38,690 --> 00:25:42,590 ST‐STACY'S DEATH WAS A HORRIBLE TRAGEDY. 603 00:25:42,620 --> 00:25:46,220 I‐‐I DIDN'T WANT TO COMPOUND IT 604 00:25:46,260 --> 00:25:47,600 BY DESTROYING MY MARRIAGE. 605 00:25:47,620 --> 00:25:50,120 DO YOU UNDERSTAND WHAT I'M SAYING? 606 00:25:50,160 --> 00:25:52,460 ABSOLUTELY. 607 00:25:54,360 --> 00:25:56,730 WHEN WOULD THIS HAVE TO BE DONE? 608 00:25:56,760 --> 00:25:58,100 WELL, BOB, 609 00:25:58,120 --> 00:26:00,590 WE NEED THE BULLET NOW. 610 00:26:00,620 --> 00:26:04,220 THE OPERATION'S A PIECE OF CAKE. 611 00:26:04,260 --> 00:26:06,460 I HAD IT ON BOTH CHEEKS. 612 00:26:08,690 --> 00:26:09,790 O.K. 613 00:26:12,520 --> 00:26:13,420 [DOOR OPENS] 614 00:26:13,460 --> 00:26:14,730 HEY. 615 00:26:14,760 --> 00:26:15,900 HI. 616 00:26:15,920 --> 00:26:17,950 THANK YOU. NICE BLOUSE. 617 00:26:17,990 --> 00:26:19,490 HEY. OH. 618 00:26:21,590 --> 00:26:23,920 SO WHAT DO YOU HEAR, VINNIE? 619 00:26:23,960 --> 00:26:25,160 CONCERNING? 620 00:26:25,190 --> 00:26:27,790 CONCERNING THE TIME ON THIS HEIST. 621 00:26:27,820 --> 00:26:30,890 OH, YEAH. LOOK, THIS IS FOR YOU. FOR YOUR KIDS. 622 00:26:30,920 --> 00:26:32,790 OPEN IT. 623 00:26:34,260 --> 00:26:37,000 THAT'S GENUINE RUSSIAN CRAFTWORK OVER THERE. 624 00:26:37,020 --> 00:26:38,590 "MADE IN TAIWAN." 625 00:26:38,620 --> 00:26:41,950 YOU BELIEVE THAT? FARMING OUT NATIVE GOODS LIKE THAT? 626 00:26:41,990 --> 00:26:43,790 BUT TH‐THE DESIGN'S COMPLETELY AUTHENTIC. 627 00:26:43,820 --> 00:26:44,990 THE TIME, VINNIE. 628 00:26:45,020 --> 00:26:46,050 YEAH, UM... 629 00:26:46,090 --> 00:26:47,490 UH... 630 00:26:47,520 --> 00:26:50,450 JUST, UH, DO ME THIS ONE THING, ALL RIGHT? 631 00:26:50,490 --> 00:26:53,450 DON'T GET UPSET, DON'T GET PISSED OFF, ALL RIGHT? 632 00:26:53,490 --> 00:26:57,090 I'M WALKING DOWN THE STREET, AND OUT OF NOWHERE, ALEX, 633 00:26:57,120 --> 00:27:02,550 THE KID WHO WAS WITH ME AND DETECTIVE SIPOWICZ AT THE MEETING, 634 00:27:02,590 --> 00:27:06,550 ALEX COMES UP AND SAYS NOW THIS OTHER GUY'S INVOLVED, 635 00:27:06,590 --> 00:27:10,890 AND HE WANTS TO MEET ME, MAKE SURE EVERYTHING'S O. K. WITH THE ARTILLERY. 636 00:27:10,920 --> 00:27:15,220 SO NOW, THIS MEET, I KNOW I SHOULD'VE BEEN ON THAT PHONE 637 00:27:15,260 --> 00:27:16,960 AND SLIVOVITZ SHOULD'VE BEEN THERE, 638 00:27:16,990 --> 00:27:19,990 BUT THIS WAS, LIKE, SOMETHING I THINK I SHOULD DO. 639 00:27:20,020 --> 00:27:21,790 SO I GO TO THE ODESSA, 640 00:27:21,820 --> 00:27:23,720 I MEET UP WITH THIS GUY VASSILY... 641 00:27:23,760 --> 00:27:26,300 WHO'S WITH ANOTHER GUY YOU ALREADY KNOW. 642 00:27:27,990 --> 00:27:29,620 IGOR PACHENKO. 643 00:27:29,660 --> 00:27:31,760 THE MAN HIMSELF‐‐ 644 00:27:31,790 --> 00:27:35,650 ALL PUDGY AND HAIRY, WITH THAT RUSSIAN B.O. THEY GOT. 645 00:27:35,690 --> 00:27:39,620 WHAT'S UP WITH THOSE PEOPLE? DON'T THEY HAVE DEODORANT OVER THERE? 646 00:27:39,660 --> 00:27:41,330 IGOR PACHENKO'S INVOLVED WITH THIS HEIST? 647 00:27:41,360 --> 00:27:43,900 YEAH, HE'S IN ON EVERYTHING THEY DO. 648 00:27:43,920 --> 00:27:45,720 YOU MET WITH HIM? 649 00:27:45,760 --> 00:27:50,660 I KNOW FOR A FACT THE MAN GETS A CUT. THESE ARE HIS GUYS. 650 00:27:52,990 --> 00:27:53,990 [SIGH] 651 00:27:54,020 --> 00:27:55,620 LOOK‐‐ 652 00:27:55,660 --> 00:27:58,600 YOU NEED HIM THERE AT THE MEETING, 653 00:27:58,620 --> 00:28:00,690 I'LL SAY HE WAS THERE. 654 00:28:06,090 --> 00:28:08,220 I MEAN, IT'S... 655 00:28:08,260 --> 00:28:11,330 IT'S THE RIBBON ON THE PACKAGE. 656 00:28:11,360 --> 00:28:15,600 WE BOTH KNOW THIS GUY IS WRONG. 657 00:28:15,620 --> 00:28:16,490 HEY, LOOK, 658 00:28:16,520 --> 00:28:18,820 I'LL GO TO DOOR NUMBER TWO. 659 00:28:20,790 --> 00:28:22,250 I'M PREPARED... 660 00:28:23,590 --> 00:28:26,790 TO TESTIFY IN COURT... 661 00:28:26,820 --> 00:28:30,550 THAT HE WAS SITTING RIGHT ACROSS THE WAY FROM ME. 662 00:28:30,590 --> 00:28:32,550 THAT'S SOME OFFER, VINNIE. 663 00:28:32,590 --> 00:28:33,550 I KNOW. 664 00:28:33,590 --> 00:28:35,920 IT'D BE SOME COLLAR FOR YOU. 665 00:28:35,960 --> 00:28:37,160 MM‐HMM. 666 00:28:37,190 --> 00:28:39,190 HUH? CAPTAIN FANCY? 667 00:28:40,290 --> 00:28:41,950 SON OF A BITCH. 668 00:28:43,620 --> 00:28:44,550 THIS... 669 00:28:44,590 --> 00:28:47,150 THIS IS LIKE MY WORST NIGHTMARE. 670 00:28:47,190 --> 00:28:48,920 YOU WERE SELLING TOO HARD, VINNIE. 671 00:28:48,960 --> 00:28:50,560 WHO'S THE BUG FOR? 672 00:28:50,590 --> 00:28:53,550 YOU KNOW WHAT THIS IS ALL ABOUT? 673 00:28:53,590 --> 00:28:55,150 THAT PRICK HAVERILL. 674 00:28:55,190 --> 00:28:56,490 HAVERILL HAD YOU DO THIS? 675 00:28:56,520 --> 00:28:58,490 YEAH. I TOLD HIM IT WOULDN'T WORK, 676 00:28:58,520 --> 00:29:00,490 THAT YOU'D BE FIVE STEPS AHEAD. 677 00:29:00,520 --> 00:29:01,950 THEN HE STARTS THREATENING ME. 678 00:29:01,990 --> 00:29:03,590 HE THREATENED YOU? 679 00:29:03,620 --> 00:29:05,820 YEAH, YOU KNOW, SOME STICKUPS 680 00:29:05,860 --> 00:29:08,600 THE WITNESS PROTECTION PEOPLE THOUGHT I PULLED THAT I DIDN'T. 681 00:29:08,620 --> 00:29:10,590 HE WANTS TO JAM YOU, LIEU. 682 00:29:10,620 --> 00:29:15,220 HE WANTS TO GET YOU TO GET ME TO START LYING FOR YOU. 683 00:29:15,260 --> 00:29:16,600 SO PACHENKO ISN'T INVOLVED? 684 00:29:16,620 --> 00:29:17,590 NO. 685 00:29:17,620 --> 00:29:19,220 FROM MIAMI TO MOSCOW, 686 00:29:19,260 --> 00:29:22,230 THAT'S HOW FAR HE IS FROM THIS ONE. 687 00:29:22,260 --> 00:29:24,300 IT WAS HAVERILL ALL THE TIME. 688 00:29:30,290 --> 00:29:31,920 I'M SORRY. 689 00:29:34,260 --> 00:29:36,300 SO NOW WHAT DO WE DO? 690 00:29:38,190 --> 00:29:39,890 YOU PULL YOURSELF TOGETHER. 691 00:29:39,920 --> 00:29:41,120 GO BACK TO HIM. 692 00:29:41,160 --> 00:29:43,560 TELL HIM THE TAPE MESSED UP, 693 00:29:43,590 --> 00:29:46,150 AND WHAT DOES HE WANT YOU TO DO? 694 00:29:46,190 --> 00:29:48,820 ANYTHING TO STRAIGHTEN MYSELF OUT WITH YOU, 695 00:29:48,860 --> 00:29:51,560 BUT I DON'T EXACTLY GET THE POINT. 696 00:29:51,590 --> 00:29:53,920 YOU'RE GOING BACK WIRED, VINNIE. 697 00:29:53,960 --> 00:29:55,560 OHH... 698 00:29:55,590 --> 00:29:57,550 YOU SEE? SEE, THAT'S GOOD. 699 00:29:57,590 --> 00:29:58,690 THAT'S SMART. 700 00:30:03,590 --> 00:30:04,850 GET OUT OF HERE. 701 00:30:06,690 --> 00:30:07,850 ALL RIGHT, ALL RIGHT. 702 00:30:09,490 --> 00:30:10,790 I'M SORRY. 703 00:30:19,690 --> 00:30:23,790 WEBSTER MOVES IN ON THIS GUY AND GIRL IN THE PARK, RIGHT? 704 00:30:23,820 --> 00:30:25,090 AUGUST 17th? 705 00:30:25,120 --> 00:30:26,650 RIGHT. THE GUY RUNS. 706 00:30:26,690 --> 00:30:29,290 WEBSTER SHOOTS, PUTS A CAP IN HIS ASS. 707 00:30:29,320 --> 00:30:31,820 THE GUY GETS AWAY. NOW HE'S PISSED OFF, 708 00:30:31,860 --> 00:30:35,400 OR MAYBE THIS GIRL DOES SOMETHING TO PISS HIM OFF. 709 00:30:35,420 --> 00:30:37,420 WEBSTER LAYS HANDS ON HER, 710 00:30:37,460 --> 00:30:40,230 THE VERY FIRST TIME HE'S TOUCHED A VICTIM. 711 00:30:40,260 --> 00:30:42,930 AND IT GETS GOOD TO HIM, RIGHT? 712 00:30:42,960 --> 00:30:44,800 THAT‐‐THAT'S IT. 713 00:30:44,820 --> 00:30:47,950 THAT'S THE TRANSITION. THAT'S WHERE HE MAKES THE CHANGE. 714 00:30:47,990 --> 00:30:50,650 THIS BULLET'S GOT TO MATCH EARLIER WEBSTER BULLETS. 715 00:30:50,690 --> 00:30:52,550 YEAH. 716 00:30:52,590 --> 00:30:56,090 YOU KNOW THE PAIN THIS GUY'S GONNA BE IN? 717 00:30:56,120 --> 00:30:58,450 HE'S NOT GONNA SIT RIGHT FOR THREE MONTHS. 718 00:30:58,490 --> 00:31:01,050 HERE'S THE BULLET. I CAN'T TELL THE CALIBER. 719 00:31:01,090 --> 00:31:03,420 THANKS, DOC. WE'LL GET THAT FROM BALLISTICS. 720 00:31:03,460 --> 00:31:04,660 HOW'S YOUR REAR? 721 00:31:04,690 --> 00:31:06,920 NOT SETTING OFF ANY METAL DETECTORS. 722 00:31:16,990 --> 00:31:19,890 WE CAN BE IN AND OUT IN NO TIME. 723 00:31:19,920 --> 00:31:21,750 YOU GOTTA BLOCK THE BACK ENTRANCE. 724 00:31:21,790 --> 00:31:23,090 EXCUSE ME A SEC. 725 00:31:24,620 --> 00:31:26,990 HOW'D YOU GUYS DO WITH BALLISTICS? 726 00:31:27,020 --> 00:31:28,590 WE GOT A HIT. 727 00:31:28,620 --> 00:31:30,220 HE GOT A HIT. 728 00:31:30,260 --> 00:31:33,100 OVER 90% LIKELIHOOD THIS BULLET'S FROM THE SAME GUN 729 00:31:33,120 --> 00:31:34,790 AS THE WEBSTER HOMICIDES. 730 00:31:34,820 --> 00:31:38,250 DON'T GET TOO COMFORTABLE. YOU GOTTA GO OUT ON A PICKUP. 731 00:31:38,290 --> 00:31:40,750 YOU RAN THE RUDMAN GIRL'S CAR FOR TRAFFIC VIOLATIONS 732 00:31:40,790 --> 00:31:41,950 FOLLOWING THE HOLLIS MURDER? 733 00:31:41,990 --> 00:31:43,720 YEAH. I TOOK A SHOT. WHY? 734 00:31:43,760 --> 00:31:45,560 THE FAX CAME IN. 735 00:31:45,590 --> 00:31:48,720 20 MINUTES AFTER HOLLIS' BODY WAS RECOVERED, 736 00:31:48,760 --> 00:31:52,400 THERE WAS A SUMMONS ISSUED TO A, UM, GEORGE PUTNAM, 737 00:31:52,420 --> 00:31:53,950 DRIVING THE DEAD GIRL'S CAR. 738 00:31:53,990 --> 00:31:55,950 GOOD CHANCE THAT GUY'S WEBSTER. 739 00:31:55,990 --> 00:31:58,390 THEY'RE GOING TO PICK HIM UP. 740 00:31:58,420 --> 00:31:59,320 TASK FORCE? 741 00:31:59,360 --> 00:32:01,100 SOLOMON PICKED UP THE FAX. 742 00:32:02,920 --> 00:32:06,950 BOBBY, YOU WANT TO GIVE US A HAND ON THIS? 743 00:32:06,990 --> 00:32:08,820 O.K., LET'S GO. 744 00:32:10,090 --> 00:32:10,990 O.K., GUYS. 745 00:32:11,020 --> 00:32:12,090 TAKE A RIDE? 746 00:32:12,120 --> 00:32:13,150 I'LL DRIVE. 747 00:32:19,490 --> 00:32:21,390 THIRD FLOOR. 748 00:32:21,420 --> 00:32:22,490 APARTMENT 307. 749 00:32:22,520 --> 00:32:24,120 ONE FRONT ENTRANCE. 750 00:32:24,160 --> 00:32:27,230 ONE REAR FIRE ESCAPE FACING THE ALLEY. 751 00:32:27,260 --> 00:32:29,430 CAN WE GET INTO THE BACK? 752 00:32:29,460 --> 00:32:31,560 YEAH. THERE'S AN ALLEY. YOU CAN PULL RIGHT UP. 753 00:32:31,590 --> 00:32:33,420 SOLOMON, WE GO IN THE FRONT. 754 00:32:33,460 --> 00:32:35,100 STRULL, DOWDELL, TAKE THE ROOF. 755 00:32:35,120 --> 00:32:37,420 YOU AND SIPOWICZ, COVER THE BACK ALLEY. 756 00:32:37,460 --> 00:32:39,430 WHY NOT THE PORT AUTHORITY, 757 00:32:39,460 --> 00:32:42,230 IN CASE HE TRIES TO ESCAPE BY BUS? 758 00:32:42,260 --> 00:32:43,700 ALL RIGHT. LET'S DO IT. 759 00:32:49,960 --> 00:32:51,300 [AIELLO] YOU IN POSITION? 760 00:32:51,320 --> 00:32:52,650 [STRULL] ROOF'S COVERED. 761 00:32:52,690 --> 00:32:54,650 WE'RE IN THE REAR. 762 00:32:54,690 --> 00:32:55,990 [AIELLO] WE'RE GOING IN! 763 00:32:57,690 --> 00:32:58,650 [CLANK] 764 00:32:58,690 --> 00:33:00,450 YOU HEAR THAT? 765 00:33:00,490 --> 00:33:02,220 HEADS UP. HEADS UP. 766 00:33:02,260 --> 00:33:03,830 WE'RE GETTING NO ANSWER HERE. 767 00:33:03,860 --> 00:33:05,460 SOMEBODY COMING DOWN THE FIRE ESCAPE. 768 00:33:08,490 --> 00:33:09,590 HEY! 769 00:33:09,620 --> 00:33:11,550 HEY! HEY! POLICE! 770 00:33:11,590 --> 00:33:15,650 YOU WANT TO JUMP, OR YOU WANT A BULLET IN YOU, HUH? 771 00:33:15,690 --> 00:33:16,620 HEADS UP! 772 00:33:16,660 --> 00:33:17,700 ALL RIGHT! 773 00:33:19,520 --> 00:33:21,120 WHAT'S YOUR NAME? 774 00:33:21,160 --> 00:33:24,100 GEORGE PUTNAM. WHAT'S GOING ON HERE? 775 00:33:24,120 --> 00:33:25,380 WANT US TO TAKE HIM IN, INSPECTOR? 776 00:33:25,420 --> 00:33:27,670 YEAH, BUT TAKE SOLOMON WITH YOU. 777 00:33:27,700 --> 00:33:29,860 GO AHEAD. 778 00:33:40,060 --> 00:33:42,380 HOW DO YOU FEEL, GEORGE? 779 00:33:42,870 --> 00:33:45,970 A LOT OF ATTENTION. I DON'T KNOW WHAT'S GOING ON. 780 00:33:46,000 --> 00:33:47,400 YOU DON'T KNOW? 781 00:33:47,430 --> 00:33:50,400 YOU COME TO MY BUILDING LIKE IT'S D‐DAY, 782 00:33:50,430 --> 00:33:52,230 NO ONE SAYS WHY. 783 00:33:52,270 --> 00:33:53,910 YOU GET A TRAFFIC TICKET YESTERDAY? 784 00:33:53,930 --> 00:33:55,230 NO. 785 00:33:55,270 --> 00:33:57,240 MOVING VIOLATION? ILLEGAL LEFT‐HAND TURN? 786 00:33:57,270 --> 00:33:59,970 MY DRIVER'S LICENSE WAS STOLEN... 787 00:34:00,000 --> 00:34:01,400 SEVERAL WEEKS AGO. 788 00:34:01,430 --> 00:34:04,100 GEORGE, WE KNOW YOU'RE A REAL SMART GUY. 789 00:34:04,130 --> 00:34:07,230 MAYBE YOU'RE SMARTER THAN WE ARE. 790 00:34:07,270 --> 00:34:08,940 BUT WE'RE NOT MORONS. 791 00:34:08,970 --> 00:34:11,310 THE COP WHO GAVE YOU THE TICKET 792 00:34:11,330 --> 00:34:13,560 I.D.d YOU ON THE PHOTO‐ARRAY. 793 00:34:13,600 --> 00:34:16,760 AND THE PROBLEM IS, THAT CAR YOU WERE DRIVING, 794 00:34:16,800 --> 00:34:20,730 A WOMAN WAS FOUND DEAD IN THAT CAR AN HOUR LATER. 795 00:34:20,770 --> 00:34:24,740 I HAVE NO IDEA WHAT YOU GUYS ARE TALKING ABOUT. 796 00:34:24,770 --> 00:34:27,140 LET'S GET ON THE SAME PAGE. 797 00:34:27,170 --> 00:34:29,010 I KNOW NOTHING ABOUT ANY WOMAN. 798 00:34:29,030 --> 00:34:30,060 FORGET THE WOMAN. 799 00:34:30,100 --> 00:34:33,000 LET'S AGREE THAT IT WAS YOU IN THE CAR. 800 00:34:33,030 --> 00:34:34,300 MAYBE THERE'S A GOOD EXPLANATION 801 00:34:34,330 --> 00:34:36,430 OF WHAT YOU WERE DOING THERE. 802 00:34:39,100 --> 00:34:43,100 IT'S POSSIBLE WHEN A PERSON WAS TAKING A WALK YESTERDAY, 803 00:34:43,130 --> 00:34:45,900 HE FOUND A CAR NEAR THE PARK 804 00:34:45,930 --> 00:34:47,800 WITH THE KEYS IN IT. 805 00:34:47,830 --> 00:34:50,500 AND, UH... 806 00:34:50,530 --> 00:34:53,600 WERE YOU THAT PERSON, GEORGE? 807 00:34:53,630 --> 00:34:57,100 IT'S POSSIBLE HE JUST JOY‐RODE AND GOT OUT. 808 00:34:57,130 --> 00:34:59,500 IS THAT WHAT YOU DID, GEORGE? 809 00:35:01,130 --> 00:35:03,930 I KNOW NOTHING ABOUT ANY WOMAN. 810 00:35:03,970 --> 00:35:05,840 BUT IT WAS YOU... 811 00:35:05,870 --> 00:35:07,270 IN THE CAR. 812 00:35:11,530 --> 00:35:12,900 IT'S POSSIBLE. 813 00:35:12,930 --> 00:35:14,130 GEORGE‐‐ 814 00:35:14,170 --> 00:35:16,270 LET'S TAKE A MINUTE. COME ON. 815 00:35:32,500 --> 00:35:34,560 BOBBY. 816 00:35:34,600 --> 00:35:36,560 I WANT TO TAKE IT AWHILE. 817 00:35:36,600 --> 00:35:38,260 O.K. I'LL HANG BACK. 818 00:35:38,300 --> 00:35:40,000 I WANT TO INTERVIEW HIM BY MYSELF. 819 00:35:40,030 --> 00:35:43,300 WE GOT THE GUY IN THE CAR! 820 00:35:43,330 --> 00:35:47,060 YOU DID A HELL OF A PIECE OF LEGWORK ON THIS WHOLE CASE. 821 00:35:47,100 --> 00:35:48,630 THANKS A LOT. 822 00:35:48,670 --> 00:35:52,270 BUT I GOTTA PUT THIS GUY AT EIGHT DIFFERENT HOMICIDES, 823 00:35:52,300 --> 00:35:54,230 SO I GOTTA ESTABLISH RAPPORT. 824 00:35:54,270 --> 00:35:56,210 LET'S HAVE ARCHIE TAKE HIM ALONE. 825 00:35:57,830 --> 00:35:59,930 O.K. 826 00:36:01,800 --> 00:36:03,900 HEY, BOBBY. 827 00:36:03,930 --> 00:36:05,460 YOU GOTTA UNDERSTAND SOMETHING, MAN. 828 00:36:05,500 --> 00:36:07,830 THAT GUY'S THE REASON I STAYED ON THIS JOB. 829 00:36:07,870 --> 00:36:09,110 I GET THE PICTURE. 830 00:36:11,500 --> 00:36:12,460 BOBBY. 831 00:36:12,500 --> 00:36:13,160 BOBBY. 832 00:36:14,770 --> 00:36:17,140 THERE'S NO WAY TO BEAT THAT PLAY. 833 00:36:17,170 --> 00:36:19,740 THAT PRICK BETTER NOT SCREW THIS UP. 834 00:36:19,770 --> 00:36:23,340 THAT IS WEBSTER. WE GOT ONE RIGHT GUY IN THE ROOM. 835 00:36:23,370 --> 00:36:24,340 STICK AROUND. 836 00:36:24,370 --> 00:36:25,510 YEAH. 837 00:36:25,530 --> 00:36:28,260 HEY, ANDY, I NEED TO TALK TO YOU. 838 00:36:35,430 --> 00:36:37,060 SIMONE'S OUT OF THE INTERVIEW? 839 00:36:37,100 --> 00:36:38,060 FOR NOW. 840 00:36:38,100 --> 00:36:39,660 THAT STINKS. 841 00:36:39,700 --> 00:36:40,530 SIT DOWN. 842 00:36:48,700 --> 00:36:50,600 [HAVERILL] DID YOU GET IT? 843 00:36:50,630 --> 00:36:54,430 [VINNIE] WE GOT A BAD NEWS‐ GOOD NEWS SITUATION. 844 00:36:54,470 --> 00:36:56,640 DON'T GIVE ME ANY HAND JOBS. 845 00:36:56,670 --> 00:36:59,010 I CAN GET FANCY BEHIND SOME HUMMER INFORMATION, 846 00:36:59,030 --> 00:37:02,400 BUT MY TAPE MALFUNCTIONED WHILE I WAS TALKING TO HIM. 847 00:37:02,430 --> 00:37:03,660 MALFUNCTIONED, HOW? 848 00:37:03,700 --> 00:37:06,660 I MAY HAVE FAILED TO PUSH THE BUTTON. 849 00:37:06,700 --> 00:37:10,230 I WANT FANCY ON TAPE BUYING INTO A STORY 850 00:37:10,270 --> 00:37:12,070 YOU ADMIT TO HIM IS BOGUS. 851 00:37:12,100 --> 00:37:14,060 THE ARMORED CAR HEIST IS REAL. 852 00:37:14,100 --> 00:37:16,060 I'M TALKING ABOUT THIS PACHENKO NONSENSE. 853 00:37:16,100 --> 00:37:17,630 GET FANCY TO SIGN ON, 854 00:37:17,670 --> 00:37:20,010 I'LL USE IT TO GET HIM OUT. 855 00:37:20,030 --> 00:37:22,000 HE'S A CAREFUL NIGGER, 856 00:37:22,030 --> 00:37:25,330 BUT I'M CONFIDENT YOU'LL COME UP WITH THE RIGHT DETAILS. 857 00:37:25,370 --> 00:37:27,640 WHAT IF I HAVE TO INVOLVE SLIVOVITZ, TOO? 858 00:37:27,670 --> 00:37:30,470 YOU GET THAT FAT BASTARD IN THE PACKAGE, 859 00:37:30,500 --> 00:37:32,760 YOU'LL GET AN EXTRA GRAND. 860 00:37:32,800 --> 00:37:34,460 HOW'D YOU GET THIS? 861 00:37:34,500 --> 00:37:36,430 HAVERILL SENT VINNIE WIRED TO ME. 862 00:37:36,470 --> 00:37:38,070 I SENT HIM BACK. 863 00:37:38,100 --> 00:37:41,230 YOU OUGHT TO TAKE IT INTO THE OBSERVATION ROOM 864 00:37:41,270 --> 00:37:43,840 AND SHOVE IT UP HAVERILL'S ASS. 865 00:37:43,870 --> 00:37:44,910 I'LL MOVE EVENTUALLY. 866 00:37:44,930 --> 00:37:46,130 WHY NOT NOW? 867 00:37:46,170 --> 00:37:48,140 HAVERILL WANTS THAT ARMORED‐CAR COLLAR, 868 00:37:48,170 --> 00:37:50,140 WANTS TO STEP OUT FROM BEHIND THE BUILDING 869 00:37:50,170 --> 00:37:52,110 LIKE J. EDGAR HOOVER WHEN THEY SHOT DILLINGER. 870 00:37:52,130 --> 00:37:55,230 THAT'S WHEN I'LL CUT HIM OFF AT THE KNEES. 871 00:37:55,270 --> 00:37:58,870 I'D LIKE TO SEE HAVERILL ABOUT 4'6". 872 00:38:12,130 --> 00:38:13,330 SYLVIA. 873 00:38:13,370 --> 00:38:14,610 HI. 874 00:38:14,630 --> 00:38:16,960 I'M GOING TO NEED ABOUT A HALF HOUR 875 00:38:17,000 --> 00:38:18,600 TO FILL OUT A FIVE. 876 00:38:18,630 --> 00:38:20,600 I'VE GOT A TWO‐MINUTE CONFERENCE. 877 00:38:20,630 --> 00:38:22,460 THEN I'LL GET READY FOR ANDY. 878 00:38:22,500 --> 00:38:23,160 THANKS. 879 00:38:30,600 --> 00:38:32,560 I'M ASSISTANT DISTRICT ATTORNEY COSTAS. 880 00:38:32,600 --> 00:38:34,560 MILES GRABINER, REPRESENTING MR. GUMBLE. 881 00:38:34,600 --> 00:38:37,300 WHO DETECTIVE LESNIAK AVERS EXPOSED HIMSELF. 882 00:38:37,330 --> 00:38:38,400 REPEATEDLY. 883 00:38:38,430 --> 00:38:41,600 I'M SICK ABOUT THIS. IT'S SO HUMILIATING. 884 00:38:41,630 --> 00:38:43,660 I POPPED HIM YESTERDAY ON THE SAME OFFENSE. 885 00:38:43,700 --> 00:38:46,160 MR. GUMBLE'S VOLUNTEERED TO ENTER THERAPY FOR THIS. 886 00:38:46,200 --> 00:38:49,330 NO GOOD WILL BE SERVED BY PUTTING HIM INTO THE SYSTEM. 887 00:38:49,370 --> 00:38:50,340 ARE YOU SURE? 888 00:38:50,370 --> 00:38:52,610 THIS MAN FEELS ENORMOUS REMORSE. 889 00:38:52,630 --> 00:38:54,130 THIS IS A REPUTABLE CITIZEN 890 00:38:54,170 --> 00:38:56,610 IN THE THROES OF ENORMOUS EMOTIONAL DIFFICULTIES. 891 00:38:56,630 --> 00:38:58,260 IT'S A SECOND OFFENSE. 892 00:38:58,300 --> 00:39:00,260 HE CANNOT WALK ON A D. A. T. 893 00:39:00,300 --> 00:39:03,230 HE'LL HAVE TO PLEAD TO A MISDEMEANOR. 894 00:39:03,270 --> 00:39:04,840 IS THAT ACCEPTABLE, ARNIE? 895 00:39:04,870 --> 00:39:06,270 YOU'LL HAVE A RECORD. 896 00:39:06,300 --> 00:39:09,400 I MAY DESERVE A RECORD. THAT WOULD BE ACCEPTABLE. 897 00:39:09,430 --> 00:39:12,260 AND I'D LIKE TO THANK AND APPLAUD DETECTIVE LESNIAK 898 00:39:12,300 --> 00:39:14,260 FOR HER HANDLING OF THIS MATTER. 899 00:39:14,300 --> 00:39:15,260 O.K., ARNIE. 900 00:39:15,300 --> 00:39:17,730 THIS FILTHY, DEPRAVED BEHAVIOR 901 00:39:17,770 --> 00:39:20,510 DESERVES EVERY VILIFICATION. 902 00:39:20,530 --> 00:39:23,060 OH, GOD. 903 00:39:23,100 --> 00:39:24,100 OH, GOD. 904 00:39:24,130 --> 00:39:26,130 ARNIE, PUT THAT AWAY. 905 00:39:26,170 --> 00:39:28,170 OH, GOD! LOOK AT THIS! 906 00:39:28,200 --> 00:39:29,800 GET HIM ZIPPED UP 907 00:39:29,830 --> 00:39:32,160 AND ENROLLED IN THAT PROGRAM RIGHT AWAY. 908 00:39:32,200 --> 00:39:33,800 WHAT IS THIS? 909 00:39:33,830 --> 00:39:35,960 WHAT ARE YOU DOING TO ME? 910 00:39:36,000 --> 00:39:36,960 ARNIE! 911 00:39:37,000 --> 00:39:38,130 OH, GOD! 912 00:39:42,430 --> 00:39:43,930 [KNOCK ON DOOR] 913 00:39:52,100 --> 00:39:53,160 HI, ANDY. 914 00:39:53,200 --> 00:39:55,260 HI. 915 00:39:55,300 --> 00:39:58,260 YOUR DAD'S GOING TO BE A FEW MINUTES LATE. 916 00:39:58,300 --> 00:40:00,660 CAN I GET YOU SOMETHING TO DRINK‐‐ 917 00:40:00,700 --> 00:40:02,500 A SOFT DRINK? 918 00:40:02,530 --> 00:40:03,230 THAT'S O. K. 919 00:40:03,270 --> 00:40:04,670 WELL. 920 00:40:07,930 --> 00:40:11,230 OH, YOU HAVE FISH, TOO? 921 00:40:11,270 --> 00:40:13,610 WELL, ACTUALLY, THOSE ARE YOUR DAD'S. 922 00:40:13,630 --> 00:40:15,630 OH, YEAH? 923 00:40:15,670 --> 00:40:16,610 YEAH. 924 00:40:18,470 --> 00:40:20,440 HE'S GOT SOME NEW ONES. 925 00:40:20,470 --> 00:40:21,810 YEAH. HE DOES. 926 00:40:21,830 --> 00:40:22,900 I'M SORRY‐‐ 927 00:40:22,930 --> 00:40:24,960 HI, ANDY. 928 00:40:25,000 --> 00:40:26,600 I'M SORRY I'M LATE. 929 00:40:26,630 --> 00:40:30,460 NO PROBLEM. I WAS JUST LOOKING AT YOUR FISH TANK. 930 00:40:30,500 --> 00:40:33,500 YEAH. I GOT IT HERE. 931 00:40:33,530 --> 00:40:36,200 I'M GOING TO CHECK THE LEG OF LAMB. 932 00:40:40,000 --> 00:40:42,960 SO, HOW YOU BEEN? 933 00:40:43,000 --> 00:40:46,160 O.K. GOOD. COME ON. SIT DOWN. 934 00:40:46,200 --> 00:40:48,060 THIS PLACE IS NICE. 935 00:40:48,100 --> 00:40:51,130 YOUR OLD PLACE WAS KIND OF GLOOMY. 936 00:40:51,170 --> 00:40:54,010 YEAH. THAT'S, UH... 937 00:40:54,030 --> 00:40:57,130 THIS IS MUCH BETTER. 938 00:40:57,170 --> 00:41:00,270 UH...YOU WANT SOME PEANUTS? 939 00:41:00,300 --> 00:41:02,300 WHAT HAPPENED TO YOUR HAIR, 940 00:41:02,330 --> 00:41:03,930 YOU LOSE A BET? 941 00:41:03,970 --> 00:41:06,910 I'M JUST WARMING UP TO A NEW LOOK. I... 942 00:41:06,930 --> 00:41:09,960 JUST TOOK AN INDUCTION PHYSICAL 943 00:41:10,000 --> 00:41:12,460 AND MY WRITTEN TEST FOR THE AIR FORCE. 944 00:41:12,500 --> 00:41:14,130 THE AIR FORCE? 945 00:41:14,170 --> 00:41:15,810 YEAH. 946 00:41:15,830 --> 00:41:18,430 I SCORED...O. K. 947 00:41:18,470 --> 00:41:20,440 I SURPRISED MYSELF. 948 00:41:20,470 --> 00:41:22,040 IT'S ALMOST READY. 949 00:41:23,700 --> 00:41:25,800 UH, THANKS. 950 00:41:25,830 --> 00:41:27,500 ANDY WAS JUST TELLING ME 951 00:41:27,530 --> 00:41:29,600 HE'S JOINING THE AIR FORCE. 952 00:41:29,630 --> 00:41:31,760 HE NOTICED MY HAIR AND... 953 00:41:31,800 --> 00:41:33,760 DETECTIVES‐‐ THEY CATCH EVERYTHING. 954 00:41:35,330 --> 00:41:37,560 YOU'RE GOING TO BE A PILOT? 955 00:41:37,600 --> 00:41:40,730 NO. I'D HAVE TO BE AN OFFICER FOR THAT. 956 00:41:40,770 --> 00:41:42,110 THAT TAKES COLLEGE. 957 00:41:42,130 --> 00:41:44,260 BUT I'LL DEFINITELY LEARN A TRADE. 958 00:41:46,430 --> 00:41:48,600 SO WHAT DO YOU THINK? 959 00:41:48,630 --> 00:41:51,130 I THINK IT'S A GOOD IDEA. 960 00:41:51,170 --> 00:41:54,510 YOU'RE NOT MAD THAT WE DIDN'T TALK ABOUT IT? 961 00:41:57,430 --> 00:42:00,260 WE DON'T HAVE A BIG TRADITION 962 00:42:00,300 --> 00:42:02,330 OF TALKING THINGS OVER. 963 00:42:03,770 --> 00:42:06,270 SO, WHEN DO YOU REPORT? 964 00:42:08,430 --> 00:42:09,900 IN TWO WEEKS. 965 00:42:09,930 --> 00:42:11,830 TWO WEEKS. 966 00:42:18,030 --> 00:42:20,300 THAT ROAST SMELLS GOOD. 967 00:42:20,330 --> 00:42:22,460 I'LL PUT IT ON THE TABLE. 968 00:42:29,130 --> 00:42:30,330 HEY. 969 00:42:30,370 --> 00:42:31,340 WHAT'S UP? 970 00:42:31,370 --> 00:42:33,110 THOUGHT YOU MIGHT BE DONE 971 00:42:33,130 --> 00:42:35,100 SOONER THAN YOU THOUGHT. 972 00:42:35,130 --> 00:42:37,100 LIKE I SAID WHEN I CALLED, 973 00:42:37,130 --> 00:42:38,730 SOMETHING'S COME UP HERE. 974 00:42:38,770 --> 00:42:39,940 WE'LL DO DINNER ANOTHER NIGHT. 975 00:42:39,970 --> 00:42:41,570 SOMETHING TO DO WITH WEBSTER? 976 00:42:41,600 --> 00:42:44,930 IT MAY TURN OUT TO BE RELATED, IT MAY NOT. 977 00:42:44,970 --> 00:42:47,940 DO YOU HAVE A SUSPECT? ARE YOU RUNNING AN INTERVIEW? 978 00:42:47,970 --> 00:42:50,270 THERE'S SOMEBODY ELSE TALKING TO HIM. 979 00:42:50,300 --> 00:42:51,260 ARCHIE SOLOMON. 980 00:42:51,300 --> 00:42:53,260 BENITA, I'VE ALWAYS LIKED YOU. 981 00:42:53,300 --> 00:42:57,160 I'D JUST AS SOON NOT FEEL LIKE YOU'RE WORKING ME. 982 00:42:57,200 --> 00:43:00,730 IF YOU THINK ALL I'M DOING HERE IS WORKING A STORY, 983 00:43:00,770 --> 00:43:03,870 YOU'RE NOT AS GOOD A DETECTIVE AS EVERYONE SAYS. 984 00:43:06,770 --> 00:43:08,640 ARNOLD RUDMAN? 985 00:43:08,670 --> 00:43:10,370 GIVE HIM A BREAK, BENITA. 986 00:43:11,830 --> 00:43:12,700 MR. RUDMAN... 987 00:43:15,800 --> 00:43:17,830 I'M VERY SORRY FOR YOUR LOSS. 988 00:43:21,700 --> 00:43:24,300 RAIN CHECK ON THE DINNER, HUH? 989 00:43:24,330 --> 00:43:27,260 RAIN CHECK ON THE DINNER. 990 00:43:30,770 --> 00:43:33,010 HOW'S IT GOING, MR. RUDMAN? 991 00:43:37,530 --> 00:43:39,630 ARE THERE ANY DEVELOPMENTS? 992 00:43:39,670 --> 00:43:41,310 WE'RE TALKING TO SOMEONE. 993 00:43:43,000 --> 00:43:46,000 MAYBE WE'LL HAVE SOMETHING TO TELL YOU TOMORROW. 994 00:43:48,930 --> 00:43:51,230 I DON'T KNOW WHAT TO DO WITH MYSELF. 995 00:43:51,270 --> 00:43:52,440 I KNOW. 996 00:43:54,930 --> 00:43:57,760 THERE'S NOTHING I CAN DO FOR HER. 997 00:44:01,030 --> 00:44:03,830 SOMETIMES ALL YOU CAN DO IS WAIT. 998 00:44:23,470 --> 00:44:25,810 HE SURE HAD A GOOD APPETITE. 999 00:44:25,830 --> 00:44:28,800 CLEANED HIS PLATE AND HAD TWO DESSERTS. 1000 00:44:28,830 --> 00:44:31,730 YEAH. I THINK IT WENT O. K., 1001 00:44:31,770 --> 00:44:34,240 LETTING HIM KNOW WE'RE TOGETHER AND EVERYTHING. 1002 00:44:34,270 --> 00:44:35,310 IT WENT FINE. 1003 00:44:37,270 --> 00:44:40,240 YOU MUST BE VERY PROUD OF HIM, 1004 00:44:40,270 --> 00:44:41,610 GOING INTO THE SERVICE. 1005 00:44:41,630 --> 00:44:43,230 HE'LL BE AWAY. 1006 00:44:43,270 --> 00:44:45,840 THAT'S THE ONLY DOWN SIDE OF IT. 1007 00:44:45,870 --> 00:44:48,540 YOU DON'T KNOW WHERE HE'LL BE STATIONED. 1008 00:44:49,870 --> 00:44:52,240 WE GET ALONG ALL RIGHT NOW, 1009 00:44:52,270 --> 00:44:55,240 YOU KNOW, BUT THE THINGS YOU DIDN'T DO, 1010 00:44:55,270 --> 00:44:56,470 THAT'S GONE. 1011 00:44:56,500 --> 00:44:59,730 THE TIME TO BE A FATHER IS WHEN THEY'RE LITTLE. 1012 00:44:59,770 --> 00:45:02,170 IF HE DIDN'T STILL NEED HIS DAD'S APPROVAL, 1013 00:45:02,200 --> 00:45:04,800 HE WOULDN'T HAVE COME HERE TONIGHT. 1014 00:45:04,830 --> 00:45:09,160 AH, THERE'S SO MANY THINGS I WANTED TO SAY TO HIM. 1015 00:45:09,200 --> 00:45:11,950 DIDN'T FEEL I HAD THE RIGHT TO TELL HIM... 1016 00:45:14,950 --> 00:45:16,820 MAYBE IT'S DAN DYING, 1017 00:45:16,850 --> 00:45:20,490 BUT I KEEP THINKING OF ALL THE CHANCES LOST. 1018 00:45:25,190 --> 00:45:26,910 ASK ME AGAIN, ANDY. 1019 00:45:30,340 --> 00:45:31,670 WHAT DO YOU MEAN? 1020 00:45:35,710 --> 00:45:37,610 ASK ME AGAIN. 1021 00:45:50,010 --> 00:45:51,840 WILL YOU MARRY ME, SYLVIA? 1022 00:45:55,610 --> 00:45:56,810 YES. 1023 00:45:59,210 --> 00:46:00,810 I WILL. 70112

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