All language subtitles for [English (auto-generated)] Sweet - Love Is Like Oxygen (Glitz, Blitz & Hitz - The Very Best of Sweet) [DownSub.com]

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These are the user uploaded subtitles that are being translated: 1 00:00:00,149 --> 00:00:03,389 January 1978 saw the release of love is 2 00:00:03,389 --> 00:00:05,700 like oxygen a song for which Andy Scott 3 00:00:05,700 --> 00:00:08,340 received an Ivor Novello nomination the 4 00:00:08,340 --> 00:00:10,710 avant-garde style of the song contrasts 5 00:00:10,710 --> 00:00:14,179 to the sweet sound of the past 6 00:00:14,910 --> 00:00:17,289 [Music] 7 00:00:24,010 --> 00:00:30,600 [Music] 8 00:00:31,450 --> 00:00:35,050 I can't shake up my city blues 9 00:00:35,050 --> 00:00:36,090 [Music] 10 00:00:36,090 --> 00:00:39,780 everywhere - now 11 00:00:42,399 --> 00:00:45,829 the lovers that oxygen thing the the 12 00:00:45,829 --> 00:00:47,600 whole thing surrounding it we had 13 00:00:47,600 --> 00:00:52,159 basically been to the chateau in France 14 00:00:52,159 --> 00:00:54,589 to record the album we come back to 15 00:00:54,589 --> 00:00:57,850 London to do some finishings and 16 00:00:57,850 --> 00:01:00,799 somebody there was a song that we've 17 00:01:00,799 --> 00:01:03,079 been tinkering with my old sound 18 00:01:03,079 --> 00:01:05,449 engineer a guy called Trevor I had been 19 00:01:05,449 --> 00:01:07,190 tinkering with this thing on a piano and 20 00:01:07,190 --> 00:01:10,990 I'd been putting some guitar stuff to it 21 00:01:10,990 --> 00:01:13,880 and I said to him I think I can do 22 00:01:13,880 --> 00:01:15,979 something with this you know so I 23 00:01:15,979 --> 00:01:17,979 recorded me and him just playing the 24 00:01:17,979 --> 00:01:21,770 various bits of love is the oxygen of 25 00:01:21,770 --> 00:01:23,840 which there were more parts than this so 26 00:01:23,840 --> 00:01:25,819 it needed some editing down because he 27 00:01:25,819 --> 00:01:27,740 was being a little bit wreck man and off 28 00:01:27,740 --> 00:01:29,720 with what he wanted it you know it's 29 00:01:29,720 --> 00:01:31,550 like a bit of a symphony going on in his 30 00:01:31,550 --> 00:01:33,950 head you know and I was saying well that 31 00:01:33,950 --> 00:01:36,080 bit that bit and that bit those are the 32 00:01:36,080 --> 00:01:40,670 three main character bits and we got him 33 00:01:40,670 --> 00:01:44,720 a producer arranger involved a guy 34 00:01:44,720 --> 00:01:48,050 called Jeff Wesley who I don't think 35 00:01:48,050 --> 00:01:50,780 Mick and Steve took took two very well 36 00:01:50,780 --> 00:01:54,770 he was a bit austere and you know aloof 37 00:01:54,770 --> 00:01:57,819 you know knew his onions and knew his 38 00:01:57,819 --> 00:02:01,190 classical composition you know spacings 39 00:02:01,190 --> 00:02:04,580 and you know the way you can play an A 40 00:02:04,580 --> 00:02:07,160 in the bass but have a b-flat up here 41 00:02:07,160 --> 00:02:09,500 you know something like that some 42 00:02:09,500 --> 00:02:14,989 something very obscure you know but I 43 00:02:14,989 --> 00:02:18,260 liked his ideas a lot and when we 44 00:02:18,260 --> 00:02:21,980 started to bounce someone heard this 45 00:02:21,980 --> 00:02:25,700 basis of love is like oxygen and the 46 00:02:25,700 --> 00:02:28,610 other guys they probably didn't like 47 00:02:28,610 --> 00:02:31,910 that I got Jeff Wesley involved to do an 48 00:02:31,910 --> 00:02:33,950 arrangement for love is that oxygen this 49 00:02:33,950 --> 00:02:35,989 guy has got a classically trained mind 50 00:02:35,989 --> 00:02:39,170 so he's putting it in a classical 51 00:02:39,170 --> 00:02:40,970 environment not in a rock band 52 00:02:40,970 --> 00:02:43,610 environment where the bass follows the 53 00:02:43,610 --> 00:02:47,120 notes of the chords so it's all all over 54 00:02:47,120 --> 00:02:48,950 the place so musically we're already 55 00:02:48,950 --> 00:02:50,330 into a different area than we've ever 56 00:02:50,330 --> 00:02:54,920 been before I I loved it I thought it 57 00:02:54,920 --> 00:02:55,580 was absolutely 58 00:02:55,580 --> 00:02:58,400 fantastic and I got I virtually got the 59 00:02:58,400 --> 00:03:00,680 song finished in my head by the time we 60 00:03:00,680 --> 00:03:02,840 done the backing track and we had a 61 00:03:02,840 --> 00:03:05,930 weekend off and I went home and on the 62 00:03:05,930 --> 00:03:07,760 Monday when I came back I played them 63 00:03:07,760 --> 00:03:09,470 love is like oxygen with all the lyrics 64 00:03:09,470 --> 00:03:12,140 and all the melody and all the words and 65 00:03:12,140 --> 00:03:18,680 they were like wow so I then basically 66 00:03:18,680 --> 00:03:20,570 it's just started to transfer what I'd 67 00:03:20,570 --> 00:03:22,600 done at home on to the multitrack 68 00:03:22,600 --> 00:03:26,260 because there was no point in you know 69 00:03:26,260 --> 00:03:28,610 re-recording all of it we just stuck 70 00:03:28,610 --> 00:03:32,900 some of it across then but Brian had to 71 00:03:32,900 --> 00:03:33,740 sing something 72 00:03:33,740 --> 00:03:35,980 so the verses were were possible 73 00:03:35,980 --> 00:03:38,780 somebody got him in early one morning 74 00:03:38,780 --> 00:03:41,870 and he went in there and within two or 75 00:03:41,870 --> 00:03:43,310 three takes he'd done the verses of 76 00:03:43,310 --> 00:03:44,600 lovers laughs and it was absolutely 77 00:03:44,600 --> 00:03:47,030 brilliant when you've got a song like 78 00:03:47,030 --> 00:03:48,620 lovers the oxygen the breaks into the 79 00:03:48,620 --> 00:03:50,990 top ten in every country virtually in 80 00:03:50,990 --> 00:03:53,180 the world you know you've got a big hit 81 00:03:53,180 --> 00:03:54,650 you know and that's what happened with 82 00:03:54,650 --> 00:03:56,660 Fox on the run and that's what happened 83 00:03:56,660 --> 00:03:58,880 with love is that oxygen I came up with 84 00:03:58,880 --> 00:04:01,519 love is like oxygen which was a great 85 00:04:01,519 --> 00:04:04,100 record and and I thought to myself ah 86 00:04:04,100 --> 00:04:06,650 well you know maybe I was wrong and 87 00:04:06,650 --> 00:04:10,730 maybe they can move on from there but 88 00:04:10,730 --> 00:04:14,150 they didn't and of course it was after 89 00:04:14,150 --> 00:04:16,820 that point that the band really started 90 00:04:16,820 --> 00:04:19,600 to get into chaos and and you know Brian 91 00:04:19,600 --> 00:04:23,900 had leavin and whatever love is like 92 00:04:23,900 --> 00:04:25,669 oxygen peaked in the charts at number 93 00:04:25,669 --> 00:04:27,410 nine and gave the band hope of 94 00:04:27,410 --> 00:04:28,940 rekindling their previous success 95 00:04:28,940 --> 00:04:31,220 however such were Brian's alcohol 96 00:04:31,220 --> 00:04:32,930 problems that he began to find it 97 00:04:32,930 --> 00:04:35,000 increasingly difficult to fulfill his 98 00:04:35,000 --> 00:04:37,640 role as lead singer of the band once the 99 00:04:37,640 --> 00:04:41,300 lead singer starts to be unreliable and 100 00:04:41,300 --> 00:04:43,610 show up drunk and then and and whatever 101 00:04:43,610 --> 00:04:46,820 and he really I was terribly fond of 102 00:04:46,820 --> 00:04:50,060 Brian I liked him very very much as a 103 00:04:50,060 --> 00:04:54,710 person but the drink did get ahold of 104 00:04:54,710 --> 00:04:59,770 him Brian was a highly insecure man and 105 00:04:59,770 --> 00:05:04,490 in a way that was part of his appeal as 106 00:05:04,490 --> 00:05:07,610 a person because he was vulnerable he 107 00:05:07,610 --> 00:05:08,990 you know he was a real 108 00:05:08,990 --> 00:05:11,410 nice guy and it was part of his appeal 109 00:05:11,410 --> 00:05:15,500 but the drink got a hold of that I mean 110 00:05:15,500 --> 00:05:18,920 part of sweet folklore is that he was 111 00:05:18,920 --> 00:05:20,600 taken into hospital one night and has 112 00:05:20,600 --> 00:05:22,760 something like nine cardiac arrests and 113 00:05:22,760 --> 00:05:29,690 survived pretty strong guy and of course 114 00:05:29,690 --> 00:05:32,000 that contributed a huge amount and bit 115 00:05:32,000 --> 00:05:33,920 by bit he became a shadow of the garden 116 00:05:33,920 --> 00:05:35,750 he was so the band couldn't have gone on 117 00:05:35,750 --> 00:05:38,300 with him ultimately anyway even though 118 00:05:38,300 --> 00:05:40,730 we were aware that things weren't right 119 00:05:40,730 --> 00:05:42,350 you still couldn't tell us that the best 120 00:05:42,350 --> 00:05:43,760 thing that could happen is the brine 121 00:05:43,760 --> 00:05:46,340 should leave the band we were still not 122 00:05:46,340 --> 00:05:52,130 at that stage until I guess it had got 123 00:05:52,130 --> 00:05:56,180 to that point where more and more Steve 124 00:05:56,180 --> 00:05:58,460 and myself was singing ensuite albums 125 00:05:58,460 --> 00:06:01,640 because he never showed up at the studio 126 00:06:01,640 --> 00:06:04,370 or when he did he was a bit worse for 127 00:06:04,370 --> 00:06:06,080 wear from either the night before or 128 00:06:06,080 --> 00:06:10,580 what had happened this lunchtime and the 129 00:06:10,580 --> 00:06:14,240 frustrations that the vine within your 130 00:06:14,240 --> 00:06:16,040 realizing that you're not getting the 131 00:06:16,040 --> 00:06:17,570 best out of everything because he's the 132 00:06:17,570 --> 00:06:18,950 lead singer and it should be his voice 133 00:06:18,950 --> 00:06:21,560 on this particular track for example on 134 00:06:21,560 --> 00:06:24,800 love is like oxygen I son the whole all 135 00:06:24,800 --> 00:06:30,350 the parts in the chorus because I it was 136 00:06:30,350 --> 00:06:32,060 quick quicker and easier for me to just 137 00:06:32,060 --> 00:06:32,390 do it 138 00:06:32,390 --> 00:06:37,370 Brian sang the verse um it's it's it's 139 00:06:37,370 --> 00:06:39,710 what happens in recording it you know as 140 00:06:39,710 --> 00:06:41,540 I said it's it's what you hear on 141 00:06:41,540 --> 00:06:43,580 records it's not always the person that 142 00:06:43,580 --> 00:06:46,160 you think it is that singing singing all 143 00:06:46,160 --> 00:06:48,080 the parts because we were all very 144 00:06:48,080 --> 00:06:50,450 malleable and interchangeable without 145 00:06:50,450 --> 00:06:56,690 you know with our vocal ranges I think 146 00:06:56,690 --> 00:07:00,320 that you do yourself no favors when in 147 00:07:00,320 --> 00:07:02,900 front of the management team and in 148 00:07:02,900 --> 00:07:05,780 front of 20,000 people in Alabama you go 149 00:07:05,780 --> 00:07:09,560 onstage absolutely wrecked and you can't 150 00:07:09,560 --> 00:07:12,740 even start the first song and this is 151 00:07:12,740 --> 00:07:14,840 what happened to Brian and our manager 152 00:07:14,840 --> 00:07:16,070 pulled him off the stage when we 153 00:07:16,070 --> 00:07:17,690 finished as the set as a three-piece 154 00:07:17,690 --> 00:07:20,180 band which we had done a couple of times 155 00:07:20,180 --> 00:07:22,790 previously I think that was the big 156 00:07:22,790 --> 00:07:24,590 of the end for everything everybody 157 00:07:24,590 --> 00:07:29,120 where unless this can be fixed now he 158 00:07:29,120 --> 00:07:33,680 has to go there was a um we pulled out a 159 00:07:33,680 --> 00:07:35,390 few American dates which I wasn't 160 00:07:35,390 --> 00:07:37,670 pleased about because it was felt that 161 00:07:37,670 --> 00:07:40,040 we needed to get ourselves back together 162 00:07:40,040 --> 00:07:42,500 write some new material and see how it 163 00:07:42,500 --> 00:07:44,540 was going to work out with Brian it was 164 00:07:44,540 --> 00:07:47,420 all kind of coming to a head where I 165 00:07:47,420 --> 00:07:50,840 basically said well I remember me and 166 00:07:50,840 --> 00:07:54,020 Steve were basically at that point of he 167 00:07:54,020 --> 00:07:57,550 must go on and I understood Mick's stand 168 00:07:57,550 --> 00:08:00,410 100% you know we've been together this 169 00:08:00,410 --> 00:08:02,690 long we can work this out and and I said 170 00:08:02,690 --> 00:08:06,350 well I can't work it out with him you 171 00:08:06,350 --> 00:08:08,510 know if somebody else has to do it you 172 00:08:08,510 --> 00:08:11,960 know and we even tried different people 173 00:08:11,960 --> 00:08:13,610 going in the studio to record his voice 174 00:08:13,610 --> 00:08:18,590 not me and he still wasn't you know what 175 00:08:18,590 --> 00:08:20,420 wasn't getting there and the best 176 00:08:20,420 --> 00:08:23,290 decision was that this is the time where 177 00:08:23,290 --> 00:08:26,330 there are things that you can do but not 178 00:08:26,330 --> 00:08:30,950 with us and well I was hoping it was 179 00:08:30,950 --> 00:08:33,229 going to get too nasty but you know I 180 00:08:33,229 --> 00:08:35,330 did did for a moment or two but I think 181 00:08:35,330 --> 00:08:37,880 he probably saw the I've since spoken to 182 00:08:37,880 --> 00:08:41,270 his his then-wife you know Marilyn and 183 00:08:41,270 --> 00:08:44,870 she's um you know she said to me that at 184 00:08:44,870 --> 00:08:48,050 that time you know it was it was it was 185 00:08:48,050 --> 00:08:51,560 extremely difficult to you know to get a 186 00:08:51,560 --> 00:08:53,900 full focus on what was going on but now 187 00:08:53,900 --> 00:08:55,370 you've had time to think about it and 188 00:08:55,370 --> 00:08:57,230 look back at it that was the only 189 00:08:57,230 --> 00:08:59,150 decision that could be made it was 190 00:08:59,150 --> 00:09:01,340 probably not the right decision because 191 00:09:01,340 --> 00:09:04,760 we had three more albums in us it was 192 00:09:04,760 --> 00:09:06,410 never going to be quite the same 193 00:09:06,410 --> 00:09:08,630 once Brian had gone it was better 194 00:09:08,630 --> 00:09:12,680 musically and it was better from a band 195 00:09:12,680 --> 00:09:15,290 point of view but we were never going to 196 00:09:15,290 --> 00:09:18,740 have the same impact again because we 197 00:09:18,740 --> 00:09:21,650 were just a damn good Bend rather than a 198 00:09:21,650 --> 00:09:25,010 band with the oddball characters here 199 00:09:25,010 --> 00:09:26,960 and they're all doing their you know all 200 00:09:26,960 --> 00:09:28,250 we've done is we've knuckled ourselves 201 00:09:28,250 --> 00:09:30,050 down into becoming a good hard-working 202 00:09:30,050 --> 00:09:33,140 rock band rather than the band that's 203 00:09:33,140 --> 00:09:34,890 got the 204 00:09:34,890 --> 00:09:36,720 if uh the guy who's going to hit the 205 00:09:36,720 --> 00:09:39,860 press every you know every other week 206 00:09:39,860 --> 00:09:42,660 Brian Conley officially left the band in 207 00:09:42,660 --> 00:09:45,720 February 1979 the band continued as a 208 00:09:45,720 --> 00:09:48,120 three-piece sharing the vocals but they 209 00:09:48,120 --> 00:09:49,800 were never to enjoy the same amount of 210 00:09:49,800 --> 00:09:54,090 success as they had previously in 1982 211 00:09:54,090 --> 00:09:55,650 following the release of three 212 00:09:55,650 --> 00:09:58,050 unsuccessful albums levelheaded cut 213 00:09:58,050 --> 00:10:00,570 above the rest and identity crisis the 214 00:10:00,570 --> 00:10:05,010 suite officially split during the 80s 215 00:10:05,010 --> 00:10:05,610 and 90s 216 00:10:05,610 --> 00:10:07,590 Brian Connolly toured extensively with 217 00:10:07,590 --> 00:10:12,300 various lineups on the 9th of February 218 00:10:12,300 --> 00:10:15,120 1997 Brian Connolly tragically passed 219 00:10:15,120 --> 00:10:17,730 away at the age of 52 from a suspected 220 00:10:17,730 --> 00:10:19,540 stroke in heart attack 221 00:10:19,540 --> 00:10:22,060 [Music] 222 00:10:22,060 --> 00:10:24,800 Micke Tucker sadly lost his long fight 223 00:10:24,800 --> 00:10:27,800 against leukemia on Valentine's Day 2002 224 00:10:27,800 --> 00:10:33,980 aged 54 Andy Scott still tours today 225 00:10:33,980 --> 00:10:39,050 with his band AAS sweet and Steve priest 226 00:10:39,050 --> 00:10:41,830 now lives in America 227 00:10:41,830 --> 00:10:42,840 [Music] 228 00:10:42,840 --> 00:10:47,110 this is a band that were successful on a 229 00:10:47,110 --> 00:10:49,620 worldwide basis they had hits everywhere 230 00:10:49,620 --> 00:10:52,180 including America where a lot of acts 231 00:10:52,180 --> 00:10:55,960 around that time didn't and they were 232 00:10:55,960 --> 00:10:59,580 massively successful and I think made 233 00:10:59,580 --> 00:11:02,050 one or two records that were landmark 234 00:11:02,050 --> 00:11:06,610 records and I remember when Brian died 235 00:11:06,610 --> 00:11:09,030 and they did a Top of the Pops too 236 00:11:09,030 --> 00:11:12,190 special on him and Johnny Walker called 237 00:11:12,190 --> 00:11:16,120 him the Godfather of Glan and in a way 238 00:11:16,120 --> 00:11:19,060 that in itself says how much of an 239 00:11:19,060 --> 00:11:20,730 impact they had 240 00:11:20,730 --> 00:11:30,160 [Music] 241 00:11:30,160 --> 00:11:37,990 five words to describe sweet talented 242 00:11:37,990 --> 00:11:46,600 energetic excessive very difficult 243 00:11:46,600 --> 00:11:50,180 arrogant would be one single-minded 244 00:11:50,180 --> 00:11:58,990 would be another definitely talented 245 00:12:00,940 --> 00:12:06,530 sometimes difficult but when there was 246 00:12:06,530 --> 00:12:09,910 women around always affable 17507

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