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1
00:00:28,485 --> 00:00:30,480
IT'S ALL THERE
2
00:00:30,721 --> 00:00:33,891
TELL ME WHERE I CAN FIND
THE JACK NAPIER PAINTING.
3
00:00:33,933 --> 00:00:35,852
YOUR PAINTING IS BEING
HELD BY THE COLLECTIVE,
4
00:00:35,893 --> 00:00:37,395
PRIVATE CLUB
OF CONNOISSEURS
5
00:00:37,437 --> 00:00:39,689
OF OUTLAWED ARTWORK AND ANTIQUITIES.
6
00:00:39,730 --> 00:00:41,941
YOU WANT TO TIE
THE ROOM TOGETHER
7
00:00:41,983 --> 00:00:44,610
WITH A VINTAGE CANVAS
THAT TAKES YOU
8
00:00:44,652 --> 00:00:47,613
INSIDE THE MIND
OF PSYCHOTIC CRIMINALITY?
9
00:00:47,655 --> 00:00:49,240
THESE ARE THE PEOPLE
YOU NEED TO KNOW.
10
00:00:49,282 --> 00:00:50,575
I WANT AN INTRODUCTION.
11
00:00:50,616 --> 00:00:52,285
OH. THE TOP CROW?
12
00:00:52,326 --> 00:00:54,370
YOUR BIGGEST CLIENTS
ARE IN THE COLLECTIVE.
13
00:00:54,412 --> 00:00:55,746
THEY PAY YOUR BILLS.
14
00:00:55,788 --> 00:00:57,665
YOU WALK UP
TO THEIR DOORSTEP
15
00:00:57,707 --> 00:00:59,292
TRYING TO GRAB THAT NAPIER,
16
00:00:59,333 --> 00:01:01,335
THEY'RE GONNA ASK YOU
FOR A REFUND. UNH!
17
00:01:15,850 --> 00:01:18,519
YOU'RE FROM CORYANA.
18
00:01:18,561 --> 00:01:21,606
YOU'RE GONNA TELL SAFIYAH
TO GIVE MY DAUGHTER BACK.
19
00:01:21,647 --> 00:01:22,815
UNH!
20
00:01:26,110 --> 00:01:27,612
AAH!
21
00:01:33,576 --> 00:01:35,912
I GOT A REPORT OF A GUY LURKING
AROUND EAST END
22
00:01:35,953 --> 00:01:37,413
WITH A SPIKY POLE.
23
00:01:37,455 --> 00:01:39,665
IT DOESN'T CONCERN YOU,
BATWOMAN.
24
00:01:39,707 --> 00:01:41,959
THAT SO? BECAUSE HE'S
HANGING OFF MY LINE,
25
00:01:42,001 --> 00:01:44,212
SO WHY DON'T YOU
TELL ME WHAT KIND OF FISH I CAUGHT?
26
00:01:44,253 --> 00:01:46,881
THERE'S AN ITEM
I'M LOOKING FOR.
27
00:01:46,923 --> 00:01:49,342
IT'S GONNA HELP ME
FIND MY DAUGHTER.
28
00:01:49,383 --> 00:01:52,261
THE WOMAN HOLDING
HER CAPTIVE DOESN'T WANT ME TO FIND IT.
29
00:01:52,303 --> 00:01:54,764
SAFIYAH?
SHE SENT THIS GUY?
30
00:01:54,805 --> 00:01:57,683
WEAPON FITS THE M.O.
OF HER ASSASSINS,
31
00:01:57,725 --> 00:02:00,811
BUT I'LL CONFIRM
AFTER YOU HAND HIM OVER NOW.
32
00:02:00,853 --> 00:02:03,189
I DON'T TAKE ORDERS
FROM CROWS,
33
00:02:03,231 --> 00:02:06,734
AND I GOT A BETTER SHOT
AT FINDING KATE KANE BEFORE YOU DO.
34
00:02:09,987 --> 00:02:12,240
"ALL CROWS
ARE BASTARDS."
35
00:02:24,377 --> 00:02:26,379
MORNING, GOTHAM.
GUESS THE EARLY BIRD
36
00:02:26,420 --> 00:02:28,214
GIVES US THE BIRD.
37
00:02:28,256 --> 00:02:30,424
ACROBATIC ART PRANKSTER
WOLF SPIDER WAS AT IT AGAIN,
38
00:02:30,466 --> 00:02:32,468
ROLLING HIS EYES
AT THE ENTIRE CITY
39
00:02:32,510 --> 00:02:35,054
FROM THE TOP
OF THE GOTHAM CENTURY SKYSCRAPER
40
00:02:35,096 --> 00:02:37,056
WITH AN IRIDESCENT EMOJI,
41
00:02:37,098 --> 00:02:39,100
MILLENNIAL HACKTIVISM
AT ITS FINEST
42
00:02:39,141 --> 00:02:42,645
AND ALMOST ENOUGH TO DISTRACT US
FROM AN EVEN JUICIER BAT STORY.
43
00:02:42,687 --> 00:02:45,356
ANOTHER SIGHTING OF BATWOMAN 2.0
44
00:02:45,398 --> 00:02:47,692
AND TOP CROW
JACOB KANE TOGETHER,
45
00:02:47,733 --> 00:02:49,777
THIS TIME WORKING
IN THE EAST END CRIME SCENE.
46
00:02:49,819 --> 00:02:52,613
ARE WE LOOKING AT GOTHAM'S
NEWEST POWER COUPLE?
47
00:02:52,655 --> 00:02:55,157
NO. JEEZ.
48
00:02:55,199 --> 00:02:56,951
I THOUGHT BATWOMAN
WAS COOL.
49
00:02:56,993 --> 00:02:59,870
HEY. WE DON'T KNOW
WHAT THEY WERE DOING.
50
00:02:59,912 --> 00:03:02,415
MAYBE BATWOMAN
WAS SAVING HIS ASS.
51
00:03:02,456 --> 00:03:03,791
THOUGHT YOU MIGHT BE HUNGRY
52
00:03:03,833 --> 00:03:06,502
AFTER LAST NIGHT'S
RECONNECTING.
53
00:03:06,544 --> 00:03:08,170
STILL SLEEPY.
54
00:03:08,212 --> 00:03:11,132
I WISH YOU COULD DO
SOMETHING ABOUT THAT.
55
00:03:11,173 --> 00:03:14,385
YOU CAN TAKE
THE DAY OFF.
56
00:03:14,427 --> 00:03:16,387
MMM. I CAN'T.
57
00:03:16,429 --> 00:03:21,183
AS CUTE AS I LOOK
IN YOUR RIDICULOUS ROBE,
58
00:03:21,225 --> 00:03:23,686
I SHOULD GET HOME
AND CHANGE FIRST.
59
00:03:23,728 --> 00:03:25,813
YOU WALK OF SHAMING
FOR ME?
60
00:03:25,855 --> 00:03:29,692
LIKE THE OLD DAYS.
61
00:03:29,734 --> 00:03:33,362
SPEAKING
OF THE OLD DAYS,
62
00:03:33,404 --> 00:03:36,616
IT'S TIME YOU GOT
THAT APOLOGY I OWE YOU.
63
00:03:39,577 --> 00:03:41,495
MY PARTYING WAS
OUT OF CONTROL,
64
00:03:41,537 --> 00:03:43,914
AND YOU TOOK MY STASH
THINKING IT WOULD HELP ME,
65
00:03:43,956 --> 00:03:47,710
AND INSTEAD, IT GOT
YOUR ASS THROWN IN JAIL,
66
00:03:47,752 --> 00:03:49,795
AND I GET WHY YOU DIDN'T
WANT ME TO VISIT YOU.
67
00:03:49,837 --> 00:03:52,715
YOU SERVED 18 MONTHS
FOR ME, RY,
68
00:03:52,757 --> 00:03:54,800
AND IT'S TIME I START
PAYING YOU BACK.
69
00:03:59,764 --> 00:04:02,433
ONE FOR YOU,
ONE FOR ME?
70
00:04:05,102 --> 00:04:07,104
I LOVE IT,
71
00:04:07,146 --> 00:04:08,731
BUT WE'RE GOOD.
72
00:04:08,773 --> 00:04:10,316
YOU GOT YOUR LIFE
TOGETHER.
73
00:04:10,358 --> 00:04:11,984
THAT'S ALL I WANTED.
74
00:04:14,362 --> 00:04:16,781
OHH! HEY.
WHAT IS THIS?
75
00:04:16,822 --> 00:04:18,240
IT'S..
A WORK INJURY.
76
00:04:18,282 --> 00:04:20,951
YOU FALL ON A CORKSCREW?
77
00:04:20,993 --> 00:04:22,745
RYAN, YOU NEED TO GET
THAT LOOKED AT.
78
00:04:22,787 --> 00:04:24,497
YEAH. I JUST GOT THIS JOB.
79
00:04:24,538 --> 00:04:26,957
I DON'T NEED MY BOSS
THINKING I CAN'T HACK IT.
80
00:04:26,999 --> 00:04:30,002
YOU TEND BAR.
SHE'LL UNDERSTAND.
81
00:04:30,044 --> 00:04:32,922
ALL THESE YEARS LATER
STILL WORRYING ABOUT ME.
82
00:04:32,963 --> 00:04:34,799
IT'S KIND OF CUTE.
83
00:04:34,840 --> 00:04:36,384
YOU KNOW WHAT'S KIND OF CUTE?
HMM?
84
00:04:36,425 --> 00:04:38,803
YOU...
85
00:04:38,844 --> 00:04:42,515
WITHOUT THAT NASTINESS
ON YOUR SHOULDER.
86
00:04:42,556 --> 00:04:45,017
YOU TAKE CARE OF EVERYONE ELSE.
87
00:04:45,059 --> 00:04:47,478
TAKE CARE OF YOURSELF
FOR ONCE.
88
00:04:51,107 --> 00:04:52,817
GIVING YOU AN ANTIBIOTIC.
89
00:04:52,858 --> 00:04:55,194
SO...IT'S JUST
AN INFECTION?
90
00:04:55,236 --> 00:04:56,904
WELL, IT MIGHT HAVE TURNED NECROTIC
91
00:04:56,946 --> 00:05:01,075
IF YOU HAD WAITED ANY LONGER.
92
00:05:01,117 --> 00:05:03,911
ARE YOU SURE YOU'RE NOT
HAVING ANY OTHER SYMPTOMS
93
00:05:03,953 --> 00:05:06,122
THAT YOU'RE NOT TELLING ME ABOUT?
94
00:05:06,163 --> 00:05:07,665
NO. I...
95
00:05:07,707 --> 00:05:10,876
MAYBE A LITTLE MORE TIRED THAN NORMAL.
96
00:05:10,918 --> 00:05:12,503
OK. OK.
97
00:05:16,173 --> 00:05:17,842
KATE WOULD POP TWO OF THESE,
98
00:05:17,883 --> 00:05:19,385
AND SHE'D BE BACK IN FIGHTING SHAPE.
99
00:05:19,427 --> 00:05:21,595
OK. COOL.
BUT IF YOU'RE HURT,
100
00:05:21,637 --> 00:05:23,556
YOU SHOULD SIT OUT A FEW DAYS.
101
00:05:23,597 --> 00:05:25,057
RIGHT. DID KATE EVER SIT OUT?
102
00:05:25,099 --> 00:05:26,851
KATE WAS NEVER SHOT WITH ANYTHING
103
00:05:26,892 --> 00:05:29,395
THAT PIERCED THROUGH THE BATSUIT,
104
00:05:29,437 --> 00:05:32,231
AND YOU SHOULDN'T COMPARE YOURSELF
TO HER.
105
00:05:32,273 --> 00:05:35,651
WHAT'S MY CHOICE, HUH?
EVERYBODY ELSE IS.
106
00:05:35,693 --> 00:05:37,778
I KNOW YOU
DON'T HAVE A TWITTER,
107
00:05:37,820 --> 00:05:40,823
SO I ASSUME YOU MEAN LUKE.
108
00:05:40,865 --> 00:05:43,826
JUST DON'T TELL HIM
ABOUT THIS, OK?
109
00:05:43,868 --> 00:05:45,870
I DON'T NEED ANOTHER REASON
FOR HIM NOT TO TRUST ME.
110
00:05:45,911 --> 00:05:48,456
HE'S BEEN QUESTIONING
EVERY DECISION I MAKE.
111
00:05:48,497 --> 00:05:50,124
NOT TO BACKSEAT DRIVE,
BUT AREN'T YOU
112
00:05:50,166 --> 00:05:52,209
PROFICIENT IN 6 DIFFERENT FORMS
OF MARTIAL ARTS?
113
00:05:52,251 --> 00:05:53,794
WHAT'S THE POINT OF JUST LEAVING
HIM HERE?
114
00:05:53,836 --> 00:05:56,046
I TOLD HIM WE WANTED
THE LOCATION OF CORYANA.
115
00:05:56,088 --> 00:05:57,631
HE'LL GIVE IT UP.
TAKE IT FROM A FOSTER KID.
116
00:05:57,673 --> 00:05:59,592
IT IS AMAZING HOW WELL
YOU BEHAVE
117
00:05:59,633 --> 00:06:01,051
WHEN YOU ARE LITERALLY STARVING.
118
00:06:01,093 --> 00:06:02,720
WE DON'T HAVE TIME
TO WAIT HIM OUT.
119
00:06:02,762 --> 00:06:05,139
IF ALICE FINDS OCEAN
BEFORE WE FIND CORYANA,
120
00:06:05,181 --> 00:06:06,557
SAFIYAH'S GONNA GIVE
KATE TO HER,
121
00:06:06,599 --> 00:06:07,933
AND ALICE IS GOING TO KILL HER.
122
00:06:07,975 --> 00:06:09,602
OK. SO DO YOUR HACKER THING
123
00:06:09,643 --> 00:06:11,187
AND GET SOME INFO
ON THE SPIKY POLE GUY
124
00:06:11,228 --> 00:06:12,730
TO SPEED THIS UP.
125
00:06:15,065 --> 00:06:16,859
I ALREADY TRIED.
126
00:06:16,901 --> 00:06:18,360
I TRACKED HIS MOVEMENTS
AND CONFIRMED
127
00:06:18,402 --> 00:06:20,196
THAT HE WASN'T AFTER JACOB KANE.
128
00:06:20,237 --> 00:06:21,781
HE WAS STALKING THE GUY
THAT HE KILLED IN THE ALLEY,
129
00:06:21,822 --> 00:06:23,616
BUT THE VICTIM WAS
AN INVESTMENT ANALYST
130
00:06:23,657 --> 00:06:25,117
AT GOTHAM CAPITAL WITH NO RECORD.
131
00:06:25,159 --> 00:06:27,578
WHAT'S HE GOT TO DO
WITH CORYANA?
132
00:06:27,620 --> 00:06:29,246
SIR, I'M NOT DEFENDING
HER ACTIONS,
133
00:06:29,288 --> 00:06:31,916
BUT MY GUESS IS SHE'S
AFTER WHAT WE'RE AFTER--
134
00:06:31,957 --> 00:06:33,417
KATE'S LOCATION.
135
00:06:33,459 --> 00:06:35,336
LET HER KEEP SAFIYAH'S THUG.
136
00:06:35,377 --> 00:06:37,463
WE GOT A NEW LEAD ON THE NAPIER--
137
00:06:37,505 --> 00:06:39,673
EVAN BLAKE,
OLD FRIEND OF KATE'S
138
00:06:39,715 --> 00:06:41,175
AND A FIXTURE ON THE GOTHAM ART SCENE.
139
00:06:41,217 --> 00:06:43,135
JUST FLEW BACK FROM A TRIP TO BERLIN.
140
00:06:43,177 --> 00:06:45,137
HE WAS CAUGHT A COUPLE OF YEARS AGO
141
00:06:45,179 --> 00:06:48,015
WITH PLUNDERED ARTIFACT
AND FORCED TO PAY RESTITUTION.
142
00:06:48,057 --> 00:06:51,101
IN OTHER WORDS,
A LIKELY MEMBER OF THE COLLECTIVE
143
00:06:51,143 --> 00:06:53,062
WHO MIGHT COOPERATE.
144
00:06:53,103 --> 00:06:55,815
COMMANDER,
YOU'RE UNDERSELLING OUR ENTIRE ORIGIN STORY.
145
00:06:55,856 --> 00:06:57,775
KATIE KANE SAVED MY LIFE.
146
00:06:57,817 --> 00:06:59,902
REALLY?
GOTHAM PREP.
147
00:06:59,944 --> 00:07:01,529
IT'S EIGHTH GRADE,
AND THE WINTER FORMAL
148
00:07:01,570 --> 00:07:03,405
IS A MULTIVERSE SHATTERING CRISIS
149
00:07:03,447 --> 00:07:05,449
BECAUSE I'M "STRAIGHT."
150
00:07:05,491 --> 00:07:06,951
KATE WAS WAY OUT BY THEN,
151
00:07:06,992 --> 00:07:08,619
I HAD THIS TRAGIC CRUSH,
152
00:07:08,661 --> 00:07:10,454
AND I ASKED HER TO THE DANCE.
153
00:07:10,496 --> 00:07:12,456
I'M SURE SHE WANTED TO ROLL HER EYES
SO HARD,
154
00:07:12,498 --> 00:07:14,834
BUT WITH THE GRACE OF A SAINT,
155
00:07:14,875 --> 00:07:16,460
SHE SAID YES.
156
00:07:16,502 --> 00:07:17,962
THE ONLY TIME YOU'LL
EVER HEAR TEENAGE KATE
157
00:07:18,003 --> 00:07:19,463
DESCRIBED AS A SAINT.
158
00:07:19,505 --> 00:07:21,006
MY PARENTS TAKE ME TO PICK HER UP,
159
00:07:21,048 --> 00:07:22,508
AND KATE IS JAW-DROPPING
160
00:07:22,550 --> 00:07:25,344
IN THIS TAILORED VELVET SUIT,
161
00:07:25,386 --> 00:07:27,388
JUST RADIATING QUEER CONFIDENCE.
162
00:07:27,429 --> 00:07:29,932
I ON THE OTHER HAND
DISSOLVE INTO A MONSOON OF TEARS.
163
00:07:29,974 --> 00:07:31,767
KATE RACES ME UP TO HER BEDROOM,
164
00:07:31,809 --> 00:07:33,227
AND WE GO THROUGH THE WHOLE THING.
165
00:07:33,269 --> 00:07:35,271
"I'M GAY."
"I KNOW."
166
00:07:35,312 --> 00:07:36,981
WE MAKE IT TO THE DANCE,
167
00:07:37,022 --> 00:07:39,275
AND I CAME OUT BY DEFAULT
168
00:07:39,316 --> 00:07:41,485
BECAUSE I WORE KATE'S
ALEXANDER McQUEEN
169
00:07:41,527 --> 00:07:43,237
OFF-THE-SHOULDER
MINI,
170
00:07:43,279 --> 00:07:45,573
WHICH BEGGED
A LOT OF QUESTIONS,
171
00:07:45,614 --> 00:07:48,450
BUT I WASN'T AFRAID ANYMORE.
172
00:07:48,492 --> 00:07:51,120
I WAS GLOWING,
173
00:07:51,161 --> 00:07:55,082
AND THEN KATE DITCHED ME TO MAKE OUT
WITH MAGGIE WATSON.
174
00:07:55,124 --> 00:07:57,334
SOUNDS LIKE OUR GIRL.
175
00:07:57,376 --> 00:08:00,838
SO YOU NEED MY HELP
WITH KATE'S DISAPPEARANCE.
176
00:08:00,880 --> 00:08:02,381
I'M HERE FOR YOU.
177
00:08:02,423 --> 00:08:04,300
KATE WAS LOOKING
FOR A PIECE OF ARTWORK,
178
00:08:04,341 --> 00:08:06,135
SOMETHING THAT MAY
HAVE GOTTEN HER
179
00:08:06,176 --> 00:08:07,845
ON THE WRONG SIDE
OF SOMEONE VERY DANGEROUS.
180
00:08:07,887 --> 00:08:09,722
OUR THEORY IS
IF WE FIND THE ITEM
181
00:08:09,763 --> 00:08:11,307
IT WILL LEAD US
TO HER CAPTOR.
182
00:08:11,348 --> 00:08:13,559
WELL, YOU'VE COME
TO THE RIGHT ART SNOB.
183
00:08:13,601 --> 00:08:16,312
I WAS SENIOR EDITOR
AT THE GOTHAM MUSEUM OF ANTIQUITIES,
184
00:08:16,353 --> 00:08:18,397
I CURATE MY OWN
PRIVATE COLLECTIONS,
185
00:08:18,439 --> 00:08:21,108
I'VE GOT MY HANDS
IN A BIT OF EVERYTHING.
186
00:08:21,150 --> 00:08:24,236
YEAH. WE KNOW.
AGENT MOORE.
187
00:08:24,278 --> 00:08:26,989
KATE WAS LOOKING
FOR A CANVAS PAINTED BY JACK NAPIER,
188
00:08:27,031 --> 00:08:28,490
ALIAS THE JOKER.
189
00:08:28,532 --> 00:08:29,992
YOU'RE AWARE OF IT, YES?
190
00:08:30,034 --> 00:08:31,952
I KNOW THE LEGEND.
191
00:08:31,994 --> 00:08:33,996
PSYCHOTIC EVILDOER
BREAKS INTO HOME,
192
00:08:34,038 --> 00:08:36,373
SPLASHES HOMEOWNER'S
GUTS ALL OVER SOME OLD PAINTING
193
00:08:36,415 --> 00:08:39,293
IN THE FOYER
AND CALLS IT MODERN ART.
194
00:08:39,335 --> 00:08:40,920
IT'S A BIT ON THE NOSE
IF YOU ASK ME.
195
00:08:40,961 --> 00:08:43,297
NOT TO MENTION ILLEGAL TO BUY,
SELL, OR POSSESS
196
00:08:43,339 --> 00:08:46,091
SINCE IT WAS STOLEN
FROM AN ACTIVE CRIME SCENE.
197
00:08:46,133 --> 00:08:47,843
I'M SORRY.
SHOULD THERE BE A HARSH LIGHT
198
00:08:47,885 --> 00:08:50,304
SHINING IN MY EYES
RIGHT NOW?
199
00:08:50,346 --> 00:08:53,807
BECAUSE THE KATE
I KNEW NEVER GAVE A CRAP ABOUT ART,
200
00:08:53,849 --> 00:08:55,726
AND I HAVEN'T SPOKEN
WITH HER IN YEARS.
201
00:08:55,768 --> 00:08:57,978
WE HAVE REASON TO BELIEVE
THAT YOU'RE AFFILIATED
202
00:08:58,020 --> 00:09:00,439
WITH THE COLLECTIVE.
203
00:09:00,481 --> 00:09:01,815
HEH.
204
00:09:01,857 --> 00:09:03,192
WE'LL WORK TO GET YOU
FULL IMMUNITY
205
00:09:03,233 --> 00:09:04,818
IF YOU HELP US MAKE CONTACT.
206
00:09:04,860 --> 00:09:07,488
IMMUNITY FROM WHAT,
MS. MOORE?
207
00:09:07,529 --> 00:09:09,031
I'M A PERFECT ANGEL.
208
00:09:09,073 --> 00:09:11,075
I THOUGHT YOU WERE HERE FRIEND.
209
00:09:11,116 --> 00:09:14,662
I LOVE KATIE,
BUT THIS FEELS LIKE ENTRAPMENT.
210
00:09:14,703 --> 00:09:16,789
IF YOU NEED TO CONTACT
ME AGAIN,
211
00:09:16,830 --> 00:09:18,874
I'LL REFER YOU TO MY LAWYERS.
212
00:09:25,130 --> 00:09:28,008
I WANT ALL OUR TECH
INSIDE EVERY DEVICE EVAN OWNS,
213
00:09:28,050 --> 00:09:31,011
ROUND-THE-CLOCK REVOLVING TAILS.
214
00:09:31,053 --> 00:09:33,013
YES, SIR,
BUT THERE COULD BE
215
00:09:33,055 --> 00:09:35,224
AN EASIER WAY TO LOCATE CORYANA--
216
00:09:35,265 --> 00:09:37,267
WITH BATWOMAN'S HELP.
217
00:09:37,309 --> 00:09:39,603
LET ME ASK HER
FOR ACCESS TO HER PRISONER.
218
00:09:39,645 --> 00:09:41,563
BATWOMAN
OR WHOEVER IT IS
219
00:09:41,605 --> 00:09:43,232
WHO STEPPED IN
FOR MY DAUGHTER,
220
00:09:43,273 --> 00:09:45,734
I AM NOT GONNA GROVEL
AT HER FEET.
221
00:09:45,776 --> 00:09:47,111
THEN LET ME DO IT
222
00:09:47,152 --> 00:09:49,196
OR AT LEAST ASK NICELY
223
00:09:49,238 --> 00:09:51,365
BECAUSE ALICE WILL DO
A LOT WORSE THAN GROVEL
224
00:09:51,407 --> 00:09:53,325
TO FIND KATE BEFORE WE DO.
225
00:10:16,557 --> 00:10:18,225
OCEAN.
226
00:10:21,311 --> 00:10:23,063
HI.
227
00:10:23,105 --> 00:10:24,440
HI.
228
00:10:32,781 --> 00:10:35,034
WHAT DO YOU CALL IT
WHEN YOU'RE SURE
229
00:10:35,075 --> 00:10:37,244
YOU'VE MET SOMEONE...
230
00:10:38,912 --> 00:10:41,290
YOU'RE SURE YOU'VE NEVER MET?
231
00:10:46,295 --> 00:10:48,255
A STAY OF EXECUTION.
232
00:10:55,971 --> 00:10:57,973
VODKA ON THE ROCKS.
233
00:11:03,562 --> 00:11:06,106
VISITING FROM GOTHAM?
234
00:11:06,148 --> 00:11:10,319
WHY? DO I LOOK DEPRESSED?
235
00:11:10,360 --> 00:11:13,197
YOU'VE GOT THE SOPHISTICATION
OF A CITY MOUSE.
236
00:11:13,238 --> 00:11:19,828
HEH. MOUSE. AHEM.
TOUCHY SUBJECT.
237
00:11:19,870 --> 00:11:22,122
DON'T YOU THINK MICE ARE CUTE?
238
00:11:24,124 --> 00:11:27,503
I HAD A MOUSE IN MY LIFE.
239
00:11:27,544 --> 00:11:29,630
I LOVED HIM LIKE A BROTHER,
240
00:11:29,671 --> 00:11:31,173
AND WHEN HE STARTED HOLDING ME BACK
241
00:11:31,215 --> 00:11:34,093
FROM MY DREAMS,
I KILLED HIM.
242
00:11:34,134 --> 00:11:35,677
HEH.
243
00:11:39,098 --> 00:11:41,266
SHOOT. UM...
244
00:11:42,643 --> 00:11:45,395
I THINK IT'S MY TURN
TO, UH...
245
00:11:53,737 --> 00:11:57,658
THAT IS THE FASTEST
I'VE EVER SEEN HIM TAKE THE HINT.
246
00:11:57,699 --> 00:11:59,535
CAN I JOIN YOU
247
00:11:59,576 --> 00:12:02,621
IN CASE HE DECIDES TO TRY IT AGAIN?
248
00:12:02,663 --> 00:12:04,665
PRETTY SURE HE'S
IN THE NEXT COUNTY BY NOW,
249
00:12:04,706 --> 00:12:07,084
BUT BY ALL MEANS.
250
00:12:27,437 --> 00:12:29,815
LAST TIME I CAME
HERE TO MEET A BATWOMAN,
251
00:12:29,857 --> 00:12:33,443
THE VIBES...
WERE DIFFERENT.
252
00:12:33,485 --> 00:12:36,196
PLEASE SAY THIS ISN'T
A BOOTY CALL.
253
00:12:36,238 --> 00:12:38,991
LOOK. I DON'T KNOW
WHERE YOU GOT THIS IDEA
254
00:12:39,032 --> 00:12:40,868
THAT ALL CROWS ARE BASTARDS,
255
00:12:40,909 --> 00:12:42,536
BUT SOME OF US
ARE TRYING TO MAKE A DIFFERENCE.
256
00:12:42,578 --> 00:12:44,580
WELL, IN MY EXPERIENCE,
WHEN THE CROWS FLY TOGETHER,
257
00:12:44,621 --> 00:12:46,748
THEY CALL IT A MURDER
FOR A REASON.
258
00:12:46,790 --> 00:12:48,750
I WANT TO OFFER YOU
A DEAL.
259
00:12:48,792 --> 00:12:50,919
YOU GET EVERYTHING
WE KNOW ABOUT SAFIYAH AND CORYANA,
260
00:12:50,961 --> 00:12:52,963
AND WE GET ACCESS TO YOUR PRISONER.
261
00:12:53,005 --> 00:12:54,923
SO YOU CAN BEAT HIM
WITHIN AN INCH OF HIS LIFE.
262
00:12:54,965 --> 00:12:57,509
HE'S A MURDERER
WHO KNOWS WHERE KATE'S BEING HELD.
263
00:12:57,551 --> 00:12:59,553
I'LL THINK ABOUT IT.
YOU SHOULD BE DOING
264
00:12:59,595 --> 00:13:01,346
EVERYTHING IN YOUR
POWER TO HELP KATE.
265
00:13:01,388 --> 00:13:04,349
I DON'T NEED A CROW
TELLING ME HOW TO DO MY JOB.
266
00:13:04,391 --> 00:13:07,811
I'M NOT SPEAKING TO YOU AS A CROW.
267
00:13:07,853 --> 00:13:10,397
KATE'S THE LOVE OF MY LIFE,
268
00:13:10,439 --> 00:13:12,900
AND I NEED YOUR HELP
TO GET HER BACK.
269
00:13:26,246 --> 00:13:27,664
HELL TO THE NO. NO.
270
00:13:27,706 --> 00:13:29,208
WORKING WITH THE CROWS
MAKES MY SKIN CRAWL.
271
00:13:29,249 --> 00:13:31,084
SCREW THAT. NO.
272
00:13:31,126 --> 00:13:32,920
IT'S NOT LIKE WE'RE
HOSTING THEM A FUNDRAISER.
273
00:13:32,961 --> 00:13:35,339
TRUST ME. WE MAKE
A DEAL THAT SOUNDS GOOD,
274
00:13:35,380 --> 00:13:36,632
THEY'LL BREAK IT.
275
00:13:36,673 --> 00:13:38,217
NOT IF WE'RE DEALING
WITH SOPHIE.
276
00:13:38,258 --> 00:13:40,010
SOPHIE HAS HAULED MY ASS
IN FOR QUESTIONING
277
00:13:40,052 --> 00:13:44,223
SO MANY TIMES SHE KNOWS
MY DAMN COFFEE ORDER. NO!
278
00:13:44,264 --> 00:13:47,059
WILL YOU TALK SOME
SENSE INTO HER, PLEASE?
279
00:13:47,100 --> 00:13:49,728
WE'RE AT A DEAD END, RYAN.
LOOK. I'M SORRY,
280
00:13:49,770 --> 00:13:52,105
BUT YOU'RE OUTVOTED.
281
00:13:52,147 --> 00:13:54,816
I GET IT.
YOU WANT KATE BACK,
282
00:13:54,858 --> 00:13:58,445
BUT THE CROWS HAVE TRIED
TO RUIN MY LIFE FOR FUN.
283
00:13:58,487 --> 00:14:00,197
I'M NOT HELPING THEM!
284
00:14:18,548 --> 00:14:21,969
OK. SO.
285
00:14:22,010 --> 00:14:24,304
CROWS HORROR STORIES.
286
00:14:24,346 --> 00:14:26,181
YOU WANT ME TO GO,
OR...
287
00:14:26,223 --> 00:14:28,642
DO YOU WANT TO DO
YOUR FIRST?
288
00:14:28,684 --> 00:14:33,939
MY GIRL ANGELIQUE
HAD A DRUG HABIT,
289
00:14:33,981 --> 00:14:37,776
AND ON
A VERY UGLY NIGHT,
290
00:14:37,818 --> 00:14:41,905
SHE WAS GONE, LIKE
A DIFFERENT PERSON,
291
00:14:41,947 --> 00:14:44,074
SO I FOUND HER STASH,
AND I TOOK IT,
292
00:14:44,116 --> 00:14:47,577
THINKING I COULD
SOMEHOW STRAIGHTEN HER OUT,
293
00:14:47,619 --> 00:14:51,540
BRING HER BACK.
294
00:14:51,581 --> 00:14:54,668
I'M ON THE STREET,
CRYING,
295
00:14:54,710 --> 00:14:56,461
NO QUESTION WHAT KIND
OF NIGHT I'M HAVING,
296
00:14:56,503 --> 00:14:58,964
AND I PASS THESE TWO CROWS,
297
00:14:59,006 --> 00:15:01,550
AND ONE OF THEM
YELLS OUT,
298
00:15:01,591 --> 00:15:05,304
"YOU'D BE CUTER WITH A SMILE
ON YOUR FACE."
299
00:15:05,345 --> 00:15:07,639
AND MY MAMA TOLD ME
WHAT TO DO ABOUT IT.
300
00:15:07,681 --> 00:15:10,559
I PAY THEM NO MIND
AND KEEP MOVING,
301
00:15:10,600 --> 00:15:13,437
BUT THEY--THEY
WOULDN'T LET ME GO,
302
00:15:13,478 --> 00:15:16,398
SO MY HAND WENT OUT,
MY FINGER WENT UP,
AND BOOM,
303
00:15:16,440 --> 00:15:18,108
THOSE CROWS HAD
WHAT THEY WANTED.
304
00:15:18,150 --> 00:15:22,446
THEY FOUND THE DRUGS
AND THOUGHT THEY WERE YOURS.
305
00:15:22,487 --> 00:15:24,823
SORRY THAT HAPPENED
TO YOU.
306
00:15:24,865 --> 00:15:27,534
WHAT WAS YOURS?
307
00:15:27,576 --> 00:15:30,871
UM...THE CROWS...
308
00:15:34,166 --> 00:15:37,419
KILLED MY FATHER.
309
00:15:37,461 --> 00:15:40,130
WAIT. WHAT?
310
00:15:40,172 --> 00:15:42,007
REALLY?
311
00:15:42,049 --> 00:15:43,675
REALLY.
312
00:15:45,886 --> 00:15:47,679
IT'S, UH, NOT A STORY
FOR TODAY,
313
00:15:47,721 --> 00:15:51,308
BUT, UM...
314
00:15:51,350 --> 00:15:53,810
IT'S THE WORST THING
THAT EVER HAPPENED TO ME.
315
00:16:05,572 --> 00:16:07,783
I SHOULD HAVE LET YOU GO FIRST.
316
00:16:12,788 --> 00:16:16,166
LOOK. I WILL NEVER
FORGIVE THEM,
317
00:16:16,208 --> 00:16:20,087
AND I DON'T WANT TO
HELP THE CROWS EITHER,
318
00:16:20,128 --> 00:16:23,799
BUT WE NEED THEM
TO HELP US.
319
00:16:33,558 --> 00:16:35,352
REMEMBER, THIS ISN'T PUNISHMENT
320
00:16:35,394 --> 00:16:36,895
JUST FOR THE SAKE
OF IT.
321
00:16:36,937 --> 00:16:39,523
GIVEN THIS MURDERER
EVERY OPPORTUNITY TO TALK,
322
00:16:39,564 --> 00:16:42,359
SO UNLESS YOU HAVE ANY OTHER IDEAS,
323
00:16:42,401 --> 00:16:45,737
IT'S TIME TO TAKE THIS
TO THE NEXT LEVEL.
324
00:16:45,779 --> 00:16:47,697
YOU'VE GOT SOME CHOICES.
325
00:16:47,739 --> 00:16:50,700
YOU CAN GIVE US THE LOCATION
OF CORYANA...
326
00:16:50,742 --> 00:16:52,369
UNH!
327
00:16:52,411 --> 00:16:53,995
YOU CAN GET US IN TOUCH WITH SAFIYAH
328
00:16:54,037 --> 00:16:57,207
OR THE MAN KNOWN AS OCEAN.
329
00:16:57,249 --> 00:17:00,210
HELP US FIND THE NAPIER PAINTING.
330
00:17:02,212 --> 00:17:04,131
LISTEN TO ME.
IT IS NOT WORTH
331
00:17:04,172 --> 00:17:05,590
WHAT THEY'RE GONNA DO TO YOU.
332
00:17:05,632 --> 00:17:07,134
THE MANY ARMS
WILL KILL WHOEVER
333
00:17:07,175 --> 00:17:09,177
LAYS HANDS ON THAT PAINTING.
334
00:17:09,219 --> 00:17:12,139
YOU'LL NEVER FIND CORYANA.
335
00:17:12,180 --> 00:17:14,349
I NEVER SAID THE TWO
WERE RELATED.
336
00:17:16,518 --> 00:17:19,521
THE PAINTING GETS US
TO CORYANA? IS IT A MAP?
337
00:17:27,028 --> 00:17:28,864
CYANIDE CAPSULE!
LET'S GET HIM DOWN!
338
00:17:28,905 --> 00:17:31,158
IT'S TOO LATE.
IT'S TOO LATE.
339
00:17:36,371 --> 00:17:37,664
KANE PUSHED HIM TOO HARD,
340
00:17:37,706 --> 00:17:39,166
AND NOW WE'RE AT A DEAD END.
341
00:17:39,207 --> 00:17:41,251
MAYBE NOT.
342
00:17:41,293 --> 00:17:43,420
WE'VE BEEN SURVEILLING
A SUSPECT WE LINKED TO THE NAPIER,
343
00:17:43,462 --> 00:17:45,839
AND WE JUST GOT A HIT
ON ITS LOCATION.
344
00:17:45,881 --> 00:17:47,591
A GROUP CALLED
THE COLLECTIVE
345
00:17:47,632 --> 00:17:49,509
IS HAVING A SPECIAL EXHIBITION
TOMORROW NIGHT
346
00:17:49,551 --> 00:17:51,428
TO AUCTION THE PAINTING OFF.
347
00:17:51,470 --> 00:17:53,388
WHY NOW?
348
00:17:53,430 --> 00:17:54,931
WORD MUST HAVE GOTTEN
BACK TO THE OWNER
349
00:17:54,973 --> 00:17:56,516
ABOUT THE BODY THAT
DROPPED THE OTHER NIGHT.
350
00:17:56,558 --> 00:17:59,227
TOO MUCH HEAT.
351
00:17:59,269 --> 00:18:00,729
YOU DOING ANYTHING
TOMORROW NIGHT?
352
00:18:00,770 --> 00:18:02,606
YOU LOOKING FOR A DATE
TO THIS THING?
353
00:18:02,647 --> 00:18:04,608
WE DON'T HAVE AN INSIDER,
354
00:18:04,649 --> 00:18:06,693
BUT WE NEED SOMEONE
WITH NO CONNECTION TO THE CROWS
355
00:18:06,735 --> 00:18:08,570
WHO CAN INFILTRATE
THE EVENT
356
00:18:08,612 --> 00:18:12,991
AND GRAB THE NAPIER
WITHOUT GETTING CAUGHT.
357
00:18:13,033 --> 00:18:14,868
I GO ALONE.
358
00:18:14,910 --> 00:18:16,661
NO CROWS AT THE LOCATION,
359
00:18:16,703 --> 00:18:18,079
NO SURVEILLANCE,
360
00:18:18,121 --> 00:18:19,623
AND I WANT YOU
DIRECTLY IN CHARGE
361
00:18:19,664 --> 00:18:21,791
OF ANY CROWS ASSIGNED
TO THIS MISSION.
362
00:18:24,794 --> 00:18:27,964
THIS IS A ONE-OFF.
WE'RE NOT PARTNERS.
363
00:18:35,013 --> 00:18:40,060
SO...OCEAN...
WHAT DO YOU DO?
364
00:18:40,101 --> 00:18:42,854
I...BORE PEOPLE TO DEATH
BY TELLING THEM
365
00:18:42,896 --> 00:18:45,106
I'M A SOIL TECHNICIAN.
366
00:18:45,148 --> 00:18:48,568
OOH. THAT SOUNDS LIKE
A FANCY NAME
367
00:18:48,610 --> 00:18:51,363
FOR DIRT NERD,
368
00:18:51,404 --> 00:18:52,989
BUT YOU SMILED WHEN YOU SAID IT,
369
00:18:53,031 --> 00:18:55,450
SO...YOU MUST LIKE
YOUR WORK.
370
00:18:55,492 --> 00:18:58,245
I GREW UP IN NATURE.
371
00:18:58,286 --> 00:19:00,247
MY FAMILY CULTIVATED
EVERYTHING WE EVER NEEDED
372
00:19:00,288 --> 00:19:02,707
FROM THE LAND.
373
00:19:02,749 --> 00:19:07,921
IN A PLACE LIKE GOTHAM,
WHERE EVERYTHING IS CONCRETE,
374
00:19:07,963 --> 00:19:11,258
ISN'T THAT INCREDIBLE?
375
00:19:11,299 --> 00:19:13,093
SO TELL ME,
376
00:19:13,134 --> 00:19:18,265
WHERE IS THIS MAGICAL PLACE
YOU HAIL FROM?
377
00:19:21,518 --> 00:19:23,103
I'M MEETING AN ASSOCIATE.
378
00:19:23,144 --> 00:19:25,355
SHOULD SPLASH SOME WATER
ON MY FACE.
379
00:19:25,397 --> 00:19:30,026
5 SHOTS...NO REGRETS.
380
00:19:33,154 --> 00:19:35,448
HEY. CAN I ASK YOU SOMETHING?
381
00:19:35,490 --> 00:19:38,410
HAVE WE MET SOMEWHERE BEFORE?
382
00:19:38,451 --> 00:19:40,120
THINK I'D REMEMBER YOU.
383
00:19:42,706 --> 00:19:45,375
PROBABLY JUST THINKING
ABOUT SOMEBODY ELSE.
384
00:19:50,922 --> 00:19:52,591
OH, WELL.
385
00:20:21,661 --> 00:20:23,747
DO YOU MIND...
386
00:20:23,788 --> 00:20:25,832
SHUTTING THE SHADE?
387
00:20:31,087 --> 00:20:34,466
YOU SLEPT THROUGH HALF THE DAY.
388
00:20:34,507 --> 00:20:38,303
5 SHOTS, NO REGRETS.
389
00:20:41,765 --> 00:20:43,933
SHALL I EXPLAIN?
390
00:20:43,975 --> 00:20:45,894
I DO WISH YOU WOULD.
391
00:20:45,935 --> 00:20:47,729
SOME LUNATIC
ON A FAR-AWAY ISLAND
392
00:20:47,771 --> 00:20:49,230
IS HOLDING MY SISTER HOSTAGE,
393
00:20:49,272 --> 00:20:50,774
AND SHE WON'T HAND HER OVER
UNTIL I GUT YOU
394
00:20:50,815 --> 00:20:53,026
AND AIR MAIL THE EVIDENCE.
395
00:20:53,068 --> 00:20:55,445
THIS WOMAN GOT A NAME?
396
00:20:55,487 --> 00:20:58,448
ENOUGH WOMEN WANT YOU DEAD
I NEED TO BE SPECIFIC?
397
00:20:58,490 --> 00:21:00,367
JUST ANSWER THE DAMN QUESTION.
398
00:21:00,408 --> 00:21:02,327
SAFIYAH.
399
00:21:02,369 --> 00:21:06,998
ALTHOUGH HER OBEDIENT
ISLAND FOLLOWERS CALL HER QUEEN.
400
00:21:09,876 --> 00:21:12,545
NOT ME.
401
00:21:12,587 --> 00:21:14,631
I CALLED HER SISTER.
402
00:21:20,804 --> 00:21:24,265
I HAVE 3 WORDS.
403
00:21:24,307 --> 00:21:27,435
WHO...IS SHE?
404
00:21:27,477 --> 00:21:30,939
OHH! MM-WHA! LOOK!
405
00:21:32,774 --> 00:21:35,652
WAIT. ARE YOU SURE
ART COLLECTORS
406
00:21:35,694 --> 00:21:38,947
ARE SUPPOSED TO HAVE
THIS MUCH SWAG?
407
00:21:38,988 --> 00:21:41,032
WELL, FIRST OF ALL,
THEY'RE NOT ART COLLECTORS.
408
00:21:41,074 --> 00:21:44,744
THEY'RE OUTLAWS,
AND IF EVAN BLAKE IS THE STYLE GUIDE,
409
00:21:44,786 --> 00:21:47,038
THIS PARTY'S ABOUT
TO LOOK LIKE "THE HUNGER GAMES."
410
00:21:47,080 --> 00:21:49,791
WHAT'S EVAN BLAKE'S DEAL?
411
00:21:49,833 --> 00:21:52,794
OHH.
412
00:21:52,836 --> 00:21:56,965
HE AND I WERE ALWAYS
ANGLING FOR KATE'S AFFECTION.
413
00:21:57,006 --> 00:22:00,635
NOPE. HE WAS
WAY MORE COMPETITIVE
414
00:22:00,677 --> 00:22:07,016
AND HAD--HEH--
A LOT MORE FLAIR THAN ME.
415
00:22:07,058 --> 00:22:09,769
NOW HE'S OVEREDUCATED,
AND APPARENTLY,
416
00:22:09,811 --> 00:22:11,896
HE'S ADDICTED
TO MISCHIEF.
417
00:22:11,938 --> 00:22:15,483
THE CROWS SAY THAT
HE RUNS THE DOOR FOR THE COLLECTIVE.
418
00:22:15,525 --> 00:22:17,026
OH. NO.
419
00:22:19,988 --> 00:22:22,115
YEAH.
OK.
420
00:22:22,157 --> 00:22:25,160
WELL, I THINK I CAN
MAKE THIS WORK.
421
00:22:25,201 --> 00:22:28,163
I'D SAY SO.
422
00:22:28,204 --> 00:22:31,750
H-HEY. I--I BROUGHT
THE PLAN--
423
00:22:31,791 --> 00:22:34,377
I--I BROUGHT
THE GAME PLAN.
424
00:22:37,380 --> 00:22:38,882
THE EVENT IS
INSIDE A PRIVATE HANGAR
425
00:22:38,923 --> 00:22:40,550
AT GOTHAM INTERNATIONAL.
426
00:22:40,592 --> 00:22:42,385
IT'S ACTUALLY A PRETTY
CLEVER WAY OF DOING THIS.
427
00:22:42,427 --> 00:22:44,763
SO THE COLLECTIVE FLIES IN,
THEY UNLOAD THEIR PIECES,
428
00:22:44,804 --> 00:22:46,723
THEY BUY, SELL, PARTY,
429
00:22:46,765 --> 00:22:48,892
THEN THEY LOAD BACK UP,
FLY AWAY.
430
00:22:48,933 --> 00:22:51,936
NO CUSTOMS, NO TSA,
MAXIMUM SECURITY.
431
00:22:51,978 --> 00:22:54,314
HOW ARE WE SNEAKING
THE BATSUIT THROUGH THAT SECURITY?
432
00:22:54,355 --> 00:22:56,065
SEE, WE JUST HAPPEN
TO HAVE VIP ACCESS
433
00:22:56,107 --> 00:22:58,902
TO EVERY SQUARE INCH
OF THAT TERMINAL.
434
00:22:58,943 --> 00:23:02,322
YEAH. BETWEEN WAYNE ENTERPRISES
AND HAMILTON DYNAMICS,
435
00:23:02,363 --> 00:23:04,824
WE BURN MORE
PRIVATE JET FUEL
436
00:23:04,866 --> 00:23:06,534
THAN THE HADIDS,
KARDASHIANS,
437
00:23:06,576 --> 00:23:08,536
AND THE AIR FORCE
COMBINED.
438
00:23:08,578 --> 00:23:10,079
YEAH. SO WITH OUR
RESOURCES,
439
00:23:10,121 --> 00:23:11,873
CROWS' INTELLIGENCE,
AND A SECRET AGENT
440
00:23:11,915 --> 00:23:15,835
THAT NO ONE'S GOING TO
SUSPECT--RYAN WILDER.
441
00:23:15,877 --> 00:23:18,963
WAIT. I'M JUST SUPPOSED
TO TALK MY WAY INSIDE?
442
00:23:19,005 --> 00:23:21,132
OH, NO.
443
00:23:21,174 --> 00:23:23,301
DID YOU THINK MARY HAD
ALL THE ACCESSORIES?
444
00:23:28,139 --> 00:23:30,141
LOOK AT THIS
PRECISION METALWORK.
445
00:23:30,183 --> 00:23:33,394
THE WEIGHT IS
PERFECTLY BALANCED.
446
00:23:33,436 --> 00:23:35,438
WHAT'S THE PROVENANCE?
447
00:23:35,480 --> 00:23:37,023
WHICH BAT DID IT
BELONG TO?
448
00:23:37,065 --> 00:23:39,025
WOMAN.
449
00:23:39,067 --> 00:23:41,444
1.0 OR--
CURRENT MODEL.
450
00:23:43,738 --> 00:23:46,616
THE BATARANG IS A STUNNING PIECE.
451
00:23:46,658 --> 00:23:48,576
WE'LL MAKE AN EXCEPTION
452
00:23:48,618 --> 00:23:52,747
AND ALLOW IT INTO THE EXHIBITION.
453
00:23:52,789 --> 00:23:55,750
OK. I'M REALLY LOVING THAT DRESS.
454
00:23:55,792 --> 00:23:57,168
DIDN'T IT DEBUT IN LONDON?
455
00:23:57,210 --> 00:23:58,670
NAILED IT.
HUH.
456
00:23:58,711 --> 00:24:02,215
ACTUALLY, IT WAS NEW YORK,
WINTER '18.
457
00:24:02,257 --> 00:24:03,883
WELL, I HEARD THERE
WAS A DRESS CODE,
458
00:24:03,925 --> 00:24:06,010
SO I BORROWED IT FROM A FRIEND.
459
00:24:06,052 --> 00:24:08,054
HEARD FROM WHO EXACTLY?
460
00:24:08,096 --> 00:24:10,139
OF COURSE, I'M A BIG BELIEVER
IN THE FIRST AMENDMENT
461
00:24:10,181 --> 00:24:12,183
EXCEPT WHEN IT COMES
TO THE SHENANIGANS THAT GO ON
462
00:24:12,225 --> 00:24:14,269
BEHIND THE COLLECTIVE'S
CLOSED DOORS.
463
00:24:14,310 --> 00:24:16,521
HA HA! EVAN BABY,
464
00:24:16,563 --> 00:24:20,108
WHAT ARE YOU DOING
TO MY GIRL HERE?
465
00:24:20,149 --> 00:24:21,818
YOU BEAT ME HERE.
466
00:24:21,860 --> 00:24:25,572
ANG, BIG NIGHT.
PATRONS NEED THEIR PARTY FAVORS.
467
00:24:25,613 --> 00:24:27,657
AHH.
468
00:24:27,699 --> 00:24:29,784
AND THIS ONE'S YOURS?
469
00:24:29,826 --> 00:24:33,204
YEAH. I TOTALLY SPACED
ON THE HEADS UP.
470
00:24:33,246 --> 00:24:35,540
IT'S FINE.
YOU'RE FORGIVEN.
471
00:24:35,582 --> 00:24:36,749
ANY QUESTIONS?
472
00:24:36,791 --> 00:24:39,586
PRONOUNS?
473
00:24:39,627 --> 00:24:41,713
HE/HIM, THEY/THEM.
474
00:24:41,754 --> 00:24:44,048
I GO WITH THE FLOW.
475
00:24:44,090 --> 00:24:48,052
NOW, YOU TWO, GO FORTH
AND DO CRIMES.
476
00:24:48,094 --> 00:24:50,430
ANG, WHAT ARE
YOU DOING HERE?
477
00:24:50,471 --> 00:24:52,640
SAVING YOUR ASS AT THE DOOR.
478
00:24:52,682 --> 00:24:54,392
YOU CAN'T JUST SLIDE INTO THE DMs.
479
00:24:54,434 --> 00:24:55,977
YOU NEED A REFERRAL.
480
00:24:56,019 --> 00:24:59,480
WHAT PARTY FAVORS
WAS HE TALKING ABOUT?
481
00:24:59,522 --> 00:25:01,316
ANG, NO.
482
00:25:01,357 --> 00:25:02,859
WHAT DO YOU WANT ME
TO SAY?
483
00:25:02,901 --> 00:25:04,694
THAT YOU WEREN'T
LYING THROUGH YOUR TEETH
484
00:25:04,736 --> 00:25:06,154
WHEN YOU TOLD ME
YOU'D PULED YOUR LIFE TOGETHER.
485
00:25:06,195 --> 00:25:08,114
FOR YOUR INFORMATION,
I'M CLEAN.
486
00:25:08,156 --> 00:25:10,366
4 MONTHS,
BUT DO YOU KNOW WHAT PEOPLE NEED
487
00:25:10,408 --> 00:25:13,828
TO PULL THEIR LIVES
TOGETHER? MONEY.
488
00:25:13,870 --> 00:25:17,582
IF YOU GET CAUGHT,
DISTRIBUTION IS 8-10 AT BLACKGATE.
489
00:25:17,624 --> 00:25:21,085
SAYS THE GIRL TURNING
BATWOMAN'S MISSING HARDWARE
490
00:25:21,127 --> 00:25:23,296
INTO AN ETSY SHOP.
491
00:25:23,338 --> 00:25:25,089
WE KNOW WHAT I'M DOING HERE.
492
00:25:25,131 --> 00:25:27,300
WHAT ARE YOU DOING HERE?
493
00:25:29,302 --> 00:25:31,095
SAVE IT.
494
00:25:31,137 --> 00:25:34,432
YOU ARE THE ONLY ONE HERE
WHO'S JUDGING.
495
00:25:38,519 --> 00:25:40,647
IS THIS THING ON?
LOUD AND CLEAR.
496
00:25:40,688 --> 00:25:42,398
WANT TO TRY CHANNEL TWO?
497
00:25:42,440 --> 00:25:44,400
NO, NOT REALLY.
498
00:25:46,402 --> 00:25:47,779
BATWOMAN TO MOORE.
499
00:25:47,820 --> 00:25:49,948
COPY.
YOU'RE LATE.
500
00:25:49,989 --> 00:25:51,741
THOUGHT MAYBE YOU
GOT COLD FEET.
501
00:25:51,783 --> 00:25:55,328
BELIEVE IT OR NOT,
I RAN INTO AN EX.
502
00:25:55,370 --> 00:25:59,207
OH. OK. WELL,
I HOPE HE'S NOT GONNA BE DRAMA.
503
00:25:59,248 --> 00:26:01,918
SHE, AND ALWAYS.
504
00:26:01,960 --> 00:26:03,503
LET YOU KNOW
WHEN I FIND THE PAINTING.
505
00:26:03,544 --> 00:26:05,046
STAND BY.
506
00:26:11,719 --> 00:26:14,472
LUKE...GOT THE TARGET.
507
00:26:14,514 --> 00:26:16,432
OK. GREAT.
508
00:26:16,474 --> 00:26:18,393
GIVE ME A GOOD LOOK.
509
00:26:28,945 --> 00:26:31,489
OK. MOVING ON TO THE NEXT PHASE.
510
00:27:02,645 --> 00:27:05,023
A LOT OF INTEREST IN THIS ONE.
511
00:27:05,064 --> 00:27:08,651
YEAH. IT'S KIND OF
GIMMICKY, ISN'T IT?
512
00:27:08,693 --> 00:27:10,570
OH, IT'S DREADFUL,
ZERO TECHNIQUE,
513
00:27:10,611 --> 00:27:13,406
BUT, YOU KNOW, CELEBRITY ARTISTS.
514
00:27:13,448 --> 00:27:15,575
HMM. HELP ME TO
UNDERSTAND THE APPEAL
515
00:27:15,616 --> 00:27:18,202
IN OWNING SOMETHING LIKE THIS.
516
00:27:18,244 --> 00:27:20,663
SOME OF THE PEOPLE
HERE--TOTAL SICKOS.
517
00:27:20,705 --> 00:27:22,373
AND YOU?
I DON'T LIKE BEING TOLD
518
00:27:22,415 --> 00:27:24,459
WHAT I CAN AND CAN'T DO IN LIFE.
519
00:27:24,500 --> 00:27:26,294
WHETHER IT'S THE ART
I COLLECT
520
00:27:26,335 --> 00:27:27,879
OR THE CLOTHES
I WEAR,
521
00:27:27,920 --> 00:27:29,964
I'M NOT DESPERATE
FOR ANYONE'S APPROVAL.
522
00:27:30,006 --> 00:27:32,300
STILL THROWING
SHADE AT MY BORROWED COUTURE.
523
00:27:32,341 --> 00:27:35,511
HEH. WHAT CAN I SAY?
524
00:27:35,553 --> 00:27:38,556
I JUST PREFER TO SEE
EVERYONE'S TRUE COLORS.
525
00:27:45,772 --> 00:27:47,190
SO I RAN A SPECTRAL
ANALYSIS
526
00:27:47,231 --> 00:27:48,733
TO ISOLATE
THE ORIGINAL CANVAS
527
00:27:48,775 --> 00:27:50,735
UNDERNEATH THE GORE.
528
00:27:50,777 --> 00:27:52,487
I THINK IT'S A PAINTING
OF OCEAN CURRENTS.
529
00:27:52,528 --> 00:27:53,946
YOU WERE RIGHT.
530
00:27:53,988 --> 00:27:55,448
THE JOKER SPLATTERED
SOME POOR GUY
531
00:27:55,490 --> 00:27:57,366
ALL OVER A MAP
TO CORYANA?
532
00:27:57,408 --> 00:27:59,786
BUT WE'LL NEED TO RESTORE
THE CANVAS
533
00:27:59,827 --> 00:28:01,245
TO LOCATE THE ISLAND.
534
00:28:01,287 --> 00:28:02,497
BUT THAT MEANS...
535
00:28:02,538 --> 00:28:03,998
YOU'RE GONNA NEED TO STEAL IT.
536
00:28:12,673 --> 00:28:15,218
I DIDN'T KNOW SAFIYAH HAD FAMILY.
537
00:28:15,259 --> 00:28:16,969
WE WEREN'T BLOOD.
538
00:28:17,011 --> 00:28:19,931
APPARENTLY, WE WEREN'T ANYTHING.
539
00:28:21,599 --> 00:28:22,892
WHY DOES SHE WANT ME DEAD?
540
00:28:22,934 --> 00:28:24,477
OH, NO OFFENSE,
BUT I HAVE
541
00:28:24,519 --> 00:28:26,312
WAY TOO MUCH DRAMA
IN MY LIFE TO CARE.
542
00:28:26,354 --> 00:28:30,233
SHE'S OBVIOUSLY
LOSING HER TOUCH IF SHE SENT YOU.
543
00:28:30,274 --> 00:28:32,443
I'M SORRY. DID YOU JUST CALL ME
A BAD ASSASSIN?
544
00:28:32,485 --> 00:28:34,112
NOT TO MONDAY MORNING
QUARTERBACK,
545
00:28:34,153 --> 00:28:36,864
BUT YOU HAD AMPLE
OPPORTUNITY TO KILL ME.
546
00:28:36,906 --> 00:28:38,533
YOU KNEW I WAS
STAYING HERE,
547
00:28:38,574 --> 00:28:40,701
WHICH MEANS YOU
COULD HAVE KILLED ME IN MY SLEEP,
548
00:28:40,743 --> 00:28:43,287
BUT MAYBE YOU DON'T
KNOW HOW TO PICK A LOCK.
549
00:28:43,329 --> 00:28:45,039
FINE. SURPRISE ATTACK
IN THE BAR BATHROOM--
550
00:28:45,081 --> 00:28:47,959
EASY, PRIVATE.
551
00:28:48,000 --> 00:28:51,379
AT THE VERY LEAST,
YOU CAN AMBUSH ME IN MY TRUCK.
552
00:28:51,420 --> 00:28:53,840
I HAVE A BACKSEAT,
AND I DON'T LOCK MY DOORS,
553
00:28:53,881 --> 00:28:58,928
BUT INSTEAD, YOU,
WHAT, MAKE A SCENE AT THE BAR,
554
00:28:58,970 --> 00:29:00,388
GET MY ATTENTION,
555
00:29:00,429 --> 00:29:03,307
INDULGE IN SMALLTALK,
GET DRUNK.
556
00:29:03,349 --> 00:29:08,813
HEH. SAFIYAH MUST BE
DESPERATE IF SHE SENT YOU.
557
00:29:08,855 --> 00:29:14,152
I NEEDED MORE ANSWERS
BEFORE I COULD KILL YOU.
558
00:29:14,193 --> 00:29:15,987
I'VE NEVER SEEN YOU
BEFORE IN MY LIFE.
559
00:29:16,028 --> 00:29:18,781
NOR I YOU, WHICH IS WHY
I NEEDED TO KNOW MORE
560
00:29:18,823 --> 00:29:21,117
BEFORE I MADE OCEAN
BLEED THE RED SEA.
561
00:29:25,621 --> 00:29:28,374
HOW DO YOU EVEN KNOW
WHAT CORYANA LOOKS LIKE?
562
00:29:28,416 --> 00:29:31,752
BECAUSE I WAS THERE
5 YEARS AGO.
563
00:29:31,794 --> 00:29:33,504
THAT'S IMPOSSIBLE.
564
00:29:33,546 --> 00:29:35,464
I WAS THERE 5 YEARS AGO.
565
00:29:37,216 --> 00:29:39,218
HOW PECULIAR.
HMM.
566
00:29:41,095 --> 00:29:44,098
WELL, I SUPPOSE
YOU COULD KILL ME
567
00:29:44,140 --> 00:29:45,725
AND THEN SPEND THE REST
OF YOUR LIFE ON THE RUN,
568
00:29:45,766 --> 00:29:47,643
SEEING AS NONE OF THIS
CHANGES THE FACT
569
00:29:47,685 --> 00:29:49,979
THE ISLAND QUEEN
STILL WANTS YOU DEAD,
570
00:29:50,021 --> 00:29:53,065
OR WE COULD GIVE HER
A JINGLE.
571
00:29:53,107 --> 00:29:55,109
I'M GOOD
WITH OPTION "A."
572
00:29:57,612 --> 00:29:59,739
SAFIYAH, WE BOTH KNOW THIS ISN'T
ABOUT A STUPID FLOWER.
573
00:29:59,780 --> 00:30:01,574
AND WHAT DO YOU THINK
IT'S ABOUT?
574
00:30:01,616 --> 00:30:03,618
ME HAVING THE ONE THING
YOU CAN'T.
575
00:30:09,248 --> 00:30:10,583
WHAT THE HELL
WAS THAT?
576
00:30:10,625 --> 00:30:12,210
EXACTLY.
577
00:30:12,251 --> 00:30:14,503
OPTION "B" IT IS.
578
00:30:14,545 --> 00:30:17,048
AHEM.
579
00:30:20,259 --> 00:30:22,053
THERE SHOULD BE A DISPENSER
NEXT TO THE SINK
580
00:30:22,094 --> 00:30:26,349
WITH...UH, YOU KNOW,
PRODUCTS.
581
00:30:26,390 --> 00:30:27,600
I SEE IT.
582
00:30:27,642 --> 00:30:28,976
A LOT OF FIREPOWER
IN THAT ROOM,
583
00:30:29,018 --> 00:30:30,561
SO YOU'RE GONNA HAVE TO
MOVE FAST.
584
00:30:30,603 --> 00:30:32,605
BATWOMAN, STATUS CHECK.
YOU FIND IT?
585
00:30:34,398 --> 00:30:36,025
TARGET IDENTIFIED.
I JUST NEED TO TAKE IT
586
00:30:36,067 --> 00:30:38,736
FOR FURTHER ANALYSIS.
587
00:30:38,778 --> 00:30:40,446
WE'LL MONITOR
FROM HERE.
588
00:30:55,253 --> 00:30:57,630
UH...BATWOMAN?
589
00:31:06,305 --> 00:31:08,849
I THINK WE HAVE COMPETITION.
590
00:31:08,891 --> 00:31:10,226
WHO?
591
00:31:10,268 --> 00:31:11,727
YOU EVER HEARD OF WOLF SPIDER?
592
00:31:17,483 --> 00:31:19,485
SHOOT HIM BEFORE HE
GETS TOO HIGH!
593
00:31:19,527 --> 00:31:20,778
MISS--MISS,
THIS WAY, PLEASE.
594
00:31:20,820 --> 00:31:22,738
NO. RYAN!
595
00:31:26,158 --> 00:31:27,827
HAND IT OVER.
596
00:31:44,802 --> 00:31:46,345
HYAH!
UNH!
597
00:31:47,513 --> 00:31:48,973
UGH!
598
00:31:57,106 --> 00:31:58,649
DAMN.
599
00:32:06,157 --> 00:32:07,992
UNH!
600
00:32:08,034 --> 00:32:10,786
UGH! OHH.
601
00:32:12,872 --> 00:32:14,707
PAINTING'S ON THE MOVE.
602
00:32:14,749 --> 00:32:16,250
DO YOU NEED MEDICAL?
603
00:32:16,292 --> 00:32:18,044
UGH. JUST SLOW HIM DOWN.
I'LL BE THERE.
604
00:32:18,085 --> 00:32:19,587
WE'RE ON IT.
605
00:32:41,400 --> 00:32:42,777
NIMBLE LITTLE BASTARD.
606
00:32:42,818 --> 00:32:44,737
LITTLE TASER ACTION
WILL SLOW HIM DOWN.
607
00:32:53,496 --> 00:32:54,914
DAMN IT! GET ME CLOSER.
608
00:32:54,955 --> 00:32:56,582
I'M ON IT.
609
00:33:01,629 --> 00:33:04,507
AW. FRICKING CARTRIDGE
IS JAMMED!
610
00:33:10,221 --> 00:33:11,764
DUDE, WHAT DID YOU DO?
611
00:33:11,806 --> 00:33:13,641
HE JUMPED
IN FRONT OF ME.
612
00:33:19,146 --> 00:33:22,316
GET SOME TIES ON HIM.
613
00:33:22,358 --> 00:33:25,778
THIS ISN'T GOOD.
CALL FOR MEDICAL.
614
00:33:25,820 --> 00:33:28,322
STATUS CHECK.
615
00:33:28,364 --> 00:33:30,908
TARGET ACQUIRED.
WE GOT THE PAINTING.
616
00:33:30,950 --> 00:33:32,618
LET'S GO.
WHAT? WHAT ARE YOU DOING?
617
00:33:32,660 --> 00:33:35,204
WE CAN'T LEAVE HIM
HERE.
618
00:33:35,246 --> 00:33:36,705
MOORE WANTS THE PAINTING,
619
00:33:36,747 --> 00:33:39,250
NOT AN EXCESSIVE FORCE
HEADLINE.
620
00:33:39,291 --> 00:33:41,293
LET'S GO.
621
00:33:41,335 --> 00:33:43,003
SOMEONE ELSE WILL CLEAN HIM UP.
622
00:34:12,741 --> 00:34:14,034
EVAN?
623
00:34:14,076 --> 00:34:17,079
EVAN! EVAN,CAN YOU HEAR ME?
624
00:34:27,548 --> 00:34:29,300
WE'RE GONNA NEED
A BLOOD DRIVE AFTER THIS.
625
00:34:29,341 --> 00:34:30,759
HE'S GONNA RECOVER, RIGHT?
WELL, CONSIDERING HE WAS
626
00:34:30,801 --> 00:34:32,303
HIP CHECKED
BY A 4,800-POUND HUNK
627
00:34:32,344 --> 00:34:34,180
OF TOXIC MASCULINITY,
628
00:34:34,221 --> 00:34:36,765
HE'S DOING GREAT.
629
00:34:36,807 --> 00:34:38,851
DISTAL FEMUR FRACTURE,
DISLOCATED ELBOW,
630
00:34:38,893 --> 00:34:41,187
MINOR CONCUSSION,
631
00:34:41,228 --> 00:34:43,439
BUT WHEN THE BONE SHATTERED,
632
00:34:43,481 --> 00:34:45,441
IT NICKED HIS FEMORAL ARTERY,
633
00:34:45,483 --> 00:34:46,901
SO IF YOU HADN'T
BEEN THERE TO BRING HIM IN IN TIME,
634
00:34:46,942 --> 00:34:48,652
HE WOULD HAVE
BLED OUT.
635
00:34:48,694 --> 00:34:50,362
OK. WHAT--WHAT
HAPPENED BACK THERE?
636
00:34:50,404 --> 00:34:52,656
YOU WANT TO KNOW
WHAT HAPPENED?
637
00:34:52,698 --> 00:34:55,409
I LISTENED TO YOU OVER MY GUT,
AND NOW LOOK.
638
00:34:55,451 --> 00:34:57,203
I MEANT WHAT HAPPENED TO YOU?
639
00:34:57,244 --> 00:34:58,537
YOU SOUNDED LIKE YOU WERE
IN ROUGH SHAPE.
640
00:34:58,579 --> 00:34:59,788
YOU CALLED FOR BACKUP.
641
00:34:59,830 --> 00:35:01,040
THIS ISN'T ABOUT ME.
642
00:35:01,081 --> 00:35:02,666
THIS IS ABOUT US,
643
00:35:02,708 --> 00:35:05,002
THIS TEAM AND HOW
I CAN'T KEEP WORKING
644
00:35:05,044 --> 00:35:06,712
FOR YOUR APPROVAL.
645
00:35:06,754 --> 00:35:08,214
I WANTED TO SUIT UP
AND NOT THINK
646
00:35:08,255 --> 00:35:10,966
ABOUT YOU COMPARING ME
TO KATE KANE FOR ONCE,
647
00:35:11,008 --> 00:35:13,010
SO I AGREED TO PARTNER
WITH THE CROWS,
648
00:35:13,052 --> 00:35:15,095
AND FOR WHAT?
649
00:35:15,137 --> 00:35:17,932
YOU SIDED WITH THE GUYS
WHO KILLED YOUR OLD MAN.
650
00:35:17,973 --> 00:35:21,018
YOUR TASTE SUCKS,
651
00:35:21,060 --> 00:35:23,145
BUT YOU KNOW WHAT?
652
00:35:23,187 --> 00:35:25,856
I WEAR THE SUIT,
I TAKE THE BULLETS,
653
00:35:25,898 --> 00:35:28,692
SO WHEN I SAY I HAVE
A BAD FEELING ABOUT SOMETHING,
654
00:35:28,734 --> 00:35:30,402
YOU TWO, LISTEN!
655
00:35:36,492 --> 00:35:40,246
DID HER MAJESTY SAY
WHEN SHE'D GRACE US WITH A CALLBACK?
656
00:35:40,287 --> 00:35:42,456
WOULD YOU JUST
SIT THERE
657
00:35:42,498 --> 00:35:44,333
WITHOUT TALKING?
658
00:35:44,375 --> 00:35:46,043
I HAVE SPENT MORE YEARS
OF MY LIFE
659
00:35:46,085 --> 00:35:49,713
IN CAPTIVITY
THAN ANY ELEPHANT IN THE GOTHAM ZOO.
660
00:35:49,755 --> 00:35:54,385
THE KEY TO SURVIVING--
KEEP YOURSELF ENTERTAINED.
661
00:35:54,426 --> 00:35:55,928
ROUGH CHILDHOOD?
662
00:35:55,970 --> 00:35:57,346
YOU COULD SAY I COME
BY MY ABANDONMENT ISSUES
663
00:35:57,388 --> 00:35:59,598
HONESTLY, YEAH.
664
00:35:59,640 --> 00:36:02,476
HOW DO YOU KNOW SAFIYAH?
665
00:36:02,518 --> 00:36:06,397
I WAS SQUATTING ON A YACHT
IN GOTHAM HARBOR.
666
00:36:06,438 --> 00:36:08,816
SAFIYAH'S MINIONS
WERE PIRATING IT WHILE I WAS ON BOARD,
667
00:36:08,857 --> 00:36:12,361
AND APPARENTLY,SHE WAS IMPRESSED
668
00:36:12,403 --> 00:36:13,946
BY THE FIGHT I PUT UP.
669
00:36:13,988 --> 00:36:15,531
AND SHE LET YOU STAY?
670
00:36:15,573 --> 00:36:17,616
YEAH.
NO WAY.
671
00:36:17,658 --> 00:36:20,578
THE ISLAND'S CARDINAL RULE
IS NO OUTSIDERS.
672
00:36:20,619 --> 00:36:23,038
HMM.
673
00:36:23,080 --> 00:36:24,748
WHY DON'T I REMEMBER
ANY OF THIS?
674
00:36:24,790 --> 00:36:26,458
THAT'S THE THING.
675
00:36:26,500 --> 00:36:29,336
YOU SHOULD,
AND I SHOULD REMEMBER YOU.
676
00:36:29,378 --> 00:36:31,338
THE FACT THAT WE BOTH
HAVE THE SAME MEMORIES
677
00:36:31,380 --> 00:36:33,591
MAKES ME THINK THAT
SAFIYAH DID SOMETHING
678
00:36:33,632 --> 00:36:36,302
TO GET US TO FORGET.
679
00:36:36,343 --> 00:36:38,429
YOU THINK SAFIYAH
ERASED OUR MEMORY?
680
00:36:39,847 --> 00:36:41,265
SOME OF THEM.
681
00:36:43,392 --> 00:36:47,021
THE THING IS WE MIGHT
NEVER KNOW.
682
00:36:47,062 --> 00:36:48,731
TELL ME YOU ORDERED
DELIVERY
683
00:36:48,772 --> 00:36:50,024
AND THOSE AREN'T
684
00:36:50,065 --> 00:36:54,153
1, 2...3 ASSASSINS
APPROACHING.
685
00:36:54,194 --> 00:36:56,030
HMM.
686
00:36:56,071 --> 00:36:58,824
THE MANY ARMS OF DEATH.
687
00:36:58,866 --> 00:37:01,660
OH. MORE RELATIVES OF YOURS, I PRESUME.
688
00:37:01,702 --> 00:37:04,872
YEAH. CAN YOU, UH,
CUT ME LOOSE?
689
00:37:04,913 --> 00:37:06,790
I CAN'T TRUST YOU.
690
00:37:06,832 --> 00:37:08,917
YOU DON'T TRUST ME
TO DEFEND MYSELF
691
00:37:08,959 --> 00:37:10,586
FROM MURDER?
692
00:37:27,561 --> 00:37:28,854
WHERE'S OCEAN?
693
00:37:28,896 --> 00:37:30,022
HEY.
694
00:37:30,064 --> 00:37:31,357
SURPRISE.
695
00:37:33,108 --> 00:37:34,401
AAH!
696
00:37:40,240 --> 00:37:42,159
HEY. DO YOU HAVE
ANY CASH?
697
00:37:42,201 --> 00:37:43,952
WE SHOULD PROBABLY LEAVE
THE MAID A TIP.
698
00:37:43,994 --> 00:37:45,245
YOU'RE DARK.
699
00:37:45,287 --> 00:37:46,664
SHOULDN'THAVE DOUBTED ME.
700
00:37:46,705 --> 00:37:48,374
LET'S GO.
YOU'RE DRIVING.
701
00:37:57,299 --> 00:37:59,093
BADGES OF THE CROWS WHO DID THIS.
702
00:37:59,134 --> 00:38:00,969
THAT'S NOT ENOUGH,
703
00:38:01,011 --> 00:38:03,681
BURN IT ALL DOWN, GIRL,
THE WHOLE THING.
704
00:38:03,722 --> 00:38:05,724
I CAN'T DO THAT.
705
00:38:05,766 --> 00:38:07,393
I BELIEVE
IN THE MISSION OF THE CROWS.
706
00:38:07,434 --> 00:38:09,645
AN ORGANIZATION THAT
DECIDES WHAT JUSTICE IS
707
00:38:09,687 --> 00:38:11,814
BASED ON WHO CAN PAY
THE MOST MONEY,
708
00:38:11,855 --> 00:38:14,400
THAT BEATS INFORMATION
OUT OF ITS SUSPECTS,
709
00:38:14,441 --> 00:38:16,735
THAT RUNS SOMEONE OVER
FOR STEALING A PAINTING?
710
00:38:16,777 --> 00:38:18,696
THAT'S WHAT YOU
BELIEVE IN?
711
00:38:18,737 --> 00:38:21,115
YOU THINK TWO MEN
LOSING THEIR JOBS ISN'T ENOUGH?
712
00:38:21,156 --> 00:38:24,535
YOU'RE RIGHT,
BUT I'M FIGHTING TO CHANGE THE CULTURE.
713
00:38:24,576 --> 00:38:26,537
YEAH? WELL, GOOD LUCK
WITH THAT,
714
00:38:26,578 --> 00:38:28,163
BUT IF YOU WANT TO PARTY
WITH ME,
715
00:38:28,205 --> 00:38:30,332
ADD YOUR BADGE
TO THAT LITTLE PILE OVER THERE.
716
00:38:30,374 --> 00:38:33,836
UNTIL THEN,
THIS PARTNERSHIP IS OVER.
717
00:38:33,877 --> 00:38:36,255
WHAT ABOUT THE PAINTING?
718
00:38:36,296 --> 00:38:38,382
OUR FORENSICS TEAM
IS STILL WORKING ON IT.
719
00:38:38,424 --> 00:38:40,426
DON'T YOU WANT TO KNOW
WHERE CORYANA IS?
720
00:38:40,467 --> 00:38:42,594
WE'LL SEE WHO GETS
THERE FIRST.
721
00:39:00,154 --> 00:39:04,950
MARY HAMILTON.
HEH HEH. AWKWARD.
722
00:39:04,992 --> 00:39:06,994
BECAUSE I KNOW
YOU'RE WOLF SPIDER?
723
00:39:07,035 --> 00:39:08,871
BECAUSE I'M PRETTY SURE
I'M NAKED.
724
00:39:08,912 --> 00:39:12,124
OH, VERY MUCH SO.
725
00:39:12,166 --> 00:39:15,127
EVAN, YOU NEED TO
FIND A BETTER SUIT.
726
00:39:15,169 --> 00:39:18,464
SPANDEX IS NO MATCH
FOR AN ONCOMING SUV.
727
00:39:18,505 --> 00:39:20,841
MMM. BUT IT'S SO
COMFORTABLE.
728
00:39:20,883 --> 00:39:24,762
THEN MAYBE FIND
A SAFER EXCUSE TO PLAY DRESS-UP.
729
00:39:24,803 --> 00:39:28,056
GOTHAM'S ELITE TAKE
THEMSELVES TOO SERIOUSLY.
730
00:39:28,098 --> 00:39:29,892
WHO ELSE IS GONNA
EYE-ROLL THEM
731
00:39:29,933 --> 00:39:32,561
WITH AS MUCH STYLE
AS ME?
732
00:39:34,605 --> 00:39:36,857
THE CROWS GOT THE PAINTING.
733
00:39:39,359 --> 00:39:41,195
I WAS STEALING IT FOR KATE.
734
00:39:43,739 --> 00:39:45,365
THOUGHT I HAD
A BETTER CHANCE AT GRABBING IT
735
00:39:45,407 --> 00:39:47,034
THAN THE CROWS.
736
00:39:47,075 --> 00:39:48,952
HEY. DON'T BEAT
YOURSELF UP ABOUT IT
737
00:39:48,994 --> 00:39:51,663
BECAUSE IT TURNS OUT
NOBODY ACTUALLY GOT THE NAPIER PAINTING.
738
00:39:51,705 --> 00:39:53,373
IT WAS A FORGERY.
739
00:39:53,415 --> 00:39:55,083
THAT'S IMPOSSIBLE.
NO.
740
00:39:55,125 --> 00:39:57,002
BATWOMAN TOOK A SAMPLE
OF THE ORGANIC COMPOUND
741
00:39:57,044 --> 00:39:58,921
THAT WAS PAINTED OVER
THE ORIGINAL CANVAS,
742
00:39:58,962 --> 00:40:00,923
AND IT WAS
PIG'S BLOOD.
743
00:40:02,966 --> 00:40:05,135
NAPIER WOULD'VE NEVER
USED PIG'S BLOOD.
744
00:40:05,177 --> 00:40:07,846
RIGHT. SO THE CROWS
ENDED UP
745
00:40:07,888 --> 00:40:10,307
WITH A DECOY COPY,
AND THE ORIGINAL
746
00:40:10,349 --> 00:40:13,310
IS STILL OUT THERE
SOMEWHERE,
747
00:40:13,352 --> 00:40:15,229
AND SO IS KATE.
748
00:40:54,476 --> 00:40:56,395
OH, MY GOD.
749
00:41:04,570 --> 00:41:06,446
ONCE WE GET
SOME DISTANCE FROM THE MANY ARMS,
750
00:41:06,488 --> 00:41:08,657
WE CAN TRY TO
FIGURE OUT WHAT SAFIYAH DID TO US
751
00:41:08,699 --> 00:41:10,492
AND WHY.
752
00:41:10,534 --> 00:41:13,412
LOOKS LIKE YOU'RE NOT AS FAST AS YOU THINK,
BUDDY BOY.
753
00:41:13,453 --> 00:41:15,330
THEY GOT YOU PRETTY BAD BACK THERE.
754
00:41:23,547 --> 00:41:26,174
HEY. YOU ALL RIGHT?
755
00:41:26,216 --> 00:41:29,428
UH...YEAH.
EYES ON THE ROAD.
756
00:41:30,971 --> 00:41:32,931
WHAT'S WITH YOU?
757
00:41:32,973 --> 00:41:35,893
NOTHING.
758
00:41:35,934 --> 00:41:37,352
CAN YOU CHECK
IN THE BACK REAL QUICK?
759
00:41:37,394 --> 00:41:39,646
IS THERE A WHITE TUBE
BACK THERE?
760
00:41:39,688 --> 00:41:41,273
YEAH.
761
00:41:44,860 --> 00:41:47,654
WHAT IS THIS?
762
00:41:47,696 --> 00:41:49,907
YOU EVER HEAR OF A GUY CALLED
JACK NAPIER?
763
00:42:19,144 --> 00:42:21,104
GREG, MOVE YOUR HEAD!
54288
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