All language subtitles for Stanley Kubrick - The Cinematic Experience

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Original subtitles

Born July 26

28 New York City my father is a doctor

I had a few intellectual interest as a child

Was the school Misfit and I I don't think I read a

book for pleasure until after I graduated high school

I had that one thing I think

that that that perhaps help me

Get over being a misfit that's gonna stay the night in

fact I became action photography I mean at this point

Cameraman assistant cameraman

Director of everything

You have to have patience because some

If you don't cure on frustrations proved to

be too much of a distraction it is this pillow

It's like those games where you take a lullabies

in the place sometimes has more balls or jiggling

And if you allow yourself to become

irritated then it's just another distraction

Your first experience with Kubrick film

Will be a somewhat perplexing one

The distinguished approach to filmmaking

can make it difficult to comprehend

What's alone analyze what you just seen

Weather if you do find yourself

delving into the softest s'ouvre

And you'll discover filmography

comprise notes of accessibility

Experimentation

Headed by director hewescraft becomes established

through a desire to reshape cinematic form itself

Defined by constant need for

continual change in technique

Where everything becomes

centered around reinvention

Is a strenuous task to look

at the work to Stanley Kubrick

Without coming across as panegyric

Why have to make that process

When discussing possibly the

most celebrated visual artists of the 20

You know everybody pretty much

The man

And

I still feel that underwrites him

So what's this about Kubrick film The

escalating into the highest Terrace Cinema

Will you find that every project

has received is an autistic Revolution

Not just in the context of his other one

When the domain is film itself

Is filmmaking techniques a striking

Belize sailing approaches to find

them on as a directive extremes

Open content and

Dispose don't deal with intimate dramas

Examine the grandiose characteristic

Exploring the deteriorating effects of War

All the secrets kept by Society

So they may partake in that Doc is fun to see

High concept subject matter

Filmmaking techniques

delivered with such ferocity

It redefine The Cinematic experience

Redefined to such a degree

The logic almost dissipates

NPO experiential

Takes over

Few other filmmakers much

to attention to detail in his work

Ice protest

Think of what is way to reshape life

Kobe saying is the origin of this

Because to think of all is having

responsibilities other than just to be on.

Elevates its importance

in the mind of its creator

Wouldn't most convey a message

You must have a purpose

The Creator style of directing for Kubrick

every single elements on screen with motivate

Uncharted 2 movement 2 costume design

Everything has a meaning

Doesn't a measurable degree of depth in Kubrick collection

of work duties refined conscientious filmmaking Style

Because when every detail becomes a necessary

intellectual component of a narrative

Become simpler to understand

this prestige in the medium

I first saw 2001 I didn't like

Three or four months later I was just

Woman in

California

I went to see it again

I liked it a lot more

Couple of years later I saw it

again and I thought this is really

Sensational movie and

It was one of the few times in my life that

I realize that the artist

Was much ahead of me

In order to research this project

I decided to visit the Stanley

Kubrick archives in London

My time that I was spent rummaging through

What is upon boxes of reset

Material script Amendment StoryBots

Is a Haven of everything

from his films that you could

Possibly imagine

What are discovered

What's the procedure of

how Kubrick would make a film

Listening to every stage required a

meticulous approach in the molding of them

Arrival is research

And his work ethic boarded on the up sex

This experience was how I imagined

is to see a great painters brushes

It was a way to gain a brief glimpse

The mind of a master at work

Across all phases of cubics projects

Diligent attention to detail can be found

It was a man who even though

he was financed by the studios

Get a good enough reputation that men

He can maintain full creative control

Disadvantage

Every area

Every project

I remember one of them

But I had one

Was it is

When he was working on the polian

And she had a grid

Great detail grid

Cover the wall

He was counting

The figures

Each of these little

Squares

The made-up the grid

Reproduction may have meant

location scouting an entire city

Just to find the perfect do away

During filming it was an unknown

for wanting to have over 50 take

And once the film is finished

The Edison mayor's being the most of minding task

Kubrick would have countless reaction show

Instead of settling simply with one that worked

It would go through every single take

Teen Titans control even continue to

Kubrick's involvement with distribution

Checking all the prince sent to Cinemas

Even visiting a few status himself

Many may look upon this

work ethic and find extensive

Police need to complete his vision and

the determination he could shoot it with

Is what gave Kubrick films

What exactly are people referring to

when they refer to that's inaccurate film

Many artists

When they put a canvas up

They start with

Very detailed pencil Strokes Trace

Small delicate

Pencil Strokes

Stanley

Conceptual all this

My point of view

Large

Primary colors

And he would just like

Beat out these Concepts

What was the culmination of this method

Well it's one thing to have control

What's a fuse that's with Kubrick's

tendency for dynamic visual storytelling

Granted every visual aspect of the frame

An almost sacred quality

This is one thing. Should be remembered for

They say he changed the way visual stories told

By manipulating The Muse on sand

in a way that hasn't been done before

Who is able to communicate

through his own unique methods

Backgrounds and supporting

areas at the main narrative

Contains some of the most Vital

Information through its imagery

A majority of the film steamatic presents

those became hidden in plain sight

This resulted in films with a

multitude of narrative layers

Kubrick's nursery Focus

existed perpetually in a gray area

You would never sacrifice the main subject story

However his ostensible subject matter

Concealed the true messages within his films

With Kubrick

Camera movement was more

than just a counter-movement

And an action was more than just an option

This method of articulating

ideas was one wearing everything

Cinta containable meaning

One that service and narrative

And another

To deliver a symbolic connotation

He reaches over to shake Jack Nicholson's hand

in so step through that scene frame by frame

And the minute that he and Jack Nicholson

Touch hands

And right after the lines

which is nice to see you

You can say

I ate a paper tray

On the desk

Turns into

A very large straight on hardened

coming out of Barry Nelson Princeton

Instacart to intentions were

disguised in their options

Fixes to Tops on the red table

I was just

Manchester to tops of Red Cloak star

On the wrestler

Akubra carefully choreographed

the sequence down to each step

Similarly in clockwork

Alex's enjoyment of violence is demonstrated

32 cakes on the writer

Matched with the two top

In the bathtub

Andes at a less extreme example

Because of Cubix fascination with the visuals

Is Transcendence that usage in his films

3 implemented in the most abstract form

Pure symbolism

Hubert's manner of filmmaking was to deliver

all of the information to the audience

Just not tell them that that information is that

Because he found that the least

effective way to tackle ambitious themes

What to do so Direct

So instead

DeSoto seed

How to be planted

Into the audience

Kubrick raise the importance

of a symbolic narrative

2 equals

What is main subject matter

And in doing so

Is films below-the-line at the conscious

And the unconscious

Kubricky and storytelling can

be summed up by saying that it's

Audiences job

Discover meaning for themselves

It is accomplished

By complimenting those two opposing forces

I think I was trying to suggest

something about the duality of man sir

Duality of man the jungian thing sir

The most important part of watching a

Kubrick film is how the experience feels

The analysis of its reasoning

His film the puzzles that

the viewer must Assemble

Quoting Warcraft

In all things mysterious

Never explain

Kubrick avoided offering ounces in

his work each film is merely a hypothesis

Never abandoning the key subjects of his

films they always remained his main focus

I was the one that you cease

Wikipedia vessel for the

filmmaker to explore greater themes

Is films a method of expressing an idea

Without suffering explanation to it

Because when an audience

must create meanings themselves

Attach them to think on a

higher plane of conscious

Remenda

Kubrick wanted to reshape lives

we see this even in his subject

Writer Michelle Seaman

That the eyes watched show in

The Shining opposite and intention

One is about the dangers

of being pent up in family life

Where's the other is about the

dangers of strain too far from the family

These could be viewed contradictory ideals

Keurig doesn't say that either is right

The themes don't offer conclusion

The filmmaker is holding a mirror tools

And I seen that we figure out

Many Kubrick films can be viewed as allegory

Is first film fare in bisaya

is a very obvious example

Pilot selfie

Is the themes of the film

Over the course of his career Glen that the key

to his ideas cinematic experience is ambiguity

Princeton take out transitions

be used in a daily walk

3 days later at 10:15 on a Tuesday Morning

County clay began the final preparation

And hit a Olathe

What's your experience with the priority

Kubrick understood the

exposition isn't always necessary

Best wax on the continent piscine

And then figure out how that

message can be translated cinematically

The Kubrick is to be injected

in the simplest of ways

Because of his prestigious control

Character relationships surreptitiously

convey through the art Department

Positioning displaying paradigm shift

Papa hops

The things that remain the same

Does the circularity at the films

details throughout Kubrick's work

Take me to re-emerge later in the piece

So that seems to be compared

and contrasted with one another

This is how cubic. With his grumpiness

Envisioning his films a self-contained ideas

The Crow and more throughout their expression

Is ideas do in real life

Visuals with Kubrick's biggest Ally

He utilized the notion that

all elements within an image

Have the capacity to convey something

Something that the audience must figure out

The jigsaw

Where peace is not so much missing

As it is purposely concealed

This

Is how Cinema is done

Sweetheart

What's an artist is nothing without form

In filmmaking techniques

are the trademarks if any direct

So what was Kubrick known for

I refer to Kubrick earlier

as a director of extremes

Can I use this definition

because of the frequency

As well as the intensity of his techniques

Kubrick films often feel very distant

And that's because that's supposed to be

You can send to certain barrier

between the viewer and the film's universe

I've already that strengthened by the film

Cinema City methods to disengage The View

From personally identifying with the well

Techniques that stand out or essential

Because cubert was creating unique perspective

This was an hour well

This world is exclusive of the movie

One of the things you said to me

that I've always remembered was in

Movies you don't

You don't try and photograph the reality

Try and photograph the

Photograph

The reality

First we need to examine the

artistic decisions that Kubrick made

Are we can categorize the purpose

of many as methods to exaggerate

Distract

I'm retired a friend Sydney to

amplify whatever was on screen

Why don't girls become extremely odd angles

Blowing Olympic home extremely low angles

The reason behind his penchant for excessive

What's because cubic emphasizes a reality

Represent a waltz representation of humanity

And the university film replicates

This is a metaphoric reality

Cinematic reality

His methods always reminded us at the

I thought it was crucial that they be distinctive

Take a look at Zoom strike sample

Turn almost absent to Liz Cinema nowadays

just because of how distracting they are

YouTuber accused them religiously

There's certain rules that filmmakers typically

We follow so that they can

retain audience immersion

Book he breaks all to

continually break these rules

To utilize the techniques that what you need

The camera movement the Addison

Tighten them

So that he could distinguish his world

A separate from our own

Intern

Acknowledge and embrace

Symbolic nature

This can be seen even further

with the inhabitants of these world

Because Cubix Focus revolves

heavily around Humanity

The acting was what

With heavy scrutiny

Cubic typically let shots

ride out with very little editing

Can only build to a climax

What's a focus on an

Austin during dialogue scenes

Sometimes the only thing

shown would be the reaction show

Cubic sauce at more important to

show how people deal with that situations

Rather than the situations themselves

Focusing on the reaction get

this message across very well

As you isolate the effects

Kubrick legionfall go-karts was looking at

Just a focus on that face

Removing what would typically be a close-up

Another example of reducing

information delivered to the audience

But whenever possible

Action and reaction

Would be in the same shot

I'm coming through fine to it

Good then

Displaying the exaggerated depiction of humanity

Becomes evident in the performance itself

Cupid want said that it can be very difficult

not to have a cynical view of Human Relationships

I just pessimistic view, ignored from his what

Is it becomes very visible in his carrot

Expressions

And performance

We see the infamous Kubrick glass

What phases can talk into the

most Sinister forms imaginable

And character interactions

Canfield stilted and cold

That's because these characters

A product to the environments they populate

The denizens of each Universe simply exist in

the most discernible part of the model Spectrum

And the actions are intensified

Too much Qbert extreme view of

the darkest parts of the human spirit

The area he was so interested in it

The methodology of Kubrick

Center on developing a cinematic world who

self-awareness mimic the extreme tone that is correct

Does Lipton

It's all services creating an

atmosphere that would make it believable

Did the situations we see cortica

The techniques of Kubrick what

just that to be obnoxious and show off

Do complimentary of disbelief

Whether this man the destabilization of

the camera during the most thrilling moment

All the action on-screen

practically choreographed

To the music that played

It's important that the filmmaking

The movie matches at tone and Kubrick did just

that as well as create a much deeper significance

Assembled films of tonal axilla

Every possibility was exhausted

In order to find the correct

way to relay these message

The multiple narratives were

complemented by Cubix filmmaking

Because every decision was galvanized

By his desire for artistic expression

Kubeckas wants a stone how much he plans a scene

You responded

Is witches are always in the day

10 days in a week

This pretty much sums up how character of movies

Prison on perfectionist

How can you argue with the results

Nothing was out of the

realm of possibility for Kubrick

If something seems impossible

Put simply work on propelling the

technology of the meeting forward

So he could get it done

Is everything Kubrick dead

How does sufficient reason

Through his stylization

Every filmic elements

He was able to communicate through all faucet

Turn Odyssey he treated with respect

Because in order to test the audience

You must fast test yourself

Stanley Kubrick didn't just make films

He defined

The Cinematic experience

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