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1
00:01:02,799 --> 00:01:06,568
[♪♪♪]
2
00:02:10,234 --> 00:02:11,566
LUCAS?
3
00:02:12,969 --> 00:02:14,068
[GASPING]
4
00:02:30,720 --> 00:02:31,919
[JENN]:
IT COULDN'T BE...
5
00:02:31,988 --> 00:02:33,755
THAT'S WHAT I THOUGHT
AT FIRST.
6
00:02:33,790 --> 00:02:36,924
WELL, IF THIS IS
REALLY EDGAR ALLAN POE,
7
00:02:36,960 --> 00:02:39,427
WELL, THIS IS WORTH...
GOSH, I DON'T KNOW...
8
00:02:39,463 --> 00:02:40,895
LIKE, A HUNDRED
THOUSAND DOLLARS?
9
00:02:40,930 --> 00:02:42,830
OH, WELL, NO,
MORE LIKE FIFTY,
10
00:02:42,866 --> 00:02:44,533
BUT THE RARITY
OF A DAGUERREOTYPE...
11
00:02:44,568 --> 00:02:45,534
[DIRECTOR]:
CUT.
12
00:02:45,602 --> 00:02:47,235
WAS THAT OKAY,
MS. EPHRON?
13
00:02:47,271 --> 00:02:48,370
DID I MESS UP?
14
00:02:48,405 --> 00:02:49,837
YOU WERE GREAT.
15
00:02:49,873 --> 00:02:51,806
YOU BOTH WERE,
BUT JENN...
16
00:02:51,841 --> 00:02:54,342
WE NEED THIS PORTRAIT EVALUATED
AT A BIGGER NUMBER,
17
00:02:54,378 --> 00:02:56,311
LIKE THE HUNDRED THOUSAND
WE TALKED ABOUT.
18
00:02:56,346 --> 00:02:58,980
YES, BUT EVEN
IF THIS PIECE WERE REAL,
19
00:02:59,049 --> 00:03:01,650
IT WOULD ONLY BE WORTH
BETWEEN 30 AND 50.
20
00:03:01,685 --> 00:03:03,418
[DIRECTOR]: YOU KNOW,
DOESN'T HAVE TO BE REAL.
21
00:03:03,453 --> 00:03:04,752
THIS IS TV.
22
00:03:04,788 --> 00:03:05,753
I'M JUST NOT SURE
I'M COMFORTABLE
23
00:03:05,789 --> 00:03:07,489
LYING ABOUT A LIE.
24
00:03:07,524 --> 00:03:08,456
IT'S NOT A LIE.
25
00:03:08,492 --> 00:03:09,757
IT'S A STORY.
26
00:03:09,793 --> 00:03:10,892
WE'RE TELLING A STORY.
27
00:03:12,196 --> 00:03:14,128
BUT ISN'T THIS REALITY TV?
28
00:03:14,164 --> 00:03:15,397
OKAY, JUST...
29
00:03:15,432 --> 00:03:18,366
THINK OF IT AS
ENABLING THE PLOT.
30
00:03:18,402 --> 00:03:20,001
[WATCH BEEPING]
31
00:03:20,036 --> 00:03:22,204
I MEAN, ONLY IF YOU'RE
COMFORTABLE WITH THAT.
32
00:03:22,239 --> 00:03:24,472
I DON'T WANT YOU
TO NOT ACT NATURAL...
33
00:03:24,508 --> 00:03:26,274
THANK YOU.
34
00:03:26,310 --> 00:03:27,642
BUT... BUT
A HUNDRED THOUSAND?
35
00:03:27,711 --> 00:03:29,744
THAT'S A LOT
MORE EXCITING.
36
00:03:31,515 --> 00:03:32,780
ONLY HALF OF WHAT I'M GOING
TO OWE THE BANK
37
00:03:32,816 --> 00:03:33,781
IF THIS DOESN'T GET PICKED UP.
38
00:03:35,485 --> 00:03:37,352
[DIRECTOR]:
THE PILOT EPISODE
39
00:03:37,421 --> 00:03:39,554
REALLY NEEDS AS MUCH EXCITEMENT
AS WE CAN PACK IN.
40
00:03:39,590 --> 00:03:40,655
OKAY?
41
00:03:42,526 --> 00:03:44,058
WHY DID I LET YOU TALK ME
INTO THIS AGAIN?
42
00:03:44,094 --> 00:03:46,127
MM, 'CAUSE I LOVE
REALITY TV,
43
00:03:46,162 --> 00:03:47,662
AND YOU LOVE ME?
44
00:03:47,698 --> 00:03:49,364
I DO.
45
00:03:49,433 --> 00:03:50,565
AND THE EXTRA MONEY
WILL BE GOOD
46
00:03:50,601 --> 00:03:52,066
FOR RENOVATIONS
FOR THE STORE.
47
00:03:52,102 --> 00:03:53,835
-OKAY... OKAY.
-OKAY.
48
00:03:53,870 --> 00:03:54,769
LET'S GO AGAIN.
49
00:03:54,804 --> 00:03:55,704
YOU'RE GREAT.
50
00:03:55,739 --> 00:03:57,205
THINK BIG!
51
00:03:57,241 --> 00:03:58,340
GOTCHA. BIG.
52
00:03:58,375 --> 00:03:59,474
ROLL SOUND.
53
00:03:59,509 --> 00:04:00,275
[CREW]: SOUND SPEED.
54
00:04:00,310 --> 00:04:01,776
AND ACTION.
55
00:04:01,811 --> 00:04:02,777
[GASPING]
56
00:04:02,846 --> 00:04:04,145
IT COULDN'T BE...
57
00:04:04,180 --> 00:04:05,447
THAT'S WHAT I THOUGHT AT FIRST.
58
00:04:05,482 --> 00:04:08,250
IF THIS IS A REAL
EDGAR ALLAN POE,
59
00:04:08,285 --> 00:04:09,384
WELL, THEN...
60
00:04:09,419 --> 00:04:11,586
I DON'T EVEN KNOW
HOW MUCH THIS IS WORTH...
61
00:04:11,622 --> 00:04:13,521
LIKE, A HUNDRED
THOUSAND DOLLARS?
62
00:04:13,557 --> 00:04:16,625
[JENN]: MAYBE, YEAH...
63
00:04:16,660 --> 00:04:17,825
BUT THE RARITY
OF A DAGUERREOTYPE
64
00:04:17,894 --> 00:04:19,461
IN THIS CONDITION...
65
00:04:19,529 --> 00:04:20,695
WELL, THAT IS...
66
00:04:22,699 --> 00:04:25,099
PRICELESS.
67
00:04:25,135 --> 00:04:26,735
IT'S PRICELESS.
68
00:04:32,208 --> 00:04:33,207
[STARTING ENGINE]
69
00:04:33,277 --> 00:04:34,776
HEY.
70
00:04:34,811 --> 00:04:36,444
HEY!
71
00:04:36,513 --> 00:04:37,512
THANKS FOR THE PICK-UP.
72
00:04:37,547 --> 00:04:39,447
YEAH, NO PROBLEM.
73
00:04:43,052 --> 00:04:45,052
OKAY, MAYBE
A SLIGHT PROBLEM.
74
00:04:47,090 --> 00:04:48,290
WHO DRIVES STANDARD ANYMORE?
75
00:04:48,358 --> 00:04:50,057
OH, COME ON,
THIS CAR'S A CLASSIC.
76
00:04:51,261 --> 00:04:53,428
DOESN'T HELP THAT
IT'S DAD'S BABY.
77
00:04:53,463 --> 00:04:55,096
JUST GIVE IT
A LITTLE MORE GAS
78
00:04:55,165 --> 00:04:56,598
AND LIFT OFF THE CLUTCH
A BIT EASIER.
79
00:04:56,633 --> 00:04:57,499
YOU GOT THIS.
80
00:05:02,706 --> 00:05:04,372
[CRUNCHING]
81
00:05:14,318 --> 00:05:16,851
CLASSIC.
82
00:05:27,731 --> 00:05:29,564
[MAN]: STOP ANDRONOCORP!
83
00:05:29,599 --> 00:05:30,699
GET INVOLVED!
84
00:05:33,470 --> 00:05:34,536
WEBSITE'S ON THE FLYER.
85
00:05:34,571 --> 00:05:36,170
GET INVOLVED!
86
00:05:37,307 --> 00:05:38,906
OKAY, LET'S MOVE IT OVER HERE.
87
00:05:40,444 --> 00:05:41,376
[MURMURING]
88
00:05:41,411 --> 00:05:42,677
OH, HI.
89
00:05:42,713 --> 00:05:43,611
WELCOME TO
RAGS TO RICHES.
90
00:05:43,647 --> 00:05:44,612
CAN WE HELP YOU?
91
00:05:44,648 --> 00:05:46,981
HI, YES,
I'M HOPING THAT YOU CAN.
92
00:05:48,452 --> 00:05:50,918
THIS BELONGED
TO MY MOTHER IN-LAW.
93
00:05:50,954 --> 00:05:52,153
I'M WONDERING
94
00:05:52,188 --> 00:05:53,187
IF YOU MIGHT KNOW
SOMETHING ABOUT IT?
95
00:05:55,459 --> 00:05:57,759
[JENN]: OH, IT'S BEAUTIFUL.
96
00:05:57,828 --> 00:05:59,327
OH, THIS IS, UH...
97
00:05:59,363 --> 00:06:01,028
THIS IS PRETTY
LOCKED UP, HUH?
98
00:06:01,064 --> 00:06:03,732
I COULDN'T FIGURE OUT
HOW TO OPEN IT.
99
00:06:03,767 --> 00:06:04,899
JENN?
100
00:06:04,968 --> 00:06:09,003
UM, MAYBE TALK
ABOUT THE BOX...
101
00:06:09,038 --> 00:06:11,305
ITS ORIGIN,
ITS HISTORY.
102
00:06:11,341 --> 00:06:13,274
MA'AM, WOULD YOU MIND
IF WE FILMED THIS?
103
00:06:13,309 --> 00:06:15,543
I'D REALLY RATHER NOT,
ACTUALLY.
104
00:06:15,579 --> 00:06:16,678
THANK YOU...
105
00:06:16,713 --> 00:06:18,613
BUT ANY EXTRA INFO
WOULD BE VERY HELPFUL.
106
00:06:18,648 --> 00:06:19,814
LET'S JUST CUT.
107
00:06:19,883 --> 00:06:21,683
OKAY, UH, WELL,
THIS IS A PUZZLE BOX,
108
00:06:21,718 --> 00:06:23,184
AS YOU PROBABLY KNOW.
109
00:06:23,219 --> 00:06:24,586
IT'S ORIGINALLY
110
00:06:24,621 --> 00:06:29,090
FROM 2ND OR 3RD CENTURY
GREEK MECHANICAL PUZZLES.
111
00:06:29,125 --> 00:06:29,991
MM-HMM, THE SAME CULTURE
THAT BROUGHT YOU
112
00:06:30,026 --> 00:06:31,292
THE PANDORA'S BOX MYTH.
113
00:06:31,361 --> 00:06:33,094
[JENN]: RIGHT, AND IN FACT,
114
00:06:33,162 --> 00:06:34,228
SOME OF THE FIRST
COMBINATION LOCKS WERE PUZZLES.
115
00:06:34,297 --> 00:06:35,897
VAULTS, TOO, YEAH.
116
00:06:35,932 --> 00:06:37,565
SO THERE COULD BE
SOMETHING VALUABLE INSIDE?
117
00:06:37,601 --> 00:06:38,833
WELL, THERE COULD BE.
118
00:06:38,869 --> 00:06:41,335
THESE WERE NOVELTY GIFTS
IN 19TH-CENTURY ENGLAND,
119
00:06:41,405 --> 00:06:44,205
AND PEOPLE DID STORE
THINGS IN THEM,
120
00:06:44,240 --> 00:06:46,274
BUT THIS ONE
LOOKS FAIRLY NEW,
121
00:06:46,309 --> 00:06:48,643
ALTHOUGH THE WORK
IS VERY INTRICATE.
122
00:06:48,712 --> 00:06:49,944
WERE YOU INTERESTED
IN SELLING IT?
123
00:06:50,013 --> 00:06:52,514
WELL, IT BELONGED
TO MY MOTHER-IN-LAW, ELIZABETH,
124
00:06:52,582 --> 00:06:54,616
WHO PASSED AWAY RECENTLY.
125
00:06:54,684 --> 00:06:56,584
I JUST WANTED TO MAKE SURE
THERE WASN'T ANYTHING INSIDE
126
00:06:56,653 --> 00:06:58,085
BEFORE I DECIDE TO SELL IT.
127
00:06:58,121 --> 00:07:00,221
I THINK WE CAN HELP YOU
WITH THAT.
128
00:07:00,256 --> 00:07:01,890
I'D ALSO READ
THAT, SOMETIMES,
129
00:07:01,925 --> 00:07:03,124
THERE ARE TRIGGERS
IN THESE
130
00:07:03,159 --> 00:07:06,193
THAT WILL SMASH
WHATEVER'S INSIDE
131
00:07:06,229 --> 00:07:07,762
IF YOU TRY TO BREAK IT
INSTEAD OF SOLVING IT?
132
00:07:07,831 --> 00:07:09,597
YES, THAT'S TRUE.
133
00:07:09,633 --> 00:07:12,033
SO, DO YOU THINK
YOU CAN GET IT OPEN?
134
00:07:13,202 --> 00:07:14,636
WELL, IT USUALLY TAKES
ONE OR TWO CIPHERS
135
00:07:14,671 --> 00:07:15,904
TO UNLOCK THESE,
136
00:07:15,939 --> 00:07:17,705
BUT THE SYMBOLS
ON HERE
137
00:07:17,741 --> 00:07:18,706
LOOK LIKE THEY'RE FROM
DIFFERENT CULTURES,
138
00:07:18,742 --> 00:07:21,175
ALMOST LIKE
YOU'D NEED A TRANSLATOR.
139
00:07:21,210 --> 00:07:24,111
GIVE ME A FEW DAYS
TO DO SOME RESEARCH.
140
00:07:24,180 --> 00:07:25,713
THE SOONER THE BETTER,
MISS...
141
00:07:25,749 --> 00:07:26,781
OH, JENN,
I'M JENN,
142
00:07:26,817 --> 00:07:27,849
AND THIS IS
MY PARTNER, DANI,
143
00:07:27,918 --> 00:07:28,983
AND YOU ARE?
144
00:07:29,052 --> 00:07:30,685
TAMARA ANDRONICUS.
145
00:07:30,720 --> 00:07:32,687
ANDRONICUS,
LIKE THE REAL-ESTATE DEVELOPERS?
146
00:07:32,756 --> 00:07:34,255
YES.
147
00:07:34,290 --> 00:07:35,423
YOUR MOTHER-IN-LAW
IS ELIZABETH ANDRONICUS?
148
00:07:35,459 --> 00:07:36,691
WAS.
149
00:07:36,726 --> 00:07:37,692
YOU KNEW HER?
150
00:07:37,727 --> 00:07:40,462
NO, NO.
151
00:07:40,530 --> 00:07:42,530
I'M SORRY
TO HEAR ABOUT HER PASSING.
152
00:07:42,566 --> 00:07:44,031
I READ SHE HAD TWO SONS?
153
00:07:44,100 --> 00:07:45,399
HOW ARE THEY DOING?
154
00:07:45,435 --> 00:07:48,703
WELL, LUCAS IS STRUGGLING,
OF COURSE.
155
00:07:48,738 --> 00:07:51,105
WE DON'T REALLY HEAR
FROM QUIN ANYMORE.
156
00:07:51,140 --> 00:07:53,207
DO YOU HAVE A PEN
SO I COULD WRITE DOWN MY NUMBER?
157
00:07:53,242 --> 00:07:54,509
SURE, OF COURSE.
158
00:07:58,882 --> 00:07:59,914
THANK YOU.
159
00:07:59,983 --> 00:08:01,783
WELL,
I SHOULD GET GOING.
160
00:08:01,818 --> 00:08:05,553
IF THERE IS ANYTHING
PERSONAL IN THIS BOX,
161
00:08:05,589 --> 00:08:07,021
DISCRETION
IS VERY IMPORTANT.
162
00:08:08,792 --> 00:08:10,758
MAYBE BEFORE YOU OPEN
THE FINAL CIPHER,
163
00:08:10,827 --> 00:08:11,893
YOU COULD BRING IT BY THE HOUSE
164
00:08:11,962 --> 00:08:12,961
AND SHOW ME
HOW TO OPEN IT?
165
00:08:12,996 --> 00:08:14,562
ABSOLUTELY.
WE CAN DO THAT.
166
00:08:14,598 --> 00:08:15,964
GREAT.
167
00:08:15,999 --> 00:08:16,865
IF YOU NEED
ANYTHING AT ALL FROM ME,
168
00:08:16,900 --> 00:08:17,832
JUST LET ME KNOW.
169
00:08:17,868 --> 00:08:18,933
SAME.
170
00:08:18,969 --> 00:08:19,934
NICE TO MEET YOU,
TAMARA.
171
00:08:19,970 --> 00:08:22,036
THANK YOU,
AND I GUESS... GOOD LUCK.
172
00:08:22,071 --> 00:08:23,371
LUCK'S WHAT WE'RE
GOING TO NEED.
173
00:08:25,174 --> 00:08:26,140
EXCUSE ME.
174
00:08:26,209 --> 00:08:28,409
EXCUSE ME,
MRS. ANDRONICUS.
175
00:08:28,478 --> 00:08:29,544
I'M JOEL JACOBS.
176
00:08:29,613 --> 00:08:30,979
I'M THE PRODUCER.
177
00:08:31,014 --> 00:08:32,647
WE'VE MET, RIGHT?
178
00:08:32,682 --> 00:08:34,215
YES, YES, WE HAVE.
179
00:08:34,250 --> 00:08:35,950
I USED TO PLAY POKER WITH LUCAS.
180
00:08:38,421 --> 00:08:39,487
IS THERE ANY WAY
181
00:08:39,523 --> 00:08:42,356
THAT I COULD PERSUADE YOU
TO BE ON CAMERA?
182
00:08:42,425 --> 00:08:43,758
I MEAN,
IT WOULD REALLY HELP ME OUT.
183
00:08:43,793 --> 00:08:45,660
LOOK...
184
00:08:45,695 --> 00:08:47,662
I DO REMEMBER
THOSE LATE NIGHTS,
185
00:08:47,697 --> 00:08:48,963
BUT I'M SORRY.
186
00:08:48,999 --> 00:08:51,032
I'M JUST NOT A CAMERA PERSON.
187
00:08:51,067 --> 00:08:52,133
IT WAS GOOD TO SEE YOU, THOUGH.
188
00:08:53,670 --> 00:08:55,403
YEAH, YOU TOO.
189
00:08:58,241 --> 00:08:59,173
IT DOES LOOK...
190
00:08:59,208 --> 00:09:00,074
[PHONE RINGING]
191
00:09:00,109 --> 00:09:01,943
OOH.
192
00:09:02,012 --> 00:09:03,545
HEY, SWEETHEART.
193
00:09:03,580 --> 00:09:05,346
OH, NO.
194
00:09:05,415 --> 00:09:08,082
IS EVERYONE OKAY?
195
00:09:08,117 --> 00:09:10,051
DO YOU WANT ME TO MEET YOU THERE
OR AT HOME?
196
00:09:11,988 --> 00:09:13,521
NO, FINE.
I'M ON MY WAY.
197
00:09:13,557 --> 00:09:15,557
WELL, THIS MAIL BOX
HAS SEEN BETTER DAYS...
198
00:09:17,193 --> 00:09:18,459
BUT IT COULD'VE BEEN WORSE.
199
00:09:18,528 --> 00:09:19,493
CAN YOU GET THIS CAR HOME?
200
00:09:19,529 --> 00:09:21,328
MY DAD'S ON HIS WAY.
201
00:09:21,364 --> 00:09:23,230
[OFFICER]:
THAT'S NEVER FUN...
202
00:09:23,266 --> 00:09:24,632
AND WHERE DO I KNOW YOU FROM?
203
00:09:24,701 --> 00:09:25,700
IT'S BEEN BUGGING ME.
204
00:09:25,735 --> 00:09:27,835
OH, WAIT, UM...
205
00:09:27,871 --> 00:09:29,236
CRIM-PSYCH AT U.M.
206
00:09:29,272 --> 00:09:30,371
YOU SAT AT THE FRONT, RIGHT?
207
00:09:30,406 --> 00:09:31,573
I TOOK THAT CLASS
FRESHMAN YEAR.
208
00:09:31,608 --> 00:09:32,907
I KNEW IT.
209
00:09:32,943 --> 00:09:34,909
I DID SOME PREREQS THERE
BEFORE ENTERING THE ACADEMY.
210
00:09:34,945 --> 00:09:36,744
YOU OBVIOUSLY
GRADUATED.
211
00:09:36,780 --> 00:09:38,880
I DID.
YOU?
212
00:09:38,949 --> 00:09:40,281
I'M WORKING
ON MY MASTER'S.
213
00:09:40,316 --> 00:09:41,716
IMPRESSIVE.
214
00:09:49,593 --> 00:09:50,658
YOU'RE BOTH OKAY?
215
00:09:50,694 --> 00:09:51,960
I, UH...
216
00:09:51,995 --> 00:09:54,195
I MESSED UP
WITH THE REVERSE.
217
00:09:54,230 --> 00:09:55,897
I'M TOTALLY SORRY.
218
00:09:55,966 --> 00:09:57,331
CARS CAN BE REPLACED.
219
00:09:57,366 --> 00:09:58,733
FAMILY CAN'T.
220
00:09:58,768 --> 00:10:00,434
DAD, YOU'RE GRIPPING
A LITTLE TIGHT.
221
00:10:00,503 --> 00:10:01,368
I'M SORRY.
222
00:10:03,073 --> 00:10:04,005
THANKS FOR EVERYTHING.
223
00:10:04,074 --> 00:10:04,973
SO WHAT DO WE DO NOW?
224
00:10:05,041 --> 00:10:07,541
WELL, FIX THE CAR
AND THE MAILBOX,
225
00:10:07,611 --> 00:10:10,044
BUT LIKE I WAS TELLING YOUR SON,
IT COULD'VE BEEN WORSE.
226
00:10:10,080 --> 00:10:11,378
I DID THE SAME THING
TO MY PARENT'S CAR
227
00:10:11,414 --> 00:10:12,814
WHEN I WAS YOUR AGE.
228
00:10:12,849 --> 00:10:14,148
RITE OF PASSAGE, I GUESS,
229
00:10:14,183 --> 00:10:15,950
BUT JUST BE MORE CAREFUL,
PLEASE?
230
00:10:15,986 --> 00:10:16,918
I WILL.
231
00:10:18,622 --> 00:10:20,421
HERE'S MY CARD.
DRIVE SAFE.
232
00:10:20,456 --> 00:10:21,789
EXCUSE ME.
233
00:10:28,131 --> 00:10:30,698
I JUST HAD HER PAINTED.
234
00:10:30,734 --> 00:10:32,900
DAD, ARE YOU
TEARING UP?
235
00:10:34,070 --> 00:10:35,036
NO, JUST...
236
00:10:35,071 --> 00:10:36,203
SOMETHING IN THE WIND.
237
00:10:42,979 --> 00:10:43,811
[JASON]:
YES, I UNDERSTAND.
238
00:10:43,847 --> 00:10:44,979
THANK YOU.
239
00:10:45,048 --> 00:10:47,048
SO OUR DEDUCTIBLE IS $300,
240
00:10:47,083 --> 00:10:50,384
AND OUR INSURANCE PREMIUMS
ARE DEFINITELY GOING UP.
241
00:10:50,419 --> 00:10:52,820
WE'LL COVER THE COST
FOR NOW, BUT...
242
00:10:52,856 --> 00:10:54,122
I'LL PAY THE DEDUCTIBLE
243
00:10:54,157 --> 00:10:55,890
AND WHATEVER THE DIFFERENCE
IS ON YOUR PREMIUMS.
244
00:10:55,925 --> 00:10:57,424
WELL, WITH THE MAILBOX,
245
00:10:57,460 --> 00:10:59,027
WE'RE LOOKING
AT ABOUT $1,800.
246
00:11:00,530 --> 00:11:01,796
I CAN HANDLE THAT.
247
00:11:01,831 --> 00:11:02,930
HOW?
248
00:11:02,966 --> 00:11:04,666
HOW MUCH DOES A KIDNEY GO FOR?
249
00:11:04,701 --> 00:11:06,734
FUNNY.
250
00:11:06,770 --> 00:11:08,469
[LOGAN]: I'LL JUST GET A JOB
OR SOMETHING.
251
00:11:08,538 --> 00:11:09,403
I'LL FIGURE IT OUT.
252
00:11:11,041 --> 00:11:12,640
WE KNOW YOU WILL.
253
00:11:13,977 --> 00:11:16,678
AND LOGAN,
ACCIDENTS HAPPEN.
254
00:11:16,713 --> 00:11:18,245
WE'RE JUST GLAD
YOU'RE OKAY.
255
00:11:26,723 --> 00:11:28,022
OFFICER RYAN.
256
00:11:28,058 --> 00:11:29,323
HI.
257
00:11:29,358 --> 00:11:30,725
IT'S HANNAH,
258
00:11:30,760 --> 00:11:32,994
FROM THE CAR-SLASH-CRIM-CLASS
INCIDENT.
259
00:11:33,029 --> 00:11:33,995
OH!
260
00:11:34,030 --> 00:11:34,962
UH, OF COURSE.
261
00:11:34,998 --> 00:11:35,930
HOW ARE YOU?
262
00:11:35,965 --> 00:11:37,431
GREAT.
263
00:11:37,466 --> 00:11:40,001
YOU KNOW, LOGAN'S GOING TO RAISE
SOME CASH TO FIX EVERYTHING,
264
00:11:40,036 --> 00:11:42,203
AND, WELL, I JUST WANTED
TO SAY THANKS
265
00:11:42,238 --> 00:11:43,571
FOR BEING COOL ABOUT IT ALL.
266
00:11:44,708 --> 00:11:47,175
WELL, THANK YOU.
267
00:11:47,243 --> 00:11:49,610
I DON'T USUALLY GET THESE
QUALITY CARE FOLLOW-UP CALLS,
268
00:11:49,679 --> 00:11:50,511
SO THIS IS A FIRST.
269
00:11:52,281 --> 00:11:53,981
SO...
270
00:11:54,050 --> 00:11:55,817
YOU KNOW, I NEVER DO THIS...
271
00:11:55,852 --> 00:11:58,920
YOU WOULD BE SURPRISEDHOW OFTEN I HEAR THAT.
272
00:11:58,955 --> 00:12:00,121
YOU GET ASKED OUT A LOT?
273
00:12:00,190 --> 00:12:02,056
WHAT?
NO, WITH MY JOB...
274
00:12:02,092 --> 00:12:03,991
BUT YOU'RE ASKING ME OUT?
275
00:12:05,428 --> 00:12:07,729
WELL, MAYBE A COFFEE
OR SOMETHING SOMETIME?
276
00:12:07,764 --> 00:12:09,630
I COULD DO THAT.
277
00:12:09,665 --> 00:12:11,766
I'LL KNOW MORE ABOUT MY SCHEDULE
LATER TODAY.
278
00:12:11,801 --> 00:12:12,734
I COULD TALK TO YOU TOMORROW?
279
00:12:12,769 --> 00:12:14,635
ABSOLUTELY, OFFICER...
280
00:12:14,670 --> 00:12:15,536
OR...?
281
00:12:15,605 --> 00:12:17,471
BRETT IS FINE...
282
00:12:17,540 --> 00:12:18,973
OR OFFICER,
WHATEVER YOU LIKE.
283
00:12:19,008 --> 00:12:20,842
TALK TO YOU SOON, BRETT.
284
00:12:20,877 --> 00:12:21,675
OKAY, BYE.
285
00:12:21,745 --> 00:12:23,077
BYE.
286
00:12:35,225 --> 00:12:36,557
HOW GOES?
287
00:12:36,592 --> 00:12:38,659
IT'S A BEAUTIFUL MYSTERY.
288
00:12:38,694 --> 00:12:40,427
JUST LIKE YOU.
289
00:12:40,463 --> 00:12:41,929
AW.
290
00:12:44,968 --> 00:12:46,567
WHATCHA GOT HERE,
PUZZLE CHEAT SHEETS?
291
00:12:46,602 --> 00:12:47,434
OH, YES.
292
00:12:47,503 --> 00:12:48,702
I WAS LOOKING
FOR POINTERS
293
00:12:48,738 --> 00:12:50,772
AND TRYING TO FIGURE OUT
WHAT THESE SYMBOLS MEAN.
294
00:12:50,807 --> 00:12:53,540
THERE'S A LOT
OF HISTORY IN THEM.
295
00:12:53,576 --> 00:12:55,342
CAN'T BE THAT HARD.
296
00:13:00,516 --> 00:13:02,183
I'M OUT.
297
00:13:02,252 --> 00:13:03,417
WELL, THEY SAY
THESE ARE COMPLEX
298
00:13:03,452 --> 00:13:04,986
IN THEIR SIMPLICITY.
299
00:13:05,021 --> 00:13:06,154
IF YOU SAY, "LIKE ME,"
300
00:13:06,189 --> 00:13:07,155
THAT THING'S GOING
OUT THE WINDOW.
301
00:13:07,190 --> 00:13:08,589
[LAUGHING]
302
00:13:08,624 --> 00:13:09,791
TRY NOT TO STAY UP
TOO LATE, SWEETIE.
303
00:13:09,859 --> 00:13:10,858
ME? NEVER.
304
00:13:10,894 --> 00:13:12,693
MM. GOOD NIGHT.
305
00:13:12,762 --> 00:13:14,495
GOOD NIGHT.
306
00:13:44,427 --> 00:13:45,927
ONE MORE TIME.
307
00:13:47,997 --> 00:13:49,931
YES, WE JUST GOT
A LOVELY SET IN, ACTUALLY.
308
00:13:49,966 --> 00:13:51,799
IT'S OVER THERE
IN THE CREDENZA.
309
00:13:51,835 --> 00:13:52,633
[JENN]:
GOOD MORNING, EVERYONE.
310
00:13:52,668 --> 00:13:53,634
MORNING, HON'.
311
00:13:53,669 --> 00:13:54,635
HEY, DANI.
312
00:13:54,670 --> 00:13:55,736
JENN, GOOD MORNING.
313
00:13:55,771 --> 00:13:56,938
HEY, WOULD YOU MIND
314
00:13:57,006 --> 00:13:58,672
IF I PUT THIS BOX
SOMEWHERE ELSE?
315
00:13:58,708 --> 00:13:59,740
IT'S JUST...
IT'S IN OUR SHOT.
316
00:13:59,775 --> 00:14:01,242
OH, NO, I DON'T
MIND AT ALL.
317
00:14:05,248 --> 00:14:06,413
WHAT'RE YOU READING, DANI?
318
00:14:06,449 --> 00:14:07,882
NOTES ON THE PUZZLE BOX.
319
00:14:07,917 --> 00:14:09,817
THEY WANT TO CENTER
THE EPISODE AROUND IT.
320
00:14:09,853 --> 00:14:11,886
OH...
321
00:14:11,921 --> 00:14:13,221
JOEL?
322
00:14:13,256 --> 00:14:15,022
TAMARA DIDN'T EVEN
WANT TO BE ON CAMERA.
323
00:14:15,058 --> 00:14:16,590
I DON'T FEEL RIGHT
324
00:14:16,625 --> 00:14:18,125
ABOUT EXPLOITING
THE FAMILY NAME.
325
00:14:18,161 --> 00:14:20,494
MAYBE THERE'S ANOTHER ANTIQUE
WE COULD FOCUS ON?
326
00:14:20,529 --> 00:14:23,130
WE DEFINITELY WON'T BE USING
THE FAMILY NAME.
327
00:14:23,166 --> 00:14:24,298
I PUT IN A CALL INTO LUCAS.
328
00:14:24,367 --> 00:14:25,599
HE OWES ME A FAVOR
FROM WAY BACK,
329
00:14:25,668 --> 00:14:27,001
AND I WAS ABLE
330
00:14:27,036 --> 00:14:28,569
TO GET
THE BOX ITSELF CLEARED.
331
00:14:28,604 --> 00:14:31,205
HOW DO YOU KNOW LUCAS?
332
00:14:31,241 --> 00:14:34,641
OLD POKER BUDDY,
BUT THAT'S A REALLY LONG STORY.
333
00:14:34,677 --> 00:14:35,609
OKAY, WE READY?
334
00:14:35,644 --> 00:14:37,111
YES. YES.
335
00:14:38,214 --> 00:14:39,146
YOU LOOK NICE.
336
00:14:39,182 --> 00:14:40,281
YOU LOOK BEAUTIFUL.
337
00:14:40,316 --> 00:14:41,782
HEY, LADIES, HOW WE DOING
WITH THAT SCRIPT?
338
00:14:41,851 --> 00:14:42,917
I KNOW ALL MY LINES.
339
00:14:42,986 --> 00:14:44,218
OKAY, HOW ABOUT YOU?
340
00:14:44,287 --> 00:14:46,020
I DON'T KNOW ALL MY LINES.
341
00:14:46,089 --> 00:14:47,154
THAT'S OKAY,
342
00:14:47,223 --> 00:14:48,522
BUT JUST TRY TO HIT
THOSE BASIC BEATS.
343
00:14:48,557 --> 00:14:49,690
OKAY.
344
00:14:49,725 --> 00:14:50,791
I KNOW
ALL HER LINES.
345
00:14:50,826 --> 00:14:51,825
PERFECT.
346
00:14:51,895 --> 00:14:52,826
JUMP IN
WHEN YOU CAN.
347
00:14:52,862 --> 00:14:53,895
SHE KNOWS ALL MY LINES?
348
00:14:53,930 --> 00:14:55,529
SHE'S GOT YOUR BACK.
349
00:14:55,564 --> 00:14:57,131
OKAY, BUT JUST KEEP
THE ENERGY UP RIGHT HERE.
350
00:14:57,166 --> 00:14:58,132
THAT'S WHERE THE MAGIC HAPPENS.
351
00:14:58,167 --> 00:14:59,566
OKAY.
352
00:14:59,602 --> 00:15:00,634
SO ENERGY HERE.
353
00:15:00,669 --> 00:15:02,003
SO, HOW'S EVERYONE
FEELING, GOOD?
354
00:15:02,038 --> 00:15:02,970
GOOD, YEAH.
355
00:15:03,006 --> 00:15:04,471
OKAY, GO GET 'EM.
356
00:15:04,540 --> 00:15:06,207
LAVENDER
IS A GOOD COLOR ON YOU.
357
00:15:06,242 --> 00:15:07,208
OH, THANK YOU.
358
00:15:07,243 --> 00:15:08,109
[DIRECTOR]:
CAMERAS UP!
359
00:15:08,144 --> 00:15:09,877
SOUND SPEED.
360
00:15:09,913 --> 00:15:11,345
AND ACTION.
361
00:15:11,381 --> 00:15:13,981
JENN, I WAS
LOOKING ONLINE,
362
00:15:14,017 --> 00:15:16,250
AND IT SEEMS SOME OF
THESE PUZZLE BOXES
363
00:15:16,286 --> 00:15:20,454
CAN BE SOLVED IN
BETWEEN 7 TO 78 MOVES,
364
00:15:20,489 --> 00:15:21,956
BUT MAYBE WE SHOULD
SPEAK TO SOMEONE
365
00:15:22,025 --> 00:15:23,157
WHO SPECIALIZES IN THEM.
366
00:15:23,192 --> 00:15:26,093
SO I FOUND AN EXPERT
IN CASTLE ROCK,
367
00:15:26,129 --> 00:15:28,595
AND SHE'S INTERESTED
IN SEEING IT.
368
00:15:28,664 --> 00:15:29,797
OH, WELL,
YOU KNOW ME, DANI.
369
00:15:29,832 --> 00:15:31,165
I LOVE A GOOD CHALLENGE...
370
00:15:32,435 --> 00:15:35,336
BUT AN EXPERT
IS A VERY GOOD IDEA.
371
00:15:35,371 --> 00:15:37,104
I THINK WE SHOULD GO SEE
AN EXPERT.
372
00:15:37,140 --> 00:15:39,240
I'LL GET
THE PUZZLE BOX.
373
00:15:40,776 --> 00:15:42,944
WHERE IS THE PUZZLE BOX?
374
00:15:44,113 --> 00:15:44,979
IT WAS RIGHT THERE.
375
00:15:45,048 --> 00:15:45,913
[JOEL]: CUT.
376
00:15:47,083 --> 00:15:49,350
IT'S... IT'S REALLY GONE.
377
00:15:49,419 --> 00:15:50,884
WHAT DO YOU MEAN?
I PUT IT RIGHT THERE,
378
00:15:50,920 --> 00:15:52,820
RIGHT BESIDE THE STATUE
OF THE MALTESE FALCON.
379
00:15:52,855 --> 00:15:55,589
WELL, IT'S NOT
HERE NOW.
380
00:15:55,624 --> 00:15:57,925
ALL RIGHT,
DID ANYONE MOVE THE BOX?
381
00:15:57,994 --> 00:15:59,460
MAYBE WE CAN CHECK
THE FOOTAGE?
382
00:16:00,863 --> 00:16:02,063
YEAH, REWIND THAT FOR ME.
383
00:16:05,601 --> 00:16:06,600
AH, YOU KNOW WHAT?
384
00:16:06,635 --> 00:16:07,601
THERE WERE
A COUPLE OF CUSTOMERS
385
00:16:07,636 --> 00:16:09,703
IN HERE EARLIER.
386
00:16:09,738 --> 00:16:12,273
NO, NO, WE DON'T HAVE
A LOT OF THEFT AROUND HERE.
387
00:16:13,476 --> 00:16:15,676
[DIRECTOR]:
NOTHING ON THE FOOTAGE.
388
00:16:15,711 --> 00:16:16,810
UH, YOU KNOW WHAT--
389
00:16:16,846 --> 00:16:18,645
IT'S GOT TO BE HERE SOMEWHERE,
390
00:16:18,681 --> 00:16:19,713
SO WE'RE JUST GOING TO...
391
00:16:19,748 --> 00:16:20,848
WE'RE GOING TO SPREAD OUT
AND LOOK,
392
00:16:20,883 --> 00:16:22,483
AND WE'RE GOING
TO FIND THE BOX.
393
00:16:29,459 --> 00:16:31,625
I'M SURE THE BOX
WILL TURN UP SOMEWHERE.
394
00:16:31,694 --> 00:16:33,160
I FEEL AWFUL.
395
00:16:33,196 --> 00:16:34,328
WHAT ARE YOU GOING
TO TELL TAMARA?
396
00:16:34,364 --> 00:16:36,964
THAT WE'LL PAY HER
WHAT THE BOX IS WORTH.
397
00:16:38,667 --> 00:16:39,867
DO YOU WANT ME
TO GO WITH YOU?
398
00:16:39,902 --> 00:16:41,402
NO, I'LL BE FINE.
YOU GO HOME.
399
00:16:41,437 --> 00:16:42,236
OKAY. CALL ME
IF YOU NEED ME.
400
00:16:42,271 --> 00:16:43,371
WILL DO.
401
00:16:43,406 --> 00:16:45,206
OKAY, FINE,
YOU WILL GET YOUR MONEY.
402
00:16:46,909 --> 00:16:48,476
ALL RIGHT. BYE.
403
00:16:49,778 --> 00:16:50,878
EVERYTHING ALL RIGHT?
404
00:16:50,913 --> 00:16:52,279
[SIGHING]
405
00:16:52,315 --> 00:16:54,448
I'M REALLY SORRY
ABOUT THIS.
406
00:16:54,517 --> 00:16:55,883
THE PRODUCTION
WILL COVER THE COST
407
00:16:55,918 --> 00:16:57,284
IF WE DID MISPLACE IT.
408
00:16:57,320 --> 00:16:59,420
WELL, I APPRECIATE THAT.
409
00:16:59,455 --> 00:17:01,555
I'M MORE CONCERNED
ABOUT THE SENTIMENTAL VALUE.
410
00:17:01,590 --> 00:17:03,024
YEAH, I UNDERSTAND.
411
00:17:03,059 --> 00:17:05,626
THIS WHOLE TOWN IS LIKE
ONE BIG SENTIMENT TO ME.
412
00:17:07,863 --> 00:17:09,330
HOW SO?
413
00:17:09,365 --> 00:17:12,066
WELL, I GREW UP HERE.
414
00:17:12,101 --> 00:17:13,567
SO THAT'S HOW
YOU FOUND US,
415
00:17:13,636 --> 00:17:14,935
AND HOW YOU KNOW LUCAS.
416
00:17:14,970 --> 00:17:16,070
WELL...
417
00:17:16,105 --> 00:17:18,839
I'VE ALWAYS WANTED
TO SHOOT SOMETHING HERE.
418
00:17:18,874 --> 00:17:21,808
PLACE IS SO PEACEFUL
AND WELCOMING.
419
00:17:21,844 --> 00:17:22,709
WELL, THAT'S WHY
WE LOVE IT.
420
00:17:22,745 --> 00:17:23,911
YEAH.
421
00:17:23,946 --> 00:17:25,612
AND WHY WE HAVE TO
KEEP IT THAT WAY.
422
00:17:25,648 --> 00:17:26,780
WE HAVE A THREE-STORY
HEIGHT LIMITATION
423
00:17:26,815 --> 00:17:29,783
ON ALL BUILDINGS UP
AND DOWN MAIN STREET.
424
00:17:29,852 --> 00:17:32,653
ANDRONOCORP IS TRYING TO GET
THE ZONING FOR A SIX-STORY.
425
00:17:32,688 --> 00:17:34,888
SPOILER ALERT,
THEY'RE GOING TO GET IT,
426
00:17:34,924 --> 00:17:35,889
BECAUSE THEY'RE ABOVE THE LAW
427
00:17:35,925 --> 00:17:37,191
AND CAN BUY OUT
ANY COUNCIL
428
00:17:37,226 --> 00:17:38,792
IN ANY CITY
THEY WANT.
429
00:17:38,827 --> 00:17:40,528
DO A STORY ON THAT.
430
00:17:40,563 --> 00:17:43,464
WELL, WE WOULD
IF WE WERE A NEWS CREW.
431
00:17:43,499 --> 00:17:46,100
WE HAVE TO TAKE
MASSIVE ACTION...
432
00:17:46,135 --> 00:17:47,734
BY ANY MEANS NECESSARY.
433
00:17:47,770 --> 00:17:49,636
WEBSITE'S ON THE FLYER.
434
00:17:49,672 --> 00:17:51,172
GET INVOLVED.
435
00:17:54,810 --> 00:17:56,910
I'D SAY
HE HAS SPIRIT TO SPARE.
436
00:17:56,946 --> 00:17:58,245
WELL, HE IS RIGHT.
437
00:17:58,281 --> 00:18:01,014
I MEAN, ANDRONOCORP HAS BEEN
TRYING TO RUIN THIS TOWN
438
00:18:01,050 --> 00:18:01,982
AND EVERYONE IN IT
439
00:18:02,017 --> 00:18:02,883
FOR YEARS,
440
00:18:02,918 --> 00:18:04,017
AND JUST WHEN YOU THINK
441
00:18:04,053 --> 00:18:05,819
HARVEY ANDRONICUS
IS GOING TO RETIRE,
442
00:18:05,854 --> 00:18:09,090
HE HANDS IT ALL OVER
TO HIS EQUALLY GREEDY SON.
443
00:18:09,125 --> 00:18:11,325
LUCAS CAN'T BE ALL BAD.
444
00:18:11,360 --> 00:18:13,494
HE'S LETTING YOU USE THE BOX
FOR YOUR SHOW.
445
00:18:14,730 --> 00:18:17,798
WELL, WE WERE USING THE BOX.
446
00:18:19,235 --> 00:18:20,267
UM...
447
00:18:20,303 --> 00:18:21,235
WELL, I'LL SEE YOU
TOMORROW.
448
00:18:21,270 --> 00:18:22,403
YEAH.
449
00:18:46,695 --> 00:18:47,928
[CAR ALARM HONKING]
450
00:18:52,701 --> 00:18:54,502
[RINGING DOORBELL]
451
00:19:00,643 --> 00:19:01,742
[KNOCKING]
452
00:19:09,252 --> 00:19:10,784
[LINE RINGING]
453
00:19:10,819 --> 00:19:11,785
[RECORDED MESSAGE]
YOU'VE REACHED TAMARA.
454
00:19:11,820 --> 00:19:13,987
PLEASE LEAVE YOUR NAME
AND NUMBER.
455
00:19:14,023 --> 00:19:15,156
TAMARA, HI.
456
00:19:15,191 --> 00:19:17,057
THIS IS JENNIFER SHANNON
FROM RAGS TO RICHES.
457
00:19:17,092 --> 00:19:20,361
UM, I THOUGHT WE WERE SUPPOSED
TO BE MEETING NOW,
458
00:19:20,396 --> 00:19:21,295
BUT MAYBE I GOT THE TIME WRONG.
459
00:19:27,537 --> 00:19:28,469
[BANGING]
460
00:19:28,504 --> 00:19:29,436
TAMARA?
461
00:19:33,476 --> 00:19:34,741
[CLATTERING]
462
00:19:50,693 --> 00:19:52,393
TAMARA?
463
00:19:55,831 --> 00:19:56,997
TAMARA?
464
00:19:59,768 --> 00:20:00,634
[PHONE VIBRATING]
465
00:20:11,614 --> 00:20:13,814
TAMARA!
466
00:20:20,155 --> 00:20:20,987
[CAR WHEELS SQUEALING]
467
00:20:39,311 --> 00:20:40,277
JENN.
468
00:20:40,312 --> 00:20:41,445
FRANK!
469
00:20:41,480 --> 00:20:42,379
ARE YOU ALL RIGHT?
470
00:20:42,415 --> 00:20:43,380
I'M FINE.
471
00:20:43,416 --> 00:20:44,714
I FOUND THE BODY INSIDE.
472
00:20:44,750 --> 00:20:46,283
SURPRISING HOW MANY
OF OUR CONVERSATIONS
473
00:20:46,318 --> 00:20:47,751
START LIKE THAT.
474
00:20:47,786 --> 00:20:48,785
IT LOOKS LIKE A FALL,
475
00:20:48,854 --> 00:20:50,521
BUT I HEARD
A CAR SQUEALING AWAY,
476
00:20:50,556 --> 00:20:52,122
SO MAYBE SOMEONE TRYING TO FLEE?
477
00:20:52,158 --> 00:20:54,291
HERE WE GO.
478
00:20:54,360 --> 00:20:55,759
THE SQUEALING COULD BE
A NEIGHBOR,
479
00:20:55,827 --> 00:20:57,094
OR A CAR PASSING BY.
480
00:20:57,129 --> 00:20:58,295
IT COULD BE,
481
00:20:58,330 --> 00:20:59,129
BUT THERE WERE SEVERAL CARS
IN THE DRIVEWAY
482
00:20:59,165 --> 00:21:00,297
WHEN I PULLED UP,
483
00:21:00,366 --> 00:21:01,831
AND I'M PRETTY SURE
THERE'S ONE LESS NOW.
484
00:21:01,867 --> 00:21:02,866
DID YOU GET A MAKE?
485
00:21:02,935 --> 00:21:05,369
NO, I DIDN'T SEE IT,
I ONLY HEARD IT.
486
00:21:05,404 --> 00:21:07,171
OKAY.
487
00:21:07,206 --> 00:21:08,672
SHOULD I EVEN ASK
WHY YOU'RE HERE?
488
00:21:08,707 --> 00:21:10,174
TAMARA ANDRONICUS,
489
00:21:10,242 --> 00:21:11,741
SHE BROUGHT A PUZZLE BOX
INTO THE STORE,
490
00:21:11,777 --> 00:21:12,742
AND THEN
IT WENT MISSING.
491
00:21:12,811 --> 00:21:14,044
MISSING OR STOLEN?
492
00:21:14,113 --> 00:21:15,279
I'M NOT SURE,
493
00:21:15,314 --> 00:21:16,246
BUT WHEN I CAME BY
TO BREAK THE BAD NEWS,
494
00:21:16,282 --> 00:21:18,515
I SAW A SMASHED VASE
ON THE FLOOR,
495
00:21:18,551 --> 00:21:20,451
AND THEN I SAW SOME MOVEMENT
BY THE BACK DOOR.
496
00:21:20,486 --> 00:21:23,287
AND HOW DID YOU GET
IN THE HOUSE?
497
00:21:23,355 --> 00:21:25,122
SO THE FRONT DOOR WAS LOCKED.
498
00:21:25,157 --> 00:21:26,356
I CAME AROUND BACK.
499
00:21:26,425 --> 00:21:28,892
THIS WAS KNOCKED OVER,
AND THAT DOOR WAS OPEN.
500
00:21:28,927 --> 00:21:30,227
I DON'T KNOW,
MAYBE SOMEBODY RUNNING AWAY.
501
00:21:30,262 --> 00:21:32,963
WELL, ANYTHING COULD
HAVE KNOCKED THAT OVER.
502
00:21:32,998 --> 00:21:35,065
WELL, TRUE,
BUT THERE'S THAT.
503
00:21:35,101 --> 00:21:37,201
[FRANK]:
IT'S A LAND LINE.
504
00:21:37,236 --> 00:21:39,336
THERE WAS A BIG
STORM ON SUNDAY.
505
00:21:39,405 --> 00:21:40,471
ANYTHING ELSE?
506
00:21:40,539 --> 00:21:41,572
YES.
507
00:21:41,607 --> 00:21:43,273
TAMARA'S CELL PHONE...
508
00:21:43,309 --> 00:21:46,276
A LOCAL AREA CODE,
LAST FOUR DIGITS 2428,
509
00:21:46,345 --> 00:21:48,412
AND THE TEXT SAID, "I'M SORRY."
510
00:21:48,447 --> 00:21:51,215
SAME TEXT THAT I SEND
MY WIFE DAILY.
511
00:21:51,250 --> 00:21:53,217
RIGHT NOW,
SOMEBODY'S FALLEN.
512
00:21:53,252 --> 00:21:54,851
THAT'S WHERE WE START.
513
00:21:54,886 --> 00:21:56,553
RIGHT.
514
00:21:56,589 --> 00:21:58,688
I DO APPRECIATE
YOUR EYE, THOUGH.
515
00:22:00,692 --> 00:22:02,292
THE BODY WAS AT THE
BOTTOM OF THE STAIRS.
516
00:22:02,328 --> 00:22:03,393
I KNOW.
517
00:22:03,429 --> 00:22:04,928
I FOUND HER MOTHER-IN-LAW
IN THE SAME AREA
518
00:22:04,997 --> 00:22:06,330
JUST TWO NIGHTS AGO.
519
00:22:07,500 --> 00:22:08,599
REALLY?
520
00:22:08,634 --> 00:22:10,267
MM-HMM.
521
00:22:10,336 --> 00:22:12,669
WELL, HOW
DID SHE DIE?
522
00:22:12,704 --> 00:22:15,205
WELL, WE'RE AWAITING
THE AUTOPSY RESULTS,
523
00:22:15,241 --> 00:22:16,240
BUT LOOKS LIKE
AN ACCIDENTAL FALL
524
00:22:16,275 --> 00:22:17,307
DOWN THE STAIRS.
525
00:22:17,343 --> 00:22:19,309
TWO ACCIDENTS
ON THE SAME STAIRS?
526
00:22:19,345 --> 00:22:20,644
THAT'S A LITTLE ODD,
ISN'T IT?
527
00:22:20,712 --> 00:22:21,811
VERY.
528
00:22:21,847 --> 00:22:23,514
THE MOTHER-IN-LAW
DIES ON SUNDAY.
529
00:22:23,549 --> 00:22:25,815
TAMARA BRINGS A PUZZLE BOX
INTO THE STORE ON MONDAY,
530
00:22:25,884 --> 00:22:27,551
AND SHE DIES
ON TUESDAY?
531
00:22:27,586 --> 00:22:31,087
YEAH... VERY ODD.
532
00:22:31,123 --> 00:22:34,124
COULD THERE BE SOMETHING
IN THAT PUZZLE BOX...
533
00:22:34,160 --> 00:22:35,925
THAT TAMARA WANTED
US TO FIND?
534
00:22:35,961 --> 00:22:37,394
OR MAYBE IT'S JUST A BOX.
535
00:22:38,697 --> 00:22:39,996
LET ME ASK YOU SOMETHING.
536
00:22:40,032 --> 00:22:42,166
WOULD IT BE OKAY
IF I GOT BACK TO WORK?
537
00:22:42,234 --> 00:22:43,567
OH!
538
00:22:43,602 --> 00:22:45,101
YEAH, GO.
539
00:22:45,171 --> 00:22:46,203
I'LL CALL YOU LATER.
540
00:22:46,238 --> 00:22:47,271
YEAH.
541
00:22:59,151 --> 00:23:00,317
WHAT'S GOING ON?
542
00:23:01,953 --> 00:23:02,686
MR. ANDRONICUS?
543
00:23:02,721 --> 00:23:04,154
YEAH.
544
00:23:06,158 --> 00:23:07,291
PLEASE...
545
00:23:07,359 --> 00:23:08,625
LET'S HAVE A SEAT.
546
00:23:08,661 --> 00:23:10,294
I DON'T WANT
TO HAVE A SEAT.
547
00:23:10,329 --> 00:23:11,261
WHERE'S MY WIFE?
548
00:23:11,297 --> 00:23:13,330
WHERE'S TAMARA?
549
00:23:13,365 --> 00:23:15,765
PLEASE...
FOLLOW ME.
550
00:23:22,274 --> 00:23:23,440
I'M SORRY
TO INFORM YOU,
551
00:23:23,475 --> 00:23:25,242
BUT WE'VE FOUND YOUR
WIFE DECEASED TODAY.
552
00:23:25,277 --> 00:23:26,976
WHAT?
553
00:23:27,012 --> 00:23:28,912
NO...
554
00:23:28,947 --> 00:23:31,548
NO, NO...
555
00:23:31,584 --> 00:23:33,250
IT SEEMS SHE MAY HAVE
FALLEN DOWN THE STAIRS.
556
00:23:36,222 --> 00:23:38,322
WHAT?
NO, I DON'T...
557
00:23:38,357 --> 00:23:39,856
COULD YOU TELL ME
WHERE YOU WERE EARLIER TODAY?
558
00:23:39,891 --> 00:23:42,559
I WAS TAKING CARE
OF ARRANGEMENTS
559
00:23:42,595 --> 00:23:43,727
FOR MY MOTHER'S FUNERAL.
560
00:23:43,795 --> 00:23:44,695
I WASN'T...
561
00:23:46,898 --> 00:23:47,931
YOU DON'T THINK I DID THIS?
562
00:23:47,999 --> 00:23:51,668
NO,
IT'S JUST STANDARD PROCEDURE.
563
00:23:51,737 --> 00:23:54,804
A... LITTLE RIP THERE
ON YOUR SHIRT.
564
00:23:57,476 --> 00:24:00,677
WHEN I SAW
THE POLICE CARS IN THE DRIVEWAY,
565
00:24:00,713 --> 00:24:01,978
I RUSHED TO GET OUT OF MY CAR.
566
00:24:02,013 --> 00:24:03,079
I CAUGHT MY SHIRT
ON THE DOOR.
567
00:24:03,115 --> 00:24:04,147
OKAY.
568
00:24:05,718 --> 00:24:07,016
DO YOU KNOW OF ANYONE
569
00:24:07,052 --> 00:24:09,453
WHO WOULD HAVE WANTED
TO HURT TAMARA OR ELIZABETH?
570
00:24:09,488 --> 00:24:11,087
NO.
571
00:24:11,123 --> 00:24:12,322
SO I'M ASSUMING
572
00:24:12,358 --> 00:24:13,624
WITH A HOUSE THIS SIZE
573
00:24:13,659 --> 00:24:14,758
THAT YOU HAVE
A HOUSE STAFF?
574
00:24:16,528 --> 00:24:17,961
THEY WERE LET GO,
575
00:24:17,996 --> 00:24:19,829
ON GOOD TERMS
AND WITH SEVERANCE.
576
00:24:19,865 --> 00:24:21,698
ANY PARTICULAR REASON
FOR LETTING THEM GO?
577
00:24:21,734 --> 00:24:23,367
MOTHER'S BEEN
HOUSEBOUND
578
00:24:23,402 --> 00:24:25,101
FOR MOST OF
THIS PAST YEAR.
579
00:24:25,137 --> 00:24:28,438
SHE'S GOTTEN WORSE
IN THE LAST WEEK.
580
00:24:28,507 --> 00:24:29,740
SHE WOULDN'T HAVE
WANTED HER STAFF
581
00:24:29,808 --> 00:24:31,742
TO SEE HER THAT WAY.
582
00:24:31,777 --> 00:24:33,610
TAMARA WANTED TO TAKE A HIATUS
FROM OUR BUSINESS
583
00:24:33,679 --> 00:24:35,479
AND TAKE CARE OF HER FULL-TIME.
584
00:24:35,514 --> 00:24:36,980
SO YOU CUT SHORT
YOUR BUSINESS TRIP
585
00:24:37,015 --> 00:24:38,448
WITH YOUR FATHER,
586
00:24:38,484 --> 00:24:41,151
FLEW HOME ON SUNDAY,
HOPING TO SEE YOUR MOTHER
587
00:24:41,186 --> 00:24:42,686
TO MAKE SURE
THAT SHE'S OKAY?
588
00:24:42,755 --> 00:24:44,954
I'VE ALREADY ANSWERED ALL THIS
IN MY PREVIOUS STATEMENT.
589
00:24:45,023 --> 00:24:47,157
REFRESH MY MEMORY.
590
00:24:47,192 --> 00:24:49,593
YES, EXACTLY.
591
00:24:49,628 --> 00:24:50,794
SHE WASN'T RETURNING
ANY OF MY EMAILS
592
00:24:50,862 --> 00:24:53,363
OR ANSWERING MY PHONE CALLS,
AND...
593
00:24:53,399 --> 00:24:56,600
AND THEN WHEN YOU GOT HOME,
YOU FOUND YOUR MOTHER THERE.
594
00:24:56,635 --> 00:24:57,567
I DROVE BACK
FROM THE AIRPORT
595
00:24:57,603 --> 00:25:00,470
AFTER A BRUTAL 17-HOUR FLIGHT,
596
00:25:00,506 --> 00:25:02,739
AND, UH...
I JUST...
597
00:25:05,778 --> 00:25:07,377
I FOUND TAMARA HERE.
598
00:25:10,015 --> 00:25:11,147
SHE DIDN'T KNOW WHAT TO DO.
599
00:25:11,183 --> 00:25:16,019
SHE WAS JUST STANDING
OVER MOTHER, CRYING.
600
00:25:16,054 --> 00:25:17,521
AND YOUR FATHER?
601
00:25:17,589 --> 00:25:18,955
WHERE IS HE?
602
00:25:18,990 --> 00:25:20,490
I'M ASSUMING HE'S BACK?
603
00:25:20,526 --> 00:25:22,058
HE'S STAYING
AT THE GRAND HOTEL.
604
00:25:22,127 --> 00:25:25,395
HE SAYS IT'S TOO TRAUMATIC
TO STAY HERE AT THE HOUSE.
605
00:25:25,431 --> 00:25:26,530
UNDERSTANDABLE,
606
00:25:26,565 --> 00:25:29,966
BUT WHAT I NEED TO KNOW,
IN YOUR OPINION...
607
00:25:30,001 --> 00:25:31,501
DO YOU KNOW
OF ANYONE WHO WOULD'VE WANTED
608
00:25:31,537 --> 00:25:33,470
TO HURT YOUR MOM OR TAMARA?
609
00:25:35,641 --> 00:25:38,375
I'M SURE WITH THE NEW CONDOS
GOING UP ON MAIN STREET,
610
00:25:38,410 --> 00:25:41,311
HALF THE TOWN WOULD LIKE
TO SEE ANY ONE OF US GONE.
611
00:25:43,215 --> 00:25:44,948
[TELEPHONE RINGS]
[HANNAH]: HELLO?
612
00:25:44,983 --> 00:25:47,250
HEY, IT'S OFFICER RYAN,A.K.A. BRETT.
613
00:25:47,285 --> 00:25:48,251
HEY, HOW'S IT GOING?
614
00:25:48,286 --> 00:25:49,820
GREAT.
615
00:25:49,855 --> 00:25:51,788
I WAS THINKING MAYBE YOU WANTED
TO HAVE LUNCH OR SOMETHING
616
00:25:51,824 --> 00:25:52,823
TOMORROW?
617
00:25:52,891 --> 00:25:53,890
TITUS GRILL, NOON?
618
00:25:53,925 --> 00:25:54,924
NOON WORKS.
619
00:25:54,993 --> 00:25:56,360
I'LL MEET YOU THERE.
BYE.
620
00:25:56,395 --> 00:25:57,160
OFFICER HANDSOME?
621
00:25:57,195 --> 00:25:58,795
OFFICER TOTALLY HANDSOME.
622
00:25:58,831 --> 00:26:00,230
HOW'S THE FUND-RAISER GOING?
623
00:26:00,265 --> 00:26:01,732
SLOW BUT STEADY.
624
00:26:03,001 --> 00:26:03,834
DEFINE "STEADY."
625
00:26:05,303 --> 00:26:06,870
NOTHING.
626
00:26:06,905 --> 00:26:08,638
YOU NEED CASH
TO MAKE A BUSINESS.
627
00:26:08,674 --> 00:26:10,240
CASH IS SOMETHING
YOU DON'T HAVE.
628
00:26:12,210 --> 00:26:13,377
HEY, MAYBE I COULD START
629
00:26:13,412 --> 00:26:14,711
BY TAKING OUT
A PERSONAL LOAN FROM YOU.
630
00:26:14,780 --> 00:26:15,812
OR MAYBE YOU CAN START
631
00:26:15,848 --> 00:26:17,447
BY TAKING OUT
THE RECYCLING.
632
00:26:17,516 --> 00:26:18,682
THE CLASSIFIEDS
ARE ON TOP.
633
00:26:21,987 --> 00:26:24,421
NOW, I DON'T WANT TO SAY THATWITH MY RETIREMENT
634
00:26:24,490 --> 00:26:26,923
AND WITH HANDING THE REINS OVERTO MY SON, LUCAS,
635
00:26:26,958 --> 00:26:28,859
THAT ANDRONOCORPIS GOING TO BE TAKEN
636
00:26:28,894 --> 00:26:31,828
TO EVEN MORE TREMENDOUSLEVELS OF SUCCESS,
637
00:26:31,864 --> 00:26:33,597
BUT I WILL SAY JUST THAT.
638
00:26:33,632 --> 00:26:34,931
[LAUGHING]
639
00:26:34,966 --> 00:26:36,332
SO IF YOU'LL EXCUSE ME,
640
00:26:36,368 --> 00:26:38,635
I HAVE A NEW HIPI WANT TO TRY OUT ON THE LINKS.
641
00:26:38,670 --> 00:26:41,004
[LAUGHING]
642
00:26:41,039 --> 00:26:43,607
LUCAS!
643
00:26:48,781 --> 00:26:50,013
SO I PICKED UP
SOME WOOD TODAY
644
00:26:50,081 --> 00:26:52,048
FOR THE BROKEN MAILBOX.
645
00:26:52,083 --> 00:26:53,149
THINKING ABOUT
HELPING LOGAN OUT
646
00:26:53,184 --> 00:26:54,684
AND FIXING IT MYSELF.
647
00:26:54,720 --> 00:26:57,220
OH, THAT IS SO SWEET.
648
00:26:57,255 --> 00:26:58,688
CAN YOU BUILD ME
A REPLICA PUZZLE BOX
649
00:26:58,724 --> 00:26:59,656
WHILE YOU'RE AT IT?
650
00:26:59,691 --> 00:27:00,924
HAVEN'T FOUND IT YET?
651
00:27:00,959 --> 00:27:01,958
NOPE,
652
00:27:01,993 --> 00:27:03,359
AND I CAN'T HELP BUT WONDER
653
00:27:03,395 --> 00:27:05,295
IF SOMETHING VALUABLE
WAS INSIDE.
654
00:27:05,330 --> 00:27:07,831
WE HAVE WAY MORE EXPENSIVE
PIECES IN THE STORE,
655
00:27:07,900 --> 00:27:09,999
AND THE WOMAN WHO BRINGS IT IN
TURNS UP DEAD A DAY LATER?
656
00:27:10,035 --> 00:27:12,101
IT COULD BE A COINCIDENCE.
657
00:27:12,137 --> 00:27:13,437
TWO ACCIDENTS
IN THE SAME HOUSE
658
00:27:13,472 --> 00:27:15,204
IN THE SAME WEEK?
659
00:27:15,240 --> 00:27:17,307
AND I'M LOOKING AT
THE ANDRONICUS WEBSITE.
660
00:27:17,342 --> 00:27:19,342
BOTH TAMARA AND ELIZABETH
HELPED RUN THE COMPANY,
661
00:27:19,411 --> 00:27:21,445
AND THEY'RE BOTH
MYSTERIOUSLY GONE.
662
00:27:21,513 --> 00:27:22,412
WHO'D WANT TO HURT THEM?
663
00:27:22,481 --> 00:27:23,447
I DON'T KNOW.
664
00:27:23,482 --> 00:27:25,248
MAYBE SOMEONE AFTER THEIR MONEY?
665
00:27:25,283 --> 00:27:26,550
BUT IF IT WERE
AN INHERITANCE THING,
666
00:27:26,585 --> 00:27:29,152
WOULDN'T HARVEY ANDRONICUS
BE THE LOGICAL TARGET?
667
00:27:29,187 --> 00:27:31,387
AND LUCAS WAS GETTING READY
TO TAKE OVER THE COMPANY.
668
00:27:31,423 --> 00:27:33,256
MAYBE SOMEBODY
DIDN'T WANT THAT?
669
00:27:33,325 --> 00:27:34,791
MM, MAYBE.
670
00:27:34,827 --> 00:27:36,660
BUT THERE'S SOMETHING
I'M NOT GETTING YET.
671
00:27:36,728 --> 00:27:37,961
YET?
672
00:27:38,029 --> 00:27:40,464
LET FRANK HANDLE IT, OKAY?
673
00:27:41,967 --> 00:27:43,066
OKAY.
674
00:27:47,535 --> 00:27:49,213
[LINE RINGING]
HEY LOGAN.
675
00:27:49,263 --> 00:27:50,329
HEY, MOM, WHAT'S UP?
676
00:27:50,397 --> 00:27:52,331
I'M TRYING TO FIGURE OUTA PHONE NUMBER.
677
00:27:52,366 --> 00:27:56,135
THE LAST FOUR DIGITS ARE 2428,
AND IT'S A LOCAL AREA CODE.
678
00:27:56,170 --> 00:27:57,737
CAN YOU FIND THAT ONLINE?
679
00:27:57,772 --> 00:27:59,138
YEAH, I COULD DO THAT.
680
00:27:59,173 --> 00:28:00,439
HOLD ON.
681
00:28:03,410 --> 00:28:04,243
UH-OH.
682
00:28:04,278 --> 00:28:07,479
799 NUMBERS STATEWIDE.
683
00:28:07,514 --> 00:28:09,849
THAT'S A LOT OF CALLS TO MAKE.
684
00:28:09,884 --> 00:28:12,785
BUT IF IT'S WITHIN OUR AREA,
685
00:28:12,820 --> 00:28:15,487
THEN WE'RE DOWN
TO FIVE PHONE CALLS.
686
00:28:15,522 --> 00:28:16,956
I COULD ALSO GET
THE NAMES OF PEOPLE,
687
00:28:16,991 --> 00:28:18,023
IF YOU LIKE?
688
00:28:18,092 --> 00:28:19,759
LOGAN,
WHAT WOULD I DO WITHOUT YOU?
689
00:28:19,794 --> 00:28:22,294
MAYBE WE COULD WRITE THIS DOWN
AS A CONSULTATION FEE?
690
00:28:22,329 --> 00:28:24,196
I COULD KNOCK 20 BUCKS
OFF YOUR TAB.
691
00:28:24,265 --> 00:28:24,997
HOW ABOUT 50?
692
00:28:25,066 --> 00:28:26,065
30.
693
00:28:26,100 --> 00:28:27,099
SOLD.
LOVE YOU.
694
00:28:27,168 --> 00:28:28,367
LOVE YOU, TOO.
695
00:28:31,105 --> 00:28:34,140
NO INJURIES
OR MUCOSAL LESIONS SEEN.
696
00:28:35,342 --> 00:28:39,344
WHY IS IT EVERY TIME
I SMELL CARAMEL MACCHIATO,
697
00:28:39,380 --> 00:28:42,414
I THINK OF JENN SHANNON?
698
00:28:42,449 --> 00:28:43,849
GOOD MORNING, MY FRIEND.
699
00:28:43,885 --> 00:28:46,518
AH...
THERE WE GO.
700
00:28:46,553 --> 00:28:48,087
MM!
701
00:28:48,122 --> 00:28:49,255
STILL TOASTY.
702
00:28:49,290 --> 00:28:50,322
MM-HMM.
703
00:28:50,357 --> 00:28:52,691
SPEAKING OF,
I'VE DECIDED WHEN I GO,
704
00:28:52,760 --> 00:28:55,094
IT'S CREMATION ALL THE WAY.
705
00:28:55,129 --> 00:28:56,695
OKAY, I'LL BITE... WHY?
706
00:28:56,730 --> 00:29:00,099
IT'S MY LAST CHANCE
AT A SMOKING BODY.
707
00:29:01,535 --> 00:29:03,502
THAT'S ACTUALLY
ONE OF YOUR BETTER ONES.
708
00:29:03,537 --> 00:29:04,503
[LAUGHING]
709
00:29:04,571 --> 00:29:07,039
HOW CAN I HELP YOU TODAY?
710
00:29:08,375 --> 00:29:11,177
ELIZABETH
AND TAMARA ANDRONICUS?
711
00:29:11,212 --> 00:29:12,244
THEY COULD BE HERE,
712
00:29:12,280 --> 00:29:13,679
BUT YOU DIDN'T HEAR IT
FROM ME, RIGHT?
713
00:29:13,714 --> 00:29:15,781
OH, OF COURSE NOT.
714
00:29:15,817 --> 00:29:18,750
I WAS CURIOUS ABOUT
THEIR TWO "ACCIDENTS".
715
00:29:18,786 --> 00:29:21,053
COULD THERE BE SIGNS THAT
THERE WAS SOMETHING ELSE?
716
00:29:21,122 --> 00:29:25,191
BY "ELSE," COULD YOU BE
INSINUATING FOUL PLAY?
717
00:29:25,226 --> 00:29:26,725
COULD BE.
718
00:29:26,760 --> 00:29:28,227
NOTHING OFFICIAL.
719
00:29:28,262 --> 00:29:29,728
WE'RE STRICTLY TALKING "COULDS."
720
00:29:29,763 --> 00:29:31,496
WHILE THE HEAVY STRESS
ON ELIZABETH'S HEART
721
00:29:31,532 --> 00:29:32,865
WAS IRREGULAR FOR HER ILLNESS,
722
00:29:32,934 --> 00:29:35,400
NOTHING ELSE
IS SHOWING UP SO FAR.
723
00:29:35,436 --> 00:29:36,568
IRREGULAR?
724
00:29:36,603 --> 00:29:39,171
ELIZABETH HAD A SUDDEN
MASSIVE HEART ATTACK,
725
00:29:39,240 --> 00:29:42,007
BUT HER MEDICAL REPORTS
DON'T INDICATE HEART DISEASE,
726
00:29:42,043 --> 00:29:45,510
WEAKNESS,
OR ANY GENETIC ANOMALIES.
727
00:29:45,579 --> 00:29:47,412
HER ILLNESS STEMMED
728
00:29:47,448 --> 00:29:50,149
FROM BLOOD AND OSTEOSARCOMA
CANCER COMPLICATIONS
729
00:29:50,184 --> 00:29:51,884
IN HER KNEES,
730
00:29:51,919 --> 00:29:55,221
AND THOSE COMPLICATIONS USUALLY
LEAD TO BLEEDING IN THE BRAIN,
731
00:29:55,289 --> 00:29:58,690
AND THAT WOULD CAUSE A STROKE,
NOT A HEART ATTACK.
732
00:29:58,726 --> 00:30:01,526
SO WHAT COULD'VE CAUSED
ELIZABETH'S HEART ATTACK?
733
00:30:01,595 --> 00:30:03,729
SHE WAS GETTING UP
IN AGE.
734
00:30:03,764 --> 00:30:06,165
ARE YOU SUGGESTING
SHE WAS SCARED TO DEATH?
735
00:30:06,200 --> 00:30:08,667
OR IT COULD'VE BEEN
AN ALLERGIC REACTION.
736
00:30:08,736 --> 00:30:11,636
I DID FIND
A PEANUT ALLERGY HERE.
737
00:30:11,672 --> 00:30:14,406
EVEN JUST A SLIGHT INHALE
FROM PEANUT VAPOR
738
00:30:14,441 --> 00:30:16,208
COULD TRIGGER
AN ANAPHYLACTIC SHOCK.
739
00:30:16,244 --> 00:30:18,077
AND THAT SHOCK COULD CAUSE
A HEART ATTACK?
740
00:30:18,112 --> 00:30:19,578
COULD HAVE,
741
00:30:19,613 --> 00:30:22,248
BUT THOSE MINIMAL PEANUT TRACES
ARE EXTREMELY HARD TO FIND
742
00:30:22,283 --> 00:30:24,449
IN ANY AUTOPSY, IF EVER.
743
00:30:25,586 --> 00:30:26,718
WHAT ABOUT TAMARA?
744
00:30:26,754 --> 00:30:28,354
WELL, I DID FIND
SUBSTANTIAL AMOUNTS
745
00:30:28,389 --> 00:30:30,356
OF MORPHINE SULFATE
IN HER MOUTH.
746
00:30:30,391 --> 00:30:31,490
MORPHINE SULFATE?
747
00:30:31,558 --> 00:30:33,993
HEAVY PRESCRIPTION
PAINKILLERS.
748
00:30:34,028 --> 00:30:36,028
SO AN OVERDOSE COULD
HAVE LED TO HER FALL?
749
00:30:36,097 --> 00:30:37,796
COULD HAVE,
750
00:30:37,831 --> 00:30:40,399
BUT IT "COULD BE" STRANGE
751
00:30:40,434 --> 00:30:42,902
THAT ONLY THE POWDER
FROM THE MORPHINE SULFATE PILLS
752
00:30:42,937 --> 00:30:44,370
WAS FOUND IN HER MOUTH.
753
00:30:44,405 --> 00:30:46,805
IT'S AS IF
THE CAPSULE SHELLS
754
00:30:46,840 --> 00:30:48,473
WERE PULLED APART
MANUALLY,
755
00:30:48,509 --> 00:30:50,376
THE CONTENTS EMPTIED
INTO HER MOUTH,
756
00:30:50,411 --> 00:30:53,512
AND THE SHELLS DISCARDED
SOMEPLACE ELSE.
757
00:30:53,547 --> 00:30:55,480
SO THE MORPHINE
COULD HAVE BEEN PLACED THERE
758
00:30:55,549 --> 00:30:56,916
AFTER TAMARA'S DEATH,
759
00:30:56,951 --> 00:31:00,119
MAKING IT LOOK LIKE AN OVERDOSE
THAT LED TO THE FALL?
760
00:31:00,154 --> 00:31:01,887
A KILLER COVERING THEIR TRACKS?
761
00:31:01,923 --> 00:31:03,155
COULD,
762
00:31:03,190 --> 00:31:06,491
BUT YOU WON'T GET
ANYTHING OUT OF ME.
763
00:31:06,560 --> 00:31:09,528
SO WHILE ELIZABETH'S DEATH
COULD HAVE BEEN AN ACCIDENT,
764
00:31:09,563 --> 00:31:11,563
TAMARA'S
IS MOST LIKELY A MURDER?
765
00:31:11,598 --> 00:31:15,234
NOW, THAT'S
A VERY STRONG COULD.
766
00:31:19,440 --> 00:31:21,340
DANI, GO A LITTLE BIGGER.
767
00:31:21,375 --> 00:31:22,341
MORE DRAMA.
768
00:31:22,376 --> 00:31:23,409
LET'S REHEARSE IT.
769
00:31:23,444 --> 00:31:24,410
OKAY.
770
00:31:24,445 --> 00:31:25,377
MORE DRAMA?
771
00:31:25,413 --> 00:31:26,578
I CAN DO THAT.
772
00:31:26,647 --> 00:31:27,779
SAME QUESTION.
773
00:31:27,815 --> 00:31:29,748
SO, STILL NO SIGN OF
THE MISSING PUZZLE BOX
774
00:31:29,783 --> 00:31:30,715
ANYWHERE IN THE STORE?
775
00:31:30,751 --> 00:31:32,717
WELL...
776
00:31:32,753 --> 00:31:34,420
WE KNOW IT MUST BE SOMEWHERE,
777
00:31:34,455 --> 00:31:36,956
BUT THAT SOMEWHERE
ISN'T HERE.
778
00:31:38,225 --> 00:31:39,224
ALL RIGHT, UM...
779
00:31:39,293 --> 00:31:40,926
JUST A LITTLE BIT
LESS, OKAY?
780
00:31:40,962 --> 00:31:42,594
LESS?
781
00:31:42,629 --> 00:31:44,629
[CLEARING THROAT]
782
00:31:44,665 --> 00:31:46,966
WELL, THE BOX MUST BE SOMEWHERE,
BUT...
783
00:31:47,001 --> 00:31:48,900
THAT SOMEWHERE ISN'T HERE.
784
00:31:48,936 --> 00:31:50,202
PERFECT.
785
00:31:50,237 --> 00:31:51,136
[BEEPING]
786
00:31:51,172 --> 00:31:53,272
OH...
787
00:31:53,307 --> 00:31:54,273
SORRY, KAT.
788
00:31:54,342 --> 00:31:55,907
I THOUGHT
I TURNED IT OFF.
789
00:31:55,977 --> 00:31:56,842
[KAT]:
NO WORRIES.
790
00:31:56,877 --> 00:31:57,909
[JOEL]: UM, DANI,
791
00:31:57,945 --> 00:32:00,212
THAT-- THAT WAS REALLY GOOD.
792
00:32:00,247 --> 00:32:01,746
RIGHT IN THERE
793
00:32:01,782 --> 00:32:03,482
IS GOING TO BE
REALLY GOOD, 'KAY?
794
00:32:03,517 --> 00:32:04,383
A LITTLE
"LESS IS MORE."
795
00:32:04,418 --> 00:32:05,117
I LIKE IT.
796
00:32:05,186 --> 00:32:06,385
OKAY.
797
00:32:06,420 --> 00:32:09,288
UH, LISTEN, GUYS,
IF WE DON'T FIND THE PUZZLE BOX,
798
00:32:09,323 --> 00:32:10,655
IS THERE ANOTHER PIECE
IN THE STORE
799
00:32:10,691 --> 00:32:12,591
THAT WE COULD MAYBE USE?
800
00:32:12,659 --> 00:32:14,526
IF WE DON'T FIND IT
BY THE END OF DAY,
801
00:32:14,595 --> 00:32:15,494
WE'LL ADJUST.
802
00:32:15,562 --> 00:32:16,728
ALL RIGHT.
803
00:32:16,763 --> 00:32:19,564
IS JENN GOING
TO BE HERE SOON?
804
00:32:19,600 --> 00:32:21,166
I'LL GIVE HER A CALL.
805
00:32:22,970 --> 00:32:24,103
[DIALING]
806
00:32:27,808 --> 00:32:29,108
[PHONE RINGING]
807
00:32:31,045 --> 00:32:31,977
HEY, DANI.
808
00:32:32,013 --> 00:32:33,545
HI, HONEY.
809
00:32:33,580 --> 00:32:35,580
JOEL AND THE CREW WERE WONDERING
WHERE YOU ARE.
810
00:32:35,649 --> 00:32:37,782
I'M AT THE ANDRONICUS HOUSE.
811
00:32:37,818 --> 00:32:39,851
LUCAS SHOULD KNOW
THE PUZZLE BOX IS MISSING.
812
00:32:39,887 --> 00:32:41,053
I'LL BE BY THE STORE LATER.
813
00:32:41,088 --> 00:32:42,488
PLEASE BE CAREFUL.
814
00:32:42,523 --> 00:32:44,723
I WILL.
815
00:32:44,758 --> 00:32:46,091
[CLATTERING]
816
00:32:50,964 --> 00:32:52,697
[JENN]:
UM, EXCUSE ME?
817
00:32:52,733 --> 00:32:54,866
SORRY, I DON'T MEAN
TO BOTHER YOU.
818
00:32:54,935 --> 00:32:55,834
MY NAME IS
JENNIFER SHANNON.
819
00:32:55,903 --> 00:32:57,102
I OWN RAGS TO RICHES.
820
00:32:59,840 --> 00:33:03,075
IS THIS ABOUT THE PUZZLE BOX
AND JOEL'S SHOW?
821
00:33:03,110 --> 00:33:04,809
YES.
822
00:33:04,845 --> 00:33:06,978
I ALSO WANTED TO SAY
I'M SO SORRY FOR YOUR LOSS.
823
00:33:07,014 --> 00:33:08,613
THANKS.
824
00:33:08,649 --> 00:33:10,849
UM... WHAT CAN I DO FOR YOU?
825
00:33:10,884 --> 00:33:12,151
TAMARA BROUGHT
THE PUZZLE BOX IN
826
00:33:12,186 --> 00:33:14,053
THE DAY BEFORE SHE PASSED.
827
00:33:14,088 --> 00:33:16,488
YEAH, I TOLD JOEL
HE WAS FINE TO USE IT,
828
00:33:16,524 --> 00:33:19,058
AS LONG AS HE DIDN'T BRING
OUR NAME INTO IT.
829
00:33:19,093 --> 00:33:22,394
AH, MIGHT MAKE
A NICE TRIBUTE FOR MOTHER.
830
00:33:22,463 --> 00:33:23,828
SHE LOVED BUILDING THOSE.
831
00:33:23,864 --> 00:33:25,897
OH, YOUR MOTHER MADE THEM?
832
00:33:25,933 --> 00:33:27,566
IT WAS HER PASSION.
833
00:33:29,002 --> 00:33:30,102
WELL, UNFORTUNATELY,
834
00:33:30,137 --> 00:33:32,104
THE BOX HAS GONE MISSING
FROM THE STORE.
835
00:33:32,173 --> 00:33:33,238
SOMEBODY TOOK IT?
836
00:33:33,307 --> 00:33:34,306
I DON'T KNOW.
837
00:33:34,341 --> 00:33:35,407
WE'RE STILL TRYING
TO LOCATE IT,
838
00:33:35,443 --> 00:33:37,876
BUT I WAS CURIOUS...
839
00:33:37,911 --> 00:33:40,546
DO YOU THINK MAYBE THERE WAS
SOMETHING VALUABLE INSIDE
840
00:33:40,614 --> 00:33:42,581
THAT SOMEONE WHO KNEW HER
WANTED?
841
00:33:42,616 --> 00:33:43,549
WELL, THAT WOULD BE
A BETTER QUESTION
842
00:33:43,584 --> 00:33:45,984
FOR MY BROTHER, QUIN.
843
00:33:46,019 --> 00:33:47,686
THEY LOVED BUILDING THEM
TOGETHER.
844
00:33:47,721 --> 00:33:50,322
IS THERE SOME WAY
I COULD CONTACT HIM?
845
00:33:50,357 --> 00:33:52,023
HE'S STAYING
AT THE OVERVIEW.
846
00:33:52,059 --> 00:33:53,459
I'D CALL HIM FOR YOU,
847
00:33:53,494 --> 00:33:56,395
BUT WE'RE NOT REALLY TALKING
A WHOLE LOT RIGHT NOW.
848
00:33:56,430 --> 00:33:57,929
I SEE.
849
00:33:59,633 --> 00:34:02,667
WELL, IF I CAN REPAY YOU
FOR THAT PUZZLE BOX,
850
00:34:02,703 --> 00:34:03,802
PLEASE LET ME KNOW.
851
00:34:03,837 --> 00:34:06,105
THANKS.
852
00:34:06,140 --> 00:34:08,574
IF YOU'LL EXCUSE ME,
I'VE GOT SOME THINGS TO DO.
853
00:34:08,642 --> 00:34:10,675
I SHOULD REALLY
GET BACK TO IT.
854
00:34:12,213 --> 00:34:13,245
OF COURSE.
855
00:34:13,280 --> 00:34:14,379
IT WAS A PLEASURE
MEETING YOU.
856
00:34:34,935 --> 00:34:36,735
[DIALING]
857
00:34:36,803 --> 00:34:38,470
[FRANK, VOICE MAIL]:
LYNWOOD. LEAVE A MESSAGE.
858
00:34:38,506 --> 00:34:40,439
FRANK...
859
00:34:40,474 --> 00:34:41,906
I FOUND A BOTTLE OF PEANUT OIL
860
00:34:41,942 --> 00:34:44,576
IN THE RECYCLING BIN
AT THE ANDRONICUS HOUSE,
861
00:34:44,612 --> 00:34:45,944
AND LUCAS WAS CLEANING IT UP.
862
00:34:45,979 --> 00:34:47,513
CALL ME.
863
00:34:52,953 --> 00:34:54,186
THANKS.
864
00:34:58,792 --> 00:35:00,025
HE SHOULD BE HERE ANYTIME.
865
00:35:00,060 --> 00:35:01,593
[PHONE RINGING]
866
00:35:05,566 --> 00:35:06,665
HANNAH, HEY,I'M SORRY.
867
00:35:06,700 --> 00:35:08,099
I WANTED TO CALL,
868
00:35:08,135 --> 00:35:09,434
BUT A DRIVER
WAS PINNED UNDER HIS CAR.
869
00:35:09,470 --> 00:35:11,370
HE'S OKAY NOW,
BUT I HAD TO SIT WITH HIM
870
00:35:11,405 --> 00:35:14,439
UNTIL THE FIRE DEPARTMENT
COULD COME AND CUT HIM OUT.
871
00:35:14,475 --> 00:35:16,175
OH, NO.
872
00:35:16,210 --> 00:35:17,842
I'M SORRY,I WANTED TO CALL,
873
00:35:17,878 --> 00:35:19,911
BUT THAT'S PART OF WHY
I DON'T REALLY GET OUT MUCH.
874
00:35:19,946 --> 00:35:22,013
WHAT'S THE OTHER PART?
875
00:35:22,049 --> 00:35:24,916
TO BE HONEST,
I, UH...
876
00:35:24,951 --> 00:35:26,418
I JUST GOT OUT
OF A RELATIONSHIP,
877
00:35:26,453 --> 00:35:28,987
AND I HAVEN'T REALLY DUGBACK INTO THE DATING SCENE YET.
878
00:35:29,022 --> 00:35:30,922
I HEAR YOU.
879
00:35:30,957 --> 00:35:33,425
IT'S NOT REALLY MY THING EITHER
AT THE MOMENT.
880
00:35:33,460 --> 00:35:34,693
SO WHAT DO WE DO?
881
00:35:34,728 --> 00:35:37,729
MAYBE WE JUST HANG OUT.
882
00:35:37,764 --> 00:35:39,698
NO PRESSURE, EXPECTATION...
883
00:35:39,733 --> 00:35:42,000
NO ROMANTIC DINNERS
OR FLOWERS...
884
00:35:42,035 --> 00:35:43,468
NONE OF THOSE DATING RITUALS.
885
00:35:43,504 --> 00:35:44,570
YOU WILL NOT,
886
00:35:44,605 --> 00:35:46,938
I REPEAT,
NOT HOLD A DOOR OPEN FOR ME.
887
00:35:48,008 --> 00:35:49,974
FINE, I WON'T.
888
00:35:50,043 --> 00:35:50,909
LET'S DO IT.
I'M IN.
889
00:35:50,944 --> 00:35:52,477
SOUNDS GOOD.
890
00:35:52,513 --> 00:35:54,613
I'LL TALK TO YOU LATER.
891
00:35:54,648 --> 00:35:55,914
BYE.
892
00:36:00,421 --> 00:36:01,220
HI, ANDI.
893
00:36:01,255 --> 00:36:02,521
HEY, JENN!
894
00:36:02,556 --> 00:36:03,988
I'M LOOKING
FOR A GENTLEMAN
895
00:36:04,024 --> 00:36:05,624
BY THE NAME
OF QUIN ANDRONICUS.
896
00:36:05,659 --> 00:36:07,392
HE MIGHT HAVE CHECKED IN
TODAY OR EVEN YESTERDAY.
897
00:36:07,428 --> 00:36:09,194
ACTUALLY,
MR. ANDRONICUS CHECKED IN
898
00:36:09,230 --> 00:36:10,829
CLOSER TO FOUR DAYS AGO.
899
00:36:12,799 --> 00:36:15,166
YES, SATURDAY,
BUT YOU JUST MISSED HIM.
900
00:36:20,341 --> 00:36:22,541
DO YOU WANT TO
LEAVE A MESSAGE?
901
00:36:22,610 --> 00:36:23,575
DID YOU SAY SATURDAY?
902
00:36:32,477 --> 00:36:33,442
THANKS FOR COMING IN.
903
00:36:33,478 --> 00:36:34,944
HOW CAN I HELP YOU?
904
00:36:37,315 --> 00:36:39,849
WELL, MAYBE YOU CAN TELL ME
905
00:36:39,884 --> 00:36:41,250
WHY YOUR BROTHER, LUCAS,
HAS A RESTRAINING ORDER
906
00:36:41,319 --> 00:36:43,786
AGAINST YOU?
907
00:36:43,822 --> 00:36:45,788
BECAUSE OF TAMARA.
908
00:36:45,857 --> 00:36:47,490
A LITTLE OVER A YEAR AGO,
909
00:36:47,525 --> 00:36:49,525
I SAID SOME THINGS ABOUT HER
THAT I PROBABLY SHOULDN'T HAVE.
910
00:36:49,594 --> 00:36:51,094
THINGS GOT HEATED,
911
00:36:51,129 --> 00:36:52,862
BUT I GUESS
THAT'S WHAT SHE WANTED.
912
00:36:52,897 --> 00:36:54,530
SHE WAS ALL ABOUT
DIVIDE AND CONQUER.
913
00:36:54,599 --> 00:36:57,066
SHE DIVIDED THE FAMILY?
914
00:36:57,102 --> 00:36:59,035
WHERE THERE'S MONEY
AND OPPORTUNITY,
915
00:36:59,070 --> 00:37:00,637
THERE'S TAMARA.
916
00:37:00,672 --> 00:37:02,038
SHE PITTED ME AND MY BROTHER
AGAINST EACH OTHER
917
00:37:02,073 --> 00:37:03,572
FROM THE BEGINNING.
918
00:37:03,608 --> 00:37:06,509
I'M SURE YOU'VE SEEN HOW HIGH
SHE ROSE IN THE FAMILY BUSINESS.
919
00:37:06,577 --> 00:37:08,310
SHE NEVER LOVED LUCAS.
920
00:37:09,914 --> 00:37:11,313
SEEMS LIKE
YOU'RE NOT HER BIGGEST FAN.
921
00:37:12,617 --> 00:37:13,716
THAT DOESN'T MAKE ME
HER KILLER.
922
00:37:15,186 --> 00:37:15,985
WHERE WERE YOU
THE DAY SHE DIED?
923
00:37:17,321 --> 00:37:19,122
MAKING FUNERAL ARRANGEMENTS
FOR MY MOTHER.
924
00:37:19,157 --> 00:37:20,790
WITH YOUR BROTHER, RIGHT?
925
00:37:20,859 --> 00:37:22,091
HE WAS THERE FOR A BIT, YES.
926
00:37:22,127 --> 00:37:24,326
HOW LONG IS A BIT?
927
00:37:24,362 --> 00:37:25,628
I'D SAY ABOUT 20 MINUTES.
928
00:37:25,697 --> 00:37:27,229
THEN HE LEFT.
929
00:37:27,265 --> 00:37:29,766
GUESS IT WAS A LITTLE TOO MUCH
FOR HIM TO HANDLE,
930
00:37:29,801 --> 00:37:30,900
BUT I WAS THERE THE WHOLE TIME.
931
00:37:30,935 --> 00:37:32,535
YOU CAN CHECK
WITH THE UNDERTAKER.
932
00:37:35,974 --> 00:37:38,041
WHY DON'T YOU TALK
TO THEIR LAWYER,
933
00:37:38,076 --> 00:37:39,241
ALLAN DEMETRY?
934
00:37:39,310 --> 00:37:41,744
HE'D BE MY FIRST STOP.
935
00:37:41,780 --> 00:37:43,445
AND WHAT'S MR. DEMETRY
GOING TO TELL ME?
936
00:37:43,514 --> 00:37:45,181
SOMETHING I'VE BEEN TRYING
TO TELL THEM
937
00:37:45,216 --> 00:37:46,115
FOR A VERY LONG TIME.
938
00:37:48,319 --> 00:37:49,986
THANK YOU.
939
00:37:50,021 --> 00:37:51,387
I KNOW WHAT YOU'RE THINKING,
940
00:37:51,455 --> 00:37:53,990
BUT I DIDN'T JUST ASK YOU HERE
TO TALK ABOUT THE CASE.
941
00:37:54,059 --> 00:37:55,758
OH, REALLY?
942
00:37:55,827 --> 00:37:57,727
IS IT BECAUSE
OF MY WINNING SMILE?
943
00:37:57,762 --> 00:37:58,861
MM?
944
00:37:58,897 --> 00:38:00,296
OKAY, IS THERE
ANY PARTICULAR SUSPECT
945
00:38:00,364 --> 00:38:01,764
YOU'RE LEANING TOWARDS?
946
00:38:01,833 --> 00:38:03,232
WELL, LUCAS HAD SAID HE WAS
MAKING FUNERAL ARRANGEMENTS
947
00:38:03,301 --> 00:38:04,801
AT THE TIME OF TAMARA'S DEATH,
948
00:38:04,836 --> 00:38:07,737
BUT HE LEFT
THE FUNERAL PARLOR EARLY.
949
00:38:07,772 --> 00:38:09,505
HE COULD'VE DRIVEN HOME
TO SEE HER.
950
00:38:09,540 --> 00:38:11,473
HE WAS IN TOWN
FOR BOTH DEATHS,
951
00:38:11,542 --> 00:38:13,843
SHOWS UP AT THE SCENE
WITH A RIPPED SHIRT,
952
00:38:13,878 --> 00:38:17,313
PLUS HE WAS THE ONE WHO WAS
CLEANING OUT THE RECYCLING
953
00:38:17,381 --> 00:38:19,315
WHEN YOU NOTICED
THE PEANUT OIL.
954
00:38:19,350 --> 00:38:20,516
COULD HE REALLY
NOT HAVE SEEN IT?
955
00:38:20,551 --> 00:38:21,951
WELL, HE DIDN'T WANT
TO CALL ATTENTION TO IT
956
00:38:21,986 --> 00:38:23,086
WHILE I WAS THERE.
957
00:38:23,121 --> 00:38:24,653
THAT'D BE MY GUESS,
958
00:38:24,689 --> 00:38:26,823
BECAUSE WHEN I SPOKE
WITH THE FORMER CHEF,
959
00:38:26,858 --> 00:38:28,224
HE SAID THE PLACE WAS
A PEANUT-FREE ZONE,
960
00:38:28,259 --> 00:38:30,893
AND THE WHOLE STAFF
WAS LET GO
961
00:38:30,929 --> 00:38:32,061
BEFORE ELIZABETH DIED.
962
00:38:32,130 --> 00:38:35,397
SO SOMEONE OTHER THAN THE STAFF
963
00:38:35,433 --> 00:38:37,834
COULD HAVE SLIPPED THE OIL
INTO SOMETHING?
964
00:38:37,869 --> 00:38:39,668
WHAT DO YOU KNOW
ABOUT LUCAS' BROTHER, QUIN?
965
00:38:39,738 --> 00:38:41,738
WELL, I KNOW THAT LUCAS HAS
A RESTRAINING ORDER AGAINST HIM,
966
00:38:41,773 --> 00:38:45,307
A FIGHT THAT TURNED VIOLENT
ABOUT A YEAR BACK.
967
00:38:45,343 --> 00:38:46,809
QUIN LEFT TOWN.
968
00:38:46,845 --> 00:38:49,712
HE NOW WORKS AS A LINGUISTICS
AND HUMAN STUDIES PROFESSOR
969
00:38:49,781 --> 00:38:50,813
ON THE WEST COAST.
970
00:38:50,849 --> 00:38:52,314
HE'S BACK IN TOWN
971
00:38:52,383 --> 00:38:53,649
TO HELP PLAN
HIS MOTHER'S FUNERAL.
972
00:38:53,684 --> 00:38:55,818
WHICH PUTS HIM HERE
AT THE TIME OF TAMARA'S DEATH.
973
00:38:55,854 --> 00:38:57,319
TRUE,
974
00:38:57,388 --> 00:38:58,755
BUT WITH QUIN'S ALIBI,
975
00:38:58,790 --> 00:38:59,856
THERE'S NO WAY
976
00:38:59,891 --> 00:39:01,224
THAT HE COULD HAVE BEEN
AT THE HOUSE
977
00:39:01,292 --> 00:39:02,658
BETWEEN THE TIME YOU LEFT
THE STORE AND FOUND TAMARA,
978
00:39:02,727 --> 00:39:05,762
BUT HE DID BRING UP
THE FAMILY LAWYER,
979
00:39:05,797 --> 00:39:07,130
ALLAN DEMETRY,
980
00:39:07,165 --> 00:39:08,430
WHOM I'VE CALLED
AND HASN'T BEEN SEEN
981
00:39:08,466 --> 00:39:10,432
SINCE THE TIME
OF TAMARA'S DEATH.
982
00:39:10,501 --> 00:39:13,002
WENT BY THE HOUSE...
NO ANSWER.
983
00:39:13,037 --> 00:39:14,904
SO EITHER HE'S ON THE RUN, OR...
984
00:39:14,939 --> 00:39:16,338
OR ANOTHER VICTIM.
985
00:39:16,374 --> 00:39:17,406
MM.
986
00:39:17,475 --> 00:39:18,975
YOU KNOW
WHAT I DON'T UNDERSTAND?
987
00:39:19,010 --> 00:39:20,576
WHAT'S THAT?
988
00:39:20,611 --> 00:39:22,912
IF QUIN WAS IN TOWN
TO PLAN HIS MOTHER'S FUNERAL,
989
00:39:22,981 --> 00:39:25,447
WHY DID HE CHECK INTO A MOTEL
A DAY BEFORE HIS MOTHER DIED?
990
00:39:27,218 --> 00:39:28,350
WELL,
THAT DOES MEAN ONE THING...
991
00:39:28,386 --> 00:39:30,820
BOTH BROTHERS WERE IN TOWN
FOR BOTH MURDERS.
992
00:39:30,855 --> 00:39:33,055
MM-HMM.
993
00:39:33,091 --> 00:39:35,158
NO CANDLES, NO MUSIC.
994
00:39:35,193 --> 00:39:36,793
JUST TACOS.
995
00:39:36,828 --> 00:39:38,594
I DON'T KNOW,
WAYS TO MY HEART...
996
00:39:38,629 --> 00:39:39,561
ONE, BUY ME TACOS,
997
00:39:39,597 --> 00:39:40,562
TWO, MAKE ME TACOS,
998
00:39:40,631 --> 00:39:41,964
AND THREE, BE A TACO.
999
00:39:42,000 --> 00:39:43,766
FINE, YOU'RE BUYING YOUR OWN.
1000
00:39:43,802 --> 00:39:45,201
ONE TACO, PLEASE.
1001
00:39:45,236 --> 00:39:46,869
SAME, THANKS.
1002
00:39:46,905 --> 00:39:48,337
SO...
1003
00:39:48,406 --> 00:39:49,738
SINCE WE'RE JUST HANGING OUT,
1004
00:39:49,774 --> 00:39:52,008
CAN I ASK YOU
WHAT'S UP WITH YOUR EX?
1005
00:39:52,043 --> 00:39:53,442
YOU CAN.
1006
00:39:53,477 --> 00:39:54,443
I JUST DID.
1007
00:39:54,478 --> 00:39:56,378
WHOA.
1008
00:39:56,414 --> 00:39:57,579
UM, I DON'T KNOW.
1009
00:39:59,750 --> 00:40:01,450
THANK YOU.
1010
00:40:01,485 --> 00:40:02,518
WE NEVER REALLY ARGUED.
1011
00:40:02,553 --> 00:40:04,520
SHE JUST WOULD EXPLAIN
REALLY LOUDLY
1012
00:40:04,555 --> 00:40:06,455
WHY SHE WAS ALWAYS RIGHT.
1013
00:40:06,490 --> 00:40:07,389
BEEN THERE.
1014
00:40:07,425 --> 00:40:08,390
YEAH...
1015
00:40:08,426 --> 00:40:09,525
AND THE WEIRDEST PART
1016
00:40:09,560 --> 00:40:10,392
IS THAT I'VE HAD THIS
LAUNDRY BASKET,
1017
00:40:10,428 --> 00:40:11,427
FULL OF HER THINGS
1018
00:40:11,462 --> 00:40:13,196
JUST SITTING IN MY CLOSET,
1019
00:40:13,231 --> 00:40:14,663
AND I HAVEN'T REALLY HAD
THE HEART TO GIVE IT BACK.
1020
00:40:14,699 --> 00:40:15,497
HMM.
1021
00:40:17,168 --> 00:40:18,534
YEAH, IT'S A LITTLE WEIRD,
I KNOW.
1022
00:40:18,569 --> 00:40:20,469
NO, IT'S...
1023
00:40:20,504 --> 00:40:21,971
OKAY, IT'S A LITTLE WEIRD.
1024
00:40:22,006 --> 00:40:23,605
WELL, WHAT ABOUT YOU?
1025
00:40:23,641 --> 00:40:27,176
I'M NOT USUALLY
ONE TO GO LOOKING.
1026
00:40:27,212 --> 00:40:28,211
I MEAN, I THINK
1027
00:40:28,279 --> 00:40:29,812
WHEN YOU'RE ACTUALLY
LOOKING FOR LOVE,
1028
00:40:29,881 --> 00:40:31,214
YOU NEVER FIND IT.
1029
00:40:31,249 --> 00:40:34,516
WELL, I THINK I'VE FOUND
TRUE LOVE RIGHT HERE.
1030
00:40:34,585 --> 00:40:35,584
SCATTER MY ASHES.
1031
00:40:36,921 --> 00:40:37,820
DONE.
1032
00:40:37,856 --> 00:40:39,188
[LAUGHING]
1033
00:40:39,224 --> 00:40:40,823
[PHONE RINGING]
1034
00:40:40,892 --> 00:40:41,958
HEY, LOGAN.
1035
00:40:42,026 --> 00:40:43,592
I WENT THROUGH THOSE NUMBERS,
1036
00:40:43,661 --> 00:40:46,028
AND I FOUND
A PRETTY INTERESTING ONE.
1037
00:40:46,097 --> 00:40:47,629
HOW INTERESTING?
1038
00:40:47,698 --> 00:40:49,999
THE ANDRONICUS FAMILY LAWYER,
1039
00:40:50,034 --> 00:40:51,100
ALLAN DEMETRY.
1040
00:40:51,135 --> 00:40:53,369
I'LL TEXT YOU HIS NUMBER
AND ADDRESS.
1041
00:40:53,404 --> 00:40:55,071
LOGAN, YOU ARE THE BEST.
1042
00:40:55,139 --> 00:40:56,873
THANK YOU SO MUCH!
1043
00:41:02,347 --> 00:41:03,279
[CRASHING]
1044
00:41:09,120 --> 00:41:10,253
[DIALING]
1045
00:41:10,288 --> 00:41:11,187
FRANK!
1046
00:41:16,160 --> 00:41:19,828
NO, I JUST SAW A BODY
MOVING THROUGH THE STORE,
1047
00:41:19,864 --> 00:41:20,897
SO I...
1048
00:41:20,932 --> 00:41:21,898
YOU OKAY?
1049
00:41:21,933 --> 00:41:23,099
OH, I'M FINE.
1050
00:41:23,167 --> 00:41:24,633
WAS ANYTHING STOLEN?
1051
00:41:24,668 --> 00:41:26,568
IT DOESN'T LOOK
LIKE THEY TOOK ANYTHING.
1052
00:41:26,604 --> 00:41:27,937
OKAY.
1053
00:41:27,972 --> 00:41:28,871
WELL, THIS IS GOOD.
1054
00:41:28,907 --> 00:41:29,838
UH...
1055
00:41:29,874 --> 00:41:30,940
BUT?
1056
00:41:30,975 --> 00:41:32,474
LOOKS LIKE
THEY RETURNED SOMETHING.
1057
00:41:36,147 --> 00:41:38,180
[FRANK]:
THE MISSING PUZZLE BOX?
1058
00:41:38,249 --> 00:41:40,917
I CAN GUARANTEE YOU,
THAT WAS NOT THERE BEFORE.
1059
00:41:40,985 --> 00:41:42,184
WHY WOULD SOMEBODY
STEAL IT
1060
00:41:42,220 --> 00:41:43,319
AND THEN RETURN IT?
1061
00:41:43,354 --> 00:41:45,554
I'M NOT SURE.
1062
00:41:45,589 --> 00:41:47,656
WELL, I CAN DUST IT
FOR FINGERPRINTS,
1063
00:41:47,691 --> 00:41:48,857
BUT IT'S NOT
TECHNICALLY EVIDENCE
1064
00:41:48,927 --> 00:41:50,259
UNTIL WE CAN PROVE
1065
00:41:50,295 --> 00:41:52,094
THAT IT'S TIED
TO EITHER DEATH.
1066
00:41:52,163 --> 00:41:53,396
[OFFICER]:
DETECTIVE LYNWOOD?
1067
00:41:53,464 --> 00:41:55,932
WHEN HE SAW US, HE RAN.
1068
00:42:03,441 --> 00:42:05,274
AM I UNDER ARREST?
1069
00:42:07,812 --> 00:42:10,846
YES, I'D SAY
A CHAT IS IN ORDER.
1070
00:42:12,850 --> 00:42:14,250
[FRANK]: WELL,
1071
00:42:14,285 --> 00:42:16,852
THAT'S A LONG LISTOF GREATEST HITS HERE.
1072
00:42:16,887 --> 00:42:18,120
RIOTING,
1073
00:42:18,156 --> 00:42:20,923
A DROPPED ASSAULT CHARGE
ON A PEACE OFFICER...
1074
00:42:20,959 --> 00:42:23,259
OH, AND BREAKING AND ENTERING.
1075
00:42:23,294 --> 00:42:25,361
THERE WAS NO BREAKING
AND ENTERING.
1076
00:42:25,396 --> 00:42:27,496
THAT CHARGE WAS
TRESPASSING AT MOST.
1077
00:42:27,531 --> 00:42:28,364
HOW SO?
1078
00:42:28,399 --> 00:42:29,698
I WAS PROTESTING
1079
00:42:29,767 --> 00:42:32,768
THE CONSTRUCTION OF A SKYSCRAPER
OVER IN ALDERGROVE.
1080
00:42:32,837 --> 00:42:36,172
I WAS ON PRIVATE PROPERTY,
CLIMBED OVER A FENCE,
1081
00:42:36,240 --> 00:42:39,175
AND GOT GRABBED FROM BEHIND
BY AN OFF-DUTY COP.
1082
00:42:39,210 --> 00:42:42,211
DID YOU EVER STEAL ANYTHING
FROM MRS. SHANNON'S STORE...
1083
00:42:42,246 --> 00:42:44,513
SPECIFICALLY, A PUZZLE BOX,
1084
00:42:44,548 --> 00:42:46,849
THEN FOR WHATEVER REASONBRING IT BACK?
1085
00:42:46,917 --> 00:42:48,284
[PROTESTER]:
NO.
1086
00:42:48,319 --> 00:42:51,020
I'M NOT A THIEF,OR ANYTHING THAT SHEET SAYS.
1087
00:42:51,055 --> 00:42:54,390
THE REAL CROOKS WEAR SUITS,
COME INTO SMALL TOWNS,
1088
00:42:54,425 --> 00:42:56,225
BULLDOZE EVERYTHING IN SIGHT.
1089
00:42:56,260 --> 00:42:59,161
HENCE THE ANDRONOCORP PROTEST,
1090
00:42:59,230 --> 00:43:00,562
AND BY ALL ACCOUNTS,
1091
00:43:00,598 --> 00:43:02,664
IT'S SOMETHING
YOU SEEM FAIRLY ANGERED AT...
1092
00:43:03,968 --> 00:43:07,203
I'D EVEN SAY
OBSESSED.
1093
00:43:07,238 --> 00:43:09,705
"OBSESSED" IS A WORD
LAZY PEOPLE USE
1094
00:43:09,773 --> 00:43:11,773
TO DESCRIBE THE DEDICATED.
1095
00:43:11,809 --> 00:43:14,410
OOH, THAT'D BE A GREAT TAGLINE
FOR ONE OF YOUR SIGNS.
1096
00:43:14,445 --> 00:43:16,645
OH, SPEAKING
OF TAGS,
1097
00:43:16,680 --> 00:43:18,981
I'M GUESSING THAT
THE SPRAY-PAINT IN YOUR BAG
1098
00:43:19,017 --> 00:43:20,149
AND WHAT YOU'VE GOT
ON YOUR HANDS THERE
1099
00:43:20,184 --> 00:43:22,385
IS THE SAME
AS ON THE ANDRONICUS GATE.
1100
00:43:22,420 --> 00:43:23,685
OH, AND I'VE EVEN HEARD ACCOUNTS
1101
00:43:23,721 --> 00:43:26,955
OF OTHER ANDRONOCORP BUILDINGSBEING DEFACED
1102
00:43:26,991 --> 00:43:28,457
ALL OVER TOWN.
1103
00:43:28,493 --> 00:43:30,493
IT IS WHAT IT IS,
1104
00:43:30,528 --> 00:43:32,995
BUT I NEVER BROKE
INTO ANY STORE.
1105
00:43:33,031 --> 00:43:35,864
WHEN WAS THE LAST TIME YOU WERE
AT THE ANDRONICUS RESIDENCE?
1106
00:43:40,204 --> 00:43:43,139
DID YOU SEE OR HAVE
ANYTHING TO DO WITH THE DEATHS
1107
00:43:43,174 --> 00:43:45,508
OF EITHER ELIZABETH
OR TAMARA ANDRONICUS?
1108
00:43:45,576 --> 00:43:47,776
[PROTESTER]:
NO,
1109
00:43:47,845 --> 00:43:50,279
BUT THE FEWER OF THAT FAMILYIN THIS WORLD,
1110
00:43:50,314 --> 00:43:51,747
THE BETTER.
1111
00:43:51,782 --> 00:43:54,383
[FRANK]: IF YOU'RE WITHHOLDING,IT'S OBSTRUCTION.
1112
00:43:58,122 --> 00:44:00,389
I WAS TAGGING THEIR GATE.
1113
00:44:00,458 --> 00:44:02,024
I SAW A CAR
SPEED INTO THE DRIVEWAY
1114
00:44:02,093 --> 00:44:04,093
AND SLAM ON ITS BRAKES.
1115
00:44:04,128 --> 00:44:05,994
A WOMAN CAME OUT
OF THE HOUSE.
1116
00:44:06,030 --> 00:44:08,964
I TOOK OFFBEFORE HE GOT OUT OF THE CAR.
1117
00:44:08,999 --> 00:44:09,798
[FRANK]:
DID YOU HEAR WHAT THEY SAID?
1118
00:44:09,867 --> 00:44:10,866
NO.
1119
00:44:10,901 --> 00:44:12,168
WAS THE WOMAN
OLDER OR YOUNGER?
1120
00:44:12,203 --> 00:44:13,169
YOUNGER.
1121
00:44:13,204 --> 00:44:15,538
AND THE DRIVER?
1122
00:44:15,573 --> 00:44:17,339
LIKE I SAID, NEVER SAW HIM.
1123
00:44:17,375 --> 00:44:18,774
WHAT ABOUT THE CAR?
1124
00:44:18,809 --> 00:44:23,045
UH, SILVER... GRAY... SEDAN?
1125
00:44:23,081 --> 00:44:24,480
AND THIS WAS YESTERDAY?
1126
00:44:24,515 --> 00:44:26,815
YEAH.
1127
00:44:26,850 --> 00:44:29,452
WHY DIDN'T YOU GO
TO THE POLICE?
1128
00:44:29,487 --> 00:44:31,753
'CAUSE I KNEW
YOU'D SEE THOSE PRIORS,
1129
00:44:31,789 --> 00:44:33,722
AND I'D END UP
NEVER WALKING OUT OF HERE.
1130
00:44:33,757 --> 00:44:36,425
LOOK...
1131
00:44:36,461 --> 00:44:38,860
I KNOW I HAVE RED ON MY HANDS..
1132
00:44:40,898 --> 00:44:42,898
BUT NONE OF IT'S BLOOD.
1133
00:44:46,167 --> 00:44:47,769
BUT IF ZACH BROKE
INTO THE STORE,
1134
00:44:47,819 --> 00:44:48,718
WOULDN'T HE HAVE
AN INJURED LEG
1135
00:44:48,787 --> 00:44:50,153
FROM THE FALL?
1136
00:44:50,189 --> 00:44:52,021
TRUE, BUT HE COULD JUST
BE LYING ABOUT THE ARGUMENT
1137
00:44:52,057 --> 00:44:53,823
TO COVER UP
FOR HIMSELF.
1138
00:44:53,858 --> 00:44:54,924
HE WAS THERE
1139
00:44:54,959 --> 00:44:57,760
AROUND THE TIME
OF TAMARA'S DEATH.
1140
00:44:57,796 --> 00:45:00,230
NO, JUST BECAUSE
HE'S PASSIONATE ABOUT A CAUSE
1141
00:45:00,299 --> 00:45:01,631
DOESN'T MEAN HE'S A KILLER.
1142
00:45:01,667 --> 00:45:03,633
OKAY, THEN WHO?
1143
00:45:03,702 --> 00:45:04,834
I FOUND A NUMBER
1144
00:45:04,869 --> 00:45:07,036
FOR THE ANDRONICUS
FAMILY LAWYER,
1145
00:45:07,105 --> 00:45:08,771
THE SAME NUMBER
THAT TEXTED TAMARA
1146
00:45:08,807 --> 00:45:10,207
SAYING, "I'M SORRY."
1147
00:45:10,242 --> 00:45:11,941
ALLAN DEMETRY
WAS THE "I'M SORRY?"
1148
00:45:11,976 --> 00:45:13,610
HE WAS.
1149
00:45:13,645 --> 00:45:14,944
MAYBE QUIN WAS ON TO SOMETHING
1150
00:45:14,979 --> 00:45:18,315
WHEN HE SAID DEMETRY
WAS INTERESTED IN TAMARA.
1151
00:45:18,350 --> 00:45:19,816
WELL, IF WE CAN
EVEN FIND DEMETRY
1152
00:45:19,884 --> 00:45:21,284
AND GET THE CELL,
1153
00:45:21,353 --> 00:45:22,586
THEN I'LL BE ABLE
TO APPROXIMATE
1154
00:45:22,654 --> 00:45:24,787
THE AREA
WHERE HE MADE THAT TEXT FROM.
1155
00:45:24,823 --> 00:45:26,089
WHICH WOULD PUT HIM
AT THE SCENE OF THE CRIME,
1156
00:45:26,124 --> 00:45:27,056
OR SOMEWHERE ELSE.
1157
00:45:27,092 --> 00:45:28,024
WELL, THIS GUY,
1158
00:45:28,059 --> 00:45:29,292
HE HASN'T RETURNED
ANY OF MY CALLS,
1159
00:45:29,328 --> 00:45:30,493
HASN'T SHOWN UP AT WORK,
1160
00:45:30,529 --> 00:45:31,695
AND ALL THE NEIGHBORS SAY
1161
00:45:31,730 --> 00:45:32,562
THEY HAVEN'T SEEN HIS CAR
IN THE DRIVEWAY
1162
00:45:32,598 --> 00:45:33,597
SINCE TUESDAY.
1163
00:45:33,665 --> 00:45:35,932
YOU GOT ANYTHING
ON TAMARA'S CELL?
1164
00:45:35,967 --> 00:45:37,800
NO,
STILL WAITING ON A WARRANT.
1165
00:45:37,869 --> 00:45:40,237
CAN'T LUCAS GIVE YOU PERMISSION
TO ACCESS HER PHONE?
1166
00:45:40,305 --> 00:45:41,771
I WISH IT WAS THAT EASY.
1167
00:45:41,806 --> 00:45:43,440
DETECTIVE, THE BOX
HAS BEEN WIPED DOWN.
1168
00:45:43,475 --> 00:45:44,874
NO FINGERPRINTS.
1169
00:45:47,479 --> 00:45:48,612
YOU THINKING
THERE'S SOMETHING INSIDE,
1170
00:45:48,647 --> 00:45:50,113
THAT'S PERTAINING
TO THE INVESTIGATION?
1171
00:45:50,181 --> 00:45:52,148
I'M NOT SURE,
1172
00:45:52,183 --> 00:45:53,617
BUT IF YOU WANT ME
TO STAY WITH IT AND GET IT OPEN,
1173
00:45:53,652 --> 00:45:54,651
I CAN FIND OUT.
1174
00:45:56,121 --> 00:45:57,019
GIVE IT TO HER.
1175
00:45:59,958 --> 00:46:01,291
COME TO ME FIRST.
1176
00:46:01,360 --> 00:46:02,959
I ALWAYS DO.
1177
00:46:02,994 --> 00:46:04,193
AH.
1178
00:46:04,263 --> 00:46:05,295
YEAH, RIGHT.
1179
00:46:20,879 --> 00:46:22,178
HEY, DANI.
1180
00:46:22,247 --> 00:46:23,946
CAN YOU COVER FOR ME
AT THE STORE TOMORROW MORNING?
1181
00:46:23,982 --> 00:46:25,482
[BARKING]
1182
00:46:25,517 --> 00:46:26,849
[LOGAN]: COPPER!
MITTENS!
1183
00:46:26,885 --> 00:46:27,784
LL DROOL J, COME ON.
1184
00:46:27,819 --> 00:46:28,752
[BARKING]
1185
00:46:31,356 --> 00:46:33,490
DID YOU OPEN UP
A DOG PARK IN OUR BACKYARD?
1186
00:46:33,525 --> 00:46:34,791
[BARKING]
1187
00:46:34,826 --> 00:46:36,225
YEAH, IT WAS SUPPOSED
1188
00:46:36,261 --> 00:46:37,527
TO BE A DOG-WALKING
BUSINESS. I...
1189
00:46:37,562 --> 00:46:38,595
[BARKING]
1190
00:46:38,630 --> 00:46:39,663
I THOUGHT
IT WOULD BE EASIER.
1191
00:46:41,533 --> 00:46:42,499
IT JUST SEEMS LIKE THE END GOAL
1192
00:46:42,534 --> 00:46:43,800
IS GETTING FARTHER
AND FARTHER AWAY.
1193
00:46:43,835 --> 00:46:45,769
DON'T WORRY,
YOU'LL GET THERE.
1194
00:46:45,804 --> 00:46:47,437
ANYTHING WORTHWHILE TAKES TIME.
1195
00:46:48,507 --> 00:46:49,372
YOU THINK SO?
1196
00:46:49,408 --> 00:46:50,540
I KNOW SO.
1197
00:46:50,609 --> 00:46:52,475
LET ME HELP YOU OUT.
1198
00:46:52,544 --> 00:46:54,076
COME HERE, GUYS.
1199
00:46:54,112 --> 00:46:54,911
COME HERE, YOU.
1200
00:46:54,979 --> 00:46:56,313
WHAT'RE YOU
DOING? STOP.
1201
00:47:04,723 --> 00:47:06,222
[KNOCKING]
1202
00:47:12,631 --> 00:47:14,497
[LINE RINGING]
1203
00:47:14,566 --> 00:47:15,965
[VOICE MAIL]: YOU'VE REACHEDTHE LAW OFFICE MOBILE
1204
00:47:16,034 --> 00:47:16,999
OF ALLAN DEMETRY.
1205
00:47:17,035 --> 00:47:18,368
LEAVE YOUR NAME AND NUMBER,
1206
00:47:18,403 --> 00:47:19,936
AND I WILL RETURN YOUR CALLAS SOON AS POSSIBLE.
1207
00:47:34,820 --> 00:47:36,553
MR. DEMETRY?
1208
00:47:39,758 --> 00:47:41,224
HELLO?
1209
00:47:46,197 --> 00:47:47,764
MR. DEMETRY?
1210
00:48:07,952 --> 00:48:09,352
THANKS.
1211
00:48:09,388 --> 00:48:10,553
[PHONE RINGING]
1212
00:48:14,092 --> 00:48:15,392
HEY, FRANK.
1213
00:48:15,427 --> 00:48:16,493
YOU OPEN THE BOX ALREADY?
1214
00:48:16,528 --> 00:48:19,396
UH... NOT EXACTLY...
1215
00:48:19,431 --> 00:48:21,030
FRANK,
I'M AT ALLAN DEMETRY'S HOUSE.
1216
00:48:21,065 --> 00:48:22,031
WELL, IS HE THERE?
1217
00:48:22,066 --> 00:48:24,401
NO, BUT THE SIDE DOOR WAS OPEN,
1218
00:48:24,436 --> 00:48:26,736
AND SOME FURNITURE'S
BEEN OVERTURNED, AND...
1219
00:48:26,805 --> 00:48:27,837
WELL, FRANK, IT LOOKS LIKE
THERE WAS A STRUGGLE.
1220
00:48:27,873 --> 00:48:29,071
I'M CONCERNED
1221
00:48:29,107 --> 00:48:30,072
SOMETHING MIGHT HAVE HAPPENED
TO MR. DEMETRY.
1222
00:48:30,108 --> 00:48:31,608
I'LL SEND SOMEONE OVER
A.S.A.P.
1223
00:48:31,676 --> 00:48:33,510
OH, AND, FRANK,ONE MORE THING.
1224
00:48:33,545 --> 00:48:36,880
I THINK TAMARA AND ALLAN
WENT TO A CABIN.
1225
00:48:36,915 --> 00:48:38,080
I'M GOING TO SEND YOU
A PHOTO.
1226
00:48:38,149 --> 00:48:39,315
LOOK CLOSELY.
1227
00:48:39,350 --> 00:48:41,584
HER REFLECTION
IS IN HIS SUNGLASSES.
1228
00:48:41,620 --> 00:48:43,052
OKAY, THANKS,
1229
00:48:43,087 --> 00:48:45,522
BUT PLEASE GET SOMEWHERE SAFE.
1230
00:48:51,797 --> 00:48:54,664
LOON LAKE...
THAT'S NOT TOO FAR.
1231
00:49:20,158 --> 00:49:22,625
PUT THE PHONE DOWN!
1232
00:49:24,629 --> 00:49:26,295
WHO ARE YOU?
1233
00:49:28,066 --> 00:49:29,999
I'M A FRIEND
OF THE ANDRONICUS FAMILY.
1234
00:49:30,034 --> 00:49:31,434
THEY DON'T HAVE FRIENDS.
1235
00:49:31,470 --> 00:49:32,569
THEY HAVE EMPLOYEES.
1236
00:49:35,073 --> 00:49:37,006
I KNEW TAMARA.
1237
00:49:38,510 --> 00:49:39,642
I'M SORRY.
1238
00:49:39,711 --> 00:49:41,210
I CAN GO AND PRETEND
I NEVER SAW ANYTHING.
1239
00:49:41,245 --> 00:49:43,212
WHY ARE YOU HERE?
1240
00:49:45,083 --> 00:49:47,917
YOU'RE THE LAST PERSON
TO SEND TAMARA A MESSAGE.
1241
00:49:47,986 --> 00:49:49,185
I WAS HOPING
1242
00:49:49,220 --> 00:49:51,153
YOU COULD SHED SOME LIGHT
ON THE "I'M SORRY" TEXT.
1243
00:49:51,222 --> 00:49:53,857
IF YOU CAN FIND ME,
HE CAN FIND ME.
1244
00:49:53,892 --> 00:49:55,758
WHO'S HE?
1245
00:49:55,794 --> 00:49:57,560
SAME PERSON
WHO GAVE ME THIS...
1246
00:49:57,596 --> 00:49:58,528
HER HUSBAND.
1247
00:49:58,563 --> 00:49:59,562
LUCAS.
1248
00:49:59,631 --> 00:50:00,763
HE'S COMPLETELY
LOST IT.
1249
00:50:00,799 --> 00:50:02,098
HE'LL DO ANYTHING TO ANYONE
AT THIS POINT.
1250
00:50:02,133 --> 00:50:03,566
EVEN KILL?
1251
00:50:03,602 --> 00:50:04,834
YEAH.
1252
00:50:06,805 --> 00:50:09,138
WHEN DID LUCAS COME AFTER YOU?
1253
00:50:09,207 --> 00:50:11,474
UH, TUESDAY.
1254
00:50:11,510 --> 00:50:13,977
THE SAME DAY
TAMARA DIED.
1255
00:50:14,045 --> 00:50:15,778
HE CAME OVER IN A RAGE,
1256
00:50:15,847 --> 00:50:17,179
THINKING SOMETHING
WAS GOING ON.
1257
00:50:17,215 --> 00:50:19,248
TAMARA WOULD NEVER ADMIT
ANYTHING ABOUT US,
1258
00:50:19,283 --> 00:50:21,551
BUT, APPARENTLY,
HIS BROTHER SAW ME
1259
00:50:21,586 --> 00:50:23,052
SNEAKING OUT OF THE HOUSE
ON SATURDAY, AND...
1260
00:50:24,589 --> 00:50:26,923
TO BE HONEST, AFTER
A YEAR OF HIDING IT,
1261
00:50:26,958 --> 00:50:29,425
I HAD TO TELL HIM
THAT I LOVED HER.
1262
00:50:29,460 --> 00:50:31,127
I LOVE HER.
1263
00:50:31,162 --> 00:50:33,062
HOW DID YOU GET AWAY?
1264
00:50:33,097 --> 00:50:35,464
I HAD TO PROMISE
TO TEXT AND BREAK IT OFF,
1265
00:50:35,500 --> 00:50:37,066
AND THEN HE STORMED
OUT THE FRONT.
1266
00:50:37,101 --> 00:50:38,501
THAT'S THE "I'M SORRY."
1267
00:50:42,273 --> 00:50:43,540
I, UH...
1268
00:50:44,943 --> 00:50:46,809
I DIDN'T KNOW IF HE WAS GOING
TO CHANGE HIS MIND
1269
00:50:46,845 --> 00:50:48,444
AND COME BACK.
1270
00:50:48,479 --> 00:50:49,546
I WAS SCARED,
1271
00:50:49,581 --> 00:50:51,047
SO I BOLTED OUT
AS QUICK AS I COULD.
1272
00:50:52,551 --> 00:50:54,918
DO YOU THINK LUCAS WENT BACK
AND KILLED TAMARA?
1273
00:50:56,421 --> 00:50:57,353
I DO...
1274
00:50:58,523 --> 00:50:59,589
MR. DEMETRY,
1275
00:50:59,624 --> 00:51:02,058
I KNOW THE DETECTIVE
ON THIS CASE.
1276
00:51:02,093 --> 00:51:03,927
MAY I CALL HIM
AND GET YOU SOME HELP.
1277
00:51:17,375 --> 00:51:19,508
IF THERE'S ONE,
THERE'LL BE MORE.
1278
00:51:24,716 --> 00:51:26,015
I GET THAT IT HURTS...
1279
00:51:26,051 --> 00:51:28,084
I REALLY DO...
1280
00:51:29,888 --> 00:51:31,821
BUT THE DIFFERENCE
BETWEEN A PROFESSIONAL
1281
00:51:31,856 --> 00:51:34,290
AND AN AMATEUR
1282
00:51:34,325 --> 00:51:35,892
IS THAT THE PRO PLAYS HURT.
1283
00:51:42,934 --> 00:51:44,033
ARE YOU LISTENING?
1284
00:51:49,641 --> 00:51:51,941
SHE WAS REALLY SOMETHING,
WASN'T SHE?
1285
00:51:54,412 --> 00:51:55,845
THEY BOTH WERE.
1286
00:51:58,717 --> 00:52:00,883
WE'RE GOING
TO SURVIVE THIS.
1287
00:52:00,952 --> 00:52:02,284
WE ALWAYS DO.
1288
00:52:02,320 --> 00:52:03,886
[DOORBELL RINGING]
1289
00:52:14,633 --> 00:52:16,398
LUCAS ANDRONICUS,
1290
00:52:16,434 --> 00:52:17,500
YOU'RE UNDER ARREST
1291
00:52:17,535 --> 00:52:18,668
FOR THE ASSAULT
OF ALLAN DEMETRY.
1292
00:52:24,175 --> 00:52:26,322
AH, THE SINGLE LIFE.
1293
00:52:26,372 --> 00:52:27,806
GREAT, ISN'T IT?
1294
00:52:27,841 --> 00:52:29,407
A FREEDOM TO IT.
1295
00:52:29,443 --> 00:52:30,875
NO PRESSURE,
1296
00:52:30,911 --> 00:52:31,843
NO STRESS
AT THE END OF THE DAY.
1297
00:52:31,878 --> 00:52:33,511
[RINGING BICYCLE BELL]
1298
00:52:38,318 --> 00:52:39,383
YOU KNOW, I THINK
1299
00:52:39,453 --> 00:52:40,885
THAT REAL FREEDOM'S
NOT HAVING TO UPDATE
1300
00:52:40,921 --> 00:52:42,921
YOUR ONLINE
RELATIONSHIP STATUS.
1301
00:52:42,956 --> 00:52:44,956
OR TAKING THAT PERFECT
COUPLE PROFILE SELFIE
1302
00:52:44,991 --> 00:52:46,190
YOU KNOW THEY TOOK
A MILLION TIMES
1303
00:52:46,259 --> 00:52:47,291
JUST TO GET
THAT ONE.
1304
00:52:47,327 --> 00:52:48,726
I'M ACTUALLY
IN A LONG-TERM RELATIONSHIP
1305
00:52:48,762 --> 00:52:50,662
WITH FUN AND ADVENTURE.
1306
00:52:50,697 --> 00:52:51,930
ME TOO.
1307
00:52:51,965 --> 00:52:52,964
AW.
1308
00:52:55,068 --> 00:52:55,900
WE SHOULD GET
OUT OF HERE.
1309
00:52:55,969 --> 00:52:58,603
YEAH, IMMEDIATELY.
1310
00:52:58,638 --> 00:53:00,538
[SCREAMING]
1311
00:53:12,318 --> 00:53:13,685
HMM.
1312
00:53:17,557 --> 00:53:18,523
HI.
1313
00:53:18,558 --> 00:53:19,557
JENN!
1314
00:53:19,626 --> 00:53:20,792
WE'LL KEEP ROLLING.
JOIN US?
1315
00:53:20,827 --> 00:53:21,726
OH...
1316
00:53:21,761 --> 00:53:23,695
OKAY, BUT...
1317
00:53:23,730 --> 00:53:26,598
IF THIS PUZZLE BOX
TURNS OUT TO BE EVIDENCE,
1318
00:53:26,633 --> 00:53:28,766
WELL, YOU'RE GOING TO HAVE
TO CLEAR IT WITH THE POLICE
1319
00:53:28,835 --> 00:53:30,502
TO USE ANY OF THIS FOOTAGE.
1320
00:53:32,171 --> 00:53:34,372
I'LL CHECK INTO THE LEGALITIES
OF IT, JENN,
1321
00:53:34,407 --> 00:53:35,473
JUST IN CASE.
1322
00:53:35,509 --> 00:53:36,808
OKAY.
1323
00:53:41,147 --> 00:53:42,814
HEY THERE.
1324
00:53:42,849 --> 00:53:43,781
OOPS, SORRY,
DARLING.
1325
00:53:43,817 --> 00:53:44,782
YOU'RE JUST...
1326
00:53:44,818 --> 00:53:45,783
YOU'RE STANDING
IN MY LIGHT.
1327
00:53:45,852 --> 00:53:47,519
THERE WE GO.
1328
00:53:47,554 --> 00:53:50,655
YOU'RE REALLY WARMING UP
TO THE CAMERAS, HUH?
1329
00:53:50,724 --> 00:53:52,590
"I'M READY FOR
MY CLOSE-UP..."
1330
00:53:52,659 --> 00:53:53,658
BUT I ACTUALLY AM.
1331
00:53:53,693 --> 00:53:54,826
I CAN SEE THAT.
1332
00:53:54,861 --> 00:53:55,894
OKAY, THAT'S, UM...
1333
00:53:55,929 --> 00:53:56,794
OW...
1334
00:53:58,532 --> 00:54:00,197
LET'S GET READY
TO GO.
1335
00:54:00,266 --> 00:54:02,233
ARE YOU OKAY?
1336
00:54:02,268 --> 00:54:04,468
OH.
1337
00:54:04,504 --> 00:54:07,071
YEAH, YEAH, IT'S JUST
AN OLD FOOTBALL INJURY.
1338
00:54:07,106 --> 00:54:08,239
FLARES UP
ONCE IN A WHILE.
1339
00:54:11,778 --> 00:54:13,110
I DID FIND
SUBSTANTIAL AMOUNTS
1340
00:54:13,146 --> 00:54:15,079
OF MORPHINE SULFATE
IN HER MOUTH.
1341
00:54:15,114 --> 00:54:16,180
ALL RIGHT,
WE'RE READY.
1342
00:54:16,215 --> 00:54:16,981
LET'S GET TO IT.
1343
00:54:17,017 --> 00:54:18,950
ALL RIGHT, SO...
1344
00:54:18,985 --> 00:54:20,919
THE PUZZLE BOX
MAGICALLY REAPPEARS.
1345
00:54:20,954 --> 00:54:22,486
SEEMS THERE'S SOMETHING MORE
TO THE MYSTERY AFTER ALL,
1346
00:54:22,522 --> 00:54:23,354
DON'T YOU THINK?
1347
00:54:25,859 --> 00:54:27,191
UM..
1348
00:54:27,226 --> 00:54:29,126
YEAH, UH... CUT?
1349
00:54:29,162 --> 00:54:30,461
UM...
1350
00:54:30,496 --> 00:54:31,930
YOU KNOW, THE FAMILY HAS
BEEN THROUGH SO MUCH.
1351
00:54:31,965 --> 00:54:32,864
ARE YOU SURE
1352
00:54:32,899 --> 00:54:34,331
THERE'S NOT A WAY
1353
00:54:34,367 --> 00:54:35,934
WE CAN'T RESTRUCTURE
THIS EPISODE
1354
00:54:35,969 --> 00:54:37,735
AND FOCUS ON ANOTHER ANTIQUE
IN THE STORE?
1355
00:54:39,639 --> 00:54:40,772
UH, WELL, JENN,
1356
00:54:40,807 --> 00:54:43,074
THE BOX
IS THE EPISODE...
1357
00:54:43,109 --> 00:54:45,476
BUT, I MEAN,
THEIR NAME WON'T BE ON IT.
1358
00:54:45,511 --> 00:54:46,510
I DEFINITELY DON'T
HAVE THE MONEY
1359
00:54:46,546 --> 00:54:48,813
TO FIGHT THE ANDRONICUS
FAMILY IN COURT.
1360
00:54:50,917 --> 00:54:52,483
FAMILY.
1361
00:54:52,518 --> 00:54:54,318
OH, I KNOW THAT LOOK.
1362
00:54:54,387 --> 00:54:56,020
THE FAMILY CREST,
OF COURSE.
1363
00:54:56,056 --> 00:54:58,322
THE CREST
IS THE FIRST CIPHER!
1364
00:54:58,357 --> 00:54:59,591
YES.
1365
00:55:13,172 --> 00:55:15,640
WELL, I WAS HOPING
FOR SOMETHING MORE THAN THAT.
1366
00:55:15,675 --> 00:55:17,374
OH, IT'S OKAY.
YOU'LL GET IT.
1367
00:55:17,410 --> 00:55:19,176
[KAT]:
THAT'S LUNCH, EVERYONE.
1368
00:55:22,816 --> 00:55:24,616
[GRUNTING]
1369
00:55:25,719 --> 00:55:27,418
WHAT?
1370
00:55:27,453 --> 00:55:29,553
[JENN]:
JOEL'S LEG.
1371
00:55:29,589 --> 00:55:31,188
IT'S THE SAME ONE
THE STORE THIEF FELL ON
1372
00:55:31,224 --> 00:55:33,725
WHEN HE WAS TRYING
TO RUN AWAY.
1373
00:55:33,760 --> 00:55:34,892
HAS HE BEEN LIMPING
THE WHOLE TIME?
1374
00:55:34,928 --> 00:55:36,360
NOT THAT I NOTICED,
1375
00:55:36,395 --> 00:55:38,195
BUT WHY WOULD JOEL
STEAL THE BOX?
1376
00:55:38,264 --> 00:55:39,597
I DON'T KNOW.
1377
00:55:41,134 --> 00:55:42,900
IN THE MEANTIME,
WE'LL KEEP AN EYE ON JOEL
1378
00:55:42,969 --> 00:55:44,301
FOR ANYTHING
OUT OF THE ORDINARY,
1379
00:55:44,337 --> 00:55:46,037
ESPECIALLY IF IT HAS TO DO
WITH THE ANDRONICUS FAMILY.
1380
00:55:46,072 --> 00:55:47,071
RIGHT.
1381
00:55:47,107 --> 00:55:49,206
ANDRONICUS FAMILY!
1382
00:55:49,242 --> 00:55:50,341
QUIN ANDRONICUS...
1383
00:55:50,376 --> 00:55:51,308
HE USED TO DO
THESE PUZZLE BOXES
1384
00:55:51,344 --> 00:55:52,376
WITH HIS MOM.
1385
00:55:52,411 --> 00:55:53,544
MAYBE HE COULD HELP ME
FIGURE IT OUT.
1386
00:55:53,579 --> 00:55:54,879
IS THAT SAFE?
1387
00:55:54,948 --> 00:55:56,814
WELL, I'LL MEET HIM
IN A PUBLIC PLACE.
1388
00:55:56,850 --> 00:55:57,782
A VERY PUBLIC PLACE.
1389
00:55:57,817 --> 00:55:59,917
THE LOBBY OF HIS MOTEL,
1390
00:55:59,986 --> 00:56:01,485
AND I'LL LET FRANK KNOW
WHERE I AM.
1391
00:56:01,521 --> 00:56:02,520
ALL RIGHT.
1392
00:56:02,588 --> 00:56:03,855
I KNOW WHERE YOU ARE, TOO.
1393
00:56:03,890 --> 00:56:05,089
[LAUGHING]
1394
00:56:05,158 --> 00:56:07,358
YOU LOOK GOOD
FOR YOUR CLOSE-UP.
1395
00:56:07,426 --> 00:56:08,926
THANK YOU.
1396
00:56:13,466 --> 00:56:14,565
NEW HOME-REPAIR
BUSINESS?
1397
00:56:14,600 --> 00:56:17,168
150 BUCKS PER COMPUTER.
1398
00:56:17,203 --> 00:56:19,003
MOSTLY SOFTWARE ISSUES
SO FAR.
1399
00:56:19,039 --> 00:56:21,072
THAT'S A GREAT START.
1400
00:56:21,107 --> 00:56:22,273
YEAH...
1401
00:56:22,341 --> 00:56:24,508
BUT COMPUBARN HAS THE MARKET
COMPLETELY CORNERED
1402
00:56:24,544 --> 00:56:25,977
AROUND HERE.
1403
00:56:26,012 --> 00:56:28,012
I'LL BE LUCKY TO FIND
A FEW MORE CUSTOMERS,
1404
00:56:28,048 --> 00:56:30,481
AND EVEN THEN,
I'M GOING TO COME UP SHORT.
1405
00:56:30,516 --> 00:56:31,816
YOU CAN ALWAYS DIVERSIFY.
1406
00:56:31,885 --> 00:56:33,685
WHAT COULD I DO?
1407
00:56:33,720 --> 00:56:35,887
SOMETHING THAT YOU ALREADY
KNOW AND LOVE.
1408
00:56:40,259 --> 00:56:41,159
THAT'S IT.
1409
00:56:42,729 --> 00:56:44,395
THE FAMILY BUSINESS.
1410
00:56:44,430 --> 00:56:46,630
A ONE-DAY ONLINE
MASSIVE GARAGE SALE.
1411
00:56:46,666 --> 00:56:48,432
ALL MY COLLECTIBLES AND COMICS.
1412
00:56:49,769 --> 00:56:51,102
ONLY IF YOU'RE SURE.
1413
00:56:51,171 --> 00:56:53,204
YEAH, I'M SURE.
1414
00:56:54,273 --> 00:56:55,773
GOOD.
1415
00:56:58,544 --> 00:57:01,145
AND THEN YOU JUST JUMPED
INTO THE AIR AND TACKLED HIM,
1416
00:57:01,214 --> 00:57:02,446
RIGHT THERE.
1417
00:57:02,515 --> 00:57:04,515
I'VE NEVER SEEN
ANYTHING LIKE IT.
1418
00:57:04,550 --> 00:57:06,818
I PLAYED A LOT OF
FOOTBALL IN HIGH SCHOOL.
1419
00:57:06,886 --> 00:57:08,820
WELL,
AS FAR AS HANGOUTS GO,
1420
00:57:08,855 --> 00:57:10,822
THAT ONE IS GOING
TO BE A HARD ONE TO TOP.
1421
00:57:10,857 --> 00:57:13,224
SO I GET ANOTHER
HANGOUT?
1422
00:57:13,259 --> 00:57:14,692
OF COURSE...
1423
00:57:14,728 --> 00:57:15,860
IF YOU WANT ONE.
1424
00:57:15,895 --> 00:57:17,128
OF COURSE.
1425
00:57:18,898 --> 00:57:20,264
SO...
1426
00:57:20,333 --> 00:57:22,299
SO...
1427
00:57:22,335 --> 00:57:23,500
YOU HAVE MY NUMBER.
1428
00:57:23,569 --> 00:57:24,435
WE SHOULD...
1429
00:57:24,470 --> 00:57:25,837
HANG OUT.
1430
00:57:25,872 --> 00:57:26,738
A LOT.
1431
00:57:26,806 --> 00:57:28,606
WE SHOULD.
1432
00:57:28,641 --> 00:57:29,874
[LAUGHING]
1433
00:57:29,909 --> 00:57:30,842
CALL ME.
1434
00:57:30,877 --> 00:57:31,976
I WILL.
1435
00:57:38,151 --> 00:57:40,084
[PHONE RINGING]
1436
00:57:43,556 --> 00:57:44,989
CAN I MAKE YOU DINNER SOMETIME?
1437
00:57:45,024 --> 00:57:46,290
ANYTIME.
1438
00:57:46,325 --> 00:57:47,558
PERFECT.
1439
00:57:47,593 --> 00:57:49,060
BYE.
1440
00:57:59,639 --> 00:58:01,505
[DIALING]
1441
00:58:01,540 --> 00:58:02,974
[FRANK]:
LYNWOOD. LEAVE A MESSAGE.
1442
00:58:03,009 --> 00:58:04,208
OH, HEY, FRANK,
IT'S JENN.
1443
00:58:04,244 --> 00:58:06,244
I'M AT THE OVERVIEW MOTEL.
1444
00:58:06,279 --> 00:58:07,411
CAN YOU DO ME A FAVOR
1445
00:58:07,446 --> 00:58:08,946
AND RUN A BACKGROUND CHECK
ON JOEL JACOBS,
1446
00:58:08,982 --> 00:58:10,782
THAT PRODUCER FROM THE STORE?
1447
00:58:10,817 --> 00:58:12,716
HE STARTED LIMPING
RIGHT AFTER THE BREAK-IN,
1448
00:58:12,752 --> 00:58:14,852
AND HE WAS THE LAST PERSON
TO TOUCH THE PUZZLE BOX
1449
00:58:14,921 --> 00:58:16,720
BEFORE IT WENT MISSING.
1450
00:58:16,756 --> 00:58:18,622
I DON'T KNOW,
MAYBE THERE'S A CONNECTION.
1451
00:58:18,658 --> 00:58:19,523
I'LL CHECK IN WITH YOU LATER.
1452
00:58:19,558 --> 00:58:20,958
BYE.
1453
00:58:22,061 --> 00:58:22,927
I'M ASSUMING
YOU'RE JENN?
1454
00:58:24,230 --> 00:58:25,163
I AM.
1455
00:58:25,198 --> 00:58:26,330
QUIN.
1456
00:58:26,365 --> 00:58:28,465
HOW CAN I HELP YOU?
1457
00:58:32,605 --> 00:58:34,238
YOUR MOTHER'S WORK
WAS SO INTRICATE.
1458
00:58:34,274 --> 00:58:36,974
SHE WAS THE BEST...
1459
00:58:37,010 --> 00:58:38,442
AT EVERYTHING.
1460
00:58:40,213 --> 00:58:42,046
I WAS SORRY
TO HEAR ABOUT HER PASSING,
1461
00:58:42,081 --> 00:58:43,114
AND LUCAS' ARREST.
1462
00:58:44,483 --> 00:58:45,582
THEY ARRESTED HIM?
1463
00:58:45,618 --> 00:58:46,550
ON WHAT?
1464
00:58:46,585 --> 00:58:48,452
ASSAULT.
1465
00:58:48,487 --> 00:58:49,821
I'M SORRY,
I THOUGHT YOU KNEW.
1466
00:58:51,390 --> 00:58:52,423
WAS IT ALLAN DEMETRY?
1467
00:58:53,993 --> 00:58:55,092
WHAT MAKES YOU THINK THAT?
1468
00:58:56,329 --> 00:58:57,661
IF YOU SAW THE WAY
DEMETRY LOOKED AT TAMARA,
1469
00:58:57,697 --> 00:58:59,797
YOU'D KNOW THERE WAS
ALWAYS SOMETHING THERE.
1470
00:58:59,833 --> 00:59:00,998
LUCAS JUST NEVER SAW IT,
1471
00:59:01,034 --> 00:59:02,200
OR MAYBE HE DIDN'T WANT TO.
1472
00:59:05,371 --> 00:59:06,804
NOT MEANING TO PRY...
1473
00:59:06,840 --> 00:59:07,905
PRY AWAY.
1474
00:59:07,941 --> 00:59:10,541
WHEN WAS THE LAST TIME
YOU TALKED TO LUCAS?
1475
00:59:10,576 --> 00:59:12,776
UH, WELL...
1476
00:59:12,812 --> 00:59:13,811
HAVEN'T SPOKEN
TO HIM MUCH
1477
00:59:13,880 --> 00:59:15,512
IN THE LAST YEAR.
1478
00:59:15,548 --> 00:59:17,514
I DID SPEAK TO MY MOM
EVERY DAY.
1479
00:59:17,550 --> 00:59:18,415
I WAS TALKING
TO HER FRIDAY
1480
00:59:18,451 --> 00:59:20,517
WHEN THE CALL DROPPED.
1481
00:59:20,553 --> 00:59:21,919
I TRIED TO PHONE BACK,
BUT THERE WAS NO ANSWER,
1482
00:59:21,988 --> 00:59:24,722
AND THEN I REACHED
OUT TO LUCAS.
1483
00:59:24,757 --> 00:59:25,923
HE HADN'T HEARD
FROM HER EITHER,
1484
00:59:25,959 --> 00:59:27,892
SO...
1485
00:59:27,961 --> 00:59:29,360
WHEN NONE OF
MY TEXTS, EMAILS,
1486
00:59:29,428 --> 00:59:30,394
OR CALLS WERE RETURNED,
1487
00:59:30,429 --> 00:59:31,562
I DECIDED TO FLY HOME,
1488
00:59:31,597 --> 00:59:34,932
AND THAT'S WHEN I SAW
TAMARA AND DEMETRY.
1489
00:59:34,968 --> 00:59:36,467
DID YOU TELL LUCAS
WHAT YOU SAW?
1490
00:59:36,502 --> 00:59:37,735
I DID.
1491
00:59:37,770 --> 00:59:39,871
NOW I'M GUESSING MY CALL
ALONG WITH MOM'S SILENCE
1492
00:59:39,906 --> 00:59:40,872
MADE HIM FLY OUT.
1493
00:59:40,940 --> 00:59:43,040
DO YOU THINK
IT'S POSSIBLE
1494
00:59:43,076 --> 00:59:44,408
THAT LUCAS COULD HAVE
SOMETHING TO DO
1495
00:59:44,443 --> 00:59:45,709
WITH TAMARA'S DEATH?
1496
00:59:45,778 --> 00:59:48,746
I DON'T THINK HE'D HURT
THE ONE PERSON HE LOVED
1497
00:59:48,781 --> 00:59:50,381
MORE THAN HIMSELF.
1498
00:59:52,752 --> 00:59:54,919
YOU KNOW THE WORST PART?
1499
00:59:54,954 --> 00:59:56,954
I'M NOT EVEN SAD SHE'S GONE.
1500
00:59:56,990 --> 00:59:58,022
[SIGHING]
1501
00:59:58,091 --> 00:59:59,456
OH, I'M SORRY, I'M...
1502
00:59:59,492 --> 01:00:00,424
INQUISITIVE.
IT'S FINE.
1503
01:00:00,459 --> 01:00:01,425
I'M THE SAME WAY.
1504
01:00:01,494 --> 01:00:02,860
I JUST NEED SOME
TIME TO REFOCUS.
1505
01:00:02,896 --> 01:00:04,095
OF COURSE.
1506
01:00:07,267 --> 01:00:08,699
DO YOU KNOW
THE PATTERN?
1507
01:00:10,636 --> 01:00:12,436
NO, BUT I KNOW
THE SYMBOLS,
1508
01:00:12,505 --> 01:00:14,038
AND I KNOW THE WAY
SHE THOUGHT.
1509
01:00:14,073 --> 01:00:16,908
WHATEVER MOM WAS HIDING
MUST'VE BEEN IMPORTANT.
1510
01:00:16,943 --> 01:00:18,842
HIDING FROM WHO?
1511
01:00:18,878 --> 01:00:21,578
I DON'T KNOW...
YET...
1512
01:00:21,614 --> 01:00:23,747
BUT THIS SPIRAL
DRAWN THIS WAY
1513
01:00:23,783 --> 01:00:25,416
MEANS "FAMILY",
1514
01:00:25,484 --> 01:00:27,018
BUT IF YOU TAKE
THE SAME SYMBOL
1515
01:00:27,086 --> 01:00:28,286
AND TURN IT
UPSIDE DOWN,
1516
01:00:28,321 --> 01:00:29,787
THEN IT MEANS "DANGER."
1517
01:00:31,224 --> 01:00:33,257
IT'S LIKE SHE WAS SENDING US
RIDDLES FROM THE GRAVE.
1518
01:00:33,293 --> 01:00:36,193
ALMOST LIKE SHE KNEW
SHE WAS IN DANGER?
1519
01:00:37,297 --> 01:00:39,297
THESE TWO TEAR SYMBOLS...
1520
01:00:39,332 --> 01:00:40,631
IF YOU PUT THEM
SIDE-BY-SIDE,
1521
01:00:40,699 --> 01:00:42,866
THEY BECOME
THE INFINITY SIGN.
1522
01:00:42,902 --> 01:00:44,101
COUPLED
WITH THE SWIRL FOR "FAMILY"
1523
01:00:44,137 --> 01:00:45,002
AND THE GREEK VERB FOR "IS,"
1524
01:00:45,071 --> 01:00:46,370
IT BECOMES...
1525
01:00:46,406 --> 01:00:48,639
[TOGETHER]:
"FAMILY IS FOREVER."
1526
01:00:52,145 --> 01:00:53,110
I'M SORRY.
1527
01:00:53,179 --> 01:00:55,313
UH, I HAVE TO GO.
1528
01:00:55,348 --> 01:00:57,081
IF YOU'D LIKE,
1529
01:00:57,116 --> 01:00:59,250
I COULD TAKE IT AND
WORK ON IT TONIGHT.
1530
01:00:59,319 --> 01:01:00,651
WELL, ACTUALLY,
I'D LIKE TO HANG ON TO IT,
1531
01:01:00,686 --> 01:01:02,286
BUT MAYBE I COULD
COME BY TOMORROW?
1532
01:01:02,322 --> 01:01:04,422
SURE.
1533
01:01:04,457 --> 01:01:06,890
JUST BE CAREFUL.
1534
01:01:06,960 --> 01:01:07,825
THE LAST PEOPLE
TO TOUCH IT
1535
01:01:07,860 --> 01:01:08,960
TURNED UP DEAD.
1536
01:01:20,539 --> 01:01:22,706
[PHONE RINGING]
1537
01:01:22,741 --> 01:01:23,874
HEY, FRANK.
1538
01:01:23,943 --> 01:01:25,576
DEMETRY LET US PING HIS CELL,
1539
01:01:25,611 --> 01:01:26,877
WHICH GAVE US THE LOCATION
1540
01:01:26,912 --> 01:01:28,512
OF WHERE HE SENT
THE "I'M SORRY" TEXT.
1541
01:01:28,547 --> 01:01:29,847
WHERE WAS HE?
1542
01:01:29,882 --> 01:01:31,182
HE WAS AT HOME,
1543
01:01:31,250 --> 01:01:33,017
AN HOUR AWAY
FROM THE ANDRONICUS HOUSE.
1544
01:01:33,052 --> 01:01:34,685
DID YOU FIND ANYTHING ON JOEL?
1545
01:01:34,720 --> 01:01:36,120
CALLED AROUND.
1546
01:01:36,155 --> 01:01:38,122
IT SEEMS YOUR PRODUCER FRIENDIS IN SOME SERIOUS DEBT
1547
01:01:38,157 --> 01:01:39,223
WITH SOME VERY BAD PEOPLE.
1548
01:01:39,258 --> 01:01:40,191
HOW BAD?
1549
01:01:40,226 --> 01:01:41,158
WORST.
1550
01:01:41,194 --> 01:01:42,293
LOAN SHARKS.
1551
01:01:42,328 --> 01:01:44,261
STEEP INTEREST,
BIG CONSEQUENCES.
1552
01:01:44,297 --> 01:01:45,396
SO JOEL MIGHT NEED MONEY
1553
01:01:45,431 --> 01:01:46,330
IF THE SHOW FALLS THROUGH
1554
01:01:46,366 --> 01:01:47,431
TO PAY OFF HIS DEBT?
1555
01:01:47,467 --> 01:01:49,066
WELL, YEAH.
1556
01:01:49,102 --> 01:01:51,502
JOEL MIGHT HAVE GONE OVER
TO ASK FOR SOME CASH.
1557
01:01:51,537 --> 01:01:53,037
SOMEHOW, THINGS GET HEATED.
1558
01:01:53,106 --> 01:01:55,973
WHICH WOULD GIVE HIM MOTIVATION
TO KILL EITHER ONE OF THEM.
1559
01:01:56,009 --> 01:01:57,341
IF QUIN'S ALIBI HOLDS,
1560
01:01:57,377 --> 01:01:59,510
ONLY JOEL AND LUCAS
ARE LEFT AS SUSPECTS.
1561
01:01:59,578 --> 01:02:02,179
TRUE, AND?
1562
01:02:02,215 --> 01:02:04,048
FRANK, IS IT POSSIBLE
1563
01:02:04,117 --> 01:02:05,782
THAT JOEL COULD HAVE KILLED
ELIZABETH FOR MONEY,
1564
01:02:05,818 --> 01:02:08,386
AND LUCAS KILLED TAMARA
OUT OF A JEALOUS RAGE?
1565
01:02:08,421 --> 01:02:09,686
YOU'RE SUGGESTING
TWO DIFFERENT KILLERS?
1566
01:02:09,722 --> 01:02:10,921
MAYBE...
1567
01:02:10,956 --> 01:02:12,556
WITH TWO DIFFERENT MOTIVES.
1568
01:02:12,591 --> 01:02:13,557
HMM.
1569
01:02:17,390 --> 01:02:20,757
EVERYTHING I KNOW,
I'VE ANSWERED.
1570
01:02:20,826 --> 01:02:23,127
WELL, MAYBE I'LL
TELL YOU WHAT I KNOW.
1571
01:02:23,162 --> 01:02:24,928
I KNOW THAT TAMARA
WAS HAVING AN AFFAIR
1572
01:02:24,963 --> 01:02:26,296
FOR A WHILE,
1573
01:02:26,332 --> 01:02:29,633
SOMETHING YOU PROBABLY
ALREADY ASSUMED WAS GOING ON,
1574
01:02:29,668 --> 01:02:33,170
WHICH LED YOU RIGHT OVER
TO ASSAULT ALLAN DEMETRY.
1575
01:02:33,205 --> 01:02:35,472
I ASSUME YOUR SHIRT
GOT RIPPED IN THAT FIGHT
1576
01:02:35,508 --> 01:02:38,108
AND NOT IN THE CAR DOOR
LIKE YOU ORIGINALLY TOLD ME.
1577
01:02:38,177 --> 01:02:39,976
I WAS LYING BEFORE.
1578
01:02:40,012 --> 01:02:40,977
NOT NOW.
1579
01:02:41,013 --> 01:02:42,379
AND AFTER THE FIGHT,
1580
01:02:42,415 --> 01:02:44,515
WELL, YOU WERE FEELING
RILED UP,
1581
01:02:44,550 --> 01:02:46,016
SO YOU WENT BACK HOME
1582
01:02:46,052 --> 01:02:47,617
AND SETTLED THE SCORE
WITH YOUR WIFE.
1583
01:02:47,653 --> 01:02:49,019
I WOULD NEVER...
1584
01:02:49,055 --> 01:02:50,954
MY CLIENT IS ONLY TO BE
QUESTIONED FOR THE ASSAULT.
1585
01:02:52,824 --> 01:02:53,790
OKAY.
1586
01:02:53,825 --> 01:02:55,992
SO...
DID YOU ASSAULT MR. DEMETRY?
1587
01:02:56,028 --> 01:02:58,362
WELL, WOULDN'T YOU?
1588
01:02:58,431 --> 01:03:00,630
SHE WAS EVERYTHING TO ME,
MY LIFE.
1589
01:03:00,699 --> 01:03:01,965
HE TOOK THAT FROM ME.
1590
01:03:02,000 --> 01:03:04,268
SO YOU TOOK IT BACK FROM HIM,
RIGHT?
1591
01:03:04,303 --> 01:03:07,237
'CAUSE IF YOU CAN'T HAVE HER,
NEITHER CAN HE.
1592
01:03:07,273 --> 01:03:08,372
DON'T ANSWER THAT.
1593
01:03:10,109 --> 01:03:12,742
I DIDN'T KILL MY WIFE.
1594
01:03:12,778 --> 01:03:14,811
I LOVE HER.
1595
01:03:14,846 --> 01:03:16,413
I ALWAYS WILL.
1596
01:03:18,184 --> 01:03:19,516
CAN YOU TELL ME
1597
01:03:19,552 --> 01:03:21,952
WHY THERE WAS A BOTTLE
OF PEANUT OIL IN YOUR RECYCLING,
1598
01:03:21,987 --> 01:03:24,321
DESPITE YOUR MOTHER
BEING SO DEATHLY ALLERGIC TO IT?
1599
01:03:24,356 --> 01:03:27,424
I'VE NEVER SEEN ANY OIL,
AND I WOULD NEVER BUY IT.
1600
01:03:27,460 --> 01:03:28,658
WHY DON'T YOU ASK THE STAFF?
1601
01:03:28,694 --> 01:03:30,561
OH, THEY SAID
THE SAME THING.
1602
01:03:30,596 --> 01:03:32,829
MY MOTHER DIED
FROM FALLING DOWN THE STAIRS.
1603
01:03:32,864 --> 01:03:34,531
WHILE POSSIBLY HAVING
A HEART ATTACK
1604
01:03:34,567 --> 01:03:36,233
CAUSED BY ANAPHYLACTIC SHOCK
1605
01:03:36,268 --> 01:03:38,102
BROUGHT ON BY PEANUT OIL.
1606
01:03:38,137 --> 01:03:39,570
WE'RE STILL WAITING
TO HEAR BACK
1607
01:03:39,605 --> 01:03:41,171
THE FINALIZED
AUTOPSY, BUT...
1608
01:03:41,207 --> 01:03:43,974
THIS ISN'T LOOKING GOOD FOR YOU.
1609
01:03:44,009 --> 01:03:46,610
I WAS AT DEMETRY'S.
1610
01:03:46,678 --> 01:03:47,611
I WASN'T ANYWHERE
NEAR THAT HOUSE
1611
01:03:47,646 --> 01:03:49,613
WHEN TAMARA DIED.
1612
01:03:49,648 --> 01:03:50,914
DEMETRY'S HOUSE
ACROSS THE BRIDGE?
1613
01:03:50,949 --> 01:03:52,449
YES.
1614
01:03:52,518 --> 01:03:53,517
SO?
1615
01:03:53,552 --> 01:03:54,618
SO IT'S A
TOLL BRIDGE.
1616
01:03:54,653 --> 01:03:56,886
MEANS THERE'S
A TIME-STAMPED PICTURE
1617
01:03:56,922 --> 01:03:58,788
OF YOUR CAR CROSSING EITHER WAY.
1618
01:04:00,126 --> 01:04:01,125
WHICH WILL SHOW YOU
1619
01:04:01,160 --> 01:04:03,059
THAT I WASN'T ANYWHERE
NEAR TAMARA.
1620
01:04:04,230 --> 01:04:05,462
LET'S HOPE FOR YOUR SAKE.
1621
01:04:20,279 --> 01:04:22,513
[LINE RINGING]
1622
01:04:22,548 --> 01:04:23,447
[HANNAH]: HELLO?
1623
01:04:23,482 --> 01:04:24,314
HEY, HANNAH.
1624
01:04:24,350 --> 01:04:26,116
WHAT'RE YOU UP TO?
1625
01:04:26,152 --> 01:04:27,817
I WAS THINKING
1626
01:04:27,853 --> 01:04:29,620
OF HANGING UP THE HANGOUTS.
1627
01:04:29,655 --> 01:04:32,556
YOU SAID DINNER ANYTIME,
SO WHAT ABOUT NOW?
1628
01:04:33,992 --> 01:04:37,127
WELL, I AM STILL
IN YOUR NEIGHBORHOOD.
1629
01:04:37,163 --> 01:04:38,629
GIVE ME ABOUT 10 MINUTES
OR SO?
1630
01:04:38,697 --> 01:04:39,596
I'LL SEE YOU THEN.
1631
01:04:39,665 --> 01:04:41,165
OKAY, BYE.
1632
01:04:58,617 --> 01:05:00,250
HOW'S IT GOING?
1633
01:05:01,920 --> 01:05:03,487
I KIND OF DON'T
WANT TO SELL THESE.
1634
01:05:04,923 --> 01:05:06,256
I DON'T KNOW.
1635
01:05:06,292 --> 01:05:07,924
IT'S LIKE MY YOUTH
GONE, MAYBE?
1636
01:05:07,959 --> 01:05:10,927
1980 MONGO BMX.
1637
01:05:10,962 --> 01:05:12,128
WHAT?
1638
01:05:12,164 --> 01:05:13,129
STUNT BIKE.
1639
01:05:13,199 --> 01:05:15,332
BLACK RIMS, CHROME PAINT.
1640
01:05:15,367 --> 01:05:17,767
IT WAS THE COOLEST THING
ON TWO WHEELS,
1641
01:05:17,803 --> 01:05:20,003
AND THOSE LAST DAYS OF SUMMER,
JUMPING AT THE TRACK,
1642
01:05:20,038 --> 01:05:21,238
I THOUGHT
I COULD TOUCH THE SKY
1643
01:05:21,273 --> 01:05:22,972
IF ONLY I GOT
HIGH ENOUGH.
1644
01:05:23,008 --> 01:05:23,907
YOU USED TO JUMP?
1645
01:05:23,942 --> 01:05:24,941
OH, YEAH.
1646
01:05:25,010 --> 01:05:27,644
I WAS WAY COOLER
BACK IN THE DAY,
1647
01:05:27,680 --> 01:05:30,780
YOU KNOW,
BEFORE RESPONSIBILITIES
1648
01:05:30,849 --> 01:05:34,518
AND BILLS AND LIFE
AND ALL THAT STUFF.
1649
01:05:34,587 --> 01:05:36,119
WHY DID YOU STOP?
1650
01:05:36,188 --> 01:05:38,522
BROKE MY COLLARBONE
IN THREE PLACES.
1651
01:05:38,557 --> 01:05:39,590
OUCH.
1652
01:05:39,625 --> 01:05:42,025
THEN GRANDMA MADE ME RETIRE.
1653
01:05:42,060 --> 01:05:42,859
SHE MADE YOU SELL THE BIKE?
1654
01:05:42,894 --> 01:05:43,860
NO,
1655
01:05:43,895 --> 01:05:46,730
BUT I DID END UP SELLING IT.
1656
01:05:46,765 --> 01:05:48,398
GOT A DECENT AMOUNT OF CASH
FOR IT BACK THEN,
1657
01:05:48,434 --> 01:05:51,167
CASH THAT I USED AS A DEPOSIT
ON MY FIRST CAR.
1658
01:05:51,203 --> 01:05:52,603
I'M GUESSING
LIKE THE CAR I SMASHED OUTSIDE?
1659
01:05:52,638 --> 01:05:54,871
EXACTLY...
1660
01:05:54,906 --> 01:05:55,939
BUT THAT'S WHEN I LEARNED
1661
01:05:55,974 --> 01:05:58,375
THAT THOUGH
MY BMX DAYS WERE OVER,
1662
01:05:58,410 --> 01:05:59,343
THERE WAS STILL
A LOT OF GREAT THINGS
1663
01:05:59,378 --> 01:06:00,810
YET TO COME,
1664
01:06:00,846 --> 01:06:02,912
LIKE MEETING YOUR MOM,
1665
01:06:02,948 --> 01:06:04,214
HAVING THE TWO OF YOU...
1666
01:06:04,250 --> 01:06:06,383
IT'S STILL THE BEST TRADE
I'VE EVER MADE.
1667
01:06:08,019 --> 01:06:10,587
SO I GUESS MY COMICS
AND MY COLLECTIBLES,
1668
01:06:10,623 --> 01:06:12,389
THEY'RE MY BMX?
1669
01:06:12,424 --> 01:06:14,824
YEAH...
1670
01:06:14,893 --> 01:06:17,994
AND YOU'RE GOING
TO TRADE UP, TOO.
1671
01:06:18,029 --> 01:06:19,195
I AM.
1672
01:06:19,231 --> 01:06:20,830
YEAH.
1673
01:06:24,803 --> 01:06:25,869
[DOORBELL RINGING]
1674
01:06:30,242 --> 01:06:31,808
HANN...
1675
01:06:31,843 --> 01:06:32,776
NOT.
1676
01:06:32,811 --> 01:06:34,578
SURPRISE!
1677
01:06:34,613 --> 01:06:36,780
AVA!
1678
01:06:53,165 --> 01:06:55,432
OH, I'M SORRY
I'M LATE, EVERYONE.
1679
01:06:55,467 --> 01:06:57,200
[DANI]:
IS EVERYTHING OKAY?
1680
01:06:57,235 --> 01:06:59,303
I'M NOT SURE.
FRANK'S ON HIS WAY HERE.
1681
01:06:59,338 --> 01:07:01,137
LADIES, WE READY TO GO?
1682
01:07:01,173 --> 01:07:02,071
YES.
1683
01:07:03,108 --> 01:07:04,007
[PHONE RINGING]
1684
01:07:07,979 --> 01:07:09,413
MR. SOSNIAK!
1685
01:07:09,448 --> 01:07:11,682
IT'S GOOD TO HEAR FROM YOU.
1686
01:07:11,750 --> 01:07:13,717
YOU KNOW, I HAVE TO TELL YOU,
1687
01:07:13,752 --> 01:07:15,652
I WAS CUTTING SOME
FOOTAGE LAST NIGHT,
1688
01:07:15,688 --> 01:07:17,754
AND IT IS REALLY
COMING TOGETHER.
1689
01:07:17,790 --> 01:07:19,389
-THAT'S GOOD.
-THAT'S WONDERFUL.
1690
01:07:19,425 --> 01:07:20,357
YOU KNOW,
I WASN'T SURE
1691
01:07:20,392 --> 01:07:21,725
BEFORE THE
LOCATION SCOUT
1692
01:07:21,760 --> 01:07:23,794
THAT COMING ALL THIS WAY
WAS GOING TO BE WORTH IT,
1693
01:07:23,829 --> 01:07:26,396
BUT THIS TOWN, IT'S...
IT'S REALLY GROWN ON ME.
1694
01:07:26,432 --> 01:07:28,398
LOCATION SCOUT?
1695
01:07:28,434 --> 01:07:30,300
OH, YEAH,
THAT'S WHEN CREWS GO TO PLACES
1696
01:07:30,336 --> 01:07:31,735
BEFORE WE SHOOT
1697
01:07:31,770 --> 01:07:34,170
JUST TO MAKE SURE THE LOCATION'S
WHAT WE'RE LOOKING FOR.
1698
01:07:34,206 --> 01:07:35,905
I THOUGHT JOEL KNEW
ABOUT THIS TOWN
1699
01:07:35,941 --> 01:07:36,873
BECAUSE HE
GREW UP HERE.
1700
01:07:36,908 --> 01:07:38,007
[KAT]:
OH, HE DID,
1701
01:07:38,043 --> 01:07:39,643
BUT HE STILL HAS TO SELL IT
TO INVESTORS
1702
01:07:39,678 --> 01:07:40,811
AND MAKE SURE
1703
01:07:40,846 --> 01:07:43,213
THE ACTUAL LOCATION
IS THE RIGHT FIT.
1704
01:07:43,248 --> 01:07:44,748
WHEN WAS THIS SCOUT?
1705
01:07:44,817 --> 01:07:45,949
WELL, I MEAN,
MY FIRST ONE
1706
01:07:45,984 --> 01:07:47,917
WAS PROBABLY FOUR DAYS AGO?
1707
01:07:47,953 --> 01:07:49,653
FOUR DAYS AGO?
1708
01:07:49,688 --> 01:07:51,154
AND JOEL WAS WITH YOU THEN?
1709
01:07:51,189 --> 01:07:52,456
YEAH.
1710
01:07:52,491 --> 01:07:53,757
WHY?
1711
01:07:53,792 --> 01:07:55,158
OH, NO REASON.
1712
01:07:55,193 --> 01:07:56,893
I'M JUST INTERESTED
IN THE PROCESS.
1713
01:08:03,034 --> 01:08:04,601
CAN WE SHOOT YET?
1714
01:08:04,636 --> 01:08:06,069
YES, WE'RE READY.
1715
01:08:06,104 --> 01:08:06,870
[JOEL]:
OKAY, LET'S DO IT.
1716
01:08:06,905 --> 01:08:08,037
ALL RIGHT.
1717
01:08:10,876 --> 01:08:11,842
[KAT]:
CAMERA'S UP.
1718
01:08:11,877 --> 01:08:12,843
[CREW]:
SOUND SPEED.
1719
01:08:12,878 --> 01:08:14,611
[KAT]:
JENN, BRING US UP TO DATE.
1720
01:08:14,646 --> 01:08:16,112
YES, WELL...
1721
01:08:16,147 --> 01:08:18,248
WE DISCOVERED
THE COMBINATION
1722
01:08:18,283 --> 01:08:20,550
FOR, "FAMILY IS FOREVER."
1723
01:08:20,619 --> 01:08:21,585
NOW, UNFORTUNATELY,
1724
01:08:21,620 --> 01:08:23,453
THIS DIDN'T OPEN
THE BOX,
1725
01:08:23,522 --> 01:08:25,389
BUT PERHAPS
ONE OF THE FINAL CIPHERS
1726
01:08:25,457 --> 01:08:27,357
HAS SOMETHING TO DO
WITH FAMILY.
1727
01:08:27,426 --> 01:08:28,558
[DOOR OPENING]
1728
01:08:31,062 --> 01:08:31,928
SORRY TO INTERRUPT.
1729
01:08:31,963 --> 01:08:33,563
CUT.
1730
01:08:33,599 --> 01:08:37,166
MR. JACOBS, A WORD?
1731
01:08:37,202 --> 01:08:38,902
UH, SURE.
1732
01:08:45,343 --> 01:08:47,110
MEET YOU OUTSIDE.
1733
01:08:50,682 --> 01:08:52,115
FRANK,
JOEL WAS IN TOWN
1734
01:08:52,183 --> 01:08:53,683
AROUND THE TIME
OF ELIZABETH'S DEATH,
1735
01:08:53,719 --> 01:08:55,919
AND HE TAKES THE SAME MEDS
THAT WERE FOUND ON TAMARA.
1736
01:08:55,954 --> 01:08:57,587
MAYBE THERE'S
SOME CONNECTION?
1737
01:08:57,623 --> 01:08:58,988
YEAH, I'D SAY SO.
1738
01:08:59,024 --> 01:09:00,657
F.Y.I.,
1739
01:09:00,692 --> 01:09:02,492
LUCAS WASN'T AT THE SCENE
OF TAMARA'S DEATH.
1740
01:09:02,561 --> 01:09:03,927
HOW DO YOU KNOW?
1741
01:09:03,962 --> 01:09:05,228
TIMES ON
THE TOLL BRIDGE CAMERAS.
1742
01:09:05,263 --> 01:09:06,830
THERE'S NO WAY
HE COULD'VE BEEN THERE.
1743
01:09:12,271 --> 01:09:13,708
THAT'S QUITE THE
LIMP YOU GOT THERE.
1744
01:09:13,758 --> 01:09:15,225
YOUR MORPHINE'S
FOR THAT?
1745
01:09:15,260 --> 01:09:17,227
NO, IT'S FOR MIGRAINES.
1746
01:09:17,262 --> 01:09:19,429
JUST...
KNEE'S AN OLD SPORTS INJURY.
1747
01:09:20,665 --> 01:09:21,565
HOW'S THE SHOOTING GOING?
1748
01:09:21,600 --> 01:09:23,366
IT'S COMING ALONG.
1749
01:09:23,402 --> 01:09:25,469
SO YOU'LL BE ABLE
TO PAY MR. SOSNIAK.
1750
01:09:25,504 --> 01:09:27,670
HE'S A TOUGH GUY.
1751
01:09:27,706 --> 01:09:29,172
BIG CONSEQUENCES
FOR PEOPLE
1752
01:09:29,208 --> 01:09:31,108
WHO DON'T PAY BACK
THEIR LOANS.
1753
01:09:31,143 --> 01:09:34,344
WELL, WHAT WE DO
FOR THE THINGS WE LOVE, RIGHT?
1754
01:09:34,379 --> 01:09:36,313
WHAT ELSE DID YOU DO?
1755
01:09:37,649 --> 01:09:39,015
WHAT DO YOU MEAN?
1756
01:09:39,050 --> 01:09:40,883
WELL, YOU WERE IN TOWN
DURING BOTH DEATHS.
1757
01:09:40,919 --> 01:09:42,185
WE BOTH KNOW
1758
01:09:42,254 --> 01:09:44,354
THAT LIMP ISN'T BECAUSE
OF SOME OLD SPORTS INJURY,
1759
01:09:44,389 --> 01:09:48,191
AND YOU KNEW
THE ANDRONICUS FAMILY.
1760
01:09:48,260 --> 01:09:50,727
YEAH, I KNEW THEM...
1761
01:09:50,762 --> 01:09:51,861
A LONG TIME AGO, SURE.
1762
01:09:51,896 --> 01:09:54,164
I MEAN,
WE USED TO PLAY CARDS TOGETHER.
1763
01:09:54,199 --> 01:09:56,466
ONE NIGHT, I WON A LOT
OF MONEY OFF OF LUCAS,
1764
01:09:56,502 --> 01:09:57,700
AND WHEN THEIR
FATHER FOUND OUT,
1765
01:09:57,736 --> 01:10:01,438
LUCAS TOLD THEM
THAT I'D CHEATED TO WIN IT,
1766
01:10:01,473 --> 01:10:03,206
THAT I'D VIRTUALLY STOLEN IT.
1767
01:10:03,242 --> 01:10:04,508
OF COURSE,
HARVEY LET EVERYONE KNOW THAT,
1768
01:10:04,543 --> 01:10:07,677
AND AFTER THAT, NO ONE
WOULD TRUST OR HIRE ME.
1769
01:10:07,712 --> 01:10:09,712
WHICH IS WHY YOU LEFT TOWN?
1770
01:10:09,748 --> 01:10:11,615
YEAH.
1771
01:10:11,650 --> 01:10:13,283
SO MAYBE NOW IS A GOOD TIME
TO TELL ME
1772
01:10:13,352 --> 01:10:14,717
WHY YOU STOLE THE PUZZLE BOX?
1773
01:10:16,155 --> 01:10:17,320
I DON'T KNOW WHAT...
1774
01:10:17,356 --> 01:10:18,955
DURING THE TIME OF
ELIZABETH AND TAMARA'S DEATH,
1775
01:10:19,024 --> 01:10:19,922
WHERE WERE YOU?
1776
01:10:19,958 --> 01:10:21,458
WELL, WHEN TAMARA DIED,
1777
01:10:21,493 --> 01:10:23,260
I WAS IN A PRODUCTION MEETING
WITH MY CREW.
1778
01:10:23,295 --> 01:10:24,327
I MEAN, THEY'LL VERIFY THAT,
1779
01:10:24,363 --> 01:10:25,895
AND THE NIGHT
THAT ELIZABETH DIED,
1780
01:10:25,930 --> 01:10:28,331
KAT AND I WERE OUTLINING
AN EPISODE AT THE DINER
1781
01:10:28,367 --> 01:10:29,466
FROM DUSK 'TIL DAWN.
1782
01:10:29,501 --> 01:10:31,034
ASK HER.
1783
01:10:31,069 --> 01:10:33,203
YOU CAN EVEN
ASK THE STAFF.
1784
01:10:33,238 --> 01:10:35,639
OKAY, I WILL...
1785
01:10:35,707 --> 01:10:39,376
BUT ALL I REALLY WANT TO KNOW
IS WHY YOU TOOK THE BOX?
1786
01:10:48,453 --> 01:10:50,453
UH-OH.
1787
01:10:50,489 --> 01:10:51,821
IS THIS A PROBLEM
THAT CAN BE SOLVED
1788
01:10:51,856 --> 01:10:54,558
BY CHOCOLATE CHIP MINT?
1789
01:10:54,593 --> 01:10:56,493
THINKING AT LEAST
DOUBLE CHOCOLATE FUDGE.
1790
01:10:56,528 --> 01:10:57,760
WHOA.
1791
01:10:57,796 --> 01:11:00,330
SCHOOL, GUY, OR OTHER?
1792
01:11:00,365 --> 01:11:01,864
GUY.
1793
01:11:01,900 --> 01:11:03,200
DOUBLE FUDGE IT IS.
1794
01:11:03,268 --> 01:11:05,302
[DOORBELL RINGING]
1795
01:11:05,370 --> 01:11:06,836
I'LL GET THAT.
1796
01:11:11,443 --> 01:11:12,375
OH, HEY.
1797
01:11:12,411 --> 01:11:13,610
OFFICER...
1798
01:11:13,645 --> 01:11:14,644
RYAN.
1799
01:11:14,680 --> 01:11:16,879
IS HANNAH HERE,
BY CHANCE?
1800
01:11:16,915 --> 01:11:18,348
YEAH, SURE.
1801
01:11:18,383 --> 01:11:19,349
HANNAH,
YOU'VE GOT A VISITOR.
1802
01:11:25,123 --> 01:11:25,988
YOU OKAY?
1803
01:11:30,895 --> 01:11:32,262
WHAT'S GOING ON?
1804
01:11:32,297 --> 01:11:33,296
I THOUGHT YOU
WERE COMING BY?
1805
01:11:33,332 --> 01:11:34,264
I DID.
1806
01:11:35,400 --> 01:11:36,466
WAS SHE YOUR EX?
1807
01:11:38,403 --> 01:11:39,402
YEAH.
1808
01:11:39,438 --> 01:11:40,403
LOOK, I GET IT.
1809
01:11:40,439 --> 01:11:41,404
YOU WEREN'T READY.
1810
01:11:41,473 --> 01:11:42,672
I PUSHED YOU INTO IT.
1811
01:11:42,708 --> 01:11:44,241
NO, WITHOUT YOU,
1812
01:11:44,276 --> 01:11:46,042
I WOULDN'T HAVE BEEN ABLE
TO MOVE ON.
1813
01:11:47,479 --> 01:11:48,712
WHAT DO YOU MEAN?
1814
01:11:48,780 --> 01:11:49,979
YOU REMEMBER
THAT LAUNDRY BASKET
1815
01:11:50,014 --> 01:11:50,947
FULL OF HER THINGS
1816
01:11:50,982 --> 01:11:51,681
SITTING IN MY CLOSET?
1817
01:11:51,717 --> 01:11:53,015
YEAH.
1818
01:11:53,051 --> 01:11:54,117
SHE CAME BY,
1819
01:11:54,152 --> 01:11:57,220
WANTING TO MAYBE
MAKE THINGS WORK,
1820
01:11:57,256 --> 01:11:58,655
BUT THE ONLY THING
I COULD THINK OF
1821
01:11:58,690 --> 01:12:00,923
WAS YOU AND THAT LAUNDRY BASKET,
1822
01:12:00,959 --> 01:12:03,393
AND JUST GETTING IT
OUT OF MY LIFE,
1823
01:12:03,428 --> 01:12:06,329
SO THAT I COULD BRING YOU IN.
1824
01:12:09,735 --> 01:12:10,634
YOU REHEARSED THAT
ON THE WAY OVER HERE,
1825
01:12:10,669 --> 01:12:11,468
DIDN'T YOU?
1826
01:12:13,138 --> 01:12:14,070
I TOTALLY DID...
1827
01:12:14,105 --> 01:12:16,339
'CAUSE I WAS HOPING
1828
01:12:16,375 --> 01:12:17,940
THAT MAYBE WE COULD TRY
ONE OF THOSE REAL DATES.
1829
01:12:17,976 --> 01:12:21,010
YOU MEAN THE ONE
WITH EXPECTATIONS,
1830
01:12:21,045 --> 01:12:22,812
ROMANTIC DINNERS, FLOWERS?
1831
01:12:22,847 --> 01:12:24,447
IT DOES SOUND
PRETTY TERRIBLE, DOESN'T IT?
1832
01:12:24,483 --> 01:12:25,815
TOTALLY...
1833
01:12:27,986 --> 01:12:29,319
BUT I'M IN.
1834
01:12:34,859 --> 01:12:36,092
UH, KAT?
1835
01:12:36,127 --> 01:12:38,662
JENN, DANI, UM...
1836
01:12:38,697 --> 01:12:41,665
LOOK, I OWE YOU ALL
AN APOLOGY.
1837
01:12:41,733 --> 01:12:44,167
AS YOU KNOW,
I PUT EVERY PENNY,
1838
01:12:44,202 --> 01:12:45,201
CREDIT CARD,
1839
01:12:45,236 --> 01:12:47,036
EVERY DROP OF SWEAT
INTO THIS SHOW.
1840
01:12:47,071 --> 01:12:48,938
MY FAMILY,
MY HOUSE,
1841
01:12:48,973 --> 01:12:50,674
EVERYTHING
ON THE LINE,
1842
01:12:50,709 --> 01:12:53,777
BUT I BROKE
UNDER THE PRESSURE.
1843
01:12:53,812 --> 01:12:54,911
I THOUGHT
1844
01:12:54,946 --> 01:12:56,680
THAT A MYSTERIOUS BOX
GOING MISSING
1845
01:12:56,715 --> 01:12:58,047
WOULD BE GREAT
FOR THE EPISODE,
1846
01:12:58,116 --> 01:12:59,783
THAT IT WOULD HEIGHTEN
THE TENSION,
1847
01:12:59,818 --> 01:13:02,319
BUT THEN IT GOT
INVOLVED IN A MURDER...
1848
01:13:02,354 --> 01:13:04,287
AND I'M GUESSING
YOU PANICKED
1849
01:13:04,323 --> 01:13:05,422
AND RETURNED IT?
1850
01:13:05,457 --> 01:13:06,856
[JOEL]: YEAH.
1851
01:13:06,891 --> 01:13:09,959
LOOK, I JUST WANTED TO DO
SOMETHING GREAT IN THIS TOWN,
1852
01:13:09,994 --> 01:13:13,963
AND I'M SORRY THAT
I SCARED ANYONE,
1853
01:13:13,998 --> 01:13:15,498
SO I'LL PACK UP
THE CREW
1854
01:13:15,534 --> 01:13:16,833
AND WE'LL LEAVE
BY TONIGHT.
1855
01:13:16,901 --> 01:13:19,703
YOU RISKED EVERYTHING
FOR RATINGS?
1856
01:13:19,738 --> 01:13:22,472
[FRANK]:
WELL, JOEL WAS SAYING
1857
01:13:22,507 --> 01:13:24,173
THAT YOU AND THE CREW
WERE WORKING TOGETHER
1858
01:13:24,209 --> 01:13:25,575
DURING THE NIGHTS
OF BOTH DEATHS.
1859
01:13:25,644 --> 01:13:26,509
IS THAT TRUE?
1860
01:13:26,545 --> 01:13:28,878
YEAH.
1861
01:13:28,913 --> 01:13:30,880
I WAS WITH HIM BOTH NIGHTS.
1862
01:13:30,915 --> 01:13:32,949
I'M SURE THE REST OF THE CREW
CAN VERIFY THAT.
1863
01:13:32,984 --> 01:13:33,983
JENN?
1864
01:13:34,052 --> 01:13:36,052
ARE WE PRESSING CHARGES?
1865
01:13:38,323 --> 01:13:39,188
DO YOU HAVE
ENOUGH FOOTAGE
1866
01:13:39,257 --> 01:13:40,390
TO FINISH THE SHOW?
1867
01:13:42,561 --> 01:13:44,160
WELL, I NEED TO KNOW
WHAT'S IN THE BOX
1868
01:13:44,195 --> 01:13:46,062
TO MAKE THE EPISODE WORK.
1869
01:13:50,034 --> 01:13:51,968
WELL, IT'S NOT WORTH
LOSING YOUR HOUSE OVER.
1870
01:13:52,036 --> 01:13:53,336
NO, I THINK
WE CAN TRY
1871
01:13:53,372 --> 01:13:55,104
TO FIGURE OUT
THE FINAL CIPHER.
1872
01:13:56,641 --> 01:13:58,307
WAIT A MINUTE... REALLY?
1873
01:13:58,377 --> 01:13:59,743
[FRANK]:
SO WE'RE ALL GOOD?
1874
01:14:01,480 --> 01:14:03,713
YES, FRANK,
THANK YOU.
1875
01:14:03,749 --> 01:14:05,181
ALL RIGHT,
I'LL LEAVE YOU TO IT.
1876
01:14:09,755 --> 01:14:12,722
KAT, I'M REALLY...
I'M SORRY...
1877
01:14:12,791 --> 01:14:13,757
BUT I DO THINK
1878
01:14:13,792 --> 01:14:15,525
THAT WE CAN MAKE
THIS WORK.
1879
01:14:18,029 --> 01:14:19,028
LET'S DO THIS.
1880
01:14:21,266 --> 01:14:22,399
OKAY, CAMERA'S UP.
1881
01:14:22,434 --> 01:14:24,467
[CREW]:
SOUND SPEED.
1882
01:14:24,503 --> 01:14:25,769
ACTION WHEN YOU'RE
READY, JENN.
1883
01:14:25,804 --> 01:14:26,736
TALK US THROUGH IT.
1884
01:14:26,772 --> 01:14:28,538
OKAY.
1885
01:14:28,573 --> 01:14:29,739
WELL, RIGHT HERE,
1886
01:14:29,775 --> 01:14:32,942
WE HAVE THE COMBINATION
FOR "FAMILY IS FOREVER,"
1887
01:14:32,977 --> 01:14:34,511
BUT THIS SYMBOL
UPSIDE-DOWN
1888
01:14:34,546 --> 01:14:36,279
MEANS "DANGER,"
1889
01:14:36,314 --> 01:14:37,647
SO MAYBE
WHAT SHE WAS TRYING TO SAY
1890
01:14:37,716 --> 01:14:40,750
IS NOTHING
IS AS IT SEEMS.
1891
01:14:40,786 --> 01:14:42,318
EVERYTHING IS UPSIDE DOWN.
1892
01:14:50,762 --> 01:14:52,061
SO NOW, IF I...
1893
01:14:52,130 --> 01:14:54,330
IF I ALIGN THE SYMBOL
WITH "DANGER"
1894
01:14:54,399 --> 01:14:56,299
AND THE SYMBOL FOR "HOME,"
1895
01:14:56,367 --> 01:14:57,500
AND I SLIDE OVER THE SYMBOL
FOR "IN,"
1896
01:14:57,536 --> 01:14:59,101
WELL, THEN I HAVE...
1897
01:14:59,137 --> 01:15:01,037
I HAVE,
"HOME IN DANGER."
1898
01:15:03,141 --> 01:15:04,040
[UNLOCKING]
1899
01:15:04,075 --> 01:15:05,007
OH!
1900
01:15:09,347 --> 01:15:10,379
IT'S EMPTY.
1901
01:15:10,449 --> 01:15:11,648
THERE'S NOTHING
IN IT.
1902
01:15:13,251 --> 01:15:16,152
WAIT A MINUTE.
1903
01:15:16,187 --> 01:15:18,054
THE ANSWER IS NOT IN THE BOX.
1904
01:15:18,089 --> 01:15:19,823
THE ANSWER IS THE BOX.
1905
01:15:19,858 --> 01:15:21,390
WHY...
1906
01:15:21,460 --> 01:15:22,425
IF YOU LOOK INSIDE,
1907
01:15:22,461 --> 01:15:24,393
THESE LINES
AND THE COLORS,
1908
01:15:24,429 --> 01:15:26,496
THIS IS A PLACE.
1909
01:15:26,531 --> 01:15:28,364
IT'S A ROOM,
1910
01:15:28,433 --> 01:15:30,533
AND I'VE BEEN THERE.
1911
01:15:34,639 --> 01:15:35,705
UH, JENN...
1912
01:15:35,740 --> 01:15:37,440
DON'T WORRY,
I'M CALLING FRANK.
1913
01:15:38,543 --> 01:15:40,409
[LUCAS]:
SO YOU'VE REALLY SOLVED IT?
1914
01:15:40,445 --> 01:15:41,210
ALMOST.
1915
01:15:57,529 --> 01:15:58,595
LOOK FAMILIAR?
1916
01:16:01,533 --> 01:16:04,233
IT'S AN EXACT RE-CREATION
OF THIS LIBRARY.
1917
01:16:04,268 --> 01:16:05,267
YES, SHE HID
HER MESSAGE
1918
01:16:05,303 --> 01:16:07,203
IN THE PUZZLE BOX,
1919
01:16:07,238 --> 01:16:09,973
SO THE CLUES ARE
PROBABLY IN THIS ROOM.
1920
01:16:10,008 --> 01:16:11,708
THEY MAY BE
ON THE WALLS
1921
01:16:11,743 --> 01:16:13,075
OR IN THE WALLS.
1922
01:16:17,115 --> 01:16:18,915
WHAT MESSAGE?
1923
01:16:18,950 --> 01:16:20,082
THE INFINITY SIGN.
1924
01:16:20,118 --> 01:16:22,051
THAT MEANS FOREVER...
1925
01:16:23,889 --> 01:16:25,855
AND THAT'S THE GREEK SYMBOL
FOR "IS."
1926
01:16:27,659 --> 01:16:29,692
YES, OF COURSE.
1927
01:16:29,728 --> 01:16:31,027
THE FAMILY PORTRAIT.
1928
01:16:31,062 --> 01:16:32,562
"FAMILY."
1929
01:16:32,597 --> 01:16:33,796
THAT'S ONE OF
THE EARLY CIPHERS.
1930
01:16:33,865 --> 01:16:34,731
"FAMILY IS..."
1931
01:16:34,766 --> 01:16:36,533
FOREVER.
1932
01:16:36,568 --> 01:16:38,167
SHE ALWAYS SAID THAT.
1933
01:16:41,573 --> 01:16:43,172
"WE MUST LEARN
TO LIVE TOGETHER AS BROTHERS
1934
01:16:43,207 --> 01:16:45,909
OR PERISH TOGETHER AS FOOLS."
1935
01:16:45,944 --> 01:16:47,410
THAT WAS DEFINITELY HER.
1936
01:16:47,478 --> 01:16:48,511
NO, NO, NO,
THAT CAN'T BE RIGHT.
1937
01:16:48,547 --> 01:16:49,579
THERE HAS TO BE MORE.
1938
01:17:10,501 --> 01:17:13,169
IT'S A LETTER
FROM YOUR MOTHER.
1939
01:17:14,238 --> 01:17:15,104
[GUN CLICKS]
1940
01:17:20,974 --> 01:17:21,974
WHAT ARE YOU DOING?
1941
01:17:22,024 --> 01:17:23,958
I WANT TO KNOW
WHAT SHE KNOWS.
1942
01:17:23,993 --> 01:17:24,859
MR. ANDRONICUS...
1943
01:17:26,696 --> 01:17:28,296
DETECTIVE LYNWOOD
IS ON HIS WAY.
1944
01:17:28,331 --> 01:17:30,398
WHY DO YOU HAVE
A GUN?
1945
01:17:31,668 --> 01:17:33,033
SHE'S GOING TO TELL US.
1946
01:17:33,069 --> 01:17:34,001
GO.
1947
01:17:37,240 --> 01:17:40,174
I THINK IT STARTED
ABOUT A YEAR AGO,
1948
01:17:40,209 --> 01:17:43,444
WHEN LUCAS AND TAMARA
CUT OFF CONTACT FROM QUIN
1949
01:17:43,513 --> 01:17:46,447
BECAUSE OF THE FIGHT
AND THE RESTRAINING ORDER.
1950
01:17:46,483 --> 01:17:48,916
QUIN THOUGHT TAMARA
WAS HAVING AN AFFAIR.
1951
01:17:48,951 --> 01:17:51,018
LUCAS DIDN'T WANT TO LISTEN.
1952
01:17:54,090 --> 01:17:54,989
READ THE LETTER.
1953
01:17:57,827 --> 01:18:01,829
ELIZABETH SAW ALLAN DEMETRY
AND TAMARA
1954
01:18:01,864 --> 01:18:03,798
EARLY FRIDAY MORNING.
1955
01:18:06,235 --> 01:18:08,002
TAMARA COULD ONLY ASSUME
1956
01:18:08,037 --> 01:18:11,071
THAT ELIZABETH'S NEXT PHONE CALL
WOULD BE TO LUCAS...
1957
01:18:13,209 --> 01:18:15,576
A PHONE CALL
THAT WOULD LEAVE HER
1958
01:18:15,612 --> 01:18:18,513
PREPARING FOR A MESSY DIVORCE,
1959
01:18:18,548 --> 01:18:19,647
LOSING MONEY AND STOCK
1960
01:18:19,683 --> 01:18:22,249
IN A VERY VALUABLE
REAL-ESTATE COMPANY...
1961
01:18:23,386 --> 01:18:25,119
AND SHE COULDN'T
LET THAT HAPPEN.
1962
01:18:28,057 --> 01:18:31,158
QUIN'S REPEATED ATTEMPTS
TO GET IN TOUCH WITH ELIZABETH
1963
01:18:31,194 --> 01:18:32,460
GO UNANSWERED,
1964
01:18:32,495 --> 01:18:34,562
SO HE FLIES HERE
SATURDAY MORNING
1965
01:18:34,597 --> 01:18:35,763
TO CHECK ON HER...
1966
01:18:35,832 --> 01:18:38,098
ONLY WHEN HE ARRIVES,
1967
01:18:38,134 --> 01:18:39,900
HE SEES ALLAN LEAVING THE HOUSE
1968
01:18:39,936 --> 01:18:41,436
IN THE EARLY HOURS
OF THE MORNING.
1969
01:18:41,504 --> 01:18:42,470
HE CAN'T CONFRONT TAMARA
1970
01:18:42,505 --> 01:18:44,839
BECAUSE OF
THE RESTRAINING ORDER,
1971
01:18:44,907 --> 01:18:48,075
SO HE CALLS YOU, LUCAS,
OVERSEAS, ABOUT DEMETRY,
1972
01:18:48,144 --> 01:18:50,244
HOPING THIS TIME,
YOU WILL BELIEVE HIM.
1973
01:18:52,215 --> 01:18:54,482
TO KEEP ELIZABETH FURTHER
CUT OFF FROM THE WORLD...
1974
01:18:56,252 --> 01:18:57,952
TAMARA FIRES
THE REST OF THE STAFF
1975
01:18:58,020 --> 01:18:59,887
ON SATURDAY.
1976
01:18:59,956 --> 01:19:03,257
ELIZABETH KNOWS
THAT SHE HAS TO HIDE HER MESSAGE
1977
01:19:03,292 --> 01:19:06,927
IN A PLACE THAT TAMARA
WON'T BE ABLE TO FIND.
1978
01:19:06,963 --> 01:19:10,398
SHE PUTS THE CLUES
IN THE PUZZLE BOX,
1979
01:19:10,433 --> 01:19:11,198
HOPING THAT QUIN
WILL BE ABLE TO SOLVE THEM.
1980
01:19:13,503 --> 01:19:15,536
KNOWING YOU BOTH WILL BE HOME
EVENTUALLY...
1981
01:19:17,240 --> 01:19:18,539
TAMARA KNOWS
SHE HAS TO GET RID OF ELIZABETH
1982
01:19:18,575 --> 01:19:21,609
AND COVER HER TRACKS...
1983
01:19:21,678 --> 01:19:25,246
AND WITH ELIZABETH'S
FAILING HEALTH,
1984
01:19:25,281 --> 01:19:27,882
SHE HOPES IT WILL LOOK
LIKE NATURAL CAUSES
1985
01:19:27,917 --> 01:19:29,817
INSTEAD OF AN ALLERGIC REACTION
TO PEANUT RESIDUE
1986
01:19:29,853 --> 01:19:33,755
OR VAPORS THAT ARE UNTRACEABLE
IN AN AUTOPSY.
1987
01:19:33,823 --> 01:19:36,957
LUCAS, YOU ARRIVE HOME
ON SUNDAY NIGHT
1988
01:19:36,993 --> 01:19:39,059
TO FIND ELIZABETH DEAD...
1989
01:19:39,095 --> 01:19:40,928
BUT SOMETHING DOESN'T SIT RIGHT.
1990
01:19:46,369 --> 01:19:48,235
MAYBE THERE'S TRUTH
1991
01:19:48,271 --> 01:19:49,737
IN WHAT QUIN
HAS BEEN TELLING YOU.
1992
01:19:49,773 --> 01:19:51,672
I, I... I DON'T KNOW.
I WAS UPSTAIRS.
1993
01:19:51,708 --> 01:19:53,574
I JUST...
I CAME DOWN, AND I...
1994
01:19:53,610 --> 01:19:56,176
[JENN]: TAMARA, OF COURSE,
DENIES THE AFFAIR...
1995
01:19:56,212 --> 01:19:57,512
[CRASHING]
1996
01:19:57,547 --> 01:19:58,446
TEXT HER, RIGHT NOW!
1997
01:19:58,481 --> 01:19:59,447
OKAY, OKAY.
1998
01:19:59,482 --> 01:20:00,648
RIGHT NOW, RIGHT NOW.
1999
01:20:00,717 --> 01:20:02,149
LOOK, I'M GOING TO DO IT, OKAY?
2000
01:20:02,184 --> 01:20:03,618
[JENN]: YOU CONFRONT
ALLAN DEMETRY,
2001
01:20:03,653 --> 01:20:05,787
AND HE CONFESSES IMMEDIATELY.
2002
01:20:05,822 --> 01:20:08,489
YOU THREATEN HIM.
2003
01:20:08,525 --> 01:20:10,625
YOU TELL HIM TO BREAK IT OFF
VIA TEXT.
2004
01:20:12,061 --> 01:20:14,028
HARVEY...
2005
01:20:14,063 --> 01:20:16,497
YOU HEAR
ABOUT ELIZABETH'S DEATH
2006
01:20:16,533 --> 01:20:17,498
AND POSSIBLY THE AFFAIR
2007
01:20:17,567 --> 01:20:20,668
FROM LUCAS...
2008
01:20:20,703 --> 01:20:23,103
AND YOU TAKE
THE NEXT FLIGHT HOME,
2009
01:20:23,139 --> 01:20:24,104
BUT YOU ARE ENRAGED.
2010
01:20:25,442 --> 01:20:26,541
YOU!
2011
01:20:26,609 --> 01:20:27,642
WHAT HAVE YOU DONE?
2012
01:20:27,677 --> 01:20:29,610
I DON'T KNOW WHAT
YOU'RE TALKING ABOUT.
2013
01:20:29,646 --> 01:20:31,879
[JENN]: YOU GO UPSTAIRS,
MAYBE LOOKING FOR LUCAS,
2014
01:20:31,915 --> 01:20:34,582
NOT REALIZING THAT HE'S GONE
TO SEE ALLAN DEMETRY.
2015
01:20:34,617 --> 01:20:35,716
WHAT'S GOING ON?
2016
01:20:35,752 --> 01:20:37,151
DID ELIZABETH SEE
YOU TWO TOGETHER?
2017
01:20:37,186 --> 01:20:38,453
DID YOU TAKE HER
FROM ME?
2018
01:20:38,488 --> 01:20:39,887
I DON'T KNOW WHAT
YOU'RE TALKING ABOUT.
2019
01:20:39,923 --> 01:20:41,622
OH, YOU'RE JUST GOING
TO LOOK ME IN THE FACE
2020
01:20:41,691 --> 01:20:44,325
AND SAY IT WAS
AN ACCIDENT?
2021
01:20:44,360 --> 01:20:46,260
I LOVE HER.
2022
01:20:46,295 --> 01:20:48,362
WHATEVER YOU THINK HAPPENED,
DIDN'T.
2023
01:20:48,397 --> 01:20:51,031
I KNOW THIS IS GOING
TO BE HARD FOR ALL OF US,
2024
01:20:51,067 --> 01:20:53,601
BUT I'M HERE.
2025
01:20:53,670 --> 01:20:54,669
IT'S GOING TO BE OKAY.
2026
01:20:54,704 --> 01:20:55,837
DON'T TOUCH ME!
2027
01:20:59,175 --> 01:20:59,907
[SHATTERING]
2028
01:21:02,178 --> 01:21:03,911
[JENN]: IT COULD'VE JUST BEEN
AN UNFORTUNATE ACCIDENT
2029
01:21:03,947 --> 01:21:05,980
THAT HAPPENED
IN THE HEAT OF THE MOMENT,
2030
01:21:06,015 --> 01:21:06,881
BUT YOU KNOW
WITH YOUR REPUTATION
2031
01:21:06,950 --> 01:21:08,583
HOW IT WILL LOOK IN THE PRESS,
2032
01:21:08,618 --> 01:21:10,117
SO YOU GO
INTO PROBLEM-SOLVING MODE.
2033
01:21:11,988 --> 01:21:13,955
YOU TAKE THE PILLS
FROM YOUR RECENT HIP SURGERY,
2034
01:21:13,990 --> 01:21:16,390
AND YOU TRY TO MAKE IT LOOK
LIKE AN OVERDOSE...
2035
01:21:16,425 --> 01:21:18,860
[DOORBELL RINGING]
2036
01:21:18,895 --> 01:21:21,195
BUT MY ARRIVAL CUTS THAT SHORT.
2037
01:21:26,268 --> 01:21:27,735
TAMARA?
2038
01:21:31,508 --> 01:21:33,608
TAMARA?
2039
01:21:34,811 --> 01:21:35,877
AND LUCAS, I'M ASSUMING
2040
01:21:35,945 --> 01:21:38,212
YOU DIDN'T TELL THE POLICE
ABOUT THE AFFAIR
2041
01:21:38,247 --> 01:21:39,380
BECAUSE YOU KNEW THEN
2042
01:21:39,415 --> 01:21:40,515
YOU WOULD BE
THE NUMBER-ONE SUSPECT
2043
01:21:40,550 --> 01:21:42,016
IN YOUR WIFE'S DEATH.
2044
01:21:42,051 --> 01:21:43,450
HOW COULD YOU?
2045
01:21:44,687 --> 01:21:48,689
SHE TOOK MY WIFE, MY NAME.
2046
01:21:48,758 --> 01:21:50,691
EVENTUALLY, SHE WOULD'VE TAKEN
EVERYTHING I BUILT.
2047
01:21:50,727 --> 01:21:52,226
WE BUILT.
2048
01:21:52,261 --> 01:21:53,794
WE BUILT.
2049
01:21:53,830 --> 01:21:54,662
I'M SORRY.
2050
01:21:55,932 --> 01:21:56,864
[LUCAS]: THE LETTER
WAS A WARNING TO ALL OF US
2051
01:21:56,900 --> 01:21:58,198
ABOUT TAMARA.
2052
01:21:58,234 --> 01:21:59,867
MOTHER WANTED ALL OF US
TO STICK TOGETHER...
2053
01:21:59,936 --> 01:22:02,837
YOU, ME, QUIN.
2054
01:22:02,872 --> 01:22:04,605
SHE WOULDN'T HAVE WANTED
ANY OF THIS.
2055
01:22:05,708 --> 01:22:07,474
MR. ANDRONICUS...
2056
01:22:07,544 --> 01:22:10,444
YOU CAN MAKE THIS RIGHT
FOR ELIZABETH.
2057
01:22:10,479 --> 01:22:12,547
PUT THE GUN DOWN, DAD.
2058
01:22:12,582 --> 01:22:13,581
PLEASE.
2059
01:22:16,819 --> 01:22:17,752
DAD...
2060
01:22:17,787 --> 01:22:19,954
PLEASE...
2061
01:22:20,023 --> 01:22:22,023
THE GUN WON'T
SOLVE ANYTHING.
2062
01:22:24,160 --> 01:22:25,560
OKAY.
2063
01:22:25,595 --> 01:22:27,194
[SIRENS WAILING]
2064
01:22:30,733 --> 01:22:32,633
THANK YOU.
2065
01:22:35,237 --> 01:22:37,371
SHE LOVED YOU ALL.
2066
01:22:37,406 --> 01:22:38,505
HER FINAL WORDS...
2067
01:22:39,776 --> 01:22:41,809
FAMILY IS FOREVER.
2068
01:22:43,279 --> 01:22:44,545
WE CAN MAKE IT RIGHT.
2069
01:22:55,257 --> 01:22:56,190
WELCOME!
2070
01:22:56,225 --> 01:22:57,324
HELLO.
2071
01:22:57,359 --> 01:22:58,258
-HI, SALLY.
-HOW ARE YOU?
2072
01:22:58,294 --> 01:22:59,526
OH, IT'S A HECTIC WEEK.
2073
01:22:59,562 --> 01:23:01,462
WELL, "STRESSED" IS "DESSERTS"
SPELLED BACKWARDS
2074
01:23:01,497 --> 01:23:03,497
AND THERE IS NOTHING
THAT DESSERT CAN'T FIX.
2075
01:23:03,532 --> 01:23:05,099
THAT IS MY MOTTO.
2076
01:23:05,134 --> 01:23:07,234
I'LL JUST TAKE THAT THROUGH
TO THE KITCHEN...
2077
01:23:07,303 --> 01:23:08,168
IF IT MAKES IT THERE.
2078
01:23:08,204 --> 01:23:09,203
YEAH.
2079
01:23:09,271 --> 01:23:10,137
SO?
2080
01:23:10,172 --> 01:23:11,872
SO...
2081
01:23:11,908 --> 01:23:14,108
SIGNED CONFESSION
FROM HARVEY.
2082
01:23:14,143 --> 01:23:16,577
THE BROTHERS ARE TALKING AGAIN,
2083
01:23:16,613 --> 01:23:18,345
AND, WELL,
QUIN HAS CONVINCED LUCAS
2084
01:23:18,380 --> 01:23:20,180
TO COMPLY WITH MAIN STREET'S
BUILDING HEIGHT CODES.
2085
01:23:20,216 --> 01:23:21,816
HUH.
2086
01:23:21,884 --> 01:23:23,283
GREAT JOB AS ALWAYS, JENN.
2087
01:23:23,352 --> 01:23:25,319
RIGHT BACK AT YOU.
2088
01:23:25,354 --> 01:23:27,454
OH, I MADE YOUR FAVORITE DISH.
2089
01:23:27,490 --> 01:23:28,355
HONEY GARLIC RIBS?
2090
01:23:29,659 --> 01:23:30,825
OKAY, YOUR SECOND FAVORITE.
2091
01:23:32,895 --> 01:23:34,528
IS IT WEIRD
THAT OUR FIRST ACTUAL DATE
2092
01:23:34,563 --> 01:23:38,165
IS MEETING
MY ENTIRE FAMILY?
2093
01:23:38,200 --> 01:23:40,567
TOTALLY...
2094
01:23:40,603 --> 01:23:41,702
BUT I'M IN.
2095
01:23:42,872 --> 01:23:44,105
[LOGAN]:
AND I'M DONE.
2096
01:23:44,140 --> 01:23:46,674
HEY, I KNEW
YOU COULD DO IT.
2097
01:23:46,709 --> 01:23:48,442
YOUR DAD AND I
WANT YOU TO KNOW
2098
01:23:48,477 --> 01:23:49,409
THAT WE'RE VERY PROUD
2099
01:23:49,445 --> 01:23:50,911
THAT YOU REACHED
YOUR GOAL.
2100
01:23:50,947 --> 01:23:52,212
WE'VE ALWAYS BEEN
YOUR BIGGEST FANS.
2101
01:23:52,248 --> 01:23:53,247
AND NOW,
2102
01:23:53,315 --> 01:23:54,882
WE'RE YOUR
BIGGEST BUYERS.
2103
01:23:54,951 --> 01:23:56,117
WE WANT YOU TO GROW UP,
2104
01:23:56,152 --> 01:23:58,085
BUT YOUR PAST IS A BIG PART
OF WHO YOU ARE.
2105
01:23:58,121 --> 01:23:59,053
IT'S NOT ALL THERE...
2106
01:23:59,088 --> 01:24:00,154
[JASON]:
JUST ENOUGH.
2107
01:24:00,189 --> 01:24:01,455
SWEET.
2108
01:24:01,490 --> 01:24:02,456
THANKS.
2109
01:24:02,491 --> 01:24:03,924
[TIMER CHIMING]
2110
01:24:03,993 --> 01:24:05,860
OH, IT'S ON!
2111
01:24:05,895 --> 01:24:06,994
IT'S ALL HAPPENING!
2112
01:24:07,030 --> 01:24:08,763
[JENN]:
A STAR IS BORN.
2113
01:24:08,798 --> 01:24:11,365
I WILL BE SIGNING AUTOGRAPHS
AT THE END OF THE PRESENTATION.
2114
01:24:11,400 --> 01:24:12,499
ARE YOU GOING TO REMEMBER
US LITTLE PEOPLE
2115
01:24:12,535 --> 01:24:13,901
NOW THAT
YOU'RE BIG AND FAMOUS?
2116
01:24:13,936 --> 01:24:15,169
WHAT'S YOUR NAME AGAIN?
141806
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