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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,418 --> 00:00:02,920 PREVIOUSLY ON "ALL AMERICAN"... 2 00:00:02,920 --> 00:00:03,962 I GOT A GIRL PREGNANT. 3 00:00:03,962 --> 00:00:05,339 ♪ TA-DA ♪ JORDAN. 4 00:00:05,339 --> 00:00:06,340 ROOM FOR OUR BABY. IT'S NOT YOURS. 5 00:00:06,340 --> 00:00:07,966 I KNOW WHY YOU DID IT. 6 00:00:07,966 --> 00:00:10,219 AND I ALSO KNOW HOW ALONE YOU MUST FEEL RIGHT NOW. 7 00:00:10,219 --> 00:00:11,929 I'M GONNA BE THERE FOR THE BABY. 8 00:00:11,929 --> 00:00:13,805 I'M IN LOVE WITH YOU, SIMONE. 9 00:00:13,805 --> 00:00:16,266 I GOT MAD ARTISTS LIKE COOP ALREADY ON MY LABEL. 10 00:00:16,266 --> 00:00:18,018 WHAT I DON'T HAVE IS SOMEONE LIKE PATIENCE. 11 00:00:18,018 --> 00:00:19,978 WHY'D YOU LEAVE ME BEHIND ON THE ROAD? 12 00:00:19,978 --> 00:00:22,064 AND DON'T GIVE ME NO B.S. ABOUT YOU JUST WANTING TO GET HOME. 13 00:00:22,064 --> 00:00:23,982 MAYBE SCREWING ARTISTS OVER RUNS IN YOUR FAMILY. 14 00:00:23,982 --> 00:00:25,484 WHAT IS THAT SUPPOSED TO MEAN? 15 00:00:25,484 --> 00:00:27,110 ASK YOUR POPS ABOUT WHAT HE DID TO PATIENCE. 16 00:00:27,110 --> 00:00:28,612 YOU KNOW HIS NEW SINGER LIL JEWEL? 17 00:00:28,612 --> 00:00:30,197 YEAH. 18 00:00:30,197 --> 00:00:31,698 WELL, YOU SHOULD CHECK OUT HER NEW SONG. 19 00:00:31,698 --> 00:00:33,784 YOU MIGHT FIND IT SUPER INTERESTING. 20 00:00:33,784 --> 00:00:35,535 IF YOU CAN HONESTLY SAY THAT YOU IN THE RIGHT HEAD SPACE 21 00:00:35,535 --> 00:00:37,162 TO MAKE THIS WORK, THEN I'M ALL IN. 22 00:00:37,162 --> 00:00:39,164 I SHOULD FOCUS ON MYSELF DURING RECOVERY. 23 00:00:39,164 --> 00:00:40,499 HOWEVER LONG IT IS, I'LL WAIT. 24 00:00:40,499 --> 00:00:41,875 WHEN SOMEBODY YOU LOVE IS HURTING, 25 00:00:41,875 --> 00:00:43,418 WE DO WHATEVER IT TAKES. 26 00:00:43,418 --> 00:00:45,128 ABOUT VEGAS, IT WASN'T A BIG DEAL. 27 00:00:45,128 --> 00:00:47,506 IT WAS A BIG DEAL TO ME. 28 00:00:47,506 --> 00:00:49,716 I HAVEN'T BEEN ABLE TO SLEEP MUCH SINCE THE SHOOTING. 29 00:00:49,716 --> 00:00:52,094 TELL ME ABOUT IT. 30 00:00:52,094 --> 00:00:53,804 THERE'S ALWAYS A SPOT NEXT TO ME ON THIS COUCH, SAME TIME EVERY NIGHT. 31 00:00:53,804 --> 00:00:55,639 I'LL BE HERE. 32 00:00:55,639 --> 00:00:57,391 WE'RE JUST NOT GONNA TALK ABOUT WHAT HAPPENED THIS SUMMER? 33 00:00:58,934 --> 00:01:01,395 SPENCER, I'M ONLY GOING TO ASK YOU THIS ONE TIME, 34 00:01:01,395 --> 00:01:04,606 AND PLEASE RESPECT ME ENOUGH NOT TO LIE ABOUT IT. 35 00:01:04,606 --> 00:01:07,985 WHAT REALLY HAPPENED IN VEGAS THIS SUMMER? 36 00:01:10,279 --> 00:01:12,531 ♪ BOUNCE THAT--IN THE-- BOUNCE THAT ♪ 37 00:01:12,531 --> 00:01:15,242 ♪ IN THE--BOUNCE THAT-- IN THE AIR, AIR ♪ 38 00:01:15,242 --> 00:01:17,286 ♪ BOUNCE THAT--IN THE-- BOUNCE THAT-- ♪ 39 00:01:17,286 --> 00:01:19,621 ♪ IN THE--BOUNCE THAT EVERYWHERE-ERE... ♪ 40 00:01:19,621 --> 00:01:22,249 -WOW. -WHOA. 41 00:01:22,249 --> 00:01:24,001 YO, THIS REALLY OUR SPOT FOR THE WEEKEND? 42 00:01:24,001 --> 00:01:26,003 YEAH, YOU CAN THANK MY DAD. 43 00:01:26,003 --> 00:01:27,462 THANK YOU, MR. KEATING. 44 00:01:27,462 --> 00:01:30,007 VEGAS, BABY. 45 00:01:30,007 --> 00:01:31,591 NEVER THOUGHT I'D MISS STATE CHAMPS. 46 00:01:31,591 --> 00:01:34,678 STATE CHAMPS IN VEGAS, BABY! HA HA! 47 00:01:34,678 --> 00:01:36,513 BETTER LEAVE IT ALONE. WOW. 48 00:01:36,513 --> 00:01:37,764 HE'S JUST EXCITED. 49 00:01:37,764 --> 00:01:39,308 WELL, SO AM I, ALL RIGHT, 50 00:01:39,308 --> 00:01:40,726 BUT THAT'S ALL HE'S SAID FOR THE LAST 4 HOURS. 51 00:01:40,726 --> 00:01:42,227 I'M VEGAS BABY'D OUT. 52 00:01:42,227 --> 00:01:43,645 WELL, WHAT IF I DO THIS? 53 00:01:43,645 --> 00:01:47,524 BABY, VEGAS. VEGAS, BABY. 54 00:01:47,524 --> 00:01:49,526 THEN I'D SAY THAT'S CUTE, 55 00:01:49,526 --> 00:01:51,695 BUT EVERYTHING YOU SAY IS CUTE. 56 00:01:55,282 --> 00:01:57,951 HEY, COME ON. LET'S GET YOU INTO BED 57 00:01:57,951 --> 00:02:00,203 BEFORE J.J. JUMPS ON IT LITERALLY. 58 00:02:00,203 --> 00:02:01,371 SEE YOU. 59 00:02:03,623 --> 00:02:05,542 UM, SO YOU LIKE THE ROOM? 60 00:02:05,542 --> 00:02:07,210 I MEAN, I KNEW VEGAS WAS FANCY, 61 00:02:07,210 --> 00:02:09,129 BUT I WASN'T EXPECTING ALL THIS. 62 00:02:09,129 --> 00:02:11,923 WELL, MY DAD INSISTED MY FRIENDS GET THE ROYAL TREATMENT. 63 00:02:11,923 --> 00:02:14,217 WELL, I'M YOUR FRIEND AND YOUR ARTIST. 64 00:02:14,217 --> 00:02:15,927 WHERE IS MY SUITE? 65 00:02:15,927 --> 00:02:17,888 WE'RE NOT LETTING HIM HELP US, REMEMBER? 66 00:02:17,888 --> 00:02:19,431 MAYBE I SIGNED TO THE WRONG KEATING. 67 00:02:19,431 --> 00:02:20,766 OH, MY GOD. YOU JUST CAME TO MY ROOM. 68 00:02:20,766 --> 00:02:22,017 IT'S FAR FROM A SUITE. 69 00:02:22,017 --> 00:02:23,685 YEAH. HELLO, BRUTUS. 70 00:02:23,685 --> 00:02:25,687 THE WRONG KEATING GOT YOU A SOLD-OUT SHOW IN VEGAS. 71 00:02:25,687 --> 00:02:27,981 AND MY DAD ARRANGED FOR US TO HAVE OUR OWN PRIVATE GAMING SUITE. 72 00:02:27,981 --> 00:02:29,900 DAMN. YOUR POPS REALLY BALLED OUT. 73 00:02:29,900 --> 00:02:33,028 WELL, HE KNEW HOW IMPORTANT IT WAS FOR ME TO HAVE YOU HERE. 74 00:02:33,028 --> 00:02:34,654 ALL OF YOU-- 75 00:02:34,654 --> 00:02:35,739 HOW IMPORTANT ALL OF YOU ARE. 76 00:02:35,739 --> 00:02:37,449 RIGHT. 77 00:02:37,449 --> 00:02:39,076 DEFINITELY SIGNED TO THE WRONG KEATING. 78 00:02:39,076 --> 00:02:41,328 HA HA! TRUST ME. YOU DIDN'T. 79 00:02:41,328 --> 00:02:44,122 HEY, UH, Y'ALL KNOW WHAT TIME IT IS? 80 00:02:46,333 --> 00:02:50,712 HA HA HA! IT'S VEGAS TIME, BABY! 81 00:02:50,712 --> 00:02:52,714 ♪ SMILE FOR THE CAMERA ♪ 82 00:02:52,714 --> 00:02:54,466 ♪ I KNOW IT'S ON THE SPOT, BUT SHOW ME WHAT YOU GOT ♪ 83 00:02:54,466 --> 00:02:56,843 ♪ GET YOURSELF TOGETHER, WHAT IS YOUR BEST SIDE? ♪ 84 00:02:56,843 --> 00:02:59,179 ♪ IS IT YOUR RIGHT, OR IS YOUR LEFT SIDE? ♪ 85 00:02:59,179 --> 00:03:00,514 ♪ COME ON... ♪ 86 00:03:00,514 --> 00:03:02,140 BLACKJACK AIN'T REALLY MY GAME, MAN. 87 00:03:02,140 --> 00:03:04,726 MY DAD'S A WHALE, BRO. THAT MAKES ME A BABY WHALE, 88 00:03:04,726 --> 00:03:07,479 ALL RIGHT? I GOT A SYSTEM. IT NEVER FAILS. TRUST ME. 89 00:03:07,479 --> 00:03:08,688 OK. 90 00:03:10,440 --> 00:03:12,484 ♪ WOULD YOU EVER GIVE ME LOVE ♪ 91 00:03:12,484 --> 00:03:13,735 ♪ WOULD YOU EVER GIVE ME LOVE LIKE THAT? ♪ 92 00:03:13,735 --> 00:03:15,153 ♪ LOVE LIKE THAT... ♪ 93 00:03:15,153 --> 00:03:17,823 MAN. WHAT? HIGH ROLLER'S SUITE, 94 00:03:17,823 --> 00:03:20,534 A PRIVATE GAMING ROOM, MY OWN PERSONAL DEALER? 95 00:03:20,534 --> 00:03:23,245 MAN. J.P. IS FLEXING TONIGHT, BABY. 96 00:03:23,245 --> 00:03:26,248 MM-HMM. J.P. DOES LOVE A GOOD FLEX. 97 00:03:26,248 --> 00:03:27,666 WHAT, YOU ALL TWO BEEFING OR SOMETHING? 98 00:03:27,666 --> 00:03:29,793 MM-MM. NO BEEF. 99 00:03:29,793 --> 00:03:33,213 I AM PERFECTLY HAPPY PERFORMING BUBBLEGUM POP FOR 8 YEAR OLDS. 100 00:03:33,213 --> 00:03:34,965 HAVE YOU TOLD HIM YOU WANT TO PERFORM YOUR OWN MUSIC? 101 00:03:34,965 --> 00:03:36,675 OH, NO. YOU DON'T TELL J.P. KEATING. 102 00:03:36,675 --> 00:03:38,385 J.P. KEATING TELLS YOU. 103 00:03:38,385 --> 00:03:39,719 COME ON, BABE. HAVE YOU AT LEAST TRIED? 104 00:03:39,719 --> 00:03:41,721 CAN WE NOT TALK ABOUT THIS, PLEASE? 105 00:03:41,721 --> 00:03:43,723 I JUST WANT TO ENJOY THE NIGHT, OK? 106 00:03:43,723 --> 00:03:45,725 AH AH AH. DOES THAT WORK? 107 00:03:45,725 --> 00:03:49,938 OH, YES! THAT'S A START. OK. 108 00:03:57,821 --> 00:03:59,072 AND I CAN'T BELIEVE I GET TO WATCH YOU 109 00:03:59,072 --> 00:04:00,782 PERFORM IN VEGAS. 110 00:04:00,782 --> 00:04:02,951 I CAN'T BELIEVE IT TOOK ME PERFORMING IN VEGAS 111 00:04:02,951 --> 00:04:04,828 TO GET YOUR SORRY ASS OUT TO MY TOUR. 112 00:04:04,828 --> 00:04:06,371 WHAT, SPENCER JAMES IS TOO BIG-TIME 113 00:04:06,371 --> 00:04:08,290 TO JOIN THE COOP TROOP? 114 00:04:08,290 --> 00:04:09,791 -THE COOP TROOP? -YEAH. GIVE IT TIME. 115 00:04:09,791 --> 00:04:12,627 IT'LL GROW ON YOU. 116 00:04:12,627 --> 00:04:14,713 FOR REAL, MAN, WHAT YOU BEEN DOING? 117 00:04:14,713 --> 00:04:17,048 WORKING. NOT ALL OF US GET TO SPEND OUR SUMMER 118 00:04:17,048 --> 00:04:18,842 JET-SETTING AROUND THE COUNTRY. 119 00:04:18,842 --> 00:04:20,260 NO. VAN-SETTING, OK? 120 00:04:20,260 --> 00:04:22,095 LAYLA GOT US ON A STRICT BUDGET. 121 00:04:22,095 --> 00:04:23,763 YOU ALL TWO GETTING PRETTY CLOSE? 122 00:04:23,763 --> 00:04:26,433 WHY? YOU WORRIED I'MMA MOVE IN ON YOUR GIRL? 123 00:04:26,433 --> 00:04:28,101 SHUT UP. 124 00:04:28,101 --> 00:04:29,853 I MEAN, ALL THAT TIME ON THE ROAD TOGETHER, 125 00:04:29,853 --> 00:04:31,438 JUST THE TWO OF US. 126 00:04:31,438 --> 00:04:32,856 SHE AIN'T MY GIRL. 127 00:04:32,856 --> 00:04:34,399 AND SHE GOT WAY BETTER TASTE THAN THAT. 128 00:04:34,399 --> 00:04:36,026 YEAH. OK. THAT SOUND LIKE A CHALLENGE. 129 00:04:36,026 --> 00:04:37,819 YOU LUCKY I GOT PATIENCE. 130 00:04:37,819 --> 00:04:39,738 YO, I MISS HANGING WITH YOU COOP. 131 00:04:39,738 --> 00:04:42,157 YOU KNOW WE AIN'T NEVER SPENT A WHOLE SUMMER APART? 132 00:04:42,157 --> 00:04:45,118 I KNOW. IT'S GOOD TO SEE YOU, TOO, FAM. 133 00:04:49,539 --> 00:04:51,541 BUT YOU GOT TO GO, BRO. 134 00:04:51,541 --> 00:04:53,376 YOU BAD LUCK. COME ON, MAN. 135 00:04:53,376 --> 00:04:55,212 DAMN. 136 00:04:58,757 --> 00:05:01,051 OOH. NICE PURSE. DESIGNER? 137 00:05:01,051 --> 00:05:03,220 HEH. SIMONE DOESN'T LIKE 138 00:05:03,220 --> 00:05:04,804 TAKING IT TO THE RESTROOM WITH HER. 139 00:05:04,804 --> 00:05:07,265 AND NOW THAT SHE'S PEEING FOR TWO, 140 00:05:07,265 --> 00:05:09,559 SHE GOES A LOT. BUT IT'S ALL RIGHT. 141 00:05:09,559 --> 00:05:11,269 I MEAN, I'M COMFORTABLE ENOUGH 142 00:05:11,269 --> 00:05:13,855 WITH MY MASCULINITY TO HANDLE IT, SO... 143 00:05:13,855 --> 00:05:15,524 THAT'S TRUE LOVE. 144 00:05:15,524 --> 00:05:17,025 WELL, DON'T TELL ANYONE. 145 00:05:17,025 --> 00:05:19,152 ACTUALLY, TELL EVERYONE. 146 00:05:19,152 --> 00:05:21,071 I LOVE HER. 147 00:05:21,071 --> 00:05:23,281 I MEAN, I MISS HER WHENEVER SHE'S NOT AROUND. 148 00:05:23,281 --> 00:05:25,033 I EVEN MISS HER NOW. 149 00:05:25,033 --> 00:05:26,785 HOW WEIRD IS THAT? 150 00:05:26,785 --> 00:05:28,995 IT'S NOT WEIRD AT ALL. 151 00:05:33,041 --> 00:05:37,170 ♪ MMM, 5 A.M., ARE YOU OUT? ♪ 152 00:05:37,170 --> 00:05:38,880 ♪ WHERE YOU AT... ♪ 153 00:05:40,131 --> 00:05:41,716 I DON'T THINK VEGAS LIKES ME. 154 00:05:41,716 --> 00:05:43,760 WHAT? NO. SHE JUST HAS TO WARM UP TO YOU. 155 00:05:43,760 --> 00:05:46,012 YOU SHOULD, YOU KNOW, WHISPER SOMETHING SWEET TO HER. 156 00:05:46,012 --> 00:05:48,014 -OK. -MM-HMM. 157 00:05:48,014 --> 00:05:49,474 COME ON, BABY. 158 00:05:49,474 --> 00:05:50,725 YEAH. 159 00:05:50,725 --> 00:05:52,686 DON'T BE LIKE THAT. 160 00:05:52,686 --> 00:05:55,355 I KNOW YOU THE FINEST SLOT MACHINE IN HERE. 161 00:05:59,651 --> 00:06:02,028 THAT'S BETTER. HA HA! 162 00:06:02,028 --> 00:06:04,030 THERE'S THAT LAUGH. 163 00:06:05,282 --> 00:06:07,534 IT'S GOOD TO SEE YOU IN PERSON. 164 00:06:07,534 --> 00:06:11,037 FACETIME AND TEXTS HAVE NOTHING ON THE REAL THING. 165 00:06:11,037 --> 00:06:12,706 I CAN'T DO THE SHAQ SHUFFLE MEME IN PERSON. 166 00:06:12,706 --> 00:06:13,957 YOU DON'T WANT TO SEE THAT IN VEGAS? 167 00:06:13,957 --> 00:06:15,208 -NO. -NO? 168 00:06:15,208 --> 00:06:16,418 BABE, YOU DON'T NEED TO. 169 00:06:18,878 --> 00:06:21,256 UM, I'M BUMMED OLIVIA COULDN'T COME. 170 00:06:21,256 --> 00:06:23,049 IS SHE DOING OK? 171 00:06:23,049 --> 00:06:25,677 YEAH. SHE BE KEEPING BUSY WITH HER PODCAST, 172 00:06:25,677 --> 00:06:27,304 BUT SHE SEEMS HAPPY. 173 00:06:27,304 --> 00:06:28,305 MM. 174 00:06:28,305 --> 00:06:29,848 SO DO YOU. 175 00:06:29,848 --> 00:06:32,392 UM, WELL, 176 00:06:32,392 --> 00:06:34,352 COOP'S BLOWING UP. 177 00:06:34,352 --> 00:06:36,980 MY FATHER IS BEING AN ACTUAL FATHER. 178 00:06:36,980 --> 00:06:39,816 SO THINGS ARE-- THINGS ARE GOOD. 179 00:06:41,359 --> 00:06:43,528 HOW ABOUT YOU? ARE YOU HAPPY? 180 00:06:43,528 --> 00:06:45,238 NOT RIGHT NOW. 181 00:06:45,238 --> 00:06:47,907 NIGHT ONE, AND I'M ALREADY BROKE AS HELL. 182 00:06:47,907 --> 00:06:51,036 WELL, I HAVE A FEELING YOUR LUCK'S ABOUT TO TURN AROUND. 183 00:06:51,036 --> 00:06:53,330 YOU JUST GOT TO BET ON THE RIGHT THING. 184 00:06:57,292 --> 00:07:00,045 PRETTY GOOD NIGHT, HUH, RIGHT? 185 00:07:00,045 --> 00:07:02,505 I CAN'T BELIEVE LAYLA'S POPS HOOKED THIS ALL UP FOR US. 186 00:07:02,505 --> 00:07:04,049 US? 187 00:07:04,049 --> 00:07:06,051 MY MAN, HE HOOKED THIS UP FOR YOU. 188 00:07:06,051 --> 00:07:07,636 ALL RIGHT. LOOK, I'VE KNOWN MR. KEATING MY WHOLE LIFE. 189 00:07:07,636 --> 00:07:09,220 HE'S NEVER EVEN LOOKED AT ME. 190 00:07:09,220 --> 00:07:11,181 BUT HIS BABY GIRL BATS HER EYES AND SAYS 191 00:07:11,181 --> 00:07:13,600 SPENCER'S COMING TO TOWN, AND, BOOM, ROLL OUT THE RED CARPET. 192 00:07:13,600 --> 00:07:16,186 SO WHEN ARE YOU GONNA MAKE YOUR MOVE? 193 00:07:16,186 --> 00:07:17,771 IT AIN'T LIKE THAT, MAN. 194 00:07:17,771 --> 00:07:19,439 I'M JUST HERE TO TURN UP WITH MY PEEPS, 195 00:07:19,439 --> 00:07:21,608 REP THE COOP TROOP. 196 00:07:21,608 --> 00:07:23,360 SHE'S RIGHT. IT DID GROW ON ME. 197 00:07:23,360 --> 00:07:25,195 OK. WELL, YOU CAN DO THAT WITH LAYLA, CAN'T YOU? 198 00:07:25,195 --> 00:07:26,863 OH, I GET IT. 199 00:07:26,863 --> 00:07:29,074 YOU WIFED UP NOW, SO EVERYBODY ELSE GOT TO BE. 200 00:07:29,074 --> 00:07:30,700 NO, NO. IT'S NOT LIKE THAT. 201 00:07:30,700 --> 00:07:33,328 LOOK, I KNOW YOU TWO ARE ENDGAME. 202 00:07:33,328 --> 00:07:35,121 ALL RIGHT? WHY FIGHT THE INEVITABLE? 203 00:07:35,121 --> 00:07:37,999 HEY. HOW ARE YOU? 204 00:07:40,210 --> 00:07:42,212 UNLESS YOU'RE HAPPY BEING SINGLE 205 00:07:42,212 --> 00:07:43,880 AND WATCHING DUMB MOVIES WITH MY SISTER. 206 00:07:43,880 --> 00:07:46,174 THIS WEEKEND IS GONNA BE INCREDIBLE. 207 00:07:46,174 --> 00:07:48,009 I'VE NEVER SEEN COOP, LIKE, DO HER THING. 208 00:07:48,009 --> 00:07:50,053 WELL, IF I HAVE IT MY WAY, 209 00:07:50,053 --> 00:07:51,554 YOU WON'T BE SEEING MUCH OF HER THIS WEEKEND, YOU KNOW? 210 00:07:51,554 --> 00:07:53,098 MM. REALLY? 211 00:07:53,098 --> 00:07:54,808 I'M FEELING LUCKY. 212 00:07:54,808 --> 00:07:56,685 OK. MM. HA HA! MMM MMM. 213 00:07:56,685 --> 00:07:59,104 HEY. PRE-PARTY'S OVER. LET'S HIT THE TOWN. 214 00:07:59,104 --> 00:08:00,563 DID YOUR DAD GET US OUR OWN CLUB? 215 00:08:00,563 --> 00:08:02,732 UH, NOT THAT I KNOW OF. 216 00:08:02,732 --> 00:08:04,234 LOOKS LIKE I'M THE CAPTAIN NOW. 217 00:08:04,234 --> 00:08:05,694 THINK IT'S TIME TO ABANDON SHIP. 218 00:08:05,694 --> 00:08:06,861 GOOD NIGHT, GOOD PEOPLE. 219 00:08:06,861 --> 00:08:07,946 PEACE. 220 00:08:07,946 --> 00:08:09,698 WHAT ABOUT YOU, SPENCE? 221 00:08:09,698 --> 00:08:11,408 NO. THIS IS THE PRE-PARTY, PARTY, AND POST-PARTY 222 00:08:11,408 --> 00:08:12,992 FOR ME, BRUH. 223 00:08:12,992 --> 00:08:14,953 I GUESS IT'S JUST ME AND YOU, LAYLA. 224 00:08:14,953 --> 00:08:17,622 MM, N--NO. 225 00:08:17,622 --> 00:08:19,374 I NEED NEW FRIENDS. MM-HMM. 226 00:08:21,042 --> 00:08:23,044 HOLLA AT YOU. 227 00:08:23,044 --> 00:08:25,255 UM, WELL, I WAS GONNA GO CATCH UP WITH COOP 228 00:08:25,255 --> 00:08:27,424 UNLESS YOU WANT TO GO FOR ONE MORE DRINK? 229 00:08:27,424 --> 00:08:31,261 I'M BEAT. PLUS, I GOT TO CHECK IN WITH MY MOMS. 230 00:08:31,261 --> 00:08:33,471 I PRACTICALLY HAD TO BEG HER TO LET ME COME OUT HERE, 231 00:08:33,471 --> 00:08:35,223 SO SEE YOU TOMORROW? 232 00:08:35,223 --> 00:08:36,599 YEAH. 233 00:08:36,599 --> 00:08:37,892 ALL RIGHT. 234 00:08:45,108 --> 00:08:47,986 PLEASE TELL ME I'M YOUR ONE PHONE CALL FROM JAIL. 235 00:08:47,986 --> 00:08:49,529 NO. 236 00:08:49,529 --> 00:08:50,947 BUT YOU MIGHT J.J.'S IN A FEW HOURS. 237 00:08:50,947 --> 00:08:52,615 THANKS FOR THE HEADS-UP. 238 00:08:52,615 --> 00:08:54,784 TURNING MY PHONE OFF FOR THE REST OF THE NIGHT. 239 00:08:54,784 --> 00:08:56,786 SO YOU HAVING A GOOD TIME? 240 00:08:56,786 --> 00:08:58,872 UH, YEAH, IT'S ALL RIGHT. 241 00:08:58,872 --> 00:09:00,457 I STILL THINK YOU SHOULD'VE COME. 242 00:09:00,457 --> 00:09:02,751 SO I CAN DAY DRINK WITH J.J. 243 00:09:02,751 --> 00:09:04,878 AND WATCH JORDAN AND SIMONE PLAY KISSY FACE? 244 00:09:04,878 --> 00:09:06,546 HARD PASS. 245 00:09:06,546 --> 00:09:08,548 BESIDES, YOU DON'T WANT A THIRD WHEEL HANGING AROUND 246 00:09:08,548 --> 00:09:10,467 WHILE YOU PUT THE MOVES ON LAYLA. 247 00:09:10,467 --> 00:09:12,135 AIN'T NOBODY PUTTING ANY MOVES ON ANYONE. 248 00:09:12,135 --> 00:09:13,428 LAYLA AND I AREN'T TOGETHER. 249 00:09:13,428 --> 00:09:14,554 I KNOW, BUT COME ON. 250 00:09:14,554 --> 00:09:16,389 YOU BOTH WANT TO BE, RIGHT? 251 00:09:16,389 --> 00:09:17,807 IT WAS TOTALLY OBVIOUS 252 00:09:17,807 --> 00:09:18,933 BEFORE LAYLA LEFT FOR THE SUMMER. 253 00:09:18,933 --> 00:09:21,227 THIS WEEKEND'S YOUR CHANCE. 254 00:09:21,227 --> 00:09:23,480 DID I MISS THE PART WHEN Y'ALL BAKER TWINS BECAME PIMPS? 255 00:09:23,480 --> 00:09:25,440 YOU KNOW I'M RIGHT. 256 00:09:25,440 --> 00:09:27,317 MAYBE. I DON'T KNOW. 257 00:09:27,317 --> 00:09:29,068 SOMETHING FELT KIND OF OFF TONIGHT, THOUGH. 258 00:09:29,068 --> 00:09:32,155 YEAH. WELL, PROBABLY BECAUSE SHE'S BEEN GONE FOR SO LONG. 259 00:09:32,155 --> 00:09:33,907 I MEAN, EVERYTHING WILL GO BACK TO NORMAL 260 00:09:33,907 --> 00:09:35,450 WHEN YOU SEE HER TOMORROW. 261 00:09:35,450 --> 00:09:39,245 OR LATER TONIGHT. 262 00:09:39,245 --> 00:09:41,289 HEY, IT'S NOT HAPPENING TONIGHT. 263 00:09:41,289 --> 00:09:42,749 AND SHE BUSY WITH COOP ALL DAY TOMORROW 264 00:09:42,749 --> 00:09:44,709 UNTIL THE SHOW, SO... 265 00:09:44,709 --> 00:09:46,753 SO WHAT ARE YOU GONNA DO ALL DAY? 266 00:09:46,753 --> 00:09:48,671 I DON'T KNOW. PROBABLY CHILL IN THIS CRAZY-ASS SUITE, 267 00:09:48,671 --> 00:09:50,215 WATCH DUMB MOVIES. 268 00:09:50,215 --> 00:09:51,966 WITHOUT ME? 269 00:09:51,966 --> 00:09:53,718 NOT COOL. 270 00:09:53,718 --> 00:09:55,512 YEAH, WELL, I GUESS YOU SHOULD'VE COME THEN. 271 00:09:55,512 --> 00:09:58,389 I'LL HOLLA AT YOU. BYE. 272 00:10:15,323 --> 00:10:16,825 LIV? 273 00:10:16,825 --> 00:10:20,119 LET'S HAVE SOME FUN. IT'S VEGAS, BABY. 274 00:10:27,001 --> 00:10:29,838 YOU KNOW, AS MUCH AS I LOVE ROOM SERVICE, 275 00:10:29,838 --> 00:10:32,507 I CAN'T JUSTIFY PAYING 20 BUCKS FOR TOAST. 276 00:10:32,507 --> 00:10:35,093 HA HA. YOU KNOW, I THINK MR. KEATING'S COVERING OUR ROOM EXPENSES. 277 00:10:35,093 --> 00:10:37,512 MAN. THIS PLACE WAS DESTROYED. 278 00:10:37,512 --> 00:10:39,848 IT WAS ALL J.J. I GUESS HE MET SOME NEW FRIENDS. 279 00:10:39,848 --> 00:10:42,559 OH. THAT EXPLAINS THE MANNEQUIN. 280 00:10:42,559 --> 00:10:44,227 NICE HAIR, BY THE WAY. 281 00:10:44,227 --> 00:10:46,813 NICE OF YOU TO NOTICE. 282 00:10:46,813 --> 00:10:49,858 BET. MY HEAD'S STILL IN A FOG AFTER LAST NIGHT. 283 00:10:49,858 --> 00:10:51,860 WHAT ARE YOU DOING HERE? 284 00:10:51,860 --> 00:10:53,945 WELL, GOOD MORNING TO YOU, TOO. 285 00:10:53,945 --> 00:10:55,947 SORRY. I JUST WASN'T EXPECTING TO SEE YOU. 286 00:10:55,947 --> 00:10:57,615 DOES JORDAN KNOW YOU'RE HERE? 287 00:10:57,615 --> 00:10:59,409 UM, PROBABLY NOT. 288 00:10:59,409 --> 00:11:02,078 SPENCER TALKED ME INTO FLYING OUT. 289 00:11:02,078 --> 00:11:04,038 OH, COOL. I SHOULD GO. 290 00:11:06,624 --> 00:11:08,877 JORDAN'S HOLDING A TABLE AT THE RESTAURANT. 291 00:11:08,877 --> 00:11:11,379 REALLY? I WAS JUST DOWN THERE, AND I DIDN'T SEE HIM. 292 00:11:11,379 --> 00:11:14,424 YEAH. WHAT YOU ALL TWO DOING LATER? WE SHOULD MEET UP. 293 00:11:14,424 --> 00:11:16,509 YEAH. MAYBE, BUT WE KIND OF ALREADY MADE PLANS, THOUGH... 294 00:11:16,509 --> 00:11:18,094 WHAT KIND OF PLANS? 295 00:11:18,094 --> 00:11:19,721 PLANS THAT DON'T INCLUDE YOU TWO. 296 00:11:19,721 --> 00:11:21,389 BUT I'LL TALK TO JORDAN. 297 00:11:23,057 --> 00:11:26,477 YOU KNOW, THERE'S A NICER WAY TO SAY THAT. 298 00:11:26,477 --> 00:11:28,855 SHE WAS--SHE WAS ACTING WEIRD, RIGHT? 299 00:11:28,855 --> 00:11:31,691 EVERYBODY ACTS WEIRD WHEN THEY'RE IN LOVE. 300 00:11:31,691 --> 00:11:34,485 SPEAKING OF LOVE, GIVE ME THE REAL ON WHAT HAPPENED WITH YOU AND LAYLA. 301 00:11:34,485 --> 00:11:36,112 NOTHING'S HAPPENING. 302 00:11:36,112 --> 00:11:37,947 WHY NOT? DON'T YOU GUYS WANT TO GET BACK TOGETHER? 303 00:11:37,947 --> 00:11:39,949 LOOK, I DON'T EVEN KNOW IF SHE'S READY, LIV. 304 00:11:39,949 --> 00:11:41,701 WHAT IF THE TIMING AIN'T RIGHT? 305 00:11:41,701 --> 00:11:44,037 OR MAYBE SHE'S WAITING FOR YOUR DUMB ASS TO MAKE A MOVE. 306 00:11:44,037 --> 00:11:45,914 THERE'S A NICER WAY TO SAY THAT. 307 00:11:45,914 --> 00:11:48,124 YOU'RE A TAKE CHARGE KIND OF GUY, SPENCER. 308 00:11:48,124 --> 00:11:50,168 SO TAKE CHARGE, LET HER KNOW HOW YOU'RE FEELING. 309 00:11:50,168 --> 00:11:51,794 GET HER A GIFT OR SOMETHING. 310 00:11:51,794 --> 00:11:53,338 IT'S GONNA HAVE TO BE A PRETTY CHEAP GIFT. 311 00:11:53,338 --> 00:11:54,881 I BLEW ALMOST ALL MY MONEY LAST NIGHT. 312 00:11:54,881 --> 00:11:57,425 WELL, LUCKY FOR YOU, VEGAS HAS PLENTY OF SHOPS 313 00:11:57,425 --> 00:11:59,761 FOR PEOPLE WHO SPENT THEIR MONEY ON NIGHT ONE. 314 00:11:59,761 --> 00:12:02,597 BESIDES, LAYLA WILL LIKE WHATEVER YOU GET HER. 315 00:12:02,597 --> 00:12:04,807 WHENEVER I GOT A ISSUE, 316 00:12:04,807 --> 00:12:06,976 I JUST TELL LAYLA, LET HER DEAL WITH IT. 317 00:12:06,976 --> 00:12:09,520 YEAH, BUT IT'S DIFFERENT 'CAUSE YOU AND LAYLA ARE TIGHT. 318 00:12:09,520 --> 00:12:12,607 I CAN'T TELL MEGA PRODUCER J.P. KEATING THAT I'M 319 00:12:12,607 --> 00:12:14,442 NOT TRYING TO BE THE NEXT SPICE GIRL. 320 00:12:14,442 --> 00:12:16,194 WELL, HOW ELSE IS HE SUPPOSED TO KNOW WHAT YOU WANT? 321 00:12:16,194 --> 00:12:18,821 WHAT YOU REALLY, REALLY WANT. 322 00:12:18,821 --> 00:12:20,114 OK. STOP! 323 00:12:20,114 --> 00:12:21,407 THAT'S NOT FUNNY. 324 00:12:21,407 --> 00:12:23,034 LOOK. LISTEN, BABE, 325 00:12:23,034 --> 00:12:25,036 I GOT YOUR BACK NO MATTER WHAT. 326 00:12:25,036 --> 00:12:27,455 ALL RIGHT? LOOK, PEOPLE LIKE THE SPICE GIRLS. 327 00:12:27,455 --> 00:12:29,082 NO. I MEAN, I LOVE THE SPICE GIRLS. 328 00:12:29,082 --> 00:12:30,917 I'M JUST--I'M NOT TRYING TO BE ONE. 329 00:12:30,917 --> 00:12:33,670 AND I DON'T KNOW. J.P. HAS DONE A LOT FOR ME, 330 00:12:33,670 --> 00:12:35,338 AND I DON'T WANT TO BE A PROBLEM. 331 00:12:35,338 --> 00:12:36,965 YOU'RE NOT A PROBLEM. 332 00:12:36,965 --> 00:12:39,217 YOU'RE A ARTIST, AND YOU DESERVE TO BE HAPPY, TOO. 333 00:12:39,217 --> 00:12:41,552 REMEMBER WHEN I WAS THINKING ABOUT SIGNING WITH J.P., 334 00:12:41,552 --> 00:12:43,388 AND I WAS ALL WORRIED HE WAS GONNA TRY TO CHANGE ME? 335 00:12:43,388 --> 00:12:45,264 YEAH. 336 00:12:45,264 --> 00:12:48,017 WHAT IS THIS, AN "I TOLD YOU" KIND OF THING? 337 00:12:48,017 --> 00:12:50,853 NO. IT'S ACTUALLY A BEAUTIFUL STORY IF YOU LET ME FINISH. 338 00:12:50,853 --> 00:12:52,480 OK. 339 00:12:52,480 --> 00:12:54,399 ANYWAYS, I WAS ALL CONCERNED THAT HE WAS GONNA TRY 340 00:12:54,399 --> 00:12:56,067 TO CHANGE ME, 341 00:12:56,067 --> 00:12:58,528 AND THEN THIS SEXY GIRL NAMED PATIENCE CAME ALONG 342 00:12:58,528 --> 00:13:01,114 AND TOLD ME THAT I SHOULD JUST BE UPFRONT WITH HIM 343 00:13:01,114 --> 00:13:03,449 AND THAT I NEEDED SOMEONE WHO LOVED ME FOR ME. 344 00:13:03,449 --> 00:13:05,743 THAT IS A BEAUTIFUL STORY. 345 00:13:05,743 --> 00:13:09,956 AND I DON'T KNOW. THIS PATIENCE SOUNDS WISE. 346 00:13:09,956 --> 00:13:12,291 THEN SHE SHOULD TAKE HER OWN ADVICE 347 00:13:12,291 --> 00:13:15,545 AND TAKE THAT FLY-ASS SONG YOU BEEN WORKING ON OVER TO J.P. 348 00:13:15,545 --> 00:13:17,255 HE NEEDS TO HEAR THAT 349 00:13:17,255 --> 00:13:18,673 AND HOW MUCH IT MEANS TO YOU. 350 00:13:18,673 --> 00:13:21,259 AND IF THAT DON'T WORK, THEN YOU JUST 351 00:13:21,259 --> 00:13:22,927 SEND IN THE BIG DOG. 352 00:13:22,927 --> 00:13:25,221 OH, ARE YOU--ARE YOU THE BIG DOG? 353 00:13:25,221 --> 00:13:28,224 -LOOK, I AM THE BIG DOG. -OK. HA HA. 354 00:13:28,224 --> 00:13:31,477 NO. BUT, FOR REAL, OR WE JUST SAVE OURSELVES SOME TIME 355 00:13:31,477 --> 00:13:33,146 AND SEND IN LAYLA. 356 00:13:33,146 --> 00:13:35,940 I MEAN, J.P. IS PUTTY IN HER HANDS. 357 00:13:37,316 --> 00:13:39,110 GOOD MORNING, SWEETHEART. 358 00:13:39,110 --> 00:13:40,528 HEY, DAD. 359 00:13:40,528 --> 00:13:41,779 OOH, AT LEAST IT WAS. 360 00:13:41,779 --> 00:13:43,156 DON'T BE SO DRAMATIC. 361 00:13:43,156 --> 00:13:44,741 I DO THIS BECAUSE I LOVE YOU. 362 00:13:44,741 --> 00:13:46,242 YOU KNOW, IF YOU SKIPPED A DAY OR EVEN A WEEK, 363 00:13:46,242 --> 00:13:47,827 I WOULD STILL KNOW THAT YOU LOVE ME. 364 00:13:47,827 --> 00:13:49,412 HI. SORRY. IF I KNEW YOU WERE HERE, 365 00:13:49,412 --> 00:13:50,663 I WOULD'VE BROUGHT YOU SOMETHING. 366 00:13:50,663 --> 00:13:51,664 SHE CAN HAVE MINE. 367 00:13:51,664 --> 00:13:53,124 OOH, BE QUIET. 368 00:13:53,124 --> 00:13:54,667 I'D GIVE ANYTHING IF MY HUSBAND SPOILED ME 369 00:13:54,667 --> 00:13:56,961 HALF THE WAY YOUR DAUGHTER SPOILS YOU. 370 00:13:56,961 --> 00:13:59,672 WE WERE JUST DISCUSSING LIL JEWEL'S ALBUM, 371 00:13:59,672 --> 00:14:01,257 TRYING TO FIND SOME NEW TRACKS. 372 00:14:01,257 --> 00:14:03,259 HEY. YOUR FRIENDS MADE IT OK LAST NIGHT? 373 00:14:03,259 --> 00:14:05,386 YEAH, THEY DID. THEY WERE BLOWN AWAY BY THE SUITE. 374 00:14:05,386 --> 00:14:07,513 I THINK THEY LIKE YOU MORE THAN ME NOW. 375 00:14:07,513 --> 00:14:09,891 OH. WELL, I'LL BET SPENCER STILL LIKES YOU MORE, THOUGH. 376 00:14:09,891 --> 00:14:12,602 MAYBE US GETTING CLOSE WAS A BAD IDEA. 377 00:14:13,811 --> 00:14:15,271 GOOD LUCK WITH THE ALBUM. 378 00:14:15,271 --> 00:14:16,856 PLEASE MAKE SURE HE EATS. 379 00:14:16,856 --> 00:14:18,524 -SEE YOU, DAD. -BYE. 380 00:14:34,665 --> 00:14:36,959 THIS LOOKS LIKE THE WAND SHOP FROM "HARRY POTTER." 381 00:14:36,959 --> 00:14:39,754 OLLIVANDER'S. WHAT? 382 00:14:39,754 --> 00:14:41,547 YOU'RE NOT THE ONLY POTTERHEAD. 383 00:14:43,299 --> 00:14:44,926 AND THIS PLACE IS NOTHING LIKE IT. 384 00:14:44,926 --> 00:14:46,803 NO WANDS, ONLY CRYSTALS. 385 00:14:46,803 --> 00:14:49,931 I THINK LAYLA WOULD LOVE SOME OF THIS STUFF. 386 00:14:53,309 --> 00:14:56,604 MY GOSH. THIS NECKLACE IS BEAUTIFUL. 387 00:14:56,604 --> 00:14:59,232 YOU THINK SHE'D LIKE IT? 388 00:14:59,232 --> 00:15:02,235 HMM, NAH. IT'S TOO NEW AGEY FOR LAYLA. 389 00:15:02,235 --> 00:15:05,404 HE ISN'T LOOKING FOR A GIFT. 390 00:15:05,404 --> 00:15:07,615 HE'S LOOKING FOR CLARITY. 391 00:15:07,615 --> 00:15:09,492 CLARITY ABOUT WHAT? 392 00:15:09,492 --> 00:15:11,869 I DIDN'T SAY IT. SHE DID. 393 00:15:11,869 --> 00:15:14,622 CLARITY ABOUT WHAT? 394 00:15:16,958 --> 00:15:18,376 OK. 395 00:15:18,376 --> 00:15:20,837 I THINK IT'S TIME TO GO. 396 00:15:20,837 --> 00:15:22,171 MISS CLEO HERE IS A SCAM. 397 00:15:22,171 --> 00:15:23,256 YOU DON'T KNOW THAT. 398 00:15:23,256 --> 00:15:25,508 YES, I DO. 399 00:15:25,508 --> 00:15:28,344 LOOK, WHEN I WAS A KID, MY NANNA KEPT THIS CREEPY VOODOO DOLL ON HER SHELF. 400 00:15:28,344 --> 00:15:29,679 I HATED IT. 401 00:15:29,679 --> 00:15:32,181 SO ONE DAY, I HID IT. 402 00:15:32,181 --> 00:15:34,183 WHEN SHE ASKED WHERE IT WAS, I LIED. 403 00:15:34,183 --> 00:15:36,060 I TOLD HER I AIN'T KNOW. 404 00:15:36,060 --> 00:15:39,105 SHE TOLD ME SHE CURSED THE THIEF WITH A SPANKING FROM GOD 405 00:15:39,105 --> 00:15:42,108 THAT WOULD ONLY HEAL WHEN THAT PERSON TOLD THE TRUTH. 406 00:15:42,108 --> 00:15:44,777 THE NEXT DAY, I WOKE UP WITH A WEIRD RASH ON MY BACKSIDE, 407 00:15:44,777 --> 00:15:47,196 AND I CONFESSED. 408 00:15:47,196 --> 00:15:50,074 IT TURNS OUT SHE PUT ITCHING POWDER IN MY DRAWERS. 409 00:15:50,074 --> 00:15:51,534 YOUR NANNA'S A GENIUS. 410 00:15:51,534 --> 00:15:53,327 NO. MY NANNA'S A CON ARTIST. CAN WE GO NOW? 411 00:15:53,327 --> 00:15:55,121 NOT WITHOUT GETTING SOME CLARITY. 412 00:16:02,003 --> 00:16:04,547 THERE'S SO MUCH ENERGY HERE. 413 00:16:04,547 --> 00:16:07,133 I SEE A FOREVER LOVE. 414 00:16:09,510 --> 00:16:11,012 HE'S HERE FOR A GIRL. 415 00:16:11,012 --> 00:16:13,931 AND A GIRL IS HERE FOR HIM. 416 00:16:13,931 --> 00:16:15,892 SHE'S JUST DOING "GAME OF THRONES." 417 00:16:15,892 --> 00:16:19,145 SOMEBODY CLOSE TO YOU IS HIDING SOMETHING OF GREAT IMPORTANCE. 418 00:16:19,145 --> 00:16:20,563 SOMEBODY HE KNOWS OR I KNOW? 419 00:16:20,563 --> 00:16:22,148 THAT ISN'T CLEAR. 420 00:16:22,148 --> 00:16:26,027 BUT WHEN IT'S REVEALED, EVERYTHING WILL CHANGE. 421 00:16:26,027 --> 00:16:28,237 SO YOU CAN SEE SOMEBODY HIDING SOMETHING, 422 00:16:28,237 --> 00:16:30,072 BUT YOU CAN'T SEE WHO THEY ARE OR WHAT THEY'RE HIDING. 423 00:16:30,072 --> 00:16:32,200 THAT MAKES SENSE. 424 00:16:32,200 --> 00:16:34,118 I SEE WHAT I SEE. 425 00:16:34,118 --> 00:16:36,454 YOU'RE GONNA TAKE A CHANCE ON SOMETHING AND LOSE. 426 00:16:36,454 --> 00:16:38,372 YEAH, LIKE US GIVING YOU 10 BUCKS. 427 00:16:38,372 --> 00:16:40,374 COME ON, SPENCER. AT LEAST TRY TO TAKE IT SERIOUSLY. 428 00:16:40,374 --> 00:16:42,293 LIV, WE'RE IN VEGAS. 429 00:16:42,293 --> 00:16:45,254 EVERYBODY TAKES A CHANCE ON SOMETHING AND LOSES. 430 00:16:45,254 --> 00:16:47,006 YOU KNOW WHAT? I'LL BE OUTSIDE. 431 00:16:54,305 --> 00:16:55,765 OLIVIA? 432 00:16:55,765 --> 00:16:57,934 YOU'LL NEVER FIND WHAT YOU'RE LOOKING FOR 433 00:16:57,934 --> 00:17:00,061 UNTIL YOU START BEING HONEST. 434 00:17:08,986 --> 00:17:11,739 ♪ I CAN'T HELP IF YOU STAY ON MY MIND ♪ 435 00:17:11,739 --> 00:17:15,368 ♪ IF I SAID I DIDN'T NEED YOU, I'D BE LYIN' ♪ 436 00:17:15,368 --> 00:17:18,913 ♪ THESE HARMONIES WERE MADE FOR LOVE ♪ 437 00:17:18,913 --> 00:17:22,917 ♪ THESE HARMONIES WERE MADE FOR US ♪ 438 00:17:22,917 --> 00:17:26,254 ♪ IF YOU'RE ALL ALONE ♪ 439 00:17:26,254 --> 00:17:29,632 ♪ REMEMBER THIS SONG ♪ 440 00:17:29,632 --> 00:17:32,260 ♪ A SWEET MELODY FOR YOU ♪ 441 00:17:32,260 --> 00:17:34,053 ♪ AND ME FOREVER ♪ 442 00:17:34,053 --> 00:17:37,765 ♪ IF MUSIC CAN BREAK US ♪ 443 00:17:37,765 --> 00:17:40,851 ♪ YEAH ♪ 444 00:17:40,851 --> 00:17:43,312 ♪ THEN WHY CAN'T IT SAVE US? ♪ 445 00:17:45,606 --> 00:17:49,443 ♪ OH, IF MUSIC CAN BREAK US ♪ 446 00:17:53,406 --> 00:17:55,533 ♪ THEN WHY CAN'T IT SAVE US? ♪ 447 00:18:02,206 --> 00:18:05,334 IT'S QUITE A BIT DIFFERENT FROM YOUR USUAL STUFF. 448 00:18:05,334 --> 00:18:08,004 YEAH. BUT, UM, I DON'T KNOW. 449 00:18:08,004 --> 00:18:09,714 I THINK THAT COULD BE A GOOD THING. 450 00:18:09,714 --> 00:18:13,634 IT'S GOOD. IT COULD BE GREAT WITH A COUPLE OF CHANGES. 451 00:18:13,634 --> 00:18:15,177 NOW, YOUR HOOK IS STRONG. 452 00:18:15,177 --> 00:18:16,804 IT JUST TAKES TOO LONG TO GET THERE. 453 00:18:16,804 --> 00:18:18,389 I THINK YOU SHOULD REWORK THE VERSES 454 00:18:18,389 --> 00:18:19,849 AND BRING THE CHORUS IN EARLIER 455 00:18:19,849 --> 00:18:21,225 AND PUMP IT UP A FEW BPM. 456 00:18:21,225 --> 00:18:22,768 RADIO IS DIGGING ON TEMPO RIGHT NOW. 457 00:18:22,768 --> 00:18:24,645 YOU THINK YOU CAN SEND ME A COPY? 458 00:18:24,645 --> 00:18:26,772 YEAH, DEFINITELY. I CAN DO THAT. 459 00:18:26,772 --> 00:18:28,983 THANK YOU. 460 00:18:28,983 --> 00:18:30,401 YEAH. 461 00:18:33,988 --> 00:18:35,573 LIV, YOU GOT TO LET IT GO. 462 00:18:35,573 --> 00:18:37,283 YOU ACTING REAL CRAZY RIGHT NOW. 463 00:18:37,283 --> 00:18:39,368 NO, I'M NOT. 464 00:18:39,368 --> 00:18:42,371 I MEAN, HOW DID SHE KNOW SO MUCH? 465 00:18:42,371 --> 00:18:44,707 I MEAN, THAT FOREVER LOVE WITH YOU AND LAYLA? 466 00:18:44,707 --> 00:18:46,667 ALL SHE SAID WAS "FOREVER LOVE." 467 00:18:46,667 --> 00:18:48,836 AND YOU IMMEDIATELY ASSUMED SHE MEANT ME AND LAYLA 468 00:18:48,836 --> 00:18:50,713 BECAUSE THAT'S ALL YOU BEEN TALKING ABOUT SINCE YOU GOT HERE. 469 00:18:50,713 --> 00:18:51,839 SHE COULD'VE MEANT ANYONE. 470 00:18:51,839 --> 00:18:53,507 MAYBE YOU AND ASHER. 471 00:18:53,507 --> 00:18:55,134 NAH, I DON'T THINK SO. 472 00:18:55,134 --> 00:18:57,678 YEAH, ME NEITHER, 'CAUSE IT'S ALL A SCAM. 473 00:18:57,678 --> 00:18:59,221 OK, WELL, WHAT ABOUT EVERYTHING ELSE THAT SHE SAID? 474 00:18:59,221 --> 00:19:00,598 LIKE, WHAT, SOMEBODY HIDING SOMETHING? 475 00:19:00,598 --> 00:19:02,516 ARE YOU? 'CAUSE I'M NOT. 476 00:19:02,516 --> 00:19:05,353 NO. I DON'T KNOW. MAYBE JORDAN AND SIMONE ARE. 477 00:19:11,901 --> 00:19:13,110 WHAT? 478 00:19:13,110 --> 00:19:15,821 DON'T DO IT. LIV. 479 00:19:17,698 --> 00:19:18,991 OLIVIA, DON'T. 480 00:19:18,991 --> 00:19:20,576 I MEAN, THAT WOULD EXPLAIN 481 00:19:20,576 --> 00:19:21,994 WHY SIMONE WAS ACTING SO WEIRD EARLIER. 482 00:19:21,994 --> 00:19:24,288 SO YOU REALLY THINK A $10 VEGAS PSYCHIC 483 00:19:24,288 --> 00:19:28,501 PREDICTED JORDAN'S HIDING SOMETHING IN HIS BACKPACK? 484 00:19:28,501 --> 00:19:31,170 LIV, COME ON. THAT'S CRAZY. 485 00:19:32,546 --> 00:19:34,215 WELL, NOT AS CRAZY AS THIS. 486 00:19:43,015 --> 00:19:46,811 -RIDICULOUS. -HEY. YOU'RE--I MEAN-- 487 00:19:46,811 --> 00:19:50,064 UH-- UH... 488 00:19:50,064 --> 00:19:52,191 DO YOU WANT TO EXPLAIN THIS? 489 00:19:53,776 --> 00:19:55,778 WHAT, YOU GUYS WENT THROUGH MY STUFF? 490 00:19:55,778 --> 00:19:57,780 JORDAN, WHAT THE HELL IS THIS? 491 00:19:59,281 --> 00:20:01,784 IT'S A MARRIAGE LICENSE. 492 00:20:01,784 --> 00:20:04,578 SIMONE AND I ARE GETTING MARRIED TONIGHT. 493 00:20:09,458 --> 00:20:11,669 LISTEN, JUST HEAR ME OUT, ALL RIGHT? I KNOW IT SOUNDS CRAZY. 494 00:20:11,669 --> 00:20:13,129 "SOUNDS" CRAZY? 495 00:20:13,129 --> 00:20:16,382 WHAT PART OF "JUST HEAR ME OUT" DIDN'T YOU UNDERSTAND? 496 00:20:16,382 --> 00:20:18,551 ALL RIGHT. SINCE WE WERE GONNA BE IN VEGAS 497 00:20:18,551 --> 00:20:21,011 FOR COOP'S SHOW ANYWAY, I SAID THAT WE SHOULD GET ELVIS TO MARRY US. 498 00:20:21,011 --> 00:20:24,473 I MEAN, THAT'S WHAT COUPLES DO IN VEGAS, RIGHT? THEY GET MARRIED. 499 00:20:24,473 --> 00:20:26,434 AND THEN SIMONE SAID THAT HER PARENTS WOULD BE PISSED. 500 00:20:26,434 --> 00:20:28,018 YOU THINK? 501 00:20:28,018 --> 00:20:29,728 I MEAN, MY DAD REALLY HATES ELVIS. HA HA. 502 00:20:29,728 --> 00:20:32,648 AND AFTER JOKING ABOUT IT FOR A WHILE, 503 00:20:32,648 --> 00:20:35,901 I DON'T KNOW. IT JUST-- IT DIDN'T FEEL LIKE A JOKE ANYMORE. 504 00:20:35,901 --> 00:20:37,403 WE BOTH KIND OF STARED AT EACH OTHER AND JUST SAID... 505 00:20:37,403 --> 00:20:38,779 WHY NOT? 506 00:20:38,779 --> 00:20:40,281 WELL, I'LL GIVE YOU 3 REASONS-- 507 00:20:40,281 --> 00:20:42,283 TOO YOUNG, TOO FAST, TOO STUPID. 508 00:20:42,283 --> 00:20:44,118 TOO MUCH. 509 00:20:44,118 --> 00:20:46,120 BELIEVE ME, LIV, THERE'S NOTHING THAT YOU 510 00:20:46,120 --> 00:20:47,955 CAN SAY THAT WE HAVEN'T THOUGHT OF ALREADY. 511 00:20:47,955 --> 00:20:50,416 WELL, I'LL BET MOM AND DAD WILL HAVE PLENTY TO SAY. 512 00:20:50,416 --> 00:20:53,377 I MEAN, I DON'T KNOW HOW YOU PULLED OFF MOM'S SIGNATURE, 513 00:20:53,377 --> 00:20:55,087 BUT I BET IF WE CALLED HER, SHE-- 514 00:20:55,087 --> 00:20:57,506 YOU WOULD SERIOUSLY DO THAT? 515 00:20:57,506 --> 00:20:59,758 DO YOU WANT TO JUMP IN HERE OR...? 516 00:20:59,758 --> 00:21:02,720 SOUNDS LIKE A FAMILY MATTER TO ME. 517 00:21:02,720 --> 00:21:05,473 YOU ARE FAMILY, SPENCE. 518 00:21:05,473 --> 00:21:06,932 ALL RIGHT? AND, HONESTLY, 519 00:21:06,932 --> 00:21:08,267 I'M HAPPY YOU GUYS FOUND OUT. 520 00:21:08,267 --> 00:21:10,102 ME, TOO. 521 00:21:10,102 --> 00:21:12,563 I MEAN, WE REALLY HATED NOT TELLING ANYBODY. 522 00:21:12,563 --> 00:21:14,607 AND NOW WE DON'T HAVE TO GET MARRIED ALONE. 523 00:21:14,607 --> 00:21:17,818 I GET TO HAVE MY SISTER THERE 524 00:21:17,818 --> 00:21:19,445 AND MY BROTHER. 525 00:21:19,445 --> 00:21:21,989 WHAT DO YOU SAY, SPENCE? BEST MAN? 526 00:21:24,074 --> 00:21:25,826 NO. 527 00:21:27,411 --> 00:21:29,663 OF COURSE, J. 528 00:21:33,125 --> 00:21:36,128 LIV, YOU'VE BEEN THERE FOR ME 529 00:21:36,128 --> 00:21:38,672 LITERALLY SINCE DAY ZERO. 530 00:21:38,672 --> 00:21:41,133 WILL YOU BE THERE FOR ME TODAY? 531 00:21:47,056 --> 00:21:48,349 OK. 532 00:21:51,101 --> 00:21:55,105 ALL RIGHT. UH, BACKSTAGE PASSES. 533 00:21:55,105 --> 00:21:56,732 WHEN DO YOU WANT ME TO TELL EVERYONE TO BE HERE? 534 00:21:56,732 --> 00:21:58,734 UH, WHENEVER THEY WANT. 535 00:21:58,734 --> 00:22:01,028 OK. UM, I CAN TELL SPENCER TO COME EARLY IF YOU WANT 536 00:22:01,028 --> 00:22:02,571 TO, LIKE, SHOW HIM AROUND OR SOMETHING. 537 00:22:02,571 --> 00:22:04,198 GIRL, YOU AIN'T SUBTLE. 538 00:22:04,198 --> 00:22:05,699 CLEARLY, YOU WANT TO SHOW HIM SOMETHING. 539 00:22:05,699 --> 00:22:08,327 WHATEVER. I JUST THOUGHT IT'D BE NICE FOR YOU 540 00:22:08,327 --> 00:22:10,371 TO SPEND TIME WITH HIM SINCE HE CAME ALL THIS WAY TO SEE YOU. 541 00:22:10,371 --> 00:22:11,956 KEEP TELLING YOURSELF THAT. 542 00:22:11,956 --> 00:22:14,500 I MEAN, SPENCER TREKKED OVER 4 HOURS 543 00:22:14,500 --> 00:22:16,502 THROUGH THE HOT DESERT TO COME SEE ME? 544 00:22:16,502 --> 00:22:19,463 COME ON. I KNOW I'M PRETTY, BUT I AIN'T THAT PRETTY. 545 00:22:19,463 --> 00:22:20,965 WHY IS EVERYONE SO FOCUSED ON ME AND SPENCER? 546 00:22:20,965 --> 00:22:23,050 SHOOT. I DON'T KNOW. 547 00:22:23,050 --> 00:22:25,511 MAYBE IT'S BECAUSE YOU'RE CLEARLY STILL IN LOVE WITH HIM. 548 00:22:25,511 --> 00:22:27,429 AND YOU'VE BEEN ACTING WEIRD SINCE HE GOT HERE. 549 00:22:27,429 --> 00:22:29,098 THE REST OF US ARE TRYING TO UNDERSTAND 550 00:22:29,098 --> 00:22:31,642 WHY Y'ALL ASSES AIN'T BACK TOGETHER ALREADY. 551 00:22:31,642 --> 00:22:33,602 WELL, WHATEVER. 552 00:22:33,602 --> 00:22:34,979 IF YOU DON'T MIND, I'M GONNA GET BACK TO LISTENING 553 00:22:34,979 --> 00:22:37,898 TO MY NEW FAVORITE ARTIST--ME. 554 00:22:40,109 --> 00:22:41,944 OK, SO WHEN YOU SAID YOU NEEDED SHOES FOR THE WEDDING, 555 00:22:41,944 --> 00:22:43,445 I DIDN'T THINK WE'D BE SEARCHING FOR 556 00:22:43,445 --> 00:22:45,030 SOME UNDERGROUND SNEAKER SHOP. 557 00:22:45,030 --> 00:22:47,074 WELL, I'M LOW-KEY A SNEAKERHEAD. 558 00:22:47,074 --> 00:22:50,452 PLUS, JORDAN'S GONNA LOOK HOT IN THEM. 559 00:22:50,452 --> 00:22:53,038 SORRY. YOU PROBABLY DON'T WANT TO HEAR THAT. 560 00:22:53,038 --> 00:22:54,582 WELL, IT'S FINE. 561 00:22:54,582 --> 00:22:58,168 I'M JUST NEVER WEARING SNEAKERS AGAIN. 562 00:22:58,168 --> 00:23:00,838 I'VE ALWAYS DREAMED OF WEARING SNEAKERS AT MY WEDDING 563 00:23:00,838 --> 00:23:02,673 EVER SINCE I WAS A LITTLE GIRL, 564 00:23:02,673 --> 00:23:04,717 ONLY THE STYLES HAVE CHANGED. 565 00:23:04,717 --> 00:23:07,970 IN KINDERGARTEN, IT WAS THE ADIDAS SUPERSTAR. 566 00:23:07,970 --> 00:23:10,306 THEN IT WAS THE OLD-SCHOOL REEBOKS. 567 00:23:10,306 --> 00:23:11,599 PUMP OR NO PUMP? 568 00:23:11,599 --> 00:23:13,809 GIRL, NO PUMP. IT'S MORE ELEGANT. 569 00:23:13,809 --> 00:23:15,436 AGREED. 570 00:23:15,436 --> 00:23:17,229 BUT FOR JORDAN, I'M THINKING 571 00:23:17,229 --> 00:23:19,148 CLASSIC AIR JORDANS. 572 00:23:21,609 --> 00:23:23,444 SO... 573 00:23:23,444 --> 00:23:25,070 I HAVE TO ASK... 574 00:23:25,070 --> 00:23:26,947 WHEN YOU DREAMED OF YOUR WEDDING, 575 00:23:26,947 --> 00:23:29,366 I MEAN, WERE YOU STILL IN HIGH SCHOOL? 576 00:23:29,366 --> 00:23:30,701 I MEAN, WAS IT IN VEGAS? 577 00:23:30,701 --> 00:23:31,827 OK. 578 00:23:31,827 --> 00:23:34,622 THERE IT IS. 579 00:23:34,622 --> 00:23:36,248 OLIVIA, I KNEW YOU WEREN'T FINISHED, 580 00:23:36,248 --> 00:23:37,750 SO JUST COME WITH IT. 581 00:23:37,750 --> 00:23:40,794 IT'S JUST SO QUICK, SIMONE, OK? 582 00:23:40,794 --> 00:23:42,588 I MEAN, IS IT ABOUT THE BABY? 583 00:23:42,588 --> 00:23:44,048 I MEAN, DID YOU CHANGE YOUR MIND ABOUT 584 00:23:44,048 --> 00:23:45,049 GIVING HIM UP FOR ADOPTION? 585 00:23:45,049 --> 00:23:46,759 NOTHING HAS CHANGED. 586 00:23:46,759 --> 00:23:48,510 OK. SO THEN WHY ARE YOU RUSHING INTO MARRIAGE? 587 00:23:48,510 --> 00:23:49,762 I MEAN, CAN'T YOU AT LEAST WAIT 588 00:23:49,762 --> 00:23:51,513 UNTIL YOU FINISH HIGH SCHOOL? 589 00:23:51,513 --> 00:23:53,807 OLIVIA, WE LOVE EACH OTHER, AND TOMORROW ISN'T PROMISED. 590 00:23:53,807 --> 00:23:55,476 LOOK, I KNOW THIS ISN'T EASY FOR YOU, 591 00:23:55,476 --> 00:23:57,686 BUT THIS ISN'T ABOUT YOU. 592 00:23:57,686 --> 00:23:59,188 HE'S MY TWIN BROTHER. 593 00:23:59,188 --> 00:24:01,482 I KNOW HIM BETTER THAN ANYONE. 594 00:24:01,482 --> 00:24:04,234 HE'S IMPULSIVE, OK? HE DOES THINGS WITHOUT THINKING. 595 00:24:04,234 --> 00:24:06,487 SO WHAT ABOUT ME? AM I NOT THINKING, TOO? 596 00:24:06,487 --> 00:24:08,739 I DON'T KNOW. I BARELY KNOW YOU. 597 00:24:08,739 --> 00:24:10,699 AND NEITHER DOES JORDAN. 598 00:24:10,699 --> 00:24:12,785 I MEAN, YOU GUYS HAVE BEEN DATING, WHAT, 5 MONTHS, 599 00:24:12,785 --> 00:24:14,870 3 IF YOU DON'T COUNT THE ONES YOU WERE FIGHTING. 600 00:24:14,870 --> 00:24:16,747 AND WE GOT THROUGH IT JUST LIKE WE'LL GET THROUGH 601 00:24:16,747 --> 00:24:18,624 WHATEVER ELSE COMES AT US. 602 00:24:18,624 --> 00:24:21,835 IF YOU REALLY LOVE JORDAN, THEN YOU WOULD BE HAPPY FOR HIM. 603 00:24:21,835 --> 00:24:23,337 THIS IS WHAT HE WANTS. 604 00:24:23,337 --> 00:24:25,172 WHAT HE WANTS? 605 00:24:25,172 --> 00:24:27,591 LAST YEAR, HE WANTED TO DRIVE HIS SEGWAY DOWN THE STAIRS. 606 00:24:27,591 --> 00:24:30,094 OK. YOU KNOW WHAT? YOU DON'T HAVE TO AGREE WITH ME. 607 00:24:30,094 --> 00:24:32,262 YOU DON'T EVEN HAVE TO SHOP WITH ME, 608 00:24:32,262 --> 00:24:33,597 BUT YOU'RE DEFINITELY GONNA STOP DISRESPECTING 609 00:24:33,597 --> 00:24:36,016 YOUR BROTHER'S AND MY DECISION. 610 00:24:36,016 --> 00:24:38,560 THE WEDDING'S HAPPENING...SIS. 611 00:24:39,937 --> 00:24:41,605 ALL RIGHT, BEST MAN. 612 00:24:41,605 --> 00:24:43,399 YOU WANT TO TELL ME WHY I SHOULDN'T GET MARRIED NOW, 613 00:24:43,399 --> 00:24:45,025 OR ARE WE GONNA WAIT TILL WE'VE HAD A FEW DRINKS? 614 00:24:45,025 --> 00:24:46,402 I DIDN'T KNOW THAT WAS PART OF THE BEST MAN DUTIES. 615 00:24:46,402 --> 00:24:48,112 WELL, IT IS WHEN THE BEST MAN IS YOU. 616 00:24:48,112 --> 00:24:49,530 LOOK, TELLING OTHER PEOPLE WHAT TO DO IS 617 00:24:49,530 --> 00:24:51,448 LIKE A SPORT FOR YOU AND OLIVIA. 618 00:24:51,448 --> 00:24:52,825 AND THERE'S NO WAY YOU'RE TOTALLY FINE WITH THIS. 619 00:24:52,825 --> 00:24:56,412 OK. COME ON. LAY IT ON ME. 620 00:24:56,412 --> 00:24:59,206 TELL ME I'M TOO YOUNG OR THAT I'M RUSHING THINGS 621 00:24:59,206 --> 00:25:01,083 OR THAT I DON'T KNOW WHAT THE HELL I'M DOING. 622 00:25:01,083 --> 00:25:02,584 J., IF YOU ALREADY KNOW ALL THIS, 623 00:25:02,584 --> 00:25:04,461 WHY THE HELL YOU GETTING MARRIED? 624 00:25:04,461 --> 00:25:05,713 BECAUSE NONE OF THOSE THINGS MATTER. ALL RIGHT? 625 00:25:05,713 --> 00:25:08,132 WHEN YOU KNOW, YOU KNOW. 626 00:25:08,132 --> 00:25:11,009 SO COULD WE JUST SQUASH IT AND HAVE A GREAT TIME? 627 00:25:12,219 --> 00:25:14,555 HEY, GUYS. 628 00:25:14,555 --> 00:25:16,056 YOU READY TO PARTY? 629 00:25:16,056 --> 00:25:17,099 YEAH. 630 00:25:17,099 --> 00:25:19,184 UH... 631 00:25:19,184 --> 00:25:20,519 RIGHT. 632 00:25:20,519 --> 00:25:22,271 WE'RE THE DANCERS YOU HIRED. 633 00:25:22,271 --> 00:25:23,772 THE STRIPPERS. 634 00:25:23,772 --> 00:25:26,608 THAT'S COCO. I'M TIFANY WITH ONE "F." 635 00:25:26,608 --> 00:25:31,029 HEH. RIGHT. SO, SPENCE, WHEN I ASKED FOR A BACHELOR PARTY, 636 00:25:31,029 --> 00:25:34,408 I WAS THINKING SOMETHING MAYBE A LITTLE BIT MORE MELLOW. 637 00:25:34,408 --> 00:25:35,826 SPENCE? 638 00:25:35,826 --> 00:25:37,745 WHAT? NO. THIS WASN'T ME. UH... 639 00:25:37,745 --> 00:25:39,913 LOOK, I THINK Y'ALL GOT THE WRONG ROOM, TIFANY. 640 00:25:39,913 --> 00:25:42,249 ONE "F." 641 00:25:42,249 --> 00:25:43,375 WHICH ONE OF YOU IS J.J.? 642 00:25:43,375 --> 00:25:45,544 MM. OF COURSE IT WAS J.J. 643 00:25:45,544 --> 00:25:47,004 J.J. KNOWS YOU'RE GETTING MARRIED? 644 00:25:47,004 --> 00:25:48,797 NO, NO, NO, NO. HE JUST-- 645 00:25:48,797 --> 00:25:51,300 HE JUST LIKES STRIPPERS. 646 00:25:51,300 --> 00:25:54,344 UH, LOOK, LADIES, WE HAVEN'T SEEN HIM SINCE LAST NIGHT, ACTUALLY. 647 00:25:54,344 --> 00:25:56,180 I'M--I'M SORRY. 648 00:25:56,180 --> 00:25:57,848 WELL, HE PAID US FOR THE HOUR. 649 00:25:57,848 --> 00:26:00,392 I MEAN, YOU MIGHT AS WELL GET SOMETHING FOR IT. 650 00:26:00,392 --> 00:26:04,271 WE DON'T JUST STRIP. THERE ARE OTHER THINGS WE COULD DO. 651 00:26:06,398 --> 00:26:08,901 OK. 652 00:26:12,237 --> 00:26:14,239 I THINK THEY'RE TOO YOUNG. 653 00:26:14,239 --> 00:26:15,783 JORDAN BARELY KNOWS SIMONE. 654 00:26:15,783 --> 00:26:17,618 YOU AIN'T GOT TO TELL ME. 655 00:26:17,618 --> 00:26:19,578 THIS HAS TO BE THE WORST BACHELOR PARTY EVER. 656 00:26:19,578 --> 00:26:21,497 BILLY AND LAURA KNEW EACH OTHER FOR YEARS, 657 00:26:21,497 --> 00:26:23,373 AND LOOK HOW WELL THAT WORKED OUT FOR THEM. 658 00:26:23,373 --> 00:26:25,042 THANK YOU. EXACTLY. 659 00:26:25,042 --> 00:26:26,752 AND LIKE I WAS TELLING MY BUDDY OVER HERE, 660 00:26:26,752 --> 00:26:28,629 WHEN YOU KNOW, YOU KNOW. 661 00:26:28,629 --> 00:26:30,297 YOU GOT YOUR WHOLE LIFE AHEAD OF YOU, MAN. 662 00:26:30,297 --> 00:26:32,341 YOU AIN'T EVEN GOT TO COLLEGE YET. 663 00:26:32,341 --> 00:26:35,677 A HANDSOME COLLEGE QUARTERBACK. YUMMY. 664 00:26:35,677 --> 00:26:37,721 THE GIRLS ARE GONNA EAT YOU ALIVE. 665 00:26:37,721 --> 00:26:39,723 UH, WHAT I THINK SHE MEANS IS 666 00:26:39,723 --> 00:26:41,350 YOU DON'T KNOW ALL THE OPPORTUNITIES YOU GONNA BE MISSING OUT ON. 667 00:26:41,350 --> 00:26:42,726 NO. I WAS TALKING ABOUT WOMEN WANTING 668 00:26:42,726 --> 00:26:44,228 TO HAVE SEX WITH HIM. 669 00:26:44,228 --> 00:26:45,729 OK. UH, LOOK, 670 00:26:45,729 --> 00:26:47,606 I DON'T WANT ANY OF THAT, ALL RIGHT? 671 00:26:47,606 --> 00:26:49,566 I'VE DONE ENOUGH PARTYING TO LAST A LIFETIME. 672 00:26:49,566 --> 00:26:52,152 AND BESIDES, SIMONE'S THE ONLY GIRL FOR ME. 673 00:26:52,152 --> 00:26:54,154 MAYBE IT'S A GOOD THING THAT THEY'RE SO YOUNG. 674 00:26:54,154 --> 00:26:56,281 HE KNOWS FOR SURE THAT SHE ISN'T MARRYING HIM FOR HIS MONEY. 675 00:26:56,281 --> 00:26:57,658 IT'S PURE LOVE. 676 00:26:57,658 --> 00:26:58,659 THANK YOU, COCO. 677 00:26:58,659 --> 00:26:59,993 YOU GOT RICH PARENTS. 678 00:26:59,993 --> 00:27:02,079 SCREW YOU, SPENCE. 679 00:27:02,079 --> 00:27:03,872 DO YOU THINK THEIR LOVE IS PURE? 680 00:27:03,872 --> 00:27:05,707 SIMONE LIED TO HIM FROM THE BEGINNING, 681 00:27:05,707 --> 00:27:08,293 TRIED TO TRAP HIM INTO BELIEVING HE WAS HER BABY DADDY. 682 00:27:08,293 --> 00:27:09,545 ARE YOU EVER GONNA LET THAT GO? 683 00:27:09,545 --> 00:27:11,672 SHE SAID SHE WAS SORRY. 684 00:27:11,672 --> 00:27:13,257 OH, SHE'S SORRY. NOW I'M CONVINCED. 685 00:27:13,257 --> 00:27:14,758 OHH. WELL, I REALLY DON'T CARE 686 00:27:14,758 --> 00:27:16,301 IF YOU'RE CONVINCED OR NOT, TIFANY. 687 00:27:16,301 --> 00:27:17,761 ONE "F." 688 00:27:17,761 --> 00:27:19,137 HMM, I THINK I KNOW 689 00:27:19,137 --> 00:27:20,889 WHERE THE OTHER ONE SHOULD GO. 690 00:27:28,939 --> 00:27:30,566 -HEY. -HEY. 691 00:27:30,566 --> 00:27:32,150 ARE YOU BUSY? 692 00:27:32,150 --> 00:27:33,986 UH, NO. I'M JUST WORKING ON A FEW NOTES 693 00:27:33,986 --> 00:27:35,654 J.P. GAVE ME. WHAT'S UP? 694 00:27:35,654 --> 00:27:37,364 I HOPE THEY AREN'T FOR "TOUGH LOVE." 695 00:27:37,364 --> 00:27:39,157 THAT SONG IS DOPE. IT DON'T NEED A DAMN THING. 696 00:27:39,157 --> 00:27:40,659 YOU'RE A GENIUS, GIRL. 697 00:27:40,659 --> 00:27:42,077 J.P. PLAYED YOU MY SONG? 698 00:27:42,077 --> 00:27:43,537 HE WANTS ME IN THE STUDIO ASAP 699 00:27:43,537 --> 00:27:45,289 SO WE CAN GET IT ON THE NEW ALBUM. 700 00:27:45,289 --> 00:27:47,165 I PROMISE I WON'T LET YOU DOWN. IT'S GONNA BE A HIT! 701 00:27:50,836 --> 00:27:53,630 HEY. HOW'D THE SHOPPING TRIP GO? 702 00:27:53,630 --> 00:27:56,049 GREAT. GOT A PAIR OF AIR JORDANS 703 00:27:56,049 --> 00:27:57,676 AND A LECTURE FROM OLIVIA 704 00:27:57,676 --> 00:27:59,177 ABOUT WHY WE SHOULDN'T GET MARRIED. 705 00:27:59,177 --> 00:28:00,554 OH. 706 00:28:00,554 --> 00:28:02,222 HOW WAS YOUR BACHELOR PARTY? 707 00:28:02,222 --> 00:28:05,058 BASICALLY THE SAME MINUS THE SHOES. 708 00:28:05,058 --> 00:28:07,019 WELL, I GOT YOU SOME. 709 00:28:07,019 --> 00:28:09,104 -THANK YOU, BABY. -YOU'RE WELCOME. 710 00:28:09,104 --> 00:28:11,648 JORDAN, LISTEN-- 711 00:28:11,648 --> 00:28:14,067 I THINK YOU BOTH HAVE SAID ENOUGH ALREADY. ALL RIGHT? 712 00:28:14,067 --> 00:28:15,736 THIS IS EXACTLY WHY I WANTED TO KEEP IT A SECRET. 713 00:28:15,736 --> 00:28:17,905 WE DIDN'T WANT ALL THIS NEGATIVE ENERGY 714 00:28:17,905 --> 00:28:19,907 FROM PEOPLE WHO JUST DON'T GET IT. 715 00:28:19,907 --> 00:28:22,409 LOOK, WE LOVE EACH OTHER. ALL RIGHT? 716 00:28:22,409 --> 00:28:24,077 AND WE'RE GETTING MARRIED. IT'S THAT SIMPLE. 717 00:28:24,077 --> 00:28:25,621 ALL RIGHT. IF YOU GUYS CAN'T BE HAPPY FOR US, 718 00:28:25,621 --> 00:28:27,164 THEN THE SOLUTION IS EVEN SIMPLER. 719 00:28:27,164 --> 00:28:28,999 YOU'RE NO LONGER INVITED. 720 00:28:28,999 --> 00:28:30,500 COME ON. 721 00:28:37,925 --> 00:28:39,551 YOU WANT TO FLEX, J.P.? 722 00:28:39,551 --> 00:28:41,345 YOU'RE MESSING WITH THE WRONG ONE. 723 00:28:54,900 --> 00:28:57,486 I CAN'T STOP THINKING ABOUT THE LOOK ON THEIR FACES. 724 00:28:57,486 --> 00:28:59,780 YEAH. THAT WAS WORSE THAN DISAPPOINTED MOM FACE. 725 00:28:59,780 --> 00:29:02,157 I NEVER SEEN THEM LIKE THAT. AND WE DID THAT TO THEM. 726 00:29:02,157 --> 00:29:05,077 I MEAN, WHO ARE WE TO TELL THEM WHAT TO DO? 727 00:29:05,077 --> 00:29:07,204 AND THEY'RE OBVIOUSLY IN LOVE. 728 00:29:07,204 --> 00:29:10,540 WE SHOULD ALL BE SO LUCKY. 729 00:29:10,540 --> 00:29:12,501 AND IT'S NOT LIKE WE HAVE IT ALL FIGURED OUT. 730 00:29:12,501 --> 00:29:16,254 I JUST PAID 10 BUCKS TO GET YOU CLARITY. 731 00:29:16,254 --> 00:29:18,715 MY PARENTS DEFINITELY DON'T. 732 00:29:18,715 --> 00:29:20,884 HEY, OBVIOUSLY, MINE DIDN'T EITHER. 733 00:29:20,884 --> 00:29:23,053 BUT MAYBE JORDAN AND SIMONE DO. 734 00:29:23,053 --> 00:29:24,596 THAT'S WHAT COCO SAID. 735 00:29:24,596 --> 00:29:26,723 THEY'RE GONNA HAVE ENOUGH PEOPLE TELLING THEM 736 00:29:26,723 --> 00:29:30,352 THEY MADE A MISTAKE, LIKE YOUR MOM AND POPS. 737 00:29:30,352 --> 00:29:33,105 NOT TO MENTION SIMONE'S PARENTS 738 00:29:33,105 --> 00:29:35,565 AND PRETTY MUCH EVERYONE ELSE. 739 00:29:35,565 --> 00:29:37,818 YEAH, ESPECIALLY J.J., WHEN HE REALIZES 740 00:29:37,818 --> 00:29:39,403 HIS WINGMAN'S GONE FOR GOOD. 741 00:29:43,323 --> 00:29:45,951 I MEAN, THEY'RE GONNA BE ALL ALONE IN THIS. 742 00:29:45,951 --> 00:29:48,245 MAYBE HIS SISTER AND BEST FRIEND 743 00:29:48,245 --> 00:29:49,913 SHOULD HAVE THEIR BACK. 744 00:29:51,415 --> 00:29:54,167 YEAH. MAYBE IT'S NOT TOO LATE. 745 00:30:03,010 --> 00:30:06,930 I THINK ALL FAMILIES FIGHT BEFORE WEDDINGS. 746 00:30:06,930 --> 00:30:09,391 IT MIGHT EVEN BE A RITE OF PASSAGE. 747 00:30:09,391 --> 00:30:11,727 YEAH, AND WE DEFINITELY PASSED. 748 00:30:13,854 --> 00:30:16,523 YOU DON'T THINK THAT WE'RE MAKING A MISTAKE, DO YOU? 749 00:30:16,523 --> 00:30:20,027 I MEAN, WE BOTH HAVE SAID "THIS IS CRAZY" MORE THAN ONCE. 750 00:30:20,027 --> 00:30:22,029 'CAUSE IT IS CRAZY. 751 00:30:22,029 --> 00:30:25,532 BUT I DON'T THINK WE'RE MAKING A MISTAKE. 752 00:30:27,576 --> 00:30:30,495 I THINK PEOPLE FREAK OUT ABOUT THE WORD "MARRIED," 753 00:30:30,495 --> 00:30:33,290 AND ALL WE'RE SAYING IS THAT WE LOVE EACH OTHER 754 00:30:33,290 --> 00:30:36,126 AND WE WANT TO BE TOGETHER IN A REAL WAY. 755 00:30:36,126 --> 00:30:38,503 HOW COULD THAT BE A MISTAKE? 756 00:30:38,503 --> 00:30:42,257 HUH. YEAH. THAT'S WHAT COCO SAID. 757 00:30:42,257 --> 00:30:45,552 OK. DEVIL'S ADVOCATE. 758 00:30:45,552 --> 00:30:48,430 WE CAN STILL BE TOGETHER AND NOT BE MARRIED. 759 00:30:48,430 --> 00:30:50,057 I MEAN, THAT'S WHAT MOST COUPLES DO, 760 00:30:50,057 --> 00:30:51,808 ESPECIALLY COUPLES OUR AGE. 761 00:30:54,728 --> 00:30:57,064 IS THAT WHAT YOU WANT? 762 00:30:57,064 --> 00:30:59,357 ...YOUR LOVELY WEDDED WIFE 763 00:30:59,357 --> 00:31:00,984 TO HAVE AND TO HOLD 764 00:31:00,984 --> 00:31:03,320 IN SICKNESS AND IN HEALTH 765 00:31:03,320 --> 00:31:05,197 FOR BETTER OR FOR WORSE... 766 00:31:07,699 --> 00:31:09,951 NO. YOU KNOW WHAT? SCREW WHAT EVERYONE ELSE THINKS. 767 00:31:09,951 --> 00:31:12,913 EVEN IF IT IS A MISTAKE, IT'S OUR MISTAKE TO MAKE. 768 00:31:12,913 --> 00:31:16,500 I WANT TO MARRY YOU, SIMONE. 769 00:31:16,500 --> 00:31:18,835 I WANT TO START SPENDING THE REST OF MY LIFE WITH YOU TODAY 770 00:31:18,835 --> 00:31:21,213 IN A REAL WAY. 771 00:31:21,213 --> 00:31:23,131 DO YOU WANT TO MARRY ME? 772 00:31:23,131 --> 00:31:27,385 I THINK THAT'S THE FIRST TIME YOU PROPOSED FOR REAL. 773 00:31:27,385 --> 00:31:29,930 UP UNTIL NOW, WE'VE BEEN SAYING, 774 00:31:29,930 --> 00:31:31,640 "WHY NOT?" 775 00:31:34,142 --> 00:31:36,103 SO WHAT'S YOUR ANSWER? 776 00:31:36,103 --> 00:31:37,646 WHY NOT? 777 00:31:39,606 --> 00:31:42,109 YES. 778 00:31:42,109 --> 00:31:44,653 JORDAN BAKER... 779 00:31:44,653 --> 00:31:47,114 I WANT TO MARRY YOU. 780 00:31:50,158 --> 00:31:51,618 OK. 781 00:31:51,618 --> 00:31:56,498 COME ON. THEN LET'S DO THIS. 782 00:31:56,498 --> 00:31:58,375 LET'S GET MARRIED, 783 00:31:58,375 --> 00:32:00,460 EVEN IF IT IS JUST YOU AND ME AGAINST THE WORLD. 784 00:32:02,838 --> 00:32:04,840 NOT THE WHOLE WORLD. 785 00:32:04,840 --> 00:32:07,676 DON'T WORRY. WE'RE NOT HERE TO OBJECT. 786 00:32:07,676 --> 00:32:09,553 ANY MORE THAN WE ALREADY HAVE. 787 00:32:12,389 --> 00:32:15,183 LOOK, WE WANT YOU TWO TO BE HAPPY. 788 00:32:15,183 --> 00:32:19,855 AND IF THIS MAKES YOU HAPPY, THEN WE WANT TO BE THERE FOR YOU. 789 00:32:19,855 --> 00:32:21,857 YEAH. WE DON'T WANT TO STAND IN YOUR WAY. 790 00:32:21,857 --> 00:32:23,859 WE WANT TO STAND BESIDE YOU. 791 00:32:23,859 --> 00:32:26,945 IF YOU'LL STILL HAVE US, OBVIOUSLY. 792 00:32:28,780 --> 00:32:33,160 ♪ WON'T YOU CONSIDER ME? ♪ 793 00:33:00,395 --> 00:33:02,564 HEY. 794 00:33:02,564 --> 00:33:03,899 WHAT'S UP, BABY? EVERYTHING OK? 795 00:33:03,899 --> 00:33:05,567 YEAH, THIS IS REALLY COOL. 796 00:33:05,567 --> 00:33:07,569 I'M REALLY PROUD OF YOU. 797 00:33:07,569 --> 00:33:09,321 HEY, WAIT TILL TONIGHT, WHEN ALL MY FRIENDS ARE IN THE CROWD. 798 00:33:09,321 --> 00:33:10,906 THIS ABOUT TO BE THE BEST SHOW YET. 799 00:33:10,906 --> 00:33:12,532 I KNOW. 800 00:33:12,532 --> 00:33:15,243 UM, HEY, LIL JEWEL, SHE'S MARRIED, RIGHT? 801 00:33:15,243 --> 00:33:17,579 YEAH. WHY? 802 00:33:17,579 --> 00:33:19,497 NO. I WAS JUST CURIOUS. I WAS JUST ASKING. 803 00:33:19,497 --> 00:33:22,375 OK. SO WHAT'S UP? HOW'D IT GO WITH J.P.? 804 00:33:22,375 --> 00:33:24,044 WHAT DOES HE THINK OF THE NEW SONG? 805 00:33:24,044 --> 00:33:27,005 YEAH, HE LIKED IT. HE LIKED IT A LOT. 806 00:33:27,005 --> 00:33:30,842 SO THERE'S NO NEED TO BRING IN THE BIG DOGS. YOU'RE FINE. 807 00:33:30,842 --> 00:33:32,761 OF COURSE HE DID. 808 00:33:32,761 --> 00:33:35,263 BECAUSE IF HE DIDN'T, I WAS READY TO GO JUNKYARD ON HIS ASS. 809 00:33:35,263 --> 00:33:36,514 STRAIGHT UP. 810 00:33:36,514 --> 00:33:38,308 I KNOW YOU WOULD'VE. 811 00:33:38,308 --> 00:33:39,559 I LOVE YOU. 812 00:33:39,559 --> 00:33:41,228 I'M REALLY PROUD OF YOU. 813 00:33:42,604 --> 00:33:45,065 THERE ARE ALWAYS GONNA BE PEOPLE 814 00:33:45,065 --> 00:33:48,193 WHO ASK WHY WE GOT MARRIED SO YOUNG. 815 00:33:48,193 --> 00:33:51,947 AND MY ANSWER WILL ALWAYS BE THE SAME. 816 00:33:51,947 --> 00:33:54,991 WHEN YOU KNOW, YOU KNOW. 817 00:33:56,576 --> 00:33:58,954 AND THIS IS HOW I KNOW. 818 00:33:58,954 --> 00:34:03,959 I KNOW BECAUSE I'M A DIFFERENT MAN AROUND YOU, SIMONE. 819 00:34:03,959 --> 00:34:05,752 A BETTER MAN, 820 00:34:05,752 --> 00:34:09,089 THE MAN I'VE ALWAYS WANTED TO BE. 821 00:34:09,089 --> 00:34:10,924 YOU KNOW, YOU'RE GOOD AT THIS-- 822 00:34:10,924 --> 00:34:14,177 MAKING PEOPLE FEEL BETTER. 823 00:34:14,177 --> 00:34:16,388 I KNOW BECAUSE I THINK ABOUT YOU 824 00:34:16,388 --> 00:34:18,223 EVEN WHEN YOU'RE NOT AROUND. 825 00:34:20,642 --> 00:34:24,562 AND I KNOW THAT YOU'LL ALWAYS LOVE ME, 826 00:34:24,562 --> 00:34:26,731 EVEN AT MY WORST. 827 00:34:26,731 --> 00:34:31,611 HELP! STOP, STOP... 828 00:34:31,611 --> 00:34:35,824 YOU'RE THE ONE FOR ME, SIMONE. 829 00:34:35,824 --> 00:34:38,034 I KNOW THAT. 830 00:34:38,034 --> 00:34:41,663 TIANA MAJOR9 &♪ WHEN I CRASH INTO YOU, YOU... ♪ 831 00:34:41,663 --> 00:34:44,165 JORDAN, WHEN I FIRST MET YOU, 832 00:34:44,165 --> 00:34:47,210 MY LIFE, IT WAS A MESS. 833 00:34:47,210 --> 00:34:50,922 AND I NEVER FELT SO ALONE. 834 00:34:50,922 --> 00:34:53,133 ♪ LET ME TELL YOU... ♪ 835 00:34:53,133 --> 00:34:55,844 BUT ONCE I LET YOU INTO MY LIFE, 836 00:34:55,844 --> 00:35:00,307 I HAD NEVER FELT SO SAFE AND SO LOVED. 837 00:35:00,307 --> 00:35:02,392 ♪ AND I DON'T CARE ABOUT THE FUTURE OR THE PAST ♪ 838 00:35:02,392 --> 00:35:04,686 ♪ I DON'T CARE, I DON'T CARE, NO, NO ♪ 839 00:35:04,686 --> 00:35:06,187 ♪ RIDING SLOW 'CAUSE YOU KNOW... ♪ 840 00:35:06,187 --> 00:35:08,064 AND YOU PROBABLY DON'T KNOW THIS, 841 00:35:08,064 --> 00:35:11,067 BUT BEING WITH YOU, IT SAVED MY LIFE. 842 00:35:11,067 --> 00:35:15,113 ♪ WHEN WE COLLIDE ♪ 843 00:35:15,113 --> 00:35:18,033 ♪ WHEN WE COLLIDE ♪ 844 00:35:18,033 --> 00:35:21,161 ♪ IT'S A BEAUTIFUL DISASTER ♪ 845 00:35:21,161 --> 00:35:23,997 ♪ WHEN I CRASH INTO YOU ♪ 846 00:35:23,997 --> 00:35:26,374 ♪ YOU, YOU... ♪ 847 00:35:26,374 --> 00:35:27,625 RINGS? 848 00:35:27,625 --> 00:35:29,252 IT'S IN HERE SOMEWHERE. 849 00:35:29,252 --> 00:35:30,754 HERE WE ARE. 850 00:35:37,302 --> 00:35:38,678 TIANA MAJOR9 & ♪ WITHOUT YOU ♪ 851 00:35:38,678 --> 00:35:43,016 ♪ I'M JUST A FRACTION ♪ 852 00:35:43,016 --> 00:35:45,268 ♪ CLOSING IN ON MY DEMISE... ♪ 853 00:35:45,268 --> 00:35:46,936 JORDAN, DO YOU TAKE SIMONE-- 854 00:35:46,936 --> 00:35:49,356 UH, DO YOU MIND IF WE JUST SKIP TO THE PART 855 00:35:49,356 --> 00:35:50,899 WHERE I GET TO KISS HER, BOSS? IS THAT COOL? 856 00:35:50,899 --> 00:35:52,484 I NOW PRONOUNCE YOU MAN AND WIFE. 857 00:35:52,484 --> 00:35:53,526 YOU MAY KISS THE BRIDE. 858 00:35:53,526 --> 00:35:55,278 THANK YOU. 859 00:35:55,278 --> 00:35:57,405 TIANA MAJOR9 & ♪ WHEN WE COLLIDE ♪ 860 00:35:57,405 --> 00:36:00,408 ♪ IT'S A BEAUTIFUL DISASTER ♪ 861 00:36:00,408 --> 00:36:03,119 ♪ WHEN I CRASH INTO YOU ♪ 862 00:36:03,119 --> 00:36:07,123 ♪ YOU, YOU ♪ 863 00:36:07,123 --> 00:36:09,793 ♪ CRASH INTO YOU ♪ 864 00:36:09,793 --> 00:36:12,837 ♪ YOU, YOU ♪ 865 00:36:21,096 --> 00:36:23,014 I'M SORRY I SLIPPED OUT. 866 00:36:23,014 --> 00:36:24,974 I HAD TO MAKE A STOP. 867 00:36:27,519 --> 00:36:29,896 YOU GOING SOMEWHERE? 868 00:36:29,896 --> 00:36:32,732 COMING HERE WAS A MISTAKE. 869 00:36:32,732 --> 00:36:34,442 I WANTED YOU HERE. 870 00:36:36,486 --> 00:36:38,154 THAT'S WHY I CALLED YOU. 871 00:36:42,117 --> 00:36:44,119 OK, THIS HAS GOT TO STOP. 872 00:36:44,119 --> 00:36:46,204 YOU'VE BEEN REARRANGING MY MAKEUP TABLE ALL DAY, 873 00:36:46,204 --> 00:36:47,831 AND I ONLY GOT 3 THINGS ON IT. 874 00:36:47,831 --> 00:36:50,708 SIX. I ADDED ONE FOR BALANCE. 875 00:36:50,708 --> 00:36:52,877 IT DOES LOOK NICE. 876 00:36:52,877 --> 00:36:55,755 LOOK--DAMN. NOW YOU GOT ME DOING IT. ALL RIGHT. 877 00:36:55,755 --> 00:36:58,091 ENOUGH, BECAUSE WE BOTH KNOW WHAT THIS IS REALLY ABOUT. 878 00:36:58,091 --> 00:37:00,260 SPENCER. 879 00:37:00,260 --> 00:37:03,388 EH, BEFORE YOU ACT THE FOOL AND TRY TO DENY IT, 880 00:37:03,388 --> 00:37:05,682 JUST NOD BECAUSE YOU KNOW I'M RIGHT. 881 00:37:06,975 --> 00:37:09,227 OK, THEN. 882 00:37:09,227 --> 00:37:10,562 GO AND GET YOUR MAN ALREADY. 883 00:37:10,562 --> 00:37:12,397 NOW? 884 00:37:12,397 --> 00:37:14,107 YES, NOW! 'CAUSE ALL YOUR FIDGETING GETTING ON MY NERVES. 885 00:37:14,107 --> 00:37:16,151 WELL, WHAT--WHAT IF SPENCER DOESN'T WANT THIS? 886 00:37:16,151 --> 00:37:18,069 OF COURSE IT'S WHAT HE WANTS. 887 00:37:18,069 --> 00:37:20,947 HE TOLD YOU HISSELF THAT HE WOULD WAIT UNTIL YOU WERE READY. 888 00:37:20,947 --> 00:37:23,283 AND YOU LOOK READY TO ME. 889 00:37:23,283 --> 00:37:25,910 WELL, I CAN'T LEAVE BEFORE SOUNDCHECK. 890 00:37:25,910 --> 00:37:27,787 OK. 891 00:37:27,787 --> 00:37:30,915 MIC CHECK. 1, 2. 892 00:37:32,125 --> 00:37:35,420 MIC CHECK. 1, 2, 1, 2. 893 00:37:35,420 --> 00:37:38,798 NOW GO GET SPENCER. 894 00:37:38,798 --> 00:37:41,634 YES. NOW. GO. 895 00:37:57,233 --> 00:38:00,487 THE PSYCHIC WAS RIGHT ABOUT ONE THING. 896 00:38:00,487 --> 00:38:02,906 I NEEDED CLARITY. 897 00:38:04,908 --> 00:38:06,576 I GOT IT NOW. 898 00:38:10,622 --> 00:38:12,540 SPENCER. 899 00:38:33,728 --> 00:38:36,105 I LOVE YOU. 900 00:38:36,105 --> 00:38:39,651 I AIN'T EVEN SURE WHEN IT HAPPENED. 901 00:38:39,651 --> 00:38:41,361 MAYBE IT WAS THE NIGHT I GOT SHOT 902 00:38:41,361 --> 00:38:45,823 OR WATCHING MOVIES WITH YOU ALL SUMMER 903 00:38:45,823 --> 00:38:48,451 OR MAYBE IT'S BEEN SINCE MY FIRST DAY AT BEVERLY 904 00:38:48,451 --> 00:38:51,287 AND I JUST AIN'T REALIZED IT, BUT I KNOW NOW. 905 00:38:51,287 --> 00:38:56,084 I'M IN LOVE WITH YOU. 906 00:38:56,084 --> 00:38:57,877 WE CAN'T. 907 00:38:57,877 --> 00:39:00,046 WHAT ABOUT LAYLA AND ASHER? 908 00:39:00,046 --> 00:39:02,799 OH, I KNOW. I KNOW. I KNOW. I CARE ABOUT LAYLA. I DO. 909 00:39:02,799 --> 00:39:06,469 BUT THERE'S A REASON YOU'RE HERE WITH ME NOW, OK? 910 00:39:06,469 --> 00:39:09,097 THERE'S A REASON WE'RE TOGETHER. 911 00:39:10,306 --> 00:39:12,767 LOOK AT JORDAN AND SIMONE. 912 00:39:12,767 --> 00:39:14,894 IF TODAY TOLD ME ANYTHING, 913 00:39:14,894 --> 00:39:17,480 IT CLARIFIED FOR ME THAT IF YOU GOT A CHANCE AT 914 00:39:17,480 --> 00:39:21,609 REAL HAPPINESS, YOU GOT TO TAKE IT... 915 00:39:21,609 --> 00:39:23,903 ♪ HOW DO YOU GO FROM TALKING EVERY DAY... ♪ 916 00:39:23,903 --> 00:39:25,363 NO MATTER WHAT. 917 00:39:25,363 --> 00:39:27,740 ♪ TO WILL WE EVER SPEAK AGAIN ♪ 918 00:39:27,740 --> 00:39:31,619 ♪ WITH SOMEONE YOU KNOW SO WELL ♪ 919 00:39:31,619 --> 00:39:32,870 ♪ SO WELL ♪ 920 00:39:32,870 --> 00:39:34,664 I'M SORRY, SPENCER. 921 00:39:34,664 --> 00:39:37,000 ♪ STILL EXISTS, BUT IT'S SOMEBODY ELSE ♪ 922 00:39:37,000 --> 00:39:39,544 ♪ AND NOBODY TELLS YOU ♪ 923 00:39:39,544 --> 00:39:43,881 ♪ HOW IT'S SUPPOSED TO END? ♪ 924 00:39:43,881 --> 00:39:46,092 ♪ HOW TO LOSE A FRIEND ♪ 925 00:39:51,890 --> 00:39:54,100 ♪ NOW WE'RE STRANGERS ♪ 926 00:39:54,100 --> 00:39:56,227 ♪ WITH THE SAME MEMORIES ♪ 927 00:39:56,227 --> 00:39:58,229 ♪ I REMEMBER ♪ 928 00:39:58,229 --> 00:40:02,358 ♪ THIS PAST NEW YEAR'S EVE, WE WERE LYING IN YOUR BED ♪ 929 00:40:02,358 --> 00:40:04,485 ♪ TALKING 'BOUT OUR DREAMS ♪ 930 00:40:04,485 --> 00:40:07,155 ♪ AND I THOUGHT THAT WAS THE WAY IT WAS ALWAYS GONNA BE... ♪ 931 00:40:07,155 --> 00:40:08,823 JUST DON'T LEAVE THINGS LIKE THIS. 932 00:40:21,502 --> 00:40:23,087 ♪ NOBODY TELLS YOU... ♪ 933 00:40:24,464 --> 00:40:27,550 ♪ HOW IT'S SUPPOSED TO END ♪ 934 00:40:27,550 --> 00:40:29,928 ♪ HOW DO YOU GO FROM... ♪ 935 00:40:29,928 --> 00:40:31,137 LAYLA. 936 00:40:31,137 --> 00:40:32,847 -HEY. -HEY. 937 00:40:32,847 --> 00:40:34,349 WHAT YOU DOING HERE? 938 00:40:34,349 --> 00:40:35,725 AIN'T COOP'S SHOW ABOUT TO START? 939 00:40:35,725 --> 00:40:38,519 YEAH. UM, I JUST WANTED TO THANK YOU. 940 00:40:38,519 --> 00:40:40,146 FOR WHAT? 941 00:40:40,146 --> 00:40:43,441 FOR BEING THERE FOR ME THROUGH EVERYTHING, 942 00:40:43,441 --> 00:40:45,860 HAVING PATIENCE, 943 00:40:45,860 --> 00:40:49,030 FOR LOVING ME ENOUGH TO WAIT TILL I WAS READY. 944 00:40:49,030 --> 00:40:52,033 I'M READY NOW. 945 00:40:52,033 --> 00:40:55,286 I LOVE YOU, SPENCER. 946 00:40:55,286 --> 00:40:56,996 I NEVER STOPPED LOVING YOU. 947 00:40:56,996 --> 00:40:58,831 ♪ I STILL MISS YOU ♪ 948 00:40:58,831 --> 00:41:00,875 -♪ STILL MISS YOU ♪ -♪ HOW DO YOU... ♪ 949 00:41:00,875 --> 00:41:03,878 ♪ OOH OOH OOH OOH ♪ 950 00:41:03,878 --> 00:41:05,880 SPENCER, LISTEN TO ME. 951 00:41:05,880 --> 00:41:09,217 YOU COMING HERE WAS NOT A MISTAKE, 952 00:41:09,217 --> 00:41:12,095 AND ME KISSING YOU WAS NOT A MISTAKE. 953 00:41:12,095 --> 00:41:16,140 US BEING TOGETHER WOULD NOT BE A MISTAKE, LIV. 954 00:41:18,518 --> 00:41:21,729 -SPENCER, -LOOK, I KNOW YOU FEEL THE SAME WAY. 955 00:41:21,729 --> 00:41:25,233 SO PLEASE DON'T LEAVE THINGS LIKE THIS. 956 00:41:25,233 --> 00:41:28,653 ♪ ...HOW IT'S SUPPOSED TO END ♪ 957 00:41:28,653 --> 00:41:32,198 ♪ HOW DO YOU GO FROM TALKING EVERY DAY... ♪ 958 00:41:32,198 --> 00:41:34,200 ♪ TO WILL WE EVER SPEAK AGAIN? ♪ 959 00:41:36,077 --> 00:41:39,539 ♪ STILL EXISTS, BUT IT'S SOMEBODY ELSE ♪ 960 00:41:39,539 --> 00:41:41,791 ♪ AND NOBODY TELLS YOU ♪ 961 00:41:41,791 --> 00:41:45,378 ♪ HOW IT'S SUPPOSED TO END ♪ 962 00:41:45,378 --> 00:41:49,590 ♪ HOW TO LOSE A FRIEND ♪ 963 00:42:19,662 --> 00:42:21,122 GREG, MOVE YOUR HEAD. 66360

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