Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:01,425 --> 00:00:03,085
Sorry I'm late, sorry I'm late.
2
00:00:03,185 --> 00:00:05,245
Bitch, bitch teacher.
What time is it?
3
00:00:05,345 --> 00:00:06,725
-NAOMI: 9:17.
-COB: 20 past.
4
00:00:06,825 --> 00:00:08,325
Cob was just asking
why we're not saying
5
00:00:08,425 --> 00:00:10,925
it's from a specific time in the past
before you guys got together.
6
00:00:11,025 --> 00:00:12,165
Well, we could.
7
00:00:12,265 --> 00:00:13,765
NAOMI: We could.
It's not my advice, but...
8
00:00:13,865 --> 00:00:15,245
Well, happily,
it's not your decision.
9
00:00:15,345 --> 00:00:17,645
No, it's not, Cob, but the point is
what we don't want
10
00:00:17,745 --> 00:00:20,845
is a bunch of people who are able to
date it through I don't know what...
11
00:00:20,945 --> 00:00:23,045
Carbon penis dating? Why wouldn't
they have done that already?
12
00:00:23,145 --> 00:00:25,325
It's just that she doesn't look
10 years younger. No offence.
13
00:00:25,425 --> 00:00:27,965
And if we date it specifically,
it might drag you into it.
14
00:00:28,065 --> 00:00:31,005
Oh, that...that's what drags me
into it? OK, fine, right. Cool, yeah.
15
00:00:31,105 --> 00:00:32,805
I thought we'd agreed
we're not gonna get into
16
00:00:32,905 --> 00:00:34,405
the who or the when
of these photos.
17
00:00:34,505 --> 00:00:35,925
It's pretty fucking obvious, no?
18
00:00:36,025 --> 00:00:38,525
Why don't we just say
ex-boyfriend from a long time ago?
19
00:00:38,625 --> 00:00:40,445
No, you're not gonna name names
'cause you're above that.
20
00:00:40,545 --> 00:00:42,805
OK, but would that
be better for Disney,
21
00:00:42,905 --> 00:00:44,405
if it was from a long time ago?
22
00:00:44,505 --> 00:00:46,045
Have you even
spoken to them yet?
23
00:00:46,145 --> 00:00:47,645
No, they're being weirdly
quiet for Americans.
24
00:00:47,745 --> 00:00:49,605
Hey, hey, you are not
losing that job!
25
00:00:49,705 --> 00:00:51,205
The point is we should all be fine
26
00:00:51,305 --> 00:00:53,005
with seeing someone
with a cock in their hand.
27
00:00:53,105 --> 00:00:54,165
We're not children.
28
00:00:54,265 --> 00:00:56,555
But there are children
in the world who watch movies.
29
00:00:56,664 --> 00:00:58,204
Yeah, also, we have one of them.
30
00:00:58,304 --> 00:01:00,804
Partly because of her having
your cock in her hand at some point.
31
00:01:00,904 --> 00:01:03,404
There's no shame to be had
in a woman doing a sex act!
32
00:01:03,504 --> 00:01:05,604
-There is in this case.
-Yeah, if it's not her husband's.
33
00:01:05,704 --> 00:01:07,004
If it's a fucking
overrated trash peddler
34
00:01:07,104 --> 00:01:08,924
who thinks he's Steve McQueen -
not that one.
35
00:01:09,024 --> 00:01:11,364
Oh, I'm so worried
I'm gonna get this wrong.
36
00:01:11,464 --> 00:01:14,084
You know, I can't not be authentic.
37
00:01:14,184 --> 00:01:16,644
Even if I try,
I'll end up being authentic.
38
00:01:16,744 --> 00:01:18,644
I can't not be authentic.
39
00:01:18,744 --> 00:01:21,084
-You're an actress!
-Yeah, but come on.
40
00:01:21,184 --> 00:01:23,284
Like, if she asks me
how I feel about the pictures
41
00:01:23,384 --> 00:01:25,164
being out there,
the answer isn't 'fine', is it?
42
00:01:25,264 --> 00:01:27,444
No, of course the answer's not 'fine'
because you're disappointed.
43
00:01:27,544 --> 00:01:30,364
You shouldn't be ashamed
is what's important.
44
00:01:30,464 --> 00:01:32,724
-You should just be honest.
-But I am ashamed.
45
00:01:32,824 --> 00:01:34,644
Why? You've got
no reason to be ashamed.
46
00:01:34,744 --> 00:01:36,644
-Mmm, she kind of has.
-I kind of do.
47
00:01:36,744 --> 00:01:37,964
Yeah, but they don't know that!
48
00:01:38,064 --> 00:01:40,004
We're not presenting it as that
is what I'm saying.
49
00:01:40,104 --> 00:01:42,084
OK, so don't say it's that -
that it's Carter?
50
00:01:42,184 --> 00:01:43,324
BOTH: No!
51
00:01:43,424 --> 00:01:44,964
Don't be honest
about that, obviously!
52
00:01:45,064 --> 00:01:46,444
Be honest about how you would feel
53
00:01:46,544 --> 00:01:48,484
if everything
we were saying was true.
54
00:01:48,584 --> 00:01:50,884
Oh, my God. Can we please
just say that it's old?
55
00:01:50,984 --> 00:01:52,444
NAOMI: OK, fine, but be vague.
56
00:01:52,543 --> 00:01:55,403
-OK, so just...
-(PHONE BUZZES)
57
00:01:55,503 --> 00:01:57,363
..general penis
from a long time ago?
58
00:01:57,463 --> 00:01:59,603
-Oh, I feel sick.
-Yes. Yes, from a long time ago.
59
00:01:59,703 --> 00:02:01,803
Don't be specific about when
and don't be specific about who.
60
00:02:01,903 --> 00:02:03,803
Well, I can't be specific
about any of those things
61
00:02:03,903 --> 00:02:05,123
because they're both
entirely made up.
62
00:02:05,223 --> 00:02:06,443
-OK?
-OK, then we're ready.
63
00:02:06,543 --> 00:02:08,543
-OK.
-(CLEARS THROAT)
64
00:02:10,823 --> 00:02:12,563
-Hey, Bari.
-(ON PHONE) Oh, hiya.
65
00:02:12,663 --> 00:02:15,203
I've got Athena from
'The Observer' on the line.
66
00:02:15,303 --> 00:02:17,043
Great. Can you hear me OK?
67
00:02:17,143 --> 00:02:19,143
BARI: Yeah, yeah, totally, it's fine.
68
00:02:19,623 --> 00:02:21,983
(CLEARS THROAT)
So, uh, put her through.
69
00:02:24,783 --> 00:02:26,363
ATHENA: Hello?
70
00:02:26,463 --> 00:02:28,563
Hi, it's Suzie.
71
00:02:28,663 --> 00:02:30,403
ATHENA: Oh, hi!
72
00:02:30,503 --> 00:02:32,243
Hi! (LAUGHS AWKWARDLY)
73
00:02:32,343 --> 00:02:34,243
Um, I'm a big fan
74
00:02:34,343 --> 00:02:37,203
of your political column
every week, by the way.
75
00:02:37,303 --> 00:02:39,443
I mean, I'm obsessed.
76
00:02:39,543 --> 00:02:41,003
ATHENA: Oh, thank you.
77
00:02:41,103 --> 00:02:43,263
Yeah, I mean, I can quote
long stretches of it.
78
00:02:44,343 --> 00:02:46,383
ATHENA: Oh, wow, that's nice.
79
00:02:47,423 --> 00:02:49,323
Well, the first thing
I do wanna say, though,
80
00:02:49,422 --> 00:02:52,842
is I am really sorry
about what happened to you.
81
00:02:52,942 --> 00:02:54,322
Thank you.
82
00:02:54,422 --> 00:02:56,682
ATHENA: And I'm really grateful
you're speaking with me.
83
00:02:56,782 --> 00:02:58,762
I...I could not be more furious.
84
00:02:58,862 --> 00:03:03,522
Well... (CHUCKLES)
..me too, hashtag.
85
00:03:03,622 --> 00:03:07,122
-Uh, wait.
-(ATHENA CHUCKLES) Yeah.
86
00:03:07,222 --> 00:03:10,202
So, I'm sorry, furious with me?
87
00:03:10,302 --> 00:03:12,162
ATHENA: No! No.
88
00:03:12,262 --> 00:03:14,442
Hang on. Let's do some basics, Suzie.
89
00:03:14,542 --> 00:03:18,402
So, when did you see the pictures?
90
00:03:18,502 --> 00:03:21,082
Um, well, I'm not one of those...
91
00:03:21,182 --> 00:03:23,562
You know, I like to stay away
from all of that, so...
92
00:03:23,662 --> 00:03:25,082
-ATHENA: Yeah.
-It wasn't...
93
00:03:25,182 --> 00:03:30,322
It wasn't until, um,
I got a text from Naomi, my manager,
94
00:03:30,422 --> 00:03:34,482
and she said, you know,
we should have a chat
95
00:03:34,582 --> 00:03:37,402
and then she described it to me
96
00:03:37,502 --> 00:03:39,722
and obviously
I sat down with my family
97
00:03:39,822 --> 00:03:44,622
and, you know, that's when I knew
what it was and that was that.
98
00:03:45,621 --> 00:03:47,481
ATHENA: Yeah, sure, and how...
99
00:03:47,581 --> 00:03:53,081
I mean, how did you feel
when you saw that they'd leaked?
100
00:03:53,181 --> 00:03:55,481
Well, I was shocked,
you know, obviously,
101
00:03:55,581 --> 00:03:56,961
because, you know, these...
102
00:03:57,061 --> 00:03:58,161
ATHENA: Yeah.
103
00:03:58,261 --> 00:04:01,101
..are pictures from
a very long time ago.
104
00:04:02,461 --> 00:04:04,161
ATHENA: Oh, really? I think...
105
00:04:04,261 --> 00:04:07,961
Oh, I think everyone assumed
that they were recent images.
106
00:04:08,061 --> 00:04:11,001
No. I mean, they deliberately...
They can do that.
107
00:04:11,101 --> 00:04:13,161
No, they're from a long time ago
108
00:04:13,261 --> 00:04:17,601
and, you know, it's something
I feel is very private, you know?
109
00:04:17,701 --> 00:04:20,821
But it shouldn't
have to be, should it?
110
00:04:22,021 --> 00:04:24,481
ATHENA: Uh, can you
talk more about that?
111
00:04:24,581 --> 00:04:27,441
Yeah, I mean, you know, I should
be able to look at the pictures
112
00:04:27,541 --> 00:04:30,681
and go, "Oh, hey, there's me
with a cock in my hand,"
113
00:04:30,781 --> 00:04:33,121
and my son should be able
to look at those pictures
114
00:04:33,221 --> 00:04:36,001
and go, "Oh, hey, there's Mum
with a cock in her hand," you know?
115
00:04:36,101 --> 00:04:37,681
(ATHENA LAUGHS) Yes.
116
00:04:37,781 --> 00:04:41,601
I mean, uh, is that...is that
what you actually think?
117
00:04:41,700 --> 00:04:44,600
No, it's not what I actually...
Of course not.
118
00:04:44,700 --> 00:04:47,280
But I should be able to think that,
119
00:04:47,380 --> 00:04:49,840
when in reality of course
I'm just like everybody else -
120
00:04:49,940 --> 00:04:52,000
I'm looking at those pictures
and going, you know,
121
00:04:52,100 --> 00:04:53,640
"What an absolute slut."
122
00:04:53,740 --> 00:04:55,740
(MOUTHS)
123
00:04:56,660 --> 00:04:58,800
I'm being ironic, Athena!
124
00:04:58,900 --> 00:05:01,020
-(HIGH-PITCHED WHISTLING)
-ATHENA: OK.
125
00:05:04,820 --> 00:05:06,720
(FRANTIC MUSIC)
126
00:05:06,820 --> 00:05:08,820
(GROANS)
127
00:05:11,180 --> 00:05:13,180
SUZIE: "What an absolute slut."
128
00:05:13,940 --> 00:05:15,940
(MOANS)
129
00:05:22,860 --> 00:05:24,860
(MUSIC CONTINUES)
130
00:05:27,780 --> 00:05:30,780
(HIGH-PITCHED WHISTLING)
131
00:05:32,860 --> 00:05:35,760
Can you send me all the contracts
related to the Disney job as soon as?
132
00:05:35,860 --> 00:05:37,760
And also anyone else
we know who's worked with them
133
00:05:37,859 --> 00:05:39,239
so I can compare the wording?
134
00:05:39,339 --> 00:05:40,359
Thanks.
135
00:05:40,459 --> 00:05:42,719
Cob? Cob!
136
00:05:42,819 --> 00:05:44,819
(FOOTSTEPS APPROACH)
137
00:05:47,299 --> 00:05:50,259
I can't hear you sarcastically
clapping 'cause you're in a car.
138
00:05:52,939 --> 00:05:54,939
(WHIRRING)
139
00:05:58,819 --> 00:06:00,559
(CLAPS SLOWLY)
140
00:06:00,659 --> 00:06:04,039
Thank you. Now, I need to get
to Disney before that interview does.
141
00:06:04,139 --> 00:06:06,319
Can you give me
a lift to the station?
142
00:06:06,419 --> 00:06:07,639
I can.
143
00:06:07,739 --> 00:06:09,739
Will you?
144
00:06:11,339 --> 00:06:13,339
I will.
145
00:06:16,779 --> 00:06:18,479
(ENGINE STARTS)
146
00:06:18,579 --> 00:06:21,299
(THEME MUSIC)
147
00:06:22,739 --> 00:06:24,739
(GLASS SMASHES)
148
00:06:25,579 --> 00:06:28,579
(CAR ENGINE FADES)
149
00:06:36,098 --> 00:06:38,098
(ECHOES) "What an absolute slut."
150
00:06:54,738 --> 00:06:57,638
(INHALES DEEPLY)
151
00:06:57,738 --> 00:07:00,038
Mmm-mmm-mmm...
152
00:07:00,138 --> 00:07:03,458
(DREAMY MUSIC)
153
00:07:09,378 --> 00:07:11,598
-(MOANING ECHOES)
-Ooh!
154
00:07:11,698 --> 00:07:14,898
(GRUNTS)
155
00:07:18,698 --> 00:07:20,698
(CHILDREN SHOUTING)
156
00:07:23,898 --> 00:07:29,198
So is it just me or does she
dress like she's from the past?
157
00:07:29,297 --> 00:07:31,297
(GIGGLES)
158
00:07:35,457 --> 00:07:37,617
(ENGINE REVVING)
159
00:07:39,777 --> 00:07:42,317
MAN: Oh, what a slut you are.
160
00:07:42,417 --> 00:07:44,117
SUZIE: "What an absolute slut."
161
00:07:44,217 --> 00:07:46,117
-(DOG BARKS OUTSIDE)
-(TRUCK BEEPING)
162
00:07:46,217 --> 00:07:47,597
-(SCHOOL BELL RINGS)
-WOMAN: Mrs Pickles?
163
00:07:47,697 --> 00:07:49,077
Can I have a word?
164
00:07:49,177 --> 00:07:52,677
I wonder if he's curious,
which is normal.
165
00:07:52,777 --> 00:07:55,437
Um, sorry. Yeah, I mean, I just...
166
00:07:55,537 --> 00:07:56,917
I think it's more likely
167
00:07:57,017 --> 00:07:59,277
that he doesn't know
if someone's in the toilet.
168
00:07:59,377 --> 00:08:01,637
I mean, why aren't people
locking doors?
169
00:08:01,737 --> 00:08:03,197
The impression I'm getting
170
00:08:03,297 --> 00:08:06,197
is that it's a rather
deliberate attempt to see things.
171
00:08:06,297 --> 00:08:07,997
And if there is new behaviour
172
00:08:08,097 --> 00:08:10,317
that might be related
to something that's going on at home,
173
00:08:10,417 --> 00:08:13,477
it's important we're open
and transparent about that.
174
00:08:13,577 --> 00:08:17,117
Is there anything going on at home?
175
00:08:17,217 --> 00:08:20,077
Is this about me not doing
the school fete opening?
176
00:08:20,177 --> 00:08:25,157
No! It's about Frank
bursting in on people on the toilet.
177
00:08:25,256 --> 00:08:30,696
And, also, did you get the letter
about appropriate dress for drop-off?
178
00:08:32,776 --> 00:08:34,776
I did, yeah.
179
00:08:36,216 --> 00:08:38,236
(DISCORDANT JAZZ MUSIC)
180
00:08:38,336 --> 00:08:41,436
I did and I used it to wipe my arse
181
00:08:41,536 --> 00:08:45,016
because I'm a terrible mother
and a massive slut.
182
00:08:46,656 --> 00:08:49,176
Have a great day.
See you, sweetheart.
183
00:08:54,976 --> 00:08:57,456
(ENGINE REVVING)
184
00:08:58,496 --> 00:09:02,956
So is it just me or does she
dress like she's from the past?
185
00:09:03,056 --> 00:09:04,476
(GIGGLES)
186
00:09:04,576 --> 00:09:06,736
BRUCE: Come on.
Let me give you a ride home.
187
00:09:09,016 --> 00:09:11,576
(REVVING)
188
00:09:15,096 --> 00:09:17,456
I'm so lazy. I should walk.
189
00:09:18,456 --> 00:09:19,916
Please don't.
190
00:09:20,016 --> 00:09:22,616
(ENGINE STARTS AND REVS)
191
00:09:23,735 --> 00:09:27,535
Mmm. Oh, my God,
I need to get sucked.
192
00:09:30,375 --> 00:09:32,375
(REVVING)
193
00:09:36,855 --> 00:09:38,855
Oh...
194
00:09:40,295 --> 00:09:42,295
(ZIPPER BUZZES)
195
00:09:44,015 --> 00:09:45,555
Oh, yeah!
196
00:09:45,655 --> 00:09:47,115
Oh, I'm so grateful.
197
00:09:47,215 --> 00:09:49,395
Oh, suck my cock.
198
00:09:49,495 --> 00:09:53,755
Mmm, suck my cock,
you dirty bitch.
199
00:09:53,855 --> 00:09:55,995
(PANTING) Suck my cock,
you little whore.
200
00:09:56,095 --> 00:09:57,675
-Really?
-What?!
201
00:09:57,775 --> 00:09:59,355
You're fantasising
about giving him a blowjob,
202
00:09:59,455 --> 00:10:02,195
some dad from the playground
this morning?
203
00:10:02,295 --> 00:10:04,115
I'm trying to make
myself feel better.
204
00:10:04,215 --> 00:10:05,595
You're not into cars.
205
00:10:05,695 --> 00:10:08,035
-He's into cars!
-Do you know that in real life?
206
00:10:08,135 --> 00:10:10,915
It... (STAMMERS)
It's in my imagination.
207
00:10:11,015 --> 00:10:13,395
So you've made up that
he's into sports cars
208
00:10:13,495 --> 00:10:15,355
so you can fantasise
about him being turned on
209
00:10:15,455 --> 00:10:18,145
in a car he thinks makes him sexy?
210
00:10:18,254 --> 00:10:20,254
Where are you in this?
211
00:10:22,214 --> 00:10:24,474
I like his desire.
212
00:10:24,574 --> 00:10:27,874
His desire for me makes me wet.
213
00:10:27,974 --> 00:10:31,314
(PANTING) Suck my cock, you whore.
214
00:10:31,414 --> 00:10:35,194
But he was nice to you.
That was the whole attraction.
215
00:10:35,294 --> 00:10:37,114
Why is he calling you names now?
216
00:10:37,214 --> 00:10:38,674
MAN: Karen?
217
00:10:38,774 --> 00:10:41,134
('TWELVE DAYS OF CHRISTMAS'
PLAYS DISTORTEDLY)
218
00:10:42,734 --> 00:10:44,714
-(MAN SHOUTS ANGRILY) Karen!
-NAOMI: I know why.
219
00:10:44,814 --> 00:10:46,634
MAN: Where is she, deaf bint?
220
00:10:46,734 --> 00:10:48,954
NAOMI: You've always been
attracted to shitty men.
221
00:10:49,054 --> 00:10:51,394
Go and get me something
from over there, would ya?
222
00:10:51,494 --> 00:10:54,834
Good girl. You're a good
little girl, aren't you?
223
00:10:54,934 --> 00:10:57,634
SUZIE: I don't like shitty men.
224
00:10:57,734 --> 00:10:59,114
I just wank over them.
225
00:10:59,214 --> 00:11:00,594
-NAOMI: Oh, beautiful.
-Sometimes.
226
00:11:00,694 --> 00:11:02,394
-Beautiful!
-Well, I can't help it.
227
00:11:02,494 --> 00:11:04,594
Uh, you can help it,
like they do with paedos.
228
00:11:04,694 --> 00:11:07,074
-What?
-Paedophiles.
229
00:11:07,174 --> 00:11:08,794
'Cause orgasms are really,
like, powerful...
230
00:11:08,894 --> 00:11:10,274
What's the word?
Conditioners of behaviour.
231
00:11:10,374 --> 00:11:11,274
SUZIE: Mmm?
232
00:11:11,374 --> 00:11:16,754
Well, they make paedos
wank over images of, like, adults
233
00:11:16,853 --> 00:11:19,433
and the more they wank,
the more they orgasm,
234
00:11:19,533 --> 00:11:20,913
the more they get into that...
235
00:11:21,013 --> 00:11:22,353
I'm sorry. Who...who does this?
236
00:11:22,453 --> 00:11:24,193
Like, in studies
and away from, like, the kids.
237
00:11:24,293 --> 00:11:25,953
Hang on a minute. So you're...
238
00:11:26,053 --> 00:11:28,113
So you're saying the more
I wank over someone...
239
00:11:28,213 --> 00:11:29,873
-Or just nicer guys?
-Yeah.
240
00:11:29,973 --> 00:11:32,153
..I'll eventually start
to fancy them in real life?
241
00:11:32,253 --> 00:11:35,193
Yes! Like, you build the muscle,
like an athlete.
242
00:11:35,293 --> 00:11:37,593
Wank through your shitty childhood.
243
00:11:37,693 --> 00:11:40,573
Cum your way to being
a better person.
244
00:11:42,093 --> 00:11:44,453
(SWEET LULLABY MUSIC)
245
00:11:49,013 --> 00:11:51,773
(MUSIC RISES DRAMATICALLY)
246
00:11:55,493 --> 00:11:57,033
GIRL: Come on.
247
00:11:57,133 --> 00:11:59,133
(GIGGLING)
248
00:12:00,093 --> 00:12:02,753
-Two?
-Yep, two whole minutes!
249
00:12:02,853 --> 00:12:04,473
-'Bye!
-KIDS: 'Bye!
250
00:12:04,573 --> 00:12:06,573
(LAUGHTER FADES)
251
00:12:08,452 --> 00:12:10,312
Oh, my gosh.
252
00:12:10,412 --> 00:12:11,872
Sorry. Are you OK?
253
00:12:11,972 --> 00:12:13,972
It sticks out.
254
00:12:16,172 --> 00:12:18,432
SUZIE: I'm allowed to think
about that because I was...
255
00:12:18,532 --> 00:12:20,352
..the same age as him at the time.
256
00:12:20,452 --> 00:12:24,072
Obviously, I'm not judging that.
At least he was nice to you.
257
00:12:24,172 --> 00:12:25,432
SUZIE: Come on.
258
00:12:25,532 --> 00:12:27,072
We're sophisticated enough
259
00:12:27,172 --> 00:12:30,552
to distinguish between
our politics and our desires.
260
00:12:30,652 --> 00:12:32,712
Yeah, but everything
you think is sexy
261
00:12:32,812 --> 00:12:36,352
is based on what men have told you
is sexy for thousands of years.
262
00:12:36,452 --> 00:12:41,072
What part of that do you think
is about your desire, your lust?
263
00:12:41,172 --> 00:12:43,432
Where do you go to
when it's coming from you?
264
00:12:43,532 --> 00:12:45,532
(NAOMI'S VOICE ECHOES)
265
00:12:48,612 --> 00:12:52,132
(RADIO STATIC, JUMBLED STATIONS)
266
00:12:56,892 --> 00:12:59,392
(STATIC BUZZES)
267
00:12:59,492 --> 00:13:01,492
(SIGHS)
268
00:13:07,651 --> 00:13:09,891
(MAN PANTS AND MOANS QUIETLY)
269
00:13:16,051 --> 00:13:18,051
(SUZIE BREATHES RAGGEDLY)
270
00:13:19,131 --> 00:13:21,771
(MOANS)
271
00:13:25,651 --> 00:13:27,991
CARTER: Yeah, so reflexology
is like this theory
272
00:13:28,091 --> 00:13:29,631
that every part of your foot
273
00:13:29,731 --> 00:13:31,271
is connected to another
part of your body.
274
00:13:31,371 --> 00:13:34,291
So if I press here...
275
00:13:37,651 --> 00:13:40,291
(BOTH PANT AND MOAN)
276
00:13:45,291 --> 00:13:46,951
NAOMI: No! Not Carter.
277
00:13:47,051 --> 00:13:49,111
You should be thinking about Cob.
278
00:13:49,211 --> 00:13:51,651
You need to cum to your husband.
279
00:13:55,171 --> 00:13:57,171
Well, hello.
280
00:14:07,330 --> 00:14:09,330
Sorry.
281
00:14:12,250 --> 00:14:15,590
NAOMI: OK, OK.
Then imagine something. Go wild.
282
00:14:15,690 --> 00:14:17,230
He can just feature.
283
00:14:17,330 --> 00:14:19,750
(RADIO STATIC)
284
00:14:19,850 --> 00:14:21,850
POLICEMAN: These photos.
285
00:14:23,650 --> 00:14:25,950
(BOTH MOAN)
286
00:14:26,050 --> 00:14:27,950
Can you explain?
287
00:14:28,050 --> 00:14:29,550
SUZIE: Yeah, they're me.
288
00:14:29,650 --> 00:14:31,730
-They're all of me.
-(BOTH MOAN)
289
00:14:42,450 --> 00:14:44,650
(MOANING CONTINUES)
290
00:14:48,170 --> 00:14:50,070
-(GIGGLES)
-I can't control her, sir.
291
00:14:50,170 --> 00:14:52,990
-She's wild.
-What's this little slut doing?
292
00:14:53,090 --> 00:14:55,310
-You can't say 'slut', sir.
-Shut up!
293
00:14:55,410 --> 00:14:57,270
POLICEMAN:
She's desperate for it, sir.
294
00:14:57,369 --> 00:14:59,229
(SUZIE MOANS)
295
00:14:59,329 --> 00:15:02,229
You want to get us into trouble,
don't you, you little whore?
296
00:15:02,329 --> 00:15:04,329
What's going on here?
297
00:15:06,529 --> 00:15:08,529
It's only fun.
298
00:15:14,489 --> 00:15:16,489
SUZIE: Sorry, Cob.
299
00:15:19,049 --> 00:15:22,609
(CHILDREN SPEAK SOFTLY)
Five, four, three, two, one.
300
00:15:23,809 --> 00:15:25,829
(CHILDREN GIGGLE)
301
00:15:25,929 --> 00:15:29,749
-GIRL: She's such a slut.
-GIRL 2: She's such a slut.
302
00:15:29,849 --> 00:15:33,309
(GIGGLING FADES)
303
00:15:33,409 --> 00:15:36,269
You're such a slut.
Two margaritas, please.
304
00:15:36,369 --> 00:15:38,229
Can't believe you don't use toys.
305
00:15:38,329 --> 00:15:41,109
They are depressing.
Like electric tin openers.
306
00:15:41,209 --> 00:15:43,709
I always think the sound
of them's gonna, like...
307
00:15:43,809 --> 00:15:45,549
(LAUGHS)
308
00:15:45,649 --> 00:15:48,589
..attract a bunch of stray cats.
309
00:15:48,689 --> 00:15:51,029
-That's so weird.
-(CATS MEOW)
310
00:15:51,129 --> 00:15:54,889
(CATS MEOW AND PURR)
311
00:15:59,088 --> 00:16:01,868
-(MEOW ECHOES)
-(DOG BARKS)
312
00:16:01,968 --> 00:16:05,108
(SIGHS) Fuck!
313
00:16:05,208 --> 00:16:07,948
(DRUM BEATS)
314
00:16:08,048 --> 00:16:10,848
(SILENCE)
315
00:16:12,328 --> 00:16:15,328
(TRAIN RATTLES)
316
00:16:16,528 --> 00:16:18,508
OK, it says "Anything deemed
to damage the Disney brand
317
00:16:18,608 --> 00:16:19,988
"or bring it into disrepute."
318
00:16:20,088 --> 00:16:21,668
Do we know deemed by who?
319
00:16:21,768 --> 00:16:25,488
OK, alright. I'll take a look.
Alright, thanks.
320
00:17:00,887 --> 00:17:02,887
(SNIFFS)
321
00:17:11,927 --> 00:17:13,927
(WATER RUNS)
322
00:17:23,927 --> 00:17:25,927
Hmm.
323
00:17:34,167 --> 00:17:35,387
Hmm.
324
00:17:35,487 --> 00:17:37,387
WOMAN ON PHONE: Good morning.
Disney. Marian Fletcher's office.
325
00:17:37,487 --> 00:17:38,907
Yes, I'm Naomi Jones.
326
00:17:39,007 --> 00:17:42,147
I rep Suzie Pickles and
a few other people you work with.
327
00:17:42,247 --> 00:17:44,467
Listen, me and Marianne
really need to have a call today.
328
00:17:44,566 --> 00:17:45,986
She probably mentioned this?
329
00:17:46,086 --> 00:17:47,986
-WOMAN: Oh, sorry. I'm just a temp.
-Oh, OK.
330
00:17:48,086 --> 00:17:51,106
Uh, listen, she's got 10 minutes
at some point today, doesn't she?
331
00:17:51,206 --> 00:17:53,266
She can do 15 minutes,
quite soon, though.
332
00:17:53,366 --> 00:17:54,746
-At 11:00?
-OK, great.
333
00:17:54,846 --> 00:17:57,226
Actually, I happen to be in
the building before for a meeting,
334
00:17:57,326 --> 00:17:59,826
so I'll come straight to her office
and pop my head in then.
335
00:17:59,926 --> 00:18:01,866
-OK, if you're here anyway.
-Exactly. Great.
336
00:18:01,966 --> 00:18:04,486
-Thanks. 'Bye.
-OK. Thanks. 'Bye.
337
00:18:13,806 --> 00:18:14,786
(ROBOT BEEPS)
338
00:18:14,886 --> 00:18:17,066
ROBOT: I am your helper.
339
00:18:17,166 --> 00:18:19,246
SUZIE: Oh, fuck!
340
00:18:20,446 --> 00:18:22,446
(MUTTERS)
341
00:18:25,766 --> 00:18:27,766
(DEVICE VIBRATES)
342
00:18:28,446 --> 00:18:30,446
Huh!
343
00:18:33,966 --> 00:18:37,266
(PHONE RINGS AT OTHER END)
344
00:18:37,366 --> 00:18:39,346
MAN ON PHONE: Good morning.
Disney UK.
345
00:18:39,446 --> 00:18:42,266
Hi. Can you put me through
to Dale Borger's assistant, please?
346
00:18:42,365 --> 00:18:43,705
MAN: Putting you through.
347
00:18:43,805 --> 00:18:45,425
WOMAN ON PHONE:
Dale Borger's office.
348
00:18:45,525 --> 00:18:47,105
-Hi. Is that Holly?
-Yes.
349
00:18:47,205 --> 00:18:49,385
-Hi, Holly. Naomi Jones here.
-Mm-hm.
350
00:18:49,485 --> 00:18:50,865
I just wanted to check,
351
00:18:50,965 --> 00:18:53,465
do you have a meeting in with me
and Marianne today at 11:00?
352
00:18:53,565 --> 00:18:55,025
-WOMAN: No. Not today.
-Oh, really?
353
00:18:55,125 --> 00:18:56,505
Well, you should.
354
00:18:56,605 --> 00:18:58,425
They've been begging me
for a meeting about Suzie,
355
00:18:58,525 --> 00:19:00,425
and Marianne really wanted
to have it today.
356
00:19:00,525 --> 00:19:02,745
-Did her assistant not message you?
-Uh, yeah, no.
357
00:19:02,845 --> 00:19:05,665
-She's got a temp in at the moment.
-Ah, OK. That explains it.
358
00:19:05,765 --> 00:19:08,065
Well, let me tell you,
if you have any spare moment
359
00:19:08,165 --> 00:19:10,225
to block out with him,
I'd do it then,
360
00:19:10,325 --> 00:19:12,745
because he'll be really annoyed
if this meeting happens without him.
361
00:19:12,845 --> 00:19:15,585
Oh! Well, OK,
I'm putting it in the diary now.
362
00:19:15,685 --> 00:19:18,545
-Thanks for letting me know.
-No worries. 'Bye.
363
00:19:18,645 --> 00:19:20,645
(RHYTHMIC RUSTLING)
364
00:19:25,965 --> 00:19:27,965
(DEVICE VIBRATES)
365
00:19:31,045 --> 00:19:34,865
NAOMI: OK. Here we go. You're going
to cum thinking about your husband.
366
00:19:34,965 --> 00:19:35,865
(ROCK MUSIC)
367
00:19:35,965 --> 00:19:37,975
♪ Ooh, ooh, I need to see you
368
00:19:38,084 --> 00:19:40,224
♪ Come on,
let me take a piece of you... ♪
369
00:19:40,324 --> 00:19:42,384
NAOMI: He's attractive, right?
370
00:19:42,484 --> 00:19:44,224
To...someone.
371
00:19:44,324 --> 00:19:46,324
VALERIE: Professor?
372
00:19:49,644 --> 00:19:52,924
Professor, do you mind going
over something else for me?
373
00:19:56,964 --> 00:19:58,424
♪ Meanwhile
374
00:19:58,524 --> 00:20:00,144
♪ I'm on fire
375
00:20:00,244 --> 00:20:02,904
♪ Your body sways
and takes me higher
376
00:20:03,004 --> 00:20:04,144
♪ I got you... ♪
377
00:20:04,244 --> 00:20:06,244
I like that she likes him.
378
00:20:07,604 --> 00:20:08,984
NAOMI: Well, get involved.
379
00:20:09,084 --> 00:20:13,444
(ROCK MUSIC CONTINUES)
380
00:20:17,644 --> 00:20:20,204
(VALERIE MOANS)
381
00:20:22,164 --> 00:20:23,064
(GASPS)
382
00:20:23,164 --> 00:20:24,064
(MOANS)
383
00:20:24,164 --> 00:20:25,784
NAOMI: This is actually quite hot.
384
00:20:25,884 --> 00:20:27,264
SUZIE: Shut up!
385
00:20:27,364 --> 00:20:29,224
-Go away!
-Include him, then.
386
00:20:29,324 --> 00:20:31,324
He's the one you're trying
to get excited about.
387
00:20:32,923 --> 00:20:35,543
SUZIE: Shall I make her cum for you?
388
00:20:35,643 --> 00:20:37,023
COB: Yes, please.
389
00:20:37,123 --> 00:20:38,423
(MOANING)
390
00:20:38,523 --> 00:20:40,223
COB: Put your fingers inside her.
391
00:20:40,323 --> 00:20:42,863
SUZIE: No. No, I won't do that
'cause that's not gonna work.
392
00:20:42,963 --> 00:20:45,463
Ugh! Put your fingers inside her!
393
00:20:45,563 --> 00:20:47,063
I don't mind.
394
00:20:47,163 --> 00:20:50,223
SUZIE: This isn't my bag. I don't
even know what this is really like.
395
00:20:50,323 --> 00:20:53,083
Jesus, now you're fantasising
about my desires!
396
00:20:54,083 --> 00:20:56,083
NAOMI: Come on, from YOU.
397
00:20:58,243 --> 00:20:59,703
CARTER: Every part of your foot
398
00:20:59,803 --> 00:21:01,903
is connected to another part
of your body, so...
399
00:21:02,003 --> 00:21:03,263
SUZIE: Mm-hm. Yeah?
400
00:21:03,363 --> 00:21:05,363
CARTER: Yeah.
So, where did you feel that?
401
00:21:06,203 --> 00:21:09,503
In my pussy? Yeah.
402
00:21:09,603 --> 00:21:11,543
Right! (LAUGHS)
403
00:21:11,643 --> 00:21:12,543
(LAUGHS)
404
00:21:12,643 --> 00:21:16,143
CARTER: No. No, that was meant
to be your shoulder.
405
00:21:16,243 --> 00:21:17,183
Oh!
406
00:21:17,283 --> 00:21:19,183
But, hey, maybe that's the science,
I don't know.
407
00:21:19,283 --> 00:21:21,283
(SUZIE LAUGHS)
408
00:21:26,803 --> 00:21:28,303
NAOMI: That was when you met.
409
00:21:28,402 --> 00:21:30,902
It was good when you first met Cob.
410
00:21:31,002 --> 00:21:33,242
If you can't imagine, then remember.
411
00:21:51,682 --> 00:21:53,262
(WHISPERS) Beautiful girl.
412
00:21:53,362 --> 00:21:55,542
(BIRD'S WINGS FLAP)
413
00:21:55,642 --> 00:21:58,162
Did you see what I wrote?
414
00:21:59,562 --> 00:22:01,762
-What?
-Did you not see it?
415
00:22:03,922 --> 00:22:05,222
Where?
416
00:22:05,322 --> 00:22:08,462
I must've rubbed it off
with the sweat.
417
00:22:08,562 --> 00:22:10,562
Mmm.
418
00:22:11,682 --> 00:22:13,062
Whereabouts?
419
00:22:13,162 --> 00:22:14,742
Well, you're just gonna
have to find it.
420
00:22:14,842 --> 00:22:16,422
-Oh, really?
-Yeah.
421
00:22:16,522 --> 00:22:19,242
(LAUGHTER)
422
00:22:24,241 --> 00:22:27,241
(KISSING)
423
00:22:39,081 --> 00:22:42,121
-(SUZIE LAUGHS)
-(BUZZING)
424
00:22:48,561 --> 00:22:51,561
(BIRDS CHIRP)
425
00:22:55,481 --> 00:22:57,921
What you looking so sad for?
426
00:22:59,241 --> 00:23:01,301
Come on, misery!
427
00:23:01,401 --> 00:23:03,501
-(LAUGHS) No! No.
-Ohh. Ohh.
428
00:23:03,601 --> 00:23:05,701
Don't fight me! Oh, don't fight me!
429
00:23:05,801 --> 00:23:07,861
That's the worst thing you can do
in this situation!
430
00:23:07,961 --> 00:23:10,061
Oh, oh, no!
You're just gonna have to be happy.
431
00:23:10,161 --> 00:23:12,581
-I'm sorry, I don't make the rules.
-Stop. Stop. Stop.
432
00:23:12,681 --> 00:23:15,501
-Oh, you're so...you're so beautiful.
-(LAUGHS)
433
00:23:15,601 --> 00:23:19,581
You're so...you're so great.
And I'm so...I'm so in love with you.
434
00:23:19,681 --> 00:23:21,681
-You're so beautiful...
-Be the bear!
435
00:23:23,960 --> 00:23:27,020
-(LAUGHS)
-(GRUNTS SOFTLY)
436
00:23:27,120 --> 00:23:31,100
-You feel that? You feel that?
-Oh, yeah.
437
00:23:31,200 --> 00:23:33,060
-Mmm?
-(SIGHS)
438
00:23:33,160 --> 00:23:35,660
I just want you
to stay like that forever.
439
00:23:35,760 --> 00:23:38,740
-(GROWLS)
-(LAUGHS)
440
00:23:38,840 --> 00:23:40,840
-(ROARS)
-(BEAR ROAR ECHOES)
441
00:23:43,160 --> 00:23:45,400
(PHONE BUZZES)
442
00:23:46,720 --> 00:23:49,960
Oh, my God!
443
00:23:58,720 --> 00:24:00,720
(DOORBELL RINGS)
444
00:24:11,160 --> 00:24:13,160
-Oh, hey.
-Hi. Package for Cob.
445
00:24:14,960 --> 00:24:17,600
-Yep.
-Hi. Um, signature, please.
446
00:24:19,559 --> 00:24:21,559
-There you go.
-Thank you.
447
00:24:30,359 --> 00:24:33,359
(RHYTHMIC RUSTLING)
448
00:24:38,079 --> 00:24:41,079
(PHONE BUZZES)
449
00:24:42,679 --> 00:24:45,499
(RHYTHMIC RUSTLING)
450
00:24:45,599 --> 00:24:48,819
MAN OVER P.A.: Hello there,
we regret to inform you that
451
00:24:48,919 --> 00:24:50,619
there's been an incident up ahead
452
00:24:50,719 --> 00:24:53,419
so we'll be stop/start all the way
into Liverpool Street.
453
00:24:53,519 --> 00:24:55,679
Sorry for the delay in your journey.
454
00:24:58,159 --> 00:25:01,159
(MAN GRUNTS AND HUFFS)
455
00:25:12,518 --> 00:25:15,278
(RAPID RUSTLING)
456
00:25:16,318 --> 00:25:18,318
(PHONE BUZZES)
457
00:25:26,958 --> 00:25:30,638
(RAPID DISTORTED CHUGGING)
458
00:25:37,478 --> 00:25:39,418
(MOUTHS) Are you alright?
459
00:25:39,518 --> 00:25:42,338
-Thanks, I'm fine.
-(CHUGGING STOPS)
460
00:25:42,438 --> 00:25:45,438
(SIGHING AND MOANING)
461
00:25:50,918 --> 00:25:52,378
It was so wild.
462
00:25:52,478 --> 00:25:55,098
It was this American soldier,
training in Portsmouth.
463
00:25:55,198 --> 00:25:56,778
He was so fucking hot.
464
00:25:56,878 --> 00:25:58,418
-Oh, my God, was he in uniform?
-Yeah.
465
00:25:58,518 --> 00:26:00,378
-I love a uniform.
-Me too. I wonder why?
466
00:26:00,478 --> 00:26:02,098
Hot, dapper. Yes, sir. No, sir.
467
00:26:02,198 --> 00:26:05,098
I think it makes it easier to work
out which one is the most important.
468
00:26:05,198 --> 00:26:07,298
-(SIGHING AND MOANING)
-Go fuck yourself, Desantos.
469
00:26:07,398 --> 00:26:09,298
Like, you started watching
soccer yesterday.
470
00:26:09,397 --> 00:26:12,017
Put the bottle away,
you little bitch. What you doing?
471
00:26:12,117 --> 00:26:13,817
-(SOLDIER SPEAKS INDISTINCTLY)
-MAN: Keep walking!
472
00:26:13,917 --> 00:26:16,417
Hey, baby. I'll walk in
your fucking ass. Come on.
473
00:26:16,517 --> 00:26:20,217
Hey! Language.
There are ladies present.
474
00:26:20,317 --> 00:26:23,317
(PASSIONATE SIGHING AND MOANING)
475
00:26:24,997 --> 00:26:28,537
I'm sorry, ma'am. I'm just trying
to get these reprobates home.
476
00:26:28,637 --> 00:26:32,657
(RAPID DISTORTED MOANING)
477
00:26:32,757 --> 00:26:34,977
SONG: ♪ Come on, let's do this
478
00:26:35,077 --> 00:26:37,577
♪ Memories won't save me now
479
00:26:37,677 --> 00:26:41,097
♪ When the music takes your soul
480
00:26:41,197 --> 00:26:44,057
♪ It's a shame and a crime
481
00:26:44,157 --> 00:26:46,897
♪ If you're afraid
to let yourself go... ♪
482
00:26:46,997 --> 00:26:49,017
-You're so fit!
-Gotta be.
483
00:26:49,117 --> 00:26:51,417
-♪ Shake it off... ♪
-I love your teeth.
484
00:26:51,517 --> 00:26:53,177
They're super cute.
485
00:26:53,277 --> 00:26:56,337
♪ Only you feel my soul
486
00:26:56,437 --> 00:26:59,617
♪ Come on, baby, let me see you... ♪
487
00:26:59,717 --> 00:27:02,257
I've always been troubled
by your attraction to black guys.
488
00:27:02,357 --> 00:27:05,937
-I'm not. What? That's racist.
-It's objectifying.
489
00:27:06,036 --> 00:27:09,296
Of course it's fucking objectifying!
I'm masturbating!
490
00:27:09,396 --> 00:27:11,256
You should be training yourself
back to Cob.
491
00:27:11,356 --> 00:27:13,456
Oh, God, get out of my wank!
492
00:27:13,556 --> 00:27:15,736
You're probably gonna lose
the Disney gig.
493
00:27:15,836 --> 00:27:19,396
-♪ Come on, yeah! ♪
-(SOBS)
494
00:27:33,756 --> 00:27:36,256
(RAPID DISTORTED MOANING)
♪ Come on
495
00:27:36,356 --> 00:27:37,776
♪ Yeah!
496
00:27:37,876 --> 00:27:40,616
♪ Let's go, baby, shake yourself
497
00:27:40,716 --> 00:27:43,856
♪ Who cares who sees it now
498
00:27:43,956 --> 00:27:46,416
-♪ I got you coming, babe... ♪
-(TRAIN WHOOSHES)
499
00:27:46,516 --> 00:27:49,376
No. No, no. No.
500
00:27:49,476 --> 00:27:51,856
-Not you.
-(DISTORTED CHUGGING SLOWS)
501
00:27:51,956 --> 00:27:53,956
CARTER: Come on.
502
00:27:55,436 --> 00:27:57,336
(CHUGGING STOPS)
503
00:27:57,436 --> 00:28:00,556
(METAL SHRIEKS)
504
00:28:13,555 --> 00:28:16,335
Hi, er, just, if you wanted
to report a crime,
505
00:28:16,435 --> 00:28:19,095
or just something that had happened
on a train, where would I...
506
00:28:19,195 --> 00:28:21,895
Would I talk to you or...like,
if a wallet was stolen or something?
507
00:28:21,995 --> 00:28:24,655
-Have you been a victim of a crime?
-No, I just mean theoretically.
508
00:28:24,755 --> 00:28:26,135
It depends if anyone's around
509
00:28:26,235 --> 00:28:28,375
or if they wanna call
the Metropolitan Police.
510
00:28:28,475 --> 00:28:30,895
-You can wait in the staff room.
-Yeah. How long?
511
00:28:30,995 --> 00:28:33,175
-I've got this meeting, so...
-I honestly couldn't say.
512
00:28:33,275 --> 00:28:35,775
I could just go to the website,
right? I'll go to the website.
513
00:28:35,875 --> 00:28:38,455
Or text 61016 - the British Transport
Police. There you go.
514
00:28:38,555 --> 00:28:40,555
Thanks. Cheers.
515
00:28:46,515 --> 00:28:49,935
-(ENGINE STARTS)
-(GASPING AND MOANING)
516
00:28:50,035 --> 00:28:52,815
SUZIE: Come in me! Get me pregnant!
Fuck your baby into me!
517
00:28:52,915 --> 00:28:55,195
Oh, God! (GASPS)
518
00:29:02,874 --> 00:29:05,254
-(DISTORTED SPEECH) Whore!
-You little whore!
519
00:29:05,354 --> 00:29:08,734
(MOANING AND GASPING)
520
00:29:08,834 --> 00:29:10,834
(INDISTINCT SPEECH)
521
00:29:14,234 --> 00:29:17,314
(INDISTINCT SPEECH)
522
00:29:26,754 --> 00:29:29,754
(JARRING MUSIC BUILDS)
523
00:29:30,954 --> 00:29:32,934
-(MUSIC STOPS)
-No, no. No!
524
00:29:33,034 --> 00:29:35,854
-No, no, no, no, no, no.
-What?
525
00:29:35,954 --> 00:29:39,034
Do...do you want me to stop?
I love you.
526
00:29:40,874 --> 00:29:42,874
I love you.
527
00:29:44,514 --> 00:29:46,734
Am I not beautiful enough?
528
00:29:46,834 --> 00:29:49,474
You're so beautiful.
529
00:29:51,873 --> 00:29:53,893
Am I not clever enough?
530
00:29:53,993 --> 00:29:56,153
You're so clever.
531
00:29:58,873 --> 00:30:00,973
Am I not happy enough?
532
00:30:01,073 --> 00:30:03,373
You're so happy.
533
00:30:03,473 --> 00:30:06,113
(FLOWING MUSIC)
534
00:30:08,833 --> 00:30:10,613
Ahh!
535
00:30:10,713 --> 00:30:13,253
Oh! (GASPS) I love you.
536
00:30:13,353 --> 00:30:15,733
(ECHOES) I love you.
537
00:30:15,833 --> 00:30:17,833
Fuck!
538
00:30:18,953 --> 00:30:21,533
You know what I call that,
when you cry after?
539
00:30:21,633 --> 00:30:24,013
A French wank.
540
00:30:24,113 --> 00:30:26,293
(NAIL FILE SCRAPES SOFTLY)
541
00:30:26,393 --> 00:30:28,933
-(SNIFFS)
-(NAIL FILE STOPS)
542
00:30:29,033 --> 00:30:32,033
(BIRDS CHIRP)
543
00:30:38,113 --> 00:30:41,113
(RADIO PLAYS SOFTLY)
544
00:30:42,553 --> 00:30:44,693
-Hey.
-SUZIE: Hey, what happened?
545
00:30:44,793 --> 00:30:46,573
It was good. Good meeting.
546
00:30:46,673 --> 00:30:48,893
No, I mean the guy on the train.
547
00:30:48,992 --> 00:30:50,612
Oh, God, forget it.
548
00:30:50,712 --> 00:30:54,092
Just, er, on the train on the way
back, there was a guy that was...
549
00:30:54,192 --> 00:30:56,212
I think he was, like,
touching himself or some shit?
550
00:30:56,312 --> 00:30:57,852
Oh, my God, I've had that.
551
00:30:57,952 --> 00:31:00,492
Yeah, it was like I didn't know
and then I did know.
552
00:31:00,592 --> 00:31:02,292
Yeah, it was pretty special.
553
00:31:02,392 --> 00:31:05,612
Look, in real news, I just saw
Disney and they're very excited.
554
00:31:05,712 --> 00:31:08,252
I've managed to emotionally blackmail
them into supporting you.
555
00:31:08,352 --> 00:31:10,852
-What?
-We're in good shape, OK?
556
00:31:10,952 --> 00:31:13,412
They want to behave
in the best possible moral way,
557
00:31:13,512 --> 00:31:15,172
and actually, in today's money,
558
00:31:15,272 --> 00:31:17,332
they look pretty villainous
if they dump you.
559
00:31:17,432 --> 00:31:19,492
So you still have the role
of ageing princess.
560
00:31:19,592 --> 00:31:22,372
-OK. (LAUGHS)
-I'm a legend.
561
00:31:22,472 --> 00:31:25,412
-I'm in a cab, so love you.
-Love you too.
562
00:31:25,512 --> 00:31:26,892
-'Bye.
-'Bye.
563
00:31:26,992 --> 00:31:29,992
(NEWS PLAYS SOFTLY)
564
00:31:31,272 --> 00:31:32,972
RADIO NEWSREADER: ..accuse
the government of not having
565
00:31:33,072 --> 00:31:35,012
a proper plan to repair the damage
566
00:31:35,112 --> 00:31:37,052
caused by flooding along the Thames
over the last...
567
00:31:37,152 --> 00:31:39,492
It's just right there.
It's just right there.
568
00:31:39,592 --> 00:31:42,572
NEWSREADER: ..millions of pounds of
damage as banks burst over last...
569
00:31:42,672 --> 00:31:44,012
(DISHWASHER CLATTERS)
570
00:31:44,111 --> 00:31:47,211
..unusually heavy rain.
571
00:31:47,311 --> 00:31:50,411
NEWSREADER: There has been another
serious sexual assault in West London
572
00:31:50,511 --> 00:31:52,731
when a woman running
in Ravenscourt Park
573
00:31:52,831 --> 00:31:55,891
was dragged into some bushes
around 7:00 last night.
574
00:31:55,991 --> 00:31:58,051
Police are appealing
for any witnesses...
575
00:31:58,151 --> 00:32:01,451
Excuse me, excuse me. Sorry. Would
you mind putting some music on?
576
00:32:01,551 --> 00:32:04,471
-..they believe may be connected...
-(BLUES MUSIC PLAYS)
577
00:32:07,751 --> 00:32:10,331
SONG: ♪ I only love you
and I never will
578
00:32:10,431 --> 00:32:13,691
♪ Come on, baby, let me get my fill
579
00:32:13,791 --> 00:32:18,191
♪ I've got you on my mind
580
00:32:20,111 --> 00:32:22,931
♪ Heartbreaker, gonna take my soul
581
00:32:23,031 --> 00:32:25,811
♪ I'll move your body
to the rock'n'roll
582
00:32:25,911 --> 00:32:30,711
♪ I've got you on my mind
583
00:32:35,511 --> 00:32:37,511
♪ Come on, baby
584
00:32:38,791 --> 00:32:40,791
♪ Come on, baby! ♪
40831
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Portuguese
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
