subtitlecat.com

All language subtitles for Straight.From.The.Heart.2003.720p.WEBRip.x264.AAC-[YTS.MX]

Afrikaans

Albanian

Amharic

Arabic Download

Armenian

Azerbaijani

Basque

Belarusian

Bengali

Bosnian

Bulgarian

Catalan Download

Cebuano

Chichewa

Chinese (Simplified) Download

Chinese (Traditional)

Corsican

Croatian Download

Czech

Danish

Dutch Download

English Download

Esperanto

Estonian

Filipino

Finnish

French

Frisian

Galician

Georgian

German

Greek

Gujarati

Haitian Creole

Hausa

Hawaiian

Hebrew

Hindi

Hmong

Hungarian

Icelandic

Igbo

Indonesian

Irish

Italian

Japanese

Javanese

Kannada

Kazakh

Khmer

Korean

Kurdish (Kurmanji)

Kyrgyz

Lao

Latin

Latvian

Lithuanian

Luxembourgish

Macedonian

Malagasy

Malay

Malayalam

Maltese

Maori

Marathi

Mongolian

Myanmar (Burmese)

Nepali

Norwegian

Pashto

Persian

Polish

Portuguese Download

Punjabi

Romanian Download

Russian

Samoan

Scots Gaelic

Serbian

Sesotho

Shona

Sindhi

Sinhala

Slovak

Slovenian

Somali

Spanish Download

Sundanese

Swahili

Swedish

Tajik

Tamil

Telugu

Thai

Turkish

Ukrainian

Urdu

Uzbek

Vietnamese

Welsh

Xhosa

Yiddish

Yoruba

Zulu

Odia (Oriya)

Kinyarwanda

Turkmen

Tatar

Uyghur

Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:06,571 --> 00:00:08,530 [birds chirping] 3 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 4 00:00:08,573 --> 00:00:16,364 ♪ 5 00:00:25,895 --> 00:00:27,679 [rumbling of hooves] 6 00:01:37,749 --> 00:01:39,664 - HOW LONG ARE WE GONNA KEEP HERDING THESE MUSTANGS 7 00:01:39,708 --> 00:01:41,579 BACK INTO THE VALLEY? 8 00:01:41,623 --> 00:01:44,408 - UNTIL THEY TAKE IT AS HOME AND STAY PUT. 9 00:01:44,452 --> 00:01:46,584 AND I CAN GET A ROPE AROUND THAT STALLION. 10 00:01:46,628 --> 00:01:48,325 - TYLER, HE'S JUST A HORSE. 11 00:01:48,369 --> 00:01:50,893 - HE'S SPECIAL. 12 00:01:50,936 --> 00:01:52,938 - SPECIAL TROUBLE, THAT'S WHAT HE IS. 13 00:01:52,982 --> 00:01:55,550 - JESSE SYMS, YOU ARE GETTING CRANKY IN YOUR OLD AGE. 14 00:01:55,593 --> 00:01:57,726 [kiss noise] OR LAZY. 15 00:01:57,769 --> 00:01:59,815 - AIN'T GOT A LAZY BONE IN MY BODY, TYLER ROSS! 16 00:01:59,858 --> 00:02:02,296 - MUST BE CRANKY, THEN. 17 00:02:02,339 --> 00:02:03,645 - [clicks tongue] GIDDYUP. 18 00:02:03,688 --> 00:02:06,735 [city noise] 19 00:02:09,694 --> 00:02:10,869 [heels clicking on floor] 20 00:02:13,524 --> 00:02:16,527 - [sighs] 21 00:02:16,571 --> 00:02:20,227 - MS. DONOVAN, MR. COSTA IS READY TO SEE YOU NOW. 22 00:02:23,143 --> 00:02:27,059 [classical music playing] 23 00:02:27,103 --> 00:02:28,626 - I THINK THAT THESE PICTURES 24 00:02:28,670 --> 00:02:30,715 WILL MAKE PEOPLE THINK ABOUT THE ENVIRONMENT, 25 00:02:30,759 --> 00:02:32,848 PERHAPS EVEN THE FUTURE OF THE PLANET. 26 00:02:35,677 --> 00:02:39,071 - [sighs] 27 00:02:39,115 --> 00:02:41,509 MS. DONOVAN... [sighs] 28 00:02:41,552 --> 00:02:43,815 DO YOU... LOVE GARBAGE? 29 00:02:43,859 --> 00:02:46,775 - I-- I BEG YOUR PARDON? 30 00:02:46,818 --> 00:02:49,778 - A GREAT PHOTOGRAPHER ACTUALLY REVEALS ASPECTS OF HIMSELF 31 00:02:49,821 --> 00:02:51,780 THAT HE'S UNAWARE OF. 32 00:02:51,823 --> 00:02:54,478 DID YOU SEE SOME... TRUTH ABOUT YOURSELF 33 00:02:54,522 --> 00:02:56,480 IN THIS... GARBAGE? 34 00:02:56,524 --> 00:02:58,178 - [laughs] 35 00:03:01,355 --> 00:03:02,573 UM... 36 00:03:02,617 --> 00:03:05,315 [dance music playing] 37 00:03:05,359 --> 00:03:09,450 ♪ 38 00:03:09,493 --> 00:03:12,104 - HAPPY BIRTHDAY, JORDAN! 39 00:03:12,148 --> 00:03:14,498 SO, HOW'D IT GO AT THE GALLERY? 40 00:03:14,542 --> 00:03:16,152 - PBBTH. 41 00:03:16,196 --> 00:03:17,675 - WHAT DOES HE KNOW, ANYWAY? 42 00:03:17,719 --> 00:03:20,069 - HE KNOWS GARBAGE WHEN HE SEES IT. 43 00:03:20,112 --> 00:03:23,377 MAYBE I'M JUST FOOLING MYSELF. 44 00:03:23,420 --> 00:03:25,683 OH! I'VE BEEN DOING THIS FOREVER. 45 00:03:25,727 --> 00:03:28,033 MAYBE I SHOULD JUST GIVE UP AND GO BACK TO WALL STREET. 46 00:03:28,077 --> 00:03:30,688 - WHAT? NO. NO, NO, NO, NO, NO. 47 00:03:30,732 --> 00:03:31,820 SEE, THAT'S WHY YOU'RE GONNA MAKE IT, 48 00:03:31,863 --> 00:03:33,604 BECAUSE YOU NEVER GIVE UP. 49 00:03:33,648 --> 00:03:35,127 EVEN WHEN YOU SHOULD, LIKE WITH EDWARD, 50 00:03:35,171 --> 00:03:36,955 WHO'S KEPT YOU HANGING FOREVER. 51 00:03:36,999 --> 00:03:39,393 - OKAY, YOU HAVE TO STOP THAT, BECAUSE IT'S MY BIRTHDAY. 52 00:03:39,436 --> 00:03:41,569 - I'M JUST SAYING, YOU'VE BEEN TOGETHER FOR FIVE YEARS. 53 00:03:41,612 --> 00:03:43,266 YOU DON'T EVEN LIVE TOGETHER. 54 00:03:43,310 --> 00:03:45,050 I MEAN, WAKE UP AND SMELL THE DECAF MOCHA LATTE. 55 00:03:45,094 --> 00:03:48,532 - EDWARD HAS TERRITORIAL ISSUES, RIGHT, HUBERT? 56 00:03:48,576 --> 00:03:50,142 - HE TAKES YOU FOR GRANTED, 57 00:03:50,186 --> 00:03:52,014 AND YOU DON'T GIVE HIM ANY REASON NOT TO. 58 00:03:52,057 --> 00:03:53,798 IT'S LIKE YOU GOT "DOORMAT" TATTOOED ON YOUR FOREHEAD. 59 00:03:53,842 --> 00:03:55,757 - FOR YOUR INFORMATION, MISS NEGATIVE, 60 00:03:55,800 --> 00:03:57,411 I THINK THAT HE'S GONNA PROPOSE TO ME TONIGHT, OKAY? 61 00:03:57,454 --> 00:03:59,195 - REALLY? - YES. 62 00:03:59,239 --> 00:04:00,979 - DID HE SAY SOMETHING? - HIS EXACT WORDS WERE, 63 00:04:01,023 --> 00:04:03,373 "I WANT TO TALK ABOUT OUR RELATIONSHIP." SO THERE. 64 00:04:03,417 --> 00:04:06,028 - OKAY. WELL, YOU KNOW, LET'S HOPE THAT HE COMES THROUGH. 65 00:04:06,071 --> 00:04:08,160 ON WITH THE CELEBRATION. 66 00:04:08,204 --> 00:04:11,120 TOAST. GRAB YOUR GLASS. - [groaning] 67 00:04:11,163 --> 00:04:13,731 - MM. TO MY BEST FRIEND... - YES. 68 00:04:13,775 --> 00:04:15,559 - ON THE OCCASION OF YOUR OFFICIAL DESCENT 69 00:04:15,603 --> 00:04:16,995 INTO SPINSTERHOOD. 70 00:04:17,039 --> 00:04:19,563 - SPINSTERHOOD? THAT'S SO RUDE. 71 00:04:19,607 --> 00:04:21,826 - [laughing] YOU'RE OVER 30, SWEETIE. 72 00:04:21,870 --> 00:04:25,134 [phone ringing] 73 00:04:25,177 --> 00:04:27,310 - YOU BETTER ANSWER IT. 74 00:04:27,354 --> 00:04:28,572 IT COULD BE SOMEONE TRYING TO TELL YOU 75 00:04:28,616 --> 00:04:29,486 YOU WON THE LOTTERY. 76 00:04:29,530 --> 00:04:30,487 - YEAH. 77 00:04:30,531 --> 00:04:31,532 [beep] 78 00:04:31,575 --> 00:04:33,229 TYLER HERE. 79 00:04:33,273 --> 00:04:34,926 - TYLER FRANKLIN ROSS, 80 00:04:34,970 --> 00:04:37,102 YOU WENT AFTER THAT STUPID HORSE AGAIN, DIDN'T YOU? 81 00:04:37,146 --> 00:04:39,583 - MORNING TO YOU, TOO, SIS. [laughs] 82 00:04:39,627 --> 00:04:41,977 - LISTEN. YOU GOT ANOTHER LETTER FROM COUNTRY CONNECTION. 83 00:04:42,020 --> 00:04:44,632 THIS ONE'S FROM NEW YORK CITY, OF ALL PLACES. 84 00:04:44,675 --> 00:04:46,590 IT'S A SHAME SHE'S SO FAR AWAY. SHE SOUNDS REAL NICE. 85 00:04:46,634 --> 00:04:47,765 - GREAT. 86 00:04:47,809 --> 00:04:49,593 - REMEMBER OUR DEAL. 87 00:04:49,637 --> 00:04:51,769 - YEAH, I REMEMBER, LAURIE. 88 00:04:51,813 --> 00:04:54,163 YOU JUST REMEMBER YOUR END OF IT, ALL RIGHT? 89 00:04:54,206 --> 00:04:55,033 GOOD-BYE. 90 00:04:56,383 --> 00:04:57,384 [beep] 91 00:04:59,864 --> 00:05:04,826 [soft music playing] 92 00:05:04,869 --> 00:05:08,220 - "COUNTRY CONNECTIONS THE MAGAZINE FOR RURAL SINGLES"? 93 00:05:08,264 --> 00:05:10,179 WHAT IS THIS? - THIS IS GREAT, OKAY? 94 00:05:10,222 --> 00:05:12,007 IT'S MOSTLY MEN, UNLIKE NEW YORK, 95 00:05:12,050 --> 00:05:14,052 WHERE STRAIGHT, SINGLE MEN ARE AN ENDANGERED SPECIES, 96 00:05:14,096 --> 00:05:15,619 AND THEY WANT TO GET MARRIED. 97 00:05:15,663 --> 00:05:17,491 - "HAVE 10,000 ACRES OF WHEAT. 98 00:05:17,534 --> 00:05:21,364 LOOKING FOR MARRIAGE-MINDED GAL WHO CAN KEEP HOUSE, COOK, 99 00:05:21,408 --> 00:05:23,323 [imitating country accent] AND DRIVE A TRACTOR. 100 00:05:23,366 --> 00:05:25,020 MUST LOOK GOOD IN JEANS." WELL, THAT'S ME. 101 00:05:25,063 --> 00:05:26,717 - THERE. READ THE AD I MARKED. 102 00:05:26,761 --> 00:05:28,806 - "WYOMING CATTLEMAN, 35, BEEN TO COLLEGE--" 103 00:05:28,850 --> 00:05:31,592 WELL, THAT'S A GOOD THING-- "MARRIAGE AND CHILDREN INCLINED. 104 00:05:31,635 --> 00:05:33,463 "I'M NOT PERFECT, AND I'M NOT LOOKING FOR SOMEONE WHO IS. 105 00:05:33,507 --> 00:05:34,812 TYLER ROSS." 106 00:05:34,856 --> 00:05:36,727 A--AND THIS CONCERNS ME, HOW? 107 00:05:36,771 --> 00:05:38,860 - I ANSWERED HIS AD IN YOUR NAME. 108 00:05:38,903 --> 00:05:40,383 - CARLA! - YOU-- 109 00:05:40,427 --> 00:05:42,516 THIS IS GOOD. HE SENT A PLANE TICKET. 110 00:05:42,559 --> 00:05:44,518 - CARLA, YOU KNOW, OF ALL THE CRAZY, STUPID, 111 00:05:44,561 --> 00:05:47,042 RIDICULOUS, MEAN, INSANE-- 112 00:05:47,085 --> 00:05:48,826 WHAT'D YOU SAY ABOUT ME, ANYWAY? 113 00:05:48,870 --> 00:05:52,830 - UH, I SAID THAT YOU'RE WARM, AND YOU'RE FUNNY, 114 00:05:52,874 --> 00:05:54,179 AND YOU'RE VERY SINCERE. 115 00:05:54,223 --> 00:05:56,747 - BUT I HAVE A TERRIFIC GUY. 116 00:05:56,791 --> 00:05:58,619 - YOU KNOW WHAT? HE NEEDS A NUDGE. OKAY? 117 00:05:58,662 --> 00:06:00,272 A MAN NEVER WANTS A WOMAN MORE THAN WHEN ANOTHER MAN WANTS HER. 118 00:06:00,316 --> 00:06:02,057 SO I GOT YOU ANOTHER MAN. 119 00:06:02,100 --> 00:06:03,667 - I'M NOT GONNA USE SOME POOR SCHMUCK OF A COWBOY 120 00:06:03,711 --> 00:06:05,408 TO MAKE EDWARD JEALOUS. 121 00:06:05,452 --> 00:06:06,888 IT'S PLAYING GAMES, AND I DON'T DO THAT, CARLA. 122 00:06:06,931 --> 00:06:08,716 - LOOK, JUST GO OUT WEST, OKAY? 123 00:06:08,759 --> 00:06:10,718 ENJOY YOUR TRIP. 124 00:06:10,761 --> 00:06:12,589 TAKE A CAMERA. MAYBE THEY GOT BETTER GARBAGE OUT THERE. 125 00:06:12,633 --> 00:06:14,722 [knock on door] 126 00:06:14,765 --> 00:06:17,115 COME IN, EDWARD! 127 00:06:17,159 --> 00:06:18,639 - HMM? 128 00:06:21,729 --> 00:06:23,165 HI, SWEETHEART. 129 00:06:23,208 --> 00:06:24,558 - HOW'S THE BIRTHDAY GIRL? 130 00:06:24,601 --> 00:06:26,560 - FINE. 131 00:06:34,481 --> 00:06:35,743 CARLA. 132 00:06:35,786 --> 00:06:38,310 - EDWARD. HOW ARE YA? 133 00:06:38,354 --> 00:06:41,009 OKAY, I'M GOING TO, UM-- [clearing throat] 134 00:06:41,052 --> 00:06:42,750 LET YOU TWO GET ON WITH THE BIG CELEBRATION. 135 00:06:42,793 --> 00:06:44,578 - THANK YOU. 136 00:06:44,621 --> 00:06:45,448 - HAVE FUN. 137 00:06:46,754 --> 00:06:48,146 - THANKS, BABY. 138 00:06:53,195 --> 00:06:54,675 - I GOT SOMETHING FOR YOU. 139 00:06:54,718 --> 00:06:57,373 - YEAH? - YES. A VERY SPECIAL GIFT. 140 00:06:57,417 --> 00:07:00,158 - VERY SPECIAL? - VERY SPECIAL. 141 00:07:15,739 --> 00:07:17,437 I THOUGHT... [sighs] 142 00:07:17,480 --> 00:07:19,308 IF WE'RE GOING TO BE LIVING IN MY APARTMENT, 143 00:07:19,351 --> 00:07:20,744 YOU SHOULD HAVE A KEY. 144 00:07:22,877 --> 00:07:25,140 [laughs] - [whispering] YEAH. 145 00:07:25,183 --> 00:07:26,358 SO, YOU--YOU'RE-- 146 00:07:26,402 --> 00:07:29,013 YOU'RE ASKING ME TO... 147 00:07:29,057 --> 00:07:30,841 - MOVE IN WITH ME. 148 00:07:30,885 --> 00:07:33,931 - [laughs] AND? 149 00:07:33,975 --> 00:07:35,803 - AND LIVE TOGETHER. 150 00:07:37,500 --> 00:07:38,980 I THOUGHT THIS WOULD BE THE PERFECT TIME 151 00:07:39,023 --> 00:07:41,765 TO TAKE OUR RELATIONSHIP TO THE NEXT LEVEL. 152 00:07:41,809 --> 00:07:44,812 I MEAN, IT'S JUST-- JUST YOUR BIRTHDAY IS JUST, UH... 153 00:07:44,855 --> 00:07:48,859 THIS IS THE ANNIVERSARY OF THE LUCKIEST NIGHT OF MY LIFE. 154 00:07:48,903 --> 00:07:50,992 THE NIGHT WE MET. 155 00:07:53,081 --> 00:07:54,474 - YEAH. 156 00:07:54,517 --> 00:07:58,478 FIVE YEARS AGO. FIVE YEARS AGO. 157 00:07:58,521 --> 00:08:01,742 WOW, I WONDER WHERE WE'RE GONNA BE IN ANOTHER FIVE YEARS. 158 00:08:01,785 --> 00:08:02,612 - WE'LL BE TOGETHER. 159 00:08:03,918 --> 00:08:05,746 - TOGETHER. HMM. 160 00:08:05,789 --> 00:08:09,793 TOGETHER... SINGLE, TOGETHER MARRIED? 161 00:08:09,837 --> 00:08:11,795 - OH, JORDAN. 162 00:08:11,839 --> 00:08:13,797 THIS IS A VERY REAL COMMITMENT THAT I'M MAKING, 163 00:08:13,841 --> 00:08:17,018 ASKING YOU TO MOVE IN WITH ME. 164 00:08:17,061 --> 00:08:19,847 - OKAY, EDWARD, IT'S JUST THAT WHEN I IMAGINED THIS MOMENT, 165 00:08:19,890 --> 00:08:22,893 I EXPECTED YOU TO SAY, "WILL YOU BE MY WIFE?" 166 00:08:22,937 --> 00:08:25,330 NOT "ROOMMATE." - I MEAN, THIS IS A SOLID OFFER. 167 00:08:25,374 --> 00:08:27,289 - AN OFFER. AN OFFER, REALLY? 168 00:08:27,332 --> 00:08:29,639 HOW LONG IS THIS OFFER GOOD FOR? 169 00:08:29,683 --> 00:08:31,989 UNTIL YOU FIND SOMEBODY BETTER? UNTIL YOU GET BORED? 170 00:08:32,033 --> 00:08:33,774 IF SOMETHING GOES WRONG BETWEEN THE TWO OF US, 171 00:08:33,817 --> 00:08:35,645 WHO HAS TO GO OUT AND FIND A NEW PLACE, YOU OR ME? 172 00:08:35,689 --> 00:08:39,431 - WELL, IT IS MY APARTMENT. - EXACTLY. YOUR HOME. 173 00:08:39,475 --> 00:08:41,912 YOURS. NOT OURS. 174 00:08:41,956 --> 00:08:43,566 - HEY, NOBODY CAN PROMISE FOREVER 175 00:08:43,610 --> 00:08:45,481 AND BE SURE THEY'RE GONNA LIVE UP TO IT. 176 00:08:45,525 --> 00:08:46,917 - REALLY? 177 00:08:46,961 --> 00:08:48,832 WELL, YOU KNOW WHAT? 178 00:08:48,876 --> 00:08:52,009 THAT'S EXACTLY WHAT ONE OF THESE GUYS IS PREPARED TO DO. 179 00:08:52,053 --> 00:08:53,141 AND HE WANTS TO MEET ME. 180 00:08:56,100 --> 00:08:57,885 - [scoffs] 181 00:08:57,928 --> 00:09:00,627 YOU EXPECT ME TO BELIEVE THAT YOU WANT TO MEET HIM? 182 00:09:00,670 --> 00:09:01,802 - YES. 183 00:09:03,760 --> 00:09:07,372 - WELL, I'M NOT GONNA PLAY THESE GAMES WITH YOU, JORDAN. 184 00:09:07,416 --> 00:09:09,070 WHEN YOU ARE READY TO DISCUSS THIS 185 00:09:09,113 --> 00:09:11,899 LIKE A MATURE, RATIONAL PERSON, THEN CALL ME. 186 00:09:11,942 --> 00:09:13,422 [magazine smacking table] 187 00:09:13,465 --> 00:09:14,597 [sighs] 188 00:09:17,295 --> 00:09:19,210 [door slams shut] 189 00:09:19,254 --> 00:09:22,300 [plane taking off] 190 00:09:24,433 --> 00:09:26,827 - I CAN'T BELIEVE I AGREED TO DO THIS. 191 00:09:26,870 --> 00:09:28,437 HOW WILL I EVEN RECOGNIZE HIM? 192 00:09:28,480 --> 00:09:30,482 - HE DIDN'T SAY. 193 00:09:30,526 --> 00:09:32,354 - I CAN JUST IMAGINE WHAT TYLER ROSS IS GONNA LOOK LIKE-- 194 00:09:32,397 --> 00:09:34,443 OVERALLS, A BEER BELLY, 195 00:09:34,486 --> 00:09:37,315 AND ONE OF THOSE FUNNY COWBOY HATS. 196 00:10:00,425 --> 00:10:01,601 - [sighs] 197 00:10:28,236 --> 00:10:30,978 - MISS DONOVAN? 198 00:10:31,021 --> 00:10:33,241 - TYLER ROSS? 199 00:10:33,284 --> 00:10:34,503 I, UH-- - I'LL GET YOUR BAG. 200 00:10:34,546 --> 00:10:36,505 [clears throat] - OKAY. 201 00:10:36,548 --> 00:10:37,898 THANK YOU. 202 00:10:39,551 --> 00:10:40,378 OKAY. 203 00:10:43,991 --> 00:10:46,341 I'VE GOT TO ADMIT, I FEEL REALLY AWKWARD. 204 00:10:46,384 --> 00:10:47,777 I'LL BET YOU PROBABLY DO TOO, HUH? 205 00:10:51,476 --> 00:10:52,956 I'LL BET EVERYONE WHO DOES THIS SORT OF THING 206 00:10:53,000 --> 00:10:54,175 FEELS THE SAME WAY, RIGHT? 207 00:10:54,218 --> 00:10:55,959 - I WOULDN'T KNOW. 208 00:10:56,003 --> 00:10:58,092 - I'LL TAKE THAT. I'LL TAKE THAT, THANK YOU. 209 00:10:58,135 --> 00:10:59,267 - WE GOT A WAYS TO GO. 210 00:11:01,225 --> 00:11:03,837 [engine starting] 211 00:11:17,024 --> 00:11:18,068 - WHEN DO WE GET TO TOWN? 212 00:11:20,244 --> 00:11:21,681 - WE'RE THERE. 213 00:11:30,341 --> 00:11:32,474 - THIS COUNTRY IS BREATHTAKING. 214 00:11:32,517 --> 00:11:35,303 CONSTABLE WOULD HAVE LOVED IT. - [laughs] 215 00:11:35,346 --> 00:11:37,609 - HE WAS A--AN ENGLISH PAINTER. 216 00:11:37,653 --> 00:11:39,524 - YOU DON'T SAY. 217 00:11:39,568 --> 00:11:41,309 - YEAH, LATE 18TH, EARLY 19TH CENTURY. 218 00:11:41,352 --> 00:11:43,964 HE PAINTED-- - LANDSCAPES. 219 00:11:47,663 --> 00:11:49,317 A LITTLE DARK FOR MY TASTE. 220 00:12:09,772 --> 00:12:13,515 - IT'S GONNA BE JUST LIKE A DANIELLE STEEL NOVEL. 221 00:12:13,558 --> 00:12:15,909 - [coughing] 222 00:12:15,952 --> 00:12:16,997 THAT'S OKAY, I'LL GET IT. 223 00:12:17,040 --> 00:12:18,085 THANK-- THANK YOU. 224 00:12:18,128 --> 00:12:20,130 THANKS. 225 00:12:25,745 --> 00:12:27,442 - UH, JORDAN DONOVAN, THIS IS MY SISTER, LAURIE, 226 00:12:27,485 --> 00:12:29,052 AND, UH, JESSE. 227 00:12:29,096 --> 00:12:30,532 JESSE, WHAT ARE YOU DOING HERE? 228 00:12:30,575 --> 00:12:32,316 - JUST LOOKIN'. 229 00:12:32,360 --> 00:12:33,491 - NICE TO MEET YOU. 230 00:12:33,535 --> 00:12:34,492 - NICE TO MEET YOU, TOO. 231 00:12:34,536 --> 00:12:36,364 - MA'AM. 232 00:12:36,407 --> 00:12:37,974 - TYLER, WHY IS SHE CARRYING HER OWN BAG? 233 00:12:38,018 --> 00:12:39,323 - I OFFERED, BUT SHE WANTED TO DO IT HERSELF. 234 00:12:39,367 --> 00:12:40,934 - IT'S FINE, I'M FINE. 235 00:12:40,977 --> 00:12:42,762 - LISTEN, I'LL SHOW YOU TO THE SPARE ROOM. 236 00:12:42,805 --> 00:12:44,067 GET ABOUT A HALF HOUR, AND THEN WE'LL HAVE SOME DINNER. 237 00:12:44,111 --> 00:12:45,503 - OKAY. 238 00:12:45,547 --> 00:12:47,592 - JESSE, I'LL HELP YOU FEED, HUH? 239 00:12:47,636 --> 00:12:49,507 - NICE TO MEET YOU, JORDAN. - NICE TO MEET YOU. 240 00:12:52,859 --> 00:12:55,644 - WELL, SHE SURE SEEMED LIKE A NICE ENOUGH GAL. 241 00:12:55,687 --> 00:12:57,341 - IF YOU SAY SO. 242 00:12:57,385 --> 00:13:01,084 - SO... YOU'RE A PHOTOGRAPHER? 243 00:13:01,128 --> 00:13:03,565 - UM... YEAH. 244 00:13:03,608 --> 00:13:05,785 - EVER PHOTOGRAPH WEDDINGS? - UH, NO. [thud] 245 00:13:05,828 --> 00:13:08,483 - OH. SEE, 'CAUSE I'M GETTING MARRIED IN A FEW DAYS, 246 00:13:08,526 --> 00:13:10,354 AND THE PHOTOGRAPHER THAT I HIRED 247 00:13:10,398 --> 00:13:12,269 HAS COME DOWN WITH THE MEASLES, CAN YOU BELIEVE IT? 248 00:13:12,313 --> 00:13:14,924 AT HIS AGE. both: [laughing] 249 00:13:14,968 --> 00:13:17,797 - WELL, IT'S JUST, I-- I MAY NOT BE HERE THAT LONG. 250 00:13:17,840 --> 00:13:19,363 - I JUST GOT MY WEDDING DRESS. YOU WANT TO SEE IT? 251 00:13:19,407 --> 00:13:21,061 - SURE. 252 00:13:21,104 --> 00:13:22,802 - SPARE BEDROOM'S OVER THAT WAY. 253 00:13:24,760 --> 00:13:26,153 MAKE YOURSELF AT HOME. 254 00:13:26,196 --> 00:13:28,155 - OKAY. 255 00:13:31,593 --> 00:13:33,551 [birds chirping] 256 00:13:51,831 --> 00:13:54,616 THAT'S A-- THAT'S AN ORIGINAL THOMAS KINKADE. 257 00:13:54,659 --> 00:13:57,445 - YES, IT IS. 258 00:13:57,488 --> 00:14:01,231 SO, I WAS GOING TO GO FOR SOMETHING A LITTLE LESS FORMAL, 259 00:14:01,275 --> 00:14:04,844 BUT THEN I SAW THIS, AND, OH... YOU KNOW HOW IT IS. 260 00:14:04,887 --> 00:14:06,671 - OH, IT'S-- IT'S LOVELY. - REALLY? - YEAH. 261 00:14:06,715 --> 00:14:08,325 - I DON'T HAVE MUCH OF A FASHION SENSE. 262 00:14:08,369 --> 00:14:09,849 MY IDEA OF GETTING DRESSED UP 263 00:14:09,892 --> 00:14:11,502 IS PUTTING ON A CLEAN PAIR OF JEANS. 264 00:14:11,546 --> 00:14:13,330 - OH. [laughs] I'M SURE YOU'LL BE BEAUTIFUL. 265 00:14:13,374 --> 00:14:16,333 - I'M DYING TO ASK YOU, WHAT DO YOU THINK OF TYLER? 266 00:14:16,377 --> 00:14:18,031 - YOU KNOW, I CAN HONESTLY SAY 267 00:14:18,074 --> 00:14:20,860 THAT I'VE NEVER MET ANYONE LIKE HIM. 268 00:14:23,384 --> 00:14:26,691 - SO, IS THIS YOUR FIRST TRIP OUT WEST, MISS DONOVAN? 269 00:14:26,735 --> 00:14:29,651 - ACTUALLY, IT IS, CHUCK. AND, PLEASE, CALL ME JORDAN. [laughs] 270 00:14:29,694 --> 00:14:31,609 - JORDAN. 271 00:14:33,220 --> 00:14:35,135 - WHY DON'T YOU TELL US ALL ABOUT NEW YORK? 272 00:14:35,178 --> 00:14:37,659 - WOULD YOU PASS THE SALT? 273 00:14:37,702 --> 00:14:39,269 THANK YOU. - UM... 274 00:14:39,313 --> 00:14:41,010 I'M SURE IT WOULDN'T BE VERY INTERESTING. 275 00:14:41,054 --> 00:14:44,492 - OH, COME ON. ALL THE MUSEUMS AND THE RESTAURANTS? 276 00:14:44,535 --> 00:14:45,667 - WELL, MY FAVORITE LITTLE PLACE TO HANG OUT IS A CAFE CALLED 277 00:14:45,710 --> 00:14:48,800 LA XUNTA BASQUE ON 52ND STREET. 278 00:14:48,844 --> 00:14:50,715 UM, JACKIE ONASSIS AND HER SISTER LEE 279 00:14:50,759 --> 00:14:53,283 USED TO SPEAK FRENCH TO EACH OTHER WHEN THEY ATE DINNER. 280 00:14:53,327 --> 00:14:55,677 IT WAS VERY COOL. 281 00:14:55,720 --> 00:14:57,592 - AH. 282 00:14:58,549 --> 00:14:59,942 - JORDAN'S A PHOTOGRAPHER. 283 00:14:59,986 --> 00:15:01,901 - OH. 284 00:15:01,944 --> 00:15:04,381 CHUCK JUST HAD HIS, UH, PICTURE TAKEN AT SEARS LAST WEEK. 285 00:15:04,425 --> 00:15:06,731 DIDN'T YOU? - YES, SIR, I DID. 286 00:15:06,775 --> 00:15:08,646 - I'M ACTUALLY A FINE ARTS PHOTOGRAPHER. 287 00:15:08,690 --> 00:15:10,213 I JUST HAD A MEETING WITH ONE OF THE TOP GALLERIES 288 00:15:10,257 --> 00:15:12,650 IN NEW YORK TO TALK ABOUT HAVING A SHOW. 289 00:15:12,694 --> 00:15:14,478 - WHAT KIND OF PICTURES DO YOU TAKE? 290 00:15:14,522 --> 00:15:17,438 - UM, UH, REFUSE. 291 00:15:17,481 --> 00:15:20,832 - YOU-- YOU MEAN GARBAGE? 292 00:15:20,876 --> 00:15:23,835 - I'M SURE THEY'RE REAL NICE PICTURES. 293 00:15:23,879 --> 00:15:25,707 - WELL, I WOULDN'T EXACTLY CALL THEM NICE. 294 00:15:25,750 --> 00:15:27,535 NO. SIGNIFICANT, YES. 295 00:15:27,578 --> 00:15:30,538 THERE'S A GREAT DEAL OF SUBTEXT TO GARBAGE, I THINK. 296 00:15:30,581 --> 00:15:31,669 - [clearing throat] THE NEW YORK ART WORLD 297 00:15:31,713 --> 00:15:32,670 MUST BE A BUNCH OF IDIOTS. 298 00:15:35,456 --> 00:15:38,198 - ANYONE WANT SOME PIE? 299 00:15:46,162 --> 00:15:50,732 [phone ringing] 300 00:15:50,775 --> 00:15:52,473 [beep] - HELLO? 301 00:15:52,516 --> 00:15:53,909 - OH, CONTACT WITH SANITY. 302 00:15:53,953 --> 00:15:55,302 - JORDAN, HEY! 303 00:15:55,345 --> 00:15:57,043 - DOES HUBERT MISS ME? 304 00:15:57,086 --> 00:15:59,349 - YOU GOT TO STOP WORRYING ABOUT THAT FISH, OKAY? 305 00:15:59,393 --> 00:16:02,439 WHERE ARE YOU? - THIS RANCH, OUT IN THE MIDDLE OF NOWHERE. 306 00:16:02,483 --> 00:16:04,224 THIS IS SO MUCH WORSE THAN I EXPECTED. 307 00:16:04,267 --> 00:16:05,790 - HE'S UGLY. I KNEW IT. 308 00:16:05,834 --> 00:16:07,401 YOU KNOW, I-- I SHOULD HAVE REALIZED THAT 309 00:16:07,444 --> 00:16:08,924 WHEN HE DIDN'T HAVE A PICTURE WITH HIS AD. 310 00:16:08,968 --> 00:16:12,145 - WELL... HE'S NOT EXACTLY UNATTRACTIVE. 311 00:16:12,188 --> 00:16:13,885 BUT I HAVE NO IDEA WHY HE ASKED ME TO COME. 312 00:16:13,929 --> 00:16:16,366 HE CLEARLY DOES NOT WANT ME HERE. 313 00:16:16,410 --> 00:16:18,934 - YOU'RE NOT GIVING HER A CHANCE, TY. 314 00:16:18,978 --> 00:16:21,763 - I SAID I'D MEET HER. I NEVER SAID I'D LIKE HER. 315 00:16:21,806 --> 00:16:23,199 - OH, HOW CAN YOU WRITE HER OFF SO QUICKLY? 316 00:16:23,243 --> 00:16:24,722 YOU DON'T KNOW ANYTHING ABOUT HER. 317 00:16:24,766 --> 00:16:26,333 - I KNOW SHE LIKES DROPPING NAMES 318 00:16:26,376 --> 00:16:28,900 OF PEOPLE SHE DOESN'T EVEN KNOW. 319 00:16:28,944 --> 00:16:32,513 I CAN SEE HER FITTING IN HERE, HUH, CHUCK? 320 00:16:32,556 --> 00:16:34,254 COURSE, YOU WOULDN'T HAVE ANYONE TO TALK FRENCH TO. 321 00:16:34,297 --> 00:16:36,256 - SHE'S NERVOUS. 322 00:16:36,299 --> 00:16:38,998 AND YOUR ATTITUDE ISN'T HELPING ANY. 323 00:16:39,041 --> 00:16:41,391 IF YOU WANT A CHANCE AT SOMETHING WONDERFUL-- 324 00:16:41,435 --> 00:16:42,784 - WONDERFUL. 325 00:16:42,827 --> 00:16:44,742 TROUBLE IS MORE LIKE IT. 326 00:16:44,786 --> 00:16:47,310 - JORDAN, I--I'M SO SORRY I GOT YOU INTO THIS. 327 00:16:47,354 --> 00:16:49,095 WHY DON'T YOU JUST TELL HIM THAT, I DON'T KNOW, 328 00:16:49,138 --> 00:16:50,792 SOMETHING CAME UP AND YOU GOT TO COME BACK RIGHT AWAY? 329 00:16:50,835 --> 00:16:53,055 - WELL, I'M THINKING ABOUT IT. 330 00:16:53,099 --> 00:16:54,578 IT'S JUST THE OTHER PEOPLE THAT I MET HERE, 331 00:16:54,622 --> 00:16:55,927 LIKE HIS SISTER, ARE REALLY NICE. 332 00:16:55,971 --> 00:16:57,929 I FEEL AWFUL LYING TO THEM. 333 00:16:57,973 --> 00:17:00,715 - SWEETIE, IT'S SO EASY TO LIE. JUST PRETEND YOU'RE ME. 334 00:17:04,458 --> 00:17:07,200 [crickets chirping] 335 00:17:08,549 --> 00:17:16,383 ♪ 336 00:17:23,738 --> 00:17:25,435 - [sighs] 337 00:17:36,577 --> 00:17:38,448 HI. 338 00:17:38,492 --> 00:17:39,536 MIND IF I JOIN YOU? 339 00:17:40,972 --> 00:17:42,409 THANKS. 340 00:17:50,112 --> 00:17:51,548 WOW, I'VE NEVER SEEN SO MANY STARS IN MY LIFE. 341 00:17:52,984 --> 00:17:54,812 [laughs] IT'S BEAUTIFUL. 342 00:17:55,900 --> 00:17:58,773 - YEAH. 343 00:17:58,816 --> 00:18:03,212 [animal howling] 344 00:18:03,256 --> 00:18:04,866 JUST A LONESOME COYOTE. NO NEED TO BE AFRAID. 345 00:18:04,909 --> 00:18:10,611 - I'M NOT AFRAID. [laughs] 346 00:18:10,654 --> 00:18:13,483 - DOES LIVING IN NEW YORK CITY MAKE PEOPLE SO TOUCHY? 347 00:18:13,527 --> 00:18:14,876 - POSSIBLY. WHAT'S YOUR EXCUSE? 348 00:18:14,919 --> 00:18:16,834 - [laughs] 349 00:18:18,706 --> 00:18:20,403 JUST COMES NATURAL, I GUESS. 350 00:18:23,754 --> 00:18:24,799 - I'M SURE THERE'S A LOT OF THINGS OUT HERE 351 00:18:24,842 --> 00:18:25,843 THAT I'M NOT USED TO. 352 00:18:28,150 --> 00:18:29,673 - YOU EAST COASTERS ARE FUNNY PEOPLE. 353 00:18:29,717 --> 00:18:31,675 YOU THINK THE WORLD IS FLAT-- 354 00:18:31,719 --> 00:18:34,287 YOU GO WEST OF PHILADELPHIA, YOU'LL FALL OFF THE EDGE OF IT. 355 00:18:34,330 --> 00:18:36,680 - [laughs] YOU KNOW, HAS IT EVER OCCURRED TO YOU 356 00:18:36,724 --> 00:18:38,639 THAT YOU MIGHT BE WRONG ABOUT SOME THINGS? 357 00:18:38,682 --> 00:18:39,640 POSSIBLY? 358 00:18:39,683 --> 00:18:41,511 - NOPE. 359 00:18:41,555 --> 00:18:45,602 - NO, NO. OF COURSE NOT. [laughs] 360 00:18:45,646 --> 00:18:46,821 OH, YOU'RE JUST YANKING MY CHAIN. 361 00:18:46,864 --> 00:18:49,867 - LITTLE BIT, YEAH. 362 00:18:49,911 --> 00:18:51,434 COURSE, THERE'S NO SPORT IN IT. YOU'RE TOO EASY. 363 00:18:51,478 --> 00:18:52,827 - REALLY? 364 00:18:52,870 --> 00:18:53,741 SO, YOU GOT ME ALL FIGURED OUT. 365 00:18:54,611 --> 00:18:56,483 HUH. 366 00:18:56,526 --> 00:18:58,615 WELL, LAY IT ON ME. TELL ME EXACTLY WHO YOU THINK I AM. 367 00:18:59,703 --> 00:19:00,791 SERIOUSLY, GO AHEAD. 368 00:19:00,835 --> 00:19:02,880 - YOU GOT SOMEBODY ELSE'S NAME 369 00:19:02,924 --> 00:19:04,752 PLASTERED ON THE BACK OF YOUR JEANS. 370 00:19:04,795 --> 00:19:06,710 YOU'RE PROBABLY ONE OF THOSE POLITICALLY-CORRECT PEOPLE 371 00:19:06,754 --> 00:19:08,277 WHO NEVER HAD A TRUE THOUGHT OF YOUR OWN. 372 00:19:08,321 --> 00:19:11,759 - AND YOUR MIND'S AS CLOSED AS A STEEL TRAP. 373 00:19:11,802 --> 00:19:13,543 CAN'T TOLERATE ANYTHING OR ANYONE 374 00:19:13,587 --> 00:19:15,850 OUTSIDE YOUR NARROW LITTLE WORLD OUT HERE. 375 00:19:15,893 --> 00:19:17,330 DECIDED I WAS A SHALLOW SNOB 376 00:19:17,373 --> 00:19:19,201 THE SECOND YOU LAID EYES ON ME, HUH? 377 00:19:19,245 --> 00:19:22,987 - ABOUT THE SAME TIME YOU DECIDED I WAS A DUMB HICK. 378 00:19:23,031 --> 00:19:25,729 - WELL, I GUESS WE KNOW WHERE WE STAND WITH EACH OTHER, HUH? 379 00:19:25,773 --> 00:19:29,080 - I GUESS SO. 380 00:19:29,124 --> 00:19:31,213 - AS FAR AS ME HAVING SOMEBODY'S NAME ON MY BACK, 381 00:19:31,257 --> 00:19:32,910 DIDN'T REALIZE YOUR LAST NAME WAS WRANGLER. 382 00:19:41,441 --> 00:19:43,704 - [laughs] 383 00:19:52,626 --> 00:19:53,757 - YOU KNOW, I--I'M JUST GONNA HAVE 384 00:19:53,801 --> 00:19:55,150 SOME COFFEE AND TOAST, I THINK. 385 00:19:55,194 --> 00:19:56,586 - WE DON'T HAVE ANY OF THAT, UH, 386 00:19:56,630 --> 00:19:58,893 ESPRESSO OR CAPPUCCINO AROUND HERE. 387 00:19:58,936 --> 00:20:00,590 - WE'RE VACCINATING THE CATTLE TODAY. 388 00:20:00,634 --> 00:20:01,939 YOU CAN COME ALONG, IF YOU LIKE. 389 00:20:01,983 --> 00:20:03,593 - LAURIE. - SOUNDS FASCINATING. 390 00:20:03,637 --> 00:20:06,553 I'D LOVE TO. - YOU MAY HAVE TO RIDE A HORSE. 391 00:20:06,596 --> 00:20:08,207 - IT'S NO PROBLEM. I CAN STAY ON A HORSE. 392 00:20:19,609 --> 00:20:21,524 [cows mooing] 393 00:20:27,138 --> 00:20:29,967 - LET HIM GO. 394 00:20:33,449 --> 00:20:35,538 - ALL RIGHT, THAT'S THE LAST OF 'EM. 395 00:20:40,630 --> 00:20:43,024 - I TOLD YOU, JORDAN, THE CATTLE GET A LITTLE, UH, GAMEY 396 00:20:43,067 --> 00:20:44,765 ONCE YOU GET UP CLOSE AND PERSONAL. 397 00:20:44,808 --> 00:20:46,984 - OH, IT'S ALL RIGHT. NOTHING'S GAMIER THAN GARBAGE. 398 00:20:50,553 --> 00:20:52,642 - HEY, TY! WHY DON'T YOU SHOW JORDAN 399 00:20:52,686 --> 00:20:55,166 SOME OF YOUR, UH, ROPE TRICKS LATER ON? 400 00:20:55,210 --> 00:20:57,995 - I DON'T THINK SHE'D BE INTERESTED. 401 00:20:58,039 --> 00:21:01,172 - SURE SHE WOULD. COME ON. - THAT'S OKAY, LAURIE, REALLY. 402 00:21:01,216 --> 00:21:02,609 YOU KNOW, NO ONE LIKES TO PERFORM ON COMMAND. 403 00:21:02,652 --> 00:21:04,437 - [laughs] 404 00:21:08,267 --> 00:21:09,790 - HAVE A NICE RIDE! 405 00:21:09,833 --> 00:21:11,357 - BYE! 406 00:21:13,576 --> 00:21:15,535 - YOU KNOW, YOU DIDN'T HAVE TO LET LAURIE TALK YOU INTO THIS. 407 00:21:15,578 --> 00:21:17,580 - LONG RIDE. 408 00:21:17,624 --> 00:21:18,973 - WELL, I CAN HANDLE IT. 409 00:21:19,016 --> 00:21:20,061 - YOU KNOW HOW TO BRIDLE A HORSE? 410 00:21:20,104 --> 00:21:22,150 - YEAH, OF COURSE I DO. 411 00:21:22,193 --> 00:21:23,586 [horse whinnying] OH! 412 00:21:23,630 --> 00:21:25,675 OKAY. OKAY, THE HORSE IS HEAD-SHY. 413 00:21:25,719 --> 00:21:29,636 - YEAH. HE'S A LITTLE TOUCHY. [laughing] 414 00:21:29,679 --> 00:21:31,638 - YOU SO DID THAT ON PURPOSE. 415 00:21:31,681 --> 00:21:33,770 YOU WANTED TO SEE ME MAKE A FOOL OF MYSELF, DIDN'T YOU? 416 00:21:33,814 --> 00:21:35,772 - LOOK, LADY, YOU'RE THE ONE ACTING LIKE YOU KNOW EVERYTHING. 417 00:21:35,816 --> 00:21:38,035 - [scoffs] 418 00:21:38,079 --> 00:21:39,167 WOW. YOU ARE HAVING THE BEST TIME 419 00:21:39,210 --> 00:21:40,951 AT MY EXPENSE, AREN'T YOU? 420 00:21:40,995 --> 00:21:42,562 YOU ACTED LIKE A JERK FROM THE SECOND I GOT HERE. 421 00:21:42,605 --> 00:21:44,303 WELL, I TELL YOU WHAT. I'VE HAD IT. 422 00:21:44,346 --> 00:21:45,652 I'M ON THE FIRST PLANE RIGHT BACK TO NEW YORK. 423 00:21:45,695 --> 00:21:47,262 - WELL, THAT'S WHERE YOU BELONG. 424 00:21:47,306 --> 00:21:49,699 - YOU'RE RIGHT, IT IS. ABSOLUTELY. 425 00:21:49,743 --> 00:21:51,875 AT LEAST I CAN GET CHINESE FOOD DELIVERED BY TAXI. 426 00:21:51,919 --> 00:21:54,661 PEOPLE DON'T EAT 50 POUNDS OF CHOLESTEROL FOR BREAKFAST. 427 00:21:54,704 --> 00:21:56,445 OKAY, PEOPLE ARE A LITTLE RUDE MAYBE SOMETIMES, 428 00:21:56,489 --> 00:21:58,273 BUT AT LEAST THEY'VE GOT A GOOD REASON FOR IT, 429 00:21:58,317 --> 00:22:00,231 YOU KNOW, LIKE THEY'VE GOT TO SHOVE THROUGH 500 PEOPLE 430 00:22:00,275 --> 00:22:02,233 TO GET THROUGH THE SUBWAY, AND THEN, YOU--YOU, MY FRIEND-- 431 00:22:02,277 --> 00:22:04,061 HEY! WHERE-- WHERE ARE YOU GOING? 432 00:22:08,849 --> 00:22:10,503 YOU'VE GOT TO BE KIDDING ME. 433 00:22:10,546 --> 00:22:11,634 HEY! 434 00:22:19,250 --> 00:22:23,124 [exhales] CAN YOU SLOW DOWN? JEEZ. 435 00:22:23,167 --> 00:22:24,865 - WHERE'D YOU LEARN TO HORSEBACK? 436 00:22:24,908 --> 00:22:26,649 - [breathing heavily] I GREW UP HELPING MY DAD 437 00:22:26,693 --> 00:22:28,695 AT A BOARDING STABLE WHERE HE WORKED. 438 00:22:28,738 --> 00:22:30,827 - I THOUGHT YOU GREW UP IN NEW YORK CITY. 439 00:22:30,871 --> 00:22:33,134 - NO, HAINESVILLE. LITTLE TOWN IN UPSTATE NEW YORK. 440 00:22:33,177 --> 00:22:35,136 I'D EXERCISE THE HORSES WHILE THE OWNERS WERE AWAY. 441 00:22:35,179 --> 00:22:37,399 - THAT AIN'T THE CITY. 442 00:22:37,443 --> 00:22:40,968 - NO, I DIDN'T GO TO THE CITY UNTIL I WENT TO COLLEGE. 443 00:22:41,011 --> 00:22:42,970 IT WAS GREAT GOING TO A PLACE YOU'D ALWAYS DREAMED OF. 444 00:22:43,013 --> 00:22:44,014 IT WAS LIKE GOING TO OZ, YOU KNOW? 445 00:22:44,058 --> 00:22:45,712 A WHOLE NEW WORLD FOR ME. 446 00:22:45,755 --> 00:22:47,888 - WHAT WAS WRONG WITH THE WORLD YOU CAME FROM? 447 00:22:47,931 --> 00:22:49,890 - NOTHING, JUST LOOKING FOR MORE. 448 00:22:49,933 --> 00:22:51,674 - DID YOU FIND IT? 449 00:22:51,718 --> 00:22:52,719 - OF COURSE. 450 00:23:23,402 --> 00:23:25,839 - WILD HORSE GATHER. 451 00:23:25,882 --> 00:23:29,799 THEY THIN OUT THE HERDS, 452 00:23:29,843 --> 00:23:31,758 TO BE SOLD AT A PUBLIC SALE. 453 00:23:31,801 --> 00:23:34,456 - YOU KNOW THOSE GUYS? 454 00:23:34,500 --> 00:23:37,024 - HANK JAMISON, HEAD OF THE STOCKMEN'S ASSOCIATION, 455 00:23:37,067 --> 00:23:39,156 WITH SOME DLM WRANGLERS. 456 00:23:39,200 --> 00:23:41,463 - DEPARTMENT OF LAND MANAGEMENT? 457 00:23:41,507 --> 00:23:44,597 - THEY'RE SUPPOSED TO MANAGE OPEN RANGE. 458 00:23:44,640 --> 00:23:46,686 TODAY, THEY'RE MANAGING MY LAND. 459 00:23:46,729 --> 00:23:47,730 - SO THEY'RE TRESPASSING. 460 00:23:47,774 --> 00:23:48,862 - YEP. 461 00:23:48,905 --> 00:23:51,038 - WELL... [sighs] 462 00:23:52,431 --> 00:23:54,041 [horse whinnying] - HO! 463 00:23:55,999 --> 00:24:01,527 [continues yelling] 464 00:24:01,570 --> 00:24:02,832 - WHOA. 465 00:24:10,100 --> 00:24:12,189 HEY, COULD WE SLOW DOWN, PLEASE? 466 00:24:17,107 --> 00:24:18,848 - YOU MIGHT WANT TO STOP THE UP-AND-DOWN STUFF. 467 00:24:18,892 --> 00:24:20,197 IT'D BE EASIER ON YOUR BEHIND. 468 00:24:23,026 --> 00:24:25,986 - WHY DIDN'T YOU GO DOWN AND CONFRONT THOSE GUYS? 469 00:24:26,029 --> 00:24:27,770 - WELL, IT'S A PERSONAL MATTER. 470 00:24:27,814 --> 00:24:29,250 - AND THEY TOOK THOSE BEAUTIFUL HORSES, YOU KNOW? 471 00:24:29,293 --> 00:24:30,686 - I KNOW WHERE TO FIND THEM. 472 00:24:30,730 --> 00:24:32,601 - OBVIOUSLY MEANT TO BE FREE OUT HERE. 473 00:24:35,343 --> 00:24:37,084 - THERE'S NOTHING MORE BEAUTIFUL ON THIS EARTH 474 00:24:37,127 --> 00:24:38,999 THAN A HERD OF MUSTANG MOVING ACROSS OPEN LAND. 475 00:24:40,696 --> 00:24:42,611 - WHY EXACTLY DO THEY THIN THE HERDS? 476 00:24:42,655 --> 00:24:44,874 - WELL, THEY SAY IT'S TO PROTECT THE OPEN RANGE, 477 00:24:44,918 --> 00:24:46,572 BUT THE TRUTH IS, A LOT OF RANCHES 478 00:24:46,615 --> 00:24:48,965 DON'T WANT THEIR CATTLE SHARING GRAZING LAND. 479 00:24:50,924 --> 00:24:52,229 - WHAT'S GONNA HAPPEN TO 'EM? 480 00:24:53,883 --> 00:24:55,276 - NOTHIN'... 481 00:24:55,319 --> 00:24:57,452 IF I HAVE ANYTHING TO SAY ABOUT IT. 482 00:24:57,496 --> 00:24:59,323 - W-- 483 00:24:59,367 --> 00:25:00,586 WOULD YOU STOP RIDING AWAY FROM ME? 484 00:25:00,629 --> 00:25:01,804 GOSH! 485 00:25:12,815 --> 00:25:13,816 OH, MY GOSH. 486 00:25:16,819 --> 00:25:18,168 WHAT HAPPENED? 487 00:25:18,212 --> 00:25:20,257 - WILD HORSEMAN HAS BEEN AT WORK. 488 00:25:35,882 --> 00:25:39,668 - HELLO, BABY. HELLO, BABY. 489 00:25:44,934 --> 00:25:47,067 - WILL HE SURVIVE? 490 00:25:47,110 --> 00:25:49,286 - WE'LL TAKE IT BACK TO THE BARN. 491 00:26:07,174 --> 00:26:08,915 - I DON'T KNOW ABOUT THIS. 492 00:26:08,958 --> 00:26:12,092 - NOW, WHAT MOST PEOPLE DON'T UNDERSTAND 493 00:26:12,135 --> 00:26:14,529 IS THAT GOAT MILK IS THE UNIVERSAL DONOR. 494 00:26:14,573 --> 00:26:17,358 [goat bleating] 495 00:26:17,401 --> 00:26:19,316 - DO I LOOK LIKE SOMEONE WHO'S EVER MILKED A GOAT BEFORE? 496 00:26:19,360 --> 00:26:21,144 - JUST PAT THE UDDER. 497 00:26:21,188 --> 00:26:24,060 START FROM THE TOP LIKE YOU'RE GETTING MILK OUT OF A BALLOON. 498 00:26:24,104 --> 00:26:25,322 YOU'LL BE FINE. [pats] 499 00:26:33,417 --> 00:26:35,202 SHE COULD STARVE WITHOUT IT. 500 00:26:37,900 --> 00:26:39,380 [goat bleating] 501 00:26:39,423 --> 00:26:40,686 - HI. 502 00:26:44,559 --> 00:26:46,648 OH, I'M SORRY. SORRY. 503 00:27:03,622 --> 00:27:04,666 GOOD GIRL. 504 00:27:14,807 --> 00:27:15,895 OH! 505 00:27:17,853 --> 00:27:20,247 I GOT IT. I GOT IT! 506 00:27:21,814 --> 00:27:22,815 OH! 507 00:27:25,252 --> 00:27:26,906 UH. 508 00:27:26,949 --> 00:27:28,603 - DON'T BE TOO ROUGH. 509 00:27:28,647 --> 00:27:30,126 - I CAN BE GENTLE. 510 00:27:30,170 --> 00:27:31,780 - GOOD. 511 00:27:36,567 --> 00:27:40,441 - PETE WAS A LONG-LEGGED, CROOKED-GRINNED, 512 00:27:40,484 --> 00:27:42,443 TUMBLEWEED TYPE OF GUY 513 00:27:42,486 --> 00:27:44,401 WHO COULD CHARM A BEAR OUT OF HONEY 514 00:27:44,445 --> 00:27:45,446 AND A GIRL OUT OF HER BETTER JUDGMENT. 515 00:27:45,489 --> 00:27:47,230 - [laughing] 516 00:27:47,274 --> 00:27:49,015 - HE LOVED A RODEO. 517 00:27:49,058 --> 00:27:51,495 I LOVED HIM. 518 00:27:51,539 --> 00:27:53,715 HE NEVER MET A HAND OF POKER OR A BOTTLE OF JD 519 00:27:53,759 --> 00:27:54,803 OR A SHAPELY TAIL FEATHER HE DIDN'T LIKE. 520 00:27:54,847 --> 00:27:56,805 - [laughing] 521 00:27:56,849 --> 00:27:58,677 - ANY FOOL COULD SEE WHERE THAT MARRIAGE WAS HEADED. 522 00:27:58,720 --> 00:28:01,462 WE GOT A DIVORCE ALONG ABOUT THE TIME SARAH DIED. 523 00:28:01,505 --> 00:28:03,507 - WHO'S SARAH? 524 00:28:03,551 --> 00:28:05,118 - TYLER'S WIFE. HE DIDN'T TELL YOU? 525 00:28:05,161 --> 00:28:06,380 - MM. 526 00:28:06,423 --> 00:28:07,860 - NO, I GUESS HE WOULDN'T. 527 00:28:12,299 --> 00:28:14,170 - WELL, HOW DID SHE DIE? 528 00:28:14,214 --> 00:28:17,478 - TYLER'D HAVE A FIT IF HE KNEW I WAS TELLING YOU THIS. 529 00:28:17,521 --> 00:28:19,785 - OH, I'M SORRY. I DON'T-- I DON'T MEAN TO PRY OR ANYTHING. 530 00:28:21,525 --> 00:28:23,527 - SARAH WANTED TO BE A MOM 531 00:28:23,571 --> 00:28:25,878 AND HAVE TYLER'S CHILD MORE THAN ANYTHING IN THE WORLD, 532 00:28:25,921 --> 00:28:27,662 BUT SHE WAS A HIGH-RISK PREGNANCY. 533 00:28:27,706 --> 00:28:29,751 - WHAT HAPPENED? 534 00:28:29,795 --> 00:28:32,667 - SHE WENT INTO LABOR WHEN SHE WAS SEVEN MONTHS ALONG 535 00:28:32,711 --> 00:28:34,669 AND, UM... 536 00:28:34,713 --> 00:28:35,975 IT ALL WENT WRONG. 537 00:28:36,018 --> 00:28:37,454 - I'M SORRY. 538 00:28:39,456 --> 00:28:41,415 TYLER MUST HAVE BEEN DEVASTATED. - UGH. 539 00:28:41,458 --> 00:28:44,070 AROUND HERE, MEN ARE TAUGHT TO COWBOY UP. 540 00:28:44,113 --> 00:28:45,898 IF IT HURTS, DON'T SHOW IT. 541 00:28:45,941 --> 00:28:49,031 - I GUESS I'M A LITTLE BIT DIFFERENT THAN SARAH, HUH? 542 00:28:50,554 --> 00:28:52,339 - IN SOME WAYS. 543 00:28:52,382 --> 00:28:53,993 BUT YOU'RE MORE ALIKE THAN YOU THINK. 544 00:28:54,036 --> 00:28:57,518 YOU STAND UP TO TYLER LIKE SARAH DID, AND... 545 00:28:57,561 --> 00:28:59,912 HE WON'T ADMIT IT, BUT HE ADMIRES THAT. 546 00:28:59,955 --> 00:29:01,478 - YOU KNOW, THERE'S SOMETHING THAT I-- 547 00:29:01,522 --> 00:29:03,480 I REALLY DON'T UNDERSTAND, LAURIE. 548 00:29:03,524 --> 00:29:06,309 TYLER DOESN'T SEEM TO WANT ME HERE, SO... 549 00:29:06,353 --> 00:29:07,920 WHY DID HE ASK ME TO COME? 550 00:29:07,963 --> 00:29:09,486 - [sighs] 551 00:29:11,401 --> 00:29:13,012 I'M GONNA LEVEL WITH YOU, JORDAN. 552 00:29:13,055 --> 00:29:14,361 [sighing] 553 00:29:14,404 --> 00:29:15,797 TYLER DIDN'T WRITE THAT AD. 554 00:29:15,841 --> 00:29:17,538 I DID. 555 00:29:17,581 --> 00:29:19,453 WHEN HE FOUND OUT ABOUT IT, HE WAS MAD. 556 00:29:19,496 --> 00:29:21,063 - [laughs] 557 00:29:21,107 --> 00:29:22,586 WELL, THEN, WHY DID HE GO ALONG WITH IT? 558 00:29:22,630 --> 00:29:24,284 - HE WAS TIRED OF ME BUGGING HIM, 559 00:29:24,327 --> 00:29:25,851 TRYING TO SET HIM UP, 560 00:29:25,894 --> 00:29:29,463 AND WE MADE A DEAL THAT IF HE MET ONE WOMAN, 561 00:29:29,506 --> 00:29:32,509 I'D QUIT TRYING TO PLAY MATCHMAKER. 562 00:29:32,553 --> 00:29:34,033 I'M SORRY. I HOPE YOU DON'T THINK WE'VE GOT YOU HERE 563 00:29:34,076 --> 00:29:35,556 UNDER FALSE PRETENSES. 564 00:29:35,599 --> 00:29:37,514 - OH, GOSH, IT'S OKAY. I UNDERSTAND. 565 00:29:39,647 --> 00:29:42,215 - WHAT EXACTLY DID YOU MEAN BY WILD HORSE MANAGEMENT? 566 00:29:42,258 --> 00:29:44,521 - BUREAUCRACY AT WORK. 567 00:29:44,565 --> 00:29:46,741 WILD HORSES PUT UP FOR ADOPTION. 568 00:29:46,785 --> 00:29:48,395 TRUTH IS, THEY ONLY TAKE 569 00:29:48,438 --> 00:29:49,962 THE YOUNGER, MORE DESIRABLE ONES. 570 00:29:50,005 --> 00:29:52,399 - LEAVING THE OLDER ONES TO FEND FOR THEMSELVES? 571 00:29:52,442 --> 00:29:54,749 - NEXT HARD WINTER'D TAKE 'EM DOWN. 572 00:29:54,793 --> 00:29:57,839 ALL RIGHT. I'LL BE BACK. 573 00:29:57,883 --> 00:29:59,362 - WELL, I'M GOING WITH YOU TO THE SALE. 574 00:29:59,406 --> 00:30:00,581 - NO, YOU'RE NOT. 575 00:30:00,624 --> 00:30:01,843 - YES, I AM! 576 00:30:04,367 --> 00:30:06,239 - DON'T YOU EVER DO ANYTHING YOU'RE TOLD? 577 00:30:06,282 --> 00:30:08,197 - NOT SINCE I WAS 12. 578 00:30:12,636 --> 00:30:14,421 [engine starting] 579 00:30:23,430 --> 00:30:24,605 - GET OUT. LET'S GO. 580 00:30:24,648 --> 00:30:27,564 [horse neighing] 581 00:30:32,439 --> 00:30:34,789 - HA! HA! HYAH! 582 00:30:34,833 --> 00:30:36,138 [yelling at horses] 583 00:31:04,601 --> 00:31:07,474 - A LOT OF PEOPLE HERE. - YEAH. 584 00:31:07,517 --> 00:31:09,780 MOST OF THEM ARE HERE TO BUY A PET. 585 00:31:09,824 --> 00:31:11,782 THERE ARE A FEW OVER THERE 586 00:31:11,826 --> 00:31:13,610 THAT LIKE THE IDEA OF BUYING A HORSE FOR A FEW DOLLARS 587 00:31:13,654 --> 00:31:14,655 AND SELLING IT TO A SLAUGHTERHOUSE 588 00:31:14,698 --> 00:31:16,396 FOR 38 CENTS A POUND. 589 00:31:16,439 --> 00:31:17,440 - THEY KILL THEM? 590 00:31:17,484 --> 00:31:19,442 - DOG FOOD. 591 00:31:21,444 --> 00:31:23,490 EITHER THAT, OR THEY END UP AS THE DAILY LUNCH SPECIAL 592 00:31:23,533 --> 00:31:25,622 IN SOME FANCY EUROPEAN RESTAURANT. 593 00:31:25,666 --> 00:31:27,798 - THAT'S DISGUSTING. IS THAT LEGAL? 594 00:31:27,842 --> 00:31:30,018 - WAIT HERE. I GOT TO FILL OUT SOME FORMS. 595 00:31:37,504 --> 00:31:39,506 HELLO, DAVE. 596 00:31:39,549 --> 00:31:41,595 I'LL TAKE THAT BUCKSKIN. 597 00:31:41,638 --> 00:31:44,206 [pen scribbling] 598 00:31:46,600 --> 00:31:48,602 [slapping paper down] 599 00:31:48,645 --> 00:31:50,473 - [talking indistinctly] 600 00:31:55,565 --> 00:31:57,785 - YOU HAD NO RIGHT TO TAKE THOSE HORSES. 601 00:31:57,828 --> 00:32:00,048 - THOSE DANG MUSTANGS ARE A NUISANCE. 602 00:32:00,092 --> 00:32:02,877 IN FACT, WE'RE GONNA DO ANOTHER GATHER IN A COUPLE OF DAYS. 603 00:32:02,921 --> 00:32:05,967 - OPEN RANGE IS JUST THAT. 604 00:32:06,011 --> 00:32:07,664 THOSE HORSES HAVE A RIGHT TO BE THERE. 605 00:32:11,886 --> 00:32:13,888 - YOU KNOW, IT'S TOO BAD YOU DIDN'T SHOW AS MUCH CARE 606 00:32:13,932 --> 00:32:16,630 FOR SOME PEOPLE 607 00:32:16,673 --> 00:32:18,371 AS YOU DO FOR THOSE HORSES. 608 00:32:18,414 --> 00:32:21,330 - JUST STAY OFF MY LAND. 609 00:32:21,374 --> 00:32:22,810 - ARE YOU ACCUSING ME OF TRESPASSING? 610 00:32:22,853 --> 00:32:25,552 - YOU WERE ON MY LAND, AND YOU KNOW IT. 611 00:32:32,820 --> 00:32:37,259 - IF YOU HAVE A PROBLEM, TAKE IT UP WITH THE DLM. 612 00:32:42,743 --> 00:32:44,701 SOME PEOPLE... 613 00:32:58,367 --> 00:33:01,892 [horse neighing] 614 00:33:01,936 --> 00:33:04,069 - ANOTHER GATHERING COMING UP. 615 00:33:04,112 --> 00:33:06,810 - WHAT'S LEFT OF THE HERD IS GETTING EASIER TO HANDLE. 616 00:33:06,854 --> 00:33:09,857 - LET'S SET UP A PORTABLE. HOLD THEM FOR A FEW DAYS, HUH? 617 00:33:09,900 --> 00:33:11,511 [horse whinnying] 618 00:33:13,600 --> 00:33:15,297 - HEY, LAURIE. - HEY. 619 00:33:15,341 --> 00:33:18,431 - LISTEN, HAVE YOU HEARD OF A RANCHER NAMED JAMISON? 620 00:33:18,474 --> 00:33:20,694 - YEAH. WHY? 621 00:33:20,737 --> 00:33:24,176 - WELL, HE AND TYLER HAD SORT OF A, UM, WELL, JUST-- 622 00:33:24,219 --> 00:33:26,395 A CONFRONTATION AT THE SALE. [laughing] 623 00:33:26,439 --> 00:33:30,095 - HANK JAMISON AND TYLER HAVE NEVER AGREED ABOUT THE MUSTANGS. 624 00:33:30,138 --> 00:33:31,574 - WELL, IT SEEMED TO BE ABOUT A LITTLE BIT MORE 625 00:33:31,618 --> 00:33:34,186 THAN JUST HORSES. 626 00:33:34,229 --> 00:33:35,361 - ONCE UPON A TIME, 627 00:33:35,404 --> 00:33:37,058 HANK WAS A GOOD GUY. 628 00:33:37,102 --> 00:33:39,756 NOW HE HAS A HEART COLD ENOUGH TO HANG MEAT. 629 00:33:39,800 --> 00:33:41,715 - WHY? WHAT HAPPENED? 630 00:33:41,758 --> 00:33:44,979 - HE LOST HIS ONLY DAUGHTER. SHE WAS ALL HE HAD. 631 00:33:45,023 --> 00:33:46,937 - WHAT DOES THAT HAVE TO DO WITH TYLER? 632 00:33:46,981 --> 00:33:50,376 - HANK BLAMES TY FOR HER DEATH. 633 00:33:50,419 --> 00:33:53,161 HIS DAUGHTER WAS SARAH. 634 00:34:05,695 --> 00:34:07,306 - SEE, IN THE WILD, IT'S THE DOMINANT MARE 635 00:34:07,349 --> 00:34:09,090 THAT ACTUALLY RUNS THE HERD. 636 00:34:09,134 --> 00:34:13,138 YOUNG HORSE GETS UPPITY, SHE KICKS HIM OUT FOR A WHILE. 637 00:34:13,181 --> 00:34:17,011 - HOW DOES SHE LET HIM KNOW WHEN HIS, UH, HIS TIME-OUT IS OVER? 638 00:34:17,055 --> 00:34:20,841 - SHE STOPS TURNING HIM DOWN AND TURNS AWAY. 639 00:34:20,884 --> 00:34:22,930 THEN HE KNOWS HE CAN GET BACK IN. 640 00:34:22,973 --> 00:34:25,367 THAT'S WHAT TYLER'S DOING. 641 00:34:25,411 --> 00:34:29,763 HE'S JOINING UP, 642 00:34:29,806 --> 00:34:31,808 THE WAY HORSES IS DOING THE WILD. 643 00:35:06,104 --> 00:35:07,670 - HOW'S HE DOIN'? 644 00:35:07,714 --> 00:35:11,065 - TY'S STILL GOT THE TOUCH. 645 00:35:11,109 --> 00:35:13,067 - I CAN'T BELIEVE HE'S LETTING TYLER TOUCH HIM. 646 00:35:13,111 --> 00:35:15,852 - HE KNOWS TY'S NO THREAT. 647 00:35:39,224 --> 00:35:41,313 - YOUR BROTHER'S REALLY GOOD WITH THE HORSES. 648 00:35:41,356 --> 00:35:43,880 - HE'S A LOT BETTER WITH HORSES THAN HE IS WITH PEOPLE. 649 00:35:48,450 --> 00:35:50,626 - WHOA, NOW. EASY, BOY. 650 00:35:50,670 --> 00:35:53,194 - THAT'S THE BAREBACK RIG. 651 00:35:53,238 --> 00:35:54,978 HE'S PUTTING IT ON SO THE HORSE WILL GET USED TO HAVING 652 00:35:55,022 --> 00:35:57,285 SOMETHING ON HIS BACK AND AROUND HIS BELLY. 653 00:36:08,688 --> 00:36:10,690 - HERE WE GO. 654 00:36:13,040 --> 00:36:15,912 [horse whinnying] WHOA, SON. EASY NOW. 655 00:36:17,000 --> 00:36:18,306 [shutter snapping] 656 00:36:46,204 --> 00:36:50,599 - HE DOES IT BY THE NUMBERS, SLOW AND EASY. 657 00:37:08,965 --> 00:37:10,010 - WELL, I'VE HAD ALL THE EXCITEMENT I CAN TAKE 658 00:37:10,053 --> 00:37:11,620 FOR ONE AFTERNOON. 659 00:37:11,664 --> 00:37:12,708 I'M GOING TO GO FIX DINNER. 660 00:37:12,752 --> 00:37:14,754 - OKAY. 661 00:37:24,677 --> 00:37:26,418 HOW'D YOU LEARN TO DO THAT? 662 00:37:26,461 --> 00:37:31,031 - WELL, I'D SEEN A LOT OF HORSES GET THEIR SPIRITS BROKEN. 663 00:37:31,074 --> 00:37:33,381 I KNEW THERE HAD TO BE A BETTER WAY. 664 00:37:36,993 --> 00:37:38,734 WILL YOU PUT THAT DOWN, PLEASE? 665 00:37:38,778 --> 00:37:40,780 - [laughs] 666 00:37:40,823 --> 00:37:43,826 [shutter snapping] 667 00:37:43,870 --> 00:37:45,654 - WHY DON'T YOU LIKE HAVING YOUR PICTURE TAKEN? 668 00:37:45,698 --> 00:37:46,873 YOU AFRAID I'M GONNA SEE WHAT YOU'RE HIDIN'? 669 00:37:48,701 --> 00:37:49,832 - GIVE ME THAT. - HEY, WHAT ARE YOU DOING? 670 00:37:49,876 --> 00:37:51,007 WAIT. PLEASE BE CAREFUL. 671 00:37:51,051 --> 00:37:53,183 - I'M GONNA TAKE YOUR PICTURE. 672 00:37:53,227 --> 00:37:55,751 WHAT'S THE MATTER? DON'T YOU LIKE HAVING YOUR PICTURE TAKEN? 673 00:37:55,795 --> 00:37:58,058 - I GUESS I'M JUST NOT USED TO BEING ON THE OTHER SIDE OF IT. 674 00:37:58,101 --> 00:38:00,060 - OKAY, SMILE. 675 00:38:00,103 --> 00:38:02,845 - [laughs] 676 00:38:02,889 --> 00:38:04,020 [shutter snapping] 677 00:38:06,719 --> 00:38:08,460 - WHY'D YOU START TAKING PICTURES? 678 00:38:10,070 --> 00:38:11,811 - WHEN I WAS A KID, 679 00:38:11,854 --> 00:38:14,204 MY MOM THOUGHT I WAS SPENDING TOO MUCH TIME ALONE. 680 00:38:14,248 --> 00:38:15,945 SHE THOUGHT THE CAMERA WOULD BE A GOOD WAY TO ENCOURAGE ME 681 00:38:15,989 --> 00:38:17,643 TO GET OFF MY BACK AND DO STUFF. 682 00:38:17,686 --> 00:38:18,861 - AND YOU TOOK TO IT RIGHT AWAY? 683 00:38:18,905 --> 00:38:20,994 - YEAH, I GUESS. 684 00:38:21,037 --> 00:38:23,823 CAMERA'S A GOOD WAY TO CONNECT WITH THE WORLD. 685 00:38:23,866 --> 00:38:28,131 AT THE SAME TIME, IT WAS, UH, IT WAS LIKE PROTECTION. 686 00:38:28,175 --> 00:38:30,482 HELPED ME DEAL WITH WHAT WAS GOING ON IN MY LIFE AT THE TIME. 687 00:38:32,745 --> 00:38:34,747 - WHAT WAS GOING ON IN YOUR LIFE AT THE TIME? 688 00:38:34,790 --> 00:38:36,662 - UH... 689 00:38:36,705 --> 00:38:38,838 GUESS I WAS HAVING A HARD TIME UNDERSTANDING WHY ONE DAY 690 00:38:38,881 --> 00:38:42,058 MY FATHER WAS TAKING ME TO THE STABLES TO HELP HIM OUT, 691 00:38:42,102 --> 00:38:43,886 AND THE NEXT DAY, HE WAS GONE. 692 00:38:43,930 --> 00:38:45,410 - HE DIED? 693 00:38:47,063 --> 00:38:49,631 - NO. NO, HE LEFT. 694 00:38:53,069 --> 00:38:54,897 AND I HAVEN'T SEEN HIM SINCE. 695 00:38:59,728 --> 00:39:00,903 - ANY MAN THAT DON'T STICK AROUND FOR HIS KID 696 00:39:00,947 --> 00:39:02,078 AIN'T WORTH HIS SALT. 697 00:39:03,819 --> 00:39:05,560 IF HE DIDN'T, 698 00:39:05,604 --> 00:39:07,083 THERE'S SOMETHING WRONG WITH THE MAN, NOT THE KID. 699 00:39:12,175 --> 00:39:14,700 WHY DO YOU WANT TO TAKE PICTURES OF GARBAGE? [laughs] 700 00:39:14,743 --> 00:39:16,484 - IT'S THE RIGHT KIND OF SUBJECT. 701 00:39:16,528 --> 00:39:19,879 IT'S DARK, AND IT'S EDGY, AND IT WOULD GET ME NOTICED. 702 00:39:19,922 --> 00:39:22,185 - SO YOU DID IT TO IMPRESS OTHER PEOPLE. 703 00:39:22,229 --> 00:39:25,406 - NO OFFENSE, BUT YOU REALLY DON'T KNOW HOW THINGS WORK. 704 00:39:25,450 --> 00:39:28,844 - I UNDERSTAND YOU DON'T TRUST YOURSELF. 705 00:39:28,888 --> 00:39:31,369 I UNDERSTAND YOU NEED OTHER PEOPLE TO VALIDATE YOUR DREAMS. 706 00:39:34,197 --> 00:39:36,504 THAT CAN WEAR A FELLA DOWN. 707 00:39:49,517 --> 00:39:50,997 - [sighs] 708 00:39:55,044 --> 00:39:57,786 UM... LAURIE, CHUCK, I'VE BEEN DOING SOME THINKING, 709 00:39:57,830 --> 00:39:59,962 AND I'D BE HAPPY TO DO YOUR WEDDING PHOTOS FOR YOU, 710 00:40:00,006 --> 00:40:01,181 IF YOU'D LIKE. 711 00:40:01,224 --> 00:40:03,183 - YOU WOULD! OH, JORDAN, 712 00:40:03,226 --> 00:40:05,794 I CAN'T TELL YOU HOW MUCH THAT MEANS TO US. 713 00:40:05,838 --> 00:40:07,796 - BUT THERE'S-- THERE'S ACTUALLY SOMETHING 714 00:40:07,840 --> 00:40:09,581 THAT I SHOULD TELL YOU. 715 00:40:09,624 --> 00:40:12,366 UM... I'M NOT EXACTLY A PROFESSIONAL PHOTOGRAPHER. 716 00:40:12,410 --> 00:40:15,978 NEVER REALLY HAD ANYTHING SOLD OR BOUGHT, SO... 717 00:40:16,022 --> 00:40:17,937 - OH, THAT DOESN'T MATTER. 718 00:40:17,980 --> 00:40:19,852 I'M SURE YOU'LL DO A TERRIFIC JOB. 719 00:40:19,895 --> 00:40:21,723 - GREAT. 720 00:40:25,031 --> 00:40:27,773 - I BETTER BE GOIN' SOON, HON. 721 00:40:27,816 --> 00:40:29,252 I GOT SOME STUFF TO FINISH UP TONIGHT 722 00:40:29,296 --> 00:40:30,253 TO MAKE UP FOR MISSING WORK TOMORROW. 723 00:40:30,297 --> 00:40:32,212 - [gasps] THE GAME! 724 00:40:32,255 --> 00:40:33,996 OH, MY GOODNESS. I NEARLY FORGOT ABOUT IT. 725 00:40:34,040 --> 00:40:35,215 - GAME? WHAT GAME? 726 00:40:35,258 --> 00:40:36,782 - IT'S THE ANNUAL BASEBALL GAME 727 00:40:36,825 --> 00:40:38,958 BETWEEN THE RANCHERS AND THE TOWN FOLK. 728 00:40:39,001 --> 00:40:40,829 IT'S BEEN GOING ON FOR NEARLY 100 YEARS. 729 00:40:40,873 --> 00:40:42,831 BIGGER THAN THE WORLD SERIES FOR US. 730 00:40:42,875 --> 00:40:44,093 - [laughs] - NO KIDDING? SOUNDS FUN. 731 00:40:44,137 --> 00:40:47,227 - IT IS IF WE WIN. 732 00:40:47,270 --> 00:40:50,883 [crowd cheering, ball smacking] 733 00:40:50,926 --> 00:40:53,059 - SEND BASE, ANITA! 734 00:40:54,582 --> 00:40:56,236 - OH! 735 00:40:56,279 --> 00:40:58,020 - OUT! THREE AWAY. 736 00:40:58,064 --> 00:41:01,023 [overlapping chatter] 737 00:41:01,067 --> 00:41:02,764 - THAT HURT. - [crying out] 738 00:41:02,808 --> 00:41:03,809 - ANKLE? - YEAH. 739 00:41:03,852 --> 00:41:05,854 - IT'LL BE OKAY. 740 00:41:07,203 --> 00:41:09,205 - WHEW! - WHO'S THAT? 741 00:41:09,249 --> 00:41:10,816 - THAT WAS ANITA. 742 00:41:10,859 --> 00:41:12,382 - COME ON, LET'S GET YOU UP. 743 00:41:12,426 --> 00:41:13,819 - I GUESS EVERYONE HERE KNOWS EACH OTHER? 744 00:41:13,862 --> 00:41:15,516 - [laughs] JUST ABOUT. 745 00:41:15,560 --> 00:41:16,996 IF YOU'RE GONNA DO SOMETHING YOU'RE ASHAMED OF, 746 00:41:17,039 --> 00:41:18,911 YOU'D BEST BE DOING IT OUT OF TOWN. 747 00:41:18,954 --> 00:41:20,782 - [laughs] WELL, I'VE LIVED IN MY APARTMENT FOR SEVEN YEARS. 748 00:41:20,826 --> 00:41:22,567 I THINK I ONLY KNOW ONE NEIGHBOR. 749 00:41:22,610 --> 00:41:25,047 - [breathing heavily] - SLICKERS, TAKE THE FIELD. 750 00:41:25,091 --> 00:41:26,614 INNING'S OVER. 751 00:41:30,052 --> 00:41:31,837 - WE NEED YOU, LAURIE. 752 00:41:31,880 --> 00:41:34,056 - [scoffs] - ANITA SPRAINED HER ANKLE. 753 00:41:34,100 --> 00:41:36,058 - I GOT A WEDDING COMING UP, JESSE. 754 00:41:36,102 --> 00:41:38,060 I PLAN ON WALKING DOWN THE AISLE WITH NO CRUTCHES. 755 00:41:38,104 --> 00:41:40,106 - [laughs] - YEAH, BUT YOU KNOW THE RULES. 756 00:41:40,149 --> 00:41:41,890 GOT TO HAVE AT LEAST ONE GAL ON THE TEAM. 757 00:41:41,934 --> 00:41:44,066 - YOU'RE BARKING UP THE WRONG TREE, JESSE. 758 00:41:44,110 --> 00:41:45,764 - UH-- CAN ANYONE PLAY? 759 00:41:45,807 --> 00:41:47,243 - ANYBODY WHO LIVES OUTSIDE CITY LIMITS. 760 00:41:49,463 --> 00:41:50,551 - I GUESS I QUALIFY, HUH? [laughing] 761 00:41:54,076 --> 00:41:55,077 - CHUCK, YOU'RE LEADING OFF. 762 00:41:55,121 --> 00:41:57,863 PETE, YOU'RE ON DECK. 763 00:41:57,906 --> 00:42:00,692 - WELL, YOU KNOW WE HAVE TO HAVE A WOMAN PLAYING ON THE TEAM. 764 00:42:00,735 --> 00:42:02,128 - OH, YEAH. SHE'S ON THE BENCH. 765 00:42:02,171 --> 00:42:04,783 - THEN SHE NEEDS TO PLAY. PLAY BALL! 766 00:42:04,826 --> 00:42:06,915 - WHAT'S UP? 767 00:42:06,959 --> 00:42:08,700 - SHE CAN'T JUST SIT ON THE BENCH. SHE'S GOT TO PLAY. 768 00:42:11,920 --> 00:42:13,008 - PETE, YOU'RE ON THE BENCH. 769 00:42:13,052 --> 00:42:14,793 JORDAN, YOU'RE ON DECK. 770 00:42:14,836 --> 00:42:17,360 - OH, MAN. 771 00:42:17,404 --> 00:42:19,058 - IF SHE DOESN'T PLAY, WE FORFEIT, FELLAS. 772 00:42:19,101 --> 00:42:20,886 - OH, NO. 773 00:42:20,929 --> 00:42:21,974 - BATTER UP! 774 00:42:22,017 --> 00:42:27,370 [clapping and yelling] 775 00:42:27,414 --> 00:42:29,242 - SHOW US WHAT YOU GOT! - YEAH! 776 00:42:32,985 --> 00:42:34,290 - GO ON, GEORGE! PUT IT PAST HER! 777 00:42:36,118 --> 00:42:37,119 - WAY TO GO! WAY TO GO! 778 00:42:37,163 --> 00:42:39,078 [overlapping chatter] 779 00:42:39,121 --> 00:42:42,821 - COME ON, SWEETHEART! KNOCK IT OUT OF THE PARK! 780 00:42:42,864 --> 00:42:49,131 [cheering] 781 00:42:49,175 --> 00:42:51,525 - GO! GO! 782 00:42:51,569 --> 00:42:53,527 - WAY TO GO, BABY! 783 00:42:53,571 --> 00:42:55,050 - GOOD! HOLD THAT! 784 00:42:55,094 --> 00:42:56,835 - STAY! 785 00:42:56,878 --> 00:43:00,534 [cheering] 786 00:43:00,578 --> 00:43:01,753 - JORDAN, YOU'RE UP. 787 00:43:06,932 --> 00:43:08,020 - PLAY TO WIN. 788 00:43:08,063 --> 00:43:09,456 - I DON'T PLAY TO LOSE. 789 00:43:09,499 --> 00:43:13,112 - OKAY, JORDAN, BRING ME HOME! 790 00:43:13,155 --> 00:43:15,636 - COME ON, JORDAN, YOU CAN IT. 791 00:43:15,680 --> 00:43:17,943 - COME ON, JORDAN. - LET'S GO, GIRL! MAKE A HIT! 792 00:43:17,986 --> 00:43:20,119 - ALL RIGHT, JORDAN, SHOW US SOMETHING! HERE WE GO! 793 00:43:20,162 --> 00:43:21,033 - SHOW 'EM WHAT YOU GOT! 794 00:43:21,076 --> 00:43:23,775 [crowd murmuring] 795 00:43:28,780 --> 00:43:29,868 - STRIKE! 796 00:43:29,911 --> 00:43:31,565 - OH, MAN! 797 00:43:31,609 --> 00:43:34,699 - AW, COME ON, HENRY! YOU KNOW THAT WAS A BALL! 798 00:43:40,008 --> 00:43:44,012 [cheering] 799 00:43:44,056 --> 00:43:46,493 - WAY TO GO, GIRL! 800 00:43:46,536 --> 00:43:48,582 - COME ON, COME ON, COME ON! 801 00:43:48,626 --> 00:43:49,931 [cheering] 802 00:43:49,975 --> 00:43:51,933 - SAFE! 803 00:43:51,977 --> 00:43:54,980 [cheering] 804 00:43:55,023 --> 00:43:56,721 - [laughs] 805 00:43:56,764 --> 00:43:57,983 - WHOA! 806 00:43:58,026 --> 00:44:01,203 - [laughs] YES! YES! 807 00:44:01,247 --> 00:44:04,076 - COME ON! YEAH! 808 00:44:04,119 --> 00:44:07,035 [laughs] - WHOO! 809 00:44:07,079 --> 00:44:08,602 [cheering] - WHOO-HOO-HOO! 810 00:44:08,646 --> 00:44:10,082 I TOLD YOU! 811 00:44:10,125 --> 00:44:11,997 - WHERE DID YOU LEARN TO HIT LIKE THAT? 812 00:44:12,040 --> 00:44:14,042 - [sighs] DID I MENTION I GOT THROUGH COLLEGE 813 00:44:14,086 --> 00:44:15,827 ON A SOFTBALL SCHOLARSHIP? 814 00:44:15,870 --> 00:44:16,958 - REMIND ME NEVER TO UNDERESTIMATE YOU AGAIN, 815 00:44:17,002 --> 00:44:18,133 MISS DONOVAN. 816 00:44:18,177 --> 00:44:19,961 - I WILL, MR. ROSS. 817 00:44:31,581 --> 00:44:35,020 - HERE COMES THE SLUGGER. - MORNING, GUYS. 818 00:44:35,063 --> 00:44:37,631 DO YOU MIND IF I COME WITH YOU, TAKE PICTURES OF THE HORSES? 819 00:44:37,675 --> 00:44:40,199 I WON'T GET IN THE WAY, I PROMISE. 820 00:44:40,242 --> 00:44:42,288 - GET HER A HORSE. 821 00:45:02,700 --> 00:45:04,440 [horses neighing] 822 00:45:07,008 --> 00:45:08,488 - NOW, YOU KNOW THE INDIAN THANKED THE WHITE MAN 823 00:45:08,531 --> 00:45:11,752 FOR GIVING HIM HORSES, 824 00:45:11,796 --> 00:45:14,407 BECAUSE HE SAID IT MADE THE LANDSCAPE LOOK SO BEAUTIFUL. 825 00:45:14,450 --> 00:45:16,148 - WE'RE GONNA DRIVE THEM BACK THIS WAY. 826 00:45:16,191 --> 00:45:17,584 YOU JUST STAY ON YOUR HORSE AND DON'T GET HURT. 827 00:45:17,627 --> 00:45:18,846 [kiss noises] 828 00:45:22,720 --> 00:45:25,679 - HYAH! - HYAH! HYAH! 829 00:45:25,723 --> 00:45:27,289 - COME ON! 830 00:45:34,079 --> 00:45:35,733 [shutter snapping] 831 00:45:40,128 --> 00:45:41,303 HYAH! HYAH! 832 00:45:59,582 --> 00:46:01,541 - HYAH! HYAH! 833 00:46:01,584 --> 00:46:06,894 HYAH! GET ALONG! YO, GET ALONG! 834 00:46:23,215 --> 00:46:24,782 - THAT'S AWESOME! 835 00:46:34,313 --> 00:46:35,705 - WHAT THE HECK ARE YOU THINKING? 836 00:46:35,749 --> 00:46:37,098 I TOLD YOU TO STAY ON YOUR HORSE. 837 00:46:37,142 --> 00:46:40,580 - SORRY, I JUST GOT CAUGHT UP IN IT. 838 00:46:40,623 --> 00:46:42,538 - GET ON YOUR HORSE. 839 00:46:58,250 --> 00:47:00,121 [shutter snapping] 840 00:47:27,801 --> 00:47:30,586 WE'LL LET 'EM LOOSE WHEN THE GATHER'S DONE. 841 00:47:34,852 --> 00:47:36,592 YOUR HEAD COLD? 842 00:47:38,420 --> 00:47:40,466 - I'LL GET MY HAT AND MEET YOU BACK AT THE BARN. 843 00:47:45,993 --> 00:47:47,255 - [laughs] 844 00:47:57,439 --> 00:48:00,442 - RIGHT! YOU RUN THESE HORSES AS FAR OFF ROSS' LAND 845 00:48:00,486 --> 00:48:02,488 AS DAYLIGHT WILL TAKE 'EM. 846 00:48:04,185 --> 00:48:06,840 - ALL RIGHT, COME ON! 847 00:48:06,884 --> 00:48:09,103 COME ON. HYAH! 848 00:48:09,147 --> 00:48:11,149 - GO! 849 00:48:22,856 --> 00:48:26,251 - NO PICTURE IS WORTH RISKING YOUR LIFE OVER. 850 00:48:26,294 --> 00:48:27,948 - HE REALLY CARES ABOUT ME, JESSE. 851 00:48:27,992 --> 00:48:30,429 - NO, I JUST DON'T WANT SOME BIG CITY LAWYER 852 00:48:30,472 --> 00:48:32,039 HANGING ME WITH A WRONGFUL DEATH SUIT. 853 00:48:36,783 --> 00:48:38,524 - LISTEN, I'M SORRY THAT I SCREWED UP, OKAY? 854 00:48:41,048 --> 00:48:42,528 - I KNOW. 855 00:49:07,945 --> 00:49:10,599 - HEY. I JUST WANTED TO CHECK ON THE FLOWERS. 856 00:49:10,643 --> 00:49:12,775 PEGGY, MARIE, THANK YOU SO MUCH. 857 00:49:12,819 --> 00:49:14,777 THEY LOOK BEAUTIFUL. - YOU'RE WELCOME. 858 00:49:14,821 --> 00:49:16,910 - THIS OLD CHURCH IS GORGEOUS. 859 00:49:16,954 --> 00:49:19,304 - YEAH. I ALWAYS WANTED TO GET MARRIED HERE. 860 00:49:19,347 --> 00:49:21,784 PETE INSISTED WE RUN OFF TO RENO. 861 00:49:21,828 --> 00:49:23,221 HE LOST ALL OUR MONEY THE FIRST NIGHT. 862 00:49:23,264 --> 00:49:24,048 WE HAD TO COME BACK THE NEXT DAY. 863 00:49:24,091 --> 00:49:26,789 - [laughing] 864 00:49:26,833 --> 00:49:28,661 WERE TYLER AND SARAH MARRIED HERE? 865 00:49:28,704 --> 00:49:32,317 - YEAH. IT WAS A BEAUTIFUL CEREMONY. 866 00:49:32,360 --> 00:49:34,928 TYLER AND I WERE BAPTIZED HERE. 867 00:49:34,972 --> 00:49:38,018 THE FUNERAL FOR SARAH AND THE BABY WAS HERE. 868 00:49:38,062 --> 00:49:39,933 A LOT OF BITTERSWEET MEMORIES IN THIS OLD CHURCH. 869 00:49:39,977 --> 00:49:43,154 - WELL, TODAY THERE WILL ONLY BE HAPPY ONES. 870 00:49:43,197 --> 00:49:44,851 I'LL GET THE PICTURES PRINTED UP IN NEW YORK WHEN I GET BACK, 871 00:49:44,894 --> 00:49:46,809 AND YOU'LL HAVE THEM WITHIN THE WEEK, OKAY? 872 00:49:46,853 --> 00:49:48,724 - I GUESS YOU'RE LOOKING FORWARD TO GOING BACK. 873 00:49:48,768 --> 00:49:51,945 - [laughs] YOU KNOW, LAURIE, I KNOW THAT YOU HAD HOPED 874 00:49:51,989 --> 00:49:53,816 THAT TYLER AND I WOULD HAVE HIT IT OFF, 875 00:49:53,860 --> 00:49:56,689 BUT I THINK THAT EVERYONE HAS KIND OF AN IDEA 876 00:49:56,732 --> 00:49:58,778 OF WHO THEY WANT TO BE WITH, 877 00:49:58,821 --> 00:50:00,910 AND I JUST-- I JUST DON'T THINK 878 00:50:00,954 --> 00:50:03,391 THAT TYLER AND I ARE THAT FOR EACH OTHER. 879 00:50:03,435 --> 00:50:05,698 - YOU KNOW, SOMETIMES THE RIGHT PERSON 880 00:50:05,741 --> 00:50:07,700 DOESN'T ALWAYS COME IN THE RIGHT PACKAGE. 881 00:50:07,743 --> 00:50:10,050 LOOK AT CHUCK. HE'S SO QUIET, 882 00:50:10,094 --> 00:50:11,573 AND MOST WOMEN WOULDN'T EVEN GIVE HIM A SECOND LOOK. 883 00:50:11,617 --> 00:50:13,836 I ALMOST MADE THE SAME MISTAKE. 884 00:50:13,880 --> 00:50:17,840 - YEAH? WHAT CHANGED YOUR MIND? - HE SAID... 885 00:50:17,884 --> 00:50:19,755 THAT HE KNEW I WAS PINING FOR PETE, 886 00:50:19,799 --> 00:50:21,844 AND THAT DIDN'T BOTHER HIM. 887 00:50:21,888 --> 00:50:24,717 AFTER ALL, I WASN'T THE FIRST PERSON HE LOVED, EITHER. 888 00:50:24,760 --> 00:50:26,197 BUT HE WANTED ME TO BE THE LAST. 889 00:50:26,240 --> 00:50:28,199 - AW! THAT'S SWEET. 890 00:50:28,242 --> 00:50:30,984 - HE ALSO SAID THAT IF I COULDN'T PUT MY PAST BEHIND ME, 891 00:50:31,028 --> 00:50:32,986 I COULDN'T HAVE A FUTURE WITH HIM. 892 00:50:33,030 --> 00:50:35,728 AND I NEARLY LOST HIM, 893 00:50:35,771 --> 00:50:38,600 JUST TRYING TO HANG ONTO SOMETHING I COULDN'T HAVE. 894 00:50:41,212 --> 00:50:43,127 I WAS HOPING TYLER WOULD COME TO REALIZE THAT. 895 00:50:43,170 --> 00:50:44,432 - HMM. 896 00:50:44,476 --> 00:50:45,955 - OH, MY GOODNESS, LOOK AT ME. 897 00:50:45,999 --> 00:50:46,826 I'VE GOT A WEDDING TO GET READY FOR. 898 00:50:46,869 --> 00:50:48,654 OH, MY. 899 00:50:52,440 --> 00:50:54,225 [wedding music playing] 900 00:50:54,268 --> 00:50:55,922 - OH. - [laughs] 901 00:50:55,965 --> 00:50:59,056 - [laughs] 902 00:51:02,668 --> 00:51:04,800 OKAY. 903 00:51:04,844 --> 00:51:07,412 WELL DONE. ALL RIGHT. ARE YOU READY FOR THIS? 904 00:51:07,455 --> 00:51:09,805 - [laughs] - ALL RIGHT. 905 00:51:09,849 --> 00:51:11,590 DON'T YOU GIVE ME TOO BIG A PIECE. 906 00:51:13,461 --> 00:51:17,813 [laughing and applauding] 907 00:51:24,559 --> 00:51:26,083 - BEAUTIFUL! 908 00:51:32,306 --> 00:51:35,875 - HONEY, LET'S DANCE. - OKAY, I'LL BE RIGHT THERE. 909 00:51:35,918 --> 00:51:38,878 [Cowgirl Rodeo by Kevin Banford] 910 00:51:38,921 --> 00:51:45,667 ♪ 911 00:51:45,711 --> 00:51:48,453 [overlapping chatter] 912 00:51:48,496 --> 00:51:50,368 - TYLER. COME HERE, THERE'S SOMEBODY I WANT YOU TO MEET. 913 00:51:50,411 --> 00:51:51,586 - ALL RIGHT. 914 00:51:54,763 --> 00:51:56,852 - MRS. SIMPSON, THIS IS MY BROTHER, TYLER. 915 00:51:56,896 --> 00:51:58,332 - HOW DO YOU DO, MA'AM? 916 00:51:58,376 --> 00:51:59,072 - MRS. SIMPSON IS CHUCK'S GREAT AUNT. 917 00:51:59,116 --> 00:52:01,118 - OH. 918 00:52:01,161 --> 00:52:05,948 - HE TELLS ME THAT YOU HAVE A VISITOR FROM NEW YORK CITY. 919 00:52:05,992 --> 00:52:09,648 MY MOTHER CAME FROM THERE. - OH, DID SHE? 920 00:52:09,691 --> 00:52:15,871 - YES, SHE, UH, SHE CAME OUT ON A TRAIN IN 1910. 921 00:52:15,915 --> 00:52:17,917 SHE WAS A MAIL ORDER BRIDE, YOU SEE. 922 00:52:17,960 --> 00:52:20,093 - I SEE. 923 00:52:20,137 --> 00:52:22,313 - HEY, JESSE. 924 00:52:22,356 --> 00:52:25,054 - HI, JORDAN, HOW ARE YOU DOING? - I'M GOOD, THANKS. 925 00:52:25,098 --> 00:52:26,708 - WELL, DID YOU GET ENOUGH PHOTOS? 926 00:52:26,752 --> 00:52:29,276 - OH, YEAH. BEAUTIFUL SETTING, BEAUTIFUL CHURCH. 927 00:52:29,320 --> 00:52:30,930 - EXCUSE ME, MA'AM. WOULD YOU DANCE WITH ME? 928 00:52:30,973 --> 00:52:32,323 - I'D LOVE TO. 929 00:52:32,366 --> 00:52:34,760 EXCUSE ME, JESSE. 930 00:52:34,803 --> 00:52:38,981 - ♪ YOU'LL NEVER WIN HER HEART ♪ 931 00:52:39,025 --> 00:52:42,681 ♪ IF YOU CAN'T DANCE THE DANCE ♪ 932 00:52:44,770 --> 00:52:49,209 ♪ 'CAUSE NOBODY RIDES IN A COWGIRL'S RODEO ♪ 933 00:52:49,253 --> 00:52:53,126 ♪ UNLESS YOU GOT SOME BLUE JEANS ON ♪ 934 00:52:53,170 --> 00:52:57,217 ♪ NOBODY SITS IN THE SADDLE OF LOVE UNLESS ♪ 935 00:52:57,261 --> 00:53:01,178 ♪ YOU CHOOSE TO TELL THE COWS COME HOME ♪ 936 00:53:01,221 --> 00:53:05,747 ♪ NOBODY BRIDLES HER HEART TILL SHE'S WILLING ♪ 937 00:53:05,791 --> 00:53:08,446 - SHE'S A FINE-LOOKING LADY. 938 00:53:08,489 --> 00:53:10,230 - MAY I CUT IN? 939 00:53:10,274 --> 00:53:14,147 - ♪ 'CAUSE BODY RIDES IN A COWGIRL'S RODEO ♪ 940 00:53:14,191 --> 00:53:18,282 - SHE MIGHT JUST FIT IN AROUND HERE AFTER ALL. 941 00:53:18,325 --> 00:53:23,025 - ♪ BUDDY, I CAN SEE THAT YOU WANNA BE ♪ 942 00:53:23,069 --> 00:53:27,378 ♪ THE WALL THAT YOU'VE BEEN LEANING ON ♪ 943 00:53:27,421 --> 00:53:31,033 ♪ UNLESS YOU GOT THE SENSE TO TAKE THIS TIP FROM ME ♪ 944 00:53:31,077 --> 00:53:36,169 ♪ SHE'LL MAKE SURE YOU'RE MOVIN' ON ♪ 945 00:53:36,213 --> 00:53:41,000 ♪ 'CAUSE NOBODY RIDES IN A COWGIRL'S RODEO ♪ 946 00:53:41,043 --> 00:53:44,917 ♪ UNLESS YOU GOT SOME WRANGLERS ON ♪ 947 00:53:44,960 --> 00:53:48,399 ♪ NOBODY SITS IN THE SADDLE OF LOVE ♪ 948 00:53:48,442 --> 00:53:54,840 ♪ UNLESS YOU CHOOSE TO TELL THE COWS COME HOME ♪ 949 00:53:54,883 --> 00:53:56,102 - COME ON, LET'S GO DANCE. 950 00:53:56,145 --> 00:53:57,669 - I'M WITH YA. - [laughs] 951 00:53:57,712 --> 00:54:01,020 - ♪ AND BUDDY, THAT'S UP TO YOU ♪ 952 00:54:01,063 --> 00:54:04,850 ♪ 'CAUSE NOBODY RIDES IN A COWGIRL'S RODEO ♪ 953 00:54:04,893 --> 00:54:08,636 ♪ UNLESS YOU'RE WEARIN' COWBOY BOOTS ♪ 954 00:54:10,856 --> 00:54:18,255 ♪ 'CAUSE NOBODY RIDES IN A COWGIRL'S RODEO ♪ 955 00:54:18,298 --> 00:54:22,128 ♪ UNLESS YOU'RE WEARIN' COWBOY BOOTS ♪ 956 00:54:22,171 --> 00:54:26,611 [music ends] 957 00:54:26,654 --> 00:54:29,962 [applause] 958 00:54:30,005 --> 00:54:32,878 - THANK YOU. 959 00:54:56,902 --> 00:55:00,732 - GOT SOME GREAT PICTURES OF CHUCK AND LAURIE. 960 00:55:00,775 --> 00:55:03,735 - GOOD. 961 00:55:03,778 --> 00:55:07,913 - [sighs] 962 00:55:07,956 --> 00:55:12,091 A MARRIAGE STARTING HERE MUST TRULY BE BLESSED. 963 00:55:12,134 --> 00:55:16,225 - HMM. 964 00:55:16,269 --> 00:55:20,447 - I'M SORRY, TYLER. 965 00:55:20,491 --> 00:55:22,493 - WHAT FOR? 966 00:55:22,536 --> 00:55:31,415 - I HEARD ABOUT YOUR WIFE AND BABY. 967 00:55:31,458 --> 00:55:34,896 - YEAH. 968 00:55:34,940 --> 00:55:37,638 MY DAUGHTER WAS IN AN INCUBATOR. 969 00:55:37,682 --> 00:55:43,122 SHE WAS SO SMALL. 970 00:55:43,165 --> 00:55:46,734 SHE USED TO WRAP HER LITTLE... 971 00:55:46,778 --> 00:55:49,520 LITTLE HAND AROUND MY FINGER. 972 00:55:57,528 --> 00:56:05,666 I MADE EVERY DEAL WITH GOD THAT I COULD THINK OF. 973 00:56:05,710 --> 00:56:09,104 I COULDN'T SAVE HER... 974 00:56:09,148 --> 00:56:16,285 ANY MORE THAN I COULD SAVE SARAH. 975 00:56:16,329 --> 00:56:22,770 I DON'T KNOW WHY I JUST TOLD YOU THAT. 976 00:56:22,814 --> 00:56:25,556 - JORDAN. I'M ABOUT READY TO THROW THE BOUQUET. 977 00:56:25,599 --> 00:56:26,513 YOU WANT TO COME? 978 00:56:26,557 --> 00:56:29,560 - OKAY. 979 00:56:43,791 --> 00:56:46,577 [shutter snapping] 980 00:57:23,091 --> 00:57:25,224 - WHAT ARE YOU DOING, YOUNG LADY? 981 00:57:25,267 --> 00:57:27,705 - JUST TAKING SOME PHOTOS OF THE LOCAL COLOR. 982 00:57:27,748 --> 00:57:28,880 - AM I SUPPOSED TO BE PART OF THAT LOCAL COLOR? 983 00:57:28,923 --> 00:57:30,882 - YEAH. 984 00:57:30,925 --> 00:57:32,013 - WAIT A MINUTE. 985 00:57:34,015 --> 00:57:36,191 YOU'RE WITH THE ROSSES. SALE BARN AND THE BALLGAME. 986 00:57:38,106 --> 00:57:40,021 - MR. JAMISON, I'M SORRY ABOUT YOUR DAUGHTER, 987 00:57:40,065 --> 00:57:42,981 BUT YOU KNOW WHAT? YOU'RE NOT THE ONLY ONE IN PAIN. 988 00:57:44,809 --> 00:57:46,245 - WHO THE HECK DO YOU THINK YOU ARE, 989 00:57:46,288 --> 00:57:48,203 EVEN TALKING ABOUT MY LITTLE GIRL? 990 00:57:48,247 --> 00:57:50,031 - YOU GOT TO STOP PUNISHING TYLER FOR HER DEATH, 991 00:57:50,075 --> 00:57:52,077 BECAUSE IT WASN'T HIS FAULT. 992 00:57:52,120 --> 00:57:55,080 - HE DIDN'T STOP HER. 993 00:57:55,123 --> 00:57:56,777 HE DIDN'T GIVE A DARN ABOUT SARAH. 994 00:57:56,821 --> 00:57:58,605 - HE LOVED HER, 995 00:57:58,649 --> 00:58:00,825 AND SHE LOVED HIM SO MUCH THAT SHE TOOK A TERRIBLE RISK. 996 00:58:00,868 --> 00:58:02,653 CAN YOU UNDERSTAND THAT KIND OF LOVE? 997 00:58:20,932 --> 00:58:22,847 I THOUGHT SHE NEEDED MILK. 998 00:58:22,890 --> 00:58:25,023 - MILK? [laughs] 999 00:58:25,066 --> 00:58:26,633 THIS HORSE DOESN'T DRINK MILK. 1000 00:58:26,677 --> 00:58:28,243 - [laughs] 1001 00:58:30,811 --> 00:58:33,292 - SHE IS LUCKY WE FOUND HER WHEN WE DID, THOUGH. 1002 00:58:33,335 --> 00:58:35,642 - LUCKY. THAT'D BE A GREAT NAME FOR HER. 1003 00:58:35,686 --> 00:58:36,730 HEY. 1004 00:58:36,774 --> 00:58:38,515 [shivering] 1005 00:58:44,912 --> 00:58:46,871 - [clearing throat] 1006 00:58:46,914 --> 00:58:49,090 THERE'S NOTHING BETTER AT KEEPING OUT THE COLD. 1007 00:58:50,091 --> 00:58:51,266 - THANK YOU. 1008 00:58:53,965 --> 00:58:54,922 - YOU'RE WELCOME. 1009 00:58:58,143 --> 00:59:02,147 YOU KNOW, WHEN THE, UM, SHOSHONE WERE IN THESE PARTS, 1010 00:59:02,190 --> 00:59:04,062 THAT LITTLE FILLY THERE WOULD HAVE MADE A... 1011 00:59:04,105 --> 00:59:05,280 NICE BRIDE PRICE. 1012 00:59:07,456 --> 00:59:08,893 - A BRIDE PRICE? WHAT'S A BRIDE PRICE? 1013 00:59:10,459 --> 00:59:13,941 - WHEN A-- WHEN A FELLA WAS... 1014 00:59:13,985 --> 00:59:16,596 COURTING A WOMAN, HE WOULD TAKE A HORSE TO HER TEEPEE, 1015 00:59:16,640 --> 00:59:22,080 AND IF SHE ACCEPTED THE HORSE, THEN-- THEN THEY WERE ENGAGED. 1016 00:59:22,123 --> 00:59:23,951 - WHAT IF SHE SAID NO? 1017 00:59:25,387 --> 00:59:27,346 - WELL... 1018 00:59:27,389 --> 00:59:29,609 AT LEAST HE GOT TO KEEP HIS HORSE. 1019 00:59:29,653 --> 00:59:31,655 - AH. 1020 00:59:35,484 --> 00:59:37,878 ANY OTHER, UM, INTERESTING TRADITIONS? 1021 00:59:37,922 --> 00:59:39,445 - YEAH, THERE'S-- [clearing throat] 1022 00:59:39,488 --> 00:59:40,751 THERE'S, UM... 1023 00:59:42,927 --> 00:59:44,755 HE, UH... 1024 00:59:44,798 --> 00:59:46,844 WELL, THERE'S-- THERE'S THE BLANKET WRAP. 1025 00:59:46,887 --> 00:59:48,976 - THE BLANKET WRAP. - YEAH. 1026 00:59:50,587 --> 00:59:52,197 THAT WAS WHEN, UM... 1027 00:59:54,982 --> 00:59:57,985 A BRAVE WOULD, UH... 1028 00:59:58,029 --> 01:00:00,771 APPROACH A WOMAN THAT HE... 1029 01:00:00,814 --> 01:00:03,121 THAT HE FANCIED, AND... 1030 01:00:03,164 --> 01:00:06,341 AND IF SHE LIKED HIM... 1031 01:00:08,561 --> 01:00:09,344 THEN SHE WOULD... 1032 01:00:11,520 --> 01:00:13,000 OPEN THE BLANKET... 1033 01:00:14,567 --> 01:00:17,004 AND HE-- INVITE HIM IN, AND... 1034 01:00:18,615 --> 01:00:20,878 JUST... 1035 01:00:20,921 --> 01:00:22,009 WRAP IT AROUND. 1036 01:00:39,940 --> 01:00:41,376 I CAN'T DO THIS. 1037 01:00:43,422 --> 01:00:44,771 [sighs] 1038 01:00:51,952 --> 01:00:53,432 - TYLER. 1039 01:00:53,475 --> 01:00:54,825 - LISTEN. 1040 01:00:57,044 --> 01:00:59,394 JORDAN, YOU WERE BROUGHT OUT HERE UNDER FALSE PRETENSES. 1041 01:01:01,048 --> 01:01:02,920 SAYING I WANTED TO GET MARRIED. 1042 01:01:02,963 --> 01:01:05,183 THE TRUTH IS, I DIDN'T WANT TO HAVE ANYTHING TO DO WITH YOU. 1043 01:01:05,226 --> 01:01:07,011 - I KNOW, LAURIE TOLD ME. 1044 01:01:07,054 --> 01:01:09,013 - I'M SORRY, JORDAN. 1045 01:01:09,056 --> 01:01:11,058 - IT'S OKAY. 1046 01:01:14,409 --> 01:01:16,368 - I JUST DIDN'T EXPECT THIS. 1047 01:01:19,110 --> 01:01:20,067 - WELL, NEITHER DID I. 1048 01:01:21,982 --> 01:01:25,072 A WEEK AGO, I THOUGHT I WANTED TO MARRY EDWARD. 1049 01:01:25,116 --> 01:01:28,032 - EDWARD? IS THAT YOUR BOYFRIEND? 1050 01:01:28,075 --> 01:01:30,295 - YEAH. 1051 01:01:30,338 --> 01:01:31,470 I'VE BEEN DATING HIM FOR A LONG TIME, 1052 01:01:31,513 --> 01:01:33,298 BUT HE CAN'T MAKE A COMMITMENT, 1053 01:01:33,341 --> 01:01:35,648 SO MY BEST FRIEND CARLA ANSWERED YOUR AD IN MY NAME. 1054 01:01:35,692 --> 01:01:37,563 SHE THOUGHT IT WOULD MAKE EDWARD JEALOUS. 1055 01:01:37,606 --> 01:01:40,174 - DID IT? 1056 01:01:40,218 --> 01:01:41,872 - I DON'T KNOW. I DON'T CARE. 1057 01:01:41,915 --> 01:01:42,829 I THINK WE SHOULD TALK ABOUT SARAH. 1058 01:01:42,873 --> 01:01:44,439 - NO. 1059 01:01:45,614 --> 01:01:47,486 - I KNOW IT'S HARD, TYLER, 1060 01:01:47,529 --> 01:01:48,966 BUT I THINK WE SHOULD TALK ABOUT HER. 1061 01:01:49,009 --> 01:01:51,098 - NO. 1062 01:01:51,142 --> 01:01:52,665 WE SHOULDN'T. 1063 01:01:52,709 --> 01:01:55,799 - WHAT HAPPENED TO SARAH IS NOT YOUR FAULT. 1064 01:02:13,468 --> 01:02:15,470 - I'M SURE THE HORSES ARE JUST FINE. 1065 01:02:17,342 --> 01:02:19,300 - MORNING. 1066 01:02:19,344 --> 01:02:21,389 - LOOK, I JUST NEED TO LOOK FOR MYSELF, ALL RIGHT? 1067 01:02:21,433 --> 01:02:23,043 - I'M GOING WITH YOU. 1068 01:02:24,958 --> 01:02:26,133 - OH, JORDAN. 1069 01:02:26,177 --> 01:02:27,134 - I JUST WANT TO HELP. 1070 01:02:30,964 --> 01:02:32,923 - JORDAN, I DON'T THINK IT'S A GOOD IDEA. 1071 01:02:32,966 --> 01:02:34,881 - I'M GOING WITH HIM WHETHER HE LIKES IT OR NOT. 1072 01:02:59,427 --> 01:03:01,125 - THE HORSES DIDN'T FORCE THE GATE. 1073 01:03:01,168 --> 01:03:02,169 SOMEBODY OPENED IT. 1074 01:03:03,388 --> 01:03:06,347 - JAMISON. LET'S FIND HIM. 1075 01:03:09,698 --> 01:03:11,178 - HEAD ON! 1076 01:03:35,376 --> 01:03:38,249 - ALL RIGHT. 1077 01:03:38,292 --> 01:03:40,033 I'LL GET OUT IN FRONT OF 'EM. THEY SHOULD FOLLOW THE STALLION. 1078 01:03:40,077 --> 01:03:43,167 YOU PUSH 'EM. 1079 01:03:43,210 --> 01:03:45,691 JORDAN, YOU STAY CLEAR. WE'RE GONNA MOVE FAST. 1080 01:03:45,734 --> 01:03:46,866 [kiss noises] 1081 01:04:18,289 --> 01:04:21,640 - ARE YOU CRAZY?! GET OUT OF THE DARN WAY! 1082 01:04:21,683 --> 01:04:23,729 ALL RIGHT, DRIVE THROUGH HER. 1083 01:04:23,772 --> 01:04:25,600 [engine revving] 1084 01:04:25,644 --> 01:04:27,907 WOMAN, YOU'RE GONNA GET YOURSELF AND THAT ANIMAL HURT! 1085 01:04:27,951 --> 01:04:29,778 YOU'RE IMPEDING THE DUTIES OF A FEDERAL OFFICER! 1086 01:04:29,822 --> 01:04:31,128 NOW, I AIN'T GONNA TELL YOU AGAIN! 1087 01:04:31,171 --> 01:04:33,043 GET OUT OF THE WAY! 1088 01:04:37,177 --> 01:04:39,397 YOU'D BETTER GET OUT OF THE WAY! 1089 01:04:39,440 --> 01:04:41,355 WELL, COME ON! 1090 01:04:41,399 --> 01:04:43,880 GET AFTER THOSE HORSES BEFORE THEY GET BACK ON ROSS' LAND. 1091 01:04:51,713 --> 01:04:53,237 - SMILE FOR THE CAMERA. 1092 01:04:53,280 --> 01:04:57,981 [shutter snapping] 1093 01:04:58,024 --> 01:05:00,070 BET THE GOVERNOR WOULD JUST LOVE COPIES OF THESE, 1094 01:05:00,113 --> 01:05:01,810 ALONG WITH THE FULL STORY OF YOUR VERSION 1095 01:05:01,854 --> 01:05:03,464 OF OPEN RANGE MANAGEMENT, MR. JAMISON. 1096 01:05:07,338 --> 01:05:08,513 YOU HAVE A GOOD DAY, BOYS. 1097 01:05:14,736 --> 01:05:16,956 - GET ON OUT OF HERE. 1098 01:05:46,507 --> 01:05:49,684 - [sighs] 1099 01:05:49,728 --> 01:05:52,252 - WELL, AIN'T NOBODY CHASIN' US. 1100 01:05:52,296 --> 01:05:54,298 SHE MUST HAVE STOPPED 'EM. 1101 01:06:03,350 --> 01:06:05,700 - WHAT THE HECK DO YOU THINK YOU WERE DOING? 1102 01:06:07,354 --> 01:06:08,529 - HELPING? 1103 01:06:09,878 --> 01:06:12,664 - YOU'VE HELPED ENOUGH. 1104 01:06:12,707 --> 01:06:14,535 WHY DON'T YOU GO HOME TO NEW YORK? 1105 01:06:30,638 --> 01:06:32,510 SHE COULD HAVE GOTTEN HURT, JESSE. 1106 01:06:32,553 --> 01:06:33,728 OR WORSE. 1107 01:07:05,630 --> 01:07:07,632 HOW'D YOU FIND ME? 1108 01:07:09,460 --> 01:07:11,679 - LOOK, I KNOW I HAVE NO RIGHT TO BE HERE. 1109 01:07:11,723 --> 01:07:12,767 - NO, YOU DON'T. 1110 01:07:14,465 --> 01:07:15,379 - WELL, I WANT TO CHANGE THAT. 1111 01:07:16,510 --> 01:07:17,772 JORDAN. 1112 01:07:24,605 --> 01:07:26,607 LISTEN. 1113 01:07:26,651 --> 01:07:29,436 I WAS AFRAID OF MAKING ANOTHER MISTAKE, 1114 01:07:29,480 --> 01:07:31,656 BUT NOW I'M MORE AFRAID OF LOSING YOU. 1115 01:07:53,634 --> 01:07:56,115 I LOVE YOU. 1116 01:07:56,159 --> 01:07:58,335 I WANT TO SPEND THE REST OF MY LIFE WITH YOU. 1117 01:07:58,378 --> 01:07:59,814 - [sighs] 1118 01:08:11,696 --> 01:08:13,654 - IT'S NOT TOO LATE, IS IT? 1119 01:08:13,698 --> 01:08:15,482 I MEAN, YOU AND THE COWBOY AREN'T, UH... 1120 01:08:15,526 --> 01:08:16,788 - NO, WE'RE NOT. 1121 01:08:19,617 --> 01:08:21,271 - GOOD. [laughs] 1122 01:08:22,620 --> 01:08:25,840 [laughs] GOOD. 1123 01:08:30,628 --> 01:08:31,846 WILL YOU MARRY ME? 1124 01:08:39,202 --> 01:08:40,681 YES? 1125 01:08:41,813 --> 01:08:43,119 - MM-HMM. 1126 01:08:47,471 --> 01:08:48,472 - OH. 1127 01:08:49,821 --> 01:08:51,257 MM. 1128 01:09:13,453 --> 01:09:14,237 - LAURIE? 1129 01:09:15,499 --> 01:09:16,543 - JORDAN'S GONE. 1130 01:09:18,589 --> 01:09:20,765 THAT GUY... EDWARD, CAME TO GET HER. 1131 01:09:20,808 --> 01:09:22,680 IT'S NOT TOO LATE. YOU COULD STILL CATCH HER. 1132 01:09:25,770 --> 01:09:27,424 - WHY WOULD I WANT TO DO THAT? 1133 01:09:27,467 --> 01:09:29,556 - 'CAUSE YOU LOVE HER. 1134 01:09:29,600 --> 01:09:31,689 - YEAH, WELL, SHE'D NEVER FIT IN HERE. 1135 01:09:31,732 --> 01:09:34,344 - THAT IS NOT THE PROBLEM, AND YOU KNOW IT. 1136 01:09:34,387 --> 01:09:36,911 SHE MADE YOU FEEL AGAIN, AND YOU DON'T WANT TO. 1137 01:09:45,137 --> 01:09:48,488 - JORDAN IS A VERY, VERY TALENTED PHOTOGRAPHER. 1138 01:09:48,532 --> 01:09:50,795 SHE'S GOT HER OWN DARKROOM. SHE'S GOT THE WHOLE WORKS. 1139 01:09:50,838 --> 01:09:52,449 RIGHT? [laughs] - YEAH. 1140 01:09:52,492 --> 01:09:53,580 IF YOU'LL EXCUSE ME FOR A SECOND. 1141 01:09:53,624 --> 01:09:56,496 IT WAS NICE TO MEET YOU. 1142 01:09:56,540 --> 01:09:59,543 - ALICIA, HOW ARE YOU? 1143 01:09:59,586 --> 01:10:02,372 - HOW YOU DOIN'? - OH, GREAT. GREAT. 1144 01:10:02,415 --> 01:10:04,765 THIS IS THE STIFFEST-LOOKING BUNCH I HAVE EVER SEEN 1145 01:10:04,809 --> 01:10:06,898 OUTSIDE OF A FUNERAL PARLOR. 1146 01:10:06,941 --> 01:10:08,900 - IT'S EDWARD'S FAMILY FROM CONNECTICUT 1147 01:10:08,943 --> 01:10:10,815 AND A FEW OF HIS COLLEAGUES FROM THE LAW FIRM, YOU KNOW. 1148 01:10:10,858 --> 01:10:13,600 - YEAH. AND YOU WANT TO SPEND THE REST OF YOUR LIFE 1149 01:10:13,644 --> 01:10:15,036 AROUND THEM? 1150 01:10:15,080 --> 01:10:17,125 - PACKAGE DEAL, WHAT CAN I SAY? 1151 01:10:17,169 --> 01:10:18,997 - YOU DON'T SEEM TOO THRILLED, JORDAN. 1152 01:10:19,040 --> 01:10:20,346 - OF COURSE I AM. I'M FINE. 1153 01:10:20,390 --> 01:10:22,130 - JORDAN. 1154 01:10:22,174 --> 01:10:23,915 YOU REALLY WANT TO GO THROUGH WITH THIS? 1155 01:10:23,958 --> 01:10:25,743 - WAIT A MINUTE, CARLA, YOU'RE THE ONE THAT SET UP 1156 01:10:25,786 --> 01:10:27,614 THIS WHOLE MAIL ORDER BRIDE THING IN THE FIRST PLACE 1157 01:10:27,658 --> 01:10:28,789 TO GET EDWARD JEALOUS ENOUGH TO PROPOSE TO ME. 1158 01:10:28,833 --> 01:10:30,574 SO WHAT'S YOUR DEAL? 1159 01:10:30,617 --> 01:10:32,706 - I DIDN'T DO IT TO GET YOU TWO TOGETHER. 1160 01:10:32,750 --> 01:10:34,839 I DID IT TO GIVE YOU A CHANCE TO SEE THINGS DIFFERENTLY, 1161 01:10:34,882 --> 01:10:36,971 SO THAT YOU'D REALIZE YOU DON'T HAVE TO DRAG SOMEBODY 1162 01:10:37,015 --> 01:10:38,799 KICKING AND SCREAMING DOWN THE AISLE. 1163 01:10:38,843 --> 01:10:40,801 YOU DESERVE BETTER, JORDAN. 1164 01:10:40,845 --> 01:10:42,716 - EDWARD AND I ARE PERFECT FOR EACH OTHER. 1165 01:10:42,760 --> 01:10:44,544 WE HAVE THE SAME INTERESTS. WE EVEN VOTE THE SAME WAY. 1166 01:10:44,588 --> 01:10:46,024 [laughs] 1167 01:10:46,067 --> 01:10:47,155 - SWEETIE, DO YOU REALLY LOVE HIM? 1168 01:10:47,199 --> 01:10:48,940 - I'M MARRYING HIM, CARLA. 1169 01:10:50,811 --> 01:10:52,987 - JORDAN. HONEY. 1170 01:10:57,862 --> 01:10:59,429 I WANT YOU TO MEET THESE PEOPLE. 1171 01:10:59,472 --> 01:11:00,778 - OH, GREAT. I'M THRILLED. [laughs] 1172 01:11:15,445 --> 01:11:23,453 ♪ 1173 01:11:54,484 --> 01:11:56,486 - HMM. 1174 01:12:05,930 --> 01:12:08,062 WELL, THEY'RE GOOD. 1175 01:12:11,892 --> 01:12:13,851 GOOD ENOUGH FOR YOUR OWN SHOW. 1176 01:12:16,549 --> 01:12:18,725 - [laughs] YOU'RE KIDDING, RIGHT? 1177 01:12:22,338 --> 01:12:23,730 - HEY. - OH, HEY. 1178 01:12:23,774 --> 01:12:25,558 I WAS JUST LEAVING YOU A NOTE. 1179 01:12:25,602 --> 01:12:26,820 - [sighs] 1180 01:12:26,864 --> 01:12:28,648 - HOW DO I LOOK? 1181 01:12:28,692 --> 01:12:30,607 - LIKE A MILLION BUCKS. ALL GREEN AND TASTY. 1182 01:12:30,650 --> 01:12:32,522 - I KNOW! 1183 01:12:32,565 --> 01:12:34,959 OH, UM, GOING OUT ON A DATE. CAN'T BE LATE. 1184 01:12:35,002 --> 01:12:36,613 GOING TO LE CIRQUE. JEALOUS? HA HA! 1185 01:12:36,656 --> 01:12:38,136 UM, MESSAGE FROM EDWARD ON THE MACHINE. 1186 01:12:38,179 --> 01:12:39,964 HAVE FUN, SWEETIE. BYE! 1187 01:12:40,007 --> 01:12:41,661 - I'LL JUST TELL YOU ABOUT THE SHOW THAT COSTA GAVE ME... 1188 01:12:41,705 --> 01:12:44,098 LATER. OKAY. 1189 01:12:47,450 --> 01:12:48,929 [beep] 1190 01:12:48,973 --> 01:12:51,149 - HONEY, IT'S ME. 1191 01:12:51,192 --> 01:12:52,324 HEY, LISTEN. 1192 01:12:52,368 --> 01:12:54,761 WORKING A LITTLE LATE AGAIN. 1193 01:12:54,805 --> 01:12:56,807 I'M GONNA HAVE TO TAKE A RAIN CHECK ON THAT DINNER, OKAY? 1194 01:12:56,850 --> 01:12:58,635 I'LL TALK TO YOU LATER. 1195 01:12:58,678 --> 01:12:59,940 ALL RIGHT. I LOVE YOU. [kiss noise] 1196 01:13:03,204 --> 01:13:05,119 [click, beep] 1197 01:13:36,934 --> 01:13:39,153 - [sighs] 1198 01:13:39,197 --> 01:13:41,547 [crickets chirping] 1199 01:14:10,881 --> 01:14:12,578 [traffic sounds] 1200 01:14:42,869 --> 01:14:45,742 [cows mooing] 1201 01:14:45,785 --> 01:14:48,179 [rumbling of hooves] 1202 01:14:53,880 --> 01:14:55,969 [horses neighing] 1203 01:15:00,887 --> 01:15:02,889 [horse whinnying] 1204 01:15:02,933 --> 01:15:05,283 - HE'S WHERE HE WANTS TO BE, TYLER. 1205 01:15:05,326 --> 01:15:08,242 - IS HE? 1206 01:15:13,900 --> 01:15:14,988 [kiss noise] 1207 01:15:28,567 --> 01:15:31,483 - WHAT DO YOU MEAN, YOU DON'T WANT TO GET MARRIED? 1208 01:15:31,527 --> 01:15:34,051 - EDWARD, YOU ARE AN AMAZING, AMAZING MAN, 1209 01:15:34,094 --> 01:15:35,835 AND ANY WOMAN WOULD BE LUCKY TO BE WITH YOU, BUT-- 1210 01:15:35,879 --> 01:15:38,446 - BUT? 1211 01:15:38,490 --> 01:15:41,667 - [sighs] I'VE BEEN VERY UNFAIR TO YOU. 1212 01:15:41,711 --> 01:15:44,496 I WANTED YOU TO PROVE YOUR LOVE TO ME BY MARRYING ME. 1213 01:15:44,540 --> 01:15:46,542 BUT, EDWARD, IF YOU TRULY LOVED ME, 1214 01:15:46,585 --> 01:15:49,109 YOU WOULDN'T HAVE TO BE PRESSURED OR TRICKED 1215 01:15:49,153 --> 01:15:51,590 INTO MARRIAGE. 1216 01:15:51,634 --> 01:15:54,114 YOU CAN'T FORCE SOMEONE TO DO WHAT YOU WANT THEM TO DO. 1217 01:15:54,158 --> 01:15:55,899 IT JUST DOESN'T WORK. 1218 01:15:55,942 --> 01:15:58,902 YOU HAVE TO COME WILLINGLY TO THAT PERSON. 1219 01:15:58,945 --> 01:16:01,295 - JORDAN. 1220 01:16:01,339 --> 01:16:03,384 JORDAN. 1221 01:16:03,428 --> 01:16:07,258 WE COULD HAVE THE MOST AMAZING LIFE TOGETHER. 1222 01:16:07,301 --> 01:16:10,174 - I ALREADY KNOW WHAT IT'S GOING TO BE LIKE, EDWARD. 1223 01:16:10,217 --> 01:16:12,132 SEPARATE LAST NAMES, SEPARATE BANK ACCOUNTS. 1224 01:16:12,176 --> 01:16:14,657 SPENDING MOST OF OUR TIME APART. 1225 01:16:14,700 --> 01:16:20,271 BEING MARRIED IS NOT GOING TO CHANGE THE WAY THINGS ARE. 1226 01:16:20,314 --> 01:16:22,099 AND I'LL ALWAYS BE WAITING FOR THAT MOMENT 1227 01:16:22,142 --> 01:16:24,144 WHEN YOU DISCOVER THAT BEING MARRIED 1228 01:16:24,188 --> 01:16:26,930 WAS NEVER WHAT YOU WANTED. 1229 01:16:44,904 --> 01:16:47,211 - [sighs] 1230 01:16:47,254 --> 01:16:53,260 WELL, I GUESS THERE'S NO CHANGING YOUR MIND, THEN, IS THERE? 1231 01:16:53,304 --> 01:16:59,049 IT'S A LITTLE LATE FOR THAT. 1232 01:16:59,092 --> 01:17:03,793 [sighs] 1233 01:17:03,836 --> 01:17:06,796 THIS ISN'T ABOUT THAT COWBOY, IS IT? 1234 01:17:06,839 --> 01:17:09,102 - NO, I'LL NEVER SEE HIM AGAIN. 1235 01:17:09,146 --> 01:17:12,889 - WELL, THAT'S HIS LOSS. 1236 01:17:12,932 --> 01:17:15,674 - THANKS. 1237 01:17:26,250 --> 01:17:28,208 [door shuts] 1238 01:17:28,252 --> 01:17:30,384 [cows mooing] 1239 01:17:41,482 --> 01:17:44,921 - LET'S GO. 1240 01:17:44,964 --> 01:17:48,185 - I'M IN NO HURRY. WE CAN WAIT A LITTLE BIT LONGER. 1241 01:17:48,228 --> 01:17:50,143 - WHAT'S THE POINT? 1242 01:17:50,187 --> 01:17:50,927 [horse whinnying] 1243 01:17:52,102 --> 01:17:52,842 [horse whinnying] 1244 01:18:02,503 --> 01:18:04,418 [horse whinnying] 1245 01:18:16,169 --> 01:18:18,171 - ATTA BOY. 1246 01:18:21,871 --> 01:18:23,873 ATTA BOY. 1247 01:18:41,455 --> 01:18:43,414 - OH, MY! 1248 01:18:43,457 --> 01:18:45,459 OH. 1249 01:19:06,567 --> 01:19:09,309 [phone ringing] 1250 01:19:09,353 --> 01:19:11,485 - HELLO? - JORDAN? 1251 01:19:11,529 --> 01:19:13,313 IT'S LAURIE CARTER. 1252 01:19:13,357 --> 01:19:15,359 - HEY, LAURIE. HOW ARE YOU? 1253 01:19:15,402 --> 01:19:16,839 DID YOU GET THE PICTURES? 1254 01:19:16,882 --> 01:19:20,016 - OH, MY GOSH, THEY ARE SO WONDERFUL. 1255 01:19:20,059 --> 01:19:21,931 I CAN'T WAIT TO SHOW THEM TO CHUCK. 1256 01:19:21,974 --> 01:19:24,063 IT WAS SO NICE OF YOU TO DO THIS. 1257 01:19:24,107 --> 01:19:26,370 - OH, IT WAS MY PLEASURE ENTIRELY. 1258 01:19:26,413 --> 01:19:29,547 DID YOU GET THE INVITATION TOO? - I SURE DID. 1259 01:19:29,590 --> 01:19:31,375 LOOKS LIKE A BIG DEAL. 1260 01:19:31,418 --> 01:19:34,552 - YEAH, IT IS. I'M PRETTY EXCITED ABOUT IT. 1261 01:19:34,595 --> 01:19:36,554 SO, UM... 1262 01:19:36,597 --> 01:19:38,077 HOW IS EVERYONE? 1263 01:19:38,121 --> 01:19:39,557 - OH, WE'RE OKAY. 1264 01:19:39,600 --> 01:19:42,473 EVERYONE MISSES YOU. 1265 01:19:42,516 --> 01:19:44,344 - YEAH, I MISS EVERYONE, TOO. 1266 01:19:44,388 --> 01:19:46,085 - HOW'S YOUR FIANCE? 1267 01:19:46,129 --> 01:19:47,870 UM... EDWARD. 1268 01:19:53,353 --> 01:19:55,486 - HEY, TY? - YEAH? 1269 01:19:55,529 --> 01:19:57,618 - I GOT THE WEDDING PHOTOS FROM JORDAN. 1270 01:19:57,662 --> 01:19:59,185 - OH, GOOD. - THEY LOOK GREAT. 1271 01:19:59,229 --> 01:20:01,840 - ALL RIGHT, I'LL LOOK AT 'EM LATER, HUH? 1272 01:20:08,107 --> 01:20:12,808 SHE ISN'T MARRYING EDWARD. 1273 01:20:12,851 --> 01:20:15,375 - I GUESS THAT MAKING HIM JEALOUS THING DIDN'T WORK, HUH? 1274 01:20:15,419 --> 01:20:17,073 - SHE DUMPED HIM. 1275 01:20:17,116 --> 01:20:19,597 NOW, WHY DO YOU SUPPOSE SHE DID THAT? 1276 01:20:19,640 --> 01:20:21,425 - I DON'T KNOW, AND I DON'T CARE. 1277 01:20:21,468 --> 01:20:25,821 - YOU ARE DUMBER THAN A ROCK. 1278 01:20:25,864 --> 01:20:28,519 I KNOW YOU THINK LOVING JORDAN IS A BETRAYAL OF SARAH. 1279 01:20:28,562 --> 01:20:31,435 I KNOW HOW MUCH YOU LOVED HER. 1280 01:20:31,478 --> 01:20:34,438 BUT SARAH WOULDN'T WANT YOU TO BE MISERABLE YOUR WHOLE LIFE. 1281 01:20:34,481 --> 01:20:37,223 SHE WOULDN'T WANT YOU TO BE ALONE. 1282 01:21:21,528 --> 01:21:25,619 - THERE'LL BE ANOTHER GATHER NEXT WEEK. 1283 01:21:25,663 --> 01:21:28,971 I WON'T BE TAKING PART IN IT. 1284 01:21:29,014 --> 01:21:33,018 AND I'LL SEE TO IT THEY STAY OFF YOUR LAND. 1285 01:21:33,062 --> 01:21:34,846 - WHY? 1286 01:21:34,890 --> 01:21:38,371 - BEEN THINKING. 1287 01:21:38,415 --> 01:21:43,681 MAYBE I BEEN WRONG ABOUT THEM WILD HORSES. 1288 01:21:43,724 --> 01:21:46,597 COULD BE... 1289 01:21:46,640 --> 01:21:49,382 I BEEN WRONG ABOUT SOME OTHER THINGS, TOO. 1290 01:22:39,302 --> 01:22:41,304 [crying] 1291 01:23:57,380 --> 01:24:00,383 - AS LONG AS PEOPLE AND HORSES HAVE BEEN AROUND, 1292 01:24:00,426 --> 01:24:03,603 THERE'S BEEN THIS MYTH OF MAN ON HORSEBACK. 1293 01:24:03,647 --> 01:24:07,346 IT MIGHT BE A GREAT KING OR A GOD OR A KNIGHT 1294 01:24:07,390 --> 01:24:09,044 OR A WARRIOR 1295 01:24:09,087 --> 01:24:12,656 OR THE TIMELESS SYMBOL OF THE WEST, A COWBOY. 1296 01:24:12,699 --> 01:24:14,962 JORDAN DONOVAN HAS CAPTURED THAT POWERFUL MYTH 1297 01:24:15,006 --> 01:24:16,007 IN HER PHOTOGRAPHS. 1298 01:24:16,051 --> 01:24:18,531 [classical music playing] 1299 01:24:18,575 --> 01:24:20,098 - THANK YOU. 1300 01:24:20,142 --> 01:24:21,708 - WELL, JORDAN, YOU'RE A BIG SUCCESS. 1301 01:24:21,752 --> 01:24:23,232 HOW DOES IT FEEL? 1302 01:24:23,275 --> 01:24:24,668 - ACTUALLY, I THINK I WAS MORE EXCITED 1303 01:24:24,711 --> 01:24:25,669 WHEN I WAS TAKING THESE PICTURES 1304 01:24:25,712 --> 01:24:27,410 THAN I AM RIGHT NOW. 1305 01:24:27,453 --> 01:24:30,456 [train bell clanging] 1306 01:24:40,771 --> 01:24:42,860 - [laughing] 1307 01:24:42,903 --> 01:24:45,863 HE'S GOT A HORSE. 1308 01:24:45,906 --> 01:24:50,694 [overlapping chatter] 1309 01:24:50,737 --> 01:24:52,870 - MISS DONOVAN. CONGRATULATIONS. 1310 01:24:52,913 --> 01:24:57,483 YOU'RE A BIG SUCCESS. - THANK YOU. 1311 01:24:57,527 --> 01:24:59,485 [laughs] - CHEERS. 1312 01:24:59,529 --> 01:25:03,576 [Distant horse whinny and snort] 1313 01:25:03,620 --> 01:25:04,838 - MAKE WAY HERE, FOLKS. COMING THROUGH. 1314 01:25:04,882 --> 01:25:12,716 ♪ 1315 01:25:29,515 --> 01:25:32,257 - WILL SHE DO FOR A BRIDE PRICE? 1316 01:25:49,970 --> 01:25:50,928 - I INTRODUCED THEM. 1317 01:25:50,971 --> 01:25:52,712 [laughs] 1318 01:25:52,756 --> 01:25:56,756 I'M GOOD. 87866