Original subtitles

[ SIREN WAILING IN DISTANCE ]

[ WHISTLE BLOWING ]

[ SNIFFING ]

[ MAN PANTING LIKE A DOG ]

[ CHATTERING ]

I NEED TO SEE DET. KELLY. HE'S BUSY NOW, LOU. TAKE A SEAT OVER THERE.

‐CAN YOU CUFF ME TO THE BENCH? ‐THE C. O. DOESN'T WANT ANYONE...

UNNECESSARILY RESTRAINED IN PUBLIC AREAS.

UNNECESSARILY? I DON'T WANNA HEAR IT, LOU.

YOU DON'T WANNA SEE IT EITHER. YOU WANNA SEE A WEREWOLF IN A BLOOD RAGE?

‐ TAKE A SEAT NOW! ‐ I'M DOING THIS FOR YOUR OWN GOOD.

SERGEANT, I'M TELLING YOU. ONE MINUTE WE COULD BE STANDING HERE, TALKING VERY NICELY.

NEXT THING YOU'RE GONNA BE ON YOUR BACK, LOOKING AT ME WITH YOUR WINDPIPE IN MY FANGS.

‐ I'M A COP, LOU. I'M PAID TO LIVE WITH DANGER. ‐ I'M TELLING YOU.

I'M A WEREWOLF. I GOTTA BE LOCKED UP BY 5:00 TONIGHT, OR ELSE.

LOU! SIT! SIT!

‐ SIT. ‐ [ PANTING ]

‐ [ PHONE RINGING ] ‐ HELLO, ONE‐FIVE.

‐ [ LOU PANTING ] ‐ [ GASPS ]

‐ [ CLEARS THROAT ] ‐ DETECTIVE KELLY!

LOU!

[ KELLY ] I CAN PROBABLY GET YOU A COUPLE HOURS, LOU, BUT I CAN'T GUARANTEE YOU'RE GONNA BE ALONE.

HEY, I CAN'T BE INCARCERATED IN A GROUP SITUATION.

IT WOULD BE LIKE A SMORGASBORD FOR ME. BEST I CAN DO, LOU.

BELLEVUE HOSPITAL HAS GOT A WHOLE WING OF PADDED KENNELS, LOU.

YOU OUGHTA GIVE THEM A HOWL. THEY'LL LOCK YOU DOWN TONIGHT.

YOU THINK I'M CRAZY? I'M NOT CRAZY.

I AM A WEREWOLF. BUT YOU COULD BE A CRAZY WEREWOLF, LOU.

I HEAR A LOT OF THEM ARE NUTS. YOU OUGHTA HAVE IT CHECKED OUT.

I COME HERE TO TRY TO PROTECT SOCIETY, AND YOU'RE SEEKING TO HUMILIATE ME?

NOBODY'S TRYING TO HUMILIATE YOU. WE'RE JUST GETTING A LOT OF HEAT...

FROM OUR BOSSES ABOUT THESE PROTECTIVE LOCKUPS.

TRY THE HOSPITAL. I FEEL ANGER.

I FEEL ANGER! WELL, YOU'LL GET OVER IT, LOUIE.

[ GROWLS ] I BETTER GET OUTTA HERE...

BEFORE I COMMIT AN UNSPEAKABLE OUTRAGE.

[ SIPOWICZ ] YEAH, OKAY, LOU. ANYTHING YOU SAY.

I DON'T WANNA TAKE YOU AWAY FROM ALL THE FUN YOU'RE HAVING THERE.

WHAT DO YOU GOT? YEAH, YOU WANNA CHECK THE REPORT, SEE IF IT'S RIGHT?

‐ [ CLEARS THROAT ] ‐ HUH?

GO AHEAD. SURE.

HEY, ANDY.

YOU BUSY? CAN I SPEAK TO YOU FOR A MINUTE?

YEAH, SURE. REMEMBER MY PARTNER JOHN KELLY? YEAH.

HEY, KID. NICE TO SEE YOU AGAIN. HOW YOU DOIN'?

WANT SOME, UH, COFFEE OR A SODA?

NO, THANKS.

IT'S BEEN A WHILE, HUH? YOU LOOK GOOD.

I KEEP MEANING TO‐‐ TO GET OVER TO JERSEY.

HOW'S YOUR MOTHER?

SHE'S OKAY. HOW YOU DOIN'?

I'M GOOD. I'M‐‐ I'M FINE.

WANNA SIT DOWN?

NO, THAT'S OKAY.

I CAME TO TELL YOU THAT I'VE BEEN SEEING THIS GIRL FOR THREE MONTHS,

AND IT'S PRETTY SERIOUS.

WE'RE GETTING MARRIED.

[ CHUCKLES ] YOU'RE STILL MY FATHER.

I FIGURED YOU MIGHT WANNA KNOW.

YEAH, SURE I WANNA KNOW. YOU'RE 18 YEARS OLD.

SO, UH, TELL ME ABOUT THE GIRL.

‐ UH, HOW OLD IS SHE? ‐ TWENTY.

SO, WHAT DOES SHE DO, THIS, UH‐‐ THIS 20‐YEAR‐OLD?

SHE SELLS SPORTS CARS.

CHECKERED FLAG MOTOR CARS IN FORT LEE.

[ CHUCKLES ] SEE, I'M‐‐ I'M‐‐ I'M TRYING TO FIGURE OUT...

WHAT MAKES THIS‐‐ THIS CAR SALESWOMAN DIFFERENT.

WHY, UH‐‐ WHY YOU WANNA DRAG THE STATE AND THE CHURCH INTO THINGS ALL OF A SUDDEN?

I'D LIKE TO BORROW 700 BUCKS.

I CAN PAY YOU BACK 40 A WEEK.

[ SIGHS ] YOU KNOW, ANDY,

WHEN A GIRL GETS KNOCKED UP, A MAN'S FIRST IMPULSE...

LOOK. FORGET ABOUT THE 700 BUCKS. MIGHT BE TO‐‐

I'LL FORGET ABOUT FEEDING THE GUESTS AT MY WEDDING.

AND, UH, AS FAR AS FATHERHOOD,

I DON'T WANNA HEAR WHAT YOU THINK.

HEY, ANDY. I'M TRYING TO LOOK OUT FOR YOU.

DON'T! YOU HAVEN'T GOT THE RIGHT.

I HAVEN'T SEEN YOU FOR THREE YEARS.

WHERE YOU HIDING YOUR LIQUOR BOTTLES THESE DAYS?

YOU KNOW, I WAS 12 BEFORE I REALIZED...

THAT WASN'T WHAT THE SADDLEBAGS ON MY BIKE WERE FOR.

I STOPPED DRINKIN'.

MAYBE YOU SHOULD GO BACK TO IT. THAT'S SOMETHING YOU ONLY GET BETTER AT.

HEY, HEY, ANDY. HEY, ANDY! AN‐‐ ANDY!

ANDY! ANDY, LISTEN TO ME. COME HERE. LISTEN TO ME NOW.

YOU KNOW, EVERYBODY'S LIFE HAS TWISTS AND TENSIONS,

SO DON'T YOU ASSUME THAT YOU KNOW ALL THE ANSWERS, ALL RIGHT?

DON'T ASSUME THAT YOU EVER WILL.

ARE YOU GONNA CHARGE ME, OR YOU GONNA LET ME GO?

[ MEN CHATTERING ]

[ HELICOPTER WHIRRING ]

LET ME GET OUT IN FRONT ON THIS SO NOBODY GETS OVEREXCITED.

I BETCHA EVERY GUY IN JERSEY'S BANGED THIS GIRL.

WAIT TILL WE KNOW BEFORE YOU JUMP TO THE ANSWERS.

I'D RATHER FIND OUT HOW MISTAKEN I'VE BEEN AND GET OVERJOYED.

‐ YOU GONNA LET ME WORK ON THIS? ‐ THREE REASONS WHY I SHOULD.

‐ ONE, TWO, THREE. ‐ GOOD MORNING, GENTLEMEN.

HOW YOU DOING? CAN I BE OF ASSISTANCE, OR ARE YOU "LOOKY‐LOOS"?

WE WANNA SEE YOUR MANAGER. COULD I TELL HIM WHAT IT'S ABOUT?

DO YOU KNOW WHAT IT'S ABOUT?

YOU CAN FIND MR. STIPLEY IN THERE.

[ WOMAN ] YOU HAVE THE INVOICE NUMBER? THANKS.

MR. STIPLEY. DETECTIVE KELLY. DETECTIVE SIPOWICZ.

AH, NEW YORK CITY POLICE. SIT DOWN, DETECTIVES. SIT DOWN.

AND, UH, FEEL FREE TO BE COMPLETELY CANDID.

[ CHUCKLES ] I'M A LIEUTENANT WITH THE PARAMUS P. D. RESERVES.

WELL, THAT'LL MAKE THINGS MUCH EASIER THEN.

LIEUTENANT, WHAT I'M ABOUT TO TELL YOU IS CONFIDENTIAL.

I UNDERSTAND. IN THE COURSE OF A CRIMINAL INVESTIGATION,

OUR, UH, PHONE SURVEILLANCE MONITORS PICKED UP A CALL FROM YOUR SWITCHBOARD.

IT WAS A YOUNG WOMAN. AND BASED ON THE SUBSTANCE OF THE CALL,

WE GOT THE IMPRESSION THAT THIS YOUNG WOMAN AND THE MAN SHE CALLED,

THIS OTHER PERSON BEING THE ONE YOU'RE INTERESTED IN.

THAT THESE TWO WERE SEXUALLY INVOLVED. OH.

SO, UH, YOU'RE LOOKING TO ASCERTAIN THE IDENTITY OF, UH, THE FEMALE CALLER,

WITH AN EYE TO DEVELOPING HER AS A POTENTIAL CORROBORATING WITNESS.

AM I RIGHT? WELL, I CAN'T CONFIRM OR DENY,

BUT, UH, DO YOU HAVE ANY IDEA WHO MIGHT HAVE MADE THE CALL?

WELL, IT CAN'T BE ELLEN. SHE HATES MEN, AND HER TITS POINT TO CHINA.

UH, SO IT'S GOTTA BE PATTY CONSTANCE.

UH, DO YOU CONSIDER HER TO BE RELATIVELY ATTRACTIVE, EARLY TWENTIES?

YEAH, SHE'S AROUND 20, ALL RIGHT. OR SHE'S AROUND 30, DEPENDING HOW YOU LOOK AT IT.

UH, THAT'S HER. SECOND FROM THE RIGHT.

YOU MIGHT HAVE SEEN HER WHEN YOU CAME IN. UH, SHE'S ON A TEST‐DRIVE NOW.

‐ IS SHE MARRIED? ‐ NO. SHE'S GOT PLANS.

UH, SOME POOR DUMB TEENAGER I HEAR.

YOU KNOW, UH, SHE'S ONE OF MY BEST SALESPEOPLE.

I DON'T WANNA BE JUDGMENTAL, BUT, MAN, UH,

YOU GOT THE MISSILE, SHE'S GOT THE SILO.

KEVIN SAYS SHE SCREWS THE HEAD OFF AND GOES TO WORK ON THE WIRES.

‐ KEVIN? ‐ YEAH, SALESMAN YOU MET.

MARRIED GUY. PATTY'S SEEING HIM TOO.

‐ BESIDES THE TEENAGER? ‐ [ PAGER BEEPING ]

YOU GOT A PHONE I CAN USE? YEAH, UH, RIGHT AROUND THE CORNER.

WHY'S A NUMBER LIKE HER WANNA MARRY A KID?

YOU WANT ME TO SPECULATE, DETECTIVE?

A TEENAGER LIKE THAT? PROBABLY PUTS THE WOOD TO HER WHENEVER SHE'S IN THE MOOD.

PICKS UP TAPES FOR THE VCR, BRINGS HER COFFEE IN THE SHOWER, WASHES HER CAR IN THE DRIVEWAY.

HE'S A HOUSEHOLD CONVENIENCE.

BELIEVE ME, IT AIN'T GONNA STOP HER FROM SHOPPIN' AROUND FOR A BETTER DEAL.

ANDY. WE GOT A MISSING KID.

FANCY WANTS TO GET ON IT.

[ KELLY ] LIEUTENANT, THANK YOU FOR YOUR HELP.

[ CHATTERING ] [ SIPOWICZ ] WHAT IS IT?

WE GOT A MISSING NINE‐YEAR‐OLD, AND WE'VE BEEN LOOKING SINCE ABOUT 11:00 LAST NIGHT.

DETECTIVE KELLY. DETECTIVE SIPOWICZ. HI.

I‐I'M RUDOLF WENTZ. MY SON IS MISSING.

OKAY. ALL RIGHT. LET'S GO INSIDE AND TALK ABOUT IT, OKAY?

LET'S GO INSIDE. SURE.

[ WOMAN ] MY NEIGHBOR, MRS. JOHNSON, SAYS THAT CHILDREN IN AMERICA...

SOMETIMES DISAPPEAR FOR DAYS AND THAT IS COMMON.

EH, BUT THESE CHILDREN, THEY COME BACK.

[ KELLY ] THAT'S USUALLY WHAT HAPPENS.

RUDY HAS NEVER RUN AWAY. NO.

HE IS NINE. JUST NINE.

HAD YOU ARGUED WITH HIM? WAS HE ANGRY?

WE MOVED FROM THE KATOWICE, IN POLAND.

COMING TO A STRANGE COUNTRY, I THINK, HAS MADE US MUCH CLOSER AS A FAMILY.

‐ WE DON'T FIGHT SO MUCH. ‐ WAS HE UPSET ABOUT ANYTHING?

‐ [ MR. WENTZ ] NO. NO. ‐ HE WAS LONELY.

WE SPENT TIME WITH HIM, BOTH OF US. WE GO, UH,

RESTAURANTS, THE MOVIES, ANYWHERE, WE TAKE RUDY.

AND YOU KNOW, DETECTIVE, IT'S NO TROUBLE.

IT'S FUN FOR ALL OF US.

WE LOVE HIM.

BUT STILL, HE‐‐ HE WAS LONELY.

THE DESCRIPTION SAID HE WAS WEARING, UH, RED SHORTS AND A WHITE T‐SHIRT.

[ MRS. WENTZ ] WHEN HE ASKED TO GO TO THE STORE, I TOLD HIM,

"PUT ON A JACKET AND LONG PANTS."

IT'S CHILLY. BUT HIS FATHER‐‐

IT WAS JUST TO THE STORE. ONE BLOCK. HE WAS COMING RIGHT BACK.

[ KELLY ] WELL, IT'S WARM FOR THIS TIME OF YEAR ANYWAY.

HERE'S A PICTURE.

I'M TELLING YOU, THIS ONE DON'T TURN OUT GOOD.

MM, COULD BE OKAY. UH‐UH, FAMILY LIKE THAT?

THAT KID DIDN'T RUN AWAY. THIS ONE DON'T TURN OUT GOOD.

I HATE IT WHEN YOU KNOW IT.

[ NO AUDIBLE DIALOGUE ]

[ NO AUDIBLE DIALOGUE ]

HEY, HEY, KID. KID.

COME HERE. LET ME‐‐ LET ME ASK YOU A QUESTION. WHAT'S YOUR NAME?

ALBERT. ALBERT, UH, DO YOU KNOW WHAT I AM?

HUH? A COP.

YEAH, THAT'S RIGHT. I'M A DETECTIVE. LISTEN, UH,

THIS KID HERE, HE DIDN'T COME HOME LAST NIGHT.

HIS NAME IS RUDY WENTZ. HE'S GOT LIKE A FOREIGN ACCENT. YOU SEEN HIM AROUND?

NO. ASK FREDDY. HE KNOWS ALL THE KIDS AROUND HERE.

FREDDY. WHO‐‐ WHO'S FREDDY?

I DON'T KNOW HIS LAST NAME. HE'S KINDA SKINNY, YELLOW PANTS.

WHAT, HE WEARS YELLOW PANTS EVERY DAY?

EVERY DAY.

HOW OLD'S THIS GUY FREDDY? PRETTY OLD. MAYBE 30.

WHEW! YOU KNOW WHERE HE STAYS AT?

UH‐UH. I THINK HE'S HOMELESS.

ALL RIGHT, LISTEN. UH, YOU SEE FREDDY OR, UH, THIS KID RUDY,

YOU CALL THE NUMBER ON THE BACK OF THIS CARD, OKAY?

WILL YOU DO THAT FOR ME? ALL RIGHT. SURE. SEE YA.

UH, YOU KNOW WHAT?

UM, I THINK FREDDY SOMETIMES STAYS IN THIS EMPTY PLACE ABOUT SIX BLOCKS THAT WAY.

THERE'S A BUNCH OF GUYS THERE THAT GET IN AND OUT ON A ROPE THEY DROP FROM A WINDOW.

‐ YEAH? COME ON AND SHOW ME THE PLACE. ‐ IT'S ABOUT SIX BLOCKS, MAN.

HEY, ALBERT. YOU WANT ME TO JERK YOU UP IN THE AIR LIKE A LITTLE BUG...

SO YOUR ARMS AND LEGS WHIP AROUND IN FRONT OF THE WHOLE STREET HERE, HUH?

NO. NO, THEN COME ON. SHOW ME THE WAY.

[ CAR HORNS HONKING ]

GOOD MORNING, ALFONSE. GOOD MORNING, LAURIE. YOU LOOK TERRIFIC.

THANKS. I'LL BE RIGHT OUTSIDE.

READY FOR THE BIG DAY? YOUR STAR WITNESS IS ALL READY. BUT, UH, SIT DOWN A SECOND.

THERE'S SOMETHING I WANNA‐‐ I WANNA TALK TO YOU ABOUT IN CONFIDENCE.

I'D REALLY LIKE TO GO OVER YOUR TRIAL TESTIMONY, ALFONSE.

[ CLEARS THROAT ] MR. GIARDELLA,

DID YOU SELL HEROIN IN VOLUME TO AUGUSTO REYES?

"YES, I DID." IN THE COURSE OF THAT PROFESSIONAL RELATIONSHIP,

DID THERE COME A TIME WHEN REYES TOLD YOU...

THAT THE COLON BROTHERS RIPPED HIM OFF FOR PRODUCT?

"THAT IS CORRECT." DID HE EVER MAKE THREATS AGAINST THE COLON BROTHERS?

"YEAH, SEVERAL TIMES HE THREATENED TO KILL THE COLON BROTHERS."

AFTER THE COLON BROTHERS WERE SUBSEQUENTLY KILLED,

DID REYES EVER TALK TO YOU ABOUT THEIR DEATHS?

"YEAH, HE SAID, '‘I WHACKED BOTH THOSE SONS A BITCHES.'"

THANK YOU, MR. GIARDELLA. YOU'RE EXCUSED.

THAT'S VERY GOOD.

LAURA, COME ON. YOU GOTTA KEEP LOOKIN' AT YOUR WATCH?

I'M HOPIN' OUR FRIEND JIMMY CRAIG GETS HIMSELF LOST IN THE ELEVATOR.

WHY?

BECAUSE THIS IS GONNA BE OUR LAST TIME TOGETHER.

AFTER I TESTIFY, THE FEDS ARE GONNA TAKE ME AWAY.

BUT BEFORE I GO, I HAVE TO GIVE YOU SOMETHING TO REMEMBER US BY.

WHAT'S THIS?

THE KEYS TO MY CADILLAC. THIS YEAR'S.

A 24‐MONTH LEASE ALL PAID FOR, ALL THE FORMS SIGNED FOR AND EVERYTHING.

IT'S ALL YOURS.

I CAN'T ACCEPT A CAR FROM YOU, ALFONSE.

IT'S NOT A CAR. IT'S A CADILLAC. AND...

IF YOU LOOK AT THE PAPERS, IT'S NOT FROM ME.

IT'S FROM STELLAMONTE CONCRETE, WHICH IS COMPLETELY ABOVE BOARD.

AND TOTALLY UNTRACEABLE ANYWAY.

I HAVE A CAR, ALFONSE. YOU GOT FOUR DOORS AND A WINDSHIELD.

‐ LAURA‐‐ ‐ [ SCAFFOLDING WHIRRING ]

LAURA, I'M TRYING TO TELL YOU HOW HIGH IT IS A VALUE I PLACE ON OUR RELATIONSHIP.

I'M TRYING TO SIGNIFY SOMETHING TO YOU HERE.

WILL YOU EXCUSE ME FOR A MOMENT?

YEAH, SURE.

DO YOU GOTTA GO TO THE BATHROOM OR SOMETHING?

YEAH, YOU KNOW WHERE IT IS. YEAH. JUST‐‐

IT'S RIGHT OVER THERE. J‐JUST HELP YOURSELF.

OH, MY GOD. YEAH, YOU KNOW, AND IF I COME BACK, UH,

WE COULD DRIVE WHEREVER, YOU KNOW.

MAYBE ONE OF THEM, UH, BREAKFAST AND BOARD PLACES IN THEM QUAINT AREAS.

[ CHUCKLES ] YOU KNOW, ONE OF THEM PLACES WITH THE QUILTS ON THE BED...

AND, UH, THOSE PICTURES OF THE WHALING GUYS.

‐ [ LAUGHING ] ‐ ONE OF THESE DAYS,

ALL THIS BOUNCING AROUND LIKE A CUE BALL IS GONNA STOP.

I'M GONNA GET MYSELF SET UP SOMEWHERE.

OUT WEST, MAYBE. CAN YOU HEAR ME, LAURA?

YOU FALL IN IN THERE?

I'LL BE RIGHT OUT. I'M GONNA LEAVE MY PAST BEHIND.

WELL, MOST OF IT, ANYWAY. AND IF WE CAN GET ALONG, LAURA, AND I THINK WE WILL‐‐

OH, MY GOD!

[ POLICE RADIO CHATTER ]

[ MAN ] WHAT A MESS. HE GOT AWAY THROUGH THE WINDOW.

[ MAN ] I BEEPED YOU RIGHT AWAY, SIR. YEAH.

[ MAN #2 ] HELL OF A WAY TO DECORATE A ROOM.

EXCUSE US, PLEASE.

YOU OKAY?

I THINK SO. OKAY. DID YOU SEE ANYTHING?

I SAW HIM, THE WINDOW WASHER. I'M GONNA HAVE TO TESTIFY, AREN'T I?

LET'S NOT GET AHEAD OF OURSELVES, OKAY? I‐I WAS THE ONLY ONE HERE.

THE GUY IS GONE. HE GOT AWAY.

I'M GONNA HAVE TO TESTIFY AGAINST HIM, AREN'T I?

YOU'RE GONNA HAVE TO PROMISE ME YOU'RE GONNA TAKE IT EASY, OKAY?

I'M GONNA BE RIGHT BACK. YOU'RE GONNA BE FINE, OKAY?

ALL RIGHT. WOULD YOU STAY WITH HER, PLEASE? I'LL BE RIGHT BACK.

OKAY, INITIAL HERE AND HERE AT THE CROSS‐OUTS AND SIGN AT THE BOTTOM.

‐ GO AHEAD. ‐ [ OFFICE CHATTER ]

‐ [ CHATTERING ] ‐ ALL RIGHT. THAT'S ENOUGH. LET'S GET YOU HOME.

AND IF THEY WANT MORE, THEY CAN GET IT LATER. YEAH, OKAY.

HERE WE GO. LAURA. LAURA.

HEY, LAURA.

SO, HOW YOU FEELING NOW? UH, I'M OKAY.

UH, JOHN KELLY. JAMES CRAIG.

OH, HEY. HOW YOU DOING, DETECTIVE? SO, UH, LOOK.

I NOTIFIED THE JUDGE ABOUT GIARDELLA, AND WE'RE MOVING PEREZ UP TO TESTIFY.

BUT, UH‐‐ SO I'M GONNA RUN DOWN THERE NOW UNLESS YOU WANT ME TO STAY.

NO, NO, NO. I'M OKAY. YOU SURE?

LOOK, I'M, UH‐‐ I'M SORRY THIS HAPPENED.

I'M SORRY YOU HAD TO BE THERE.

GOOD SEEING YOU AGAIN. YEAH. TAKE IT EASY.

DETECTIVE KELLY, I GOTTA TALK TO YOU. NOT NOW, LOU.

NO, I CAN'T BE RESPONSIBLE ANYMORE.

HAVE TO LOOK OUT FOR YOURSELF TODAY. I KNOW I'M GOIN' FULL‐ON WOLF.

I AM. MY‐‐ MY HUMAN NATURE IS SEEPIN' OUT OF ME. BY 5:00, IT'S GONNA BE ALL GONE!

I NEED A RIDE FOR HER TOO. YOU GOTTA LISTEN TO ME.

SOMETHING TERRIBLE IS GONNA HAPPEN!

I'M BEGGING FOR PREVENTATIVE PROTECTION!

LOU. HE THINKS HE'S A WEREWOLF. HE'S HARMLESS.

OH. I'M GOING TO‐‐

EXCUSE ME, LAURA. JOHN. I'M GONNA GET YOU A RIDE. OKAY?

A CHILD'S BODY'S BEEN FOUND NEAR WHERE THE WENTZ BOY DISAPPEARED.

SIPOWICZ AND MARTINEZ ARE ON THEIR WAY OVER THERE.

OKAY.

I, UH‐‐ I GOT A LOT GOING RIGHT NOW. YOU GOT MY BEEPER, RIGHT?

YEAH, I'VE GOT IT. OKAY. 'CAUSE, UH, YOU KNOW,

IF YOU GET INTO TROUBLE, I WANT YOU TO GIVE ME A CALL.

I REALLY THINK I'M GOING TO BE OKAY.

OKAY. WELL, YOU MAY FEEL OKAY NOW. YOU MAY NOT LATER.

POINT TAKEN, JOHN. OKAY?

SO, YOU GOT THE BEEPER. THIS IS YOUR MAN.

MA'AM. UH, AND USE IT LATER IF YOU NEED TO. OKAY?

I'LL BE AROUND, ALL RIGHT? TAKE CARE.

HOW'S SHE DOING? I DON'T KNOW.

WE'LL HAVE TO SEE. IT'S AWFUL SHE HAD TO SEE THAT.

YEAH. YEAH, I GOTTA GET UPSTAIRS TO GET MY JACKET.

THEY, UH‐‐ THEY FOUND A KID. OKAY.

AM I GONNA SEE YOU TONIGHT? UH, I DON'T‐‐ I DON'T KNOW.

I DON'T KNOW IF TONIGHT'S GONNA BE GOOD. LAST NIGHT WAS PRETTY GOOD.

STEP RIGHT HERE. [ MAN ] GET YOUR GLOVES.

THANKS.

[ POLICE RADIO CHATTER ]

WHAT DO WE GOT? LOOKS LIKE SEXUAL ASSAULT. STRANGULATION.

‐ [ POLICE RADIO CHATTER ] ‐ OH, GOD, I KNEW IT. I KNEW IT.

LOOK AT THAT. HE COULD SEE HIS HOUSE.

LOOK AT THAT, JOHN. THE KID DIED LOOKIN' AT HIS HOUSE.

[ CAMERA LENSES CLICKING ] [ HELICOPTER WHIRRING ]

DETECTIVES.

COULD WE COME IN, MR. WENTZ?

PLEASE. GO AHEAD.

DO YOU HAVE NEWS FOR US?

[ KELLY ] YEAH.

I WISH THERE WAS A WAY TO SAY THIS THAT WOULDN'T HURT YOU, MR. WENTZ.

WE FOUND A BODY SIMILAR TO THE DESCRIPTION OF YOUR SON.

WE'D LIKE YOU TO COME WITH US TO THE MEDICAL EXAMINER'S OFFICE AND CLEAR UP THE IDENTIFICATION.

IS IT RUDY? IS IT OUR BOY?

[ KELLY ] WELL, WE DON'T KNOW FOR CERTAIN. THAT'S WHY WE NEED YOU TO COME DOWN WITH US.

[ SPEAKING POLISH ]

[ BOTH SPEAKING POLISH ]

[ SOBBING ]

[ SIPOWICZ ] WHEN I KNOCK ON THE GLASS, THE BLIND WILL OPEN.

ALL YOU'LL SEE IS THE FACE.

BUT IT MAY NOT BE MY BOY. IT MAY NOT BE.

BUT YOU SHOULD PREPARE YOURSELF FOR THE POSSIBILITY THAT IT IS.

YOU SAID YOURSELF THAT MANY BOYS, UH‐‐ MANY CHILDREN RUN AWAY.

IS THAT NOT SO?

ARE YOU READY, MR. WENTZ?

[ EXHALES ]

GIVE 'EM A CALL. TELL THEM I'M ON MY WAY.

[ MAN ] OKAY, LIEUTENANT.

UH, THIS GUY YOU'RE LOOKING FOR‐‐ FREDDY. YEAH, WHAT DO YOU GOT?

TWO DIFFERENT SIGHTINGS AT THE BUS TERMINAL ABOUT AN HOUR AGO.

THE PORT AUTHORITY COPS HAVE BEEN OVER THE AREA AND HE'S NOT THERE NOW.

ANYBODY ACTUALLY SEE HIM GET ON THE BUS? NO.

BUT THERE'LL BE COPS WAITING AT EVERY DESTINATION POINT...

FOR EVERY BUS THAT LEFT DURING THAT PERIOD. WHERE YOU GOING?

TO LOOK FOR THIS SICK BASTARD. IF I STAY HERE, MY BRAINS ARE GONNA BLOW OUT OF MY EARS.

THEY GOT THE NEIGHBORHOOD BLANKETED IN CASE HE COMES BACK.

COME ON, KELLY. HE'S NOT CLIMBING ANY OF THESE ROPES.

THEY CAN FORGET LOOKING IN THOSE NIT FARMS. THIS ASSHOLE KNOWS HE DID A BAD THING.

‐ WHERE YOU GONNA LOOK? ‐ I DON'T KNOW. I'LL HELP THE PORT AUTHORITY COPS.

‐ YOU GOT A BETTER IDEA? ‐ I'M A SERIOUS PERSON. ‐ SO AM I, LOU.

I TOLD MYSELF WHEN GIARDELLA GOT HIS,

IT WOULD BE ONE OF THE HAPPIEST DAYS OF MY LIFE, SO FAR I'M NOT LAUGHIN'.

‐ LOU! ‐ LOOK. LON CHANEY JR.

WHY CAN'T I MAKE YOU UNDERSTAND? WHY CAN'T I MAKE HIM UNDERSTAND?

I UNDERSTAND, LOU. YOU DID IT. JIMMY HOFFA.

MALCOLM X. SONNY CORLEONE. YOU'RE GUILTY. YOU DID IT ALL.

BUT I STILL GOT NO ROOM. I DIDN'T DO ANY OF THOSE THINGS!

I COMMITTED A CRIME UNDER THE BRIDGE!

PLEASE, YOU HAVE TO LISTEN TO ME. IT REALLY HAPPENED!

[ KELLY ] WHAT'S GOING ON, LOU? MURDER. I DID IT.

ALL RIGHT. I'LL LISTEN TO HIM.

[ KELLY ] LET'S GO UPSTAIRS, LOU.

I WAS DENNED UP.

THEN I CAUGHT THIS VERY AGGRESSIVE SMELL.

IT WAS COMING OFF OF THIS GUY. WHAT HAPPENED?

OH, GOD. IT'S ALL MIXED UP.

WHEN I'M A WEREWOLF, I DON'T THINK I HAVE A TEMPER.

I'M BEAST! I'M FURY!

AND‐‐ BUT... WHEN I CAUGHT A WHIFF OF THIS GUY,

NEXT THING I KNOW I'M ON TOP OF HIM, I CUT HIM DOWN.

THE SON OF A BITCH DIDN'T EVEN HAVE A CHANCE.

DID YOU PUT A NAME TO THIS GUY?

YEAH, THEY CALLED HIM C‐NOTE.

HE WAS A NICKEL‐PIECE DEALER.

AND THE DAY BEFORE I TOLD HIM. I SAID, "STAY OFF OF MY TURF!"

AND HE DEFIED ME.

SO, GOD HELP ME, I CUT HIM DOWN.

AND HE WAS KILLED, THIS GUY.

YEAH. WAIT TILL YOU SEE THE REPORT. YOU'LL SEE THE PICTURES.

WHERE'S THE BODY, LOU?

IT'S UNDER THE BRIDGE.

I BROUGHT THE MURDER WEAPON.

I WANT YOU TO KNOW I REGRET WHAT I DID,

AND I'M ASHAMED OF EVERYTHING INSIDE OF ME.

YOU GOT THE MURDER WEAPON? YEAH.

LOU, YOU'RE DESCRIBING A VICIOUS MURDER.

OH, I'M‐‐ I'M TERRIFIED BY MY OWN CAPACITIES AT SUCH TIMES.

WHY DID YOU USE THE WEAPON AND NOT TEAR HIM APART WITH YOUR TEETH?

HEY, LOOK. I CAME IN HERE, AND I ADMITTED WHAT I DID, OKAY?

YOU CAN'T MAKE ME GO OVER IT IN MY HEAD ALL THE TIME.

I CAN'T BE THINKIN' ABOUT IT ALL THE TIME.

LET ME JUST ASK YOU A COUPLE OF MORE QUESTIONS, OKAY?

DID THIS GUY TRY AND PROTECT HIMSELF?

HUH, LOU? HE TRIED.

BUT YOU JUST KEPT SLASHING, CUTTING INTO HIS CLOTHES, HIS FLESH, HIS TENDONS.

WAS HE SCREAMIN'? LOU, THERE MUST HAVE BEEN A LOT OF BLOOD.

NO? HUH? SOAKIN' HIS CLOTHES, POURIN' OUT ALL OVER THE PLACE.

WAS IT SPILLIN' OUT ON YOU, LOU? WAS HE BEGGING FOR HIS LIFE? HE WAS BEGGING.

I THINK WE'RE TALKIN' ABOUT TWO DRUG DEALERS FIGHTIN' OVER A PIECE OF TURF.

ONE STABBED THE OTHER. THAT WAS HORRIBLE.

YOU DIDN'T DO IT, BUT YOU SAW IT, RIGHT, LOU?

LOU, LOOK AT ME. LOOK AT ME! I CAN'T!

COME ON, LOU. YOU ARE A ROUGH WOLF, BUT A MAN DID THIS.

LOU, A MAN DID THIS, WHO NEEDS TO BE IN JAIL. AM I RIGHT?

[ WHIMPERING ] LOU. TALK TO ME, LOU.

LOU! I SAW IT.

THERE WERE TWO DEALERS THERE TOO.

AND THE ONE GUY SAID TO THE OTHER GUY,

"YOU BETTER HAVE THE MONEY BY 5:00, OR I'LL‐‐"

AND HE DIDN'T HAVE THE MONEY. AND BEFORE I KNEW IT, THE GUY WAS STABBING HIM.

[ SOBBING ]

AND I KNEW SOMETHING WAS GOING TO HAPPEN.

I TRIED TO TELL YOU THAT SOMETHING WAS GONNA HAPPEN.

BUT I‐‐ I WAS TOO CRAZY. I‐‐

[ SOBBING ]

OKAY. YOU DID THE BEST YOU COULD.

YOU THINK YOU COULD IDENTIFY THEM IN A PICTURE?

YEAH.

AND HIS SMELL TOO.

I'LL HELP YOU HOWEVER I CAN. HOWEVER I CAN.

I KNOW.

GOOD BOY. GOOD BOY, LOU.

ATTA BOY.

MARTINEZ, VOUCHER THIS, GET IT UP TO THE LAB, YEAH.

AND GET THIS GUY UP TO NARCOTICS, GET A LOOK AT SOME PHOTOGRAPHS.

SEE IF HE RECOGNIZES ANYBODY. OKAY.

YOU KNOW HIS STORY? I'VE SEEN HIM IN THE STATION.

OKAY. I'M GOING OVER TO HIS PLACE BY THE BRIDGE. ALL RIGHT. LOU, COME HERE.

WORK WITH OFFICER MARTINEZ, ALL RIGHT?

AND I'LL TALK TO YOU LATER. ALL RIGHT?

YEAH. LET'S GO UPSTAIRS.

SO, UH, WHAT DO YOU LIKE TO BE CALLED? MR. WOLF?

‐ [ PATTY GASPS ] ‐ THE DOOR WAS OPEN.

YOU'RE IN THE WRONG ROOM. ARE YOU STUPID OR SOMETHING?

‐ YOU PROBABLY THINK I'M A LOOKY‐LOO. ‐ JUST LEAVE, HEAR ME?

THAT WAY THERE WON'T BE ANY TROUBLE. I CAME TO SEE THE GIRL THERE.

I DON'T KNOW WHO YOU ARE. I'M ANDY'S FATHER.

MAYBE I SHOULD HAVE CALLED FIRST? ANDY.

YEAH, YOU SEE, IT'S BEEN A LOUSY DAY.

I THOUGHT I MIGHT BRIGHTEN IT UP WITH A GET‐ACQUAINTED CALL ON MY SON'S FIANCÉE.

OH, MY GOD. MR. SIPOWICZ.

I CAN IMAGINE WHAT YOU'RE THINKING.

I WAS THINKING YOU MIGHT WANNA PUT SOME PANTIES ON.

I'VE BEEN SO LOOKING FORWARD TO MEETING YOU.

ANDY'S TOLD ME SO MUCH ABOUT YOU.

THIS LOOKS BAD, DOESN'T IT? YOU GENERALLY WEAR A BRA?

I WANT YOU TO BE CLEAR THIS IS NOT WHAT IT LOOKS LIKE HERE ON THE SURFACE.

THIS IS SUPPOSED TO BE OUR LAST MEETING. SAY GOOD‐BYE FOREVER.

PATTY STARTED CRYING. I WAS CRYING. I TOOK HER IN MY ARMS.

SEE, WHAT WE HAD‐‐ KEVIN AND I‐‐ IT'S OVER.

[ CLEARS THROAT ] YOU SEE, I'VE COME TO REALIZE...

JUST HOW MUCH I LOVE YOUR SON.

MY LONELINESS...

AND MY AFFECTION FOR KEVIN, IT BROUGHT US TOGETHER.

BUT IT'S NOT ENOUGH TO KEEP US TOGETHER.

NOT ALONGSIDE HOW I FEEL ABOUT ANDY.

I THINK UNDER THE CIRCUMSTANCES IT MIGHT BE BEST FOR ME TO LEAVE.

HEY, LOOK. I DON'T KNOW, UH‐‐ I DON'T KNOW IF YOU RENT THIS ROOM BY THE HOUR OR WHAT,

BUT WHAT I GOTTA SAY WON'T TAKE LONG, SO YOU JUST STICK AROUND.

IT'S, UM‐‐ IT'S GETTIN'‐‐ IT'S GETTIN' KINDA LATE. I SHOULD BE GETTING HOME ANYWAY.

I THINK YOU BETTER STICK AROUND. YOU SEE, PATTY'S ENGAGEMENT JUST BROKE UP.

NOW, SHE MIGHT NEED SOME OLDER, MORE EXPERIENCED GUY LIKE YOU...

TO‐‐ TO HELP COMFORT HER WHEN SHE FACES UNFAMILIAR EMOTIONS, SEE?

I'VE HAD A PRETTY UNHAPPY LIFE AND I'VE MADE SOME MISTAKES.

THIS MAY BE ONE OF THE BIGGEST. BUT TRY TO UNDERSTAND.

ONCE ANDY AND I GET SETTLED INTO OUR OWN PLACE,

‐ I KNOW I'LL BE A GOOD WIFE TO HIM. ‐ [ SCOFFS ]

THIS PART OF MY LIFE IS OVER.

I'M FOUR MONTHS' PREGNANT.

YOU'VE BEEN SEEING ANDY FOR THE LAST THREE MONTHS NOW, SO LET'S PRETEND WE'RE GROWN‐UP.

IS THAT SO IMPORTANT WHEN TWO PEOPLE CARE FOR EACH OTHER?

YEAH, IT IS. SO, YOU'RE GONNA TELL ANDY...

WHATEVER YOU NEED TO TELL HIM TO CUT HIM LOOSE.

YOU DON'T KNOW WHAT YOU ARE ASKING ME TO DO.

I'M NOT ASKIN'. IT'S HOW IT'S GONNA BE.

OR ELSE I'M GONNA SEE WHAT KIND OF PARENTS YOU HAVE, THEN I'M GONNA SEE HIS WIFE.

AND IF THINGS DON'T GET STRAIGHTENED OUT THAT WAY, THEN I'M GONNA HAVE TO GET SERIOUS.

LET'S BE RATIONAL ABOUT THIS. SHUT UP!

I'M GONNA NEED SOME MONEY. I MADE PLANS.

HERE'S 700 BUCKS.

I DON'T WANNA HEAR HOW YOU'RE GONNA SPEND IT.

ARE YOU THE SARGE? WE PICKED THIS GUY UP... YEAH.

AT THE PORT AUTHORITY OFF A BUS FROM HACKENSACK.

YOUR DETECTIVE SQUAD WANTS TO TALK TO HIM ABOUT A CASE.

‐ GIMME SIPOWICZ. ‐ [ SIREN WAILING IN DISTANCE ]

YOU WANNA HELP ME WITH THIS THING, FREDDY, DON'T YA?

‐ YES. ‐ PUT YOURSELF IN THIS BOY'S PARENTS' PLACE.

‐ YOU CAN IMAGINE HOW THEY'RE FEELING. ‐ SURE.

KIDS IN THE NEIGHBORHOOD SAY YOU HANG AROUND WITH THEM?

OH, I'M JUST FRIENDS WITH A LOT OF THEM, YOU KNOW.

FREDDY, WE'RE GONNA TAKE YOUR FINGERPRINTS.

AND WE'RE GONNA COMPARE 'EM WITH THE FINGERPRINTS WE TOOK OFF THAT BOY'S BODY.

AND IF THEY MATCH UP, IT'S ALL OVER FOR YOU.

I'M JUST FRIENDS WITH THEM.

WERE YOU DRINKING YESTERDAY, FREDDY?

I DRANK SOME BEER.

DO YOU GET URGES WHEN YOU'RE DRINKIN' AND FEELINGS OVERCOME YOU?

I'M JUST FRIENDS.

FREDDY, DID YOU HAVE SEX ON THAT BOY?

AND THEN YOU DIDN'T WANT HIM TO TALK.

IS THAT WHAT HAPPENED YESTERDAY?

WE ONLY TALKED ABOUT POLAND. HE'S FROM POLAND, YOU KNOW.

AND I WANTED HIM TO DRINK SOME BEER, BUT HE DIDN'T LIKE IT.

AND I TOLD HIM YOU NEVER LIKE IT AT FIRST.

DID YOU MAKE HIM DRINK IT?

I‐I ONLY MADE HIM DRINK IT TILL HE PASSED OUT, LIKE,

AND, UM, HIS EYES CLOSED.

I KNOW THIS HAS GOTTA BE TEARING YOU UP INSIDE,

BUT YOU'RE GONNA FEEL A LOT BETTER IF YOU JUST TELL THE TRUTH.

DID YOU HAVE SEX ON HIM?

[ BREATHING HEAVILY ]

HE‐‐

YEAH?

YEAH. UM, I‐‐

I‐‐ HE OPENED HIS EYES,

AND HE‐‐ HE STARTED CRYING.

AND THEN HE‐‐ HE STARTED SCREAMIN'.

I‐I PUT MY HANDS ON HIS NECK...

TO KEEP HIM FROM SCREAMING.

AND THAT'S WHEN I KNEW THAT HE WAS GONNA TELL.

[ BREATHING HEAVILY ]

I KNOW I GOT A PROBLEM.

I SHOULD GET TREATMENT, HUH?

[ PHONE RINGING ]

[ MARTINEZ ] THE LINEUP'S SET, DETECTIVE.

‐ GET HIM. ‐ RIGHT, DETECTIVE.

[ GRUNTING ]

[ BREATHING HEAVILY ]

[ KELLY ] LOU, THERE'S SIX GUYS IN THERE WITH NUMBERS ON.

[ GROANS ] TAKE IT EASY.

I WANT YOU TO LOOK IN THERE. IF YOU RECOGNIZE ANYBODY, YOU TELL ME HIS NUMBER, OKAY?

GO AHEAD.

[ KELLY ] DO YOU RECOGNIZE ANYBODY, LOU?

NUMBER ONE.

[ KELLY ] WHERE DO YOU KNOW NUMBER ONE FROM?

UNDER THE BRIDGE. HE'S THE GUY THAT KILLED THE OTHER GUY.

YOU'RE CERTAIN?

YOU'LL SAY THIS ON A STAND WHEN I ASK YOU IF THIS SHOULD COME TO TRIAL?

GO AHEAD, LOU.

NUMBER ONE.

YOU'VE GIVEN ME AN EYEWITNESS AND A MURDER WEAPON. PLUS, WE GOT THE LAB REPORT.

WE CAN TRY AND DIG SOMETHING UP IN THE DRUG RELATIONSHIP BETWEEN THIS GUY AND THE VICTIM.

NORMALLY, I WOULD BE VERY HAPPY WITH THE PACKAGE,

BUT IN THIS INSTANCE, I AM A LITTLE CONCERNED. IN THE AREA OF?

DOES IT NEED SAYING, DET. KELLY? MY CHIEF WITNESS THINKS THAT HE IS A FURRY CARNIVORE.

OKAY, LET ME TELL YOU SOMETHING ABOUT LOUIE.

‐ HE HAS HIS WAYS, BUT DOWN DEEP‐‐ ‐ HE'S A STAND‐UP WOLF.

YOU GOT THE HOUSING AUTHORIZATION?

YEAH. THANK YOU.

IT'S GONNA BE SAFE LIVING UNDER THE BRIDGE NOW.

LIVIN' UNDER THE BRIDGE AIN'T GONNA MAKE IT, LOU.

HERE'S $50. GO TO THE "Y" AND GET CLEANED UP.

AND THEN GO TO AN ARMY/NAVY STORE AND GET SOME NEW CLOTHES, OKAY?

DO YOU KNOW WHERE THE COLLINGWOOD ARMS IS?

OKAY, THE D. A. IS GONNA HAVE YOU STAY THERE FOR A WHILE.

A BIG WOLF GRATITUDE. [ COOING ]

YOUR OWN LAIR, LOU. GO AHEAD. TAKE HIM.

[ MARTINEZ ] ALL RIGHT, LOU. YOU ALL RIGHT, MAN?

YEAH. UH, FREDDY SIGNED.

YEAH. YOU WANT ME TO GO OVER AND TELL THE PARENTS?

WE'LL GO TOGETHER. ALL RIGHT.

HEY. GIVE ME A MINUTE?

CALLED YOUR HOUSE LAST NIGHT. YOU DIDN'T PICK UP.

YEAH, I WAS WITH MY EX‐WIFE. YEAH, THAT'S WHAT I FIGURED.

ANYTHING ELSE YOU WANNA ASK ME?

DID YOU SLEEP WITH HER? NO.

THAT'S NOT WHAT IT WAS ABOUT. IT IS OVER BETWEEN ME AND HER.

ALL RIGHT.

BUT I'D LIKE TO SEE YOU TONIGHT.

‐ ALL RIGHT. ‐ CALL YOU LATER?

HELLO, DETECTIVES.

HI, MR. WENTZ.

CAME BY TO TELL YOU... THAT WE ARRESTED SOMEONE...

FOR WHAT THEY DID TO YOUR SON, AND WE GOT A FULL CONFESSION.

RUDOLF, SHOW THEM!

DETECTIVES, PLEASE, COME!

WOULD YOU MIND?

SHE'S BEEN THERE ALL DAY. SHE'S VERY UPSET.

[ THUNDER RUMBLING ]

AT THE TOP OF THE BUILDING, DO YOU SEE THAT?

‐ [ SIPOWICZ ] SEE WHAT, MRS. WENTZ? ‐ THAT WHITE BIRD.

IT CAME TO US YESTERDAY.

THE DAY THAT RUDY DIED.

DO YOU SEE IT?

[ KELLY ] YES, MA'AM.

IT HASN'T LEFT THE BUILDING. IT JUST‐‐ IT JUST STAYS THERE.

DO YOU SEE A LIGHT FROM IT?

[ SIGHS ] THERE IS SOMETHING THERE MAYBE.

DO YOU SEE IT TOO?

[ KELLY ] THAT'S A BEAUTIFUL BIRD.

WE BELIEVE‐‐ INGA AND I‐‐

THAT IT IS RUDY'S SPIRIT.

THAT HE IS STAYING WITH US, YOU SEE.

HE'S COME AS A BIRD, TO LET US KNOW THAT HE IS ALL RIGHT IN HIS SOUL.

I THINK THERE IS A LIGHT THERE COMING OUT OF HIM.

[ THUNDER RUMBLING ]

HI. WANT A BEER? HEY. YEAH.

YOU KNOW WHAT? WAIT AWHILE ON THAT.

WAIT ON‐‐ WAIT ON THAT.

ARE WE, UH‐‐ ARE WE SQUARE ON LAST NIGHT?

YEAH. YEAH, WE'RE SQUARE. YEAH.

ALL RIGHT. BECAUSE, UM,

I WANNA‐‐ I WANNA PUT IN WHATEVER WE HAVE TO...

ON THIS, YOU KNOW THE TWO OF US.

TAKE THIS AS FAR AS WE CAN. OKAY.

YOU UP FOR THAT? YEAH.

I WANNA TRY. YEAH. GOOD.

[ THUNDER RUMBLING ]

[ SIGHS ]

YOU WANNA PIN ME?

GIVE ME YOUR LAVALIERE OR SOMETHING?

GUESS WE'RE TIED, HUH?

YEAH.

YEAH. COME HERE.

WHAT DO YOU WANT? I WANNA TALK TO YOU.

PATTY TOLD ME IT WASN'T MY BABY.

THAT, UH‐‐ THAT SHE WAS GETTING AN ABORTION.

SHE'S NOT GONNA MARRY ME.

SHE DIDN'T SAY I WAS A FOOL, BUT SHE WAS JUST BEING POLITE.

YOU'RE NOT A FOOL.

YOU THINK YOU DID ME A FAVOR, DON'T YOU?

WELL, I LOVED HER.

AND YOU DON'T KNOW WHAT WOULD HAVE HAPPENED DOWN THE ROAD.

AND NOW I'M NEVER GONNA KNOW EITHER.

[ CLEARS THROAT ]

[ THUNDER RUMBLING ]

I'VE BEEN A LOUSY FATHER, ANDY.

[ BELL DINGS ] BUT I ALWAYS LOVED YOU.

AND WHEN I COULD, I ALWAYS TRIED TO LOOK OUT FOR YOU.

YOU THREW A DAMN GRENADE INTO MY LIFE.

IS THAT THE BEST YOU COULD COME UP WITH?

I DON'T KNOW. THERE'S NO RULES IN BEING A FATHER.

I HATE YOU, DAD.

IT'S BETTER YOU SHOULD HATE ME THAN SCREW UP YOUR LIFE.

YOU GOT A LOT OF THINGS TO DO YET. I WANT YOU TO DO 'EM BETTER THAN ME.

[ THUNDER RUMBLING ]

I WANT YOU TO BE A BETTER FATHER THAN ME.

I'M PRETTY CONFIDENT ABOUT THAT.

I AM TOO.

I WISH I WOULD HAVE PREPARED YOU BETTER, ANDY.

I WISH I COULD HAVE THOUGHT OF A BETTER WAY TO HANDLE THIS, BUT I DIDN'T.

I KNOW THAT I LOVE YOU AND THAT I DO THE BEST I CAN.

I GOTTA PRAY THAT THAT'S GONNA BE GOOD ENOUGH.

I'LL SEE YOU AROUND, HUH?