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These are the user uploaded subtitles that are being translated: 1 00:00:53,154 --> 00:00:55,054 In the late 19th century, 2 00:00:55,056 --> 00:00:57,756 it was considered immoral for unmarried women 3 00:00:57,758 --> 00:00:59,925 to enter a man's bedroom. 4 00:00:59,927 --> 00:01:02,094 William murphy couldn't bring his date back 5 00:01:02,096 --> 00:01:03,495 to his one-room apartment, 6 00:01:03,497 --> 00:01:06,799 so he invented a bed that folded up into the wall, 7 00:01:06,801 --> 00:01:09,034 converting his bedroom into a parlor 8 00:01:09,036 --> 00:01:11,070 to host his love interest. 9 00:01:14,408 --> 00:01:16,141 A wall of cupboards and closets 10 00:01:16,143 --> 00:01:17,843 suddenly opens up to reveal 11 00:01:17,845 --> 00:01:21,380 sleek comfortable sleeping quarters. 12 00:01:21,382 --> 00:01:25,117 The wall bed is a great way to economize on space 13 00:01:25,119 --> 00:01:29,021 without sacrificing comfort or style. 14 00:01:29,023 --> 00:01:30,989 To build the mechanism casing, 15 00:01:30,991 --> 00:01:33,659 a worker begins by placing the steel plate 16 00:01:33,661 --> 00:01:35,627 in a powerful bending machine, 17 00:01:35,629 --> 00:01:39,465 which is capable of exerting 55 tons of force. 18 00:01:42,269 --> 00:01:44,369 Using the square and calipers, 19 00:01:44,371 --> 00:01:46,772 the worker verifies that the bend 20 00:01:46,774 --> 00:01:49,274 is a perfectly uniform right angle 21 00:01:49,276 --> 00:01:51,410 and the flange depth does not exceed 22 00:01:51,412 --> 00:01:55,080 the specified parameters. 23 00:01:55,082 --> 00:01:57,015 Once the bending machine has folded 24 00:01:57,017 --> 00:01:59,017 all four sides of the plate, 25 00:01:59,019 --> 00:02:01,753 the worker then mounts it onto a locator pin 26 00:02:01,755 --> 00:02:03,021 in a second press, 27 00:02:03,023 --> 00:02:05,524 which descends and creates a small depression 28 00:02:05,526 --> 00:02:07,359 around the central opening. 29 00:02:12,166 --> 00:02:16,001 This depression will facilitate the welding process. 30 00:02:16,003 --> 00:02:17,870 Using another locator pin, 31 00:02:17,872 --> 00:02:23,041 a welder clamps the plate into a purpose-built jig. 32 00:02:23,043 --> 00:02:26,011 He then begins welding all of the necessary components 33 00:02:26,013 --> 00:02:28,180 in place. 34 00:02:28,182 --> 00:02:30,482 He uses a bolt to correctly locate 35 00:02:30,484 --> 00:02:33,819 an internal reinforcement plate 36 00:02:33,821 --> 00:02:36,622 and also welds in the crucial pivot pin 37 00:02:36,624 --> 00:02:38,957 on which the mechanism will hinge. 38 00:02:41,996 --> 00:02:44,296 The casing plates are mounted on spacers 39 00:02:44,298 --> 00:02:46,632 to help speed the drying process. 40 00:02:46,634 --> 00:02:50,636 Then a worker spray-paints them black. 41 00:02:50,638 --> 00:02:55,374 Once dry, he removes a protective cap from the pivot. 42 00:02:55,376 --> 00:02:58,043 It's now time to manufacture 43 00:02:58,045 --> 00:03:01,180 the wall-mounted spring mechanism. 44 00:03:01,182 --> 00:03:04,917 A worker uses a drill press outfitted with a countersink 45 00:03:04,919 --> 00:03:10,255 to create a beveled recess around the openings. 46 00:03:10,257 --> 00:03:13,292 A worker then uses a specially-designed press 47 00:03:13,294 --> 00:03:17,629 to install a brass bearing in one of the openings. 48 00:03:17,631 --> 00:03:19,932 The mechanism is nearly complete. 49 00:03:21,936 --> 00:03:27,272 However, there are still several steps to go in the process. 50 00:03:27,274 --> 00:03:29,541 Next, a worker brushes grease 51 00:03:29,543 --> 00:03:33,145 onto the interior of two mechanism casings. 52 00:03:33,147 --> 00:03:35,714 He then flips them over in order to apply 53 00:03:35,716 --> 00:03:38,917 a specially-formulated grease to the pivot pin. 54 00:03:42,189 --> 00:03:43,989 He slides the bushing over it 55 00:03:43,991 --> 00:03:46,992 and applies a c-shaped locking washer. 56 00:03:49,363 --> 00:03:52,297 An s-shaped stop will lock the mechanism in place 57 00:03:52,299 --> 00:03:54,333 until the bed is installed. 58 00:03:56,437 --> 00:03:59,805 The spring-unit assemblage will provide the resistance required 59 00:03:59,807 --> 00:04:02,708 to help smoothly raise and lower the bed. 60 00:04:04,845 --> 00:04:10,449 A locking pin secures one end of the spring unit in place. 61 00:04:10,451 --> 00:04:12,784 The worker adds the bottom plate of the unit, 62 00:04:12,786 --> 00:04:16,521 which includes a threaded bolt. 63 00:04:16,523 --> 00:04:19,458 A nut threaded onto it can be tightened or loosened 64 00:04:19,460 --> 00:04:23,128 to adjust the mechanism's tension. 65 00:04:23,130 --> 00:04:24,930 The wall-mounted spring mechanism 66 00:04:24,932 --> 00:04:28,133 is ready to be installed. 67 00:04:28,135 --> 00:04:33,272 It's designed to connect to this bed-mounted component. 68 00:04:33,274 --> 00:04:34,773 Once mounted to the bed, 69 00:04:34,775 --> 00:04:37,042 the two components work together, 70 00:04:37,044 --> 00:04:40,646 allowing the user to easily raise and lower the bed. 71 00:04:43,350 --> 00:04:46,518 A worker quickly installs the bed-mounted component 72 00:04:46,520 --> 00:04:50,989 using pre-drilled holes, bolts, and locking nuts. 73 00:04:53,327 --> 00:04:56,395 He installs the wall bed's legs in the same way, 74 00:04:56,397 --> 00:04:58,563 following a pre-drilled hole pattern 75 00:04:58,565 --> 00:05:00,299 to locate the component 76 00:05:00,301 --> 00:05:01,867 and attach it with bolts, 77 00:05:01,869 --> 00:05:05,237 locking nuts, and screws. 78 00:05:05,239 --> 00:05:08,273 The legs fold down when the bed is being used 79 00:05:08,275 --> 00:05:10,942 and tuck out of the way when the bed folds up. 80 00:05:15,382 --> 00:05:17,282 The manufacturers can now package 81 00:05:17,284 --> 00:05:20,152 the fully-assembled wall beds for transport 82 00:05:20,154 --> 00:05:21,920 to their destinations. 83 00:05:24,224 --> 00:05:27,559 Installing the wall bed requires some muscle, 84 00:05:27,561 --> 00:05:29,895 but once the two components of the spring mechanism 85 00:05:29,897 --> 00:05:31,196 are connected, 86 00:05:31,198 --> 00:05:33,665 lowering the bed onto its fold-away legs 87 00:05:33,667 --> 00:05:35,534 is a piece of cake. 88 00:05:38,505 --> 00:05:41,506 This s-shaped stop ensures the mechanism 89 00:05:41,508 --> 00:05:43,809 won't accidentally flip up. 90 00:05:43,811 --> 00:05:45,210 Once it's removed, 91 00:05:45,212 --> 00:05:48,179 the bed easily rises. 92 00:05:48,181 --> 00:05:50,048 The legs tuck into position, 93 00:05:50,050 --> 00:05:52,150 and the bed neatly folds away 94 00:05:52,152 --> 00:05:53,719 into its hiding spot, 95 00:05:53,721 --> 00:05:56,021 as though it were never there. 96 00:06:11,038 --> 00:06:15,173 narrator: Several american towns claim to be the birthplace of the sundae. 97 00:06:15,175 --> 00:06:17,776 Sundaes first appeared in the 1880s, 98 00:06:17,778 --> 00:06:21,380 when the sale of ice cream sodas was banned on sundays. 99 00:06:21,382 --> 00:06:25,517 Instead, soda-fountain operators poured soda syrup on ice cream, 100 00:06:25,519 --> 00:06:29,154 added toppings, and called this new treat the sundae. 101 00:06:33,127 --> 00:06:35,460 today, ice cream sundaes come 102 00:06:35,462 --> 00:06:38,563 pre-made and frozen in individual servings. 103 00:06:38,565 --> 00:06:40,332 There's no need to wait. 104 00:06:40,334 --> 00:06:44,903 This decadent dessert can be served up in an instant. 105 00:06:44,905 --> 00:06:47,339 At the sundae factory, productions starts 106 00:06:47,341 --> 00:06:50,142 with something called the white base mix. 107 00:06:50,144 --> 00:06:53,412 It's a pasteurized blend of fresh cream, milk, 108 00:06:53,414 --> 00:06:57,015 and a variety of sweeteners. 109 00:06:57,017 --> 00:06:59,251 A worker adds a blend of yellow coloring 110 00:06:59,253 --> 00:07:00,652 to the white base mix, 111 00:07:00,654 --> 00:07:02,621 and this takes it from bright white 112 00:07:02,623 --> 00:07:04,122 to an off-white. 113 00:07:06,126 --> 00:07:08,960 A generous helping of pure vanilla extract 114 00:07:08,962 --> 00:07:10,629 lends a distinctive flavor 115 00:07:10,631 --> 00:07:13,965 and adds extra color to the cream base. 116 00:07:13,967 --> 00:07:18,503 After a final stir, the mix is ready for a freezing process, 117 00:07:18,505 --> 00:07:20,272 during which, air will be added 118 00:07:20,274 --> 00:07:24,309 to turn the mix into soft ice cream. 119 00:07:24,311 --> 00:07:26,645 It's time to cue the containers. 120 00:07:26,647 --> 00:07:30,649 Two at a time, individual-sized sundae cups move forward 121 00:07:30,651 --> 00:07:33,318 on the production line. 122 00:07:33,320 --> 00:07:35,554 They meet up with the ice cream dispenser. 123 00:07:38,091 --> 00:07:40,292 It automatically pumps precise amounts 124 00:07:40,294 --> 00:07:43,295 of the soft vanilla ice cream into the cups. 125 00:07:47,568 --> 00:07:49,968 It fills the cups to the 3/4 mark, 126 00:07:49,970 --> 00:07:52,437 leaving plenty of room for toppings. 127 00:07:54,842 --> 00:07:56,274 It's now time to prepare 128 00:07:56,276 --> 00:07:58,844 the next layer of deliciousness -- 129 00:07:58,846 --> 00:08:01,346 the chocolate fudge sauce. 130 00:08:01,348 --> 00:08:02,948 A worker mixes skim milk 131 00:08:02,950 --> 00:08:05,684 and sweeteners to a frothy consistency, 132 00:08:05,686 --> 00:08:11,089 and then adds several large bags of dark rich cocoa. 133 00:08:11,091 --> 00:08:14,359 The mixer paddle agitates the ingredients to distribute 134 00:08:14,361 --> 00:08:16,895 the cocoa evenly throughout. 135 00:08:20,033 --> 00:08:22,868 The chocolate fudge is pumped into a plastic tote 136 00:08:22,870 --> 00:08:25,303 to cool overnight. 137 00:08:25,305 --> 00:08:26,438 During cooling, 138 00:08:26,440 --> 00:08:29,307 the sauce thickens up substantially. 139 00:08:32,412 --> 00:08:35,780 It's now a rich chocolate fudge syrup. 140 00:08:35,782 --> 00:08:39,518 Velvety smooth, the chocolate syrup flows out of the tote 141 00:08:39,520 --> 00:08:41,419 and into a big tank. 142 00:08:43,223 --> 00:08:46,558 From there, nozzles dispense the chocolate fudge syrup 143 00:08:46,560 --> 00:08:51,096 onto the vanilla ice cream in the cups. 144 00:08:51,098 --> 00:08:53,899 Next, a worker pours a liquid-topping blend 145 00:08:53,901 --> 00:08:55,967 into a high-speed mixer system 146 00:08:55,969 --> 00:08:58,470 that beats it to a whipped consistency. 147 00:09:01,408 --> 00:09:03,441 Nozzles deposit the whipped topping 148 00:09:03,443 --> 00:09:07,178 onto the syrup-covered ice cream. 149 00:09:07,180 --> 00:09:09,748 Now it's time to add some chocolate crunch 150 00:09:09,750 --> 00:09:12,117 to the smooth, sweet sundae. 151 00:09:14,087 --> 00:09:16,922 The system sprinkles semi-sweet chocolate chunks 152 00:09:16,924 --> 00:09:20,258 onto the whipped topping. 153 00:09:20,260 --> 00:09:23,094 It's the final touch. 154 00:09:23,096 --> 00:09:25,363 These single-serve chocolate sundaes 155 00:09:25,365 --> 00:09:30,335 have been prepared almost entirely by machines. 156 00:09:30,337 --> 00:09:33,838 A conveyor now sends them through an icy blast of air 157 00:09:33,840 --> 00:09:35,440 for a quick freeze. 158 00:09:38,211 --> 00:09:42,013 Exiting the freezer, the frozen sundaes travel forward, 159 00:09:42,015 --> 00:09:46,418 shielded by overhead guards for food-safety reasons. 160 00:09:46,420 --> 00:09:49,721 The sundaes funnel into a single-file lane. 161 00:09:49,723 --> 00:09:52,390 This positions them to receive lids. 162 00:09:55,395 --> 00:09:57,996 The lids slide down a chute and land on top 163 00:09:57,998 --> 00:10:01,066 of the ice cream sundae cups. 164 00:10:01,068 --> 00:10:03,802 Rollers press the lids down on the rims. 165 00:10:06,306 --> 00:10:10,775 A revolving apparatus deposits plastic collars around the lids. 166 00:10:13,814 --> 00:10:17,215 Moving forward, the machinery sorts the sundae cups 167 00:10:17,217 --> 00:10:19,050 in row of two. 168 00:10:19,052 --> 00:10:21,553 This allows a robot with suctioning arms 169 00:10:21,555 --> 00:10:23,521 to pick up six at a time 170 00:10:23,523 --> 00:10:27,859 and pack them into a cardboard box. 171 00:10:27,861 --> 00:10:30,929 The boxes travel under and over packing tape 172 00:10:30,931 --> 00:10:33,131 to seal the tops and bottoms. 173 00:10:36,970 --> 00:10:41,406 Incredibly, this factory produces 1,440 ice cream 174 00:10:41,408 --> 00:10:45,143 sundae cups every 15 minutes. 175 00:10:45,145 --> 00:10:49,781 And it's all thanks to the magic of mechanization. 176 00:10:49,783 --> 00:10:53,351 This company also produces tubs of flavored ice cream, 177 00:10:53,353 --> 00:10:55,620 so there are many mouth-watering choices 178 00:10:55,622 --> 00:10:58,123 to be made at dessert time. 179 00:11:15,375 --> 00:11:18,610 narrator: Digital painting is a relatively new medium. 180 00:11:18,612 --> 00:11:20,278 It's an artistic hybrid that 181 00:11:20,280 --> 00:11:22,380 marries modern computer technology 182 00:11:22,382 --> 00:11:25,617 with traditional painting by hand on canvas. 183 00:11:25,619 --> 00:11:28,987 Today, some photography studios offer digital painting 184 00:11:28,989 --> 00:11:31,690 as a way to transform photographic portraits 185 00:11:31,692 --> 00:11:33,525 into painted portraits. 186 00:11:37,164 --> 00:11:41,299 This specialized photographer offers digital painting 187 00:11:41,301 --> 00:11:43,802 to enhance original portraits 188 00:11:43,804 --> 00:11:47,172 and cherished snapshots. 189 00:11:47,174 --> 00:11:49,074 His studio also specializes 190 00:11:49,076 --> 00:11:52,043 in creating life-story collages. 191 00:11:52,045 --> 00:11:53,745 The in-house artist assembles 192 00:11:53,747 --> 00:11:55,680 photos and illustrations, 193 00:11:55,682 --> 00:11:56,681 depicting elements 194 00:11:56,683 --> 00:11:59,551 of the subject's lifetime. 195 00:11:59,553 --> 00:12:02,287 She scans and digitizes photos 196 00:12:02,289 --> 00:12:05,490 which are not already digital. 197 00:12:05,492 --> 00:12:08,827 She manually retouches every image with a digital pen 198 00:12:08,829 --> 00:12:11,596 and tablet to maximize the quality. 199 00:12:18,438 --> 00:12:21,740 Then she begins working on the layout of the collage. 200 00:12:25,479 --> 00:12:27,645 Once she has finalized the layout, 201 00:12:27,647 --> 00:12:30,014 she blends the edges of each image 202 00:12:30,016 --> 00:12:32,150 so that the elements flow seamlessly 203 00:12:32,152 --> 00:12:33,451 into each other. 204 00:12:35,422 --> 00:12:39,557 Now the artist begins digitally painting. 205 00:12:39,559 --> 00:12:42,994 She chooses from a selection of brush shapes and sizes, 206 00:12:42,996 --> 00:12:45,263 and from a myriad of colors. 207 00:12:51,605 --> 00:12:54,739 She applies digital paint to blur the hard lines 208 00:12:54,741 --> 00:12:56,007 of the photographs 209 00:12:56,009 --> 00:12:59,043 to make them look more like painted images. 210 00:13:03,717 --> 00:13:04,983 This painting process 211 00:13:04,985 --> 00:13:09,754 takes several hours of painstaking work. 212 00:13:09,756 --> 00:13:12,624 She sends the digital painting to the lab technician 213 00:13:12,626 --> 00:13:15,860 who prepares to print the work onto a canvas. 214 00:13:18,398 --> 00:13:21,132 First, he tweaks the entire painting, 215 00:13:21,134 --> 00:13:24,035 balancing the brightness and the colors. 216 00:13:31,077 --> 00:13:33,011 He prints a small test sample 217 00:13:33,013 --> 00:13:35,947 on canvas. 218 00:13:35,949 --> 00:13:37,582 Both the technician and the artist 219 00:13:37,584 --> 00:13:41,586 meticulously examine the sample under magnification, 220 00:13:41,588 --> 00:13:44,789 looking for any painting or printing errors. 221 00:13:44,791 --> 00:13:46,524 If everything is perfect, 222 00:13:46,526 --> 00:13:50,628 the technician installs a large canvas roll on the printer. 223 00:13:50,630 --> 00:13:53,565 The machine prints, not with regular inks, 224 00:13:53,567 --> 00:13:55,099 but with archival pigments, 225 00:13:55,101 --> 00:13:58,937 which last for centuries. 226 00:13:58,939 --> 00:14:00,471 After each pass, 227 00:14:00,473 --> 00:14:02,140 the head waits six seconds 228 00:14:02,142 --> 00:14:04,075 to let the pigments dry. 229 00:14:04,077 --> 00:14:08,680 This prevents them from smearing on the next pass. 230 00:14:08,682 --> 00:14:12,317 A digital painting this size takes five hours to print. 231 00:14:14,387 --> 00:14:17,355 The pigments must dry for 72 hours 232 00:14:17,357 --> 00:14:20,358 to ensure they're embedded into the canvas. 233 00:14:20,360 --> 00:14:23,728 Then the technician applies a coat of stabilizing lacquer 234 00:14:23,730 --> 00:14:25,697 to protect the surface from damage 235 00:14:25,699 --> 00:14:29,734 caused by ultraviolet rays or handling. 236 00:14:29,736 --> 00:14:32,704 The lacquer takes about an hour to dry. 237 00:14:32,706 --> 00:14:34,772 Then they can safely mount the canvas 238 00:14:34,774 --> 00:14:37,542 on a stretcher frame. 239 00:14:37,544 --> 00:14:40,278 The workers pull it tight with special pliers 240 00:14:40,280 --> 00:14:42,247 and then staple it down. 241 00:14:44,984 --> 00:14:48,019 They cut the corners to facilitate framing. 242 00:14:50,056 --> 00:14:52,957 The artist applies a white gel with thicker brush strokes 243 00:14:52,959 --> 00:14:54,626 in some areas 244 00:14:54,628 --> 00:14:58,263 and thinner ones in others. 245 00:14:58,265 --> 00:15:01,799 This gives the print the texture of a painting. 246 00:15:01,801 --> 00:15:06,871 The gel turns clear as it dries for 24 hours. 247 00:15:06,873 --> 00:15:09,574 Then the artist paints the entire printed canvas 248 00:15:09,576 --> 00:15:11,910 with acrylic paints. 249 00:15:11,912 --> 00:15:14,779 As she applies shading and creates depth, 250 00:15:14,781 --> 00:15:18,950 the painting gradually comes alive. 251 00:15:18,952 --> 00:15:22,820 When she finishes, she signs her work. 252 00:15:22,822 --> 00:15:25,490 In about an hour, the paint is dry 253 00:15:25,492 --> 00:15:28,526 and the digital painting is ready for framing. 254 00:15:33,900 --> 00:15:37,435 She inserts a personalized certificate of authenticity, 255 00:15:37,437 --> 00:15:40,438 stating that this is a one-of-a-kind work, 256 00:15:40,440 --> 00:15:42,907 and applies the photography studio's label 257 00:15:42,909 --> 00:15:45,810 on the back of the canvas. 258 00:15:45,812 --> 00:15:48,713 Whether it's a creatively-crafted collage 259 00:15:48,715 --> 00:15:51,215 or produced from a simple photograph, 260 00:15:51,217 --> 00:15:54,285 a digital painting immortalizes precious moments 261 00:15:54,287 --> 00:15:56,754 captured by the camera lens. 262 00:16:10,503 --> 00:16:12,971 narrator: At some point in 19th-century England, 263 00:16:12,973 --> 00:16:14,405 a new game evolved 264 00:16:14,407 --> 00:16:16,507 that took its name from the duke of beaufort's 265 00:16:16,509 --> 00:16:17,942 badminton house. 266 00:16:17,944 --> 00:16:20,078 Badminton soon became all the rage 267 00:16:20,080 --> 00:16:22,580 among british officers in india. 268 00:16:22,582 --> 00:16:26,384 Today, fans believe the game is faster and harder than tennis, 269 00:16:26,386 --> 00:16:28,419 its long-time rival. 270 00:16:31,891 --> 00:16:33,825 To create the carbon-fiber shafts 271 00:16:33,827 --> 00:16:35,560 of the badminton racquets, 272 00:16:35,562 --> 00:16:37,528 the manufacturer follows a series 273 00:16:37,530 --> 00:16:41,532 of meticulously-defined production steps. 274 00:16:41,534 --> 00:16:43,935 The process begins by tightly wrapping 275 00:16:43,937 --> 00:16:46,404 a carbon-fiber fabric, called prepreg, 276 00:16:46,406 --> 00:16:49,307 multiple times around a metal cylinder. 277 00:16:49,309 --> 00:16:52,010 A worker encases the fabric in plastic 278 00:16:52,012 --> 00:16:54,512 to hold the prepreg in place. 279 00:16:54,514 --> 00:16:57,181 Then he suspends the cylinders from a rack 280 00:16:57,183 --> 00:16:59,183 and rolls them into an oven. 281 00:17:01,855 --> 00:17:05,790 The heating process transforms the wrapped prepreg 282 00:17:05,792 --> 00:17:08,092 into solid lightweight and super-strong 283 00:17:08,094 --> 00:17:10,595 carbon-fiber material. 284 00:17:10,597 --> 00:17:13,164 This specialized device removes the cylinder 285 00:17:13,166 --> 00:17:14,732 from the carbon fiber, 286 00:17:14,734 --> 00:17:17,468 leaving a hollow shaft. 287 00:17:17,470 --> 00:17:20,171 Here, we can see the stages of production required 288 00:17:20,173 --> 00:17:24,742 to create the hollow carbon-fiber shaft. 289 00:17:24,744 --> 00:17:28,346 In the next stage of production, a worker begins the process 290 00:17:28,348 --> 00:17:31,149 of manufacturing the racquet frame. 291 00:17:31,151 --> 00:17:33,084 She starts with a different formulation 292 00:17:33,086 --> 00:17:34,786 of prepreg material, 293 00:17:34,788 --> 00:17:37,221 which she folds into thin strips. 294 00:17:39,726 --> 00:17:43,828 The key is to make sure each strip is identical. 295 00:17:43,830 --> 00:17:45,096 In the next phase, 296 00:17:45,098 --> 00:17:48,733 a worker wraps the strip around a purpose-built mold 297 00:17:48,735 --> 00:17:51,202 to create the shape of a racquet frame. 298 00:17:54,574 --> 00:17:58,309 She introduces the carbon-fiber shaft into the mold. 299 00:17:58,311 --> 00:18:01,379 The racquet is taking shape. 300 00:18:01,381 --> 00:18:03,047 Another piece of carbon fiber 301 00:18:03,049 --> 00:18:06,451 forms the joint between them. 302 00:18:06,453 --> 00:18:08,920 The frame-shaped prepreg carbon fiber 303 00:18:08,922 --> 00:18:11,122 then goes into a shaping machine, 304 00:18:11,124 --> 00:18:13,691 and the lid closes. 305 00:18:13,693 --> 00:18:17,161 The shaping machine heats and then cools the prepreg 306 00:18:17,163 --> 00:18:19,530 over the course of about 30 minutes. 307 00:18:21,468 --> 00:18:23,101 A worker lifts the lid 308 00:18:23,103 --> 00:18:25,570 and removes the fully-formed racquet frame, 309 00:18:25,572 --> 00:18:27,338 which has excess resin. 310 00:18:30,677 --> 00:18:33,177 Resin holds the carbon fibers together 311 00:18:33,179 --> 00:18:35,179 before the curing process. 312 00:18:35,181 --> 00:18:37,148 Heating expels the resin, 313 00:18:37,150 --> 00:18:40,585 which must then be removed. 314 00:18:40,587 --> 00:18:43,321 A narrow bit drills the first sequence of holes 315 00:18:43,323 --> 00:18:44,856 in an offset pattern 316 00:18:44,858 --> 00:18:47,291 to make the racquet easier to string. 317 00:18:49,562 --> 00:18:52,563 A larger-gauge bit drills holes large enough 318 00:18:52,565 --> 00:18:55,099 to permit two strings to pass through. 319 00:18:57,804 --> 00:19:01,339 Quality-control inspectors choose a racquet frame at random 320 00:19:01,341 --> 00:19:03,441 to test how much pressure it can bear 321 00:19:03,443 --> 00:19:05,710 before it reaches the breaking point. 322 00:19:10,650 --> 00:19:13,084 It's finally time to add the wooden handle 323 00:19:13,086 --> 00:19:16,454 and cap to the shaft and put everything together. 324 00:19:19,526 --> 00:19:21,826 The racquets head for the painting department, 325 00:19:21,828 --> 00:19:24,595 where they receive a base coat. 326 00:19:24,597 --> 00:19:29,000 Then workers meticulously apply a series of decals. 327 00:19:29,002 --> 00:19:30,735 The decals soak in water 328 00:19:30,737 --> 00:19:33,271 to make it easier to remove the backing. 329 00:19:38,778 --> 00:19:41,179 A worker slides each hole over a pin 330 00:19:41,181 --> 00:19:43,781 at the base of a nailing machine. 331 00:19:43,783 --> 00:19:46,150 The machine nails specially-designed grommets 332 00:19:46,152 --> 00:19:47,652 into the holes. 333 00:19:50,557 --> 00:19:53,024 The grommets are slightly too long to ensure 334 00:19:53,026 --> 00:19:56,861 they can be cut perfectly flush to the frame by this machine. 335 00:20:00,633 --> 00:20:04,068 In a two-part process, this pressing machine heats 336 00:20:04,070 --> 00:20:06,704 and then presses the cut side of the grommets 337 00:20:06,706 --> 00:20:08,206 to smooth them out. 338 00:20:11,678 --> 00:20:15,713 A worker carefully clamps the racquet into a winding machine 339 00:20:15,715 --> 00:20:17,949 and brushes glue onto the handle. 340 00:20:20,653 --> 00:20:25,389 She then secures one end of the handle wrap at the base, 341 00:20:25,391 --> 00:20:28,626 and uses a foot pedal to begin turning the racquet. 342 00:20:30,330 --> 00:20:33,497 Maintaining the steady tension at the correct angle, 343 00:20:33,499 --> 00:20:35,299 she winds the wrapping all the way up 344 00:20:35,301 --> 00:20:37,501 to the beginning of the shaft. 345 00:20:42,775 --> 00:20:45,810 She secures the top end of the wrapping with tape. 346 00:20:47,847 --> 00:20:51,449 A laser quickly and accurately burns the product I.D. Number 347 00:20:51,451 --> 00:20:54,585 into the shaft. 348 00:20:54,587 --> 00:20:58,022 A quality-control inspector clamps the completed racquet 349 00:20:58,024 --> 00:21:00,625 into a precision- engineered device, 350 00:21:00,627 --> 00:21:03,461 designed to measure its weight, swing weight, 351 00:21:03,463 --> 00:21:07,498 and balance point with incredible accuracy. 352 00:21:07,500 --> 00:21:09,533 The racquets made by this manufacturer 353 00:21:09,535 --> 00:21:11,302 come in different sizes, 354 00:21:11,304 --> 00:21:14,639 suited to every level of badminton player. 27490

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