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♪ ♪

[CRASHING]

♪ ♪

♪ ♪

♪ ♪

[MAGGIE]:
CALL HIM BACK IN, JOE.

I'D LIKE
TO GO OVER HIS STATEMENT

ONE MORE TIME,
IF THAT'S OKAY.

YEAH.

THANKS.

PRICE, JUST HEARD
FROM THE D.A.

DA SILVA GOT SENTENCED

TO 55 YEARS,
NO PAROLE.

LOOKS LIKE
ANOTHER WIN FOR YOU.

YOU MEAN FOR US.

HEY, YOU MADE US
ALL LOOK GOOD.

OKAY... WHAT DO YOU NEED?

WHAT? I'M JUST TRYING
TO CONGRATULATE YOU.

OKAY, LOOK,
I'VE BEEN TRYING

TO DATE
THIS REALLY BEAUTIFUL GIRL

FOR, LIKE,
A COUPLE OF MONTHS NOW,

AND SHE'S FINALLY SAID YES,

BUT SHE'S ONLY AVAILABLE
TONIGHT... IN AN HOUR.

OH, GOD, MUNRO!

SOMEBODY CANCELED
ON HER LAST MINUTE,

AND YOU'RE THE BACK-UP GUY.

I KNOW!
I'M OKAY WITH THAT.

CAN YOU COVER FOR ME?

I AM WEARING MY COAT,
HOLDING MY CAR KEYS,

AND WALKING
TO THE DOOR.

DOES IT LOOK LIKE
I CAN COVER FOR YOU?

COME ON,
JUST THIS ONE TIME.

YOU SAID THAT
LAST TIME.

LOOK, TONIGHT,
MY MOM IS MAKING A ROAST,

AND I SWORE TO HER

THAT I WOULD
BE HOME BY 6:30

AND NOW,

BECAUSE I AM STANDING
HERE, TALKING TO YOU,

I'M ALREADY
RUNNING LATE,

SO... NO....

AND YOU KNOW WHAT?

YOU DESERVE TO BE SOMEBODY'S
FIRST CHOICE, MUNRO.

YOU DO.

HEY, PRICE,
COULD YOU JUST TELL ME...

TOMORROW.

NO, JUST SAYING,
MAYBE YOU COULD...

LET THE WOMAN WALK
OUT THE DOOR, PEOPLE.

[MAGGIE]:
THANK YOU.

'NIGHT.

AT LEAST BRING SOME LEFTOVERS!

HI, GUYS!

MM!

THE HOUSE SMELLS SO GOOD!

HI, HONEY.
HOW WAS WORK?

WHAT ARE YOU DOING
IN MY HOUSE?

HENRY'S TEACHING ME
A NEW RECIPE.

[HENRY]: WE ARE HAVING
CROWN LAMB ROAST,

WITH WILD MUSHROOM,
ROASTED POTATOES,

MIXED VEGETABLES, STUFFING...

WITH RED-WINE REDUCTION.

YOU DON'T LOOK HAPPY
TO SEE ME.

I JUST WASN'T EXPECTING COMPANY.

WHAT ABOUT COMPANY
THAT BRINGS GOOD WINE?

GETTING HAPPIER BY THE SECOND.

I WILL POUR YOU A GLASS.

THANK YOU.

WHERE'S ABBY?

[DORIS]:
SHE DID HER HOMEWORK.

I TOLD HER SHE COULD
GO GET BURGERS

WITH SOME FRIENDS.

AGAIN?

MY 14-YEAR-OLD HAS
A BETTER SOCIAL LIFE THAN I DO.

WELL,
THAT WOULDN'T BE HARD, DEAR.

I DON'T KNOW WHAT WE'RE GOING
TO DO FOR DESSERT.

THAT MESS
WAS SUPPOSED TO BE A MERINGUE.

[HENRY]:
WELL, I'LL TELL YOU WHAT.

I AM GOING TO A PARTY
LATER THIS EVENING.

FRIENDS OF MINE WON
"RESTAURANT OF THE YEAR" AWARD,

AND THEY'RE CELEBRATING.

IT'S AT CARMELLA'S.

OH, I KNOW THAT PLACE.

WELL, YOU TWO SHOULD JOIN ME.

[DORIS]:
I WISH I COULD,

BUT I HAVE TO READ
THE LAST CHAPTER OF A BOOK

FOR BOOK CLUB TOMORROW.

DIDN'T YOU JUST SAY

YOU STARTED THAT BOOK
THIS MORNING, MOM?

WELL, YES,
BUT IT'S EASIER TO FAKE IT

WHEN I KNOW HOW IT ENDS...

BUT YOU TWO GO.

I... DON'T KNOW.

IT'S A WORK NIGHT.

DIDN'T YOU JUST
SWEAR TO ME LAST WEEK

YOU WERE GOING TO START
TO SAY YES TO THINGS?

I'VE HAD THEIR PANNA COTTA.

OH, ISN'T THEIR PANNA COTTA
THE BEST? I MEAN, SERIOUSLY...

OKAY, OKAY.

IF IT'LL GET YOU TWO TO STOP,
I'LL GO.

YOU'RE WELCOME.

♪ ♪

OH, YEAH, OF COURSE,
I REMEMBER THIS PLACE.

YEAH,
I WOULDN'T BE SURPRISED.

IT'S BEEN AROUND
FOR 70 YEARS.

WELL, THANK YOU FOR THE INVITE.

IT'S ACTUALLY NICE TO GET OUT.

MY PLEASURE.

HENRY ROSS, RIGHT?

YES.

I RECOGNIZE YOU
FROM YOUR BLOG.

MY EX-GIRLFRIEND
WAS OBSESSED WITH IT.

MATEO DURAND.

AH, YOU'RE THE NEW CHEF.

I'VE HEARD GREAT THINGS
ABOUT YOU.

THIS IS MY FRIEND,
MAGGIE PRICE.

HOW DO YOU DO?

SO, MATEO...

YOU WERE THE SOUS-CHEF
OVER AT VILLA AL FRESCO

BEFORE JOINING LEO HERE, RIGHT?

I DON'T KNOW
HOW YOU KNEW THAT.

I DON'T KNOW,

I GUESS IT'S MY JOB
TO KNOW STUFF LIKE THAT.

I AM A CONSULTANT
IN THE FOOD INDUSTRY.

AS HE LOVES TO REMIND ME.

WELL, CONGRATULATIONS
ON THE AWARD.

I'M SURE THAT THE CHANGES
YOU'VE MADE TO THE MENU HERE

HAD SOMETHING
TO DO WITH THAT.

NOW, DO ME A FAVOR
AND TELL LEO THAT.

[LEO]: OH, I THINK YOU'VE
TOLD ME THAT YOURSELF

ENOUGH TIMES, MATEO.

[WOMAN]: HENRY, I'M
SO GLAD YOU COULD MAKE IT.

OH, IT'S SO GREAT
TO SEE YOU, TOO.

THIS IS MY FRIEND,
MAGGIE PRICE.

THIS IS CLAUDIA AND LEO.

THEY'RE THE OWNERS

AND LONGTIME FRIENDS.

CHEF? THINGS ARE BACKING UP
IN THE KITCHEN.

THANKS, DOM,
I'LL BE RIGHT THERE.

IF YOU'LL EXCUSE ME.

OF COURSE.

I NEED TO MAKE SURE

EVERYONE'S DRINKS
ARE BEING REFILLED,

SO ENJOY YOURSELVES, AND
SAVE ROOM FOR DESSERT.

IT WAS NICE
MEETING YOU, MAGGIE.

YOU AS WELL.

YOU KNOW, I THINK I'M GOING
TO GO CHECK ON ABBY QUICKLY.

I'LL BE RIGHT BACK.

ALL RIGHT.

SO...

THINGS NOT GOING SO WELL
WITH THE NEW CHEF?

YEAH...
YEAH, YOU COULD SAY THAT.

WELL, I'M SURE

YOUR GRANDMOTHER
WOULD BE VERY PROUD

OF ALL THAT YOU'VE ACCOMPLISHED.

MY GRANDMOTHER WOULD WONDER
WHY IT TOOK US SO LONG.

[THEY LAUGH]

[MAGGIE]:
OKAY, HONEY.

JUST MAKE SURE
YOU'RE HOME BY 9:00.

I'LL SEE YOU
WHEN I GET IN.

LOVE YOU.

[MATEO]:
COME ON!

[CLAUDIA]: NO, WE'RE NOT
DISCUSSING THIS ANYMORE!

CLAUD, WAIT!

ENOUGH.
I SAID YOU NEED TO STOP THIS.

[LAUGHTER]

SO, MAGGIE,
WHAT DO YOU DO?

I'M A DETECTIVE WITH THE SFPD.

- ARE YOU?
- MM-HMM.

YOU KNOW, SOMETHING HAPPENED
HERE LAST WEEK,

THAT THE POLICE AREN'T TAKING
VERY SERIOUSLY.

REALLY?
WHAT HAPPENED?

[LEO]: SOMEBODY BROKE IN.

I CAME DOWN THE STAIRS,
AND HE TOOK OFF.

[HENRY]:
YOU'RE KIDDING.

DID HE TAKE ANYTHING?

NO.

NOTHING'S MISSING.

HMM. DID YOU GET
A LOOK AT HIM?

YEAH,
HE WAS WEARING A SKI MASK,

LIKE A BANK ROBBER.

HE WAS TALL.

HE WAS WEARING JEANS
AND A DARK SWEATSHIRT.

AND RED SNEAKERS.

YOU KNOW, EVEN IN THE MOMENT,

I REMEMBER THINKING...
"HOW STUPID IS THIS GUY?"

[LAUGHING]

I MEAN, HE WANTS TO BE INCOGNITO
AND HE'S WEARING RED SNEAKERS.

WHAT DID THE POLICE SAY?

OH, NOT MUCH.

THEY TOLD ME
TO GET MY ALARM SYSTEM FIXED,

AND THEY ASKED A FEW QUESTIONS,
AND THEN THEY LEFT.

[CLAUDIA]:
AND THE WEIRD PART IS,

HE WAS IN THE PANTRY.

I DON'T KNOW WHAT HE WAS
EXPECTING TO FIND IN THERE.

WE HAVE PETTY CASH
IN A MONEY BOX IN THE OFFICE,

AND IT WASN'T EVEN TOUCHED.

WHAT DO YOU THINK?

WELL, I THINK IT'S TIME
TO GET YOUR ALARM SYSTEM FIXED.

BEYOND THAT, I'M AFRAID
I CAN'T BE OF MUCH HELP.

BREAK-INS
AREN'T MY JURISDICTION.

I'M IN HOMICIDE.

WELL, THEN I CERTAINLY HOPE

WE WON'T BE NEEDING
YOUR SERVICES ANY TIME SOON.

[LAUGHING]

DEFINITELY NOT.

[MAGGIE]:
WELL, THANK YOU.

THAT WAS FUN.

[HENRY]:
YEAH?

YEAH.

YOU KNOW...

I GET INVITED
TO THIS KIND OF THING

ALL THE TIME,

SO CONSIDER IT A STANDING OFFER
TO JOIN ME.

THANKS.

I...
APPRECIATE THE STANDING OFFER.

WELL...

GOODNIGHT.

GOODNIGHT.

DRIVE SAFE.

OKAY.

HEY, BABY, SORRY.

I DIDN'T MEAN
TO WAKE YOU UP.

IT'S OKAY.

DID YOU HAVE FUN?

I DID.

DID YOU?

WHERE'D YOU GUYS GO?

GOODNIGHT.
I LOVE YOU.

IS EVERYTHING OKAY?

YEAH.

WELL, ARE YOU COMING UPSTAIRS?

NO, NOT JUST YET.

CAN I HAVE ONE OF THOSE?

SURE.

CHEERS.

TO MATEO...

OUR MASTER CHEF.

I WAS GOING TO SAY "TO US."

WERE YOU?

LEO, PLEASE DON'T START.

I SEE THE WAY HE LOOKS AT YOU.

SOMETIMES, I THINK I SEE YOU
LOOKING AT HIM THE SAME WAY.

WELL THEN,
YOU SEE THINGS.

LOOK, IF YOU DON'T LIKE
HAVING MATEO AROUND, FIRE HIM.

HIRE A NEW CHEF.

HE'S THE REASON
WE WON THIS AWARD, CLAUDIA.

I CAN'T FIRE HIM.

WELL, THAT'S UP TO YOU...

BUT EITHER GET RID OF HIM,

OR STOP ACCUSING ME

OF WHATEVER IT IS
YOU'RE ACCUSING ME OF.

I'M TIRED.
I'M GOING TO BED.

MORNING, SWEETIE.
DO YOU WANT PEANUT BUTTER?

PLAIN IS FINE, THANKS.

YOU LOOK PRETTY TODAY.

THANK YOU.

CUTE HAIR.

WHO'S THE BOY?

- WHAT?
- HMM?

OH...

SOMEHOW, THE GLITTER
FROM YOUR BODY SPRAY

SEEMS TO HAVE MIGRATED
UP TO YOUR EYELIDS.

MOM...

I'M JUST TRYING TO MAKE SURE

HE'S NOT A SENIOR
WITH A MOTORCYCLE.

EW.

HE'S A FRESHMAN
WITH A SKATEBOARD.

OH!

WELL, I AM STILL DOING
A BACKGROUND CHECK

ON HIS ENTIRE FAMILY.

NO NEED.
HE DOESN'T EVEN KNOW I EXIST.

HOW CAN HE NOT?

LOOK AT YOU...

AND THIS IS NOT A FACE
THAT NEEDS MAKEUP.

OR IS ALLOWED
TO WEAR IT.

[PHONE RINGS]

DETECTIVE PRICE.

WHAT?

YOU'VE GOT TO BE KIDDING ME.

WHAT HAPPENED?

LOOKS LIKE
A B&E GONE BAD.

THE WIFE, UM...

CLAUDIA.

CLAUDIA, YEAH.

SHE CAME BACK FROM
A RUN THIS MORNING

AROUND QUARTER
TO 7:00

AND FOUND LEO LYING
ON THE KITCHEN FLOOR

WHERE HE'D BEEN SHOT.

HE HIT HIS HEAD
ON THE COUNTER,

WAS KNOCKED OUT.

HOW'S HE DOING NOW?

I JUST GOT OFF THE PHONE
WITH A NURSE

FROM ST. JOSEPHINE'S
HOSPITAL.

HE'S IN A COMA.

GOD, I CAN'T BELIEVE THIS.
WE WERE JUST HERE LAST NIGHT.

LEO WAS TELLING ME
ABOUT A BREAK-IN

THAT HAPPENED LAST WEEK,

BUT HE SCARED THE GUY OFF.

GUESS THE GUY CAME BACK
TO FINISH OFF THE JOB.

AT 7:00 IN THE MORNING?

DOESN'T THAT SEEM
LIKE A PRETTY UNUSUAL TIME

FOR A BREAK-IN?

DO WE KNOW YET
IF ANYTHING'S MISSING?

CLAUDIA WAS PRETTY
HYSTERICAL

WHEN THE FIRST
RESPONDERS ARRIVED,

BUT SHE DID LET US
INTO THE OFFICE TO CHECK.

$2,000 WAS TAKEN

FROM THE PETTY CASH BOX
THAT THEY KEPT IN THE DESK.

[BAILEY]:
SHE HADN'T HAD A CHANCE

TO PUT IT IN THE BANK YET.

THE GUY MUST HAVE KNOWN
IT WAS THERE.

I KNOW THAT LOOK.

YOUR SPIDEY SENSES
TINGLING, PRICE?

SO SOMEBODY BREAKS IN
A WEEK AGO,

SEARCHES AROUND IN THE PANTRY,

BUT DOESN'T TAKE ANYTHING,

GETS INTERRUPTED AND RUNS,

THEN COMES BACK A WEEK LATER
WITH A GUN,

TAKES SOME CASH,

GETS INTERRUPTED BY LEO AGAIN,
AND SHOOTS HIM?

MM.

WELL, WHEN YOU LAY IT
OUT LIKE THAT,

IT DOES SEEM
A LITTLE STRANGE.

YEAH.

UNTIL WE KNOW
WHAT WE'RE DEALING WITH HERE,

I GOING TO TREAT THIS
AS AN ATTEMPTED HOMICIDE.

GET FORENSICS OVER HERE.

I NEED TO GET TO THE HOSPITAL.

I'M GOING TO GET A STATEMENT
FROM CLAUDIA.

YOU KEEP CANVASSING
THE NEIGHBORHOOD.

SOMEBODY HAD TO HAVE
SEEN SOMETHING.

YOU GOT IT.

AND MAKE SURE THAT EVERYBODY WHO
WORKS HERE

GOES DOWN TO THE STATION
FOR INTERVIEWS.

I'VE GOT
TO CALL HENRY.

HENRY?

YEAH, HE WAS HERE WITH ME
LAST NIGHT.

HE KNOWS THE TRIVIANOS
PERSONALLY.

MAYBE HE CAN HELP US.

CLAUDIA,
I AM SO, SO SORRY.

WHY WOULD SOMEBODY DO THIS
TO LEO?

IT DOESN'T MAKE ANY SENSE.

I KNOW.

I'M SORRY,
CLAUDIA,

JUST A FEW MORE
QUESTIONS, OKAY?

DO YOU REMEMBER

IF YOU LOCKED
THE DOOR BEHIND YOU

WHEN YOU LEFT?

I DIDN'T.

HOW COULD I HAVE BEEN SO STUPID
AFTER THE FIRST BREAK-IN?

BECAUSE IT WAS 7:00
IN THE MORNING

AND PERFECTLY UNDERSTANDABLE

THAT YOU DIDN'T LOCK
YOUR DOOR.

CAN YOU THINK OF ANYONE
WHO WOULD WANT TO HARM LEO?

LEO WAS THE LAST PERSON
ANYONE WOULD WANT TO HURT.

I JUST...

I CAN'T IMAGINE.

ARE WE DONE?

I'D REALLY LIKE
TO GO SIT WITH HIM.

YEAH.

GO AHEAD.

THESE WERE
IN THE SAME DESK

WHERE THE CASH
WAS TAKEN.

UNTOUCHED...
AND THEY LOOK REAL.

THERE'S NO SIGN
OF FORCED ENTRY BACK HERE,

WHICH MEANS

THAT WHOEVER BROKE IN
LAST WEEK

PROBABLY HAD A KEY.

THE NEIGHBORS DIDN'T HEAR
ANYTHING THIS MORNING?

ONE WOMAN ACROSS THE STREET

SAID SHE HEARD WHAT SHE THOUGHT
WAS A CAR BACKFIRING AT 7:30.

IT'S NICE

THAT SOME PEOPLE IN THE WORLD
CAN HEAR A GUN GO OFF

AND STILL THINK
IT'S A CAR BACK-FIRING.

PEOPLE REALLY NEED
TO BE MORE PARANOID.

YEAH.

[HENRY]:
I FOUND SOMETHING.

THAT PAINTING
OF CARMELLA

MIGHT BE WORTH
A LOT OF MONEY.

WHY'S THAT?

INTERESTING STORY,
ACTUALLY.

THE PAINTER IS A LOCAL ARTIST

WHO LIVED IN OBSCURITY
UNTIL HIS 90s,

WHEN SOME OF HIS WORK
WAS SELECTED

FOR THE OVAL OFFICE.

HIS POPULARITY
SKY-ROCKETED,

AND HE LIVED TO SEE IT,

WHICH, OF COURSE,
A LOT OF ARTISTS DON'T.

ACTUALLY, DID YOU KNOW THAT...

I KNOW
THAT THERE'S A POINT COMING.

THAT PAINTING MUST BE WORTH
WELL OVER A HUNDRED GRAND.

WHY DIDN'T
WHOEVER ROBBED THE PLACE

TAKE THE PAINTING?

BECAUSE NOBODY KNOWS ANYTHING
ABOUT ART.

I'VE SEEN PAINTINGS
HANGING IN MUSEUMS

THAT MY FOUR-YEAR-OLD NIECE
COULD HAVE DONE.

WHAT ARE YOU DOING HERE?

I'M INVESTIGATING A B&E.

I MEAN, WHAT ARE YOU DOING
IN SAN FRANCISCO?

YOU'RE SUPPOSED
TO BE IN FLORIDA.

OH, WELL, IT TURNS OUT
I HATE HUMIDITY,

SO I'M BACK AT THE
NORTH BEACH DIVISION.

SINCE WHEN?

COUPLE MONTHS.

OH...

[CLEARS THROAT]

UH, STEVE...

SORRY, THIS IS
DETECTIVE STEVE MILLER.

THIS IS HENRY ROSS,

AND YOU REMEMBER
BAILEY AND MUNRO.

WELL, WELCOME BACK
TO SAN FRANCISCO,

BUT THIS ISN'T YOUR CASE.

IT'S IN MY DIVISION.

UH, NO,
ACTUALLY.

YOU HANDLE EVERYTHING
WEST OF VALENCIA STREET,

AND THIS IS ON THE BORDER,

AND I'M PRETTY SURE
IT SAYS IN THE HANDBOOK

THAT WE HANDLE EVERYTHING
THAT'S ON THE BORDER.

WHOA, THERE'S A HANDBOOK?

THERE IS NO HANDBOOK.

SURE, THERE'S
A HANDBOOK.

IN FACT, IT'S THE ONE
THAT STIPULATES

I HANDLE ALL THE RINKY-DINK
CRIMES LIKE ROBBERIES,

AND FANCY-PANTS SPECIAL
UNITS PEOPLE LIKE YOU

DO THE HOMICIDES.

THERE ARE EXTENUATING
CIRCUMSTANCES HERE.

MEANING?

MEANING I AM TREATING THIS CASE
AS AN ATTEMPTED MURDER,

AND IT'S NICE TO SEE

THAT YOU STILL HAVEN'T GOTTEN
OVER THE FACT

THAT I GOT PROMOTED BEFORE YOU.

I HAVEN'T GOTTEN OVER
A LOT OF THINGS.

WELL, LOOKS LIKE WE'RE
GOING TO BE TEAMING UP, GUYS.

THAT'S A TERRIBLE IDEA.

YOU KNOW,

MAGGIE IS VERY POSSESSIVE
OF HER MURDER CASES.

[STEVE]: WHAT
DO YOU SAY, MAGS?

THINGS WORKED PRETTY WELL FOR US
IN THE PAST.

[HENRY]: IS THAT
SOMETHING WE EVEN DO?

TEAM UP WITH OTHER DIVISIONS?

SOMETIMES.

FINE.

LET'S POOL OUR
RESOURCES ON THIS ONE...

FOR NOW.

DONE.

GREAT.
SO WE'LL START IN HERE,

AND YOU CAN START
IN THE DINING ROOM.

NO, I MEAN, I'M DONE.

I'VE ALREADY GONE
THROUGH THE PLACE.

YOU'VE TAMPERED
WITH MY CRIME SCENE?

I STARTED INVESTIGATING
MY CRIME SCENE, YEAH.

DID YOU WANT TO SEE
WHAT I FOUND?

I GOT IT OUT OF THE OFFICE
IN THE SHREDDER.

HAVEN'T HAD A CHANCE

TO TAPE IT BACK
TOGETHER YET, BUT...

WELL, BAILEY AND MUNRO
CAN HANDLE THAT.

ALL RIGHT, THEN, AS LONG AS
I GET TO COME WITH YOU.

FINE.

[SIGHS]

THIS IS GOING TO BE FUN.

ARE YOU KIDDING ME?

I DIDN'T GO TO THE ACADEMY

SO I COULD SIT HERE
AND DO PUZZLES.

COME ON, MAN.

BETWEEN THE TWO OF US,

THIS IS GOING TO TAKE,
LIKE, FIVE MINUTES.

WE JUST NEED TO FIGURE OUT
WHERE TO START.

WHO IS THAT GUY?

[MAGGIE]: OH, THAT'S, UM...

HE CONSULTS FOR US.

SINCE WHEN DOES THE DEPARTMENT
AFFORD CONSULTANTS?

HE'S VERY GOOD, ACTUALLY.
HE HELPED ME SOLVE TWO CASES.

[STEVE]: WELL, HE DOESN'T LOOK
LIKE A DETECTIVE.

HE'S, UM...

YEAH, IT'S A LONG STORY.

GET THE TAPE,

MAKE SURE
IT'S STRAIGHT...

HOW'S IT GOING, GUYS?

SINCE WHEN DO YOU DRINK
OUR COFFEE?

YEAH.

I, UH, I WAS JUST, UM...

AH...

I GOT IT.

SPYING.

NOW, HEY,
I WAS NOT SPYING.

OKAY, SURE.
YUP, YUP.

GUYS NEED ANY HELP?

GOOD LUCK.

WHOEVER WROTE THIS WROTE
ON BOTH SIDES OF THE PAPER.

SEE?

WELL...

WHY DON'T YOU FOLLOW
THE WATERMARK?

HUH?

YEAH, YOU SEE
HOW ONE SIDE IS SHINY

AND THE OTHER SIDE ISN'T?

THAT'S THE WATERMARK.

WELL, I'LL BE...

THAT IS SOME SHERLOCK HOLMES
STUFF RIGHT THERE, MAN.

LOOK,
THIS SHOULDN'T BE THAT HARD.

I DON'T WANT TO STEP ON
ANY TOES HERE,

BUT...

MIND IF I GIVE IT A TRY?

ABSOLUTELY.

GO RIGHT AHEAD.

YEAH, YEAH,
KNOCK YOURSELF OUT.

- YEP. YUP, YUP.
- TAKE YOUR TIME.

THANKS, GUYS.

ALL RIGHT!

OKAY, LET ME GET YOU
CAUGHT UP TO SPEED HERE.

THIS IS THE OWNER,
LEO TRIVIANO,

HIS WIFE, CLAUDIA,

AND THEIR CHEF, MATEO DURAND.

THIS IS DOM.

NOW, THIS IS
CLAUDIA'S NEPHEW.

HE IS...

YOU LOOK GOOD.

HAVE I MENTIONED
YOU LOOK GOOD?

UM...

SOUS-CHEF.

NO, YOU HAVEN'T.

YOU DO.

DOM IS,
UH, CLAUDIA'S, UM...

NEPHEW.

YEAH, YOU SAID THAT PART.

RIGHT.

OKAY.

I WAS GOING
TO CALL.

I MEAN, REALLY,

I PICKED UP THE PHONE,
LIKE, 10 TIMES,

BUT I JUST DIDN'T KNOW
WHAT TO SAY.

WELL, YOU COULD HAVE STARTED

BY EXPLAINING WHY YOU LEFT
WITHOUT SAYING GOODBYE.

COME ON, MAGS.

I MEAN, YOU WERE BUSY PICKING UP
THE PIECES YOUR EX LEFT

WHEN HE WALKED OUT.

I DIDN'T WANT
TO BE THE REBOUND GUY...

AND I DID SAY GOODBYE,
FOR THE RECORD.

YES,
THAT WAS A BEAUTIFUL TEXT.

DIDN'T HANDLE IT
AS WELL AS I COULD HAVE.

AFTER SIX MONTHS TOGETHER,

NOT TO MENTION THE FOUR YEARS
BACK IN COLLEGE?

NO, YOU DIDN'T HANDLE IT
AS WELL AS YOU COULD HAVE.

BECAUSE IF I CAME
TO SAY GOODBYE IN PERSON...

I WASN'T SURE
I WAS GOING TO BE ABLE TO LEAVE.

ALL DONE.

WOW.
THAT WAS FAST.

WELL, IT WAS
A LITTLE COMPLICATED,

BUT I LIKE COMPLICATED.

MAYBE YOU SHOULD BE
CONSULTING FOR THE CIA.

I LIKE
WORKING HERE.

SO IT'S A LETTER?

YES, IT'S FROM
LEO'S GRANDMOTHER, CARMELLA,

TO HER SISTER, VERA.

"DEAR VERA, THE SUN RARELY
BREAKS THROUGH THE FOG HERE,

AND I MISS OUR LIFE BACK HOME.

FAUSTO IS NO LONGER
THE KIND MAN I MARRIED,

AND I FEEL TRAPPED AND ALONE
AND MISS YOU ALL TERRIBLY.

I KEEP OUR FAMILY LEGACY
CLOSE TO MY HEART.

IT IS ALL I HAVE LEFT
TO REMEMBER YOU BY.

YOUR LETTERS
BRING ME SO MUCH JOY.

PLEASE WRITE AGAIN SOON.

YOUR LOVING SISTER, CARMELLA."

SOUNDS LIKE A TYPICAL
LETTER BETWEEN SISTERS.

IF A LITTLE SAPPY.

SHE WAS LONELY
AND WANTED HER SISTER TO WRITE.

YOU KNOW, SOME PEOPLE ACTUALLY
APPRECIATE THE ODD EMAIL...

LETTER!

[CLEARS THROAT]

OKAY, SO...

CARMELLA WASN'T HAPPY
IN HER MARRIAGE,

BUT THIS WAS DECADES AGO,

AND SHE'S BEEN GONE
FOR A LONG TIME,

SO WHY SHRED THE LETTER NOW?

BECAUSE IT CONTAINS
SOMETHING IMPORTANT.

THAT'S BRILLIANT.

HOW MUCH DOES THE DEPARTMENT
PAY YOU, EXACTLY?

I AGREE.
IT'S IMPORTANT.

IT GOES ON THE BOARD FOR NOW.

DOES ANYBODY HAVE ANYTHING ELSE?

HOW ABOUT SARA JENNINGS?

WHO'S SARA JENNINGS?

SHE'S A SILENT INVESTOR
AT CARMELLA'S,

ALONG WITH SEVERAL OTHER
RESTAURANTS IN TOWN.

I'M SURE SHE COULD GIVE US
SOME INFORMATION.

GREAT!

LET'S CALL HER IN
FOR AN INTERVIEW.

ALL RIGHT.

AND TO ANSWER YOUR QUESTION...

NOT ENOUGH.

[HEART MONITOR BEEPS]

[AIR HISSES]

[AIR HISSES]

[CLOSES DOOR]

[MONITOR SQUEALS]

CODE BLUE, 425!

[P.A.]: CODE BLUE TEAM
TO WARD G.

CODE BLUE TEAM TO WARD G.

HE'S IN ARREST.
GIVE HIM ONE CC OF EPI.

HANG ON, MR. TRIVIANO.

HEY.

I JUST WENT HOME TO SHOWER.

I THOUGHT
I COULD LEAVE LEO FOR AN HOUR.

I CAN'T BELIEVE HE'S GONE.

HENRY, I...

WHAT?
WHAT IS IT?

WE HAD A FIGHT LAST NIGHT.

I DIDN'T WAIT UP FOR HIM.
I WAS TOO UPSET...

AND NOW,

THOSE ARE THE LAST WORDS
I'LL EVER SAY TO HIM.

NO, CLAUDIA.
COME HERE.

DON'T DO THAT TO YOURSELF.

LISTEN, UM...

I HAVE TO ASK YOU
A QUESTION,

AND I KNOW THAT THIS
IS HORRIBLE TIMING...

BUT WE FOUND SOMETHING
AT THE RESTAURANT.

CARMELLA WROTE THIS LETTER
TO HER SISTER IN 1944.

DO YOU HAVE ANY IDEA

HOW THIS ENDED UP
BACK IN THE STATES?

YOU HAVE TO ASK ME
ABOUT THIS NOW?

NO, I KNOW...

BUT I THINK
THIS MIGHT BE IMPORTANT.

HOW?

I DON'T KNOW YET.

WE JUST WENT TO ITALY
A FEW MONTHS AGO TO SEE VERA

BECAUSE SHE WASN'T DOING WELL.

SHE PASSED
WHILE WE WERE THERE,

AND LEO BROUGHT BACK
A BOX OF THINGS,

THINGS VERA TREASURED...

LETTERS, PHOTOGRAPHS...

I GUESS
THIS COULD HAVE BEEN IN THERE.

DO YOU KNOW

WHY SOMEONE MIGHT WANT
TO DESTROY THIS LETTER?

NO.

NOLAN?

AH, DETECTIVE PRICE.

I DIDN'T KNOW
YOU WERE COMING BY.

I HAVE A MEDICAL QUESTION
TO RUN BY YOU,

AND I MIGHT NEED A FAVOR.

AM I INTERRUPTING?

NO, NOT AT ALL.
PLEASE, COME ON IN.

YOU SEE THIS PAPERWORK?

THIS IS THE WORST
PART OF MY JOB.

NOW, THAT'S
SAYING SOMETHING.

HOW CAN I HELP YOU?

I NEED TO KNOW
HOW COMMON IT IS

FOR SOMEONE IN A COMA
TO HAVE A HEART ATTACK.

WELL, IT HAPPENS.

HOW FREQUENTLY?

WAS THE PATIENT
UNDER SOME STRESS?

HE WAS SHOT
IN THE STOMACH,

HIT HIS HEAD,

AND FELL INTO A COMA
EN ROUTE TO THE HOSPITAL.

OKAY, WELL,
GIVEN THAT KIND OF TRAUMA,

CARDIAC ARREST
IS A DEFINITE POSSIBILITY.

STILL...

I GOT A HUNCH ON THIS ONE.

IS THIS THE PART

WHERE YOU ASK ME
FOR A FAVOR?

I NEED AN AUTOPSY.

THE NAME IS LEO TRIVIANO.

OKAY, WHAT ARE WE
LOOKING FOR?

ANYTHING THAT COULD HAVE
CAUSED A HEART ATTACK.

ANY CHEMICALS IN HIS SYSTEM,
MAYBE AN EMBOLISM...

I WILL GET ON IT RIGHT AWAY.

THANKS.

YOU'RE THE BEST.

I KNOW,
AND YOU OWE ME.

I ALWAYS DO.

[HENRY]: YOU KNOW,

WE SHOULD TAKE
A CLOSER LOOK AT MATEO.

LEO DIDN'T LIKE HIM.

WHY'S THAT?

CLAUDIA TOLD ME ONCE

THAT THEY ALWAYS FOUGHT
OVER THE MENU.

MATEO WANTED
TO CHANGE EVERYTHING,

AND LEO WANTED
TO STICK WITH TRADITION.

MM, GOOD TO KNOW.

THAT'S WHAT I'M HERE FOR.

YEAH, ALSO,
MAYBE LEO KNEW

THAT THERE WAS
SOMETHING GOING ON

BETWEEN MATEO AND HIS WIFE.

WHAT?

THEY WERE ARGUING
IN THE OFFICE

DURING THE PARTY.

WHY DIDN'T YOU
TELL ME THAT BEFORE?

WELL, I'M TELLING YOU NOW.

I DON'T KNOW EXACTLY
WHAT'S GOING ON,

BUT I THINK THOSE TWO
ARE MORE THAN JUST COLLEAGUES.

HEY!

I WAS JUST CHECKING UP
ON OUR CASE.

I'M SORRY TO HEAR ABOUT LEO.

YEAH.

YOU THINK WE'RE LOOKING
AT A HOMICIDE?

WELL, THE GUY'S PLACE
GETS BROKEN INTO TWICE,

HE'S SHOT,

AND THEN SUDDENLY
PASSES AWAY

FROM A HEART ATTACK?

I THINK THAT'S ONE TOO MANY
COINCIDENCES IN A ROW,

SO WE'RE GOING
TO TREAT THIS AS A HOMICIDE.

AND SINCE
THAT'S OUR DIVISION...

WE'LL TAKE IT FROM HERE.

OKAY, THEN
I WILL LEAVE YOU TO YOUR CASE.

IF YOU THINK OF
ANYTHING, CALL ME.

"CALL ME?"

SERIOUSLY?

HE'S A VERY GOOD
DETECTIVE, HENRY.

UH-HUH.

HOW LONG DID YOU TWO DATE?

BOUNDARIES?

DON'T HAVE ANY.

LOOK, WAS HE BEFORE OR AFTER
YOUR EX-HUSBAND, HMM?

COME ON.

YOU KNOW
I CAN DO THIS ALL DAY.

BEFORE AND AFTER.

REALLY?

YEAH.

WE DATED IN COLLEGE
AND AT THE ACADEMY,

AND THEN WHEN I MET RICHARD,
I BROKE UP WITH STEVE...

AND WHEN RICHARD LEFT,

STEVE WAS YOUR SHOULDER
TO CRY ON.

HE HAS PRETTY
NICE SHOULDERS.

WELL, YOU CAN'T
BLAME THE GUY

FOR TAKING ADVANTAGE
OF THE SITUATION.

NO, IT WASN'T LIKE THAT.
WE WERE JUST FRIENDS.

AND THEN?

AND THEN THINGS PROGRESSED,
BECAUSE YOU KNOW WHAT,

IT FELT NICE TO HAVE SOMEBODY
BE THERE FOR ME

WHEN I HAD JUST HAD
MY HEART BROKEN

INTO A MILLION LITTLE PIECES,

AND WHY AM I EVEN TELLING YOU
ANY OF THIS?

BECAUSE
I'M A GOOD LISTENER.

NO, BECAUSE YOU'RE NOSY.

NOT THE SAME THING.

[MUNRO]:
MAGGIE?

SARA JENNINGS
IS IN THE CONFERENCE ROOM,

LIKE YOU ASKED.

OH, GREAT, THANKS.

TO BE CONTINUED.

NO, NOT TO BE CONTINUED!

CAN WE PLEASE JUST STICK
TO TALKING ABOUT THE CASE?

HEY, DO YOU WANT
TO COME IN WITH ME?

THAT'S A GOOD IDEA!

I KNOW SARA WELL.

YOU KNOW WHAT?
WHY DON'T I LEAD THE INTERVIEW?

NO-NO-NO, YOU'RE NOT GOING
TO TALK ABOUT THE CASE.

YOU JUST SAID STICK TO...

WITH ME, YES.
NOT WITH HER.

WITH HER,

YOU HAVE TO MAKE HER
FEEL COMFORTABLE.

YOU JUST HAVE
TO BE YOUR CHARMING SELF,

AND MAYBE SHE'LL OPEN UP.

I CAN BE CHARMING.

ON SECOND THOUGHT...

WATCH AND LEARN.

[SIGHS]

I JUST CAN'T BELIEVE
LEO'S DEAD...

AND HENRY, WHAT DO YOU
HAVE TO DO WITH THIS?

I CONSULT WITH THE
DEPARTMENT SOMETIMES.

THEY BRING ME IN

WHENEVER THERE'S A MURDER
INVOLVING FOOD OR...

A MURDER?
LEO WAS MURDERED?

WE DON'T KNOW
ANYTHING YET.

WE'RE JUST TAKING
A CLOSER LOOK

BECAUSE THERE ARE
SOME SUSPICIOUS CIRCUMSTANCES

SURROUNDING LEO'S DEATH.

LIKE WHAT?

WELL, TO BEGIN
WITH, THERE...

WE'RE NOT AT LIBERTY
TO SAY RIGHT NOW.

RIGHT! RIGHT.

I SUGGESTED
THAT MAGGIE BRING YOU IN

TO SIMPLY TALK WITH YOU.

SARA, I HATE THE CIRCUMSTANCES,
BUT, UM...

I'VE GOT TO ADMIT,
IT'S GOOD SEEING YOU AGAIN.

I HAVEN'T SEEN YOU
SINCE THAT WINE FESTIVAL.

IN SAN MARINO.

I REMEMBER.

THAT WAS A, UM...

GOOD WEEKEND.

YEAH.

I MEAN,
THE WINE...

WAS EXCELLENT...
AND THE VIEWS.

[HENRY]: I COULD GET USED
TO THAT VIEW.

[MAGGIE]:
WELL, I'M JEALOUS.

I WISH I HAD A JOB

WHERE I GOT
TO GO ON WINE-TASTING WEEKENDS.

WAS THAT PART OF YOUR ROLE
AS LEO'S SILENT PARTNER?

NOT EXACTLY.
WINE TASTING'S JUST A HOBBY.

AND HOW WAS IT?

WORKING WITH LEO?

GOOD.

I MEAN, HE COULD BE OPINIONATED,

BUT IT WAS JUST BECAUSE
HE WAS PASSIONATE ABOUT COOKING

AND UPHOLDING
HIS FAMILY'S LEGACY, THAT'S ALL.

DO YOU THINK
LEO MIGHT HAVE HAD ANY ENEMIES?

I CAN'T IMAGINE.

AND WHERE WERE YOU THIS MORNING
BETWEEN 7:00 AND 8:00 A.M.?

THE SAME PLACE
I AM EVERY MORNING,

ON A YOGA MAT IN THE STUDIO
IN THE BOWERY.

I'M GOING TO NEED
THE NAME OF THE STUDIO.

SURE, OF COURSE.

LISTEN,

I KNOW YOU NEED TO LOOK
AT EVERYONE AS A SUSPECT,

BUT I STAND TO LOSE,

AND LOSE BIG FROM
LEO'S DEATH, OKAY?

WHO'S GOING
TO WANT TO EAT AT A PLACE

WHERE THE OWNER WAS GUNNED DOWN
IN HIS OWN KITCHEN?

ALL THE LOYALTY CARMELLA'S
HAS BUILT UP OVER 70 YEARS

IS GOING TO VANISH OVERNIGHT,
YOU WATCH.

EVEN IF, BY SOME MIRACLE,
WE STAY IN BUSINESS,

WE'LL NEVER FULLY RECOVER
FROM THIS...

AND YOU KNOW WHAT?

I LIKED LEO.

I LIKED HIM A LOT.

NOW, ARE WE DONE HERE?

SURE.

WE'LL CALL YOU
IF WE HAVE ANY MORE QUESTIONS.

THAT'S MY NEW RESTAURANT.

CALL ME
ANY TIME YOU WANT TO COME BY,

I'LL MAKE SURE YOU GET
THE BEST SEAT IN THE HOUSE.

OKAY.

WELL, SHE'S CHARMING.

I ALWAYS THOUGHT SO.

[MAGGIE]: HOW WAS YOUR WORKING
RELATIONSHIP WITH LEO?

WAS IT A GOOD ONE?

NOT REALLY.

I HAD TO RUN EVERY TINY
LITTLE CHANGE BY HIM.

DO YOU HAVE ANY IDEA

WHAT IT'S LIKE
TO BE MICRO-MANAGED?

WHAT CAN YOU TELL ME
ABOUT THIS GUY?

HE'S AN UP-AND-COMER

IN THE FOOD SCENE
HERE IN SAN FRANCISCO.

HE WAS A SOUS-CHEF

AT A RESTAURANT
CALLED VILLA AL FRESCO.

THAT'S A...

YEAH, I DON'T LIVE
UNDER A ROCK, HENRY.

VILLA AL FRESCO IS
THE HOTTEST RESTAURANT IN TOWN.

WHY WOULD MATEO
TAKE A JOB

AT A SMALLER
RESTAURANT?

WELL, IT'S NOT EASY
GETTING HIRED AS A HEAD CHEF.

IT'S VERY COMPETITIVE,
ESPECIALLY IN THIS CITY.

LEO TOOK A CHANCE ON HIM,

BUT HE WOULDN'T LET HIM
TAKE CONTROL OF THE KITCHEN,

AND THAT'S ONE THING THAT CAUSED
AN ISSUE BETWEEN THEM.

[MAGGIE]: HOW LONG HAVE YOU
BEEN IN LOVE WITH CLAUDIA?

- WHAT?
- THAT'S THE SECOND THING.

YOU COULD'VE LED WITH THAT.

[MATEO]: I DON'T KNOW
WHAT YOU'RE TALKING ABOUT.

[MAGGIE]:
COME ON, MATEO.

I SAW YOU TWO ARGUING
AT THE PARTY.

CLAUD, WAIT!

ENOUGH.
I SAID YOU NEED TO STOP THIS.

WHAT WERE YOU
FIGHTING ABOUT?

NOTHING.
WORK STUFF.

LOOK, YOU'D SAVE US BOTH
A LOT OF TIME

BY JUST ADMITTING TO AN AFFAIR
RIGHT NOW.

THERE'S NOTHING TO ADMIT TO.

OKAY.

THEN WHY DON'T YOU TELL ME
WHERE YOU WERE

WHEN LEO WAS SHOT?

SURE.
I WAS IN BED... ASLEEP.

CAN ANYONE CORROBORATE THAT?

NOPE.

I WAS ALONE.

[DOM]: LEO WAS TRAINING ME
TO BE A CHEF.

HE DIDN'T LIKE HAVING SOMEONE
OUTSIDE OF THE FAMILY

RUNNING THE KITCHEN.

AND WHERE WERE YOU
THIS MORNING,

WHEN LEO WAS SHOT?

I WAS EATING BREAKFAST
AT HOME, ALONE.

WERE YOU ONLINE,
ON ANY SOCIAL MEDIA?

YEAH, SURE,
I WAS ON FACEBOOK, MAYBE.

ON WHAT DEVICE?

MY PHONE.

GREAT. DO YOU HAVE THAT
WITH YOU?

- YEAH.
- I'D LOVE TO SEE IT.

THANK YOU.

YOUR LOCATION SERVICES
ARE ENABLED.

THAT'S GOOD NEWS
FOR YOU

IF YOU NEVER LEFT
YOUR APARTMENT

THIS MORNING.

I SEE YOU POSTED
A PICTURE OF YOUR BREAKFAST,

WHICH LOOKS DELICIOUS,
BY THE WAY,

AT 7:15 A.M. FROM HOME.

OKAY, HOW LONG DOES IT
TAKE YOU TO GET TO WORK?

WELL, I LIVE IN OAKLAND.

IT TAKES ME 40 MINUTES
TO GET TO WORK.

EARLIER TODAY AROUND NOON,

WERE YOU
ANYWHERE NEAR THE HOSPITAL?

NO.

I WAS GOING TO VISIT LEO
LATER IN THE DAY.

AT NOON,
I WAS STILL IN OAKLAND,

AT A TACO STAND ON FRUITVALE.

I'M A REGULAR CUSTOMER.
THEY SHOULD REMEMBER ME.

JUST A FEW MORE QUESTIONS.

HOW LONG AGO

DID YOU START WORKING
FOR CLAUDIA AND LEO?

UH, ABOUT SIX MONTHS AGO.

THAT WAS RIGHT
AFTER YOU MOVED

TO SAN FRANCISCO
FROM NEW JERSEY.

YEAH,
THEY GAVE ME A JOB RIGHT AWAY,

NO QUESTIONS ASKED.

I COULDN'T BELIEVE IT.

WHY?

BECAUSE I DIDN'T
KNOW THEM TOO WELL.

AUNT CLAUDIA AND MY DAD
DON'T SPEAK.

SEE, SHE WAS...

ASHAMED OF MY DAD.

HE SPENT SOME TIME IN PRISON.

[FORSYTH]:
FRANK BRENETTI.

DOM'S FATHER,
CLAUDIA'S BROTHER.

DID EIGHT YEARS IN LOCK-UP
FOR ARMED ROBBERY.

HE WAS DISCIPLINED
SEVERAL TIMES INSIDE.

WHEN DID HE GET OUT?

A COUPLE OF WEEKS AGO.

INTERESTING TIMING.

MM-HMM.
WE'RE TRYING TO LOCATE HIM.

LOOK AT THIS.

"I KEEP OUR FAMILY LEGACY
CLOSE TO MY HEART."

SARA SAID THE WORD "LEGACY"
WHEN WE TALKED TO HER.

THAT'S RIGHT, SHE DID.

"CLOSE TO MY HEART."

WHAT DOES THAT EVEN MEAN?

A REPUTATION?

YOU WOULDN'T KEEP A REPUTATION
CLOSE TO YOUR HEART.

MAYBE HER ENGLISH
WASN'T PERFECT.

MAYBE SHE MEANT FAMILY MEMORIES.

THEN WHY SHRED THE LETTER?

WHAT IF "LEGACY" MEANT
SOMETHING TANGIBLE?

LIKE... A WILL?

OR VALUABLES.

IT WAS 1944.

PEOPLE WERE SMUGGLING

ALL KINDS OF THINGS
OUT OF EUROPE

TO KEEP THEM SAFE.

LIKE FAMILY JEWELS.

YES,

AND THAT'S WHAT
WHOEVER BROKE INTO LEO'S PLACE

WAS LOOKING FOR.

AND WHEN HE DIDN'T FIND THEM,
KILLED LEO...

OR TRIED TO.

CLAUDIA CAME HOME
FROM HER RUN

AND INTERRUPTED THEM,

BUT LEO HAD ALREADY
SEEN HIS FACE,

SO WHOEVER THE GUY WAS
HAD TO GO BACK TO THE HOSPITAL

TO FINISH THE JOB.

THAT'S A PRETTY GOOD THEORY.

[HENRY]: YEAH. CLAUDIA HAD
SEEN THE LETTER, TOO.

I COULD TELL

WHEN I SHOWED IT TO HER
AT THE HOSPITAL.

WHAT?

YEAH, I MEAN,
SHE COVERED,

BUT HER HANDS
WERE SHAKING

WHEN I SHOWED IT
TO HER.

NO, NO, NO, WAIT.
BACK UP.

YOU'RE SHARING EVIDENCE
WITH SUSPECTS?

BAD MOVE?

YEAH, BAD MOVE.

[PHONE RINGS AND VIBRATES]

YEAH, OKAY.

OKAY, I CAN SEE
THAT NOW.

THAT... MY BAD.

OH, GOOD.

LISTEN, UM...

BAILEY AND MUNRO ARE GOING
TO BE BACK ANY MINUTE,

SO WHY DON'T YOU GUYS START
RUNNING DOWN ALIBIS TOGETHER?

W-WHAT,
YOU WANT TO SPLIT UP?

I... I JUST HAVE TO FOLLOW UP
ON SOMETHING.

WHERE ARE YOU GOING?

I WILL MEET YOU
BACK HERE.

WHY DON'T YOU START

BY CONFIRMING
THAT SARA WAS AT THE YOGA STUDIO

LIKE SHE SAID?

SHE'S NO MURDERER.
I WOULD KNOW.

YES, YOU'RE CLOSE.
WE GOT THAT PART.

CHECK UP ON HER ALIBI ANYWAY.

SHE SEEM A LITTLE JEALOUS
TO YOU?

[SNICKERS]

KEEP TRYING.

[STEVE]:
THANK YOU FOR COMING.

YEAH, OF COURSE.
YOUR TEXT SAID IT WAS URGENT.

IT IS.

I FOUND A LEAD.

OH, REALLY?

COME HERE,
I'LL SHOW YOU.

LOOK AT THIS.

IT'S BEEN
BROKEN INTO, OKAY?

BUT SOMEBODY ALSO DRAGGED IT
ACROSS THE FLOOR.

YOU CAN SEE THE DRAG MARKS.

SO, DID YOU LOOK THROUGH IT?

YEAH.

IT'S...
A BUNCH OF OLD PAPERS.

NOTHING OF ANY VALUE,
AS FAR AS I CAN TELL.

HMM.

SO WHOEVER BROKE IN HERE
IGNORED THE CASH IN THE OFFICE

BECAUSE THEY WERE LOOKING
FOR SOMETHING ELSE.

EXACTLY.

WHICH... I ALREADY KNEW.

OH... ONE STEP AHEAD OF ME.

JUST LIKE OLD TIMES.

IF YOU WANTED
TO RELIVE OLD TIMES,

YOU COULD HAVE JUST ASKED ME
FOR A COFFEE.

WAIT, WAIT, WAIT,

I'VE BEEN DOWNGRADED
TO COFFEE?

I THOUGHT WE WERE THINKING
ABOUT DINNER.

- DINNER?
- WHAT DO YOU SAY?

I...

[CELL PHONE RINGS]

DETECTIVE PRICE.

[NOLAN]:
WELL, YOU WERE RIGHT.

I FOUND DAMAGE

CAUSED BY AN AIR EMBOLISM
IN LEO'S HEART.

WHAT ARE THE ODDS
OF THAT HAPPENING NATURALLY?

NEXT TO NONE.

SO LEO WAS MURDERED.

MY PROFESSIONAL OPINION

IS THAT SOMEONE
HAD TO HAVE INJECTED AIR

INTO LEO'S VEINS

AND CAUSED A HEART ATTACK.

I APPRECIATE YOUR HELP.
THANKS, NOLAN.

I HAVE TO GET BACK
TO THE HOSPITAL.

YOU WANT SOME COMPANY?

UH, NO,

BUT THANKS FOR LURING ME
HERE UNDER FALSE PRETENSES.

ANY TIME.

I CHECKED UP
ON SARA'S ALIBI.

SHE WAS AT THE YOGA STUDIO
LIKE SHE SAID.

HMM, GOOD TO KNOW.

SHE'S STILL NOT OFF THE HOOK.

ARE YOU A LITTLE JEALOUS?

PLEASE.

HI.

DETECTIVE PRICE,
YOU'RE BACK.

YES, WE ARE.

WE HAVE SOME MORE
QUESTIONS FOR YOU,

IF YOU HAVE A MOMENT.

OF COURSE.

DO YOU HAVE ANY
SECURITY CAMERAS

SET UP ON THIS FLOOR?

NO, THE ONLY CAMERAS WE HAVE

ARE AT THE MAIN ENTRANCE
OF THE HOSPITAL.

WE NEED TO KNOW
WHO HAD ACCESS TO THIS FLOOR.

IT'S AN OPEN FLOOR.

PEOPLE ARE COMING AND GOING
ALL DAY LONG.

WELL, THAT
NARROWS IT DOWN.

ALL RIGHT.
THAT'S ALL FOR NOW.

- THANK YOU.
- THANK YOU.

[MAN]:
EXCUSE ME?

YOU THE POLICE?

YES, SIR.

I'M DETECTIVE
MAGGIE PRICE.

WE'RE JUST LOOKING
INTO THE DEATH

OF THE GENTLEMAN

WHO PASSED AWAY
DOWN THE HALL.

I WAS SITTING RIGHT HERE
WHEN IT HAPPENED.

WERE YOU?

DID YOU HAPPEN TO NOTICE
ANYTHING UNUSUAL?

DID ANYBODY
GO INTO HIS ROOM?

A NURSE WENT IN THERE
WITH A TRAY.

LEFT QUICKLY.

A NURSE?

CAN YOU TELL US
WHAT SHE LOOKED LIKE?

SURE, ONLY IT WASN'T A SHE.
IT WAS A HE.

A MAN?

ARE YOU SURE?

IT WAS DEFINITELY A MAN.

THANKS.
THANKS A LOT.

I BROUGHT YOU
A LATTE.

THANK YOU.

SO, I TALKED TO THE HEAD NURSE
AGAIN THIS MORNING.

SHE SAID THAT THE LAST TIME
A NURSE WENT INTO LEO'S ROOM

WAS AT 12:15
TO CHECK ON HIM.

HIS ALARM STARTED
GOING OFF AT 12:45.

SHE ALSO CONFIRMED

THAT THERE ARE NO MALE NURSES
THAT WORK ON LEO'S FLOOR,

AND THAT
THERE WOULD BE NO REASON

FOR A NURSE FROM ANOTHER FLOOR
TO EVER ENTER LEO'S ROOM.

OKAY, SO...

A GUY TAKES THE RISK
OF GOING INTO LEO'S ROOM

IN THE MIDDLE OF THE DAY
IN A BUSY HOSPITAL

TO KILL HIM.

EXACTLY.

FOR SOMEONE
TO TAKE THAT KIND OF A RISK,

HE MUST HAVE HAD
A PRETTY COMPELLING REASON

FOR WANTING LEO DEAD.

I'D LIKE TO GO BY
AND TALK TO CLAUDIA AGAIN.

OH, PLEASE...

IS THIS GUY FOR REAL?

WHO?

DETECTIVE STEVE.

YOU'RE STALKING
HIM ON FACEBOOK?

WHO USES A SURFING PICTURE
AS THEIR PROFILE PIC?

PEOPLE WHO KNOW
HOW TO SURF...

AND WHO LOOK
PRETTY GOOD DOING IT.

WHY'D YOU TWO BREAK UP?

STOP PRYING.

I'M JUST TRYING TO SAVE YOU
ANOTHER BAD ENDING.

WHAT DOES THAT MEAN?

SURFER DUDE HERE

IS NOT A GUY WHO'S IN IT
FOR THE LONG HAUL.

HO HO, SAYS THE GUY
WHO'S NEVER BEEN MARRIED.

EXACTLY,

BECAUSE I DON'T TAKE
COMMITMENT LIGHTLY.

THAT'S THE PERFECT COVER
FOR A COMMITMENT-PHOBE.

NO, NOT AT ALL.

I JUST WANT TO DO IT ONCE,
AND I WANT TO DO IT RIGHT.

HMM.

YEAH, WELL,
DON'T WE ALL, OKAY?

BUT YOU CAN'T CONTROL
HOW OTHERS BEHAVE.

MAYBE NOT,

BUT YOU CAN SAVE YOURSELF
A LOT OF HEARTACHE

BY CHOOSING THE RIGHT GUY
IN THE FIRST PLACE,

AND THIS GUY?

THIS IS ADVENTURE GUY.

THIS IS FUN GUY.

THIS IS ALSO

BAIL-AT-THE-FIRST-SIGN
OF-TROUBLE GUY.

HOW DO YOU KNOW THAT?

BECAUSE I USED
TO BE THAT GUY.

REALLY?

SOME PEOPLE GROW UP
AND SOME PEOPLE DON'T.

LOOK, I'M JUST
LOOKING OUT FOR YOU.

[MAGGIE]: I SAW SOMETHING
WHEN WE WERE AT THE PARTY.

YOU AND MATEO.

YOU WERE ARGUING.

MATEO'S BEEN UNHAPPY.

HE FELT LEO DIDN'T APPRECIATE

EVERYTHING HE'S DONE
FOR OUR RESTAURANT.

HE WAS THREATENING
TO QUIT.

I FELT
HE WASN'T BEING VERY LOYAL,

AND I GOT ANGRY.

IS THERE... ANY MORE TO IT?

WHAT DO YOU MEAN?

I MEAN,

YOUR ARGUMENT SEEMED
A BIT MORE INTIMATE THAN THAT.

ARE YOU ASKING ME

IF MATEO AND I
ARE HAVING AN AFFAIR?

NO. WE'RE NOT.

MY HUSBAND WAS THE ONE

WITH THE GORGEOUS, FLIRTATIOUS
BUSINESS PARTNER.

WE'RE ALREADY LOOKING
INTO SARA JENNINGS.

SO YOU SHOULD.

SHE OWNS HALF THE BUSINESS.

AND NOW YOU OWN
THE OTHER HALF.

I GUESS YOU'RE RIGHT.

I INHERIT
HALF OF THE RESTAURANT

AND ALL OF LEO'S DEBTS.

HE TOOK OUT
A HUGE LOAN RECENTLY

TO UPGRADE THE KITCHENS.

YOU UNDERSTAND
HOW TIGHT THE MARGINS ARE

IN THE RESTAURANT BUSINESS,
HENRY...

HOW FICKLE IT IS.

IT'S NOT LIKE LOSING MY HUSBAND
IS GOING TO MAKE ME RICH.

[MAGGIE]: YOU SAW HOW FAST
SHE POINTED US TOWARDS SARA.

I'M TELLING YOU,
CLAUDIA'S HIDING SOMETHING.

[MUNRO]:
AS FOR DOM'S STORY,

CHECKED OUT THE TACO
STAND IN OAKLAND.

THEY GET
A HUGE LUNCH CROWD.

NO ONE COULD CONFIRM
THAT HE WAS THERE.

I STILL SAY MATEO IS OUR GUY.

HE HAD A KEY TO THE RESTAURANT,

AND IF HE AND CLAUDIA
WERE CLOSE ENOUGH,

MAYBE HE KNEW ABOUT THE LETTER.

WAIT A MINUTE.

IF THE LEGACY IS REFERRING
TO SOMETHING TANGIBLE,

LIKE JEWELS,

WHAT IF THERE'S A CLUE
INSIDE THIS LETTER

TELLING US WHERE THEY'RE HIDDEN?

SO NOW THE LETTER
IS A TREASURE MAP.

EXACTLY!

I LOVE THAT.

WHAT ARE YOU,
ONE OF THE HARDY BOYS?

HEY, THE HARDY BOYS
SOLVED EVERY CASE.

THAT'S TOTALLY TRUE, YEAH.

[PHONE RINGS]

OH, WOW.

HA...
WELL, HELLO, DETECTIVE.

YOU GOT ANOTHER BOGUS LEAD
FOR ME ALREADY?

THAT WAS FAST.

WELL, I'M GOING TO
HAVE TO THINK ABOUT THAT.

OKAY.

YES TO DINNER,
NO TO YOUR PLACE,

BECAUSE I REMEMBER
YOUR COOKING.

FINE.

8:00.

OKAY, I'LL SEE YOU THERE.

BYE.

WOW...

YOUR EAVESDROPPING SKILLS
COULD USE A LITTLE WORK.

YOU'RE GOING OUT WITH HIM?

I HAVE ALREADY HEARD
YOUR OPINION ON THIS,

- SO SPARE ME...
- I AM NOT...

BECAUSE IT'S JUST
A DINNER, OKAY?

- OKAY.
- OKAY...

ALTHOUGH WOULD IT BE SO BAD
IF IT WERE A DATE?

BECAUSE, YOU KNOW,

I HEAR THAT'S A THING
THAT PEOPLE DO,

THEY GO OUT.
THEY HAVE FUN.

MY MOM HAS
A GREAT SOCIAL LIFE,

ABBY'S NEVER HOME
THAT MUCH ANYMORE,

AND MAYBE I DON'T WANT TO SPEND
THE REST OF MY LIFE

AT HOME ALONE
WITH MY CATS.

YOU DON'T HAVE CATS.

WELL, NOT YET.

[FORSYTH]:
GUESS WHAT?

WE MAY HAVE JUST FOUND
OUR MOTIVE.

SARA JENNINGS
HAD KEY MAN INSURANCE ON LEO.

WHAT'S THAT?

[HENRY]: THAT IS WHEN
A COMPANY TAKES OUT INSURANCE

ON SOMEONE THEY CONSIDER
KEY TO THEIR SUCCESS.

LEO WAS THE HEAD CHEF
AT HIS RESTAURANT

FOR MANY YEARS

BEFORE HE HIRED MATEO
TO TAKE OVER.

SO IF LEO'S
NO LONGER CHEF,

WHY HAVE INSURANCE ON HIM?

I DON'T KNOW.

AND YOU NEVER MENTIONED
THIS BEFORE BECAUSE...?

IT DIDN'T OCCUR TO ME.

BUT SECRET CLUES
HIDDEN IN A LETTER DID?

[FORSYTH]:
THIS KEY MAN INSURANCE

WAS PRETTY HEFTY.

WITH LEO'S DEATH,

SARA WAS ABOUT TO RECEIVE
QUITE A PAYOUT.

HOW BIG?

ONE MILLION DOLLARS BIG.

HENRY...

CALL SARA UP,

AND SEE IF YOU CAN
TAKE HER OUT TONIGHT.

WHAT?

JUST CONSIDER IT
A FIELD ASSIGNMENT, YOU KNOW.

GET CLOSE TO HER,
SEE WHAT YOU CAN FIND OUT.

[MAGGIE]: I DON'T THINK
THAT'S A GREAT IDEA.

HENRY CAN'T DO THAT.
HE'S NEVER DONE THAT.

[FORSYTH]: I DON'T KNOW,

FROM EVERYTHING
I'VE SEEN SO FAR,

I DISAGREE.

REALLY?

CALL HER UP.

OKAY, I WILL.

OKAY.

SARA?

HI, IT'S HENRY.

LISTEN,
I KNOW THIS MAY SOUND STRANGE

UNDER THE CIRCUMSTANCES,

BUT SEEING YOU AGAIN
THE OTHER DAY

REMINDED ME
HOW MUCH FUN WE HAD,

SO I WAS THINKING...

THERE'S THIS NEW RESTAURANT
IN THE CASTRO THAT'S...

YEAH.

YEAH, THAT'S THE ONE.

HOW ABOUT I MAKE US
SOME RESERVATIONS TONIGHT

FOR 8:00 P.M.?

OKAY.

LOOKING FORWARD TO IT.

BYE-BYE.

AND THAT'S HOW
THAT'S DONE.

OKAY...

ARE YOU SURE
YOU'VE GOT THIS?

TRUST ME.

OKAY,
SO WHAT AM I DOING, EXACTLY?

[OBJECT CLATTERS]

HELLO?

CAN I HELP YOU?

HEY!

HEY!

STOP!

[GRUNTS]

[STEVE]:
SO HERE I AM,

IN THE MIDDLE
OF NOWHERE IN COSTA RICA

WITH MY BUDDIES
ON THE SURF TRIP.

FIRST NIGHT
WE CHECK INTO THE HOTEL,

AND EVERYBODY'S WALLET
GETS STOLEN.

CASH, CREDIT CARDS...
EVERYTHING GONE.

WELL, SO WHAT DID YOU DO?

WE SLEPT FOR THREE NIGHTS
ON THE BEACH

UNTIL SOMEONE
COULD WIRE US MONEY.

WOW. THAT SOUNDS
REALLY UNCOMFORTABLE.

YOU KNOW, ACTUALLY,

IT TURNED OUT
TO BE ONE OF THE BEST TRIPS

I EVER TOOK.

SO WHAT ABOUT YOU?

WHAT HAVE YOU
BEEN UP TO?

MM... NOTHING THAT
CAN COMPARE TO THAT...

BUT, UM, LIFE'S GOOD.

YOU KNOW, ABBY'S DOING
REALLY WELL IN SCHOOL,

AND SHE'S VICE PRESIDENT
OF THE STUDENT COUNCIL...

AND ALREADY LOOKING AHEAD

TO WHAT COLLEGES
SHE WANTS TO APPLY TO,

WHICH IS JUST...

SCARY.

SO SCARY.

I SWEAR, IT WAS JUST YESTERDAY

I WAS DROPPING HER OFF
AT KINDERGARTEN

FOR THE FIRST DAY, YOU KNOW?

BUT I GUESS
THAT'S LIFE, RIGHT?

THINGS CHANGE.

AND YET, OTHER THINGS
FEEL EXACTLY THE SAME.

SO HOW IS THE CASE GOING?

THE WEIRDEST THING
HAPPENED EARLIER TONIGHT.

THERE WAS THIS GUY

THAT WAS JUST LURKING AROUND

IN THE UNDERGROUND PARKING LOT
AT THE PRECINCT,

AND HE WAS JUST STARING AT ME.

WHO?

I DON'T KNOW.
I COULDN'T SEE HIS FACE.

HE RAN, SO I CHASED HIM,
BUT, UM, I COULDN'T CATCH HIM...

BUT THE THING IS...

HE WAS WEARING RED SNEAKERS.

WE KNOW WHOEVER BROKE
INTO LEO'S RESTAURANT

WAS WEARING RED SNEAKERS.

HMM...

AND EVEN THOUGH
I COULDN'T SEE HIS FACE,

THERE WAS...
SOMETHING ABOUT HIM

THAT IT JUST...
SEEMED FAMILIAR,

AND I COULDN'T HELP BUT THINK
THAT MAYBE IT WAS MATEO.

I KNOW MATEO'S
HIDING SOMETHING.

ANYWAY,

I'M GOING
TO CIRCLE BACK TOMORROW.

WELL, WHY WAIT?

WHAT ARE YOU DOING?

I'M OBVIOUSLY NOT GOING
TO GET ANY ATTENTION FROM YOU

UNTIL YOU'VE CRACKED
THIS CASE,

SO LET'S JUST BOX THIS UP,

AND WE'LL GO TALK
TO MATEO.

RIGHT NOW?

YEAH. RIGHT NOW.

ARE YOU STILL TRYING
TO WORK YOUR WAY INTO MY CASE?

FOR STARTERS.

[LAUGHS]

[HENRY]: I'M SO GLAD
YOU WERE FREE.

I'VE BEEN DYING
TO SEE THIS MENU.

THANK YOU.

THANK YOU VERY MUCH.

THIS LOOKS GREAT.

BON APPETIT.

THANK YOU.

- MM.
- MM...

THE ROASTED GARLIC
AND THE MUSHROOM

ARE BLENDED WELL.

HOW'S YOURS?

THE BLACK PEPPER
ADDS A NICE SMOKINESS.

IT'S GREAT SEEING YOU.

YOU TOO.

I'M GLAD THINGS
ARE GOING WELL FOR YOU.

TRUTHFULLY,

NONE OF MY RESTAURANTS
ARE DOING THAT GREAT RIGHT NOW,

AND WITH LEO'S DEATH, WELL...

THINGS HAVE BEEN BETTER.

BUT LOOK AT YOU!

YOU'RE CONSULTING
FOR THE POLICE DEPARTMENT.

THAT'S VERY IMPRESSIVE.

WELL,
IT'S A FAIRLY INFORMAL SET-UP.

I MEAN, I LIKE
TO THINK THAT I'M USEFUL.

AND WHAT'S THE DEAL

WITH YOU AND
DETECTIVE PRICE?

OH, I JUST WORK
WITH HER SOMETIMES.

MM-HMM.

THAT'S NOT WHAT I MEANT.

THERE'S NOTHING GOING ON
BETWEEN YOU TWO?

ME AND MAGGIE?

UM...

NO.

NO, NOT AT ALL.

SHE'S A VERY
BEAUTIFUL WOMAN.

MM-HMM.

YES, SHE IS,

AND SHE'S SMART,

AND SHE'S VERY GOOD
AT HER JOB...

I LIKE TO THINK

THAT WE GENUINELY CAN ENJOY
EACH OTHER'S COMPANY,

BUT THE WOMAN THINKS THAT
SHE'S RIGHT ABOUT EVERYTHING.

I MEAN, SHE CANNOT BE WRONG,

AND SHE TREATS ME

LIKE I DON'T KNOW
WHAT I'M TALKING ABOUT,

AND YET SHE CONSTANTLY CALLS ME,

SO WHAT DOES THAT SAY?

SHE OBVIOUSLY CONSIDERS ME
A VALUABLE ASSET

BUT SHE WOULD NEVER ADMIT THAT
IN A MILLION YEARS,

AND THAT IS SO MAGGIE.

I MEAN...

I'M SORRY!

YOU ASKED ME
A QUESTION.

HOW ABOUT WE GET
ANOTHER DRINK?

CAN WE HAVE
THE WINE LIST?

GOOD IDEA.

THANK YOU.

HERE, I'LL LET YOU.

ALL RIGHT.

GREAT.

NOW YOU CAN ASK ME

WHAT YOU'VE BEEN WAITING
ALL EVENING TO ASK ME.

WHICH IS WHAT?

ABOUT THE KEY MAN INSURANCE
I HAVE OUT ON LEO.

COME ON, HENRY,

LEO'S DEATH COULD MAKE ME
A MILLION DOLLARS RICHER.

IF I'M NOT YOUR TOP SUSPECT,
I SHOULD BE.

SARA...

HONESTLY,
I STILL HAD THE INSURANCE

'CAUSE I JUST FORGOT
TO CANCEL IT

AFTER LEO HIRED
A NEW CHEF,

AND I'M GOING TO HAVE A REALLY
HARD TIME COLLECTING, TOO,

SINCE LEO WASN'T THE CHEF
WHEN HE DIED.

HE WAS THE HEART AND SOUL
OF CARMELLA'S,

BUT INSURANCE COMPANIES
DON'T PAY OUT

FOR A RESTAURANT'S
HEART AND SOUL.

I SEE.

NOW...

LET ME GIVE YOU
A LITTLE UNSOLICITED ADVICE

ABOUT MAGGIE.

NO MATTER HOW TOUGH
AND INDEPENDENT A WOMAN IS,

SHE ALWAYS APPRECIATES IT

WHEN A MAN HAS THE GUTS
TO MAKE THE FIRST MOVE.

TRUST ME...

AND DON'T WAIT TOO LONG.

SHE'LL THINK
YOU'RE NOT MAN ENOUGH

TO STEP UP TO THE PLATE.

[MAGGIE]:
YOU KNOW WHAT I THINK?

I THINK
YOU'RE IN LOVE WITH CLAUDIA,

AND YOU RESENTED
WORKING FOR LEO.

REALLY, HE WAS HOLDING YOU BACK
IN EVERY WAY,

SO YOU DECIDED
TO GET RID OF HIM.

YOU SHOT HIM,
AND WHEN HE SURVIVED,

YOU WENT TO THE HOSPITAL
AND MURDERED HIM.

THAT'S CRAZY.

OKAY, LOOK...

I DO LOVE HER, OKAY?

THE TRUTH IS,
SHE LOVED LEO.

THAT'S WHY SHE BROKE
IT OFF WITH ME.

SHE FELT TERRIBLE
ABOUT OUR AFFAIR.

SHE DIDN'T WANT
TO HURT LEO.

I WOULD NEVER DO
ANYTHING TO HURT HER, OKAY,

AND THAT'S WHY I WOULDN'T DO
ANYTHING TO HIM.

THAT'S VERY NOBLE OF YOU.

SO WHERE WERE YOU

YESTERDAY AT 12:45?

I WAS... OUT WALKING.

OUT WALKING?

THAT'S THE BEST YOU GOT?

[MATEO]: I WAS PRETTY SHAKEN UP
BY LEO'S SHOOTING.

OKAY?

I NEEDED
TO CLEAR MY HEAD,

SO I WALKED
ALONG THE EMBARCADERO.

DID YOU TALK TO ANYONE?

NO.

HOW'D YOU GET THERE?

THE STREETCAR.

DO YOU HAVE
YOUR TICKET STUB?

I THINK SO.

YEAH, SEE!

TOLD YA.

THAT'S MY ALIBI, RIGHT?

CAN I GO NOW?

SOMEONE WAS LURKING
BY MY CAR EARLIER.

WAS IT YOU?

NOPE.

[GRUNTS]

HE BANGED HIS LEG
TRYING TO GET AWAY.

DO YOU MIND ROLLING UP
YOUR PANT LEGS FOR ME?

SURE.

OTHER ONE?

SEE? TOLD YOU.

CAN I GO NOW?

YEAH, YOU CAN GO.

[STEVE]:
THAT WAS A FUN EVENING.

[MAGGIE LAUGHS]
ONE FOR THE BOOKS.

SO YOU WANT TO GO
BACK TO MY PLACE?

HAVE A DRINK,
TALK ABOUT OLD TIMES?

I, UM...

THANKS, BUT I THINK
I'M GOING TO GO HOME.

OKAY, HOW ABOUT THIS WEEKEND?

I CAN'T.

HOW ABOUT YOU
NAME THE DATE?

I MEAN, I CAN'T.

LOOK, I CAME OUT TONIGHT

BECAUSE I REALLY
WANTED TO SEE YOU,

AND IT WAS GREAT TO SEE YOU,

BUT...

IT'S LIKE YOU SAID.

YOU KNOW,
THINGS FEEL EXACTLY THE SAME.

HOW IS THAT A BAD THING?

BECAUSE I'M NOT THE SAME.

YOU AND I
MAKE SUCH A GREAT TEAM...

AT WORK...

BUT YOU NEED
ADVENTURE AND EXCITEMENT,

AND I NEED...

SOMEONE WHO LOVES
MY LESS-THAN-GLAMOROUS LIFE

AS MUCH AS I DO...

AND I LOVE MY LIFE.

I JUST...

I'M LOOKING

FOR THE RIGHT PERSON
TO SHARE IT WITH,

SOMEONE WHO'S GOING TO BE IN IT
FOR THE LONG HAUL.

OKAY!

WELL, UH, THAT LEAVES ME
WITH NOT A LOT LEFT TO SAY,

FOR ONCE.

TAKE CARE OF YOURSELF.

YOU, TOO.

AND I HEAR THE PART
YOU'RE NOT TELLING ME,

LOUD AND CLEAR.

WHAT'S THAT?

WELL, THAT YOU'VE ALREADY FOUND
MR. LONG HAUL.

COME ON, THE CONSULTANT GUY,
THE WANNABE DETECTIVE?

HENRY?

[LAUGHS]

NO... IT'S NOT LIKE THAT.

COULD'VE FOOLED ME.

IT'S NOT!

I'LL SEE YOU AROUND.

BYE.

[CAR ENGINE STARTS]

[KNOCKING ON DOOR]

HEY, COME ON IN.

THANKS FOR COMING.

OF COURSE.

I JUST WANTED TO GO OVER
EVERYTHING ONE MORE TIME.

OKAY.

I BROUGHT YOU SNACKS.

OH, THANKS!

ALTHOUGH I'M NOT VERY HUNGRY,
I HAVE TO TELL YOU.

I JUST HAD
A HUGE AMOUNT OF...

OOH...

PRETTY!

YOU KNOW ME TOO WELL.

I KNOW YOU THAT YOU EAT
MORE THAN MOST LINEBACKERS,

BUT THOSE ARE NOT
ALL FOR YOU, OKAY?

WHERE'S ABBY
AND YOUR MOM?

AT THE MOVIES.

MORE FOR ME.

SO CATCH ME UP.

HOW WAS YOUR NIGHT
WITH SARA?

HER BUSINESSES AREN'T
DOING THAT WELL,

SO SHE DEFINITELY
NEEDS MONEY.

DID YOU GET A CHANCE

TO ASK HER ABOUT
THE KEY MAN INSURANCE?

I...

MANAGED TO SLIP THAT IN THERE.

SHE SAID

THAT SINCE LEO WASN'T THE CHEF
AT THE TIME OF HIS DEATH,

SHE PROBABLY WON'T COLLECT.

WE NEED TO CONFIRM THAT,

BUT CONGRATULATIONS.

FIRST NIGHT
IN THE FIELD.

HOW DID IT FEEL?

NOT BAD.

I KNEW
YOU COULD DO IT.

LISTEN, MAGGIE, I...

I KNOW, I'M SORRY.
IT'S LATE.

OKAY. LET'S GET TO IT.

THE QUESTION THAT KEEPS
CIRCLING IN MY MIND IS,

WHAT DO ALL THESE PEOPLE
HAVE IN COMMON?

[HENRY]: UH,
THEY ALL KNEW LEO PERSONALLY.

[MAGGIE]: EXACTLY.

SARA AND MATEO
HAVE MOTIVE.

LOOK, MAGGIE...

AND FRANK, HOLD ON,
IS OUR WILD CARD, RIGHT,

BECAUSE EVERYONE ELSE
HAS WORKED FOR LEO.

EVERYONE ELSE LIVES
FAIRLY CLOSE BY

EXCEPT FOR FRANK,

WHO LAST WE HEARD
WAS LIVING IN L.A...

AND DOM, OF COURSE,

WHO LIVES IN OAKLAND.

MAGGIE.

WHAT?

I JUST WANT YOU TO KNOW...

OAKLAND!

- WHAT?
- THE TOLL BRIDGE.

I HAVE A CONTACT

AT THE BAY AREA
TOLL AUTHORITY.

THEY LOG
EVERY SINGLE LICENSE PLATE

THAT CROSSES
IN AND OUT OF SAN FRANCISCO.

THEY SHOULD BE ABLE TO TELL US

IF DOM ACTUALLY WENT HOME
THAT NIGHT.

OH, WELL, THAT'S...
THAT'S BRILLIANT.

THANK YOU.

YEAH, HI.

[MAGGIE]:
HI, DOM.

CAN WE COME IN AND HAVE
A WORD WITH YOU, PLEASE?

ABOUT WHAT?

WE JUST HAVE A FEW MORE
QUESTIONS, THAT'S ALL.

YEAH.

DO YOU MIND IF I USE
YOUR RESTROOM, DOM?

NO, IT'S JUST
DOWN THE HALLWAY.

THANKS.

UH, WE CAN...

[HENRY]: YOU KNOW,
I USED TO SPEND SOME TIME

LIVING IN OAKLAND.

[DOM]: OH, YEAH?

I USED TO HATE
THE HASSLE

OF COMMUTING INTO
THE CITY EVERY DAY.

[DOM]: IT CAN BE ROUGH.

[HENRY]: YEAH, BUT YOU'VE GOT
TO PUT UP WITH THOSE HASSLES

WHEN YOU'RE YOUNGER, RIGHT?

I MEAN, WHO CAN AFFORD
A PLACE IN THE CITY

WHEN YOU'RE STARTING OUT?

BUT THEN, LIVING OUT HERE,
YOU HAVE OTHER EXPENSES,

YOU'VE GOT THE CAR,
YOU'VE GOT GAS,

AND THE TOLLS ADD UP,

EVERY TIME YOU CROSS
THAT BRIDGE.

HEY, DID YOU KNOW

THEY RECORD
YOUR LICENSE PLATE

EVERY TIME YOU CROSS?

NO.

YEAH. THEY DO.

IT'S A SECURITY MEASURE.

THAT'S HOW WE KNOW
YOU WEREN'T AT HOME

WHEN LEO WAS MURDERED.

WHAT ARE YOU DOING?

YOU DROVE HOME
ACROSS THE TOLL BRIDGE

AFTER THE PARTY
AT 10:00 P.M...

BUT THEN YOU RETURNED

BACK TO THE CITY AT 10:30.

YOU NEVER WENT BACK TO OAKLAND

UNTIL 1:45
THE NEXT DAY,

AN HOUR
AFTER LEO WAS KILLED.

OKAY, JUST WAIT A MINUTE...

WHERE'D YOU SPEND THE NIGHT?

HERE.

I SWEAR, I SPENT IT HERE.

SOMEBODY MUST HAVE
STOLEN MY CAR, OR BORROWED IT,

'CAUSE I CAME HOME
THAT NIGHT,

AND I WENT STRAIGHT TO BED,
I SWEAR.

LEO COULDN'T
REMEMBER MUCH

ABOUT THE INTRUDER
WHO BROKE INTO HIS PLACE,

BUT HE DID REMEMBER
ONE THING...

THE GUY WAS WEARING
RED SNEAKERS.

NOW WOULD BE A REALLY GOOD TIME
TO START TALKING, DOM.

OKAY, OKAY,

BUT IT'S NOT WHAT YOU THINK,
I SWEAR.

I'M THE ONE
THAT BROKE INTO LEO'S KITCHEN,

BUT I DIDN'T TAKE ANYTHING!

I WAS LOOKING FOR SOMETHING,
THAT'S ALL.

YOU WERE THE ONE
OUTSIDE THE PRECINCT LAST NIGHT,

WATCHING ME.

I CAN'T SLEEP,
YOU KNOW.

I CAN'T STOP WORRYING
ABOUT WHAT'S GOING TO HAPPEN.

I'VE BEEN FEELING SO GUILTY,
I JUST NEEDED TO TALK TO YOU,

AND THEN I GOT SCARED AND RAN.

WHAT WERE YOU LOOKING FOR?

THE DIAMONDS.

DIAMONDS?

WHAT DIAMONDS?

WHEN CLAUDIA AND LEO
GOT BACK FROM ITALY,

THEY TOLD ME
WHAT VERA HAD SAID TO THEM,

THAT CARMELLA LEFT ITALY

WITH A HUGE STASH
OF FAMILY DIAMONDS.

THEY NEVER RESURFACED,

SO VERA SAID THEY MUST STILL BE
IN THE RESTAURANT SOMEWHERE.

WELL, LEO MUST HAVE KNOWN
ABOUT THEM.

HE DIDN'T BELIEVE IT.

AUNT VERA WASN'T TOO WITH IT
AT THE END,

BUT I THOUGHT,
WHAT IF SHE'S RIGHT?

AND VERA,
SHE GAVE CLAUDIA THIS LETTER,

YOU KNOW,
SAID IT CONTAINED A CLUE.

OH, REALLY?

A CLUE.

DID CLAUDIA
BELIEVE IT?

SHE LOST INTEREST

IN THE WHOLE IDEA
PRETTY QUICKLY,

BUT ME, I COULDN'T LET IT GO,
YOU KNOW?

I KEPT GOING IN AFTER HOURS
AND LOOKING AROUND.

I KNOW HOW THIS SOUNDS,

ME TRYING TO STEAL
FROM LEO

AFTER EVERYTHING
THAT HE DID FOR ME,

BUT YOU'VE GOT TO UNDERSTAND,
I GREW UP WITH NOTHING.

DID LEO EVER SEE YOU?

ONLY THAT LAST TIME...

AND I KNOCKED HIM DOWN,

WHICH I STILL FEEL BAD ABOUT,

BUT I WAS SCARED,
YOU KNOW,

AND I RAN...

BUT YOU'VE GOT TO BELIEVE ME,
I NEVER SHOT LEO.

HE WASN'T A BLOOD RELATIVE,

BUT HE MEANT MORE TO ME
THAN MOST OF MY OWN FAMILY.

[MAGGIE]:
AND YOUR CAR

THAT CAME BACK
ACROSS THE BRIDGE

AND DIDN'T RETURN
TO OAKLAND

UNTIL AN HOUR AFTER
LEO WAS MURDERED?

HOW DO YOU EXPLAIN THAT?

'CAUSE THE GUYS
AT THE TACO STAND,

THEY CAN'T CONFIRM YOUR ALIBI.

I CAN'T.

ALL I CAN TELL YOU

IS THAT I HAD NOTHING
TO DO WITH THIS,

I SWEAR.

ARE YOU GOING TO ARREST ME NOW?

[HENRY]:
WHY DIDN'T YOU ARREST HIM?

BECAUSE ALL
HE'S GUILTY OF SO FAR

IS LETTING HIMSELF
INTO THE RESTAURANT AFTER HOURS

AND NOT TAKING ANYTHING.

BUT THE CAR, THE TOLL BRIDGES,
THE ALIBI!

I KNOW, BUT I CAN'T HOLD HIM
WITH ANY OF THAT, YOU KNOW?

HE'S NOT A MURDERER.

I DON'T THINK
HE'S A FLIGHT RISK...

ALTHOUGH HE DOES KNOW
MORE THAN HE'S TELLING US,

WHICH IS WHY I'M TRYING
TO KEEP THINGS FRIENDLY,

IN CASE
HE FEELS LIKE TALKING.

OKAY.

SO WHAT DO WE DO NOW?

YOU TELL ME.

WHAT DO YOU MEAN?

I MEAN...

IF YOU WERE TAKING THE LEAD,
WHERE WOULD WE GO?

WELL...

I WOULD GO
TO THE DIAMOND DISTRICT

AND SEE IF ANYONE'S TRIED
TO SELL ANY DIAMONDS

IN THE LAST FEW DAYS.

GREAT IDEA.

REALLY?

YEAH.

YOU'RE KIND OF GETTING
THE HANG OF THIS.

OKAY, NINTH TIME'S THE CHARM.

- HELLO.
- HI.

MAY I HELP YOU?

I'M DETECTIVE PRICE,
WITH THE SFPD.

WE'RE LOOKING FOR SOMEONE

WHO MAY HAVE COME IN HERE
WITHIN THE LAST WEEK

WITH SOME DIAMONDS TO SELL.

IT MAY HAVE BEEN
A FAIRLY LARGE STASH.

I DON'T RECALL ANYONE
COMING IN TO SELL.

MAYBE IT WAS
JUST ONE DIAMOND.

LIKE I SAID...

MAYBE HE JUST WANTED
TO GET IT APPRAISED.

LOOK,

I CAN'T CONTROL
WHO COMES INTO MY STORE

AND WHAT THEY BRING ME.

- UNDERSTOOD.
- OF COURSE.

A GUY CAME IN
WITH ONE DIAMOND, JUST ONE,

BUT IT WAS BIG,

MORE VALUABLE
THAN YOU USUALLY SEE.

HE WANTED IT APPRAISED,
SO I DID IT.

IT WAS WORTH OVER $30,000.

WHAT'D THE GUY LOOK LIKE?

KIND OF ROUGH
AROUND THE EDGES.

I FIGURED HE'D STOLEN IT.

SINCE YOU'RE HERE,
I'M ASSUMING I WAS RIGHT.

[MAGGIE]: WAS IT HIM?

NO. NO...

HE WAS A LITTLE OLDER.

KIND OF BIG GUY.

HOW ABOUT HIM?

YEAH.

THAT'S HIM.

[KNOCKING]

I WANT TO TALK
TO YOUR FATHER.

WHERE IS HE?

I DON'T KNOW.

I HAVEN'T SPOKEN TO HIM
IN OVER A YEAR.

YOU SURE
ABOUT THAT, DOM?

'CAUSE WE KNOW
HE'S IN TOWN.

MAYBE HE BORROWED
YOUR CAR?

I, WELL, I DON'T KNOW.

IT'S ALL RIGHT, KID.

OH, WHOA, WHOA.
RELAX, DETECTIVE,

IT'S NOT LOADED.

THANKS FOR TRYING.

I OWE YOU ONE.

YOU'RE COMING WITH US.

ALL RIGHT.

CAN I JUST FINISH
WHAT I'M MAKING IN THERE?

WHAT IS IT, BY THE WAY?
IT SMELLS GREAT.

OH, THANKS.

STUFFED CANNELLONI,
MY MOM'S RECIPE.

OH, YEAH?
DID YOU ADD LEMON ZEST?

I SWEAR, I CAN SMELL LEMONS
IN HERE.

I COULD TELL YOU,
BUT I'D HAVE TO KILL YOU.

IT IS A FAMILY RECIPE AFTER ALL,
YOU KNOW.

[SHE CLEARS THROAT]

RIGHT.

I'M GOING TO GO WITH THEM.

HERE.

DON'T BURN IT,
DON'T OVERSALT IT,

AND SAVE SOME FOR ME.

HE'S RIGHT.
DON'T OVERSALT THAT.

[FRANK]: I BORROWED DOM'S CAR
AFTER HE GOT HOME,

AND I TOOK IT
BACK INTO THE CITY.

WHY?

I HAD A DATE.

AND HOW LONG
DID YOUR DATE LAST?

'TIL THE MORNING.

I GOT BACK TO DOM'S
AROUND 2:00,

BUT I'M GUESSING YOU GUYS
ALREADY KNOW THAT.

WHICH PUTS YOU IN THE CITY
AT THE TIME OF LEO'S DEATH.

HUH.

YEAH, I GUESS IT DOES.

[MAGGIE]: WHERE DID THE DIAMOND
COME FROM?

AN ACQUAINTANCE
OWED ME SOME MONEY.

HE GAVE ME THE DIAMOND.
I WAS HAVING IT AUTHENTICATED.

OR MAYBE LEO HAD
A HIDDEN STASH OF DIAMONDS

FROM HIS GRANDMOTHER,

AND YOU KILLED HIM FOR IT.

OH, YOU MEAN HIS
CRAZY AUNT VERA'S STORY?

SO YOU'VE HEARD OF THEM?

[FRANK]: SURE, YEAH,
CLAUDIA TOLD ME.

SHE ALSO TOLD ME

THAT THE WOMAN WASN'T PLAYING
WITH A FULL DECK.

SHE THOUGHT SHE WAS
CLEOPATRA IN A PAST LIFE.

SO YOU'RE SAYING THERE'S
NO TRUTH TO THE STORY?

NO, NO, THERE IS.

IT'S WHY LEO AND MY SISTER

WORKED 12-HOUR SHIFTS
AT THE RESTAURANT,

'CAUSE THEY'RE SITTING

ON THIS MASSIVE FORTUNE
OF DIAMONDS.

CUT THE SARCASM, FRANK,

OR I'LL BE HAPPY
TO KEEP YOU HERE ALL NIGHT.

I'M SORRY, DETECTIVE.

AM I UNDER ARREST?

NOT YET.

WELL, THEN,

YOU CAN'T KEEP ME HERE
ALL NIGHT, CAN YOU?

"I KEEP OUR FAMILY LEGACY
CLOSE TO MY HEART."

MAGGIE, CAN WE TAKE A BREAK
FOR A SECOND?

CAN IT WAIT?

NO.
I NEED TO TALK TO YOU NOW.

COFFEE WOULD BE GREAT.

ARE YOU KIDDING ME?
WHAT ARE YOU DOING?

I KNOW WHERE THEY'RE HIDDEN.

WHAT?

YOUR PENDANT,

IT'S EXACTLY LIKE
THE PENDANT IN THE PAINTING.

WHEN CARMELLA SAID

SHE'S KEEPING HER FAMILY LEGACY
CLOSE TO HER HEART,

WHAT IF SHE MEANT IT LITERALLY?

YOU THINK THE DIAMONDS
ARE HIDDEN BEHIND THE PAINTING?

IN HER LETTER, SHE SAID
THAT HER MARRIAGE WAS UNHAPPY.

SHE WOULD HAVE HIDDEN
THE DIAMONDS

BECAUSE SHE DIDN'T TRUST HIM.

WHAT I DON'T UNDERSTAND
IS WHY LEO DIDN'T SELL THEM.

BECAUSE HE NEVER KNEW
ABOUT THEM...

BUT SOMEBODY DID.

MOMENT OF TRUTH.

HERE WE GO.

WOULD YOU LOOK AT THAT?

LOOKS LIKE WE FOUND
OUR HIDING PLACE.

NOW WE JUST
HAVE TO FIND OUR DIAMONDS.

SO DO WE ARREST FRANK?

ON WHAT CHARGES?

SO FAR, ALL WE HAVE
IS A RIPPED PAINTING,

A THEORY ABOUT
LONG-LOST DIAMONDS,

AND A DEAD BODY.

BELIEVE IT OR NOT,

I CAN'T ACTUALLY ARREST
ANYBODY WITH THAT.

WHO WOULD HAVE KNOWN
ABOUT THE PAINTING?

IT MUST BE
SOMEBODY IN THE FAMILY,

OR CLOSE TO THE FAMILY.

CLAUDIA WOULDN'T NEED
TO KILL LEO.

SHE COULD HAVE
JUST TAKEN THEM.

UNLESS HE TRIED
TO STOP HER.

LOOK, I'VE KNOWN
CLAUDIA FOREVER.

SHE'S NO KILLER.

ALL RIGHT,
SO WHAT ABOUT SARA?

YOU SAID SHE WAS
STRUGGLING FINANCIALLY.

CLAUDIA TOLD US SHE USED
TO FLIRT WITH LEO.

MAYBE THEY WERE
IN A RELATIONSHIP.

MAYBE LEO DID KNOW
ABOUT THE DIAMONDS

AND JUST THOUGHT
THEY WERE SAFE

WHERE THEY WERE.

I MEAN, THEY'VE BEEN
HIDDEN THERE

FOR 70 YEARS, RIGHT?

HE TOLD SARA, AND...

AND SHE KILLED HIM
FOR THE DIAMONDS.

MAYBE YOU DON'T KNOW HER
AS WELL AS YOU THOUGHT YOU DID.

[CELL PHONE RINGS]

PRICE.

WE'VE GOT SOMETHING ON FRANK.

ON THE DAY OF LEO'S MURDER,

HE USED A CITY BUS PASS
AT TWO LOCATIONS.

[ON SPEAKER] FIRST ON THE CORNER
OF MELBOURNE AND HASTINGS

AT 1:45 P.M.

[MAGGIE]:
MELBOURNE AND HASTINGS...

THAT'S NEAR DOM'S HOUSE.

WHAT'S THE SECOND LOCATION?

HE GOT ON THE SECOND BUS
AT WESTMINSTER AND COLFAX,

THREE HOURS
AFTER HE GOT ON THE FIRST BUS.

A NEARBY
BANK SURVEILLANCE CAMERA

PICKED UP FRANK
ENTERING AN ELECTRONICS STORE

AT 2626 WESTMINSTER.

WE'RE WATCHING
THE SURVEILLANCE FOOTAGE

RIGHT NOW.

WHY DO I KNOW THAT ADDRESS?

[MUNRO]: IT FRONTED
AS A VIDEO STORE.

WE HIT IT

DURING THE INVESTIGATION
OF THE COLEMAN MURDER.

THAT'S RIGHT,

WITH FAKE PASSPORTS
AND SOCIAL SECURITY NUMBERS

SOLD OUT THE BACK DOOR.

THAT'S THE ONE.

SO FRANK WAS BUYING FAKE I.D.s
THE DAY LEO WAS MURDERED?

THAT'S WHAT
WE'VE GOT TO FIND OUT.

THANKS, MUNRO.

CAN I HELP YOU?

I NEED A PASSPORT

AND MAYBE AN OUT OF STATE
DRIVER'S LICENSE.

CAN YOU HELP ME
WITH THAT?

EXCUSE ME,
YOU CAN'T GO BACK THERE!

SFPD, HANDS UP!

DETECTIVE PRICE!

IT'S BEEN A WHILE.

WALTER ISAACS.

I SHOULD HAVE KNOWN.

THEN AGAIN,
I WASN'T EXPECTING YOU OUT

FOR AT LEAST ANOTHER FIVE YEARS.

WHAT CAN I SAY?

I'M A MODEL PRISONER.
EARLY RELEASE.

WHY DON'T YOU PUT THE GUN DOWN,
DETECTIVE?

THERE'S NO VIOLENT
CRIMINALS HERE,

JUST AN ARTIST AT WORK.

I CAN SEE THAT.

I ALSO SEE

THAT PRISON HASN'T
DAMPENED YOUR SKILLS.

I'D BE HAPPY TO SHOW YOU
MORE OF MY WORK, DETECTIVE,

IF I COULD JUST SEE
A WARRANT FIRST.

OH, THIS ISN'T A BUST.

I WAS JUST LOOKING
FOR THE BATHROOM.

I GUESS
I KICKED DOWN THE WRONG DOOR.

EVERYTHING OKAY IN HERE?

WE'RE FINE.
I'LL BE RIGHT OUT.

ALL RIGHT.

NEW PARTNER!

DON'T ASK.

SO, HOW WOULD YOU LIKE
TO PLAY THIS, DETECTIVE?

SHALL WE GET LAWYERS?

I'M GOING TO MAKE THIS
REAL EASY.

YOU GET A ONE-TIME PASS

IF YOU HELP ME
WITH THIS PERSON.

DID YOU SELL TO THIS GUY?

HE'S BEEN HERE, YES.

HMM.

WHAT DID HE WANT,
AND WHERE WAS HE GOING?

WELL, HE WASN'T GOING ANYWHERE.

HE WANTED A PASSPORT
AND SOCIAL SECURITY NUMBER

FOR A WOMAN.

A WOMAN?

DO YOU HAVE A NAME
OR ANY PHOTOS?

I DON'T EXACTLY KEEP RECORDS,
DETECTIVE.

ONCE THE JOB IS DONE,
THAT'S IT.

BUT YOU MUST HAVE HAD A PHOTO.

WHAT DID SHE LOOK LIKE?

BLACK HAIR,
EARLY 30s. PRETTY.

IS THIS HER?

YEAH, THAT'S HER.

THIS WAS
A ONE-TIME DEAL.

CONSIDER THIS PLACE SHUT DOWN.

IF I FIND YOU AGAIN,
YOU'RE GOING BACK.

ALWAYS A PLEASURE, MAGGIE.

CAPTAIN, IT'S PRICE.

I JUST HAD
A VERY INTERESTING CONVERSATION

IN THE BACK ROOM
OF THE ELECTRONICS STORE.

YEAH, FRANK WASN'T THERE

GETTING A NEW PASSPORT
AND SOCIAL FOR HIMSELF.

THEY WERE FOR CLAUDIA.

SHE WANTED TO DISAPPEAR?

[MAGGIE ON PHONE]:
LOOKS LIKE IT.

IF SHE FOUND THOSE DIAMONDS,
SHE'D BE SET FOR LIFE.

IT'D BE REAL EASY

FOR HER TO DISAPPEAR
AND GO SOMEPLACE ELSE.

HUH.

MAYBE LEO TRIED TO STOP HER,
SO SHE KILLED HIM.

[MAGGIE]: I'M NOT QUITE READY
TO ARREST HER JUST YET.

WE JUST SHOWED UP AT HER PLACE.

I'M GOING TO GO LEAN ON HER
AND SEE WHAT SHE'LL TELL ME.

YOU NEED BACK UP?

MM... NOT YET.

ALL RIGHT.
BE CAREFUL.

YOU GOT IT.

[DOORBELL RINGS]

[RINGS]

SHE'S NOT ANSWERING HER PHONE
OR THE DOOR.

YEAH, I DIDN'T SEE HER CAR
OUT FRONT.

WHY DON'T WE JUST
LET OURSELVES IN?

BECAUSE I WOULD NEED A WARRANT
FOR THAT.

WELL,
PERKS OF BEING A CIVILIAN

WITH A MISSPENT YOUTH.

I CAN'T LET YOU DO THAT.

LOOK...

LEO WAS MY FRIEND.

I'M GOING TO DO
WHATEVER IT TAKES

TO HELP SOLVE HIS MURDER.

IF YOU DON'T WANT
TO BE IMPLICATED WITH THIS,

THEN I SUGGEST
YOU WAIT OUT HERE.

HENRY, I'M SERIOUS,
DO NOT GO IN THERE.

HENRY...

YOU CAN BE MY LOOKOUT.

YOU'RE ON YOUR OWN.

[CELL PHONE RINGS]
OH, COME ON!

REALLY?

CAN'T TRUST ME TO DO THIS?

[MAGGIE]: HI.

HI, MAGGIE.

WHAT ARE YOU DOING HERE?

I JUST WANTED TO DROP BY
AND CHECK IN ON YOU,

MAKE SURE YOU'RE DOING OKAY.

OH...

THAT'S NICE, THANK YOU.

UH...

I GUESS I'M EXACTLY
AS YOU WOULD THINK.

IN SHOCK,
MOSTLY.

OH, CAN I HELP YOU WITH THOSE?

NO. I'M FINE,
THANK YOU.

YOU SURE?

YEAH, UM...

IF YOU'LL EXCUSE ME,

I JUST HAVE TO GET THESE THINGS
INTO THE FREEZER.

OF COURSE.

YOU HAVE A GOOD NIGHT.

YOU TOO.

COME ON...

[TEXT CHIMES]

MAGGIE...

WHAT?

[DRAWER RATTLES ODDLY]

HELLO?

COME ON!

OVER HERE.

OH, THAT WAS CLOSE.

WAY TOO CLOSE.

YOU KNOW, UH...

BACK WHEN YOU ASKED
IF I WERE TO TAKE THE LEAD?

WELL, UM...

HI.

HI.

SO...

WELL, UH...

I FOUND THEM.

WHAT?

WHAT?

OH MY, THESE HAVE
TO BE WORTH A FORTUNE.

SO WHAT DO WE DO NOW?

DO WE GO IN
AND ARREST HER?

NO, WAIT, I KNOW.

THIS IS THE PART
WHERE YOU TELL ME

WHY WE DON'T GO IN THERE
AND ARREST HER.

WELL, FOR STARTERS,

NOW THAT YOU HAVE REMOVED
THE EVIDENCE

FROM THE CRIME SCENE,

I DON'T EVEN KNOW
IF THESE ARE ADMISSIBLE.

BAD MOVE?

[CLAUDIA]: YEAH,
I'D SAY THAT'S A BAD MOVE.

GIVE ME THE DIAMONDS.

CLAUDIA...

NOT A WORD.

INSIDE.

YOU KNOW WHAT A REALLY
BAD MOVE IS, CLAUDIA?

DETAINING AN OFFICER
AT GUNPOINT.

SO STOP THIS NOW
BEFORE YOU DO SOMETHING STUPID.

TOO LATE.

COME ON, CLAUDIA,
DROP THE GUN.

LET'S JUST TALK.

WHY?

NO JUDGE WILL EVER BELIEVE
THAT THIS WAS ALL AN ACCIDENT.

NOW GIVE ME YOUR GUN.

GIVE ME YOUR GUN RIGHT NOW,
OR I WILL SHOOT HIM.

THIS HAS ALREADY GONE
TOO FAR.

YOU DON'T THINK I WOULD?

OKAY.

HERE.

INSIDE.

I KNOW YOU WON'T BELIEVE ME,

BUT I NEVER MEANT
TO HURT MY HUSBAND.

[HENRY]: YOU DON'T THINK
HAVING AN AFFAIR

WAS HURTING LEO?

[PHONE RINGS]

HEY, MAGGIE,
WHAT'S UP?

HELLO?

[CLAUDIA]: I KNEW IT WOULD
DESTROY HIM IF HE KNEW.

THAT'S WHY I BROKE THINGS OFF.

OUR MARRIAGE
WASN'T A HAPPY ONE, HENRY.

BAILEY!

[CLAUDIA ON PHONE]:
GOING TO ITALY

WAS OUR CHANCE
TO REKINDLE THINGS.

WE JUST WEREN'T IN LOVE
WITH EACH OTHER ANYMORE.

I DON'T EVEN KNOW
HOW IT HAPPENED,

BUT THINGS BETWEEN US JUST DIED.

I WAS READY TO LEAVE.

AND WHEN YOU FOUND
THE DIAMONDS,

YOU SUDDENLY HAD
YOUR TICKET OUT OF HERE.

I FIGURED OUT THE CLUE
IN THE LETTER.

THEY WERE IN THE PAINTING,

HIDDEN IN PLAIN SIGHT
ALL THIS TIME.

LET'S GO.

I SAW MY CHANCE TO LEAVE
AND START OVER WITH A FORTUNE.

YOU CAN HARDLY BLAME ME
FOR THAT.

BUT YOU DIDN'T
HAVE TO KILL LEO.

[CLAUDIA]: HE WAS SUPPOSED
TO BE OUT FOR A WALK,

BUT HE'D BEEN WATCHING ME.

HE FOUND MY PACKED SUITCASE
UPSTAIRS...

AND THE DIAMONDS.

HE CONFRONTED ME
BEFORE I COULD LEAVE.

YOU'RE BACK SOON.

I GOT AS FAR
AS THE COFFEE SHOP.

I REALIZED

I DIDN'T FEEL LIKE
TAKING A WALK TODAY.

ARE YOU FEELING ALL RIGHT?

I COULD MAKE YOU
SOME BREAKFAST.

AND GET THESE?

THANK YOU.

I WOULDN'T WANT
TO LEAVE THOSE BEHIND.

WHERE DID YOU GET THAT?

AND THESE DIAMONDS...

CLAUDIA,
WHAT IS GOING ON?

LEO, I'M LEAVING.
GIVE ME THE BAG.

[GUNSHOT]

[HENRY]:
SO IT WASN'T YOUR FAULT.

IT WAS AN ACCIDENT.

YES, I SWEAR TO YOU...

THEN FRANK...

FRANK KILLED LEO
AT THE HOSPITAL?

WHY?

I PROMISED HIM
A SHARE OF THE DIAMONDS

IF HE DELIVERED ME
THE NEW PASSPORT,

AND THEN AFTER
WHAT HAPPENED WITH LEO...

HE KNEW
THAT IF LEO EVER WOKE UP,

IT WAS ALL OVER,

AND HE WOULD NEVER GET
HIS SHARE.

I HAD NO IDEA MY BROTHER
COULD DO SOMETHING SO TERRIBLE.

AFTER FRANK KILLED LEO,
WHY DIDN'T YOU COME TO US?

BECAUSE I WAS TERRIFIED
OF WHAT HE MIGHT DO TO ME,

WHICH IS WHY I HAVE TO LEAVE,

AND YOU HAVE TO LET ME.

NO ONE'S GOING ANYWHERE.

I WILL TAKE THAT.

THANK YOU.

OVER THERE WITH THEM.

HELLO AGAIN!

SO...

WHERE ARE THE DIAMONDS?

I HAVE THEM.

OH, THAT'S INCONVENIENT,

BUT I GUESS THAT MEANS THAT
YOU'RE COMING WITH ME, THEN.

SORRY, FRANK,
I'M NOT GOING ANYWHERE.

YOU'RE GOING
TO HAVE TO SHOOT ME.

I'M NOT FOOLING AROUND.

FREEZE!
LOWER YOUR WEAPON!

DROP YOUR WEAPON, FRANK!

[GUNSHOT]

[FRANK GRUNTS IN PAIN]

GET OFF!

COME ON,
LET'S GET HIM OUT OF HERE.

[HENRY]: SO, YOU'RE
A SHARPSHOOTER, TOO, HUH?

[MAGGIE]:
A FLESH WOUND.

HE'LL BE ALL RIGHT.

I'M STARVING.

YOU LITERALLY
CAN ALWAYS EAT.

IT'S AMAZING.

ARE YOU IN OR NOT?

I'M IN, I'M IN.

YOU KNOW,
I'VE GOT THIS GREAT PLACE...

NOPE.

NO?

I'VE BEEN DOING
A LITTLE RESEARCH,

SO FOLLOW ME.

SO, I READ

THIS PLACE HAS THE BEST
SPICY NOODLES IN THE CITY.

[CHUCKLES]

WHAT?

I AM GOING TO MAKE
A FOODIE OUT OF YOU YET,

AREN'T I?

SO...

ARE WE GOING TO TALK
ABOUT WHAT HAPPENED?

ABOUT THE FACT
THAT YOU KISSED ME?

I'D RATHER NOT RIGHT NOW.

OKAY...

HOW ABOUT THE FACT
THAT YOU KISSED ME BACK?

I WOULDN'T SAY
I KISSED YOU BACK.

OH, REALLY? WHAT
WOULD YOU CALL IT?

YOU CAME AT ME
OUT OF THE BLUE!

THAT WAS HARDLY
OUT OF THE BLUE!

YOU WERE WAITING
FOR ME TO KISS YOU.

WHAT?

I WAS ON A CASE.

THE LAST THING
I WAS THINKING ABOUT

WAS ANYBODY KISSING ME.

AH, WELL, YOU
COULD'VE FOOLED ME.

WAIT.

DID IT ACTUALLY
JUST HAPPEN?

WHAT?

DID I ACTUALLY GET
THE LAST WORD?

NO.

I DID. I JUST GOT
THE LAST WORD.

NO, YOU DIDN'T GET
THE LAST WORD.

YEAH, I KIND OF DID.

I HAD YOU STUMPED.

YOU WERE JUST
WALKING THERE,

NOT SAYING ANYTHING,
AND...

YOU DIDN'T HAVE ME STUMPED.

OKAY, YOU WIN THAT ONE.

♪ YOU WON'T FIND ANOTHER ONE
WHO LOVES YOU LIKE I DO ♪

♪ IN THAT WAY

♪ I'VE NEVER SEEN SOMEONE SHINE
LIKE YOU IN THAT WAY ♪

♪ ♪

♪ NO, YOU WON'T FIND ANOTHER ONE
WHO LOVES YOU LIKE I DO ♪

♪ IN THAT WAY ♪

♪ ♪

♪ WELL, I'VE NEVER SEEN
SOMEONE SHINE LIKE YOU ♪

♪ IN THAT WAY ♪

♪ ♪

♪ IN THAT WAY ♪

♪ ♪

♪ IN THAT WAY ♪

♪ ♪

♪ IN THAT WAY ♪

♪ ♪

♪ IN THAT WAY ♪

♪ ♪

♪ IN THAT WAY ♪

♪ ♪

♪ IN THAT WAY ♪

♪ ♪