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1
00:00:02,000 --> 00:00:07,000
Downloaded from
YTS.MX
2
00:00:05,570 --> 00:00:08,225
[horse neighs]
3
00:00:08,000 --> 00:00:13,000
Official YIFY movies site:
YTS.MX
4
00:00:09,574 --> 00:00:12,229
[hooves thundering]
5
00:00:20,411 --> 00:00:23,066
[horses neighing]
6
00:00:25,025 --> 00:00:27,940
[helicopter blades whirring]
7
00:00:37,124 --> 00:00:40,040
[horses neighing]
8
00:00:47,699 --> 00:00:50,615
[gates rattling]
9
00:00:59,233 --> 00:01:02,149
[horses neighing]
10
00:01:18,426 --> 00:01:21,385
[pensive string music]
11
00:01:21,429 --> 00:01:29,089
♪
12
00:02:03,514 --> 00:02:11,174
♪
13
00:02:24,622 --> 00:02:32,282
♪
14
00:02:48,951 --> 00:02:50,213
[car door shuts]
15
00:02:50,257 --> 00:02:53,216
[engine turning over]
16
00:02:53,260 --> 00:02:56,959
- I GOT MY FIRST HORSE
WHEN I WAS ABOUT 10 OR 12.
17
00:02:57,002 --> 00:02:58,917
ROY ROGERS AND GENE AUTRY
WERE MY HEROES.
18
00:03:04,096 --> 00:03:06,142
I THINK
IF YOU'’RE A TRUE HORSEMAN,
19
00:03:06,186 --> 00:03:07,709
THIS IS AS GOOD AS IT GETS.
20
00:03:07,752 --> 00:03:09,058
[metal clanging]
- THERE IT GOES.
21
00:03:09,101 --> 00:03:11,321
ALL RIGHT, YOU READY?
22
00:03:11,365 --> 00:03:12,322
LET'’S GO GET 'EM.
23
00:03:12,366 --> 00:03:13,454
[chuckles]
24
00:03:13,497 --> 00:03:15,020
- YOU GET TO TAKE A WILD HORSE
25
00:03:15,064 --> 00:03:17,109
AND BOND WITH HIM AND GET HIM
TO WHERE YOU CAN RIDE HIM.
26
00:03:17,153 --> 00:03:18,894
IT JUST DOESN'’T
GET ANY BETTER THAN THAT.
27
00:03:20,330 --> 00:03:21,592
[dog barking]
28
00:03:21,636 --> 00:03:24,595
[bright acoustic guitar music]
29
00:03:24,639 --> 00:03:29,992
♪
30
00:03:30,035 --> 00:03:31,472
- I JUST WANT ONE
31
00:03:31,515 --> 00:03:37,260
THAT'’S KIND OF EASYGOING
AND GENTLE AND...
32
00:03:37,304 --> 00:03:38,435
- WELL, HE'’S NOT GONNA
BE GENTLE.
33
00:03:38,479 --> 00:03:39,958
I GOT NEWS FOR YOU.
34
00:03:40,002 --> 00:03:42,134
- WELL, GENTLE TEMPERAMENT,
I GUESS, I MEAN.
35
00:03:42,178 --> 00:03:43,875
YEAH.
36
00:03:43,919 --> 00:03:46,269
- I JUST HOPE THAT THEY'’RE NOT
THE LITTLE TINY ONES.
37
00:03:46,313 --> 00:03:47,662
I HOPE THEY'’RE THE BIGGER ONES.
38
00:03:47,705 --> 00:03:49,011
- YEAH.
39
00:03:49,054 --> 00:03:50,142
- I LIKE A BIG HORSE.
40
00:03:50,186 --> 00:03:51,143
- YOU GET A BIG ONE.
41
00:03:51,187 --> 00:03:54,146
I'’LL TAKE A TINY ONE.
42
00:03:54,190 --> 00:03:56,888
[relaxing instrumental music]
43
00:03:56,932 --> 00:04:01,153
♪
44
00:04:01,197 --> 00:04:03,330
- HERE IT IS.
45
00:04:07,290 --> 00:04:09,466
[horses neighing]
46
00:04:09,510 --> 00:04:11,033
- ALL RIGHT.
47
00:04:14,689 --> 00:04:15,994
- OKAY.
48
00:04:16,038 --> 00:04:17,474
- HERE, LET ME GIVE YOU YOURS,
EVELYN.
49
00:04:17,518 --> 00:04:19,476
- ALL RIGHTY.
50
00:04:19,520 --> 00:04:21,957
- GIVE ME A BETTER ONE
THAN YOU GAVE HER.
51
00:04:23,567 --> 00:04:25,265
8108.
52
00:04:26,701 --> 00:04:29,356
WELL, THE DEAL IS,
AND THEY MAKE IT CLEAR,
53
00:04:29,399 --> 00:04:30,966
YOU GET WHAT YOU GET.
54
00:04:31,009 --> 00:04:32,010
IT'’S LUCK OF THE DRAW.
55
00:04:32,054 --> 00:04:33,447
AND SO YOU DO WITH
WHAT YOU GOT.
56
00:04:34,926 --> 00:04:36,841
- BYE, KATE.
OH, MY GOSH.
57
00:04:36,885 --> 00:04:40,758
TRYING TO CLIMB THE SIDE OF IT.
58
00:04:40,802 --> 00:04:42,891
- I THINK WE'’VE COME
FOR THE BEAR--
59
00:04:42,934 --> 00:04:43,761
THE BLACK.
60
00:04:44,893 --> 00:04:45,981
- COULD BE.
61
00:04:49,506 --> 00:04:51,073
- JUST GIVE IT A SECOND
BEFORE YOU START--
62
00:04:51,116 --> 00:04:53,031
- IT'’S ALL RIGHT.
IT'’S ALL RIGHT.
63
00:04:53,075 --> 00:04:54,424
IT'’S OKAY.
64
00:04:54,468 --> 00:04:55,425
IT'’S OKAY.
YOU'’RE ALL RIGHT.
65
00:04:57,471 --> 00:04:58,907
YOU'’RE ALL RIGHT.
YEAH.
66
00:04:58,950 --> 00:05:01,431
SMELL ME.
SEE, I AIN'’T BAD.
67
00:05:01,475 --> 00:05:03,912
HEY, SEE, HE'’S--
HE'’S SMELLING MY HAND.
68
00:05:03,955 --> 00:05:05,435
- YEAH, YEAH, THAT'’S GOOD.
- THAT'’S A GOOD SIGN.
69
00:05:05,479 --> 00:05:08,046
- MM-HMM.
- GOOD SIGN.
70
00:05:08,090 --> 00:05:10,745
NOBODY'’S GONNA HURT YOU.
71
00:05:10,788 --> 00:05:14,575
HEY, YEAH, WE'’RE GONNA
GET TO KNOW EACH OTHER.
72
00:05:14,618 --> 00:05:17,229
HE'’S SCARED TO DEATH.
73
00:05:17,273 --> 00:05:20,581
HE'’S A LITTLE SMALL.
74
00:05:20,624 --> 00:05:22,887
THAT'’S ALL RIGHT.
75
00:05:22,931 --> 00:05:25,934
- HERE HE COMES.
76
00:05:25,977 --> 00:05:27,152
OH, MY GOSH.
77
00:05:27,196 --> 00:05:28,806
[gasps]
OH, MY GOSH.
78
00:05:28,850 --> 00:05:30,721
HE'’S BEAUTIFUL.
OH, MY GOD.
79
00:05:30,765 --> 00:05:32,593
[laughs]
80
00:05:32,636 --> 00:05:34,290
HEY, WILLIE.
81
00:05:34,334 --> 00:05:36,771
BOY, HE'’S A BIG'UN.
82
00:05:36,814 --> 00:05:38,338
- SHE GOT THE BIG ONE.
I GOT THE LITTLE ONE.
83
00:05:38,381 --> 00:05:39,469
- [laughs]
ALL RIGHT.
84
00:05:39,513 --> 00:05:41,341
- I OUTWEIGH MY HORSE.
- [laughs]
85
00:05:41,384 --> 00:05:44,169
YOU OUTWEIGH YOUR HORSE.
[laughs]
86
00:05:44,213 --> 00:05:45,997
- THESE WILL BE WAYLON
AND WILLIE.
87
00:05:46,041 --> 00:05:50,480
- WAYLON AND WILLIE,
THAT'’S A GOOD COMBINATION.
88
00:05:50,524 --> 00:05:53,396
- IT'’S ALL RIGHT, WAYLON.
89
00:05:53,440 --> 00:05:54,528
- Y'’ALL READY?
90
00:06:01,926 --> 00:06:04,451
- WE HOPE THAT
IN ABOUT 90 DAYS,
91
00:06:04,494 --> 00:06:06,757
THESE GUYS WILL BE
92
00:06:06,801 --> 00:06:10,587
STERLING EXAMPLES
OF FINE RIDING HORSES.
93
00:06:10,631 --> 00:06:11,675
[laughs]
94
00:06:11,719 --> 00:06:12,894
WE'’LL TAKE 'EM TO FORT WORTH
95
00:06:12,937 --> 00:06:14,461
AND JUST DAZZLE
THE HORSE WORLD.
96
00:06:14,504 --> 00:06:16,376
[chuckles]
97
00:06:22,991 --> 00:06:26,211
- HAVE GOALS FOR ONE DAY.
- OKAY.
98
00:06:26,255 --> 00:06:28,910
- AND DON'’T TRY TO DO
TOO MANY THINGS AT ONCE.
99
00:06:28,953 --> 00:06:30,520
JUST HAVE ONE GOAL,
100
00:06:30,564 --> 00:06:32,479
AND WHEN HE MEETS THAT GOAL,
THAT'’S IT.
101
00:06:32,522 --> 00:06:34,002
THAT'’LL BE DONE.
102
00:06:34,045 --> 00:06:35,351
- I'’D LIKE TO TOUCH HIM.
- [laughs]
103
00:06:35,395 --> 00:06:36,961
- THAT WOULD BE A GOOD GOAL.
104
00:06:37,005 --> 00:06:39,616
[horse neighs]
105
00:06:39,660 --> 00:06:41,226
I'’VE NEVER DONE
ANY OF THIS STUFF BEFORE.
106
00:06:41,270 --> 00:06:44,969
I'’D JUST BEEN BASING IT ON,
YOU KNOW, WHAT I'’VE READ.
107
00:06:45,013 --> 00:06:46,362
[chuckles]
108
00:06:46,406 --> 00:06:47,842
I ACTUALLY THINK
THAT'’S THE POINT.
109
00:06:47,885 --> 00:06:49,496
I THINK THAT'’S WHY THEY HAVE
THIS KIND OF PROGRAM.
110
00:06:49,539 --> 00:06:51,976
I THINK THAT THEY WANT TO SHOW
111
00:06:52,020 --> 00:06:55,415
THAT, LIKE, A REAL PERSON
CAN REALLY DO IT.
112
00:06:55,458 --> 00:06:56,590
GOOD BOY.
113
00:06:56,633 --> 00:06:58,505
- I THOUGHT SHE WAS CRAZY.
114
00:06:58,548 --> 00:07:00,724
I MEAN, I REALLY DID.
I THOUGHT SHE WAS CRAZY.
115
00:07:00,768 --> 00:07:03,945
YOU UNDERSTAND
HE'’S, LIKE, REALLY WILD.
116
00:07:03,988 --> 00:07:06,600
I MEAN, LIKE, CRAZY WILD.
117
00:07:06,643 --> 00:07:08,123
SHE'’S LIKE,
"OH, THEY WON'’T BE THAT BAD."
118
00:07:08,166 --> 00:07:11,126
I'’M LIKE,
"OKAY. I DON'’T THINK SO.
119
00:07:11,169 --> 00:07:12,257
BUT OKAY."
120
00:07:12,301 --> 00:07:15,347
- GET.
[clicks teeth]
121
00:07:15,391 --> 00:07:17,132
GO.
HE WON'’T RUN.
122
00:07:17,175 --> 00:07:18,699
OH, LET'’S GO.
123
00:07:18,742 --> 00:07:20,483
- USUALLY, WHEN YOU'’RE TRAINING
YOUR FIRST HORSE,
124
00:07:20,527 --> 00:07:21,832
IT'’S A YEARLING
125
00:07:21,876 --> 00:07:24,139
THAT YOU THEN TRAINED UP
AS A TWO-YEAR-OLD,
126
00:07:24,182 --> 00:07:25,793
AND THEN YOU BREAK IT.
127
00:07:25,836 --> 00:07:27,664
AND TO START WITH A MUSTANG
128
00:07:27,708 --> 00:07:29,797
IS SORT OF LIKE STARTING OUT
YOUR SINGING CAREER
129
00:07:29,840 --> 00:07:31,538
SINGING OPERA.
130
00:07:31,581 --> 00:07:34,845
- HE'’S TRYING TO IGNORE ME.
131
00:07:34,889 --> 00:07:38,153
I'’M DOING THIS BECAUSE I THINK
IT'’S A GOOD CAUSE.
132
00:07:38,196 --> 00:07:40,285
I JUST HOPE THAT I LEARN A LOT,
133
00:07:40,329 --> 00:07:42,418
AND I WANT THE HORSE
TO GO TO A GOOD HOME.
134
00:07:45,726 --> 00:07:48,598
- WHAT ARE YOUR BIGGEST FEARS
GOING AHEAD?
135
00:07:48,642 --> 00:07:49,904
- BEING ABLE
TO GET ON THE HORSE.
136
00:07:49,947 --> 00:07:52,515
BEING ABLE TO, YOU KNOW,
CONTACT THE HORSE,
137
00:07:52,559 --> 00:07:54,256
WALK THE HORSE,
LEAD THE HORSE.
138
00:07:56,824 --> 00:08:00,436
I MIGHT COME BACK LATER
AND TRY AGAIN.
139
00:08:00,480 --> 00:08:02,003
GIVE HIM SOME TIME.
140
00:08:02,046 --> 00:08:04,527
AND THEN, COME BACK
IN THE MORNING AND TRY AGAIN.
141
00:08:04,571 --> 00:08:06,311
[horse neighs]
142
00:08:15,582 --> 00:08:18,541
[peaceful acoustic guitar]
143
00:08:18,585 --> 00:08:26,506
♪
144
00:08:27,594 --> 00:08:30,684
- [sighs]
145
00:08:30,727 --> 00:08:32,424
[squeaky kisses]
146
00:08:32,468 --> 00:08:33,643
[mumbling]
147
00:08:36,777 --> 00:08:38,605
- [squeaky kisses]
148
00:08:43,131 --> 00:08:46,090
[squeaky kisses]
149
00:08:46,134 --> 00:08:47,875
- YEAH.
150
00:08:47,918 --> 00:08:49,485
SO HE'’S STILL TRYING
TO FEEL US OUT
151
00:08:49,529 --> 00:08:51,313
AND WHAT'’S GOING ON,
152
00:08:51,356 --> 00:08:54,359
UM, '’CAUSE HIS WORLD
LITERALLY TURNED 180 DEGREES
153
00:08:54,403 --> 00:08:55,796
FROM WHERE IT WAS,
154
00:08:55,839 --> 00:08:58,755
LIKE, NOT EVEN,
YOU KNOW, 72 HOURS AGO.
155
00:09:00,583 --> 00:09:04,718
HIS WORLD'’S
BASICALLY BEEN ROCKED.
156
00:09:04,761 --> 00:09:06,894
SO HE PROBABLY DOESN'’T
LIKE PEOPLE TOO MUCH.
157
00:09:06,937 --> 00:09:07,895
[squeaky kisses]
158
00:09:11,376 --> 00:09:13,161
[squeaky kisses]
159
00:09:13,204 --> 00:09:15,032
OOH.
160
00:09:15,076 --> 00:09:17,252
[sighs]
161
00:09:17,295 --> 00:09:18,949
IT'’S ABOUT DEVELOPING
THE TRUST,
162
00:09:18,993 --> 00:09:20,821
AND RIGHT AT THE BEGINNING
WHEN YOU GET '’EM,
163
00:09:20,864 --> 00:09:22,605
AND ESPECIALLY,
THEY'’RE SO WILD,
164
00:09:22,649 --> 00:09:24,172
AND THEY'’RE GONNA BE
TEARING AROUND,
165
00:09:24,215 --> 00:09:26,043
AND IT'’S TOUGH TO GET
THAT KIND OF COMMUNICATION.
166
00:09:28,306 --> 00:09:31,048
A LOT OF IT'’S BODY LANGUAGE.
167
00:09:31,092 --> 00:09:32,397
MOVE.
168
00:09:36,532 --> 00:09:38,186
MOVE.
169
00:09:38,229 --> 00:09:39,448
WHOA.
170
00:09:41,189 --> 00:09:42,103
[squeaky kisses]
171
00:09:45,062 --> 00:09:47,674
- OOH, THERE'’S A STOP.
172
00:09:49,110 --> 00:09:50,198
GOOD BOY.
173
00:09:50,241 --> 00:09:51,547
WHOA.
174
00:09:53,375 --> 00:09:55,116
WHOA.
175
00:09:55,159 --> 00:09:57,553
THERE IT IS.
176
00:09:59,729 --> 00:10:03,646
- I HAD NO EXPERIENCE AT ALL
IN HORSE TRAINING OR...
177
00:10:03,690 --> 00:10:05,909
I HAD NO IDEA WHAT TO DO.
178
00:10:05,953 --> 00:10:08,651
NIK AND I
WOULD JUST SIT IN THE FIELD,
179
00:10:08,695 --> 00:10:11,523
AND WE'’D JUST SIT THERE
AND WATCH BODY LANGUAGE...
180
00:10:11,567 --> 00:10:12,524
- [squeaky kisses]
181
00:10:12,568 --> 00:10:14,048
- AND THEN COPY THEM.
182
00:10:14,091 --> 00:10:16,528
THAT'’S MOSTLY WHAT WE'RE GETTING
OUR EDUCATIONS FROM,
183
00:10:16,572 --> 00:10:19,140
IS FROM THE HORSE.
184
00:10:19,183 --> 00:10:23,274
LIKE, HOW WOULD A HORSE
APPROACH A SCARY OBJECT?
185
00:10:23,318 --> 00:10:25,407
AND WHAT THAT HORSE WOULD DO,
186
00:10:25,450 --> 00:10:28,410
WOULD JUST WALK BACK AND FORTH
BETWEEN THAT OBJECT
187
00:10:28,453 --> 00:10:29,759
UNTIL HE GOT COMFORTABLE
WITH IT
188
00:10:29,803 --> 00:10:31,718
AND APPROACH IT.
189
00:10:52,652 --> 00:10:54,349
[quietly]
GOT TO TRUST ME.
190
00:10:54,392 --> 00:10:56,699
I TRUST YOU.
191
00:11:01,225 --> 00:11:03,663
THANK YOU.
192
00:11:03,706 --> 00:11:06,970
FIRST ACTUAL SCRATCH.
193
00:11:07,014 --> 00:11:09,190
HE'’S SHOWING HIS BRAVERY.
194
00:11:09,233 --> 00:11:10,582
HE'’S SHOWING HIS COURAGE.
195
00:11:10,626 --> 00:11:12,323
HE'’S SHOWING HIMSELF.
196
00:11:12,367 --> 00:11:13,324
THAT'’S WHAT I LIKE TO SEE.
197
00:11:13,368 --> 00:11:14,108
HE'’S NOT HIDING ANYTHING.
198
00:11:20,941 --> 00:11:23,378
[horse chuffing]
199
00:11:30,298 --> 00:11:34,432
I'’M SHOCKED AT HOW FAST
I AM GETTING CLOSE TO HIM.
200
00:11:40,134 --> 00:11:40,961
HI.
201
00:12:00,023 --> 00:12:02,852
THERE YA GO.
202
00:12:04,332 --> 00:12:05,768
[horse chuffing]
203
00:12:08,336 --> 00:12:11,252
[birds chirping]
204
00:12:15,473 --> 00:12:18,172
[relaxed acoustic guitar]
205
00:12:18,215 --> 00:12:23,960
♪
206
00:12:25,483 --> 00:12:31,054
- DON'’T EVER SAY
YOU TRUST ONE OF THESE HORSES
207
00:12:31,098 --> 00:12:34,841
UNTIL THE DAY
YOU REALLY TRUST THEM.
208
00:12:34,884 --> 00:12:37,495
[gate squeaks loudly]
209
00:12:37,539 --> 00:12:38,975
RIGHT, COMANCHE?
210
00:12:41,325 --> 00:12:43,240
COME HERE, BUDDY.
211
00:12:43,284 --> 00:12:46,069
COME ON.
212
00:12:46,113 --> 00:12:48,463
SETTLE DOWN.
213
00:12:48,506 --> 00:12:51,509
WHEN I FIRST BROUGHT HIM IN
SATURDAY NIGHT,
214
00:12:51,553 --> 00:12:53,816
AND I REALLY SAID
THAT HE'’S THE KIND OF HORSE
215
00:12:53,860 --> 00:12:55,600
THAT WILL CHALLENGE YOU.
216
00:12:55,644 --> 00:12:57,777
SO MONDAY MORNING,
217
00:12:57,820 --> 00:12:59,343
I WENT OUT THERE
EARLY IN THE MORNING,
218
00:12:59,387 --> 00:13:03,870
AND I STARTED
TO FIGURING HIM OUT.
219
00:13:03,913 --> 00:13:06,176
THAT'’S WHEN HE CHARGED ME.
220
00:13:06,220 --> 00:13:07,787
[horse neighs]
221
00:13:07,830 --> 00:13:10,050
- IT'’S BEEN A LONG TIME
SINCE I'’VE SEEN A HORSE DO THAT.
222
00:13:10,093 --> 00:13:11,268
[horse chuffing]
223
00:13:11,312 --> 00:13:12,704
HE'’S LIKE--
224
00:13:12,748 --> 00:13:15,838
DOESN'’T WANT TO BE
CLOSE TO HUMANS OR SOMETHING.
225
00:13:24,760 --> 00:13:26,893
- WOULD YOU GO ANYWHERE NEAR
CHARLES'’ HORSE?
226
00:13:26,936 --> 00:13:30,984
- NOT IN A MILLION YEARS.
227
00:13:34,074 --> 00:13:35,379
[gate clanging]
228
00:13:42,647 --> 00:13:47,000
- HE'’S STILL ON THE JUMPY SIDE.
229
00:13:47,043 --> 00:13:51,221
BUT AFTER
HE GETS HIMSELF QUIET,
230
00:13:51,265 --> 00:13:52,919
THEN HE'’S GONNA BE
MY BEST FRIEND.
231
00:13:56,531 --> 00:13:58,272
HE'’S GOT HIS TERRITORY.
I'’VE GOT MY TERRITORY.
232
00:13:58,315 --> 00:14:00,143
SO IN SOME WAY,
233
00:14:00,187 --> 00:14:02,276
HE'’S GONNA INVITE ME
INTO HIS TERRITORY.
234
00:14:02,319 --> 00:14:03,668
THAT'’S THE TIME
WHEN I'’M GONNA SAY,
235
00:14:03,712 --> 00:14:05,018
"OKAY, HE'’S TRUSTING ME."
236
00:14:13,200 --> 00:14:17,508
I WAS RAISED AROUND HERE.
237
00:14:17,552 --> 00:14:19,684
WHEN I WAS GROWING UP,
238
00:14:19,728 --> 00:14:23,906
I DIDN'’T HAVE ANY SIBLINGS
THAT WERE THE SAME AGE AS ME.
239
00:14:23,950 --> 00:14:29,390
AND MY MOM HAD SOME SHEEP,
COWS, AND HORSES.
240
00:14:29,433 --> 00:14:33,568
EVERY MORNING, SHE TOLD ME
TO GO GET THE HORSES.
241
00:14:33,611 --> 00:14:37,702
SO I STARTED
COMMUNICATING WITH HORSES.
242
00:14:40,270 --> 00:14:42,533
WHEN I WAS YOUNG,
IT WAS DIFFERENT.
243
00:14:42,577 --> 00:14:44,709
IT DON'’T MATTER
HOW OLD IT IS,
244
00:14:44,753 --> 00:14:45,928
HOW FAST IT IS;
245
00:14:45,972 --> 00:14:48,061
I COULD GET ON ANYTHING.
246
00:14:51,760 --> 00:14:54,937
THIS COMPETITION MEANS
A WHOLE LOT OF THINGS TO ME.
247
00:14:54,981 --> 00:14:56,591
I WANT TO CHALLENGE MYSELF,
248
00:14:56,634 --> 00:14:59,420
AND I WANT TO SHOW MYSELF
249
00:14:59,463 --> 00:15:03,337
THAT I AM STILL CAPABLE
OF DOING.
250
00:15:03,380 --> 00:15:05,774
EVEN THOUGH
I'’M ACHING HERE AND THERE,
251
00:15:05,817 --> 00:15:07,950
BUT I'’M STILL YOUNG AT HEART.
252
00:15:07,994 --> 00:15:10,910
HE'’S GONNA TURN OUT
PRETTY GOOD.
253
00:15:12,737 --> 00:15:14,348
THAT'’S IF I CAN GET ON.
254
00:15:14,391 --> 00:15:18,178
[laughs]
255
00:15:18,221 --> 00:15:20,615
THAT'’S IF HE CAN LET ME
GET ON.
256
00:15:20,658 --> 00:15:23,357
[bright acoustic guitar]
257
00:15:23,400 --> 00:15:31,321
♪
258
00:15:40,026 --> 00:15:43,551
- OUT THERE,
IF THEY SAY "INDIAN,"
259
00:15:43,594 --> 00:15:46,380
THEY THINK
WE'’RE STILL ON BUCKSKINS.
260
00:15:46,423 --> 00:15:51,472
WE'’RE STILL WALKING AROUND
OUT THERE IN THE WILD.
261
00:15:51,515 --> 00:15:53,387
BASICALLY,
WE'’RE LIVING THE SAME LIFE,
262
00:15:53,430 --> 00:15:54,954
BUT WE'’RE JUST
ON THE RESERVATION,
263
00:15:54,997 --> 00:15:56,129
THAT'’S ALL.
264
00:15:57,869 --> 00:15:59,871
IT'’S JUST A CHALLENGE, I THINK.
265
00:15:59,915 --> 00:16:02,222
THAT'’S MAINLY JUST TO SHOW
266
00:16:02,265 --> 00:16:05,094
THAT I'’M COMING
FROM THE RESERVATION,
267
00:16:05,138 --> 00:16:10,752
AND I CAN DO THE SAME AMOUNT
OF THINGS ANYBODY CAN DO.
268
00:16:10,795 --> 00:16:14,016
SO I JUST WANT
TO SHOW THAT TO THIS HORSEY.
269
00:16:14,060 --> 00:16:15,757
IT'’S ALL I WANT TO DO.
270
00:16:20,240 --> 00:16:23,025
THE HARDEST PART
IS GETTING THEM TO TRUST YOU,
271
00:16:23,069 --> 00:16:25,201
GETTING THEM TO BE YOUR FRIEND.
272
00:16:29,118 --> 00:16:31,816
IF I RELAX,
THE HORSE WILL RELAX.
273
00:16:31,860 --> 00:16:35,342
IF YOU THINK
YOU'’RE GONNA MUSCLE A MUSTANG
274
00:16:35,385 --> 00:16:38,475
AND GO IN THERE
AND BE ALL MACHO TO IT,
275
00:16:38,519 --> 00:16:40,129
IT'’S GONNA DO THE SAME THING
BACK TO YOU.
276
00:16:46,353 --> 00:16:49,573
[peaceful instrumental music]
277
00:16:49,617 --> 00:16:51,967
- OKAY, CLOSE IT.
278
00:16:54,709 --> 00:16:57,190
- IF YOU NOTICE, THE LITTLE ONE
HIDES BEHIND THE BIG'’UN.
279
00:16:57,233 --> 00:16:59,105
[chuckles]
280
00:16:59,148 --> 00:17:01,716
- THE MUSTANG MAKEOVER
COMPETITION IS...
281
00:17:01,759 --> 00:17:06,329
I GUESS IT BRINGS OUT
THE COMPETITIVE SPIRIT IN US.
282
00:17:06,373 --> 00:17:09,071
WE WANT TO COMPETE,
AND WE WANT TO WIN.
283
00:17:09,115 --> 00:17:10,942
I'’M GETTING OLDER.
284
00:17:10,986 --> 00:17:13,075
I KNOW I'’VE GOT A LIMITED
NUMBER OF YEARS TO DO THIS.
285
00:17:13,119 --> 00:17:16,600
SO I WANT THIS
TO BE A GOOD ONE.
286
00:17:18,907 --> 00:17:22,824
- WHOA.
IT'’S OKAY. YOU'RE ALL RIGHT.
287
00:17:22,867 --> 00:17:25,566
- I'’M GETTING HIM TO MOVE
THE WAY I WANT HIM TO MOVE,
288
00:17:25,609 --> 00:17:28,264
RATHER THAN THE WAY
HE WANTS TO MOVE.
289
00:17:28,308 --> 00:17:32,399
I MAKE HIM GO DIRECTIONS I PICK,
NOT WHAT HE PICKS.
290
00:17:32,442 --> 00:17:33,095
WHOA.
291
00:17:34,836 --> 00:17:36,881
WHOA.
WHOA.
292
00:17:40,320 --> 00:17:41,625
WE'’RE A LITTLE OLDER
THAN MOST PEOPLE
293
00:17:41,669 --> 00:17:42,931
THAT ARE TRYING TO DO THIS.
294
00:17:42,974 --> 00:17:46,326
AND, UM,
WE REALIZE THAT--
295
00:17:46,369 --> 00:17:48,110
THAT WE DON'’T HAVE
THE SAME BALANCE
296
00:17:48,154 --> 00:17:50,504
AND THE SAME RES--RESPONSES
297
00:17:50,547 --> 00:17:53,507
AND REACTIONS
THAT WE HAD THAT--
298
00:17:53,550 --> 00:17:54,725
SO WE HAVE TO MAKE UP FOR IT
299
00:17:54,769 --> 00:17:57,250
BY BEING CAREFUL
AND USING A LITTLE WISDOM.
300
00:17:57,293 --> 00:17:58,338
COME ON, BIG GUY.
LET'’S GO.
301
00:17:58,381 --> 00:18:00,122
THERE WE GO.
302
00:18:00,166 --> 00:18:01,167
OKAY, GET OVER.
303
00:18:01,210 --> 00:18:03,125
HUP! HUP! HUT!
304
00:18:03,169 --> 00:18:05,040
WE MIGHT OUGHT TO GO OUT
FOR A MINUTE.
305
00:18:06,520 --> 00:18:08,087
- SO THE SMALLER ONE'’S
SPOOKIER.
306
00:18:08,130 --> 00:18:10,001
HE'’S A LITTLE MORE UNSURE.
307
00:18:10,045 --> 00:18:12,265
AND I THINK HE'’S GOT MORE FEAR
THAN THE BLACK ONE.
308
00:18:16,051 --> 00:18:18,445
[gate rattling loudly]
OH.
309
00:18:18,488 --> 00:18:19,881
BACK OFF.
- BETTER TAKE--
310
00:18:19,924 --> 00:18:21,535
TAKE PRESSURE OFF OF HIM.
311
00:18:24,277 --> 00:18:25,887
HE'’S GONNA GO THROUGH IT.
312
00:18:25,930 --> 00:18:28,585
[gate clinking]
313
00:18:36,550 --> 00:18:38,900
HE'’S A LOT WILDER.
314
00:18:40,815 --> 00:18:43,948
I THINK THE LITTLE GUY
IS GONNA BE QUITE A CHALLENGE,
315
00:18:43,992 --> 00:18:47,213
MORE SO
THAN I ORIGINALLY THOUGHT.
316
00:18:47,256 --> 00:18:49,737
WAYLON IS GONNA HAVE TO HAVE
317
00:18:49,780 --> 00:18:53,132
A LOT MORE JUST "SIT THERE
AND TALK TO HIM" TIME
318
00:18:53,175 --> 00:18:55,612
BEFORE WE START CHASING HIM
AROUND IN THE ROUND PEN,
319
00:18:55,656 --> 00:18:57,527
'’CAUSE HE'S JUST
TOO APPREHENSIVE RIGHT NOW.
320
00:18:57,571 --> 00:18:59,660
HE'’LL HURT HIMSELF OR ME,
ONE OF THE TWO.
321
00:19:01,575 --> 00:19:04,186
HE'’LL FIND OUT
THAT WHEN HE'’S TOUCHED,
322
00:19:04,230 --> 00:19:06,188
IT'’S A GOOD THING,
NOT A BAD THING.
323
00:19:06,232 --> 00:19:08,930
BUT YOU GOT TO GET
TO THAT POINT.
324
00:19:08,973 --> 00:19:10,497
AND THAT'’S WHERE PATIENCE
COMES IN,
325
00:19:10,540 --> 00:19:12,325
WHICH I'’M NOT
OVERLY LOADED WITH.
326
00:19:12,368 --> 00:19:16,590
AND SO I'’LL COUNT ON EVELYN
TO HELP ME WITH THAT PART.
327
00:19:16,633 --> 00:19:19,593
[bright acoustic guitar]
328
00:19:19,636 --> 00:19:26,643
♪
329
00:19:26,687 --> 00:19:28,167
- SMALL CIRCLES.
330
00:19:32,606 --> 00:19:34,564
NOW WANT TO STOP.
331
00:19:34,608 --> 00:19:36,044
FACE TO ME.
332
00:19:37,350 --> 00:19:38,481
LET'’S SEE IF I CAN GET ON.
333
00:19:42,833 --> 00:19:44,922
[hisses]
334
00:19:44,966 --> 00:19:46,837
HE TRIED TO BITE ME.
335
00:19:46,881 --> 00:19:49,405
I'’M GOING TO BEND HIS NECK
TO THE OTHER SIDE
336
00:19:49,449 --> 00:19:51,146
AND HOLD HIM.
337
00:19:51,190 --> 00:19:54,236
NOW I CAN JUMP.
338
00:19:54,280 --> 00:19:55,716
TRY TO GET ON--
339
00:20:00,764 --> 00:20:02,940
I TRY AND PAT HIS...
340
00:20:05,769 --> 00:20:07,293
HIS FRONT.
341
00:20:07,336 --> 00:20:12,385
I ENJOY
WHAT I DO WITH HORSES.
342
00:20:12,428 --> 00:20:16,258
AND MOM SAY,
343
00:20:16,302 --> 00:20:21,132
"DO YOU BREATHE IN HORSES
AND DREAM IN HORSES?"
344
00:20:21,176 --> 00:20:24,919
AND IT'’S THE WAY I AM.
345
00:20:24,962 --> 00:20:27,922
TEACH HIM SLOW.
346
00:20:27,965 --> 00:20:30,011
HAVE TO BE VERY SENSITIVE
WITH YOUR HANDS,
347
00:20:30,054 --> 00:20:32,274
NOT GET TOO HARD.
348
00:20:32,318 --> 00:20:34,711
IF HE FOLLOW ME.
349
00:20:34,755 --> 00:20:38,019
SEE, RIGHT THERE,
HE DID A NICE TURN.
350
00:20:38,062 --> 00:20:40,500
[horse chuffing]
351
00:20:40,543 --> 00:20:42,719
PEOPLE DON'’T UNDERSTAND
352
00:20:42,763 --> 00:20:46,636
HOW HARD IT IS
TO WORK THESE HORSES.
353
00:20:46,680 --> 00:20:49,378
IN THREE MONTHS,
YOU HAVE TO DO A LOT.
354
00:20:49,422 --> 00:20:52,251
IT TAKES SOME TIME.
355
00:20:52,294 --> 00:20:54,253
THERE.
THAT'’S COMING.
356
00:20:54,296 --> 00:20:55,297
AND RELEASE IT.
357
00:20:57,821 --> 00:21:01,390
HE WILL UNDERSTAND IN A MINUTE
WHAT I WANT--LOOKING FOR.
358
00:21:01,434 --> 00:21:03,262
NOW, I WANT TO TURN HIM.
359
00:21:07,004 --> 00:21:09,050
STOP.
360
00:21:10,269 --> 00:21:11,400
- I WILL SAY IT.
361
00:21:11,444 --> 00:21:13,228
EVERYBODY HAS A GIFT,
362
00:21:13,272 --> 00:21:17,058
BUT HIS GIFT,
WORKING WITH HORSES,
363
00:21:17,101 --> 00:21:19,626
I THINK THAT'’S GREAT.
364
00:21:19,669 --> 00:21:24,065
IT'’S HARD TO FIND PEOPLE
WITH THE KIND OF SKILLS
365
00:21:24,108 --> 00:21:30,332
TO GO FROM TOTALLY WILD HORSE
TO MAKE A SUBMISSIVE HORSE.
366
00:21:30,376 --> 00:21:32,813
IT'’S HARD,
BUT IT'’S NOT IMPOSSIBLE.
367
00:21:32,856 --> 00:21:35,294
AND THE KEY?
PATIENCE.
368
00:21:38,166 --> 00:21:39,385
- THIS IS GOOD FOR TODAY.
369
00:21:43,998 --> 00:21:48,481
BUT I THINK, YOU KNOW,
HE'’S DOING GOOD.
370
00:21:48,524 --> 00:21:51,614
[horse chuffing]
371
00:21:51,658 --> 00:21:54,008
IT'’S SOMETHING
YOU NEED TO UNDERSTAND.
372
00:21:54,051 --> 00:21:55,531
IT'’S LIKE A GIFT,
373
00:21:55,575 --> 00:21:57,925
YOUR GIFT FROM GOD.
374
00:22:00,231 --> 00:22:03,365
HE'’S A SMART HORSE.
375
00:22:03,409 --> 00:22:06,237
WE DOING GOOD.
WE DOING...
376
00:22:06,281 --> 00:22:08,762
I'’M HAPPY
BECAUSE HE RESPONDS TO ME.
377
00:22:08,805 --> 00:22:13,114
AND I WANT TO SEE HIM HAPPY TOO.
378
00:22:18,554 --> 00:22:21,514
[bright acoustic guitar]
379
00:22:21,557 --> 00:22:23,820
♪
380
00:22:23,864 --> 00:22:25,561
[horse whinnies]
381
00:22:30,653 --> 00:22:32,525
- WELL, I'’VE ALWAYS KNOWN
SINCE I WAS A LITTLE GIRL
382
00:22:32,568 --> 00:22:34,875
THAT I WAS ALWAYS DESTINED
FOR SOMETHING GREAT.
383
00:22:34,918 --> 00:22:37,051
I DIDN'’T KNOW WHAT OR WHY.
384
00:22:37,094 --> 00:22:39,923
I JUST ALWAYS HAD
THIS INNER FEELING LIKE,
385
00:22:39,967 --> 00:22:42,273
"YOU KNOW WHAT?
I'’M GONNA BE SOMETHING AMAZING."
386
00:22:44,624 --> 00:22:46,495
WHOA.
[squeals]
387
00:22:46,539 --> 00:22:47,627
I'’VE ALWAYS SAID,
388
00:22:47,670 --> 00:22:51,413
"I'’M A DAREDEVIL
WITH A BIG SMILE."
389
00:22:51,457 --> 00:22:53,981
ANYTIME I WOULD DO ANYTHING
AS A KID,
390
00:22:54,024 --> 00:22:56,897
IT WAS NEVER HARD ENOUGH
FOR ME.
391
00:22:56,940 --> 00:22:59,116
YOU KNOW, I WAS ALWAYS
THAT EVEL KNIEVEL,
392
00:22:59,160 --> 00:23:00,553
"I'’M NOT SCARED."
393
00:23:02,642 --> 00:23:05,296
[rooster crowing]
394
00:23:05,340 --> 00:23:07,298
I PICKED HIM UP ON SATURDAY.
395
00:23:07,342 --> 00:23:09,213
AND THEN MONDAY MORNING,
I RODE HIM.
396
00:23:11,433 --> 00:23:13,696
AND THEN BY THE THIRD RIDE,
397
00:23:13,740 --> 00:23:16,612
WE WERE RIDING DOWN THE ROAD
IN A RESIDENTIAL AREA.
398
00:23:16,656 --> 00:23:19,354
WE WALKED THROUGH
THE TACO BELL DRIVE-THROUGH,
399
00:23:19,398 --> 00:23:20,486
CROSSING CROSSWALKS.
400
00:23:20,529 --> 00:23:22,270
AND HE JUST...
♪ DOO-DEE
401
00:23:22,313 --> 00:23:25,926
I MEAN, HE'’S JUST MELLOW...
402
00:23:25,969 --> 00:23:27,754
CONSIDERING HE'’S A MUSTANG.
403
00:23:27,797 --> 00:23:28,842
YOU KNOW,
"OOH, HE'’S A MUSTANG.
404
00:23:28,885 --> 00:23:30,583
"THAT MEANS HE'’S WILD,
405
00:23:30,626 --> 00:23:31,932
"AND HE REARS UP
ON HIS HIND LEGS,
406
00:23:31,975 --> 00:23:33,890
AND HE EATS CHILDREN
FOR BREAKFAST."
407
00:23:33,934 --> 00:23:36,110
BUT HE'’S NOT.
HE'’S JUST QUIET AND GENTLE.
408
00:23:36,153 --> 00:23:37,677
YOU KNOW?
[chuckles]
409
00:23:40,027 --> 00:23:41,332
OKAY, HOLD ON.
410
00:23:43,770 --> 00:23:45,467
WELL, HEY, HOLD ON.
YOU'’RE GONNA FREAK OUT.
411
00:23:47,643 --> 00:23:50,603
[delicate instrumental music]
412
00:23:50,646 --> 00:23:58,437
♪
413
00:23:58,480 --> 00:23:59,655
[laughs]
414
00:23:59,699 --> 00:24:01,701
AGH, THAT WASN'’T GOOD.
415
00:24:07,533 --> 00:24:08,751
[squeals]
416
00:24:08,795 --> 00:24:10,449
IT WAS PERFECT.
417
00:24:16,803 --> 00:24:18,500
IF YOU RUN,
IT'’S JUST GONNA FOLLOW YOU.
418
00:24:18,544 --> 00:24:19,980
SO YOU HAVE TO...
419
00:24:30,599 --> 00:24:32,993
MY SIGNATURE THING
THAT I'’M KNOWN FOR
420
00:24:33,036 --> 00:24:35,691
IS STANDING UP ON A HORSE
421
00:24:35,735 --> 00:24:37,519
AND STEPPING OFF OF A HORSE
422
00:24:37,563 --> 00:24:38,738
WHEN A HORSE
IS MOVING FULL-SPEED.
423
00:24:38,781 --> 00:24:40,304
I LIKE TO DO THAT.
424
00:24:40,348 --> 00:24:42,045
I ALSO LIKE TO SWING UP
ON HORSES.
425
00:24:42,089 --> 00:24:43,264
A LOT OF PEOPLE DON'’T SWING UP
ON HORSES,
426
00:24:43,307 --> 00:24:44,352
ESPECIALLY A WOMAN.
427
00:24:44,395 --> 00:24:46,006
MOST GIRLS DON'’T.
428
00:24:46,049 --> 00:24:50,576
UM, I LIKE TO DO ANYTHING
THAT MAKES YOU GO, "WOW.
429
00:24:50,619 --> 00:24:52,055
HOW DID YOU TEACH THAT HORSE
TO DO THAT?"
430
00:24:52,099 --> 00:24:54,623
LIKE THE
TOUCH-ON-THE-NECK STOP.
431
00:24:54,667 --> 00:24:56,625
REALLY, WHAT IT COMES DOWN TO
AND WHAT I'’VE LEARNED
432
00:24:56,669 --> 00:25:00,020
DOING ALL OF THESE COMPETITIONS
WITH THE MUSTANG MAKEOVERS IS,
433
00:25:00,063 --> 00:25:01,500
IT'’S ALWAYS BEEN
ABOUT THE HORSE
434
00:25:01,543 --> 00:25:02,979
AND THAT WE ALL JUST WANT
435
00:25:03,023 --> 00:25:05,634
TO HELP THESE HORSES
GET GREAT HOMES.
436
00:25:05,678 --> 00:25:08,637
[sentimental string music]
437
00:25:08,681 --> 00:25:16,602
♪
438
00:25:21,432 --> 00:25:29,353
♪
439
00:25:31,225 --> 00:25:33,967
- COME HERE.
440
00:25:34,010 --> 00:25:35,142
- YEAH.
441
00:25:35,185 --> 00:25:36,752
- I'’M JUST GONNA
PET YOUR FACE.
442
00:25:36,796 --> 00:25:38,188
I JUST WANT TO TOUCH
YOUR FACE.
443
00:25:38,232 --> 00:25:39,320
IT'’S OKAY.
444
00:25:41,975 --> 00:25:43,585
- I ALWAYS SAY,
445
00:25:43,629 --> 00:25:45,674
"NEVER FALL IN LOVE
WITH A HORSE,"
446
00:25:45,718 --> 00:25:49,983
BUT I THINK I'’M GONNA
FALL IN LOVE WITH THIS HORSE.
447
00:25:51,898 --> 00:25:54,857
[peaceful acoustic guitar]
448
00:25:54,901 --> 00:26:01,081
♪
449
00:26:01,124 --> 00:26:02,909
- I USUALLY
AM PRETTY CAREFUL ABOUT
450
00:26:02,952 --> 00:26:06,303
TALKING ABOUT WHAT I DO
AND THE LEVEL OF MY EDUCATION.
451
00:26:06,347 --> 00:26:08,784
AND THEN, OF COURSE,
THIS ONLY CAN OCCUR
452
00:26:08,828 --> 00:26:10,438
WHEN THINGS ARE
AT EQUILIBRIUM.
453
00:26:10,481 --> 00:26:12,222
SO KEEP THAT IN MIND TOO.
454
00:26:12,266 --> 00:26:15,486
I THINK, WHEN YOU THINK--
YOU HEAR PhD ENGINEER,
455
00:26:15,530 --> 00:26:18,664
YOU HAVE A CERTAIN STEREOTYPE
IN YOUR MIND.
456
00:26:18,707 --> 00:26:22,058
AND I DON'’T THINK I FIT
THAT STEREOTYPE VERY WELL.
457
00:26:22,102 --> 00:26:25,322
BUT MY PhD
IS IN BIOMEDICAL ENGINEERING,
458
00:26:25,366 --> 00:26:28,891
AND MY BACHELOR'’S OF SCIENCE IS
ALSO IN BIOMEDICAL ENGINEERING.
459
00:26:28,935 --> 00:26:30,676
SO WE'’VE LIMITED
OUR NUMBER OF VARIABLES
460
00:26:30,719 --> 00:26:33,809
TO JUST A FRACTION.
461
00:26:33,853 --> 00:26:35,637
AND THEN I HAVE
A COURSEWORK MASTERS,
462
00:26:35,681 --> 00:26:37,639
WHICH IS
LIKE A MASTER'’S OF SCIENCE
463
00:26:37,683 --> 00:26:39,641
IN JUST GENERAL ENGINEERING.
464
00:26:39,685 --> 00:26:42,644
AND THE DYNAMIC
BETWEEN MY DAY AND MY EVENING
465
00:26:42,688 --> 00:26:46,256
IS JUST--
IT'’S LIKE TWO DIFFERENT WORLDS.
466
00:26:46,300 --> 00:26:48,345
- HE'’S TRYING TO TAKE ADVANTAGE
OF YOU.
467
00:26:48,389 --> 00:26:49,608
[horse chuffing]
468
00:26:49,651 --> 00:26:53,002
HE'’S NOT WATCHING YOU AT ALL.
469
00:26:53,046 --> 00:26:56,745
- THE HORSE
IS NOWHERE NEAR LEADABLE YET.
470
00:26:56,789 --> 00:26:59,443
HE'’S STILL WILD, FOR SURE.
471
00:26:59,487 --> 00:27:01,576
HE'’S STILL A WILD ANIMAL.
472
00:27:01,620 --> 00:27:03,012
- SHE'’S A PERFECTIONIST.
473
00:27:03,056 --> 00:27:04,492
MOST ACADEMICS ARE.
474
00:27:04,535 --> 00:27:07,103
- WELL, MOST ENGINEERS ARE.
- MOST ENGINEERS ARE.
475
00:27:07,147 --> 00:27:10,716
- WELL, SHE'’S USED TO
ALWAYS GETTING WHAT SHE WANTS.
476
00:27:10,759 --> 00:27:11,717
I MEAN--
- AND BEING PERFECT.
477
00:27:11,760 --> 00:27:12,718
AND BEING GOOD AT IT.
478
00:27:18,114 --> 00:27:20,073
- KEEP GOING.
JUST BE PATIENT.
479
00:27:20,116 --> 00:27:22,858
HE'’S TRYING TO FIGURE OUT
WHAT YOU WANT.
480
00:27:22,902 --> 00:27:25,034
KEEP GOING.
481
00:27:25,078 --> 00:27:27,558
IT'’S OKAY, JUST--
EASY, EASY, GIRL.
482
00:27:27,602 --> 00:27:29,604
- WOW.
483
00:27:29,648 --> 00:27:30,605
I'’M NOT LIKING THIS.
484
00:27:30,649 --> 00:27:31,998
- [laughs]
I KNOW.
485
00:27:32,041 --> 00:27:34,435
HE'’S JUST BEING AGGRESSIVE.
486
00:27:34,478 --> 00:27:35,958
- HE'’S JUST A LITTLE
MORE AGGRESSIVE
487
00:27:36,002 --> 00:27:38,308
THAN I WAS HOPING FOR.
488
00:27:46,142 --> 00:27:48,623
- IF SHE LISTENS TO CAREEN,
489
00:27:48,667 --> 00:27:52,627
IF SHE JUST--
IF SHE JUST KIND OF...
490
00:27:52,671 --> 00:27:53,367
- IS SHE GONNA DO THAT?
491
00:27:53,410 --> 00:27:54,673
- I DON'’T KNOW.
492
00:27:59,329 --> 00:28:00,461
[horse chuffing]
493
00:28:05,031 --> 00:28:06,728
- HI.
494
00:28:06,772 --> 00:28:10,427
HI.
495
00:28:10,471 --> 00:28:13,387
[murmuring]
496
00:28:15,519 --> 00:28:17,086
A LOT OF NOISE.
497
00:28:19,523 --> 00:28:21,874
- I THINK THAT--
I THINK IT'’LL BE--
498
00:28:21,917 --> 00:28:26,835
I THINK THAT--I THINK...
499
00:28:26,879 --> 00:28:28,489
IF SHE AT LEAST
LISTENS TO CAREEN
500
00:28:28,532 --> 00:28:29,577
AND WHAT SHE HAS TO SAY,
501
00:28:29,620 --> 00:28:30,926
I THINK THAT
THEY'’LL BE ABLE TO
502
00:28:30,970 --> 00:28:32,885
COME OUT OF IT IN ONE PIECE.
503
00:28:35,017 --> 00:28:36,758
- I DON'’T KNOW.
I MEAN, WHAT ELSE CAN YOU DO?
504
00:28:36,802 --> 00:28:38,325
IT'’S JUST FRUSTRATING.
505
00:28:38,368 --> 00:28:39,979
IT MAKES, YOU KNOW--
506
00:28:40,022 --> 00:28:42,546
MAYBE SOMEBODY MORE EXPERIENCED
BELONGS WITH A HORSE LIKE THIS.
507
00:28:46,768 --> 00:28:48,770
[horse whinnies]
508
00:28:48,814 --> 00:28:51,860
- IT'’S THE WAY, YOU KNOW,
YOU HAVE TO WORK ON.
509
00:28:51,904 --> 00:28:53,819
YOU HAVE TO JUST
TAKE YOUR TIME,
510
00:28:53,862 --> 00:28:58,127
AND YOU READ, FIRST,
THE PERSONALITY.
511
00:28:58,171 --> 00:28:59,433
I WANT TO STOP HIM.
512
00:28:59,476 --> 00:29:00,608
[whip cracks]
[horse whinnies]
513
00:29:00,651 --> 00:29:01,914
THERE.
514
00:29:04,090 --> 00:29:08,355
GOING TO WORK WITH HIS FEET.
515
00:29:08,398 --> 00:29:11,880
LIKE NOW...NOW.
516
00:29:11,924 --> 00:29:14,230
ONCE AND STOP.
517
00:29:14,274 --> 00:29:18,626
IT'’S LIKE IF YOU'RE
GOING TO BALLET,
518
00:29:18,669 --> 00:29:22,064
YOU NEED TO LEARN SLOW,
IN STEPS.
519
00:29:22,108 --> 00:29:27,374
AND SOON DO YOU KNOW HOW
TO MANEUVER, CONTROL YOUR FEET,
520
00:29:27,417 --> 00:29:31,247
YOU CAN BUILD YOUR SPEED.
521
00:29:31,291 --> 00:29:34,947
IT'’S ALMOST THE SAME THING
WITH HORSES.
522
00:29:38,124 --> 00:29:41,083
SO I DON'’T WANT TO MAKE
MY HORSE SAD,
523
00:29:41,127 --> 00:29:45,000
BUT I HAVE TO MAKE
HE TO LEARN THIS.
524
00:29:46,915 --> 00:29:49,309
I'’M NOT FORCING THE HORSE.
I'’M JUST TEACHING HIM.
525
00:29:49,352 --> 00:29:50,832
BE CALM.
526
00:29:59,580 --> 00:30:02,278
[delicate instrumental music]
527
00:30:02,322 --> 00:30:08,067
♪
528
00:30:08,110 --> 00:30:09,808
I'’M GOING TO HELP HIM
TO MAKE HIM LAY DOWN.
529
00:30:19,600 --> 00:30:21,689
BE GOOD. BE GOOD.
530
00:30:21,732 --> 00:30:23,865
BE GOOD.
531
00:30:23,909 --> 00:30:24,953
- HE'’S SPECIAL FOR US.
532
00:30:24,997 --> 00:30:26,389
HE'’S A GOOD-LOOKING HORSE
533
00:30:26,433 --> 00:30:29,088
AND VERY SMART.
534
00:30:29,131 --> 00:30:30,916
AND ALL--PRETTY MUCH ALL
OUR BROTHERS,
535
00:30:30,959 --> 00:30:32,091
WE'’RE COMPADRES.
536
00:30:32,134 --> 00:30:35,529
SO COMPADRES IS A MEAN, LIKE,
A GOD...
537
00:30:35,572 --> 00:30:37,096
- GOD FRIENDS.
- GOD FRIENDS.
538
00:30:37,139 --> 00:30:41,622
- THERE AGAIN.
- NAME HIM COMPADRE.
539
00:30:41,665 --> 00:30:44,451
- CAN SIT A LITTLE BIT.
540
00:30:48,150 --> 00:30:50,022
- ANOTHER COMPADRE
IN THE FAMILIA.
541
00:30:50,065 --> 00:30:53,025
- ONE MORE COMPADRE.
YES.
542
00:30:53,068 --> 00:30:54,591
[laughs]
543
00:30:55,810 --> 00:30:58,769
[passionate acoustic guitar]
544
00:30:58,813 --> 00:30:59,770
♪
545
00:30:59,814 --> 00:31:02,599
[horse neighs]
546
00:31:02,643 --> 00:31:07,039
- I GREW UP IN MEXICO.
547
00:31:07,082 --> 00:31:11,608
AND WE DID A LOT OF FARMWORK.
548
00:31:11,652 --> 00:31:13,567
BUT MOST OF THE TIME,
IT'’S RANCH WORK.
549
00:31:13,610 --> 00:31:15,090
GOOD, GOOD.
550
00:31:15,134 --> 00:31:18,224
I'’M SO GLAD, YOU KNOW,
I GROWN UP IN THE RANCH.
551
00:31:19,573 --> 00:31:20,835
GO NOW.
EASY. COME.
552
00:31:20,879 --> 00:31:24,665
YOU LEARN, UH, GOOD THINGS,
AND...
553
00:31:24,708 --> 00:31:27,886
I REALLY HAVE IN MY HEART.
554
00:31:27,929 --> 00:31:29,713
NO, RUN, JUAN.
NO RUN.
555
00:31:29,757 --> 00:31:31,019
IN THE SLOW MOTION.
556
00:31:31,063 --> 00:31:32,064
WHOA.
557
00:31:39,158 --> 00:31:41,943
IF YOU RUN,
HE ALWAYS GOING TO RUN, OKAY?
558
00:31:41,987 --> 00:31:44,511
- OKAY.
559
00:31:44,554 --> 00:31:47,644
- THAT IS WHY WE HAVE BEEN
WORKING SO HARD TO--
560
00:31:47,688 --> 00:31:50,343
TO HAVE A LITTLE BIT
OF MY DREAM
561
00:31:50,386 --> 00:31:53,302
IN WHERE I LIVE RIGHT NOW.
562
00:31:58,394 --> 00:32:01,920
IN 2001, WE STARTED, UH,
OUR COMPANY.
563
00:32:01,963 --> 00:32:04,574
SO WE STARTED
WITH ME AND MY BROTHER,
564
00:32:04,618 --> 00:32:08,535
AND NOW, SOMETIMES,
WE KEEP, LIKE, TEN PEOPLE.
565
00:32:08,578 --> 00:32:10,885
[hammering]
566
00:32:10,929 --> 00:32:16,804
IN 2005, WE BUY 20 ACRES.
567
00:32:16,847 --> 00:32:20,808
WE START BUILDING
OUR STABLE.
568
00:32:20,851 --> 00:32:22,766
IT'’S NOT BIG, YOU KNOW.
569
00:32:22,810 --> 00:32:25,030
BUT AT LEAST IT'’S YOURS.
570
00:32:25,073 --> 00:32:26,770
NOW WE'’RE IN BIG TROUBLE.
571
00:32:26,814 --> 00:32:29,991
NOW WE'’RE TRAINING HORSES
572
00:32:30,035 --> 00:32:33,125
TO COMPETE
IN FORT WORTH, TEXAS.
573
00:32:33,168 --> 00:32:34,648
IT'’LL BE TOUGH, HUH?
574
00:32:35,997 --> 00:32:38,695
[relaxing instrumental music.]
575
00:32:38,739 --> 00:32:46,660
♪
576
00:32:47,966 --> 00:32:49,924
- MY PARENTS ALWAYS TAUGHT ME,
577
00:32:49,968 --> 00:32:51,056
IF YOU WANT SOMETHING,
578
00:32:51,099 --> 00:32:52,753
YOU HAVE TO GO OUT
AND GET IT YOURSELF.
579
00:32:52,796 --> 00:32:56,713
I JUST WANTED HORSES.
580
00:32:56,757 --> 00:32:59,281
WHEN I WAS TWO YEARS OLD
AND I LOOKED OUTSIDE
581
00:32:59,325 --> 00:33:01,631
OUR VAN WINDOW
AND JUST SAW THEM
582
00:33:01,675 --> 00:33:07,115
AND JUST HOW BEAUTIFUL
THEY WERE.
583
00:33:07,159 --> 00:33:08,508
- KRIS, IF, LIKE--
584
00:33:08,551 --> 00:33:10,597
IF THERE'’S, LIKE,
A HORSE WHISPERER OUT THERE,
585
00:33:10,640 --> 00:33:12,207
YOU KNOW, HE'’D BE IT.
586
00:33:12,251 --> 00:33:16,211
HE'’S GOT THAT
EXTRA CONNECTION.
587
00:33:16,255 --> 00:33:19,127
- KRISTOPHER WAS
AT FARRIER SCHOOL,
588
00:33:19,171 --> 00:33:21,825
AND THEY HAD THIS LITTLE BABY
IN A RING OUTSIDE.
589
00:33:21,869 --> 00:33:23,784
SHE WAS SIX MONTHS OLD.
590
00:33:23,827 --> 00:33:26,439
AND SHE WAS UNTOUCHABLE.
591
00:33:26,482 --> 00:33:27,701
SHE WAS WILD.
592
00:33:27,744 --> 00:33:29,964
AND HE ASKED
IF HE COULD GO OUT
593
00:33:30,008 --> 00:33:32,401
AND JUST PLAY
WITH THE LITTLE HORSE.
594
00:33:32,445 --> 00:33:33,881
AND THE GUY SAID,
"NO, SHE'’S DANGEROUS.
595
00:33:33,924 --> 00:33:35,143
SHE'’LL REAR UP.
SHE'’LL STRIKE YOU."
596
00:33:35,187 --> 00:33:36,536
AND HE WENT IN THE FIRST NIGHT,
597
00:33:36,579 --> 00:33:38,016
AND HE WAS WALKING AROUND
WITH HER,
598
00:33:38,059 --> 00:33:39,408
WAS PETTING HER EVERYWHERE.
599
00:33:39,452 --> 00:33:41,802
AND THE GUY
THAT OWNED THE SCHOOL GOES,
600
00:33:41,845 --> 00:33:43,108
"THERE'’S NO WAY."
601
00:33:43,151 --> 00:33:45,066
- [talking indistinctly]
602
00:33:47,155 --> 00:33:49,114
THERE'’S NO REASON
TO ABANDON A HORSE
603
00:33:49,157 --> 00:33:51,072
IF HE NEEDS HELP.
604
00:33:58,123 --> 00:34:01,822
I'’M A SLOW LEARNER
AND HAVE A HARD TIME READING.
605
00:34:01,865 --> 00:34:03,041
WITH A SCHOOL,
606
00:34:03,084 --> 00:34:05,086
IF THAT KID'’S LOST,
HE'’S LOST.
607
00:34:05,130 --> 00:34:07,436
AND THEN HE'’S STRUGGLING
AND GETS ANGRY.
608
00:34:07,480 --> 00:34:11,788
THEY GAVE US A GOOD FOUNDATION
ON WHO WE ARE
609
00:34:11,832 --> 00:34:13,964
AND WHAT WE CAN DO.
610
00:34:14,008 --> 00:34:15,575
THAT'’S WHAT OUR PARENTS
GAVE US.
611
00:34:15,618 --> 00:34:17,881
AND THAT'’S WHAT WE'RE GONNA GIVE
TO THE HORSES.
612
00:34:17,925 --> 00:34:20,841
[grunting]
613
00:34:22,582 --> 00:34:23,974
OOF.
614
00:34:28,675 --> 00:34:30,242
GOOD JOB.
615
00:34:31,982 --> 00:34:34,550
GOOD JOB.
616
00:34:34,594 --> 00:34:37,292
[chatting indistinctly]
617
00:34:37,336 --> 00:34:39,077
- NICE.
618
00:34:39,120 --> 00:34:42,036
- OH, WOW.
619
00:34:42,080 --> 00:34:43,864
NICE, KRISTOPHER.
620
00:34:43,907 --> 00:34:46,432
- COMFORTABLE.
- WOW.
621
00:34:46,475 --> 00:34:47,563
- I KNOW.
- YOU CAN BREATHE NOW.
622
00:34:47,607 --> 00:34:49,870
[laughs]
- YOU GOT UP, KRISTOPHER.
623
00:34:49,913 --> 00:34:51,219
GOOD JOB.
- YOU CAN BREATHE NOW.
624
00:34:59,053 --> 00:35:00,185
- GOOD BOY, RANAHAN.
625
00:35:03,188 --> 00:35:05,146
LAH-LAH-LAH-LAH-LAH.
626
00:35:05,190 --> 00:35:06,191
PBBT.
627
00:35:09,237 --> 00:35:10,847
WHOA.
628
00:35:10,891 --> 00:35:12,980
- THE WHOLE POINT
OF THE COMPETITION
629
00:35:13,023 --> 00:35:15,069
IN ITS PUREST FORM
630
00:35:15,113 --> 00:35:16,897
IS TO BE ABLE TO SHOW
631
00:35:16,940 --> 00:35:19,160
THAT YOU CAN DEVELOP
THESE TYPES OF PARTNERSHIPS.
632
00:35:19,204 --> 00:35:20,379
THE SECRET IS
633
00:35:20,422 --> 00:35:22,294
SPENDING THAT TIME
WITH THE HORSE
634
00:35:22,337 --> 00:35:24,557
SO THAT WHEN
SOMETHING NEW HAPPENS,
635
00:35:24,600 --> 00:35:25,688
THEY'’RE NOT GONNA WIG OUT
ON US.
636
00:35:25,732 --> 00:35:28,213
[horse chuffing]
637
00:35:31,390 --> 00:35:32,608
- WHOA.
638
00:35:32,652 --> 00:35:34,523
OH, ATTABOY.
639
00:35:34,567 --> 00:35:38,005
ATTABOY.
640
00:35:38,048 --> 00:35:39,485
PBBT.
641
00:35:42,879 --> 00:35:45,578
IT DOESN'’T HAVE TO BE THAT OLD
KIND OF COWBOY MENTALITY,
642
00:35:45,621 --> 00:35:47,362
WHERE YOU HAVE TO TREAT
THE HORSE PRETTY ROUGH.
643
00:35:47,406 --> 00:35:48,972
YOU KNOW, YOU CAN GET THEM
TO THIS POINT
644
00:35:49,016 --> 00:35:50,539
WITHOUT TOUCHING
A SINGLE SPUR,
645
00:35:50,583 --> 00:35:52,585
WITHOUT KIND OF REALLY FORCING
THE HORSE INTO IT.
646
00:35:52,628 --> 00:35:53,847
ATTABOY.
647
00:36:00,070 --> 00:36:01,942
WHOA, BUD.
648
00:36:01,985 --> 00:36:03,117
GOOD BOY.
649
00:36:03,161 --> 00:36:04,336
WHOA.
650
00:36:04,379 --> 00:36:06,251
GOOD BOY.
651
00:36:09,428 --> 00:36:12,387
[peaceful acoustic guitar]
652
00:36:12,431 --> 00:36:16,043
♪
653
00:36:16,086 --> 00:36:18,611
- I USED TO LIKE TO TELL PEOPLE,
IF THEY WERE TO ASK ME,
654
00:36:18,654 --> 00:36:21,396
"WHY IN THE WORLD WOULD SOMEBODY
LIVE IN SAINT JO?"
655
00:36:21,440 --> 00:36:23,398
AND I WOULD
ALWAYS TELL THEM THAT,
656
00:36:23,442 --> 00:36:25,487
"WELL, THERE'’S NO RED LIGHTS."
657
00:36:25,531 --> 00:36:30,927
THERE'’S A POST OFFICE,
A GAS STATION, AND A BANK.
658
00:36:30,971 --> 00:36:34,714
UH, THERE'’S NOT MUCH
GOES ON THAT--
659
00:36:34,757 --> 00:36:36,890
IF YOU HAVE TO STAND IN LINE
TO DO ANYTHING,
660
00:36:36,933 --> 00:36:39,849
WE JUST DON'’T DO IT.
661
00:36:39,893 --> 00:36:41,677
AND THAT MAKES
FOR A PLEASANT LIFE.
662
00:36:43,462 --> 00:36:47,683
- GEORGE IS A MAN'’S MAN.
663
00:36:47,727 --> 00:36:50,077
HE'’S A COWBOY.
664
00:36:50,120 --> 00:36:52,601
I KNOW WHEN WE GOT TOGETHER,
665
00:36:52,645 --> 00:36:54,342
HE TALKED ABOUT, YOU KNOW,
666
00:36:54,386 --> 00:36:57,911
MEETING A LOT OF WOMEN
667
00:36:57,954 --> 00:37:00,696
THAT COULDN'’T DEAL WITH
HIS LIFESTYLE.
668
00:37:03,612 --> 00:37:05,397
WE'’VE BEEN MARRIED
FOR THREE YEARS.
669
00:37:05,440 --> 00:37:07,573
- I WAS 65,
AND YOU WAS 56.
670
00:37:07,616 --> 00:37:09,314
- MM-HMM.
671
00:37:09,357 --> 00:37:12,273
- I'’M ONE OF EIGHT SIBLINGS.
672
00:37:12,317 --> 00:37:15,015
UH, ALL SEVEN OF THE OTHERS
673
00:37:15,058 --> 00:37:17,235
MET AND MARRIED
THEIR LIFETIME MATE
674
00:37:17,278 --> 00:37:18,584
WHEN THEY WERE VERY YOUNG.
675
00:37:18,627 --> 00:37:20,629
AND THEN I COME ALONG,
676
00:37:20,673 --> 00:37:24,024
AND I GUESS IT'’S KIND OF LIKE
A SCHOOLTEACHER THAT ONCE SAID,
677
00:37:24,067 --> 00:37:25,504
"WELL, WE'’RE GONNA DO IT
678
00:37:25,547 --> 00:37:27,680
AGAIN AND AGAIN AND AGAIN
TILL WE GET IT RIGHT."
679
00:37:27,723 --> 00:37:29,856
YOU KNOW, AND I DID IT
SEVERAL TIMES,
680
00:37:29,899 --> 00:37:31,771
AND NOW, THANKFULLY,
I THINK I GOT IT RIGHT.
681
00:37:31,814 --> 00:37:32,902
- [chuckles]
682
00:37:32,946 --> 00:37:34,382
- SO IF YOU DON'’T MIND ME
ASKING,
683
00:37:34,426 --> 00:37:35,862
HOW MANY TIMES
HAVE YOU BEEN MARRIED?
684
00:37:35,905 --> 00:37:37,907
- WELL, SHE'’S NUMBER SEVEN.
685
00:37:37,951 --> 00:37:39,735
- [chuckles]
686
00:37:39,779 --> 00:37:42,216
- I TOLD HER,
"YOU'’RE A RIVERBOAT GAMBLER,
687
00:37:42,260 --> 00:37:43,478
"YOU KNOW, TO MARRY ME.
688
00:37:43,522 --> 00:37:45,001
"YOU'’RE JUST STRAIGHT OUT
OF YOUR GOURD."
689
00:37:45,045 --> 00:37:47,265
- THAT--THAT KIND OF COME ACROSS
MY MIND TOO.
690
00:37:47,308 --> 00:37:48,483
- [laughs]
691
00:37:48,527 --> 00:37:49,789
- AND NOW,
LADIES AND GENTLEMEN...
692
00:37:49,832 --> 00:37:51,921
- I THINK
WE'’RE A PRETTY GOOD PAIR.
693
00:37:51,965 --> 00:37:54,924
I THINK IF WE'’D HAVE PROBABLY
MET A LONG TIME AGO,
694
00:37:54,968 --> 00:37:58,276
COULD HAVE KEPT HIM
FROM HAVING SO MANY MARRIAGES.
695
00:37:58,319 --> 00:38:00,974
- I JUST AM AMAZED
EVERY DAY THAT I GET UP
696
00:38:01,017 --> 00:38:04,456
THAT'’S IT'S--
THAT SHE WAS THERE.
697
00:38:04,499 --> 00:38:08,634
AND SHE WAS THE PERSON
SO MUCH THAT I WANTED.
698
00:38:08,677 --> 00:38:10,984
EVERYTHING ABOUT HER
WAS WHAT I WANTED.
699
00:38:11,027 --> 00:38:12,551
NEARLY EVERYTHING ABOUT HER.
700
00:38:12,594 --> 00:38:15,205
- [laughs]
- AND, UH...
701
00:38:15,249 --> 00:38:17,382
I'’M JUST THANKFUL
THAT I FOUND HER.
702
00:38:17,425 --> 00:38:19,427
- WE'’RE PRETTY GOOD FRIENDS.
703
00:38:19,471 --> 00:38:21,429
THAT'’S THE THING, I THINK,
THAT MAKES IT WORK.
704
00:38:21,473 --> 00:38:22,343
- LET'’S GO!
705
00:38:24,389 --> 00:38:26,478
[buzzer sounds]
706
00:38:31,309 --> 00:38:32,310
[horse chuffing]
- COME ON.
707
00:38:32,353 --> 00:38:35,051
[horse chuffing]
WELL, COME ON.
708
00:38:35,095 --> 00:38:36,923
[horse chuffing]
COME ON.
709
00:38:36,966 --> 00:38:40,927
[horse chuffing]
COME ON. COME ON.
710
00:38:40,970 --> 00:38:41,928
[horse chuffing]
COME ON.
711
00:38:41,971 --> 00:38:44,365
COME ON.
712
00:38:44,409 --> 00:38:45,497
ATTABOY.
713
00:38:47,977 --> 00:38:51,067
COME ON.
[clicks teeth]
714
00:38:51,111 --> 00:38:53,461
YOU ARE A HARDHEADED
LITTLE SUCKER.
715
00:38:53,505 --> 00:38:56,246
- WAYLON'’S A LITTLE--
HE'’S A LITTLE OUTLAW,
716
00:38:56,290 --> 00:38:57,813
A FAT, FEISTY LITTLE FELLA.
717
00:38:59,511 --> 00:39:01,208
- DON'’T YOU BITE ME.
718
00:39:01,251 --> 00:39:02,862
- HE IS JUST NASTY.
719
00:39:02,905 --> 00:39:06,039
HE'’S JUST GOT A NASTY
LITTLE DISPOSITION.
720
00:39:06,082 --> 00:39:07,519
- WHOA, WHOA.
721
00:39:07,562 --> 00:39:09,390
SOONER OR LATER,
722
00:39:09,434 --> 00:39:12,219
ME AND HIM HAVE GOT TO HAVE
A "COME TO JESUS"
723
00:39:12,262 --> 00:39:14,134
ON THIS BITING THING.
724
00:39:15,788 --> 00:39:17,746
ATTABOY.
725
00:39:22,011 --> 00:39:23,839
I EXPECT
INSTANT GRATIFICATION,
726
00:39:23,883 --> 00:39:26,233
AND YOU JUST DON'’T GET IT
DOING THIS.
727
00:39:26,276 --> 00:39:27,539
WAS THAT FUN?
HUH?
728
00:39:27,582 --> 00:39:29,062
DID YOU HAVE FUN?
729
00:39:29,105 --> 00:39:30,977
YOU HAVE FUN?
730
00:39:31,020 --> 00:39:32,195
[gate rattles]
731
00:39:32,239 --> 00:39:33,632
WHOA.
732
00:39:33,675 --> 00:39:37,853
IT'’S HARD, IN 100 DAYS,
TO GET A HORSE
733
00:39:37,897 --> 00:39:40,378
TO DO WHAT
WE GOT TO GET THEM TO DO,
734
00:39:40,421 --> 00:39:44,904
MUCH LESS GET ONE TO DO THAT
THAT'’S GOT THAT--
735
00:39:44,947 --> 00:39:47,254
THAT HAS THE ATTITUDE
THAT HE HAD.
736
00:39:47,297 --> 00:39:49,256
[horse chuffing]
737
00:39:49,299 --> 00:39:52,128
HE'’S BEEN A PILL.
HE'’S BEEN A PILL.
738
00:39:53,478 --> 00:39:55,828
[chuckles]
DON'’T YOU BITE ME.
739
00:39:55,871 --> 00:39:57,438
- THIS HORSE MAY BE
UNTRAINABLE.
740
00:39:57,482 --> 00:40:01,616
HE MAY NOT HAVE
A GENTLE BONE IN HIS BODY.
741
00:40:03,966 --> 00:40:09,102
I'’VE HAD A LOT OF WORRIED TIME,
BECAUSE HE--
742
00:40:09,145 --> 00:40:11,626
THE HORSE HAS BEEN
HARD TO FIGURE OUT.
743
00:40:11,670 --> 00:40:14,803
HE'’S BEEN DIFFERENT
THAN ANY OTHER HORSES.
744
00:40:14,847 --> 00:40:16,239
AND IT IS SCARY,
745
00:40:16,283 --> 00:40:18,459
'’CAUSE I DON'T WANT HIM
TO GET HURT.
746
00:40:18,503 --> 00:40:19,634
- COME ON.
747
00:40:26,293 --> 00:40:27,816
[laughs]
748
00:40:27,860 --> 00:40:31,037
ONE FOR THE HORSE.
749
00:40:31,080 --> 00:40:32,473
[hums]
750
00:40:32,517 --> 00:40:34,823
MY AGE, IT ALWAYS HURTS
WHEN YOU HIT THE GROUND,
751
00:40:34,867 --> 00:40:39,175
BUT MY DOCTOR'’S WORDS TO ME
RECENTLY WERE,
752
00:40:39,219 --> 00:40:41,917
"GEORGE, YOU ARE TOO LONG
OF TOOTH TO BE DOING THIS."
753
00:40:41,961 --> 00:40:43,745
AND I TOLD HIM THAT,
754
00:40:43,789 --> 00:40:46,400
"WELL, WHEN I GET BUSTED UP,
YOU PUT ME BACK TOGETHER,
755
00:40:46,444 --> 00:40:48,402
"AND I'’LL KEEP PULLING UP
MY SADDLE.
756
00:40:48,446 --> 00:40:51,753
AS LONG AS YOU CAN DO YOUR JOB,
I'’M GONNA DO MINE."
757
00:40:51,797 --> 00:40:53,494
I THINK THAT'’S AS CLOSE
AS I'’M GONNA DO
758
00:40:53,538 --> 00:40:54,930
TO GETTING ON HIM TODAY.
759
00:40:58,934 --> 00:41:01,894
[gentle acoustic guitar]
760
00:41:01,937 --> 00:41:09,597
♪
761
00:41:15,560 --> 00:41:16,909
- YEAH, I ALWAYS SAY THAT,
762
00:41:16,952 --> 00:41:20,478
"NOW, A HORSE, YOU GOT TO
TREAT IT LIKE A WOMAN."
763
00:41:23,306 --> 00:41:24,656
IF YOU TOUCH HER
IN THE WRONG PLACE,
764
00:41:24,699 --> 00:41:25,918
SHE'’S GONNA HIT YOU.
765
00:41:30,792 --> 00:41:32,054
HE'’S A LOT OF HORSE,
766
00:41:32,098 --> 00:41:33,882
THE WAY I SEE IT.
767
00:41:33,926 --> 00:41:37,538
AND IF YOU TRY TO PUSH HIM
TOO MUCH,
768
00:41:37,582 --> 00:41:40,933
HE DON'’T LIKE IT.
769
00:41:40,976 --> 00:41:43,239
- MY DAD'’S BEEN SPENDING TIME
WITH HIM,
770
00:41:43,283 --> 00:41:45,372
BEEN DOING A LOT OF STUFF
WITH HIM.
771
00:41:45,415 --> 00:41:48,462
TO ACTUALLY EARN HIS TRUST...
772
00:41:48,506 --> 00:41:50,072
HE'’S ALREADY GOT THE TRUST,
773
00:41:50,116 --> 00:41:53,598
BUT MY DAD DON'’T HAVE THE TRUST
ON GETTING ON HIM.
774
00:41:53,641 --> 00:41:56,209
- ARE YOU READY TO GET ON HIM?
775
00:41:56,252 --> 00:41:59,342
- NOT REALLY.
776
00:41:59,386 --> 00:42:01,997
I'’M NOT WORRIED
ABOUT HOW MANY DAYS I HAVE LEFT
777
00:42:02,041 --> 00:42:03,259
BEFORE I GET ON HIM
778
00:42:03,303 --> 00:42:06,001
OR HOW MANY WEEKS I HAVE LEFT
TO GET ON.
779
00:42:06,045 --> 00:42:08,917
60 MORE DAYS, FOR ME--
[chuckles]
780
00:42:08,961 --> 00:42:10,136
60 DAYS IS NOTHING.
781
00:42:13,313 --> 00:42:15,707
IF I'’M GONNA GET ON,
782
00:42:15,750 --> 00:42:17,839
I'’M GONNA DO IT BY MYSELF.
783
00:42:17,883 --> 00:42:19,798
IN CASE THIS OLD MAN
GETS BUCKED OFF,
784
00:42:19,841 --> 00:42:21,887
NOBODY'’S GONNA SEE IT.
785
00:42:21,930 --> 00:42:25,107
I'’M GONNA MAKE SURE I CLEAN
THE MESS WHERE I FELL TO,
786
00:42:25,151 --> 00:42:27,545
SO I DON'’T LEAVE NO EVIDENCE.
787
00:42:30,852 --> 00:42:35,509
LIVING ON THE NAVAJO RESERVATION
IS TOUGH.
788
00:42:35,553 --> 00:42:38,599
THE JOB IS SCARCE.
789
00:42:38,643 --> 00:42:43,256
THE WAY OF THE LIVING
IS HARD.
790
00:42:43,299 --> 00:42:45,998
SO THE BEST THING TO DO IS
791
00:42:46,041 --> 00:42:49,741
TRY TO FIND A WAY TO WHERE
YOU CAN SUPPORT YOURSELF.
792
00:42:49,784 --> 00:42:53,571
AND CARLOS HAS COME OUT
TO THE POINT
793
00:42:53,614 --> 00:42:56,443
WHERE HE IS MAKING A LIVING
794
00:42:56,486 --> 00:43:01,491
HELPING OTHER PEOPLE
START THEIR HORSES.
795
00:43:01,535 --> 00:43:05,321
AND HE'’S BEEN SUCCESSFUL
IN THAT AREA.
796
00:43:09,456 --> 00:43:11,458
- THIS IS THE FIRST TIME
HE'’S OUT.
797
00:43:11,501 --> 00:43:14,504
I'’M GETTING HIM USED TO
AND FAMILIAR TO
798
00:43:14,548 --> 00:43:17,464
HIS SURROUNDINGS WHERE HE'’S
GONNA BE AT MOST OF THE TIME.
799
00:43:17,507 --> 00:43:19,901
FOLLOWING ME ANYWHERE I GO.
800
00:43:19,945 --> 00:43:21,250
IF A HORSE DON'’T KNOW
HOW TO LEAD,
801
00:43:21,294 --> 00:43:23,905
I DRAG IT DOWN.
802
00:43:23,949 --> 00:43:25,515
A COUPLE TIMES BACK
UP AND DOWN...
803
00:43:25,559 --> 00:43:26,778
[horse whinnies]
804
00:43:26,821 --> 00:43:29,824
I'’VE GOT A HORSE
THAT'’S LEADING.
805
00:43:29,868 --> 00:43:31,783
I JUST BEEN AROUND HORSES.
806
00:43:31,826 --> 00:43:33,785
EVER SINCE THE DAY
I CAN GET ON,
807
00:43:33,828 --> 00:43:37,049
THAT'’S ALL I DO.
808
00:43:37,092 --> 00:43:39,442
- WHEN HE WAS LITTLE,
HE ALWAYS USED TO IMITATE
809
00:43:39,486 --> 00:43:43,838
TRAINING A HORSE
OR SADDLING UP A HORSE.
810
00:43:43,882 --> 00:43:48,277
USUALLY, HIS HORSE WAS A COUCH
OR COFFEE TABLE
811
00:43:48,321 --> 00:43:50,236
OR SOMETHING.
812
00:43:50,279 --> 00:43:52,847
- WHEN HE WAS A LITTLE KID,
813
00:43:52,891 --> 00:43:55,894
ONE MORNING,
HE CAME UP TO ME AND SAYS,
814
00:43:55,937 --> 00:43:56,982
"BUY ME A HORSE."
815
00:43:57,025 --> 00:43:58,113
[horse whinnies]
816
00:43:58,157 --> 00:44:00,681
SO I GOT HIM A SHETLAND PONY.
817
00:44:00,725 --> 00:44:02,727
AND I SAID,
"OKAY, YOU TAKE THIS REIN.
818
00:44:02,770 --> 00:44:04,032
"YOU PULL IT,
AND YOU GO THIS WAY.
819
00:44:04,076 --> 00:44:06,339
"YOU PULL THIS.
I GO THAT WAY.
820
00:44:06,382 --> 00:44:10,169
"AND IF YOU GET BUCKED OFF,
CLIMB BACK ON.
821
00:44:10,212 --> 00:44:14,956
IF I HEAR YOU CRYING,
I SELL THE HORSE."
822
00:44:15,000 --> 00:44:16,741
SO TODAY, HE'’S STILL AT IT.
823
00:44:16,784 --> 00:44:19,700
[horse whinnies]
824
00:44:22,311 --> 00:44:28,753
IN A WAY, WHAT I HAVE
THOUGHT ABOUT WHEN I WAS YOUNG,
825
00:44:28,796 --> 00:44:29,928
HE'’S DOING IT.
826
00:44:29,971 --> 00:44:36,891
SOMETIMES, IT...BRINGS TEARS.
827
00:44:38,327 --> 00:44:42,505
IT'’S HARD TO TALK ABOUT HIM.
828
00:44:42,549 --> 00:44:46,292
IT'’S, UM...
829
00:44:46,335 --> 00:44:50,252
IT'’S MORE JOYFUL
TALKING ABOUT HIM.
830
00:44:50,296 --> 00:44:53,734
AND I AM REALLY PROUD OF HIM.
831
00:44:58,783 --> 00:45:02,264
I WANT HIM TO BE
OUT THERE SOMEWHERE,
832
00:45:02,308 --> 00:45:03,744
MAKE A NAME FOR HIMSELF.
833
00:45:15,495 --> 00:45:17,845
- OKAY, WE HAVE TO GO GET YOU
READY FOR SCHOOL, OKAY?
834
00:45:17,889 --> 00:45:19,455
- YEAH.
- CAN YOU SAY HI?
835
00:45:19,499 --> 00:45:21,022
- HI.
- WHAT'’S YOUR NAME?
836
00:45:21,066 --> 00:45:23,242
- RYKER.
- AND HOW OLD ARE YOU, RYKER?
837
00:45:23,285 --> 00:45:25,157
- FOUR.
838
00:45:25,200 --> 00:45:27,072
- I'’VE ALWAYS SAID THERE'S
TWO SIDES OF WYLENE WILSON.
839
00:45:27,115 --> 00:45:28,638
THERE'’S, YOU KNOW,
THE PUBLIC SIDE.
840
00:45:28,682 --> 00:45:30,031
AND THEN THERE'’S
THE VERY PRIVATE SIDE
841
00:45:30,075 --> 00:45:31,424
THAT HAS A FAMILY,
AND, YOU KNOW,
842
00:45:31,467 --> 00:45:34,209
I'’M A MOTHER,
AND I'’M A SINGLE MOM,
843
00:45:34,253 --> 00:45:36,646
WHICH MAKES IT EVEN HARDER
AS IT IS.
844
00:45:36,690 --> 00:45:37,778
AND--
- [whining indistinctly]
845
00:45:37,822 --> 00:45:39,127
- KENSLEY, STOP!
846
00:45:39,171 --> 00:45:40,825
HERE, GIVE IT TO ME.
847
00:45:40,868 --> 00:45:43,001
THERE'’S SUCH A PART OF ME
THAT'’S SO DIFFERENT THAT--
848
00:45:43,044 --> 00:45:44,611
THAT'’S A FUN MOM,
A DIFFERENT MOM.
849
00:45:44,654 --> 00:45:49,181
NOT YOUR EVERY--AVERAGE DAY,
YOU KNOW, SOCCER MOM.
850
00:45:49,224 --> 00:45:52,750
NO, MY MOM STANDS UP ON HORSES
AND DRAGS TARPS,
851
00:45:52,793 --> 00:45:54,360
AND SHE SHOOTS GUNS.
852
00:45:54,403 --> 00:45:57,319
AND SHE--SHE'’S A DAREDEVIL.
AND SHE'’S THIS.
853
00:45:57,363 --> 00:45:59,844
YOU KNOW, THAT, TO ME,
IS SO MUCH MORE FUN THAN,
854
00:45:59,887 --> 00:46:02,237
"I MAKE PEANUT BUTTER
AND JELLY SANDWICHES."
855
00:46:02,281 --> 00:46:04,283
[laughs]
856
00:46:04,326 --> 00:46:07,286
[slow jazzy music]
857
00:46:07,329 --> 00:46:10,724
♪
858
00:46:10,768 --> 00:46:13,814
ALMOST PERFECT.
COME ON.
859
00:46:13,858 --> 00:46:15,337
THE BUILDUP
TO THIS COMPETITION
860
00:46:15,381 --> 00:46:17,600
IS SO INTENSE, YOU KNOW.
861
00:46:17,644 --> 00:46:18,950
AND YOU JUST DON'’T KNOW.
862
00:46:18,993 --> 00:46:21,691
THERE'’S A LOT OF PRESSURE
ON US AS TRAINERS.
863
00:46:21,735 --> 00:46:24,042
JUDGES ARE LOOKING
FOR THE SHOWMANSHIP PART OF IT.
864
00:46:24,085 --> 00:46:27,697
SO IT'’S IMPORTANT
FOR US TRAINERS
865
00:46:27,741 --> 00:46:29,743
TO ALSO LOOK OUR VERY BEST,
LET ALONE THE HORSES.
866
00:46:29,787 --> 00:46:34,313
AND OBVIOUSLY, THERE'’S A PERSONA
THAT I WANT TO EMULATE.
867
00:46:34,356 --> 00:46:36,358
AND I, YOU KNOW--
I WANT TO BE PROFESSIONAL,
868
00:46:36,402 --> 00:46:38,012
AND I WANT TO LOOK MY BEST.
869
00:46:38,056 --> 00:46:39,318
I WANT MY HORSE
TO LOOK HIS BEST.
870
00:46:39,361 --> 00:46:42,408
AND SO THEREFORE,
YOU KNOW,
871
00:46:42,451 --> 00:46:46,368
FAKE EYELASHES AND LIPSTICK
AND WHATEVER IT TAKES.
872
00:46:46,412 --> 00:46:48,544
EVEN A PUSH-UP BRA,
I'’VE EVEN USED THAT BEFORE.
873
00:46:48,588 --> 00:46:49,937
[laughs]
874
00:46:52,984 --> 00:46:55,769
I LIKE TO TURN HEADS.
875
00:46:55,813 --> 00:46:57,249
I'’M NOT GONNA LIE.
876
00:46:57,292 --> 00:46:58,337
YOU KNOW, WHAT GIRL DOESN'’T?
877
00:47:01,340 --> 00:47:04,473
PEOPLE GO,
"PHEW. DID YOU JUST SEE THAT?
878
00:47:04,517 --> 00:47:06,824
I DID.
AND I LIKED IT A LOT."
879
00:47:08,434 --> 00:47:09,827
OKAY.
880
00:47:09,870 --> 00:47:11,263
THAT'’S WHAT I LIKE,
YOU KNOW,
881
00:47:11,306 --> 00:47:13,787
"HOLY BANANAS.
HOLD ON TO THE MONKEYS.
882
00:47:13,831 --> 00:47:16,137
THERE'’S GONNA BE A PROBLEM
IF WE DON'’T SLOW DOWN."
883
00:47:16,181 --> 00:47:17,617
[laughs]
884
00:47:19,227 --> 00:47:22,883
- TIME TO GO TO WORK.
885
00:47:22,927 --> 00:47:24,537
WHAT I DON'’T KNOW
ABOUT THIS HORSE IS,
886
00:47:24,580 --> 00:47:26,365
HE'’S TOTALLY UNPREDICTABLE.
887
00:47:26,408 --> 00:47:30,369
THERE'’S NOTHING ABOUT HIM
THAT IS IN SYNC.
888
00:47:30,412 --> 00:47:31,892
- [laughs]
889
00:47:31,936 --> 00:47:34,939
- GET IT OUT OF YOUR SYSTEM.
890
00:47:34,982 --> 00:47:36,288
I WOULD JUST SUSPECT
A LOT OF PEOPLE
891
00:47:36,331 --> 00:47:40,205
WOULD GIVE UP ON HIM.
892
00:47:40,248 --> 00:47:42,033
- WAYLON.
893
00:47:42,076 --> 00:47:47,429
YEAH, GOOD BOY, WAYLON.
GOOD BOY.
894
00:47:47,473 --> 00:47:49,475
- YOU OKAY?
895
00:47:49,518 --> 00:47:50,780
HUH?
896
00:47:50,824 --> 00:47:53,435
- YOU'’RE ALL RIGHT, WAYLON.
897
00:47:53,479 --> 00:47:54,828
- ARE YOU OKAY?
898
00:48:02,967 --> 00:48:05,012
- EASY.
EASY, BOY.
899
00:48:08,842 --> 00:48:11,410
- WAIT TILL I GET HIM...AWAY,
900
00:48:11,453 --> 00:48:12,541
AND THEN YOU MOVE OUT.
901
00:48:12,585 --> 00:48:15,501
- EASY, BOY.
- COME ON. COME ON.
902
00:48:15,544 --> 00:48:16,981
[clicks teeth]
903
00:48:17,024 --> 00:48:21,681
COME ON. COME ON.
904
00:48:21,724 --> 00:48:23,639
[clicks teeth]
905
00:48:23,683 --> 00:48:25,903
COME ON.
COME ON.
906
00:48:25,946 --> 00:48:28,993
[clicks teeth]
MOVE.
907
00:48:29,036 --> 00:48:31,604
- [squeaky kisses]
GOOD.
908
00:48:31,647 --> 00:48:36,870
- THE SMART PEOPLE ABOUT THIS
SAY, "DON'’T RUSH IT."
909
00:48:36,914 --> 00:48:38,350
COME ON. MOVE.
- COME ON.
910
00:48:38,393 --> 00:48:39,786
- MOVE.
911
00:48:39,829 --> 00:48:41,048
BUT ON THE OTHER HAND,
912
00:48:41,092 --> 00:48:43,007
I KNOW YOU GOT TO MOVE
FORWARD,
913
00:48:43,050 --> 00:48:46,532
OR YOU WON'’T GET THEM
TO WHERE THEY GOT TO BE.
914
00:48:46,575 --> 00:48:47,925
MOVE IT.
915
00:48:53,974 --> 00:48:56,063
I'’M GONNA BELIEVE THAT
916
00:48:56,107 --> 00:49:01,764
HE'’S GOING TO SMOOTH OUT
AND BE A SUPER GOOD HORSE.
917
00:49:01,808 --> 00:49:04,593
I JUST BELIEVE HE'’S GOING TO.
918
00:49:04,637 --> 00:49:06,856
YOU'’RE GONNA MAKE IT.
YOU'’RE GONNA MAKE IT.
919
00:49:09,424 --> 00:49:10,251
[sighs]
920
00:49:11,818 --> 00:49:13,646
- YEAH, THAT'’S A GOOD BOY,
WILLIE.
921
00:49:13,689 --> 00:49:15,735
GET YOU ALL BRUSHED UP.
922
00:49:15,778 --> 00:49:17,955
GOOD BOY, WILLIE.
923
00:49:17,998 --> 00:49:20,609
I HAVE BONDED WITH WILLIE.
IT'’S HARD NOT TO.
924
00:49:20,653 --> 00:49:23,612
A HORSE LIKE HIM THAT--
GOSH.
925
00:49:23,656 --> 00:49:26,789
I COME OUT IN THE MORNING,
AND HE'’S WATCHING FOR ME.
926
00:49:26,833 --> 00:49:29,879
AND I WALK OUT,
AND HE COMES UP TO ME.
927
00:49:29,923 --> 00:49:31,969
A LOT OF IT--
I KNOW HE WANTS TO EAT.
928
00:49:32,012 --> 00:49:33,144
[laughs]
HE LOVES TO EAT.
929
00:49:33,187 --> 00:49:34,667
COME ON.
[clicks teeth]
930
00:49:34,710 --> 00:49:36,016
GEORGE IS--
931
00:49:36,060 --> 00:49:38,105
WHEN I SAY, YOU KNOW, UH,
932
00:49:38,149 --> 00:49:39,324
"THAT HORSE LOVES ME."
933
00:49:39,367 --> 00:49:40,673
AND HIS BIG THING WAS,
934
00:49:40,716 --> 00:49:41,761
"THAT HORSE DON'’T LOVE YOU.
935
00:49:41,804 --> 00:49:43,806
HE TOLERATES YOU,"
YOU KNOW?
936
00:49:43,850 --> 00:49:44,938
COME ON.
[squeaky kisses]
937
00:49:44,982 --> 00:49:47,158
COME ON, WILLIE.
938
00:49:47,201 --> 00:49:49,682
- I KNOW SHE...
939
00:49:49,725 --> 00:49:52,424
YOU'’LL WANT TO KEEP THE HORSE.
- I KNOW.
940
00:49:52,467 --> 00:49:54,208
- AND I'’M GONNA HAVE TO
KEEP TELLING YOU
941
00:49:54,252 --> 00:49:57,211
THAT THE BEST THING WE CAN DO
FOR THOSE HORSES IS,
942
00:49:57,255 --> 00:49:58,734
DO THE BEST JOB WE CAN
TRAINING THEM...
943
00:49:58,778 --> 00:50:00,649
- YEAH.
944
00:50:00,693 --> 00:50:03,826
- AND GET THEM INTO PEOPLE'’S
HANDS THAT WILL RIDE THEM.
945
00:50:03,870 --> 00:50:06,090
- HE IS RIGHT.
I MEAN, HE'’S RIGHT.
946
00:50:06,133 --> 00:50:08,309
BUT I CAN JUST SEE
MY EMOTIONS--
947
00:50:08,353 --> 00:50:09,441
YOU TAKE THEM IN,
948
00:50:09,484 --> 00:50:14,446
AND YOU TAUGHT THEM
TO TRUST YOU.
949
00:50:14,489 --> 00:50:15,925
YOU KNOW, IT'’S KIND OF--
- AND GIVE THEM AWAY.
950
00:50:15,969 --> 00:50:16,926
[laughs]
951
00:50:16,970 --> 00:50:18,189
- AND THEN, YOU KNOW,
952
00:50:18,232 --> 00:50:20,582
IT'’S LIKE ALMOST A MOTHER.
953
00:50:20,626 --> 00:50:22,541
YOU KNOW, AND YOU'’VE RAISED
YOUR CHILD UP,
954
00:50:22,584 --> 00:50:27,241
AND THEN YOU'’VE GOT TO
TURN THEM OUT.
955
00:50:27,285 --> 00:50:30,853
YEAH.
GOOD BOY.
956
00:50:32,116 --> 00:50:34,901
[horse chuffs]
957
00:50:34,944 --> 00:50:39,297
- I TRY TO TEACH MY HORSE,
EVERY DAY, SOMETHING DIFFERENT.
958
00:50:41,038 --> 00:50:43,518
WE HAVE ONLY 100 DAYS.
959
00:50:43,562 --> 00:50:46,695
BUT YOUR HORSE, THEY NEED TO
OFFER YOU WHAT IT CAN DO.
960
00:50:49,698 --> 00:50:53,615
- THEY'’VE BEEN HAVING
A VERY GOOD RELATIONSHIP.
961
00:50:53,659 --> 00:50:56,792
AND I THINK
HE'’S DOING EXCELLENT,
962
00:50:56,836 --> 00:50:59,186
NOT EVEN GREAT,
EXCELLENT WITH THAT HORSE.
963
00:51:05,801 --> 00:51:09,283
- ALL MY PREPARATION,
ALL MY TRAINING,
964
00:51:09,327 --> 00:51:15,289
IS TO SEE IF THAT HORSE LET ME
DO ALL MY ROPE TRICK
965
00:51:15,333 --> 00:51:16,725
ON HIS BACK.
966
00:51:19,337 --> 00:51:22,209
WANT TO DO A--
TO BE NICE CIRCLE
967
00:51:22,253 --> 00:51:24,298
AND THE HORSE
IS IN THE MIDDLE.
968
00:51:24,342 --> 00:51:25,691
I STAND ON HIM.
969
00:51:25,734 --> 00:51:30,130
AND IF HE LET ME DO THAT,
I...
970
00:51:30,174 --> 00:51:34,003
I'’M GOING TO BE PROUD
OF MY HORSE.
971
00:51:45,624 --> 00:51:49,323
WHEN I RIDE MY HORSE,
IT'’S SOMETHING WONDERFUL.
972
00:51:49,367 --> 00:51:55,329
YOU REALLY BREATHE
AND FEEL LOVE, YOU KNOW.
973
00:51:56,809 --> 00:51:58,245
I GET IN TOUCH WITH HIM.
974
00:51:58,289 --> 00:52:01,422
HE'’S A GOOD FRIEND,
975
00:52:01,466 --> 00:52:03,729
GOOD BUDDY.
976
00:52:03,772 --> 00:52:06,514
I WANT TO KEEP HIM.
977
00:52:06,558 --> 00:52:08,864
WE DON'’T HAVE A LOT OF MONEY,
978
00:52:08,908 --> 00:52:10,736
BUT IF WE GET HIM,
979
00:52:10,779 --> 00:52:12,955
BE A GOOD PRIZE, YOU KNOW.
980
00:52:12,999 --> 00:52:16,524
WE'’D LIKE TO BRING HIM HOME.
981
00:52:16,568 --> 00:52:19,005
IT'’S AMIGO.
THIS IS YOUR FRIEND.
982
00:52:19,048 --> 00:52:20,876
YOU INVESTING
TOO MUCH TIME IN.
983
00:52:20,920 --> 00:52:22,487
[speaking Spanish]
984
00:52:22,530 --> 00:52:25,229
I HATE TO GIVE AWAY,
YOU KNOW--
985
00:52:25,272 --> 00:52:26,969
SOMEBODY TAKE AWAY FROM ME.
986
00:52:27,013 --> 00:52:28,188
HELLO, AMIGO.
987
00:52:30,321 --> 00:52:33,280
[bright acoustic guitar]
988
00:52:33,324 --> 00:52:35,543
- AGH!
989
00:52:35,587 --> 00:52:36,631
AGH!
990
00:52:38,807 --> 00:52:43,421
♪
991
00:52:43,464 --> 00:52:45,205
ATTABOY.
992
00:52:45,249 --> 00:52:47,207
YOU KNOW, THERE'’S SO MUCH
EMOTION THAT GOES IN THIS.
993
00:52:47,251 --> 00:52:48,948
I MEAN, YOU THINK ABOUT
WHEN YOU PICK THEM UP,
994
00:52:48,991 --> 00:52:50,515
AND THEN
YOU'’RE TRAINING THEM.
995
00:52:50,558 --> 00:52:52,647
I MEAN, YOU'’RE JUST ON THIS
ROLLER COASTER OF A RIDE.
996
00:52:52,691 --> 00:52:54,606
AND IT'’S ALL THE MILES
YOU DRIVE,
997
00:52:54,649 --> 00:52:56,216
ALL THE FOOD YOU FEED,
ALL--
998
00:52:56,260 --> 00:52:58,610
YOU KNOW, ALL THE SHOES
AND THE--EVERYTHING.
999
00:52:58,653 --> 00:53:00,612
I MEAN, ALL THE--
JUST THIS--
1000
00:53:00,655 --> 00:53:02,657
YOU JUST DO SO MUCH.
1001
00:53:02,701 --> 00:53:04,268
AND IT'’S ALL
BECAUSE WE WANT TO WIN.
1002
00:53:04,311 --> 00:53:06,661
AND HOPEFULLY,
THAT WOULD PAY OFF.
1003
00:53:06,705 --> 00:53:08,228
AND SO TO WIN
WOULD JUST BE LIKE,
1004
00:53:08,272 --> 00:53:10,883
"WOW, IT WAS ALL WORTH IT."
1005
00:53:10,926 --> 00:53:12,667
THERE'’S NOBODY WHO'S BETTER
IN COMPETITION.
1006
00:53:12,711 --> 00:53:14,713
I LOVE COMPETING.
1007
00:53:14,756 --> 00:53:17,542
I LOVE BEING IN A REALLY
CHALLENGING SITUATION
1008
00:53:17,585 --> 00:53:18,934
'’CAUSE I THRIVE ON THAT.
1009
00:53:18,978 --> 00:53:21,850
THERE COULD BE
50,000 PEOPLE THERE AND ESPN,
1010
00:53:21,894 --> 00:53:24,592
AND I'’M, LIKE,
COOL AS A CUCUMBER.
1011
00:53:24,636 --> 00:53:26,290
I CAN MEMORIZE PATTERNS,
1012
00:53:26,333 --> 00:53:27,987
SO IF THEY CAME UP TO ME
AND SAID,
1013
00:53:28,030 --> 00:53:29,771
"YOU HAVE TO KNOW THIS
IN FIVE MINUTES AND GO DO IT,"
1014
00:53:29,815 --> 00:53:30,990
I COULD DO IT.
1015
00:53:31,033 --> 00:53:33,558
I JUST LIKE HAVING
ALL THE PRESSURE ON ME.
1016
00:53:33,601 --> 00:53:36,038
I THINK YOU HAVE TO BELIEVE
YOU'’RE WORTHY OF WINNING IT.
1017
00:53:38,345 --> 00:53:40,782
MY GOAL IS TO GO BAREBACK
OR BRIDLELESS.
1018
00:53:40,826 --> 00:53:42,088
OKAY.
1019
00:53:42,131 --> 00:53:44,177
I THINK IT WOULD
JUST AMAZE EVERYBODY.
1020
00:53:44,221 --> 00:53:46,005
WELL, THE RISK IS,
IF YOU DO IT,
1021
00:53:46,048 --> 00:53:47,789
YOU HAVE TO BE PERFECT,
1022
00:53:47,833 --> 00:53:50,314
BECAUSE IF YOU AREN'’T PERFECT,
YOU WON'’T WIN.
1023
00:53:50,357 --> 00:53:52,141
SO YOU HAVE TO KNOW,
WITHOUT A SHADOW OF A DOUBT,
1024
00:53:52,185 --> 00:53:54,666
THE HORSE IS GONNA DO
EVERYTHING YOU ASKED
1025
00:53:54,709 --> 00:53:57,103
AND THAT HE'’S GOING TO
PERFORM WELL.
1026
00:53:57,146 --> 00:53:58,670
AND IF YOU CAN
WALK, TROT, CANTER
1027
00:53:58,713 --> 00:54:01,063
WITHOUT A BRIDLE
AND WITHOUT A SADDLE,
1028
00:54:01,107 --> 00:54:03,196
THAT'’S PRETTY IMPRESSIVE
IN 100 DAYS.
1029
00:54:05,677 --> 00:54:07,026
WAIT.
LET'’S SEE IF I CAN DO IT.
1030
00:54:07,069 --> 00:54:09,811
YES, GOOD JOB, BUDDY.
1031
00:54:09,855 --> 00:54:12,379
THERE'’S A LOT I EXPECT
FROM A HORSE.
1032
00:54:12,423 --> 00:54:14,860
THAT WAS REALLY GOOD.
1033
00:54:14,903 --> 00:54:16,818
AND I DON'’T WANT TO HEAR
WHINY EXCUSES LIKE,
1034
00:54:16,862 --> 00:54:18,167
"I'’M SCARED.
I DON'’T WANT TO DO IT.
1035
00:54:18,211 --> 00:54:19,299
I'’M FAT. I'M LAZY.
I'’M SPOILED."
1036
00:54:19,343 --> 00:54:20,300
I DON'’T WANT TO HEAR THAT.
1037
00:54:20,344 --> 00:54:21,997
WHAT I WANT TO HEAR IS,
1038
00:54:22,041 --> 00:54:23,695
"OKAY, WE'’RE GONNA DO IT.
LET'’S BE A TEAM."
1039
00:54:23,738 --> 00:54:26,088
KEEP GOING.
WHOA, I'’M GONNA FALL OFF.
1040
00:54:26,132 --> 00:54:27,394
LET'’S GO WOW THE CROWD.
1041
00:54:27,438 --> 00:54:29,614
LET'’S GO MAKE THEM GO,
1042
00:54:29,657 --> 00:54:31,877
"HAROLD,
DID YOU JUST SEE THAT?
1043
00:54:31,920 --> 00:54:34,183
"I THINK THAT GIRL JUST RODE
BAREBACK WITHOUT A BRIDLE.
1044
00:54:34,227 --> 00:54:35,924
"SOMEBODY NEEDS TO POST
SOMETHING ABOUT HER.
1045
00:54:35,968 --> 00:54:37,230
SHE'’S SPECIAL."
1046
00:54:38,623 --> 00:54:40,233
- [gasps]
OW.
1047
00:54:40,277 --> 00:54:42,540
YOU LITTLE SHIT.
1048
00:54:42,583 --> 00:54:44,281
HE SLAMMED MY FOOT.
1049
00:54:44,324 --> 00:54:46,805
HEY, WE'’RE NOT GOING THAT WAY.
1050
00:54:46,848 --> 00:54:47,893
WE'’RE GOING MY WAY.
1051
00:54:47,936 --> 00:54:49,634
HE'’S MAKING FORWARD PROGRESS,
1052
00:54:49,677 --> 00:54:51,070
BUT IT'’S SORT OF LIKE,
YOU KNOW,
1053
00:54:51,113 --> 00:54:52,506
TWO STEPS FORWARD,
ONE STEP BACK,
1054
00:54:52,550 --> 00:54:53,942
TWO STEPS FORWARD,
ONE STEP BACK.
1055
00:54:53,986 --> 00:54:55,683
ALL RIGHT.
1056
00:54:55,727 --> 00:54:57,685
COME ON, BUDDY.
1057
00:54:57,729 --> 00:54:59,034
WE ARE GOING TO CALM DOWN,
RIGHT?
1058
00:54:59,078 --> 00:54:59,992
[squeaky kisses]
1059
00:55:02,647 --> 00:55:04,213
YOU LITTLE SHIT.
1060
00:55:04,257 --> 00:55:07,739
I WANT THAT BEHAVIOR OUT OF HIM
BEFORE I'’M ON HIM.
1061
00:55:07,782 --> 00:55:09,306
I'’VE MADE THE MISTAKE OF NOT.
1062
00:55:09,349 --> 00:55:11,351
AND THEN IT'’S ME ON THE GROUND.
1063
00:55:12,787 --> 00:55:14,876
YOU'’RE A MONSTER.
1064
00:55:14,920 --> 00:55:16,356
- DEALING WITH HORSES IS NOT
IF YOU GET HURT...
1065
00:55:16,400 --> 00:55:18,315
both: IT'’S WHEN
AND HOW BAD.
1066
00:55:19,838 --> 00:55:22,406
- A COUPLE TIMES,
HE GOT ME OFF.
1067
00:55:22,449 --> 00:55:25,104
ONE TIME, I LANDED ON MY HEAD,
BUT I WAS WEARING A HELMET.
1068
00:55:25,147 --> 00:55:27,280
- SHE HIT HER HEAD HARD.
1069
00:55:27,324 --> 00:55:29,543
- IT WAS A PERFECT PITCH.
1070
00:55:29,587 --> 00:55:31,676
I MEAN, HE STUCK HIS FRONT IN.
1071
00:55:31,719 --> 00:55:32,764
THAT BACK END WENT UP.
1072
00:55:32,807 --> 00:55:34,853
THAT ENGLISH SADDLE
POPPED HER OUT.
1073
00:55:34,896 --> 00:55:37,638
AND SHE SUPERMANNED
RIGHT OVER HIS EARS.
1074
00:55:37,682 --> 00:55:39,379
AND HER ARMS
DIDN'’T HIT FIRST.
1075
00:55:39,423 --> 00:55:40,989
I MEAN,
SHE LANDED ON HER HEAD
1076
00:55:41,033 --> 00:55:43,557
AND THEN ROLLED ON TO HER NECK
AND SHOULDER
1077
00:55:43,601 --> 00:55:46,255
AND JUST SORT OF FLIPPED.
1078
00:55:46,299 --> 00:55:51,130
SHE GOT A HECK OF A CONCUSSION.
1079
00:55:51,173 --> 00:55:54,046
- ALL RIGHT, WE'’RE TURNING.
WE'’RE TURNING.
1080
00:55:54,089 --> 00:55:55,308
- I WOULD REALLY LIKE TO KNOW
1081
00:55:55,352 --> 00:55:56,527
WHAT SHE HONESTLY THINKS
1082
00:55:56,570 --> 00:55:59,443
ABOUT THAT HORSE'’S PERFORMANCE.
1083
00:55:59,486 --> 00:56:03,011
IF SHE'’S GOING TO FORT WORTH
WITH DELUSIONS,
1084
00:56:03,055 --> 00:56:06,232
THEN SHE'’S NOT ONLY SETTING
HER HORSE UP FOR FAILURE,
1085
00:56:06,275 --> 00:56:07,668
BUT SHE'’S GONNA PUT HERSELF
1086
00:56:07,712 --> 00:56:10,105
AND ANYONE WHO'’S IN THE ARENA
WITH HER IN DANGER.
1087
00:56:10,149 --> 00:56:12,194
- LEFT, LEFT, LEFT.
1088
00:56:12,238 --> 00:56:13,326
NO.
1089
00:56:13,370 --> 00:56:16,547
COME ON.
SWEET JESUS.
1090
00:56:16,590 --> 00:56:18,113
ALL RIGHT.
1091
00:56:18,157 --> 00:56:21,203
WE'’RE GONNA DO THIS.
1092
00:56:21,247 --> 00:56:24,772
YES.
THANK GOD.
1093
00:56:24,816 --> 00:56:28,036
LET'’S DO IT AGAIN
FOR GOOD MEASURE.
1094
00:56:28,080 --> 00:56:29,516
ALL RIGHT.
1095
00:56:32,867 --> 00:56:34,739
THAT WAS NOT GOOD.
COME ON.
1096
00:56:34,782 --> 00:56:38,395
WE HAVE FIGHTS.
[chuckles]
1097
00:56:38,438 --> 00:56:40,919
AND HE GOES THROUGH KIND OF
PERIODS OF, LIKE--I DON'’T KNOW.
1098
00:56:40,962 --> 00:56:42,964
HE'’S REALLY GOOD.
HE'’S REALLY PROGRESSING.
1099
00:56:43,008 --> 00:56:44,879
AND THEN HE'’S JUST TERRIBLE
FOR, LIKE, A WEEK.
1100
00:56:44,923 --> 00:56:46,794
SO I'’M HOPING
THAT THE COMPETITION HAPPENS
1101
00:56:46,838 --> 00:56:47,926
DURING A GOOD WEEK.
1102
00:56:52,321 --> 00:56:55,499
WE WORK EVERY DAY.
1103
00:56:55,542 --> 00:56:57,805
AND SOME DAYS ARE GREAT,
AND SOME DAYS ARE HORRIBLE.
1104
00:57:09,382 --> 00:57:10,427
- GOOD BOY.
[squeaky kisses]
1105
00:57:10,470 --> 00:57:13,430
[bright acoustic guitar]
1106
00:57:13,473 --> 00:57:15,388
YOU KNOW, HE'’S AWESOME.
1107
00:57:15,432 --> 00:57:17,346
HAVING 100 DAYS TO LEARN--
1108
00:57:17,390 --> 00:57:18,783
TO LEARN EVERYTHING
THAT HE'’S LEARNED
1109
00:57:18,826 --> 00:57:20,524
IS QUITE A FEAT.
1110
00:57:22,830 --> 00:57:24,223
KUDOS TO HIM.
1111
00:57:29,750 --> 00:57:30,664
[beeping]
1112
00:57:34,146 --> 00:57:41,806
♪
1113
00:58:04,916 --> 00:58:07,092
[dog whimpers]
1114
00:58:07,135 --> 00:58:08,963
- GIVE HIM A MINUTE
IN THE DARK,
1115
00:58:09,007 --> 00:58:11,531
SO HE DOESN'’T KNOW
WHAT'’S HAPPENING.
1116
00:58:11,575 --> 00:58:15,535
I'’M GONNA TAKE AWAY
THAT ELEMENT OF SIGHT.
1117
00:58:15,579 --> 00:58:16,884
[dog whimpers]
1118
00:58:16,928 --> 00:58:19,974
AND I WANT TO SEE
HOW FAR I CAN PUSH IT
1119
00:58:20,018 --> 00:58:23,108
TO HOW FAR HE CAN TRUST ME.
1120
00:58:23,151 --> 00:58:25,110
THAT'’S A FENCE.
THAT'’S A FENCE.
1121
00:58:25,153 --> 00:58:26,372
THERE YOU GO.
1122
00:58:26,415 --> 00:58:27,852
NOPE, THAT'’S ANOTHER FENCE.
1123
00:58:27,895 --> 00:58:30,942
THAT'’LL BE ANOTHER FENCE.
THAT'’LL BE A FENCE.
1124
00:58:30,985 --> 00:58:33,031
IT'’S ALL COMMUNICATION,
1125
00:58:33,074 --> 00:58:35,555
AND IF I TELL HIM
TO TURN RIGHT,
1126
00:58:35,599 --> 00:58:37,426
THAT HE'’S TRUSTING ME ENOUGH
1127
00:58:37,470 --> 00:58:39,516
THAT I'’M NOT GONNA
TURN HIM INTO A WALL
1128
00:58:39,559 --> 00:58:42,431
OR INTO A DITCH.
1129
00:58:42,475 --> 00:58:44,042
GOING DOWNHILL.
1130
00:58:44,085 --> 00:58:46,218
SLOW. SLOW.
1131
00:58:46,261 --> 00:58:49,351
TAKE IT EASY.
1132
00:58:49,395 --> 00:58:50,918
TAKE IT EASY.
1133
00:58:50,962 --> 00:58:52,311
GOING THIS WAY.
1134
00:58:52,354 --> 00:58:54,095
JUST TRUST ME.
1135
00:58:54,139 --> 00:58:56,228
TRUST ME.
1136
00:58:56,271 --> 00:58:57,621
TAKE IT--TAKE IT EASY.
1137
00:58:57,664 --> 00:58:59,187
THERE WE GO.
OKAY. OKAY.
1138
00:58:59,231 --> 00:59:00,885
ALL RIGHT!
1139
00:59:00,928 --> 00:59:03,061
ASK HIM ANYTHING,
HE'’LL DO IT
1140
00:59:03,104 --> 00:59:05,585
WITHOUT ANY HESITATION
OR ANY FIGHT.
1141
00:59:05,629 --> 00:59:09,284
IT'’S ALL RIGHT.
OOP, UH, EH, EH.
1142
00:59:09,328 --> 00:59:12,157
EH, EH.
YOU GOT IT.
1143
00:59:12,200 --> 00:59:14,986
YOU GOT THIS.
THERE YOU GO.
1144
00:59:15,029 --> 00:59:17,423
YOU'’RE ON THE BRIDGE.
1145
00:59:19,338 --> 00:59:22,341
THERE YOU GO.
1146
00:59:22,384 --> 00:59:23,516
COMING TO THE EDGE.
1147
00:59:23,560 --> 00:59:26,693
COMING--OH, HEY.
NOT TOO FAST.
1148
00:59:26,737 --> 00:59:29,870
COMING TO THE EDGE.
SLOW. SLOW.
1149
00:59:29,914 --> 00:59:32,351
[chuckles]
WHERE IS IT?
1150
00:59:32,394 --> 00:59:33,613
KEEP GOING.
1151
00:59:33,657 --> 00:59:37,182
IT'’S RIGHT THERE.
THERE YOU GO.
1152
00:59:37,225 --> 00:59:38,966
THAT BOY, THAT HORSE,
1153
00:59:39,010 --> 00:59:42,317
HAS MADE ME THE MOST HAPPIEST
PERSON ON THIS EARTH.
1154
00:59:44,145 --> 00:59:45,277
HE'’S JUST A GOOD HORSE.
1155
00:59:45,320 --> 00:59:47,932
THAT'’S WHY HE NEEDS
A GOOD HOME.
1156
00:59:51,849 --> 00:59:53,590
- WE DON'’T HAVE THE MONEY.
1157
00:59:53,633 --> 00:59:55,766
DON'’T BE THINKING
THAT ALL OF A SUDDEN,
1158
00:59:55,809 --> 00:59:57,202
YOU KNOW, WE'’RE GONNA BECOME--
1159
00:59:57,245 --> 00:59:59,160
HOW--HOW ARE WE GONNA TAKE HIM
THROUGH THE WINTER?
1160
00:59:59,204 --> 01:00:01,598
HOW--YOU KNOW,
YOU UNDERSTAND ALL OF THIS
1161
01:00:01,641 --> 01:00:03,121
BEFORE WE GET INVOLVED
WITH THIS.
1162
01:00:03,164 --> 01:00:06,211
AND IT'’S TOUGH.
IT'’S STILL EMOTIONALLY TOUGH.
1163
01:00:06,254 --> 01:00:08,213
BUT, UM, THIS IS SOMETHING
1164
01:00:08,256 --> 01:00:11,216
THAT THEY DECIDED
THAT THEY WANTED TO DO.
1165
01:00:11,259 --> 01:00:14,045
- WHOO, JEEZ, IT'’S COLD.
1166
01:00:15,176 --> 01:00:17,701
WHOO!
1167
01:00:17,744 --> 01:00:19,659
COME ON.
1168
01:00:22,270 --> 01:00:24,055
ALL THAT THEY KNOW
IS WHAT YOU'’VE TAUGHT THEM.
1169
01:00:24,098 --> 01:00:25,883
SO IT'’S GETTING 'EM
TO THAT POINT,
1170
01:00:25,926 --> 01:00:28,363
AND THEN HAVING TO SAY BYE
IS KIND OF ROUGH.
1171
01:00:28,407 --> 01:00:31,192
HEY.
1172
01:00:31,236 --> 01:00:34,282
- AND THERE'’S NO CHANCE
OF KEEPING THEM, IS THERE?
1173
01:00:34,326 --> 01:00:36,850
- NOPE,
WHICH IS KIND OF TOUGH TO SAY,
1174
01:00:36,894 --> 01:00:39,810
BUT WE'’RE NOT IN THE ABILITY
TO BE ABLE TO DO THAT.
1175
01:00:39,853 --> 01:00:42,726
- WHY NOT?
- UH, MONEY-WISE.
1176
01:00:42,769 --> 01:00:45,598
I GUESS, BASICALLY,
THE BOTTOM LINE.
1177
01:00:45,642 --> 01:00:48,557
[chuckles softly]
1178
01:00:49,776 --> 01:00:51,778
SO IT'’S NOT EASY,
1179
01:00:51,822 --> 01:00:55,086
BUT REALITY IS THE SITUATION.
1180
01:00:55,129 --> 01:00:57,784
[horse neighs]
1181
01:01:00,700 --> 01:01:02,049
THEY'’LL GO TO A NEW PLACE
1182
01:01:02,093 --> 01:01:04,573
AND KIND OF SHOW PEOPLE
HOW AWESOME THEY ARE.
1183
01:01:04,617 --> 01:01:07,838
SO IT'’S KIND OF--GIVES YOU
A BIT OF GOOD FEELINGS ABOUT IT.
1184
01:01:07,881 --> 01:01:09,970
BUT STILL,
GOT TO GET A LITTLE SELFISH.
1185
01:01:10,014 --> 01:01:11,711
WANT TO KEEP '’EM.
1186
01:01:11,755 --> 01:01:13,757
BUT WHAT CAN YOU DO?
1187
01:01:24,550 --> 01:01:27,248
[relaxing acoustic guitar]
1188
01:01:27,292 --> 01:01:30,425
♪
1189
01:01:30,469 --> 01:01:31,775
[horse whinnies]
1190
01:01:36,780 --> 01:01:39,173
[melodic whistling]
1191
01:01:39,217 --> 01:01:42,263
- IT SEEMS LIKE I AM WAY BEHIND
ON EVERYTHING.
1192
01:01:42,307 --> 01:01:46,920
BUT THE COMPETITION IS
ABOUT TEN DAYS AWAY FROM NOW.
1193
01:01:48,617 --> 01:01:51,272
AND I HAVEN'’T EVEN GET ON.
1194
01:01:51,316 --> 01:01:52,665
[chuckles]
1195
01:01:52,709 --> 01:01:55,363
MAYBE I'’M SCARED,
1196
01:01:55,407 --> 01:01:57,801
TO TELL YOU THE TRUTH.
1197
01:01:59,150 --> 01:02:01,152
OKAY, COMANCHE.
1198
01:02:01,195 --> 01:02:02,544
I'’M NOT GONNA HURT YOU.
1199
01:02:02,588 --> 01:02:04,372
COME ON.
[clicks teeth]
1200
01:02:04,416 --> 01:02:05,547
WHEN I WAS YOUNG,
1201
01:02:05,591 --> 01:02:07,767
AND WHEN NOBODY
WAS AROUND TO HELP ME,
1202
01:02:07,811 --> 01:02:11,510
I USED TO PUT THEM
IN A SMALL PEN
1203
01:02:11,553 --> 01:02:16,167
AND GET ON AND TRY TO MOVE HIM
AROUND THAT SMALL SPACE.
1204
01:02:16,210 --> 01:02:17,690
THAT'’S THE WAY
I'’M GONNA DO IT.
1205
01:02:17,734 --> 01:02:20,649
[panting]
1206
01:02:22,390 --> 01:02:25,611
HE'’S GOT TO KNOW
THAT I'’M COMING DOWN ON HIM.
1207
01:02:25,654 --> 01:02:27,744
THERE'’S GONNA BE
WEIGHT ON HIM.
1208
01:02:30,137 --> 01:02:32,400
DON'’T YOU TRY ANYTHING,
COMANCHE.
1209
01:02:34,446 --> 01:02:36,013
IT'’S JUST ME, YOUR BUDDY,
1210
01:02:36,056 --> 01:02:37,928
THE PERSON THAT FEEDS YOU
EVERY DAY.
1211
01:02:41,192 --> 01:02:43,150
I'’M SCARED,
TO TELL YOU THE TRUTH.
1212
01:02:45,500 --> 01:02:49,591
I THINK I HAVE AN EXTRA SPARE
OF UNDERWEAR SOMEWHERE.
1213
01:02:50,941 --> 01:02:53,030
PHEW!
WHOO!
1214
01:02:53,073 --> 01:02:57,077
I JUST WANT HIM
TO MOVE A LITTLE BIT.
1215
01:02:57,121 --> 01:02:58,949
TAKE HIS TIME.
1216
01:03:00,646 --> 01:03:04,781
GOT TO MOVE UP.
1217
01:03:04,824 --> 01:03:07,000
THERE YOU GO.
1218
01:03:07,044 --> 01:03:09,960
IT'’S ALL YOU NEED.
1219
01:03:10,003 --> 01:03:11,135
OKAY, BACK UP AGAIN.
1220
01:03:12,876 --> 01:03:14,747
SOME MORE.
[horse whinnies]
1221
01:03:14,791 --> 01:03:17,532
COME ON.
1222
01:03:17,576 --> 01:03:21,188
THAT'’S GOOD.
DOING PRETTY GOOD, COMANCHE.
1223
01:03:23,060 --> 01:03:27,020
OKAY, TURN.
1224
01:03:27,064 --> 01:03:31,068
I ONLY HAVE TEN DAYS
TO WORK WITH THIS HORSE.
1225
01:03:33,331 --> 01:03:36,073
EVERY MINUTE COUNTS,
SO I CAN'’T GET OFF.
1226
01:03:36,116 --> 01:03:39,032
[thunder booming]
1227
01:03:41,208 --> 01:03:43,602
ONLY IF MY SON WAS HERE.
1228
01:03:43,645 --> 01:03:46,823
HE ALWAYS WANTED
TO SEE ME GET ON.
1229
01:03:46,866 --> 01:03:48,302
GOOD BOY.
1230
01:03:48,346 --> 01:03:49,956
- I'’VE SEEN HIM
TAKE ON DIFFERENT HORSES,
1231
01:03:50,000 --> 01:03:53,655
BUT HE ACTUALLY WANTS TO BECOME
BEST FRIENDS WITH THIS HORSE.
1232
01:03:55,657 --> 01:03:58,051
I THINK HE REALLY LOVES
THIS HORSE.
1233
01:04:03,187 --> 01:04:04,579
- OH, BOY.
1234
01:04:07,147 --> 01:04:08,888
ABOUT THREE OR FOUR WEEKS
INTO THIS,
1235
01:04:08,932 --> 01:04:11,891
WE WERE THINKING
HE WASN'’T GONNA MAKE IT.
1236
01:04:11,935 --> 01:04:13,327
HE JUST WASN'’T EVER
GONNA CALM DOWN.
1237
01:04:13,371 --> 01:04:17,027
BUT HE FINALLY DID,
AND WHEN HE DID,
1238
01:04:17,070 --> 01:04:21,683
HE JUST--HE JUST BECAME
A GOOD LITTLE HORSE.
1239
01:04:21,727 --> 01:04:22,946
[bright acoustic guitar]
1240
01:04:22,989 --> 01:04:23,903
GOOD BOY.
1241
01:04:26,775 --> 01:04:30,649
I GUESS MAYBE WE JUST FOUND
THAT PEACE WITH EACH OTHER.
1242
01:04:30,692 --> 01:04:33,434
AND HE SETTLED IN TO ME,
AND I SETTLED IN TO HIM.
1243
01:04:33,478 --> 01:04:36,133
AND HE HAS BECOME
THE BEST-NATURED HORSE
1244
01:04:36,176 --> 01:04:39,963
I BELIEVE I HAVE EVER
WORKED WITH IN OVER 50 YEARS.
1245
01:04:41,051 --> 01:04:43,488
GOOD BOY.
- HEY.
1246
01:04:43,531 --> 01:04:44,968
HE SIDE PASSED.
1247
01:04:45,011 --> 01:04:46,752
- I KNOW.
- OH, MY GOSH.
1248
01:04:46,795 --> 01:04:48,275
WILLIE, WE'’RE BEHIND.
1249
01:04:48,319 --> 01:04:50,234
[laughs]
1250
01:04:50,277 --> 01:04:53,063
IT WAS REAL TOUCHING WHEN
YOU STARTED TO SEE THEM CONNECT,
1251
01:04:53,106 --> 01:04:55,892
'’CAUSE GEORGE HAD SOME,
YOU KNOW,
1252
01:04:55,935 --> 01:04:58,459
CHOICE NAMES THAT HE CALLED HIM
AT FIRST,
1253
01:04:58,503 --> 01:04:59,983
WHEN HE WAS GETTING
BITTEN AND KICKED
1254
01:05:00,026 --> 01:05:01,854
AND THROWN INTO THE DIRT.
1255
01:05:01,898 --> 01:05:03,116
- COME HERE, WAYLON.
1256
01:05:10,428 --> 01:05:14,301
YOU MAY NOT EAT MY HAT.
YOU MAY NOT EAT MY HAT.
1257
01:05:14,345 --> 01:05:17,391
BONDING WITH A HORSE
IS A STRANGE PHENOMENON.
1258
01:05:17,435 --> 01:05:21,221
THANK YOU. THANK YOU.
1259
01:05:21,265 --> 01:05:22,875
YOU FEEL IT
MORE THAN YOU SEE IT.
1260
01:05:22,919 --> 01:05:27,097
AND HE'’S JUST GOT ME
TO THE POINT WHERE
1261
01:05:27,140 --> 01:05:29,055
I KNOW THAT THIS COULD BE
THE HORSE
1262
01:05:29,099 --> 01:05:31,971
THAT I'’M GONNA FINISH
MY RIDING DAYS ON.
1263
01:05:35,366 --> 01:05:36,323
- SEVEN WEEKS AGO,
1264
01:05:36,367 --> 01:05:38,369
NO, I WOULDN'’T HAVE THOUGHT
1265
01:05:38,412 --> 01:05:40,023
THAT GEORGE WOULD WANT TO ADOPT
THIS HORSE,
1266
01:05:40,066 --> 01:05:42,460
BECAUSE, NUMBER ONE,
1267
01:05:42,503 --> 01:05:44,201
NEITHER OF US
WERE BRINGING THESE TWO HOME.
1268
01:05:44,244 --> 01:05:49,771
AND I KNOW HE STARTED THINKING
ABOUT WANTING TO BRING HIM HOME.
1269
01:05:49,815 --> 01:05:51,948
DIDN'’T REALLY KNOW WHAT TO SAY,
'’CAUSE WE'D ALREADY--
1270
01:05:51,991 --> 01:05:54,080
YOU KNOW, HE DOESN'’T WANT ME
TO BRING MINE HOME.
1271
01:05:54,124 --> 01:05:59,956
BUT I CAN SEE--
I CAN SEE THAT...
1272
01:05:59,999 --> 01:06:01,958
GEORGE NEEDS TO BRING
THAT HORSE HOME.
1273
01:06:02,001 --> 01:06:03,524
[birds chirping]
1274
01:06:03,568 --> 01:06:05,570
THAT LITTLE MUSTANG'’S
GOT A LOT OF HEART.
1275
01:06:10,140 --> 01:06:12,969
THAT HORSE IS--
AS SMALL AS HE IS,
1276
01:06:13,012 --> 01:06:15,101
IS BIG ENOUGH FOR GEORGE.
1277
01:06:29,420 --> 01:06:32,379
[stirring instrumental music]
1278
01:06:32,423 --> 01:06:40,083
♪
1279
01:06:46,524 --> 01:06:48,004
- COME ON, WILLIE.
1280
01:06:49,614 --> 01:06:56,273
♪
1281
01:06:58,623 --> 01:07:00,407
- I FEEL FINE
ABOUT THE COMPETITION.
1282
01:07:00,451 --> 01:07:02,061
WHAT I'’M WORRIED MOST ABOUT
IS LOSING MY HORSE.
1283
01:07:08,372 --> 01:07:09,460
- AT LEAST WE MAKE IT, HUH?
1284
01:07:15,379 --> 01:07:17,163
- THERE ARE SO MANY EMOTIONS
RIGHT NOW,
1285
01:07:17,207 --> 01:07:19,078
'’CAUSE I'M WANTING
TO DO WELL.
1286
01:07:19,122 --> 01:07:21,080
I'’M WANTING
TO SHOW WILLIE WELL.
1287
01:07:21,124 --> 01:07:22,908
BUT IT'’S ALSO SAD FOR ME,
1288
01:07:22,951 --> 01:07:25,171
'’CAUSE I KNOW THAT I WON'T BE
BRINGING HIM HOME.
1289
01:07:26,868 --> 01:07:28,914
AND THAT'’S...
1290
01:07:28,957 --> 01:07:30,785
THAT'’S HARD.
1291
01:07:35,138 --> 01:07:36,835
[horse whinnies]
1292
01:07:48,238 --> 01:07:51,850
[horse chuffing]
1293
01:07:51,893 --> 01:07:53,852
- A FEW DAYS AGO,
I DON'’T KNOW WHAT HAPPENED,
1294
01:07:53,895 --> 01:07:55,810
BUT HE STARTED BUCKING.
1295
01:07:55,854 --> 01:07:57,856
TRIED SO HARD
TO STAY IN THE SADDLE,
1296
01:07:57,899 --> 01:08:00,685
BUT I GOT BUCKED OFF,
AND I HAVEN'’T GOT BACK ON YET.
1297
01:08:05,820 --> 01:08:07,866
HERE, IT'’S JUST GONNA
BE DIFFERENT.
1298
01:08:09,302 --> 01:08:11,087
EITHER WAY,
I'’M GONNA GET ON.
1299
01:08:16,396 --> 01:08:17,571
- HE'’S READY.
1300
01:08:17,615 --> 01:08:20,792
HE'’S VERY CALM, QUIET.
1301
01:08:20,835 --> 01:08:24,056
I THINK, YOU KNOW,
HE WILL DO A GOOD JOB TOMORROW.
1302
01:08:24,100 --> 01:08:27,407
[horses neighing]
1303
01:08:27,451 --> 01:08:30,106
- NOW, YOU'’RE GONNA COME IN
RIGHT HERE.
1304
01:08:30,149 --> 01:08:31,933
YOU'’RE GONNA COME HERE,
1305
01:08:31,977 --> 01:08:34,284
KEEP LOPING, RIDE UP.
1306
01:08:34,327 --> 01:08:37,765
BUT YOU CAN DO
A DROP-CHANGE TRANSITION,
1307
01:08:37,809 --> 01:08:39,680
LOPE, WALK,
AND RIGHT ON INTO THE BOX.
1308
01:08:39,724 --> 01:08:40,986
- OKAY.
1309
01:08:41,029 --> 01:08:41,987
- TWO CIRCLES TO THE RIGHT,
1310
01:08:42,030 --> 01:08:43,684
WALK OUT, AND YOU'’RE DONE.
1311
01:08:45,947 --> 01:08:49,037
- 100 TRAINERS. 100 HORSES.
100 DAYS.
1312
01:08:50,909 --> 01:08:52,258
QUITE AMAZING.
1313
01:09:05,184 --> 01:09:06,968
- HIP 74.
1314
01:09:07,012 --> 01:09:09,057
HORSE'’S NAME IS REMBRANDT.
1315
01:09:09,101 --> 01:09:11,756
THAT'’S ART IN MOTION.
1316
01:09:13,323 --> 01:09:16,239
[cheers and applause]
1317
01:09:19,720 --> 01:09:21,374
CHARLES HAS
HAND-TRAINED COMANCHE.
1318
01:09:22,941 --> 01:09:24,508
- ONE BOBBLE, I MEAN,
1319
01:09:24,551 --> 01:09:26,205
IF YOU LEAD THE HORSE
UP TO THE TRAILER
1320
01:09:26,249 --> 01:09:27,641
AND HE'’S SUPPOSED TO JUMP
IN THE TRAILER
1321
01:09:27,685 --> 01:09:29,295
AND HE STALLS OUT,
YOU'’RE OUT.
1322
01:09:29,339 --> 01:09:31,384
IF YOU GO TO PICK UP HIS FEET
AND HE WON'’T GIVE YOU HIS FEET,
1323
01:09:31,428 --> 01:09:32,646
YOU'’RE OUT.
1324
01:09:32,690 --> 01:09:35,214
SERPENTINE THROUGH THE CONES
AT A TROT
1325
01:09:35,258 --> 01:09:36,215
AND HE DOESN'’T TROT,
1326
01:09:36,259 --> 01:09:37,564
YOU'’RE OUT.
1327
01:09:37,608 --> 01:09:41,307
SO THERE'’S NO ROOM
FOR ANY BOBBLES.
1328
01:09:41,351 --> 01:09:43,353
THE COMPETITION IS THAT STIFF.
1329
01:09:45,137 --> 01:09:48,053
[cheers and applause]
1330
01:09:51,665 --> 01:09:53,232
- SO NIK'’S GONNA--
WALKING ALONG,
1331
01:09:53,276 --> 01:09:55,669
AND ALL OF A SUDDEN,
HIS HORSE IS DOWN.
1332
01:09:55,713 --> 01:09:57,628
ROLLING.
1333
01:09:57,671 --> 01:09:59,412
EVERYBODY THOUGHT
IT WAS FUNNY.
1334
01:09:59,456 --> 01:10:00,935
I WAS HORRIFIED.
1335
01:10:00,979 --> 01:10:02,198
SO HE JUST LOST.
1336
01:10:02,241 --> 01:10:03,895
[cheers and applause]
1337
01:10:06,245 --> 01:10:08,595
- I'’M KIND OF HOPING THAT
THEY'’RE GONNA LOOK AND SAY,
1338
01:10:08,639 --> 01:10:10,206
"HEY, YOU KNOW,
THAT'’S A RELAXED HORSE.
1339
01:10:10,249 --> 01:10:11,598
YOU'’VE DONE A GOOD JOB,"
1340
01:10:11,642 --> 01:10:13,513
AND, YOU KNOW,
GIVE HIM KUDOS FOR THAT,
1341
01:10:13,557 --> 01:10:15,211
AS OPPOSED TO SAYING,
"OH, NO, NO.
1342
01:10:15,254 --> 01:10:16,647
WE DIDN'’T EXPECT
THAT TO BE HAPPENING."
1343
01:10:16,690 --> 01:10:18,344
SO WE'’LL SEE HOW IT GOES.
1344
01:10:19,998 --> 01:10:21,739
- HIP NUMBER 34.
1345
01:10:21,782 --> 01:10:25,873
WALKED TO MELISSA KANZELBERGER,
BRYAN, TEXAS.
1346
01:10:25,917 --> 01:10:27,440
- IF THEY CAN SENSE
THAT YOU'’RE SCARED,
1347
01:10:27,484 --> 01:10:29,486
THEY WILL TAKE ADVANTAGE
OF THAT.
1348
01:10:29,529 --> 01:10:32,053
SO I TRY TO, LIKE, PUSH
THOSE KIND OF EMOTIONS AWAY
1349
01:10:32,097 --> 01:10:33,359
UNTIL WE'’RE DONE.
1350
01:10:35,361 --> 01:10:36,928
HE COULD
START BUCKING RANDOMLY,
1351
01:10:36,971 --> 01:10:38,321
WHICH HE'’S DONE.
1352
01:10:38,364 --> 01:10:40,192
HE COULD DO THE RUNNING OUT
THE SHOULDER THING,
1353
01:10:40,236 --> 01:10:43,543
AND I COULD TOTALLY MISS
AN OBSTACLE.
1354
01:10:43,587 --> 01:10:46,372
I HAD NO IDEA
IF I COULD DO IT OR NOT,
1355
01:10:46,416 --> 01:10:49,549
LIKE, JUST ABSOLUTELY NO IDEA
IF I'’D EVEN GET A HALTER ON HIM.
1356
01:10:49,593 --> 01:10:54,424
ACTUALLY, GETTING ON HIS BACK
SEEMED LIKE A FAIRY TALE DREAM.
1357
01:10:57,340 --> 01:10:58,776
- I WAS GETTIN'’ NERVOUS.
1358
01:10:58,819 --> 01:11:01,344
I FELT LIKE I WAS GONNA THROW UP
WHEN SHE GOT ON.
1359
01:11:03,302 --> 01:11:06,218
SHE'’S BEEN PROVING PEOPLE WRONG
FROM DAY ONE,
1360
01:11:06,262 --> 01:11:08,351
SO I WAS PROUD OF HER.
1361
01:11:08,394 --> 01:11:10,962
THAT WAS GOOD.
YOU DID GOOD.
1362
01:11:11,005 --> 01:11:13,486
- YEAH, I JUST HOPE
I CAN TAKE HIM HOME WITH ME.
1363
01:11:13,530 --> 01:11:15,401
- HIP NUMBER 9,
1364
01:11:15,445 --> 01:11:17,751
EVELYN GREGORY,
SAINT JO, TEXAS,
1365
01:11:17,795 --> 01:11:20,319
RIDING WILLIE.
1366
01:11:20,363 --> 01:11:22,408
- WELL, SHE'’S GOT HER HANDS FULL
WITH THAT HORSE.
1367
01:11:22,452 --> 01:11:24,671
- YEAH. ME TOO.
1368
01:11:24,715 --> 01:11:25,803
- [laughs]
1369
01:11:25,846 --> 01:11:27,326
- THIS IS JUST GONNA BE
THE SIXTH TIME
1370
01:11:27,370 --> 01:11:28,675
I'’M GONNA GET ON
RIGHT IN HERE.
1371
01:11:28,719 --> 01:11:30,024
- OH, IS THAT RIGHT?
- YUP.
1372
01:11:30,068 --> 01:11:32,766
- YOU'’VE ONLY BEEN RIDING HIM
SIX TIMES, WOW.
1373
01:11:32,810 --> 01:11:35,465
- HIP NUMBER 11
COMING INTO THE ARENA.
1374
01:11:35,508 --> 01:11:37,728
AND THIS,
LADIES AND GENTLEMEN,
1375
01:11:37,771 --> 01:11:40,861
WILL BE HIS SIXTH RIDE.
1376
01:11:42,994 --> 01:11:46,954
- RIGHT NOW,
I CAN'’T REALLY
1377
01:11:46,998 --> 01:11:50,001
PUSH MYSELF UP INTO THE SADDLE
FROM THE GROUND.
1378
01:11:50,044 --> 01:11:54,527
SO I HOPE HE CAN STAND STILL
WHILE I DO THAT TOO.
1379
01:11:54,571 --> 01:11:57,313
- I JUST WANT TO SEE HOW
MY DAD'’S GONNA GET ON HIS HORSE.
1380
01:11:57,356 --> 01:11:58,401
THAT'’S ALL.
1381
01:12:01,882 --> 01:12:03,406
- I'’LL GIVE IT TO YOU,
CHARLES,
1382
01:12:03,449 --> 01:12:07,497
AND WE'’LL WATCH AS YOU PUT
NUMBER 6 ON THIS HORSE.
1383
01:12:09,890 --> 01:12:11,675
- I'’M SCARED FOR HIM,
BECAUSE, LIKE I SAID,
1384
01:12:11,718 --> 01:12:13,633
HE'’S GETTING OLD.
1385
01:12:13,677 --> 01:12:15,896
HE'’S JUST TRYING TO SAY THAT,
"I'’M STILL YOUNG ENOUGH
1386
01:12:15,940 --> 01:12:17,768
TO HANDLE WHATEVER YOU GUYS
CAN THROW AT ME."
1387
01:12:31,216 --> 01:12:33,914
[uplifting acoustic guitar]
1388
01:12:33,958 --> 01:12:39,050
♪
1389
01:12:39,093 --> 01:12:41,748
[cheers and applause]
1390
01:12:44,882 --> 01:12:47,885
- I'’VE BEEN SEEING MYSELF
RIDE IN THE COMPETITION
1391
01:12:47,928 --> 01:12:51,454
AND HAVE GOOD COMMUNICATION
WITH COMANCHE
1392
01:12:51,497 --> 01:12:53,194
AND BE A GOOD TEAM.
1393
01:12:56,284 --> 01:12:59,157
THE FEAR IS ALWAYS THERE.
1394
01:12:59,200 --> 01:13:01,812
IT NEVER GOES AWAY.
1395
01:13:03,466 --> 01:13:04,771
BUT AFTER THE COMPETITION,
1396
01:13:04,815 --> 01:13:06,512
YOU KNOW, YOU FACE IT,
YOU FEEL GOOD.
1397
01:13:14,955 --> 01:13:16,957
ONE OF THESE DAYS,
I'’M GONNA SAY I WAS THERE.
1398
01:13:17,001 --> 01:13:19,177
I DID IT.
1399
01:13:19,220 --> 01:13:21,397
- THAT'’LL DO IT.
SIX RIDES.
1400
01:13:21,440 --> 01:13:23,181
CHARLES CHEE.
1401
01:13:23,224 --> 01:13:25,879
I BELIEVE WE'’LL CALL THIS ONE
SIX, SEVEN, AND EIGHT.
1402
01:13:25,923 --> 01:13:27,011
IT WAS WORTH IT.
1403
01:13:31,885 --> 01:13:34,801
- HIP NUMBER 21.
KRISTOPHER KOKAL.
1404
01:13:34,845 --> 01:13:37,413
[whistling]
1405
01:13:37,456 --> 01:13:39,763
- I'’M NOT GONNA LIE.
I'’M FEELING NERVOUS.
1406
01:13:39,806 --> 01:13:42,418
AND I KNOW MY HORSE
IS GONNA PULL ME THROUGH.
1407
01:13:42,461 --> 01:13:44,289
AND I JUST HAVE TO RELY ON HIM,
1408
01:13:44,332 --> 01:13:46,030
AND I KNOW I'’LL BE FINE.
1409
01:13:51,252 --> 01:13:54,168
[cheers and applause]
1410
01:13:58,042 --> 01:14:01,175
I LOVE HIM MORE THAN LOVE.
1411
01:14:01,219 --> 01:14:05,528
HE'’S NOT EVEN ONCE JUST GIVEN ME
A BAD EYE OR A BAD EAR.
1412
01:14:05,571 --> 01:14:06,790
HE'’S JUST SAID,
1413
01:14:06,833 --> 01:14:08,966
"OKAY, WE'’LL FIGURE THIS OUT
TOGETHER."
1414
01:14:15,625 --> 01:14:19,759
AND THAT'’S HOW
WE'’VE COME SO FAR,
1415
01:14:19,803 --> 01:14:23,763
VERY, VERY FAR
IN A VERY SHORT TIME.
1416
01:14:26,549 --> 01:14:28,333
[cheers and applause]
1417
01:14:28,376 --> 01:14:34,208
IT'’S AMAZING WHAT SIOUX AND I
CAME TO BE.
1418
01:14:34,252 --> 01:14:36,297
- KRISTOPHER KOKAL.
1419
01:14:36,341 --> 01:14:38,517
A BOY NAMED SIOUX.
1420
01:14:43,130 --> 01:14:45,785
[whistling from crowd]
1421
01:14:45,829 --> 01:14:47,004
- AWESOME.
1422
01:14:47,047 --> 01:14:48,048
KRIS, YOU MADE IT.
1423
01:14:48,092 --> 01:14:51,748
- OH, YES.
1424
01:14:51,791 --> 01:14:53,053
I PULLED
WHAT I WANTED TO PULL OFF.
1425
01:14:56,361 --> 01:14:57,493
[sighs]
1426
01:14:57,536 --> 01:14:59,407
WOW. I DID IT.
1427
01:14:59,451 --> 01:15:01,932
- CHAD, WE'’RE GONNA
TAKE CAN-DO-IT TO BE GROOMED,
1428
01:15:01,975 --> 01:15:04,761
SO Y'’ALL CAN RELAX.
1429
01:15:04,804 --> 01:15:06,719
- GOOD WORK.
- THANKS.
1430
01:15:06,763 --> 01:15:08,025
- SWEET.
1431
01:15:08,068 --> 01:15:11,202
- JUST 100 DAYS SINCE THIS HORSE
WAS IN THE WILD.
1432
01:15:11,245 --> 01:15:13,900
[cheers and applause]
1433
01:15:17,600 --> 01:15:19,253
LANNY LEACH,
TUCSON, ARIZONA,
1434
01:15:19,297 --> 01:15:22,561
AND HUCKLEBERRY.
1435
01:15:22,605 --> 01:15:25,608
- SOME OF THE TOP TRAINERS
IN THE UNITED STATES
1436
01:15:25,651 --> 01:15:27,479
ARE THERE WITH THEIR MUSTANGS,
1437
01:15:27,523 --> 01:15:31,004
AND THAT'’S REALLY
A CHALLENGE TO YOU.
1438
01:15:31,048 --> 01:15:32,876
BUT ACTUALLY, TO ME,
IT'’S AN HONOR
1439
01:15:32,919 --> 01:15:35,182
JUST TO BE ABLE TO GO
ON THE SAME FLOOR WITH THEM.
1440
01:15:35,226 --> 01:15:39,186
- NICE WORK DOWN THERE.
VERY NICE WORK.
1441
01:15:39,230 --> 01:15:41,101
CLINT BAILEY.
1442
01:15:43,321 --> 01:15:47,543
NICE, NICE.
1443
01:15:47,586 --> 01:15:50,154
[cheers and applause]
1444
01:15:50,197 --> 01:15:52,286
TIME.
AND A GOOD FINISH.
1445
01:15:55,855 --> 01:15:58,641
- HIP NUMBER 55.
1446
01:15:58,684 --> 01:16:00,817
ENTRY GEORGE GREGORY.
1447
01:16:00,860 --> 01:16:03,820
GEORGE IS RIDING WAYLON.
1448
01:16:03,863 --> 01:16:05,343
- THAT DAY WE BROUGHT HIM IN,
1449
01:16:05,386 --> 01:16:07,780
AND WE GOT HIM OUT
AND PUT HIM IN HIS PEN,
1450
01:16:07,824 --> 01:16:10,957
AND HE HAD
THIS TERROR IN HIS EYES, AND...
1451
01:16:11,001 --> 01:16:12,655
BUT WE DIDN'’T GIVE UP.
1452
01:16:14,961 --> 01:16:17,834
AND WAYLON PROBABLY TAUGHT ME
MORE THAN ANY OTHER HORSE EVER.
1453
01:16:17,877 --> 01:16:21,620
HE, UH--
HE DID TEACH ME THAT--THAT--
1454
01:16:21,664 --> 01:16:22,708
YOU KNOW,
PATIENCE WILL PAY OFF.
1455
01:16:24,449 --> 01:16:28,409
[applause]
1456
01:16:28,453 --> 01:16:31,064
WELL, IF WE COULD WIN, I...
[laughs]
1457
01:16:31,108 --> 01:16:32,500
IF WE COULD WIN,
WE COULD SHOW
1458
01:16:32,544 --> 01:16:35,329
THAT AN OLD FAT GUY
CAN STILL RIDE A HORSE.
1459
01:16:35,373 --> 01:16:37,331
IF WE MAKE THE FINALS,
IT WOULD BE A HIGHLIGHT.
1460
01:16:37,375 --> 01:16:39,551
TO WIN,
IT WOULD JUST BE INCREDIBLE.
1461
01:16:41,205 --> 01:16:42,598
- THANK YOU, GEORGE.
1462
01:16:44,948 --> 01:16:48,299
ENTRY NUMBER 52,
1463
01:16:48,342 --> 01:16:50,562
CARLOS RAY CHEE
1464
01:16:50,606 --> 01:16:55,219
RIDING I DON'’T KNOW.
1465
01:16:55,262 --> 01:16:59,527
- IT'’LL MEAN EVERYTHING TO ME
IF I MAKE THE TOP TEN--
1466
01:16:59,571 --> 01:17:01,704
WHEN I MAKE THE TOP TEN.
1467
01:17:07,144 --> 01:17:09,755
- THERE'’S NOT
ANY NATIVE AMERICAN INDIAN,
1468
01:17:09,799 --> 01:17:11,714
ESPECIALLY FROM
THE NAVAJO RESERVATION,
1469
01:17:11,757 --> 01:17:16,501
THAT'’S KNOWN OUT THERE
IN THE UNITED STATES.
1470
01:17:16,544 --> 01:17:20,723
AND I HOPE HE GETS OUT THERE
AND DOES IT.
1471
01:17:23,813 --> 01:17:28,078
ONE DAY,
HE'’S GONNA BE OUT THERE.
1472
01:17:28,121 --> 01:17:31,472
AND I HOPE THAT I'’LL STILL
BE OUT THERE WITH HIM.
1473
01:17:34,345 --> 01:17:40,090
- CARLOS RAY CHEE,
FROM ARIZONA, RIDING I.D.K.
1474
01:17:40,133 --> 01:17:43,441
THANK YOU, CARLOS.
1475
01:17:43,484 --> 01:17:46,139
- HE'’S GONNA SHOW HIS HORSE
IN THE VAQUERO TRADITION.
1476
01:17:46,183 --> 01:17:48,968
AND THIS GUY IS ONE TO WATCH.
1477
01:17:49,012 --> 01:17:51,362
THIS IS MY FAVORITE.
1478
01:17:51,405 --> 01:17:53,625
- HIP NUMBER 50.
1479
01:17:53,669 --> 01:17:58,108
JESUS JARUEGUI.
1480
01:17:58,151 --> 01:18:01,677
- WELL, I AM A DREAMER.
1481
01:18:01,720 --> 01:18:02,808
AND TO ME, IT'’S A DREAM,
1482
01:18:02,852 --> 01:18:06,682
YOU KNOW, TO COME TO TEXAS
AND COMPETE.
1483
01:18:06,725 --> 01:18:10,076
[cheers and applause]
1484
01:18:10,120 --> 01:18:13,123
- NOW JESUS WILL DO
HIS COURSE WORK.
1485
01:18:15,473 --> 01:18:18,389
[applause]
1486
01:18:22,306 --> 01:18:25,004
HE'’S BEEN HANDLING THAT ROPE
SINCE HE WAS SEVEN.
1487
01:18:25,048 --> 01:18:27,615
TRAINED HIS FIRST HORSE
WHEN HE WAS 14.
1488
01:18:27,659 --> 01:18:30,575
[cheers and applause]
1489
01:18:37,103 --> 01:18:39,758
[cheers and applause]
1490
01:18:46,112 --> 01:18:48,071
JESUS JARUEGUI,
1491
01:18:48,114 --> 01:18:50,029
BAILEYS HARBOR, WISCONSIN,
1492
01:18:50,073 --> 01:18:52,510
ON EL COMPADRE.
1493
01:18:52,553 --> 01:18:55,208
[cheers and applause]
1494
01:19:01,127 --> 01:19:04,522
- I KNOW MY HORSE.
AND I KNOW WHAT I HAVE.
1495
01:19:04,565 --> 01:19:05,523
IT'’S WHY WE'RE HERE.
1496
01:19:05,566 --> 01:19:06,742
IF YOU'’RE THAT GOOD,
1497
01:19:06,785 --> 01:19:09,309
I COME TO COMPETE
WITH THE GOOD PEOPLE.
1498
01:19:09,353 --> 01:19:14,271
- WYLENE WILSON FROM QUEEN CREEK
RIDING REMBRANDT.
1499
01:19:16,752 --> 01:19:18,188
BETTER BUCKLE UP
1500
01:19:18,231 --> 01:19:21,408
WHEN EXTREME WYLENE
RIDES INTO THE ARENA.
1501
01:19:21,452 --> 01:19:24,063
I KNOW A FEW TEXAS COWBOYS
THAT WERE SHOWED UP BY HER,
1502
01:19:24,107 --> 01:19:26,544
AND THEY'’RE STILL TRYING
TO GET OVER IT.
1503
01:19:26,587 --> 01:19:29,286
- THE GAL HAS
THE EYE OF THE TIGER.
1504
01:19:29,329 --> 01:19:32,419
UH, AND YOU KNOW,
SHE'’S BEAUTIFUL AND FLIPPANT
1505
01:19:32,463 --> 01:19:35,640
AND CRAZY AND FUN
AND TALKS LIKE THIS:
1506
01:19:35,683 --> 01:19:38,034
AND, "AH-HA-HA,"
AND, "GET IT ON,"
1507
01:19:38,077 --> 01:19:39,775
AND THEN WILL GO IN
AND KICK YOUR ASS.
1508
01:19:43,039 --> 01:19:45,084
- HOW WOULD IT FEEL TO WIN...
1509
01:19:45,128 --> 01:19:47,608
ALMOST SURREAL,
I WOULD THINK.
1510
01:19:47,652 --> 01:19:48,958
UNBELIEVABLE, BUT SURREAL.
1511
01:19:49,001 --> 01:19:50,394
FOR ME, I THINK,
1512
01:19:50,437 --> 01:19:52,265
I'’VE ALWAYS BEEN SO CLOSE
BUT JUST NEVER WON IT.
1513
01:19:52,309 --> 01:19:53,266
SO IF I REALLY DID WIN IT,
1514
01:19:53,310 --> 01:19:54,572
IT WOULD JUST BE LIKE...
1515
01:19:54,615 --> 01:19:56,008
I'’D DO A BACKFLIP PROBABLY.
1516
01:19:56,052 --> 01:19:57,836
THAT'’S NOT AN EXAGGERATION.
I PROBABLY WOULD.
1517
01:19:59,795 --> 01:20:01,187
[cheers and applause]
1518
01:20:01,231 --> 01:20:04,321
- NOW IN THE ARENA,
NIKOLAS KOKAL.
1519
01:20:04,364 --> 01:20:06,323
- WE'’VE WORKED ON EVERYTHING
THAT WE NEED TO.
1520
01:20:06,366 --> 01:20:07,846
AND I KNOW HE'’S GOT EVERYTHING,
YOU KNOW,
1521
01:20:07,890 --> 01:20:10,501
FROM SIDE PASSES TO SPINS.
1522
01:20:10,544 --> 01:20:12,285
SO IT'’S JUST A MATTER OF,
YOU KNOW,
1523
01:20:12,329 --> 01:20:15,071
WHEN WE ACTUALLY GET OUT THERE,
DOING IT.
1524
01:20:15,114 --> 01:20:18,030
[cheers and applause]
1525
01:20:22,339 --> 01:20:26,082
- NIK KOKAL ON RANAHAN.
1526
01:20:28,649 --> 01:20:34,481
WELL DONE, NIK.
1527
01:20:34,525 --> 01:20:36,701
- MY NERVES
WERE KIND OF OUT OF CONTROL,
1528
01:20:36,744 --> 01:20:38,007
JUST EVERYTHING GOING ON.
1529
01:20:38,050 --> 01:20:39,486
I DON'’T KNOW WHAT HAPPENED.
1530
01:20:39,530 --> 01:20:41,575
WE'’LL GET THE RESULTS HERE,
HOPEFULLY, PRETTY SOON.
1531
01:20:44,665 --> 01:20:46,754
- AND, TRAINERS,
YOU'’RE GONNA WANT TO LISTEN UP.
1532
01:20:46,798 --> 01:20:53,849
HERE ARE YOUR TOP TEN FINALISTS
FOR TONIGHT'’S LEGENDS FINALS:
1533
01:20:53,892 --> 01:20:57,591
LOTS OF CHROME,
BILL LOPEZ;
1534
01:20:57,635 --> 01:21:00,899
COUNTRY BOY
AND LOGAN LEACH;
1535
01:21:00,943 --> 01:21:03,989
MONTE,
TRAVIS DITTMER;
1536
01:21:04,033 --> 01:21:06,949
HUCKLEBERRY
AND LANNY LEACH;
1537
01:21:06,992 --> 01:21:10,256
KIDD COOL,
LORRIE GROVER;
1538
01:21:10,300 --> 01:21:13,346
HOLADAY'’S RICHOCHET,
MIRANDA HOLADAY.
1539
01:21:13,390 --> 01:21:14,434
- WHOO!
1540
01:21:14,478 --> 01:21:15,827
HELL YEAH!
1541
01:21:15,871 --> 01:21:18,482
- ROOSTER,
CLINT BAILEY.
1542
01:21:18,525 --> 01:21:20,005
- HOT DOG!
1543
01:21:20,049 --> 01:21:23,443
- REMBRANDT
AND WYLENE WILSON.
1544
01:21:23,487 --> 01:21:27,360
RAINMAKER
AND TERYN MUENCH.
1545
01:21:27,404 --> 01:21:32,975
EL COMPADRE
AND JESUS JARUEGUI.
1546
01:21:33,018 --> 01:21:35,934
THAT ARE YOUR TOP TEN FINALISTS
THAT YOU WILL SEE TONIGHT
1547
01:21:35,978 --> 01:21:40,721
IN TONIGHT'’S LEGENDS FINALS
THAT BEGINS AT 7:00.
1548
01:21:40,765 --> 01:21:43,202
- I WOULD LIKE TO HAVE
MADE THE FINALS,
1549
01:21:43,246 --> 01:21:45,726
BUT WE DIDN'’T,
AND THAT'’S OKAY.
1550
01:21:45,770 --> 01:21:48,207
HE'’S A GOOD HORSE.
1551
01:21:48,251 --> 01:21:49,992
HE WASN'’T, BUT HE IS.
[laughs]
1552
01:21:50,035 --> 01:21:51,689
- AND YOU'’RE STILL HOPING
TO TAKE HIM HOME, RIGHT?
1553
01:21:51,732 --> 01:21:55,127
- YEAH.
OH, YEAH.
1554
01:21:55,171 --> 01:21:56,389
- I WAS WAY AT THE BOTTOM.
1555
01:21:56,433 --> 01:21:58,000
I THOUGHT I WAS UP THERE,
1556
01:21:58,043 --> 01:22:01,568
BUT THERE WAS PROBABLY
SOME STUFF THAT I MESSED UP ON.
1557
01:22:01,612 --> 01:22:06,617
AND MAYBE NEXT YEAR,
I'’LL BE A LOT BETTER HERE.
1558
01:22:06,660 --> 01:22:08,880
- THIS IS EVERYTHING
UP TO THIS POINT.
1559
01:22:08,924 --> 01:22:11,274
WYLENE'’S SITTING FIRST,
LANNY, THEN LOGAN,
1560
01:22:11,317 --> 01:22:14,016
THEN BILL, THEN MIRANDA.
1561
01:22:14,059 --> 01:22:16,975
[talking indistinctly]
1562
01:22:19,760 --> 01:22:21,719
- 76.50.
1563
01:22:21,762 --> 01:22:23,199
- REALLY?
ARE YOU SERIOUS?
1564
01:22:23,242 --> 01:22:25,375
HOW DOES THAT WORK?
THAT'’S OKAY.
1565
01:22:25,418 --> 01:22:27,159
LIKE I SAID,
WE GOT TO MAKE CHOICES, RIGHT?
1566
01:22:27,203 --> 01:22:29,118
AND WE WERE HERE
FOR THE HORSE,
1567
01:22:29,161 --> 01:22:30,989
NOT TO TEACH A HORSE
HOW TO COMPETE
1568
01:22:31,033 --> 01:22:32,338
BUT HOW TO BE A PARTNER,
YOU KNOW.
1569
01:22:32,382 --> 01:22:35,733
SO WE CLAIMED VICTORY.
SO WE'’LL TAKE IT.
1570
01:22:35,776 --> 01:22:39,171
YOUR BEST SHOW.
1571
01:22:39,215 --> 01:22:41,217
- FIRST OF ALL,
IT'’S A CLEAN START.
1572
01:22:41,260 --> 01:22:43,306
NONE OF YOUR
PREVIOUS SCORES COUNT.
1573
01:22:43,349 --> 01:22:46,004
YOU'’RE GONNA GET FOUR MINUTES
TO SET UP
1574
01:22:46,048 --> 01:22:48,702
AND FOUR MINUTES TO PERFORM.
1575
01:22:48,746 --> 01:22:51,749
AND YOU'’RE GONNA BE SCORED
ON THE REQUIRED MANEUVERS
1576
01:22:51,792 --> 01:22:55,144
AND ON ARTISTIC,
CREATIVE PERFORMANCE
1577
01:22:55,187 --> 01:22:57,450
AND OVERALL ATHLETIC ABILITY.
1578
01:22:57,494 --> 01:23:00,453
[upbeat country music]
1579
01:23:00,497 --> 01:23:08,157
♪
1580
01:23:10,289 --> 01:23:13,249
- WELL, FOLKS,
WELCOME, WELCOME,
1581
01:23:13,292 --> 01:23:17,427
TO THE FINALS PERFORMANCE
OF THE 2009
1582
01:23:17,470 --> 01:23:22,084
EXTREME MUSTANG MAKEOVER
WESTERN STAMPEDE.
1583
01:23:22,127 --> 01:23:25,217
[cheers and applause]
1584
01:23:25,261 --> 01:23:27,959
- STINKING BOYS,
SHOW '’EM WHAT IT'S ALL ABOUT
1585
01:23:28,003 --> 01:23:29,569
WHEN THE BLONDE
COMES WALKING IN THERE.
1586
01:23:29,613 --> 01:23:31,310
WILDCAT. BOOM.
FROM ARIZONA.
1587
01:23:31,354 --> 01:23:33,791
THEY'’RE GONNA BE LIKE,
"WHOA!"
1588
01:23:33,834 --> 01:23:35,140
I'’M HOPING SO.
1589
01:23:35,184 --> 01:23:36,924
I WANT THEM TO BE SHAKING
IN THEIR BOOTS, LIKE,
1590
01:23:36,968 --> 01:23:38,752
"UGH, NOT WYLENE WILSON.
NOT HER."
1591
01:23:38,796 --> 01:23:43,931
[cheers and applause]
1592
01:23:43,975 --> 01:23:45,933
- IT'’S TERYN MUENCH
AND RAINMAKER.
1593
01:23:45,977 --> 01:23:47,805
[cheers and applause]
1594
01:23:47,848 --> 01:23:49,937
- TERYN MUENCH,
1595
01:23:49,981 --> 01:23:51,722
HE'’LL DEFINITELY BE
A TOUGH COMPETITOR.
1596
01:23:51,765 --> 01:23:53,680
I'’VE EXTREME COWBOY RACED
AGAINST HIM.
1597
01:23:53,724 --> 01:23:55,987
HE'’S A NATIONAL CHAMPION
EXTREME COWBOY RACER.
1598
01:23:56,031 --> 01:23:57,032
BETTER WATCH YOURSELF.
1599
01:24:06,954 --> 01:24:08,652
WHOO-HOO!
1600
01:24:08,695 --> 01:24:10,088
HEE-HEE-HEE.
1601
01:24:10,132 --> 01:24:12,830
[laid-back country music]
1602
01:24:12,873 --> 01:24:15,702
♪
1603
01:24:15,746 --> 01:24:18,357
- THE TECHNICAL?
1604
01:24:18,401 --> 01:24:20,185
- WOW.
1605
01:24:20,229 --> 01:24:22,883
- [speaking indistinctly
over loudspeaker]
1606
01:24:22,927 --> 01:24:25,843
[cheers and applause]
1607
01:24:29,977 --> 01:24:31,501
- THAT WAS AWESOME.
1608
01:24:31,544 --> 01:24:36,114
BE SURPRISED
IF THAT DOESN'’T WIN IT.
1609
01:24:36,158 --> 01:24:37,724
AND THE LEACHES
ARE REALLY GOOD.
1610
01:24:37,768 --> 01:24:39,509
LOGAN AND LANNY LEACH,
THEY'’RE VERY GOOD TOO.
1611
01:24:39,552 --> 01:24:40,901
THEY COULD BE TOUGH.
1612
01:24:40,945 --> 01:24:43,295
THEY COULD BE A DARK HORSE
FOR SURE.
1613
01:24:43,339 --> 01:24:45,123
- 100 DAYS.
1614
01:24:45,167 --> 01:24:48,126
- WOW.
1615
01:24:48,170 --> 01:24:50,389
- LANNY LEACH AND HUCKLEBERRY.
1616
01:24:50,433 --> 01:24:53,088
[cheers and applause]
1617
01:25:04,969 --> 01:25:07,319
[gunshots]
1618
01:25:13,630 --> 01:25:16,850
- WE HAVE TO ALWAYS REMEMBER
THAT THESE ARE 100-DAY HORSES.
1619
01:25:16,894 --> 01:25:18,417
AND WE GET LOST IN THAT.
1620
01:25:18,461 --> 01:25:19,679
YOU KNOW, YOU HAVE TO
KEEP WATCHING
1621
01:25:19,723 --> 01:25:20,985
AND KEEP REMINDING YOURSELF
1622
01:25:21,028 --> 01:25:23,118
THIS HORSE WAS WILD
LESS THAN 100 DAYS AGO.
1623
01:25:25,120 --> 01:25:28,035
[cheers and applause]
1624
01:25:42,920 --> 01:25:45,879
- AND GOOD LUCK TO MY BROTHERS.
1625
01:25:45,923 --> 01:25:48,926
MY COMPADRE.
1626
01:25:48,969 --> 01:25:50,710
- I KNOW
IT'’S A HARD COMPETITION.
1627
01:25:50,754 --> 01:25:53,148
BUT, YOU KNOW, I NEED TO...
1628
01:25:53,191 --> 01:25:55,019
TO PROVE MYSELF I CAN DO.
1629
01:25:55,062 --> 01:25:56,934
[horse neighs]
1630
01:25:56,977 --> 01:25:58,501
[cheers and applause]
1631
01:25:58,544 --> 01:26:00,329
- WELL, COMING RIGHT ALONG,
1632
01:26:00,372 --> 01:26:02,853
THIS IS EL COMPADRE,
1633
01:26:02,896 --> 01:26:06,335
AND HE IS SHOWN
BY JESUS JARUEGUI.
1634
01:26:06,378 --> 01:26:09,338
[upbeat country music]
1635
01:26:09,381 --> 01:26:17,302
♪
1636
01:26:21,480 --> 01:26:24,440
[suspenseful music]
1637
01:26:24,483 --> 01:26:32,404
♪
1638
01:26:36,843 --> 01:26:39,672
[whistling from crowd]
1639
01:26:39,716 --> 01:26:42,371
[cheers and applause]
1640
01:27:00,650 --> 01:27:01,999
[whistling from crowd]
1641
01:27:02,042 --> 01:27:05,002
[cheers and applause]
1642
01:27:05,045 --> 01:27:08,005
[upbeat country music]
1643
01:27:08,048 --> 01:27:09,833
♪
1644
01:27:09,876 --> 01:27:11,487
- YAHOO!
1645
01:27:13,097 --> 01:27:19,451
♪
1646
01:27:19,495 --> 01:27:24,282
[cheers and applause]
1647
01:27:24,326 --> 01:27:27,764
JESUS JARUEGUI.
1648
01:27:27,807 --> 01:27:31,158
THANK YOU SO MUCH.
1649
01:27:31,202 --> 01:27:33,944
THE TECHNICAL?
1650
01:27:33,987 --> 01:27:37,426
- 7.5, 7, 7, 7.5.
1651
01:27:37,469 --> 01:27:39,471
OOH, THE JUDGES AGREE TOO.
1652
01:27:39,515 --> 01:27:42,169
- BOO! COME ON!
[jeers from crowd]
1653
01:27:42,213 --> 01:27:44,084
THAT WAS HORRIBLE!
1654
01:27:44,128 --> 01:27:45,695
- BUT AGAIN, IT'’S ALL TECHNICAL.
1655
01:27:45,738 --> 01:27:47,479
I MEAN, YOU COULD BE GOING
AROUND TO THE RIGHT,
1656
01:27:47,523 --> 01:27:50,003
AND THE HORSE COULD,
YOU KNOW, BE LEANING TO THE LEFT
1657
01:27:50,047 --> 01:27:51,962
AND SWITCH A LEAD LATE.
1658
01:27:52,005 --> 01:27:53,833
AND THE PERSON IN FRONT OF YOU
DOES IT PERFECTLY,
1659
01:27:53,877 --> 01:27:56,053
SO THAT PERSON
THAT DID IT PERFECTLY
1660
01:27:56,096 --> 01:27:57,968
IS GONNA GET A HIGHER SCORE
THAN YOU ARE.
1661
01:27:58,011 --> 01:28:00,623
IT'’S ALL ABOUT TECHNICAL STUFF.
1662
01:28:05,584 --> 01:28:08,326
- AT LEAST I'’M DONE.
1663
01:28:13,940 --> 01:28:17,640
[cheers and applause]
1664
01:28:17,683 --> 01:28:19,642
- CLINT BAILEY.
1665
01:28:22,297 --> 01:28:23,472
- CLINT IS REALLY GOOD.
1666
01:28:23,515 --> 01:28:25,082
HE WAS SECOND LAST YEAR.
1667
01:28:25,125 --> 01:28:28,781
[cheers and applause]
1668
01:28:28,825 --> 01:28:31,349
HE RODE BRIDLELESS
ON HIS LAST HORSE.
1669
01:28:31,393 --> 01:28:33,133
HE DID AN AMAZING JOB
WITH HIS HORSE.
1670
01:28:35,745 --> 01:28:38,356
- CLINT BAILEY WAS STUNNING.
1671
01:28:38,400 --> 01:28:41,228
AND WHEN HE PUT THE COW
IN THE PEN,
1672
01:28:41,272 --> 01:28:43,100
AND HE TOOK THE BRIDLE OFF,
1673
01:28:43,143 --> 01:28:47,800
AND THAT HORSE WANTED TO EAT
THAT COW.
1674
01:28:47,844 --> 01:28:51,021
GO AFTER, YOU KNOW, WATCH IT,
1675
01:28:51,064 --> 01:28:54,590
MOVE IT,
THE CROWD WAS SCREAMING,
1676
01:28:54,633 --> 01:28:57,549
BECAUSE IT EPITOMIZES
1677
01:28:57,593 --> 01:29:00,335
WHAT THESE MUSTANGS
ARE CAPABLE OF.
1678
01:29:05,514 --> 01:29:07,254
[cheers and applause]
1679
01:29:07,298 --> 01:29:09,126
- WHOO!
1680
01:29:11,433 --> 01:29:13,957
- WELL, THE HORSE DID HIS JOB.
1681
01:29:14,000 --> 01:29:18,048
- 9, 9.5, 10.
1682
01:29:18,091 --> 01:29:20,398
- WHOO! WHOO!
1683
01:29:20,442 --> 01:29:22,095
[cheers and applause]
1684
01:29:22,139 --> 01:29:24,881
- WE FINALLY GOT A 10.
1685
01:29:24,924 --> 01:29:26,099
- YOU KNOW WHAT, FOLKS,
1686
01:29:26,143 --> 01:29:28,319
THEY SAY THE COWBOY'’S
A DYING BREED...
1687
01:29:28,363 --> 01:29:31,017
[speaking indistinctly
over loudspeaker]
1688
01:29:35,413 --> 01:29:36,675
- IT WAS RIGHT THERE.
1689
01:29:36,719 --> 01:29:40,723
SO I JUST GOT TO GO OUT
AND DO MY THING.
1690
01:29:42,159 --> 01:29:44,248
- WE WILL TURN IT OVER
TO WYLENE WILSON
1691
01:29:44,291 --> 01:29:46,206
FROM QUEEN CREEK, ARIZONA.
1692
01:29:46,250 --> 01:29:48,905
[cheers and applause]
1693
01:29:55,868 --> 01:29:58,828
[upbeat country music]
1694
01:29:58,871 --> 01:30:06,531
♪
1695
01:30:13,712 --> 01:30:16,672
[cheers and applause]
1696
01:30:16,715 --> 01:30:24,636
♪
1697
01:30:42,132 --> 01:30:49,792
♪
1698
01:31:03,458 --> 01:31:05,590
[cheers and applause]
1699
01:31:05,634 --> 01:31:07,026
- COMES IN WITH REMBRANDT,
1700
01:31:07,070 --> 01:31:11,291
AND SHE DOES
EXTREMELY DIFFICULT MANEUVERS
1701
01:31:11,335 --> 01:31:13,206
IN HER LEAD CHANGES,
1702
01:31:13,250 --> 01:31:15,818
WHICH IS WHERE THE HORSE
IS ALMOST DANCING,
1703
01:31:15,861 --> 01:31:17,341
OR TO THE MUSIC,
1704
01:31:17,384 --> 01:31:19,256
AT THE LOPE OR THE CANTER,
1705
01:31:19,299 --> 01:31:22,607
IT'’LL TAKE TWO STRIDES
ON THE RIGHT SIDE,
1706
01:31:22,651 --> 01:31:25,567
JUMP UP,
AND TAKE TWO STRIDES,
1707
01:31:25,610 --> 01:31:26,872
SWITCHING LEADS
ON THE LEFT SIDE,
1708
01:31:26,916 --> 01:31:28,221
COME UP,
1709
01:31:28,265 --> 01:31:30,572
TAKE TWO STRIDES
ON THE RIGHT SIDE,
1710
01:31:30,615 --> 01:31:32,574
TWO STRIDES ON THE LEFT SIDE.
1711
01:31:32,617 --> 01:31:34,532
[cheers and applause]
1712
01:31:34,576 --> 01:31:36,186
INCREDIBLY DIFFICULT,
BECAUSE, YOU SEE,
1713
01:31:36,229 --> 01:31:39,145
THEY'’RE CHANGING
BOTH THE FRONT AND THE BACK LEG,
1714
01:31:39,189 --> 01:31:41,278
AND THEN THEY'’RE HOPPING UP
AND DOING THIS.
1715
01:31:42,584 --> 01:31:46,631
TWO STRIDES,
TWO STRIDES,
1716
01:31:46,675 --> 01:31:50,766
TWO STRIDES,
ALL IN THE SAME RHYTHM.
1717
01:31:50,809 --> 01:31:53,769
[cheers and applause]
1718
01:31:53,812 --> 01:31:56,772
[upbeat country music]
1719
01:31:56,815 --> 01:32:02,952
♪
1720
01:32:02,995 --> 01:32:05,650
[cheers and applause]
1721
01:32:24,234 --> 01:32:25,931
- OKAY, JUDGES.
1722
01:32:25,975 --> 01:32:30,501
FOR TECHNICAL INTERPRETATION,
PLEASE.
1723
01:32:30,545 --> 01:32:31,850
- WOW, LOOK AT THOSE SCORES.
1724
01:32:31,894 --> 01:32:38,465
9.5, 9.5, 9.5, 9.
1725
01:32:38,509 --> 01:32:40,032
[cheers and applause]
1726
01:32:40,076 --> 01:32:41,164
WHOO!
1727
01:32:41,207 --> 01:32:42,948
WOW.
1728
01:32:42,992 --> 01:32:45,647
[cheers and applause]
1729
01:33:00,226 --> 01:33:01,750
- IN 10TH PLACE,
1730
01:33:01,793 --> 01:33:05,101
BILLY LOPEZ
AND LOTS OF CHROME.
1731
01:33:05,144 --> 01:33:06,972
[cheers and applause]
1732
01:33:07,016 --> 01:33:09,279
AND IN 9TH PLACE IS,
1733
01:33:09,322 --> 01:33:12,369
JESUS JARUEGUI
ON EL COMPADRE.
1734
01:33:12,412 --> 01:33:14,501
HE'’S TAKING $350,
1735
01:33:14,545 --> 01:33:17,330
BUT HE EARNED YOUR HEARTS
AND YOUR APPLAUSE.
1736
01:33:17,374 --> 01:33:19,376
AND THIS IS ONE FINE HORSE.
1737
01:33:19,419 --> 01:33:23,641
[cheers and applause]
1738
01:33:23,685 --> 01:33:25,121
- IN 8TH PLACE,
1739
01:33:25,164 --> 01:33:27,732
MIRANDA HOLADAY
RIDING HOLADAY'’S RICHOCHET.
1740
01:33:27,776 --> 01:33:30,648
IN 7TH PLACE
IS TRAVIS DITTMER.
1741
01:33:30,692 --> 01:33:33,651
- LOGAN LEACH
AND COUNTRY BOY.
1742
01:33:33,695 --> 01:33:35,871
- LORRIE GROVER.
1743
01:33:35,914 --> 01:33:37,133
- IN 4TH PLACE,
1744
01:33:37,176 --> 01:33:39,918
LANNY LEACH
AND HUCKLEBERRY.
1745
01:33:41,311 --> 01:33:44,270
ALL RIGHT.
TOP THREE NOW.
1746
01:33:44,314 --> 01:33:46,621
IN 3RD PLACE,
1747
01:33:46,664 --> 01:33:49,232
TERYN MUENCH
AND RAINMAKER.
1748
01:33:49,275 --> 01:33:52,714
[cheers and applause]
1749
01:33:52,757 --> 01:33:54,672
- IN 2ND PLACE,
1750
01:33:54,716 --> 01:33:57,153
RIDING ROOSTER,
IS CLINT BAILEY.
1751
01:33:57,196 --> 01:33:59,851
[cheers and applause]
1752
01:34:04,726 --> 01:34:06,815
- WELL, THERE'’S NO SUSPENSE NOW.
1753
01:34:06,858 --> 01:34:08,991
THERE IS ONE HORSE LEFT
WITHOUT A RIBBON ON IT.
1754
01:34:09,034 --> 01:34:10,949
AND THAT HORSE IS REMBRANDT
1755
01:34:10,993 --> 01:34:13,082
WITH WYLENE WILSON.
1756
01:34:13,125 --> 01:34:15,780
[cheers and applause]
1757
01:34:29,925 --> 01:34:31,187
- YOU KNOW,
I KNOW HE'’S A GREAT HORSE.
1758
01:34:31,230 --> 01:34:32,971
HE'’LL MAKE SOMEONE
A GREAT HORSE.
1759
01:34:33,015 --> 01:34:34,625
AND THAT'’S THE WHOLE REASON
WE DO THIS,
1760
01:34:34,669 --> 01:34:35,887
IS TO GET HIM
A GREAT PLACE TO LIVE, SO...
1761
01:34:37,454 --> 01:34:39,412
- OKAY, SEE Y'’ALL TOMORROW.
1762
01:34:39,456 --> 01:34:41,023
10:00 A.M.
1763
01:34:41,066 --> 01:34:44,679
BE HERE TO GET
ONE OF THESE GREAT MUSTANGS.
1764
01:34:45,810 --> 01:34:48,770
[relaxing acoustic guitar]
1765
01:34:48,813 --> 01:34:56,734
♪
1766
01:35:00,042 --> 01:35:01,347
- THIS SUNDAY'’S IT.
1767
01:35:01,391 --> 01:35:04,524
IT'’S WHERE THE JOURNEY ENDS.
1768
01:35:04,568 --> 01:35:06,831
SUNDAY'’S WHERE HE FINDS
HIS NEW HOME.
1769
01:35:06,875 --> 01:35:13,795
♪
1770
01:35:15,753 --> 01:35:17,755
- KIND OF A BITTERSWEET DAY.
1771
01:35:19,670 --> 01:35:23,805
IN MY MIND, I KNOW
THAT I'’VE GOT TO LET HIM GO.
1772
01:35:23,848 --> 01:35:26,416
BUT IN MY HEART, IT'’S HARD,
1773
01:35:26,459 --> 01:35:28,810
BECAUSE I DO, I MEAN,
I'’VE BONDED, AND...
1774
01:35:28,853 --> 01:35:31,595
AND I LOVE HIM.
1775
01:35:32,814 --> 01:35:36,556
I JUST HOPE HE UNDERSTANDS.
1776
01:35:36,600 --> 01:35:38,428
HOPE HE UNDERSTANDS.
1777
01:35:50,483 --> 01:35:51,920
- I'’M WORRIED, THOUGH.
1778
01:35:55,097 --> 01:35:56,838
I'’M JUST AFRAID THAT SOMEBODY
WILL TAKE HIM AWAY.
1779
01:35:56,881 --> 01:35:59,318
AND I DON'’T KNOW.
1780
01:35:59,362 --> 01:36:01,799
HE HAS HIS BAD DAYS.
LET'’S SEE ONE.
1781
01:36:01,843 --> 01:36:04,323
SO I JUST HOPE
HE'’S HAVING ONE TODAY.
1782
01:36:04,367 --> 01:36:12,288
♪
1783
01:36:22,472 --> 01:36:30,132
♪
1784
01:36:46,235 --> 01:36:47,889
- GO AHEAD. GOOD SHOW.
1785
01:36:54,069 --> 01:37:01,990
♪
1786
01:37:08,735 --> 01:37:16,656
♪
1787
01:37:19,659 --> 01:37:23,185
- I GUESS WE NEVER DID.
I WONDER WHY.
1788
01:37:23,228 --> 01:37:25,535
YOU DON'’T WANT TO BE TOUCHING
HIM OR ANYTHING, YOU KNOW.
1789
01:37:27,929 --> 01:37:32,324
- HE'’S GONNA ONLY TRUST
ONE PERSON.
1790
01:37:32,368 --> 01:37:35,501
I DON'’T THINK I'M GONNA
GIVE HIM UP THAT EASY.
1791
01:37:37,416 --> 01:37:40,071
[auctioneer chanting]
1792
01:37:49,602 --> 01:37:51,561
- IF I DON'’T GET HIM BACK,
I'’M GONNA REALLY HOPE
1793
01:37:51,604 --> 01:37:54,129
HE GOES TO SOMEBODY
THAT'’LL REALLY APPRECIATE HIM.
1794
01:37:55,870 --> 01:37:59,395
AND IT'’LL HURT.
IT'’LL JUST REALLY HURT.
1795
01:37:59,438 --> 01:38:03,312
[auctioneer chanting]
1796
01:38:03,355 --> 01:38:05,923
HEY, WHY DON'’T YOU DO $200.
200.
1797
01:38:05,967 --> 01:38:08,926
- HIP NUMBER 21.
THIS IS BOY NAMED SIOUX.
1798
01:38:08,970 --> 01:38:10,928
- HEY, GUYS,
I WANT TO TELL YA,
1799
01:38:10,972 --> 01:38:12,930
THIS LITTLE HORSE IS AMAZING.
1800
01:38:12,974 --> 01:38:16,934
THIS YOUNG MAN HAS DONE
AN INCREDIBLE JOB ON THIS HORSE.
1801
01:38:16,978 --> 01:38:18,196
[cheers and applause]
1802
01:38:18,240 --> 01:38:19,371
- ALL RIGHT,
HERE HE IS RIGHT NOW.
1803
01:38:19,415 --> 01:38:20,938
[auctioneer chanting]
1804
01:38:20,982 --> 01:38:23,027
500.
1805
01:38:23,071 --> 01:38:24,681
GIVE ME 5.
500. NOW 6.
1806
01:38:24,724 --> 01:38:27,684
600. NOW 7.
700.
1807
01:38:27,727 --> 01:38:30,556
NOW 7. NOW 8.
8.
1808
01:38:30,600 --> 01:38:33,690
18. 1,800.
1809
01:38:33,733 --> 01:38:35,822
18. 1,800.
NOW HIGHER.
1810
01:38:35,866 --> 01:38:39,217
DO IT AGAIN. HIGHER. HIGHER.
NOW 19. NOW 19.5.
1811
01:38:39,261 --> 01:38:44,005
1,950. 1,950.
1812
01:38:44,048 --> 01:38:47,486
ALL RIGHT.
1813
01:38:47,530 --> 01:38:49,053
- HIP NUMBER 74.
1814
01:38:49,097 --> 01:38:50,925
THIS IS THE HORSE
WITH ALL THE ARTISTIC MOVES.
1815
01:38:50,968 --> 01:38:52,578
THIS IS REMBRANDT,
1816
01:38:52,622 --> 01:38:55,842
THE CHAMPION OF THE 2009
EXTREME MUSTANG MAKEOVER.
1817
01:38:55,886 --> 01:38:57,496
- 4 THOU.
1818
01:38:57,540 --> 01:39:00,195
[auctioneer chanting]
BE 4. 4 THOU.
1819
01:39:00,238 --> 01:39:02,110
GIVE ME 4.
1820
01:39:02,153 --> 01:39:05,156
SOLD HIM IN THE BACK.
$3,800.
1821
01:39:05,200 --> 01:39:06,505
- OW!
1822
01:39:09,987 --> 01:39:12,903
- THIS IS CHARLIE CHEE
WITH COMANCHE.
1823
01:39:12,947 --> 01:39:14,426
- THIS HORSE RIGHT HERE,
1824
01:39:14,470 --> 01:39:17,864
HE IS SMALL,
BUT HE'’S A REAL GOOD PAL.
1825
01:39:17,908 --> 01:39:20,693
AND I'’VE ONLY RIDDEN HIM
SIX TIMES.
1826
01:39:20,737 --> 01:39:23,044
AND IF YOU ARE WILLING
TO CHALLENGE YOURSELF,
1827
01:39:23,087 --> 01:39:24,784
GO AHEAD AND BID ON HIM.
1828
01:39:24,828 --> 01:39:27,613
- 300.
1829
01:39:27,657 --> 01:39:31,704
GO ON WITH CHARLIE, $300.
THANK YOU.
1830
01:39:31,748 --> 01:39:34,011
- SO THAT'’S ANOTHER WONDERFUL
OPPORTUNITY FOR THIS HORSE
1831
01:39:34,055 --> 01:39:35,970
TO CONTINUE WITH HIS TRAINER.
1832
01:39:36,013 --> 01:39:38,537
HIP NUMBER 34.
THIS IS ZERO SUM.
1833
01:39:38,581 --> 01:39:41,105
- 500.
1834
01:39:41,149 --> 01:39:43,107
CAN I GET 6?
$600. NOW 7.
1835
01:39:43,151 --> 01:39:45,022
7. NOW 8. 8. NOW 9.
1836
01:39:45,066 --> 01:39:47,590
$900.
1837
01:39:47,633 --> 01:39:48,895
GIVE ME 9.
9, 9, 9.
1838
01:39:48,939 --> 01:39:50,723
NOW 1. 1, 1.
MAYBE NOW 1.
1839
01:39:50,767 --> 01:39:54,771
NOW 11. 1,100. 1,100.
1840
01:39:54,814 --> 01:39:57,643
SAID NO. 1,000 BUCKS.
GOING HOME WITH HER RIDER.
1841
01:39:57,687 --> 01:40:00,168
GOING HOME WITH MELISSA.
CONGRATULATIONS.
1842
01:40:00,211 --> 01:40:03,606
- GOING WITH MELISSA.
THE GOOD DOCTOR.
1843
01:40:03,649 --> 01:40:06,043
- GEORGE FROM SAINT JO.
1844
01:40:06,087 --> 01:40:07,740
- GOT 2. 2 AND A QUARTER.
1845
01:40:07,784 --> 01:40:11,353
- IF GEORGE DOESN'’T GET HIM,
IT WILL DEVASTATE HIM.
1846
01:40:11,396 --> 01:40:12,615
HE'’LL HAVE A HOLE
IN HIS HEART.
1847
01:40:12,658 --> 01:40:14,225
OH, HE'’S GONNA EAT HIS HAT.
1848
01:40:14,269 --> 01:40:16,793
2 AND A QUARTER.
1849
01:40:16,836 --> 01:40:19,535
GIVE ME 25.
1850
01:40:19,578 --> 01:40:21,319
ALL RIGHT,
HE'’S GOING HOME WITH HIM.
1851
01:40:21,363 --> 01:40:24,322
[cheers and applause]
1852
01:40:24,366 --> 01:40:28,196
- I WILL REMEMBER THIS ONE
FOR A LONG TIME.
1853
01:40:28,239 --> 01:40:30,676
WE DIDN'’T WIN ANYTHING...
[horse neighs]
1854
01:40:30,720 --> 01:40:31,982
AS FAR AS RIBBONS GO.
1855
01:40:32,026 --> 01:40:37,031
BUT WE--
WE'’RE BOTH GOING HOME BETTER.
1856
01:40:37,074 --> 01:40:40,860
[hooves clopping]
1857
01:40:40,904 --> 01:40:42,732
- THIS IS HIP NUMBER 50.
1858
01:40:42,775 --> 01:40:47,606
THIS IS EL COMPADRE
TRAINED BY JESUS JARUEGUI.
1859
01:40:47,650 --> 01:40:50,305
[cheers and applause]
1860
01:40:50,348 --> 01:40:51,349
- A GOOD HORSE.
1861
01:40:51,393 --> 01:40:53,525
[auctioneer chanting]
1862
01:40:53,569 --> 01:40:54,744
TOP TEN.
1863
01:40:54,787 --> 01:40:56,615
650.
1864
01:40:56,659 --> 01:40:58,835
NOW 7. BLESS YA.
I HEARD NOW 7. NOW HIGHER.
1865
01:40:58,878 --> 01:41:03,622
HALF. NOW 8. 8.
1866
01:41:03,666 --> 01:41:06,147
2, 2, 2, 3, 3, 3, 4, 5.
1867
01:41:06,190 --> 01:41:09,280
3,500,
NOW, NOW...
1868
01:41:09,324 --> 01:41:12,457
GOT 39. 4. 4 THOU.
NOW GOT 4. NOW 42.
1869
01:41:12,501 --> 01:41:16,940
2, 2, 2, 2, 2.
GIVE ME 2.
1870
01:41:16,983 --> 01:41:19,812
2, 2, 2, 2, 2.
GIVE ME 2.
1871
01:41:19,856 --> 01:41:22,250
- YES.
1872
01:41:22,293 --> 01:41:25,253
[wistful instrumental music]
1873
01:41:25,296 --> 01:41:27,864
♪
1874
01:41:27,907 --> 01:41:32,390
- YOU GOT TO DO 68.
- 68.
1875
01:41:32,434 --> 01:41:36,568
- YES. 68.
- 8. NOW 9. 9.
1876
01:41:36,612 --> 01:41:42,139
72. 75.
72. 75...
1877
01:41:42,183 --> 01:41:45,360
DON'’T LET A LITTLE OLD LADY ON
THE TELEPHONE PUSH YOU AROUND.
1878
01:41:45,403 --> 01:41:49,625
GOT 87. NOW 9.
9 THOU. 9 THOUSAND HERE. 92.
1879
01:41:49,668 --> 01:41:53,759
92, 2.
1880
01:41:53,803 --> 01:41:57,372
ON THE PHONE. $9,000.
LET'’S GIVE HIM A BIG HAND.
1881
01:41:57,415 --> 01:42:01,767
- YOU HEAR IT?
YOU GOT HIM FOR $9,000.
1882
01:42:01,811 --> 01:42:04,857
I KNOW HE LOVES THIS HORSE,
BUT WHAT HE TOLD ME,
1883
01:42:04,901 --> 01:42:07,338
AND WHEN I ASKED HIM
WITHOUT ANY PREEMPTION,
1884
01:42:07,382 --> 01:42:08,731
"TRUE,
DO YOU WANT YOUR HORSE?"
1885
01:42:08,774 --> 01:42:11,734
"YES, BUT, YOU KNOW,
I ONLY HAVE A COUPLE THOU--
1886
01:42:11,777 --> 01:42:14,824
"$1,000, $2,000 TO SPEND.
1887
01:42:14,867 --> 01:42:19,263
"BUT IF IT COULD GO TO SOMEBODY
REALLY, REALLY GOOD,
1888
01:42:19,307 --> 01:42:24,225
THEN I WOULD BE OKAY
WITH THAT."
1889
01:42:24,268 --> 01:42:30,492
- $9,000 IS TOO MUCH FOR ME.
1890
01:42:30,535 --> 01:42:32,189
I LOVE HIM.
HE'’S--
1891
01:42:32,233 --> 01:42:34,191
I'’M GOING TO KEEP
THE HORSE IN MY HEART,
1892
01:42:34,235 --> 01:42:35,671
BECAUSE WE'’VE BEEN BEEN WORKING,
1893
01:42:35,714 --> 01:42:37,281
AND THEN WE'’VE BEEN
GOOD FRIENDS.
1894
01:42:37,325 --> 01:42:42,634
THAT'’S MY--
MI COMPADRE.
1895
01:42:42,678 --> 01:42:44,984
SI,COMPADRES FOR LIFE.
1896
01:42:49,032 --> 01:42:51,730
[uplifting country music]
1897
01:42:51,774 --> 01:42:54,690
♪
1898
01:43:00,565 --> 01:43:05,179
- ♪ PEEL MY PETALS SLOWLY
1899
01:43:05,222 --> 01:43:09,270
♪ I'’M AN ARTICHOKE ♪
1900
01:43:09,313 --> 01:43:13,448
♪ HEART IS AFTER PRICKLES
1901
01:43:13,491 --> 01:43:18,540
♪ BEFORE THE MORNING CLOAK
1902
01:43:18,583 --> 01:43:22,848
♪ YOU GIVE ME YOUR HAND
1903
01:43:22,892 --> 01:43:27,113
♪ AND I'’LL GIVE YOU MINE ♪
1904
01:43:27,157 --> 01:43:30,421
♪ WE'’LL FIND OUT ♪
1905
01:43:30,465 --> 01:43:33,990
♪ HOW TO RIDE
1906
01:43:35,426 --> 01:43:40,562
♪ HOW TO RIDE
1907
01:43:40,605 --> 01:43:45,175
[horse chuffs]
1908
01:43:45,219 --> 01:43:50,267
♪ PEEL MY PETALS SLOWLY
1909
01:43:50,311 --> 01:43:53,836
♪ I'’M AN ARTICHOKE ♪
1910
01:43:53,879 --> 01:43:55,185
♪ HEART IS AFTER PRICKLES
1911
01:43:55,229 --> 01:43:58,232
[cheers and applause]
1912
01:43:58,275 --> 01:44:02,714
♪ BEFORE THE MORNING CLOAK
1913
01:44:02,758 --> 01:44:07,241
♪ YOU GIVE ME YOUR HAND
1914
01:44:07,284 --> 01:44:11,549
♪ AND I'’LL GIVE YOU MINE ♪
1915
01:44:11,593 --> 01:44:14,944
♪ WE'’LL FIND OUT ♪
1916
01:44:14,987 --> 01:44:18,643
♪ HOW TO RIDE
1917
01:44:20,079 --> 01:44:23,648
♪ HOW TO RIDE
1918
01:44:23,692 --> 01:44:29,263
♪
1919
01:44:29,306 --> 01:44:34,006
♪ PICKED ONE FOR HE LOVES ME
1920
01:44:34,050 --> 01:44:38,359
♪ ONE FOR LOVES ME NOT
1921
01:44:38,402 --> 01:44:43,015
♪ AND MAY ALL YOUR DAISIES
1922
01:44:43,059 --> 01:44:47,324
♪ SWEET FORGET-ME-NOTS
1923
01:44:47,368 --> 01:44:51,894
♪ YOU'’LL SHOW ME AGAIN ♪
1924
01:44:51,937 --> 01:44:56,159
♪ AND I'’LL SHOW YOU MINE ♪
1925
01:44:56,202 --> 01:44:59,597
♪ WE'’LL FIND OUT ♪
1926
01:44:59,641 --> 01:45:03,079
♪ HOW TO RIDE
1927
01:45:04,167 --> 01:45:16,005
♪ HOW TO RIDE
1928
01:45:18,312 --> 01:45:21,010
[pensive string music]
1929
01:45:21,053 --> 01:45:22,446
♪
1930
01:45:22,490 --> 01:45:25,449
[peaceful instrumental music]
1931
01:45:25,493 --> 01:45:33,414
♪
126820
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