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These are the user uploaded subtitles that are being translated: 1 00:00:03,033 --> 00:00:05,603 Narrator: CHICHEN ITZA, 2 00:00:05,633 --> 00:00:07,773 A SPECTACULAR ANCIENT MAYA CITY 3 00:00:07,800 --> 00:00:10,330 SHROUDED IN MYSTERY AND MYTHS. 4 00:00:10,367 --> 00:00:14,067 IT'S THE GREATEST ANCIENT CITY IN THE WORLD. 5 00:00:14,100 --> 00:00:16,330 Narrator: IT'S A JUNGLE METROPOLIS 6 00:00:16,367 --> 00:00:19,097 WITH A HIDDEN UNDERWORLD AND DARK SECRETS. 7 00:00:21,333 --> 00:00:24,433 WHAT HAPPENED TO THIS LOST CIVILIZATION? 8 00:00:24,467 --> 00:00:28,527 THE BIG QUESTION THAT DRIVES US IS WHY PEOPLE WERE HERE. 9 00:00:28,567 --> 00:00:33,197 Narrator: HOW AND WHY WAS THIS VAST CITY BUILT? 10 00:00:33,233 --> 00:00:38,473 AND DID THE PEOPLE LIVING HERE PRACTICE HUMAN SACRIFICE? 11 00:00:38,500 --> 00:00:41,930 THE ONLY WAY TO SOLVE THESE MYSTERIES 12 00:00:41,967 --> 00:00:46,267 IS TO GO DEEP INTO THE HEART OF THE MAYAN CITY. 13 00:00:46,300 --> 00:00:50,070 EXPLORING ITS STRUCTURES STONE BY STONE 14 00:00:50,100 --> 00:00:53,670 WILL HELP US UNEARTH THE ASTONISHING SECRETS 15 00:00:53,700 --> 00:00:56,470 AT THE HEART OF THIS ANCIENT WONDER. 16 00:00:56,500 --> 00:00:59,470 -- Captions by VITAC -- www.vitac.com 17 00:00:59,500 --> 00:01:02,930 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 18 00:01:02,967 --> 00:01:06,067 CHICHEN ITZA, MEXICO. 19 00:01:06,067 --> 00:01:10,527 A THOUSAND YEARS AGO, THIS WAS A POWERFUL WORKING CITY... 20 00:01:10,567 --> 00:01:15,497 HOME TO 30,000 PEOPLE -- THE ANCIENT MAYA -- 21 00:01:15,533 --> 00:01:18,073 A CIVILIZATION KNOWN FOR THEIR REMARKABLE SKILL 22 00:01:18,100 --> 00:01:21,330 IN ASTRONOMY, MATHEMATICS, AND ARCHITECTURE. 23 00:01:23,367 --> 00:01:26,367 AND FOR THEIR BLOOD-CURDLING RELIGIOUS RITES. 24 00:01:30,467 --> 00:01:33,567 ARCHEOLOGIST MEMO DE ANDA HAS SPENT MUCH OF HIS LIFETIME 25 00:01:33,600 --> 00:01:37,600 TRYING TO MAKE SENSE OF THIS MYSTERIOUS JUNGLE CITY 26 00:01:37,633 --> 00:01:40,633 AND IT'S AWE-INSPIRING BUILDINGS. 27 00:01:40,667 --> 00:01:42,897 WE'RE JUST SCRATCHING THE SURFACE. 28 00:01:42,933 --> 00:01:45,133 THAT'S LITERALLY WHAT WE'RE DOING. 29 00:01:45,167 --> 00:01:48,267 I'M SURE THIS BUILDING IS STILL HIDING 30 00:01:48,300 --> 00:01:50,500 MANY, MANY SECRETS INSIDE. 31 00:01:50,533 --> 00:01:53,573 Narrator: THE RUINS OF MORE THAN 30 ANCIENT STRUCTURES 32 00:01:53,600 --> 00:01:56,270 AND TEMPLES LIE HIDDEN HERE AMONGST THE TREES, 33 00:01:56,300 --> 00:01:58,430 INCLUDING THIS IMMENSE PYRAMID. 34 00:02:01,067 --> 00:02:04,067 THE CASTILLO, OR TEMPLE OF KUKULKAN, 35 00:02:04,100 --> 00:02:07,530 ONE OF THE NEW SEVEN WONDERS OF THE WORLD. 36 00:02:07,567 --> 00:02:10,327 BUILT FROM TENS OF THOUSANDS OF LIMESTONE BLOCKS, 37 00:02:10,367 --> 00:02:16,727 IT TOWERS 100 FEET HIGH -- AS TALL AS A 10-STORY BUILDING. 38 00:02:16,767 --> 00:02:20,867 AT ITS PEAK, A SACRED TEMPLE 39 00:02:20,900 --> 00:02:23,930 DEDICATED TO THE SERPENT GOD KUKULKAN. 40 00:02:26,167 --> 00:02:30,697 ON EACH SIDE, STEEP STEPS THAT REFLECT HE MAYA CALENDAR. 41 00:02:31,967 --> 00:02:36,067 AND AT THE BASE, SERPENT HEADS LINKED TO THE EQUINOX. 42 00:02:37,867 --> 00:02:43,697 THIS 60,000-TON STRUCTURE IS A MARVEL OF ANCIENT ENGINEERING. 43 00:02:45,067 --> 00:02:47,497 De Anda: THIS IS ONE OF THE MOST WONDERFUL BUILDINGS 44 00:02:47,533 --> 00:02:49,203 FROM THE ANCIENT WORLD. 45 00:02:49,233 --> 00:02:52,503 IT'S A DEMONSTRATION OF POWER, 46 00:02:52,533 --> 00:02:54,973 A DEMONSTRATION OF SPIRITUALITY, 47 00:02:55,067 --> 00:02:56,867 A DEMONSTRATION OF SCIENCE. 48 00:02:56,900 --> 00:02:59,170 IT'S AN IMPORTANT BUILDING. 49 00:02:59,200 --> 00:03:00,830 Narrator: WHY DID THE ANCIENT MAYA 50 00:03:00,867 --> 00:03:04,397 BUILD THIS SPECTACULAR CITY IN THE JUNGLE? 51 00:03:04,433 --> 00:03:07,203 AND HOW DID THEY SOURCE THE MANY THOUSANDS OF TONS 52 00:03:07,233 --> 00:03:11,603 OF STONE NEEDED TO BUILD HUGE TEMPLES AND PYRAMIDS LIKE THIS? 53 00:03:16,400 --> 00:03:19,370 ONE-THIRD OF A MILE FROM THE MAIN PYRAMID, 54 00:03:19,400 --> 00:03:22,830 MEMO IS SEARCHING FOR CLUES. 55 00:03:22,867 --> 00:03:27,697 IT SEEMS THIS IS NO ORDINARY JUNGLE. 56 00:03:27,733 --> 00:03:31,303 THE MAYA DIDN'T HAVE TO REALLY GO FAR AWAY 57 00:03:31,333 --> 00:03:35,803 TO FIND THE MATERIAL TO BUILD THEIR BIG CITIES. 58 00:03:35,833 --> 00:03:37,903 LIMESTONE -- IT'S EVERYWHERE. 59 00:03:37,933 --> 00:03:40,133 THE MATERIAL IS BENEATH THEIR FEET -- 60 00:03:40,167 --> 00:03:42,367 ALL THIS MATERIAL IS RIGHT THERE. 61 00:03:42,400 --> 00:03:45,900 Narrator: THE LIMESTONE LAY WITHIN VERY EASY REACH. 62 00:03:45,933 --> 00:03:48,073 THE SOIL IS VERY, VERY THIN. 63 00:03:48,067 --> 00:03:51,627 IT'S NOT EVEN TWO CENTIMETERS OF SOIL 64 00:03:51,667 --> 00:03:55,967 THAT'S LAYING OVER THE HUGE LIMESTONE BEDROCK. 65 00:03:56,067 --> 00:03:58,797 IT'S LIMESTONE ALL AROUND US. 66 00:03:58,833 --> 00:04:01,733 IT'S ACTUALLY THE WHOLE PENINSULA. 67 00:04:01,767 --> 00:04:05,697 IT'S A BIG LIMESTONE PLATFORM. 68 00:04:05,733 --> 00:04:07,773 Narrator: LIMESTONE WAS THE CRUCIAL INGREDIENT 69 00:04:07,800 --> 00:04:09,970 THAT ALLOWED THE MAYA TO CONSTRUCT CHICHEN ITZA'S 70 00:04:10,067 --> 00:04:12,667 GREAT BUILDINGS. 71 00:04:12,700 --> 00:04:14,630 WORKERS MINED IT IN THIS QUARRY 72 00:04:14,667 --> 00:04:18,367 JUST 500 YARDS FROM THE CASTILLO PYRAMID. 73 00:04:18,400 --> 00:04:22,970 MEMO UNCOVERS SOME EXTRAORDINARY EVIDENCE TO PROVE IT. 74 00:04:23,067 --> 00:04:26,367 RIGHT HERE, WE CAN SEE A PRE-FORM. 75 00:04:26,400 --> 00:04:31,070 IT'S A HUGE PIECE OF ROCK -- OF LIMESTONE -- 76 00:04:31,067 --> 00:04:33,497 THAT THEY STARTED WORKING. 77 00:04:33,533 --> 00:04:36,073 'CAUSE, SEE, THIS IS PERFECTLY ROUND, 78 00:04:36,067 --> 00:04:39,467 AND WE CAN SEE ON ONE SIDE THE START OF THE FORMATION 79 00:04:39,500 --> 00:04:42,870 OF A MOUTH OF A SNAKE. 80 00:04:42,900 --> 00:04:46,430 BUT SOMEHOW, THEY LEAVE IT HERE. 81 00:04:46,467 --> 00:04:50,227 MAYBE BECAUSE IT GOT BROKEN. 82 00:04:50,267 --> 00:04:53,397 Narrator: A REMARKABLE CLUE CARVED BY A MAYA CRAFTSMAN 83 00:04:53,433 --> 00:04:55,203 A THOUSAND YEARS AGO. 84 00:04:55,233 --> 00:04:57,833 De Anda: AND IT SHOWS US BY BEING HERE 85 00:04:57,867 --> 00:05:00,367 IS THAT THEY OBTAINED THE MATERIAL, 86 00:05:00,400 --> 00:05:02,230 AND THEY WORK IT RIGHT HERE. 87 00:05:02,267 --> 00:05:06,827 THEY TAKE IT WHEN IT WAS FINISHED UP TO THE CITY. 88 00:05:06,867 --> 00:05:09,767 SO THAT'S PRETTY AMAZING. 89 00:05:09,800 --> 00:05:12,700 Narrator: THE LOCAL GEOLOGY PROVIDED CHICHEN ITZA'S BUILDERS 90 00:05:12,733 --> 00:05:15,903 WITH AN ENDLESS SUPPLY OF LIMESTONE. 91 00:05:15,933 --> 00:05:18,403 BUT THERE'S A FURTHER MYSTERY. 92 00:05:18,433 --> 00:05:21,973 THE ANCIENT MAYA HAD NO ACCESS TO METAL TOOLS. 93 00:05:22,067 --> 00:05:25,267 HOW DID THEY GET THIS STONE OUT OF THE GROUND? 94 00:05:25,300 --> 00:05:26,730 De Anda: IT IS INTERESTING, 95 00:05:26,767 --> 00:05:28,697 AND IT'S AMAZING AT THE SAME TIME. 96 00:05:28,733 --> 00:05:31,573 HOW CAN THEY BUILD THESE FANTASTIC CITIES 97 00:05:31,600 --> 00:05:34,430 ONLY WITH STONE TOOLS? 98 00:05:34,467 --> 00:05:35,967 Narrator: THE RESOURCEFUL MAYA 99 00:05:36,067 --> 00:05:38,727 CAME UP WITH AN INGENIOUS SOLUTION. 100 00:05:41,733 --> 00:05:46,433 THEY USED SHARDS OF RAZOR-SHARP STONES LIKE CHERT, 101 00:05:46,467 --> 00:05:49,297 SOMETIMES ATTACHING THEM TO WOODEN STICKS. 102 00:05:52,167 --> 00:05:55,897 THEY GOUGED DEEP CHANNELS INTO THE GROUND, 103 00:05:55,933 --> 00:05:59,633 CARVING A CHECKERBOARD PATTERN INTO THE LIMESTONE ROCKS. 104 00:06:03,133 --> 00:06:05,103 THE WORKERS DUG DOWN UNTIL THEY REACHED 105 00:06:05,133 --> 00:06:07,703 A NATURAL BREAK IN THE LIMESTONE BEDROCK. 106 00:06:08,967 --> 00:06:10,897 THIS WAY, THE CHECKERBOARD BLOCKS 107 00:06:10,933 --> 00:06:13,273 WOULD CRACK AWAY FROM THE GROUND. 108 00:06:15,067 --> 00:06:18,367 THEN THEY USED WOODEN LEVERS TO PRY THE BLOCKS OUT. 109 00:06:24,233 --> 00:06:27,973 HOW MUCH EFFORT DID IT TAKE TO REMOVE HEAVY LIMESTONE BLOCKS 110 00:06:28,067 --> 00:06:30,267 WITHOUT MODERN MACHINERY? 111 00:06:30,300 --> 00:06:34,670 TO FIND OUT, MEMO IS HEADING TO A STONE MASONS YARD IN MERIDA, 112 00:06:34,700 --> 00:06:38,370 ABOUT 70 MILES FROM CHICHEN ITZA. 113 00:06:39,200 --> 00:06:42,570 THE STONE MASONS ATTEMPT AN EXPERIMENT. 114 00:06:45,933 --> 00:06:48,173 THEY USE WOODEN LEVERS TO TRY TO EXTRACT 115 00:06:48,200 --> 00:06:51,300 A TWO-TON LIMESTONE BLOCK, 116 00:06:51,333 --> 00:06:54,433 JUST AS THE ANCIENT MAYA WOULD HAVE DONE. 117 00:06:56,567 --> 00:07:01,067 De Anda: ALL THE STONES THEY PUT THERE TO MAKE A LEVER. 118 00:07:01,067 --> 00:07:03,527 I THINK WE PUT A LITTLE BIT TOO MANY. 119 00:07:03,567 --> 00:07:07,897 SO WE NEED SPACE FOR THE BIG LEVER. 120 00:07:09,367 --> 00:07:11,867 THESE GUYS ARE EXTRAORDINARILY SKILLFUL AND STRONG. 121 00:07:11,900 --> 00:07:14,800 I MEAN, THEY'RE GREAT. 122 00:07:14,833 --> 00:07:16,573 SO FAR, SO GOOD. 123 00:07:16,600 --> 00:07:18,700 [ LAUGHS ] 124 00:07:18,733 --> 00:07:21,233 Narrator: SHIFTING THE LIMESTONE THE OLD FASHIONED WAY 125 00:07:21,267 --> 00:07:25,967 CLEARLY REQUIRED BOTH TECHNIQUE AND PLENTY OF MANPOWER. 126 00:07:26,067 --> 00:07:27,527 De Anda: TODAY, THAT I HAVE THE OPPORTUNITY 127 00:07:27,567 --> 00:07:30,827 TO MOVE THIS RELATIVELY SMALL STONE 128 00:07:30,867 --> 00:07:32,927 AND IT WAS SO HARD. 129 00:07:32,967 --> 00:07:34,927 AND THERE WERE A LOT OF PEOPLE, 130 00:07:34,967 --> 00:07:37,797 I REALIZED HOW HARD IT WAS. 131 00:07:37,833 --> 00:07:42,303 AND I'M GETTING MORE AND MORE AND MORE RESPECT FOR THE MAYA, 132 00:07:42,333 --> 00:07:43,603 FOR WHAT THEY DO. 133 00:07:43,633 --> 00:07:45,073 IT'S AMAZING. 134 00:07:45,067 --> 00:07:46,897 WOW, THAT WAS GREAT. 135 00:07:46,933 --> 00:07:47,933 [ LAUGHS ] 136 00:07:47,967 --> 00:07:49,797 THESE GUYS ARE GREAT. 137 00:07:49,833 --> 00:07:52,773 [ APPLAUSE ] 138 00:07:52,800 --> 00:07:54,330 WOW. 139 00:07:54,367 --> 00:07:57,827 Narrator: MOVING ONE STONE WAS BACK-BREAKING WORK. 140 00:07:57,867 --> 00:08:00,797 YET THIS PYRAMID IS MADE OF TENS OF THOUSANDS 141 00:08:00,833 --> 00:08:02,933 OF LIMESTONE BLOCKS. 142 00:08:02,967 --> 00:08:06,567 HOW DID THE ANCIENT MAYA BUILD IT? 143 00:08:06,600 --> 00:08:09,170 THE SECRET TO CONSTRUCTING THIS AMAZING TEMPLE 144 00:08:09,200 --> 00:08:11,700 LIES HIDDEN INSIDE 145 00:08:11,733 --> 00:08:14,803 BECAUSE THIS PYRAMID ISN'T QUITE WHAT IT SEEMS. 146 00:08:17,967 --> 00:08:21,967 CONCEALED BENEATH THE SMOOTH FACADE IS A LAYER OF RUBBLE. 147 00:08:24,500 --> 00:08:26,500 UNDER THAT, AN OLDER PYRAMID, 148 00:08:26,533 --> 00:08:30,273 ROUGHLY HALF THE CASTILLO'S SIZE. 149 00:08:30,300 --> 00:08:36,370 ITS STAIRCASE LEADS TO A SACRED TEMPLE WITH TWO CHAMBERS. 150 00:08:36,400 --> 00:08:39,770 AT THEIR HEART, A THRONE IN THE SHAPE OF A JAGUAR 151 00:08:39,800 --> 00:08:45,070 WITH JADE STONE EYES AND WHITE FLINT TEETH 152 00:08:45,067 --> 00:08:49,297 AND A MYSTERIOUS RECLINING STATUE KNOWN AS A CHAC MOOL. 153 00:08:51,067 --> 00:08:52,897 BUILDING ON TOP OF THIS EXISTING TEMPLE 154 00:08:52,933 --> 00:08:56,173 WAS AN INGENIOUS WAY TO BUILD BIG 155 00:08:56,200 --> 00:08:59,200 AS A NEW ERA IN THE LIFE OF THE CITY DAWNED. 156 00:09:01,433 --> 00:09:04,273 De Anda: THE ANCIENT MAYA, THEY DID NOT DESTROY A BUILDING 157 00:09:04,300 --> 00:09:05,670 TO BUILD ANOTHER ONE. 158 00:09:05,700 --> 00:09:09,870 THEY JUST GO AHEAD AND BUILT ON TOP OF THE OLD BUILDING. 159 00:09:09,900 --> 00:09:13,070 AND BUILT SOMETHING MAJESTIC LIKE THIS. 160 00:09:13,100 --> 00:09:15,270 Narrator: BUT WHY DID THE ANCIENT MAYA 161 00:09:15,300 --> 00:09:19,830 BUILD A GREAT CITY HERE IN THE MIDDLE OF DENSE JUNGLE? 162 00:09:25,567 --> 00:09:27,867 Narrator: IN THE VAST LANDSCAPE OF THE YUCATAN, 163 00:09:27,900 --> 00:09:30,530 WHY DID THE ANCIENT MAYA CHOOSE THIS LOCATION 164 00:09:30,567 --> 00:09:32,697 FOR THEIR CITY? 165 00:09:32,733 --> 00:09:35,433 TO FIND OUT, GEOPHYSICIST RENE CHAVEZ 166 00:09:35,467 --> 00:09:39,067 IS 75 MILES WEST OF CHICHEN ITZA CITY. 167 00:09:39,067 --> 00:09:42,497 USING A NEW TECHNIQUE TO SEE BENEATH ANCIENT MAYA PYRAMIDS, 168 00:09:42,533 --> 00:09:46,433 HE BELIEVES THE ANSWER MAY LIE UNDERGROUND. 169 00:09:46,467 --> 00:09:49,167 THIS IS ONE OF DOZENS OF ANCIENT PYRAMIDS 170 00:09:49,200 --> 00:09:52,500 HIDDEN IN THE MEXICAN JUNGLE. 171 00:09:52,533 --> 00:09:55,873 IT MAY LOOK VERY DIFFERENT FROM THE FAMOUS CASTILLO, 172 00:09:55,900 --> 00:09:58,070 BUT IT'S WHAT MANY MAYA PYRAMIDS LOOK LIKE 173 00:09:58,100 --> 00:10:01,300 BEFORE ARCHEOLOGISTS RESTORE THEM. 174 00:10:01,333 --> 00:10:06,273 WE HAVE TO DEPLOY THE ELECTRODES ON TOP OF THE PYRAMID... 175 00:10:09,133 --> 00:10:12,273 Narrator: RENE'S TEAM LAYS A WEB OF ELECTRODES, 176 00:10:12,300 --> 00:10:13,500 WHICH THEY WILL USE TO SEND 177 00:10:13,533 --> 00:10:16,873 AN ELECTRICAL CURRENT THROUGH THE GROUND. 178 00:10:16,900 --> 00:10:20,830 THE TEAM WILL MEASURE HOW EASILY THE CURRENT TRAVELS. 179 00:10:20,867 --> 00:10:23,097 THEIR READINGS WILL REVEAL IF ANY STRUCTURES 180 00:10:23,133 --> 00:10:26,973 OR STRANGE NATURAL FORMATIONS LIE BENEATH THE ROCKS AND SOIL. 181 00:10:59,567 --> 00:11:03,367 IT TAKES TIME TO PROCESS THE DATA FROM TODAY'S SURVEY. 182 00:11:05,833 --> 00:11:08,173 RENE CAN ONLY HOPE IT PROVIDES RESULTS 183 00:11:08,200 --> 00:11:10,170 AS SPECTACULAR AS HIS RECENT FINDINGS 184 00:11:10,200 --> 00:11:11,800 FROM A SIMILAR INVESTIGATION 185 00:11:11,833 --> 00:11:14,703 AT CHICHEN ITZA'S GREAT CASTILLO PYRAMID. 186 00:11:22,600 --> 00:11:24,770 IN THIS MODEL, EACH COLOR REPRESENTS 187 00:11:24,800 --> 00:11:26,800 A DIFFERENT GEOLOGICAL MATERIAL. 188 00:11:47,500 --> 00:11:50,770 RENE'S RESULTS REVEAL SOMETHING EXTRAORDINARY. 189 00:11:55,200 --> 00:11:59,570 HIDDEN DIRECTLY BENEATH THE CASTILLO PYRAMID, 190 00:11:59,600 --> 00:12:02,900 BELOW A FIVE-YARD-THICK LAYER OF LIMESTONE 191 00:12:02,933 --> 00:12:06,603 SITS A GIANT UNDERGROUND CAVE FULL OF WATER -- 192 00:12:06,633 --> 00:12:10,103 A FORMATION KNOWN AS A CENOTE. 193 00:12:10,133 --> 00:12:15,433 THE CAVE CONTAINS AS MUCH WATER AS SIX OLYMPIC SWIMMING POOLS. 194 00:12:15,467 --> 00:12:19,567 IT EXTENDS OVER 65 FEET UNDERGROUND. 195 00:12:19,600 --> 00:12:21,670 BUILDING A PYRAMID RIGHT ON TOP OF A CAVE 196 00:12:21,700 --> 00:12:26,230 FULL OF WATER MIGHT SEEM SURPRISING, 197 00:12:26,267 --> 00:12:29,127 BUT ITS EXISTENCE HERE HAS DRAMATIC IMPLICATIONS 198 00:12:29,167 --> 00:12:32,297 FOR OUR UNDERSTANDING OF THIS ICONIC TEMPLE. 199 00:12:54,833 --> 00:12:57,873 WITHOUT DIGGING, THERE'S NO WAY TO ACCESS THE CENOTE 200 00:12:57,900 --> 00:13:00,070 HIDDEN UNDER THE CASTILLO. 201 00:13:01,533 --> 00:13:03,233 SO ARCHEOLOGISTS MEMO DE ANDA 202 00:13:03,267 --> 00:13:05,867 IS VISITING ANOTHER NEARBY CENOTE 203 00:13:05,900 --> 00:13:09,070 TO INVESTIGATE WHAT MAY LIE BENEATH THE PYRAMID. 204 00:13:09,067 --> 00:13:10,427 De Anda: ISN'T THIS WONDERFUL? 205 00:13:10,467 --> 00:13:13,467 IT'S ONE OF THE MANY CENOTES 206 00:13:13,500 --> 00:13:15,930 WE HAVE IN THE YUCATAN PENINSULA. 207 00:13:15,967 --> 00:13:19,167 IT'S A WONDER OF NATURE. 208 00:13:19,200 --> 00:13:22,530 HUGE CAVERN, THIS IS ESSENTIALLY WHAT CENOTES ARE. 209 00:13:22,567 --> 00:13:26,567 IT'S A HUGE CAVERN THAT GOT FLOODED WITH LOTS OF RAIN 210 00:13:26,600 --> 00:13:28,730 FOR THOUSANDS OF YEARS. 211 00:13:28,767 --> 00:13:32,727 AND YOU CAN REALLY FEEL THE MAGIC OF BEING HERE. 212 00:13:34,100 --> 00:13:35,500 Narrator: THERE'S ONE CRUCIAL DIFFERENCE 213 00:13:35,533 --> 00:13:39,573 BETWEEN THIS CENOTE AND THE ONE UNDER THE CASTILLO. 214 00:13:39,600 --> 00:13:41,800 AT THIS CENOTE, THE ROOF HAS FALLEN IN, 215 00:13:41,833 --> 00:13:45,503 MAKING IT LOOK MORE LIKE A LAKE THAN A CAVE. 216 00:13:45,533 --> 00:13:47,533 THE ONE BELOW EL CASTILLO 217 00:13:47,567 --> 00:13:49,627 PROBABLY IS GOING TO COLLAPSE ONE DAY. 218 00:13:49,667 --> 00:13:51,167 WE DON'T KNOW WHEN. 219 00:13:51,200 --> 00:13:53,600 IT HAS BEEN THERE FOR CENTURIES. 220 00:13:53,633 --> 00:13:56,633 SO, HOPEFULLY, NOT FOR A LONG TIME. 221 00:14:01,333 --> 00:14:03,633 Narrator: UNDERGROUND LAKES LIKE THIS ARE THE REASON 222 00:14:03,667 --> 00:14:07,867 THE GREAT CITY OF CHICHEN ITZA WAS BUILT IN THIS AREA. 223 00:14:07,900 --> 00:14:11,300 THERE ARE NO SURFACE RIVERS IN THIS PART OF MEXICO. 224 00:14:12,833 --> 00:14:14,433 THE ONLY SOURCE OF DRINKING WATER 225 00:14:14,467 --> 00:14:17,227 WAS HIDDEN UNDERGROUND IN CENOTES. 226 00:14:19,067 --> 00:14:21,497 BUT THESE WEREN'T JUST A SOURCE OF WATER. 227 00:14:24,833 --> 00:14:27,103 De Anda: THEY WERE PLACES FOR WORSHIP, 228 00:14:27,133 --> 00:14:29,673 AND SOMETIMES PEOPLE DON'T UNDERSTAND, 229 00:14:29,700 --> 00:14:33,300 BUT WHEN YOU STAND HERE AND SEE THIS BEAUTY 230 00:14:33,333 --> 00:14:37,073 AND FEEL THIS MAGIC, YOU UNDERSTAND. 231 00:14:38,067 --> 00:14:40,367 Narrator: CENOTES HAD DEEP RELIGIOUS SIGNIFICANCE 232 00:14:40,400 --> 00:14:43,830 AND WERE SEEN AS A PHYSICAL LINK TO THE MAYA UNDERWORLD. 233 00:14:46,867 --> 00:14:48,767 IS IT POSSIBLE THE ANCIENT MAYA 234 00:14:48,800 --> 00:14:52,730 KNEW ABOUT THE CENOTE HIDDEN UNDER THE CASTILLO? 235 00:14:52,767 --> 00:14:56,727 DID THEY BUILD ON TOP OF IT ON PURPOSE? 236 00:14:56,767 --> 00:14:59,297 MEMO BELIEVES THE MUST HAVE 237 00:14:59,333 --> 00:15:01,803 BECAUSE THE CASTILLO HAS A REMARKABLE RELATIONSHIP 238 00:15:01,833 --> 00:15:03,903 WITH FOUR OTHER IMPORTANT UNDERGROUND LAKES 239 00:15:03,933 --> 00:15:07,873 THAT ARE VISIBLE ON THE CHICHEN ITZA SITE. 240 00:15:07,900 --> 00:15:12,070 De Anda: THIS IS EL CASTILLO OR KUKULKAN TEMPLE. 241 00:15:12,067 --> 00:15:14,897 ONE OF THE THINGS THAT'S AMAZING ABOUT THIS BUILDING 242 00:15:14,933 --> 00:15:19,803 IS THAT IT'S SITUATED RIGHT IN THE MIDDLE OF FOUR CENOTES. 243 00:15:19,833 --> 00:15:23,733 IT'S THE SACRED CENOTE TO THE NORTH, 244 00:15:23,767 --> 00:15:26,727 THE XTOLOC CENOTE TO THE SOUTH, 245 00:15:26,767 --> 00:15:30,927 SAGRADO CENOTE TO THE EAST, 246 00:15:30,967 --> 00:15:33,967 AND HOLTUN CENOTE TO THE WEST. 247 00:15:34,067 --> 00:15:36,397 Narrator: THE ANCIENT MAYA DIVIDED THEIR UNIVERSE 248 00:15:36,433 --> 00:15:39,073 INTO QUADRANTS. 249 00:15:39,100 --> 00:15:42,670 THESE WERE ALIGNED WITH THE FOUR POINTS OF THE COMPASS. 250 00:15:42,700 --> 00:15:44,470 COULD CHICHEN ITZA'S LAYOUT BE 251 00:15:44,500 --> 00:15:49,100 A PHYSICAL REPRESENTATION OF THE MAYA UNIVERSE? 252 00:15:49,133 --> 00:15:51,773 SO IF YOU DRAW TWO LINES, 253 00:15:51,800 --> 00:15:56,670 THE CENTER OF THOSE LINES IS EL CASTILLO. 254 00:15:56,700 --> 00:15:58,100 EL CASTILLO WAS BUILT THERE 255 00:15:58,133 --> 00:16:02,533 BECAUSE THE ORIENTATION OF THOSE FOUR CENOTES. 256 00:16:02,567 --> 00:16:04,327 Narrator: HOW THOSE ANCIENT MAYA KNEW 257 00:16:04,367 --> 00:16:08,067 ABOUT THE FIFTH CENOTE UNDER THE CASTILLO REMAINS A MYSTERY, 258 00:16:08,067 --> 00:16:10,427 BUT MEMO BELIEVES THEY DID, 259 00:16:10,467 --> 00:16:12,627 AND THAT THE GREAT PYRAMID WAS BUILT ON THIS SITE 260 00:16:12,667 --> 00:16:16,827 BECAUSE IT SYMBOLIZED THE CENTER OF THE MAYA UNIVERSE. 261 00:16:16,867 --> 00:16:19,967 De Anda: WHEN THEY SAID THERE IS A CENOTE UNDER THE CASTILLO, 262 00:16:20,067 --> 00:16:25,067 AND YOU SEE IT'S THE CENTER OF THESE SACRED ALIGNMENT, 263 00:16:25,067 --> 00:16:28,067 IT MAKES A LOT OF SENSE. 264 00:16:28,100 --> 00:16:29,430 Narrator: THE LAYOUT OF THESE CENOTES 265 00:16:29,467 --> 00:16:32,497 CREATED A LOCATION WITH DEEP RELIGIOUS MEANING. 266 00:16:34,667 --> 00:16:37,467 BUT THE SACRED SIGNIFICANCE DOESN'T END HERE. 267 00:16:40,367 --> 00:16:43,097 DURING EXCAVATIONS AT THE CASTILLO PYRAMID, 268 00:16:43,133 --> 00:16:46,373 ARCHEOLOGISTS MAKE AN ASTONISHING DISCOVERY. 269 00:16:53,833 --> 00:16:55,833 Narrator: AT THE BASE OF THE CASTILLO PYRAMID, 270 00:16:55,867 --> 00:16:58,867 ARCHEOLOGISTS MAKE A SURPRISING DISCOVERY. 271 00:17:07,700 --> 00:17:09,500 DIGGING MORE THAN SIX FEED UNDERGROUND, 272 00:17:09,533 --> 00:17:11,803 THEY UNEARTHED A DARK SECRET. 273 00:17:14,300 --> 00:17:19,070 AMONGST THE RUBBLE, THEY FOUND SHARDS OF BONE, 274 00:17:19,100 --> 00:17:21,200 SKULL FRAGMENTS, AND EVEN TEETH 275 00:17:21,233 --> 00:17:25,733 THAT PROVE THESE REMAINS ARE HUMAN. 276 00:17:25,767 --> 00:17:28,497 ARCHEOLOGISTS UNEARTHED OVER 900 PIECES 277 00:17:28,533 --> 00:17:32,973 BELONGING TO OVER 100 DIFFERENT INDIVIDUALS. 278 00:17:33,067 --> 00:17:35,197 WHO WERE THESE PEOPLE? 279 00:17:35,233 --> 00:17:37,103 AND WHY WERE THEY BURIED HERE? 280 00:17:44,167 --> 00:17:48,227 THESE MYSTERIOUS FINDS TELL AN EXTRAORDINARY STORY. 281 00:17:49,900 --> 00:17:53,830 AT HER LAB IN MERIDA, BIO-ARCHEOLOGIST VERA TIESLER 282 00:17:53,867 --> 00:17:56,597 FORENSICALLY ANALYZES THE BONES. 283 00:17:57,700 --> 00:17:59,770 SHE'S UNCOVERING THE REMARKABLE SECRETS 284 00:17:59,800 --> 00:18:02,300 OF WHO THESE PEOPLE WERE 285 00:18:02,333 --> 00:18:06,303 AND WHY THEY WEREN'T GIVEN A PROPER BURIAL OR CREMATED. 286 00:18:06,333 --> 00:18:09,773 THESE REMAINS WERE FOUND AT ONE SIDE OF THE CASTILLO'S, 287 00:18:09,800 --> 00:18:12,630 AND THERE WAS A HIGH INCIDENCE OF DIFFERENT FORMS 288 00:18:12,667 --> 00:18:15,297 OF A NUTRITIONAL DEPRIVATION, 289 00:18:15,333 --> 00:18:18,073 EVERYTHING THAT HAS TO DO WITH SUFFERING, HUNGER, 290 00:18:18,067 --> 00:18:19,767 NOT BEING NOURISHED ADEQUATELY, 291 00:18:19,800 --> 00:18:23,800 OR SUFFERING FROM MANY, MANY EPISODES OF INFECTIOUS DISEASE, 292 00:18:23,833 --> 00:18:26,333 FOR EXAMPLE. 293 00:18:26,367 --> 00:18:28,297 Narrator: THESE BONES COME FROM PEOPLE 294 00:18:28,333 --> 00:18:30,503 ON THE FRINGES OF SOCIETY, 295 00:18:30,533 --> 00:18:32,103 INDIVIDUALS IN POOR HEALTH 296 00:18:32,133 --> 00:18:36,303 WHO WERE NOT VALUED OR WHO WERE EXPENDABLE. 297 00:18:36,333 --> 00:18:37,773 IN THIS SKULL CAP, 298 00:18:37,800 --> 00:18:40,770 WHAT WE SEE ARE THESE DISTINCTIVE PORES. 299 00:18:40,800 --> 00:18:46,600 THEY MOSTLY STEM FROM EPISODES OF ANEMIA DURING INFANCY. 300 00:18:46,633 --> 00:18:50,733 IF WE TAKE A CLOSER LOOK AT THESE TEETH, 301 00:18:50,767 --> 00:18:53,627 WE CAN SEE THESE DISTINCTIVE GROOVES 302 00:18:53,667 --> 00:18:56,397 THAT CROSS OVER THE SURFACE. 303 00:18:56,433 --> 00:18:59,573 AND THESE BASICALLY TELL US THAT A PERSON SUFFERED 304 00:18:59,600 --> 00:19:03,930 FROM SEVERAL EPISODES OF PHYSIOLOGICAL STRESS. 305 00:19:06,733 --> 00:19:09,073 Narrator: VERA FINDS EVIDENCE THAT THE SURROUNDING FLESH 306 00:19:09,067 --> 00:19:12,427 WAS DELIBERATELY REMOVED FROM SOME OF THESE BONES. 307 00:19:15,367 --> 00:19:17,597 THE BONY REMNANTS THAT WE RECOVERED 308 00:19:17,633 --> 00:19:22,203 AROUND EL CASTILLO SHOW DISTINCTIVE CUT MARKS. 309 00:19:22,233 --> 00:19:24,503 Narrator: IT'S NO NORMAL BURIAL. 310 00:19:24,533 --> 00:19:28,803 WHAT THESE REMAINS SHOW IS BASICALLY PRACTICES 311 00:19:28,833 --> 00:19:34,103 THAT RELATE TO FLAYING TO DE-FLESHING -- 312 00:19:34,133 --> 00:19:37,733 BODY PROCESSING, SO TO SPEAK. 313 00:19:37,767 --> 00:19:39,297 Narrator: VERY BELIEVES THESE BONES 314 00:19:39,333 --> 00:19:44,073 ARE EVIDENCE OF GRUESOME SACRIFICIAL RITUALS. 315 00:19:44,067 --> 00:19:46,167 Tiesler: THEY'RE REMNANTS THAT PROBABLY STEM 316 00:19:46,200 --> 00:19:50,300 FROM RITUAL ACTIONS INVOLVING ANIMAL AND HUMAN SACRIFICE. 317 00:19:52,367 --> 00:19:55,467 BUT THESE WERE PART OF PRACTICES 318 00:19:55,500 --> 00:19:58,070 CONDUCTED BY ELITE PRACTITIONERS, 319 00:19:58,067 --> 00:20:02,197 ELITE PRIESTS FROM CHICHEN ITZA. 320 00:20:04,100 --> 00:20:06,930 Narrator: THIS IS A REMARKABLE CLAIM. 321 00:20:06,967 --> 00:20:09,727 HOW CAN VERA EVEN BE CERTAIN THAT REMAINS LIKE THESE 322 00:20:09,767 --> 00:20:11,597 BELONG TO THE ANCIENT MAYA? 323 00:20:14,000 --> 00:20:18,330 SOME TRULY COMPELLING EVIDENCE COMES FROM THE SACRED CENOTE -- 324 00:20:18,367 --> 00:20:20,067 ONE OF THE FOUR UNDERGROUND LAKES 325 00:20:20,100 --> 00:20:22,170 THAT SURROUND THE CASTILLO. 326 00:20:22,200 --> 00:20:27,500 THIS SKULL COMES FROM THE SACRED CENOTE OF CHICHEN ITZA. 327 00:20:27,533 --> 00:20:30,703 IT'S CAST FROM A CHILD'S SKULL. 328 00:20:33,533 --> 00:20:35,403 Narrator: ONE CRUCIAL CLUE REVEALS 329 00:20:35,433 --> 00:20:38,573 THAT THIS CANNOT BE A MODERN SKULL -- 330 00:20:38,600 --> 00:20:40,030 ITS SHAPE. 331 00:20:40,067 --> 00:20:44,467 Tiesler: THIS HEAD FORM HAS BEEN CALLED TOP FLATTENING. 332 00:20:44,500 --> 00:20:46,970 IT'S A SORT OF ARTIFICIAL SHAPE 333 00:20:47,000 --> 00:20:49,900 THAT HAS BEEN PRODUCED WITH BOARDS 334 00:20:49,933 --> 00:20:55,503 AND ADAPTED TO MAKE THE TOP OF THE HEAD MORE FLATTENED. 335 00:20:55,533 --> 00:20:58,133 Narrator: HEAD SHAPING WAS A COMMON MAYA PRACTICE, 336 00:20:58,167 --> 00:21:01,067 AND ARCHEOLOGISTS HAVE FOUND MANY MORE SKULLS LIKE THIS 337 00:21:01,100 --> 00:21:02,970 IN THE SACRED CENOTE. 338 00:21:03,067 --> 00:21:07,267 THIS HEAD IS ONE OUT OF MORE THAN A HUNDRED INFANT SKELETONS 339 00:21:07,300 --> 00:21:10,470 THAT WERE FOUND IN THE SACRED CENOTE. 340 00:21:10,500 --> 00:21:12,170 Narrator: THE PRESENCE OF SO MANY BONES 341 00:21:12,200 --> 00:21:14,500 CAN BE NO ACCIDENT. 342 00:21:14,533 --> 00:21:17,403 THEY MUST HAVE BEEN PLACED IN THE CENOTE INTENTIONALLY -- 343 00:21:17,433 --> 00:21:20,503 PROBABLY AS OFFERINGS TO THE MAYA GODS. 344 00:21:21,533 --> 00:21:23,073 ARCHEOLOGIST MEMO DE ANDA 345 00:21:23,100 --> 00:21:25,830 IS NOW INVESTIGATING THIS ASTONISHING THEORY. 346 00:21:25,867 --> 00:21:30,367 WHY WOULD A SOPHISTICATED SOCIETY LIKE THE ANCIENT MAYA 347 00:21:30,400 --> 00:21:32,770 HAVE PRACTICED HUMAN SACRIFICE? 348 00:21:32,800 --> 00:21:36,200 NEW CLUES LIE AT THE BOTTOM OF THIS DEEP ABYSS. 349 00:21:41,267 --> 00:21:43,267 Narrator: CHICHEN ITZA... 350 00:21:43,300 --> 00:21:45,230 THIS MYSTERIOUS ANCIENT CITY 351 00:21:45,267 --> 00:21:48,627 IS SLOWLY GIVING UP ITS SECRETS. 352 00:21:48,667 --> 00:21:51,067 INVESTIGATIONS ARE SHEDDING DRAMATIC NEW LIGHT 353 00:21:51,100 --> 00:21:54,500 ON ITS SPECTACULAR BUILDINGS AND RELIGIOUS RITUALS. 354 00:21:57,333 --> 00:22:00,173 THE REMAINS OF HUNDREDS OF VICTIMS OF HUMAN SACRIFICE 355 00:22:00,200 --> 00:22:03,930 HAVE BEEN FOUND INSIDE CHICHEN ITZA'S SACRED CENOTE. 356 00:22:05,367 --> 00:22:08,927 COULD THIS DARK PRACTICE HAVE HAPPENED AT OTHER CENOTES, TOO? 357 00:22:16,067 --> 00:22:18,127 ARCHEOLOGIST MEMO DE ANDA IS CONDUCTING 358 00:22:18,167 --> 00:22:20,667 A MAJOR NEW INVESTIGATION AT UNDERGROUND LAKES 359 00:22:20,700 --> 00:22:22,800 ACROSS THE YUCATAN PENINSULA. 360 00:22:24,600 --> 00:22:26,700 HE'S INVESTIGATED HUNDREDS OF CENOTES 361 00:22:26,733 --> 00:22:29,073 OVER HIS 25-YEAR CAREER. 362 00:22:30,633 --> 00:22:33,873 MEMO WANTS TO KNOW MORE ABOUT THE PART HUMAN SACRIFICE PLAYED 363 00:22:33,900 --> 00:22:37,070 IN MAYA'S SACRED RITES. 364 00:22:37,100 --> 00:22:39,270 HE'S CREATING THREE-DIMENSIONAL MODELING 365 00:22:39,300 --> 00:22:42,170 OF THE OFFERINGS HE FINDS TO HUNT FOR CLUES. 366 00:22:43,433 --> 00:22:44,833 TODAY, THIS WORK HAS BROUGHT HIM 367 00:22:44,867 --> 00:22:46,427 TO ANOTHER OF THE FOUR CENOTES 368 00:22:46,467 --> 00:22:49,467 THAT SURROUND THE CASTILLO PYRAMID. 369 00:22:49,500 --> 00:22:54,800 WE ARE AT CENOTE HOLTUN INSIDE CHICHEN ITZA. 370 00:22:54,833 --> 00:22:58,333 AND THE ANCIENT MAYA CARVED THE ENTRANCE. 371 00:22:58,367 --> 00:23:00,227 IT'S SPECTACULAR, IT'S SO BEAUTIFUL. 372 00:23:00,267 --> 00:23:02,267 IT'S A HUGE DOME. 373 00:23:02,300 --> 00:23:03,570 READY TO GO. 374 00:23:03,600 --> 00:23:06,070 Narrator: THE ONLY WAY TO EXPLORE THIS HIDDEN LAKE 375 00:23:06,067 --> 00:23:08,867 IS TO DIVE. 376 00:23:08,900 --> 00:23:11,300 BUT THE ONLY WAY TO REACH THE WATER 377 00:23:11,333 --> 00:23:15,733 IS A NEARLY 80-FOOT VERTICAL ABSEIL INTO THE DARK. 378 00:23:15,767 --> 00:23:18,067 THIS IS NOT FOR THE FAINTHEARTED. 379 00:23:20,133 --> 00:23:24,933 THIS VAST CAVERN EXTENDS OVER 225 FEET DOWN. 380 00:23:24,967 --> 00:23:27,227 IT CONTAINS A LARGE UNDERGROUND LAKE 381 00:23:27,267 --> 00:23:30,297 OVER 160 FEET DEEP. 382 00:23:30,333 --> 00:23:32,333 De Anda: GOING DOWN IN A CENOTE 383 00:23:32,367 --> 00:23:35,227 IS ONE OF THE BEST EXPERIENCES IN THE WORLD. 384 00:23:43,400 --> 00:23:46,400 Narrator: RAINWATER CARVED THIS IMMENSE CAVERN 385 00:23:46,433 --> 00:23:50,773 INTO THE LIMESTONE BEDROCK OVER THOUSANDS OF YEARS. 386 00:23:50,800 --> 00:23:53,300 De Anda: WE'RE ABOUT EIGHT, NINE METERS DOWN. 387 00:23:53,333 --> 00:23:58,203 AND CAN SEE THE CULTURAL RICHNESS OF THIS PLACE. 388 00:24:03,233 --> 00:24:05,733 AND I DON'T WANT TO APPROACH TOO CLOSE 389 00:24:05,767 --> 00:24:10,567 BECAUSE IT CAN DESTROY EVERYTHING IN A SECOND. 390 00:24:10,600 --> 00:24:13,870 Narrator: MEMO IS MAKING SOME SHOCKING DISCOVERIES -- 391 00:24:13,900 --> 00:24:16,600 CERAMIC OFFERINGS, 392 00:24:16,633 --> 00:24:18,333 A KNIFE, 393 00:24:18,367 --> 00:24:20,767 ANIMAL BONES, 394 00:24:20,800 --> 00:24:23,930 AND HUMAN REMAINS. 395 00:24:23,967 --> 00:24:26,367 EACH TIME HE DIVES INTO THIS CENOTE, 396 00:24:26,400 --> 00:24:28,530 MEMO TAKES HIGH-RESOLUTION PHOTOGRAPHS 397 00:24:28,567 --> 00:24:30,897 OF HIS FINDS FROM ALL ANGLES. 398 00:24:30,933 --> 00:24:34,533 BUT EXACTLY WHAT HAPPENED IN THIS MYSTERIOUS CAVERN? 399 00:24:34,567 --> 00:24:37,227 MEMO HAS FOUND A REMARKABLE CLUE. 400 00:24:37,267 --> 00:24:40,827 De Anda: RIGHT IN FRONT OF ME, YOU CAN SEE A SHELF. 401 00:24:40,867 --> 00:24:46,067 IT'S A NATURAL SHELF, IDEAL TO MAKE A RITUAL DEPOSIT. 402 00:24:46,067 --> 00:24:48,897 Narrator: MORE BONES, OTHER OFFERINGS, 403 00:24:48,933 --> 00:24:53,133 AND EVEN TRACES OF CHARCOAL REMAIN ON THIS SHELF. 404 00:24:53,167 --> 00:24:55,067 AMAZINGLY, IT APPEARS THIS PLATFORM 405 00:24:55,100 --> 00:24:57,400 WAS ONCE A SACRED ALTAR. 406 00:24:58,467 --> 00:25:01,597 De Anda: THIS IS PART OF THE SPIRITUAL WORLD. 407 00:25:01,633 --> 00:25:03,873 CENOTES ARE SILENT WITNESSES 408 00:25:03,900 --> 00:25:08,300 OF A VERY IMPORTANT PART OF THE ANCIENT MAYAN LIFE. 409 00:25:08,333 --> 00:25:11,133 THIS IS A VERY IMPORTANT PART OF THEIR UNIVERSE. 410 00:25:15,633 --> 00:25:18,303 Narrator: MEMO HAS FOUND SOME TRULY EXTRAORDINARY EVIDENCE 411 00:25:18,333 --> 00:25:21,073 ABOUT THE RITES CONDUCTED IN THIS CENOTE. 412 00:25:24,067 --> 00:25:26,067 De Anda: IT WAS A VERY, VERY NICE DIVE. 413 00:25:26,100 --> 00:25:29,070 AND I THINK WE GET WHAT WE NEEDED. 414 00:25:30,367 --> 00:25:32,667 Narrator: MEMO HAS BEEN PHOTOGRAPHING THIS SITE 415 00:25:32,700 --> 00:25:35,570 FOR FIVE YEARS. 416 00:25:35,600 --> 00:25:37,400 A CUSTOM-MADE COMPUTER PROGRAM 417 00:25:37,433 --> 00:25:40,233 HAS PROCESSED THE PHOTOS TAKEN SO FAR... 418 00:25:40,267 --> 00:25:43,067 AND TURNED THEM INTO AMAZING THREE-DIMENSIONAL MODELS 419 00:25:43,067 --> 00:25:44,827 OF HIS DISCOVERIES. 420 00:25:44,867 --> 00:25:47,397 WHAT I'M LOOKING AT RIGHT NOW IS A BIRD'S EYE VIEW 421 00:25:47,433 --> 00:25:49,403 OF THE WHOLE SHELF. 422 00:25:49,433 --> 00:25:52,073 THIS IS AN AMAZING, AMAZING IMAGE. 423 00:25:52,067 --> 00:25:54,397 I CAN TELL YOU WITHOUT ANY DOUBT 424 00:25:54,433 --> 00:25:55,903 IT'S UNIQUE IN THE WORLD. 425 00:25:55,933 --> 00:26:00,203 THERE'S NO OTHER ARCHEOLOGICAL PROJECT THAT IS DOING THIS. 426 00:26:00,233 --> 00:26:02,903 Narrator: THE MODELS PROVIDE AN INCREDIBLE PERMANENT RECORD 427 00:26:02,933 --> 00:26:06,073 OF THE CENOTE'S MYSTERIOUS CONTENTS. 428 00:26:07,367 --> 00:26:10,227 IT'S THE NEXT BEST THING OF HAVING AN OBJECT IN MY HAND. 429 00:26:10,267 --> 00:26:14,427 AND THE BEAUTY OF THIS IS THAT WE LEAVE THEM THERE. 430 00:26:15,967 --> 00:26:17,267 Narrator: THIS MODEL ALLOWS MEMO 431 00:26:17,300 --> 00:26:19,770 TO STUDY THE SHELF IN MORE DETAIL. 432 00:26:19,800 --> 00:26:21,900 IT EVEN SHOWS STINGRAY SPINES, 433 00:26:21,933 --> 00:26:25,773 ANOTHER ITEM ASSOCIATED WITH MAYA RELIGIOUS RITUALS. 434 00:26:25,800 --> 00:26:29,970 STINGRAY SPINES WERE USED IN CEREMONIES, RITUALS -- 435 00:26:30,067 --> 00:26:31,967 RITUALS TO ATTRACT RAIN. 436 00:26:32,067 --> 00:26:34,167 THEY USED TO BE, LIKE, SELF-SACRIFICE. 437 00:26:34,200 --> 00:26:38,870 BLOODLETTING -- A LOT OF BLOOD COULD MEAN A LOT OF FERTILITY, 438 00:26:38,900 --> 00:26:42,530 ESPECIALLY IF THIS BLOOD COMES FROM THE PENIS. 439 00:26:42,567 --> 00:26:44,067 Narrator: IS IT POSSIBLE RITUALS 440 00:26:44,100 --> 00:26:47,530 LIKE BLOODLETTING WERE CARRIED OUT HERE? 441 00:26:47,567 --> 00:26:51,797 AND IF SO, HOW DID THE MAYA UTILIZE THIS UNDERWATER PLACE 442 00:26:51,833 --> 00:26:55,133 WITHOUT MODERN DIVING EQUIPMENT? 443 00:27:00,067 --> 00:27:02,427 Narrator: ARCHEOLOGIST MEMO DE ANDA IS UNCOVERING 444 00:27:02,467 --> 00:27:03,867 HOW THE MAYA CONSTRUCTED 445 00:27:03,900 --> 00:27:06,470 A SACRED ALTAR ON A SHELF DEEP UNDERWATER 446 00:27:06,500 --> 00:27:09,630 WITHOUT THE USE OF DIVING EQUIPMENT. 447 00:27:09,667 --> 00:27:11,897 PERHAPS THEY DIDN'T HAVE TO. 448 00:27:11,933 --> 00:27:14,073 MEMO BELIEVES THE WATER LEVEL IN THE CENOTE 449 00:27:14,100 --> 00:27:16,570 MUST HAVE BEEN MUCH LOWER WHEN THE OFFERINGS WERE LEFT HERE, 450 00:27:16,600 --> 00:27:18,870 THANKS TO A TERRIBLE NATURAL PHENOMENON 451 00:27:18,900 --> 00:27:21,870 THAT THREATENED THE ENTIRE FUTURE OF CHICHEN ITZA -- 452 00:27:21,900 --> 00:27:24,200 DROUGHT. 453 00:27:24,233 --> 00:27:31,073 THIS SHELF, PROBABLY, WAS ABOVE WATER SOME 1,200 YEARS AGO, 454 00:27:31,067 --> 00:27:33,767 WHEN THIS PLACE WAS DRY. 455 00:27:33,800 --> 00:27:38,070 AND MAYBE IT WAS DRY BECAUSE OF THIS BIG DROUGHT. 456 00:27:38,067 --> 00:27:43,397 SO THIS SHELF, THIS LEDGE SHOULD HAVE BEEN EXPOSED. 457 00:27:45,467 --> 00:27:47,967 Narrator: THE SHELF LIES NEARLY 100 FEET DOWN, 458 00:27:48,067 --> 00:27:50,697 TUCKED AWAY AT THE FAR EDGE OF THE CAVERN. 459 00:27:50,733 --> 00:27:53,703 AS DROUGHTS HIT, THE WATER LEVEL IN THE CENOTE DROPPED, 460 00:27:53,733 --> 00:27:55,503 EXPOSING THE SHELF. 461 00:27:57,667 --> 00:28:00,397 THE MAYA PROBABLY CLIMBED DOWN INTO THE CENOTE 462 00:28:00,433 --> 00:28:02,803 USING A LADDER BUILT FROM PIECES OF TREE TRUNK 463 00:28:02,833 --> 00:28:05,273 TIED TOGETHER WITH FLEXIBLE BRANCHES. 464 00:28:09,833 --> 00:28:11,773 THEY COULD DESCEND INTO THE CENOTE 465 00:28:11,800 --> 00:28:14,070 TO LEAVE THEIR OFFERINGS, 466 00:28:14,067 --> 00:28:16,527 PERHAPS REACHING THE SHELF BY CANOE. 467 00:28:19,633 --> 00:28:21,633 MANY YEARS LATER, WITH THE DROUGHTS OVER, 468 00:28:21,667 --> 00:28:23,467 THE WATER LEVEL ROSE AGAIN, 469 00:28:23,500 --> 00:28:27,230 COVERING THE ARTIFACTS AND PRESERVING THEM TO THIS DAY. 470 00:28:28,300 --> 00:28:32,400 WHY DID THE ANCIENT MAYA CONDUCT THESE ELABORATE RITUALS? 471 00:28:32,433 --> 00:28:36,673 THE MOSTLY GOD THAT THEY WERE OFFERED TO WAS CHAAC, 472 00:28:36,700 --> 00:28:38,200 THE RAIN GOD. 473 00:28:38,233 --> 00:28:41,473 I THINK THEY MAKE THESE OFFERINGS TO ENCOURAGE RAINS. 474 00:28:44,700 --> 00:28:49,200 Narrator: CENOTES LAY AT THE HEART OF CHICHEN ITZA. 475 00:28:49,233 --> 00:28:51,533 THEY PROVIDED LIFE-GIVING WATER. 476 00:28:53,567 --> 00:28:55,267 THEY HAD IMMENSE RELIGIOUS IMPORTANCE, 477 00:28:55,300 --> 00:28:57,100 ESPECIALLY WHEN DROUGHT HIT. 478 00:29:00,400 --> 00:29:02,100 AND THEY EVEN DICTATED THE LOCATION 479 00:29:02,133 --> 00:29:05,203 OF THE GREAT CASTILLO PYRAMID. 480 00:29:05,233 --> 00:29:07,733 BUT COULD THE CASTILLO'S DISTINCTIVE SHAPE 481 00:29:07,767 --> 00:29:09,667 HOLD HIDDEN MEANING, TOO? 482 00:29:09,700 --> 00:29:11,870 COULD THERE BE MORE TO ITS OUTER APPEARANCE 483 00:29:11,900 --> 00:29:13,630 THAN FIRST MEETS THE EYE? 484 00:29:15,733 --> 00:29:17,573 De Anda: IT'S MUCH MORE THAN A BUILDING. 485 00:29:17,600 --> 00:29:20,100 YOU SEE THE PERFECTION IN THE LINES. 486 00:29:20,133 --> 00:29:22,133 BUT WHEN YOU KNOW A LITTLE BIT MORE ABOUT, 487 00:29:22,167 --> 00:29:26,797 IT'S -- YOU KNOW, IT'S A MATHEMATICAL BUILDING. 488 00:29:26,833 --> 00:29:29,473 IT'S RELATED TO ASTRONOMY. 489 00:29:29,500 --> 00:29:33,070 IT'S RELATED TO THE AGRICULTURAL CYCLES. 490 00:29:37,667 --> 00:29:41,127 Narrator: THIS PYRAMID CONTAINS ANOTHER SECRET. 491 00:29:41,167 --> 00:29:45,227 IT'S ALSO A MONUMENTAL CALENDAR FOR THE CITY. 492 00:29:45,267 --> 00:29:50,797 18 STONE TERRACES REPRESENT THE 18 MAYA MONTHS OF THE YEAR. 493 00:29:50,833 --> 00:29:54,973 91 STEPS ON EACH SIDE, PLUS THE TOP PLATFORM, 494 00:29:55,067 --> 00:29:57,927 GIVE 365 STEPS -- 495 00:29:57,967 --> 00:30:00,397 ONE FOR EACH DAY OF THE YEAR. 496 00:30:00,433 --> 00:30:02,403 AND TWICE A YEAR ON THE EQUINOX, 497 00:30:02,433 --> 00:30:05,433 THE SUN CASTS A SHADOW SO PERFECTLY ALIGNED, 498 00:30:05,467 --> 00:30:10,597 AN IMMENSE SNAKE APPEARS TO SLITHER DOWN THE MAIN STEPS. 499 00:30:10,633 --> 00:30:13,133 THIS IS THE SERPENT GOD KUKULKAN, 500 00:30:13,167 --> 00:30:15,327 TO WHOM THE TEMPLE IS DEDICATED. 501 00:30:18,633 --> 00:30:19,933 IT'S HARD TO UNDERSTAND 502 00:30:19,967 --> 00:30:22,427 HOW THEY COULD MASTER THE TECHNIQUE 503 00:30:22,467 --> 00:30:25,427 NOT ONLY TO BUILD THIS FANTASTIC BUILDING, 504 00:30:25,467 --> 00:30:28,227 BUT TO MAKE IT SO BEAUTIFUL, SO INTERESTING, 505 00:30:28,267 --> 00:30:30,967 AND RELATE IT TO THE SUN, 506 00:30:31,000 --> 00:30:33,970 TO RELATE IT TO THE CHANGES OF SEASONS. 507 00:30:34,000 --> 00:30:36,530 IT'S GREAT. 508 00:30:39,467 --> 00:30:41,397 Narrator: THE ANCIENT MAYA WERE SO DEDICATED 509 00:30:41,433 --> 00:30:44,273 TO TRACKING THE MOVEMENTS OF THE PLANETS AND STARS 510 00:30:44,300 --> 00:30:47,000 THAT THEY EVEN CONSTRUCTED THIS BUILDING -- 511 00:30:47,033 --> 00:30:50,073 AN EXTRAORDINARY OBSERVATORY. 512 00:30:50,100 --> 00:30:52,270 De Anda: WELL, THIS IS EL CARACOL. 513 00:30:52,300 --> 00:30:54,870 IT'S A WONDERFUL BUILDING. 514 00:30:54,900 --> 00:30:58,670 IT RECEIVED THAT NAME BECAUSE OF THE SPIRAL FORM. 515 00:30:58,700 --> 00:31:03,830 Narrator: "CARACOL" MEANS SNAIL OR SEA SHELL IN SPANISH 516 00:31:03,867 --> 00:31:06,067 BECAUSE HIDDEN INSIDE THE OBSERVATORY 517 00:31:06,067 --> 00:31:08,067 IS A SPIRAL STAIRCASE. 518 00:31:10,567 --> 00:31:13,167 De Anda: THIS ONE IN PARTICULAR SERVED THE PURPOSE 519 00:31:13,200 --> 00:31:17,500 OF GAZING THE SKIES AND MAPPING THEM. 520 00:31:17,533 --> 00:31:20,503 AND THEY WERE VERY GOOD ASTRONOMERS. 521 00:31:20,533 --> 00:31:22,433 THEY HAVE A VERY GOOD KNOWLEDGE 522 00:31:22,467 --> 00:31:26,167 OF THE MOVEMENT OF THE CELESTIAL BODIES. 523 00:31:27,967 --> 00:31:29,897 Narrator: THE ANCIENT MAYA DIDN'T HAVE TELESCOPES, 524 00:31:29,933 --> 00:31:31,373 BUT THAT DIDN'T STOP THEM 525 00:31:31,400 --> 00:31:36,070 FROM MAKING INCREDIBLY DETAILED OBSERVATIONS WITH THE NAKED EYE. 526 00:31:36,067 --> 00:31:39,627 De Anda: THIS BUILDING, IT'S ON TOP OF SEVERAL PLATFORMS, 527 00:31:39,667 --> 00:31:45,497 AND STANDS OUT MAYBE TO AVOID THE CANOPY OF TREES. 528 00:31:45,533 --> 00:31:50,103 JUST HIGH ENOUGH FOR THE ANCIENT MAYAN ASTRONOMERS 529 00:31:50,133 --> 00:31:51,933 TO LOOK ALL AROUND, 530 00:31:51,967 --> 00:31:55,897 EVEN WHEN THE SUN IS RISING OR IT'S SETTING. 531 00:31:56,900 --> 00:31:59,130 Narrator: DUE TO THE CARACOL'S RUINED CONDITION, 532 00:31:59,167 --> 00:32:01,927 FEW OF THE OBSERVATORY WINDOWS REMAIN. 533 00:32:04,400 --> 00:32:06,330 De Anda: THERE IS ACTUALLY THREE OF THEM. 534 00:32:06,367 --> 00:32:08,967 THEY'RE VERY INTERESTINGLY ALIGNED. 535 00:32:13,133 --> 00:32:16,773 Narrator: THE MAYA ALIGNED THE CARACOL WITH THE HEAVENS. 536 00:32:16,800 --> 00:32:20,200 THE MAIN STAIRCASE FACES THE SETTING POINT OF VENUS, 537 00:32:20,233 --> 00:32:23,673 ONE OF THE MOST IMPORTANT OBJECTS IN THE MAYA SKY. 538 00:32:26,167 --> 00:32:28,567 THE TOWER ON THE TOP HAS WINDOWS THAT LINE UP 539 00:32:28,600 --> 00:32:31,230 WITH VENUS' NORTHERN AND SOUTHERNMOST POSITIONS. 540 00:32:31,267 --> 00:32:34,497 AND A THIRD WINDOW IS ALIGNED WITH ASTRONOMICAL SOUTH. 541 00:32:36,567 --> 00:32:40,067 THE CORNERS OF THE BASE PLATFORM ALIGN WITH THE SUN'S SHADOW 542 00:32:40,067 --> 00:32:42,627 ON THE SOLSTICE SUNRISE AND SUNSET. 543 00:32:48,100 --> 00:32:50,700 INCREDIBLY, AT LEAST 20 ASTRONOMICAL EVENTS 544 00:32:50,733 --> 00:32:54,603 ARE INCORPORATED INTO THIS STRUCTURE. 545 00:32:54,633 --> 00:32:58,473 THE MAYA USED THEIR OBSERVATIONS TO PREDICT HARVESTS, DEATHS, 546 00:32:58,500 --> 00:33:00,930 AND EVEN GOOD TIMES TO GO TO WAR. 547 00:33:04,200 --> 00:33:05,600 CHICHEN ITZA... 548 00:33:05,633 --> 00:33:08,073 A CITY SHAPED BY THE EARTH, 549 00:33:08,067 --> 00:33:09,397 BY WATER, 550 00:33:09,433 --> 00:33:11,833 AND BY THE MOVEMENTS OF THE PLANETS. 551 00:33:11,867 --> 00:33:15,527 WHERE THE BUILDINGS ARE MOLDED BY BELIEFS, 552 00:33:15,567 --> 00:33:19,327 WHERE SACRED MEANING IS NEVER FAR AWAY. 553 00:33:19,367 --> 00:33:21,827 BUT HOW DID THIS CITY BECOME SO SUCCESSFUL 554 00:33:21,867 --> 00:33:23,467 AND SO POWERFUL? 555 00:33:23,500 --> 00:33:29,070 AN INVESTIGATION 125 MILES AWAY REVEALS STARTLING CLUES. 556 00:33:34,733 --> 00:33:38,233 Narrator: CHICHEN ITZA, MEXICO. 557 00:33:38,267 --> 00:33:40,927 THIS ABANDONED CITY WAS ONCE ONE OF THE MOST POWERFUL 558 00:33:40,967 --> 00:33:45,927 POLITICAL AND RELIGIOUS CENTERS IN THE AMERICAS, 559 00:33:45,967 --> 00:33:49,567 DRAWING PILGRIMS FROM FAR AND WIDE TO ITS SACRED SITES. 560 00:33:51,567 --> 00:33:54,427 HOW DID PEOPLE TRAVEL ACROSS THE CITY, THROUGH DENSE JUNGLE 561 00:33:54,467 --> 00:33:57,067 AND SOMETIMES WATERLOGGED GROUND? 562 00:33:59,467 --> 00:34:05,297 THE SOLUTION -- SACBES, A UNIQUE KIND OF ROAD. 563 00:34:05,333 --> 00:34:09,203 THIS AMAZING ROAD WE'RE WALKING ON NOW, 564 00:34:09,233 --> 00:34:12,503 IT'S ONE OF THE SACBES OR WIDE ROADS. 565 00:34:12,533 --> 00:34:14,703 YOU CAN SEE IT'S PRETTY WIDE. 566 00:34:14,733 --> 00:34:17,133 AND IT'S HIGH. 567 00:34:17,167 --> 00:34:20,297 Narrator: THIS MIGHT NOT LOOK LIKE ANYTHING SPECIAL, 568 00:34:20,333 --> 00:34:24,303 BUT A MIRACLE OF ENGINEERING LIES HIDDEN BENEATH THE SURFACE. 569 00:34:27,067 --> 00:34:28,797 RAISED HIGH ABOVE THE JUNGLE FLOOR 570 00:34:28,833 --> 00:34:32,633 TO ESCAPE THE SWAMPY GROUND OF THE RAINY SEASON, 571 00:34:32,667 --> 00:34:34,597 THESE SOPHISTICATED CAUSEWAYS 572 00:34:34,633 --> 00:34:38,473 ARE A MARVEL OF ANCIENT ENGINEERING. 573 00:34:38,500 --> 00:34:41,070 AT THE BASE, LARGE STONES ARE FIXED IN PLACE 574 00:34:41,067 --> 00:34:45,467 WITH ANCIENT MORTAR TO CREATE A SOLID FOUNDATION. 575 00:34:45,500 --> 00:34:48,770 TINY STONES LEVEL THE SURFACE, 576 00:34:48,800 --> 00:34:51,430 AND MASONRY WALLS ENCLOSE THE SIDES. 577 00:34:53,167 --> 00:34:55,567 ANCIENT PLASTER MADE FROM POWDERED LIMESTONE 578 00:34:55,600 --> 00:34:58,400 FORMS THE TOP LAYER, 579 00:34:58,433 --> 00:35:01,103 CREATING A FORTIFIED, SMOOTH PATH TO ALLOW 580 00:35:01,133 --> 00:35:02,503 CHICHEN ITZA'S CITIZENS 581 00:35:02,533 --> 00:35:04,973 TO TRAVEL ACROSS THE CITY WITH EASE. 582 00:35:10,567 --> 00:35:12,927 I THINK THEY HAD A LOT OF FUNCTIONS. 583 00:35:12,967 --> 00:35:15,567 COMMUNICATING -- THAT'S FOR SURE ONE OF THEM. 584 00:35:15,600 --> 00:35:18,070 THAT'S THE MAIN USE OF ROADS. 585 00:35:18,067 --> 00:35:21,197 THIS IS LIKE AN UMBILICAL CORD, 586 00:35:21,233 --> 00:35:23,773 JUST PULLING THE SITE TOGETHER. 587 00:35:23,800 --> 00:35:26,670 BUT THERE WERE A LOT OF REASONS, 588 00:35:26,700 --> 00:35:30,070 JUST PRACTICALLY OR SYMBOLICALLY, 589 00:35:30,067 --> 00:35:34,227 OR TO EXTEND THE POLITICAL BOUNDARIES. 590 00:35:34,267 --> 00:35:35,827 Narrator: ARCHEOLOGISTS ARE CONSTANTLY 591 00:35:35,867 --> 00:35:38,797 FINDING NEW CAUSEWAYS. 592 00:35:38,833 --> 00:35:43,103 THE SCALE OF THOSE DISCOVERED SO FAR AT CHICHEN ITZA IS VAST. 593 00:35:46,400 --> 00:35:49,070 SACBES CAUSEWAYS CRISSCROSSED OVER THE CITY, 594 00:35:49,067 --> 00:35:51,127 CONNECTING THE MAIN TEMPLES WITH QUARRIES 595 00:35:51,167 --> 00:35:53,097 AND OUTLYING COMMUNITIES. 596 00:35:56,467 --> 00:35:59,827 ONE LED TO THE SACRED CENOTE OVER 300 YARDS AWAY, 597 00:35:59,867 --> 00:36:01,667 THROUGH THE JUNGLE. 598 00:36:01,700 --> 00:36:03,770 OTHERS EVEN STRETCHED OUT OF CHICHEN ITZA 599 00:36:03,800 --> 00:36:06,770 TO DISTANT SETTLEMENTS OVER FOUR MILES AWAY. 600 00:36:08,967 --> 00:36:11,967 MORE THAN 90 OF THESE WHITE ROADS HAVE BEEN DISCOVERED, 601 00:36:12,067 --> 00:36:15,597 REVEALING THE COMPLEX NETWORK OF THIS GREAT METROPOLIS. 602 00:36:18,767 --> 00:36:22,827 THEY ALL LED BACK TO THE CENTER OF CHICHEN ITZA. 603 00:36:22,867 --> 00:36:24,627 IN ITS PRIME, A BUSTLING CITY 604 00:36:24,667 --> 00:36:27,527 WITH A POPULATION OF MORE THAN 30,000. 605 00:36:28,900 --> 00:36:31,630 THESE SACBES WERE REALLY IMPORTANT. 606 00:36:31,667 --> 00:36:35,527 THEY REALLY HELPED THE CITIES TO THRIVE. 607 00:36:35,567 --> 00:36:37,067 Narrator: BUT CAUSEWAYS ON THEIR OWN 608 00:36:37,067 --> 00:36:41,097 WERE NOT ENOUGH TO ENSURE CHICHEN ITZA'S SUCCESS. 609 00:36:41,133 --> 00:36:43,433 THERE WERE NO NEARBY RIVERS. 610 00:36:43,467 --> 00:36:44,767 IT WOULD BE HUNDREDS OF YEARS 611 00:36:44,800 --> 00:36:48,100 BEFORE THE FIRST HORSES ARRIVED IN MEXICO. 612 00:36:48,133 --> 00:36:50,933 AND THE MAYA HAD NOT INVENTED THE WHEEL. 613 00:36:50,967 --> 00:36:53,497 HOW COULD PEOPLE TRAVEL LONGER DISTANCES 614 00:36:53,533 --> 00:36:55,703 OR MOVE GOODS FAST? 615 00:37:01,200 --> 00:37:04,470 125 MILES NORTHWEST OF CHICHEN ITZA, 616 00:37:04,500 --> 00:37:06,870 ARCHEOLOGIST JEFFREY GLOVER AND HIS TEAM 617 00:37:06,900 --> 00:37:09,070 ARE SEARCHING FOR CLUES. 618 00:37:10,333 --> 00:37:13,273 WATER BECAME THE HIGHWAY, YOU KNOW. 619 00:37:13,300 --> 00:37:15,770 YOU WOULD HAVE HUNDREDS, THOUSANDS OF THESE CANOES 620 00:37:15,800 --> 00:37:18,730 ANNUALLY TRAVELING UP AND DOWN THE COAST. 621 00:37:20,633 --> 00:37:22,833 HOME, SWEET HOME. 622 00:37:22,867 --> 00:37:24,967 Narrator: THIS IS VISTA ALEGRE, 623 00:37:25,067 --> 00:37:27,367 THE SITE OF A MYSTERIOUS LONG-ABANDONED, 624 00:37:27,400 --> 00:37:30,070 COASTAL SETTLEMENT. 625 00:37:30,067 --> 00:37:33,067 JEFFERY BELIEVES VISTA ALEGRE WAS ONCE A SEA PORT 626 00:37:33,067 --> 00:37:36,497 WITH CONNECTIONS TO CHICHEN ITZA. 627 00:37:36,533 --> 00:37:39,873 HE'S TRYING TO FIND EVIDENCE TO LINK THE TWO SITES. 628 00:37:41,800 --> 00:37:43,200 SO FAR, JEFFREY AND HIS TEAM 629 00:37:43,233 --> 00:37:47,073 HAVE FOUND THE REMAINS OF ANCIENT STRUCTURES, 630 00:37:47,067 --> 00:37:50,567 SHARDS OF OBSIDIAN -- A ROCK USED IN TOOLS -- 631 00:37:50,600 --> 00:37:53,130 AND FRAGMENTS OF POTTERY. 632 00:37:53,167 --> 00:37:54,597 BUT A KEY CLUE COMES FROM 633 00:37:54,633 --> 00:37:56,703 A PARTICULAR VARIETY OF POTTERY 634 00:37:56,733 --> 00:38:00,133 KNOWN AS BALANTUN BLACK ON SLATE. 635 00:38:02,433 --> 00:38:08,273 Glover: SO THIS IS BALANTUN BLACK ON SLATE. 636 00:38:08,300 --> 00:38:09,830 IT HAS THAT LOVELY TRICKLE DESIGN 637 00:38:09,867 --> 00:38:12,567 THAT WAS REALLY POPULAR ACROSS THE YUCATAN 638 00:38:12,600 --> 00:38:14,300 FROM THE CLASSIC PERIOD. 639 00:38:14,333 --> 00:38:16,203 YOU KNOW, THE COOL THING ABOUT THIS, RIGHT, IS THAT 640 00:38:16,233 --> 00:38:21,733 IT'S A DOMESTIC WARE THAT'S VERY COMMON AT CHICHEN. 641 00:38:21,767 --> 00:38:25,267 IT'S WHAT YOU TYPICALLY WOULD FIND IN HOUSEHOLDS AT CHICHEN. 642 00:38:25,300 --> 00:38:27,100 YEAH, I MEAN, IT DOESN'T SEEM LIKE MUCH. 643 00:38:27,133 --> 00:38:29,233 IT'S JUST A BIT OF BROKEN POTTERY. 644 00:38:29,267 --> 00:38:31,327 BUT IT CLEARLY DEMONSTRATES A LINK 645 00:38:31,367 --> 00:38:35,367 BETWEEN OUR REGION AND THE CHICHEN REGION. 646 00:38:35,400 --> 00:38:37,070 Narrator: FROM THE POTTERY EVIDENCE, 647 00:38:37,100 --> 00:38:40,930 WE KNOW THAT THIS SETTLEMENT WAS LINKED TO CHICHEN ITZA. 648 00:38:40,967 --> 00:38:43,867 BUT WHAT EXACTLY WAS THIS PLACE? 649 00:38:43,900 --> 00:38:45,370 A PORT TO PROVIDE TRADERS 650 00:38:45,400 --> 00:38:49,170 EN ROUTE TO CHICHEN WITH FOOD AND PROVISIONS? 651 00:38:49,200 --> 00:38:50,730 OR SOMETHING MORE? 652 00:38:50,767 --> 00:38:53,227 AN OFFICIAL OUTPOST THAT CHICHEN ITZA CREATED 653 00:38:53,267 --> 00:38:55,597 TO CONTROL SEA TRADE? 654 00:38:55,633 --> 00:39:00,073 JEFFREY HOPES HIS WORK HERE WILL ONE DAY SOLVE THIS RIDDLE. 655 00:39:00,100 --> 00:39:03,170 EITHER WAY, IT APPEARS VISTA ALEGRE WAS ONE COG 656 00:39:03,200 --> 00:39:05,070 IN A HIGHLY EFFICIENT TRADING MACHINE 657 00:39:05,067 --> 00:39:08,267 THAT SERVED THE GREAT CITY OF CHICHEN ITZA. 658 00:39:10,400 --> 00:39:15,300 LONG-DISTANCE TRADE WAS CONDUCTED BY SEA 659 00:39:15,333 --> 00:39:18,373 AND BASED AROUND THE MAYA CANOE. 660 00:39:18,400 --> 00:39:20,430 EACH CANOE WAS UP TO 60 FEET LONG 661 00:39:20,467 --> 00:39:22,967 AND COULD CARRY SEVERAL TONS OF CARGO. 662 00:39:27,233 --> 00:39:30,873 EACH PORT WAS ABOUT 25 MILES FROM THE NEXT -- 663 00:39:30,900 --> 00:39:34,070 THE DISTANCE THAT COULD BE TRAVELED BY CANOE IN ONE DAY. 664 00:39:37,433 --> 00:39:41,603 THIS POWERFUL TRADE NETWORK STRETCHED ALL AROUND THE COAST. 665 00:39:41,633 --> 00:39:45,433 THE STEPPING STONES LED TO CHICHEN ITZA'S MAIN PORT -- 666 00:39:45,467 --> 00:39:47,567 ISLA CERRITOS. 667 00:39:49,233 --> 00:39:52,803 UP TO 400 CANOES TRADED HERE AT ONE TIME. 668 00:39:52,833 --> 00:39:55,703 THIS LUCRATIVE PORT STRENGTHENED CHICHEN ITZA'S POWER 669 00:39:55,733 --> 00:39:58,733 OVER THE WHOLE PENINSULA. 670 00:39:58,767 --> 00:40:01,367 Glover: THAT'S WHAT WOULD HAVE REALLY FUELED THE CITY, 671 00:40:01,400 --> 00:40:03,230 THAT IT GREW INTO A HUGE CITY, 672 00:40:03,267 --> 00:40:05,267 I THINK, THROUGH THE RELIGIOUS SIGNIFICANCE 673 00:40:05,300 --> 00:40:07,930 AS A PILGRIMAGE CENTER WAS IMPORTANT. 674 00:40:07,967 --> 00:40:12,797 BUT IT BEING AN ECONOMIC JUGGERNAUT WAS, I THINK, 675 00:40:12,833 --> 00:40:15,233 PROBABLY MORE IMPORTANT TO ITS SUCCESS. 676 00:40:17,533 --> 00:40:20,633 Narrator: TRADE HELPED CHICHEN ITZA TO THRIVE. 677 00:40:20,667 --> 00:40:25,727 THE CITY GREW RICH SELLING SALT, CACAO, AND TEXTILES, 678 00:40:25,767 --> 00:40:27,097 AND BROUGHT IN PRECIOUS STONES 679 00:40:27,133 --> 00:40:30,203 SUCH AS OBSIDIAN USED TO CREATE TOOLS. 680 00:40:31,900 --> 00:40:36,100 BUT, SOON, THE MIGHT WOULD FALL. 681 00:40:36,133 --> 00:40:38,173 BY THE END OF THE 11th CENTURY, 682 00:40:38,200 --> 00:40:40,700 CHICHEN ITZA WAS IN MAJOR DECLINE. 683 00:40:43,467 --> 00:40:46,967 WHAT COULD HAVE CAUSED THIS POWERFUL CITY-STATE TO COLLAPSE? 684 00:40:49,967 --> 00:40:51,627 MEMO BELIEVES THE ANSWER LIES 685 00:40:51,667 --> 00:40:53,567 IN THE CENOTES THAT WERE SO IMPORTANT 686 00:40:53,600 --> 00:40:56,670 TO THE ANCIENT PEOPLE OF THIS REGION 687 00:40:56,700 --> 00:41:00,730 AND IN THE EVIDENCE THEY CONTAIN OF DROUGHT. 688 00:41:00,767 --> 00:41:03,727 De Anda: WE HAD FOUND THAT THE SITE 689 00:41:03,767 --> 00:41:07,567 HAD TO OVERCOME A HUGE DROUGHT, 690 00:41:07,600 --> 00:41:10,830 5, 10, OR MAYBE 15 YEARS WITHOUT RAIN. 691 00:41:10,867 --> 00:41:12,597 THEY HAD NO AGRICULTURE. 692 00:41:12,633 --> 00:41:15,173 SO NO WAY TO FEED THE PEOPLE. 693 00:41:15,200 --> 00:41:18,970 WE HAVE FOUND THIS EVIDENCE IN CENOTES 694 00:41:19,067 --> 00:41:23,527 WHERE WE COULD SEE HOW THE WATER LEVEL LOWERED. 695 00:41:23,567 --> 00:41:25,767 Narrator: UNDERGROUND LAKES WITH THEIR SEEMINGLY 696 00:41:25,800 --> 00:41:28,370 BOTTOMLESS SUPPLY OF FRESH WATER HAD BEEN THE KEY 697 00:41:28,400 --> 00:41:30,570 TO CHICHEN ITZA'S SUCCESS. 698 00:41:32,800 --> 00:41:37,430 NOW AS THAT WATER RAN LOW AND THE HARVESTS FAILED, 699 00:41:37,467 --> 00:41:42,067 CHICHEN ITZA'S GLORY DAYS HAD COME TO AN END. 700 00:41:42,100 --> 00:41:45,730 THE RULERS, THE KINGS OF THE MAYAN AREA, 701 00:41:45,767 --> 00:41:49,427 THEY CALLED THEMSELVES DESCENDENTS OF THE GODS. 702 00:41:49,467 --> 00:41:55,397 SO THEY ATTRIBUTED THEMSELVES A DIVINE ORIGIN. 703 00:41:55,433 --> 00:41:59,233 SO WHEN THEY CANNOT, COULD NOT PRODUCE WATER, 704 00:41:59,267 --> 00:42:02,467 PEOPLE MUST HAVE BEEN VERY, VERY ANGRY. 705 00:42:02,500 --> 00:42:04,100 SOME PEOPLE MOVING AWAY, 706 00:42:04,133 --> 00:42:07,973 SOME OTHERS TRYING TO GET THE POWER AND TO CONTROL. 707 00:42:08,067 --> 00:42:10,097 Narrator: CHICHEN ITZA WAS GRADUALLY ABANDONED 708 00:42:10,133 --> 00:42:13,403 AND RECLAIMED BY THE JUNGLE. 709 00:42:13,433 --> 00:42:16,073 ITS SECRETS WERE ALMOST LOST FOREVER. 710 00:42:18,367 --> 00:42:23,627 BUT THANKS TO INVESTIGATIONS BY ARCHEOLOGISTS AND SCIENTISTS, 711 00:42:23,667 --> 00:42:27,827 THE MYSTERIOUS CITY OF CHICHEN ITZA IS BEGINNING, 712 00:42:27,867 --> 00:42:29,767 LITTLE BY LITTLE, 713 00:42:29,800 --> 00:42:32,300 TO GIVE UP ITS BEST-KEPT SECRETS. 714 00:42:34,800 --> 00:42:38,930 THE INGENIOUS STRUCTURE OF ITS SACBES CAUSEWAYS, 715 00:42:38,967 --> 00:42:43,597 THE ANCIENT PYRAMID HIDDEN INSIDE THE CASTILLO, 716 00:42:43,633 --> 00:42:48,173 AND THE HUMAN REMAINS IN ITS VERY FOUNDATIONS. 717 00:42:48,200 --> 00:42:51,400 THESE MAKE CHICHEN ITZA 718 00:42:51,433 --> 00:42:55,973 ONE OF THE MOST AWE-INSPIRING ANCIENT WONDERS EVER BUILT. 54359

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