Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Esperanto
Estonian
Ewe
Faroese
Filipino
Finnish
French
Frisian
Ga
Galician
Georgian
German
Greek
Guarani
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hindi
Hmong
Hungarian
Icelandic
Igbo
Indonesian
Interlingua
Irish
Italian
Japanese
Javanese
Kannada
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kurdish (Soranรฎ)
Kyrgyz
Laothian
Latin
Latvian
Lingala
Lithuanian
Lozi
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Malayalam
Maltese
Maori
Marathi
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Nigerian Pidgin
Northern Sotho
Norwegian
Norwegian (Nynorsk)
Occitan
Oriya
Oromo
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Punjabi
Quechua
Romanian
Romansh
Runyakitara
Russian
Samoan
Scots Gaelic
Serbian
Serbo-Croatian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish (Latin American)
Sundanese
Swahili
Swedish
Tajik
Tamil
Tatar
Telugu
Tigrinya
Tonga
Tshiluba
Tumbuka
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Vietnamese
Welsh
Wolof
Xhosa
Yiddish
Yoruba
Zulu
I'M FILING A $10 MILLION LAWSUIT AGAINST THIS FIRM.
ANDI: PREVIOUSLY ON "SISTAS"...
YOU'RE A STELLAR ATTORNEY, BUT WE GOT YOU HERE.
YOU KNOW, I REALLY DO LOVE THE WAY YOU LOVE KAREN.
YOU HAVE NO IDEA.
I'M SORRY IF KEEP RUNNING INTO YOU WITH MY ISSUES.
I DON'T HAVE ANYBODY ELSE.
- LET ME GET YOUR NUMBER. - OOH. OOH.
SO SEE YOU THIS WEEKEND, ALL RIGHT?
YEAH.
WHY HE CALLING MY PHONE?
I GAVE HIM YOUR NUMBER. NOW WE'RE EVEN.
- SHE'S AFTER ME. - WITH A GOOD REASON.
YOU DON'T EVEN KNOW THE WHOLE STORY.
WHY DON'T YOU TELL ME THE WHOLE STORY?
OVER DRINKS.
WHAT'S ALL THIS?
WHAT THE?
WHAT THE ..., FATIMA?
LOOK, LET ME EXPLAIN.
LOOK, NO, LOOK, LET ME EXPLAIN.
FATIMA: I--I UM... GARY: NO, I--I, I GOT IT.
ANDI: NO. I WANT YOU TO GET ALL YOUR SHIT
AND GET OUT OF HERE.
GARY: ANDI, WAIT.
WHAT THE HELL, FATIMA?
LET ME EXPLAIN. PLEASE.
GET OUT, BOTH OF YOU.
FATIMA, WAIT FOR ME OUTSIDE, PLEASE.
ANDI: NO, HELL NO. YOU GO WITH HER.
ANDI, YOU'RE GONNA WANT TO HEAR THIS.
FATIMA: PLEASE.
IT--IT REALLY MADE SENSE WHEN HE SAID IT.
- ANDI... - WHAT?
PLEASE.
FATIMA?
WHY ARE YOU SAYING HER NAME LIKE YOU KNOW HER?
FATIMA: LOOK, HE JUST CALLED ME TODAY.
WHAT'S GOING ON?
- I--I DON'T KNOW. - FATIMA...
YOU CAN GO.
WHAT THE HELL ARE YOU DOING HERE?
SHE--SHE'S WATCHING ME LIKE A HAWK.
THEN WHY ARE YOU HERE?
I WANTED TO COME TALK TO YOU.
AND WHY IS FATIMA INVOLVED IN THIS?
LISTEN, OK?
I PAID HER.
WHAT?
I PAID HER $500 TO DO THIS.
OK.
I HAD NO CHOICE.
YOU HAD NO CHOICE?
YOU GOT TO BELIEVE ME.
YOU HAD NO CHOICE BUT TO COME INTO MY OFFICE
AND RUIN ME?
LOOK, I WILL GET HER TO CALM DOWN.
GARY, YOU HAVEN'T DONE ANYTHING...
NO, LISTEN, LISTEN. STOP. ALL RIGHT?
JUST LET ME EXPLAIN.
I WAS DYING AT THAT TABLE.
I WAS DYING, LOOKING AT YOU, AND I JUST WANTED TO
BE WITH YOU.
AND WHEN I TOLD JASMINE THAT I WANTED TO BE WITH YOU,
SHE MADE ME COME INTO YOUR FIRM
AND--AND CONFRONT YOU.
AND SO YOU DID?
I HAD TO.
I MEAN, SHE'S TRACKING MY EMAIL, SHE'S--SHE'S--
THAT LESLIE BITCH IS WATCHING MY EVERY MOVE.
THEN WHY DID YOU COME HERE?
- ANDI... - GET OUT!
WOMAN: โช DON'T MY GIRLS HOLD ME DOWN โช
โช LET THEM BOYS MESS AROUND โช HOLD ME
โช MY LOVE LIFE IS A HEADACHE โช
โช WE'RE GOING OUT TONIGHT โช
โช 'CAUSE I'M INTO THE LOVE โช
I DON'T KNOW WHAT ELSE TO DO.
WELL, I'LL TELL YOU WHAT.
YOU DON'T DO THAT STUPID SHIT AGAIN.
SO HOW ELSE AM I SUPPOSED TO SEE YOU?
YOU DON'T.
- SO THIS IS REALLY OVER? - YES.
ANDI...
I GOT FIRED.
I FIGURED YOU WOULD.
AND YET YOU STILL WALKED INTO MY OFFICE.
LOOK, I WAS THERE FOR YOU.
HEH. GET THE HELL OUT OF HERE WITH THIS.
I'M GONNA FIX THIS.
GARY, YOU HAVEN'T FIXED A SINGLE THING THAT YOU'VE
- TOUCHED SINCE-- - OK. HOLD ON. LISTEN, LISTEN.
THIS IS $100,000 IN CASH, ALL RIGHT?
IT'S ALL--HERE.
PAY YOUR BILLS, SPEND IT HOWEVER YOU NEED,
WHILE I JUST FIGURE THIS OUT AND GET THIS TAKEN CARE OF.
OK?
YOU THINK I'M SOME WHORE THAT YOU JUST GET TO BUY?
STOP THAT! THAT'S NOT WHAT THIS IS!
I DON'T NEED OR WANT YOUR MONEY.
- BABY, LISTEN. - AND I DON'T NEED OR WANT YOU.
ANDI.
JUST LEAVE ME ALONE.
YOU'VE DONE ENOUGH DAMAGE.
I'M TRYING TO FIX THIS, AND YOU WON'T LET ME.
LOOK, I HAVE A DATE, OK?
A DATE?
YES.
SO--SO YOU'RE MOVING ON?
ISN'T THAT WHAT WE'RE SUPPOSED TO DO?
WITH WHO?
WHY DO YOU CARE?
I JUST WANT TO KNOW.
ASK YOUR LAWYER.
YOU'RE GOING OUT WITH ... MORRIS?
YEAH.
AND YOU'RE KEEPING ME FROM FREDDY D'S, SO.
YOUR FAVORITE PLACE?
MY FAVORITE PLACE.
I DON'T LIKE THAT.
I DON'T CARE.
I MEAN...IT'S NOT THAT I'M JEALOUS.
OK.
BUT I DON'T LIKE IT.
AGAIN, I DON'T CARE.
IT'S NOT A GOOD IDEA TO GO OUT WITH HIM.
WHY?
ANDI, IT'S NOT A GOOD IDEA.
WELL, HE THINKS IT IS.
JASMINE, DON'T DO THIS.
- EXCUSE ME? - UH, I DIDN'T--I, UH...
WHAT?
ANDI. I MEANT ANDI.
NO, YOU SAID EXACTLY WHAT YOU MEANT.
BABY.
GET THE HELL OUT OF HERE.
I AM NOT GONNA ASK YOU AGAIN.
FATIMA!
- YES. - GET HIM THE HELL OUT OF HERE.
- YES, MA'AM. - ANDI.
COME ON, MAN. SHE'S NOT PLAYING WITH YOU.
COME ON, FATIMA.
IF YOU DON'T LEAVE NOW, I AM CALLING THE POLICE.
GARY: OK.
FATIMA?
YES?
IF YOU EVER DO ANY SHIT LIKE THAT AGAIN,
YOU WILL NEVER WORK FOR ANY LAWYER IN THIS CITY.
LOOK, I AM SO SORRY...
GET OUT!
[LINE RINGING]
MORRIS: THIS IS MORRIS.
THIS IS ANDI.
MORRIS: HI.
HI.
MORRIS: HOW ARE YOU?
I'M ON MY WAY TO FREDDY D'S PUB.
MEET ME THERE.
MORRIS: OH, OK. WHEN?
7:00.
MORRIS: UH, BUT I--I HAVE A MEETING.
IT'S NOW OR NEVER.
MORRIS: OK.
SO AFTER YOU MAKE YOUR FIRST DEPOSIT, YOU'LL GET
A NOTIFICATION VIA TEXT, OK?
AND MAURICE CAN GO HELP YOU WITH THE REST.
THANK YOU SO MUCH.
[LINE RINGING]
HEY. THIS IS CALVIN.
LEAVE A MESSAGE.
HEY. UM, THIS IS SABRINA.
I'M SURE YOU SEE ME CALLING YOU AND TEXTING YOU.
I JUST REALLY WANTED TO SAY I'M SORRY AGAIN.
I HOPE THAT YOU CALL ME BACK.
MAYBE WE CAN TALK?
BYE.
[LINE RINGING]
HI.
CALVIN: SABRINA.
HOW ARE YOU?
CALVIN: CAN YOU PLEASE STOP CALLING ME?
LOOK, I'M--CAN YOU NOT BE SO HOSTILE?
HEY, YOU SAID THAT BEFORE.
SABRINA: CAN YOU JUST PLEASE GIVE ME A CHANCE
TO MAKE IT RIGHT?
WHAT THE HELL ARE YOU CALLING ME FOR?
I'M JUST CALLING TO EXPLAIN MYSELF, CALVIN.
CALVIN: NO. WHAT YOU NEED TO DO IS
STOP DOING THIS, ALL RIGHT?
PLEASE.
YEAH. ALL RIGHT.
SABRINA: I LIKE YOU, AND I KNOW YOU LIKE ME, TOO.
YEAH, I DID.
SABRINA: YOU STILL DO.
YOU'RE REALLY FEELING YOURSELF.
WHO THE HELL DO YOU THINK YOU ARE?
I'M JUST A PERSON TRYING TO GET TO KNOW YOU.
CALVIN: LOOK, I DON'T HAVE TIME FOR THIS SHIT, ALL RIGHT?
CALVIN, PLEASE.
I'M JUST--I JUST WANT TO EXPLAIN MYSELF.
HONESTLY.
CALVIN: DO NOT CALL ME AGAIN.
- PLEASE, CALVIN. DON'T... - WHAT AREN'T YOU HEARING?
I DON'T WANT TO TALK TO YOU, I DON'T WANT TO SEE YOU,
I DON'T EVEN WANT TO KNOW YOU.
DO NOT CALL.
I'M CLOSED. GO TO THE WHITE LADY.
[SABRINA CRYING]
I JUST NEED THESE DOCUMENTS APPROVED BY A MANAGER.
CAN YOU JUST GET LYNN TO DO IT?
WHAT THE HELL IS GOING ON?
NOTHING, MAURICE.
YOU'RE JUST BEING NOSY.
I AM.
CAN YOU LEAVE?
OK.
I'M NOT PLAYING. CAN YOU PLEASE GO?
- OK. - THANK YOU.
CLOSE MY DOOR.
[CELL PHONE RINGING]
THIS IS MAURICE.
OLONZO: OH. I GOT THE WRONG NUMBER.
MAURICE: OK.
[LINE RINGING]
OLONZO: HELLO?
WHO IS THIS WITH THIS DEEP VOICE?
OLONZO: OH. IS THIS THE DUDE AT THE BANK?
THIS DUDE HAS A NAME.
IT'S MAURICE,
BUT ON SATURDAY NIGHT, IT'S EXTRAVAGANZA.
OLONZO: OH, OK.
SO SHE GAVE ME YOUR NUMBER?
OH. THIS IS THAT TALL, FINE, SEXY-ASS MAN NAMED OLONZO
WITH THE DIMPLES IN THE BUTT.
- SAY WHAT? - MM-HMM.
LISTEN. SHE'S NOT INTERESTED IN YOU.
OH. SO SHE INTO PLAYING GAMES, HUH?
YEAH. SORRY.
OLONZO: YEAH. WHATEVER.
BUT I THINK YOU'RE CUTE.
OLONZO: SAY WHAT?
MAURICE: I SAID I THINK YOU'RE CUTE.
YEAH. OK.
SO YOU FLIRTING WITH ME?
- YEAH. - MM-HMM.
- OK. - OK WHAT?
I GUESS YOU COULD SAY I'M FLIRTING BACK.
OH, WELL, LET'S NOT STAY ON THE PHONE.
HOW ABOUT WE MEET IN PERSON?
ALL RIGHT. SOUNDS GOOD.
WANT TO COME OVER?
MAURICE: OH, YEAH. WHEN?
TONIGHT.
MAURICE: OH, NO, I HAVE A DRAG SHOW TONIGHT.
OLONZO: OH, TOO BAD. MAYBE SOME OTHER TIME.
WOULD YOU LIKE TO COME TO THAT?
YEAH. I'LL ROLL.
I KNEW YOU WERE COOL.
OLONZO: WHY DON'T YOU GIVE ME YOUR ADDRESS?
- I'LL COME PICK YOU UP. - YOU KNOW WHAT?
YOU SHOULD MEET ME AT THE BANK. I THINK THAT'LL BE BETTER.
YEAH. WHY DON'T YOU DO THAT?
MAURICE: MEET ME AT 9:00.
OLONZO: I'LL SEE YOU TONIGHT.
IT'S GONNA BE SO MUCH FUN.
BRING ALL THEM DIMPLES, HEAR?
IN YOUR CHEEKS AND IN YOUR BUTT.
โช BYE โช
โช I GOT A BOYFRIEND, I GOT A BOYFRIEND โช
CAN I HELP YOU?
[CELL PHONE VIBRATING]
HELLO?
DANNI: HEY, I CALLED YOU.
OH, YEAH, I WAS GONNA CALL YOU BACK.
DANNI: NO, YOU WEREN'T.
YES, I WAS.
DANNI: UM, YOU KNOW WHERE ZAC IS?
DANNI, DO YOU NOT KNOW WHAT I BEEN THROUGH?
DANNI: OH, NO, I'M SORRY.
HOW ARE YOU?
KAREN: OK. THANK YOU.
WELL, YOU KNOW WHERE ZAC IS, DON'T YOU?
KAREN: I DON'T CARE.
- YOU SHOULD. - NO, I SHOULDN'T, OK?
I DON'T HAVE ENOUGH SPACE IN MY MIND.
DANNI: OH, WHERE WERE YOU EARLIER TODAY?
UM, HOME.
DANNI: YOU DIDN'T GO TO WORK TODAY?
NO. I WAS--I WAS GONNA, BUT YOU KNOW WHAT HAPPENED
AT MY JOB.
OH, GIRL, SHIT, WHAT IS WRONG WITH ME?
KAREN: I ASK MYSELF THAT QUESTION ALL THE TIME.
- I'M SORRY. - THANK YOU.
WELL, YOU REALLY SHOULD TALK TO HIM.
NO, THE WAY HE WAS ACTING?
DANNI: YOU MEAN ABOUT OL' BOY?
UH, YEAH.
KAREN, HE WAS ACTING LIKE A JEALOUS MAN TO ME.
TEARING UP MY DAMN HOUSE?
KAREN, YOU NEED TO GET RID OF THAT OLD SHIT ANYWAY.
KAREN: ARE YOU KIDDING ME?
YOU'VE BEEN SAYING THAT.
KAREN: OK. LOOK, MY HOUSE IS--WAS NICE, OK?
DANNI: I KNOW.
HE EVEN TRAMPLED MY BONSAI TREE.
WHAT? NOT MARGARET.
YOU'VE HAD HER SINCE COLLEGE.
KAREN: EXACTLY.
OK. WELL, CAN YOU JUST TALK TO HIM?
WAIT, WHY?
DANNI: HE HAS SOMETHING TO TELL YOU.
I'M NOT TALKING TO HIM.
DANNI: OK. YOU SHOULD.
BUT, DANNI, LOOK, I'M STRESSED OUT ENOUGH
RIGHT NOW, OK?
JUST--JUST CAN YOU NOT?
DANNI: I'M SORRY.
THANK YOU.
YOU KNOW I'M JUST TRYING TO HELP, RIGHT?
KAREN: I KNOW, AND I THANK YOU,
BUT RIGHT NOW, I JUST NEED A MINUTE, OK?
OK. ALL RIGHT. I'LL LET YOU GO.
- OK. I'LL CALL YOU LATER. - BYE.
BYE.
[LINE RINGING]
HELLO.
ANDI: WHAT ARE YOU DOING?
UH, CLEANING UP MY APARTMENT.
ANDI: HOW'S THAT COMING?
- AARON'S HERE. - IS HE?
YEAH.
HE, UH, BROUGHT A WHOLE CLEANING CREW.
WHAT?
- YEAH. - DAMN.
RIGHT.
ANDI: AND WHAT IS HE SAYING?
YOU KNOW, UM, I MISJUDGED HIM.
ANDI: HOW SO?
I THOUGHT HE WAS THIS JUDGMENTAL PREACHER,
BUT HE'S NOT.
HE'S BEEN THROUGH A LOT OF STUFF.
ANDI: REALLY?
- YEAH. - OK.
WELL, UM, I'LL LET YOU GET BACK TO HIM.
NO, YOU, UH--YOU CALLED ME.
ANDI: GARY CAME BY HERE.
- WAIT, WHAT? - YEAH.
FATIMA HELPED HIM GET UP HERE IN A DAMN LAUNDRY BASKET.
KAREN: WHAT THE HELL KIND OF--
- I KNOW. - GIRL, WHAT HE SAY?
HE SAID THAT HE WENT TO MY OFFICE TO CONVINCE HER
THAT HE WAS OVER ME.
KAREN: WELL, THEN, WHY WOULD HE THROW YOU UNDER THE BUS?
- YEAH. EXACTLY. - OK. THAT DON'T SOUND RIGHT.
ANDI: I KNOW. SO NOW, I'M ABOUT TO GET DRESSED
SO I CAN GO OUT WITH MORRIS.
UH, WHY?
ANDI: BECAUSE I TOLD HIM I HAD A DATE WITH HIM.
GIRL, IF YOU WOULD'VE SAW THE LOOK ON HIS FACE.
KAREN: OK. WELL, GOOD FOR YOU.
- NOT GOOD FOR ME. - WHY NOT?
ANDI: SO THEN I HAD TO CALL HIM AND SCHEDULE
A DATE WITH HIM.
WHAT'S WRONG WITH HIM?
ANDI: UH, I DON'T LIKE HIM.
WELL, THEN, WHY ARE YOU GOING OUT WITH HIM?
IF MORRIS TALKS TO GARY, I NEED HIM TO TELL HIM
THAT I WENT OUT WITH HIM.
KAREN: OK. THAT JUST--IT SEEMS LIKE
A LOT OF EFFORT TO ME, I'M SORRY.
ARE YOU SERIOUSLY SAYING THAT TO ME?
IT'S BEEN A LONG DAY, OK?
ANDI: YEAH. YOU HAVE, SO I'MA LET YOU
GET AWAY WITH IT THIS TIME.
THANK YOU. OK. WELL, I NEED TO--
I NEED TO GET BACK IN HERE, SO, UM, I'LL CALL YOU LATER?
- WAIT, HE'S THERE. - YEAH.
- SO WHAT IF ZAC COMES? - SO?
- KAREN. - LOOK, I DON'T CARE, OK?
AND DANNI SAYS HE'S WITH HER.
OK. YOU KNOW WHAT YOU'RE DOING?
DO YOU?
ANDI: RIGHT.
TRY TO HAVE SOME FUN TONIGHT.
I WILL.
KAREN: ALL RIGHT. BYE.
BYE.
WHAT YOU DOING? HMM?
WHAT DOES IT LOOK LIKE I'M DOING?
IT LOOKS LIKE YOU'VE BEEN OFF HOURS AGO.
I'M COVERING DEMARCO'S SHIFT.
OH, OK. WHAT'S HE DOING?
I DON'T KNOW.
SO YOU JUST GONNA STAY HERE AND CLEAN ALL NIGHT?
THIS IS WHAT YOU DO WHEN YOU DON'T HAVE
A PLACE TO STAY.
DANNI: HMM? RIGHT ABOUT THAT
โช BECAUSE YOU CAN'T STAY WITH ME โช
I ALREADY KNOW THAT, DANNI.
TCK. GOOD FOR YOU.
SO, UH...
WHERE ARE YOU GOING TONIGHT?
I'MA BE HERE, CLEANING.
ZAC.
WHAT?
I HATE TO SEE YOU SAD.
YOU REALLY DON'T GIVE A DAMN.
CAN YOU MAKE ME AT LEAST SEEM A LITTLE SYMPATHETIC?
NO.
I TALKED TO KAREN. SHE'S NOT WITH THAT DUDE.
I DON'T BELIEVE YOU.
WHY DON'T YOU GO HOME AND ASK HER?
THAT'S NOT MY HOME.
WELL, WILL YOU STOP THIS AND PLEASE GO TALK
TO THE GIRL.
WHAT IS IT?
DID SHE FORBID YOU FROM LETTING ME STAY
IN YOUR HOUSE?
NO, NOT AT ALL.
I JUST DON'T WANT YOU THERE.
REALLY?
- YEAH. - OK.
YOU KNOW, THAT GIRL LOVES YOU, ZAC,
BUT WHEN YOU TOLD HER THAT THAT GIRL WAS PREGNANT...
ZAC: DID--DID YOU TELL HER THAT SHE LIED?
NO.
YOU LYING.
ZAC, THAT'S NOT FOR ME TO TELL.
THAT'S YOUR TICKET BACK HOME.
WHAT'S YOUR DEAL? LIKE, WHAT'S WRONG WITH YOU?
WHAT DO YOU MEAN?
WHY ARE YOU TRYING TO BE SO NICE?
I WAN TO SEE Y'ALL TOGETHER.
SINCE WHEN?
SINCE I HOOKED YOU UP, ...
SHIT, WHAT IS...
YEAH. OK.
OK. I'M TRYING TO BE NICE, BUT I WILL FLIP THIS SHIT.
OH, I KNOW, I KNOW THAT, I KNOW THAT.
- OK. THEN GO HOME. - I CAN'T.
I ALREADY TOLD DEMARCO I'D COVER HIS SHIFT.
OK. THEN GO HOME WHEN YOU'RE DONE.
DOES SHE REALLY WANT ME TO COME HOME?
YES.
SHE PROBABLY WITH THAT ...
OH, GO--IF YOU DON'T BELIEVE ME, THEN GO ASK
SOMEBODY ELSE.
- YEAH. OK. - I'M SERIOUS.
- OK. - ALL RIGHT. FINE.
FINE. STAY HERE AND JUST CLEAN PLANES
ALL NIGHT THEN.
OK.
YOU KNOW WHAT? TO HELL WITH YOU, ZAC.
TO HELL WITH YOU.
THANKS FOR THE TALK, KAREN. I APPRECIATE IT.
YOU KNOW WHAT? GO TO HELL, ZAC.
I'M ALWAYS TRYING TO HELP YOU.
I LOVE YOU, KAREN.
I MEAN, DANNI. I LOVE YOU, DANNI.
BOTH OF YOU.
CLEANING PLANES AND SHIT.
MAURICE: HI, I HELP YOU.
HI, I NEED TO MAKE A DEPOSIT.
MAURICE: YEAH. I CAN HELP YOU RIGHT HERE.
NO, I'LL WAIT FOR HER.
NO, WE'RE ABOUT TO CLOSE.
IT'S OK.
OK.
SABRINA: IT'S OK. I CAN HELP HER.
I CAN HELP YOU, MISS.
YES, I NEED TO MAKE A DEPOSIT.
SURE. YOU HAVE A DEPOSIT SLIP?
MM-HMM.
IS THERE A PROBLEM?
NO.
OK.
UM, DO YOU WORK WITH CALVIN RODNEY?
OOH.
NO.
OH, OK.
I'M A FRIEND. JUST HELPING HIM OUT.
SABRINA: MM-HMM. OK.
DID YOU LIKE A RECEIPT?
- UH, NO, THANK YOU. - OK. HEH.
- HEH. - I'M SORRY.
I JUST HAD TO COME AND GET A LOOK AT YOU.
MAURICE: MM-HMM. SABRINA: WHY ME?
EXACTLY.
MAURICE: AH, AH.
BITCH, YOU'RE BLEEDING
BECAUSE SHE JUST CUT YOU.
YEAH. I THINK SHE DID.
WHAT WAS HER NAME?
I DON'T KNOW.
MM-HMM.
AND WHY SHE NEEDED YOU TO DO THE DEPOSIT?
I DON'T KNOW. MAYBE SHE'S WITH HIM.
WHAT? NO. HE AIN'T TELL ME ABOUT ANYBODY ELSE.
WAIT. YOU'RE STILL TALKING TO HIM?
OOH!
OOH. OOH.
REALLY, MAURICE?
YOU'RE REALLY STILL TALKING TO CALVIN?
HE'S STILL MY FRIEND.
OK. I GET IT.
WHAT?
NOTHING, NOTHING.
WHAT DO YOU GET, SABRINA?
PLEASE TELL ME.
IS THIS LIKE THE GET EVEN, GET SABRINA GAME
OR SOMETHING?
HE'S JUST GONNA JUST SEND THAT WOMAN IN HERE
TO MAKE ME JEALOUS?
SABRINA, I DON'T THINK THAT SHE WAS IN HERE TRYING
TO MAKE YOU JEALOUS, GIRL.
YOU SURE?
NO, BITCH, SHE CAME HERE TO CUT YOU,
BUT I DON'T THINK SHE WAS TRYING TO MAKE YOU JEALOUS.
HOW ARE YOU SURE ABOUT THAT?
I FOUND HER.
I DON'T CARE.
BABY, IT'S ALL OVER THE GRAM.
YOU KNOW, YOU AND DANNI WOULD GET ALONG REALLY WELL.
IT LOOKS LIKE THEY WERE TOGETHER 3 YEARS AGO.
I DON'T CARE.
YOU MEAN TO TELL ME YOU AIN'T LOOK AT HIS PAGE?
ONLY YOU AND DANNI DO THAT.
GIRL, EVERY DAMN BODY DO THAT.
- GIRL, CALL THAT MAN. - NO.
IF HE WANTED TO SEE ME, HE WOULD'VE CAME IN HERE
AND MADE THE DEPOSIT HIMSELF, NOT SENT
THAT WOMAN IN HERE.
WELL, THAT'S HIS DATE FROM 3 YEARS AGO.
MAURICE, STOP. THAT'S CHILDISH.
WELL, CALL ME CHILDISH, BUT I THINK IT'S CUTE.
LOOK, HE EMBARRASSED ME, ALL RIGHT?
I'M DONE.
AND DO YOU NOT FEEL LIKE YOU DID THE SAME
THING TO HIM?
- I'M GOING HOME. - UH, OK.
AND MAKE SURE YOU LOCK UP THE DRAWERS
BEFORE YOU LEAVE.
- DON'T I ALWAYS? - MAURICE.
- SORRY. - MM-HMM.
I'M GOING TO SEE THE QUEENS TONIGHT.
YOU OUGHT TO COME. IT'LL BE FUN.
- NO, I'LL BE ALL RIGHT. - OK.
WELL, THEN, GO HOME AND WALLOW IN YOUR SORROWS.
I'M NOT FEELING SORRY ABOUT ANYTHING, OK?
I'M GOING WITH OLONZO.
EXCUSE ME?
YEAH, HE CALLED ME.
WHY WOULD HE DO THAT?
I TOLD HIM THAT YOU GAVE HIM MY NUMBER,
AND WE HAD A GREAT TALK.
YOU DO KNOW THAT HE SAID SOMETHING ABOUT A WIFE,
LIKE, YOU--AND I GAVE HIM YOUR NUMBER OUT
OF A JOKE, MAURICE.
I--I KNOW.
SO DO YOU REALLY THINK HE WANTS TO HANG OUT
WITH YOU LIKE THAT?
WELL, HE WANTED TO HANG OUT.
UH...
WELL, JUST BE CAREFUL.
I THINK HE LIKES ME.
MAURICE.
WHAT?
I GAVE HIM YOUR NUMBER AS A JOKE.
I KNOW.
I DON'T THINK HE REALLY WANTS TO GO OUT WITH YOU.
HE ASKED ME TO GO OUT.
ARE YOU SURE?
GIRL, I KNOW WHEN A MAN IS FLIRTING WITH ME.
HE SAID HE WANTED TO HIT THE BAR, SO WE'RE GOING.
CAN YOU CALL ME WHEN YOU'RE HOME?
IT'LL BE 4:00 IN THE MORNING,
AND HE'LL BE ON TOP OF ME.
I DON'T KNOW IF I'LL BE ABLE TO REACH MY PHONE.
MAURICE.
OK. I'LL TEXT YOU IF MY HANDS ARE FREE.
I'M SERIOUS.
WILL YOU GO HOME?
MAURICE, PLEASE?
GIRL, ARE YOU REALLY THAT WORRIED ABOUT THIS?
YES, I AM.
HONEY, YOU HAVE NO IDEA HOW STRAIGHT MEN OPERATE.
I HAD A WHOLE BUNCH OF THEM RIGHT OUT OF JAIL
JUST LIKE THAT.
ALL RIGHT.
CAN YOU GO HOME?
I'M LEAVING.
THAT'S NOT HOW IT IS.
WALK, BITCH.
SABRINA: CALL ME. GOOD NIGHT.
HEY.
HEY.
WHAT'S UP?
HOW'S KAREN?
YOU TELL ME.
SHE SAT IN THE PARKING LOT EARLIER,
BUT THEN SHE WENT HOME.
SHE AIN'T COME IN?
NO.
DAMN.
YOU HAVEN'T TALKED TO HER?
NO, I DID.
OH, OK.
I'LL SEE YOU LATER.
SURE.
CAN I ASK YOU SOMETHING?
YEAH, WHAT'S UP?
WHAT YOU KNOW ABOUT THIS WOMAN?
THE WOMAN WHO KILLED HERSELF?
YEAH.
NOTHING.
YOU NEVER SAW HER AROUND HERE?
NO.
WHAT ABOUT THE DUDE?
WHAT DUDE?
LIGHT SKIN, BALD HEAD.
I DON'T KNOW WHO YOU'RE TALKING ABOUT.
COME ON.
YOU TALKING ABOUT THE GUY THAT ASKED HER OUT?
- YEAH. - THEY WENT OUT ONCE,
AND THEN THE CHICK START BEGGING HER TO
NOT STEAL HER MAN.
THEY ONLY WENT OUT ONE TIME?
PAM: YES.
ZAC: HER MOTHER SAID THEY WERE DATING.
PAM: I KNOW YOU DON'T BELIEVE THAT.
GIRL, HE WAS ALL OVER HER AT THE HOSPITAL.
DAMN, ... SHE DID KILL HERSELF.
RIGHT.
ZAC.
WHAT?
DON'T ... UP AGAIN.
WHAT DOES THAT EVEN MEAN?
WHEN YOU'RE DOING THE RIGHT THING, SHE'S HAPPY.
WHEN SHE'S HAPPY, THIS PLACE IS HAPPY.
SO WHATEVER YOU'RE THINKING,
YOU'RE THINKING WRONG.
EVERYBODY KNOW EVERYTHING BUT ME.
HOW DO YOU EVEN KNOW WHAT I'M THINKING?
I KNOW THAT SHE LOVES YOU AND WOULD DO ANYTHING FOR YOU,
AND THAT DON'T GO AWAY JUST BECAUSE YOU MEET
ANOTHER MAN.
YOU JUST WAIT FOR THE MAN YOU LOVE TO COME BACK IN.
IT'S FUNNY HOW Y'ALL KNOW THIS.
EVERY WOMAN IN HERE'S SINGLE, BUT WHATEVER.
- THANKS. - LISTEN, WHATEVER.
PLEASE TELL KAREN THAT I HOPE SHE COMES IN TOMORROW.
- I WILL. - PEOPLE ARE MORBID AS HELL.
SHE GOT SO MANY CLIENTS ON THE BOOK.
THEY WANT TO TALK TO HER I GUESS.
I GUESS.
SEE YOU LATER.
- THANKS, PAM. - SURE.
WELL, THAT LOOKS BETTER.
YEAH, IT DOES.
AT LEAST LET ME REPLACE THE...
IT'S FINE.
WELL, YOU KNOW HE WON'T DO IT.
WHO?
YOUR EX.
OH.
MY CURRENT.
WHAT?
WELL, SORT OF.
WAIT, WHAT?
WE HAD GOTTEN BACK TOGETHER.
WELL, THAT MAKES SENSE.
AND I WAS GONNA TELL YOU, BUT...
I WAS ALL WRAPPED UP IN MY OWN STUFF.
NO, I--WE HAD ONLY BEEN TOGETHER FOR ONE DAY,
AND THEN WE GOT INTO THIS BIG FIGHT AT THE HOSPITAL,
AND IT JUST KIND OF SPIRALED.
WAS IT BECAUSE I WAS CRYING ON YOUR SHOULDER?
NO. NO. THAT WASN'T IT.
OH, YOU CAN TELL ME.
I MEAN, WELL...
WELL, THANK YOU.
FOR WHAT?
FOR LETTING ME SPEND SOME TIME WITH YOU.
I KNOW THIS IS A HARD TIME RIGHT NOW FOR YOU, SO.
THANK YOU.
YOU SAID THAT.
FOR LETTING ME KEEP MY SOBRIETY.
WELL, I HATE TO SEE A GOOD MAN GET SET BACK.
YOU THINK I'M A GOOD MAN?
I KNOW IT.
I DON'T FEEL LIKE IT.
YOU SHOULD.
LISTEN, SHE KILLED HERSELF.
WELL, I'M SURE HER TROUBLES STARTED LONG
BEFORE YOU, SO...
YOU REMEMBER THAT.
I'LL TRY.
I GUESS I SHOULD THANK YOU FOR THAT, TOO.
WELL, IT LOOKS LIKE WE BOTH HAVE THINGS TO BE
THANKFUL FOR.
WHAT DOES THAT MEAN?
IT MEANS WE'RE ALIVE.
I MEAN, WE CAN FEEL, WE CAN COPE AND TALK.
I REALLY HOPE THAT YOU GET THROUGH THIS.
I WOULD IF I COULD PRAY.
WHY CAN'T YOU?
I REALLY DON'T FEEL LIKE TALKING TO GOD RIGHT NOW.
HMM.
I'M SURE HE UNDERSTANDS THAT.
YOU THINK?
IF HE'S AS GOOD AS MY GRANDMAMMA SAYS,
THEN HE MUST BE.
HOW CAN HE NOT?
YEAH. THANK YOU FOR THAT.
SURE.
YEAH. GOOD NIGHT.
GOOD NIGHT.
AARON: YO, I DIDN'T KNOW YOU TWO WERE
BACK TOGETHER, MAN, SO...
YOU DON'T HAVE TO EXPLAIN.
LOOK, WE NEVER HAD SEX, AND EVERY TIME I WENT TO KISS,
SHE PULLED BACK, SO I JUST WANT YOU TO KNOW,
YOU GOT A REALLY GOOD WOMAN HERE.
TREAT HER THAT WAY.
TAKE CARE.
NG]
- HAPPY BIRTHDAY, DUDE. - YEAH. OH.
ANDI: HI.
MORRIS: HI.
THANKS FOR COMING.
OF COURSE. YOU'RE A VERY DEMANDING LADY.
I'M SORRY ABOUT THAT.
SO, OK, SO WHAT ARE YOU DRINKING?
I'M GONNA HAVE A GLASS OF WINE.
THAT'S IT?
HEY, LET ME HAVE ONE GIN AND TONIC
AND THE SAME FOR THE LADY.
NO. THE LADY'S FINE ACTUALLY, THANK YOU.
COME ON, LOOSEN UP.
I DON'T NEED TO LOOSEN UP TO HAVE A GOOD TIME, SO.
OH, SO YOU'RE SAYING THAT YOU'RE LOOSE?
WHAT?
YOU KNOW, YOU KNOW ME.
NO, I DON'T.
COME ON, I TOLD YOU I HAD A WICKED SENSE OF HUMOR.
RIGHT.
SO WHY AM I HERE?
YOU TELL ME.
WHAT DO YOU-- WHAT DO YOU MEAN?
I MEAN, THIS WAS YOUR IDEA.
SO IT WAS MY IDEA TO HAVE A DRINK SOMETIME,
AND IT WAS YOUR IDEA TO HAVE A DRINK RIGHT NOW.
OK. SO WHAT WOULD YOU TALK ABOUT IF THIS
WAS YOUR DRINK IDEA?
HERE, HAVE A SIP.
- I'M GOOD. - COME ON.
- NO. - OK.
I GUESS EVERYTHING IS A NEGOTIATION
WITH A LAWYER, HUH?
WELL, I DON'T WANT IT, SO THERE'S NOTHING TO GAIN.
OK.
OK.
SO WHAT DO YOU WAN TO TALK ABOUT?
I WANT TO TALK ABOUT YOU COMING TO WORK FOR ME.
I GET THAT, BUT YOU KNOW MY CURRENT SITUATION, RIGHT?
I DO.
YOU TELL YOUR BOSS TO WRITE A CHECK
FOR A MILLION DOLLARS, AND I'LL HAVE MY CLIENT
TAKE THE SETTLEMENT.
OH. AND WHAT ABOUT MY BAR EXPULSION?
HELLO, I'M ON THE BAR.
- I DIDN'T KNOW THAT. - SURE YOU DID.
- I DIDN'T. - OK.
BUT I CAN HELP YOU WITH THAT.
HOW?
WE'LL JUST MAKE SURE THAT IT GOES AWAY.
IF YOU COULD DO THAT, I'D GREATLY APPRECIATE IT.
YEAH.
I WORKED REALLY HARD TO BECOME A LAWYER, SO.
OH, YEAH. OH, YEAH,
I MEAN, IT WOULD BE TERRIBLE TO
SEE ALL THAT HARD WORK GO UP IN SMOKE BECAUSE
OF AN AFFAIR, RIGHT?
I MEAN...
WELL, I WOULDN'T PUT IT LIKE THAT.
- I... - THAT'S WHAT IT WAS, WASN'T IT?
- MORRIS. - NO. I MEAN, COME ON.
YOU'RE BEAUTIFUL, HE'S LOADED, YOU MADE YOUR PLAY,
IT DIDN'T WORK OUT.
I DIDN'T MAKE A PLAY. THAT'S NOT WHAT HAPPENED.
HEH HEH HEH. OK.
IF THAT'S THE WAY YOU WANT TO SEE IT. MMM.
- WHAT I SEE IS THE TRUTH. - RIGHT.
AND WE'RE BOTH LAWYERS, AND WE KNOW THAT
THE TRUTH DOESN'T MATTER.
WELL, I LIKE TO APPROACH EVERYTHING FROM THE TRUTH.
- WOW. - YEAH.
I CANNOT SEE HOW THAT'S WORKING OUT FOR YOU.
I MEAN, HOW COULD YOU BECOME SUCCESSFUL?
BECAUSE SOME PEOPLE WORK HARD AND THEY DO IT THE RIGHT WAY.
- REALLY? - YEAH. REALLY.
WELL, THAT'S IMPOSSIBLE BEING A LAWYER.
WHATEVER.
WOW, YOU REALLY BELIEVE THAT, DON'T YOU?
WELL, IT SEEMS TO BE WORKING OUT FOR ME.
YOU'RE FUNNY.
WHAT'S FUNNY?
YOU REALLY THINK THAT'S WHAT GOT YOU HERE.
IT'S THE TRUTH.
ANDI...
YOU KNOW THAT THE JUDGES, THEY SETTLE
ON YOUR SIDE BECAUSE YOU'RE HOT, YOU'RE BEAUTIFUL,
THE TITS, THE ASS, COME ON.
THEY ALL WANT TO ... YOU.
THAT'S WHY THEY SETTLE ON YOUR SIDE.
- YOU KNOW WHAT? - NO. NO. HEY.
NO, THIS WAS A BAD IDEA.
- WHAT? - YEAH. UM...
WHY? COME ON.
JUST TELLING THE TRUTH.
- HEH HEH HEH. - YOU KNOW...
YOU REALLY BELIEVE IT.
YOU'RE AN ARROGANT SON OF A BITCH WHO HAS
NO RESPECT FOR WOMEN.
I AM HERE BECAUSE I AM TALENTED AND I AM SMART.
DO YOU UNDERSTAND THAT? ARE YOU CLEAR?
YOU BELIEVE IT?
I BELIEVE THAT BECAUSE IT'S THE TRUTH.
HEY, YOU NEED TO TALK TO BELLAMY.
THEY SAY, "SEND IN THE T AND A TO CLOSE THE DEAL,"
AND THE WHOLE TOWN KNOWS IT.
ALL RIGHT. I'M GONNA GO. I'M GONNA GO.
HEY. WHOA, LISTEN.
I'M NOT HERE TO PISS YOU OFF, OK?
I'M JUST TELLING YOU THE TRUTH.
AND NOW YOU'RE INTERESTED IN THE TRUTH.
GOT YOU.
HOW ABOUT THIS?
HOW ABOUT WE, YOU KNOW, GO IN THE BATHROOM,
DO A LITTLE BLOW, AND SEE HOW THIS THING COULD WORK OUT?
WE'LL GET YOUR LIFE BACK ON TRACK
AND SAVE YOUR LICENSE.
AND WHAT IF I SAY NO?
THAT WOULD BE THE WORST DECISION OF YOUR LIFE.
OK.
WELL, WHY DON'T YOU MEET ME IN THE BATHROOM? HEH.
MORRIS: OK.
ANDI: SEE YOU SOON.
MOVE, MOVE!
THIS CANNOT BE THE LINE FOR VALET.
BYRON, HEY, HEY, HEY, COULD YOU GIVE ME
MY KEYS, PLEASE?
I'M SORRY. IT'S GONNA BE A MINUTE.
I KNOW YOU KEEP THE KEYS ON YOU. GIVE THEM TO ME.
- OH, OK. - THANK YOU.
- IS IT BLOCKED IN? - IT SHOULDN'T BE.
- OK. - IT'S AT THE BACK OF THE LOT.
- ALL RIGHT. THANKS. - YUP.
DAMN IT.
EXCUSE ME. COULD YOU MOVE THIS CAR?
WE'RE DOING THE BEST WE CAN.
OH, SERIOUSLY?
BYRON, COULD YOU MOVE THIS CAR?
HELLO? COULD YOU MOVE THE CAR?
EXCUSE ME.
JESUS.
WHAT THE?
GET OUT OF MY CAR.
YOU'RE GONNA STAND ME UP?
GET OUT OF MY CAR.
YOU SEE, I KNOW WHAT THIS IS.
GET THE ... OUT OF MY CAR!
- LISTEN. LISTEN. COME HERE. - AAH! AAH!
THINK YOU'RE GONNA...
[ANDI SCREAMING]
HUH? THAT'S WHAT YOU'RE THINKING?
YOU'RE GONNA YOU'RE JUST GONNA .... TEASE ME?
ANDI: NEXT ON "SISTAS"...
ARE YOU GOING TO SAY ANYTHING TO ME?
- ABOUT? - ABOUT YOU AND HIM?
- YOU NEED TO COME. - WHERE?
TO THE CLUB. IT WILL BE SO MUCH FUN.
TO SEE A BUNCH OF GUYS DRESSED UP AS WOMEN?
BITE YOUR TONGUE, BITCH! WE ARE ENTERTAINERS.
I NEED A MAN THAT'S GONNA MAKE ME FEEL SAFE.
I NEED A MAN TO MAKE LOVE TO MY MIND,
NOT JUST MY BODY.
SABRINA: WHEN ARE YOU GONNA SEE MR. RODEO AGAIN?
I DIDN'T TEXT HIM BACK YET.
DANNI, HE SEEMS LIKE A NICE GUY.
HE HAS NO SWAG.
SO.
I THOUGHT YOU WERE GONNA STAND ME UP.
NO. I WOULDN'T DO THAT TO YOU.
Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.