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These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:09,240 This programme contains scenes of Repetitive Flashing Images 2 00:00:16,840 --> 00:00:21,920 The natural world is full of colours that we often take for granted. 3 00:00:30,840 --> 00:00:34,430 There are few animals more brilliantly coloured 4 00:00:34,440 --> 00:00:36,320 than these scarlet macaws. 5 00:00:37,480 --> 00:00:41,150 Animals can use colour for all kinds of different reasons 6 00:00:41,160 --> 00:00:45,680 and some have colours that we ourselves can't even see. 7 00:00:48,320 --> 00:00:51,000 But not all colours are what they seem. 8 00:00:53,040 --> 00:00:56,440 Some animals also use colours to hide. 9 00:01:01,200 --> 00:01:03,360 Colours that make them disappear. 10 00:01:05,120 --> 00:01:07,800 Colours that create optical illusions. 11 00:01:09,200 --> 00:01:11,670 And colours that are used 12 00:01:11,680 --> 00:01:13,480 to trick and deceive. 13 00:01:15,160 --> 00:01:17,390 To understand how these colours work, 14 00:01:17,400 --> 00:01:20,720 we need to see them from an animal's perspective. 15 00:01:22,760 --> 00:01:27,840 With the help of our specialist cameras, we can now do that... 16 00:01:30,760 --> 00:01:35,960 ..and discover how some animals have become masters of disguise. 17 00:02:03,680 --> 00:02:09,160 The Indian subcontinent is home to some truly spectacular animals. 18 00:02:19,720 --> 00:02:25,830 Most, like these peafowl, use colour to attract attention and the kinds 19 00:02:25,840 --> 00:02:30,040 they've developed are influenced by the way they see the world. 20 00:02:33,960 --> 00:02:38,430 But flashy colours can also come at a cost, 21 00:02:38,440 --> 00:02:42,600 and, sometimes, it's better to remain out of sight. 22 00:02:48,040 --> 00:02:51,670 So, some animals use their colours to help them hide 23 00:02:51,680 --> 00:02:53,520 and disappear into the background. 24 00:03:00,600 --> 00:03:05,120 One such animal lives here in the forests of central India. 25 00:03:07,440 --> 00:03:10,400 It's one of the most formidable hunters on Earth. 26 00:03:12,920 --> 00:03:14,390 A Bengal tiger. 27 00:03:14,400 --> 00:03:16,080 A female. 28 00:03:18,560 --> 00:03:21,590 She is one of the world's biggest cats. 29 00:03:21,600 --> 00:03:24,150 And remaining out of sight is not easy 30 00:03:24,160 --> 00:03:26,520 when you are as large as she is. 31 00:03:30,720 --> 00:03:34,720 Her orange and black coat is crucial to her success. 32 00:03:38,120 --> 00:03:40,830 To have any chance of catching a meal, 33 00:03:40,840 --> 00:03:44,640 she has to get to within a few metres of her prey. 34 00:04:05,920 --> 00:04:08,350 She keeps to the cover of the trees 35 00:04:08,360 --> 00:04:10,640 and slowly makes her approach. 36 00:04:16,800 --> 00:04:20,230 She may appear conspicuous to our eyes, 37 00:04:20,240 --> 00:04:23,360 but not so to these chital deer. 38 00:04:26,840 --> 00:04:31,510 Chital have only two types of colour receptors in their eyes, 39 00:04:31,520 --> 00:04:36,430 compared to our three, which means that they are, effectively, 40 00:04:36,440 --> 00:04:38,880 blind to red and orange. 41 00:04:42,680 --> 00:04:46,160 So, to the deer, the tiger isn't orange at all. 42 00:04:50,360 --> 00:04:52,920 This is how we see world... 43 00:04:55,320 --> 00:04:57,600 ..and this is how deer do. 44 00:04:59,680 --> 00:05:05,030 The tiger's orange coat to them is a muted shade of green, 45 00:05:05,040 --> 00:05:08,800 so it's nearly impossible for the deer to register. 46 00:05:19,640 --> 00:05:21,440 She creeps closer. 47 00:05:29,760 --> 00:05:32,080 The chital don't see her. 48 00:05:50,680 --> 00:05:54,680 The odds appear stacked in the tiger's favour. 49 00:06:02,960 --> 00:06:05,880 But the deer aren't entirely defenceless. 50 00:06:08,760 --> 00:06:11,800 They have help from an unusual ally. 51 00:06:13,440 --> 00:06:15,670 Langur monkeys. 52 00:06:15,680 --> 00:06:19,270 They are known as "the eyes of the forest" 53 00:06:19,280 --> 00:06:21,720 and their colour vision is excellent. 54 00:06:30,880 --> 00:06:35,070 Their eyes, like ours, have three types of colour receptors, 55 00:06:35,080 --> 00:06:36,640 and they can see orange. 56 00:06:53,960 --> 00:06:58,000 The langurs sounded the alarm before she could get close enough. 57 00:07:06,600 --> 00:07:09,470 If the langurs can easily spot her, why, then, 58 00:07:09,480 --> 00:07:11,870 is the tiger orange at all? 59 00:07:11,880 --> 00:07:13,640 Why isn't she green? 60 00:07:16,080 --> 00:07:20,200 That's because mammals are unable to develop green pigments. 61 00:07:21,240 --> 00:07:24,510 So, it seems the next best solution for the tiger is to have 62 00:07:24,520 --> 00:07:28,560 orange fur, which appears green to her main prey. 63 00:07:37,800 --> 00:07:41,120 She will have to find a new target. 64 00:07:49,560 --> 00:07:53,190 Down by the water, she finds one. 65 00:07:53,200 --> 00:07:55,160 Sambar deer. 66 00:07:56,920 --> 00:08:00,070 Sambar don't keep company with monkeys. 67 00:08:00,080 --> 00:08:02,080 They are on their own. 68 00:08:03,880 --> 00:08:08,030 They have the same limited eyesight as the chital 69 00:08:08,040 --> 00:08:10,960 but ears like satellite dishes. 70 00:08:12,520 --> 00:08:15,430 If she treads on a twig and it snaps, 71 00:08:15,440 --> 00:08:18,840 the hunt will be over before it began. 72 00:09:13,880 --> 00:09:16,560 The deer seem to sense danger. 73 00:09:21,360 --> 00:09:23,000 They still can't see her. 74 00:10:16,000 --> 00:10:19,190 Despite her effective camouflage, 75 00:10:19,200 --> 00:10:21,480 most hunts end like this. 76 00:10:22,960 --> 00:10:26,760 Less than 10% of her attacks are successful. 77 00:10:30,080 --> 00:10:34,830 But, without her orange fur, her chances would be even lower. 78 00:10:34,840 --> 00:10:38,760 It is her colours that are key to her survival. 79 00:10:47,280 --> 00:10:50,040 The Cairngorm Mountains in Scotland. 80 00:10:51,160 --> 00:10:54,760 Here, there are special problems for the hunted. 81 00:10:58,440 --> 00:11:02,510 Some animals have developed camouflage of such perfection 82 00:11:02,520 --> 00:11:06,870 that they are virtually invisible against their surroundings. 83 00:11:06,880 --> 00:11:10,470 But what happens when those surroundings change? 84 00:11:10,480 --> 00:11:13,800 Well, then, of course, the animals have to change, too. 85 00:11:17,800 --> 00:11:21,430 These mountains are home to a particular kind of grouse 86 00:11:21,440 --> 00:11:23,280 called the ptarmigan. 87 00:11:29,560 --> 00:11:32,550 Their mottled brown feathers make them inconspicuous 88 00:11:32,560 --> 00:11:34,160 among the rocks and heather. 89 00:11:38,960 --> 00:11:43,920 But, in winter, these mountains are hard places in which to live. 90 00:11:45,480 --> 00:11:46,870 Temperatures drop, 91 00:11:46,880 --> 00:11:48,830 and the land can, overnight, 92 00:11:48,840 --> 00:11:51,000 be covered by a blanket of snow. 93 00:11:53,240 --> 00:11:57,950 Most birds by now have gone south to warmer parts of the world. 94 00:11:57,960 --> 00:12:00,240 But not the ptarmigan. 95 00:12:01,840 --> 00:12:06,120 When winter comes, they undergo the most extraordinary change. 96 00:12:07,480 --> 00:12:12,480 They replace their brown feathers with pure white ones. 97 00:12:15,520 --> 00:12:19,230 They do so for a simple reason - 98 00:12:19,240 --> 00:12:21,510 they must go unnoticed. 99 00:12:21,520 --> 00:12:23,240 They need to hide. 100 00:12:28,160 --> 00:12:30,830 This open habitat makes the ptarmigan 101 00:12:30,840 --> 00:12:33,040 very vulnerable to predators. 102 00:12:36,680 --> 00:12:38,880 Being the right colour is crucial. 103 00:12:40,320 --> 00:12:44,560 Now they are invisible even to a keen-eyed eagle. 104 00:12:48,920 --> 00:12:53,160 Ptarmigan are not the only animals to use this disappearing act. 105 00:12:58,200 --> 00:13:00,120 So does the Arctic fox... 106 00:13:01,720 --> 00:13:02,920 ..snowshoe hares... 107 00:13:03,960 --> 00:13:05,230 ..and weasels. 108 00:13:05,240 --> 00:13:09,830 All, with the coming of winter, change their coats 109 00:13:09,840 --> 00:13:11,680 and vanish from sight. 110 00:13:15,280 --> 00:13:20,150 Their transformation is triggered by the decreasing daylight, 111 00:13:20,160 --> 00:13:21,950 and, over several weeks, 112 00:13:21,960 --> 00:13:25,720 they replace their brown costumes with white ones. 113 00:13:37,680 --> 00:13:42,150 So, changing colour with the seasons, for some animals, 114 00:13:42,160 --> 00:13:45,600 is the only way to avoid becoming a meal. 115 00:13:51,360 --> 00:13:54,600 But many plants, of course, do the reverse. 116 00:13:57,960 --> 00:14:00,990 In spring, they produce colour 117 00:14:01,000 --> 00:14:04,920 to declare that they are providing food - nectar. 118 00:14:06,840 --> 00:14:09,440 Bees, and many other insects, love it. 119 00:14:11,440 --> 00:14:15,110 In spring and summer, they travel busily from flower to flower, 120 00:14:15,120 --> 00:14:16,680 collecting it. 121 00:14:17,920 --> 00:14:22,070 And, when the bees leave to look for more, they inadvertently take pollen 122 00:14:22,080 --> 00:14:24,110 with them which then fertilises 123 00:14:24,120 --> 00:14:26,440 the next flowers they visit. 124 00:14:28,520 --> 00:14:32,360 But there's a hunter here that exploits this relationship. 125 00:14:34,320 --> 00:14:35,920 A crab spider. 126 00:14:39,600 --> 00:14:40,830 She's tiny, 127 00:14:40,840 --> 00:14:43,350 no bigger than a fingernail, 128 00:14:43,360 --> 00:14:45,560 and she is waiting for her prey. 129 00:14:51,200 --> 00:14:54,750 Almost the same colour as her background, 130 00:14:54,760 --> 00:14:56,640 she's virtually invisible. 131 00:15:18,680 --> 00:15:21,360 No more honey for her! 132 00:15:26,080 --> 00:15:30,350 But, of course, the spider's hunting grounds are limited. 133 00:15:30,360 --> 00:15:32,240 Not all flowers are yellow. 134 00:15:35,240 --> 00:15:39,920 When she sits on a pure white petal, she immediately becomes obvious. 135 00:15:44,160 --> 00:15:48,000 She will never catch a bee while she's so conspicuous. 136 00:15:49,920 --> 00:15:51,920 So, she changes. 137 00:15:54,880 --> 00:15:57,990 She breaks down the yellow pigments in the outer layer of her skin 138 00:15:58,000 --> 00:16:02,110 to expose special crystals underneath that act like 139 00:16:02,120 --> 00:16:04,960 tiny mirrors and reflect the light. 140 00:16:10,960 --> 00:16:12,590 It may take a few days, 141 00:16:12,600 --> 00:16:14,870 but she turns from yellow 142 00:16:14,880 --> 00:16:16,000 to white. 143 00:16:23,760 --> 00:16:26,440 Changing colour isn't the spider's only trick. 144 00:16:28,200 --> 00:16:30,680 There's more to this story than meets the eye. 145 00:16:38,800 --> 00:16:41,880 Bees can see colours that we cannot. 146 00:16:42,880 --> 00:16:45,880 They can see ultraviolet colours. 147 00:16:53,520 --> 00:16:57,910 As they come in to land on a flower, they use special sensors that 148 00:16:57,920 --> 00:17:02,080 can detect ultra-violet patterns on the flower's petals. 149 00:17:08,240 --> 00:17:13,000 We can see them, too, with our special UV camera. 150 00:17:24,040 --> 00:17:26,550 There are dark lines on the petals, 151 00:17:26,560 --> 00:17:29,910 that mark the landing strips for the bees - 152 00:17:29,920 --> 00:17:31,920 guiding them to the nectar. 153 00:17:41,120 --> 00:17:46,320 The spider, however, has developed a way to exploit these signals. 154 00:17:53,800 --> 00:17:56,510 Watching her with our UV camera, 155 00:17:56,520 --> 00:17:59,950 we can see that she reflects ultra-violet light. 156 00:17:59,960 --> 00:18:03,720 So she appears even more conspicuous sitting on a flower. 157 00:18:07,640 --> 00:18:11,470 This extra brilliance acts as a kind of super-signal 158 00:18:11,480 --> 00:18:13,520 which the bee can't resist. 159 00:18:21,840 --> 00:18:24,120 And the spider benefits. 160 00:18:30,280 --> 00:18:33,630 In fact, the bees are more than three times as likely 161 00:18:33,640 --> 00:18:38,800 to visit flowers with UV-reflecting spiders on them than those without. 162 00:18:52,000 --> 00:18:55,950 The crab spider uses a sophisticated range of colours 163 00:18:55,960 --> 00:18:58,360 to deceive its prey. 164 00:19:00,760 --> 00:19:04,110 But colour can also be used in a simpler, 165 00:19:04,120 --> 00:19:07,200 even more surprising way to confuse the enemy. 166 00:19:10,480 --> 00:19:15,150 And, on the plains of Kenya's Maasai Mara, there's one animal 167 00:19:15,160 --> 00:19:19,200 that uses just two colours to outwit its predators. 168 00:19:23,680 --> 00:19:24,840 The zebra. 169 00:19:29,120 --> 00:19:33,190 Its black and white coat makes it extremely obvious 170 00:19:33,200 --> 00:19:35,640 as it grazes out on the open grasslands. 171 00:19:41,160 --> 00:19:45,190 Other grazers have softer, gently varied colouration, 172 00:19:45,200 --> 00:19:46,800 which blends with their background. 173 00:19:50,080 --> 00:19:54,960 So, it seems strange that zebras, apparently, do quite the opposite... 174 00:19:58,200 --> 00:20:01,150 ..particularly as they live in a world 175 00:20:01,160 --> 00:20:03,360 where there are so many hunters. 176 00:20:06,440 --> 00:20:08,080 Lions... 177 00:20:09,360 --> 00:20:10,400 ..hyenas... 178 00:20:11,600 --> 00:20:13,040 ..and cheetah. 179 00:20:19,360 --> 00:20:23,840 The boldly striped zebra seem to be asking for trouble. 180 00:20:25,320 --> 00:20:27,080 How do they get away with it? 181 00:20:28,800 --> 00:20:32,960 The question has been hotly debated by naturalists for centuries. 182 00:20:36,960 --> 00:20:40,360 New research is now suggesting an answer. 183 00:20:43,200 --> 00:20:45,270 To understand how it might work, 184 00:20:45,280 --> 00:20:48,630 we need to consider the particular colours involved. 185 00:20:48,640 --> 00:20:53,270 Black and white are two of the most contrasting colours. 186 00:20:53,280 --> 00:20:56,870 And no two animals have exactly the same pattern, 187 00:20:56,880 --> 00:21:00,800 so, each has a unique, whole-body fingerprint. 188 00:21:07,480 --> 00:21:12,120 But, when the zebras move, the stripes create confusion. 189 00:21:14,080 --> 00:21:16,280 It's known as motion dazzle. 190 00:21:18,240 --> 00:21:21,630 And it makes it difficult for a predator to keep focused 191 00:21:21,640 --> 00:21:23,920 on one particular target. 192 00:21:38,920 --> 00:21:41,640 The cheetah are looking for a meal. 193 00:21:57,920 --> 00:21:59,750 To make a successful strike, 194 00:21:59,760 --> 00:22:04,000 they must judge the distance accurately and time it perfectly. 195 00:22:13,080 --> 00:22:15,910 So, if a zebra's stripes can confuse the cheetah 196 00:22:15,920 --> 00:22:20,240 just for a few crucial seconds, it may escape. 197 00:22:38,960 --> 00:22:42,320 But there's another threat on these plains. 198 00:22:46,120 --> 00:22:47,760 Flies! 199 00:22:50,600 --> 00:22:53,040 They are a real pest here. 200 00:22:54,920 --> 00:22:56,790 They're not just a nuisance. 201 00:22:56,800 --> 00:23:00,150 They carry diseases, some of which are particularly nasty, 202 00:23:00,160 --> 00:23:01,760 even deadly. 203 00:23:08,760 --> 00:23:11,470 Despite the huge numbers of flies, 204 00:23:11,480 --> 00:23:15,200 the zebras appear remarkably untroubled by them. 205 00:23:20,680 --> 00:23:23,160 There are plenty of flies around. 206 00:23:25,480 --> 00:23:29,000 But few actually land on the zebra. 207 00:23:31,560 --> 00:23:34,830 One theory is that the black and white stripes 208 00:23:34,840 --> 00:23:38,280 make it difficult for flies to judge the distance. 209 00:23:41,120 --> 00:23:43,030 To test this idea, 210 00:23:43,040 --> 00:23:46,470 scientists counted how many flies landed on animals 211 00:23:46,480 --> 00:23:52,520 with gently graded colours and how many landed on the zebra's stripes. 212 00:23:57,560 --> 00:24:01,790 They found that four times fewer flies landed on zebras 213 00:24:01,800 --> 00:24:04,280 than on their more plainly coloured neighbours. 214 00:24:09,720 --> 00:24:11,080 Why should that be? 215 00:24:14,120 --> 00:24:17,760 It seems it's another consequence of those stripes. 216 00:24:20,360 --> 00:24:24,280 They confuse the flies as they make their final approach to settle. 217 00:24:27,720 --> 00:24:32,390 Perhaps this creates a visual blurring for the flies, 218 00:24:32,400 --> 00:24:34,360 much as it does for a cheetah. 219 00:24:36,760 --> 00:24:40,670 So, it seems that the zebra's patterns of stripes creates 220 00:24:40,680 --> 00:24:44,350 an optical effect that helps protect them from enemies, 221 00:24:44,360 --> 00:24:46,080 both large and small. 222 00:25:01,040 --> 00:25:06,190 While zebras use different patterns to confuse their enemies, 223 00:25:06,200 --> 00:25:09,830 on the island of Cuba, there are smaller 224 00:25:09,840 --> 00:25:11,910 and rather slower-moving creatures 225 00:25:11,920 --> 00:25:14,080 that do a similar thing. 226 00:25:19,160 --> 00:25:24,760 This is Polymita picta, a Cuban painted snail. 227 00:25:28,880 --> 00:25:32,390 You might think that this one is an exceptionally lovely, 228 00:25:32,400 --> 00:25:34,200 eye-catching individual. 229 00:25:37,360 --> 00:25:40,950 But it is not by any means the only snail that is 230 00:25:40,960 --> 00:25:42,520 so beautifully decorated. 231 00:25:48,720 --> 00:25:52,390 No two individuals are exactly the same, 232 00:25:52,400 --> 00:25:55,040 yet all these belong to the same species. 233 00:26:00,680 --> 00:26:03,560 There are also five other species of Polymita here. 234 00:26:05,360 --> 00:26:09,720 Each snail has its own unique combination of colours and stripes. 235 00:26:28,120 --> 00:26:30,790 Their colours come from their diet - 236 00:26:30,800 --> 00:26:33,230 lichen and mosses rich in minerals 237 00:26:33,240 --> 00:26:37,150 that give the shells these stunning colours. 238 00:26:37,160 --> 00:26:41,350 They differ according to the particular mix of plants 239 00:26:41,360 --> 00:26:43,910 that each snail has been eating. 240 00:26:43,920 --> 00:26:47,070 Variations of individuals within a species is not 241 00:26:47,080 --> 00:26:49,310 uncommon in the natural world. 242 00:26:49,320 --> 00:26:51,160 It's called polymorphism. 243 00:26:52,600 --> 00:26:56,440 But it's particularly marked among Cuban snails. 244 00:27:05,440 --> 00:27:09,950 Some scientists believe that the variation in itself may be 245 00:27:09,960 --> 00:27:12,600 a kind of defence against predators. 246 00:27:16,920 --> 00:27:18,760 But how could that work? 247 00:27:22,480 --> 00:27:27,280 Most animals looking for prey have a search image in their minds. 248 00:27:28,840 --> 00:27:31,950 They scan their surroundings looking a victim 249 00:27:31,960 --> 00:27:33,680 that matches their expectations. 250 00:27:35,400 --> 00:27:38,760 If they see something they recognise, they'll go for it. 251 00:27:40,240 --> 00:27:44,240 And that's where the snail's varying colours may come in. 252 00:27:46,200 --> 00:27:49,670 The great range of different tints and patterns, it seems, 253 00:27:49,680 --> 00:27:50,720 confuses the birds. 254 00:27:53,640 --> 00:27:55,960 He's never seen one quite like this before. 255 00:28:01,640 --> 00:28:05,430 And, while the bird is wondering whether it is edible or not, 256 00:28:05,440 --> 00:28:12,120 the snail can, slowly, make a getaway! 257 00:28:17,880 --> 00:28:22,960 So, it seems that colour can both conceal and confuse. 258 00:28:24,680 --> 00:28:29,040 And sometimes it's used in yet a third, quite different, way. 259 00:28:30,680 --> 00:28:34,470 Some poisonous animals, like this little ladybird, 260 00:28:34,480 --> 00:28:36,680 use colour as a warning. 261 00:28:37,800 --> 00:28:41,070 It's bright red, and that's a message which says 262 00:28:41,080 --> 00:28:43,640 "Keep away, I'm poisonous." 263 00:28:45,520 --> 00:28:50,350 Red, black and yellow are widely understood as warnings. 264 00:28:50,360 --> 00:28:53,910 So, the ladybird's message is a truthful one. 265 00:28:53,920 --> 00:28:55,680 It is poisonous. 266 00:28:58,520 --> 00:29:01,590 But some animals, that are in fact harmless, 267 00:29:01,600 --> 00:29:06,240 have found it profitable to develop these warning colours themselves. 268 00:29:09,280 --> 00:29:12,830 This African queen butterfly, like the ladybird, 269 00:29:12,840 --> 00:29:14,640 is indeed very poisonous. 270 00:29:17,200 --> 00:29:22,600 But this is a different species entirely - a danaid butterfly. 271 00:29:23,840 --> 00:29:26,710 It has almost exactly the same colouration, 272 00:29:26,720 --> 00:29:28,600 yet it's perfectly edible. 273 00:29:29,800 --> 00:29:34,640 It is, you might say, using its colours and patterns to tell a lie. 274 00:29:37,000 --> 00:29:40,550 To our eyes, and to that of the predators, 275 00:29:40,560 --> 00:29:45,110 poisonous and non-poisonous individuals look almost identical. 276 00:29:45,120 --> 00:29:46,870 And that's the point. 277 00:29:46,880 --> 00:29:51,230 The danaid mimics the colours and patterns of the African queen 278 00:29:51,240 --> 00:29:53,040 and, so, it isn't eaten. 279 00:29:56,840 --> 00:30:00,440 Mimicry like this occurs quite frequently among insects. 280 00:30:02,320 --> 00:30:06,070 The yellow and black stripes of this harmless hoverfly resemble 281 00:30:06,080 --> 00:30:09,950 the warning colours of bees and wasps that sting, 282 00:30:09,960 --> 00:30:11,840 so, it's left alone. 283 00:30:14,040 --> 00:30:17,040 Other animals use mimicry to hide. 284 00:30:19,360 --> 00:30:22,520 This moth resembles a broken twig. 285 00:30:27,480 --> 00:30:32,080 A kind of mantis closely matches the shape and colours of a leaf. 286 00:30:36,080 --> 00:30:39,600 Another mantis is shaped and coloured like a flower... 287 00:30:41,920 --> 00:30:44,440 ..and gets a reward for the resemblance. 288 00:30:48,160 --> 00:30:52,840 And one particular caterpillar has come to look like a tiny snake... 289 00:30:57,000 --> 00:31:01,190 ..while this butterfly's wings take on the appearance 290 00:31:01,200 --> 00:31:02,520 of dead leaves. 291 00:31:12,600 --> 00:31:14,390 But there are some animals 292 00:31:14,400 --> 00:31:18,160 which use mimicry for a rather more sinister purpose. 293 00:31:19,920 --> 00:31:24,640 And one such creature lives here on Australia's Great Barrier Reef. 294 00:31:29,000 --> 00:31:33,600 Just beneath the surface, the reef is a riot of colour. 295 00:31:37,320 --> 00:31:41,920 But that means that there are great opportunities for deceptions. 296 00:31:53,800 --> 00:31:55,920 A bluestriped blenny. 297 00:32:04,240 --> 00:32:07,590 It lives close to a cleaning station - 298 00:32:07,600 --> 00:32:11,590 a place on the reef where large fish come to get their parasites 299 00:32:11,600 --> 00:32:15,600 picked off by smaller fish that feed on what they remove. 300 00:32:24,720 --> 00:32:28,120 This little wrasse is one of these cleaners. 301 00:32:30,040 --> 00:32:34,920 It has a long-standing relationship that relies on trust. 302 00:32:37,040 --> 00:32:41,720 The big fish get a health treatment and the little fish get a meal. 303 00:32:44,040 --> 00:32:48,400 But the blenny has learnt how to exploit this trusting relationship. 304 00:32:50,560 --> 00:32:54,360 It leaves its hole and starts looking for a meal. 305 00:32:59,320 --> 00:33:02,120 But the big fish don't seem to trust it. 306 00:33:05,360 --> 00:33:08,480 It's time for a change of costume. 307 00:33:15,560 --> 00:33:19,190 Filmed close up, under controlled conditions, 308 00:33:19,200 --> 00:33:23,160 we can see how the blenny's brown stripes turn black. 309 00:33:30,680 --> 00:33:32,950 The pigment cells in its skin 310 00:33:32,960 --> 00:33:36,640 expand and contract to bring about this subtle change. 311 00:33:39,240 --> 00:33:41,320 But it's enough to do the trick. 312 00:33:46,600 --> 00:33:51,640 The blenny now looks very similar to a juvenile cleaner wrasse. 313 00:33:58,080 --> 00:34:01,190 It's a devious disguise and one that will help it 314 00:34:01,200 --> 00:34:04,670 take advantage of the arrangement the cleaner wrasse 315 00:34:04,680 --> 00:34:06,800 has developed with its clients. 316 00:34:09,640 --> 00:34:14,440 It's spotted a target, a butterflyfish. 317 00:34:18,480 --> 00:34:20,350 The blenny hangs back, 318 00:34:20,360 --> 00:34:24,280 allowing an established cleaner wrasse to start work. 319 00:34:37,120 --> 00:34:39,910 Now the blenny slowly moves in, 320 00:34:39,920 --> 00:34:43,200 as if to offer the same service as the wrasse. 321 00:34:56,120 --> 00:34:57,960 But once within range... 322 00:34:59,880 --> 00:35:01,520 ..it strikes! 323 00:35:06,480 --> 00:35:10,510 Its razor-sharp teeth have removed not just dead skin 324 00:35:10,520 --> 00:35:12,680 but a chunk of flesh. 325 00:35:17,920 --> 00:35:21,160 This isn't the treatment the butterflyfish was expecting. 326 00:35:24,320 --> 00:35:27,430 The blenny's deceit may work for a time, 327 00:35:27,440 --> 00:35:30,200 but, eventually, it has consequences. 328 00:35:32,080 --> 00:35:35,510 Reef fish begin to associate the distinctive colours 329 00:35:35,520 --> 00:35:38,960 of a cleaner wrasse with the pain of the bites of a blenny. 330 00:35:40,960 --> 00:35:45,240 Then they will eventually stop coming to this cleaning station. 331 00:35:49,560 --> 00:35:53,200 And that is bad for business for the blenny, too. 332 00:35:55,680 --> 00:35:58,440 So, it's time to let things cool off. 333 00:36:01,920 --> 00:36:06,390 A quick change back to brown and its deception is over... 334 00:36:06,400 --> 00:36:08,480 ..for now. 335 00:36:09,600 --> 00:36:13,470 All the while, it keeps its eye on the cleaning station 336 00:36:13,480 --> 00:36:16,560 and waits for its next target. 337 00:36:27,880 --> 00:36:30,230 Some animals change colour 338 00:36:30,240 --> 00:36:33,750 for short periods of time in order to deceive others, 339 00:36:33,760 --> 00:36:37,910 but some use colour mimicry permanently as a method 340 00:36:37,920 --> 00:36:42,080 of persuading a different species to rear their young. 341 00:36:44,560 --> 00:36:48,960 One such creature lives here on the grasslands of southern Zambia. 342 00:36:55,160 --> 00:36:57,760 A nest, hidden in the grass. 343 00:37:00,280 --> 00:37:03,840 It belongs to a pair of common waxbills. 344 00:37:11,080 --> 00:37:13,760 They are busy feeding their chicks. 345 00:37:16,160 --> 00:37:20,590 The hungry youngsters open their beaks to display a conspicuously 346 00:37:20,600 --> 00:37:25,520 patterned gape which says, in effect, "Food here, please." 347 00:37:28,520 --> 00:37:30,120 And the parent obeys. 348 00:37:46,200 --> 00:37:50,440 But among them, in this nest, there is an impostor. 349 00:37:54,760 --> 00:37:57,800 One is significantly bigger than the rest. 350 00:37:59,480 --> 00:38:00,790 It hatched from an egg 351 00:38:00,800 --> 00:38:02,750 that was surreptitiously laid 352 00:38:02,760 --> 00:38:04,270 in the waxbills' nest 353 00:38:04,280 --> 00:38:06,680 by a pin-tailed whydah. 354 00:38:08,920 --> 00:38:12,750 Having done so, she flew away leaving her young to be 355 00:38:12,760 --> 00:38:14,680 cared for by the waxbills. 356 00:38:17,040 --> 00:38:19,840 But why do the waxbills feed this impostor? 357 00:38:22,840 --> 00:38:24,990 The parent birds recognise their young 358 00:38:25,000 --> 00:38:28,280 by the pattern of their gapes... 359 00:38:31,080 --> 00:38:35,200 ..and the black-and-white markings are characteristic of their species. 360 00:38:37,280 --> 00:38:42,190 But the imposter's markings closely mimic those of its nest-mates, 361 00:38:42,200 --> 00:38:47,070 and because it is bigger, it takes nearly all the food, 362 00:38:47,080 --> 00:38:49,920 and the young waxbills get little or none. 363 00:39:08,480 --> 00:39:10,040 Two weeks later... 364 00:39:11,360 --> 00:39:14,440 ..and the young whydah is much bigger. 365 00:39:26,480 --> 00:39:27,870 By now, however, 366 00:39:27,880 --> 00:39:30,030 the adult waxbills have accepted 367 00:39:30,040 --> 00:39:32,430 the young whydah as their own, 368 00:39:32,440 --> 00:39:34,550 and the more it begs, 369 00:39:34,560 --> 00:39:36,040 the more they give it. 370 00:39:56,880 --> 00:40:01,320 One last meal from its luckless foster parents... 371 00:40:07,240 --> 00:40:08,630 ..and the young whydah 372 00:40:08,640 --> 00:40:11,400 leaves its nest-mates behind. 373 00:40:23,040 --> 00:40:26,830 And this is what it will grow up to be, 374 00:40:26,840 --> 00:40:29,550 quite different from the hard-working waxbills 375 00:40:29,560 --> 00:40:30,880 that raised it. 376 00:40:33,200 --> 00:40:36,990 All pin-tailed whydahs are reared like this. 377 00:40:37,000 --> 00:40:39,200 Mimicry wins. 378 00:40:46,000 --> 00:40:48,910 Deceiving a different species is one thing, 379 00:40:48,920 --> 00:40:54,960 but in South Africa, one animal uses mimicry to fool its own kind. 380 00:40:58,200 --> 00:41:01,070 The Orange River, the largest in South Africa, 381 00:41:01,080 --> 00:41:05,440 and on it, the Augrabies Falls. 382 00:41:10,920 --> 00:41:12,710 These are the main home 383 00:41:12,720 --> 00:41:16,280 of a particular species of flat-back lizards. 384 00:41:20,480 --> 00:41:23,440 The males are brilliantly coloured. 385 00:41:29,560 --> 00:41:32,880 The females, on the other hand, are very different. 386 00:41:38,120 --> 00:41:40,360 They are plain and drab. 387 00:41:44,360 --> 00:41:47,630 The brilliance of a male's colours is an indication 388 00:41:47,640 --> 00:41:49,840 of its physical fitness and strength. 389 00:41:54,920 --> 00:41:58,200 The higher their status, the more colourful they are... 390 00:42:00,280 --> 00:42:04,360 ..and they're not afraid to make their seniority quite clear. 391 00:42:12,200 --> 00:42:13,710 A side-shuffle dance, 392 00:42:13,720 --> 00:42:15,550 showing off their colours, 393 00:42:15,560 --> 00:42:16,990 is usually quite enough 394 00:42:17,000 --> 00:42:18,520 to settle who is the boss. 395 00:42:20,960 --> 00:42:24,080 But if that doesn't work, they fight. 396 00:42:38,320 --> 00:42:41,680 Their disputes are all about location. 397 00:42:46,000 --> 00:42:50,390 Sometimes they want a vantage point from which to show off. 398 00:42:50,400 --> 00:42:53,990 At others, a good place to hide, 399 00:42:54,000 --> 00:42:55,870 or to get close to the river, 400 00:42:55,880 --> 00:42:57,520 where there's food. 401 00:43:00,880 --> 00:43:05,120 Here on these falls, food means flies. 402 00:43:09,400 --> 00:43:12,710 The river is a breeding ground for blackflies. 403 00:43:12,720 --> 00:43:14,800 There are huge swarms of them. 404 00:43:16,200 --> 00:43:19,760 And they are the favourite food of the lizards. 405 00:43:24,880 --> 00:43:27,760 They have acrobatic skills needed to catch them. 406 00:43:54,360 --> 00:43:58,190 While the colourful males are busy feeding, 407 00:43:58,200 --> 00:44:01,520 a different kind of male appears. 408 00:44:03,760 --> 00:44:06,680 He is brown, rather like a female. 409 00:44:12,160 --> 00:44:15,190 There's just a hint of blue on his throat 410 00:44:15,200 --> 00:44:17,320 that gives him away as a male. 411 00:44:22,800 --> 00:44:24,870 He's fully mature, 412 00:44:24,880 --> 00:44:28,800 but not yet strong enough to compete with his flashier neighbours. 413 00:44:30,920 --> 00:44:35,350 To avoid fighting, he delays the development of his colours, 414 00:44:35,360 --> 00:44:38,030 and so mimics a female. 415 00:44:38,040 --> 00:44:41,760 One in ten young males behave in this way. 416 00:44:43,560 --> 00:44:45,590 But he still needs to eat, 417 00:44:45,600 --> 00:44:49,880 and to do that he's got to get down to the river where the flies are. 418 00:44:51,640 --> 00:44:56,480 That means getting past the powerful, highly coloured males. 419 00:45:03,920 --> 00:45:06,990 One thing could reveal the deception. 420 00:45:07,000 --> 00:45:08,990 He may look like a female, 421 00:45:09,000 --> 00:45:11,000 but he smells like a male. 422 00:45:17,440 --> 00:45:20,920 As long as he keeps his distance, he'll be all right. 423 00:45:24,600 --> 00:45:28,280 The big male hasn't noticed that he's not a female. 424 00:45:45,760 --> 00:45:47,320 Almost there. 425 00:45:49,800 --> 00:45:53,000 Only one male now stands in his way... 426 00:45:56,160 --> 00:45:59,120 ..the most dominant and aggressive of the lot. 427 00:46:22,280 --> 00:46:23,720 He's made it. 428 00:46:24,720 --> 00:46:30,000 His disguise worked and now he can feast on the flies. 429 00:46:49,160 --> 00:46:52,390 He won't be able to keep this up for ever. 430 00:46:52,400 --> 00:46:56,270 Ultimately, all males have to put on their glad rags 431 00:46:56,280 --> 00:47:00,080 and develop those bright colours if they are to breed. 432 00:47:05,520 --> 00:47:08,790 For now, though, he's developed a disguise that enables him 433 00:47:08,800 --> 00:47:12,920 to cheat in one of nature's most colour-dependant mating systems. 434 00:47:18,720 --> 00:47:21,430 So, animals of all kinds 435 00:47:21,440 --> 00:47:24,720 use colour in a multitude of different ways. 436 00:47:26,640 --> 00:47:29,790 New discoveries are giving us fresh insights 437 00:47:29,800 --> 00:47:32,200 into the lives of these animals... 438 00:47:33,320 --> 00:47:36,270 ..and new cameras are allowing us to see 439 00:47:36,280 --> 00:47:39,600 into a world of colour as never before. 440 00:47:52,920 --> 00:47:56,990 We're only just beginning to understand the many different ways 441 00:47:57,000 --> 00:47:59,790 in which animals use colour, 442 00:47:59,800 --> 00:48:03,600 particularly those colours that we can't even see. 443 00:48:09,640 --> 00:48:12,710 For us, colour in the natural world 444 00:48:12,720 --> 00:48:16,270 is a source of beauty and wonder, 445 00:48:16,280 --> 00:48:19,880 but for animals, it's a tool for survival. 446 00:48:39,880 --> 00:48:44,800 We've seen in this series that colour is crucial for survival. 447 00:48:50,360 --> 00:48:54,440 So what happens to animals when their world changes colour? 448 00:48:56,880 --> 00:48:59,790 The experts we've worked with in the field 449 00:48:59,800 --> 00:49:02,080 have been helping us to find out. 450 00:49:05,360 --> 00:49:10,350 In the Cairngorms, in Scotland, I met Jim Cornfoot, a land manager 451 00:49:10,360 --> 00:49:13,720 and an expert on the natural history of these mountains. 452 00:49:14,880 --> 00:49:17,390 How long have you been here now? 453 00:49:17,400 --> 00:49:19,590 Over 30 years since I started up here, 454 00:49:19,600 --> 00:49:23,070 so I've seen a lot of different changes, you know. 455 00:49:23,080 --> 00:49:24,350 In what way? 456 00:49:24,360 --> 00:49:27,390 On the Cairngorm Plateau, there's areas where we have snow patches 457 00:49:27,400 --> 00:49:28,590 lasting all the year round, 458 00:49:28,600 --> 00:49:30,470 but if you look at the last sort of 20 years, 459 00:49:30,480 --> 00:49:34,070 there's five, six times where the snow's completely gone, 460 00:49:34,080 --> 00:49:38,110 and in over sort of 200, 250 years, there's only been seven times 461 00:49:38,120 --> 00:49:39,470 that that's happened. 462 00:49:39,480 --> 00:49:42,150 Has that had a great effect on the wildlife? 463 00:49:42,160 --> 00:49:44,910 You know, they're out of kilter, basically, 464 00:49:44,920 --> 00:49:46,670 with what's going on around them. 465 00:49:46,680 --> 00:49:48,630 So things like mountain hare, ptarmigan, 466 00:49:48,640 --> 00:49:51,590 they're standing out with the browns and the heather behind them. 467 00:49:51,600 --> 00:49:52,790 And they're still white? 468 00:49:52,800 --> 00:49:56,270 And they're still white, yes, so they're not set up for that, 469 00:49:56,280 --> 00:49:58,390 so if it's a very poor winter, 470 00:49:58,400 --> 00:50:00,320 you know, they're suffering. 471 00:50:01,560 --> 00:50:03,750 Ptarmigan, a kind of grouse, 472 00:50:03,760 --> 00:50:07,110 live year-round in this exposed environment 473 00:50:07,120 --> 00:50:09,800 where there are few places to hide. 474 00:50:16,080 --> 00:50:21,080 But now, as the world warms, things are changing dangerously. 475 00:50:22,840 --> 00:50:27,920 The recent decrease in snow cover has made them only too conspicuous. 476 00:50:32,120 --> 00:50:34,550 Animals like this mountain hare, 477 00:50:34,560 --> 00:50:38,120 also in its winter coat, can be seen from far away... 478 00:50:40,240 --> 00:50:42,920 ..and that makes life very hazardous. 479 00:50:45,280 --> 00:50:50,400 These changes are affecting animals all around the northern hemisphere. 480 00:50:52,040 --> 00:50:57,470 In North America, the reduced snow cover has caused snowshoe hares 481 00:50:57,480 --> 00:51:01,480 to be mismatched on average for a week a year. 482 00:51:03,000 --> 00:51:06,230 During the time, the hare is 10% more likely 483 00:51:06,240 --> 00:51:08,920 to end up as someone else's dinner. 484 00:51:10,320 --> 00:51:14,950 By the end of the century, the loss of snow cover is predicted to expose 485 00:51:14,960 --> 00:51:17,750 the hares for up to eight weeks a year, 486 00:51:17,760 --> 00:51:22,320 so increasing their annual mortality by almost a quarter. 487 00:51:23,600 --> 00:51:25,630 Unless they can adapt rapidly, 488 00:51:25,640 --> 00:51:28,680 they could be in serious danger of extinction. 489 00:51:32,840 --> 00:51:37,160 While a warming climate is causing problems in northern habitats... 490 00:51:38,760 --> 00:51:43,080 ..it's also driving colour changes in other parts of the world... 491 00:51:46,680 --> 00:51:49,150 ..including some of the most beautiful, 492 00:51:49,160 --> 00:51:51,960 colour-rich habitats on our planet... 493 00:51:53,680 --> 00:51:55,080 ..coral reefs. 494 00:52:01,120 --> 00:52:06,120 Our Australian team spent months filming on the Great Barrier Reef. 495 00:52:15,960 --> 00:52:19,960 In these sunlit waters, colour is everywhere. 496 00:52:23,240 --> 00:52:25,950 But this habitat is being subjected 497 00:52:25,960 --> 00:52:29,950 to the most drastic colour change imaginable, 498 00:52:29,960 --> 00:52:33,840 and our crew witnessed it first-hand. 499 00:52:37,680 --> 00:52:41,960 The corals have suddenly turned into white skeletons. 500 00:52:44,320 --> 00:52:47,150 It's called coral bleaching 501 00:52:47,160 --> 00:52:49,680 and it's now happening only too frequently. 502 00:52:54,320 --> 00:52:56,070 On the Great Barrier Reef, 503 00:52:56,080 --> 00:53:01,070 such events have increased from once in every 25 years 504 00:53:01,080 --> 00:53:03,720 to three events in the last five. 505 00:53:13,880 --> 00:53:17,390 Professor Jorg Wiedenmann from the Coral Reef Laboratory 506 00:53:17,400 --> 00:53:19,670 at the University of Southampton 507 00:53:19,680 --> 00:53:23,520 has been working to discover what is behind these changes. 508 00:53:25,840 --> 00:53:29,110 The key is the relationship between coral 509 00:53:29,120 --> 00:53:32,880 and the microscopic algae that live in their tissues. 510 00:53:35,760 --> 00:53:39,270 These algal partners are called symbionts. 511 00:53:39,280 --> 00:53:42,240 It's they that give the coral its colour. 512 00:53:43,840 --> 00:53:47,830 The algae, when they photosynthesise during the daylight hours, 513 00:53:47,840 --> 00:53:52,950 use sunlight to grow, excreting sugars as a by-product, 514 00:53:52,960 --> 00:53:55,680 which are then absorbed by the corals. 515 00:53:59,920 --> 00:54:04,630 This partnership was established during the time of the dinosaurs 516 00:54:04,640 --> 00:54:09,230 and has been such a success that it has created structures 517 00:54:09,240 --> 00:54:10,960 that are visible from space. 518 00:54:12,200 --> 00:54:15,830 But warming seas are disrupting this system. 519 00:54:15,840 --> 00:54:20,630 So, when the seawater temperatures rise above a critical threshold, 520 00:54:20,640 --> 00:54:23,990 the photosynthetic machinery of the algal symbionts 521 00:54:24,000 --> 00:54:25,680 starts to malfunction. 522 00:54:29,840 --> 00:54:33,150 They begin to produce toxic compounds which cause 523 00:54:33,160 --> 00:54:36,240 the corals to expel them from their tissues. 524 00:54:40,440 --> 00:54:43,040 So the coral loses its colour. 525 00:54:44,400 --> 00:54:46,120 It bleaches. 526 00:54:50,240 --> 00:54:55,710 Sometimes the bleached corals die, and then the entire ecosystem, 527 00:54:55,720 --> 00:54:59,080 together with everything it supports, is lost. 528 00:55:02,240 --> 00:55:06,350 Almost half of the corals in the Great Barrier Reef 529 00:55:06,360 --> 00:55:10,080 have died this way over the last 15 years. 530 00:55:15,720 --> 00:55:17,630 But in the last decade, 531 00:55:17,640 --> 00:55:20,790 there have been reports from various parts of the world 532 00:55:20,800 --> 00:55:24,880 of coral developing startling neon colours. 533 00:55:30,680 --> 00:55:32,790 We're just beginning to realise 534 00:55:32,800 --> 00:55:36,280 that corals are using colour to fight back. 535 00:55:41,120 --> 00:55:44,280 Jorg is studying how this works. 536 00:55:45,560 --> 00:55:48,790 This coral has lost its algal symbionts, 537 00:55:48,800 --> 00:55:50,430 but instead of turning white, 538 00:55:50,440 --> 00:55:53,440 it's producing these bright, neon-green pigments. 539 00:55:55,840 --> 00:55:59,750 The coral produces these pigments to protect the remaining algae 540 00:55:59,760 --> 00:56:03,830 inside of the tissue from excess light stress. 541 00:56:03,840 --> 00:56:07,240 So they act as a sort of sunscreen for the symbiont algae. 542 00:56:09,440 --> 00:56:14,270 This coral sunscreen makes it more likely that the bleached coral 543 00:56:14,280 --> 00:56:17,270 will be able to take back its algal partners, 544 00:56:17,280 --> 00:56:22,120 restoring its food supply, its colour, and helping it to recover. 545 00:56:24,360 --> 00:56:28,190 But even this extraordinary adaptation is not enough 546 00:56:28,200 --> 00:56:32,670 to protect coral against all the changes it is now facing. 547 00:56:32,680 --> 00:56:36,430 If corals have been exposed only to mild stress, 548 00:56:36,440 --> 00:56:38,240 then they can recover from bleaching. 549 00:56:40,000 --> 00:56:42,630 But if corals are subjected to prolonged 550 00:56:42,640 --> 00:56:44,870 or extreme levels of heat stress, 551 00:56:44,880 --> 00:56:49,350 they lose their ability to create these sunscreen pigments 552 00:56:49,360 --> 00:56:51,040 and are likely to die. 553 00:56:52,200 --> 00:56:56,000 And unfortunately, global warming is making this more likely. 554 00:56:57,440 --> 00:56:58,990 There's a severe danger 555 00:56:59,000 --> 00:57:03,270 that corals will be exposed to episodes of stress 556 00:57:03,280 --> 00:57:06,790 where they can't recover and where they can't use these pigments 557 00:57:06,800 --> 00:57:08,680 to bounce back from bleaching. 558 00:57:10,600 --> 00:57:13,150 So, although colour might be helping coral reefs 559 00:57:13,160 --> 00:57:15,430 to tolerate some of the change, 560 00:57:15,440 --> 00:57:20,830 only action to halt global warming will ensure their survival. 561 00:57:20,840 --> 00:57:24,030 If warming continues, then they, 562 00:57:24,040 --> 00:57:27,070 together with the beautiful array of colour they provide, 563 00:57:27,080 --> 00:57:29,960 will disappear from the reefs of the world. 46486

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