All language subtitles for S03E01 - The Her Master s Voice Affair

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:20,887 --> 00:00:23,413 Over to the cab, don't look back, I'll take the briefcase. 2 00:00:23,590 --> 00:00:24,921 You've made the trip for nothing. 3 00:00:25,091 --> 00:00:28,220 The plans aren't in the briefcase. They're perfectly safe in my house. 4 00:00:28,395 --> 00:00:29,590 In your house? 5 00:00:29,763 --> 00:00:32,528 My wall safe has a 6-inch plate and an automatic alarm system. 6 00:00:32,699 --> 00:00:35,464 - Quite burglar-proof. SOLO: Mm-hm. 7 00:00:41,374 --> 00:00:45,572 Two U.N.C.L.E. agents meeting me at this ungodly hour. 8 00:00:45,745 --> 00:00:47,008 What have I done now? 9 00:00:47,180 --> 00:00:50,047 It's not what you've done, Dr. Matsu, it's what might be done to you. 10 00:00:50,216 --> 00:00:53,015 All right, home, stiff. 11 00:01:14,040 --> 00:01:16,509 [MUSIC-BOX VERSION OF BRAHMS' LULLABY PLAYING] 12 00:01:37,730 --> 00:01:43,100 All right, you stay here and cover the front of the house, Spike. 13 00:01:49,709 --> 00:01:51,871 Your milkman certainly gives good service. 14 00:01:52,045 --> 00:01:55,572 MATSU: Yeah, I only hope the music doesn't wake the whole neighborhood. 15 00:01:59,219 --> 00:02:00,812 SOLO: Thank you. 16 00:02:01,621 --> 00:02:02,611 Wow! 17 00:02:02,789 --> 00:02:04,450 [SOLO WHISTLES THEN CHUCKLES] 18 00:02:04,824 --> 00:02:06,622 MATSU: I'm sure Miki's still asleep. 19 00:02:06,793 --> 00:02:09,922 SOLO: Gee, I hope we don't-- MAN: Have you memorized it? 20 00:02:10,096 --> 00:02:11,928 MATSU [WHISPERS]: It's in the den. 21 00:02:12,966 --> 00:02:14,525 SOLO [WHISPERS]: Wait. 22 00:02:17,470 --> 00:02:19,461 Shh, shh. 23 00:02:19,939 --> 00:02:21,634 MAN: You haven't answered me. 24 00:02:21,808 --> 00:02:26,769 WOMAN: Yes, I know it all. Down to the last comma. 25 00:02:26,946 --> 00:02:28,380 Very good. 26 00:02:28,548 --> 00:02:33,418 I want you to put the papers back in the sate now and lock it. 27 00:02:33,586 --> 00:02:37,545 Then no one will ever know that it's been opened. Not even you. 28 00:02:37,724 --> 00:02:39,556 Not even me. 29 00:02:39,926 --> 00:02:43,487 All right, put your hands up and don't move. 30 00:02:43,663 --> 00:02:45,222 Get them up. 31 00:02:53,640 --> 00:02:56,007 [GRUNTING] 32 00:03:22,035 --> 00:03:24,197 MILKMAN 2: Let's get out of here. Come on. 33 00:03:37,884 --> 00:03:39,648 SOLO: How do you feel? 34 00:03:40,587 --> 00:03:42,077 You're gonna have a lump on your head. 35 00:03:42,255 --> 00:03:43,245 [SOLO SHOUTS] 36 00:03:43,423 --> 00:03:46,154 Come on, up! Come on. 37 00:04:32,572 --> 00:04:35,542 And there is no doubt, Dr. Matsu, that your daughter has acted... 38 00:04:35,708 --> 00:04:39,645 ...under the influence of some extremely deep psychic interference. 39 00:04:39,812 --> 00:04:41,746 The condition still exists. 40 00:04:41,914 --> 00:04:44,975 Although she is completely normal in every other respect... 41 00:04:45,151 --> 00:04:50,681 ...she is programmed to obey automatically certain commands at a prearranged signal. 42 00:04:50,857 --> 00:04:53,019 And you've been quite unable to deprogram her? 43 00:04:53,192 --> 00:04:54,660 DOCTOR: We've tried everything. 44 00:04:55,128 --> 00:04:58,063 The best we can hope for is that time will be the healer. 45 00:04:58,231 --> 00:05:00,723 That it will, um, erase itself of its own accord. 46 00:05:00,900 --> 00:05:03,369 WAVERLY: Oh, thank you, Dr. Eliott. 47 00:05:04,103 --> 00:05:08,131 You understand, of course, Dr. Matsu the implications? 48 00:05:08,308 --> 00:05:09,901 MATSU: I'm afraid I do, Mr. Waverly. 49 00:05:10,243 --> 00:05:13,975 My daughter has become a walking file of top-secret information. 50 00:05:14,147 --> 00:05:17,447 On a project that affects the security of the entire world. 51 00:05:17,617 --> 00:05:21,110 Under the circumstances, I think, uh, it you'd like my opinion... 52 00:05:21,287 --> 00:05:23,756 ...that Miss Matsu ought to be put under lock and key. 53 00:05:23,923 --> 00:05:25,687 But I have to go to school. 54 00:05:26,859 --> 00:05:29,521 It would be best if you didn't, Miss Matsu. 55 00:05:29,696 --> 00:05:32,461 But I have to. I'm on the debating team. 56 00:05:32,632 --> 00:05:35,397 MATSU: I'm afraid she debating team will have to do without you. 57 00:05:36,002 --> 00:05:39,199 - For a little while anyway, Miki. - Yes, father. 58 00:05:39,372 --> 00:05:40,703 Which means that while I'm gone... 59 00:05:40,873 --> 00:05:42,967 ...you have to have a tutor as well as a bodyguard. 60 00:05:43,142 --> 00:05:45,577 WAVERLY: If you'll leave that to us, Dr. Matsu. 61 00:05:45,745 --> 00:05:49,010 We have a man in this very room who fits both requirements perfectly. 62 00:05:49,916 --> 00:05:52,283 Black belt in judo... 63 00:05:52,885 --> 00:05:55,547 ...did postgraduate work at Sorbonne... 64 00:05:56,022 --> 00:05:58,081 ...Ph.D., Cambridge. 65 00:05:59,158 --> 00:06:00,922 Dead languages, wasn't it? 66 00:06:01,894 --> 00:06:03,225 Quantum mechanics. 67 00:06:03,663 --> 00:06:05,131 I didn't know we were colleagues. 68 00:06:05,298 --> 00:06:07,596 Well, of course, I'll have to brush up on my new maths. 69 00:06:07,767 --> 00:06:09,861 Yes, do that, Mr. Kuryakin. 70 00:06:10,036 --> 00:06:12,630 You, Mr. Solo, will check into the matter of the school... 71 00:06:12,805 --> 00:06:15,570 ...the Partridge Academy for Young Ladies. 72 00:06:15,742 --> 00:06:17,540 Young ladies, Mr. Solo. 73 00:06:18,444 --> 00:06:21,573 Somewhat younger than you're accustomed to. 74 00:06:26,619 --> 00:06:31,580 I'm very flattered that you came halfway around the world to look us over. 75 00:06:31,758 --> 00:06:34,557 Uh, cream or lemon, Mr. Solo? 76 00:06:34,727 --> 00:06:36,593 Uh, just plain, thank you. 77 00:06:37,730 --> 00:06:41,257 The Begum of Bangerpole, you are her, uh...? 78 00:06:41,434 --> 00:06:45,064 SOLO: Secretary. To be precise, her private, confidential secretary. 79 00:06:45,238 --> 00:06:46,603 I also served the maharajah. 80 00:06:46,773 --> 00:06:48,832 The final decision, of course, rests with him. 81 00:06:49,008 --> 00:06:53,912 Naturally, and, uh, how old is the young lady, Mr. Solo? 82 00:06:54,080 --> 00:06:56,378 The maharani has just turned 16. 83 00:06:56,549 --> 00:06:59,382 Heh, heh. My, how time flies. 84 00:06:59,552 --> 00:07:04,080 It seems like it was only yesterday that I took little Gigi on her first tiger hunt. 85 00:07:04,257 --> 00:07:06,658 Have you ever hunted the big cat, Miss Partridge? 86 00:07:06,826 --> 00:07:10,262 Il must admit, never, Mr. Solo. 87 00:07:10,530 --> 00:07:14,125 To be perfectly frank, the sight of blood repels me. 88 00:07:14,300 --> 00:07:16,291 Oh, well, Gigi is an only child... 89 00:07:16,469 --> 00:07:18,767 ...and I'm sure you can understand the begum's concern... 90 00:07:18,938 --> 00:07:21,202 ...that I make a full report to her on the school... 91 00:07:21,374 --> 00:07:23,570 ...before she makes her recommendation to the maharajah. 92 00:07:23,743 --> 00:07:25,643 I would expect that, Mr. Solo. 93 00:07:25,978 --> 00:07:28,948 Now, we have a visitor's cottage here. 94 00:07:29,115 --> 00:07:33,279 It would be my suggestion that you would spend a few days with us... 95 00:07:33,453 --> 00:07:36,150 ...and acquaint yourself completely with our facilities. 96 00:07:36,322 --> 00:07:37,983 Mmm! Excellent thought. 97 00:07:38,157 --> 00:07:39,989 Then it's settled. 98 00:07:42,061 --> 00:07:43,460 [BELL RINGS] 99 00:07:43,629 --> 00:07:46,155 I've sent for Duane to show you to your room. 100 00:07:46,332 --> 00:07:47,891 SOLO: Thank you. 101 00:07:50,069 --> 00:07:51,559 You called, Miss Partridge? 102 00:07:51,737 --> 00:07:54,900 I'd like you to escort Mr. Solo to the guest house. 103 00:07:55,074 --> 00:07:57,566 - He's staying with us for a few days. - Yes, ma'am. 104 00:07:57,743 --> 00:08:01,179 - I'll take it. That's my job. SOLO: I'm sorry. 105 00:08:01,347 --> 00:08:03,907 PARTRIDGE: Just make yourself at home, Mr. Solo. 106 00:08:04,083 --> 00:08:06,518 We're completely at your disposal. 107 00:08:06,919 --> 00:08:08,478 Thank you. 108 00:08:14,460 --> 00:08:15,450 [WHISTLE BLOWS] 109 00:08:15,628 --> 00:08:16,789 Out of bounds! 110 00:08:16,963 --> 00:08:18,954 [STUDENTS CHATTERING] 111 00:08:25,638 --> 00:08:27,265 GIRL 1: Here, set it up. Ow. 112 00:08:28,541 --> 00:08:29,702 [GIRLS GIGGLE] 113 00:08:29,876 --> 00:08:32,402 Hey! Gee... 114 00:08:32,578 --> 00:08:34,012 Hey., who's the stranger? 115 00:08:34,180 --> 00:08:36,478 He's not bad-looking, if you like the type. 116 00:08:36,649 --> 00:08:37,844 I like the type. 117 00:08:38,017 --> 00:08:40,111 Would you look what he's got on his head? Wild. 118 00:08:40,286 --> 00:08:42,015 I wonder what he's hunting for here. 119 00:08:42,188 --> 00:08:43,349 Girls, I hope. 120 00:08:43,523 --> 00:08:44,854 [WHISTLE BLOWS AND GIRLS GIGGLING] 121 00:08:45,024 --> 00:08:47,220 All right, that'll be enough of that. 122 00:08:47,660 --> 00:08:50,857 - Oh, Miss Burgoyne. - Yes? 123 00:08:52,131 --> 00:08:55,260 DUANE: This is Mr. Solo. He's going to spend a couple of days with us. 124 00:08:55,434 --> 00:08:58,335 - Hello, I'm Verity Burgoyne. SOLO: How do you do? 125 00:08:58,504 --> 00:09:01,997 DUANE: Miss Burgoyne is head of the Physical Culture Department. 126 00:09:04,410 --> 00:09:07,539 Well, I can certainly see she meets all the requirements. 127 00:09:07,713 --> 00:09:09,545 [GIRLS GIGGLES] 128 00:09:10,950 --> 00:09:12,918 Well, how about introducing us? 129 00:09:13,085 --> 00:09:15,520 BURGOYNE: Get back to the game, girls. 130 00:09:15,688 --> 00:09:18,123 The game, Kish. 131 00:09:19,592 --> 00:09:23,051 You see, Duane is the only male on the campus. 132 00:09:23,596 --> 00:09:26,190 You're a new rooster in the henhouse, Mr. Solo. 133 00:09:27,567 --> 00:09:31,128 Well, I've certainly been in worse barnyards, Miss Burgoyne. 134 00:09:31,504 --> 00:09:33,563 [HORN HONKING] 135 00:09:35,775 --> 00:09:37,436 Well, that's quite an entrance, who is it? 136 00:09:37,610 --> 00:09:39,135 That's Mr. Sutro. 137 00:09:39,779 --> 00:09:42,749 BURGOYNE: Jason Sutro, the grapefruit king. 138 00:09:54,026 --> 00:09:55,892 SUTRO: Ah, Miss Partridge, good morning. 139 00:09:56,062 --> 00:09:58,963 How are you, my dear? Good to see you. 140 00:09:59,865 --> 00:10:02,664 Mr. Sutro appears to be another rooster. 141 00:10:02,835 --> 00:10:08,035 Not really. The girls are fond of him because he always brings presents. 142 00:10:08,841 --> 00:10:10,935 The Pied Piper of Partridge. 143 00:10:11,310 --> 00:10:15,406 Mr. Sutro has also endowed the school with a new gymnasium and library. 144 00:10:15,581 --> 00:10:18,107 He's really very sweet. 145 00:10:18,284 --> 00:10:21,049 SUTRO: Ah, how are you today? Here you are. 146 00:10:21,220 --> 00:10:22,984 That little Japanese girl... 147 00:10:23,155 --> 00:10:25,180 ...I have something special for her, where is she? 148 00:10:25,358 --> 00:10:27,019 - You mean Miki? SUTRO: Yes. 149 00:10:27,193 --> 00:10:28,922 She's home. 150 00:10:30,096 --> 00:10:33,293 Dr. Matsu took her out of school for a few weeks. 151 00:10:34,000 --> 00:10:35,627 - Oh., indeed. PARTRIDGE: Yes. 152 00:10:36,802 --> 00:10:41,399 Mr. Solo, why don't you and Miss Burgoyne join us? 153 00:10:41,574 --> 00:10:44,100 Thank you. Shall we, Miss Burgoyne? 154 00:10:52,718 --> 00:10:55,779 PARTRIDGE: Oh, lovely SUTRO: There you are. There you go. 155 00:10:55,955 --> 00:11:00,051 Ah, Miss Burgoyne, I have something special for you too. 156 00:11:00,226 --> 00:11:02,354 My favorite perfume. Thank you. 157 00:11:02,895 --> 00:11:05,887 Mr. Sutro, I'd like to present Mr. Solo. 158 00:11:06,298 --> 00:11:09,632 SUTRO: Ah, delighted. Are you the father of one of these girls? 159 00:11:09,802 --> 00:11:12,100 Am I the--? Ha, oh, uh, no. No, I don't... 160 00:11:12,271 --> 00:11:14,205 Uh, actually I'm just an admirer of all of them. 161 00:11:14,373 --> 00:11:16,171 [GIRLS GIGGLE] 162 00:11:16,342 --> 00:11:20,245 Mr. Solo is the secretary to the Begum of Bangerpole. 163 00:11:20,413 --> 00:11:23,041 Perhaps her daughter will be a pupil here. 164 00:11:23,215 --> 00:11:24,376 SUTRO: Oh, marvelous! 165 00:11:24,917 --> 00:11:27,215 He controls quite a bit of oil, doesn't he? 166 00:11:27,386 --> 00:11:28,410 Oh, yes, sir. Yes. 167 00:11:28,587 --> 00:11:31,079 Mr. Solo is staying with us for a few days. 168 00:11:31,257 --> 00:11:33,749 SUTRO: Oh, wonderful. If you're staying in the guest cottage... 169 00:11:33,926 --> 00:11:36,395 ...my chauffeur would be delighted to take you there. 170 00:11:36,562 --> 00:11:39,691 - Gratz! SOLO: Please, don't go to any-- 171 00:11:45,471 --> 00:11:47,064 Something wrong., Mir. Solo? 172 00:11:47,239 --> 00:11:50,436 No, no, not a thing. Everything is just, uh... 173 00:11:50,910 --> 00:11:53,470 Actually, it's fine. Heh... 174 00:12:06,192 --> 00:12:07,717 [LIGHT APPLAUSE] 175 00:12:09,595 --> 00:12:11,586 [STUDENTS CHEER] 176 00:12:13,332 --> 00:12:15,562 SUTRO: A beautifully executed dive, my dear. 177 00:12:15,835 --> 00:12:17,564 BURGOYNE: Thanks, Mr. Sutro. 178 00:12:17,937 --> 00:12:19,666 SUTRO: There you are. 179 00:12:19,839 --> 00:12:22,831 You don't see much of that in Bangerpole, do you, Mr. Solo? 180 00:12:23,008 --> 00:12:25,773 Uh, no. I haven't seen anything like that. 181 00:12:26,178 --> 00:12:27,441 Uh... 182 00:12:28,214 --> 00:12:30,273 Do you come here often, Mr. Sutro? 183 00:12:30,449 --> 00:12:32,349 Well, as often as my business will permit. 184 00:12:32,518 --> 00:12:35,647 You see, I enjoy beauty and youth and learning, Mr. Solo... 185 00:12:35,821 --> 00:12:38,347 ...and I find them all right here. 186 00:12:41,360 --> 00:12:45,319 ll understand, uh, you've been very generous to the Partridge Academy. 187 00:12:45,498 --> 00:12:46,988 Gymnasium, library... 188 00:12:47,466 --> 00:12:49,764 Well, I'm a very rich man. 189 00:12:49,935 --> 00:12:53,166 I have no objection to paying for value received. 190 00:12:53,339 --> 00:12:55,933 You pay very well, Mr. Sutro. 191 00:12:58,744 --> 00:13:00,234 I'm well-known for that. 192 00:13:01,647 --> 00:13:06,175 As a matter of fact, I'm very open-handed with my employees. 193 00:13:06,452 --> 00:13:10,218 Oh, uh, that's from your, uh, what, uh...? 194 00:13:10,389 --> 00:13:11,823 Grapefruit business? 195 00:13:12,258 --> 00:13:14,226 [CHUCKLES] 196 00:13:14,393 --> 00:13:16,293 Yes, and among other things. 197 00:13:16,729 --> 00:13:20,393 This is the age of diversification, Mr. Solo. 198 00:13:20,699 --> 00:13:21,689 I see. 199 00:13:21,867 --> 00:13:26,361 SUTRO: See, I pay well because it is my policy to employ only the best. 200 00:13:28,040 --> 00:13:30,168 Matter of fact, I'm always on the lookout... 201 00:13:30,342 --> 00:13:34,643 ...for, uh, @ man just like yourself, Mr. Solo. 202 00:13:34,814 --> 00:13:36,145 Thank you. 203 00:13:36,315 --> 00:13:38,784 SUTRO: Of course, I realize that you're engaged right now. 204 00:13:39,218 --> 00:13:43,314 I wouldn't dream of trying to lure you away from a maharajah. 205 00:13:44,356 --> 00:13:45,790 But if the time should come... 206 00:13:46,692 --> 00:13:51,061 ...would see that, uh, your rewards would commensurate with your abilities. 207 00:13:51,831 --> 00:13:55,995 Well, thank you very much, but, uh, I'm satisfied where I am. 208 00:13:57,203 --> 00:13:58,602 Pity. 209 00:14:00,339 --> 00:14:04,242 Next on the program will be an exhibition of rhythmic exercises. 210 00:14:04,410 --> 00:14:08,005 The participants will please take their positions. 211 00:14:08,480 --> 00:14:11,506 It's a remarkable collection of youngsters, Mr. Solo. 212 00:14:12,051 --> 00:14:13,075 In this group before us... 213 00:14:13,252 --> 00:14:15,914 ...there are the daughters of two cabinet members... 214 00:14:16,088 --> 00:14:19,490 ...the daughter of a prime minister, and a crown princess. 215 00:14:19,658 --> 00:14:23,720 All right, you can start the music now, Miss Burgoyne. 216 00:14:24,630 --> 00:14:26,860 [WALTZ MUSIC PLAYING] 217 00:14:34,807 --> 00:14:35,797 [WALTZ STOPS ABRUPTLY] 218 00:14:35,975 --> 00:14:37,966 [MUSIC-BOX VERSION OF BRAHMS' LULLABY PLAYING] 219 00:14:49,955 --> 00:14:52,686 PARTRIDGE: Never mind, girls, it's the wrong music! 220 00:14:52,858 --> 00:14:53,882 [MUSIC STOPS] 221 00:14:57,630 --> 00:14:59,325 I'm sorry. 222 00:14:59,498 --> 00:15:01,557 I don't know how this tape got mixed up in here. 223 00:15:09,174 --> 00:15:11,165 [WALTZ MUSIC PLAYING] 224 00:15:18,083 --> 00:15:20,347 ILLYA: All right, describe as briefly as possible... 225 00:15:20,519 --> 00:15:21,987 ...the social and economic factors... 226 00:15:22,154 --> 00:15:25,647 ...that lead to the outbreak of the Second Punic War. 227 00:15:26,659 --> 00:15:31,563 Well, it was an outgrowth of commercial rivalry... 228 00:15:31,730 --> 00:15:36,463 ...between Rome and Carthage, which was caused-- 229 00:15:36,635 --> 00:15:38,433 Put them up. 230 00:15:39,071 --> 00:15:41,438 Miki, we are suppose to be attentive at lessons... 231 00:15:41,607 --> 00:15:44,042 ...and we do not play around with loaded guns. 232 00:15:44,209 --> 00:15:46,803 - Give it to me. - I'm not playing. 233 00:15:47,179 --> 00:15:49,375 I want you to open that door and let me out. 234 00:15:49,548 --> 00:15:52,813 I've been in this house so long I'm going stir-crazy. 235 00:15:52,985 --> 00:15:56,285 ILLYA: Miki-- -1f you don't, I'm going to shoot. 236 00:15:57,990 --> 00:16:00,357 Bang! Right between the eyes. 237 00:16:01,226 --> 00:16:02,523 Please give me the gun. 238 00:16:03,829 --> 00:16:06,196 If I do, will you take me to a nightclub tonight? 239 00:16:07,266 --> 00:16:08,529 Absolutely not. 240 00:16:08,901 --> 00:16:11,268 - A movie? - That's out too. 241 00:16:11,437 --> 00:16:13,201 A walk? 242 00:16:14,139 --> 00:16:16,107 You'd take a dog for a walk. 243 00:16:16,809 --> 00:16:20,268 I'm sorry, not even a walk. 244 00:16:20,713 --> 00:16:22,647 MK Then no gun. 245 00:16:23,949 --> 00:16:28,250 Maybe I won't shoot. I'll just call up your boss, that Mr. Waverly. 246 00:16:28,420 --> 00:16:34,086 Mr. Waverly, listen, what kind of an agent did you send out to protect me? 247 00:16:34,259 --> 00:16:38,662 He's the one who needs protection. I'm holding his own gun on him right now. 248 00:16:40,899 --> 00:16:43,163 [MIKI SCREAMS] 249 00:16:46,472 --> 00:16:48,907 Miki, if you do have to fire a gun... 250 00:16:49,074 --> 00:16:52,408 ...please remember you have to take the safety catch off first. 251 00:16:53,178 --> 00:16:55,010 You're cute. 252 00:16:55,180 --> 00:16:57,171 Mmm, maybe. 253 00:16:58,183 --> 00:17:00,174 [STRUMMING] 254 00:17:02,921 --> 00:17:04,912 [RADIO BEEPING] 255 00:17:07,593 --> 00:17:08,617 Kuryakin here. 256 00:17:09,028 --> 00:17:10,826 I'm here at the Partridge Academy. 257 00:17:10,996 --> 00:17:13,294 I haven't been able to check the whole room for bugs yet... 258 00:17:13,465 --> 00:17:15,729 ...but I want you to listen very carefully. 259 00:17:15,901 --> 00:17:17,335 I'm only gonna say this once. 260 00:17:17,736 --> 00:17:18,999 [OVER RADIO] I'm onto something. 261 00:17:19,171 --> 00:17:21,367 Do you recall that music coming from the milk truck? 262 00:17:21,540 --> 00:17:24,840 Certainly, it was the "Brahms' Lullaby." 263 00:17:25,010 --> 00:17:28,844 I want you to play it tor Miki and let me know what happens. 264 00:17:29,014 --> 00:17:30,641 ILLYA: Just a moment. 265 00:17:31,517 --> 00:17:32,951 [OVER SPEAKER] Do you have a copy... 266 00:17:33,118 --> 00:17:35,917 ...of the "Brahms' Lullaby" in your record collection? 267 00:17:36,088 --> 00:17:38,318 Nonetheless, it was done by Herman and the Hermits. 268 00:17:38,724 --> 00:17:40,385 SOLO: Shouldn't be any trouble to get it. 269 00:17:40,626 --> 00:17:41,718 [OVER SPEAKER] Just buy it... 270 00:17:41,894 --> 00:17:43,384 ...and put it on your expense account. 271 00:17:43,762 --> 00:17:46,993 I haven't been reimbursed for the money I paid out last month. 272 00:17:47,166 --> 00:17:50,761 I'll do it, but this is absolutely the last time. 273 00:17:53,172 --> 00:17:55,436 Chintzy, aren't you? 274 00:18:04,183 --> 00:18:06,151 A penny for your thoughts. 275 00:18:06,318 --> 00:18:07,877 BURGOYNE: Hmm? 276 00:18:08,220 --> 00:18:09,813 SOLO: A nickel? 277 00:18:10,222 --> 00:18:12,384 That how the expression goes? 278 00:18:12,558 --> 00:18:16,051 To be honest, Mr. Solo, I wasn't thinking at all. 279 00:18:16,228 --> 00:18:19,061 I was just relaxing a little. 280 00:18:20,466 --> 00:18:22,662 Then relax. 281 00:18:35,514 --> 00:18:37,004 How long have you been here? 282 00:18:37,182 --> 00:18:38,911 Almost two years. 283 00:18:39,084 --> 00:18:41,781 Two very happy years. 284 00:18:41,954 --> 00:18:45,117 That speaks very well for the school and Miss Partridge. 285 00:18:45,290 --> 00:18:48,157 She's one of the finest women I know. 286 00:18:50,095 --> 00:18:53,759 I have the feeling, uh, there's more than meets the eye... 287 00:18:53,932 --> 00:18:57,766 ...between Miss Partridge and Mr. Sutro. 288 00:18:57,936 --> 00:19:00,405 In what way, Mr. Solo? 289 00:19:01,473 --> 00:19:03,999 Could it be a little romance? 290 00:19:04,176 --> 00:19:08,409 I thought I detected a gleam in her eye. 291 00:19:09,615 --> 00:19:12,641 Mmm. It was probably because she was thinking of @ new dormitory... 292 00:19:12,818 --> 00:19:15,446 ...that Mr. Sutro's promised. 293 00:19:15,621 --> 00:19:17,680 - Oh. - Heh. 294 00:19:36,642 --> 00:19:37,700 Check. 295 00:19:46,218 --> 00:19:48,209 [DOORBELL RINGS] 296 00:19:48,387 --> 00:19:50,378 Saved by the bell. 297 00:19:50,789 --> 00:19:52,917 It'll be the delivery boy with the record. 298 00:19:53,091 --> 00:19:56,857 MIKI: Don't forget. You're supposed to tip him. 299 00:20:02,568 --> 00:20:03,558 [DOORBELL RINGS] 300 00:20:03,735 --> 00:20:05,169 All right, who is it? 301 00:20:05,337 --> 00:20:08,705 MAN: Delivery. Package for Mr. Kuryakin. 302 00:20:08,874 --> 00:20:10,968 Two dollars and 90 cents, COD. 303 00:20:11,143 --> 00:20:13,840 - Okay, sign here. - Thank you. 304 00:20:20,686 --> 00:20:22,415 [GRUNTING] 305 00:20:40,505 --> 00:20:41,768 Illya! 306 00:20:45,711 --> 00:20:47,270 [ILLYA SHOUTS] 307 00:20:53,919 --> 00:20:56,479 - Are you all right? - Yeah, thank you. 308 00:20:56,655 --> 00:20:58,953 Uh, get the record. 309 00:21:02,127 --> 00:21:03,754 I think it's broken. 310 00:21:03,929 --> 00:21:05,192 [GIGGLES] 311 00:21:05,364 --> 00:21:07,093 You're out $3. 312 00:21:15,474 --> 00:21:17,465 [MUSIC-BOX VERSION OF BRAHMS' LULLABY PLAYING] 313 00:23:15,994 --> 00:23:17,792 [GRUNTING] 314 00:23:35,147 --> 00:23:37,844 SOLO: Come on. Come on. 315 00:23:38,016 --> 00:23:40,576 [BURGOYNE PANTS] 316 00:23:40,752 --> 00:23:42,720 What are you doing in my room? 317 00:23:42,888 --> 00:23:46,916 Miss Burgoyne, this happens to be my room. 318 00:23:47,826 --> 00:23:51,353 You just tried to kill me with an axe. 319 00:23:51,530 --> 00:23:53,157 See? 320 00:23:53,432 --> 00:23:54,422 BURGOYNE: Kill you? 321 00:23:54,599 --> 00:23:55,964 [BURGOYNE SCREAMS] 322 00:23:56,134 --> 00:23:58,796 SOLO: Shh! 323 00:23:59,371 --> 00:24:01,100 You wanna wake up the whole house? 324 00:24:01,273 --> 00:24:02,832 Quiet! 325 00:24:03,141 --> 00:24:07,100 All right? Now calm down. Okay. 326 00:24:07,479 --> 00:24:09,777 Hold it here just a second. 327 00:24:11,950 --> 00:24:17,013 I keep this with me just for emergencies, and I consider this an emergency. 328 00:24:17,189 --> 00:24:18,486 Here, take it. Easy, easy. 329 00:24:18,657 --> 00:24:19,783 [BURGOYNE GASPS AND COUGHS] 330 00:24:19,958 --> 00:24:21,483 Okay? 331 00:24:23,728 --> 00:24:27,130 - I must have been walking in my sleep. SOLO: Yeah. 332 00:24:27,299 --> 00:24:29,825 It's never happened before. I-- I don't know. 333 00:24:30,001 --> 00:24:30,991 SOLO: Okay, all right. 334 00:24:31,169 --> 00:24:32,159 [FOOTSTEPS NEARBY] 335 00:24:32,337 --> 00:24:34,203 Shh. 336 00:24:35,407 --> 00:24:37,273 Get this over you. 337 00:24:41,346 --> 00:24:42,541 Come on. 338 00:24:43,615 --> 00:24:46,949 Miss Partridge, now, before you jump to any conclusions, please let me explain. 339 00:24:47,118 --> 00:24:50,952 I may be gullible, Mr. Solo, but I'm not stupid. 340 00:24:51,122 --> 00:24:54,581 I'm afraid it will take a great deal more than an explanation. 341 00:24:54,759 --> 00:24:56,227 DUANE: Miss Partridge. 342 00:24:56,394 --> 00:25:00,331 There's nothing here to interest you, girls. Get back to your rooms, at once. 343 00:25:03,535 --> 00:25:06,869 Tell them Miss Burgoyne thought she saw a prowler. 344 00:25:07,038 --> 00:25:08,506 Yes, ma'am. 345 00:25:11,276 --> 00:25:14,405 Mr. Solo had nothing to do with this, Miss Partridge. It was all-- 346 00:25:14,579 --> 00:25:18,072 Mr. Solo, a scandal has never touched my school. 347 00:25:18,250 --> 00:25:19,740 I shall not call the police. 348 00:25:19,918 --> 00:25:22,819 I expect you to be packed and gone by morning. 349 00:25:22,988 --> 00:25:25,082 You may go to your room, Miss Burgoyne. 350 00:25:31,363 --> 00:25:34,424 We will discuss this in the morning. 351 00:25:37,102 --> 00:25:41,198 In the morning, Mr. Solo. 352 00:25:51,583 --> 00:25:53,176 Now, try and concentrate. 353 00:25:53,351 --> 00:25:58,312 [JAZZ VERSION OF BRAHMS' LULLABY PLAYING] 354 00:26:01,893 --> 00:26:05,056 If you ask my opinion, I think the whole thing is ridiculous. 355 00:26:05,230 --> 00:26:08,427 What am I supposed to do when I hear "Brahms' Lullaby"? 356 00:26:08,600 --> 00:26:11,535 ll don't know, that's why we're playing it. 357 00:26:13,071 --> 00:26:14,732 Anything happening? 358 00:26:14,906 --> 00:26:17,967 Yes, I'm getting sleepy. 359 00:26:19,044 --> 00:26:22,309 Why don"t you tell me to do something? Maybe that'll do it. 360 00:26:22,480 --> 00:26:27,213 Something drastic, like jumping off a cliff. 361 00:26:27,786 --> 00:26:30,653 We don't have any cliffs. Why not try the balcony? 362 00:26:30,822 --> 00:26:33,086 Really, Mr. Kuryakin. 363 00:26:43,802 --> 00:26:45,292 Miki? 364 00:26:47,339 --> 00:26:49,205 Something happening? 365 00:26:51,543 --> 00:26:54,103 You're putting me on. 366 00:27:03,922 --> 00:27:06,653 MK You cared! I really had you worried. 367 00:27:06,825 --> 00:27:08,259 You thought I was gonna do it. 368 00:27:08,426 --> 00:27:10,155 ILLYA: Of all the childish, stupid-- 369 00:27:10,328 --> 00:27:11,318 [MIKI KISSING] 370 00:27:11,496 --> 00:27:13,931 Miki. Miki, this is no joke. 371 00:27:14,099 --> 00:27:15,760 Miki, will you stop it? Serious. 372 00:27:15,934 --> 00:27:18,494 MK I can't. I'm under a spell. 373 00:27:19,604 --> 00:27:22,266 Miki, I will give you a good spanking in a minute. 374 00:27:22,440 --> 00:27:24,738 Supposing Taka came in and found us? 375 00:27:24,909 --> 00:27:27,879 Oh, I'd just say that you were attacking me. 376 00:27:28,046 --> 00:27:30,105 That does it. 377 00:27:30,782 --> 00:27:32,511 [RADIO BEEPING] 378 00:27:32,684 --> 00:27:34,015 [ILLYA GRUNTS] 379 00:27:36,554 --> 00:27:37,715 Kuryakin here. 380 00:27:37,889 --> 00:27:40,950 Well, I haven't heard from you in a while, so I thought I'd give you a jingle. 381 00:27:41,126 --> 00:27:42,821 [OVER RADIO] Did you play the record? 382 00:27:42,994 --> 00:27:46,089 Yeah, it had no effect on her whatsoever. 383 00:27:46,398 --> 00:27:48,025 [OVER RADIO] How are things at the school? 384 00:27:48,199 --> 00:27:52,033 Well, as a matter of fact, I just got kicked out bag and baggage... 385 00:27:52,203 --> 00:27:55,264 ...for entertaining a member of the faculty in my room. 386 00:27:55,440 --> 00:27:57,135 I presume she was female. 387 00:27:58,777 --> 00:28:00,404 Very. Yes. 388 00:28:00,578 --> 00:28:02,410 She tried to kill me with a fire axe. 389 00:28:02,580 --> 00:28:05,072 Illya, the answer is here. I'm sure of it. 390 00:28:05,250 --> 00:28:06,479 [GIRL GIGGLES] 391 00:28:06,951 --> 00:28:09,318 Someone's coming. I'll have to talk to you later. 392 00:28:09,487 --> 00:28:12,013 - Hey, come here. - Mr. Solo. 393 00:28:12,190 --> 00:28:13,919 KISH: We heard that you left this morning. 394 00:28:14,092 --> 00:28:16,254 GIRL: For India. - Yeah, yeah, I was supposed to. 395 00:28:16,428 --> 00:28:19,261 Actually, I have a very good reason for staying. 396 00:28:19,431 --> 00:28:21,763 As a matter of fact, I'm looking for a place to roost. 397 00:28:24,869 --> 00:28:27,736 The boathouse. It's on the lake about two miles from here. 398 00:28:27,906 --> 00:28:29,237 No, it's too far. 399 00:28:29,407 --> 00:28:31,239 - How about the attic? - Oh, that's too risky. 400 00:28:31,409 --> 00:28:33,969 SOLO: I'll take it. - You really wanna be near her, don't you? 401 00:28:37,682 --> 00:28:39,013 Uh, I'm sorry. I beg your pardon? 402 00:28:39,484 --> 00:28:43,421 You don't have to hide it, Mr. Solo. It's written all over you. 403 00:28:44,022 --> 00:28:47,515 Oh, yeah? Why don't read it back to me, huh? 404 00:28:48,026 --> 00:28:51,826 Miss Burgoyne. I mean, you're in love with her, aren't you? 405 00:28:51,996 --> 00:28:54,124 Oh, right! 406 00:28:54,299 --> 00:28:55,494 [GIRLS GIGGLE] 407 00:28:58,336 --> 00:29:01,931 - We'll keep your secret, Mr. Solo. SOLO: All five of you? 408 00:29:02,107 --> 00:29:05,737 No, about 20 altogether, but we're very trustworthy. 409 00:29:05,910 --> 00:29:08,470 SOLO: Well, that certainly takes a load off my mind. 410 00:29:08,646 --> 00:29:10,375 GIRL 1: Chickie! 411 00:29:13,451 --> 00:29:16,944 BURGOYNE: Well, I see the girls are doing right well by you, Mr. Solo. 412 00:29:17,122 --> 00:29:18,351 GIRL 2: We better go now, girls. 413 00:29:18,523 --> 00:29:21,549 BURGOYNE: I think that's an excellent idea, Suzy. 414 00:29:22,994 --> 00:29:25,224 Be gentle with her, Mr. Solo. 415 00:29:25,396 --> 00:29:26,864 SOLO: Gentle. 416 00:29:34,773 --> 00:29:37,435 Be gentle with me, Mr. Solo? 417 00:29:37,609 --> 00:29:41,045 Well, I think under the circumstances, you could at least call me Napoleon. 418 00:29:41,212 --> 00:29:44,307 You owe me an explanation, making the girls think there's something between us. 419 00:29:44,482 --> 00:29:46,382 - Of all the-- SOLO: Isn't there? 420 00:29:46,551 --> 00:29:49,043 I mean, besides, I really couldn't disappointed them. 421 00:29:49,220 --> 00:29:52,713 All the world loves a lover, and you know...? 422 00:29:52,891 --> 00:29:55,792 Anyway, I did need a place to stay. 423 00:29:56,361 --> 00:29:58,159 Who are you? 424 00:29:58,329 --> 00:30:00,855 Uh, 'ma... 425 00:30:01,032 --> 00:30:03,660 Look, have you ever heard of an organization... 426 00:30:03,835 --> 00:30:07,294 ...with the initials UN.C.L.E.? 427 00:30:07,472 --> 00:30:09,338 Some kind of security organization? 428 00:30:09,507 --> 00:30:12,568 Yeah, that's right. I work tor it. 429 00:30:15,146 --> 00:30:17,877 BURGOYNE: What does U.N.C.L.E. have to do with the Partridge Academy? 430 00:30:18,049 --> 00:30:19,744 SOLO: Uh... 431 00:30:20,752 --> 00:30:23,813 Listen, why don't you sit down here? 432 00:30:25,790 --> 00:30:27,315 Okay? 433 00:30:29,527 --> 00:30:31,427 I want you to try and remember... 434 00:30:31,596 --> 00:30:34,861 ...everything that happened last night after you left me. 435 00:30:39,170 --> 00:30:41,798 I went directly to my room. 436 00:30:42,106 --> 00:30:44,473 - Had a cup of coffee. - Yeah? 437 00:30:44,642 --> 00:30:47,771 - Put on my nightie-- My nightgown. - Right. 438 00:30:47,946 --> 00:30:49,971 And went to bed. 439 00:30:50,515 --> 00:30:53,007 That's all I remember until... 440 00:30:53,852 --> 00:30:57,254 That's all right. Now, think hard. Think very hard. 441 00:30:57,422 --> 00:31:00,414 Do you remember hearing any music earlier? 442 00:31:04,028 --> 00:31:06,292 Now that you mention it... 443 00:31:06,631 --> 00:31:08,156 -"Brahms' Lullaby," wasn't it? - Right. 444 00:31:09,033 --> 00:31:11,001 What's that got to do with what happened? 445 00:31:11,169 --> 00:31:15,606 Well, you see, you were programmed to respond to that piece of music. 446 00:31:15,773 --> 00:31:20,301 And when you were in a trance, you were given a command to kill me. 447 00:31:20,912 --> 00:31:21,936 But why? 448 00:31:22,647 --> 00:31:25,139 Well, uh, we have reason to believe... 449 00:31:25,316 --> 00:31:30,914 ...that the school is infiltrated by. uh, certain evil forces. 450 00:31:31,289 --> 00:31:34,782 And that the pupils here have been conditioned just as you were. 451 00:31:35,360 --> 00:31:36,623 I don't understand. 452 00:31:37,328 --> 00:31:40,992 Well, the girls here, the pupils, are daughters of important people. 453 00:31:41,165 --> 00:31:44,795 And therefore, they have access to equally important information. 454 00:31:45,603 --> 00:31:47,298 I see. 455 00:31:47,472 --> 00:31:49,440 But who's behind it, Mr. Solo? 456 00:31:49,607 --> 00:31:53,271 I think the original tape of "Brahms' Lullaby" will supply the answers. 457 00:31:54,078 --> 00:31:57,139 And there's only one person who can help me get it. 458 00:31:58,149 --> 00:31:59,139 [MOUTHS] You. 459 00:31:59,918 --> 00:32:01,647 What do you want me to do, Mr. Solo? 460 00:32:03,054 --> 00:32:04,044 Napoleon. 461 00:32:05,790 --> 00:32:08,452 - Napoleon. SOLO: All right. 462 00:32:10,895 --> 00:32:12,329 GIRL [ON TELEVISION]: Ahmed... 463 00:32:12,497 --> 00:32:16,127 ...1 think there"s something 1 should tell you. I-- 464 00:32:39,324 --> 00:32:42,157 Why don't you ever kiss me like that? 465 00:32:42,527 --> 00:32:45,656 Why doesn't anybody ever kiss me like that? 466 00:32:51,669 --> 00:32:53,501 [TELEPHONE RINGING] 467 00:32:54,405 --> 00:32:55,873 All right, where is it? 468 00:33:06,884 --> 00:33:07,874 Hello? 469 00:33:08,052 --> 00:33:11,886 Way I speak to Miss Miki Matsu, please? This is Miss Partridge. 470 00:33:12,590 --> 00:33:14,354 Just a moment. 471 00:33:14,892 --> 00:33:18,351 It's Miss Partridge. She wants to have a word with you. 472 00:33:19,797 --> 00:33:21,196 Hello, Miss Partridge. 473 00:33:22,300 --> 00:33:26,533 I'm calling to find out how you're feeling, my dear. 474 00:33:26,871 --> 00:33:28,737 Oh, I'm fine, thank you, now. 475 00:33:29,374 --> 00:33:32,139 I am so glad. 476 00:33:33,611 --> 00:33:35,602 [MUSIC-BOX VERSION OF BRAHMS' LULLABY PLAYING] 477 00:33:38,416 --> 00:33:40,748 When are your coming back to school? 478 00:33:43,788 --> 00:33:46,485 I don't know. Next week, I hope. 479 00:33:46,657 --> 00:33:50,423 Don't change your voice or your expression... 480 00:33:50,595 --> 00:33:53,462 ...just listen to me carefully. 481 00:33:53,631 --> 00:33:57,431 I'm going to tell you what you have to do. 482 00:33:57,602 --> 00:34:00,833 [MISS PARTRIDGE SPEAKING INDISTINCTLY OVER PHONE] 483 00:34:06,577 --> 00:34:08,341 Yes, I understand, Miss Partridge. 484 00:34:09,013 --> 00:34:12,347 Thank you for calling. Goodbye. 485 00:34:14,552 --> 00:34:15,951 What did she want? 486 00:34:16,888 --> 00:34:20,415 Just to know how I was teeling and when I was coming back to school... 487 00:34:20,591 --> 00:34:22,855 ...and to say how much everybody misses me. 488 00:34:25,196 --> 00:34:26,391 Is everything all right? 489 00:34:27,165 --> 00:34:29,759 Yeah, I'm just tired. 490 00:34:29,934 --> 00:34:31,595 I think I'll go to bed. 491 00:34:44,315 --> 00:34:46,579 You'll, uh, lock the windows? 492 00:34:46,751 --> 00:34:48,241 MK Don't I always? 493 00:34:48,419 --> 00:34:51,445 And don't worry, I've, uh, bugged your room... 494 00:34:51,622 --> 00:34:53,283 ...s0 there's nothing to worry about. 495 00:34:53,458 --> 00:34:56,484 But if you even think there's something wrong, just yell. 496 00:34:56,661 --> 00:34:58,629 Don't worry, I will. 497 00:34:58,796 --> 00:35:00,355 Good night. 498 00:35:55,286 --> 00:35:56,879 Miki? 499 00:35:57,588 --> 00:35:58,953 Miki! 500 00:36:02,193 --> 00:36:03,752 All right-- 501 00:36:06,697 --> 00:36:08,825 SUTRO: Come in, my dear. 502 00:36:27,752 --> 00:36:30,653 BURGOYNE: I feel like Mata Hari. SOLO: Good. 503 00:36:31,055 --> 00:36:33,490 - Where'd you find it? BURGOYNE: Miss Partridge's safe. 504 00:36:33,658 --> 00:36:35,251 She gave me the combination last year... 505 00:36:35,426 --> 00:36:37,554 ...when she went to a teacher's conference in England. 506 00:36:37,728 --> 00:36:40,197 I hope you're wrong about this. 507 00:36:40,364 --> 00:36:42,696 SOLO: We'll find out in just a minute. 508 00:36:44,168 --> 00:36:45,727 All right. 509 00:36:45,903 --> 00:36:47,894 [MUSIC-BOX VERSION OF BRAHMS' LULLABY PLAYING] 510 00:37:01,919 --> 00:37:03,080 How do you feel? 511 00:37:03,588 --> 00:37:06,182 I want you to tell me what you want me to do. 512 00:37:10,628 --> 00:37:11,925 Hmm. 513 00:37:12,563 --> 00:37:13,553 [MUSIC STOPS] 514 00:37:13,731 --> 00:37:15,722 Come on, snap out of it. 515 00:37:16,133 --> 00:37:17,601 Come on. 516 00:37:18,970 --> 00:37:20,404 - All right. - What happened? 517 00:37:20,571 --> 00:37:23,233 Just as I suspected. It's very clever. 518 00:37:23,407 --> 00:37:29,278 You take a tune that everybody knows and give it a music-box arrangement. Hmm. 519 00:37:29,447 --> 00:37:31,245 And you take it from there. 520 00:37:32,817 --> 00:37:36,276 I still can't believe that Miss Partridge could have anything to do with this. 521 00:37:37,088 --> 00:37:39,079 [RADIO BEEPING] 522 00:37:43,094 --> 00:37:44,084 SOLO: Solo here. 523 00:37:44,262 --> 00:37:45,923 ILLYA [OVER RADIO]: I'm in a bit of a mess. 524 00:37:46,464 --> 00:37:48,762 I was hit on the head last night and they took Miki. 525 00:37:48,933 --> 00:37:52,096 Last night? Why didn't you contact me earlier? 526 00:37:52,270 --> 00:37:54,637 I only just came to. 527 00:37:54,805 --> 00:37:57,968 I was booked by a very conscientious policeman on a drunk charge... 528 00:37:58,142 --> 00:38:00,440 ...and illegal possession of firearms. 529 00:38:01,212 --> 00:38:03,442 Does Mr. Waverly know about this? 530 00:38:03,614 --> 00:38:05,981 I certainly do, Mr. Solo. 531 00:38:06,150 --> 00:38:08,482 And now I have the unpleasant task of calling Dr. Matsu... 532 00:38:08,653 --> 00:38:10,143 ...and telling him that his daughter-- 533 00:38:10,321 --> 00:38:11,584 SOLO [OVER RADIO]: Just a moment. 534 00:38:11,989 --> 00:38:13,980 [TIRES SCREECH)] 535 00:38:14,425 --> 00:38:15,756 What is it, Mr. Solo? 536 00:38:16,260 --> 00:38:19,696 It's Jason Sutro's car. It's just pulling into the driveway. 537 00:38:28,606 --> 00:38:31,166 They got Miki with them. You'd better get moving, and fast. 538 00:38:35,179 --> 00:38:36,840 Okay. Now, you stay here. I'm going-- 539 00:38:37,014 --> 00:38:41,212 DUANE: You're bath going, Mr. Solo. Up. 540 00:38:41,819 --> 00:38:44,254 Two barrels. You can take your pick. 541 00:38:44,422 --> 00:38:46,550 She'll get what's left. 542 00:38:50,795 --> 00:38:52,820 Now, get moving. 543 00:38:55,399 --> 00:38:57,231 Just a minute. 544 00:39:01,706 --> 00:39:03,333 Come on. 545 00:39:03,607 --> 00:39:05,234 Go ahead. 546 00:39:08,913 --> 00:39:11,939 SUTRO: I told you, you should've left the tape with me! What are we gonna do? 547 00:39:12,116 --> 00:39:14,744 PARTRIDGE: There's only one person who could've taken it. 548 00:39:14,919 --> 00:39:16,910 For your sake, my dear Hester, I hope you're right. 549 00:39:17,088 --> 00:39:18,419 PARTRIDGE: Have I ever tailed you? 550 00:39:18,589 --> 00:39:19,579 [DOOR OPENS] 551 00:39:23,127 --> 00:39:25,186 DUANE: All right. Over there. 552 00:39:27,732 --> 00:39:30,258 I found them in the attic with this. 553 00:39:36,140 --> 00:39:39,440 SUTRO: My most abject apologies, my dear. Please forgive me. 554 00:39:41,545 --> 00:39:43,604 Watch them closely. 555 00:39:43,914 --> 00:39:46,110 You should've accepted my offer, Mr. Solo. 556 00:39:46,984 --> 00:39:49,544 Well, the party isn't over yet. 557 00:39:50,187 --> 00:39:51,177 [LAUGHS] 558 00:39:51,355 --> 00:39:55,417 Indeed, how right you are. The entertainment is just about to begin. 559 00:39:56,360 --> 00:39:58,089 Are you ready? 560 00:39:58,396 --> 00:40:00,728 PARTRIDGE: Indeed I am, Mr. Sutro. 561 00:40:00,898 --> 00:40:02,889 [MUSIC-BOX VERSION OF BRAHMS' LULLABY PLAYING] 562 00:40:07,338 --> 00:40:10,364 I want you to relax. 563 00:40:10,541 --> 00:40:12,134 There's nothing troubling you. 564 00:40:12,910 --> 00:40:15,902 It's so good to relax. 565 00:40:16,080 --> 00:40:17,241 MK Relax. 566 00:40:17,982 --> 00:40:19,143 That's very good. 567 00:40:19,316 --> 00:40:22,342 You're a good girl, Miki. A very good girl. 568 00:40:22,520 --> 00:40:24,215 Good girl. 569 00:40:24,388 --> 00:40:28,325 PARTRIDGE: Do you remember the papers in your father's safe, my dear? 570 00:40:28,492 --> 00:40:32,451 The ones you took out and memorized? 571 00:40:32,630 --> 00:40:33,620 Yes. 572 00:40:34,398 --> 00:40:36,594 PARTRIDGE: I want you to recite them to me. 573 00:40:36,767 --> 00:40:38,257 Do you think you could do that? 574 00:40:38,436 --> 00:40:39,767 MK Yes. 575 00:40:39,937 --> 00:40:45,000 All right, you can start now, Miki. 576 00:40:45,376 --> 00:40:47,208 Matsu Five. 577 00:40:47,378 --> 00:40:49,244 Top-secret. 578 00:40:49,413 --> 00:40:50,676 Part one. 579 00:40:51,715 --> 00:40:55,481 This project is based on the data... 580 00:40:55,786 --> 00:41:00,485 ...accumulated during my research on the effects of gamma radiation. 581 00:41:01,859 --> 00:41:05,796 The findings, we feel, are of an enormous import. 582 00:41:06,363 --> 00:41:09,162 The developments likely to emerge... 583 00:41:09,433 --> 00:41:12,994 ...can serve as a powerful force for good or for evil. 584 00:41:13,170 --> 00:41:15,969 MIKI: During my research... SOLO: All right, I wouldn't, Sutro. 585 00:41:16,140 --> 00:41:18,666 Drop it. Put it down. 586 00:41:18,843 --> 00:41:20,470 MIKI: We feel... 587 00:41:22,646 --> 00:41:24,774 Turn it off. Turn it off! 588 00:41:24,949 --> 00:41:27,543 MK The developments likely to emerge-- 589 00:41:27,718 --> 00:41:30,983 SOLO: Come on, Verity, get her out of here. Verity. 590 00:41:31,155 --> 00:41:36,321 MIKI: --can serve as a powerful force for good or evil. 591 00:41:36,494 --> 00:41:38,223 Verity, snap out of it. 592 00:41:38,395 --> 00:41:39,726 Come on, get Miki. 593 00:41:41,699 --> 00:41:44,464 BURGOYNE: Snap out of it, Miki. - Verity. 594 00:41:44,635 --> 00:41:46,034 BURGOYNE: Come on. MIKI: Verity. 595 00:41:46,203 --> 00:41:50,538 SOLO: All right, now, I will shoot the first one who follows. 596 00:41:52,309 --> 00:41:53,401 Get back. 597 00:41:53,577 --> 00:41:55,568 [GUNFIRE] 598 00:41:56,981 --> 00:41:58,471 Come on! 599 00:41:59,216 --> 00:42:02,083 DUANE: He fired both barrels. He's out of ammunition. 600 00:42:04,121 --> 00:42:05,111 SUTRO: Stop! 601 00:42:06,957 --> 00:42:09,927 I don't want the girl hurt. Both of you, wait outside. 602 00:42:10,094 --> 00:42:11,459 I have a better way. 603 00:42:14,398 --> 00:42:16,560 What are you waiting for? Do you want them to get away? 604 00:42:16,734 --> 00:42:19,533 Oh, have no fear. They won't escape us. 605 00:42:29,813 --> 00:42:31,042 GIRL: Hi, Mr. Solo. 606 00:42:33,083 --> 00:42:34,073 Hey, Miki. 607 00:42:39,890 --> 00:42:42,052 Where are you all going? 608 00:42:42,226 --> 00:42:44,695 [MUSIC-BOX VERSION OF BRAHMS' LULLABY PLAYING OVER LOUDSPEAKER] 609 00:42:44,862 --> 00:42:47,092 PARTRIDGE [OVER LOUDSPEAKER]: Miki. Miki Matsu. 610 00:42:47,264 --> 00:42:50,529 Get away from Mr. Solo. Run, Miki. 611 00:42:50,701 --> 00:42:52,567 Do you understand me? Run. 612 00:42:53,938 --> 00:42:55,963 - Miss Burgoyne. - Miki, come back! 613 00:42:56,140 --> 00:43:01,169 PARTRIDGE: Attention, Miss Burgoyne. Mr. Solo means to harm you. 614 00:43:01,345 --> 00:43:03,780 You have reason to hate him. 615 00:43:03,948 --> 00:43:05,939 You will kill him. 616 00:43:06,116 --> 00:43:08,881 Attention all girls on the playing fields. 617 00:43:09,053 --> 00:43:11,454 Attention all girls on the playing fields. 618 00:43:12,122 --> 00:43:13,886 This is Miss Partridge. 619 00:43:14,525 --> 00:43:17,859 Mr. Solo is our enemy. 620 00:43:18,028 --> 00:43:20,895 He wants to hurt Miki and Miss Burgoyne. 621 00:43:21,332 --> 00:43:23,630 !/ want you to stop him. 622 00:43:49,426 --> 00:43:51,417 [GUNFIRE] 623 00:43:58,002 --> 00:43:58,992 Open Channel D. 624 00:44:00,004 --> 00:44:01,836 [HORNS HONKING] 625 00:44:02,006 --> 00:44:04,873 WAVERLY: Come in, Mr. Solo. - I'm running out of time, sir. 626 00:44:05,042 --> 00:44:09,775 We're doing the best we can, Mr. Solo, but it is the morning rush hour, you know. 627 00:44:11,382 --> 00:44:12,645 [GUNFIRE] 628 00:44:42,479 --> 00:44:44,072 [GUNSHOT] 629 00:44:44,248 --> 00:44:47,741 PARTRIDGE: I'm going to resume where we left off, Miki. 630 00:44:47,918 --> 00:44:51,548 - Is that clear? - Yes. 631 00:44:51,722 --> 00:44:54,316 We have found that by combining the two elements... 632 00:44:55,092 --> 00:44:58,153 ...the end result will be an explosive force... 633 00:44:58,328 --> 00:45:04,267 ...which will be able to unleash all the power within in the solar rays. 634 00:45:04,435 --> 00:45:05,630 The other element... 635 00:45:20,818 --> 00:45:22,809 [GIRLS SHOUTING] 636 00:45:50,681 --> 00:45:53,082 GIRLS: There he is! Kill him! 637 00:45:53,250 --> 00:45:54,740 SUZY: Quick, he's going under! 638 00:45:54,918 --> 00:45:57,319 GIRLS: Get him! Kill him! 639 00:45:59,656 --> 00:46:01,750 Conclusions. One: 640 00:46:02,392 --> 00:46:07,159 That the force field thus created is of a degree heretofore-- 641 00:46:08,899 --> 00:46:10,594 [MIKI SCREAMS] 642 00:46:11,869 --> 00:46:13,997 The girls, call them off. 643 00:46:15,706 --> 00:46:17,367 [PARTRIDGE GROANING] 644 00:46:23,247 --> 00:46:24,772 GIRLS: There he is. Kill him! 645 00:46:32,122 --> 00:46:34,591 What I did, it was-- 646 00:46:34,758 --> 00:46:38,592 It was for the school. Can you believe that? 647 00:46:42,199 --> 00:46:44,224 Attention all girls. 648 00:46:44,701 --> 00:46:49,229 This is Miss Partridge. Stop now. 649 00:46:50,340 --> 00:46:53,776 I repeat, I want-- I want you to stop now. 650 00:46:55,179 --> 00:46:57,671 Go back to your classes. 651 00:46:57,848 --> 00:47:02,752 And remember you did what I asked you to do. 652 00:47:04,087 --> 00:47:08,786 And I'm very, very proud... 653 00:47:08,959 --> 00:47:11,951 ...of all of you. 654 00:47:14,398 --> 00:47:17,993 Mr. Solo, what were you doing in the pool with all your clothes on? 655 00:47:18,802 --> 00:47:20,793 [GIRLS LAUGHING] 656 00:47:24,908 --> 00:47:26,876 MATSU: You sure there won't be any aftereffects... 657 00:47:27,044 --> 00:47:28,478 ...on any of the girls, Mr. Waverly? 658 00:47:28,645 --> 00:47:30,374 WAVERLY: I have the unqualified statement... 659 00:47:30,547 --> 00:47:33,608 ...of the two foremost experts in the field, Dr. Matsu. 660 00:47:33,784 --> 00:47:36,253 There's nothing to fear on that score. 661 00:47:36,420 --> 00:47:38,252 MK What's going to happen to the school? 662 00:47:38,422 --> 00:47:40,948 Miss Partridge left it in her will to Miss Burgoyne. 663 00:47:41,592 --> 00:47:43,185 She was very fond of Miss Burgoyne. 664 00:47:43,760 --> 00:47:45,694 Why, that's wonderful! 665 00:47:46,129 --> 00:47:48,120 Thank you, Miki. 666 00:47:48,298 --> 00:47:50,596 I still don't know what to think about Miss Partridge. 667 00:47:50,767 --> 00:47:52,428 All the contradictions. 668 00:47:52,836 --> 00:47:55,771 She really cared for her school. 669 00:47:55,939 --> 00:47:58,636 She was very fond of her pupils. 670 00:47:59,109 --> 00:48:02,374 When she found she was likely to lose both... 671 00:48:02,713 --> 00:48:06,115 Along came Jason Sutro, bearing gifts. 672 00:48:06,283 --> 00:48:08,513 Indeed. There's a moral in all that. 673 00:48:09,286 --> 00:48:11,277 Well, I'll have to get to other matters. 674 00:48:11,455 --> 00:48:14,982 I'd like propose that we all have dinner together this evening. 675 00:48:15,659 --> 00:48:17,684 Oh, well, ll-- I'm sorry. sir. 676 00:48:17,861 --> 00:48:21,764 Miss Burgoyne and I will have to beg off. 677 00:48:21,932 --> 00:48:25,994 WAVERLY: Oh, forgive me, Mr. Solo. I should have known. 678 00:48:26,703 --> 00:48:30,970 Uh, well, just the four of us, then. 679 00:48:31,208 --> 00:48:33,734 MIKL: WWlya and I have an engagement too, Mr. Waverly. 680 00:48:35,045 --> 00:48:38,413 ILLYA: We do? - After all, we were cooped up for so long. 681 00:48:38,582 --> 00:48:41,449 I thought we might go to the Sayonara a Go-Go. 682 00:48:41,618 --> 00:48:43,177 Is that all right, father? 683 00:48:43,353 --> 00:48:46,254 MATSU: Well, is it all right, Mr. Kuryakin? 684 00:48:46,924 --> 00:48:49,723 The Sayonara a Go-Go? 685 00:48:49,893 --> 00:48:52,487 Well, I suppose so. 686 00:48:54,131 --> 00:48:58,864 WAVERLY: That leaves just you and me, Dr. Matsu. Shall we make it 7:00? 687 00:48:59,036 --> 00:49:01,198 Why don't we go to my place? 688 00:49:01,371 --> 00:49:03,738 My old housekeeper makes the best corned beef and cabbage... 689 00:49:03,907 --> 00:49:05,705 ...this side of Boston. 690 00:49:59,129 --> 00:50:01,120 [ENGLISH SDH] 49954

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