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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:44,400 --> 00:00:46,000 HEY, YOU LOOK LOUSY. 2 00:00:46,040 --> 00:00:48,740 YEAH, I'M A LITTLE ROUGH AROUND THE EDGES AT 4 A. M. 3 00:00:48,770 --> 00:00:50,400 WHAT DO WE GOT? 4 00:00:50,440 --> 00:00:52,770 D.O.A. PETER SCHELZO, 27, SHOT IN THE HEAD. 5 00:00:52,800 --> 00:00:55,400 HE OWNED THE PLACE ALONG WITH HIS UNCLE. 6 00:00:55,440 --> 00:00:57,770 ANY WITNESSES? SO FAR, NOBODY SAW ANYTHING. 7 00:00:57,800 --> 00:01:00,070 A LOT OF CUSTOMERS ARE IN THE CLOSET. 8 00:01:00,100 --> 00:01:02,540 THEY DON'T WANT TO GIVE THEIR NAMES. 9 00:01:02,570 --> 00:01:05,570 THAT'S THE UNCLE. BODY'S BACK HERE. 10 00:01:07,640 --> 00:01:10,440 HEY. HOW YOU DOING? 11 00:01:10,470 --> 00:01:13,000 LOOKS LIKE SOMEBODY GOT THEIR MERIT BADGE IN KNOT TYING. 12 00:01:13,040 --> 00:01:15,240 MY FIRST HOMICIDE 15 YEARS AGO, 13 00:01:15,270 --> 00:01:17,370 SHOOTER TIED UP THE VICTIM JUST LIKE THIS, 14 00:01:17,400 --> 00:01:19,670 WRISTS, ELBOWS, LEGS, AND ANKLES... 15 00:01:19,700 --> 00:01:21,440 WITH ONE PAIR OF PANTY HOSE. 16 00:01:21,470 --> 00:01:23,840 LEON NADEAU WAS THE GUY'S NAME. 17 00:01:23,870 --> 00:01:25,270 WANT TO INTERVIEW THE UNCLE? 18 00:01:25,300 --> 00:01:26,740 YEAH. YEAH. 19 00:01:28,740 --> 00:01:31,440 THE BOUNCER'S GETTING CHECKED OUT AT THE HOSPITAL. 20 00:01:31,470 --> 00:01:32,840 HE GAVE MOUTH‐TO‐MOUTH. 21 00:01:32,870 --> 00:01:34,700 THINKS HE MIGHT'VE SWALLOWED SOME BLOOD. 22 00:01:34,740 --> 00:01:36,340 YOU GET HIS NAME? 23 00:01:36,370 --> 00:01:38,700 YEAH. HE'S GOING TO COME TO THE SQUAD. 24 00:01:38,740 --> 00:01:41,340 CHECK AND SEE IF SECURITY CAMERAS GOT ANYTHING. 25 00:01:41,370 --> 00:01:43,670 C.S.U.'s ON IT. ONE'S OVER THE CASH REGISTER, 26 00:01:43,700 --> 00:01:46,500 ANOTHER ON THE FRONT DOOR, ONE IN THE OFFICE. 27 00:01:46,540 --> 00:01:49,240 WANT TO SEE THE BLOND CHICK THAT FOUND THE BODY? 28 00:01:49,270 --> 00:01:52,170 YEAH. SHE'S A SEX CHANGE. 29 00:01:52,200 --> 00:01:54,440 SHE DOES A LOUNGE ACT HERE. NO. 30 00:01:54,470 --> 00:01:57,570 THE UNCLE'S COMING IN. HE SAID THEY CLEANED OUT THE SAFE. 31 00:01:57,600 --> 00:01:59,400 I'LL GET BACK TO YOU. 32 00:01:59,440 --> 00:02:02,500 HERE'S THE FIRST ONE AT THE BODY‐‐ 33 00:02:02,540 --> 00:02:06,500 A FORMER MALE. IS THAT RIGHT? YEAH, NICE JOB. 34 00:02:06,540 --> 00:02:08,500 HI. DETECTIVES SIMONE AND SIPOWICZ. 35 00:02:08,540 --> 00:02:10,500 WE UNDERSTAND YOU FOUND THE VICTIM? 36 00:02:10,540 --> 00:02:13,870 HOW COULD ANYBODY DO A TERRIBLE THING LIKE THIS? 37 00:02:13,900 --> 00:02:15,670 YEAH, IT'S A BIG WORLD. 38 00:02:15,700 --> 00:02:18,540 WHEN I FIRST SAW PETER ALL TIED UP LIKE THAT, 39 00:02:18,570 --> 00:02:20,440 I'M THINKING MAPPLETHORPE, FINE. 40 00:02:20,470 --> 00:02:23,270 THEN I REALIZED HE'S BEEN SHOT. I STARTED SCREAMING. 41 00:02:23,300 --> 00:02:25,740 THEN EVERYBODY ELSE CAME IN AND STARTED SCREAMING. 42 00:02:25,770 --> 00:02:28,070 IT WAS LIKE A PASSION PLAY. 43 00:02:28,100 --> 00:02:31,400 AND CHAZ, IGNORING ALL THE BLOOD AND VOMIT, 44 00:02:31,440 --> 00:02:33,870 REFUSING TO TAKE DEATH AS AN ANSWER... 45 00:02:33,900 --> 00:02:36,540 DESPERATELY BLOWING BREATH INTO POOR PETER'S CHEST‐‐ 46 00:02:36,570 --> 00:02:38,840 CAN WE GET YOUR NAME, MA'AM? 47 00:02:38,870 --> 00:02:42,700 CANDACE LA RUE. PLEASE DON'T CALL ME CANDY. 48 00:02:42,740 --> 00:02:46,340 CANDACE... WE'LL NEED YOU TO COME TO THE STATION HOUSE WITH US. 49 00:02:46,370 --> 00:02:49,070 DO I HAVE TIME TO FIX MY FACE BEFORE WE GO? 50 00:02:49,100 --> 00:02:51,070 YEAH. SURE. 51 00:02:51,100 --> 00:02:54,370 BECAUSE RIGHT NOW, DARLINGS, THIS PUSS IS A FELONY. 52 00:02:57,140 --> 00:02:58,970 HAPPY NEW YEAR. 53 00:04:13,600 --> 00:04:15,000 WHAT HAPPENED, LIEUTENANT? 54 00:04:15,040 --> 00:04:17,970 HOSPITAL SENT US HOME. FALSE LABOR. 55 00:04:19,070 --> 00:04:20,870 IS THAT A NEW SCENT? 56 00:04:20,900 --> 00:04:23,870 NO. THAT'S SOMEONE FROM THE GAY BAR HOMICIDE. 57 00:04:23,900 --> 00:04:25,440 SHE'S ABOUT TO BE INTERVIEWED. 58 00:04:25,470 --> 00:04:26,870 YOU'D THINK A PERSON... 59 00:04:26,900 --> 00:04:29,240 THAT SPENT ALL THAT MONEY ON HER APPEARANCE... 60 00:04:29,270 --> 00:04:31,800 WOULD AT LEAST SPRING FOR A BETTER PERFUME. 61 00:04:32,870 --> 00:04:35,440 SEE, AS A GENDER DYSPHORIC PERSON, 62 00:04:35,470 --> 00:04:38,440 PEOPLE EXPECT ME TO CAMP IT UP IN MY ACT. 63 00:04:38,470 --> 00:04:41,440 YOU KNOW, CAROL CHANNING. BUT THAT'S NOT WHAT I'M ABOUT. 64 00:04:41,470 --> 00:04:44,440 HOLIDAY AUDIENCES EXPECT THE TRADITIONAL. I GIVE IT TO THEM. 65 00:04:44,470 --> 00:04:47,070 I START WITH "THE LITTLE DRUMMER BOY"... 66 00:04:47,100 --> 00:04:50,000 AND END WITH ♪ WHAT CHILD IS THIS‐‐ ♪ 67 00:04:50,040 --> 00:04:53,340 WHAT TIME WAS IT WHEN YOU LAST SAW PETER SCHELZO ALIVE? 68 00:04:53,370 --> 00:04:55,340 I'D JUST FINISHED MY SECOND SET. 69 00:04:55,370 --> 00:04:58,340 I WENT TO THE OFFICE TO GET MY PAYCHECK. 70 00:04:58,370 --> 00:05:01,840 ABOUT 2:00‐ISH. 2:00‐ISH. 71 00:05:01,870 --> 00:05:05,600 PETER PAID ME. I ASKED HIM FOR A BIGGER MIRROR IN MY DRESSING ROOM. 72 00:05:05,640 --> 00:05:07,600 HE SAID HE'D THINK ABOUT IT. 73 00:05:07,640 --> 00:05:09,370 AND NEXT TIME I SAW HIM... 74 00:05:09,400 --> 00:05:10,370 HE WAS... 75 00:05:10,400 --> 00:05:12,200 WELL, YOU KNOW. 76 00:05:12,240 --> 00:05:15,240 DID YOU SEE ANYONE AT THE CLUB THAT SEEMED SUSPICIOUS? 77 00:05:15,270 --> 00:05:18,100 HONEY, ON DRAG NIGHT, EVERYONE LOOKS A LITTLE SHADY. 78 00:05:18,140 --> 00:05:20,500 TELL ME SOMETHING ABOUT THE BOUNCER. 79 00:05:20,540 --> 00:05:24,270 CHAZ? SAGITTARIUS. UH, VERY GOOD ON THE DOOR... 80 00:05:24,300 --> 00:05:25,670 POLITE BUT FIRM. 81 00:05:25,700 --> 00:05:28,270 SEES ME TO A CAB EVERY NIGHT. 82 00:05:28,300 --> 00:05:30,900 DID PETER EVER HAVE ANY PROBLEMS WITH HIM? 83 00:05:30,940 --> 00:05:32,670 PETER NEVER HAD PROBLEMS WITH ANYBODY. 84 00:05:32,700 --> 00:05:34,270 HE WAS A LOVE. 85 00:05:34,300 --> 00:05:37,370 DETECTIVE, AM I A SUSPECT IN THIS MURDER? 86 00:05:37,400 --> 00:05:41,170 NO, CANDACE. YOU WERE OBSERVED ONSTAGE. 87 00:05:41,200 --> 00:05:43,270 YOU COULDN'T BE IN TWO PLACES AT ONCE. 88 00:05:43,300 --> 00:05:47,270 CAN I TELL YOU MY THEORY ABOUT WHAT HAPPENED? SURE. 89 00:05:47,300 --> 00:05:48,700 I'M A CRIME BUFF. 90 00:05:48,740 --> 00:05:50,270 NOVELS. NOT THE REAL THING. 91 00:05:50,300 --> 00:05:52,240 PETER MIGHT'VE MADE A NEW FRIEND... 92 00:05:52,270 --> 00:05:54,870 WHO PLAYED WITH BONDAGE AND DISCIPLINE. 93 00:05:54,900 --> 00:05:56,870 YOU SEE HIM WITH ANYONE? 94 00:05:56,900 --> 00:05:59,940 NOT SPECIFICALLY, NO, BUT WHOEVER THE PERSON WAS... 95 00:05:59,970 --> 00:06:03,040 PROBABLY TIED PETER UP A LITTLE TOO TIGHT AND TOO LONG, 96 00:06:03,070 --> 00:06:05,400 THEN TRIED TO COVER UP AN UNINTENDED TRAGEDY... 97 00:06:05,440 --> 00:06:07,200 BY MAKING IT LOOK LIKE ROBBERY. 98 00:06:08,640 --> 00:06:11,740 O.K., CANDACE. THANKS FOR YOUR COOPERATION. 99 00:06:11,770 --> 00:06:13,740 OF COURSE, IT'S ALSO POSSIBLE... 100 00:06:13,770 --> 00:06:17,340 THAT HE GOT MIXED UP WITH SOME SADISTIC LITTLE LEATHER BOY... 101 00:06:17,370 --> 00:06:19,540 WHO GETS OFF ON THIS SORT OF THING. 102 00:06:19,570 --> 00:06:21,070 YEAH, WE'LL LOOK INTO ALL THAT. 103 00:06:21,100 --> 00:06:22,700 O.K. BYE. 104 00:06:25,540 --> 00:06:27,340 [QUIETLY] BYE. 105 00:06:27,370 --> 00:06:29,670 MR. SCHELZO, DID YOUR NEPHEW HAVE ANY MONEY PROBLEMS... 106 00:06:29,700 --> 00:06:31,500 YOU KNOW, ANY BIG DEBTS? 107 00:06:31,540 --> 00:06:34,870 ARE YOU KIDDING? YOU OWN A GAY BAR, YOU OWN A BANK. 108 00:06:34,900 --> 00:06:37,870 THE DISPOSABLE INCOME THOSE PEOPLE HAVE... 109 00:06:37,900 --> 00:06:39,500 TWO SALARIES, NO KIDS... 110 00:06:39,540 --> 00:06:42,800 WE HAD A POSITIVE CASH FLOW OUR SECOND MONTH. 111 00:06:44,700 --> 00:06:46,900 DOES ANYONE, UH... 112 00:06:46,940 --> 00:06:49,770 BENEFIT FINANCIALLY FROM YOUR NEPHEW'S DEATH? 113 00:06:50,870 --> 00:06:51,840 NO. 114 00:06:51,870 --> 00:06:53,100 DO YOU? 115 00:06:54,700 --> 00:06:56,700 YOU'RE NOT ACCUSING ME, I HOPE. 116 00:06:56,740 --> 00:06:58,700 I'M TRYING TO UNDERSTAND THE SITUATION, 117 00:06:58,740 --> 00:07:00,870 SEE WHO COULD'VE HAD A MOTIVE. 118 00:07:00,900 --> 00:07:04,340 NEVER MIND THAT PETER WAS MY OWN FLESH AND BLOOD. 119 00:07:04,370 --> 00:07:07,100 I'M A GOOD BUSINESSMAN. PEOPLE CAME TO THAT BAR... 120 00:07:07,140 --> 00:07:08,740 BECAUSE OF PETER. 121 00:07:08,770 --> 00:07:11,370 HE WAS ONE OF THEM. HE LIVED THE LIFE. 122 00:07:11,400 --> 00:07:13,370 I HOPED TO BECOME LESS INVOLVED. 123 00:07:13,400 --> 00:07:14,770 THINKING ABOUT RETIREMENT? 124 00:07:14,800 --> 00:07:17,170 NO. PETER AND I WERE IN THE MIDDLE... 125 00:07:17,200 --> 00:07:19,770 OF TAKING OVER LA FONTANA ON HESTER STREET. 126 00:07:19,800 --> 00:07:21,770 WE LENT THE OWNER SOME MONEY. 127 00:07:21,800 --> 00:07:23,640 HE WASN'T TAKING CARE OF BUSINESS. 128 00:07:25,270 --> 00:07:28,500 BESIDES YOU AND PETER, WHO HAD KEYS TO THE PREMISES? 129 00:07:28,540 --> 00:07:31,500 OUR SECURITY GUY. WHAT'S HIS NAME? 130 00:07:31,540 --> 00:07:33,500 CHAZ HILDUM. AND KYRA HAD KEYS. 131 00:07:33,540 --> 00:07:36,500 SHE'S A LESBIAN GIRL. RENTS THE PLACE TWICE A WEEK. 132 00:07:36,540 --> 00:07:38,270 YEAH, WE'LL BE TALKING TO HER. 133 00:07:38,300 --> 00:07:40,840 LET ME ASK YOU SOMETHING. 134 00:07:40,870 --> 00:07:44,540 WOULD IT HELP... IF I POSTED A REWARD? 135 00:07:44,570 --> 00:07:47,270 WOULDN'T HURT. BUT REWARDS TEND TO BRING OUT THE CREEPS... 136 00:07:47,300 --> 00:07:48,900 LOOKING FOR A PAYDAY. 137 00:07:48,940 --> 00:07:52,540 STILL... IT'S SOMETHING I WOULD LIKE TO DO... 138 00:07:52,570 --> 00:07:55,200 TO HONOR THE MEMORY OF MY NEPHEW. 139 00:07:55,240 --> 00:07:55,900 I UNDERSTAND. 140 00:07:57,700 --> 00:08:00,240 DOES THE NAME LEON NADEAU MEAN ANYTHING TO YOU? 141 00:08:00,270 --> 00:08:02,540 NO. SHOULD IT? 142 00:08:02,570 --> 00:08:04,940 SHOT IN THE DARK IS ALL. 143 00:08:06,540 --> 00:08:08,740 ALL RIGHT. THANKS FOR YOUR TIME, MR. SCHELZO. 144 00:08:10,800 --> 00:08:12,870 YOU'LL KEEP YOURSELF AVAILABLE, HUH? YEAH. 145 00:08:16,870 --> 00:08:18,840 SOME GYPSIES RAN A SCAM... 146 00:08:18,870 --> 00:08:20,900 ON AN OLD NEIGHBOR OF MINE, 147 00:08:20,940 --> 00:08:22,400 A MRS. SCHNITZLER. 148 00:08:22,440 --> 00:08:25,400 UH, THEY TOOK HER FOR $3,000. YEAH? 149 00:08:25,440 --> 00:08:27,000 GIVE IT TO SPECIAL FRAUDS. 150 00:08:27,040 --> 00:08:29,000 WELL, THEY'RE BACKED UP OVER THERE. 151 00:08:29,040 --> 00:08:32,000 I KIND OF TOLD HER I'D LOOK INTO IT FOR HER. 152 00:08:32,040 --> 00:08:36,070 YOU MIND IF I RUN WITH THE BALL? RUN HOW? 153 00:08:36,100 --> 00:08:38,700 THEY MOVED FROM THE PLACE WHERE THEY TOOK HER OFF, 154 00:08:38,740 --> 00:08:41,540 BUT SHE THINKS SHE MIGHT'VE SEEN 'EM THREE BLOCKS OVER, 155 00:08:41,570 --> 00:08:43,570 STOREFRONT AT THIRD AND "B". 156 00:08:43,600 --> 00:08:45,570 I'LL USE MY OWN FLASH MONEY. 157 00:08:45,600 --> 00:08:48,740 IF I COULD JUST GET A LITTLE BACKUP DURING THE POP. 158 00:08:48,770 --> 00:08:50,740 YEAH. ALL RIGHT. 159 00:08:50,770 --> 00:08:52,740 [PAGER BEEPS] 160 00:08:52,770 --> 00:08:54,670 THAT'S MY WIFE. 161 00:08:54,700 --> 00:08:57,840 SHE‐SHE'S GOT YOU ON A BABY BEEPER, HUH? 162 00:08:57,870 --> 00:08:58,770 YEAH. 163 00:09:00,870 --> 00:09:02,270 YEAH. IS IT TIME? 164 00:09:03,640 --> 00:09:05,600 WELL, YEAH, OF COURSE IT WORKS. 165 00:09:05,640 --> 00:09:07,170 BATTERIES ARE BRAND‐NEW. 166 00:09:07,200 --> 00:09:08,870 DON'T SCARE ME LIKE THAT. 167 00:09:10,040 --> 00:09:11,200 ALL RIGHT. 168 00:09:11,240 --> 00:09:12,140 ME, TOO. 169 00:09:16,070 --> 00:09:18,700 ‐ TRIAL RUN. ‐ WHEW. 170 00:09:18,740 --> 00:09:20,900 [CHUCKLES] TENSE TIMES, HUH, LIEUTENANT? 171 00:09:20,940 --> 00:09:22,700 UHH... 172 00:09:22,740 --> 00:09:23,570 WELL, THANKS. 173 00:09:32,870 --> 00:09:33,870 ANDY. 174 00:09:35,740 --> 00:09:37,100 YEAH, WHAT'S UP, DAN? 175 00:09:37,140 --> 00:09:40,000 DANNY'S OUT WALKING THE STREETS AGAIN. 176 00:09:40,040 --> 00:09:43,400 HOW WOULD YOU KNOW WHAT DANNY'S DOING? I'VE SEEN HIM. 177 00:09:43,440 --> 00:09:45,770 YOU PROMISED YOU'D STAY AWAY FROM HIM, DAN. 178 00:09:45,800 --> 00:09:47,770 I WATCH FROM ACROSS THE PARK. 179 00:09:47,800 --> 00:09:49,600 HE'S NOT ON HIS MEDICATION. 180 00:09:49,640 --> 00:09:52,070 YOU'RE NOT LOOKING AFTER HIM LIKE YOU SAID. 181 00:09:52,100 --> 00:09:55,170 I'M DOING MY BEST. I CHECK ON HIM EVERY COUPLE DAYS. 182 00:09:55,200 --> 00:09:59,100 HE NEEDS MORE TIME. YOU GO, YOU'RE OUT IN 10 MINUTES, TOPS. 183 00:09:59,140 --> 00:10:00,740 WHAT ARE YOU DOING? 184 00:10:00,770 --> 00:10:03,340 ARE YOU STANDING OUT THERE ALL DAY LONG? 185 00:10:03,370 --> 00:10:05,270 WE'RE TALKING ABOUT MY SON. 186 00:10:05,300 --> 00:10:06,440 WE'RE TALKING ABOUT YOU. 187 00:10:06,470 --> 00:10:08,340 YOU'RE PUTTING YOUR LIFE IN DANGER... 188 00:10:08,370 --> 00:10:09,870 BEING ANYWHERE NEAR THAT KID. 189 00:10:12,200 --> 00:10:15,440 I'LL AGREE TO STAY AWAY. BUT I WANT YOUR COMMITMENT... 190 00:10:15,470 --> 00:10:17,670 YOU'LL BRING HIM BACK TO THE APARTMENT AND SEE HE GETS HIS PILLS. 191 00:10:17,700 --> 00:10:21,940 I'LL SEE TO THAT. BUT I'M WORKING A HOMICIDE. 192 00:10:21,970 --> 00:10:23,670 I CAN'T LEAVE RIGHT THIS MINUTE. 193 00:10:23,700 --> 00:10:26,870 I'LL HAVE THE UNIFORMS LOCATE DAN AND CALL ME. 194 00:10:26,900 --> 00:10:29,070 AND THEN YOU'LL GO SEE HIM. 195 00:10:29,100 --> 00:10:33,070 YEAH. I'LL BE IN TOUCH. WHY DON'T YOU GO HOME NOW? GO AHEAD. 196 00:10:33,100 --> 00:10:35,100 ALL RIGHT. ALL RIGHT. 197 00:10:37,740 --> 00:10:38,440 DAN. 198 00:10:41,700 --> 00:10:43,900 YOU MAKE SURE YOU GO HOME. 199 00:11:10,740 --> 00:11:13,940 THE SOURCE OF YOUR WIFE'S WANDERING SPIRIT... 200 00:11:13,970 --> 00:11:16,130 IS MOST LIKELY... 201 00:11:16,170 --> 00:11:18,060 DEATH‐RIDDEN MONIES. 202 00:11:18,090 --> 00:11:20,760 THAT'S WHY I HEAR HER VOICE IN THE MIDDLE OF THE NIGHT? 203 00:11:20,780 --> 00:11:24,850 WHEN YOUR WIFE DIED, DID YOU BENEFIT FINANCIALLY? 204 00:11:24,880 --> 00:11:26,780 THERE WAS SOME INSURANCE MONEY. 205 00:11:26,820 --> 00:11:29,290 I NEED TO SEE SOME BILLS. 206 00:11:29,320 --> 00:11:31,260 WHAT DO YOU GOT WITH YOU? 207 00:11:31,280 --> 00:11:33,310 OH, UH, LET'S SEE. 208 00:11:36,780 --> 00:11:39,750 ‐ I GOT $94. ‐ GIVE IT HERE. 209 00:11:39,780 --> 00:11:42,780 YEAH. ALL RIGHT. 210 00:11:54,780 --> 00:11:58,160 ‐ WHAT IS IT? ‐ THIS IS UNCLEAN. 211 00:11:58,200 --> 00:12:02,260 ‐ WHAT DOES THAT MEAN? ‐ YOUR WIFE'S SPIRIT IS WARNING YOU. 212 00:12:02,280 --> 00:12:04,280 THE INHERITANCE MUST BE CLEANSED. 213 00:12:04,320 --> 00:12:07,580 WHAT'LL HAPPEN? SHOULD I STOP USING THE MONEY? 214 00:12:07,600 --> 00:12:10,730 I JUST BOUGHT MY GIRLFRIEND A NEW MICROWAVE. 215 00:12:10,760 --> 00:12:13,390 IT COULD KILL HER. 216 00:12:13,430 --> 00:12:15,230 I'LL BE RIGHT BACK. 217 00:12:40,230 --> 00:12:41,360 SWEET GOD! 218 00:12:41,400 --> 00:12:43,400 YOU SEE YOURSELF. 219 00:12:43,430 --> 00:12:44,990 NOW THIS MONEY'S CLEAN. 220 00:12:45,030 --> 00:12:46,890 WHAT ELSE IS THERE? 221 00:12:46,930 --> 00:12:49,360 UM, I HAVE ABOUT $1,500 IN CASH. 222 00:12:49,400 --> 00:12:52,340 THE REST IS TIED UP IN INVESTMENTS. 223 00:12:52,360 --> 00:12:54,930 CLEANSING THE CASH WILL PREVENT IMMEDIATE DANGER, 224 00:12:54,960 --> 00:12:56,560 BUT, UH... 225 00:12:56,600 --> 00:12:58,740 THEN YOU GOT TO LIQUIDATE THE INVESTMENTS... 226 00:12:58,760 --> 00:13:01,030 AND BRING ME THAT MONEY, 227 00:13:01,060 --> 00:13:04,160 OR IT'S ALL GOING TO BE IN VAIN. 228 00:13:04,200 --> 00:13:05,940 WHERE IS THE 1,500? 229 00:13:05,960 --> 00:13:09,660 ‐ AT HOME. ‐ BRING IT HERE, QUICKLY. 230 00:13:09,700 --> 00:13:12,100 OR BAD THINGS WILL BEFALL THOSE YOU LOVE. 231 00:13:12,130 --> 00:13:14,690 I'LL GO RIGHT HOME. THE SITUATION IS PERILOUS. 232 00:13:16,060 --> 00:13:17,360 I'D RUN. 233 00:13:23,300 --> 00:13:23,970 THANKS. 234 00:13:25,700 --> 00:13:27,770 I'LL BE BACK. 235 00:13:31,400 --> 00:13:34,370 DO YOU REMEMBER SEEING ANYBODY LEAVE BUDDY'S... 236 00:13:34,400 --> 00:13:35,670 AGITATED OR IN A HURRY? 237 00:13:35,700 --> 00:13:37,540 LAST NIGHT WAS PRETTY MELLOW. 238 00:13:37,560 --> 00:13:40,530 I HEARD THERE WAS SOME ECSTASY IN THE HOUSE. 239 00:13:40,560 --> 00:13:43,230 HOW LONG YOU WORKED AT THIS BAR? THREE YEARS. 240 00:13:43,260 --> 00:13:46,090 I RUN THE COAT CHECK. AND ON TUESDAYS AND THURSDAYS, 241 00:13:46,130 --> 00:13:50,530 MY LOVER AND I PRODUCE LIPSTICK VENUS. YOU KNOW, WOMEN ONLY. 242 00:13:50,560 --> 00:13:54,890 WE SPLIT THE DOOR WITH PETER AND HIS UNCLE. THEY KEEP THE BAR. 243 00:13:54,930 --> 00:13:57,890 PETER GAVE US A SHOT. TURNED OUT GOOD FOR EVERYBODY. 244 00:13:57,930 --> 00:14:00,890 SO HE WAS A STRAIGHT SHOOTER IN HIS BUSINESS DEALINGS. 245 00:14:00,930 --> 00:14:03,990 HE'S DONE RIGHT BY ME AND KAYLA, YEAH. 246 00:14:04,030 --> 00:14:05,730 DID HE HAVE ANY ENEMIES TO YOUR KNOWLEDGE? 247 00:14:05,760 --> 00:14:08,760 BESIDES JESSE HELMS, NONE THAT I KNOW OF. 248 00:14:08,800 --> 00:14:10,770 PETER WAS AN ALL‐AROUND GREAT GUY. 249 00:14:10,800 --> 00:14:13,540 HE HAVE A BOYFRIEND? DOZENS. 250 00:14:13,560 --> 00:14:17,890 YOU KNOW HOW PROMISCUOUS MEN ARE, GAY OR STRAIGHT. 251 00:14:17,930 --> 00:14:20,230 ANY OF THESE ROMANCES END BADLY TO YOUR KNOWLEDGE? 252 00:14:20,260 --> 00:14:24,560 LOOK... JUST BECAUSE I'M A LESBIAN... 253 00:14:24,600 --> 00:14:28,040 DOESN'T MEAN I HAVE A CLUE ABOUT WHAT GOES ON IN THE MIND OF A GAY BOY. 254 00:14:28,060 --> 00:14:29,560 WE PARTY TOGETHER, 255 00:14:29,600 --> 00:14:32,540 BUT WE GO HOME TO VERY DIFFERENT PLANETS. 256 00:14:32,560 --> 00:14:36,160 SEE WHAT I'M SAYING? HE GET INTO ANY ROUGH STUFF? 257 00:14:36,200 --> 00:14:40,440 ANYTHING INVOLVING A MAN IS ROUGH STUFF IN MY BOOK. 258 00:14:40,460 --> 00:14:42,990 O.K. WHEN WILL HE BE BACK IN TOWN? 259 00:14:43,030 --> 00:14:44,860 RIGHT. 260 00:14:44,900 --> 00:14:47,670 HAVE HIM CALL DETECTIVE SIPOWICZ OR SIMONE... 261 00:14:47,700 --> 00:14:49,700 AT THE 15th DETECTIVE SQUAD. 262 00:14:49,730 --> 00:14:52,490 RIGHT. THANKS. 263 00:14:52,530 --> 00:14:54,830 WHAT'S UP? GUY WHO OWNS THAT ITALIAN RESTAURANT... 264 00:14:54,860 --> 00:14:57,590 THE UNCLE WAS INVESTING IN IS IN FLORIDA. 265 00:14:57,630 --> 00:14:59,560 HE'S DUE BACK IN THE MORNING. 266 00:14:59,600 --> 00:15:01,900 I CHECKED WITH CORRECTIONS. 267 00:15:01,930 --> 00:15:04,590 WHO? LEON NADEAU'S STILL IN THE CAN. 268 00:15:04,630 --> 00:15:06,490 THE OLD CASE I TOLD YOU ABOUT. 269 00:15:06,530 --> 00:15:09,530 HELLO. MY NAME IS CHAZ HILDUM. 270 00:15:09,560 --> 00:15:12,090 I'M HERE TO SEE DETECTIVE SIPOWICZ. 271 00:15:12,130 --> 00:15:13,230 THE BOUNCER. 272 00:15:13,260 --> 00:15:15,830 DETECTIVE? YES? 273 00:15:15,860 --> 00:15:18,890 I GOT A MESSAGE THAT YOU WANT TO TALK TO ME. 274 00:15:18,930 --> 00:15:21,730 DETECTIVES SIPOWICZ AND SIMONE. WE'RE WORKING THE CASE. 275 00:15:21,760 --> 00:15:23,830 EVERYTHING O.K. AT THE HOSPITAL? 276 00:15:23,860 --> 00:15:26,190 YEAH. LOOK, AT THE CLUB THIS MORNING, 277 00:15:26,230 --> 00:15:28,690 I TOLD THE OTHER OFFICER EVERYTHING I KNOW. 278 00:15:28,730 --> 00:15:31,230 WHY DON'T YOU BRING US UP TO SPEED HERE? 279 00:15:35,560 --> 00:15:37,030 NICE BOOTS. 280 00:15:39,800 --> 00:15:42,840 SO YOU'RE IN CHARGE OF SECURITY AT THAT BAR, HUH? 281 00:15:42,860 --> 00:15:46,230 YEAH. I WORK THE DOOR, THROW OUT THE DRUNKS, 282 00:15:46,260 --> 00:15:48,330 MAKE SURE NO ONE GETS OUT OF LINE IN THE BATHROOMS. 283 00:15:48,360 --> 00:15:50,760 YOU LOCK UP AFTER CLOSING? USUALLY. 284 00:15:50,800 --> 00:15:52,740 YOU TURN ON THE SECURITY CAMERAS? 285 00:15:52,760 --> 00:15:55,530 ME OR PETER WOULD, DEPENDING ON WHO GOT THERE FIRST. 286 00:15:55,560 --> 00:15:58,030 GUESS PETER WON'T BE DOING THAT ANYMORE. 287 00:15:58,060 --> 00:16:02,490 SO WHO GOT THERE FIRST LAST NIGHT? PETER. 288 00:16:02,530 --> 00:16:05,260 PETER TURNED ON THE CAMERAS? 289 00:16:05,300 --> 00:16:07,000 I ASSUME HE DID. I ASKED HIM ABOUT IT. 290 00:16:07,030 --> 00:16:10,160 HE SAID IT WAS TAKEN CARE OF. I GOT TO BE HONEST, 291 00:16:10,200 --> 00:16:13,100 WE'RE HAVING BAD LUCK ON THIS INVESTIGATION. 292 00:16:13,130 --> 00:16:15,990 THE CAMERA IN THE OFFICE WASN'T ON, AND THAT'S WHERE THE MURDER TOOK PLACE. 293 00:16:16,030 --> 00:16:19,430 ‐ PETER MUST HAVE FORGOTTEN. ‐ OR MAYBE SOMEBODY TURNED IT OFF. 294 00:16:24,130 --> 00:16:28,490 WHAT DO YOU GET PAID, CHAZ? $75 A NIGHT. 295 00:16:28,530 --> 00:16:30,590 ‐ SO YOU WORK ANOTHER JOB? ‐ NO. 296 00:16:30,630 --> 00:16:32,530 YOU'RE NOT TRADE, ARE YOU, CHAZ? 297 00:16:32,560 --> 00:16:34,530 A LITTLE HUSTLING ON THE SIDE, 298 00:16:34,560 --> 00:16:36,360 PAY FOR THOSE NEW BOOTS? NO. 299 00:16:36,400 --> 00:16:38,740 THAT WAS SOMETHING, HUH? 300 00:16:38,760 --> 00:16:40,490 HIM TRYING TO GET PETER BREATHING AGAIN. 301 00:16:40,530 --> 00:16:42,160 I KNOW C. P. R. 302 00:16:42,200 --> 00:16:44,540 BACK OF HIS HEAD WAS BLOWN OFF, 303 00:16:44,560 --> 00:16:46,730 THROAT FULL OF VOMIT AND BLOOD, 304 00:16:46,760 --> 00:16:48,860 AND YOU GIVE HIM MOUTH‐TO‐MOUTH. SO WHAT'S YOUR POINT? 305 00:16:50,800 --> 00:16:54,450 THAT HE‐SHE CANDACE SAYS YOU'RE A TRUE HERO. 306 00:16:54,480 --> 00:16:55,720 MYSELF... 307 00:16:55,760 --> 00:16:58,930 I WONDER MAYBE, UH, 308 00:16:58,970 --> 00:17:00,700 YOU'RE TRYING TO SHOW EVERYONE... 309 00:17:00,730 --> 00:17:02,440 HOW SHOCKED AND SURPRISED YOU ARE, 310 00:17:02,470 --> 00:17:04,640 HOW BROKEN UP YOU ARE ABOUT PETER. 311 00:17:04,670 --> 00:17:07,600 I'M A SUSPECT BECAUSE I TRIED TO SAVE HIS LIFE? 312 00:17:07,640 --> 00:17:09,570 YOU WERE IN CHARGE OF SECURITY. 313 00:17:09,610 --> 00:17:13,250 THE CAMERA IN YOUR BOSS'S OFFICE WAS DISCONNECTED AND YOUR BOSS GOT WHACKED. 314 00:17:13,270 --> 00:17:16,140 I GOTTA LOOK AT YOU A LITTLE BIT. THIS IS NUTS! 315 00:17:16,170 --> 00:17:17,670 WE KNOW YOU DIDN'T PULL THE TRIGGER, 316 00:17:17,710 --> 00:17:20,610 BECAUSE WITNESSES SAW YOU WORKING THE DOOR ALL NIGHT. 317 00:17:20,640 --> 00:17:22,600 I DIDN'T HAVE ANYTHING TO DO WITH IT! SUPPOSE SOMEBODY GAVE YOU... 318 00:17:22,640 --> 00:17:24,600 A FEW DOLLARS TO TURN THAT CAMERA OFF... 319 00:17:24,640 --> 00:17:26,670 OR LEAVE THE BACK DOOR UNLOCKED. 320 00:17:26,710 --> 00:17:29,480 THERE'S NO WAY YOU'RE GONNA THINK IT'S ANYTHING MORE THAN A ROBBERY. 321 00:17:29,510 --> 00:17:31,080 IF THAT'S THE WAY IT WENT DOWN, CHAZ, 322 00:17:31,110 --> 00:17:33,910 GET IT FRONT OF IT NOW AND TELL US WHO HIRED YOU. 323 00:17:33,940 --> 00:17:35,670 OTHERWISE, IT'S 25 TO LIFE, 324 00:17:35,710 --> 00:17:38,950 AND UPSTATE, YOU DON'T GET TO PICK YOUR BOYFRIENDS. 325 00:17:38,970 --> 00:17:40,470 GOD. 326 00:17:40,510 --> 00:17:42,480 I WASN'T INVOLVED WITH THIS. 327 00:17:42,510 --> 00:17:45,510 NOW, IF YOU WANT TO HOLD ME FOR MORE QUESTIONING, 328 00:17:45,540 --> 00:17:47,640 I WANT TO TALK TO AN ATTORNEY. 329 00:17:58,510 --> 00:18:00,950 HE WAS IN ON IT. WE DON'T HAVE DICK TO HOLD HIM ON, ANDY. 330 00:18:00,970 --> 00:18:02,940 DETECTIVE, THE FRONT DESK CALLED. 331 00:18:02,970 --> 00:18:05,440 SOME UNIFORMS JUST LOCATED DANNY BREEN. 332 00:18:05,470 --> 00:18:06,940 TELL 'EM TO PICK HIM UP. 333 00:18:06,970 --> 00:18:09,940 MEET ME IN FRONT OF 218 12th STREET. 334 00:18:09,970 --> 00:18:11,600 WANT TO CUT CHAZ LOOSE? 335 00:18:11,640 --> 00:18:13,770 YEAH, OTHERWISE HE'S GONNA LAWYER‐UP. 336 00:18:13,810 --> 00:18:16,650 YEAH. PICK HIM UP. MEET HIM AT 218 12th STREET. 337 00:18:20,110 --> 00:18:23,550 THIS IS ALL OF IT, THE ENTIRE 1,500. 338 00:18:25,110 --> 00:18:26,710 BOY, I HOPE THIS WORKS. 339 00:18:46,110 --> 00:18:48,750 THE SMOKE FROM THE CANDLE... 340 00:18:48,770 --> 00:18:50,340 WILL CLEANSE THE MONEY. 341 00:18:50,370 --> 00:18:53,440 YOUR WIFE'S SPIRIT WON'T HAVE ANYTHING MORE TO WORRY ABOUT, 342 00:18:53,470 --> 00:18:55,440 IN TERMS OF THIS MONEY. 343 00:18:55,470 --> 00:18:58,340 THEN YOU GOTTA BRING ME THE REST OF IT. 344 00:19:06,770 --> 00:19:11,400 DO NOT OPEN THE BUNDLE FOR 60 DAYS. WHAT'LL HAPPEN? 345 00:19:11,440 --> 00:19:14,100 YOU WILL DOUBLE THE THREAT TO YOU AND YOUR LOVED ONES. 346 00:19:14,140 --> 00:19:17,340 60 DAYS IS A LONG TIME. I GOT NEEDS. 347 00:19:17,370 --> 00:19:20,240 MAYBE YOU COULD A LITTLE EXTRA HOCUS‐POCUS, SPEED THINGS UP. 348 00:19:20,270 --> 00:19:21,900 YOU FAIL TO UNDERSTAND. 349 00:19:21,940 --> 00:19:23,900 IF THE MONEY SEES LIGHT... 350 00:19:23,940 --> 00:19:26,400 BEFORE TWO CYCLES OF THE MOON HAVE PASSED, 351 00:19:26,440 --> 00:19:28,600 NOT ONLY WILL THE THREAT BE DOUBLED, 352 00:19:28,640 --> 00:19:30,600 BUT THE MONEY ITSELF WILL BE WORTHLESS. 353 00:19:30,640 --> 00:19:33,940 IT IS NOT IN MY POWER TO CHANGE THAT. 354 00:19:33,970 --> 00:19:37,470 THIS MUST BE SOME UNCLEAN CASH, HUH? WORTHLESS, HUH? 355 00:19:37,510 --> 00:19:40,250 ‐ YES. ‐ LIKE, IT'LL... 356 00:19:40,270 --> 00:19:41,300 WHAT? CHANGE INTO NEWSPAPER? 357 00:19:41,340 --> 00:19:43,600 IT'LL BE WORTHLESS. 358 00:19:43,640 --> 00:19:45,970 SO IS THAT WHAT HAPPENED TO DOLORES SCHNITZLER? 359 00:19:46,010 --> 00:19:47,810 DID SHE OPEN THE MONEY TOO SOON? 360 00:19:47,840 --> 00:19:48,970 WHO THE HELL ARE YOU? 361 00:19:49,010 --> 00:19:52,280 BECAUSE SHE WAITED 60 DAYS, 362 00:19:52,310 --> 00:19:54,810 AND STILL, ALL SHE GOT WAS NEWSPAPER. 363 00:19:54,840 --> 00:19:57,470 YOU KNOW? JUST LIKE THIS, HUH? 364 00:19:57,510 --> 00:19:59,810 ‐ JUST LIKE THIS! ‐ STEVIE, JUAN. 365 00:19:59,840 --> 00:20:02,640 ‐ BACKUP. NOW. ‐ SON OF A BITCH. 366 00:20:02,670 --> 00:20:05,070 NEW YORK CITY POLICE. YOU'RE UNDER ARREST. 367 00:20:05,110 --> 00:20:07,780 GET YOUR HANDS UP AGAINST THE WALL. 368 00:20:07,810 --> 00:20:09,080 TURN AROUND! 369 00:20:09,110 --> 00:20:11,450 COME ON. GIMME YOUR HANDS. 370 00:20:11,470 --> 00:20:13,970 HANDS BEHIND YOUR BACK. COME ON. 371 00:20:14,010 --> 00:20:15,510 WHAT HAVE WE HERE? ALL RIGHT. ALL RIGHT. 372 00:20:15,540 --> 00:20:17,470 THAT'S IT. 373 00:20:18,510 --> 00:20:20,310 HERE WE GO. 374 00:20:20,340 --> 00:20:22,340 [ SPEAKING FOREIGN LANGUAGE ] 375 00:20:22,370 --> 00:20:23,540 [SPITS] 376 00:20:24,970 --> 00:20:28,400 ‐ ALL RIGHT, LET'S GO. ‐ WHAT DID SHE SAY? 377 00:20:28,440 --> 00:20:31,140 SHE SPIT ON YOU. YOU'RE CURSED, PAL. 378 00:20:31,170 --> 00:20:32,470 LET'S GO. 379 00:20:40,970 --> 00:20:42,940 YEAH. WHAT IS IT, BOBBY? 380 00:20:42,970 --> 00:20:47,400 LOU, THIS BOUNCER IS HIP‐DEEP, MAN. 381 00:20:47,440 --> 00:20:49,240 WE JUST DIDN'T HAVE ENOUGH TO HOLD HIM, THOUGH. 382 00:20:49,270 --> 00:20:51,600 WHAT ELSE YOU LOOKING AT? 383 00:20:51,640 --> 00:20:53,340 WE'RE BRINGING IN MAURO GRACIALE. 384 00:20:53,370 --> 00:20:56,340 HE RUNS A RESTAURANT THESE PEOPLE INVESTED IN. 385 00:20:56,370 --> 00:20:57,940 HE'S INTO THEM FOR SOME CASH, 386 00:20:57,970 --> 00:21:00,400 SO I THINK IT'S WORTH A CONVERSATION. 387 00:21:00,440 --> 00:21:01,300 O.K. 388 00:21:05,640 --> 00:21:08,770 BABY'S ABOUT DUE, HUH? 389 00:21:08,810 --> 00:21:11,310 YEAH. YEAH, I'M EXCITED. 390 00:21:11,340 --> 00:21:13,900 KNOW WHAT IT'S GOING TO BE? 391 00:21:13,940 --> 00:21:17,640 BOY. WE'VE GOT TWO DAUGHTERS, 11 AND 14. 392 00:21:17,670 --> 00:21:20,270 I'M... 393 00:21:20,310 --> 00:21:22,650 A LITTLE WORRIED ABOUT MY WIFE. 394 00:21:24,540 --> 00:21:26,900 WHAT, SHE'S HAD A TOUGH PREGNANCY? 395 00:21:26,940 --> 00:21:30,070 IT WAS A DIFFICULT DELIVERY LAST TIME. 396 00:21:30,110 --> 00:21:31,510 BUT... 397 00:21:31,540 --> 00:21:33,300 THEY'RE WATCHING HER REAL CLOSELY. 398 00:21:36,170 --> 00:21:39,640 I JUST CAN'T HELP FEELING I'VE PUT HER IN HARM'S WAY. 399 00:21:39,670 --> 00:21:43,500 YEAH, WELL, I'M SURE SHE DON'T FEEL LIKE THAT. 400 00:21:45,870 --> 00:21:47,470 COME ON, LIEU, 401 00:21:47,510 --> 00:21:50,250 YOU'RE GOING TO BE WALKING IN HERE WITH CIGARS SOON. 402 00:21:50,270 --> 00:21:51,740 YEAH. YEAH, I HOPE SO. 403 00:21:51,770 --> 00:21:54,140 NIGHT. YEAH. NIGHT. 404 00:22:04,370 --> 00:22:05,670 [ SIREN CHIRPS ] 405 00:22:10,970 --> 00:22:12,840 HE GIVE YOU ANY TROUBLE? 406 00:22:12,870 --> 00:22:14,800 HE'S STONED. HE STINKS OF REEFER. 407 00:22:16,870 --> 00:22:19,240 LISTEN, THANKS. NO PROBLEM. 408 00:22:19,270 --> 00:22:20,540 COME ON, DANNY. 409 00:22:26,840 --> 00:22:28,070 I'M WASTED. 410 00:22:28,110 --> 00:22:30,350 YEAH. LET'S GO INSIDE, ALL RIGHT? 411 00:23:08,270 --> 00:23:09,840 DANNY. 412 00:23:09,870 --> 00:23:12,240 DANNY, WHERE'S YOUR MEDICINE? 413 00:23:12,270 --> 00:23:14,440 ‐ IT'S HERE. ‐ WHERE HERE? 414 00:23:14,470 --> 00:23:16,970 IT'S NOT IN THE CUPBOARD. WHERE IS IT, BEDROOM, BATHROOM? 415 00:23:17,010 --> 00:23:20,550 ‐ BEDROOM. ‐ I'M GONNA GET IT AND I WANT YOU TO TAKE SOME. 416 00:23:26,110 --> 00:23:29,610 [COUGHING, SNIFFING] 417 00:23:29,640 --> 00:23:32,200 YOU GOTTA KEEP THESE WINDOWS OPEN ONCE IN A WHILE. 418 00:23:38,810 --> 00:23:40,980 O.K. HERE. 419 00:23:44,170 --> 00:23:45,770 HERE. 420 00:23:45,810 --> 00:23:47,410 COME ON, TAKE IT. 421 00:23:47,440 --> 00:23:49,740 TAKE YOUR MEDICINE. COME ON. [SNORTING CHUCKLE] 422 00:23:49,770 --> 00:23:51,340 COME ON, DANNY. TAKE IT. 423 00:23:54,770 --> 00:23:58,340 YOU GOT TO REMEMBER TO TAKE YOUR MEDICATION, DANNY. 424 00:23:58,370 --> 00:24:00,440 O.K.? YOU GOT TO REMEMBER THAT. UH‐HUH. 425 00:24:00,470 --> 00:24:02,440 AND I DON'T WANT YOU SMOKING MARIJUANA. 426 00:24:02,470 --> 00:24:03,900 THAT'S AGAINST THE LAW. YOU CAN GET ARRESTED. 427 00:24:03,940 --> 00:24:06,200 DO YOU UNDERSTAND? O. K. 428 00:24:12,770 --> 00:24:14,140 [SIGHS] 429 00:24:19,010 --> 00:24:22,110 I, UH‐‐ I SAW YOU HAD SOME BASEBALL PICTURES... 430 00:24:22,140 --> 00:24:23,900 IN THE OTHER ROOM THERE. 431 00:24:23,940 --> 00:24:25,470 DO YOU LIKE BASEBALL? 432 00:24:25,510 --> 00:24:28,650 I USED TO PLAY BASEBALL. YOU FOLLOW ANY TEAMS, 433 00:24:28,670 --> 00:24:32,000 ‐ YANKEES, METS? ‐ METS ARE ON STRIKE. 434 00:24:32,040 --> 00:24:34,340 YEAH. OF COURSE. THEY ALL ARE. 435 00:24:39,010 --> 00:24:42,650 ALL RIGHT, LOOK. I'M GOING TO TAKE OFF. 436 00:24:42,670 --> 00:24:44,140 CAN I GET YOU ANYTHING? 437 00:24:46,810 --> 00:24:48,410 WANT ME TO MAKE YOU A SANDWICH? 438 00:24:48,440 --> 00:24:52,340 ‐ ALL THE BREAD'S POISONED. ‐ THERE'S UH‐‐ 439 00:24:52,370 --> 00:24:56,070 ‐ THERE'S SOME FRESH BREAD HERE. ‐ IT'S POISONED, TOO. 440 00:24:56,110 --> 00:24:58,510 NO, IT'S NOT. COME ON, DANNY. 441 00:25:03,170 --> 00:25:06,770 ALL RIGHT. TAKE CARE. 442 00:25:06,810 --> 00:25:09,960 I'LL BE CHECKING IN, ALL RIGHT? 443 00:25:41,950 --> 00:25:44,080 [BEEP BEEP] CAN I HELP YOU? 444 00:25:45,560 --> 00:25:48,020 I'M HERE TO SEE DETECTIVE MEDAVOY. 445 00:25:48,060 --> 00:25:49,760 DETECTIVE MEDAVOY. 446 00:25:51,330 --> 00:25:53,400 I'M DETECTIVE MEDAVOY. 447 00:25:53,430 --> 00:25:55,530 MY NAME IS HERMAN COSTELLO. 448 00:25:55,560 --> 00:25:57,960 OH, RIGHT. UH, THIS WAY. 449 00:25:59,490 --> 00:26:02,120 YOU'VE GOT ALL MY CHILDREN IN JAIL. 450 00:26:02,160 --> 00:26:03,520 YOU MEAN THE FLEECING TEAM... 451 00:26:03,560 --> 00:26:05,360 OF RAMONA, STEVIE, AND JUAN, 452 00:26:05,390 --> 00:26:07,460 WHO TRIED TO TAKE ME OFF FOR 1,500 BUCKS? 453 00:26:07,490 --> 00:26:09,890 YOU MUST HAVE ENTRAPPED THEM. 454 00:26:09,930 --> 00:26:13,370 WE HAVE THE WHOLE THING ON TAPE, MR. COSTELLO, 455 00:26:13,390 --> 00:26:14,760 SO SPARE ME ANY TALK. 456 00:26:14,790 --> 00:26:16,920 THIS IS IT. I'LL BE CHECKING IN. 457 00:26:16,960 --> 00:26:19,520 I'LL KEEP A GOOD THOUGHT. WHERE DO THEY STAND? 458 00:26:19,560 --> 00:26:21,090 WELL... 459 00:26:21,130 --> 00:26:22,730 LET'S SEE, UH, 460 00:26:22,760 --> 00:26:25,190 THE SONS WILL BE R. O. R.'ed IN ARRAIGNMENT. 461 00:26:25,230 --> 00:26:27,200 UH, UNLESS THERE'S A FURTHER DEVELOPMENT, 462 00:26:27,230 --> 00:26:28,900 YOUR DAUGHTER'S LOOKING AT TIME. 463 00:26:28,930 --> 00:26:33,300 WHAT KIND OF FURTHER DEVELOPMENT? I DON'T KNOW. UH, 464 00:26:33,330 --> 00:26:35,430 MAYBE SOME OFFER OF RESTITUTION TO A PRIOR VICTIM. 465 00:26:35,460 --> 00:26:37,860 MY DAUGHTER SAID... 466 00:26:37,890 --> 00:26:40,620 YOU MENTIONED A, UH, DOLORES SCHNITZLER... 467 00:26:40,660 --> 00:26:42,420 WHEN YOU ARRESTED HER. 468 00:26:42,460 --> 00:26:45,460 SUPPOSE MRS. SCHNITZLER GOT A... 469 00:26:45,490 --> 00:26:47,260 COUPLE THOUSAND DOLLARS BACK. 470 00:26:47,290 --> 00:26:49,320 SHE GOT TAKEN FOR 3,000. 471 00:26:50,660 --> 00:26:52,260 IF SHE GOT THREE, 472 00:26:52,290 --> 00:26:54,060 WOULD THAT GET MY DAUGHTER OUT? 473 00:26:54,090 --> 00:26:56,020 MR. COSTELLO, 474 00:26:56,060 --> 00:26:58,590 ARE YOU OFFERING TO MAKE $3,000 RESTITUTION? 475 00:27:00,390 --> 00:27:04,420 DETECTIVE, IS THAT A RASH AROUND YOUR NECK? 476 00:27:04,460 --> 00:27:06,720 LET'S STAY ON THE SUBJECT, O. K.? 477 00:27:06,760 --> 00:27:10,560 ARE YOU OFFERING TO GIVE MRS. SCHNITZLER BACK HER $3,000? 478 00:27:10,590 --> 00:27:12,720 THE REASON I BRING UP THE RASH... 479 00:27:12,760 --> 00:27:16,860 MY DAUGHTER'S WORDS ARE VERY POWERFUL. 480 00:27:16,890 --> 00:27:20,920 DID SHE MENTION ANYTHING TO YOU ABOUT A CURSE? 481 00:27:20,960 --> 00:27:25,760 MR. COSTELLO, THAT IS A CUL DE SAC. 482 00:27:25,790 --> 00:27:28,460 I AM NOT A PERSON WHO RESPONDS TO THREATS, 483 00:27:28,490 --> 00:27:29,920 IMPLIED OR OTHERWISE. 484 00:27:29,960 --> 00:27:32,360 IF I TALK TO THE DISTRICT ATTORNEY... 485 00:27:32,390 --> 00:27:33,720 ABOUT YOUR DAUGHTER'S PLEA ARRANGEMENT, 486 00:27:33,760 --> 00:27:36,460 IT'S BECAUSE YOU'RE OFFERING RESTITUTION... 487 00:27:36,490 --> 00:27:38,590 TO A PRIOR AGGRIEVED PARTY, 488 00:27:38,630 --> 00:27:41,070 AND‐AND‐AND‐‐ AND NOT OUT OF CONCERN... 489 00:27:41,090 --> 00:27:45,590 FOR SOME HALF‐ASSED CURSE. I'LL PUT THE 2,500 TOGETHER. 490 00:27:45,630 --> 00:27:48,670 IT'S 3,000, AND I'LL BE IN TOUCH. 491 00:27:55,260 --> 00:27:58,860 HAVE A SEAT. THANKS FOR COMING IN. 492 00:27:58,890 --> 00:28:01,360 I UNDERSTAND YOU'VE BEEN DOWN IN MIAMI. 493 00:28:01,390 --> 00:28:03,960 JUST FLEW IN. HELL OF A SUNBURN. 494 00:28:03,990 --> 00:28:05,960 WAIT TILL I START TO PEEL. 495 00:28:05,990 --> 00:28:08,360 DID YOU HEAR ABOUT PETER SCHELZO'S MURDER? OH, YEAH. 496 00:28:08,390 --> 00:28:11,020 HORRIBLE. REAL SHAME. HE WAS A NICE KID. 497 00:28:11,060 --> 00:28:13,960 WHAT DO YOU THINK? SOME FAG GO ON A RAMPAGE OR WHAT? 498 00:28:13,990 --> 00:28:16,590 YOU'RE A BUSINESS ASSOCIATE OF PETER SCHELZO'S, RIGHT? 499 00:28:16,630 --> 00:28:18,430 MORE WITH HIS UNCLE. 500 00:28:18,460 --> 00:28:21,760 TECHNICALLY, THEY BOTH HAD A PIECE OF MY RESTAURANT. YEAH. 501 00:28:21,790 --> 00:28:23,790 YOU WERE IN DEFAULT ON A LOAN FROM THEM? 502 00:28:23,830 --> 00:28:26,730 I GUESS TECHNICALLY I WAS IN DEFAULT. 503 00:28:26,760 --> 00:28:29,760 THE UNCLE SAYS HE WAS TAKING THE PLACE OVER. 504 00:28:29,790 --> 00:28:32,120 WE WERE TRYING TO WORK OUT AN ARRANGEMENT... 505 00:28:32,160 --> 00:28:34,120 THAT WAS EQUITABLE TO ALL PARTIES. 506 00:28:34,160 --> 00:28:36,360 BUT PENDING THIS EQUITABLE ARRANGEMENT, 507 00:28:36,390 --> 00:28:39,360 TECHNICALLY, YOU'RE STIFFIN' 'EM ON A LOAN. 508 00:28:39,390 --> 00:28:42,060 MR. GRACIALE, THIS IS A HOMICIDE INVESTIGATION. 509 00:28:42,090 --> 00:28:44,060 LET'S NOT BE TOO CUTE HERE. 510 00:28:44,090 --> 00:28:46,390 IF WHAT YOU TELL US DOESN'T SQUARE UP... 511 00:28:46,430 --> 00:28:48,070 WITH WHAT WE ALREADY KNOW, 512 00:28:48,090 --> 00:28:49,860 YOU'RE GOING TO HAVE SOME PROBLEMS. 513 00:28:49,890 --> 00:28:52,160 HEY, LOOK, I'M HERE TO COOPERATE. 514 00:28:54,290 --> 00:28:56,820 ‐ YOU MIND IF I SMOKE? ‐ YOUR LUNGS. 515 00:28:59,060 --> 00:29:01,390 HOW LONG WERE YOU DOWN IN MIAMI? 516 00:29:01,430 --> 00:29:02,600 TWO DAYS‐‐ JUST LONG ENOUGH... 517 00:29:02,630 --> 00:29:06,230 TO GET MY ASS IN A SLING OVER THIS CHICK. 518 00:29:06,260 --> 00:29:08,590 I DON'T HAVE ENOUGH PROBLEMS WITH MY BUSINESS, 519 00:29:08,630 --> 00:29:11,030 I STEP OUT ON THE OLD LADY. 520 00:29:11,060 --> 00:29:13,390 YOU KNOW A GUY NAMED CHAZ HILDUM? 521 00:29:13,430 --> 00:29:14,730 NO. 522 00:29:14,760 --> 00:29:16,760 HE'S A BOUNCER AT BUDDY'S. 523 00:29:16,790 --> 00:29:19,860 ‐ OH, YEAH. ‐ SO YOU DO KNOW HIM. 524 00:29:19,890 --> 00:29:21,690 I DIDN'T CONNECT THE NAME, BUT WHEN YOU SAID HE WAS THE BOUNCER, 525 00:29:21,730 --> 00:29:23,400 I REMEMBER SEEING HIM WHEN I WAS OVER THERE. 526 00:29:23,430 --> 00:29:25,970 YOU EVER TALK TO HIM ABOUT YOUR BUSINESS PROBLEMS? 527 00:29:25,990 --> 00:29:27,620 ‐WHY WOULD I TALK TO HIM? ‐YOU NEVER ASKED THIS GUY CHAZ... 528 00:29:27,660 --> 00:29:30,620 TO DO ANYTHING FOR YOU, A FAVOR OR ANYTHING? 529 00:29:31,960 --> 00:29:34,760 I DON'T GET WHERE THIS IS GOING. 530 00:29:34,790 --> 00:29:36,720 IN TERMS OF TURNING OFF A SECURITY CAMERA, 531 00:29:36,760 --> 00:29:39,060 LEAVING A DOOR UNLOCKED AT THAT BAR. 532 00:29:39,090 --> 00:29:42,120 HEY‐OH. WHOA. WHAT THE HELL ARE YOU GUYS TALKING ABOUT? 533 00:29:42,160 --> 00:29:44,120 YOU'RE ABOUT TO LOSE YOUR PLACE. 534 00:29:44,160 --> 00:29:46,520 MAYBE YOU CAN PAY BACK THESE PEOPLE... 535 00:29:46,560 --> 00:29:48,360 WITH THEIR OWN MONEY. I DON'T KNOW NOTHING ABOUT THIS! 536 00:29:48,390 --> 00:29:51,360 I WAS IN FLORIDA. IT'S TIME TO GET REAL HERE, MR. GRACIALE. 537 00:29:51,390 --> 00:29:54,120 ‐ THE BOUNCER GAVE YOU UP. ‐ HE GAVE ME UP? 538 00:29:54,160 --> 00:29:57,290 HE'S GOT HIS HEAD UP HIS ASS, AND YOU'RE GONNA BE TALKING TO MY LAWYER. 539 00:29:57,330 --> 00:30:00,730 IF YOU TOOK A HIT ON PETER SCHELZO, YOU SHOULDN'T TALK TO US. 540 00:30:00,760 --> 00:30:03,720 IF YOU HIRED SOME GUY TO DO A ROBBERY, 541 00:30:03,760 --> 00:30:06,360 AND HE MESSED UP AND DID A MURDER, 542 00:30:06,390 --> 00:30:07,960 YOU OUGHT TO BE HELPIN' YOURSELF. 543 00:30:07,990 --> 00:30:09,760 IF THAT'S THE WAY IT WENT DOWN, YOU OUGHT TO KEEP IN MIND... 544 00:30:09,790 --> 00:30:13,120 THAT THE BUTTON GUY KNOWS YOU'RE THE ONLY GUY THAT CAN FINGER HIM. 545 00:30:13,160 --> 00:30:15,260 NOW, YOU COULD BE IN SOME DANGER THERE TOO. 546 00:30:15,290 --> 00:30:17,520 HELP US GRAB THE SHOOTER. IT'LL GO A LOT EASIER FOR YOU. 547 00:30:17,560 --> 00:30:21,320 GIVE US A NAME, MR. GRACIALE. 548 00:30:23,890 --> 00:30:27,220 YOU THINK I COULD BE IN DANGER? BIG DANGER. 549 00:30:35,560 --> 00:30:38,520 UH, THIS WAS A ROBBERY, ALL RIGHT? 550 00:30:38,560 --> 00:30:41,560 A ROBBERY. IT WASN'T SUPPOSED TO BE A MURDER. 551 00:30:41,590 --> 00:30:44,260 I WAS JUST TRYING TO PAY BACK A LOAN. 552 00:30:47,990 --> 00:30:49,760 LEON NADEAU. 553 00:30:51,930 --> 00:30:55,570 I DROPPED A GRAND ON CHAZ TO FACILITATE A ROBBERY. 554 00:30:55,590 --> 00:30:58,520 WHATEVER YOU NEED ME TO DO, YOU GOT IT. 555 00:30:58,560 --> 00:31:01,560 WE'RE GONNA NEED YOU TO WEAR A WIRE, 556 00:31:01,590 --> 00:31:04,290 GET THIS GUY TO SAY HE DID THE MURDER. 557 00:31:09,160 --> 00:31:10,890 I GOT TO TELL YOU, 558 00:31:10,930 --> 00:31:12,470 NEXT TIME SOMEONE STARTS TALKING... 559 00:31:12,490 --> 00:31:14,620 ABOUT FRANCO HARRIS MAKING THAT CATCH... 560 00:31:14,660 --> 00:31:16,290 OR FOREMAN KNOCKING OUT MOORER, 561 00:31:16,330 --> 00:31:18,300 I'M GONNA TELL HIM ABOUT YOU... 562 00:31:18,330 --> 00:31:20,530 COMING UP WITH LEON NADEAU. 563 00:31:20,560 --> 00:31:23,520 WANT TO SET UP THE WIRE ON THIS GUY? YEAH. 564 00:31:23,560 --> 00:31:26,890 I'M GONNA TAKE A WHIZ, THEN I'M GONNA CALL CORRECTIONS, 565 00:31:26,930 --> 00:31:29,230 AND FIND OUT HOW THE HELL THEY STILL SHOW NADEAU IN THE JOINT? 566 00:31:29,260 --> 00:31:32,260 SURE YOU DON'T WANT TO HEAD TO THE LOTTERY OFFICE, START BUYIN' TICKETS. 567 00:31:40,730 --> 00:31:43,730 MRS. SCHNITZLER CALLED AGAIN. 568 00:31:43,760 --> 00:31:47,260 I DIDN'T TELL HER ANYTHING. I DIDN'T WANT TO GET HER HOPES UP. 569 00:31:47,290 --> 00:31:49,260 WE'LL SEE WHAT THE A. D. A. SAYS. 570 00:31:49,290 --> 00:31:52,920 I'M TELLING YOU, DONNA, THIS NECK CONDITION IS GOING INTO OVERDRIVE. 571 00:31:52,960 --> 00:31:55,360 THE LAUNDRY'S PUTTING TOO MUCH STARCH IN YOUR COLLARS. 572 00:31:55,390 --> 00:31:59,520 I SPOKE TO THE LAUNDRY. THEY'RE NOT DOING ANYTHING DIFFERENT WITH MY SHIRTS. 573 00:31:59,560 --> 00:32:02,190 YOU REMEMBER ME TELLING YOU HOW THIS GIRL... 574 00:32:02,230 --> 00:32:05,630 SPOKE TO ME IN A FOREIGN TONGUE AND SPIT AT ME? 575 00:32:05,660 --> 00:32:08,220 THAT NECK RASH COULD BE A FOOD ALLERGY. 576 00:32:08,260 --> 00:32:09,590 YOU'RE ALLERGIC TO EVERYTHING. 577 00:32:09,630 --> 00:32:11,630 I HAVEN'T CHANGED MY DIET. 578 00:32:11,660 --> 00:32:14,020 AND WHY WOULD MY GUMS SUDDENLY START BLEEDING? 579 00:32:14,060 --> 00:32:15,390 DO YOU HONESTLY BELIEVE... 580 00:32:15,430 --> 00:32:18,800 IT'S 'CAUSE A GYPSY GIRL PUT A CURSE ON YOU? 581 00:32:18,830 --> 00:32:22,300 I DON'T NECESSARILY BELIEVE THAT, NO, 582 00:32:22,330 --> 00:32:24,100 BUT IN THE ABSENCE OF ANY OTHER EXPLANATION, 583 00:32:24,130 --> 00:32:26,100 I'D LIKE TO ELIMINATE THE POSSIBILITY. 584 00:32:26,130 --> 00:32:27,730 SORRY I'M LATE. 585 00:32:27,760 --> 00:32:29,190 YEAH. HELLO, COUNSELOR. 586 00:32:29,230 --> 00:32:31,870 THIS IS ABOUT THE COSTELLO CASE? YEAH. 587 00:32:31,890 --> 00:32:34,890 UH, THE FATHER WAS IN. UH, HE'S OFFERING RESTITUTION... 588 00:32:34,930 --> 00:32:36,770 TO THE, UH, THE PRIOR COMPLAINANT. 589 00:32:36,790 --> 00:32:39,620 I GOT NO PROBLEMS LETTING THE SONS WALK, 590 00:32:39,660 --> 00:32:42,290 BUT THE DAUGHTER, SHE'S GOT MULTIPLE PRIORS. 591 00:32:42,330 --> 00:32:45,930 MISS COSTAS, THE PRIOR COMPLAINANT IS AN ELDERLY WIDOW. 592 00:32:45,960 --> 00:32:48,360 SHE LIVES ON A SOCIAL SECURITY CHECK. 593 00:32:48,390 --> 00:32:51,220 THAT'S DOLORES SCHNITZLER? YES. NOW, 594 00:32:51,260 --> 00:32:53,860 THE $3,000 THAT MRS. SCHNITZLER LOST, 595 00:32:53,890 --> 00:32:55,420 THAT WAS HER SAFETY NET. 596 00:32:55,460 --> 00:32:58,190 GETTING IT BACK WOULD MAKE A BIG DIFFERENCE... 597 00:32:58,230 --> 00:33:00,430 FOR HER AND HER 14 CATS. 598 00:33:00,460 --> 00:33:02,920 AND IF I LET RAMONA COSTELLO WALK, 599 00:33:02,960 --> 00:33:05,290 AREN'T I SETTING UP FUTURE MRS. SCHNITZLERS? 600 00:33:05,330 --> 00:33:07,930 WELL, REALISTICALLY, MISS COSTAS, 601 00:33:07,960 --> 00:33:10,890 IF YOU FILE CHARGES ON THIS GYPSY GIRL, 602 00:33:10,930 --> 00:33:12,770 ONCE SHE MAKES BAIL, 603 00:33:12,790 --> 00:33:15,690 WOULD YOU EVER EXPECT TO SEE HER AGAIN? [BEEPING] 604 00:33:15,730 --> 00:33:18,370 I THINK NOT. 605 00:33:18,390 --> 00:33:21,920 IF YOU LET ME KNOW THAT THE FATHER HAS MADE RESTITUTION, 606 00:33:21,960 --> 00:33:24,280 I'LL HAVE THE DAUGHTER'S CHARGES REDUCED. 607 00:33:24,310 --> 00:33:27,080 SHE'LL BE RELEASED WITH HER BROTHERS AT ARRAIGNMENT. 608 00:33:27,110 --> 00:33:31,280 SOUNDS LIKE A PLAN. YEAH. I GOT TO RETURN THIS PAGE. 609 00:33:31,310 --> 00:33:32,610 THANKS, MISS COSTAS. 610 00:33:37,280 --> 00:33:39,910 YEAH. HEY. 611 00:33:39,950 --> 00:33:42,290 UH, ADRIENNE, START RUNNING ON LOCATING THAT BOUNCER. 612 00:33:42,310 --> 00:33:44,980 HE'S GONNA BE A COLLAR NOW. RIGHT. 613 00:33:47,910 --> 00:33:49,510 ANDY. 614 00:33:53,910 --> 00:33:57,880 HOW'D IT GO? I GAVE DANNY HIS MEDICATION. 615 00:33:57,910 --> 00:33:59,780 DID YOU CHECK UNDER HIS TONGUE AFTER? 616 00:33:59,810 --> 00:34:02,310 'CAUSE HE CAN PRETEND TO TAKE IT. 617 00:34:02,350 --> 00:34:04,550 HE LOOKED LIKE HE TOOK IT. 618 00:34:04,580 --> 00:34:08,410 I'M 99% SURE HE DID. I‐I STAYED A WHILE, 619 00:34:08,450 --> 00:34:12,050 AND WE TALKED A LITTLE AFTER. HOW'D HE SEEM? 620 00:34:12,080 --> 00:34:15,740 ALL RIGHT. O. K. 621 00:34:15,780 --> 00:34:19,140 THANKS. YOU GOING BACK TO QUEENS? 622 00:34:19,180 --> 00:34:21,740 UH, I'M NOT SURE. I‐‐ 623 00:34:21,780 --> 00:34:24,480 I HAVE A 6:30 MEETING HERE. 624 00:34:30,980 --> 00:34:35,440 I‐I CAN'T DO IT, ANDY. I HAVE TO GO BACK TO HIM. 625 00:34:35,480 --> 00:34:39,710 DAN‐‐ NO, I'M 67 YEARS OF AGE. 626 00:34:39,750 --> 00:34:42,020 I'M NOT GONNA HAVE ANY MORE CHILDREN. 627 00:34:43,780 --> 00:34:47,110 WHAT MAKES SENSE TO ME NOW IS TO BE WITH HIM, 628 00:34:47,150 --> 00:34:49,120 TO LOOK AFTER HIM. 629 00:34:49,150 --> 00:34:51,750 THE BEST I CAN FOR AS LONG AS I CAN. 630 00:34:51,780 --> 00:34:55,980 I CAN'T AGREE WITH YOU ON THIS. I'VE MADE MY CHOICE. 631 00:34:56,010 --> 00:34:58,410 HE'S MY SON. 632 00:34:58,450 --> 00:35:00,720 I HAVE TO LOOK AFTER HIM. 633 00:35:00,750 --> 00:35:05,590 I WANT YOUR COMMITMENT TO CALL ME EVERY FOUR HOURS. I WILL. 634 00:35:05,610 --> 00:35:08,280 I WANT A COMMITMENT, DAN. YOU HAVE IT. 635 00:35:09,610 --> 00:35:10,480 SYLVIA. 636 00:35:12,910 --> 00:35:16,580 UH, SYLVIA COSTAS, DAN BREEN. 637 00:35:16,610 --> 00:35:19,940 ‐ HOW DO YOU DO? ‐ IT'S A PLEASURE TO MEET YOU. 638 00:35:19,980 --> 00:35:21,580 LIKEWISE. 639 00:35:24,010 --> 00:35:27,510 WELL, I'M DUE IN COURT, SO, UH‐‐ SEE YOU LATER. 640 00:35:31,910 --> 00:35:34,310 SHE'S VERY ATTRACTIVE. 641 00:35:34,350 --> 00:35:37,450 YOUR RELATIONSHIP GOING WELL? IT'S GOING GOOD. 642 00:35:38,780 --> 00:35:41,310 I'M GLAD OF THAT. 643 00:35:44,350 --> 00:35:46,490 IF HE COMES AFTER YOU, 644 00:35:48,350 --> 00:35:50,550 YOU GET OUT OF THERE, DAN. 645 00:35:50,580 --> 00:35:53,580 I WAS A COP A LONG TIME. 646 00:35:53,610 --> 00:35:55,680 I CAN TAKE CARE OF MYSELF. 647 00:36:21,150 --> 00:36:22,320 HE'S IN. 648 00:36:37,910 --> 00:36:41,580 HOW WAS MIAMI? WALL‐TO‐WALL ASS. YOU BRING THE MONEY? 649 00:36:41,610 --> 00:36:44,510 THAT'S WHAT I SAID I'D DO? COME ON. 650 00:36:54,250 --> 00:36:56,450 ‐ HOW'D THAT THING HAPPEN AT THAT FAG PLACE? ‐ WHAT THING? 651 00:36:56,480 --> 00:36:58,440 WHY'D YOU HAVE TO WHACK THE KID, LEON? 652 00:36:58,480 --> 00:37:01,210 BECAUSE THE LITTLE FAIRY WALKED IN ON ME. 653 00:37:01,250 --> 00:37:04,150 IT WAS SUPPOSED TO BE ROBBERY. I KNOW WHAT IT WAS SUPPOSED TO BE. 654 00:37:04,180 --> 00:37:07,740 BUT I TOLD YOU, HE WALKED IN ON ME. I GET HIM TIED UP, 655 00:37:07,780 --> 00:37:10,380 AND HE'S STILL SCREAMING AT THE TOP OF HIS LUNGS. HE WOULDN'T SHUT UP. 656 00:37:10,410 --> 00:37:13,440 GUY LEFT ME NO CHOICE. GOT HIM. 657 00:37:13,480 --> 00:37:14,510 HERE WE GO. 658 00:37:16,010 --> 00:37:17,080 STAND BACK, SIR. 659 00:37:18,680 --> 00:37:20,840 ‐ MOVE BACK. ‐ COME ON. LET'S GO. 660 00:37:25,510 --> 00:37:27,580 SHOULD I? YEAH. 661 00:37:27,610 --> 00:37:29,440 POLICE! FREEZE! 662 00:37:29,480 --> 00:37:31,710 LET THAT WOMAN GO. PUT THAT GUN DOWN. 663 00:37:31,750 --> 00:37:33,790 I'M WALKING OUT, OR THIS BITCH DIES. 664 00:37:33,810 --> 00:37:35,980 LISTEN, LEON, I GOT EMERGENCY SERVICES OUTSIDE. 665 00:37:36,010 --> 00:37:37,440 YOU HEAR THEM? 666 00:37:37,480 --> 00:37:39,610 THESE GUYS DON'T DO ANYTHING BUT SHOOT. 667 00:37:39,650 --> 00:37:41,990 YOU'RE THE ONE THAT'S GONNA DIE RIGHT NOW! 668 00:37:42,010 --> 00:37:45,410 ‐ I'M GONNA TAKE HER WITH ME. ‐ I HEAR WHAT YOU'RE SAYIN', 669 00:37:45,450 --> 00:37:46,750 BUT I KNOW YOU, LEON, AND YOU AIN'T GOT THE BALLS TO SHOOT ANYONE... 670 00:37:46,780 --> 00:37:49,280 UNLESS THEY'RE TIED UP AND FACE DOWN. 671 00:37:49,310 --> 00:37:52,480 YOUR ONLY CHANCE IS GIVE YOURSELF UP. YOU GOT 30 SECONDS! 672 00:37:54,750 --> 00:37:57,090 DON'T YOU PLAY THAT STRING OUT, LEON, 673 00:37:57,110 --> 00:37:59,080 'CAUSE I PROMISE YOU'LL DIE HERE. 674 00:37:59,110 --> 00:38:00,980 YOU WANT TO LIVE OR DIE? 675 00:38:01,010 --> 00:38:02,780 BULLET THROUGH THE HEAD, LEON. 676 00:38:02,820 --> 00:38:05,480 [SIRENS BLARING] 677 00:38:07,490 --> 00:38:09,390 YOU JUST TAKE IT EASY. 678 00:38:09,420 --> 00:38:10,980 DROP THE GUN AND SLIDE IT OVER. 679 00:38:12,020 --> 00:38:14,420 [WOMAN WHIMPERING] 680 00:38:16,020 --> 00:38:17,720 GET DOWN ON YOUR FACE. 681 00:38:17,750 --> 00:38:19,320 GET DOWN ON YOUR FACE! 682 00:38:22,520 --> 00:38:25,120 YOU REMEMBER THIS POSITION, DON'T YOU, LEON? HUH? 683 00:38:25,150 --> 00:38:26,520 LITTLE PIECE OF CRAP. 684 00:38:26,550 --> 00:38:28,780 GET UP! 685 00:38:28,820 --> 00:38:31,020 COME ON, PAL. YOU TOO. 686 00:38:31,050 --> 00:38:33,920 DON'T HAVE TO RIDE WITH HIM, DO I? NO. WE GOT YOU A LIMO. 687 00:38:38,090 --> 00:38:39,890 HAVE WE HEARD ANYTHING YET FROM FANCY? 688 00:38:39,920 --> 00:38:42,180 HE CALLED. HIS WIFE'S STILL IN LABOR. 689 00:38:42,220 --> 00:38:44,680 SHE'S HAVING A HARD TIME. ALL RIGHT. THANKS. 690 00:38:48,890 --> 00:38:50,830 [LINE RINGING] 691 00:38:53,350 --> 00:38:55,080 [RINGING CONTINUES] 692 00:39:23,150 --> 00:39:24,080 DANNY? 693 00:39:26,890 --> 00:39:27,760 DANNY! 694 00:39:39,690 --> 00:39:40,760 DANNY. 695 00:39:58,390 --> 00:40:00,690 OH, NO. 696 00:40:12,090 --> 00:40:16,430 OH, DAN. OHH. 697 00:40:58,250 --> 00:41:00,450 15 SQUAD. 698 00:41:00,490 --> 00:41:02,290 10‐85 FORTHWITH, 699 00:41:02,320 --> 00:41:03,880 WESTBOUND ON GRAND TOWARD MULBERRY. 700 00:41:03,920 --> 00:41:06,050 [DISPATCHER RELAYS CALL] 701 00:41:18,690 --> 00:41:20,860 I'M GONNA COLLAR THIS GUY. 702 00:41:20,890 --> 00:41:23,390 I KNOW HIM. I WANT TO TRY IT ALONE. BE CAREFUL. 703 00:41:23,420 --> 00:41:24,420 DANNY! 704 00:41:26,650 --> 00:41:28,620 YOU GOTTA COME WITH ME NOW. 705 00:41:28,650 --> 00:41:32,320 YOU'RE GONNA PUT ME AWAY! WE GOTTA GO, DANNY. 706 00:41:32,350 --> 00:41:33,980 LEAVE MY MUSIC ON. I DON'T WANT TO THINK ABOUT IT. 707 00:41:34,020 --> 00:41:35,680 YOU'RE GONNA BE ALL RIGHT. 708 00:41:41,720 --> 00:41:43,650 I HURT MY DAD. 709 00:42:00,850 --> 00:42:03,720 TAKE HIM TO THE HOUSE. YOU GOT IT. 710 00:42:21,250 --> 00:42:24,780 HEY, DONNA. GOT PICTURES. LET ME SEE. 711 00:42:24,820 --> 00:42:28,320 OH, LIEUTENANT, HE'S A LITTLE DOLL. 712 00:42:28,350 --> 00:42:31,520 GOOD‐LOOKING BOY, LIEU. HE HAVE A NAME? 713 00:42:31,550 --> 00:42:34,620 ARTHUR FANCY JR. HOW'S HIS MOMS? 714 00:42:34,650 --> 00:42:36,450 IT GOT TOUGH FOR A WHILE, BUT SHE'S FINE. 715 00:42:36,490 --> 00:42:39,190 GOOD. HEY, ANDY. ANDY. 716 00:42:39,220 --> 00:42:42,180 ANDY'S FRIEND WAS KILLED TODAY, DAN BREEN. 717 00:42:42,220 --> 00:42:44,620 ANDY JUST BROUGHT IN THE SON. 718 00:42:44,650 --> 00:42:46,820 YOU GET THAT SHOOTER ON THAT GAY BAR CASE? 719 00:42:46,850 --> 00:42:48,480 YEAH, I'M CHECKING HIS STATEMENT NOW. YEAH. 720 00:42:48,520 --> 00:42:50,180 CONGRATULATIONS. GOOD WORK. 721 00:42:50,220 --> 00:42:51,520 YEAH. OH, HEY. 722 00:42:51,550 --> 00:42:53,820 I'M BACK WITH CIGARS, JUST LIKE YOU SAID. 723 00:42:53,850 --> 00:42:55,750 I'M GLAD EVERYTHING WENT O. K. 724 00:43:02,590 --> 00:43:03,530 [DOOR OPENS] 725 00:43:08,590 --> 00:43:10,890 I JUST HEARD ABOUT YOUR FRIEND. 726 00:43:14,550 --> 00:43:17,520 DID THE SON GIVE A STATEMENT? 727 00:43:17,550 --> 00:43:19,480 NOTHING THAT MADE ANY SENSE. 728 00:43:21,220 --> 00:43:24,680 HE'S COVERED WITH BLOOD. HIS PRINTS WILL BE ON THE KNIFE. 729 00:43:27,990 --> 00:43:31,890 THE FATHER... USED TO BE ON THE JOB? 730 00:43:31,920 --> 00:43:34,150 HELPED ME GET BACK ON MY FEET AGAIN. 731 00:43:37,890 --> 00:43:41,430 ‐ I'M SORRY, ANDY. ‐ [GRUNTS] 732 00:43:43,190 --> 00:43:44,830 MY WIFE... SHE HAD OUR BABY. 733 00:43:46,990 --> 00:43:49,290 IS THAT RIGHT? YEAH. 734 00:43:49,320 --> 00:43:51,220 EVERYBODY'S HEALTHY. 735 00:43:52,520 --> 00:43:55,520 THAT'S GREAT. IT'S A BOY, HUH? 736 00:43:57,220 --> 00:43:58,150 YEAH. 737 00:43:59,420 --> 00:44:01,680 I'VE ALWAYS WANTED A SON. 738 00:44:01,720 --> 00:44:04,880 AFRAID TO ADMIT IT, I WANTED IT SO BAD. 739 00:44:04,920 --> 00:44:07,720 I'M GLAD IT WORKED OUT. 740 00:44:07,750 --> 00:44:12,480 I HOPE HE GETS WHAT YOU WANT FOR HIM. YEAH. 741 00:44:12,520 --> 00:44:14,180 I WANT EVERYTHING FOR HIM. 742 00:44:17,150 --> 00:44:19,550 WE'RE MAKING A RUN TO CENTRAL BOOKING, DETECTIVE. 743 00:44:19,590 --> 00:44:22,130 WANT US TO TAKE YOUR COLLAR OVER? 744 00:44:22,150 --> 00:44:23,680 NO, I SHOULD GO DO THAT. 745 00:44:26,150 --> 00:44:28,420 CONGRATULATIONS, LIEUTENANT. HEY, THANKS, VINNY. 746 00:44:46,090 --> 00:44:49,160 COME ON, DANNY. I DON'T WANNA GO. 747 00:44:50,650 --> 00:44:54,280 YOU GOTTA GO TO BOOKING. I'M GONNA TAKE YOU. 748 00:44:54,320 --> 00:44:57,050 I LOST MY HEADPHONES. 749 00:44:57,090 --> 00:44:59,830 GET UP, DANNY, PLEASE. COME ON. 750 00:45:04,490 --> 00:45:08,190 TURN AROUND. GIVE ME YOUR HANDS. 751 00:45:18,420 --> 00:45:20,480 I GOT YOUR HEADPHONES. 752 00:45:22,650 --> 00:45:24,020 HERE. 753 00:45:24,050 --> 00:45:26,720 YOU CAN LISTEN TO THEM ON THE WAY DOWN. 754 00:45:35,890 --> 00:45:37,560 COME ON. 56984

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