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These are the user uploaded subtitles that are being translated: 1 00:01:16,367 --> 00:01:19,397 ( horns honking ) 2 00:01:22,200 --> 00:01:24,630 ( chattering ) 3 00:01:47,633 --> 00:01:49,833 ( whistles ) 4 00:02:14,800 --> 00:02:17,230 ( phone ringing ) 5 00:02:17,233 --> 00:02:20,433 Recording: This is Precious Ramotswe. 6 00:02:20,433 --> 00:02:23,973 Please leave a message after the tone. 7 00:02:23,967 --> 00:02:25,297 ( beeps ) 8 00:02:25,300 --> 00:02:29,170 ( trumpet playing jazz ) 9 00:02:39,867 --> 00:02:42,167 ( jazz continues ) 10 00:02:47,033 --> 00:02:49,103 KEEP TOMORROW FREE. 11 00:02:49,100 --> 00:02:52,230 AN OLD FRIEND WILL BE COMING TO SEE YOU. 12 00:02:53,900 --> 00:02:56,730 ( theme music playing ) 13 00:03:14,700 --> 00:03:16,870 Rose: AH, YOU ARE UP AT LAST. 14 00:03:16,867 --> 00:03:19,227 IF THERE IS ONE THING A MAN CANNOT STAND, 15 00:03:19,233 --> 00:03:20,773 IT IS CHANGE. 16 00:03:20,767 --> 00:03:23,567 AND RRA MATEKONI IS NO DIFFERENT. 17 00:03:23,567 --> 00:03:25,327 ( door closes ) 18 00:03:25,333 --> 00:03:28,033 ( water running ) 19 00:03:28,033 --> 00:03:29,933 ( water stops ) 20 00:03:29,934 --> 00:03:33,234 YOU ARE LOOKING ROUND HIS HOUSE FIRST. 21 00:03:33,233 --> 00:03:35,333 MAKE NO PROMISES. 22 00:03:35,333 --> 00:03:37,603 MAKE NO CONCESSIONS. 23 00:03:37,600 --> 00:03:39,630 AND WHEN HE COMES HERE, 24 00:03:39,633 --> 00:03:42,133 WE WILL BOWL HIM OVER WITH DELIGHT. 25 00:03:42,133 --> 00:03:43,233 BOWL HIM OVER? 26 00:03:43,233 --> 00:03:45,433 ALL HIS FAVORITE FOODS IN ONE HUGE SPREAD. 27 00:03:45,433 --> 00:03:48,733 HE WILL NOT BE ABLE TO SAY NO. 28 00:03:53,333 --> 00:03:55,533 THERE WILL BE ONLY ONE ANSWER TO THE QUESTION 29 00:03:55,533 --> 00:03:58,103 OF WHERE THE TWO OF YOU SHOULD LIVE-- 30 00:03:58,100 --> 00:04:00,630 #5 ZEBRA DRIVE! 31 00:04:01,900 --> 00:04:04,400 NOW LET ME GET ON. 32 00:04:17,767 --> 00:04:20,567 - SHE IS LATE. - I AM NOT LATE! 33 00:04:20,567 --> 00:04:22,397 I AM NEVER LATE. 34 00:04:22,400 --> 00:04:24,500 I HAVE NEVER BEEN LATE AND I NEVER WILL BE. 35 00:04:24,500 --> 00:04:26,000 I MEANT YOUR BOSS. 36 00:04:26,000 --> 00:04:29,070 SHE IS NOT LATE. 37 00:04:30,467 --> 00:04:34,327 SHE IS OTHERWISE ENGAGED. 38 00:04:40,900 --> 00:04:43,070 ( Mma Makutsi screams ) 39 00:04:47,066 --> 00:04:50,866 Man on radio: ...top trumpet player, Note Mokoti... 40 00:04:50,867 --> 00:04:53,567 FLORENCE, YOU'RE SUPPOSED TO BE TIDYING THE HOUSE. 41 00:04:53,567 --> 00:04:55,667 MMA RAMOTSWE WILL BE HERE ANY MINUTE! 42 00:04:55,667 --> 00:04:58,127 WHY ALL THE FUSS? SHE HAS BEEN HERE BEFORE. 43 00:04:58,133 --> 00:04:59,933 THAT WAS DIFFERENT. 44 00:04:59,934 --> 00:05:01,304 HOW? 45 00:05:01,300 --> 00:05:04,370 BECAUSE... 46 00:05:07,000 --> 00:05:11,430 JUST GET THIS PLACE TIDY, AND QUICK! 47 00:05:12,567 --> 00:05:14,467 SURE. 48 00:05:21,000 --> 00:05:23,000 SO THE CHALK, THE CAKE TIN-- 49 00:05:23,000 --> 00:05:25,100 THE COLORED CHALK; NOT THE WHITE. 50 00:05:25,100 --> 00:05:27,230 THE CAKE TIN AND THE CAKE! 51 00:05:27,233 --> 00:05:31,003 SO THE COLORED CHALK, THE CAKE TIN AND THE CAKE. 52 00:05:31,000 --> 00:05:33,000 PETTY CASH? 53 00:05:38,433 --> 00:05:40,233 ( key rattles ) 54 00:05:43,166 --> 00:05:44,966 STILL THERE. 55 00:05:44,967 --> 00:05:47,767 SO THE THIRD BREAK-IN AND THERE'S NO CASH STOLEN? 56 00:05:49,934 --> 00:05:52,174 MY BANANA STAPLER! 57 00:05:52,166 --> 00:05:53,866 SORRY-- YOUR BANANA WHAT? 58 00:05:53,867 --> 00:05:57,167 MY STAPLER, SHAPED LIKE A-- 59 00:05:57,166 --> 00:05:59,496 MY DIPLOMA. 60 00:06:01,633 --> 00:06:04,433 MY 97%... 61 00:06:05,400 --> 00:06:07,900 VANDALS! ANIMALS! 62 00:06:07,900 --> 00:06:11,330 WHO WOULD DO A THING LIKE THIS? 63 00:06:11,333 --> 00:06:13,133 ( glass rattles ) 64 00:06:15,767 --> 00:06:18,197 YOU'D BETTER TELL MMA RAMOTSWE. 65 00:06:18,200 --> 00:06:20,230 SHE IS NOT TO BE DISTURBED. 66 00:06:20,233 --> 00:06:22,033 EVEN FOR THIS? 67 00:06:22,033 --> 00:06:25,533 SHE HAS A BIG DECISION TO MAKE. 68 00:06:31,200 --> 00:06:32,800 - DUMELA. - DUMELA, RRA. 69 00:06:32,800 --> 00:06:34,230 ( laughs ) 70 00:06:38,133 --> 00:06:41,933 WHAT DOES SHE DO FOR HER MONEY, THIS MAID OF YOURS? 71 00:06:43,133 --> 00:06:45,273 ( flies buzzing ) 72 00:06:50,233 --> 00:06:51,903 MMA. 73 00:06:51,900 --> 00:06:54,000 THAT MOP IS DRY. 74 00:07:07,600 --> 00:07:09,470 ( laughs ) 75 00:07:18,166 --> 00:07:20,596 THIS IS A VERY FINE ROOM. 76 00:07:20,600 --> 00:07:23,570 IT'S IMPORTANT TO HAVE A SPECIAL ROOM 77 00:07:23,567 --> 00:07:24,897 FOR IMPORTANT VISITORS. 78 00:07:24,900 --> 00:07:28,930 DO YOU HAVE MANY IMPORTANT VISITORS, RRA? 79 00:07:28,934 --> 00:07:30,874 I HAVE ONE TODAY. 80 00:07:33,834 --> 00:07:35,334 PLEASE LEAD ON. 81 00:07:37,967 --> 00:07:41,567 - THAT WAY? - THAT IS THE NOT-SO-TIDY PART OF THE HOUSE. 82 00:07:41,567 --> 00:07:43,497 OH! 83 00:07:56,533 --> 00:07:59,433 AHH, IT'S-- 84 00:08:17,166 --> 00:08:18,896 MMA? 85 00:08:18,900 --> 00:08:20,530 AHEM, FLORENCE? 86 00:08:20,533 --> 00:08:22,373 AHH SORRY, RRA. 87 00:08:22,367 --> 00:08:24,797 I DIDN'T HEAR YOU. I WAS JUST TOO BUSY. 88 00:08:24,800 --> 00:08:26,570 THERE IS CERTAINLY MUCH TO DO. 89 00:08:26,567 --> 00:08:28,367 THERE CERTAINLY IS. YES. 90 00:08:28,367 --> 00:08:30,667 A HOUSE THIS DIRTY NEEDS A LOT OF WORK. 91 00:08:30,667 --> 00:08:32,667 AND WHO ARE YOU TO SAY THAT THIS HOUSE IS DIRTY? 92 00:08:32,667 --> 00:08:34,967 I HAVE SEEN FOR MYSELF WHAT GOES ON HERE. 93 00:08:34,967 --> 00:08:36,567 LISTEN, MMA, 94 00:08:36,567 --> 00:08:39,227 NOW I HAVE WORKED FOR THIS MAN FOR MANY YEARS. 95 00:08:39,233 --> 00:08:41,373 I HAVE COOKED FOR HIM, I HAVE CLEANED 96 00:08:41,367 --> 00:08:43,397 AND I HAVE FED HIM GOOD FOOD. 97 00:08:43,400 --> 00:08:44,730 HA! 98 00:08:45,667 --> 00:08:46,997 GOOD FOOD? 99 00:08:47,000 --> 00:08:49,030 WHO DOES SHE THINK SHE IS, 100 00:08:49,033 --> 00:08:51,173 COMING INTO MY KITCHEN AND SAYING ALL THESE THINGS? 101 00:08:51,166 --> 00:08:53,726 I AM HIS FIANCEE. 102 00:08:57,200 --> 00:09:00,330 FIANCEE? 103 00:09:00,333 --> 00:09:02,233 WITHOUT A WORD TO ME? 104 00:09:02,233 --> 00:09:05,573 YOU CANNOT MARRY HER! SHE WILL KILL YOU. 105 00:09:05,567 --> 00:09:07,767 SHE'S A GOOD WOMAN, FLORENCE. 106 00:09:07,767 --> 00:09:09,927 AND IF YOU LIKE, 107 00:09:09,934 --> 00:09:11,404 WE CAN FIND YOU ANOTHER JOB. 108 00:09:11,400 --> 00:09:14,130 - WHAT? - MY COUSIN RUNS A HOTEL NEAR THE BUS STATION. 109 00:09:14,133 --> 00:09:15,773 I AM NOT A BUS-STATION MAID! 110 00:09:15,767 --> 00:09:18,797 - I'M A HIGH-CLASS MAID! - YOU ARE A HIGH-CLASS CHEAT-- 111 00:09:18,800 --> 00:09:21,570 ALL TALK AND NO WORK. 112 00:09:21,567 --> 00:09:23,727 SHE WILL BREAK YOUR BED. 113 00:09:23,734 --> 00:09:26,574 YOU WILL DIE. THIS IS GOING TO BE THE END FOR YOU. 114 00:09:26,567 --> 00:09:29,327 NO, MMA, THIS IS THE END FOR YOU. 115 00:09:31,233 --> 00:09:34,273 I WILL NOT GET PUSHED OUT 116 00:09:34,266 --> 00:09:37,026 BY THIS BED-BREAKER. 117 00:09:37,900 --> 00:09:40,230 FINE. I WILL GO HOME. 118 00:09:40,233 --> 00:09:43,073 'MORROW I WILL BE BACK. 119 00:09:43,066 --> 00:09:46,496 NNYAA! I AM FLORENCE-- FLORENCE PEKO. 120 00:09:46,500 --> 00:09:49,700 I WILL SHOW YOU! ( shouts in Setswana ) WHERE'S MY BAG? 121 00:09:49,700 --> 00:09:51,100 WHERE ARE MY CIGARETTES? 122 00:09:51,100 --> 00:09:53,770 ( speaks Setswana ) 123 00:09:53,767 --> 00:09:55,467 HA! 124 00:09:56,367 --> 00:09:57,927 ( door opens, slams ) 125 00:09:57,934 --> 00:10:00,074 ( phone ringing ) 126 00:10:04,433 --> 00:10:07,333 I APOLOGIZE ON BEHALF OF MY BAD-TEMPERED MAID. 127 00:10:07,333 --> 00:10:10,303 ( ringing continues ) 128 00:10:11,700 --> 00:10:13,670 ANSWER YOUR PHONE. 129 00:10:13,667 --> 00:10:16,227 THEN YOU WILL VISIT MY HOUSE. 130 00:10:22,300 --> 00:10:24,070 HELLO? 131 00:10:24,066 --> 00:10:26,326 EE, MMA, MMA POTOKWANE. 132 00:10:26,333 --> 00:10:28,633 EE, MMA, THE PUMP. 133 00:10:28,633 --> 00:10:30,973 I SEE. 134 00:10:30,967 --> 00:10:33,897 - AGAIN? - ( sighs ) 135 00:10:33,900 --> 00:10:37,430 I'LL FIX THE PUMP AND COME STRAIGHT TO YOUR HOUSE. 136 00:10:46,033 --> 00:10:47,973 PLEASE BE AS QUICK AS YOU CAN. 137 00:10:47,967 --> 00:10:49,427 OKAY. 138 00:10:51,100 --> 00:10:54,070 INTRUDER ENTERS PREMISES 139 00:10:54,066 --> 00:10:56,766 BY BREAKING WINDOW-- 140 00:10:56,767 --> 00:11:00,697 INTRUDER OR INTRUDERS. 141 00:11:00,700 --> 00:11:04,400 HE/SHE-- THEY-- 142 00:11:04,400 --> 00:11:08,300 THEN MAKE ASSESSMENT OF VALUABLES 143 00:11:08,300 --> 00:11:11,530 AND MAKE OFF WITH COLORED CHALK, 144 00:11:11,533 --> 00:11:14,203 CAKE TIN, CAKE... 145 00:11:15,433 --> 00:11:17,603 AND BANANA STAPLER... 146 00:11:21,400 --> 00:11:25,600 LEAVING MMA RAMOTSWE'S DESK UNTOUCHED. 147 00:11:27,000 --> 00:11:29,870 ( china clattering ) 148 00:11:29,867 --> 00:11:31,867 SMASHING TEACUP 149 00:11:31,867 --> 00:11:34,097 IN FRUSTRATION... 150 00:11:34,100 --> 00:11:38,300 AND DIPLOMA IN ENVY. 151 00:11:44,900 --> 00:11:47,100 ( all screaming ) 152 00:11:47,100 --> 00:11:49,630 I TOLD YOU HE WOULD COME. 153 00:12:00,066 --> 00:12:02,826 ( all calling out ) 154 00:12:03,800 --> 00:12:05,870 SHARE THEM WITH EVERYONE, EH? 155 00:12:05,867 --> 00:12:08,167 IT IS MAKING A VERY STRANGE NOISE-- 156 00:12:08,166 --> 00:12:10,826 NOT LIKE THE STRANGE NOISES IT HAS MADE BEFORE-- 157 00:12:10,834 --> 00:12:13,404 LIKE AN ELEPHANT WHEN IT TRUMPETS 158 00:12:13,400 --> 00:12:15,030 AND SHAKING LIKE A DOG. 159 00:12:15,033 --> 00:12:17,173 THE PUMP IS GETTING VERY OLD NOW, MMA. 160 00:12:17,166 --> 00:12:19,066 MACHINERY DOESN'T LAST FOREVER. 161 00:12:19,066 --> 00:12:21,566 THE CHILDREN NEEDS SHOES; THEY NEED CLOTHES. 162 00:12:21,567 --> 00:12:25,427 I HAVE TO PAY FOR THE STUFF. THERE'S NO MONEY FOR A NEW PUMP. 163 00:12:25,433 --> 00:12:27,773 YOU AND THIS PUMP ARE VERY OLD FRIENDS. 164 00:12:27,767 --> 00:12:30,297 BUT ONE DAY YOU'LL HAVE TO WRITE A LETTER TO THE BRITISH: 165 00:12:30,300 --> 00:12:33,600 "DEAR BRITISH, HERE IS YOUR PUMP WHICH YOU LEFT IN AFRICA. 166 00:12:33,600 --> 00:12:36,170 IT'S FINISHED NOW. PLEASE COME AND PICK IT UP. 167 00:12:36,166 --> 00:12:37,396 THANK YOU." 168 00:12:37,400 --> 00:12:39,600 ONE DAY, RRA, BUT NOT TODAY. 169 00:12:41,266 --> 00:12:43,096 AY, AHH. 170 00:12:44,600 --> 00:12:46,770 ( sighs ) 171 00:12:46,767 --> 00:12:49,767 - YOU KNOW, MMA-- - I HEAR YOU ARE ENGAGED TO BE MARRIED. 172 00:12:49,767 --> 00:12:52,667 ONE OF OUR HOUSE MOTHERS LIVES ACROSS THE ROAD 173 00:12:52,667 --> 00:12:54,927 FROM THE COUSIN OF MMA RAMOTSWE'S BUTCHER. 174 00:12:56,233 --> 00:12:59,373 - YES. - OH, CONGRATULATIONS, RRA. 175 00:12:59,367 --> 00:13:01,597 ( chuckling ) 176 00:13:01,600 --> 00:13:03,000 THANK YOU, MMA. 177 00:13:03,000 --> 00:13:05,800 - SHE'S A BEAUTIFUL LADY. - SHE IS. 178 00:13:05,800 --> 00:13:10,030 AND YOU'LL BE NEEDING A BEAUTIFUL BIG DIAMOND RING. 179 00:13:10,033 --> 00:13:11,603 MMM! 180 00:13:15,967 --> 00:13:19,267 ( car approaching ) 181 00:13:21,300 --> 00:13:23,300 ( door closing ) 182 00:13:23,300 --> 00:13:26,900 MMA, WHERE IS RRA MATEKONI? IS HE NOT COMING? 183 00:13:26,900 --> 00:13:29,500 HE IS FIXING THE PUMP AT THE ORPHANAGE. 184 00:13:29,500 --> 00:13:32,070 HE WILL BE HERE VERY SOON. 185 00:13:32,066 --> 00:13:34,026 WHEW. 186 00:13:34,033 --> 00:13:37,033 JUST TIME FOR YOU TO SMARTEN UP. 187 00:13:37,033 --> 00:13:40,073 ROSE, I AM SMART ALREADY. 188 00:13:40,066 --> 00:13:42,426 NOW PLEASE GO BACK TO WHAT YOU WERE DOING. 189 00:13:44,967 --> 00:13:46,167 ( beeps ) 190 00:13:46,166 --> 00:13:49,296 ( jazz playing ) 191 00:13:55,800 --> 00:13:57,900 Rra Buthelezi: Leave tomorrow free. 192 00:13:57,900 --> 00:14:00,100 An old friend will be coming to see you. 193 00:14:01,567 --> 00:14:03,467 ROSE? 194 00:14:03,467 --> 00:14:05,267 I AM NOT FEELING WELL. YOU MUST GO. 195 00:14:05,266 --> 00:14:07,696 - BUT THE FOOD? - I WILL DEAL WITH IT. 196 00:14:07,700 --> 00:14:09,500 THERE ARE STILL PANS ON THE STOVE. 197 00:14:09,500 --> 00:14:10,970 I WILL TURN THEM OFF. 198 00:14:10,967 --> 00:14:13,697 WHAT IS IT? WHAT HAPPENED? 199 00:14:13,700 --> 00:14:15,430 WE MUST BOWL HIM OVER. 200 00:14:15,433 --> 00:14:17,973 WE WILL BOWL HIM OVER ANOTHER DAY. 201 00:14:23,000 --> 00:14:24,570 OH! 202 00:14:31,667 --> 00:14:33,727 NOTE! NOTE? 203 00:14:33,734 --> 00:14:35,704 Woman: THERE WAS A CALL FOR YOU, BOSS-- 204 00:14:35,700 --> 00:14:38,530 A MR. PATEL FROM KGALE HILL. 205 00:14:38,533 --> 00:14:40,603 THERE'S BEEN ANOTHER BREAK-IN. 206 00:14:42,467 --> 00:14:44,267 - NOTE? - ( grumbles ) 207 00:14:44,266 --> 00:14:46,766 HE IS NOT A MORNING PERSON. 208 00:14:50,600 --> 00:14:52,900 WHERE'S THE PHONE? 209 00:14:55,533 --> 00:14:57,633 ( whirring ) 210 00:15:05,433 --> 00:15:06,933 ( wheels stop ) 211 00:15:06,934 --> 00:15:08,904 ( tires squeaking ) 212 00:15:16,000 --> 00:15:18,030 MY NAME IS MOTHOLELI, RRA. 213 00:15:18,033 --> 00:15:20,103 I HAVE BROUGHT YOU SOME WATER. 214 00:15:20,100 --> 00:15:21,300 THANK YOU. 215 00:15:21,300 --> 00:15:23,400 FIXING THIS THING IS HARD WORK. 216 00:15:23,400 --> 00:15:25,500 WERE THE CYLINDERS CHOKED? 217 00:15:25,500 --> 00:15:28,300 YES, THEY WERE. 218 00:15:28,300 --> 00:15:31,630 WE HAVE A BOOK IN THE LIBRARY-- HOW THINGS WORK. 219 00:15:31,633 --> 00:15:33,733 YOU LIKE MECHANICAL THINGS? 220 00:15:33,734 --> 00:15:35,174 I RELY ON THEM. 221 00:15:35,166 --> 00:15:36,826 ( laughs ) 222 00:15:36,834 --> 00:15:39,134 AND THE WHEEL ON YOUR CHAIR, 223 00:15:39,133 --> 00:15:41,173 CAN YOU IDENTIFY THE PROBLEM THERE? 224 00:15:41,166 --> 00:15:42,996 LACK OF OIL? 225 00:15:48,233 --> 00:15:50,473 LET'S SEE... 226 00:15:58,066 --> 00:16:00,626 YOU'RE A MODERN GIRL, MOTHOLELI. 227 00:16:00,633 --> 00:16:05,173 DOES A MODERN LADY REQUIRE A DIAMOND RING IF SHE IS TO BE ENGAGED? 228 00:16:05,166 --> 00:16:06,566 SHE DOES. 229 00:16:06,567 --> 00:16:10,297 A DIAMOND RING FOR... 50,000 PULA. 230 00:16:10,300 --> 00:16:13,900 IT IS THE ONE THING ON WHICH ALL LADIES AGREE. 231 00:16:16,300 --> 00:16:18,600 ( car approaches ) 232 00:16:22,467 --> 00:16:24,667 ( car passes ) 233 00:16:24,667 --> 00:16:27,427 ( sighing ) 234 00:16:39,467 --> 00:16:41,567 ( pan sizzling ) 235 00:16:47,734 --> 00:16:49,834 ( loud knock at door ) 236 00:16:49,834 --> 00:16:52,134 ( water running ) 237 00:16:55,467 --> 00:16:57,497 EE, MMA. 238 00:16:57,500 --> 00:17:01,730 UH, WORKING ON THE PUMP HAS LEFT ME A LITTLE UNKEMPT. 239 00:17:01,734 --> 00:17:06,304 AM I STILL ACCEPTABLE FOR THE TOUR OF #5 ZEBRA DRIVE? 240 00:17:06,300 --> 00:17:08,200 RRA, I AM NOT WELL. 241 00:17:08,200 --> 00:17:10,500 I THINK I'VE COME DOWN WITH A VIRUS. 242 00:17:10,500 --> 00:17:12,930 I-- I NEED TO BE IN ON MY OWN TODAY. 243 00:17:16,333 --> 00:17:18,873 - THAT'S NOT WHAT YOU NEED. - NO? 244 00:17:18,867 --> 00:17:22,427 YOU NEED A BEAUTIFUL DIAMOND ENGAGEMENT RING. 245 00:17:25,667 --> 00:17:26,767 OH! 246 00:17:28,133 --> 00:17:29,603 WHAT'S THE MATTER? 247 00:17:29,600 --> 00:17:31,730 ( crying ) 248 00:17:31,734 --> 00:17:35,504 YOU ARE SUCH A GOOD GOOD MAN, J.L.B. 249 00:17:35,500 --> 00:17:37,900 AND YOU'RE A GOOD GOOD LADY. 250 00:17:37,900 --> 00:17:40,370 DO YOU REALLY THINK SO? 251 00:17:40,367 --> 00:17:42,527 I KNOW SO. 252 00:17:42,533 --> 00:17:46,273 I MADE SOME MISTAKES IN MY PAST. 253 00:17:46,266 --> 00:17:48,296 WHO HAS NOT? 254 00:17:48,300 --> 00:17:51,800 TODAY ALL MISTAKES ARE WASHED AWAY. 255 00:17:51,800 --> 00:17:54,400 WE'LL BUY THE RING TO PROVE IT. 256 00:18:01,000 --> 00:18:02,370 HA. 257 00:18:04,033 --> 00:18:07,233 AND THEN I MUST COME STRAIGHT HOME. 258 00:18:20,800 --> 00:18:22,670 AHH! 259 00:18:25,767 --> 00:18:28,467 'MORNING. 260 00:18:28,467 --> 00:18:31,827 ( coughing ) OH, GOD. 261 00:18:31,834 --> 00:18:34,174 THERE IS SOMEONE I THINK YOU SHOULD MEET. 262 00:18:34,166 --> 00:18:37,696 FIRST I HAVE TO EAT. AND I HAVE TO EAT A LOT. 263 00:18:39,800 --> 00:18:43,670 AND THERE IS SOMETHING ELSE I AM GOING TO NEED TOO. 264 00:18:49,633 --> 00:18:52,733 GET SOME BREAKFAST FOR RRA MOKOTI. 265 00:18:52,734 --> 00:18:55,474 I'LL PICK HIM UP IN HALF AN HOUR. 266 00:19:00,233 --> 00:19:03,133 NOTE MOKOTI, HERE IN GABORONE? 267 00:19:03,133 --> 00:19:04,273 ( enging dies ) 268 00:19:04,266 --> 00:19:06,866 NO NEED TO WORRY ABOUT HIM. 269 00:19:06,867 --> 00:19:08,627 HE IS HISTORY NOW. 270 00:19:14,734 --> 00:19:16,404 Rra Matekoni: THIS LADY IS MMA RAMOTSWE 271 00:19:16,400 --> 00:19:17,930 AND SHE IS ENGAGED TO ME. 272 00:19:17,934 --> 00:19:20,874 I WISH TO BUY HER A RING FOR THIS ENGAGEMENT-- 273 00:19:20,867 --> 00:19:22,427 A DIAMOND RING-- 274 00:19:22,433 --> 00:19:24,703 WITH A BOTSWANA DIAMOND FROM OUR OWN MINES. 275 00:19:24,700 --> 00:19:27,670 AHA! I SAW YOU ARRIVE LOOKING VERY HAPPY. 276 00:19:27,667 --> 00:19:31,427 YOU PARKED BESIDE MY CAR-- BUT NOT TOO CLOSE, I HOPE! 277 00:19:32,367 --> 00:19:33,927 YOU ARE A FORTUNATE MAN. 278 00:19:33,934 --> 00:19:37,834 NOT EVERY MAN CAN FIND SUCH A CHEERFUL FAT WOMAN TO MARRY. 279 00:19:37,834 --> 00:19:41,004 THERE ARE MANY THIN HECTORING WOMEN AROUND TODAY, HUH? 280 00:19:41,000 --> 00:19:42,530 I AM A VERY LUCKY MAN. 281 00:19:42,533 --> 00:19:46,203 AND NOW YOU MUST BUY HER A VERY BIG RING. 282 00:19:46,200 --> 00:19:48,570 A FAT WOMAN CANNOT WEAR A TINY RING, HUH? 283 00:19:48,567 --> 00:19:51,227 WHAT DO YOU THINK OF THOSE, MMA? 284 00:19:54,066 --> 00:19:55,396 THEY ARE BEAUTIFUL. 285 00:19:55,400 --> 00:19:57,400 - AHA. - ARE THEY FROM BOTSWANA? 286 00:19:57,400 --> 00:20:00,200 ABSOLUTELY-- THE FINEST IN THE WORLD. 287 00:20:00,200 --> 00:20:02,530 - 90-- 90,000 PULA? - MMM. 288 00:20:02,533 --> 00:20:04,833 I-- I AM NOT A LADY TO WEAR A BIG RING. 289 00:20:04,834 --> 00:20:08,504 I-- I WAS HOPING FOR A SMALL RING. 290 00:20:08,500 --> 00:20:12,000 I CAN DO DISCOUNTS-- 10%. 291 00:20:12,000 --> 00:20:13,670 - UM... - MAYBE 12%. 292 00:20:13,667 --> 00:20:16,667 THIS IS A BEAUTIFUL RING FOR A BEAUTIFUL WOMAN. 293 00:20:16,667 --> 00:20:19,067 MMA, I DIDN'T MEAN-- 294 00:20:19,066 --> 00:20:21,126 YOU MUST HAVE WHICHEVER RING YOU CHOOSE-- 295 00:20:21,133 --> 00:20:22,533 HOW MUCH ARE THOSE? 296 00:20:22,533 --> 00:20:26,273 15%-- ESH! YOU DRIVE A HARD BARGAIN, MMA. 297 00:20:26,266 --> 00:20:28,996 I DON'T WANT THIS OSTENTATIOUS RING. 298 00:20:30,567 --> 00:20:33,327 I WOULD LIKE... 299 00:20:34,266 --> 00:20:36,166 ONE OF THESE. 300 00:20:36,166 --> 00:20:39,426 UH, DIAMONDS LIKE THOSE MAY BE EASILY MISSED. 301 00:20:39,433 --> 00:20:41,833 PEOPLE MAY NOT NOTICE SUCH A DIAMOND AT ALL. 302 00:20:41,834 --> 00:20:44,604 I WILL NOTICE IT. RRA MATEKONI WILL NOTICE IT, 303 00:20:44,600 --> 00:20:46,630 AND THAT IS ALL THAT MATTERS. 304 00:20:47,567 --> 00:20:49,667 BRING THE RINGS. 305 00:20:57,266 --> 00:20:58,896 ARE THEY FROM BOTSWANA? 306 00:20:58,900 --> 00:21:02,200 AS BOTSWANA AS YOU OR ME. 307 00:21:05,000 --> 00:21:07,370 THE BREAK-INS ARE MY CASE, MMA, 308 00:21:07,367 --> 00:21:09,867 BUT YOU SAID NOTHING ABOUT THIS. 309 00:21:09,867 --> 00:21:12,027 YOU'RE NOT PLAYING FAIR. 310 00:21:12,033 --> 00:21:16,073 LUCKILY I HAVE MY OWN SOURCES OF INFORMATION. 311 00:21:16,066 --> 00:21:19,196 WE ARE PERFECTLY CAPABLE OF HANDLING THIS OURSELVES. 312 00:21:19,200 --> 00:21:20,530 "WE"? 313 00:21:20,533 --> 00:21:23,473 WHERE IS YOUR BOSS TODAY? 314 00:21:23,467 --> 00:21:26,127 THAT IS NONE OF YOUR BUSINESS! 315 00:21:26,133 --> 00:21:30,173 IT'S STRANGE THAT SHE'S NOT HERE IN A CRISIS. 316 00:21:30,166 --> 00:21:32,626 PUT THAT RIGHT BACK! 317 00:21:32,633 --> 00:21:34,073 GIVE IT TO ME. 318 00:21:35,367 --> 00:21:37,497 AHH! 319 00:21:37,500 --> 00:21:42,170 SO YOU CAN HANDLE THIS YOURSELVES? ANY LEADS? 320 00:21:42,166 --> 00:21:44,266 FOR ALL I KNOW, IT WAS YOU THAT BROKE IN HERE. 321 00:21:44,266 --> 00:21:46,126 TO STEAL YOUR COLORED CHALKS? 322 00:21:46,133 --> 00:21:48,503 HOW DO YOU KNOW ABOUT THE COLORED CHALKS? 323 00:21:48,500 --> 00:21:50,430 IT'S HERE IN YOUR REPORT. 324 00:21:56,967 --> 00:21:59,367 I WOULD HAVE BOUGHT YOU THE OTHER ONE. 325 00:21:59,367 --> 00:22:02,067 I'M VERY HAPPY WITH THIS ONE. 326 00:22:02,066 --> 00:22:03,796 MMA? 327 00:22:05,200 --> 00:22:06,530 WHAT IS IT? 328 00:22:06,533 --> 00:22:09,573 I LOVE YOU. 329 00:22:10,834 --> 00:22:13,734 I AM VERY GLAD. 330 00:22:16,934 --> 00:22:19,834 I STILL HAVE A POCKETFUL OF PULA. 331 00:22:19,834 --> 00:22:21,504 LET'S GO TO THE PRESIDENT HOTEL 332 00:22:21,500 --> 00:22:23,870 - FOR A CELEBRATION LUNCH. - ANOTHER TIME. 333 00:22:23,867 --> 00:22:27,127 OR ANOTHER TIME. YES. 334 00:22:30,367 --> 00:22:32,597 IS EVERYTHING OKAY, MMA? 335 00:22:32,600 --> 00:22:35,000 EVERYTHING'S FINE. 336 00:22:35,000 --> 00:22:37,200 BUT I MUST GO HOME NOW. 337 00:22:37,200 --> 00:22:40,430 THEN WE WILL VISIT YOUR HOUSE NOW, AS WE PLANNED. 338 00:22:40,433 --> 00:22:43,003 ANOTHER TIME. 339 00:22:43,000 --> 00:22:45,300 OR ANOTHER TIME. 340 00:22:46,500 --> 00:22:48,330 YES. 341 00:23:09,867 --> 00:23:11,867 ( beeps ) 342 00:23:11,867 --> 00:23:13,827 Mma makutsi: Mma, it's me. 343 00:23:13,834 --> 00:23:16,434 First of all, do not panic. 344 00:23:16,433 --> 00:23:17,933 I am-- 345 00:23:27,166 --> 00:23:29,126 COME ON IF YOU'RE COMING! 346 00:23:37,800 --> 00:23:40,770 ( pounding on door ) 347 00:23:40,767 --> 00:23:42,567 ( pounding ) 348 00:23:47,967 --> 00:23:50,797 ( pounding continues ) 349 00:23:53,100 --> 00:23:55,570 Rra Buthelezi: WHEN I WAS A POLICEMAN IN JOBURG, 350 00:23:55,567 --> 00:23:57,867 THERE WAS A MAN CALLED JOHNNY DOLLARS. 351 00:23:57,867 --> 00:24:00,227 HE WAS A ONE-MAN CRIME WAVE. 352 00:24:00,233 --> 00:24:02,073 EVERYBODY WAS AFRAID OF HIM. 353 00:24:02,066 --> 00:24:03,826 WE KNEW WHAT HE WAS UP TO, 354 00:24:03,834 --> 00:24:05,804 BUT WE COULD NEVER MAKE IT STICK. 355 00:24:05,800 --> 00:24:08,700 - YOU REMEMBER JOHNNY DOLLARS, NOTE? - MM-HMM. 356 00:24:08,700 --> 00:24:11,900 EH, HE WOULD NEVER ADMIT TO ANYTHING. 357 00:24:11,900 --> 00:24:14,430 AND THEN ONE DAY SOMEONE TOLD ME 358 00:24:14,433 --> 00:24:17,873 THAT JOHNNY DOLLARS WAS TERRIFIED OF HIS GRANDMOTHER. 359 00:24:17,867 --> 00:24:21,697 SHE DIDN'T LIKE THE WAY HE HAD TURNED OUT. 360 00:24:21,700 --> 00:24:24,730 SO I ARRESTED HIM 361 00:24:24,734 --> 00:24:27,104 AND BROUGHT HIS GRANDMOTHER TO HIS CELL. 362 00:24:27,100 --> 00:24:29,530 AND NOW HE'S DOING 25 YEARS. 363 00:24:29,533 --> 00:24:31,533 - GOOD FOR YOU. - ( laughs ) 364 00:24:31,533 --> 00:24:34,503 AND THE LOOK ON JOHNNY DOLLARS' FACE 365 00:24:34,500 --> 00:24:36,330 WHEN I OPENED THE CELL DOOR 366 00:24:36,333 --> 00:24:39,073 AND SHOWED HIM HIS GRANDMOTHER-- 367 00:24:39,066 --> 00:24:41,666 I SAW THAT SAME LOOK ON YOUR FACE, MMA, 368 00:24:41,667 --> 00:24:45,027 WHEN I SAID THE NAME NOTE MOKOTI TO YOU. 369 00:24:47,800 --> 00:24:49,900 WHAT DO YOU WANT? 370 00:24:51,066 --> 00:24:53,366 I HAVE A TALENT FOR INTRODUCTIONS. 371 00:24:56,133 --> 00:24:58,273 PRECIOUS. 372 00:24:58,266 --> 00:25:00,066 NOTE. 373 00:25:00,066 --> 00:25:03,326 SO... YOU HAVE BECOME SOMEONE AT LAST. 374 00:25:03,333 --> 00:25:04,833 NO THANKS TO YOU. 375 00:25:04,834 --> 00:25:07,174 DON'T BE SO SURE. 376 00:25:07,166 --> 00:25:09,066 YOU ARE NOT WELCOME HERE. 377 00:25:09,066 --> 00:25:12,896 AND WHAT WILL IT TAKE TO MAKE ME GO AWAY? 378 00:25:12,900 --> 00:25:15,030 HMM? 379 00:25:24,200 --> 00:25:25,500 ( drawer opening ) 380 00:25:27,266 --> 00:25:29,466 YOU DIDN'T NEED TO GO TO SO MUCH TROUBLE. 381 00:25:29,467 --> 00:25:31,227 LEAVE THAT ALONE. 382 00:25:33,400 --> 00:25:35,200 MMM. 383 00:25:40,800 --> 00:25:43,430 - ( jazz playing ) - SHE STILL HAS YOUR RECORDS, NOTE. 384 00:25:43,433 --> 00:25:45,073 LEAVE MY THINGS ALONE! 385 00:25:45,066 --> 00:25:48,096 MR. BUTHELEZI TELLS ME THAT YOU ARE ENGAGED TO BE MARRIED. 386 00:25:48,100 --> 00:25:50,130 SEE HOW SHE TRIES TO HIDE THE RING. 387 00:25:50,133 --> 00:25:53,733 BUT THERE IS ONE BIG PROBLEM WITH THIS NEWFOUND FREEDOM OF YOURS. 388 00:25:53,734 --> 00:25:56,274 I DO NOT RECALL US 389 00:25:56,266 --> 00:25:58,196 EVER GETTING A DIVORCE. 390 00:25:59,800 --> 00:26:02,170 MAYBE YOU HOPED I WAS DEAD... 391 00:26:02,166 --> 00:26:05,326 OR THAT I HAD FORGOTTEN I EVER MARRIED YOU. 392 00:26:05,333 --> 00:26:09,233 THERE HAVE BEEN SO MANY OTHER GIRLS, AFTER ALL. 393 00:26:09,233 --> 00:26:11,503 HMM! WHAT CAN A MAN DO 394 00:26:11,500 --> 00:26:13,600 BUT SAY YES? 395 00:26:17,500 --> 00:26:20,630 OR DID YOU THINK THAT NOW YOU ARE SO HIGH AND MIGHTY 396 00:26:20,633 --> 00:26:22,603 SOMEONE LIKE ME DOES NOT COUNT-- 397 00:26:22,600 --> 00:26:24,470 SOMEONE FROM YOUR PAST, 398 00:26:24,467 --> 00:26:26,527 FROM THE BAD OLD DAYS? 399 00:26:26,533 --> 00:26:28,773 I AM NOT THE SAME PERSON NOW. 400 00:26:28,767 --> 00:26:32,967 THAT GIRL YOU USED TO SHOUT AT AND PUNCH, 401 00:26:32,967 --> 00:26:35,297 SHE IS GONE! 402 00:26:35,300 --> 00:26:37,230 THAT IS WHAT YOU LIKE TO THINK. 403 00:26:37,233 --> 00:26:38,903 ( glass shatters ) 404 00:26:38,900 --> 00:26:41,430 THAT IS WHAT YOU LIKE TO THINK. 405 00:26:41,433 --> 00:26:43,933 Rra Buthelezi: ARE THE LOVEBIRDS FIGHTING ALREADY? 406 00:26:43,934 --> 00:26:46,174 I WILL SEE YOU AT THE GIG. 407 00:26:46,166 --> 00:26:48,966 HA. MOST TIMES PEOPLE PAY TO HEAR ME, 408 00:26:48,967 --> 00:26:51,327 BUT WITH YOU, IT WILL BE DIFFERENT. 409 00:26:51,333 --> 00:26:54,103 YOU WILL PAY TO KEEP ME QUIET. 410 00:26:54,100 --> 00:26:56,530 AND THEN YOU WILL GIVE ME THE DIVORCE? 411 00:26:56,533 --> 00:26:59,373 IN INSTALLMENTS. 412 00:27:01,533 --> 00:27:03,533 I CANNOT KEEP PAYING YOU. 413 00:27:03,533 --> 00:27:04,933 I AM NOT MADE OF MONEY. 414 00:27:04,934 --> 00:27:08,304 THE AGENCY ACCOUNTS ARE IMPROVING. I SAW THEM FOR MYSELF. 415 00:27:08,300 --> 00:27:10,630 NOTE. 416 00:27:10,633 --> 00:27:12,873 FOR OLD TIME'S SAKE, 417 00:27:12,867 --> 00:27:15,267 HAVE PITY. 418 00:27:20,033 --> 00:27:22,333 YOU BROUGHT HIM HERE JUST FOR THIS. 419 00:27:22,333 --> 00:27:24,973 IT'S ALWAYS BEST TO DO A LITTLE BACKGROUND RESEARCH. 420 00:27:24,967 --> 00:27:29,227 WHATEVER WOULD HE THINK OF YOU, THIS SIMPLE MECHANIC MAN, 421 00:27:29,233 --> 00:27:32,233 ACCEPTING HIS RING UNDER FALSE PRETENSES, 422 00:27:32,233 --> 00:27:34,273 EVEN IF IT IS A COUNTERFEIT? 423 00:27:34,266 --> 00:27:36,226 WHAT? 424 00:27:36,233 --> 00:27:38,973 CUBIC ZIRCONIUM-- 425 00:27:38,967 --> 00:27:42,927 A FAKE DIAMOND FOR A FAKE ENGAGEMENT. 426 00:28:01,266 --> 00:28:02,866 DUMELA, MMA. 427 00:28:02,867 --> 00:28:04,197 DUMELA, RRA. 428 00:28:04,200 --> 00:28:06,200 DID YOU DECIDE WHOSE HOME TO LIVE IN? 429 00:28:06,200 --> 00:28:09,100 I THINK MMA RAMOTSWE HAS A PRETTY GOOD IDEA. 430 00:28:09,100 --> 00:28:11,370 AND DID YOU CELEBRATE AFTER? 431 00:28:11,367 --> 00:28:13,397 MMA RAMOTSWE WAS UNWELL. 432 00:28:13,400 --> 00:28:15,200 UNWELL? 433 00:28:15,200 --> 00:28:16,800 WHAT HAPPENED HERE? 434 00:28:16,800 --> 00:28:21,100 WE ARE THE LATEST VICTIMS IN THE KGALE HILL BREAK-INS. 435 00:28:23,567 --> 00:28:24,867 DOES SHE KNOW? 436 00:28:24,867 --> 00:28:26,767 I PHONED HER AND LEFT A MESSAGE. 437 00:28:26,767 --> 00:28:28,667 AND NO REPLY? 438 00:28:32,900 --> 00:28:35,400 IT IS NOT AT ALL LIKE MMA RAMOTSWE. 439 00:28:35,400 --> 00:28:38,100 SOMETHING IS NOT RIGHT. 440 00:28:38,100 --> 00:28:40,470 DO YOU THINK... 441 00:28:40,467 --> 00:28:41,827 WE WILL GO NOW. 442 00:28:41,834 --> 00:28:44,134 WE'LL BE VERY DIRECT 443 00:28:44,133 --> 00:28:46,433 AND GET TO THE BOTTOM OF THIS. 444 00:28:49,100 --> 00:28:50,730 SHE IS NOT HERE. 445 00:28:50,734 --> 00:28:52,734 AND HER VAN IS GONE. 446 00:28:56,100 --> 00:29:00,600 Rose: I KNEW SHE WAS NOT ILL, BUT I MADE SOUP JUST IN CASE. 447 00:29:00,600 --> 00:29:03,470 SHE CANNOT LIE TO ME. 448 00:29:03,467 --> 00:29:04,797 NOT TO ME. 449 00:29:04,800 --> 00:29:07,100 SHE IS NOT HERSELF. DO YOU AGREE? 450 00:29:07,100 --> 00:29:10,030 SHE'S A VERY TROUBLED LADY. 451 00:29:10,033 --> 00:29:13,833 I COULD READ IT IN HER FACE IN CAPITAL LETTERS. 452 00:29:13,834 --> 00:29:15,804 SOMETHING IS WRONG. 453 00:29:15,800 --> 00:29:17,270 WE THINK THE SAME. 454 00:29:17,266 --> 00:29:20,796 IT'S EVER SINCE SHE BECAME ENGAGED TO YOU, RRA MATEKONI. 455 00:29:24,133 --> 00:29:26,933 DO YOU THINK SHE HAS COLD FEET? 456 00:29:26,934 --> 00:29:29,004 MMA RAMOTSWE IS VERY DEEP. 457 00:29:29,000 --> 00:29:31,370 THAT'S WHY SHE'S A GOOD DETECTIVE. 458 00:29:31,367 --> 00:29:33,227 WHO KNOWS WHAT SHE'S THINKING? 459 00:29:33,233 --> 00:29:35,173 ( thunder rumbling ) 460 00:29:35,166 --> 00:29:38,766 HAVE YOU GOT ANY IDEA WHERE SHE COULD BE? 461 00:29:38,767 --> 00:29:40,427 I HAVE. 462 00:29:57,934 --> 00:29:59,534 DADDY? 463 00:30:01,500 --> 00:30:03,400 IT'S ME, PRECIOUS. 464 00:30:10,200 --> 00:30:13,530 I HAVE DONE A FOOLISH THING, DAD. 465 00:30:13,533 --> 00:30:17,173 I HAVE AGREED TO MARRY A GOOD MAN... 466 00:30:19,233 --> 00:30:23,403 WHEN I AM STILL MARRIED TO A BAD ONE. 467 00:30:28,834 --> 00:30:31,104 WHY WOULD I DO THAT? 468 00:30:46,867 --> 00:30:48,897 Rra Matekoni: I WILL STAY HERE. 469 00:30:50,033 --> 00:30:53,373 IT'S AS I THOUGHT: SHE'S UNSURE ABOUT ME. 470 00:30:54,533 --> 00:30:56,973 SHE HAS NOTHING BUT GOOD TO SAY ABOUT YOU. 471 00:30:56,967 --> 00:30:59,167 AND ABOUT NOTE MOKOTI, NOTHING BUT BAD. 472 00:30:59,166 --> 00:31:02,066 - YES. - SO WHY IS SHE STILL PLAYING HIS RECORDS? 473 00:31:03,433 --> 00:31:06,973 PERHAPS SHE'S PUTTING SOMETHING BEHIND HER 474 00:31:06,967 --> 00:31:08,467 ONCE AND FOR ALL. 475 00:31:08,467 --> 00:31:11,067 IT'S BECAUSE SHE HAS SUCH STRONG FEELINGS FOR HIM. 476 00:31:11,066 --> 00:31:15,626 - STRONG FEELINGS OF HATRED. - STRONG FEELINGS ARE STRONG FEELINGS. 477 00:31:15,633 --> 00:31:19,233 - BUT FOR ME? - STRONG FEELINGS OF LOVE. 478 00:31:19,233 --> 00:31:21,533 YOU HAVE HEARD HER SAY THAT? 479 00:31:22,633 --> 00:31:24,073 WE ARE WASTING TIME HERE, RRA. 480 00:31:24,066 --> 00:31:26,296 DID YOU HEAR HER SAY IT? 481 00:31:27,800 --> 00:31:31,630 IT IS NOT THE SORT OF THING SHE WOULD COME RIGHT OUT AND SAY. 482 00:31:56,934 --> 00:31:58,874 - MMA. - MMA! 483 00:31:58,867 --> 00:32:00,567 THANK GOD I HAVE FOUND YOU. 484 00:32:00,567 --> 00:32:02,997 EVERYONE IS VERY WORRIED ABOUT YOU. 485 00:32:03,000 --> 00:32:04,600 WHO IS WORRIED? 486 00:32:04,600 --> 00:32:05,930 I AM WORRIED. 487 00:32:05,934 --> 00:32:08,074 AND-- AND B.K. 488 00:32:08,066 --> 00:32:10,126 AND RRA MATEKONI AND YOUR MAID-- 489 00:32:10,133 --> 00:32:11,633 WE ARE ALL WORRIED. 490 00:32:11,633 --> 00:32:13,673 WHERE IS RRA MATEKONI NOW? 491 00:32:13,667 --> 00:32:16,297 HE WAS... 492 00:32:16,300 --> 00:32:18,300 VERY BUSY. 493 00:32:18,300 --> 00:32:20,530 THEN I CAN TELL YOU WHAT IS THE MATTER. 494 00:32:24,300 --> 00:32:26,630 CEPHAS BUTHELEZI TOLD ME 495 00:32:26,633 --> 00:32:29,373 MY DIAMOND RING WAS A FAKE. 496 00:32:29,367 --> 00:32:31,727 HE WAS AT THE AGENCY 497 00:32:31,734 --> 00:32:34,734 STRUTTING ABOUT AND TALKING RUBBISH. 498 00:32:34,734 --> 00:32:38,534 THAT MAN KNOWS NOTHING ABOUT DIAMONDS OR DETECTION! 499 00:32:38,533 --> 00:32:40,903 YOU SHOULD HAVE COME TO ME STRAIGHTAWAY, MMA. 500 00:32:40,900 --> 00:32:42,600 I CAN SEE THAT NOW. 501 00:32:42,600 --> 00:32:46,270 THIS-- THIS IS A LOVELY... 502 00:32:46,266 --> 00:32:48,466 LITTLE RING. 503 00:32:51,166 --> 00:32:54,166 NOT A WORD TO RRA MATEKONI. 504 00:32:54,166 --> 00:32:57,226 MY LIPS ARE SEALED. 505 00:33:17,533 --> 00:33:19,503 GOOD? 506 00:33:19,500 --> 00:33:22,270 MMM. VERY GOOD. 507 00:33:22,266 --> 00:33:24,626 HEEE! 508 00:33:29,700 --> 00:33:32,030 YOU WORK HARD, RRA. 509 00:33:32,033 --> 00:33:34,903 YOU DESERVE A HEARTY MEAL. 510 00:33:34,900 --> 00:33:36,900 MMM. 511 00:33:36,900 --> 00:33:40,100 YOU DESERVE MANY THINGS FOR ALL OF THE HARD WORK 512 00:33:40,100 --> 00:33:42,370 YOU'VE PUT IN THROUGH ALL THE YEARS. 513 00:33:42,367 --> 00:33:45,197 AND YOU DON'T WANT TO JUST THROW IT ALL AWAY 514 00:33:45,200 --> 00:33:48,470 JUST BECAUSE FOR ONE LITTLE MOMENT 515 00:33:48,467 --> 00:33:50,127 YOU LET DOWN YOUR GUARD. 516 00:33:56,467 --> 00:34:00,227 THAT IS WHAT HAPPENS WITH A WOMAN LIKE THAT, RRA. 517 00:34:00,233 --> 00:34:02,973 SHE GETS IN UNDER YOUR GUARD 518 00:34:02,967 --> 00:34:05,527 AND BEFORE YOU KNOW IT, BOOM! 519 00:34:06,867 --> 00:34:08,927 IT'S A VERY GOOD DINNER, FLORENCE. 520 00:34:08,934 --> 00:34:10,574 - OH. - BUT... 521 00:34:10,567 --> 00:34:12,627 CLEARLY YOU THINK THAT I'M A PUSHOVER. 522 00:34:12,633 --> 00:34:13,803 YOU, RRA! NO! 523 00:34:13,800 --> 00:34:15,430 LOOK AT ME YESTERDAY: 524 00:34:15,433 --> 00:34:17,503 AF-AFRAID TO TELL YOU I WAS GETTING MARRIED, 525 00:34:17,500 --> 00:34:19,500 HIDING BEHIND MY FIANCEE'S PETTICOATS. 526 00:34:19,500 --> 00:34:22,500 - OH, PLENTY OF ROOM THERE! - THAT'S ENOUGH, FLORENCE. 527 00:34:24,033 --> 00:34:26,173 IT IS MY HOUSE 528 00:34:26,166 --> 00:34:28,096 AND I WILL SET THE AGENDA. 529 00:34:30,100 --> 00:34:32,330 WHATEVER YOU SAY, RRA. 530 00:35:06,667 --> 00:35:08,427 ( brakes squeal ) 531 00:35:14,734 --> 00:35:17,204 ( baboon screeching ) 532 00:35:23,934 --> 00:35:27,574 Note: MR. BUTHELEZI TELLS ME THAT YOU ARE ENGAGED TO BE MARRIED. 533 00:35:31,767 --> 00:35:35,697 I DO NOT RECALL US EVER GETTING A DIVORCE. 534 00:35:38,000 --> 00:35:41,100 YOU WILL PAY TO KEEP ME QUIET. 535 00:35:48,633 --> 00:35:52,073 THERE HAVE BEEN SO MANY OTHER GIRLS, AFTER ALL. 536 00:35:53,900 --> 00:35:56,100 SO MANY OTHER GIRLS. 537 00:36:01,133 --> 00:36:03,773 ( recapping pen ) 538 00:36:13,567 --> 00:36:16,197 ( baboons screeching ) 539 00:36:19,367 --> 00:36:22,627 ( dog barking ) 540 00:36:25,100 --> 00:36:27,000 ( screeching, glass shattering ) 541 00:36:27,000 --> 00:36:30,430 - OH! - ( alarm sounding ) 542 00:36:32,200 --> 00:36:35,970 ( bucket rattling ) 543 00:36:39,934 --> 00:36:42,634 GO! GO! 544 00:36:50,900 --> 00:36:53,700 - ( screeching ) - ( banging ) 545 00:37:01,066 --> 00:37:03,496 ( laughs ) 546 00:37:04,633 --> 00:37:06,503 ( gasps ) 547 00:37:12,633 --> 00:37:15,233 YOU THINK YOU SCARE ME? 548 00:37:15,233 --> 00:37:16,473 DO YOU? 549 00:37:16,467 --> 00:37:18,727 ( screeches ) 550 00:37:20,367 --> 00:37:22,097 I AM NOT AFRAID OF YOU. 551 00:37:22,100 --> 00:37:24,570 ( squealing ) 552 00:37:24,567 --> 00:37:27,667 MAYBE YOU SHOULD BE AFRAID OF ME! 553 00:37:32,934 --> 00:37:34,604 EH! 554 00:37:36,734 --> 00:37:38,774 ( phone ringing ) 555 00:37:38,767 --> 00:37:41,527 ( muttering ) 556 00:37:42,867 --> 00:37:45,667 WHO IS THAT CALLING AT THIS RIDICULOUS HOUR? 557 00:37:45,667 --> 00:37:47,197 Mma Ramotswe: Mr. Patel? 558 00:37:47,200 --> 00:37:50,230 - MMA RAMOTSWE. - I am sorry to call late, 559 00:37:50,233 --> 00:37:54,503 but I have solved the mystery of the kgale hill break-ins. 560 00:37:54,500 --> 00:37:56,000 AHH. 561 00:38:08,300 --> 00:38:10,230 ( buzzing ) 562 00:38:15,700 --> 00:38:17,730 BIRTHS, MARRIAGES, DEATHS? 563 00:38:17,734 --> 00:38:19,574 YES, PLEASE COME IN. 564 00:38:21,100 --> 00:38:24,030 THIS IS A CHECK FOR HER WORK ON THE CASE OF JACK, 565 00:38:24,033 --> 00:38:27,273 MY DAUGHTER'S IMAGINARY BOYFRIEND-- 566 00:38:27,266 --> 00:38:30,726 A FAT CHECK AS PROMISED. 567 00:38:30,734 --> 00:38:34,934 AND THIS IS FOR SOLVING THE MYSTERY OF THE KGALE HILL BREAK-INS. 568 00:38:34,934 --> 00:38:39,004 SOMETHING WHICH THAT MAN, BUTHELEZI, FAILED TO DO. 569 00:38:39,000 --> 00:38:42,630 QUIET RIGHT. THAT IS TWICE HE HAS LET ME DOWN. 570 00:38:42,633 --> 00:38:45,333 I'M A GREAT BELIEVER IN SECOND CHANCES, 571 00:38:45,333 --> 00:38:47,903 BUT THIRD ONES ARE NOT IN MY LEXICON. 572 00:38:47,900 --> 00:38:50,570 SO YOU WILL STICK WITH THE LADIES? 573 00:38:53,300 --> 00:38:55,930 - I AM A LADIES' MAN. - ( bead curtain rattles ) 574 00:38:55,934 --> 00:38:57,734 - Rra Matekoni: DUMELA, MMA. - DUMELA, RRA. 575 00:38:57,734 --> 00:39:00,574 - DUMELA, RRA. - DUMELA, RRA. 576 00:39:00,567 --> 00:39:02,997 SHE IS NOT AT HOME AND SHE'S NOT HERE. 577 00:39:03,000 --> 00:39:04,970 SHE IS FOLLOWING A LINE OF INQUIRY. 578 00:39:04,967 --> 00:39:07,027 I WAS JUST SAYING, RRA, 579 00:39:07,033 --> 00:39:10,773 WHAT A GREAT JOB THESE LADIES HAVE MADE OF THIS PLACE. 580 00:39:10,767 --> 00:39:13,167 IT PUTS US MERE MEN TO SHAME. 581 00:39:13,166 --> 00:39:15,726 VERY TRUE. 582 00:39:15,734 --> 00:39:19,004 YOU ARE IN A GOOD MOOD THIS MORNING, RRA MATEKONI. 583 00:39:19,000 --> 00:39:21,570 I'M A MAN ON A MISSION. 584 00:39:21,567 --> 00:39:24,627 YOU ARE CAN-DO LADIES. 585 00:39:24,633 --> 00:39:27,603 I'VE TAKEN THE DECISION TO BE A CAN-DO MAN. 586 00:39:27,600 --> 00:39:31,230 I MUST PROVE THAT I'M WORTHY OF MMA RAMOTSWE'S LOVE. 587 00:39:31,233 --> 00:39:33,073 I KNOW HOW YOU CAN DO THAT! 588 00:39:33,066 --> 00:39:35,326 I ALREADY HAVE A PLAN: I'VE GOT TWO TICKETS-- 589 00:39:35,333 --> 00:39:39,433 IT WILL GO STRAIGHT TO THE HEART OF MMA RAMOTSWE'S PROBLEMS. 590 00:39:49,166 --> 00:39:51,366 DID YOU FIND WHAT YOU WERE LOOKING FOR? 591 00:39:51,367 --> 00:39:53,567 I FOUND WHAT I HAD HOPED TO FIND 592 00:39:53,567 --> 00:39:56,567 AND I DID NOT FIND WHAT I HAD HOPED NOT TO FIND. 593 00:39:58,166 --> 00:39:59,666 CRIMINAL RECORDS? 594 00:39:59,667 --> 00:40:01,167 YES YES. 595 00:40:09,500 --> 00:40:12,770 GOOD MORNING, RRA. DID YOU SLEEP WELL? 596 00:40:12,767 --> 00:40:14,597 VERY WELL, MMA. AND YOU? 597 00:40:14,600 --> 00:40:16,870 NO SLEEP FOR ME. DO YOU KNOW WHY? 598 00:40:16,867 --> 00:40:19,067 WAS YOUR TINY RING TOO SMALL FOR YOUR FINGER? 599 00:40:19,066 --> 00:40:21,126 MY RING WAS JUST THE RIGHT SIZE. 600 00:40:21,133 --> 00:40:23,703 IT WAS NOT THAT THAT KEPT ME AWAKE. 601 00:40:24,967 --> 00:40:26,827 I AM GLAD TO HEAR IT. 602 00:40:26,834 --> 00:40:30,404 I AM A DETECTIVE, RRA. DID YOU KNOW THAT? 603 00:40:30,400 --> 00:40:31,930 NO. 604 00:40:31,934 --> 00:40:34,474 I MAKE IT MY BUSINESS TO FIND THINGS OUT. 605 00:40:34,467 --> 00:40:36,527 SO I STAYED UP VERY LATE 606 00:40:36,533 --> 00:40:40,033 AND FOUND OUT ALL ABOUT CUBIC ZIRCONIUM. 607 00:40:41,500 --> 00:40:45,030 IN CASE YOU DIDN'T KNOW, IT IS USED AS A DIAMOND SIMULANT. 608 00:40:45,033 --> 00:40:47,133 AND WHAT IS THAT TO ME? 609 00:40:47,133 --> 00:40:48,603 I WILL TELL YOU: 610 00:40:48,600 --> 00:40:52,570 I CONTINUED MY RESEARCH IN A VERY DIFFERENT DIRECTION THIS MORNING 611 00:40:52,567 --> 00:40:57,267 AND I FOUND OUT ALL ABOUT YOU, RRA. 612 00:40:57,266 --> 00:40:59,826 YOUR LIFE HAS BEEN VERY EVENTFUL 613 00:40:59,834 --> 00:41:02,504 AND VERY WELL DOCUMENTED. 614 00:41:02,500 --> 00:41:04,670 GOOD DAY, MMA. 615 00:41:04,667 --> 00:41:07,767 SO I THOUGHT I WOULD SIT HERE TODAY 616 00:41:07,767 --> 00:41:10,597 AND TELL ANYONE WHO COMES ALONG 617 00:41:10,600 --> 00:41:13,700 THE STORY OF KEBONE LEGODIMO, 618 00:41:13,700 --> 00:41:16,470 JEWELER AND JAILBIRD! 619 00:41:16,467 --> 00:41:18,927 - ONCE UPON A TIME-- - AHEM. 620 00:41:18,934 --> 00:41:21,904 --THERE WAS A-- 621 00:41:34,400 --> 00:41:38,630 ( sighs ) I WILL BE KEEPING A KEEN EYE 622 00:41:38,633 --> 00:41:41,503 ON YOUR BUSINESS PRACTICE. 623 00:41:51,166 --> 00:41:53,326 I'M HERE TO ASK YOU OUT ON A DATE-- 624 00:41:53,333 --> 00:41:56,473 - RRA, I-- - --TO THE NOTE MOKOTI GIG THIS EVENING. 625 00:41:56,467 --> 00:41:59,367 I HAVE TWO TICKETS. HE'S A FAMOUS JAZZ MUSICIAN, 626 00:41:59,367 --> 00:42:01,267 IN CASE YOU DIDN'T KNOW. 627 00:42:01,266 --> 00:42:04,696 ALSO, MMA, I WOULD LIKE TO GET YOUR RING ENGRAVED. 628 00:42:04,700 --> 00:42:07,430 COULD YOU LET ME HAVE IT UNTIL THIS EVENING? 629 00:42:07,433 --> 00:42:09,573 OH. 630 00:42:10,667 --> 00:42:12,327 OF COURSE. 631 00:42:14,600 --> 00:42:17,300 I CANNOT STOP. 632 00:42:17,300 --> 00:42:19,070 HEY. 633 00:42:47,667 --> 00:42:51,097 - NOW WHAT? - THIS RING, THAT'S WHAT. 634 00:42:51,100 --> 00:42:53,170 RRA, I AM NOT DOING ANYTHING THAT-- 635 00:42:53,166 --> 00:42:57,096 YOU WILL DO AS YOU'RE TOLD OR THERE'LL BE TROUBLE. 636 00:42:57,100 --> 00:42:59,470 REPLACE IT. 637 00:43:07,233 --> 00:43:10,873 ( jazz playing ) 638 00:43:23,166 --> 00:43:24,826 ( music dies down ) 639 00:43:24,834 --> 00:43:27,574 I THINK I'M PAYING OVER THE ODDS HERE. 640 00:43:27,567 --> 00:43:29,397 HE'S MISSED HIS CUE. 641 00:43:29,400 --> 00:43:31,170 NOTE! 642 00:43:31,166 --> 00:43:32,366 NOTE! 643 00:43:34,834 --> 00:43:37,504 WHERE ARE YOU, MAN? WE'RE ALL WAITING. 644 00:43:45,934 --> 00:43:49,034 ( women chattering ) 645 00:43:54,066 --> 00:43:58,466 RRA MATEKONI... ( speaks Setswana ) 646 00:43:58,467 --> 00:44:00,567 AHH! 647 00:44:08,533 --> 00:44:11,203 - YOU CAME. - OF COURSE. 648 00:44:11,200 --> 00:44:14,400 SOMETIMES IT'S BEST TO FACE UP TO YOUR FEARS. 649 00:44:14,400 --> 00:44:16,300 THAT IS TRUE. 650 00:44:16,300 --> 00:44:18,670 I'M TALKING ABOUT BOTH OF US. 651 00:44:23,700 --> 00:44:26,730 - YOU LOOK BEAUTIFUL. - ( laughing ) THANK YOU. 652 00:44:26,734 --> 00:44:29,634 - YOU LOOK VERY HANDSOME. - THANK YOU. 653 00:44:34,667 --> 00:44:36,827 - DUMELA, RRA. - DUMELA, RRA. 654 00:44:36,834 --> 00:44:40,674 AHH, TWO TICKETS FOR NEAR THE FRONT, PLEASE. 655 00:44:40,667 --> 00:44:43,627 NO NEED FOR A TICKET, MMA. YOU'RE ON THE GUEST LIST. 656 00:44:43,633 --> 00:44:45,273 YOU WERE COMING ALREADY? 657 00:44:45,266 --> 00:44:47,266 NOT OUT OF CHOICE. 658 00:44:47,266 --> 00:44:49,526 AND MAY I ASK WHAT YOU WERE COMING TO DO? 659 00:44:49,533 --> 00:44:53,133 IT IS A BUSINESS MATTER WITH CEPHAS BUTHELEZI. 660 00:44:53,133 --> 00:44:54,933 NOT WITH NOTE? 661 00:44:54,934 --> 00:44:57,134 WITH HIM TOO. 662 00:44:58,333 --> 00:44:59,903 DUMELA, RRA. 663 00:45:01,500 --> 00:45:05,000 ( man muttering ) 664 00:45:19,734 --> 00:45:21,774 WERE YOU LOOKING FOR ME, FLORENCE? 665 00:45:21,767 --> 00:45:23,727 OF COURSE I WAS. 666 00:45:30,200 --> 00:45:32,770 SO ARE YOU BUYING ME A DRINK? 667 00:45:46,633 --> 00:45:49,003 IT'S GOOD TO DO THINGS YOU DON'T NORMALLY DO. 668 00:45:49,000 --> 00:45:52,700 I WILL GO NOW AND SPEAK TO NOTE. 669 00:45:52,700 --> 00:45:55,100 THEN I WILL COME WITH YOU. 670 00:45:55,100 --> 00:45:56,770 THERE IS NO NEED FOR THAT. 671 00:45:56,767 --> 00:46:00,367 MMA, I'M DETERMINED TO BE MORE COURAGEOUS. 672 00:46:00,367 --> 00:46:04,997 IT WAS COURAGEOUS OF YOU TO ASK ME TO MARRY YOU AGAIN 673 00:46:05,000 --> 00:46:06,870 AFTER I TURNED YOU DOWN. 674 00:46:06,867 --> 00:46:10,597 THEN I WILL BUILD FROM THAT BASE. 675 00:46:18,600 --> 00:46:22,430 IT'S TIME TO SHOUT YOUR LOVE FROM THE ROOFTOPS. 676 00:46:28,367 --> 00:46:29,997 NOTE? 677 00:46:31,700 --> 00:46:33,500 NOTE! 678 00:46:37,233 --> 00:46:40,003 YOU'VE COME TO MAKE GOOD ON YOUR PROMISE. 679 00:46:40,000 --> 00:46:42,400 - WHERE IS HE? - NEVER MIND ABOUT NOTE FOR A MOMENT. 680 00:46:42,400 --> 00:46:44,670 I DON'T WANT TO BE HERE A MOMENT LONGER THAN NECESSARY. 681 00:46:44,667 --> 00:46:46,497 I HEARD YOU CRACKED THE BREAK-INS CASE. 682 00:46:46,500 --> 00:46:48,000 MORE THAN I CAN SAY FOR YOU. 683 00:46:48,000 --> 00:46:50,070 YOU ARE GOOD AT YOUR JOB, MMA, 684 00:46:50,066 --> 00:46:52,326 BUT THE PREDATORS WILL ALWAYS BE CIRCLING. 685 00:46:52,333 --> 00:46:55,173 MEN LIKE NOTE WILL ALWAYS SEE YOU AS VULNERABLE. 686 00:46:55,166 --> 00:46:56,996 IT WAS YOU WHO BROUGHT HIM HERE. 687 00:46:57,000 --> 00:46:59,830 TO PROVE THAT LADY DETECTIVES NEED MEN. 688 00:46:59,834 --> 00:47:02,704 NOTE WILL BE BACK AGAIN AND AGAIN. 689 00:47:02,700 --> 00:47:04,870 AND IN THE END, HE WILL TAKE ALL YOU HAVE. 690 00:47:04,867 --> 00:47:07,627 AND YOU WILL STOP HIM? 691 00:47:07,633 --> 00:47:11,103 FOR A CONTROLLING INTEREST IN YOUR AGENCY, YES, I WILL. 692 00:47:12,500 --> 00:47:15,400 WHEN YOU CAN'T EVEN GET IN TO OPEN THE DOOR! 693 00:47:20,667 --> 00:47:24,127 NOTE, OPEN THE DOOR, PLEASE. 694 00:47:24,133 --> 00:47:26,673 HE'S AN ARTIST, YOU KNOW? HE HAS MOODS. 695 00:47:26,667 --> 00:47:28,597 NOTE? 696 00:47:28,600 --> 00:47:31,200 IT IS PRECIOUS RAMOTSWE. 697 00:47:33,834 --> 00:47:36,834 ( door unlocking ) 698 00:47:36,834 --> 00:47:39,934 ( singing ) 699 00:47:47,266 --> 00:47:48,826 LOCK IT AGAIN. 700 00:47:48,834 --> 00:47:52,174 NOTE. RRA, MY REPUTATION-- YOU'VE GOT TO-- 701 00:47:52,166 --> 00:47:53,996 NOTE! 702 00:47:54,000 --> 00:47:56,100 I SAID LOCK IT AGAIN. 703 00:47:59,000 --> 00:48:00,930 DID YOU BRING THE MONEY? 704 00:48:00,934 --> 00:48:02,804 I BROUGHT A CHECK. 705 00:48:02,800 --> 00:48:04,230 HOW MUCH? 706 00:48:04,233 --> 00:48:06,203 IT IS BLANK. 707 00:48:06,200 --> 00:48:08,270 THEN START WRITING ZEROS. 708 00:48:08,266 --> 00:48:10,266 HMM? 709 00:48:12,133 --> 00:48:15,533 I NEED TO KNOW YOU WILL NOT COME BACK TO ME AGAIN. 710 00:48:15,533 --> 00:48:17,373 IS THAT SO? 711 00:48:19,667 --> 00:48:23,167 OR DO YOU SOMETIMES WISH THAT I HADN'T GONE AWAY? 712 00:48:25,700 --> 00:48:28,030 TAKE YOUR HAND OFF ME. 713 00:48:28,033 --> 00:48:29,933 WHEN YOUR NIGHTS ARE LONG AND DARK... 714 00:48:29,934 --> 00:48:32,834 WHEN THE NIGHTS WERE LONG AND DARK, YOU WERE NEVER THERE. 715 00:48:32,834 --> 00:48:35,474 WITH ME YOU TAKE THE ROUGH WITH THE SMOOTH. 716 00:48:36,767 --> 00:48:39,897 I LOST MY BABY. 717 00:48:39,900 --> 00:48:41,970 THERE WOULD HAVE BEEN OTHERS. 718 00:48:41,967 --> 00:48:44,967 THERE WOULD HAVE BEEN OTHER BRUISES TOO. 719 00:48:44,967 --> 00:48:47,367 AND BROKEN BONES. 720 00:48:48,367 --> 00:48:51,897 I WAS GLAD WHEN YOU WENT AWAY. 721 00:48:51,900 --> 00:48:53,730 NOW I'M HERE AGAIN. 722 00:48:53,734 --> 00:48:56,534 WANTING MONEY. 723 00:48:58,467 --> 00:49:00,327 JUST WRITE THE CHECK 724 00:49:00,333 --> 00:49:03,303 OR YOU WILL NEVER MARRY YOUR CAR MECHANIC. 725 00:49:03,300 --> 00:49:05,970 THAT IS WHAT YOU'D LIKE TO THINK. 726 00:49:10,667 --> 00:49:14,397 SO I WON'T HURT YOU NOW, IS THAT WHAT YOU THINK? 727 00:49:14,400 --> 00:49:18,570 I'VE BEEN AFRAID OF YOU FOR SO LONG, NOTE. 728 00:49:19,734 --> 00:49:22,534 FIRST IT WAS YOUR FISTS, 729 00:49:22,533 --> 00:49:25,773 AND THEN THAT YOU MIGHT COME BACK. 730 00:49:27,333 --> 00:49:28,973 AND NOW YOU HAVE. 731 00:49:28,967 --> 00:49:31,567 I STILL HAVE THOSE FISTS. 732 00:49:31,567 --> 00:49:34,227 BUT NOTHING ELSE. 733 00:49:36,533 --> 00:49:38,633 I DID SOME RESEARCH. 734 00:49:46,633 --> 00:49:51,203 NOTE, I DO NOT NEED A DIVORCE FROM YOU. 735 00:49:54,600 --> 00:49:57,430 YOU WERE MARRIED WHEN WE MET. 736 00:49:58,467 --> 00:50:00,867 YOU JUST FORGOT TO TELL ME. 737 00:50:06,066 --> 00:50:08,126 YOU HAD NO RIGHT TO MARRY ME, 738 00:50:08,133 --> 00:50:11,373 NO RIGHT TO DO ANY OF IT! 739 00:50:11,367 --> 00:50:13,127 GET OUT. 740 00:50:23,166 --> 00:50:25,066 THIS IS WHY YOU NEED MONEY? 741 00:50:26,967 --> 00:50:29,067 FOR THAT STUFF? 742 00:50:30,367 --> 00:50:32,427 HOW LONG HAVE YOU BEEN TAKING IT? 743 00:50:32,433 --> 00:50:34,673 GET OUT! 744 00:50:34,667 --> 00:50:38,367 WHY WOULD YOU TAKE THAT WHEN YOU HAVE WHAT YOU HAVE? 745 00:50:38,367 --> 00:50:40,827 WHAT DO I HAVE, HUH? 746 00:50:40,834 --> 00:50:42,874 NOTHING. YOU JUST TOLD ME. 747 00:50:43,767 --> 00:50:46,267 YOU HAVE THIS-- 748 00:50:46,266 --> 00:50:48,926 YOUR MUSIC, 749 00:50:48,934 --> 00:50:53,234 THE REASON WHY ALL THOSE PEOPLE ARE HERE TONIGHT. 750 00:50:53,233 --> 00:50:55,933 AND WHAT ELSE? 751 00:50:57,867 --> 00:51:00,027 JUST THAT 752 00:51:01,300 --> 00:51:03,870 IS MORE THAN MOST. 753 00:51:28,633 --> 00:51:31,403 FOR THIS, 754 00:51:31,400 --> 00:51:33,500 NOT FOR THAT. 755 00:51:40,266 --> 00:51:42,696 EVERYBODY IS WAITING, NOTE. 756 00:52:17,200 --> 00:52:19,370 I DO NOT REMEMBER. 757 00:52:19,367 --> 00:52:21,327 I THINK YOU DO. 758 00:52:21,333 --> 00:52:24,873 I TOLD THEM YOU WERE WITH ME ALL NIGHT LONG, 759 00:52:24,867 --> 00:52:27,367 AND THE CASE COLLAPSED. 760 00:52:27,367 --> 00:52:29,027 ALL NIGHT LONG? 761 00:52:29,033 --> 00:52:33,533 THAT I WOULD HAVE REMEMBERED. 762 00:52:33,533 --> 00:52:35,833 SO NOW YOU OWE ME A FAVOR. 763 00:52:35,834 --> 00:52:39,934 THERE'S THIS BIG WOMAN WHO IS CAUSING ME A BIG PROBLEM. 764 00:52:39,934 --> 00:52:42,274 ME AND RRA MATEKONI HAVE A GOOD THING GOING, 765 00:52:42,266 --> 00:52:44,796 AND SHE'S GOING TO RUIN IT ALL. 766 00:52:44,800 --> 00:52:46,930 ( jazz continues ) 767 00:53:02,300 --> 00:53:06,670 YOU KNOW, WHEN I WAS GROWING UP ON THE ORPHAN FARM, 768 00:53:06,667 --> 00:53:09,797 THIS MAN WAS ALWAYS THERE TO HELP US OUT, 769 00:53:09,800 --> 00:53:12,770 AND HE NEVER CHARGED A THEBE FOR HIS SERVICES. 770 00:53:12,767 --> 00:53:15,227 AND TODAY I CAN RETURN THE FAVOR. 771 00:53:15,233 --> 00:53:17,173 WILL YOU PLEASE WELCOME TO THE STAGE 772 00:53:17,166 --> 00:53:19,526 GABORONE'S GREATEST MECHANIC, 773 00:53:19,533 --> 00:53:22,633 MR. J.L.B. MATEKONI? 774 00:53:22,633 --> 00:53:24,773 ( all cheer ) 775 00:53:28,133 --> 00:53:30,273 UH, LADIES AND GENTLEMEN, 776 00:53:30,266 --> 00:53:32,966 I WOULD LIKE TO DEDICATE THIS GIG 777 00:53:32,967 --> 00:53:34,967 TO A VERY SPECIAL LADY 778 00:53:34,967 --> 00:53:38,667 AND AN OLD FRIEND OF THE MAN YOU HAVE COME TO SEE 779 00:53:38,667 --> 00:53:41,127 PLAY HIS TRUMPET TONIGHT, 780 00:53:41,133 --> 00:53:43,703 MY FIANCEE, 781 00:53:43,700 --> 00:53:45,630 PRECIOUS RAMOTSWE... 782 00:53:47,066 --> 00:53:51,426 THE BEST DETECTIVE AND THE FINEST LADY IN ALL BOTSWANA. 783 00:53:59,600 --> 00:54:03,000 ( all cheering ) 784 00:54:10,900 --> 00:54:14,270 LADIES AND GENTLEMEN, ONE LUCKY MAN. 785 00:54:18,800 --> 00:54:22,530 ONE, TWO-- ONE TWO THREE FOUR. 786 00:54:46,967 --> 00:54:51,397 COME, WE HAVE FACED ENOUGH DEMONS FOR ONE NIGHT. 787 00:55:14,834 --> 00:55:18,074 - WOW. - NANDIRA? 788 00:55:18,066 --> 00:55:19,466 DUMELA, MMA. 789 00:55:19,467 --> 00:55:20,967 WE CANNOT STOP. WE ARE LATE. 790 00:55:20,967 --> 00:55:24,127 DON'T BE LATE HOME OR YOUR FATHER WILL BE CALLING ME AGAIN. 791 00:55:24,133 --> 00:55:25,373 I WON'T. 792 00:55:25,367 --> 00:55:27,897 OH, AND MMA, THIS IS JACK. 793 00:55:27,900 --> 00:55:29,770 HELLO. 794 00:55:55,767 --> 00:55:57,767 WHOO! 795 00:56:08,367 --> 00:56:10,667 ( knock at door ) 796 00:56:19,000 --> 00:56:22,300 ( dogs barking ) 797 00:56:22,300 --> 00:56:25,070 - HANDS UP! - AHHH! HEY. 798 00:56:25,066 --> 00:56:28,226 LEANNYE! WHERE HAVE YOU BEEN? I'VE BEEN WAITING SO LONG. 799 00:56:28,233 --> 00:56:30,173 COME HERE. 800 00:56:33,800 --> 00:56:36,430 OH, BABY. 801 00:57:05,867 --> 00:57:09,367 YOU REMEMBER, MMA, I SAID I WAS GOING TO BE MORE COURAGEOUS? 802 00:57:09,367 --> 00:57:11,597 I REMEMBER VERY WELL. 803 00:57:12,967 --> 00:57:17,097 I TOOK THE RING BACK AND MADE HIM CHANGE IT FOR A REAL ONE. 804 00:57:17,100 --> 00:57:19,500 MMA MAKUTSI TOLD YOU? 805 00:57:19,500 --> 00:57:22,900 AND I MADE HIM ENGRAVE IT, FREE OF CHARGE. 806 00:57:37,133 --> 00:57:41,703 "FOR A REAL BOTSWANA DIAMOND." 807 00:57:45,767 --> 00:57:47,667 IT'S BEAUTIFUL. 808 00:57:48,567 --> 00:57:50,327 THANK YOU. 809 00:58:06,367 --> 00:58:08,827 I LOVE YOU, J.L.B. MATEKONI. 810 00:58:12,700 --> 00:58:14,700 I AM VERY GLAD. 811 00:58:26,834 --> 00:58:28,974 ( theme music playing ) 52217

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