Original subtitles

MORNING.

HOW'S IT GOING?

ANDY SIPOWICZ.

OH, ANDY. BOBBY SIMONE. GOOD TO MEET YOU.

YEAH.

GOOD MORNING, DONNA.

GOOD MORNING, LIEUTENANT.

HEY, LIEU.

LIEUTENANT.

MORNING, ANDY.

IT'S NOT GOING TO WORK OUT.

I JUST MET THIS NEW GUY.

UM, SIMONE?

THAT'S NOT GOING TO WORK OUT.

WHAT HAPPENED?

DON'T GET ME STARTED.

HIS ATTITUDE IS ALL WRONG.

"HOW YOU DOING?" THIS TYPE OF THING.

HE ASKED YOU HOW YOU WERE DOING?

YEAH.

[TELEPHONE RINGS]

YEAH. FANCY.

MM‐HMM.

YEAH. WHERE?

ALL RIGHT.

WE GOT A HOMICIDE.

YOU'RE SENIOR IN THE SQUAD.

I WANT HIM WITH YOU AT LEAST UNTIL HE LEARNS THE PRECINCT.

I NEED GLASSES AND EVERYTHING ELSE.

YEAH, I'M HERE TO SEE ADRIANNE LESNIAK.

AND YOUR NAME IS?

HEY.

AW, JIMMY.

WHAT? IT'S NOT LIKE YOU GIVE ME A CHOICE.

NOT HERE, PLEASE.

THEN WHERE? CAN'T TALK TO YOU OUTSIDE WORK

'CAUSE I DON'T KNOW WHERE YOU'RE STAYING ANYMORE.

WHEN I CALL HERE, THAT BITCH DOESN'T PUT ME THROUGH.

WE HAVE NOTHING LEFT TO TALK ABOUT.

WHAT ARE YOU LOOKING AT?

THANKS A LOT. APPRECIATE IT.

YOU DON'T KNOW HOW MUCH I LOVE YOU, ADIE.

YOU DON'T KNOW WHAT I'D DO FOR YOU.

YOU'RE DRUNK. SIT DOWN!

GET THE HELL AWAY FROM HER!

NO. YOU BACK OFF.

I'M HOLDING A .38, AND IT'S POINTED STRAIGHT AT HER GUTS.

JIMMY.

WANT TO KEEP THIS PRIVATE?

COME ON. I'LL KEEP IT PRIVATE. LET'S GO.

WE GOT A HOSTAGE SITUATION HERE.

UHH!

HEY! HEY! HEY!

AAH!

HE'S FROM THE 27, LIEUTENANT.

HE'S UNDER ARREST.

DONNA, GET A D.A. DOWN HERE!

TAKE HIM TO ONE.

YOU HAPPY? LOOK WHAT YOU DID TO ME NOW!

IS THIS WHAT YOU WANTED?

YOU'RE SIMONE?

HOW YOU DOING, LIEUTENANT?

I GOT THIS. GET TO YOUR HOMICIDE AT 13th AND 3rd.

YOU HURT?

I'LL LIVE.

COME ON. RIDE WITH ME.

LESNIAK AND ABRUZZO WERE GOING OUT?

THEY WERE IN AT THE 27.

SHE BROKE UP WITH HIM, GOT TRANSFERRED, HE WENT HALF WACKY.

LOOKS LIKE HE MADE THE WHOLE TRIP.

WHAT WAS YOUR LAST ASSIGNMENT?

INTELLIGENCE. I DROVE FOR THE COMMISSIONER.

YOU ONE OF THOSE GUYS THAT GOT GRADE PROMOTIONS?

‐ YEAH. ‐ THAT WAS NICE.

‐ WHERE WE AT? ‐ OVER HERE.

ANYBODY CHECK FOR I. D.?

NO. WE WAITED FOR YOU GUYS.

WANT ME TO START THE CANVASS?

HAVE A UNIFORM RUN THESE PLATES.

THREE IN THE CHEST. ANY MORE HITS?

"RAYMOND ALPHONSE MARTARANO, JR."

HAS A BENSONHURST ADDRESS.

THIS THE WISE GUY'S SON?

OR SOMEONE TOO STUPID TO CHANGE HIS NAME.

FIND OUT IF THE M. E.'s RESPONDED.

LET FANCY KNOW WE GOT A MOBBED‐UP STIFF.

BACK UP.

GOT A BULLET SHELL OVER HERE.

I GOT IT.

COME ON. GUYS, MOVE EVERYBODY BACK

AWAY FROM THE CRIME SCENE.

I NEED SOME CONES.

THAT'S THE SUPER. SAID THE VICTIM KNEW ONE OF THE TENANTS.

MR. GOLDMAN, DETECTIVE SIPOWICZ.

YOU KNEW THIS MAN?

MR. BIG SHOT RAY MARTARANO, JR.?

HE'D TELL THE LAMPPOST WHO HE WAS.

WHO'D HE KNOW IN THIS BUILDING?

2C. MISS ANDERSON.

SHE'S A MODEL.

I'VE GOT HER AGENCY NUMBER FOR EMERGENCIES.

IT'S 246‐‐

HELP ME! HELP ME! MY MOTHER'S BEEN SHOT!

WHERE'S YOUR MOTHER?

ALL RIGHT, LOOK OUT.

LET US THROUGH, PLEASE.

I WAS AT THE GROCERY STORE.

SHE'S DEAD, ISN'T SHE?

I'M AFRAID SHE IS.

SHE WAS IN HER OWN APARTMENT.

SHE WAS AT HER OWN WINDOW.

WHY DON'T YOU SIT DOWN?

THAT'S MY MOTHER.

I KNOW. I'M SORRY.

I THINK IT WAS A STRAY FROM THE STREET.

HEY...

HOW YOU FEELING?

UPSET.

I.A.B. JUST TOOK HIM TO BELLEVUE

ON A 72‐HOUR EVALUATION.

HE'S A COLLAR, RIGHT?

YEAH. I'VE ALERTED THE D. A. AND CORRECTIONS.

IF HE GOES INTO THE SYSTEM, WE'LL BE NOTIFIED.

WANT TO PUT IN A 28, TRY IT AGAIN TOMORROW?

I'LL TRY TODAY.

O.K. BUT PAY ATTENTION TO HOW YOU'RE FEELING.

O.K.

THANKS.

HEY.

I HEARD THERE WAS A SECOND D. O. A.

82‐YEAR‐OLD WOMAN SITTING AT HER WINDOW.

WORLD'S COMING UP HERE 'CAUSE IT WAS MARTARANO'S SON.

ORGANIZED CRIME, INTELLIGENCE.

NOW I KNOW THE CASE WILL CLEAR.

ANYTHING OFF CANVASS? NO WITNESSES.

HE WAS BANGING SOME MODEL WHO LIVED AT THE BUILDING.

SIMONE'S FINDING OUT WHERE WE CAN PICK HER UP.

DID YOU KNOW HE DROVE FOR THE COMMISSIONER?

I SAW THAT WAS HIS LAST DETAIL.

TAKES ME 22 YEARS TO MAKE SECOND GRADE.

THIS GUY GETS THERE SHOOING AWAY SQUEEGEE BUMS.

JUST HOLD ON FOR A SEC.

ANDY? MODELING AGENCY TOLD ME WHERE SHE WAS WORKING.

GIVE ME HALF A MINUTE?

HEY.

WHAT'S GOING ON?

JUST SEEING TO ABRUZZO.

IS THAT THE NEW DETECTIVE?

YEAH. SIMONE. WHAT KIND OF NAME IS THAT?

FIRST OR LAST?

IF IT WAS HIS FIRST NAME, HE'D BE A GIRL.

LAST NAME SIMONE SOUNDS FRENCH.

I WENT THROUGH A WHOLE LOT OF TROUBLE GETTING THAT RED COCK.

I'M NOT GOING TO ARGUE WITH YOU.

TELL BILLY THAT HE CAN'T COME AROUND MY PLACE ANYMORE

WITH THAT BLUE‐BARRED COCK.

I'M SERIOUS. O. K. THANKS.

I BREED BIRDS.

RACING PIGEONS.

TELL HIM YOU KEEP FISH.

UH‐UH.

ASSISTANT D. A. COSTAS,

THIS IS DETECTIVE SIMONE.

HOW YOU DOING?

HOW DO YOU DO?

THEY GIVE YOU THAT ADDRESS?

YEAH. SHE'S WORKING ON 7th AVENUE.

MUST BE VERY INTERESTING RAISING PIGEONS.

YEAH, IT'S A LOT OF FUN.

IT GETS YOU OUTDOORS.

YOU GUYS AND YOUR HOBBIES.

ALL RIGHT, LET'S GO.

O.K., ONCE AGAIN. NICE AND SOFT.

NOT TO CAMERA. DON'T POSE.

REAL RELAXED. REAL PRETTY.

THIS ISN'T GOING TO HELP.

EXCUSE ME. CAN I HELP YOU?

YEAH. ANY OF THESE PEOPLE PAULA ANDERSON?

YES.

DO YOU WANT ME TO GUESS?

HOW LONG WILL THIS TIE HER UP?

WE WON'T KNOW UNTIL WE TALK TO HER.

IT COULDN'T WAIT UNTIL AFTER SHE FINISHES?

NO.

YOU'VE BEEN WORKING OUT?

I'LL GET HER.

THANK YOU VERY MUCH.

YOU WANT US TO WAIT OVER THERE, MA'AM?

THANK YOU.

HOW'S IT GOING, PAL?

PAULA, POLICE WANT TO TALK.

WHAT A COUNTRY, HUH?

YEAH.

WE HAVE TO TAKE A BREAK.

WE'RE GOING TO RELAX A MINUTE.

COULD YOU HAND ME MY SWEATER?

YEAH?

YOU PAULA ANDERSON?

YEAH.

DETECTIVE SIPOWICZ, DETECTIVE SIMONE.

WHAT'S GOING ON?

DO YOU KNOW A RAYMOND MARTARANO, JR.?

YEAH.

WHEN DID YOU SEE HIM LAST?

WE PARTIED LAST NIGHT, THEN I CAME HERE.

YOU LEFT HIM AT YOUR APARTMENT?

WHAT'S GOING ON?

HE WAS MURDERED THIS MORNING OUTSIDE YOUR BUILDING.

YOUR DOWNSTAIRS NEIGHBOR WAS KILLED BY A STRAY BULLET.

WHICH DOWNSTAIRS NEIGHBOR?

MRS. SAVINO.

I DON'T KNOW ANYTHING ABOUT IT.

WHY DON'T YOU COME TO THE STATION HOUSE WITH US?

LET'S GET THE BACKGROUND ON THIS.

‐ I'M WORKING. ‐ NOW YOU'RE NOT WORKING.

YOU'RE COMING TO THE STATION HOUSE WITH US.

JUST GET DRESSED, PAULA.

O.K.?

O.K.

MRS. DAVIS?

YES.

I'M ADRIANNE LESNIAK.

YOU ASKED TO SPEAK WITH A DETECTIVE?

UH, YES. UM,

BUT IS THERE A MALE DETECTIVE

I COULD SPEAK WITH?

I'M THE DETECTIVE AVAILABLE RIGHT NOW, MRS. DAVIS.

WHY DON'T YOU TELL ME WHY YOU'RE HERE?

WELL, I‐‐I CAN'T BE HERE TOO LONG.

I WORK.

WHY DO YOU FEEL

YOU NEED TO SPEAK WITH A DETECTIVE, MRS. DAVIS?

WELL,

I JUST WONDERED IF SOMEONE,

UH, LIKE A... POLICE DETECTIVE

COULD, UM,

TALK TO MY HUSBAND.

ABOUT WHAT?

UH,

WELL, W‐WE HAVE A DAUGHTER

WHO'S 14.

AND?

WELL, SINCE SHE WAS VERY YOUNG,

ARTHUR,

WOULD HELP HER SAY HER PRAYERS.

AND, UH,

HE WOULD BE IN HER ROOM,

OH, SOMETIMES 20 MINUTES.

AND, UH,

ABOUT THREE YEARS AGO, HE‐‐

HE STARTED, UH,

CLOSING THE DOOR AND...

STAYING IN THERE.

STAYING FOR HOW LONG?

HE DOESN'T COME TO OUR BED ANYMORE.

HE DOESN'T SLEEP WITH ME.

HE‐‐HE SLEEPS WITH HER.

NOW... I DON'T KNOW WHAT GOES ON IN THERE.

HAVE YOU ASKED HIM ABOUT IT?

BOY. I CAN'T DO THAT. I‐‐

THAT WOULD SOUND LIKE AN ACCUSATION.

WHAT ABOUT YOUR DAUGHTER? WHAT DOES SHE SAY?

I HAVEN'T MENTIONED IT TO HER.

WHY NOT?

SHE'S STILL A CHILD.

MRS. DAVIS, ARE YOU SAYING

YOUR HUSBAND'S MOLESTING YOUR DAUGHTER?

NO. NO, I‐‐ I HAVEN'T SAID THAT.

I‐‐

I CAN'T SAY THAT FOR CERTAIN.

WELL, WE CAN'T INVESTIGATE

UNLESS YOU OR YOUR DAUGHTER ALLEGES A CRIME.

COULDN'T YOU GET SOMEONE

TO JUST GO TALK TO HIM?

MRS. DAVIS,

I THINK YOU NEED TO BRING YOUR DAUGHTER IN.

HUH?

I, UH,

I LEFT HOME AROUND 6 A. M.

I DIDN'T WAKE UP RAYMOND.

HE LIKED TO SLEEP LATE.

DID HE TALK ABOUT MEETING ANYBODY THIS MORNING?

NO.

YOU KNOW HIS FRIENDS?

I DON'T KNOW THAT I'D CALL THEM FRIENDS.

I KNEW A COUPLE OF HIS BUSINESS PARTNERS, BUT‐‐

NO. FRIENDS? NOT LATELY.

WHY IS THAT?

I DON'T KNOW.

RAYMOND DIDN'T TALK MUCH ABOUT IT.

I JUST KNEW THEY WEREN'T GETTING ALONG.

SO WHO WERE THE PARTNERS?

WELL, THE ONLY ONE THAT I ACTUALLY KNEW

WAS JERRY LITTMAN.

HE WAS A JOBBER.

HEATHER'S HEAVENLY BRIDAL WEAR.

I DID THEIR FALL SHOW.

THAT'S HOW I MET RAYMOND.

HE WAS HITTING ON THE MODELS.

YEAH?

CAN YOU THINK OF ANYONE ELSE

RAYMOND DIDN'T GET ALONG WITH?

I DON'T KNOW.

YOU KNOW, I‐‐ I WASN'T SEEING HIM FOR THAT LONG.

I MEAN, I NEVER EVEN MET HIS FAMILY.

BUT‐‐ I MEAN, YOU KNOW WHO THEY ARE.

WHO?

COME ON.

HIS FATHER'S TOTALLY MOBBED UP.

‐ HOW DO YOU KNOW? ‐ RAYMOND BRAGGED ABOUT IT.

SO THAT DIDN'T BOTHER YOU?

NO. WHY WOULD IT BOTHER ME?

YOU KNOW HOW THOSE WISE GUYS ARE.

THEY LIKE TO SPEND THEIR MONEY.

IN THE CLUBS, WE WERE TREATED LIKE ROYALTY.

BEFORE WE GOT TO THE TABLE,

RAYMOND WOULD KNOCK OFF $50 AND THINK NOTHING OF IT.

HE EVER SAY HE WAS AFRAID OF ANYBODY?

NO.

RAYMOND WOULD NEVER ADMIT TO ME

THAT HE WAS AFRAID OF ANYBODY.

THAT JUST WASN'T LIKE HIM. MM‐MM.

ASIDE FROM RAYMOND,

YOU SEEING ANYBODY ELSE, PAULA?

I WORK A 12‐HOUR DAY.

I COME HOME, AND I COLLAPSE.

I'M A LITTLE WIPED OUT. CAN I GO HOME?

NO. JUST SIT HERE AND RELAX FOR A WHILE, O. K.?

CAN WE GET YOU SOMETHING,

LIKE SOME COFFEE OR A COKE OR SOMETHING?

YEAH. YEAH. A DIET COKE.

AND CAN I HAVE SOMETHING TO EAT?

A YOGURT, SALAD?

YEAH. THERE'S A STORE AROUND THE CORNER, RIGHT?

I'LL TAKE A WALK. I'LL GET YOU A YOGURT.

YOU THINK THERE'S A SECOND BOYFRIEND?

MAYBE SHE'LL TELL US AFTER SHE EATS.

WHAT DOES THAT MEAN, I'M MOVING TOO SLOW?

I DON'T GENERALLY CATER FOR THEM

UNTIL AFTER THEY GIVE SOMETHING UP.

EVERYBODY'S GOT THEIR OWN APPROACH.

MARTARANO'S LAWYER'S AT THE CATCHING BENCH.

ONE OF YOU TALK TO HIM.

I'VE GOT ORGANIZED CRIME IN MY OFFICE.

LOOK, ANDY,

YOU WORKED A LONG TIME WITH YOUR LAST PARTNER.

ME AND YOU, WE WON'T ALWAYS START

ON THE SAME PAGE.

I'D HAVE SCARED HER MORE ABOUT THE GOOMBAHS.

IT'S BETTER TO COOPERATE WITH US

THAN TAKE A BEATING FROM THEM.

LIKE YOU SAY, EVERYBODY WORKS THEIR OWN WAY.

I WAS JUST LEAVING ROOM IF THERE WAS ANOTHER BOYFRIEND.

MAYBE SHE WOULDN'T WANT HIM TO TAKE THE BEATING.

THAT'S A WAY TO GO.

I HOPE YOU'RE NOT THE SENSITIVE TYPE.

NOT USUALLY.

SO YOU TAKE THIS LAWYER, I'LL GO GET THE YOGURT.

I'M DETECTIVE SIPOWICZ.

PHILLIP FOX, REPRESENTING RAYMOND MARTARANO.

IS THERE SOMEWHERE WE COULD TALK?

HOW ABOUT RIGHT HERE?

ALL RIGHT, DETECTIVE. LET'S NOT MAKE THIS ADVERSARIAL.

I'M SIMPLY ASKING THE POLICE

TO PROVIDE SOME BASIC FACTS

SO THAT MR. MARTARANO CAN BEGIN

TO UNDERSTAND THIS TRAGEDY.

IS THERE ANY CHANCE

I CAN SPEAK WITH MR. MARTARANO

AND GET SOME FACTS BACK?

HE'S GRIEF‐STRICKEN.

HE'S IN NO CONDITION TO TALK.

O.K.

WELL, TELL MR. MARTARANO

RAYMOND JR. WAS SHOT LEAVING AN APARTMENT BUILDING.

ONE OF THE BULLETS RICOCHETED

AND KILLED AN 82‐YEAR‐OLD WOMAN.

TELL HIM WE'RE AT THE PRELIMINARY STAGE IN OUR INVESTIGATION.

ANY DEVELOPMENTS, WE'LL LET HIM KNOW.

LOOK, DETECTIVE SIPOWICZ,

WHATEVER YOUR PREJUDICES MAY BE

ABOUT RAYMOND MARTARANO,

THIS IS A FATHER WHO JUST LOST HIS ELDEST SON.

HEY, LAWYER FOX, YOU WANT SOME NAMES

SO YOUR CLIENT CAN KICK ASS

AND KILL ANOTHER INNOCENT BYSTANDER?

YOU TELL MR. MARTARANO I'M SORRY FOR HIS LOSS,

AND HE WILL GET THE COOPERATION THAT HE GIVES.

I'LL REPORT OUR CONVERSATION.

AND I'LL GO BACK TO WORK.

MISS SAVINO?

YES.

DETECTIVE SIMONE.

YOU WERE THERE THIS MORNING.

I CAME TO SEE HOW THINGS WERE GOING...

AND MAYBE I COULD PROVIDE SOME INFORMATION.

WHY DON'T WE SIT OVER HERE?

WHAT SORT OF INFORMATION?

AFTER YOU LEFT, I REMEMBERED SOME FACTS

THAT MIGHT HELP THE CASE.

I REMEMBERED SOMETHING MY MOTHER TOLD ME

THE DAY BEFORE‐‐

THAT SHE'D SEEN A BLACK PICKUP TRUCK

NOT NORMALLY PARKED THERE

THAT WAS THERE TWO TIMES OR MORE LAST WEEK.

UH‐HUH.

YOU SEE WHAT I MEAN?

SHE MIGHT HAVE SEEN SOMETHING PERTAINING TO THIS TRUCK,

AND‐‐AND, WELL, THE PEOPLE INVOLVED,

MAYBE THEY'RE THE ONES WHO DID IT.

THIS MORNING, IT WAS THERE AGAIN‐‐

A BLACK PICKUP TRUCK WITH TINTED WINDOWS,

YOU KNOW, SO PEOPLE CAN'T SEE IN.

BLACK PICKUP. TINTED GLASS. FRONT AND REAR?

JUST REAR. I WROTE DOWN THE LICENSE.

IT'S HIGHLY UNLIKELY THAT THERE'S A CONNECTION HERE, BUT WE'LL CHECK IT OUT.

SHOULD I PHOTOGRAPH THE TRUCK, DO YOU THINK?

I THINK WE HAVE ALL WE NEED.

THE MORE YOU LOVE SOMEONE, THE HARDER IT IS

TO UNDERSTAND WHEN THEY'VE BEEN TAKEN.

I KNOW THERE'S A CHANCE IT WAS AN ACCIDENT.

YOU KNOW, JUST AN ACCIDENT.

I TELL MYSELF THAT.

BUT THEN I THINK, WELL,

HOW MANY PEOPLE'S MOTHERS GET SHOT BY ACCIDENT?

IT DOESN'T MAKE ANY SENSE.

NO, IT DOESN'T.

I'M SORRY IF I WASTED YOUR TIME.

NOT AT ALL. YOU GOT MY CARD.

I SHOULD HAVE CALLED YOU?

NO, NO. I'M JUST REMINDING YOU THAT YOU GOT IT.

GET IN TOUCH WITH ME WHENEVER YOU WANT.

RIGHT. THANK YOU.

YEAH.

DETECTIVE, IN ALL THE HUBBUB,

WE DIDN'T GET TO SAY HELLO.

BOBBY SIMONE.

DONNA ABANDANDO.

PLEASED TO MEET YOU.

NICE TO MEET YOU.

YEAH. THANKS.

SO, JERRY LITTMAN WITH TWO T's

SAYS RAY JR. WAS A DEADBEAT.

HE STIFFED HIM ON SOME DOUGH,

BUT RAY HAD SUCH A BRIGHT PERSONALITY,

THEY HAD SUCH A HAPPY TIME

WITH THE BIMS AND RECREATIONAL STIMULANTS,

JERRY COULD NEVER STAY MAD.

WHAT'D HE SAY ABOUT PAULA?

SHE MODELED FOR HIM.

SHE'S FROM ELIZABETH, NEW JERSEY,

AND, UH, BEFORE RAYMOND,

SHE WAS SEEING SOME GUY THAT HAULS BRICKS.

HE CAME INTO LITTMAN'S SHOWROOM

WITH CEMENT ON HIS SHOES. COME ON. LET'S GO.

HE TELL YOU THIS GUY'S NAME?

UH‐UH. HE SAYS PAULA AND HIM

WERE A PRETTY HEAVY ITEM.

UH, LISTEN,

IT'S A GOOD THING

YOU LEFT ROOM FOR THE BOYFRIEND.

HOW WE DOING HERE, PAULA?

OH. GREAT. THANKS. YEAH, IT'S REAL GREAT.

GOT YOUR YOGURT.

WHEN CAN I GO?

THAT SHOULDN'T BE TOO LONG NOW, RIGHT?

LOOK, IF YOU HAVE ANY QUESTIONS,

JUST‐‐ JUST ASK THEM.

I'M GOING CRAZY IN HERE.

WHAT IS THE PROBLEM?

MY PROBLEM, PAULA, IS THAT I JUST DON'T BELIEVE YOU.

WELL, I DON'T UNDERSTAND WHAT YOU'RE SAYING.

YOU DON'T EVEN BELIEVE I WAS SEEING RAYMOND?

NO, I HEARD ALL THAT.

I HEARD ALL ABOUT THE CLUBS,

HOW YOU WERE TREATED LIKE ROYALTY,

BUT THEN WE HEAR ABOUT ELIZABETH, NEW JERSEY.

SO?

WHAT'S THAT SUPPOSED TO MEAN?

EVERYONE'S GOT TO COME FROM SOMEWHERE.

YOU GO BACK THERE?

MY FAMILY'S OVER THERE.

JUST YOUR FAMILY, HUH?

HEY, LOOK, DON'T PLAY WITH ME, ALL RIGHT?

IF WE GO THERE AND ASK QUESTIONS ABOUT YOU,

WE'LL FIND OUT SOMETHING ELSE?

THERE'S NOTHING TO FIND.

I SAT OVER THERE FOR YEARS.

I LOOKED ACROSS THIS RIVER,

AND THIS IS WHERE I WANTED TO BE WITH RAYMOND,

SO DON'T GO TELLING ME

THAT I DIDN'T CARE ABOUT HIM.

OH, I WISH HE WAS STILL ALIVE.

ALL RIGHT, PAULA, LISTEN TO ME.

WHOEVER DID THIS,

WE'RE NOT THE ONLY PEOPLE LOOKING FOR HIM, UNDERSTAND?

RAYMOND'S FAMILY?

WHOEVER DID THIS, HE'D HAVE A BETTER CHANCE HERE

THAN HE WOULD OUTSIDE.

NOW IF IT'S SOMEBODY THAT YOU CARED ABOUT‐‐

IT IS SOMEBODY THAT YOU CARED ABOUT, RIGHT?

SEE, I UNDERSTAND THAT.

MAYBE IF IT WAS ME,

I'D BE DOING THE SAME THING.

BUT I WANT YOU TO THINK ABOUT THE POSITION

THAT THIS PERSON IS IN.

SOMEBODY OUT THERE'S GOING TO FIND HIM.

AND...

HE'D GO TO JAIL?

NOBODY CAN SAY ANYTHING LIKE THAT

BECAUSE WE DON'T KNOW THE CIRCUMSTANCES.

IF RAYMOND HAD A GUN AND THREATENED HIM,

THAT COULD TOTALLY CHANGE THINGS.

WHO'S YOUR BOYFRIEND, PAULA?

COME ON, NOW.

I KNOW YOU LOVE HIM.

YOU'RE TRYING TO PROTECT HIM. I RESPECT THAT.

WHAT YOU'RE DOING WON'T HELP HIM.

IT'LL GET HIM KILLED.

IT'S NOT‐‐ IT‐‐IT'S NOT HIS FAULT.

IT'S MY FAULT.

IT WAS BECAUSE OF EVERYTHING I WAS DOING.

HIS NAME IS PADDY PERKINS.

I CAN TELL YOU WHERE HE WORKS.

GOOD.

[SIPOWICZ] HEY!

HEY.

WE'RE LOOKING FOR PADDY PERKINS.

HE'S AN OILER. HE'S OVER THERE.

YOU NEED THE HARD HATS.

YEAH, O. K.

HEY, YOU PADDY?

NO.

HEY! PADDY AROUND?

YEAH,

THAT'S ME.

GOT A MINUTE?

WE'LL HAVE TO TAKE A RIDE.

WHAT'S THIS ABOUT?

YOUR NAME WAS MENTIONED IN AN INVESTIGATION WE'RE WORKING ON.

COME WITH US. WE'LL STRAIGHTEN IT OUT.

COME ON.

EVERYTHING ALL RIGHT, PADDY?

THESE COPS WANT ME TO GO WITH THEM.

‐ WHAT DO YOU WANT TO DO? ‐ WHY, YOU WRITING A BOOK?

IT'S O. K. I'LL GO.

WITHOUT A WARRANT, YOU DON'T GO NOWHERE.

HEY, PADDY'S COOPERATING.

YOU STAY OUT OF THIS.

I'M TELLING HIM HIS RIGHTS.

WHAT ABOUT YOUR RIGHTS TO GETTING YOUR ASS KICKED

AND WINDING UP IN NIGHT COURT?

LET'S GO.

IT'S ALL RIGHT.

I DIDN'T THINK SO.

ALLISON, YOUR MOTHER TOLD US

THAT THERE ARE SOME THINGS GOING ON IN YOUR HOME.

I DON'T KNOW WHY SHE BROUGHT ME HERE.

SHE TOLD US YOUR FATHER'S BEEN SLEEPING WITH YOU IN YOUR BEDROOM.

IS YOUR FATHER HAVING RELATIONS WITH YOU?

DON'T I HAVE THE RIGHT TO TALK TO AN ATTORNEY OR SOMETHING?

NO ONE'S ACCUSING YOU OF ANYTHING.

IF ANYONE DID ANYTHING WRONG, IT WOULD BE YOUR FATHER.

MY MOTHER LIES.

WHY WOULD SHE LIE?

IT'S NOT TRUE.

YOU FATHER ISN'T HAVING RELATIONS WITH YOU?

NO.

WHY DON'T I BRING YOUR MOTHER IN HERE?

ALLISON?

WHY DON'T I BRING YOUR MOTHER IN HERE?

O.K.

COULD YOU COME IN FOR A SECOND, MRS. DAVIS?

SIT DOWN.

ALLISON SAID HER FATHER HASN'T BEEN INTIMATE WITH HER.

HOW CAN YOU DO THIS?

I HAVE TO. IT CAN'T GO ON.

THEY'LL TAKE ME AWAY.

ALLISON, THAT ISN'T TRUE.

IT CAN'T GO ON, ALLISON.

I CAN'T LIVE WITH IT ANYMORE.

YOU CAN'T MAKE ME SAY ANYTHING.

YOU CAN PUT ME IN JAIL,

BUT I'LL NEVER SAY ANYTHING.

I'M ONLY TRYING TO HELP YOU.

NO.

NO.

I'M NOT AFRAID. I'LL GO TO JAIL.

ALLISON, NO ONE'S GOING TO PUT YOU IN JAIL.

BUT YOU CAN'T HIDE FROM THIS ANY LONGER.

WE HAVE TO DO SOMETHING ABOUT THIS.

DON'T YOU WANT IT TO STOP?

TELL ME WHAT HE DID TO YOU.

HE TOUCHED ME.

AND HE SHOWED ME HOW TO TOUCH HIM.

OH, GOD.

WHAT COULD I DO?

HE'S MY FATHER.

WHEN DID IT START?

I DON'T KNOW EXACTLY.

IT WAS BEFORE I GOT MY PERIODS.

WHEN HE BEGAN SLEEPING WITH YOU,

WHAT DID HE DO?

HE DOES EVERYTHING.

YOU KNOW, EVERYTHING.

[SIPOWICZ] SIT DOWN.

AM I UNDER ARREST?

NO, YOU'RE NOT UNDER ARREST.

WHAT'S GOING TO GET ME BACK TO THE JOB?

I'M LOSIN' A DAY'S PAY HERE.

WHERE WERE YOU BETWEEN 6:30 AND 8:00 THIS MORNING?

THAT'S EASY. I WAS SITTIN' IN TRAFFIC IN THE TUNNEL.

DID YOU DRIVE IN WITH ANYBODY?

NO. BUT YOU CAN CHECK WITH TOMMY DOYLE.

HE'S AN OILER ON THE SAME CREW.

HE WAS LATE, TOO.

O.K. MAYBE WE'LL TALK TO HIM.

PADDY, WE'VE BEEN TALKIN' TO, UH, PAULA.

PAULA ANDERSON?

YEAH.

IS SHE IN SOME KIND OF TROUBLE?

A GUY NAMED RAYMOND MARTARANO

WAS SHOT IN FRONT OF HER PLACE.

BUT SHE'S O. K.? SHE'S O. K.

SHE EVER TALK TO YOU ABOUT RAYMOND MARTARANO?

NO. I DON'T SEE MUCH OF HER ANYMORE

SINCE SHE MOVED AWAY FROM ELIZABETH.

SHE GAVE US THE IMPRESSION YOU WERE CLOSE AT ONE TIME.

YEAH? WELL, WE WERE.

DID YOU KNOW SHE WAS DATING RAYMOND FOR THE LAST THREE MONTHS?

NO, I DIDN'T KNOW THAT.

GUESS I DON'T KNOW WHAT SHE DOES

SINCE SHE MOVED TO THE CITY.

YEAH. THIS MARTARANO'S A MOB GUY.

REAL SCUMBAG.

I GUESS THEY CAUGHT UP WITH HIM.

AN ELDERLY WOMAN WHO LIVES THERE

WAS SITTING AT HER WINDOW.

SHE GOT HIT BY A STRAY BULLET.

‐ IS SHE GONNA BE ALL RIGHT? ‐ SHE'S DEAD.

[SIMONE] I'M SURE NO ONE MEANT TO KILL HER.

BUT UNTIL WE FIND OUT WHY THE GUY WAS KILLED,

IT'S TREATED AS AN INTENTIONAL MURDER ALSO.

[SIPOWICZ] BUT WE KNOW IT WASN'T.

WELL, I DIDN'T SHOOT ANYBODY.

PADDY, WE GOT TO CHECK OUT A FEW THINGS.

WHY DON'T YOU TAKE THE TIME

AND THINK IF THERE'S ANY WAY YOU CAN HELP US.

HMM?

O.K.

I'M SURE SOMEONE TRANSPOSED LICENSE PLATE NUMBERS.

I'VE NEVER HAD AN AUTO ACCIDENT OR BEEN IN ALBANY.

THERE MAY BE SOME CLERICAL MIX‐UP.

I DON'T KNOW WHY WE COULDN'T HAVE DONE THIS BY PHONE.

THEY NEED A PERSONAL INTERVIEW FOR THE FILES.

STEP RIGHT IN HERE.

TO TELL YOU THE TRUTH, MR. DAVIS, UH,

WE'RE NOT GONNA BE TALKIN' ABOUT ANY AUTO ACCIDENT IN ALBANY.

WHAT DO YOU MEAN?

I THINK YOU KNOW WHAT WE'LL TALK ABOUT.

I HAVE ABSOLUTELY NO IDEA.

ARE YOU SAYING YOU BROUGHT ME HERE UNDER FALSE PRETENSES?

SIT DOWN.

UH, ONE OF OUR DETECTIVES

HAS TAKEN A COMPLAINT ABOUT YOU

FROM YOUR WIFE AND DAUGHTER.

THEY'VE MADE SOME VERY DISTURBING STATEMENTS.

I'M DUMBFOUNDED BY THIS.

A LOT OF PEOPLE HAVE STRONG FEELINGS

ABOUT THE THINGS YOUR DAUGHTER SAYS YOU'VE DONE.

I WANT TO TALK TO ALLISON.

THEY TEND TO FOCUS ON PUNISHMENT,

WHICH IN YOUR CASE WOULD BE PRISON.

PRISON?

THAT'S RIGHT.

NOW, UH,

I'M A FAMILY MAN.

I KNOW IT'S IMPORTANT TO KEEP FAMILIES TOGETHER. THAT'S TRUE.

AND BASED ON WHAT YOUR DAUGHTER HAS SAID,

I THINK YOUR BEING FORTHCOMING

IS THE BEST CHANCE AT KEEPING THE SITUATION UNDER CONTROL.

I DON'T KNOW.

MAYBE I SHOULD SPEAK TO A LAWYER.

YEAH, WELL, UH,

THAT'S THE OTHER WAY YOU COULD GO.

IT GOES TO THE D.A. IT'S OUT OF MY HANDS.

WHAT WOULD BE THE ALTERNATIVE?

SOMETHING LIKE COUNSELING?

WELL, I‐‐I'D NEED YOUR HELP ON SOMETHING LIKE THAT.

YOU'D HAVE TO MAKE A‐‐

A STATEMENT OF CORROBORATION.

AN ADMISSION THAT I'D DONE SOMETHING.

YEAH. IT‐‐IT WOULD HAVE TO CONFORM

TO WHAT YOUR WIFE AND DAUGHTER HAVE SAID.

WHAT DID THEY SAY?

YOU KNOW,

SPENDING THE NIGHTS WITH YOUR DAUGHTER, UH,

PHYSICAL TOUCHING...

AND PENETRATION, AND SO FORTH.

UM, OTHERWISE, YOU SEE, IF‐‐IF IT'S IN DISPUTE,

IT HAS TO GO TO THE D. A.

I LOVE MY DAUGHTER.

I WOULD NEVER DO ANYTHING TO HURT HER.

DO YOU THINK I MIGHT, UH, QUALIFY FOR COUNSELING?

IN THAT REGARD,

A STATEMENT IS YOUR BEST SHOT.

MY FAMILY...

IS EVERYTHING TO ME.

I'LL DO IT.

ALL RIGHT.

WE'RE GOING TO, UH,

HAVE A FORMALITY HERE.

I'M GOING TO GIVE YOU YOUR MIRANDA RIGHTS,

AND YOU'RE GOING TO DO A STATEMENT.

YOU HAVE THE RIGHT TO AN ATTORNEY‐‐

I KNOW MY RIGHTS.

LET ME JUST FINISH THIS.

YOU HAVE THE RIGHT TO REMAIN SILENT.

PADDY, I KNOW YOU'RE A DECENT GUY.

I THINK YOU WANT TO DO THE RIGHT THING,

HELP THESE PEOPLE THAT LOST THEIR MOTHER.

YOU GOTTA KNOW WHAT THEY'RE GOING THROUGH.

YOU READY TO DO THE RIGHT THING, PADDY?

PAULA AND ME, WE'VE BEEN TOGETHER

SINCE WE WERE 11 YEARS OLD.

I LOVE HER.

GUYS MADE FUN OF ME 'CAUSE I LOVE HER SO MUCH.

I GOT MONEY SAVED. I WAS GETTING US A PLACE IN RAHWAY.

HOW'D YOU LEARN SHE WAS SEEING RAYMOND?

A GUY OVER IN ELIZABETH.

HE'S AN ELECTRICIAN, WAS WORKING ON 7th AVENUE.

HE SAW THEM, TOLD ME ABOUT IT.

I DIDN'T WANT TO BELIEVE HIM.

HAD TO SEE FOR MYSELF.

I GOT MONEY SAVED.

I WAS GONNA BUY US A PLACE WITH A NICE YARD.

SO WHAT‐‐ YOU WAITED OUTSIDE IN FRONT OF HER PLACE,

SAW HIM COME OUT?

YEAH. HE CAME OUT.

YEAH.

DID HE SEE YOU?

DID HE THREATEN YOU?

NO.

IT WAS JUST THE WAY HE WALKED, THE PRICK.

LIKE HE'D JUST TAKEN AWAY MY LIFE AND FELT GOOD ABOUT IT.

HE SEES ME. I SAY I WANT TO TALK TO HIM.

HE TELLS ME TO KISS HIS ASS.

I TELL HIM TO LEAVE HER ALONE.

HE PROBABLY DOESN'T EVEN LOVE HER.

THEN HE SEES I GOT A GUN.

DID YOU HAVE THE GUN OUT?

NO. IT WAS IN MY BELT.

HE GOES FOR ME, RAISES UP HIS HAND.

SO YOU GUYS STRUGGLED, HUH?

NOT REALLY.

HE MADE THESE LITTLE BURPY NOISES

EVERY TIME THE BULLETS HIT HIM.

I'M SORRY ABOUT THAT LADY.

TAKE A LITTLE BREAK, HUH?

THEN WE'LL GO TALK TO THE D. A.

SURE.

IN YOUR STATEMENT, IF YOU REMEMBER

THERE WAS A STRUGGLE FOR THE GUN,

IF THAT SHOULD COME BACK TO YOU,

REMEMBER TO SAY THAT.

ONE THING.

YOU THINK I COULD SEE PAULA?

I JUST WANT TO TELL HER‐‐

I JUST WANT TO SEE HER.

WE'LL TRY TO WORK SOMETHING OUT.

I'LL GET THE LIEUTENANT'S O. K.

TRY TO HELP THE GUY WITH HIS STORY,

HE WANTS TO HOLD HANDS WITH HIS GIRLFRIEND.

KEEP AN EYE ON THE GUY.

LIEUTENANT.

THE KID IN INTERROGATION 2,

HE, UH, TURNED OVER. HE DID IT.

IS THAT SATISFACTORY?

YEAH.

YEAH.

THIS'LL DO THE TRICK.

GET UP.

MR. DAVIS,

I'M PLACING YOU UNDER ARREST.

THIS IS JUST ANOTHER FORMALITY?

YEAH. YEAH.

THIS IS THE FORMALITY THAT PUTS YOU IN JAIL.

WHAT ARE YOU SAYING?

YOU PROMISED I'D GET OFF WITH COUNSELING.

SOMEONE ELSE MAKES THAT DECISION.

I'M PUTTING YOU UNDER ARREST.

YOU LIED. YOU PROMISED IF I MADE A STATEMENT

I WOULDN'T GO TO JAIL.

I SAID A STATEMENT'S YOUR BEST SHOT.

THE D. A. MAKES THE DECISION.

YOU WANT MY OPINION,

I HOPE THEY PUT YOU AWAY,

YOU SICK SON OF A BITCH.

WILL SHE HAVE TO MAKE ANOTHER STATEMENT?

THAT'LL BE IT TODAY.

THE D. A. WILL CONTACT YOU.

YOU BASTARD!

‐ MIRIAM. ‐ MRS. DAVIS, IGNORE HIM.

ALLISON, REMEMBER WHAT DADDY TOLD YOU.

MRS. DAVIS, LET'S GO BACK INSIDE.

REMEMBER WHAT DADDY TOLD YOU.

HEY, PAULA.

SO HERE WE ARE, HUH?

YEAH. HUH.

FROM ONE MINUTE TO THE NEXT, EVERYTHING'S JUST‐‐

JUST GONE.

I'M SO SORRY.

I AM SO SORRY FOR HURTING YOU.

JUST... DON'T HATE ME. JUST TRY NOT TO HATE ME.

HATE YOU?

I COULD NEVER HATE YOU.

THAT'S JUST SOMETHING I COULD NEVER DO.

YOU KNOW THAT.

DON'T YOU KNOW THAT?

SURE, YOU GOTTA KNOW THAT.

YOU GOTTA KNOW THAT.

SO I'LL SEE YOU LATER?

YEAH, SEE YOU AT GEORGETTI'S.

HE WANTS TO BUY US A BEER.

OH. SEEMS LIKE A NICE GUY.

WANT TO INVITE HIM TO DINNER?

I'M WORKING WITH THIS GUY,

NOT LOOKING TO ADOPT HIM.

I'LL SEE YA. YEAH.

ANDY'S IN THE HALL.

ALL RIGHT, LET'S GO.

HEY, GOOD JOB TODAY.

HEY, THANKS, LIEUTENANT.

LUCKY I GAVE YOU THE FULL ORIENTATION.

IT'S ALWAYS THIS QUIET AROUND HERE, HUH?

YOU READY?

AND A SODA.

THANKS, BOBBY.

YEAH. THANKS A LOT.

THANKS FOR MAKING ME FEEL WELCOME, GUYS.

[CLEARS THROAT]

SO, UH,

HE RAISES PIGEONS.

IS THAT RIGHT?

RACING HOMERS.

I'VE FLOWN THEM SINCE I WAS A KID.

WHAT'S THE ACTUAL LIMIT THERE?

THE FARTHEST THEY CAN ACTUALLY RETURN FROM?

I'VE HAD 'EM RETURN 500 MILES.

YOU MUST BE SOME KIND OF TRAINER, HUH?

IT ISN'T TRAINING. IT'S WHAT INSIDE THEM.

I TOOK THESE 10 BIRDS UP TO MAINE.

AN HOUR AFTER I GET HOME,

I'M STANDING UP ON THE ROOF, JUST WATCHING THEM COME IN.

EVERY SINGLE ONE MADE IT BACK.

I RAISE FISH.

IS THAT RIGHT?

OH, YEAH, THAT'S A BIG HOBBY WITH ANDY.

SALTWATER TROPICALS.

THERE'S A HOBBY I NEVER UNDERSTOOD.

I HAD BUDDIES THAT RAISED PIGEONS, BUT‐‐

I GOT A CLOWN FISH COUPLE JUST HAD EGGS.

THE MORNING WHEN I'M HAVING MY COFFEE,

THE MALE,

HE CLEANS EACH EGG WITH HIS MOUTH.

NEVER BREAKS ONE.

THE WHOLE DAY, WHILE I'M WORKING,

HIM AND THE WIFE ARE GUARDING THAT NEST.

THEY FAN THE WATER ALL OVER THEIR EGGS.

THOSE ARE DEDICATED FISH.

DO YOU SEE THAT KIND OF THING IN PIGEONS?

PIGEONS MAKE GOOD PARENTS.

ANYWAYS, I GOTTA GO.

YEAH, I GOTTA GO, TOO.

THANKS FOR THE BEER, BOBBY.

ME, TOO.

SEE YOU TOMORROW, HUH?

I'LL SEE YOU GUYS.

TAKE IT EASY. YEAH.

[MEDAVOY] GOOD NIGHT, DAVE.

[BARTENDER] GOOD NIGHT, GUYS.

FEELS GOOD BEING BACK OUT ON THE STREET, ANDY.

FORGOT HOW MUCH I MISSED IT, YOU KNOW?

SO, UH,

YOU TOOK THAT P. C. JOB FOR WHAT‐‐

A FAST CAREER TRACK?

I NEEDED SOMETHING WITH REGULAR HOURS.

I HAD SOME PROBLEMS AT HOME.

MY WIFE HAD BREAST CANCER.

SHE DIED LAST YEAR.

THAT HAD TO BE TOUGH.

I'M SORRY.

LOOK, I'M MEETING A FRIEND FOR DINNER.

YOU WANT TO JOIN US?

THANKS, ANDY. NO. I'M GONNA GO DO THE FIVES ON THE CASE.

DON'T LET ME DISCOURAGE YOU THERE.

SO, UH, I'LL SEE YOU TOMORROW, HUH?

YEAH.

I FIGURED MAYBE I'D DO MY OWN PAPERWORK.

SURE.

THIS IS SOME, UH,

GREEK STUFF FROM ONE OF THOSE GREEK PLACES.

YOU KNOW, THOSE GRAPE LEAF ROLLS.

DOLMA.

SYLVIA GOT IT. THE A. D. A. YOU MET.

THANKS.

YEAH. IT WAS HER IDEA.

SO, UH, I GOT ABOUT HALFWAY THROUGH THE INTERVIEWS THERE.

YEAH, WELL, LET'S JUST DIVVY UP WHAT YOU GOT LEFT.

I GOTTA WEAR GLASSES NOW.

IT'S ALL THAT PAPERWORK, MAN.

YEAH. I JUST NEED THEM FOR READING.