Original subtitles

Provided by explosiveskull https://twitter.com/kaboomskull

Excuse me, do you have a phone I can borrow?

We're closed now. Try across the road, yeah?

Okay.

[Banging on door]

[Banging on door]

[Heavy breathing]

[Ominous music]

[Music continues]

- Hey, Kelly. - Stay away from me.

- Where were you? - Fell asleep.

- Where? - Just at a friend's.

Is that what you call him?

She got brought home by the police.

- Why didn't you get a bus? - You told me to wait for you.

I thought I could rely on you.

You're lucky we got back here before him.

- And so he doesn't know. - Not yet.

- Grow up. - How about you grow up? No mum.

Kelly! Did you hear that?

- I'm really glad you're... - That's enough.

[Door slams]

- Just quiet. - Hear what she just called me?

Shh, just quiet for a minute.

We've had enough arguments in this house.

[Car door closing]

[Car starting up]

Dad.

[Radio playing] [Inaudible dialogue]

I shouldn't have come here last night.

Thanks. Why not?

I know you'd rather I wasn't here. I understand

but this is a bit of a pattern emerging, isn't it?

Once, over a year ago.

You know, I could stay.

What, with your mum and sister?

I think you know what I mean.

I'm struggling with my sister.

What has she done? You never explained any of this.

I don't think you can blame Yakira for it all.

I'm hoping some time apart might be good for the girls.

I'm supposed to try to keep families together.

Some time apart might be a good thing for the girls

but because there's been a previous referral here,

that doesn't change things much for us.

Yes, but the police overreacted last time.

That would be mentioned in the assessment.

The assessment?

Yakira, you walk around in a cloud,

expecting me to see through it.

I'm trying.

Always trying, always failing.

You never even answer your phone.

- I told you don't say always. - Talk then.

You always say always and I don't always anything.

Now you're sabotaging the conversation.

For fuck's sake.

I'm required to make a section 47 inquiry.

You can always leave.

How are you going to make an assessment

if Yakira's not living here?

The focus for the inquiry will be more on you, Michelle.

Like you said,

I don't think Yakira's to blame for it all.

[Footsteps]

I just want this to be a nice calm conversation.

It's a chance for us all to talk as a family, together.

Girls. So, family stuff.

We, your mother and I, we're looking for the right moment

to give you more detail about our plans.

We're making some changes to our lives.

- We know that. - Kell.

- Kell, stop. - Thank you.

So, I'm going to be moving out. Yaki's coming with me.

It's something we talked about a lot

and we feel that it's right.

Kels, you're going to be staying here with your mum.

Sorry, it's not that it's right just... It's the best thing.

The best thing? No, right now it's the right thing,

the right thing to do.

Kels, could you please stop tipping back on your chair?

- She's okay. - Okay.

We just think it's appropriate,

given the circumstances, that your sister comes with me.

- Oh, thank God. - Kelly.

Dad, can you just get on with it?

Well, I'm trying to explain it.

- We're going to spend time apart - A trial separation.

That's nice.

If all goes well,

we're not gonna see each other again.

We're trying to do what's best for everyone, Yakira.

- Dad, can you talk normally? - Well...

So, we've decided on a day...

Sorry, can I...? I'm doing this, please.

- It's just for moving stuff out. - When?

Can you just tell them?

All right. One thing at a time.

We're going to be moving some stuff out,

get rid of some clutter around here.

- What, like me? - Darling.

A bit of space.

Ugh, can someone just answer me?

It's not like it's the end. Nobody has died.

When are we moving?

Kels, could you stop tipping back in your chair?

We're going to be moving things out in two stages.

- When are we moving? - Sorry?

Will you just talk to me?

- We're moving in two stages. - Sunday.

- What? - Can I just...? Sunday.

- we're going to my brother's. - Tony's?

Yeah.

Tony's in Edinburgh.

- The other side of the country. - Darling.

Are you joking?

Are you fucking joking, man?

Don't swear in front of your sister.

It's not forever, it's just for a bit,

just while we sort things out.

- No. - Yakira, it's not that far away.

- [Glass shatters] - Oh, for God's sake.

- Look what's happened. - It was an accident.

- You stopped me from telling her - It doesn't matter.

- Why are we going to Edinburgh? - Doesn't matter?

They were wedding presents, it doesn't matter.

Haven't we been through enough?

I use those decanters.

From my sister and her husband, you didn't like them.

- What's that got to do with it? - They bought us the decanter.

- What's that got to do with it? - You remember our wedding?

- Not if I can fucking help it. - Dad, don't swear.

- Sorry, Kelly. - Move, darling, there's glass.

- Impossible. - Where's Yakira?

- Are you all right? - Mmh.

Go on, off you go.

[Door opening and closing]

[Ominous music]

[Music continues]

Where's dad?

- I've had a difficult day. - You've had a difficult day.

- Yeah. I need to talk to Kelly. - I need to talk to you.

She can't call me "no mum". I have a mum.

I understand but at this rate

you're not going to have a sister.

You don't understand that, Michelle.

- And why is she always protected? - Because she's a kid

- and you're not a kid anymore. - I still get treated like one.

- You've got me into trouble. - How?

Police have got Social Services involved.

They were here this afternoon.

We were a pretty good family for a while, weren't we?

I thought we were.

I don't want you girls to lose touch but

you're making things difficult.

It's me.

[Phone dings, automatic voice]

Yakira, how can I be of assistance?

How do I get out of this mess?

You live at 47 Mount End Road.

At the top of Mount End Road, turn left onto Banks Lane.

From Banks Lane turn right onto the A121 South.

Traffic congestion is at a minimum at this off peak time.

[Indistinct automatic voice]

[Ominous music]

Mum. Mum.

[Repeating "mum"]

[Ominous music]

[Music continues]

[Choir music]

[Downtempo music]

An alert's gone out as it involves a minor.

Right.

Do you have any idea of a motive?

No.

None of them have mentioned anything to you?

We're going through a family separation.

- You said Kelly was 12. - Yeah.

- It would be abduction. - Look, I just want them back.

Of course.

Any history we should know about?

No alcohol or substance abuse?

No, Yakira wouldn't touch anything like that.

She doesn't even smoke.

Mobile?

Yeah. Yakira, she has a phone.

I've called it all morning. There's no answer.

Can we try it again?

May I?

Leave it ringing.

[Phone vibrates]

- Is that Yakira's? - Yeah, it's her phone.

[Ominous music]

- Kelly. - Where the hell are we?

Somewhere in the South, South Downs.

How long have we been driving?

I don't know, like two, three hours.

[Arguing in the background]

I'm in my fucking pyjamas. You bitch.

[Slap]

[inaudible]

[Car boot door slamming shut]

Yakira, let me out now.

Yakira, fucking get me out of here.

Yakira, when mum finds out, she'll not be happy.

Get me out of this thing, okay?

I'm literally not playing. Get me out of here right now.

Yakira.

Is there anything else we should know about?

Have either of the girls been in any trouble before?

No. They're good girls.

- Any problems recently? - No.

So, apparently Kelly was picked up the night before last.

- No. - Yeah.

She had a panic attack.

- She got locked in the cinema. - What?

- No chance to tell you. - Are you for real?

Her sister was meant to be meeting her.

There's a referral for a Social Services inquiry.

Yakira, let me out. I can't breathe. Yakira.

I'm gonna let you out. Just calm down, okay?

Let me out!

[Puts radio on]

Yakira.

How hard can it be?

You lot, you put fucking cameras everywhere.

You know what, there's probably one on me now.

How is it if I go two miles over the speed limit,

by the time I get home there's a fine on my doormat

and you can't find two girls.

It's a 1980s glacier blue 5 Series BMW.

I mean, it's not like there's many of them on the road.

This isn't Finding fucking Nemo.

- Thank you. - Fucking hell.

- Get out of my car. - Whoa.

- Get out of my car. Jesus. - Sorry, sorry, it's okay.

Sorry. I'm so sorry. I thought you pulled up for me.

No, no, I stopped...

I thought you saw me back there with my thumb out.

I stopped for a piss. Just get out of my car now.

- Okay. I'm leaving the car. - Let me out of here.

Help me. Help me, please.

- She's just... Please get out. - Don't get out. Please help me.

- I've been kidnapped. She's crazy - She's Kell.

- Just get me out of here, please - That's my sister.

We've had a little misunderstanding

and I'm just giving her a bit of time to calm down.

Don't go. Please do not leave. Help me get out of here.

- She's okay. She's fine. - In the boot.

Yakira, you're such a bitch.

Yakira, get me out. Where are we going?

Can someone talk to me?

- Get me out of the boot. - Just get out of my car, please.

It's not her car, okay? It's my dad's.

- You need to get out right now. - I'll get out.

- No, don't go. - Thank you.

After you've taken me to Westbury.

No. No way.

- I've got to get there. - Yakira.

- That's not my problem. - Yakira, who the hell

- is it in the car? Yakira. - It is now.

- Get out now. - I will call the police.

No, no, no. You don't need to do that.

[Ominous music]

Yakira. Yakira, get me out now.

Yakira, you've got to get me out of here.

Right, whoever that is, get me out of here. Yakira.

For fuck's sake, man.

[Music continues]

Come out now, Kelly, if you want to talk.

After you drop me off.

She can stay in there for a bit

No, we need to let her out of there.

- Why? - She has panic attacks.

Right.

I'm taking you to see my mum.

I promise it'll make sense when we're there.

Am I supposed to care?

[Soft music]

No.

There was a time

when we were all supposed to go

visit the grave.

I overheard Dad say to Michelle

that it would be too upsetting for you

and I really hated you for that.

But that wasn't my fault.

No. I know that now.

How old were you when she died?

I was seven.

Then he had you the next year.

That wasn't my fault either.

No.

But it was too much for me.

Can I have a hug?

Yakira, can I have a hug?

- Leave me alone. - Fuck's sake. Kelly.

Kelly. Come here.

- Get away from me. - Kelly, come back here.

Stop running.

No, I haven't... I've never seen that.

I don't know where they get such a thing.

Get off me. Fuck you. Get off.

Get that fucking car running.

Get off me.

What's this got to do with finding our daughters?

I'm sorry, I just...

I don't understand your logic here.

Why would they have it?

- Why would they've thrown it out? - Good question.

Does it matter if they threw the fucking Pope out of the car?

I don't want that thing in my house.

I don't want a discussion about it.

I want our daughters found

and I want to talk about how we're gonna find them.

We just need to know if it was in the car to start with.

- In the car, out the car, it's.. - Because it could be a lead.

If they bought it, we need to find where they got it and why,

and that's gonna take up resources, time, money.

Resources taken away from finding them.

What, is this some kind of police funding sob story?

Mr Lovegrove.

Well, you may as well pass the fucking hat around.

- Paul. - Well, come on. I mean...

But it could lead us to them.

But if it was in the car already, it couldn't.

Simple as that.

- Okay. So, it wasn't in the car. - Right.

- Can we move on now, please? - Sure.

So, we'll put someone on it. See what we can find out.

Okay.

Don't put someone on it.

What are you talking about?

It was...

- It was in the car. - What?

- It was in the car. - It's yours.

Yes, it's mine.

[Ding]

The fuel is low.

There's a garage just in front. Yeah.

Put this on.

[Thudding]

[Ominous music]

Mum. Mum.

Help me.

Help, I've been kidnapped. Call the police.

Hey, get your phone out, film it and send it to the police, okay?

I need you to get me out of here.

- Please help me get out of here. - Fuck.

[Fast-paced music]

[Yelling indistinctly]

Go.

- Yakira, what are you doing? - Just calm down.

- I'm trying to help you out. - Get off of me.

Stop the car and get off me.

Why are you letting him do this? Yakira.

You're such a fucking weirdo. Get off of me.

Everybody calm down. I'll pull over in two seconds, okay?

Turn left the next junction.

- Turn left. - Okay, I'm turning left.

Get off me.

Keep fucking quiet and you're all right. Okay?

Fuck.

Where is it?

- Got rid of it. - Like it never happened.

Yes, let's sweep it under the carpet and forget it.

Ugh, what does that even mean?

Like the kids. Like me.

Like anything that's too tough to face.

- What about your secrets? - Fine. Sure.

Have a go at me about the cinema fiasco.

You were supposed to take them, remember?

Don't guilt me. It doesn't excuse...

Anyway, I didn't say I would.

I said I might, be able to take them.

Well, now I know why you couldn't, thanks to the police.

You checked out on them, Paul,

and now Yakira's checked out on Kelly.

- Don't you get it? - It's not true.

What's not true?

That your kids don't learn from you?

Wake up.

[repeating "Wake up"]

- Keep going. - Yakira.

Where are we going?

[Fast-paced music] [Indistinct voices]

Are you saying it's my fault?

[repeating "My fault"]

- Wake up. - Stop fucking dreaming.

[Music continues]

I think I need you out of here for a bit.

No, if we can just get through this, then...

I think we're done.

Where am I gonna go?

I don't care.

What now?

I've been monitoring the roads,

let things cool down a bit.

Then we'll leave early.

Drop me at the edge of the forest.

I'll make my own way from there.

Do you think the police are gonna see that video?

The whole fucking world could have seen it by now.

When you head off, be careful.

There's cameras everywhere.

Plate recognition, face recognition.

Want to make it home?

Use the B roads.

Don't go through towns, no motorways,

and don't use your phone. They'll track it.

I've got to get Kelly back.

Go now, if you like.

But do you have any idea how bad that video's gonna look?

The car's stolen,

you legged it without paying for the food

or the petrol in broad daylight,

she's screaming at the fucking windows.

They'll want you for abduction.

Here, there's a jacket in there and some shoes,

it's gonna get cold.

- Supposed to sleep here? - It's just a few hours.

We'll head back in the morning and I'll take you straight home.

Why did you have to go and scream and shout like that?

Why did you have to take me?

Look, I just want mum and dad, okay?

You call them.

[Phone rings]

Michelle.

The police wanna see us first thing.

- Right, okay. - Be here at 7.30.

Are you all right, Michelle? [Line disconnected]

[Storm cracks]

Cheers.

Why did you take her for, anyway?

I don't know.

I had some stuff to say but we don't talk much back there.

My mum's buried less than an hour away from here.

I haven't been there since the funeral.

- What got her? - Chemotherapy did her in.

Her body couldn't take it.

She had a fit or something,

was taken away in an ambulance and that was it.

I guess I just wanna go back to there

and do something different.

It's hard to escape it, you know.

I just wanna say a better goodbye, I guess.

[Soft music]

What have they done with Kelly?

She's in the car. Here.

[Kelly over speakers] I've been kidnapped. Call the police.

Can you just call the police for me, please?

We're obviously taking this very seriously.

What's going on?

It appears she's keeping Kelly against her will.

Yeah, I can see that.

That car can't be on the road without being seen.

- Can you play it again, please? - Sure.

[Kelly over speakers] I've been kidnapped. Call the police.

Can you just call the police for me, please?

[Ominous music]

[Fast-paced music]

[Screaming]

[Thud]

Yakira?

Yakira.

[Soft music]

[Music continues]

[Phone rings and vibrates]

Kelly, get up, we've got to go.

You're not gonna fucking believe it. Kelly.

Kelly!

Kelly!

Kelly?

Kelly, I'm not playing around.

Kells.

Kells.

Kelly. Kelly.

[Ominous music]

[Phone rings]

Paul. Oh, sorry, I was expecting someone.

Sorry, who is it? Kade, Kaden.

Oh. Fine.

Okay, right.

[Soft music]

Yeah, that's fine.

No, no, don't come to me. Yeah, I can come to you.

Kelly.

Kelly. Kells.

Oi. What the fuck are you doing?

Oi.

[Heavy breathing]

Get off me. I'm trying to find my sister.

[Thud] [Ringing]

[Ominous music]

[Repeating "Mum"]

Can I help you?

I think you might be looking for me.

- What's your name, sweetheart? - Kelly. Kelly Lovegrove.

Okay. Go to the door here

and I'll come around and meet you.

It's me.

[Phone, automatic voice] How can I be of assistance?

I have to help Kelly. I've lost her.

- Kelly is with me. - She's with you?

- Yes, that is correct. - Where are you?

- I am with Kelly. - I need help to find her.

Are you okay?

My sister left me.

Well, you're safe now.

I'll get you a glass of water, okay?

- Say goodbye, Yakira. - No.

Where is my sister? Is she okay?

I couldn't say.

But she is with you?

Yes, she is with me.

Kelly is with me.

[Footsteps] [Heavy breathing] [Knock on door]

[Soft music]

She's got them. She's got them.

Hello? Please, I'm looking for a phone.

I've lost my sister and she's 12

and she's lost somewhere here.

I'm really tired

and I just need a phone

so that I can call her and know that she's safe.

- I'm really sorry. - No problem. Here.

Thanks.

It's one of my old phones. She asked me for it.

Hello.

- It's engaged. - Kelly. Kelly, can you hear me?

You've got a nerve calling me after what you did.

Oh, no, wait, Kelly, please, just listen for a second.

- What, are you using his phone? - I'm not.

- I'm at the police station. - Can you just let me explain?

No. I don't have to understand you and all your shit.

You will just run off to some bloke.

He tried to steal the car.

No, wait, I chased him.

- I knocked him out with a log. - I just don't believe you.

Kelly, please. Kelly.

I love you. I love you.

[Line disconnects]

It doesn't mean anything, you know. Batteries can die.

Something will work out.

Do you think she's capable of hurting Kelly?

On purpose? I'd say no.

[Ominous music]

It's nothing to do with me. It's the sister you want.

I'm an innocent hitchhiker.

Well, she's got a right stack of charges to answer to.

Don't play the innocent.

I told you,

I was just a man trying to make my way.

Yeah, really?

Making your way where?

[Phone ringing]

Hello.

Phone.

- Hello? - You hit him hard.

- Kelly. - Look, I've left the station.

No. No, I think it's best that you stay there.

I saw a church towards the edge of town. I'll meet you there.

- A church? - What did you say?

Kelly, are you still...?

- Hello? - The phone battery's dying.

[Ominous music]

[Heavy breathing]

You seem really easy to talk to.

Yeah.

Some people don't seem to think so.

Where's the car?

She could have torched it.

That would be really convenient for you, wouldn't it?

Bet that's where he stashed it.

Stashed what?

You're coming with us to find the car.

We'll start where you camped.

[Ominous music]

[Voice over PA] There's a sighting at St Mary's church.

Looks like it's the little girl.

You could double-back. It's on the other side of the village,

just off the A31.

This will be interesting.

[Ominous music]

What's this, an apology?

- Yes, it is. - What for?

You know, I haven't checked out, Michelle.

I don't wanna give up on us.

- Maybe if I could just be here... - You've bought me those before.

Those dianthus,

I don't like the smell, remember?

Do I need to remind you once again

whose favourite flowers those were, Paul?

Do you know that your late wife

has been more present in our marriage than you have?

I found this.

You should read it.

You might wanna sit down.

[Yakira] Dear Kelly, you call me "no mum".

I hate you for it

but I'm actually grateful to you, though.

If it wasn't for you, she wouldn't get mentioned at all.

I do have a mum.

She was a big part of me but that I can't let go of.

I know dad doesn't want to face it all, feel it all.

[Paul] I think a bit of dad got buried back then.

The part that cried and really laughed,

the bit that sparkled.

[Yakira] It's a shame. He would have liked it.

[Paul] It's like he's not been fully here since. Not properly.

[Yakira] And now we are going, it feels like I'm losing you too.

[Paul] Like going through the same thing again,

making the same mistake.

So, before we go, goodbye.

I'm sorry and I hope you can forgive us.

Your sister, Yakira.

[Soft music]

[Music continues]

Kelly, stop, stop, it's over.

It'll be okay.

I'm handing myself in.

Yakira Lovegrove, I'm arresting you on...

[Music continues]

- He's gone. - How did he manage that?

- Who? - Your mate in the white suit.

- Wait, he's not my mate. - You sit in the back of the car.

- He's gone to the car. - I'll take you there.

Right.

Yakira's not with Kelly. They don't know where Yakira is.

Wee Kelly's on her own.

They should never have split up.

[Breaking glass]

Don't move.

Go, go, go!

- Have you still got the keys? - Don't even think about it.

Think about what?

[Car starting up]

I've been thinking that maybe

we shouldn't go home straight away.

Right now I think we should go see your mum.

You said she's close by.

Plus, it is important,

not just for you but for me as well.

Not from here. I don't know the way.

Take this.

It's charged.

Okay. It's me.

[Phone, automatic voice] Yakira, how can I be of assistance?

[Soft music]

Hello? Yeah, can I get a call on a taxi, please?

Right now. Yeah, for now.

[Police siren]

Hey. Are you all right?

Do you ever dream the same dream?

A recurring dream? Yeah.

Do you wanna tell me it?

I go to the hospital where my mum was.

I try to wake her up but I can't.

I scream but it's no good.

The feeling I get is another thing,

feeling completely helpless, totally helpless.

What's your dream?

You, mum, dad.

You're at home

and you're all sad but you've got bananas like this.

- Where your mouth is? - Yeah.

You're all sad but the banana's a fake smile.

It's weird because it's fake and scary-looking

but funny at the same time.

I get freaked out.

I run to the bathroom to get away from you all

and in the bathroom I look in the mirror

and in the mirror

I'm like it too.

That's always when I wake up,

the moment that I see that I've got the same smile.

It's a terrible fear when I see that.

It's like dying.

Mum, this is my sister, Kelly.

Kelly, this is my mum.

Sorry I haven't been here.

I miss you.

[Soft music]

Dad.

- Are you OK? - Yeah.

[Music continues]

We'll get through this.

[Yakira] I didn't have the dream again.

And there's not much more I can say than that, really. You know?

I mean, what can you say to people?

What can you possibly say to people about losing...

How could you...

How could you possibly say anything

without the risk of trivialising everything?

And if you tried, where would you even begin?

[Music continues]

Provided by explosiveskull https://twitter.com/kaboomskull