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1
00:00:23,600 --> 00:00:25,600
YOU GOT A MINUTE,
LIEUTENANT?
YEAH, COME ON IN.
2
00:00:25,630 --> 00:00:28,940
I WAS WONDERING
IF YOU KNEW ANYTHING ABOUT
THIS CALL I GOT FROM DOWNTOWN.
3
00:00:28,960 --> 00:00:31,590
THEY WANT ME TO TAKE
A POSITION AT O. E. E. O.
4
00:00:31,600 --> 00:00:34,310
I WAS CALLED FOR AN EVALUATION.
I SAID I THOUGHT YOUR WORK
WAS OUTSTANDING.
5
00:00:34,330 --> 00:00:36,670
THANKS.
SO, YOU GONNA TAKE IT?
6
00:00:36,700 --> 00:00:40,170
I'M NOT SURE, LIEUTENANT.
IT'S IMPORTANT WORK.
7
00:00:40,210 --> 00:00:44,020
MAKE SURE PEOPLE GET A FAIR SHOT
AT THE JOB. MAKE SURE ONCE THEY
GOT IT, THEY'RE NOT HARASSED.
8
00:00:44,040 --> 00:00:46,340
I KNOW, I KNOW.
I JUST, UH‐
9
00:00:46,380 --> 00:00:48,910
‐ I JUST DON'T KNOW IF IT'S
THE KIND OF COP I WANNA BE.
‐ YEAH.
10
00:00:50,350 --> 00:00:54,080
ANYWAY, UH, I GUESS
IT'S NICE TO BE WANTED.
11
00:00:54,120 --> 00:00:57,120
LET ME KNOW WHAT YOU DECIDE.
I WILL. AND THANKS
FOR THE GOOD REFERENCES.
12
00:01:00,590 --> 00:01:02,860
EXCUSE ME. YOU FROM
BUILDING MAINTENANCE?
13
00:01:02,900 --> 00:01:06,010
YEAH, I'M CHECKING THE SPECS
ON THESE WORK ORDERS
BEFORE THEY GO OUT FOR BIDS.
14
00:01:06,030 --> 00:01:08,030
YOU WANNA MAKE SURE
THE PLACE IS FALLING DOWN?
15
00:01:08,070 --> 00:01:11,580
BELIEVE ME, IT'S FALLING DOWN.
WHEN CAN WE EXPECT THE REPAIRS?
16
00:01:11,600 --> 00:01:13,570
I JUST REPORT
ON THE SPECS, LIEUTENANT.
17
00:01:13,610 --> 00:01:15,680
WILL YOU BE
DOING THAT TODAY?
18
00:01:15,710 --> 00:01:17,770
I SHOULD BE ABLE TO, YEAH.
19
00:01:19,750 --> 00:01:22,620
HEY, THE SHOWER
IN THE MEN'S LOCKER'S
ON THE FRITZ.
20
00:01:22,650 --> 00:01:25,520
I GOT NO REPORT ON IT.
21
00:01:25,550 --> 00:01:28,520
THE PIPES ARE BLOCKED.
GUYS ARE BRINGING IN
THEIR OWN DRAIN CLEANER.
22
00:01:28,550 --> 00:01:32,120
DETECTIVE KELLY, LINE ONE.
SOMEBODY PUT SOME
CHEMICAL REAMER...
23
00:01:32,160 --> 00:01:36,360
IN THERE LAST NIGHT, AND A QUART
OF SOME INCOMPATIBLE STUFF
GOT ADDED THIS MORNING.
24
00:01:36,400 --> 00:01:39,270
THE GAS FUMES ARE LIKE
A WORLD WAR I BATTLEFIELD.
25
00:01:39,300 --> 00:01:41,360
YEAH, IT SOUNDS BAD.
[ KELLY ]
WHERE'S THE LOCATION?
26
00:01:41,400 --> 00:01:44,900
WHAT?
I SAID,
"IT SOUNDS BAD."
27
00:01:44,940 --> 00:01:47,240
BAD ENOUGH FOR YOU TO DO
SOMETHING ABOUT IT?
28
00:01:47,270 --> 00:01:49,740
I'M HERE CHECKING
WORK ORDERS, DETECTIVE.
29
00:01:49,780 --> 00:01:52,890
ANDY, WE GOT A SHOOTING,
AVENUE "C" AND FOURTH.
30
00:01:52,910 --> 00:01:55,480
[ KELLY ]
GREG, WE GOT ONE.
RIGHT, JOHN.
31
00:01:55,510 --> 00:01:59,150
SHARON, WE GOT A SHOOTING.
REAL NOSE‐TO‐THE‐GRINDSTONE
TYPE, AREN'T YOU, PAL?
32
00:01:59,190 --> 00:02:04,430
REAL PROBLEM‐SOLVIN' MACHINE.
PRESS HARD ON YOUR LITTLE
WORK ORDER PAD.
33
00:02:04,460 --> 00:02:07,300
MAKE SURE THAT
COPY NUMBER 27
DOESN'T COME OUT FAINT.
34
00:02:07,330 --> 00:02:09,600
THIS'LL REALLY
SPEED THINGS UP.
35
00:02:09,630 --> 00:02:14,460
YOU THINK I'M STALLIN' PROGRESS
HERE, JOHN? THESE GUYS WORK
IN MULTIPLES OF SEVERAL YEARS.
36
00:02:14,500 --> 00:02:19,770
‐ANYWAYS, A PLUGGED SHOWER
FALLS UNDER CUSTODIAL SERVICES.
‐YOU PENCIL‐PUSHIN' HUMP!
37
00:02:19,810 --> 00:02:23,320
[ SIREN WAILING ]
38
00:02:30,220 --> 00:02:33,760
[ POLICE OFFICER ]
YOU CAN'T COME THROUGH HERE.
WE GOTTA KEEP YOU BACK.
39
00:02:33,790 --> 00:02:36,100
WHERE'S THE AMBULANCE?
FIFTEEN‐MINUTE DELAY.
40
00:02:36,120 --> 00:02:38,920
THIS KID'S IN BAD SHAPE.
ALL RIGHT, SON.
41
00:02:38,960 --> 00:02:41,360
AMBULANCE IS ON THE WAY.
HANG IN THERE. YOU HEAR ME?
42
00:02:41,390 --> 00:02:45,200
YOU'RE GONNA BE OKAY.
DADDY?
I GOT SHOT, DADDY.
43
00:02:45,230 --> 00:02:48,000
‐ YOUR SHIRT'S
STILL IN THE DRYER.
‐ AMBULANCE IS ON THE WAY.
44
00:02:48,030 --> 00:02:51,970
YOU HOLD ON NOW.
YOU'RE GONNA BE OKAY.
HANG IN THERE.
45
00:02:52,010 --> 00:02:54,680
WE SHOULD TAKE HIM
OURSELVES. HE'S GOING.
LET ME PULL THE CAR UP.
46
00:02:54,710 --> 00:02:56,710
[ KELLY ]
TAKE IT EASY.
47
00:02:56,740 --> 00:02:59,380
HE IS JUST CHILD.
I KNOW THIS KID.
48
00:02:59,410 --> 00:03:01,380
‐ YES, SIR.
‐ [ MAN ] HE'S A GOOD KID.
49
00:03:01,410 --> 00:03:03,280
HIS NAME IS GEORGE BUTLER.
HE'S A NEIGHBORHOOD KID.
50
00:03:03,320 --> 00:03:05,690
GEORGE, LISTEN TO ME.
YOU'RE GONNA BE OKAY.
51
00:03:05,720 --> 00:03:07,880
THAT'S MY BOY.
DADDY‐‐
52
00:03:07,920 --> 00:03:11,620
MR. BUTLER? MR. BUTLER.
THAT'S MY SON. GEORGE!
GEORGE! GEORGE!
53
00:03:11,660 --> 00:03:16,790
GEORGE, GEORGE, GEORGE!
YOU GOTTA GIVE OUR GUYS
A CHANCE, MR. BUTLER.
54
00:03:16,830 --> 00:03:22,070
MR. BUTLER, GIVE 'EM A CHANCE.
GIVE OUR GUYS A CHANCE.
55
00:03:22,100 --> 00:03:24,740
THAT'S MY SON.
GIVE US A CHANCE.
56
00:05:07,620 --> 00:05:09,530
DETECTIVE SIPOWICZ.
HOW'S IT GOIN', MR. BUCCI?
57
00:05:09,570 --> 00:05:12,810
I NEED TO TALK TO YOU.
JUST A SECOND. SIT DOWN HERE.
58
00:05:12,840 --> 00:05:14,850
LET'S GET MR. BUTLER
SET UP IN INTERVIEW 1.
59
00:05:14,870 --> 00:05:17,270
I'LL RUN THIS BY FANCY.
I'LL BE RIGHT BACK. OKAY?
60
00:05:17,310 --> 00:05:21,180
JOHN. I GOT MR. BUCCI
IN OVER THERE.
61
00:05:21,210 --> 00:05:24,280
OKAY, NO PROBLEM.
ANYTHING NEW ON HIS DAUGHTER?
62
00:05:24,310 --> 00:05:27,820
NOTHIN' THAT I KNOW ABOUT.
OKAY.
63
00:05:27,850 --> 00:05:31,620
LIEUTENANT, SHOOTING VICTIM
IS A 13‐YEAR‐OLD MALE BLACK.
64
00:05:31,660 --> 00:05:33,630
SHARON'S GOT HIS FATHER
INSIDE RIGHT NOW.
65
00:05:33,660 --> 00:05:35,900
HE DIDN'T SEE ANYTHING.
DID ANYBODY?
66
00:05:35,930 --> 00:05:39,500
‐ MARTINEZ AND MEDAVOY ARE DOING
THE CANVASS. SO FAR, NOTHING.
‐ 15TH, DETECTIVE SQUAD.
67
00:05:39,530 --> 00:05:43,300
FATHER SAID HE WAS DOING
THE FAMILY LAUNDRY AND THAT HE
HAD A BOOM BOX, WHICH IS GONE.
68
00:05:43,330 --> 00:05:45,370
LIEUTENANT,
YOUR WIFE'S ON LINE THREE.
69
00:05:45,400 --> 00:05:48,670
YOU BETTER GET BACK
WITH THE FATHER.
70
00:05:48,710 --> 00:05:52,320
FOR ABOUT SIX MONTHS NOW,
THIS FELLA BY THE NAME
OF DICK CORDAY...
71
00:05:52,340 --> 00:05:55,080
HAS BEEN LOOKING AFTER
JENNY'S CASE.
72
00:05:55,110 --> 00:05:57,980
UH‐HUH.
HE'S A GOOD MAN,
THIS CORDAY.
73
00:05:58,010 --> 00:06:00,750
HE'S DOGGED, YOU KNOW.
REAL DOGGED.
74
00:06:00,780 --> 00:06:02,920
YOU HEARD OF HIM?
NO.
75
00:06:02,950 --> 00:06:06,150
MR. BUCCI, I GAVE YOU NAMES
OF GOOD PRIVATE INVESTIGATORS.
76
00:06:06,190 --> 00:06:10,690
HE HAD THESE MADE UP.
SEE THAT? COLOR PRINTING.
77
00:06:10,730 --> 00:06:12,740
IT'S EASY FOR PEOPLE
TO RECOGNIZE SOMEBODY...
78
00:06:12,760 --> 00:06:15,400
BECAUSE WE'RE USED TO SEEING
PEOPLE IN COLOR.
79
00:06:15,430 --> 00:06:19,370
COLOR OF THEIR HAIR, COLOR OF
THEIR EYES, THEIR SKIN TONE,
80
00:06:19,400 --> 00:06:21,600
WHICH COULD MEAN THE DIFFERENCE
BETWEEN SOMEBODY...
81
00:06:21,640 --> 00:06:24,910
THINKING THEY MAY HAVE
SEEN JENNY AND SOMEONE
KNOWING THAT THEY DID SEE HER.
82
00:06:26,580 --> 00:06:29,250
ESPECIALLY AFTER
TWO AND A HALF YEARS.
83
00:06:35,790 --> 00:06:39,030
ANYTHING ON YOUR END?
84
00:06:39,060 --> 00:06:43,200
EVERY MONTH I PUT THE
MISSING PERSONS ALERT OUT AGAIN.
85
00:06:43,230 --> 00:06:45,970
EVERY TIME THERE'S
AN ARREST WITH A SIMILAR M. O.
ANYWHERES IN THE COUNTRY,
86
00:06:46,000 --> 00:06:48,210
I CONTACT THE COPS ON THE CASE.
87
00:06:48,230 --> 00:06:52,570
NOTHING'S TURNED UP.
WELL, I'LL GET YOU A THOUSAND
MORE OF THOSE COLOR FLYERS.
88
00:06:52,600 --> 00:06:56,300
THE PHOTO'S BEEN TOUCHED UP
TO SHOW HOW SHE'D LOOK NOW.
89
00:06:56,340 --> 00:06:58,170
I'LL SEE TO IT
THEY GET SENT OUT.
90
00:06:59,610 --> 00:07:01,310
DETECTIVE,
I GOTTA TELL YOU SOMETHING.
91
00:07:03,180 --> 00:07:06,450
THE P. I., CORDAY, HE MADE ME
PROMISE NOT TO SAY ANYTHING,
92
00:07:06,480 --> 00:07:08,780
BUT, HELL,
YOU WORK THIS CASE TOO.
93
00:07:08,820 --> 00:07:11,750
I KNOW THAT.
YOU KINDA KEPT CARE OF ME...
94
00:07:11,790 --> 00:07:14,490
THOSE FEW MONTHS
AFTER JENNY DISAPPEARED.
95
00:07:14,530 --> 00:07:16,430
MR. BUCCI,
WHAT DO YOU WANNA TELL ME?
96
00:07:16,460 --> 00:07:18,590
I'M SORRY.
HE'S STILL IN A MEETING.
97
00:07:18,630 --> 00:07:21,900
I'M NOT TELLING YOU THIS
AS A COP, YOU UNDERSTAND?
98
00:07:21,930 --> 00:07:24,870
HE ASKED ME NOT TO
SAY ANYTHING, BUT...
99
00:07:26,140 --> 00:07:27,980
WE'RE GETTING CLOSE TO HER.
100
00:07:31,510 --> 00:07:34,340
I CAN'T SAY ABOUT
THE DETAILS NOW.
101
00:07:34,380 --> 00:07:37,120
AN ARTICLE OF CLOTHING
IS INVOLVED,
102
00:07:37,150 --> 00:07:41,590
AND THERE'S SOME
OTHER SUPPORTING EVIDENCE
WHICH I CAN'T SAY ABOUT.
103
00:07:41,620 --> 00:07:44,990
WHICH THIS P. I.'S DEVELOPED.
YEAH. THAT'S RIGHT.
THAT'S RIGHT.
104
00:07:45,020 --> 00:07:49,290
DETECTIVE, I THINK...
WE'RE GONNA GET HER BACK.
105
00:07:52,400 --> 00:07:55,710
[ MR. BUTLER ] I WON'T HAVE
MY BOY BURIED IN THIS CITY.
106
00:07:55,730 --> 00:07:58,130
I WON'T HAVE MY BOY
BURIED IN THIS STATE.
107
00:07:59,800 --> 00:08:03,540
THIS PLACE DIDN'T DESERVE HIM
WHEN HE WAS ALIVE.
108
00:08:03,570 --> 00:08:05,710
THEY AIN'T GONNA GET HIM DEAD.
109
00:08:05,740 --> 00:08:07,740
MR. BUTLER,
DO YOU HAVE OTHER FAMILY?
110
00:08:09,410 --> 00:08:12,780
MY BOY LOST
HIS MOTHER...
111
00:08:12,820 --> 00:08:17,530
TO DRUGS, TO THE STREET‐‐
WHATEVER YOU WANT TO CALL IT‐‐
WHEN HE WAS SIX.
112
00:08:17,550 --> 00:08:21,560
SEVEN YEARS BACK.
LONG TIME AGO.
113
00:08:23,390 --> 00:08:25,690
MY SISTER LIVES WITH US NOW.
114
00:08:25,730 --> 00:08:28,030
SHE WAITIN' FOR ME AT HOME.
115
00:08:28,060 --> 00:08:31,900
DID HE HAVE ANY ENEMIES,
SOMEBODY HE DIDN'T
GET ALONG WITH?
NO.
116
00:08:33,170 --> 00:08:35,640
LISTEN. DO YOU KNOW
HOW MANY GUNS...
117
00:08:35,670 --> 00:08:37,570
THERE ARE
IN THAT NEIGHBORHOOD?
118
00:08:38,840 --> 00:08:40,970
HOW MANY KIDS GOT GUNS?
119
00:08:41,010 --> 00:08:43,380
WE UNDERSTAND ABOUT THE GUNS,
MR. BUTLER.
120
00:08:43,410 --> 00:08:45,750
THERE WAS NO ONE SPECIFIC THAT
GEORGE DIDN'T GET ALONG WITH?
121
00:08:45,780 --> 00:08:48,180
NOBODY.
122
00:08:48,220 --> 00:08:51,550
WE DID EVERYTHING
TOGETHER.
123
00:08:51,590 --> 00:08:54,220
I SUPERVISED
HIS HOMEWORK.
124
00:08:54,260 --> 00:08:56,730
WE WORKED OUT
AT THE "Y" TOGETHER.
WE TALKED.
125
00:08:58,130 --> 00:09:00,530
IF ANYTHING LIKE THAT
HAD BEEN HAPPENIN',
126
00:09:00,560 --> 00:09:02,660
GEORGE WOULD HAVE TOLD ME,
127
00:09:02,700 --> 00:09:06,030
AND IF HE HADN'T TOLD ME,
I'D HAVE KNOWN ANYWAY.
128
00:09:06,070 --> 00:09:08,740
DID GEORGE EVER HAVE
ANY TROUBLE WITH THE POLICE?
129
00:09:08,770 --> 00:09:12,210
NO. NO. I DID.
130
00:09:14,950 --> 00:09:18,260
I GOT INTO SOME DRUGS
AND I STOLE A CAR.
131
00:09:19,780 --> 00:09:22,680
I WAS ONLY 18,
AND THEN I DID 2 YEARS,
132
00:09:22,720 --> 00:09:24,890
BUT I WAS LUCKY.
133
00:09:26,220 --> 00:09:28,960
I LEARNED SOMETHING FROM IT.
134
00:09:28,990 --> 00:09:31,420
AND I SAW TO IT
THAT GEORGE DID TOO.
135
00:09:32,730 --> 00:09:36,060
HE WAS TAKIN'
ALL THE RIGHT ROADS.
136
00:09:36,100 --> 00:09:38,970
DID HE HAVE
A BEST FRIEND?
137
00:09:39,000 --> 00:09:42,000
ME. I WAS
HIS BEST FRIEND.
138
00:09:44,640 --> 00:09:46,970
MM.
139
00:09:47,010 --> 00:09:50,940
I CAN GIVE YOU THE NAMES
OF SOME OTHER KIDS HE SAW.
140
00:09:52,280 --> 00:09:54,150
YEAH.
141
00:09:56,350 --> 00:10:00,650
HE DIDN'T...
HAVE A GIRLFRIEND YET.
142
00:10:00,690 --> 00:10:03,360
HE WAS STARTING
TO GET INTERESTED.
143
00:10:06,100 --> 00:10:08,340
MR. BUTLER?
144
00:10:08,360 --> 00:10:11,670
I'M ARTHUR FANCY.
MY WIFE JUST CALLED ME.
145
00:10:11,700 --> 00:10:15,740
SHE SAID YOUR SISTER'S
A FRIEND OF HERS FROM THE
YOUTH PROGRAM AT ST. FRANCIS.
146
00:10:15,770 --> 00:10:19,910
OKAY. YOU KNOW WHAT?
LET'S START RUNNING DOWN
THESE NAMES.
147
00:10:19,940 --> 00:10:25,650
MR. BUTLER, IF YOU THINK OF
ANYTHING THAT MIGHT HELP US,
YOU GOT THE CARD, OKAY?
148
00:10:25,680 --> 00:10:28,020
YOU CALL. ANYTIME.
149
00:10:36,990 --> 00:10:39,990
I'M SORRY FOR YOUR LOSS.
150
00:10:40,030 --> 00:10:42,530
THIS CITY... IS EMPTY.
151
00:10:44,970 --> 00:10:47,540
THE BUILDINGS,
152
00:10:47,570 --> 00:10:50,570
THE PEOPLE,
THE CARS.
153
00:10:52,180 --> 00:10:54,480
YOU GOTTA TAKE THINGS
A MINUTE AT A TIME NOW.
154
00:10:57,850 --> 00:11:00,210
I WAS ONLY STRONG
FOR MY BOY.
155
00:11:02,490 --> 00:11:07,030
I CAN'T GET MY MIND
OFF OF WHO DID THIS TO HIM.
156
00:11:07,060 --> 00:11:09,370
WE'LL TAKE CARE OF THAT PART.
157
00:11:09,390 --> 00:11:11,590
WE'LL FIND WHO DID THIS.
BELIEVE ME, WE WILL.
158
00:11:13,060 --> 00:11:15,330
YOUR JOB IS
TO TAKE CARE OF YOURSELF.
159
00:11:16,530 --> 00:11:19,070
YOU BETTER FIND OUT.
160
00:11:19,100 --> 00:11:22,870
THAT'S ALL I GOT TO SAY.
YOU BETTER FIND WHO DID THIS.
161
00:11:26,610 --> 00:11:30,180
HEY. JOHN, I'M GONNA HAVE TO
PUT SOME MORE TIME
ON THIS BUCCI THING.
162
00:11:30,210 --> 00:11:32,350
HOW'S THAT GOIN'?
163
00:11:32,380 --> 00:11:34,720
THE FATHER THINKS
THERE'S A BIG BREAK.
164
00:11:34,750 --> 00:11:37,520
THIS P.I. HE'S HIRED
IS ON TO SOMETHIN'.
165
00:11:37,550 --> 00:11:39,750
ANY CHANCE OF THAT?
I DON'T KNOW.
166
00:11:39,790 --> 00:11:42,690
PEOPLE WIN THE LOTTERY.
I JUST NEVER MET ANY OF 'EM.
167
00:11:42,730 --> 00:11:45,340
I'M GONNA SEE
THIS PRIVATE INVESTIGATOR...
168
00:11:45,360 --> 00:11:48,260
AND OFFER HIM
THE DEPARTMENT'S
FULL COOPERATION.
169
00:11:48,300 --> 00:11:50,200
TALK LATER.
YEAH.
170
00:11:54,610 --> 00:11:58,050
ON YOUR 4‐TO‐12 TOUR, WOULD YOU
REQUEST SPECIAL ATTENTION
ON THIS BUTLER SHOOTING?
171
00:11:58,070 --> 00:12:00,510
WILL DO, DETECTIVE.
DETECTIVE LASALLE.
172
00:12:00,540 --> 00:12:03,210
‐ HMM?
‐ TALK TO YOU FOR A MINUTE?
173
00:12:03,250 --> 00:12:06,590
SURE.
UM,
174
00:12:06,620 --> 00:12:09,960
I KNOW THAT
BEFORE YOU CAME HERE
YOU WORKED SPECIAL VICTIMS,
175
00:12:09,990 --> 00:12:12,730
AND THAT'S REALLY
WHAT I WANT TO DO.
176
00:12:12,760 --> 00:12:16,130
I TALKED TO THE PEOPLE
OVER THERE, BUT I HAVEN'T
HEARD ANYTHING YET.
177
00:12:16,160 --> 00:12:19,060
I DON'T KNOW HOW THINGS WORK,
BUT WOULD IT BE OUT OF LINE...
178
00:12:19,100 --> 00:12:21,200
FOR ME TO ASK YOU
TO CHECK ON MY APPLICATION?
179
00:12:21,230 --> 00:12:23,600
NO. I KNOW PEOPLE
I CAN REACH OUT TO THERE.
180
00:12:23,630 --> 00:12:27,700
DETECTIVE LASALLE?
THIS GIRL SAYS SHE HAS SOMETHIN'
ON THE BUTLER HOMICIDE.
181
00:12:27,740 --> 00:12:30,440
I'LL SEE IF THERE'S ANYTHING
I CAN HELP YOU OUT WITH.
182
00:12:30,470 --> 00:12:32,540
GREAT. I APPRECIATE IT.
I'M DETECTIVE LASALLE.
183
00:12:32,580 --> 00:12:34,920
WE'LL GO UPSTAIRS
AND WE'LL TALK UP THERE.
184
00:12:38,250 --> 00:12:40,480
HOW YOU GONNA HELP US, TASHANA?
185
00:12:42,150 --> 00:12:45,220
I KNOW ONE OF THEM THAT WAS
THERE WHEN BUTLER GOT SHOT.
186
00:12:45,260 --> 00:12:48,770
‐ YOU SAW THE SHOOTING?
‐ NO, BUT THIS GUY
WAS TALKIN' ABOUT IT.
187
00:12:48,790 --> 00:12:51,790
TO YOU?
NO, TO MY GIRLFRIEND.
188
00:12:51,830 --> 00:12:53,960
THE GUY DOIN' THE TALKIN',
WHAT'S HIS NAME?
189
00:12:54,000 --> 00:12:59,480
UM, DON'T YOU‐ALL
HAVE SOME TYPE OF FUND
THAT YOU‐ALL GIVE TO PEOPLE...
190
00:12:59,500 --> 00:13:01,430
WHO HELP YOU‐ALL
GET IT DONE?
191
00:13:01,470 --> 00:13:04,270
WE GOT A FUND, YEAH.
192
00:13:04,310 --> 00:13:07,690
WELL, SEE,
WITH MY BABY COMIN',
193
00:13:07,710 --> 00:13:11,180
I'M GONNA NEED SOME MONEY
TO GET SOME DIAPERS
AND PLAY STUFF.
194
00:13:11,210 --> 00:13:13,510
HOW MUCH YOU GONNA NEED
FOR DIAPERS AND PLAY STUFF?
195
00:13:14,790 --> 00:13:18,830
UM, 500.
500 OUGHTA DO IT.
196
00:13:24,800 --> 00:13:28,040
I'M NOT TRYIN' TO MAKE NO MONEY
OFF OF GEORGE GETTIN' SHOT.
197
00:13:28,060 --> 00:13:31,870
IT'S JUST THAT
I NEED SOMETHIN' TOO.
YOU KNOW WHAT I'M SAYIN'?
198
00:13:31,900 --> 00:13:35,040
OKAY, TASHANA, BUT THIS
CAN'T BE A "COULD BE,"
"WOULD BE," OR "MAYBE."
199
00:13:35,070 --> 00:13:39,070
WE NEED A NAME AND ADDRESS,
AND IF THIS GUY IS RIGHT FOR
THE MURDER, YOU GET YOUR 500.
200
00:13:40,880 --> 00:13:43,120
OKAY.
201
00:13:43,150 --> 00:13:48,190
HIS STREET NAME IS C‐DAWG,
BUT HIS REAL NAME
IS THOMAS LENNOX.
202
00:13:48,220 --> 00:13:52,520
HE LIVE AT JEFFERSON PROJECTS
ON 113TH STREET,
203
00:13:52,560 --> 00:13:55,400
AND THE OTHER TWO GUYS,
ONE OF THEM IS CALLED PRINCE,
204
00:13:55,430 --> 00:13:57,470
AND I DON'T KNOW
THE OTHER ONE'S NAME.
205
00:13:57,490 --> 00:14:00,060
BUT C‐DAWG WAS THERE
WHEN THE WHOLE THING WENT DOWN,
206
00:14:00,100 --> 00:14:02,340
WHEN THAT BOY
GOT KILLED.
207
00:14:02,370 --> 00:14:06,210
‐ HE TOLD YOUR GIRLFRIEND THAT?
‐ YEAH, 'CAUSE HE
DON'T TALK TO ME,
208
00:14:06,240 --> 00:14:09,650
'CAUSE HE SCREWED ME,
GAVE ME THIS KID.
209
00:14:09,670 --> 00:14:14,340
C‐DAWG DON'T TALK TO ME,
'CAUSE NOW HE GOIN'
WITH MY GIRLFRIEND, KENDRA.
210
00:14:32,360 --> 00:14:35,200
[ KNOCKING ]
[ MAN ]
COME IN.
211
00:14:35,230 --> 00:14:39,170
AH. COME ON IN, DETECTIVE.
212
00:14:39,200 --> 00:14:42,740
YOU'RE WORKIN' FOR DOMINIC BUCCI
REGARDIN' HIS DAUGHTER'S
DISAPPEARANCE?
213
00:14:42,770 --> 00:14:45,670
THAT'S INFORMATION
HE COMMUNICATED TO YOU?
CORRECT.
214
00:14:45,710 --> 00:14:48,210
THEN I'LL CONFIRM IT.
PLEASE.
215
00:14:50,210 --> 00:14:53,450
WHY DON'T YOU FILL ME IN
ON THE STATUS OF THE CASE?
216
00:14:53,480 --> 00:14:57,220
NOT UNLESS MR. BUCCI
AUTHORIZES ME TO DISCUSS
THOSE PARTICULARS.
217
00:14:57,250 --> 00:15:01,350
HEY, ME AND YOU, WE BOTH
WANT TO FIND MR. BUCCI'S
MISSING DAUGHTER, DON'T WE?
218
00:15:01,390 --> 00:15:04,630
I HAVE DEVOTED A GOOD PART
OF THE LAST SIX MONTHS
TO BRINGING THAT ABOUT.
219
00:15:04,660 --> 00:15:08,730
SO LET'S NOT SNAG OUR PANTS
ON YOUR SHARP ETHICS HERE,
ALL RIGHT?
220
00:15:08,770 --> 00:15:11,410
WHY DON'T YOU JUST SHOW ME
WHERE YOU'RE AT?
221
00:15:11,430 --> 00:15:13,470
A LOT OF THIS IS RAW DATA.
222
00:15:13,500 --> 00:15:16,070
I DON'T KNOW HOW YOU WORK,
SIPOWICZ, BUT ME,
223
00:15:16,110 --> 00:15:19,420
I LIKE TO KEEP MOST
OF AN ACTIVE INVESTIGATION
IN MY HEAD.
224
00:15:19,440 --> 00:15:22,480
ALL RIGHT. LET ME SEE THE PAPER.
WE'LL LOOK IN YOUR HEAD LATER.
225
00:15:22,510 --> 00:15:26,150
JUST SO YOU KNOW,
NOT EVERYTHING'S IN HERE.
226
00:15:26,180 --> 00:15:28,250
YEAH.
227
00:15:32,120 --> 00:15:34,320
I SEE YOU TOOK
THREE TRIPS TO FLORIDA.
228
00:15:34,360 --> 00:15:37,100
HMM. POSSIBLE SIGHTINGS.
229
00:15:37,130 --> 00:15:39,570
THEY, UH‐‐
THEY DIDN'T PROVE OUT.
230
00:15:39,600 --> 00:15:42,640
WHO'S THIS, UH‐‐
WHO'S THIS CAROLYN CASE?
231
00:15:42,670 --> 00:15:47,340
OH, A WOMAN
WHO HAS BEEN VERY SUCCESSFUL
FINDING LOST OBJECTS AND PEOPLE.
232
00:15:47,370 --> 00:15:50,940
AND HOW DOES SHE DO THAT?
SHE'S WORKED WITH
A LOT OF POLICE DEPARTMENTS.
233
00:15:50,970 --> 00:15:53,240
ARE WE TALKIN' ABOUT
THE TYPE OF PERSON...
234
00:15:53,280 --> 00:15:55,950
THAT CLOSES HER EYES
AND ROLLS HER HEAD AROUND...
235
00:15:55,980 --> 00:15:58,850
LIKE WHOOPI GOLDBERG,
SAYIN' STUFF LIKE,
236
00:15:58,880 --> 00:16:01,110
"I'M GETTIN' A VISION
OF WATER"?
237
00:16:01,150 --> 00:16:03,620
ARE WE TALKIN' ABOUT
A PSYCHIC HERE, P.I. CORDAY?
238
00:16:03,650 --> 00:16:07,020
SHE HAS ALSO WORKED
WITH THE BUREAU OF ALCOHOL,
TOBACCO AND FIREARMS.
239
00:16:07,060 --> 00:16:11,600
IS SHE THE ONE
THAT GREEN‐LIGHTED THAT RAID
DOWN IN "WACKO," TEXAS, THERE?
240
00:16:11,630 --> 00:16:15,360
THAT WAS NEAR WATER, WASN'T IT?
I MEAN, THEY HAD A BIG TANK
IN THEIR COMPOUND.
241
00:16:17,000 --> 00:16:21,100
YOU WANNA MAKE LIGHT OF THIS?
PRACTICE YOUR RIDICULE?
242
00:16:21,140 --> 00:16:25,950
PLEASE. CALL MR. BUCCI.
I DON'T THINK
HE'D BE REAL AMUSED.
243
00:16:25,980 --> 00:16:29,420
HE HAPPENS TO BE VERY IMPRESSED
WITH THIS WOMAN. SO AM I.
244
00:16:31,580 --> 00:16:33,880
MR. BUCCI
SAID SOMETHING ABOUT...
245
00:16:33,920 --> 00:16:36,160
FINDING A PIECE
OF HIS DAUGHTER'S CLOTHING,
246
00:16:36,190 --> 00:16:38,330
MAYBE A SIGHTING
OF JENNY.
247
00:16:38,350 --> 00:16:41,050
I'M NOT GOING TO DISCUSS
THOSE ASPECTS OF THE CASE
WITH YOU.
248
00:16:41,090 --> 00:16:44,390
IF YOU GOT A PIECE OF THAT
GIRL'S CLOTHING, I WANNA SEE IT.
249
00:16:45,900 --> 00:16:49,540
LOOK. I AM HAVING IT
ANALYZED AT A LABORATORY.
250
00:16:49,570 --> 00:16:51,810
ONCE I'VE ASCERTAINED
IT'S LEGITIMACY,
251
00:16:51,840 --> 00:16:54,080
I WILL INVOLVE
THE PROPER AUTHORITIES.
252
00:16:54,100 --> 00:16:59,070
YEAH? WELL, WHILE YOU'RE
ASCERTAINING ON THAT,
WHY DON'T YOU TELL ME...
253
00:16:59,110 --> 00:17:03,510
WHERE I CAN FIND
THIS PSYCHIC WOMAN
SO I CAN ASCERTAIN ON HER.
254
00:17:15,890 --> 00:17:18,690
I'M GONNA TELL YOU
WHY YOU'RE HERE.
SOMEBODY TELLIN' LIES IS WHY.
255
00:17:18,730 --> 00:17:22,000
YOU CAN ASK FOR YOUR LAWYER,
AND I'LL PUT YOU IN A CELL,
OR LISTEN.
256
00:17:22,030 --> 00:17:24,100
WHAT'S IT GONNA BE?
257
00:17:24,130 --> 00:17:26,630
GO AHEAD. TALK.
258
00:17:27,870 --> 00:17:31,170
THOMAS, WHERE YOU'RE AT,
259
00:17:31,210 --> 00:17:33,420
RIGHT HERE, RIGHT NOW,
260
00:17:33,440 --> 00:17:36,080
IS THE BEST PLACE
YOU'RE GONNA BE IN
FOR A LONG TIME.
261
00:17:37,380 --> 00:17:39,510
YOU'RE IN A POSITION
TO HELP YOURSELF.
262
00:17:39,550 --> 00:17:42,820
YOU GOT NICE LEGS.
BE ALL RIGHT IF I
LOOK UP YOUR DRESS?
263
00:17:44,960 --> 00:17:48,130
WHAT'S YOUR STREET NAME?
C‐DAWG.
264
00:17:48,160 --> 00:17:53,290
[ CHUCKLES ]
WELL, C‐DAWG, YOU MUST BE
SOME KIND OF MORON,
265
00:17:53,330 --> 00:17:56,960
BECAUSE I'M TRYIN' TO HELP YOU,
AND YOU GO AND SAY SOMETHIN'
TO PISS ME OFF.
266
00:17:57,000 --> 00:17:58,970
WHAT WERE YOU GONNA SAY?
267
00:17:59,000 --> 00:18:02,100
YOU'RE PAST YOUR
16TH BIRTHDAY NOW, THOMAS.
268
00:18:02,140 --> 00:18:05,070
YOU'RE NOT GOIN'
INTO SPOFFORD THIS TIME.
YOU'RE GOIN' TO RIKERS.
269
00:18:05,110 --> 00:18:08,280
YOU HEARD ABOUT IT.
NOW YOU'RE GONNA SEE IT.
270
00:18:08,310 --> 00:18:10,280
WELCOME TO THE BIG LEAGUES.
271
00:18:12,120 --> 00:18:14,320
WE HAVE WITNESSES
PUT YOU AT THIS MURDER.
272
00:18:14,350 --> 00:18:17,890
THAT MEANS WHETHER YOU
PULLED THE TRIGGER OR NOT,
YOU'RE GOIN' AWAY FOR MURDER.
273
00:18:17,920 --> 00:18:20,120
THAT'S 25 YEARS,
274
00:18:20,160 --> 00:18:22,270
NINE YEARS MORE
THAN YOU'VE BEEN ALIVE.
275
00:18:22,290 --> 00:18:24,420
I DIDN'T DO NO MURDER.
MAYBE YOU CAN
HELP YOURSELF.
276
00:18:26,460 --> 00:18:29,460
BECAUSE THE MAJOR WEIGHT'S GONNA
FALL ON WHO PULLED THE TRIGGER.
277
00:18:29,500 --> 00:18:33,600
IF YOU DIDN'T DO THAT,
YOU'RE GONNA HAVE TO
GIVE UP A NAME NOW.
278
00:18:33,640 --> 00:18:37,820
IF YOU DID PULL THE TRIGGER,
MAYBE YOU BETTER SHUT UP
AND CALL YOUR LAWYER.
279
00:18:37,840 --> 00:18:40,610
YOU WANNA DO THAT?
I TOLD YOU
I DIDN'T DO NO MURDER!
280
00:18:40,640 --> 00:18:43,280
I DON'T HAVE A GUN YET.
WHO HAD THE GUN?
281
00:18:43,310 --> 00:18:45,280
YOUR BUDDY PRINCE,
OR THIS OTHER GUY?
282
00:18:45,320 --> 00:18:48,090
PRINCE OR MAYBE SHABAZZ.
I DON'T KNOW.
283
00:18:48,120 --> 00:18:52,090
I WAS DOWN THE STREET,
I HEARD THE SHOT, AND I BOOKED.
284
00:18:52,120 --> 00:18:55,760
WHERE CAN WE FIND SHABAZZ?
HE A FRIEND OF PRINCE'S
FROM DOWNTOWN.
285
00:18:55,790 --> 00:18:57,860
I DON'T KNOW
WHERE HE LIVES.
286
00:18:57,890 --> 00:18:59,730
WE WANTED THE KID'S RADIO
WAS ALL.
287
00:19:01,160 --> 00:19:04,460
I WAS A BLOCK AWAY
WHEN THAT KID GOT CAPPED.
288
00:19:13,540 --> 00:19:17,140
THEY CALL YOU PRINCE, HUH?
RIGHT, PRINCE.
289
00:19:17,180 --> 00:19:22,020
UH‐HUH. WELL, PRINCE,
WE GOT YOU AND C‐DAWG
FOR MURDER, DID YOU KNOW THAT?
290
00:19:22,050 --> 00:19:25,890
NO, MAN! NO, NO!
NO WAY! UH‐UH.
291
00:19:25,920 --> 00:19:28,860
YOU KNOW THE LAW?
YOU DON'T ACTUALLY
HAVE TO PULL THE TRIGGER.
292
00:19:28,890 --> 00:19:31,830
ALL YOU HAVE TO DO
IS BE STANDIN' THERE
TO COLLECT 25 YEARS.
293
00:19:31,860 --> 00:19:34,330
THEY CALL IT
"ACTING IN CONCERT."
294
00:19:34,360 --> 00:19:36,700
NOW, I GOT YOU,
I GOT YOUR FRIEND,
295
00:19:36,730 --> 00:19:39,730
AND I'M GONNA GET THE OTHER GUY,
AND IF I DON'T GET
ANY HELP FROM YOU,
296
00:19:39,770 --> 00:19:42,740
I GOT NO REASON TO GIVE YOU
ANY SLACK ON THAT.
297
00:19:42,770 --> 00:19:47,170
EVEN IF I FIND OUT YOU DIDN'T
SHOOT THE KID, YOU DON'T
HELP ME, I DON'T HELP YOU.
298
00:19:47,210 --> 00:19:49,640
WHY WOULD YOU HELP ME?
299
00:19:49,680 --> 00:19:52,980
BECAUSE YOU'RE IN A POSITION
TO SAVE ME SOME TIME
AND TROUBLE, THAT'S ALL.
300
00:19:53,020 --> 00:19:55,560
[ DOOR OPENING ]
301
00:19:57,720 --> 00:20:00,920
KID'S NAME IS SHABAZZ.
THEY WENT TO WEST VIRGINIA
TOGETHER‐‐ [ INDISTINCT ]
302
00:20:00,960 --> 00:20:03,430
OKAY.
303
00:20:09,570 --> 00:20:11,740
THE TRAIN'S
PULLIN' OUT, PRINCE.
304
00:20:11,770 --> 00:20:15,270
WE GOT SHABAZZ'S NAME, AND WE
KNOW ABOUT YOUR LITTLE TRIP
TO WEST VIRGINIA.
305
00:20:15,310 --> 00:20:17,780
WAIT A MINUTE.
HOLD UP!
306
00:20:19,210 --> 00:20:21,940
I STILL KNOW SOME STUFF
I COULD TELL YOU.
307
00:20:29,090 --> 00:20:32,030
YOU BETTER TELL ME NOW, THEN,
BECAUSE IF YOU LIE,
308
00:20:32,060 --> 00:20:35,200
I'M GONNA LOCK YOU DOWN,
AND WE'RE GONNA DO THIS
THE HARD WAY.
309
00:20:35,230 --> 00:20:38,040
DO YOU UNDERSTAND?
310
00:20:38,060 --> 00:20:41,390
ME AND SHABAZZ
WENT TO WEST VIRGINIA
TO GET GUNS.
311
00:20:43,430 --> 00:20:47,100
WE SOLD THREE
EIGHT‐BALLS OF CRACK,
WE GOT A .38, TWO .9S,
312
00:20:47,140 --> 00:20:49,150
A .44 DESERT EAGLE AUTOMATIC.
313
00:20:49,170 --> 00:20:54,270
WHAT HAPPENED TO THOSE GUNS?
SHABAZZ SOLD 'EM.
314
00:20:54,310 --> 00:20:57,680
'CEPT FOR THE .44.
KEPT THAT FOR HIMSELF,
USED IT ON GEORGE BUTLER, HUH?
315
00:20:59,020 --> 00:21:01,260
WHO'S THAT?
316
00:21:01,280 --> 00:21:04,020
THAT'S THE KID
WITH THE RADIO.
317
00:21:08,120 --> 00:21:09,960
YEAH, HE USED IT ON HIM.
318
00:21:11,260 --> 00:21:14,500
WHY? YOU ALREADY HAD THE RADIO.
319
00:21:14,530 --> 00:21:17,400
HE WANTED TO, I GUESS.
320
00:21:17,430 --> 00:21:23,100
YEAH. OKAY. I'M GONNA NEED
A REAL NAME ON SHABAZZ
AND AN ADDRESS RIGHT NOW.
321
00:21:25,880 --> 00:21:27,790
SHABAZZ HAMILTON.
322
00:21:29,510 --> 00:21:32,480
HE'S AT 559
WEST ELEVENTH STREET.
323
00:21:33,820 --> 00:21:36,630
NUMBER 418.
324
00:21:36,650 --> 00:21:39,290
‐ PICK HIM UP.
‐ YEAH.
325
00:21:45,860 --> 00:21:49,500
WOULD YOU BE CAREFUL
WHEN YOU SET IT DOWN,
PLEASE?
326
00:21:49,530 --> 00:21:52,330
OH, NO.
[ MAN ]
HEY, MOVE IT!
327
00:21:52,370 --> 00:21:55,070
OH, NO.
OH, GREAT.
[ SIREN CHIRPING ]
328
00:21:56,810 --> 00:21:58,880
IT'S PROBABLY DAMAGED.
WE'RE GONNA LOOK AT IT.
329
00:22:01,040 --> 00:22:03,940
‐ JOHNNY, CAN I GET
SOME ADVICE FROM YOU?
‐ SURE.
330
00:22:03,980 --> 00:22:07,720
THEY OFFERED ME A JOB
AT THE OFFICE OF EQUAL
EMPLOYMENT OPPORTUNITY.
331
00:22:07,750 --> 00:22:09,950
IS THAT RIGHT?
332
00:22:09,990 --> 00:22:13,400
UPSIDE IS THERE'S
PROBABLY A PROMOTION
TO FIRST GRADE DETECTIVE.
333
00:22:13,420 --> 00:22:16,220
DOWNSIDE IS I DON'T KNOW
IF I'D LIKE THAT KIND OF JOB.
334
00:22:16,260 --> 00:22:18,460
YEAH. WELL, I DON'T KNOW.
335
00:22:18,500 --> 00:22:21,240
THAT RACIAL
AND SEXUAL HARASSMENT'S
IMPORTANT STUFF, THOUGH.
336
00:22:21,260 --> 00:22:24,360
I KNOW, I KNOW.
I JUST DON'T KNOW IF IT'S ME.
YEAH.
337
00:22:24,400 --> 00:22:26,400
WHAT'S A FIRST GRADE BUMP?
SEVEN GRAND?
338
00:22:26,440 --> 00:22:28,910
7,500, AND WE COULD
REALLY USE THAT MONEY.
339
00:22:28,940 --> 00:22:30,840
PLUS NO MORE SHIFT WORK.
340
00:22:30,870 --> 00:22:33,340
YEAH, DEFINITELY BE
MORE REGULAR FOR THE BOYS.
341
00:22:33,380 --> 00:22:35,690
[ HORNS HONKING ]
[ MAN ]
COME ON, BUDDY!
342
00:22:35,710 --> 00:22:40,680
[ SIGHS ] YOU KNOW,
WHEN WE CAME ON THAT KID
DYIN' ON THE STREET YESTERDAY,
343
00:22:40,720 --> 00:22:44,700
ALL I COULD THINK ABOUT
WAS DANNY.
344
00:22:44,720 --> 00:22:46,750
MM‐HMM.
YEAH.
SEEIN' HIM LYIN' THERE.
345
00:22:46,790 --> 00:22:49,490
[ HORNS HONKING ]
I KEEP THINKIN' ABOUT THAT.
346
00:22:49,530 --> 00:22:52,170
YEAH.
[ MAN ]
AIN'T GOT ALL DAY!
347
00:22:52,200 --> 00:22:54,740
I DIDN'T JOIN UP
TO BE THE KIND OF COP
THEY'RE OFFERIN' ME TO BE,
348
00:22:54,770 --> 00:22:56,740
BUT, JOHNNY, I'M NOT THE SAME.
349
00:22:59,400 --> 00:23:01,570
I'M NOT THE SAME PERSON
I WAS WHEN I JOINED UP.
350
00:23:01,610 --> 00:23:04,380
I KNOW.
[ MAN ]
LET'S MOVE IT!
351
00:23:04,410 --> 00:23:07,550
I KNOW.
[ SIGHS ]
352
00:23:07,580 --> 00:23:09,440
[ SIREN CHIRPING ]
HERE WE GO. COME ON.
353
00:23:16,620 --> 00:23:20,050
SHABAZZ INSIDE?
GUY OUTSIDE SAYS HE SAW HIM
GO IN AN HOUR AGO.
354
00:23:20,090 --> 00:23:22,790
HE HASN'T COME OUT YET.
CAN WE SECURE THE ROOF?
355
00:23:22,830 --> 00:23:24,640
WE GOT A COUPLE GUYS
UP THERE NOW.
356
00:23:27,960 --> 00:23:29,930
NO WARRANT.
GOTTA GET HIM
TO OPEN UP.
357
00:23:29,970 --> 00:23:31,910
[ KNOCKING ]
358
00:23:35,470 --> 00:23:38,270
[ KNOCKING ]
[ MAN ]
WHAT'S UP? WHO IS IT?
359
00:23:38,310 --> 00:23:40,440
ANYBODY ORDER
A PAID PACKAGE?
[ LOCK CLICKS ]
360
00:23:41,950 --> 00:23:44,420
POLICE!
GET OFF ME, MAN!
361
00:23:44,450 --> 00:23:47,730
YOU SHABAZZ HAMILTON?
YEAH, I'M SHABAZZ.
WHAT DO YOU WANT?
362
00:23:47,750 --> 00:23:49,950
YOU'RE UNDER ARREST.
I DIDN'T DO NOTHIN', MAN!
363
00:23:49,990 --> 00:23:52,000
‐ ALL CLEAR IN THERE, RIGHT?
‐ [ LASALLE ] YEAH, CLEAR.
364
00:23:52,020 --> 00:23:53,890
LOOK WHAT I FOUND.
YOU GOT A SEARCH WARRANT?
365
00:23:53,920 --> 00:23:56,790
IT WAS IN PLAIN SIGHT.
IT WAS UNDER THE MATTRESS!
366
00:23:56,830 --> 00:23:59,340
MAYBE IT SLIPPED OUT.
367
00:24:11,980 --> 00:24:13,880
[ KELLY ]
SHA‐BAZZ.
368
00:24:16,710 --> 00:24:22,450
SHABAZZ, C‐DAWG AND PRINCE
TELL ME THAT YOU SHOT THIS KID.
369
00:24:23,820 --> 00:24:26,620
AND THE GUN WE FOUND
IN YOUR APARTMENT‐‐
370
00:24:26,660 --> 00:24:30,000
BALLISTICS IS GONNA TELL ME
IT WAS THE ONE
USED ON GEORGE BUTLER...
371
00:24:30,030 --> 00:24:33,070
AND THAT IT'S GOT YOUR PRINTS
ALL OVER IT, AREN'T THEY?
372
00:24:34,670 --> 00:24:36,570
I GOT YOU.
373
00:24:44,540 --> 00:24:47,040
I GOT NOTHIN' TO SAY, MAN.
374
00:24:47,080 --> 00:24:50,390
GOOD. GOOD.
I WANT YOU TO SHUT UP.
375
00:24:50,410 --> 00:24:52,510
KNOW WHY?
376
00:24:52,550 --> 00:24:55,480
WHEN YOU GO TO TRIAL
FOR THIS MURDER,
377
00:24:55,520 --> 00:24:57,720
THEN YOU'LL GET
THE FULL 25.
378
00:24:57,750 --> 00:25:01,220
AND AFTER THAT,
YOU'LL START YOUR FEDERAL BIT...
379
00:25:01,260 --> 00:25:04,870
FOR TRANSPORTING WEAPONS
ACROSS STATE LINES,
380
00:25:04,900 --> 00:25:08,670
AND IT'S MY GUESS THAT
THE STATE WILL TAKE YOU BACK
ON THE FELONY SALE...
381
00:25:08,700 --> 00:25:11,900
FOR THE GUNS
THAT YOU AND NITWIT NUMBER ONE
PICKED UP IN WEST VIRGINIA.
382
00:25:11,940 --> 00:25:17,350
LOOK. YOU PROVE I DID THE CRIME,
I'LL DO THE TIME. HEAR ME?
383
00:25:17,370 --> 00:25:21,210
YO, CAN I GO TO MY CELL NOW?
YEAH, YOU CAN GO TO YOUR CELL,
YOU LITTLE PRICK.
384
00:25:26,450 --> 00:25:29,680
YOU ARE GONNA BOUNCE AROUND
THIS SYSTEM...
385
00:25:29,720 --> 00:25:33,520
LIKE A LITTLE RUBBER BALL
FOR THE REST OF YOUR LIFE.
386
00:25:33,560 --> 00:25:37,840
DETECTIVE KELLY,
WOULD YOU MIND IF I HAD A MOMENT
OR TWO ALONE WITH SHABAZZ?
387
00:25:37,860 --> 00:25:41,560
IF YOU WANNA WASTE
YOUR TIME WITH THIS ASSHOLE,
THAT'S UP TO YOU.
388
00:25:41,600 --> 00:25:44,100
I HAVE A REPORT TO START.
389
00:25:45,600 --> 00:25:48,440
HAVE A NICE LIFE, SHABAZZ.
390
00:26:01,420 --> 00:26:04,460
I'M NOT GONNA LIE TO YOU.
YOU'RE IN A LOT OF TROUBLE.
391
00:26:04,490 --> 00:26:07,060
BUT IT DOESN'T
HAVE TO BE THE WAY
MY PARTNER SAID.
392
00:26:08,560 --> 00:26:11,060
YOU'RE A YOUNG GUY,
AND THE WAY THE WORLD IS,
393
00:26:11,090 --> 00:26:13,590
YOU KNOW HOW EASY IT IS
TO MAKE MISTAKES.
394
00:26:13,630 --> 00:26:15,630
JUDGES AND COURTS
KNOW THAT TOO.
395
00:26:15,670 --> 00:26:18,580
YEAH, WELL,
YOUR PARTNER'S AN ASSHOLE.
396
00:26:18,600 --> 00:26:23,640
DETECTIVE KELLY JUST THINKS THAT
YOU'RE TRYIN' TO GET OVER
ON HIM, MAKE HIS JOB HARDER.
397
00:26:23,670 --> 00:26:26,270
HE GIVES ME
NO RESPECT, MAN! ZERO!
398
00:26:26,310 --> 00:26:29,640
I'M NOT SAYING HE'S RIGHT.
JUST THAT'S THE WAY
HE SEES IT, YOU KNOW.
399
00:26:32,120 --> 00:26:34,990
THE FACT IS, YOU COULD
REALLY HELP US OUT HERE.
400
00:26:36,850 --> 00:26:40,950
AND IF YOU DID THAT,
I KNOW I COULD GET HIM
TO LIGHTEN UP A TON.
401
00:26:43,030 --> 00:26:45,140
WHAT ABOUT THEM OTHER CHARGES
HE WAS TALKIN' ABOUT?
402
00:26:45,160 --> 00:26:49,560
YOU TELL US WHAT WENT ON
OUTSIDE THAT LAUNDROMAT,
AND WE ALL GO HOME EARLY.
403
00:26:49,600 --> 00:26:53,470
THOSE FIREARMS CHARGES,
POSSESSION AND ILLEGAL SALE,
IT'S PENNY‐ANTE STUFF.
404
00:26:53,500 --> 00:26:55,440
THE SYSTEM DOESN'T HAVE
TIME OR MONEY FOR THAT.
405
00:26:59,380 --> 00:27:01,520
WANT A CUP OF COFFEE?
406
00:27:01,550 --> 00:27:04,450
TAKE A FEW MINUTES
TO THINK ABOUT IT?
407
00:27:04,480 --> 00:27:06,650
WHY DON'T I GET YOU
A CUP OF COFFEE?
408
00:27:06,680 --> 00:27:09,180
YEAH, OKAY. COFFEE.
409
00:27:11,490 --> 00:27:13,800
THREE SUGARS, BLACK.
410
00:27:21,360 --> 00:27:24,670
HOW'S IT GOIN'?
YOU GOT THE BLOOD
PUMPIN' THROUGH HIS BRAIN.
411
00:27:24,700 --> 00:27:28,170
I'M GONNA GET HIM COFFEE,
SEE IF I CAN'T GET HIM
TO BUY INTO THE HOMICIDE.
412
00:27:28,200 --> 00:27:31,300
THINK HE'LL GO FOR IT?
THE GUN? I DON'T KNOW.
413
00:27:33,580 --> 00:27:35,990
I THINK HE MIGHT
PUT HIMSELF ON THE SCENE,
414
00:27:36,010 --> 00:27:37,810
THANKS TO YOU
BEING SUCH A PRICK.
415
00:27:44,760 --> 00:27:47,430
KELLY, WE GOT
AN ESCAPED PRISONER!
COME HERE, SHABAZZ!
416
00:27:49,330 --> 00:27:52,400
[ KELLY ]
WE GOT AN ESCAPE!
[ SHOUTING ]
417
00:27:54,830 --> 00:27:57,360
HEY!
418
00:27:57,400 --> 00:27:59,300
[ MARTINEZ ]
WHAT'S GOIN' ON?
WHAT HAPPENED?
419
00:27:59,340 --> 00:28:01,080
ALERT DOWNSTAIRS
AND GET AN AMBULANCE.
420
00:28:03,340 --> 00:28:05,370
DID HE GET OUT?
HE GET AWAY?
421
00:28:05,410 --> 00:28:07,370
WE'LL GET HIM BACK.
[ FANCY ]
WHAT HAPPENED?
422
00:28:07,410 --> 00:28:10,180
HE RIPPED THE GRILL OFF
AND NAILED HER.
423
00:28:10,210 --> 00:28:12,250
YOU ALL RIGHT,
SHARON?
OH, YEAH.
424
00:28:12,280 --> 00:28:14,210
DID SOMEBODY
CALL AN AMBULANCE?
YEAH, JUST DID IT.
425
00:28:14,250 --> 00:28:16,080
LAY THERE
UNTIL E. M. S. COMES.
EASY.
426
00:28:24,700 --> 00:28:26,540
DAMN IT!
427
00:28:31,100 --> 00:28:34,740
[ DOG GROWLING ]
428
00:28:40,040 --> 00:28:41,880
[ KNOCKING ]
429
00:28:44,920 --> 00:28:48,030
YOU WOULD BE
DETECTIVE ANDREW SIPOWICZ.
430
00:28:48,050 --> 00:28:50,620
YOU MUST BE PSYCHIC.
431
00:28:50,650 --> 00:28:53,790
MR. CORDAY CALLED,
SAID YOU WERE COMING BY.
COME IN.
432
00:29:02,860 --> 00:29:04,800
KINDA PINK IN HERE, HUH?
433
00:29:07,870 --> 00:29:11,340
HOW CAN I HELP YOU,
DETECTIVE?
434
00:29:11,370 --> 00:29:14,240
YOU CAN TELL ME ABOUT
HOW YOU BEEN HELPIN' CORDAY...
435
00:29:14,280 --> 00:29:16,580
IN HIS WORK
ON THE JENNIFER BUCCI CASE.
436
00:29:17,910 --> 00:29:21,750
YOU KNOW, DETECTIVE,
I SENSE A STRONG,
437
00:29:21,780 --> 00:29:25,020
SKEPTICAL ENERGY NEXUS
AROUND YOU.
438
00:29:25,050 --> 00:29:27,450
MAYBE YOU CAN DISAPPEAR IT
BY TELLING ME ABOUT...
439
00:29:27,490 --> 00:29:30,250
YOUR LAST TERRESTRIAL CONTACT
WITH DOMINIC BUCCI.
440
00:29:30,290 --> 00:29:35,390
‐ IT WAS A VERY EXCITING SESSION
FOR BOTH OF US.
‐ YEAH? AND WHY WAS THAT?
441
00:29:35,430 --> 00:29:39,030
HE BROUGHT ME
AN ARTICLE OF CLOTHING
MR. CORDAY HAD RECOVERED.
442
00:29:39,070 --> 00:29:42,610
MR. BUCCI REMEMBERED IT
AS BEING EXACTLY SIMILAR...
443
00:29:42,640 --> 00:29:46,380
TO THE BLOUSE
HIS DAUGHTER JENNY WORE
THE DAY SHE DISAPPEARED.
444
00:29:46,410 --> 00:29:49,580
I GOT EMANATIONS
OFF THIS BLOUSE‐‐
445
00:29:49,610 --> 00:29:53,610
A VERY STRONG SENSE
FROM THIS BLOUSE.
446
00:29:55,250 --> 00:29:58,550
AND WHAT WAS THE UPSHOT
OF THE EMANATIONS?
447
00:29:58,590 --> 00:30:03,160
MY STRONG SENSE WAS THAT JENNY
MAY HAVE WORN THE BLOUSE.
448
00:30:03,190 --> 00:30:06,660
I'M SURE IN YOUR LINE OF WORK,
DETECTIVE, YOU'VE COME ACROSS
MANY THINGS...
449
00:30:06,690 --> 00:30:09,560
YOU HAVEN'T BEEN ABLE
TO EXPLAIN.
450
00:30:09,600 --> 00:30:14,780
EACH OF US HAS OUR OWN
CONCEPTUAL TOOL KIT
WE WORK WITH.
451
00:30:14,800 --> 00:30:17,740
I'VE DEVELOPED MINE
IN SPECIAL WAYS.
452
00:30:17,770 --> 00:30:20,770
IT MIGHT HELP YOU
TO TRY AND ACCEPT THAT.
453
00:30:20,810 --> 00:30:25,190
WHERE'D CORDAY
GET THE CLOTHING FROM?
A FIELD ASSOCIATE, I BELIEVE.
454
00:30:25,210 --> 00:30:27,810
FOR MY PURPOSES,
THAT'S IRRELEVANT.
455
00:30:27,850 --> 00:30:32,750
CAN I TELL YOU THAT
WHEN I WAS ABLE TO MAKE
AVAILABLE TO MR. BUCCI THAT...
456
00:30:32,790 --> 00:30:34,860
THIS COULD BE
JENNY'S BLOUSE,
457
00:30:34,890 --> 00:30:38,590
IT WAS A TRANSFORMATIONAL
EXPERIENCE FOR BOTH OF US.
458
00:30:38,630 --> 00:30:40,770
REALLY BEAUTIFUL.
459
00:30:40,790 --> 00:30:44,700
I COULD ALWAYS SENSE
A WITHHELD JOY
IN MR. BUCCI.
460
00:30:44,730 --> 00:30:46,960
THAT JOY
WAS GESTATING,
461
00:30:47,000 --> 00:30:51,170
AND I WAS SO PROUD TO BE ABLE
TO FACILITATE ITS BIRTH.
462
00:30:51,210 --> 00:30:55,020
THAT‐‐ THAT JUST MADE ME
FEEL MARVELOUS.
463
00:30:55,040 --> 00:30:58,980
MAYBE IT'S BEING HERE
IN THIS NICE,
PINK ENVIRONMENT, BUT...
464
00:30:59,010 --> 00:31:03,550
I GOT A STRONG,
MARVELOUS FEELING
FROM EMANATIONS...
465
00:31:03,580 --> 00:31:06,550
OR WHATEVER
THAT I KNOW EXACTLY
WHAT'S GOIN' ON HERE.
466
00:31:08,720 --> 00:31:10,820
HOW MUCH MONEY YOU MAKIN'
OUT OF THIS, CAROLYN?
467
00:31:10,860 --> 00:31:13,570
MY FEES ARE CONFIDENTIAL.
468
00:31:16,560 --> 00:31:19,030
[ SIGHS ]
469
00:31:19,070 --> 00:31:21,240
THANKS FOR THE SEANCE, HUH?
470
00:31:24,910 --> 00:31:28,420
LIEUTENANT? I HAVE THOSE
WORK ORDERS YOU ASKED FOR,
YEAH.
471
00:31:28,440 --> 00:31:31,780
AND BUILDING MAINTENANCE
IS ON LINE THREE FOR YOU.
THANK YOU.
472
00:31:34,110 --> 00:31:36,310
LIEUTENANT FANCY.
473
00:31:36,350 --> 00:31:38,720
YEAH, I'M STARIN'
AT THREE WORK ORDERS HERE.
474
00:31:38,750 --> 00:31:41,020
I HAD A PRISONER ESCAPE
AND AN OFFICER INJURED...
475
00:31:41,050 --> 00:31:43,420
BECAUSE YOU PEOPLE
DIDN'T GET AROUND TO 'EM.
476
00:31:43,460 --> 00:31:46,700
I WANT THESE REPAIRS
THAT WE'VE ASKED FOR
DONE BY 12:00 TONIGHT,
477
00:31:46,730 --> 00:31:49,100
OR I'M GONNA HAVE
SOMEBODY'S ASS!
478
00:31:52,030 --> 00:31:54,170
[ E. M. S. MEDIC ]
LOOK TO THE RIGHT.
479
00:31:54,200 --> 00:31:56,170
[ FANCY ] WE'RE LOOKIN'
FOR A SHABAZZ HAMILTON.
HOW YA DOIN'?
480
00:31:56,200 --> 00:31:58,440
I'M OKAY.
I WANT A WORKUP ON EVERY
ADDRESS HE'S GIVEN US...
481
00:31:58,470 --> 00:32:00,540
EVERY TIME
WE'VE ARRESTED HIM.
482
00:32:00,570 --> 00:32:03,110
SAME FOR EVERY KID
WE'VE EVER BUSTED WITH HIM.
483
00:32:03,140 --> 00:32:06,510
ALSO, CHECK HIS OLD ARREST
REPORTS FOR TELEPHONE NUMBERS
HE'S GIVEN US...
484
00:32:06,550 --> 00:32:09,790
WHEN WE'VE PICKED HIM UP,
AND GET THOSE ADDRESSES
OUT OF THE COLE'S DIRECTORY.
485
00:32:09,820 --> 00:32:11,930
HIYA, MR. BUTLER.
[ FANCY ]
OKAY, THAT'S IT.
486
00:32:13,220 --> 00:32:16,090
MR. BUTLER.
WHAT'S GOIN' ON HERE?
487
00:32:16,120 --> 00:32:17,960
UM, LET'S GO INTO MY OFFICE.
488
00:32:22,930 --> 00:32:26,030
[ SIGHS ]
DEAD KID'S FATHER
MUST BE REAL HAPPY, HUH?
489
00:32:26,070 --> 00:32:28,840
YEAH, FANCY CALLED HIM
AND TOLD HIM WE HAD
THE PERPETRATOR IN CUSTODY.
490
00:32:30,170 --> 00:32:32,270
HOW'S MR. BUCCI?
491
00:32:32,310 --> 00:32:34,320
THIS P. I.'S
BEEN WORKIN' HIM
FOR SIX MONTHS.
492
00:32:34,340 --> 00:32:36,570
HE'S GOT HIM SET UP
FOR THE BLOW OFF.
493
00:32:36,610 --> 00:32:39,440
WHAT'S THE VERDICT? HOW IS SHE?
I'M FINE.
494
00:32:39,480 --> 00:32:42,810
THERE MAY BE BROKEN BONES
UNDER THE EYE HERE.
SHE OUGHT TO BE CHECKED OUT.
495
00:32:42,850 --> 00:32:45,480
I'M FINE FOR WORKIN'.
WHY DON'T YOU
JUST HAVE IT LOOKED AT?
496
00:32:45,520 --> 00:32:47,990
LOOKS LIKE YOU'RE
GONNA BE A HALF MEMBER
OF THE RACCOONS' CLUB.
497
00:32:48,020 --> 00:32:50,290
HOW LONG IS THIS X RAY
GONNA TAKE?
498
00:32:50,320 --> 00:32:53,260
IF YOU'RE OKAY,
YOU'LL BE BACK ON THE STREET
IN A HALF HOUR.
499
00:32:55,160 --> 00:32:57,500
I'M NOT GONNA TRY TO EXCUSE
WHAT HAPPENED HERE.
500
00:33:00,170 --> 00:33:03,740
YOU LET HIM GET AWAY.
YOU LET THE ONE WHO KILLED
MY SON GET AWAY.
501
00:33:03,770 --> 00:33:07,000
WE'LL PICK HIM UP.
HE'S GOT NO RESOURCES,
NO MONEY.
502
00:33:07,040 --> 00:33:09,340
THERE'S A LIMITED NUMBER
OF PLACES HE CAN GO.
503
00:33:09,380 --> 00:33:11,820
WE'LL PICK HIM UP
PROBABLY WITHIN 24 HOURS.
504
00:33:11,850 --> 00:33:14,120
YEAH, AND I'M SUPPOSED
TO BELIEVE THAT, HUH?
505
00:33:14,150 --> 00:33:17,420
I REALIZE
IT'S HARD TO PUT STOCK
IN WHAT I'M TELLING YOU.
506
00:33:17,450 --> 00:33:20,850
I DON'T WANNA HEAR IT.
I DO NOT WANT TO HEAR NO MORE.
YOU UNDERSTAND, LIEUTENANT?
507
00:33:23,790 --> 00:33:28,260
LAST TIME YOU TOLD ME, "TAKE IT
DAY BY DAY," DIDN'T YOU?
THAT STILL HOLDS.
508
00:33:28,300 --> 00:33:30,500
WELL, THAT'S WHAT
I'M GONNA DO.
509
00:33:30,530 --> 00:33:34,700
I KNOW EXACTLY HOW I'M GOING
TO BE SPENDIN' MY DAYS
AND MY NIGHTS, LIEUTENANT.
510
00:33:34,740 --> 00:33:37,610
MR. BUTLER, STAY OUT OF THIS.
511
00:33:37,640 --> 00:33:40,700
THE WORLD ISN'T SO RICH
IT CAN AFFORD TO LOSE
YOUR BOY AND YOU.
512
00:33:53,820 --> 00:33:55,720
[ KNOCKING ]
513
00:34:02,400 --> 00:34:04,570
TIME FOR US
TO HAVE A LITTLE TALK.
514
00:34:04,600 --> 00:34:06,560
WHAT'S ON YOUR MIND,
DETECTIVE?
515
00:34:06,600 --> 00:34:08,800
I BEEN TO SEE
THE PINK LADY.
516
00:34:08,840 --> 00:34:13,380
I HEARD. SHE SAID
YOU'RE A REAL DUBIOUS PERSON.
I'M HURT BY THAT.
517
00:34:13,410 --> 00:34:16,680
SHE TOLD ME THAT
YOU CAME UP WITH THE
MISSING GIRL'S BLOUSE...
518
00:34:16,710 --> 00:34:19,640
AND THAT SHE I. D.'D IT
OFF THE EMANATIONS.
519
00:34:19,680 --> 00:34:23,380
LET'S SAY THAT'S TRUE.
WHAT'S THE NEXT MOVE?
520
00:34:23,420 --> 00:34:26,690
YOU TELL THE GRIEVING FATHER
HOW YOUR FIELD ASSOCIATE‐‐
521
00:34:26,720 --> 00:34:29,250
THE GUY
THAT FOUND THE BLOUSE
IN THE SALVATION ARMY...
522
00:34:29,290 --> 00:34:31,890
OR WHATEVER STORY YOU'RE
GOING TO COME UP WITH‐‐
523
00:34:31,930 --> 00:34:36,940
NOW HE'S MADE A SIGHTING OF
THE GIRL, MAYBE WANDERING
AROUND HOMELESS...
524
00:34:36,960 --> 00:34:41,500
WITH AMNESIA, UH,
BUT HE'S GONNA NEED
BIG BUCKS TO FOLLOW THROUGH?
525
00:34:41,540 --> 00:34:44,010
THEN MR. BUCCI PAYS,
AND THE FOOTPRINTS
PETER OUT AGAIN.
526
00:34:44,040 --> 00:34:46,710
YOU GOT SOMETHIN'
LIKE THAT IN MIND?
527
00:34:46,740 --> 00:34:50,210
I'M A LICENSED PRIVATE
INVESTIGATOR CONDUCTING
A LEGITIMATE INVESTIGATION.
528
00:34:50,240 --> 00:34:53,580
EVERY STEP THAT I TAKE
IS APPROVED IN ADVANCE
BY THE CLIENT.
529
00:34:53,610 --> 00:34:56,580
THAT'S THE BOTTOM LINE HERE,
SIPOWICZ.
WRONG.
530
00:34:56,620 --> 00:34:59,130
UNDER THAT IS
I WANT A PIECE OF THIS.
531
00:35:00,420 --> 00:35:02,520
YOU WANT A PIECE OF WHAT?
532
00:35:02,560 --> 00:35:05,070
I'VE BEEN TRYING TO FIND
THE MAN'S DAUGHTER.
THAT'S ALL.
533
00:35:05,090 --> 00:35:07,090
I'M GUESSIN'
YOU'RE GONNA ASK HIM
FOR 50,000.
534
00:35:07,130 --> 00:35:09,360
YEAH, WELL, THAT'S NONE
OF YOUR BUSINESS.
535
00:35:09,400 --> 00:35:12,570
IF YOU'RE GETTIN' MORE,
GOD BLESS, BUT I WANT 25.
536
00:35:12,600 --> 00:35:16,600
[ CHUCKLES ]
YOU'RE FULL OF CRAP
ON THIS, SIPOWICZ.
537
00:35:16,640 --> 00:35:21,150
I'M TELLIN' YOU WHAT I WANT
TO LET YOU MAKE YOUR PLAY.
538
00:35:21,180 --> 00:35:24,290
ALL RIGHT.
SAY, FOR NUISANCE VALUE‐‐
539
00:35:24,310 --> 00:35:28,880
TO REDUCE THE AGGRAVATION‐‐
I GAVE YOU, UH, FIVE GRAND.
540
00:35:28,920 --> 00:35:33,790
SAY I BUST YOU IN THE MOUTH,
'CAUSE YOU'RE GONNA SAY 25
WITH OR WITHOUT TEETH.
541
00:35:35,620 --> 00:35:37,790
ALL RIGHT,
SAY I GAVE YOU 25,
542
00:35:37,820 --> 00:35:40,490
BUT FOR THAT 25, YOU'D HAVE
TO EARN THAT KIND OF MONEY.
543
00:35:40,530 --> 00:35:43,400
I WOULDN'T BE GIVIN' YOU THAT
TO STAY OUTTA MY WAY.
544
00:35:43,430 --> 00:35:46,630
I'M LISTENIN'.
YEAH.
545
00:35:46,670 --> 00:35:48,910
YOU'D HAVE TO HELP
SELL THE OLD MAN.
546
00:35:48,940 --> 00:35:51,250
TELL HIM THE LEAD
OFF THE BLOUSE
LOOKS STRONG...
547
00:35:51,270 --> 00:35:55,140
AND PREPARE HIM IF IT,
UH, MIGHT NOT WORK OUT.
548
00:35:55,180 --> 00:35:58,090
I DON'T WANT HIM
GIVING UP HOPE.
549
00:35:58,110 --> 00:36:00,440
THIS IS A WELL
WE'RE WORKIN' HERE, SIPOWICZ.
550
00:36:00,480 --> 00:36:02,280
IT'S BY NO MEANS DRY.
551
00:36:04,020 --> 00:36:06,930
YOU PREPARED
TO EARN YOUR MONEY?
552
00:36:06,950 --> 00:36:09,850
HE, UH‐‐
HE TRUSTS YOU, YOU KNOW.
553
00:36:09,890 --> 00:36:13,460
I'LL DO MY PART.
YOU DO YOURS.
YOU BETTER DO YOUR PART.
554
00:36:13,490 --> 00:36:16,190
BECAUSE YOU DON'T GET YOUR MONEY
TILL HE WRITES THE CHECK.
555
00:36:30,010 --> 00:36:32,680
[ CORDAY ON TAPE ]
ALL RIGHT, SAY I GAVE YOU 25,
556
00:36:32,710 --> 00:36:35,210
BUT FOR THAT 25, YOU'D HAVE
TO EARN THAT KIND OF MONEY.
557
00:36:35,250 --> 00:36:38,650
I WOULDN'T BE GIVIN' YOU THAT
TO STAY OUTTA MY WAY.
[ SIPOWICZ ] I'M LISTENIN'.
558
00:36:38,690 --> 00:36:40,790
YOU'D HAVE TO HELP
SELL THE OLD MAN.
559
00:36:40,820 --> 00:36:43,050
TELL HIM THE LEAD
OFF THE BLOUSE
LOOKS STRONG...
560
00:36:43,090 --> 00:36:46,660
AND PREPARE HIM IF IT,
UH, MIGHT NOT WORK OUT.
561
00:36:46,690 --> 00:36:48,660
I DON'T WANT HIM
GIVING UP HOPE.
562
00:36:48,700 --> 00:36:51,070
THIS IS A WELL
WE'RE WORKIN' HERE, SIPOWICZ.
563
00:36:51,100 --> 00:36:53,210
IT'S BY NO MEANS DRY.
564
00:36:53,230 --> 00:36:55,870
[ CLICK, TAPE STOPS ]
[ CLEARS THROAT ]
565
00:36:55,900 --> 00:36:58,570
YOU WANNA FILE
A CRIMINAL COMPLAINT
AGAINST THIS GUY?
566
00:37:00,940 --> 00:37:02,840
NO.
567
00:37:05,410 --> 00:37:09,180
[ SIGHS ] YOU WANT ME
TO SAY A FEW THINGS
OUT OF MY EXPERIENCE...
568
00:37:09,220 --> 00:37:11,730
AS AN OUTSIDER ON THIS?
569
00:37:11,750 --> 00:37:13,750
DOM.
570
00:37:15,560 --> 00:37:17,570
I THINK THAT WOULD BE
A GOOD THING.
571
00:37:19,230 --> 00:37:21,440
DETECTIVE, PLEASE.
572
00:37:21,460 --> 00:37:25,330
YOU TOLD ME
TWO AND A HALF YEARS AGO
WHEN JENNY DISAPPEARED...
573
00:37:25,370 --> 00:37:29,410
HOW MUCH YOU BLAMED YOURSELF
FOR SENDING HER TO THE BANK
WITH THE MONEY FROM THE STORE.
574
00:37:29,440 --> 00:37:31,950
I THOUGHT I WAS SUCH A BIG MAN.
575
00:37:31,970 --> 00:37:34,440
EVERYBODY IN THE NEIGHBORHOOD
RESPECTED ME SO MUCH.
576
00:37:34,480 --> 00:37:36,580
THAT WOULD PROTECT HER.
577
00:37:36,610 --> 00:37:40,510
YOU FEEL LIKE YOU MIGHT HAVE
COST YOUR DAUGHTER HER LIFE.
578
00:37:40,550 --> 00:37:42,720
HER LIFE, YES.
579
00:37:42,750 --> 00:37:46,950
AND IF YOU COULD FIND HER,
YOU COULD CORRECT THAT MISTAKE.
580
00:37:46,990 --> 00:37:49,100
BUT IT DOESN'T
WORK THAT WAY, MR. BUCCI.
581
00:37:49,120 --> 00:37:52,020
I HATE MYSELF.
582
00:37:52,060 --> 00:37:55,090
I LIE AWAKE AT NIGHT SOMETIMES
DOING THAT, YOU KNOW.
583
00:37:56,400 --> 00:37:58,170
YEAH, I DO KNOW.
584
00:37:59,930 --> 00:38:03,630
[ SIGHS ]
YOU GOTTA GET ON
WITH YOUR LIFE.
585
00:38:03,670 --> 00:38:07,870
TAKE YOUR TIME AND MONEY
AND DO THINGS
FOR YOURSELF...
586
00:38:07,910 --> 00:38:09,910
AND FOR YOUR WIFE,
FOR OTHER PEOPLE‐‐
587
00:38:09,940 --> 00:38:12,980
THINGS THAT MAKE YOU
FEEL GOOD AGAIN.
588
00:38:13,010 --> 00:38:15,910
AND THEN IF
YOUR DAUGHTER DOES SHOW UP,
IT'LL BE A BLESSING.
589
00:38:17,180 --> 00:38:19,820
AND, IF SHE DOESN'T,
THEN...
590
00:38:22,290 --> 00:38:24,090
YOU'RE DOIN'
WHAT YOU CAN TO LIVE.
591
00:38:26,860 --> 00:38:30,760
MAYBE YOU'RE RIGHT.
I DON'T KNOW.
592
00:38:30,800 --> 00:38:34,480
KNOWING DOESN'T HAPPEN
ALL AT ONCE.
YOU GOTTA GROW INTO IT.
593
00:38:34,500 --> 00:38:37,400
[ SIGHS ]
THINK YOU MIGHT BE ABLE
TO DO THAT?
594
00:38:37,440 --> 00:38:39,340
I'M GONNA TRY.
595
00:38:41,040 --> 00:38:42,940
I REALLY AM GONNA TRY,
ANGELA.
596
00:38:45,550 --> 00:38:48,020
THAT DOESN'T MEAN
YOU GIVE UP HOPE.
597
00:38:48,050 --> 00:38:50,010
NO.
NO, YOU JUST‐‐
598
00:38:52,720 --> 00:38:57,320
I UNDERSTAND. I UNDERSTAND
WHAT YOU'RE SAYIN' TO ME. I DO.
599
00:38:59,890 --> 00:39:03,630
MRS. CLARENCE? THIS IS
DETECTIVE JAMES MARTINEZ.
600
00:39:03,660 --> 00:39:06,300
I SPOKE TO YOU THIS AFTERNOON
ABOUT SHABAZZ HAMILTON?
601
00:39:06,330 --> 00:39:09,300
I WANTED TO CHECK BACK,
SEE IF YOU'VE HEARD ANYTHING.
602
00:39:09,340 --> 00:39:11,450
IS THIS
THE EMERGENCY ROOM?
603
00:39:11,470 --> 00:39:13,840
YEAH, THIS IS DETECTIVE LASALLE
WITH THE 15TH SQUAD.
604
00:39:13,870 --> 00:39:17,710
I WANTED TO CHECK BACK,
SEE IF YOU TREATED A BLACK MALE,
5'7", 150 POUNDS,
605
00:39:17,740 --> 00:39:21,480
FOR ANY INJURIES
THAT MIGHT BE RELATED TO A FALL.
HE'S RETURNED TO CUSTODY.
606
00:39:21,520 --> 00:39:23,790
THIS IS
DETECTIVE MEDAVOY.
I KNOW. I WANTED TO CHECK BACK.
607
00:39:23,820 --> 00:39:25,730
THIS IS
DETECTIVE KELLY.
THANK YOU.
608
00:39:25,750 --> 00:39:27,850
LET ME SPEAK
TO YOUR DISPATCHER.
609
00:39:27,890 --> 00:39:29,720
[ MEDAVOY ]
...POSSIBLE INJURIES
RELATED TO A FALL...
610
00:39:29,760 --> 00:39:31,870
ON A HEAVYSET
BLACK MALE.
611
00:39:31,890 --> 00:39:35,460
DISPATCHER?
YEAH, KELLY. MM‐HMM.
612
00:39:35,500 --> 00:39:37,840
WELL, PUT IT OVER THE AIR AGAIN.
613
00:39:37,860 --> 00:39:40,160
OKAY, LET ME MAKE THIS
SIMPLE FOR YOU.
614
00:39:40,200 --> 00:39:43,400
ANY CABBIE THAT MADE A PICKUP
IN THE VICINITY OF THE PREC‐‐
615
00:39:45,040 --> 00:39:47,840
UH‐HUH. WELL, MAYBE SOMEBODY
WAS ON A BREAK.
616
00:39:47,870 --> 00:39:49,570
RIGHT. THANK YOU.
617
00:39:51,040 --> 00:39:53,080
WHAT'D HE DO,
FALL DOWN A RAT HOLE?
618
00:39:53,110 --> 00:39:55,080
AT LEAST WE KNOW
HE'D BE COMFORTABLE.
619
00:39:55,120 --> 00:39:56,820
[ OFFICER ]
EASY, MR. BUTLER.
620
00:39:56,850 --> 00:39:59,450
MOVE IT.
[ LAUGHS ]
621
00:40:00,850 --> 00:40:03,390
[ MARTINEZ ]
NEVER MIND.
622
00:40:03,420 --> 00:40:05,960
GET IN IT.
GET IN IT!
623
00:40:08,200 --> 00:40:12,110
A FRIEND OF MINE
TIPPED ME TO A BRIDGE...
624
00:40:12,130 --> 00:40:15,600
WHERE I'D FIND
THIS PIECE OF GARBAGE UNDER.
625
00:40:15,640 --> 00:40:18,010
YOU DID THE RIGHT THING
BRINGIN' HIM IN.
[ BUTLER ] YEAH.
626
00:40:18,040 --> 00:40:20,270
I'M KINDA SURPRISED
HE'S STILL ALIVE MYSELF.
627
00:40:20,310 --> 00:40:24,790
I DID IT FOR GEORGE.
YOU KNOW, I OWE MY SON.
628
00:40:26,380 --> 00:40:29,380
THIS IS HOW I TAUGHT HIM
IT SHOULD BE,
629
00:40:29,420 --> 00:40:32,290
AND I CAN'T
BETRAY MY SON BY‐‐
630
00:40:32,320 --> 00:40:35,220
BY GOIN' AGAINST
WHAT I TAUGHT HIM.
631
00:40:36,560 --> 00:40:38,400
YOUR SON WOULD BE
PROUD OF YOU NOW.
632
00:40:42,930 --> 00:40:45,960
MEDAVOY, MARTINEZ, TAKE CARE
OF THE PRISONER IN MY OFFICE.
633
00:40:46,000 --> 00:40:47,900
SURE, LIEUTENANT.
634
00:40:50,140 --> 00:40:53,780
STEP OUT.
ALL RIGHT, COME ON.
MOVE IT. WATCH YOUR STEP.
635
00:40:53,810 --> 00:40:57,150
LET'S GO.
BE A GOOD BOY.
636
00:40:57,180 --> 00:40:59,780
[ MARTINEZ ]
ALL RIGHT. HERE WE ARE.
WATCH YOUR STEP.
637
00:41:01,250 --> 00:41:03,310
[ SIPOWICZ ]
LET'S GO, ASSHOLE.
638
00:41:03,350 --> 00:41:06,780
THIS IS AS PURE A PIECE
OF ENTRAPMENT I'VE ENCOUNTERED
IN 23 YEARS AS AN INVESTIGATOR.
639
00:41:06,820 --> 00:41:09,450
SHUT YOUR MOUTH.
THE BUST ISN'T GONNA
HOLD UP, SIPOWICZ.
640
00:41:09,490 --> 00:41:11,460
YOU'RE THE ONE
PROPOSED THE BRIBE.
641
00:41:11,490 --> 00:41:13,460
I SAY THE BUST
IS GONNA HOLD UP,
642
00:41:13,490 --> 00:41:15,660
AND IF IT DOESN'T,
I'VE LOST 'EM BEFORE.
643
00:41:15,700 --> 00:41:19,470
MEANWHILE, YOU'RE GONNA BE
OFF THE STREETS AND OUTTA
THAT MAN'S LIFE. NOW, SIT DOWN.
644
00:41:21,000 --> 00:41:24,270
YEAH. PROBABLY TRYIN' TO RUN
SOME GAME OF YOUR OWN.
645
00:41:27,140 --> 00:41:28,940
TRYIN' TO ELIMINATE
THE COMPETITION.
646
00:41:31,280 --> 00:41:33,980
YOU KNOW HOW I KNOW
THAT I'M EVOLVING TOWARDS...
647
00:41:34,010 --> 00:41:36,950
A HIGHER
PLANETARY CONSCIOUSNESS,
CORDAY, HUH?
648
00:41:36,980 --> 00:41:40,150
JUST LIKE
YOUR PSYCHIC FRIEND SAID:
649
00:41:40,190 --> 00:41:44,100
I KNOW I'M GETTIN'
A BETTER PLANETARY TOOL KIT...
650
00:41:44,130 --> 00:41:46,600
'CAUSE I DIDN'T
JUST PUNCH YOUR LIGHTS OUT.
651
00:41:46,630 --> 00:41:49,500
GOOD NIGHT, DONNA.
GOOD NIGHT.
652
00:41:59,170 --> 00:42:01,470
[ LASALLE ]
LIEUTENANT.
653
00:42:01,510 --> 00:42:03,240
YOU GOT A MINUTE?
YEAH.
654
00:42:04,750 --> 00:42:07,050
ON THAT
EQUAL EMPLOYMENT JOB?
655
00:42:07,080 --> 00:42:09,880
I GUESS I'VE DECIDED
TO TAKE IT.
ALL RIGHT.
656
00:42:09,920 --> 00:42:12,660
YEAH, IT'S IMPORTANT WORK,
AND, UM,
657
00:42:12,690 --> 00:42:15,030
THE TWO KIDS I GOT HOME
WAITIN' FOR ME NIGHTS,
658
00:42:15,060 --> 00:42:17,900
THEY OWN MORE OF ME NOW
THAN WHEN DANNY WAS ALIVE.
659
00:42:17,920 --> 00:42:20,960
I'VE GOT A LOT OF RESPECT
FOR THE WAY THAT YOU'VE
CARRIED YOURSELF...
660
00:42:20,990 --> 00:42:23,290
FROM THE DAY
YOU GOT HERE.
661
00:42:23,330 --> 00:42:25,660
SOME DAY THAT WAS, HUH?
662
00:42:25,700 --> 00:42:28,370
YEAH.
663
00:42:28,400 --> 00:42:32,200
I'LL MISS HAVING YOU
IN MY COMMAND, AND I'M
GONNA MISS YOU PERSONALLY.
664
00:42:32,240 --> 00:42:37,180
THANKS. LIEUTENANT, WOULD YOU
KEEP THE DOOR OPEN A CRACK
IN CASE I HAVE SECOND THOUGHTS?
665
00:42:37,210 --> 00:42:41,550
SURE. GIVEN YOUR NEW JOB,
WOULD I BE ON THIN ICE IF I
GAVE YOU A GOOD‐BYE HUG?
666
00:42:41,580 --> 00:42:44,350
YOU BETTER
GIVE ME A HUG.
[ CHUCKLES ]
667
00:42:44,390 --> 00:42:46,930
GOOD LUCK.
THANKS.
THANKS, LIEUTENANT.
668
00:42:49,720 --> 00:42:52,320
[ FANCY ]
GOOD NIGHT.
OH, OFFICER LICALSI.
669
00:42:52,360 --> 00:42:54,890
I MADE THAT CALL OVER TO
SPECIAL VICTIMS LIKE YOU ASKED.
670
00:42:54,930 --> 00:42:57,060
WHAT'D YOU FIND OUT?
671
00:42:57,100 --> 00:42:59,670
THEY DIDN'T FEEL
YOU CAME OFF GREAT
IN YOUR INTERVIEW.
672
00:42:59,700 --> 00:43:04,000
WHAT'D I DO WRONG?
NO, NO, NO, NO. IT'S NOT
LIKE YOU DID ANYTHING WRONG.
673
00:43:04,040 --> 00:43:07,950
UH, THEY JUST FELT THAT,
UH, THE WAY YOU CARRY YOURSELF
AND SUCH, IT ISN'T A MANNER...
674
00:43:07,970 --> 00:43:11,540
THAT WOULD INSPIRE
A WOMAN THAT'D BEEN RAPED
TO CONFIDE IN YOU.
675
00:43:11,580 --> 00:43:13,780
I DON'T KNOW
IF THAT'S FAIR.
676
00:43:13,810 --> 00:43:17,580
I WAS TALKING TO AN INTERVIEW
PANEL, I WASN'T TALKING TO
SOMEBODY WHO'D BEEN RAPED.
677
00:43:17,620 --> 00:43:21,250
I THINK WHAT THE FEELING
WAS IS, UH,
678
00:43:21,290 --> 00:43:23,750
WHAT MAKES YOU
A GOOD STREET COP...
679
00:43:23,790 --> 00:43:27,130
CAN WORK AGAINST YOU
WHEN YOU'RE TRYIN' TO DEAL
WITH A RAPE VICTIM.
680
00:43:27,160 --> 00:43:29,690
IT'S NOT A HOPELESS SITUATION.
WORK ON YOUR PRESENTATION.
681
00:43:29,730 --> 00:43:31,930
IN SIX MONTHS, GO BACK OVER.
682
00:43:31,970 --> 00:43:34,280
SO YOU AGREE
WITH THEIR EVALUATION?
683
00:43:34,300 --> 00:43:37,070
OH, I DON'T KNOW YOU
WELL ENOUGH TO SAY THAT, UH,
684
00:43:37,100 --> 00:43:40,370
BUT EMPATHY IS SOMETHING
THAT YOU CAN WORK ON.
685
00:43:40,410 --> 00:43:43,320
THERE ARE SPECIAL SKILLS
THAT YOU CAN DEVELOP.
686
00:43:43,340 --> 00:43:45,710
I'D BE HAPPY
TO WORK ON IT WITH YOU.
687
00:43:45,750 --> 00:43:48,160
IF YOU'D LIKE TO DO THAT,
CALL ME AT O. E. E. O.
688
00:43:48,180 --> 00:43:50,580
YOU'RE TRANSFERRING?
YEAH, AS OF THURSDAY.
689
00:43:53,520 --> 00:43:55,920
I'LL CALL YOU, AND I'LL
GIVE YOU MY NUMBER, OKAY?
690
00:43:55,960 --> 00:43:57,930
HEY, THANKS A LOT.
NO PROBLEM.
691
00:44:01,430 --> 00:44:03,560
YOU FEEL LIKE SLAMMIN'
A FEW CLUB SODAS?
692
00:44:03,600 --> 00:44:07,840
I'M OFF THE STUFF, BUT, YEAH,
I COULD GO FOR SOME KIND
OF REGIONAL SOFT DRINK.
693
00:44:07,870 --> 00:44:11,440
15TH, DETECTIVE SQUAD.
ONE MOMENT, PLEASE.
694
00:44:11,470 --> 00:44:15,570
DETECTIVE SIPOWICZ?
DOMINIC BUCCI
ON LINE TWO FOR YOU.
695
00:44:15,610 --> 00:44:19,780
JOHN, I THINK
WE'RE GONNA BE POSTPONING
THIS RAMPAGE TO ANOTHER NIGHT.
696
00:44:21,520 --> 00:44:23,490
UH, YEAH, MR. BUCCI?
697
00:44:23,520 --> 00:44:26,160
YEAH, HOW ARE YOU?
698
00:44:26,190 --> 00:44:28,000
WHAT KIND
OF POSSIBLE DEVELOPMENT?
699
00:44:29,290 --> 00:44:31,860
WHERE ARE YOU?
HMM. YEAH.
700
00:44:33,490 --> 00:44:35,690
[ SIGHS ]
ALL RIGHT.
701
00:44:39,200 --> 00:44:41,870
HEY. HEY, MY PLANS
JUST FELL THROUGH.
HEY.
702
00:44:41,900 --> 00:44:44,100
HOW DOES MAKIN' DINNER
FOR YOU AND THE BOYS SOUND?
703
00:44:44,140 --> 00:44:46,600
GREAT. GREAT.
GOOD.
704
00:44:46,640 --> 00:44:49,270
I'M GONNA TAKE THAT JOB.
705
00:44:49,310 --> 00:44:51,140
GOOD FOR YOU.
GOOD FOR YOU.
706
00:44:53,080 --> 00:44:55,850
I'M GONNA MISS YOU, JOHNNY.
707
00:44:55,880 --> 00:44:59,550
THANK YOU
FOR HELPING ME ALONG.
HEY. COME ON.
708
00:44:59,590 --> 00:45:03,560
YOU ARE CHANGIN' TAX BRACKETS,
NOT YOUR FRIENDS, RIGHT? HMM?
709
00:45:06,690 --> 00:45:08,830
RIGHT.
HUH?
710
00:45:08,860 --> 00:45:11,030
I'M GONNA GO GET MY COAT.
ALL RIGHT. I'LL BE HERE.
711
00:45:25,550 --> 00:45:28,660
THANKS FOR COMING,
DETECTIVE.
YEAH. WHAT'S GOIN' ON, DOM?
712
00:45:28,680 --> 00:45:31,180
WELL, I‐‐
I WAS WALKING.
713
00:45:31,220 --> 00:45:35,050
NOW, HERE'S THE THING.
HERE'S THE REASON
I CONTACTED YOU.
714
00:45:36,520 --> 00:45:38,360
DETECTIVE...
715
00:45:40,430 --> 00:45:43,570
I SWEAR I HEARD HER VOICE...
716
00:45:43,600 --> 00:45:45,770
COMING FROM THAT APARTMENT
RIGHT THERE,
717
00:45:45,800 --> 00:45:48,370
THE ONE ON THE GROUND FLOOR
WITH THE LIGHTS ON.
718
00:45:48,400 --> 00:45:52,900
NOW, I KNOW HOW THIS
MUST SOUND TO YOU,
MR. BUCCI‐‐
719
00:45:52,940 --> 00:45:55,870
BUT I'M ASKING YOU,
PLEASE, DETECTIVE,
J‐JUST DO THIS FOR ME.
720
00:46:08,660 --> 00:46:10,700
[ DOOR CLOSES ]
721
00:46:10,720 --> 00:46:12,560
[ KNOCKING ]
722
00:46:43,620 --> 00:46:46,820
SHE WASN'T THERE.
NO.
723
00:46:58,100 --> 00:47:00,400
UH‐‐
724
00:47:00,440 --> 00:47:05,940
PLEASE... DON'T TELL MY WIFE
THAT I CALLED YOU, OKAY?
725
00:47:07,150 --> 00:47:08,980
NO, I WON'T.
726
00:47:10,380 --> 00:47:12,720
[ CHUCKLES ]
COME ON.
I'LL WALK WITH YOU.
727
00:47:14,560 --> 00:47:16,530
YEAH.
62081
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