Original subtitles

♪ Someday, my happy arms will hold you ♪

♪ And someday, I'll know that moment divine ♪

♪ When all the things you are ♪

♪ Are mine ♪

Oh, your song was wonderful, Marc.

I didn't think you heard. - You know Johnny?

No, I don't. Is that what happened to our date last night?

Don't be silly, Marc.

John's an old friend of the family, and I wanted him to hear you sing.

I never watch TV, but I must say, you sing a pretty good song.

Thanks. That makes it all seem so worthwhile.

What happened last night, Carol?

- I don't want to go into it now, Marc. - This is hardly the place or the time.

Look, Johnny boy, why don't you over there and concentrate on the commercial?

You might even get to like TV.

Now, what happened, Carol?

I can explain it all, Marc, and it really wasn't my fault.

It never is.

I resent that.

Oh, come on. You mustn't blame the lady.

Don't interfere, junior.

Marc, I'm growing very tired of your temper.

Come on, Johnny. Let's go.

Wait a minute, Carol.

- 10 seconds, Marc. - Ok.

Carol, we'll settle this tomorrow.

No, we won't.

I'll be on my way to Europe tomorrow.

Europe? Well, I'll be right behind you.

Please don't bother.

I expect to be very busy.

Too bad, but don't you have to go out there and sing?

Yeah.

It's a love song, all about love.

No!

- I was-- - Your ticket, please.

I was running to catch the train, and I lost my purse.

And the ticket was in the purse.

I know. I've heard that story so many times.

Mamma Mia! There must be another excuse.

It's true. Please help me.

When I get to Rome, I will pay you back.

You're getting off at the next stop, signorina.

Come on. Wait a minute.

Leave the girl alone.

You must be the minister of transportation,

at least the deputy minister, to give me orders.

What did she do?

She has no ticket and no money.

One free passenger isn't gonna break the line.

If it were up to me, nobody would pay for anything,

but it happens I don't own this train.

My job is collecting fares.

Come, signorina.

Now, wait a minute.

How much does the ticket cost? Where do you want to go?

Rome.

5,900 lira.

Give her a ticket.

Good luck, signore.

Grazie. Thank you very much.

Come and sit down.

Why did you pay for me?

Because I don't like to see people pushed around

by conductors or anybody else.

You better take that dress off.

It's not very wet.

Aw, come on. You'll catch cold.

I'm not afraid of catching a cold.

I'm very strong.

Heh heh. Don't worry.

Here. Use this.

Hey. Did you shrink, or did that skirt stretch?

I don't think this dress was made to get wet.

You understand Italian.

Are you Italian?

Well, only on my father and mother's side.

I was born in Chicago.

- My name is Marc Revere. - I was born in Savona.

- I'm Rafaella Marini. - Glad to know you.

Where did you learn how to speak English?

During the war and after.

The Americans expect everyone to speak English.

Magari.

Magari? What does that mean?

I never heard that word before.

Magari, it's more than just a word.

It's, uh, what you feel inside.

It's very difficult to explain.

We say it when-- when we wish something.

Everything you want is possible, you hope.

Magari!

I see,

and what magari is in Rome for you?

Oh. A job, I hope.

I have an uncle. He will help me.

And you? You have someone in Rome, too?

Maybe. Magari.

But I do have a sort of a cousin I may look up.

Roma, signori.

Roma termini.

Hey!

Thanks.

Scusi.

Piazza farnese.

Scusi, signore.

Good morning!

Excuse me, mister. Can I bring you somewhere?

Yes. Ha ha!

Thanks.

Signore Revere.

I want to say good-bye and thank you.

When I get the job and know where to find you,

I will pay you back.

Forget it.

Let me drop you off at your uncle's place.

Drop me?

I'll take you to your uncle's place.

Come on.

Prego, mister.

Hey.

Are you sure that you have the right address?

Yes. I think so.

When did you get the letter?

Two years ago, maybe 3.

That is 98, what's left of it.

Maybe he can help us.

- Buongiorno, signore. - Buongiorno.

He say that her uncle is go to Argentina.

That is just a little too far for Lucretia. Beh.

You come with me. My cousin will take care of you.

No. I have already been enough trouble to you.

It's no trouble. Come on.

No, please, Mr. Revere.

I can take care of myself.

You come with me. Come on.

Piazza farnese.

Yes, mister.

44. Here we are, mister.

You wait here for me, huh?

Oh, yes. I will wait here.

Oof.

Avanti.

Hello, Pepe.

Don't you remember me?

I'm your cousin, Marc Revere, from the United States.

I'm sorry. I'm not Pepe,

just Pepe's semipermanent houseguest.

My name is Carlo.

That is my model--Anita.

Ciao.

Carlo. Car--

I'm Marc Revere from America.

You are Marc Revere. Ha ha ha!

I am so glad. I'm Pepe.

Come. Come. I show you.

Look, Marc.

You have the place of honor next to uncle Davico.

He was sixth from Garibaldi.

He was what?

He was, uh--

uncle davico is a generale.

On public occasions, he rode sixth from the great Garibaldi.

Here generale Garibaldi,

and 1, 2, 3, 4, 5, 6,

and here uncle davico.

Oh. Ha.

Oh. This is miss, um--

Rafaella Marini.

Molto piacere.

I am Pepe Bonelli.

Excuse me, sir.

Do you wish me to wait?

Of course not. Marc, you are staying here.

Yes, I go, but there is a little matter.

The fare is 2,300 lira.

Gee. I'm sorry, but I don't think I have the money.

An American without money? It is not possible.

Who would believe it?

Ha. You're right. Nobody.

Pepe, do you have money for the fare?

Money? Ha. Money makes people unhappy,

but a work of art gives great happiness.

This is worth 8,000 lira.

I'm going to give it to you to pay the fare.

Pepe, don't be foolish.

Oh, no, no.

Art must not be only for those who can afford it.

It's yours, these beautiful fish.

I buy fish I can eat.

2,300 lira.

Ok. I know a man who appreciates art.

Oh, yes. This is...

No. This is my masterpiece, and it isn't even finished.

Oh, Carlo, every day, you make a masterpiece.

At least let me sign it.

Pepe, you can't do that.

Andiamo! Andiamo!

Hey. What about me?

♪ Sometimes it seems it will break your heart ♪

♪ When you must sell such a work of art ♪

♪ For art is something that you should give ♪

♪ But you have to eat to live ♪

♪ Tonight, tonight is a party ♪

♪ Tonight ♪

♪ There's gonna be a party tonight ♪

With lots of vino.

♪ So let's invite everybody ♪

♪ Tonight ♪

♪ And bring along your appetite ♪

♪ Ay, ay, ay, ay, ay, ay ♪

♪ Tonight, tonight is a party ♪

♪ Tonight ♪

♪ There's gonna be a party tonight ♪

♪ All the money we get we have to spend ♪

♪ On good things to eat for all our friends ♪

♪ The price, they are so very high ♪

♪ But the friend you cannot buy ♪

You've got make them.

♪ Tonight, tonight is a party ♪

♪ Tonight ♪

♪ There's gonna be a party tonight ♪

♪ A celebration ♪

♪ So come along, everybody ♪

♪Tonight ♪

♪ And bring with you your appetite ♪

♪ Ay, ay, ay, ay, ay, ay ♪

♪ Tonight, tonight is a party ♪

♪ Tonight ♪

♪There's gonna be a party tonight ♪

♪ We have chicken cacciatore ♪

♪ We have not ♪

♪ And veal scaloppine ♪

♪ We haven't got ♪

♪ But everything we make we serve you hot ♪

♪ Just so long as we got a pot ♪

I'm into cooking!

♪ Tonight, tonight is a party ♪

♪ tonight ♪

♪ There's gonna be a party tonight ♪

With lots of vino!

♪ So let's invite everybody ♪

♪ Tonight ♪

♪ And bring along your appetite ♪

♪ Ay, ay, ay, ay, ay, ay ♪

♪ Tonight, tonight is a party ♪

♪ Tonight ♪

♪ There's gonna be a party tonight ♪

♪ We'll sing and dance and have such fun ♪

♪ And stay up late until we see the sun ♪

♪ There will be lots of vino, nice and cool ♪

♪ So good with pasta fazul ♪

With plenty cheese, man!

♪ Tonight, tonight is a party ♪

♪ Tonight ♪

♪ There's gonna be a party tonight ♪

A celebration!

♪ So let's invite everybody ♪

♪ Tonight ♪

♪ And bring along your appetite ♪

♪ Ay, ay, ay, ay, ay, ay ♪

♪ Tonight, tonight is a party ♪

♪ Tonight ♪

♪ There's gonna be a party tonight ♪

♪ Someone we adore is beautiful and sweet ♪

♪ She's tired from all day standing on her feet ♪

♪ You speak of little Rafaella, of course ♪

♪ No, lucretia the horse ♪

So have a carrot!

♪ Tonight, tonight is a party ♪

♪ Tonight ♪

♪ There's gonna be a party tonight ♪

A celebration!

♪ So let's invite everybody ♪

♪ Tonight ♪

♪ And bring along your appetite ♪

♪ Ay, ay, ay, ay, ay, ay ♪

♪ Tonight, tonight is a party ♪

♪ Tonight ♪

♪ There's gonna be a party tonight ♪

♪ We got Bologna and spumoni ♪

♪ Rigatoni, minestrone ♪

♪ Macaroni, zabaione ♪

♪ Fettuccine, fagiolini ♪

♪ Vermicelli, ravanelli ♪

♪ Mozzarella, stracciatella ♪

♪ Carmignano, parmigiano ♪

♪ That's enough! ♪

♪ Tonight, tonight is a party ♪

♪ Ba ba ba ♪

♪ There's gonna be a party tonight ♪

♪ Ba ba ba ♪

♪ So let's invite everybody ♪

♪ Dee Dee Dee Dee ♪

♪ There's gonna be a party tonight ♪

Hey, Pepe, you play very well.

Not so good.

5 nights a week at Luiggi's cafe,

5 years at the same salary.

You know, I wish I could stay longer.

Why not, Marc?

You're welcome here as long as you want.

Oh. Thanks, anyway, but as soon as I get some money,

I must move on.

Money. Always money.

There's someone I have to find.

The girl in the picture, she is in Europe?

Somewhere in Europe.

Have you seen Anita?

She always disappears at parties.

There she is.

How do you like it? Anita loaned it to me.

Hey. It's very nice, Rafaella.

Thank you.

It's more than nice. It's beautiful.

Will you sing for us, Mr. Revere?

Sorry, but my cousin is the guest of honor.

He don't sing for his supper.

No, Pepe. I'd love to sing very much,

very much.

Oh. If you like.

Silenzio! Silenzio!

Shut up!

Ha ha ha!

And now, making his European debut,

the greatest singer in the United States--

at least the greatest singer in my family--

Marc Revere!

♪ The lights may be low, but the night is a flame ♪

♪ Come dance with me ♪

♪ The flame starts to grow as you whisper my name ♪

♪ Come dance with me ♪

♪ I float to the ceiling, my senses go reeling ♪

♪ Your smile is wine ♪

♪ I thrill to the fabulous feeling ♪

♪ The worldis mine ♪

♪ The music enraptures and captures my heart ♪

♪ Come dance with me ♪

♪ Your eyes tell the secret they wouldn't impart before ♪

♪ So let's keep on dancing forever ♪

♪ I will never ask for more ♪

♪ Oh, my darling, it's heaven on earth ♪

♪ When you dance with me ♪

♪ The lights may be low, but the night is a flame ♪

♪ Come dance with me ♪

♪ The flame starts to grow as you whisper my name ♪

♪ Come dance with me ♪

♪ I float to the ceiling, my senses go reeling ♪

♪ Your smile is wine ♪

♪ I thrill to the fabulous feeling ♪

♪ The world is mine ♪

♪ The music enraptures and captures my heart ♪

♪ Come dance with me ♪

♪ Your eyes tell the secret they wouldn't impart before ♪

♪ So let's keep on dancing forever ♪

♪ I will never ask for more ♪

♪ Oh, my darling, it's heaven on earth ♪

♪ When you dance with me ♪

♪ Goodnight, my friends ♪

♪ Goodnight, friends, goodnight ♪

♪ Good-bye, good-bye, my friends ♪

Good-bye.good-bye.

Heh heh heh.

- Is this your first time here? - Yes.

I envy you.

Oh. Nice party.

Thank you.Thanks.

- Do I know you? - No. You don't.

I came here with somebody. I forgot who.

Ha ha ha!

You will see many romes but none as beautiful as mine.

It's dawn now.

You come with me, and I'll show you.

It's alright?

Sounds like a good idea.

May I change first?

I have a coat for you.

Bravo.

Maybe Paris is the most beautiful city in the world

consciously,

but Rome is the most beautiful city unconsciously.

The Roman forum.

That's where Julius Caesar was murdered.

A little to the left,

Mark Antony made his famous speech,

and over there by that broken column,

Audrey Hepburn fell asleep on Gregory Peck's shoulder.

Oh. Ha ha ha! It's fun, yeah?

Piazza San Pietro.

Saint Peter's square.

Alright. Everybody out now.

Ciao. Arrivederci.

Thanks for everything. See you later.

Look.

Bernini's masterpiece.

284 columns.

Where?

How many columns do you see in each row?

One. One.

One? You go count them. I'll wait. Go.

There are 2, 3, 4.

Marc!

I'm sorry.

It's so beautiful.

When you see this, singing a song doesn't seem so important.

Bernini was an artist.

So are you.

Anything that gives pleasure is important.

Buongiorno. I hope you rested well.

Hello. How about yourself? Where'd you stay?

Don't you remember?

In Anita's dressing room. Very comfortable.

Where did you get the food? How?

What did you use for money?

I found a few lira on the piano.

I bought some of the things for cash, the others on credit.

Credit? Whose?

I paid for one thing at each store.

Then I took-- I borrowed what else we needed.

- That's stealing. - I don't steal.

I marked down every item in this book.

I'll pay when I have the money.

In America, it's called the installment plan, no?

No. In America, it's called shoplifting.

Ah. Never discuss anything on an empty stomach.

First, I'll make the coffee.

Heh heh.

Avanti.

Buongiorno, signora--

Sit down, please. You must be very tired.

I wanted to save you the trouble of crossing the hall.

I will have the money now.

I'm sorry. It will be just another few days.

You are joking, dottore.

Great artists don't give parties that last all night.

What is a mere 40,000 lira?

You are so busy, you forgot to pay the rent for the last 6 weeks.

Don't worry, lady. I'll see that you get the money.

Yes. Of course.

You and the rest of his artisti.

The coffee will be ready in a minute.

How many are living here now?

Too many, huh?

Hmm. 40,000 lira by tomorrow morning,

or you will be locked out.

This is not a free hotel.

Don't worry about the money, Pepe.

Tell you what.

I'll take an engagement right away.

What's the best night club in Rome?

Uh, the ulpia, la cabaret, the tivoli.

They are all very good and expensive.

Well, that's great.

The more competition, the more money we'll get.

You know, after all, this is my first appearance in Italy.

I'll get dressed.

I will get a job. I want to help, too.

Grazie, but we have already help.

No, no. I want to work.

I must make money, too.

All my life I have worked.

I'll do anything, anything respectable.

I can wash, I can cook, I can sew, I can--

wait. I have an idea.

Today, I play piano for my good friend signora Beatrice.

She has a big fashion show.

- I will speak with her. - Thank you, Pepe.

It is not too much trouble for you?

Oh, no.

Uh, listen.

You and Marc meet me at Beatrice's salon.

I give you her address.

You are a very kind man, Pepe.

Come with me.

Good-bye. Yes.

Signora, may I present my cousin from America, Marc Revere,

and our friend Rafaella Marini.

Signora Deconcini.

How do you do?

Very happy to meet you.

Marc is a very famous singer in America.

I know. I met a friend of yours recently,

your fiancee.

My fiancee?

Miss Ralston.

The gossip columns are required reading in my business.

I used to see your name quite frequently.

Uh, scusi, signora Beatrice, uh, you can do me a favor.

Yes, Pepe.

It's for Rafaella.

When did ca-- miss Ralston come through here?

Oh, about 3 weeks ago.

She bought some sport things for camping.

Is she coming back?

I'm sure she will. We are holding some clothes for her.

Excuse me. Rafaella needs a job.

She will do anything respectable.

I can cook and clean and sew--

Was anyone with miss Ralston?

I'm sorry. I don't recall.

Do you sew well? Yes.

Nice meeting you.

- How far is the ulpia from here? - No. Not very far.

About 10 minutes' walk on via Monte Brianzo.

Thanks, Pepe.

Right now, I better go and see about that job.

Let's meet tonight at Luiggi's in trastevere.

Ask any taxi driver.

Bye.

Perhaps I may use you in the wardrobe

if you don't mind running errands, making deliveries.

Thank you very much, signora.

You are very generous.

Marcella... si, signora?

This is Rafaella. She will be your assistant.

- Take good care of her. - Certainly, madam.

Rafaella, uh, when you finish tonight,

come to Luiggi's.

We'll have dinner to celebrate.

The signora will give you the address.

- You will be there? - Oh, yes, Pepe.

Thank you very much.

Nothing.

Tempo, girls, tempo.

Together, together.

Ahem.

Keep rehearsing by yourself, girls.

Hello. Do you run the club?

- I am one of the owners. - I'm Marc Revere.

I'm willing to take a job here.

Pardon me. I'm asking for a job.

I'm sorry. We don't need any waiters.

Waiters?

I'm Marc Revere, the singer.

But I never heard of you.

Some of my records must have come over here.

I'll give you an audition, the first I've given in 10 years.

No. We have a singer for the show.

See me in the fall. Who knows?

There may be something then.

Mi scusi, signore.

Right, Julio. Let's go.

♪ Be my love ♪

♪ For no one else can end this yearning ♪

♪ This need that you... ♪

I'm sorry, but Italians don't pay to hear singers

except in operas.

They prefer to sing themselves, and they all do.

You mean there's no spot for a singer here in your club?

I'm afraid not.

We have a band for dancing.

Italians love to dance.

Any excuse to hold a woman.

Listen, young fellow.

We don't import singers. We export them.

Tenors are one of Italy's greatest natural resources.

You understand?

Why don't you try the Ulpia club?

They use acts.

Thanks.

How old are you?

Dieci.

How long have you been singing like this?

She was born singing, signore.

Ah. Business not so good, huh?

No good for me either.

Maybe I can do you some good. Who knows?

♪ Arrivederci, roma ♪

♪ Good-bye, au revoir ♪

♪ Arrivederci, roma ♪

♪ Good-bye, au revoir ♪

♪ Arrivederci, roma ♪

♪ Good-bye, au revoir ♪

♪ Arrivederci, roma ♪

♪ Good-bye, au revoir ♪

And now some bird imitations.

And now, ladies and gentlemen,

would you like to hear any other birds?

Hey, you. What do you do?

I sing.

You sing? Yes, go. Sing.

Ladies and gentlemen.

Ladies and gentlemen!

I'd like to sing for you an Aria from "Rigoletto."

Psst.

"Questo o quella." "Questo o quella."

Come on, come on.

Go.

Go.

Go.

Go.

The winner!

- What's your name? - Marc Revere.

Marc Revere.

Hey, young man. Young man.

Mr. Revere.

Yes?

Very good.

Aw, thank you. Thank you.

You work for Luiggi.

I'll give you 3,000 lire a night.

That's almost $5.00 in American money.

Did you say almost $5.00 a night?

Yes.

Hey, 3,000 lire for the great Marc Revere?

Eh, va bene. I'll give 4,000 lire.

5,000 at least.

4,000 lire. 5,000.

Stop it, Pepe. I'll take 4,000.

-Ok. -Ok.

But, Marc, in America you don't sing one note for that.

It's a beginning, Pepe, huh?

Now let's go eat.

Ok.

Good-bye. Come to work tomorrow, eh?

Si.

You see? Listen to old Luiggi.

You will be famous and rich.

I'll raise you 5,000 lire.

That's too much money, Luiggi. You'll spoil me.

You make it 3,000, and give the other 2,000 to Pepe. Va bene?

Buona sera, Rafaella.

- Buona sera. Where is Marc? - He's coming.

He stopped to talk to some people.

How was it tonight?

The same as every night-- not an empty seat.

Luiggi is going to be the richest man in trastevere.

- And the show? - Ha ha! You know Marc.

He is always wonderful, hmm?

Ha ha ha!

Oh, how quaint and picturesque.

Hi, Rafaella.

Rafaella, this is Jane, and this is Barbara.

-Hello. -Hello.

And this is George Allen, my American friend.

Hi.

- Pepe you all met at the club. - Hi, Pepe.

Why don't you make yourselves comfortable, please?

Thank you.

This reminds me of Greenwich village.

Rafaella, glasses.

And a bit like Chelsea.

- When are you coming home, Marc? - Oh, I don't know.

Don't tell me you don't miss New York?

Sure, I miss New York.

I miss the crowds, the subway, the excitement.

If you miss it so much, why don't you come home?

Not yet. Not until I find what I came for.

Still Carol, eh?

Let's not talk about that.

Ok. I'm sorry.

Pepe.

Well, here's to the greatest singer in the world

and the most unpredictable.

I think you're wrong on both counts, but I'll drink to that.

Cheers! Cheers! Cheers!

Salute!

Rafaella, how about some of that good Italian cheese?

I've been in Europe 6 weeks now,

and I can't wait to get back to Connecticut.

But I think Rome is so romantic.

I love Rome for a holiday, but I couldn't live here.

It can be done.

You go to the golden restaurant.

Real coney island hot dogs.

Hamburgers, milk shakes, everything.

You're in Rome, and they're American.

At night, you go to the via matta

and see Hollywood movies in English.

When in Rome, be an American.

I think we ought to be going.

Yeah. We'd better be going, Marc.

I've got an early plane for New York tomorrow.

And I can't leave without seeing the sistine chapel.

It's a must,

and I only have about 10 minutes to see it.

It only took Michelangelo about 10 years to paint it.

-Goodnight. -Goodnight.

Goodnight.

I'm sorry, Rafaella, but we must go.

Marc.

Hi, Pepe.

Marc...

How could you do it?

Do what?

How could you hurt Rafaella?

I hurt Rafaella? How?

Bringing those girls here.

You know how she feels about you.

You must be joking, Pepe.

What do you mean, how she feels about me?

It's not a joke, Marc.

Ah, but it's ridiculous.

I like Rafaella.

She's nice and sweet, but that's all.

But you brought her here. Why?

But, Pepe, what else could I do?

She had no money, no place to stay.

I felt sorry for her, so...

Pepe, she was pathetic.

Pathetic?

No, Marc.

To me, Rafaella is very beautiful.

Very beautiful.

That's very pretty, Pepe.

Thank you.

Rafaella, I, uh...

I'm making a good living now, much better than I ever have.

I am glad for you.

- Are you happy? - Of course.

But you should think of getting married.

Every girl does.

Yes. I never thought of getting married before.

I couldn't even support myself.

It wasn't only the money.

I guess I was waiting for someone.

Rafaella, I guess I was--

Pepe. Rafaella.

Ah, I have wonderful news.

We just got an offer from the Ulpia club.

More money in one night than Luiggi pays for the whole week.

We? You mean you.

No. No, no. I mean we. Us. You and me.

We're going all the way.

Carlo! Anita! Did you hear what I said?

We open Friday at the Ulpia.

Congratulations.

And you're my personal guests. It's formal.

Thank you.

Remember to wear a dress.

No. This is not your color.

Ah. This is for you.

Thank you. I'll take good care of it.

Don't worry about it, child,

nor about Revere either.

This is just another opening night for him.

I know, but it's my first.

Come. Try this on.

Pepe.

Hmm?

At the end of the first group, we'll do m'appari.

Alright.

Very good. Very good.

Hey. Tu americano?

Yes, and that's a real good beat you've got there.

You dig this rock and roll?

I dig it the most.

Crazy.

Hey, you know the barber singer?

Barber singer? "The barber of Seville"?

No. Perry como.

Perry como? Sure, I know Perry como.

He's an Italian boy.

Si. Italiano.

♪ You came ♪

♪ I was alone ♪

♪ I should have known ♪

♪ You were temptation ♪

♪You smiled ♪

♪ Luring me on ♪

♪ My heart was gone ♪

♪ And you were temptation ♪

♪ Temptation ♪

♪ I'm your slave ♪

Crazy, man. Crazy.

You like Frankie laine?

He's got it. Real groovy.

He's an Italian boy, too.

His name is lo vecchio.

Lo vecchio? Si.

♪ Jezebel ♪

♪ If ever the devil was born ♪

♪ Without a pair of horns ♪

♪ It was you ♪

♪ Jezebel, it was you ♪

♪ If ever an angel fell ♪

♪ Jezebel ♪

♪ It was you ♪

♪ Jezebel, it was you ♪

♪ If ever a pair of eyes ♪

♪ Promised paradise ♪

♪ Deceiving me, grieving me, leaving me blue ♪

♪ Jezebel ♪

♪ It was you ♪

♪ Jezebel ♪

♪ Jezebel ♪

♪ Jezebel ♪

Hey, you lay it on real good, man.

Thanks. How's about the dino?

Dino? Dino martino?

Oh, he's gone, real gone.

Dean Martin? He should be. He's an Italian, too.

Italiano?

♪ Sweet, sweet, the memories you're giving me ♪

♪ You can't beat the memories you're giving me ♪

♪ Take one fresh and tender kiss ♪

♪ The memories you're giving me ♪

♪ And one stolen night of bliss ♪

♪ The memories you're giving me ♪

♪ One girl ♪

♪One boy ♪

♪ Some grief, some joy ♪

♪ Memories are made of this ♪

♪ The memories you're giving me ♪

♪ Memories are made of this ♪

Ha ha ha!

You know Louis Armstrong?

Louis Armstrong? Good old satchmo.

He's one of my favorites.

But he's not italiano.

Honey...

He doesn't have to be.

Sisters and brothers, this is reverend satchmo,

getting ready to beat out his little sermon to you.

♪ Oh, when the saints ♪

♪ When the saints ♪

♪ Go marching on ♪

♪ Marching on ♪

♪ When the saints go marching on ♪

♪ Marching on ♪

♪ Yes, I want to be in the number ♪

♪ When the saints go marching on ♪

Lay it, brother clementelli.

Ha ha ha!

Take it down.

Now brother tuluso.

♪ Oh, when the saints ♪

♪ When the saints ♪

♪ Go marching on ♪

♪ Marching on ♪

♪ Oh, when the saints buzz zuh zuh zuh zuh zuh ♪

♪ Yes, I want to be in the number ♪

♪ When the saints go marching on ♪

Aha ha ha!

Aha ha ha!

♪ Oh, yes, I want to be in the number ♪

♪ When the saints go marching on ♪

Yeah!

Ha ha ha!

Hey, Marc.

Wyatt!

Good luck tonight. I hear it's a complete sellout.

I'll be up front leading the cheering section.

Thanks, Wyatt.

Good-bye.

Carol!

Marc!

Carol!

Oh, am I glad to see you! You look wonderful!

Oh, thank you, darling. It's so good to see you.

I missed you, Marc.

Oh, and I missed you, too.

I'm sorry about that last night in New York,

but I guess my Italian blood has a low boiling point.

You know, I seem to remember I did a little boiling myself.

Let's forget about that.

The important thing is that you're here

and I'm opening at the ulpia club tonight.

It'll be like old times with you out in front.

You'll be there, won't you?

Now, you know I wouldn't miss it for anything.

Oh, Marc, I promised to go to a party.

How am I going to get out of it?

Well, bring the party to the club as my guests.

It's a yacht party. I have an idea.

You go with me. I'll just put in an appearance,

and you'll be my alibi, and we'll come right back.

No, I can't do that, Carol. I'm opening tonight.

There's plenty of time. It's a short drive.

We'll have a drink and a look around the bay.

We'll be back in 3 hours.

Oh, please.

Okay.

Ay, ay, ay!

Carol! We've got to get out of here! I've got to be on at 10:00.

I think everybody in Rome is here tonight.

Yes, an unusual crowd.

Excuse me. Excuse me.

Please give it to Marc for good luck.

Mm-hmm.

You are, Rafaella.

Mm-hmm. And this is for you.

Thank you.

I don't know if I can appear.

Why? Is something wrong?

I can't tie my tie.

It's very difficult.

Too loose.

Last call. Everybody right here.

Where is Marc?

He'll be here.

He hasn't come yet?

He'll be here.

You've got to start it!

I have to get there, if it's even only for one song.

I'm sorry, Marc. It's all my fault.

No, it's my fault.

And we were gonna get back to Rome in only 3 hours, remember?

Here. Let me help you.

Now, look, you got to get it started!

It was tough luck, darling, but it's not the end of the world.

Ok, ok. Maybe I can straighten it out

if anyone will believe me,

but I can tell you this--

I wouldn't believe me.

What time tonight?

I'll pick you up at 9:30 at the hassler.

Be ready, for a change.

I'll be ready and hungry.

Ha!

Welcome home.

Why didn't you let us know you were coming?

We would have had a band to greet you--

the ulpia club band.

I can explain. I was only--

I am not interested in what you do or don't do.

Save your explanations for Pepe.

You don't understand. I tried--

I understand that you think of nobody but yourself.

It doesn't matter to you what's happened.

But listen here, Rafaella.

I was on a yacht. The motor conked out. I couldn't--

What were you doing on a yacht the day of your opening?

Was your miss Carol Ralston there?

Yes, she was. What difference does that make?

I knew she was there,

and I want to tell you one thing, Mr. Marc Revere.

From what I hear about her, you deserve each other.

Now see here, Rafaella, you don't even know miss Ralston.

You think I am a child.

You think I am nothing--

just someone to clean up the house, fix the meals.

"Rafaella, do this. Rafaella, do that.

Rafaella, bring in the good Italian cheese."

Well, you came to Italy to find your miss Carol Ralston,

and you found her.

Why do you stay here? Why don't you go with her?

I'm sorry, Rafaella.

I didn't mean to hurt you.

Well, it doesn't matter how you hurt me,

but it does matter how you hurt Pepe.

You don't understand good people like him.

But that's not true. You know how I feel about Pepe.

I know one thing.

You made him quit his job at Luiggi's

so he could be your accompanist at the ulpia.

Now he has no job at Luiggi's or the ulpia,

thanks to your running after miss Carol Ralston.

Alright, I was wrong, but Pepe doesn't have to worry.

He'll always be my accompanist.

Your accompanist?

Pepe's such a wonderful man.

You aren't good enough to be his accompanist.

Maybe you're right.

Maybe I ought to get out of here.

Yes, why don't you?

I'll help you pack. Right away.

Don't bother.

Rafaella.

I'm sorry about what happened, Pepe. I'll explain later.

It's lucky I came when I did.

Another few minutes, and Marc might have been killed.

Rafaella, I heard what you said about me,

that Marc isn't good enough to be my accompanist.

It isn't true.

But I am very grateful.

Goodnight, signora Beatrice.

Goodnight.

- Signora Beatrice. - Yes?

I am leaving my job. I am leaving Rome.

Over that singer, I suppose.

I am going home to savona.

Oh, wake up, child. He doesn't even see you.

He doesn't know you're alive.

He's in love with himself. He's a tenor.

I'm sorry. I have an appointment. I must go.

Promise me you won't do anything until we've talked this out.

You owe me that much.

Be a good girl and lock up. Good-bye.

Remember, there's only one antidote for a man-- that's another man.

Ciao.

Goodnight.

Would you please call miss Ralston

and tell her Mr. Revere is waiting for her?

I'm sorry. Miss Ralston is out.

But that's impossible. Please call her.

I'm very sorry, sir. I saw her leave.

The boy brought the car from the garage.

I think she went to the ulpia club.

About how long ago?

5 or 10 minutes ago.

Thanks.

Scotch and water.

Marc.

I had a hunch we'd find you here.

We?

- Oh, Marc, you know Franco cellis. - No, we've never met.

Franco, Marc Revere.

How are you?

You must be an old friend of the family, no doubt.

Oh, no. Carol and I only met in Capri last month.

I see.

Isn't it lucky Franco happened to be at the hassler bar tonight

when you stood me up?

I stood you up?

I was less than 10 minutes late, Carol.

Well, darling, now, how was I to know?

You told me to be ready on time for a change, and I was.

If you were going to be late, you should have called.

You do have a reputation for nonappearances, you know.

Ok, ok. You've done your good deed for tonight, cellis.

Now why don't you run along?

Please, Marc, don't make a scene.

Alright, well, let's get out of here.

I think you're drunk, Revere.

You'd better go home and sober up.

And I think you'd better keep your nose out of my business.

Marc!

I must remind you, signore Revere, that creating a public disturbance,

causing heavy damage to property

and, uh, injuring people

is a serious offense in this country.

If the charges against you are true, you will face serious penalties,

including possible imprisonment.

According to witnesses,

you attacked a signore Franco cellis.

Is that true?

I don't remember last night.

There, uh, was a girl involved--

a signorina Ralston.

Miss Ralston is an old friend of mine,

but she was not involved in last night's disturbance.

What is the amount of damage?

At least a million lire,

possibly closer to a million and a half.

A million lire? That's impossible.

Oh, it's possible, Pepe.

You can break up $1,600 worth of furniture very easily

at their prices.

And you are prepared to pay for it?

I'm willing to pay for it, but I'm not prepared to pay for it.

My client will give you 24 hours in which to make a payment

of one million lire.

I'll need more time than that.

I'm sorry, but it didn't take you very long to wreck the club.

Perhaps you had better cable your friends in America.

There's nothing much of any value here

except, perhaps, that piano.

But it would only bring in a few lire as an antique.

Antique? I'll have you know that piano belonged to my uncle davico,

and he rode sixth from Garibaldi.

Oh, forgive me.

With such a history, I will allow you 20,000 lire--

$32 in American money-- if it is tuned first.

Buongiorno, signore. Buongiorno, signorina.

Maybe your good friend miss Ralston will lend you the money.

She's very rich, no?

If it were for you, Pepe, I would not hesitate a minute,

but for him? No.

I don't like tenors.

I once fell in love with one.

For my sake, signora.

He's part of my family, and he's in a strange country.

A loan.

A loan? You've been a nurse to him since the day he arrived.

And she--she chases after him like a puppy dog.

All he's done is use you both.

- It's true that he makes mistakes. - Then he must pay for it.

I'm sorry.

Good morning.

Oh, good morning, Mrs. Stone. Can I do anything for you?

I wonder if you've found a diamond bracelet.

I left one somewhere yesterday.

I thought it might have been here.

Not that I know of.

Just a minute. I'll ask the girls.

Rafaella? Rafaella?

Did you find a diamond bracelet when you closed up last night?

No.

Well, if I didn't leave it here, where could it have been?

If it is here, signora stone, it will be found.

I will call you in any event.

Thank you. Good-bye.

You and Marcella had better start looking--immediately.

Yes.

Is it safe?

Come on in.

I didn't think I'd see you again.

I'm sorry about last night, Marc.

You're a little late, and you're always so punctual.

I deserved that, Marc. I know I was wrong.

But if there's anything I can do to--

no, nothing.

Nothing?

Is that the way you want it, Marc?

You know that's not the way I want it.

Well, then for whatever it's worth,

I want you to know that what happened last night

didn't make me very proud of myself.

Forget it. It's not that important.

But it is, darling. It made me realize so many things.

I was the one who busted up the joint.

The only thing you broke was our date.

It's the last one I'll ever break, darling.

Let's go home, Marc.

Let's fly back to New York right away.

It sounds very tempting, Carol,

but I've still some unfinished business here.

If it's a question of the money,

I can pick up the check for the ulpia club.

No, no, no, no. Last night's party was on me.

Look, if you wait for that business manager of yours,

it'll take forever.

You can pay me back when we get to New York.

Don't you want any security?

I have it--you.

Ahem.

Excuse me.

Carol, this is Pepe, my favorite cousin.

Pepe, this is Carol.

How do you do?

This is a pleasure.

One day very soon, I hope to meet all of Marc's family.

Then your engagement is on again?

Of course. Just as soon as we fix up this ulpia mess,

we're going to go back to New York.

The family will like you very much, miss Carol.

My uncle davico would have liked you very much, too,

and he was sixth from Garibaldi.

He was what?

He was--

I'll explain later.

Thank you.

Alright, darling. I have to run anyway.

I'll find out about the plane tickets and call you later.

I'll see you to your car.

You helped me when I was in trouble.

Now I can pay you back.

Hey, this is real. Where'd you get it?

A man gave it to me.

A man? Who is he?

What difference does it make?

You need it. It's yours.

I don't like you, but I don't want you to go to jail.

Rafaella.

How'd you get this?

I told you. A man gave it to me.

Look in my eyes and tell me the truth.

Look, this isn't a loaf of bread or half a dozen eggs.

This is a diamond bracelet, very valuable.

Where did you get it?

I want the truth!

I found it.

I don't believe you. You stole it, didn't you?

Don't you understand what you're doing, Rafaella?

I'm not worth this kind of sacrifice.

Why, you'll ruin the rest of your life.

Now tell me! Tell me!

Tell me! Tell me!

Let her go!

Hey, maybe you can find out where she got this.

It is the one that was lost at Beatrice's...

Isn't it?

I'll return it.

Who knows, Rafaella?

Maybe you'll get a reward.

- Hello. - Hello.

Did--did you forget something? A glass table, perhaps?

I want to talk to you.

There is nothing to talk about.

We just want you to pay the damages.

- But that's what I intend to do. - Well, then you have the money?

- I have the money. - Well?

Maybe. I also have a favor to ask.

A favor? Only a tenor would have the gall

to come here and ask a favor after what you did last night.

It's not for me. It's for Pepe.

He needs a job badly, and he's a fine artist.

Rome is full of fine artists.

If you've brought the money, we can settle up.

- Why don't you let me work it out? - Work it out? No.

I'm sorry.

Wait a minute.

Mr. Revere, maybe I'll let you work it out,

but for 1/2 of what I was going to pay you before.

And Pepe comes along as my accompanist

at the full salary you promised?

Agreed.

Ok. It's a deal.

It's a deal.

Hello, Rafaella.

Hello, Marc.

I'm gonna stay for a while.

I'm gonna sing at the ulpia club for two weeks

before I go back to New York City.

Why are you telling me this?

Because I need Pepe with me.

You need Pepe?

Yes, and he would take the job if you'd ask him.

Why should I, after what's happened?

This isn't personal.

If anyone else offered him the job, he'd take it.

This is strictly business.

I'll think about it.

♪ waltzing along in the blue ♪

♪ Like a breeze drifting over the sand ♪

♪ Thrilled by the wonder of you ♪

♪ And the wonderful touch of your hand ♪

♪ And ♪

♪ My heart starts to beat ♪

♪ Like a child when a birthday is near ♪

♪ So kiss me, my sweet ♪

♪ It's the loveliest night ♪

♪ Of the ♪

♪ Year ♪

Thank you. Thank you, everybody.

And I would like to thank the management

for redecorating the club for me.

But seriously, I'm very happy to be here tonight

and have with me a man whom I think is a great artist--

my cousin Pepe Bonelli!

I'd like to tell each and every one of you so much,

but I feel a singer should sing and not talk,

so, maestro, please.

♪ You'll fall in love ♪

♪ Your heart is home ♪

♪ When you are young ♪

♪ Among the 7 hills of Rome ♪

♪ The world is old ♪

♪ But love is new ♪

♪ And when in Rome ♪

♪ Your heart will tell you what to do ♪

♪ You feel a glance ♪

♪ And a happy circumstance ♪

♪ Has made you know ♪

♪ You've suddenly found ♪

♪ Romance ♪

♪ So fall in love ♪

♪ Your heart is home ♪

♪ You've made a heaven ♪

♪ The 7 hills ♪

♪ Of Rome ♪

I want to say good-bye, Pepe.

Good-bye? Where are you going?

I am leaving. I am leaving Rome.

What are you saying? Leaving?

But you can't, Rafaella.

Everything is fine now for Marc, you, miss Ralston.

But, Rafaella, listen to me.

No, Pepe. I've made up my mind.

I'm very happy you are such a big success.

Good-bye.

I will never forget you.

Marc. Hmm?

She is gone. She is leaving Rome.

I know. I just said good-bye to her.

I'm staying here, Pepe.

It could never work out with me and Carol.

I don't mean Carol.

I mean Rafaella. She's gone.

Rafaella? Where? Why did you let her go?

I couldn't stop her, Marc. She loves you.

She's always loved you.

I thought you and--

no. Rafaella is for you, not for me.

Vai. Vai, Marc. Hurry, or you'll lose her.

Pepe, thanks for everything.

Rafaella!